The Art Boom in the Middle East, Are Old Masters Cool Now?, and a Fresco Fracas in Italy

It’s time for our monthly news roundup where we discuss some of the biggest stories emerging in the art world. On the heels of the first-ever Art Basel Qatar, we will be discussing the Middle Eastern art market and the regional art scenes. Is this simply another fair on the global circuit, or something more structural—an attempt to recalibrate where cultural power sits? We will doing a vibe check on the Ultra-Contemporary art scene’s current obsession with Old Masters, art history, and dead artists. As market pressures mount and institutions increasingly turn toward estates and historical figures, we’ll ask whether this is a genuine intellectual reckoning or a marketing strategy dressed up as scholarship. Maybe it is both? Finally, we will rove over to Rome, Italy, where where a church fresco featuring an angel that bore a striking resemblance to Italian Prime Minister Giorgia Meloni was abruptly removed, sparking debate within and well beyond the church about restoration, iconography, and the politics of sacred imagery. We reminisce about the great many botched art restorations of years past. To discuss these topics, Ben Davis and Kate Brown are joined this month by London-based Artnet News editor Margaret Carrigan. Carrigan is the host of our sister podcast, the Art Market Minute, and co-author of our weekly Artnet Pro market newsletter, The Back Room.