2Eleven Talks Unreleased 2pac Verse, Nipsey Hussle & How To Level Up

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:07):
All right, were back at it, Chuck Dizzel, Live it direct, homegrown,
keep it homegrown as always.

Speaker 2 (00:12):
Man, you know I got the homeie in here. Man.
Two eleven is back leveling up international style.

Speaker 1 (00:17):
Man, come on with global, bro. You just got back
from all the way. You went on a nice little
international situation.

Speaker 2 (00:23):
Bro.

Speaker 1 (00:23):
Talk about where you went. What's been going on? You
clearly said you were jet lag.

Speaker 3 (00:28):
What's been What's been going on in super jet lag? So, Man,
we just needed a break from the land, you know
what I'm saying. With the business I do, It's like, Man,
let's me and my homie Dug. We like, Man, let's
let's go somewhere. I'm like, well, I want to go
somewhere like handle some business. So I had a couple
of good people.

Speaker 4 (00:44):
I know. You know what I'm saying.

Speaker 3 (00:45):
I was in China and they're like, man, come on,
it's for the business too, you know. So we were
able to hit hit the manufacturers. You know what I'm saying,
that that make the T shirt, print the T shirt,
that bag it up.

Speaker 4 (00:57):
You know.

Speaker 3 (00:57):
I had to try it out like two or three
actories out there, and you know, I ran with one
of them. So and and and and that was in Guanzhou, China.
You know what I'm saying.

Speaker 4 (01:07):
He was out in Guanzo.

Speaker 3 (01:08):
It's like out here to be like from downtown to
riverside Guanzou, like riverside, you know.

Speaker 4 (01:13):
Also the distance and distance what I'm saying. But we
got there and.

Speaker 3 (01:17):
It probably it's now Guan Joe, probably like San Diego
because it's really it was. It was like an hour
and eight minutes on the speed train, on the fast
bullet train, you know what I'm saying, So it could
have been some miles. Yeah, we got there in an hour,
spent like four or five days up there handling business, uh,
doing a lot of shopping, you know, and just outsourcing
the products.

Speaker 4 (01:38):
It was.

Speaker 2 (01:38):
What's wild about this man?

Speaker 1 (01:40):
That's what I want to kind of start off with man,
because you you are I'll call.

Speaker 2 (01:44):
You a business man.

Speaker 1 (01:45):
You know, a lot of people to know you as
as a just a not just a rapper. But I
mean that was the entry point for a lot of
people in this conversation.

Speaker 2 (01:51):
Right. But but how did how did that pivot come
from you?

Speaker 1 (01:54):
How early was that for you to understand the importance
of business while handle it, handling it in music and entertainment,
but then pivoting to the fashion and all the other
hats that you wear.

Speaker 3 (02:04):
I mean, the music is like a centerpiece to anything
that's the culture, you know what I'm saying. So it
started with the music. I had to be more mature
to where I could really just be some in one place,
you know what I'm saying, like a sitting duck, you
know what I'm saying. So I had to, you know,
get everything off my jacket, you know what I'm saying,
to really get to the business. So, I mean, clothing

(02:24):
always been like an overhead, so we just turned the
overhead into you know what I'm saying, profit, you know
what I mean. And and basically, like I said, the
music the centerpiece. I just tapped into my resources. You know,
I didn't been to magic shows and all star games
and fashion shows and everything is around the music. So
I just used my music connections to tap into the

(02:48):
clothing brands and the reps and the owners and all that.
And you know, July mark seven years for my store.

Speaker 2 (02:58):
I know it's been over five years.

Speaker 1 (02:59):
I knew it people before the pandemic, but I didn't
know the exact exact numbers.

Speaker 3 (03:03):
July twentieth was marked US as seven years. So in
the midst of that, it's like I'm learning that I
learned as I as you know, I had to learn
as I go. So now it's you know, after magic
shows and you know, just other conventions, I'm like, man,
let's go to where they Let's cut all these people
out the middle. Right, you know what I'm saying, he
know him and he knows him, and let me let's

(03:26):
cut all that out, all the middleman out, and I'll
spend my thousand to go straight to the plug and
tell him exactly what I want. Because out here I
oversee like two or three brands and it's like, I
feel like I got to settle for whatever is available.

Speaker 4 (03:41):
Wow, you know what I'm saying.

Speaker 3 (03:43):
And so let's cut all that you know, availability out
and I'm gonna go straight to the source and tell
them what I want, how I wanted, how I wanted
to feel, how I wanted to look, how I wanted
to be presented, the presentation, everything, and and it's gonna
be seventy percent cheaper than what I'm gonna pay here.
It's just a it's just like the little baby tariffs
and the ship and I gotta work out.

Speaker 4 (04:03):
But that ain't nothing. I feel like the conversation.

Speaker 1 (04:05):
I mean, you've probably known about tariffs and all what that's,
what that means and all that, but I feel like
that's been the.

Speaker 4 (04:10):
Headline of the conversation for the last few months.

Speaker 3 (04:12):
But I'm like, if y'all really checked the news out
and really just tap in TikTok like Google, they tell
you everything right there. You could hear it, you know
what I'm saying. So it was a tariff war. The
tariff bed back and forth. You know, when it comes
to China, we are the main.

Speaker 4 (04:29):
Buyers.

Speaker 3 (04:29):
We America buy shit. They make shit. Yeah, you know
we can't curse on here. Yeah they we buy shit,
they make shit.

Speaker 4 (04:37):

Speaker 3 (04:38):
So it was a back and forth war, and it
was up like two hundred and seventy five percent, you
know what I'm saying. So I remember in February I
tried to get some tried to get some some samples,
and that was like six seventy five, and when I
was ready to press go, the tariff shiit popped off. Man,
that from six seventy five, my shit was twenty eight
hundred you know what I'm saying. So I'm like, time out,

(05:01):
hold up, and they put a pause on the tariffs,
so I'm like, let's just go.

Speaker 2 (05:05):
So that was the that was the reason for the trip.

Speaker 3 (05:07):
But when they when the tariff ship happened, you know,
TikTok unlocked, really China unlocked because China is a uh,
they got a dictator, so they tell them what they
want to hear, what they want to see, and what
they can't see and what they can't see. They took
the blind folds off everybody's face, like, look, check it out.
This is this, we do this, this, this, and this.
If they tripping like that, come on, y'all, come over

(05:29):
here and.

Speaker 4 (05:29):
Get it, damn.

Speaker 3 (05:30):
And then and then that's when Trump like, not, let's
go climb out on the wet Yeah, let's clear less,
you know what I'm saying. And then they just I
forgot the percentage they make it, but it's just like
a small seven or eleven percent more than it was
before all the you know, the controversy and ship.

Speaker 1 (05:48):
But I mean prior to prior to the terriffs kind
of skyrocket and the way they were. My point was
that you already kind of already knew that, you know,
going to the plug was still going to be a
cheaper route than kind of doing things out here.

Speaker 3 (05:59):
Yeah, it's cheaper, but it's tedious. Like even with me,
I sell other brands, you know what I'm saying. So
it's like I use that like I got my own brand,
you know what I'm saying. So when it comes to
me selling other people brands, it's like, I just settle
for that, and all my time is in these forty
fifty brands that I got in my store and online

(06:22):
that I can't really focus on my stuff or the
clients that I work that I do, you know what
I'm saying, projects for So I'm like, let me just
put some attention to this and then I can really
cut my clients price down, cut my price down, you
know what I'm saying. And now now I'm the middle man.
I'm the international middle man. I'm not just the middle

(06:43):
man nigga down the street.

Speaker 4 (06:45):
You feel me.

Speaker 3 (06:45):
I got the Plug, I could put anything in everything together,
you know what I'm saying.

Speaker 4 (06:49):
So I'm just connecting the dots.

Speaker 1 (06:51):
At what point, you know, since we were celebrating almost
celebrating seven years at a level of store. Man, Why
was it important for you to do it home base
versus going to mail Rods or going to any other spots.

Speaker 3 (07:02):
Yeah, that was the That was basically the whole motive
was like, so we don't have to drive far, you
know what I'm saying. If you like from the west
side of town, you know, on the west side of town,
that's really the only place you could shop unless you
go to Beverly Center and Marrow and he don't even
go to the mall no more, you know what I'm saying.
But if you're on the west side, or if you're
in the city period, it's only a few places to

(07:23):
go to to buy, you know, the type of clothes
that you know, people wear, the trend the trendy, you know,
fashion clothes, street fashion, and it's like Fox Hiells Mall
Ship from there, there's really nothing Carson Mall and after that,
before it was me, it was nothing. So then when
I came, it's level up. It's till it's you know,

(07:45):
dnim exchange a lot of people. Then came up to
twenty seventeen, twenty eighteen, sol On Ice over my yeah,
my boy Herman. So it's been spots. You know what
I'm saying, it's spots that go up and go down
because people just you know, it's a rough game.

Speaker 1 (08:02):
What's been the challenges that you've had to face, you know,
with with starting the store up, you know in the
home city, you know what I mean in Inglewood some
of the challenges and not just not just specific to Inglewood,
but like some of the challenges that you face actually
putting the store together.

Speaker 3 (08:18):
The challenges was, man, look where I came from and
how I was getting my money. These challenges are walking apart,
you know what I'm saying. It's not even even the penalties.
And you know, so it was more learning than I'm
challenged every day with something new every day.

Speaker 4 (08:32):
Just I was just challenged.

Speaker 3 (08:34):
How to like communicate with people because I was really
like before I think before this store, I was unapproachable,
you know, I was I was anti social.

Speaker 1 (08:45):
You know, do you think that was more of a
misconception or just that was really embody?

Speaker 4 (08:50):
It was more of a misconception.

Speaker 3 (08:53):
But then you know I had people close to me
like bro, you smile and like yes, like smile nigga, Like.

Speaker 4 (08:59):
Why you get at him?

Speaker 3 (09:00):
Like you curved him and I don't what doing it
on purpose, because I'm not that type of guy, you
know what I'm saying. But it was like, I'll just
do it just because I'm just so used to it,
you know what I'm saying. And it wasn't never intentional,
But when I got in the story, it was like, oh,
I got to change my approach, you know what I'm saying.
I got to change my personality. I got a smile.

Speaker 2 (09:18):
It's customer service.

Speaker 3 (09:19):
Kits babies, Yeah, it's customer service. So I had to
you know, I had to be like that right then.
It was just a perfect time and a perfect time,
and even in the city because you know, like I say,
ten fifteen years ago, I couldn't be like that because
it was too much going on. It's too much activity
in the land. And I was younger, so I was
still in the mix of what was going on. So
now I'm older, I'm like, you know, I'm basically like

(09:42):
I'm retired, you know what I'm saying. From that part,
why is our business?

Speaker 2 (09:46):
Why is it?

Speaker 1 (09:47):
That's a common thing that always here with with people. Man,
It's that age kind of like brings that on. And
I always try to ask people like that that come
from your position of like now that you're kind of
like you've you've gained at a little wisdom with that.
Is there anything that you could tell the youth coming
up to kind of like curb them or make them
learn that a little earlier, or is it just like

(10:08):
you just gotta gotta live.

Speaker 4 (10:10):
They gotta bumped they head, got it? You feel me?

Speaker 3 (10:12):
I had to bump my head. I was always what
saved me. Or out out here with I was, I
could always leave. So I always had a whole operation
set up in Vegas, New York, Atlanta. You know what
I'm saying, Poorland, I was. I've been everywhere, you know
what I'm saying. So it's like that's what saved me.
But if I ain't had nowhere to go, I would
have just been in here. I'd been another victim, you

(10:34):
feel me, A county jail or Nigga was cemetery, you
know what I'm saying. So me leaving going to chase
some money or or or you know, I was signed
in Atlanta, So me having to go back and record,
back and forth and back and forth. It kind of
kept me out of you know what I'm saying. Because
every time I leave, I come back, it's eight niggas
went to jail and two hommies dead. You feel me like, Okay,

(10:55):
I hang out with a minute, Leave come back, it's
the same. Leave come back, It's the same. You know
what I'm saying. Years went by, it's a lot of
people that ain't here, and I kind of slipped through
the cracks because I had options, you know what I'm saying.

Speaker 2 (11:06):
So well, one.

Speaker 1 (11:07):
Thing that I'll listening to your project and what's crazy,
we even got to the music side of Yeah, I
just wanted to pick your brain business wise, because I
think that's one of the things that we got to
tip tip our hats off.

Speaker 2 (11:17):
Like I think out here specifically, we see you.

Speaker 1 (11:21):
So much where we don't really pay attention to like
who you really are, you know what I mean, And
I think it's important that we kind of like highlight
that because it's like, I think experiencing somebody like yourself
that's had that that has something in the city like
this and and that's accessible that that we have kind
of seen throughout the years kind of transformed his life.

(11:42):
It's like we we kind of take it for granted
because we see you all the time. But it's like,
if you really pay attention to the story, it's an
amazing story. It kind of like highlighting document, you know
what I mean. We haven't even talked about the music side,
but I wanted to talk about that. But on your
project Profit and Loss, which is out right now, one
of your latest projects that you got, you mentioned something
that I hadn't heard and maybe I just wasn't privy
to the information. I think you mentioned in an interview
as well, but that you intern for depth.

Speaker 3 (12:04):
Jam Oh yeah, yeah, yeah, okay, at that at eighteen
at eighteen yeah, swiment team going on eighteen was.

Speaker 2 (12:10):
Talk about that process and wanting to do that and where.

Speaker 4 (12:13):
Were you wanted to do that. I was an accident.

Speaker 2 (12:15):
Wait do you mean?

Speaker 4 (12:16):
So? Okay?

Speaker 3 (12:17):
I was just in a whole bunch of shit out
here and I had to leave LA, right, So I
got on the Greyhound and went out there and I
called him my uncle, but it's really my aunt's boyfriend
from since when I was born, you know what I'm saying.
And he went to jail, they broke up, she remarried whatever, whatever.
He's still un so, yeah, he's still unk to me,
you know what I'm saying, So I get out there,

(12:39):
I stay with her, I meet up with him.

Speaker 4 (12:42):

Speaker 3 (12:43):
I ended up going to stay with him, but he
ended up when I met him. She always knew who
Hype Williams was because they lived across the street from
each other in.

Speaker 4 (12:51):
Jersey when I was young.

Speaker 3 (12:52):
It was just like ninety four ninety five, Like he
worked on Belly, he worked on all the videos like
he was a He was like the key grip or assistant.
He was like basically Hype assistant. And when he go
to jail, he get out, this is your uncle.

Speaker 4 (13:07):
This is my uncle. Got so I guess Hype.

Speaker 3 (13:09):
Long story short of him and Hype got business Partners,
was business partners, and he started managing Vita, which Vita
was signing Murdering, but she was signing Hip Williams. You
know what I'm saying. But my uncle was her manager
and for the management team. So we go to Depth
Jaim to pick up a check for them, and I'm
just waiting in the car and I just happened to
just go upstairs like you got me in the car,

(13:29):
and I like and it's like coming up in the
radio station and you can't get behind these doors. You
see how you're at the buzz so I don't know
where he at. I almost looking seven front. I'm looking
for uncle. I get behind the doors and I meet
uh Mike Kaiser assisted Stephanie, you know what I'm saying.
And she like when I talk, it's like you from

(13:50):
laf from California. She like from California, if from the back.
But we get to talking what you're gonna do with
your life?

Speaker 4 (13:57):
I don't know. I'm job corps.

Speaker 3 (13:59):
I guess she like nigga and to get you a job,
walk me down the hallway to fucking the vice president
of promotions, not just Deaf Jam, but Island Records as
a whole. You know what I'm saying. They give me
a job on the spot. But it was like you're
gonna be an intern. I don't even know what intern was.
I'm like, hey, Stephanie was an intern. I mean you
don't get no money. I'm like, shit, fuck it. I

(14:20):
get to be up and here free food and all
these pretty women walking around like it's a up feel
me the label? The label back then, that shit was
like a party, like I'll be at work on time,
Like what's gonna happen today? Who I'm finishing today? I
remember I was inting there one day and I was
gone from La so long. Bro and I hit the
corner one day, I see some niggas with blue chucks,

(14:43):
blue blue strings, blue khaki suit. I turned around, they
turned around. It's dub seeing crazy tunes rest in Peace.
I'm like, oh bloo was bracking. They look at me like, couse,
who is you. I'm like, oh shit, I've been out
here bro wool Woop being dubbed like walk off crazy tunes,
like you know what I'm saying. He like, you know,
higher at me real quick and and he get on

(15:05):
and shit. But I was so just hyped to see
some niggas them being in there. It was just so
funny how they looked at me like who this little ass.

Speaker 4 (15:12):
Nigga was so with you, cuz? And I'm like, oh damn,
did that shit just come out like that? I'm like no, no,
I got from Inglewood Wool right.

Speaker 3 (15:20):
So so yeah, I was there for like seventeen months,
and then I wasn't rapping.

Speaker 4 (15:25):
Though I was gonna say this was before I wasn't.

Speaker 3 (15:27):
A rapper this way before music, I ain't start rappinguntil
I was like twenty three.

Speaker 4 (15:31):

Speaker 3 (15:32):
So so so I met a producer, like a big
boy producer, like.

Speaker 4 (15:37):
He was big time.

Speaker 3 (15:37):
He just happened to live down the street from from
where I was staying at. And I met him because
my uncle used to try to get beats from him,
and he would get beats for Vita for her, you
know what I'm saying. And one day I ended up
moving over here and I'm like, man, that nigga, that's
the same house. I knocked on this nigga door.

Speaker 4 (15:52):
For a week.

Speaker 3 (15:53):
He never home, so so like it was just a coincidence.
And I'm on, I working on forty ninth and eighth
at dev Jam. He telling he like, hey, come to
the studio. We're on forty fourth and eighth.

Speaker 2 (16:05):
Aff.

Speaker 3 (16:06):
This was you remember when they shot making the band
in that big red building.

Speaker 4 (16:10):
See they was on the fourth floor. We on, My
boy was on the fifth floor.

Speaker 2 (16:13):
Wow.

Speaker 4 (16:14):
So I'm going into Daddy's house. Shit right.

Speaker 3 (16:17):
We in there every night, and I learned how to
rap just off of that shit, like how to write
the songs like shit took.

Speaker 2 (16:23):
Forever, structuring bars and all that.

Speaker 3 (16:26):
Being there, you know if you if you're in New York,
you can't and you live across the water after two o'clock,
ain't no ain't no getting across the water.

Speaker 5 (16:34):
Bro.

Speaker 3 (16:35):
You know what I'm saying. It's like it is, but
it is rough, you know what I'm saying. So we'll
leave a studio and I go to the club with
these grown ass niggas till three four in the morning,
and then he'll bring me back home. And I got
to get right back up and get on the train
to go to work in the morning.

Speaker 4 (16:50):
Yeah, you know what I'm saying. So that's how I
ended up losing the job.

Speaker 3 (16:53):
At Death Jam, because you showed up late and just
showing up late all the time, and they gave me, like, bro,
you lay one more time, so I have to let
you go lo some cool ass white boys. Though even
when they fired me, they gave me like five checks
in advance and Nigga, I had like two more weeks
until Christmas vacation. That was Finn transfer me to the LA.
They knew I was homesick, hitting me and they was

(17:14):
Fins transfer me and I was gonna have a full
position of Cuba coin all on sunset at La Death
Jam at the Death Jam in La and you had
blewid you had to party with nig and I had
to go to the strip club that night.

Speaker 4 (17:28):
But I ain't had no choice though, because I was
stuck in this.

Speaker 1 (17:31):
Let me.

Speaker 2 (17:31):
But you can't tell them that. It's like, hey man,
I was stuck. Yeah, you can't tell them.

Speaker 4 (17:34):
But I wanted to come back to the set so much.
I don't give a fuck about feel fired.

Speaker 3 (17:37):
I'm finna hit the block, fell back at the park being.

Speaker 2 (17:41):
In that experience like that didn't. That didn't.

Speaker 1 (17:44):
I'm not gonna say shake you, but get you to
get you to the point where like plant that seat
of like, okay, man, this is this is what I
want to do. Let me straighten my ship up and
figure out when I got back home.

Speaker 4 (17:54):
Nah nah, because I ain't what I wanted to do.

Speaker 3 (17:56):
I ain't want to be no fucking secretary pushing papers
and ship and doing.

Speaker 2 (18:00):
What I'm saying. But that was the entry point to
maybe something else you wanted to do.

Speaker 3 (18:03):
Like I didn't know what I wanted to still, I
wanted to be a gang banker, That's what I wanted
to do. I didn't give a fuck about death, No
internship for that about that job, I ain't here. I
didn't really care about no money like that. If I
could get a little bit of money to fund my
gang activities, then I was straight. But bro, I'm eighteen.
You feel me nineteen. Now I'm back in the la

(18:23):
I'm nineteen. You know what I'm saying. When it was Haden,
I'm just set every day. You feel me doing this
and having And I went and.

Speaker 4 (18:31):
Got a job.

Speaker 3 (18:32):
I worked at every part of the damn airport. But
I was still in the streets doing my little one too,
you know what I'm saying. But and I just caught
a Vegas wave. I just caught a wave in Vegas
and I got up out of there about like I
was twenty, and then should I'll start covering Vegas. That's
when I started meeting niggas. Yeah, Vegas had well open
opened it up to where it was like, oh, from

(18:52):
the bank. Yeah, it's niggas from Portland, niggas like us.
It's Sandyego nigga. What you mean y'all like that? Okay,
I ain't no shit. Yeah, I just knew my little area.

Speaker 1 (19:02):
So you getting out kind of exposed you to different areas.
And that also made you want to travel to different
other other regions as well.

Speaker 4 (19:10):
Yeah, No, definitely, Wow, definitely.

Speaker 1 (19:12):
Because that's the one thing you hear, like a lot
of people don't want to leave. They section they never
want to leave because they don't know what they're going
to go.

Speaker 4 (19:18):
See.

Speaker 3 (19:19):
I didn't like even with this last China trip, I
didn't know what was going on. But I didn't been
on missions so much, on out of town missions, out
of state, out out the country solo or with a
hommy or something like that, and they gotta figure it out,
you feel me, And it's fun figuring it out. Yeah,
Like on this last trip broke. We landed in Hong Kong,

(19:41):
Hong Kong, like they use visa. A lot of people
speak English, blose a blah, but you need a visa
to go across to mainland China, like Hong Kong is
Hong Kong is China. But the British owned that shit
for I don't know how long. They just gave it
back to them in nineteen ninety nine, so it's colonized
or however you said a little bit and you cross
that water, the niggas, the money don't matter, you don't marry.

(20:05):
It was invisible for five days. Niggas was like, there
ain't no girls talking to us, no, none of that.
The money don't work, the phone don't work. Uber ain't
no such thing as Uber. Ain't no PayPal, no cash app,
no zeil, no nothing. Nothing means nothing but fast forward?

Speaker 2 (20:22):
Did you trying to figure it out? That's that's the
that's the rush.

Speaker 3 (20:25):
It took us an hour to figure that ship out
in the train station trying to get back to our hotel.
And we figured it out, you know what I'm saying,
even to get back to Hong Kong to fly out,
because that weekend we went to the Philippines.

Speaker 4 (20:36):
Philippines were smooth.

Speaker 3 (20:37):
Though, because because they like a lot of people speak English.
They love the culture. But China they just like nigga whatever.
They won't even tell you nigga whatever. They just keep walking.
A culture shock because when you look at the people
in the swap Meet, how many cool mother uckers is
in the swap you know, the vendors was.

Speaker 4 (20:57):
In the swap Met.

Speaker 3 (20:58):
They like herb and by it, yeah, I mean I
can't say they don't like us because they that's just
the way they is. I won't never say they're like
racist or you know what I'm saying. They that's just
how they is. They just some rude motherfuckers. But that
they don't even know they you know, they wrong or nothing,
not how they move.

Speaker 2 (21:13):
That's so funny.

Speaker 1 (21:13):
When I when I heard about going back to the
intern story, I thought that that was the entry point
into you getting to deal with with CTE.

Speaker 2 (21:22):
I thought that was the whole, that was the entry
point for that.

Speaker 3 (21:25):
I thought once you got that was like a sh
So if that was two well.

Speaker 2 (21:32):
You said you start rapping at twenty three, so at
four or.

Speaker 4 (21:34):
Five years, I ain't get over there until six.

Speaker 1 (21:38):
But but but what was it utilizing the relationships that
you would had prior.

Speaker 3 (21:42):
With the way I got over there was some street
ship from La. My partner from the East Side put
me up on that. My crip Hommy from the east Side, Like, man,
I'm out here and I'm moving with these niggas, and
these niggas check it out.

Speaker 4 (21:54):
If you're still doing that rap shit. Yeah, you know
what I'm saying.

Speaker 3 (21:57):
You know, I just be just flowing at the park
in the spots, you know what I'm saying. While niggas
is doing what they want to you know what I'm saying,
And he like, man, if you really record some ship,
you could be And I started recording some ship. I
really started hanging out with like Corrupt and Roscoe and
Tone and remember they had Yah yeah, so they was
really put the battery in my back, like, oh shit,

(22:19):
you got the whole, you got all the tools, nigga
car Jerry Closes, you got the kit you got just
do it like this, and going to the studios like
that in Vegas and in La just when even when
death Row was popping, you know what I'm saying, So
they had Eastwood and all of them might be sitting
there like damn, I could do that ship too. So
they was that was a lot of inspiration for me.

(22:41):
And then I went to death Row. Before I went
to I was, I was with with Sugar before I
went to g Z. So I was artist development with
Sugar for like a year. I was like the whole
two thousand and five, and then the end of five
and six I was hanging with with GZ in them
and then I ended up getting a record deal through them.

Speaker 2 (23:00):
So what what lessons did you learn? Well? I got
two questions.

Speaker 1 (23:04):
One, did you ever see uh, Dove c again and
Crazy Tunes and let them know yo, I was that
that intern that read in I've.

Speaker 3 (23:11):
Seen Crazy Tunes. I don't think I seen dub like that,
like not on a personal note, probably just in passing.
But the funny thing is, I'm at I don't know
was it a Terrence Martin video or or Western Union
video one of them with DEMONI I just know Domani
and bad Luck was there, and Superfly and Crazy Tunes

(23:31):
was in there. I get to chopping over Crazy Tunes
and I tell him he kind of didn't even remember.
I'm like, oh, well, take my CD you feel me
off a woo wooty whooping. This is what I'm on.
Nigga call that's when you print up the CDs number
on the back. Nigga called me, Hey, what's something, hommy,
check it out? This shit hard, Hey, come come over here,
pull up on me.

Speaker 4 (23:51):
So I'm like, all right.

Speaker 3 (23:52):
It was me and my hommie don P and we
had a I had a magnum.

Speaker 4 (23:58):
I had a black and red magnum.

Speaker 3 (23:59):
Hemmy right, So he like meet us on like one
hundred and eighth for something like that. We had We
had Auntie House and mom's house. I'm like, all right,
I'm thinking it's some low key shit. He's just gonna
pull up. We pull up all them niggas on the block.
I'm like, oh, bro.

Speaker 4 (24:14):
It's just the right spot. So now I'm pulling up.
I'm in.

Speaker 3 (24:20):
We jumping out like we looking like some members these
niggas for show members. Niggas own us because who is
damn said crazy tunes come out the driveway. No nigga
is my young he extra to this, my young homie
from minkle Wood.

Speaker 4 (24:34):
Will was good. I'm a young homie.

Speaker 3 (24:39):
And we sat there, chopped it up, ate some barbecue
and we got on that and and I ain't really
get to see him after that, you know what I'm saying.
But he was one of the coolest niggas I ever met,
Like like an O G l A from day one type,
you know what I'm saying. Late eighties, early nineties. He
was a g and he was really outside on some
on some real nigga shit called the number on the

(25:01):
back of my CD. Nigga like pull up full, I'm in,
I'm in the hood. I'm like, oh, this nigga.

Speaker 1 (25:06):
Some ship that's far that he tapped in with you.
But I was gonna ask you your your experience with
with Sugar Night. What what lessons did you take from
that that you were able or him in death Row
that you were able to kind of implement when you
did end up getting signed to CT.

Speaker 4 (25:22):
It was a lot.

Speaker 3 (25:23):
It was a lot of hanging out and I did so.
I was an artist development, so I did learn how
to record. You know, that was my first time in
like big boy studios, you know, like big Boy ship.
I'm like this ship crazy. Yeah, just just learning how
to wrap, you know. It took me a minute and

(25:43):
and and to it. It taught me to to get
up and go. Just how I came here. I forgot
I posted here, we turned in the wheel around, we
finished light to that. You feel me with the hommy,
That's how it was with sug I'll be on vacation.
They called me like, hey, bro, we come to the
studio like hold on talking toga, like you feel me? No, Nigga,
come to the studio. We're trying to work, like Nigga

(26:06):
flew me. He like pay for everything. I'm gonna cash
you out. And I flew from Lake Tahoe, from Reno
to l A stayed here for like two days, you
know what I'm saying, And he cashed me out at
the end, like yeah, it gave me like triple of
what I spent. Like yeah, man, you know what I'm saying,
keep recording, you know what I'm saying. I flew back out,
but I never got none of that music though.

Speaker 2 (26:28):
So it's still that fro somewhere.

Speaker 3 (26:30):
Yeah, should I hope? So I got a Tupac song
up in there. You gotta I swear to God that
you brought up a Tupac song.

Speaker 4 (26:36):
You feel me?

Speaker 2 (26:37):
Tupac verse.

Speaker 3 (26:38):
I got a Tupac verse. I'm on a tour with Tupac.
Got a verse of mind. Put it like that, you
feel me? He pulled up some unreleased Tupac ship. It
was like, you're gonna get on that. I'm like, hell yeah, nigga,
what you mean?

Speaker 4 (26:50):
But I got rapped.

Speaker 2 (26:51):
You got barely wrapped up.

Speaker 3 (26:53):
So it's like, hell yeah, pulled it up in there
like six hours and yeah, I got that verse out.
So right now is somewhere to eleven and Tupocket to
eleven verse that is, you know what I'm saying, Shug
from the pen reap, let me get that right now
we go half on.

Speaker 1 (27:11):
It, yo, So how do you how do you balance
between because it sounds like you got a lot going
on with the business, right with the level of store,
got your brands.

Speaker 2 (27:20):
How do you still have time to maintain the music?

Speaker 1 (27:23):
Is the music still in the intricate part to kind
of navigate all these other spaces?

Speaker 2 (27:27):
How do you balance both worlds? Man?

Speaker 4 (27:29):
It's it should be crucial though.

Speaker 3 (27:32):
It'd be like I just got a time management Like
I look at it like, Bam, let's go ten to five.

Speaker 4 (27:39):
I'm all clothing. I'm thinking all clothing, da da da.

Speaker 3 (27:42):
I might have some ideas either write it or my
whiteboard or put it in my notes on some rap shit. Yeah,
And as soon as five o'clock hit, it's like, Bam,
I'm a rapper.

Speaker 4 (27:50):
Now where the studio at. I'm gonna go home and write.

Speaker 3 (27:53):
I got the whole setup at the house, you know
what I'm saying, where the producers at, where my engineer
at come mixed. So it's like you got two twenty
four hours in the day, I should only sleep like
five or six, you know what I'm saying. And then
so that that leads me over eighteen hours to work.
You know what I'm saying, no layup time. I ain't
got no wife and kids, no, none of that shit.

Speaker 4 (28:13):
So it's just all work, work, work, work work.

Speaker 1 (28:15):
You know what I'm saying, bro, that it's impressive because
I can imagine how much time it takes to do
all the above, right, But the fact that you're like
discipline about your shit, like understanding, like okay, five o'clock hit,
I'm rapper mode and this is what we're doing. And
I'm just because I was looking at the catalog, man,
and I'm sure there's probably stuff that's not even on here.

(28:38):
But in the last ten years or the last four
or five years, you got ten projects. Damn, I'm saying, yeah, exactly,
you got ten projects or three of them or four
of them with with TTF. I want to talk about
that too. Man, We're gonna get another scanner's levels. But
the fact that you were able to kind of like
navigate that, but then still the business is still booming
and growing and you know things are happening with the

(28:59):
level of store being able to balance both things. Man,
you just alluded to it. Man, time management is important
in figuring that out. Has that something been something that
you've always kind of an attribute that you've always had
or did you have to.

Speaker 2 (29:10):
Learn them the start? Nope, I was.

Speaker 4 (29:13):
Getting free money coming up. You know what I'm saying.

Speaker 3 (29:16):
That like free money. So it was like all right,
it was a time where I should I quit hell
of times, but.

Speaker 4 (29:22):
Like I quit, quit like twice. You know what I say,
quit quit?

Speaker 2 (29:26):
What do you mean?

Speaker 3 (29:27):
It means like, Man, I ain't rapping no more. Like
this shit is like I'm not seeing no profit. It's
just stopped working for.

Speaker 4 (29:35):
Me, you know what I'm saying.

Speaker 3 (29:36):
It took like like Rouchie and them to be like,
hey you get back this early Roochie? Yeah you feel me, man,
you better get back.

Speaker 4 (29:43):
Whoop Nigga.

Speaker 3 (29:44):
We started off your ship other people around the city.
I remember I was in rehab one day and uh
summer and rehab in Vegas and and niggas stopped me.
I remember, like Meek Mill yg all these niggas ont
I'm walking through Nigga like, hey, nigga on a super
fan like Compton nigga, something like that, Hey I'm a fan, nigga.

Speaker 4 (30:07):
Fuck with your ship, nigga.

Speaker 3 (30:08):
While you ain't been nigga, I ain't heard shit from
you in like two years, like your dad two years.
I'm like, Nigga, fuck that rap shit. He like no,
he was like Nigga supposed to be on stage with
them niggas. I'm like, fuck that rap shit.

Speaker 4 (30:19):
He like, yep. All of a sudden, Nigga, you better
stop back and wool like like fake check me about
my own music. A random nigga in rehab you feel me.

Speaker 3 (30:28):
I'm like, I'm like, damn, it wasn't nowhere I could
trip and be like nigga he getting on me about
my own ship.

Speaker 4 (30:36):
It couldn't have been like Nigga, who you talking to?

Speaker 3 (30:37):
And it was like me and the hummies was like
the hommies was like right, that nigga, right, come on,
let's just keep bailing through the party. But that nigga right,
And then I remember I left out of rehab like
that nigga said, I don't know who that nigga was.

Speaker 4 (30:50):
That nigga checked me though, like you feel me?

Speaker 3 (30:52):
And uh and ever since then, I'm like, oh, I
gotta get on it. But then like I put a
couple of projects out and I'm like the music I'm
doing is like now I'm older, I'm still sounding like
these young niggas though you know what I'm saying, it's
kind of like it's making sense, but it's not making sense.
And that's when I got with. I got introduced to

(31:13):
TF and Doe and jay Worthy was already my boy,
but when he was on, he was already his mind
was somewhere else, so I couldn't really, you know, like
understand what he was on until like twenty eighteen. I'm like, oh,
I see what you're doing. Oh I think I met
Cardo and I'm like, damn that nigga can make them

(31:33):
them type of thing he do that, that and that too.

Speaker 4 (31:36):
Okay.

Speaker 3 (31:36):
Then I start seeing Alchemists. Then all I'm around Freddie
Gibbs and I'm seeing like the type of his beat selection.
He's saying, same shit. I'm saying, bro, what's the difference.
It's the beat selection, right, you know what I'm saying.
I'm like, okay, So then me and just TF just
start linking up. I had a studio downtown and he'll
come every day and we'll just make songs and songs.

Speaker 4 (31:57):
That went from do they do this song for me?
Feature for me?

Speaker 3 (32:01):
It went from doing that feature in that one day
to doing two more songs that day, come back the
next day and do a song a day. The eighth
day Pandemic hit. We like, fuck it, I'm just let's
let's I'm use this for my pandemic project and let's
start some crazy shit. Scanless levels, level up, store everything.
Scanless were like, oh yeah, Ba said. Every day we

(32:24):
did one or two songs, and that was like two weeks.

Speaker 4 (32:27):
Bam, pick nine songs. Boom, that's it.

Speaker 3 (32:29):
You know, do our little promo, shoot videos for two
three months. Hey, come on, let's go. Let's do another one.
Get back in there.

Speaker 4 (32:35):
Boom boom, boom boom. Two weeks. I'm like that.

Speaker 3 (32:37):
I ain't never work with a nigga, and we just
it's just like that, you know what I'm saying. Band,
next thing, you know, two out we do He didn
he put a solo out, I put a solo out.

Speaker 4 (32:45):
Hey, let's do it three. Let's do it three nigga boom, yeah.

Speaker 3 (32:50):
That shit, get put out video shot promo, Let's do
it four. You feel me, Let's do it four then
come on boom. That shit just is just easy like
that with me and him and shit. And when it
got to four, it start I seen what it did
for him. But it started opening my you know what
I'm saying, like my range up. And then there's certain

(33:12):
people taping in and they seeing like just different type
of potential that you couldn't hear on.

Speaker 4 (33:18):
All those repetitive beats. Talking this and talking that.

Speaker 3 (33:22):
It was like I could flip flop and do any
subject I want on these. Now that I'm start liking it,
I like drumless shit, you know what I'm saying, with
just loops and you know, just different little shit like
that soulful sounds or you know, just loop with no drums.

Speaker 4 (33:37):

Speaker 3 (33:38):
I'm like, okay, and yeah it shit is just it
just opened up a different you know what I'm saying.

Speaker 1 (33:43):
World For me was it was it hard to adapt
to that type of style at first.

Speaker 3 (33:47):
Because I always did it, but it always go over
niggas head. Like I always have one song like that
on the project, you know what I'm saying, and it'll
go over niggas heads because I got all this and
you can't even hear the music because all it is
is beats, you know what I'm saying. So when you
take the beats out and just keep the melodies in there,
and the nigga can hear you talk and you're seeing

(34:08):
some fly smooth ship that's just jumping off the walls
in the ceiling. You like, oh ship, that nigga cold.
It makes you even colder, you know what I'm saying. Yeah, yeah,
make you even colder.

Speaker 4 (34:18):
Like Tyler.

Speaker 3 (34:19):
Niggas wasn't pentiten, but Tyler on the clips now you
sounded like ron Nick. Tyler will push your t It
make niggas like me like, oh that nigga talk. That
ship you feel me opposed to everything else is kind
of like over my head, you know what I'm saying.

Speaker 4 (34:35):
But that ship is like oh yeah, I know he
was like.

Speaker 2 (34:38):
That right right?

Speaker 1 (34:39):
Damn no, that's that's that's why that you were able
to kind of like pick up on that early or
I wouldn't even say that's early, but that you were
able to pick up on that, and that kind of
gave you like rejuvenated the career so to spend.

Speaker 3 (34:51):
You know what I'm saying, and then in that in
this in this genre or you know, underground ain't really
no age bracket. Right when you're doing trend music, it
seem like, oh that nigga thirty five, nigga, you old nigga,
that nigga too old to be. Even the bitches to
say that, why you old you're rapping? You thirty five,
you're thirty seven, You're thirty eight, Like, bitch, shut up,

(35:14):
you're talking about rap check more than your whole salardy
fuck what you're talking about. So so with this, it's
like ain't no ain't no age bracket.

Speaker 1 (35:24):
So let me ask you this, because there's two things
that I hear from you, right, It's it's the the
sonically challenging yourself to do something different, but at the
same time consistently putting out that product. What do you
think is more important that you've seen that's more important
for you? Is it is the consistency or is it

(35:46):
the fact to open yourself up to a different sound.
Let's just say you open yourself up to a different sound,
but you weren't dropping as much. Do you think it
would have been still as effective um or being dropping
more music than maybe not changing the sound up?

Speaker 2 (36:00):
What do you think it's like more effective?

Speaker 3 (36:01):
I think more effective always dropping, But it put me
if I would have kept dropping the same music, it
would have just I just been been lost in the
sauce like and other like I can't I don't want
to name no names.

Speaker 4 (36:17):

Speaker 3 (36:18):
But it's like I said, it's some rappers out here
that's my age are still doing young nigga shit like
and we're looking and it's like, bro, like when you're
gonna change nigga, you ain't out here doing all that shit.
You feel me a forty years old, You not sliding
on the ops every night and you not. You try
and go home to your kids, bro, So don't lie

(36:39):
on these raps.

Speaker 4 (36:40):

Speaker 3 (36:40):
Even in my shit, I ain't saying shit I'm doing.
I say shit I did, but not necessarily I did.
But I referring to past tense if it's any type
of active shit, like nah, you know what.

Speaker 4 (36:52):
I'm saying, that was that was back in the day.

Speaker 2 (36:54):
How do you How do you evolve in age?

Speaker 1 (36:58):
Because usually with the type of conversations you hear people, oh, man,
once I got kids, once I got married, you know,
it kind of opened me up into a different life.
Like you ain't got no kids, you're not married, but
you still have been able to kind of evolve and realize, like, yo,
I'm maturing, Like what do you tap into that that machine?

Speaker 3 (37:16):
I've seen other people. I've seen a big change in Nipsey,
like I seen a huge change. I seen a huge
demographical change to wear on my side.

Speaker 4 (37:26):
Nigga.

Speaker 3 (37:26):
You can't come over here with no Crenshaw shirt on. Nigga,
you can't come over here nigga playing that shit. You
can't even refer to him. Where them niggas finna get
on you? It was that serious. But when he changed
from coming straight off with slosson to a nigga marathon
and he changed his you know what I'm saying, It's
not like you know, like.

Speaker 4 (37:47):
I mean if niggas in La, like no, what's going on?

Speaker 3 (37:50):
So it's like you know, when you it's just hard
to explain, but it's you grow up to be like,
oh yeah, them niggas won't fuck with them niggas. And
it was different with me because I got a different
aligne some in the rap game. So it's like everybody cool,
he put the gang shit to the side, But me
watching me inside, looking out and see how people maneuver
and react to certain shit, It's like damn, Like damn,

(38:12):
I'm in that box too, Dude. They talk about me
like that over there, and they probably do. No, I'm
not saying over there, but anywhere that don't fuck with us,
you know what I'm saying Like that, they probably think
of me like that. And then when I seen that,
everything evolved in the elevation and a few years later,
niggas sliding through playing that shit like homies like they like, yeah,
this nigga talking that shit like this nigga woo. And

(38:35):
then when you tap into you know his background in
his life, you see he was on, he was he
was on different. He was like years ahead a niggas mentally,
you know what I'm saying. On just enterprising and shit
like that. So I definitely seen the change into that
to that, and it was like, shit, I wouldn't be
mine looked at like that, you know what I'm saying.

(38:56):
And then I took a page out of a lot
of niggas books, you know what I'm saying, chapter out
a lot of niggas books that's not even famous, that's
just street niggas, and it's just like, oh, okay, I'll
see what they doing. I know niggas that do hell
and ship for the community ex gang megers, ex dope dealers,
you feel me, ex rich niggas. That's just like I'm
gonna do this and I'm gonna do that. The give

(39:17):
backs and the and you know, just the nonprofits and
you know what I'm saying.

Speaker 4 (39:22):
Just but it's the elevation, and.

Speaker 3 (39:24):
You know it's the mature You get mature and you
can't be doing the same shit when he was twenty
and early thirties and Nigga forty five and forty two
and fifty still on this it looks crazy.

Speaker 1 (39:33):
And into it in a bigger conversation, I know it's
completely different, But that's kind of like what with people.
You know, people's critique of Drake is the same thing. Right,
It's like you, No, it may not be on street ship.
It's like, bro, when it's when it certain things, when
is the conversation gonna change?

Speaker 2 (39:49):

Speaker 1 (39:50):
So it's like I hear what you're saying, Like there
has to be some type of evolution, and you gotta
evolve somehow. Won't think about Nipsey man that I saw,
I saw it you a while back. I don't want
to get your take on it because it was a
young Nipsey where he was giving props to you, yeah yeah, and.

Speaker 2 (40:06):
Talking about how he was listening to your mixtape at
the time.

Speaker 1 (40:08):
And this is early to eleven, talk about you guys'
relationship and what partnerships, what formed after that or you
know what I mean, Like you guys relationship coming up,
you know, at the same time, and you seeing that
you've been inspired him being inspired by you.

Speaker 4 (40:23):
Yeah.

Speaker 3 (40:24):
So the one I had just posted when he I
never seen that before. And I was the other when
I posted that, I was riding down King and I'm
like and just like a random nigga just sent that
to me, like, bro, you ever seen this?

Speaker 4 (40:36):
I'm like, Hell, you ain't seen that one.

Speaker 3 (40:38):
I never I seen the one where he like, I
got two eleven mixtape in here, I got kateboy mixtape
in here.

Speaker 4 (40:43):
Rocket shit.

Speaker 3 (40:43):
I've seen that, Hello Tip, But I never seen when
he broke it down, like damn, I fuck with two
eleven ship and you know I want to. I want
to work with him for the for politic reasons, and
he broke it down like why he want to and
why it would be good And I'm sitting here like damn,
And this is early early. So I'm trying to look

(41:04):
and they had what year was this, like this was
two thousand and nine. It looked like and I've never
seen I remember, but again it go it goes back
to being standoffish and anti social. And I always I
was probably insecure, like, man, them niggas don't fuck with
me like that over there, but they did. And it
was always certain ship that was like they.

Speaker 4 (41:24):
Do them niggas do fuck with you.

Speaker 3 (41:26):
But I was just so immature and like it just
had the ignorant mind still in the back of my head,
like Nigga, Nigga, we gotta do our ship, you feel
me like, But it wasn't like that, you know what
I'm saying. It was that every time I seen Bro,
he was embracing, like we're finna. I remember one day
my manager at the time, like, Nigga, we was leaving somewhere.
He like, Nigga, you always curving niggas? You anti social? Bro,

(41:48):
can't you gotta stop that? You gotta you know what
I'm saying, work the room and wooa, whoa, you gotta
fuck with these rapper niggas. And it's the same time
he like, Nigga, you don't even be tapping in with
Nipsey Nigga. This nigga be mentioning you. Onom like, Nigga,
them niggas onna fuck with me. He're like, Bro, call
that nigga right now. I'm like, he ain't gonna asker
my shit, Nigga, Man, just call him. I'm in the pageant,

(42:09):
see right. I called him on speakerphone. Nigga aswer the phone.
I'm like, what's up?

Speaker 2 (42:13):
Bro?

Speaker 4 (42:13):
Like, what's the deal with niggas on tonight?

Speaker 2 (42:16):
Nigga?

Speaker 4 (42:16):
We over here with who Kids Snoop Dogg. Problem, Nigga
corrupt everybody over here.

Speaker 2 (42:21):
Matter of fact, to a.

Speaker 3 (42:22):
Lad, where you Nigga, come right here for senior address,
come right now. So then I'm like, all right, it's
in the address. I look over to my to my
boy Jada, He like, see, Nigga, I told you. Nigga
told you, Nigga, you be on some bullshit.

Speaker 4 (42:34):
We pulled up. Nigga hollered that dog. You feel me?

Speaker 3 (42:38):
He was in there, Nipsey Cobby. You know what I'm saying.
Everybody was in their problem dancing, all them who kids.
I remember, I got a I got I linked up
with who Kid and he did my mixtape. I got
a mixtape with him off of just coming through there
like that, pulling up, just by pulling up, fucking around
and everybody showing a nigga love you one of them too,

(42:59):
I'm like, yeah, and me and who Kid locked in.
I'm still cool with the nigga today, you know what
I'm saying. But it was just it was a lot
of shit that I wasn't But I'm.

Speaker 1 (43:09):
Saying that that right there, that conversation that didn't spark
something to say, Okay, well let's work now, let's let's
take this to the next level.

Speaker 3 (43:16):
Did but didn't what you mean? I mean it did,
but it was like I don't know, I don't know why.
It was like come on, let's do something. Yeah, you
know what I'm saying, Like, let's.

Speaker 1 (43:26):
I would think that that would be the entry point
right there to be like, yeah, oh damn, he picked up.
He fuck with me, he invited me to this thing,
all right. You know, people say they fuck with you
and they got relationships or whatever. But the fact that
he embraced you at that time, it's like I would think,
why not just throw that throw that loud to be like, hey,
let let's do something what you you know, what you want,
what you got, what you're working on at the time.

Speaker 3 (43:46):
I feel I feel like just to kill the excuses.
It was my fault, gotcha, it was my fault. I
was still ignorant, Like you know what I'm saying, like, Nigga,
we from over here.

Speaker 4 (43:58):
You feel me.

Speaker 2 (43:58):
But I mean that's the accounta bit.

Speaker 3 (44:00):
And then that's that's not like it's personal or it's
personal to anybody that's in that room. It's fucked up
because Nigga, I was raised like this right, Like so
that's like you putting your shoes on, and then you
gotta unlearned how to put your shoes on, you know
what I'm saying, Like it's second nature to to be
like fuck them niggas and then fuck them niggas and

(44:23):
fuck them niggas or be cautious or Nigga, now is
this a setup or you know all that? Because niggas
since I was eleven years old, it's like anything from
the other side, they ain't not fucking it. And the
stories I didn't hear from niggas older than me, it's
like so that was that's that's what fucked me up.

Speaker 4 (44:39):
And it really was.

Speaker 3 (44:40):
He was just on a different type of time. Like,
as I said, he was light years ahead of niggas,
you know what I'm saying mentally, so he knew what
he was doing. Even that clip that I posted. He
like nigga for political reasons and woo. I was saw
probably so much. And on another note, I was thinking,
what niggas gonna think, or what another nigga gonna think
about me, or what they gonna say or how you
know what I'm say saying ignorance, You know what I'm saying,

(45:02):
Who gives a fuck?

Speaker 4 (45:03):
You know?

Speaker 2 (45:03):
It was so wild to hear that story.

Speaker 1 (45:06):
Is it kind of like it makes more sense because
another thing, I want to give you credit on it.
And it's kind of like the the wave of artists
from out here as well, Like there's always this this
this thing that we don't work together, right, But when
I seen, you know, shout out to the g Perico
who had that that pop up over at uh oh yeah,

(45:27):
next table. I'm messing the name up too, but only table.
If I met, We'll figure it out either way. He
has a collab where it was that the video Tacos whatever.
It was a huge collab that he had with them.
But you were there right supporting G and I seen
you work in the merch people coming in buying ship.

(45:50):
All right, for sure, I got you what you want large,
And what I loved about that is that you wasn't
too big for the program, right that show, homie you?

Speaker 2 (45:58):
So you showing love before.

Speaker 1 (46:00):
The optics is showing it like damn, it's from out
here to really fuck with each other, you know what
I'm saying. So what I hear from you is learning
from what you missed out Now, for sure I do.
And now you're doubling back not only would you peric
but with other artists as well.

Speaker 2 (46:12):
But I love seeing that.

Speaker 1 (46:13):
That's one thing that I always credit you on because
you know how to not only rep shoulders, but you
know how to support and not be.

Speaker 2 (46:19):
Too big for the program and not be one.

Speaker 3 (46:21):
Now about I wear any hat long as we can
get to the next level. You know what I'm saying,
I wouldn't need to. Hey, we need a nigga to
catch the bags. We need a nigga to take the bags.
Should I take it? You're finna pay for that, nigga.
I do that ship for free. Nigga is we're finna
go to the show. Oh you need this, I'm finna
go pick that up. Well, who you know what I'm saying,
because I'm like, I don't have no ego, you know
what I'm saying, Like, if this is gonna get us

(46:42):
to the next level, I'm like like a lot of
niggas would be like, hey, can you take this picture
for us or something like hey, give me your phone,
or they'd be like, nah, he ain't gonna take it.

Speaker 2 (46:52):
I'm I got his phone like that.

Speaker 1 (46:53):
That's another thing I seen you from taking pictures with
with fans taking pictures.

Speaker 3 (46:58):
And I'm taking the pictures for them. Take your man,
take them every table, my bad, every table man. But
I see it makes sense now because that was one
of the questions I want to ask.

Speaker 2 (47:09):
I was like, that's dope that you did that. But
now it makes sense.

Speaker 1 (47:11):
It's like missing out on that opportunity with nip I
assume was like, oh no, I'm not gonna let like
this lot, especially if I'm cool with you know what
I mean.

Speaker 3 (47:20):
Yeah, Now I don't care where a nigga from, Like
I don't, I don't, that's not really that's not really
an issue or a priority even on the introduction, like
I don't like, yeah, I'm with you Wolf.

Speaker 4 (47:32):
And with you Wool.

Speaker 3 (47:33):
If they tell me that, I'm like, oh, for sure,
you know what I'm saying, Like I really don't care,
like you know what I'm saying, because like where the
money at. Let's get some money. How can we benefit
out of this introduction?

Speaker 1 (47:44):
I want to talk about level up again before we
close things out, because I just want to get into this,
this this mindset because I know there had to be
like you can tell me where they're in challenges from
the city trying to actually set this up in the
city knowing maybe maybe knowing the history or people doing

(48:07):
it and doing doing their research and figured out who
two eleven is like, and now you want to have
your store over here.

Speaker 2 (48:13):
What kind of pushbacks did you get from them? The
police really the.

Speaker 3 (48:17):
Gang unit coming through and they actually so they was
actually just annoying at first, and then they end up
giving me some game that set in, Like, uh, I
remember the last straw they just pulled up.

Speaker 4 (48:31):
We was there to watch a final.

Speaker 3 (48:32):
Four and they pulled up two cars deep with their
lights aft flashing.

Speaker 4 (48:39):
I'm like, what nigga ain't scared of you niggas.

Speaker 3 (48:41):
I walked out, flashed on they ass when crazy and
one of the gang units like, hey, bro, come on
two eleven if if you say you doing this, this
is what you're doing, and you gotta show us because
all we see is YouTube and rap songs.

Speaker 4 (48:55):
We know you that.

Speaker 3 (48:56):
You know what I'm saying. You don't want to be
like the niggas over there by? You know was so
fi they did a gang suite. You know what I'm
saying over there, like, you don't want to be like them?
You know what I'm saying, because so far they came
and got all them niggas just for being in the
way hanging out. You know what I'm saying, You want
to be like them. So I'm like, I definitely don't.
They Like, man, show that you are gonna be a
pillar to the community. Start going to city council meetings

(49:18):
and WOOTI wooty whoopye told me what theay? Where's at
the day? He said, show us that we won't never
come back to this shit.

Speaker 2 (49:24):
Wow.

Speaker 4 (49:24):
I'm like, all right.

Speaker 3 (49:25):
So I did that and I started doing the.

Speaker 4 (49:28):
The backpack giveaways.

Speaker 3 (49:29):
I did a backpack giveaway and the Toy Drive all
within four months, brought the whole city out.

Speaker 4 (49:35):
Shit went crazy. Man. They ain't been back since.

Speaker 3 (49:38):
We just did the like the sixth, the sixth annual
Toy Drive, you know, with Paul Pearson, a couple other
people came through there and it ain't been since. So
that was one challenge that got swept, that got cleaned
up real quick.

Speaker 4 (49:54):

Speaker 1 (49:55):
That's fire now. Okay, So music wise, are you are
you working on anything else?

Speaker 4 (50:00):
Yeah?

Speaker 3 (50:00):
I got a EP dropping Yeah, I got ep dropping
next week called time Zones. You know what I'm saying
real quick, And you know I got a couple other projects. Uh,
that'll probably be like two projects this year, so I'm
going for six. So you know, I'm working with a
couple of producers, you know, shout out all over the

(50:21):
great the hommye Chase, the money, you know what I'm saying.
And we need that scanless level five man.

Speaker 2 (50:28):
I was gonna say that is that down the.

Speaker 4 (50:29):
Pipeline as we'll trying to get it. We're trying to
get it going.

Speaker 1 (50:32):
So I know you did the project with with with Python,
entire project with Python right before this concept Yeah, right,
Uh do you prefer locking in with producers and doing
a whole project. It's hard though, because some some producers
will run out of beats.

Speaker 2 (50:51):
Think about that.

Speaker 3 (50:52):
Yeah, it's like I can't run out of wraps. You
know I can, but I won't. But then but I
feel I feel the producers because it be a mood
because I won't run out of raps. But it'd be
like I'm not in rap move right now, and you
know what I'm saying. But I still work on the beat.
But some produce not saying it's Python, but I'm just
saying some producers it's hard to lock in with one
producer and get it all done because I'm so technical.

(51:15):
I'm so you know, I'm specific about beats and mixes.
I want what I want for how I want it
to sound.

Speaker 1 (51:22):
You know, do you do you have like a rundown
when you when you when you work with somebody saying
I wanted to sound like this, this is this? Or
do you prefer them just to play what they got
and you hear it and say, oh I know this.

Speaker 3 (51:33):
To me, play it for me or make it for
me on the spot. I fuck with Python because Python
can read can read me like you know what I'm saying.
He could just play ship and then with Python, I
take all his beats apart. You know what I'm saying, Like,
he'll play some ship, right, take that, that, that, that,
and that out. He like, bro, it's just just do that.

Speaker 2 (51:55):
Let's do that.

Speaker 3 (51:56):
Feel me, Yeah, let's just do that like that then
and it's some He had just play off the Oh
I jump out the chair.

Speaker 4 (52:03):
That's hard.

Speaker 3 (52:04):
And here I put a fire verse on there. I'm
gonna put him on there and he's like, yeah, we're
gonna put a soul on here too.

Speaker 4 (52:11):
Yeah, we're gonna do that. Hell yeah, we're gonna do that. Nigga.
You feel me? And it's come out bangers.

Speaker 2 (52:16):
Yo. We were before before you you walked in here.

Speaker 1 (52:19):
I was playing the album and I love the back
and forth between you and j Rock on Black Dynamite.

Speaker 3 (52:27):
Oh yeah, yes, man, I don't look Jack Rocks still
wanted the hardest in l A.

Speaker 5 (52:33):
I would love and I noticed you know, I would
love to hear and rock that's hard. That'd be hard.
It'd be difficult and hard. It'd be hard on two
different yeah, on two different levels. But that that's not
the first time you guys work together. You guys have
to work with.

Speaker 1 (52:51):
Seven eight, but that it's just that that definitely was
a standout. And we were talking about the Hunger Games man.

Speaker 3 (52:58):
Yeah, Voodoo Rangers film, Voodoo Rangers, talk about Voodoo Rangers.

Speaker 2 (53:04):
Man.

Speaker 3 (53:04):
We was in TD studio, me we was a TV studio.
B Bell Tris at TF and we always do we
do music together. They on all the scanners levels. You
know what I'm saying.

Speaker 4 (53:16):
It's like basically a rap group, but it's like not
a rap group. You know what I'm saying.

Speaker 3 (53:21):
I don't know how they explain it and shout outs.
My nigga Tris, we was bagging on tries.

Speaker 4 (53:26):
You know what I'm saying. And he had a Voodoo
Rangers drinker some like we fuck it.

Speaker 3 (53:30):
We all said the same time, Nigga, we the Voodoo Rangers, Nigga,
that's ups and everybody at the same time like yet
our suck Ooh that's hard, nigga. We knocked out like
eight songs and TV ship like two Nights in the Rows.
We got whole projects and we're still working with our
whole project.

Speaker 1 (53:46):
Black Hippie that yes, that might be, that might.

Speaker 3 (53:50):
Need to be Scanners Levels five and just called s
L five Voodoo Rangers.

Speaker 4 (53:54):
That'd just be that ease.

Speaker 2 (53:55):
I mean, just the back and forth between you guys.

Speaker 1 (53:58):
Uh and we would talking about who did you record
your verse first or last?

Speaker 4 (54:03):
Because you were calling record the last.

Speaker 2 (54:05):
The way you ended it was like, yeah, nigga up.

Speaker 4 (54:10):
Yeah that ship.

Speaker 3 (54:11):
I feel like that was one of my best verses
in this in years years, like yeah, we wear titanium
on that motherfucker hear on.

Speaker 1 (54:20):
Of course that's the outro, but you can hear the
confidence on that. You was like, HeiG I just smoked that.

Speaker 2 (54:26):
Everybody in their green to like doing.

Speaker 3 (54:31):
Yeah, hugger games, I gotta shoot that. I'm trying to
shoot that this week when the niggas come back from
New York.

Speaker 1 (54:36):
Speaking of visuals, when you have a project like profit
and Loss, do you map out to say, Okay, I
want to have visuals for every single thing or is
it just.

Speaker 3 (54:47):
Kind of I want to have visuals for every single thing?
But it don't never work like that, Like shit, nine
videos ship, I'm playing for this all my pocket, you
know what I'm saying. So it's like if I had
a label, yeah, nine videos us go. But it's like
I gotta need all that. But man, I got it right.
I'm not really even doing tho videos no more. I'm
doing all reels. That's what I was just about to say,

(55:08):
Like I shoot one video, but you the rest and
just reels. Like even with Hunger Games, I just want
to shoot one one shot of that boom.

Speaker 4 (55:18):
When he done, I kicked kick in. He kicking in,
then he kick in.

Speaker 3 (55:21):
Then I ended, and we ended just like this, and
then we could chop them reels up and post them,
put them on YouTube shorts and get the money.

Speaker 1 (55:28):
I was just about to say, like the industry has
changed so much for the for the greater, and you know,
there's good and bad, and I think that that's one
good thing.

Speaker 2 (55:36):
You don't need the big budgets.

Speaker 3 (55:37):
You don't need pay your camera man to follow you
around and shoot reels and shoot little ship and say
funny shit, Tell a nigga, keep the camera on. When
you think we don't want the camera on, keep the
camera on.

Speaker 4 (55:50):

Speaker 3 (55:51):
We added out the politics and whatever you we ain't
supposed to be talking about camera. We added that shit
out later, But it be the little.

Speaker 1 (55:57):
Shits, even just performance shots like you you here rapping
averse to whatever you know what I'm saying or wherever.

Speaker 4 (56:04):
You're no, I need to do it real while we're
right here.

Speaker 2 (56:07):
We're gonna make that.

Speaker 4 (56:08):
Come on, We're gonna make it happen for sure. You
need to do a real on a little joint right here.
Test it.

Speaker 5 (56:12):
Yeah.

Speaker 1 (56:12):
In fact, we're gonna kick off performance perform I don't
know we're gonna call the ship, but we're gonna kick
off performance peace.

Speaker 2 (56:18):
You're on home.

Speaker 4 (56:19):
We're gonna i'ma let, I'm gonna let.

Speaker 3 (56:20):
I'm gonna let you pick advice, pick a verse off
off off of air, and we're gonna shoot the real.

Speaker 1 (56:24):
Make it happen real quick before we slot up out
of here. Man, I want you to to help somebody,
whether it be artists, whether it be entrepreneurs, business people.

Speaker 2 (56:32):
I want you to help.

Speaker 1 (56:33):
And I feel like you've been kind of like alluding
to things about the interview, but help help people level up?

Speaker 2 (56:39):
Okay?

Speaker 1 (56:40):
And when I say that the artist nowadays, what is
what is an upcoming artist as of right now? What
do they need to do to level up in their
circumstance and their situation right now? What would be the
advice that you give to somebody that's coming up there
starting music today to level up their career and take
it to the next level.

Speaker 3 (56:57):
Content content, content, that's that's content and putting your music out.
I tell somebody, I said it before two hundred and
fifty thousand artists come out every Friday. What you're gonna
set yourself? What's gonna set you make you? What make
you special? Who told you special? Or what's gonna make
you special? You know what I'm saying. You gotta keep

(57:18):
dropping and you gotta do some slick, clever shit that
ain't nobody else doing. Or find out what's going on
real quick like whatever, just hit Like how we talking
about these reels? Jump on them fast because I'm watching people.
That's that's that's killing with the reels. What's the new
group the Coyotes?

Speaker 2 (57:37):
You up on?

Speaker 1 (57:38):
Yeah?

Speaker 4 (57:38):
Yoa them niggas reels is elite world. And then I
seen how they do it.

Speaker 3 (57:44):
They'll shoot the video and then drop reels. It's like
one video, you got ten reels and then you got
a reel for ourself.

Speaker 4 (57:51):
Yeah. They cold, they cold, and damn what is that?

Speaker 3 (57:54):
Contra coach contragas.

Speaker 2 (57:57):
No contra is ridiculous.

Speaker 4 (57:59):
They ridiculous.

Speaker 3 (58:00):
But with the content, it's like it just keep making
you watch and watch and keep watching and watching. So
it's not necessarily music videos and projects. I tell an artist,
don't even worry about no project, just keep dropping singles.
Single single song, song, song, song, song, song, and like,
because why would you give out if don't nobody know
you while you dropping ten to fifteen songs?

Speaker 2 (58:21):
Yeah yeah, yeah, drop.

Speaker 3 (58:23):
One song, put some ads behind it, drop shoot a
video for it, drop another one, shoot the reel, drop
another one. Shoot the real You do that shit every
two weeks, every three weeks. By summer, you be a nigga.
Shout out to the HOMMYM Drebo.

Speaker 4 (58:39):
They got three.

Speaker 3 (58:39):
Hundred and sixty five songs. Yeah yeah, that's how I
know him from three hundred seasons. Like, nigga, you really
just did three hundred seaxty five song. Stop it one
of them songs he didn't got. I'll give fuck if
he got ten fans out of each song. He built
the fan base to beget in the game. For us
to be and be talking about this nigga all night.

Speaker 1 (58:57):
You feel me have it be the the the conversation piece.

Speaker 2 (59:01):
Even if that's the one thing that people know him as,
that's the entry bro.

Speaker 3 (59:04):
That was my introduction, you know what I'm saying. I
was back on figure. They like, uh, yeah, this is
mister three say five. We did three and I'm just
hold up what he did three hundred sixty fights. I
don't even think I got that in the last ten years.
You feel me like, how you do that? You know
what I'm saying.

Speaker 4 (59:20):
And then I dug into what he was doing.

Speaker 3 (59:22):
I'm like, oh yeah, yeah, nigga, I called I called
him the cheat cod Man.

Speaker 2 (59:25):
We're doing the Instagram lives.

Speaker 1 (59:27):
I'm gonna bring that back to the live and directs,
like I would you know, he would obviously send music
or whatever, but I would just hear the that that
he would definitely set itself apart from a lot of
different people.

Speaker 2 (59:37):
Because you know, you rap me singing, you know, through all.

Speaker 4 (59:39):
The aboves from him. Sat again, I need to get
some hooks.

Speaker 2 (59:42):
From Cheat cole man it Salu to dree Boat.

Speaker 1 (59:45):
How does a business owner level up in what they're doing,
whether it be you know, if they have a store
or just you know they're entrepreneur.

Speaker 2 (59:52):
How how do you level up as an.

Speaker 3 (59:54):
Entrepreneur consistency, can't be scared to spend your money, take
your risks, and get your credit right, because I'll come
to find out when your credit right and your financials
is right, and your taxes is paid. A lot of
niggas be like, yeah, I'm gonna write that off, write
that off. That's not the move, bro, because you can't

(01:00:14):
reap the benefits from you know, you gotta bite the bullet.
Like my tax is gonna be like thirty two thousand
this year, but best believe I'm finna get funded, and
one of these opportunities to get that back tenfold. I'm
not tripping take this thirty two. I'm not gonna pay
you all at once. Here go five five five five five.

(01:00:35):
But by the time I get to the third four
or five, I'm gonna catch a one hundred and fifty somewhere.

Speaker 4 (01:00:39):
Two hundred. Yeah, let me get that all forgiven.

Speaker 3 (01:00:44):
You know what I'm saying, Like, yeah, all that it's
out there too. You just gotta go for it. So
that's what Yeah, I learned that part credit part. I
never I never done taxes, and I was in the
streets you feel me.

Speaker 2 (01:00:56):
At what year?

Speaker 1 (01:00:57):
Just so we can have an idea, at what point
would you know, Okay, it's important, let me let me
start diving into that and making that, you know, clearing
that up, making it right, Like what.

Speaker 3 (01:01:06):
I knew it coming in the game, but I didn't
know it was real, gotcha. You know what I'm saying.
When I figured out it was real, it was when
they like, you start getting them emails, Hey you got
you know, you got business credits? Is a ninety eight?
Do you want to I'm like, damn, I shit love.
They're like, nah, that's that's kind of decent. I'm like, oh,
that's how business credit go eighty five, ninety five, ninety eight,
you know what I'm saying. And I never got passed

(01:01:29):
it ninety eight though. But even with the credit, like
you know, yo, to have good business credit, you gotta
have to have a good personal credit because you're the
beneficientary beneficiary, right, So you got to clean that up,
you know what I'm saying, all the way up and
then attach that to that and just start doing legitimate business.
I started by putting my cell phone in my name,
put my cell phone in my business name. Then I

(01:01:50):
got a home depot card. You know what, I'm saying,
put that in my name and just you line. You
know what I'm saying, certain other little stuff to put
in your business name and build both credits up, you
know what I'm saying. So I had to learn as
I go, But it real easy, especially if you got
some money. If you got a little bit of money,
you can pay for all this to happen. You know
what I'm saying.

Speaker 4 (01:02:10):
It's all the tape now.

Speaker 1 (01:02:12):
On the personal tip, all right, and this is will
end it off right here. Man, how do how does
somebody personally personally level up? Were talking to the individual
that's you know, got one foot in, one foot out,
you know what I mean, got you know, maybe mentally
one foot in one foot out, Like just confidence wise.

Speaker 2 (01:02:30):
How do you how do you personally level up in
your life?

Speaker 1 (01:02:35):
What are some of the strategies and keys that you've
done to kind of level up in your life personally?

Speaker 3 (01:02:39):
Man, When you say leveling up is just like if
you want to be the better a better man, or
a better person.

Speaker 4 (01:02:44):
You know.

Speaker 3 (01:02:44):
Like I got five white boards in my living room
and one of them say goals. So it's like I'm
writing my goals down. You know what I'm saying, magic
marker on a sharpie on a white board, and I'm
crossing them out. You know what I'm saying. When that
whole it's like I'm it's like, this is who I
want to be, you know what I'm saying. Now, If
you don't want to be nothing, you ain't got no goals,

(01:03:06):
and you ain't trying to get to the next level,
that's fine, you know that's you, you know what I'm saying.
But if you're trying to get, if you're trying to
be somewhere, write that ship down and attack and cross
that ship off the board. Same with the music. I'm
writing projects. So I need to be at this. I
need to have these this ship shot. I need to
have this shit done by this date. And you just

(01:03:27):
try hard to execute, you know what I'm saying, So plan, plan, execute.

Speaker 2 (01:03:32):
I love it. Now. Speaking of goals, this is really
the last one.

Speaker 1 (01:03:36):
Ye year can't end without two eleven doing what what
goals do you have on that that you're writing the
white board right now that you're like, man, okay, the
year can't in without me knocking this out.

Speaker 3 (01:03:49):
My year came in without this certain amount of money
I need in my personal bank account. I got that
on my white board. The year can in without me
dropping five more projects, you know, trying to think with
us on that white board, I'm adding stuff on there though. Shit,

(01:04:10):
just like it's crazy. But right now, oh and before
the years over, I need to be in Rio Das Narrow,
Japan and Australia before the year over, visiting or with
the brand, no visiting, visiting and just you know, just
seeing seeing that shit, you know what I'm saying, experiencing that.

(01:04:32):
So I got Rio Rio set up for my birthday
on August thirtieth, you know what I'm saying, be gone
for a week or two. We got Japan for Thanksgiving
and trying to spend New Years in Sydney and Melbourne.
You know, this is like a couple hundred dollars to
top the plane. So New Year's in Australia, Thanksgiving in

(01:04:55):
Japan and birthday and Rio Dation a Row.

Speaker 1 (01:04:57):
I love how you have everything mapped out. I love
how intentional you are with it.

Speaker 2 (01:05:03):
I feel like again.

Speaker 1 (01:05:06):
One of the reasons why it was important I kind
of had this conversation is we we know each other
for years, we ain't had a chance to lock in
and just for whatever reason, we haven't made it happens
about the years. But as I kind of started thinking
about it, I'm like, dude, man, Like, there's so many
people that, again I'll speak personally for myself, that I
feel like I take for granted because I see you
all the time. You know what I'm saying, whether it's
out and about it, just social media or whatever you

(01:05:28):
want to ur. So it's like I always I'll see him,
you know what I'm saying. But you know, how life goes,
You just never fucking know. And I think it's important
that we highlight your story and talk about what you're doing,
because experiencing you in real time is a fucking privilege.

Speaker 2 (01:05:45):
Bro, you understand.

Speaker 1 (01:05:46):
And I feel like when people listen to you and
they hear your story and they see what you're doing,
especially in the community, it's an inspiration for.

Speaker 2 (01:05:52):
Them as well.

Speaker 1 (01:05:52):
So the same way that we talk about other figures
from Nipsey to whoever on right, it's like you're one
of those people who will and somebody's looking at you like, damn,
I love what he's doing and this inspired me to be.

Speaker 2 (01:06:03):
You know, level up my life.

Speaker 1 (01:06:04):
So I appreciate you pulling up and having this conversationiate
you for having.

Speaker 3 (01:06:07):
Me bron how we is so we're it's all good man.
Let's probably in a function. I'm wrong this weekend or something.

Speaker 1 (01:06:13):
Hey, so, how can folks contact you? From you to
level up store and everything in between, all the businesses
that you.

Speaker 3 (01:06:19):
Got ship man, pull up fourteen oh nine, sitting down Avenue, Inglewood, California.
You know, man, we're there from ten to five, ten
to six, you know every day we you know I
might be there, I might not be there, but you know,
tap in on my gram to eleven at the number

(01:06:39):
two E L E v N and you know what
I'm saying, We're out.

Speaker 4 (01:06:42):
Sorry man, you know what I mean.

Speaker 1 (01:06:44):
Appreciate you pulling up, man, chuck dis them to eleven. Yeah,
keeping it home wrong with live and Direct.

Speaker 2 (01:06:49):
Catch y'all next time

All Episodes

Episode Transcript

Home Grown News

Popular Podcasts

24/7 News: The Latest

Dateline NBC

The Clay Travis and Buck Sexton Show

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}2Eleven Talks Unreleased 2pac Verse, Nipsey Hussle & How To Level Up

Episode Transcript

Home Grown News .css-1q01m3q{margin:0 0 -2px 0;}

Popular Podcasts

.css-r6mb8g{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:1;overflow:hidden;}24/7 News: The Latest

Dateline NBC

The Clay Travis and Buck Sexton Show

All Episodes