#491: Kings' Ransoms, Pt. 2 — Highest 2 Lowest

Spike Lee’s HIGHEST 2 LOWEST is built on the rock-solid narrative foundation of HIGH AND LOW, but the “interpretation” of Akira Kurosawa’s 1963 crime-thriller classic he builds atop it can be shaky at times. We’re all in agreement that HIGHEST 2 LOWEST has flaws, but whether those flaws add up to ruin or simply provide texture to a singular filmmaker’s singular film is up for discussion in the first part of this week’s episode. Then we move into Connections to see where Lee and Kurosawa’s films align and diverge when it comes to high-low metaphor and imagery, the intersection of media and public opinion, and the value of police work. And in Your Next Picture Show, Scott recommends an earlier collaboration between Lee and HIGHEST 2 LOWEST star Denzel Washington that has only grown in his estimation since its 1998 release.  Please share your thoughts about HIGH AND LOW, HIGHEST 2 LOWEST, or anything else in the world of film, by sending an email or voice memo to [e-mail], or leaving a short voicemail at [phone]. Next Pairing: Francis Lawrence’s THE LONG WALK and Sydney Pollack’s THEY SHOOT HORSES, DON’T THEY? Intro: 00:00:00-00:02:02 Highest 2 Lowest discussion: 00:02:02 - 00:30:51 Highest 2 Lowest / High and Low Connections: 00:30:51-01:12:02 Your Next Picture Show and goodbyes: 01:12:02-end Learn more about your ad choices. Visit megaphone.fm/adchoices