May 6, 2025 • 29 mins
ICYMI: Hour Three of ‘Later, with Mo’Kelly’ Presents – A look at the winners in the Weekend Box Office…PLUS – Thoughts on jury selection beginning in the federal racketeering, sex trafficking case against Sean ‘Diddy’ Combs AND news of a “bomb plot” targeting a Lady Gaga concert - on KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly
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Transcript
Episode Transcript
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Speaker 1 (00:00):
You're listening to Later with Moe Kelly on demand from
KFI AM six forty so.
Speaker 2 (00:06):
Later with mo Kelly.
Speaker 3 (00:06):
We're live everywhere in the iHeartRadio app and on YouTube.
And over the weekend, Tuala, me and Stefan all went
to see Thunderbolts. I was seeing it for the second time.
Tawala was seeing it. I now found out for the
second time. Thunderbolts is the number one movie in America
(00:27):
with seventy four million dollars domestic gross another eighty six
million internationally for a total of one hundred and sixty million.
To give you some context, that is behind, if you will,
what Captain America Brave New World did in its first
weekend on a per screen average basis, total box office
(00:48):
basis screen average basis. It is not performing as well
as some would have hoped coming after Captain America Brave
New World. But the critics review use are glowing for
the most part, saying it has heart, Marvel is back,
It's what Marvel movies used to be, but the box
office response hasn't matched it yet. I said on Friday,
(01:12):
when Mark Ronnerd was reviewing it as part of his
RUNA report.
Speaker 2 (01:15):
I liked it.
Speaker 3 (01:16):
I really did enough to see it a second time, clearly,
but I didn't love it. And you know, unless you're
going to go into our Nerdorama segment with us that
we do as a separate podcast, too much to discuss.
But overall, I would say the summer box office, because
we're now into the summer box office season, regardless of
the season not changing, it is off to a pretty
(01:38):
good start.
Speaker 4 (01:39):
I would say with Thunderbolts, which I liked the first time,
I liked even more the second time. I really liked
the film, and I do believe that it is a
return to what Marvel is really really good at, putting heartfelt,
action filled fun stories on the big screen. They put
(02:00):
movies on their big screen that satisfy all the quoteras
for going to go and see a movie. Escapism takes
you to another world, shows you some things that you
didn't see before. But with this film, and I understand
why this film is not maybe taking off as much
as most because this is a film that is primarily
(02:21):
focused around bad guys within the Marvel cinematic universe. There
are no heroes in this film to speak of. This
is a film that anyone who is even tangentially familiar
with the Marvel cinematic universe. Knows all these people are
bad guys, and they aren't bad guys who had a
lot of story behind them in their initial entry. This
(02:44):
film successfully fleshes out these characters. There is one character
who maybe in the series Falcon in the Winter soldier
US agent John Walker played by White Russell.
Speaker 2 (02:58):
Kurt Russell Kur guests in that series.
Speaker 4 (03:01):
Everyone hated him unanimously, and he was supposed to be
because he was a dislikable, detestable character. This film actually
made him out to be someone that you're like, Damn, man,
I could have a dream with that guy.
Speaker 2 (03:14):
He's actually pretty cool.
Speaker 4 (03:16):
And I think that was the glowing and resounding thing
for me that I'm like, man, this has a lot
of heart.
Speaker 1 (03:23):
Man.
Speaker 4 (03:23):
I actually grew to like these characters even more in
this film.
Speaker 2 (03:27):
Also, I liked the second generation aspect. You had Wyatt Russell,
who was Kurt Russell's son. You also had Lewis Pullman,
who was Bill Pullman's son, who played Century spot On
just like his dad was White Russell too.
Speaker 4 (03:40):
Yeah, I was like, is this a CGI rendering of
the DH mill Fullman.
Speaker 2 (03:46):
Yes, wild, the.
Speaker 3 (03:47):
Way he smiled, his facial expressions looked just like dad.
Speaker 2 (03:52):
Their dads were both in Tombstone together, by the way.
That's true. That is true.
Speaker 3 (03:57):
Yes, another generation of acting, and it's fun It's almost
funny because when I look at Wyat Russell when I was,
there are times where he sounds so much like Kurt Russell.
It was uncanny. I thought he was almost doing an
impression of his father. And it makes for his character
because I look at that as like, okay, you are
(04:19):
not like a pale imitation, but he wants to be
Captain America. He sounds like Kurt Russell, but he's not
there yet. Yeah, yeah, yeah, okay. I don't mean that
as a what he's saying. But also they're sinners and
Sinners came in at number three this week, and despite
what anyone may have to say about that movie, it
(04:39):
has legs that means a lot for the box office.
It's now up to one hundred and eighty million dollars domestically.
It's still doing well internationally with fifty seven million. I
say doing well because horror movies don't traditionally do well internationally,
and you also have it's a black horror movie, which
(05:00):
you know, there's really no precedent for that international success.
It has a worldwide growth of two hundred and thirty
seven million. Is the third week. It has not lost
any theaters. It actually has increased theaters since it first
came out, meaning it's going to be in theaters at
least for another three four weeks.
Speaker 4 (05:18):
I look I applauded, I look forward to it. And
if you missed it, an imax the Vista Theater is
still showing it in seventy milimeters. You gotta see this
film in its realist format.
Speaker 3 (05:31):
Why why is it that seventy millimeters makes for a
better experience.
Speaker 4 (05:36):
Because it's what the film was shot in. So then
you see the fullness of the picture. You see the
fullness of everything that was being conveyed, and it's almost
like it's like a wider aperture, wider aperture, clear, more
crystal picture. Everything you see, the details, all the grains, everything,
the sound, everything about it plays differently in its original format,
(06:00):
and this is a film that's special for that. He said,
I'm going to do this old school and I'm going
to really bring back some serious filmmaking. And when you
see it, at that aspect ratio. It's a treat yeah.
Speaker 3 (06:13):
Number Number four this week, excuse me. Number three this
week was a Minecraft movie. Number four was The Accountant two.
Number five was Until Dawn. Number six The Amateur. I
still haven't gotten around to see that. I've heard varying
reviews on it, but I still want to see it.
Number seven The King of Kings, number eight, Warfare, number
(06:34):
nine Hit the Third Case, have no idea, and ten
The Surfer, have no idea. But the box office is
picking up for the summer, and this is when movie
theaters need movies to perform and perform well so they
will last longer in theaters and they will have more
of an attendance during the week for the theaters.
Speaker 4 (06:55):
And already with my mic on and already Disney is
already showing up and showing out as the leader as
far as the film going experience, because we're starting off
the summer arguably with the Thunderbolts, and then within the
next few weeks, well the time Thunderbolts is starting to
go out, you have the Leelo and Stitch coming in
(07:16):
and then Leila's watching that. I'm just I'm just talking
about well live action, so what's keeping the theater alive?
Mo Lelo and STI. I'm not watching it, am I
watch going into Fantastic four, I watch that, and then
we get even more Disney stuff towards the end of
the year. So again, everyone who wants to right God
Disney as woke, you better still hope they stay woke.
Speaker 3 (07:38):
Because because if Disney doesn't do well, your favorite movie
theater will close.
Speaker 2 (07:43):
Period.
Speaker 3 (07:45):
End of discussion. Choose one. It's Later with mo Kelly.
We have a Diddy update when we come back. KFIM
six forty live everywhere in the iHeartRadio app and on YouTube.
Speaker 2 (07:53):
Get into the chat. Let's have the fun.
Speaker 1 (07:56):
You're listening to Later with mo Kelly on demand from Kei.
Speaker 2 (08:03):
Kfi.
Speaker 3 (08:03):
Mister Mokelly, We're live everywhere in the iHeartRadio app and
on YouTube app. Mister mo Kelly, make sure you drop
by the YouTube stream. You can obviously subscribe for free.
You can also like and share, and when you subscribe
it makes it easier to find Next time. It'll come
up just as you're looking for the show and you
can jump into the chat.
Speaker 2 (08:23):
Have all sorts of fun.
Speaker 3 (08:24):
We have polls every single segment and there's a community
amongst itself, where people talk to each other, say hello,
they have conversations unrelated to the show. It's a really
really good experience. So join the YouTube chat and the
YouTube experience. Something else that we've been following for many months,
more than a year now, the whole P Diddy saga
(08:47):
and jury selection began today in his federal racketeering sex
trafficking case. I don't know what's going to happen, but
I do know it's probably no chance in hell that
they're going to be able to find jury members who
don't have some level of awareness or association with the
(09:08):
career and fame of Sean P.
Speaker 2 (09:11):
Ditty comes.
Speaker 3 (09:11):
I don't know if that's just possible, even if you
weren't directly following the case. It has been major news
for the past year or so. It's been discussed on
talk radio that it's been discussed on public TV. It's
been discussed on obviously commercial TV and cable TV streaming.
There's no way you can get around it. TMZ has
(09:33):
had a documentary about it already. There's no way that
you don't know something about Sean p Didty Kulmmes because
he's been in the public eye for the past thirty years. Easy,
we're at the same age, we're born the same month.
He's maybe twenty days older than me. I say that
to say it's going to be very difficult for Diddy
(09:54):
to not get a jury who has not had some
sort of exposure.
Speaker 2 (09:59):
To this case.
Speaker 3 (10:00):
And despite what anyone may think about him, that is
not going to help his cause in any way. I mean,
I don't know if they're going to get a conviction
or to what degree, but I do know it's more
likely than not that he will probably be convicted because
what we hear about the case is so very heinous,
and depending on what's going to be allowed as far
(10:22):
as witness testimony or witnesses testimonies could be also probative
and prejudicial, depends on what they allow in or what
they disallow. I don't know whether he's going to be
able to get past this because just from what we
know publicly, there's no telling what prosecutors know which has
(10:44):
not been revealed because they didn't want that evidence to
get out. There's evidence that they use to secure the indictment,
but that's not all the evidence they have. That's not
the evidence which is going to get a conviction, and
I'm inclined to believe there's more video tape, more witnesses,
there's more testimony, there's more seemingly unbelievable accounts of what
(11:08):
did he allegedly did to a number of people. Now,
what is helping Diddy in my analysis, is that some
people who may know about Diddy may not understand the
difference between a freak off and the alleged criminality because
I hear it from my friends they say, well, this
was just consensual sex. Well, he's not being charged with
(11:28):
consensual sex. He's not being charged with having freak offs
or sex parties. He's charged with racketeering and sex trafficking.
And when you have those charges, that says to me,
especially in federal cases, there's a lot of digital evidence,
probably video evidence and more, which is going to be
(11:49):
corroborated by testimonial evidence.
Speaker 2 (11:52):
Yeah, definitely.
Speaker 4 (11:53):
They have some form of wire tracking of transfers of money,
and all they needed was just a few a few
of the alleged victims to step up to corroborate not
stories against Diddy, but coroborate evidence that they had to say, Hey,
(12:13):
is this you were? You moved from this day to
this day for the purpose of X, Y and Z. Yes,
here's the proof. That's it. Let me give an example,
and don't ask me how I know why this is.
Just let me give you an example.
Speaker 3 (12:27):
Let's say, for hypothetically speaking, that Diddy hired some sex
workers in New Jersey to come perform air quotes at
a party in New York, the state of New York.
Speaker 2 (12:45):
That's crossing sex state lines.
Speaker 3 (12:47):
That is sex trafficking, whether the eventual sex was consensual
or not.
Speaker 2 (12:56):
So there are levels to this, as they say.
Speaker 4 (12:59):
If his company, the company that he is the head of,
that he signs checks for every single thing that goes out, Okay,
doesn't matter who he has working under him, who may
draft the check, he's got to sign off on it.
If he has a stable of talent in New York
(13:20):
and he is going to a music convention in Miami,
and he has some of this talent in New York
that he's familiar with fly down to Miami to perform
at a party, and I only can can speculate what
happened at the party, even though my speculation comes by
way of seeing, okay seeing it, actually seeing the things
(13:42):
that happen at one of these parties funded by his company.
Speaker 3 (13:46):
You've been to a Didty party, I've been to a
Diddy party. I have not been to the freak Offs,
but I can tell you the public facing portions of
the party, a lot of sexual stuff was going on.
Speaker 2 (13:56):
It's a lot at just the public facing. You don't
have to get invitation to the Apple party. I don't
know what has happened in any freak Off. I don't
know to what extent.
Speaker 4 (14:05):
All I know is I have seen talent enter a
room and perform acts of sex for record executives in DJs.
Speaker 2 (14:15):
I've seen this firsthand.
Speaker 4 (14:18):
So all I'm saying is, even if he wasn't aware
of these things happening, someone in this company said hey,
here's a line item, I need us to pay this,
and that in there could be the smoking gut.
Speaker 3 (14:32):
Awareness does not absolve someone of responsibility or culpability.
Speaker 4 (14:39):
Now, if he can prove that he not only had
no idea, but had nothing to do with the money,
and these are individuals that just happened to work for him,
I don't know. Maybe that is why he is putting
in the not guilty plea, because he's like, look, my
hands are clean. That was Joe Blow, and Joe Blow
is the one who did it all on Joe Blow.
Speaker 3 (15:00):
This is not unlike This is not unlike the trial,
the Manhattan trial with Donald Trump, where you have to
be able to prove a connection to the money which
was moved or used for a certain particular act. That's
what the federal prosecutors are going to have to do.
(15:21):
And since I know that they got the indictment, there's
something to it, they'll have some evidence to back it up,
because you just can't get a federal indictment just because
you don't like P Diddy or you think he's guilty
of something. They're not going to sign off on the
grand jury and got the grand jury, they got the
true bill and so, and now it's going to trial.
(15:42):
Now they're going to have the actual jury hear this evidence.
Don't know how it's going to turn out, but the
odds are against P Diddy. It's Later with mokel and
we're going to talk about Lady Gaga and that concert
bomb plot, which to me was amazing but not actually
surprising playing in just a moment.
Speaker 1 (16:01):
You're listening to Later with Moe Kelly on demand from
KFI AM six.
Speaker 3 (16:06):
Forty KFI mister mo Kelly live everywhere in the iHeartRadio
app and YouTube. Eileen Gonzalez is getting a lot of
love in the chat. Some of this make it be uncomfortable,
but she's getting a lot of love, a lot of love.
Speaker 2 (16:21):
Eileen.
Speaker 3 (16:22):
Welcome to the utube stream. And originally we didn't think
you were going to be joining us on the YouTube stream.
We thought, since you're filling in for Mark, you may
not want all the complexities of a camera and how
that might impact your your newscast.
Speaker 2 (16:36):
You said, no, no, no, bring on a camera, bring it on,
bring it on. Yeah, like I said, I did news
for twenty years.
Speaker 3 (16:41):
No, biggie, alrighty, I absolutely love it. So you're you're
gonna be with us permanently. We can get rid of Mark.
Speaker 2 (16:46):
Now, yep, okay, let's give it a b I absolutely
love it.
Speaker 3 (16:51):
Part of the reason as we switch gear is part
of the reason we like talking about music stories just
because Tuala has a history connected to the music industry.
I have a history connected to the music industry in
different ways. He was in radio and I was in
the music labels. But we came together when it came
to concerts, especially either planning them or executing them. When
(17:13):
I saw this story on the wire talking about there
was a plot to bomb a free Lady Gaga concert
this past Saturday in Brazil, it brought to mind a
lot of concerts and concerns that I've had over the
years as far as scheduling a concert trying to and
it's not necessarily even on a terrorism level, we had
(17:35):
gain problems that we had to worry about. This artist
was affiliated with this gang, and these other gangs were
coming to town or coming to the concert and may
shoot up the play. So I think about all these
things that you have to worry about, separate and distinct
the actual artists getting there and performing.
Speaker 4 (17:51):
I remember after nine to eleven, every single concert that
we did after that, every vehicle had to be thoroughly screened.
I'm talking cops with them were coming into artists check
in and they got the mirrors underneath the cars, they
got the dogs sniffing up complace. And now it's commonplace.
(18:11):
But I remember beforehand, we were just you know, extreme
pat downs and things like that. After nine to eleven,
concert and venue security it became like getting into Fort Knocks,
and it has not changed. It from my understanding, as
far as producing concerts, that's one of the biggest expenses.
Speaker 3 (18:31):
It is the insurance involved and trying to prepare for,
unfortunately the unthinkable. But you have to think about it
in advance. And I I'm so glad nothing happened. Let
me be absolutely clear, But according to the story, it says, quote,
the network promoted the rad radicalization of adolescents, the dissemination
of hate crimes, self mutilation, and violent content as a
(18:54):
form of belonging in defiance among young people. And that's
from a press the least talking about how they managed
to dismantle a criminal network that operated online. It's always
been my concern, personal concern when going to a concert
or a large venue something like that possibly happening. And
(19:16):
mind you, this is something that we happen to know about.
I'm quite sure there are plenty of other concerts or
plenty other plots which were thwarted or just stopped at
some point in the process, and we the general public
just never knew about it.
Speaker 4 (19:32):
It's tough because working behind the scenes and working so
closely with security in the past and working to make
sure that venues are safe. After a while, you can't
go anywhere without first eyebaw on the exits, you know,
looking at the crowd, looking at the dotations of the security,
making sure that everything is on point.
Speaker 2 (19:52):
And it's tough.
Speaker 4 (19:53):
I can't ever just go and enjoy a show without
having to be in that mindset of like, okay, I
was a security patrol on the floor. Is there enough
adequate security?
Speaker 3 (20:04):
Oh?
Speaker 4 (20:04):
I see an incident over there? Where's security up? Okay, Okay,
We're off to a bad start. This is the mindset
that I now have, And when I see this story,
I'm like, yeah, yeah, of course.
Speaker 3 (20:15):
I walk into a room if there are a lot
of people, and I'm thinking like, okay, where the exits,
Like you, is there adequate security? I'm looking at generally
the clientele who looks out of place, and if something
jumps off, where where's my first route of escape. It's
(20:35):
one thing to recognize where the exits are. It's another
thing to know that or position yourself accordingly where you
can actually get there. Because I've seen and there are
another things you have to worry about. It could be
a mass shooting, it could be a domestic violence situation.
I've seen that, and that escalates out of control. It
could be an act of terrorism, it could be just
(20:55):
some a fight that breaks out and people start running.
I can't tell you how many times I've been in
a movie theater like outside and either to be someone
shooting or someone starts running. And if you've ever been
in that situation when someone starts running, you don't stop.
Speaker 2 (21:08):
To say, hey, what's going on here? Why is everyone running?
Speaker 3 (21:11):
No, you better run your ass too to get away
from whatever is going on over there. And then people
might end up getting trampled.
Speaker 2 (21:18):
Yeah.
Speaker 4 (21:19):
Unfortunately, I know there are some who would say, well,
it's Lady Gaga. Lady Gaga, she may have attracted it
because of her imagery and some of the things.
Speaker 2 (21:28):
It ain't got nothing to do with Lady Gaga.
Speaker 4 (21:31):
It just happened to be that she was doing a
humongoush show and it would have made the perfect target
for anyone to make a name for themselves. But this
could happen to anyone your favorite artists if they are
huge and drawing a big crowd.
Speaker 3 (21:45):
I promise you this a crowd. They are at a target. Yeah,
it's the crowd, it's not the artist. If you got
fifty thousand people who were captive and I mean that
a captive audience of fifty thousand people or however how
many inherently they're a target.
Speaker 2 (21:59):
Oh, I have to go and look it up.
Speaker 4 (22:01):
But there was I remember when the Taylor Swift tour
was up and running that there were plenty of threats
that were going out to that why they had to
like postpone Certain shows move because of threats, just general threats.
Speaker 3 (22:16):
It happens. It just happens. This is a society that
we live in now, unfortunately, unfortunately, and there's no going back.
It's Later with Mo Kelly caf I AM six forty
live on YouTube and the iHeartRadio app.
Speaker 1 (22:28):
You're listening to Later with Moe Kelly on demand from
KFI AM six forty.
Speaker 3 (22:34):
And before we get out of here, let me do
this final thought. And I've been thinking about this all
day long, and I wanted to be clear on how
I wanted to present it.
Speaker 2 (22:45):
But I was.
Speaker 3 (22:45):
Thinking about the movie industry, something we talk about every
single day on this show some form or another, but
usually it's it's not connected to politics, not always, but
not frequently, but now it is. And I learned a
long long time ago it's not what you do it's
how you go about it. It's not what you say,
(23:06):
but how you say it and the words you choose.
The Trump tariffs, as I said before in previous commentaries,
you know the previous Trump tariffs, Those will impact all
of us in every facet of life if they come
to pass. We still have this grace period before they
may all take effect.
Speaker 2 (23:24):
And there's no real argument here.
Speaker 3 (23:27):
Those terroifts, if they take effect, will impact all of us.
But just like where it's not what you do and
what you say necessarily, it's also true that just because
a problem is legitimate, and trade imbalance is a legitimate
issue and it needs to be solved, just because the
issue is legitimate, it doesn't mean that any old proposed
(23:48):
solution is the solution. In the past day, President Trump
announced the following quote. I am authorizing the Department of
Commerce and the United States Trade Representative to immediately begin
the process of instituting a one hundred percent tariff on
any and all movies coming into our country that are
produced in foreign lands quote close quote. But he also
(24:13):
said we want movies made in America again. Now, contrary
to the President's popular belief, tariffs are not the magic
pill for everything. But going back to it's not what
you say, it's how you say it, and it's not
what you do, but how you go about it. The
President didn't either give the movie studios an he heads
up or consult them as to what movie studios and
(24:37):
theaters thought the problems of their industry were. He may
think Tarif's or the solution, but they aren't, not at all.
Speaker 2 (24:45):
Here's what I mean.
Speaker 3 (24:47):
Virtually every media stock was down today because they were
blindsided by this.
Speaker 2 (24:53):
And I'm inclined to.
Speaker 3 (24:54):
Believe the movie studios know their industry better than the
president or any president. And here's some else which has
gotten lost in this what I call tariff everything approach.
Movies aren't goods anymore. They're services. They're distributed digitally. They're
quote unquote manufactured in dozens of places simultaneously, not just
(25:17):
where they're filmed.
Speaker 2 (25:19):
Post production effects, et cetera.
Speaker 3 (25:21):
Are usually done any number of places around the world
for the same movie, regardless of filming locations. So you
may have a movie which is filmed in America, like Atlanta, Georgia,
for example. Most of the Marvel movies are now filmed
in Atlanta, Georgia. Take Captain America Brave New World are
(25:42):
used as an example, filmed mostly in Atlanta, but there
were some scenes which were filmed in Wahaka, Mexico, Tokyo, Japan,
and in the Middle East in Jordan. Now, are we
gonna penalize a movie like that or how about a
movie like Mission Impossible, which routinely films at exata locations
around the world. Does that make those movies less of
(26:04):
an American movie? And maybe it's post production is completed
by an international agency that is commonplace. You can't film
a Mission Impossible movie all on location in America or
some sound stage or with CGI, and honestly, you and
I don't want that. There's also the reality that it
(26:24):
costs much less to film internationally, and that's part of
the labor issue. But putting tariffs, and here's the main point,
putting tariffs on foreign air quote, foreign movies, whatever that means,
doesn't address any of that. You may have heard that
the President blames Governor Gavin Newsom for this. Well, I
would like to blame Governor Gavin Newsom for a lot
(26:45):
of stuff. But this is not understanding the problem. This
says that President Trump doesn't understand that movies and movie
studios are no longer a Hollywood phenomenon. One of the
biggest complaints about NEWSOM is that a lot of Hollywood
has left for other states. I'm talking states like Georgia.
Talked about Marvel, North Carolina, and Louisiana. Movies, American movies
(27:08):
are not just made in California. The infrastructure to make
these movies, both big and small, are not necessarily connected
to California at all. You have a movie like Russ
with Alec Baldwin has made in New Mexico. Movies routinely
are not made in California. And that's saying nothing of
the TV shows which shoot in various places around the
(27:29):
country and even internationally in Canada, which is a frequent
stand in for US cities. Are these terriffs going to
be placed on television shows?
Speaker 2 (27:38):
Again?
Speaker 3 (27:38):
How does that work? But this speaks to how you
go about it. This speaks to how the powerbrokers should
have been consulted first before announcing a policy which likely
will not bring about the desired result because it hasn't
been thought through and constructed with the actual industry players.
He's alleging he trying to help and Lastly, just like
(28:03):
the tariffs on goods, the other countries will have the
opportunity to respond. China routinely denies entry of American movies,
as do Russia and Taiwan. Some countries do not rely
on our movies and don't care. They do not give
a damn and they don't need America to show our
They don't need America to show their movies. I bet
(28:25):
you most people listening right now have no idea what
the number one movie in the world is. It's made
over two billion dollars in twenty twenty five, and I'm
probably pronouncing it wrong. It's ne Jah two, more than
two billion dollars, not one million of which was made.
Speaker 2 (28:46):
Here in the United States.
Speaker 3 (28:48):
This issue is far more complicated than getting on social
media and proclaiming tariffs on everyone.
Speaker 2 (28:56):
For KFI AM six forty, I'm mo Kelly, what the.
Speaker 1 (29:00):
US hate us or haven't made up your mind?
Speaker 2 (29:02):
We're glad you're here.
Speaker 1 (29:04):
K s I and k OS.
Speaker 4 (29:06):
T H D two Los Angeles, Orange Live
Speaker 2 (29:10):
Everywhere on the Younger radio
You're listening to Later with Moe Kelly on demand from
KFI AM six forty so.
Speaker 2 (00:06):
Later with mo Kelly.
Speaker 3 (00:06):
We're live everywhere in the iHeartRadio app and on YouTube.
And over the weekend, Tuala, me and Stefan all went
to see Thunderbolts. I was seeing it for the second time.
Tawala was seeing it. I now found out for the
second time. Thunderbolts is the number one movie in America
(00:27):
with seventy four million dollars domestic gross another eighty six
million internationally for a total of one hundred and sixty million.
To give you some context, that is behind, if you will,
what Captain America Brave New World did in its first
weekend on a per screen average basis, total box office
(00:48):
basis screen average basis. It is not performing as well
as some would have hoped coming after Captain America Brave
New World. But the critics review use are glowing for
the most part, saying it has heart, Marvel is back,
It's what Marvel movies used to be, but the box
office response hasn't matched it yet. I said on Friday,
(01:12):
when Mark Ronnerd was reviewing it as part of his
RUNA report.
Speaker 2 (01:15):
I liked it.
Speaker 3 (01:16):
I really did enough to see it a second time, clearly,
but I didn't love it. And you know, unless you're
going to go into our Nerdorama segment with us that
we do as a separate podcast, too much to discuss.
But overall, I would say the summer box office, because
we're now into the summer box office season, regardless of
the season not changing, it is off to a pretty
(01:38):
good start.
Speaker 4 (01:39):
I would say with Thunderbolts, which I liked the first time,
I liked even more the second time. I really liked
the film, and I do believe that it is a
return to what Marvel is really really good at, putting heartfelt,
action filled fun stories on the big screen. They put
(02:00):
movies on their big screen that satisfy all the quoteras
for going to go and see a movie. Escapism takes
you to another world, shows you some things that you
didn't see before. But with this film, and I understand
why this film is not maybe taking off as much
as most because this is a film that is primarily
(02:21):
focused around bad guys within the Marvel cinematic universe. There
are no heroes in this film to speak of. This
is a film that anyone who is even tangentially familiar
with the Marvel cinematic universe. Knows all these people are
bad guys, and they aren't bad guys who had a
lot of story behind them in their initial entry. This
(02:44):
film successfully fleshes out these characters. There is one character
who maybe in the series Falcon in the Winter soldier
US agent John Walker played by White Russell.
Speaker 2 (02:58):
Kurt Russell Kur guests in that series.
Speaker 4 (03:01):
Everyone hated him unanimously, and he was supposed to be
because he was a dislikable, detestable character. This film actually
made him out to be someone that you're like, Damn, man,
I could have a dream with that guy.
Speaker 2 (03:14):
He's actually pretty cool.
Speaker 4 (03:16):
And I think that was the glowing and resounding thing
for me that I'm like, man, this has a lot
of heart.
Speaker 1 (03:23):
Man.
Speaker 4 (03:23):
I actually grew to like these characters even more in
this film.
Speaker 2 (03:27):
Also, I liked the second generation aspect. You had Wyatt Russell,
who was Kurt Russell's son. You also had Lewis Pullman,
who was Bill Pullman's son, who played Century spot On
just like his dad was White Russell too.
Speaker 4 (03:40):
Yeah, I was like, is this a CGI rendering of
the DH mill Fullman.
Speaker 2 (03:46):
Yes, wild, the.
Speaker 3 (03:47):
Way he smiled, his facial expressions looked just like dad.
Speaker 2 (03:52):
Their dads were both in Tombstone together, by the way.
That's true. That is true.
Speaker 3 (03:57):
Yes, another generation of acting, and it's fun It's almost
funny because when I look at Wyat Russell when I was,
there are times where he sounds so much like Kurt Russell.
It was uncanny. I thought he was almost doing an
impression of his father. And it makes for his character
because I look at that as like, okay, you are
(04:19):
not like a pale imitation, but he wants to be
Captain America. He sounds like Kurt Russell, but he's not
there yet. Yeah, yeah, yeah, okay. I don't mean that
as a what he's saying. But also they're sinners and
Sinners came in at number three this week, and despite
what anyone may have to say about that movie, it
(04:39):
has legs that means a lot for the box office.
It's now up to one hundred and eighty million dollars domestically.
It's still doing well internationally with fifty seven million. I
say doing well because horror movies don't traditionally do well internationally,
and you also have it's a black horror movie, which
(05:00):
you know, there's really no precedent for that international success.
It has a worldwide growth of two hundred and thirty
seven million. Is the third week. It has not lost
any theaters. It actually has increased theaters since it first
came out, meaning it's going to be in theaters at
least for another three four weeks.
Speaker 4 (05:18):
I look I applauded, I look forward to it. And
if you missed it, an imax the Vista Theater is
still showing it in seventy milimeters. You gotta see this
film in its realist format.
Speaker 3 (05:31):
Why why is it that seventy millimeters makes for a
better experience.
Speaker 4 (05:36):
Because it's what the film was shot in. So then
you see the fullness of the picture. You see the
fullness of everything that was being conveyed, and it's almost
like it's like a wider aperture, wider aperture, clear, more
crystal picture. Everything you see, the details, all the grains, everything,
the sound, everything about it plays differently in its original format,
(06:00):
and this is a film that's special for that. He said,
I'm going to do this old school and I'm going
to really bring back some serious filmmaking. And when you
see it, at that aspect ratio. It's a treat yeah.
Speaker 3 (06:13):
Number Number four this week, excuse me. Number three this
week was a Minecraft movie. Number four was The Accountant two.
Number five was Until Dawn. Number six The Amateur. I
still haven't gotten around to see that. I've heard varying
reviews on it, but I still want to see it.
Number seven The King of Kings, number eight, Warfare, number
(06:34):
nine Hit the Third Case, have no idea, and ten
The Surfer, have no idea. But the box office is
picking up for the summer, and this is when movie
theaters need movies to perform and perform well so they
will last longer in theaters and they will have more
of an attendance during the week for the theaters.
Speaker 4 (06:55):
And already with my mic on and already Disney is
already showing up and showing out as the leader as
far as the film going experience, because we're starting off
the summer arguably with the Thunderbolts, and then within the
next few weeks, well the time Thunderbolts is starting to
go out, you have the Leelo and Stitch coming in
(07:16):
and then Leila's watching that. I'm just I'm just talking
about well live action, so what's keeping the theater alive?
Mo Lelo and STI. I'm not watching it, am I
watch going into Fantastic four, I watch that, and then
we get even more Disney stuff towards the end of
the year. So again, everyone who wants to right God
Disney as woke, you better still hope they stay woke.
Speaker 3 (07:38):
Because because if Disney doesn't do well, your favorite movie
theater will close.
Speaker 2 (07:43):
Period.
Speaker 3 (07:45):
End of discussion. Choose one. It's Later with mo Kelly.
We have a Diddy update when we come back. KFIM
six forty live everywhere in the iHeartRadio app and on YouTube.
Speaker 2 (07:53):
Get into the chat. Let's have the fun.
Speaker 1 (07:56):
You're listening to Later with mo Kelly on demand from Kei.
Speaker 2 (08:03):
Kfi.
Speaker 3 (08:03):
Mister Mokelly, We're live everywhere in the iHeartRadio app and
on YouTube app. Mister mo Kelly, make sure you drop
by the YouTube stream. You can obviously subscribe for free.
You can also like and share, and when you subscribe
it makes it easier to find Next time. It'll come
up just as you're looking for the show and you
can jump into the chat.
Speaker 2 (08:23):
Have all sorts of fun.
Speaker 3 (08:24):
We have polls every single segment and there's a community
amongst itself, where people talk to each other, say hello,
they have conversations unrelated to the show. It's a really
really good experience. So join the YouTube chat and the
YouTube experience. Something else that we've been following for many months,
more than a year now, the whole P Diddy saga
(08:47):
and jury selection began today in his federal racketeering sex
trafficking case. I don't know what's going to happen, but
I do know it's probably no chance in hell that
they're going to be able to find jury members who
don't have some level of awareness or association with the
(09:08):
career and fame of Sean P.
Speaker 2 (09:11):
Ditty comes.
Speaker 3 (09:11):
I don't know if that's just possible, even if you
weren't directly following the case. It has been major news
for the past year or so. It's been discussed on
talk radio that it's been discussed on public TV. It's
been discussed on obviously commercial TV and cable TV streaming.
There's no way you can get around it. TMZ has
(09:33):
had a documentary about it already. There's no way that
you don't know something about Sean p Didty Kulmmes because
he's been in the public eye for the past thirty years. Easy,
we're at the same age, we're born the same month.
He's maybe twenty days older than me. I say that
to say it's going to be very difficult for Diddy
(09:54):
to not get a jury who has not had some
sort of exposure.
Speaker 2 (09:59):
To this case.
Speaker 3 (10:00):
And despite what anyone may think about him, that is
not going to help his cause in any way. I mean,
I don't know if they're going to get a conviction
or to what degree, but I do know it's more
likely than not that he will probably be convicted because
what we hear about the case is so very heinous,
and depending on what's going to be allowed as far
(10:22):
as witness testimony or witnesses testimonies could be also probative
and prejudicial, depends on what they allow in or what
they disallow. I don't know whether he's going to be
able to get past this because just from what we
know publicly, there's no telling what prosecutors know which has
(10:44):
not been revealed because they didn't want that evidence to
get out. There's evidence that they use to secure the indictment,
but that's not all the evidence they have. That's not
the evidence which is going to get a conviction, and
I'm inclined to believe there's more video tape, more witnesses,
there's more testimony, there's more seemingly unbelievable accounts of what
(11:08):
did he allegedly did to a number of people. Now,
what is helping Diddy in my analysis, is that some
people who may know about Diddy may not understand the
difference between a freak off and the alleged criminality because
I hear it from my friends they say, well, this
was just consensual sex. Well, he's not being charged with
(11:28):
consensual sex. He's not being charged with having freak offs
or sex parties. He's charged with racketeering and sex trafficking.
And when you have those charges, that says to me,
especially in federal cases, there's a lot of digital evidence,
probably video evidence and more, which is going to be
(11:49):
corroborated by testimonial evidence.
Speaker 2 (11:52):
Yeah, definitely.
Speaker 4 (11:53):
They have some form of wire tracking of transfers of money,
and all they needed was just a few a few
of the alleged victims to step up to corroborate not
stories against Diddy, but coroborate evidence that they had to say, Hey,
(12:13):
is this you were? You moved from this day to
this day for the purpose of X, Y and Z. Yes,
here's the proof. That's it. Let me give an example,
and don't ask me how I know why this is.
Just let me give you an example.
Speaker 3 (12:27):
Let's say, for hypothetically speaking, that Diddy hired some sex
workers in New Jersey to come perform air quotes at
a party in New York, the state of New York.
Speaker 2 (12:45):
That's crossing sex state lines.
Speaker 3 (12:47):
That is sex trafficking, whether the eventual sex was consensual
or not.
Speaker 2 (12:56):
So there are levels to this, as they say.
Speaker 4 (12:59):
If his company, the company that he is the head of,
that he signs checks for every single thing that goes out, Okay,
doesn't matter who he has working under him, who may
draft the check, he's got to sign off on it.
If he has a stable of talent in New York
(13:20):
and he is going to a music convention in Miami,
and he has some of this talent in New York
that he's familiar with fly down to Miami to perform
at a party, and I only can can speculate what
happened at the party, even though my speculation comes by
way of seeing, okay seeing it, actually seeing the things
(13:42):
that happen at one of these parties funded by his company.
Speaker 3 (13:46):
You've been to a Didty party, I've been to a
Diddy party. I have not been to the freak Offs,
but I can tell you the public facing portions of
the party, a lot of sexual stuff was going on.
Speaker 2 (13:56):
It's a lot at just the public facing. You don't
have to get invitation to the Apple party. I don't
know what has happened in any freak Off. I don't
know to what extent.
Speaker 4 (14:05):
All I know is I have seen talent enter a
room and perform acts of sex for record executives in DJs.
Speaker 2 (14:15):
I've seen this firsthand.
Speaker 4 (14:18):
So all I'm saying is, even if he wasn't aware
of these things happening, someone in this company said hey,
here's a line item, I need us to pay this,
and that in there could be the smoking gut.
Speaker 3 (14:32):
Awareness does not absolve someone of responsibility or culpability.
Speaker 4 (14:39):
Now, if he can prove that he not only had
no idea, but had nothing to do with the money,
and these are individuals that just happened to work for him,
I don't know. Maybe that is why he is putting
in the not guilty plea, because he's like, look, my
hands are clean. That was Joe Blow, and Joe Blow
is the one who did it all on Joe Blow.
Speaker 3 (15:00):
This is not unlike This is not unlike the trial,
the Manhattan trial with Donald Trump, where you have to
be able to prove a connection to the money which
was moved or used for a certain particular act. That's
what the federal prosecutors are going to have to do.
(15:21):
And since I know that they got the indictment, there's
something to it, they'll have some evidence to back it up,
because you just can't get a federal indictment just because
you don't like P Diddy or you think he's guilty
of something. They're not going to sign off on the
grand jury and got the grand jury, they got the
true bill and so, and now it's going to trial.
(15:42):
Now they're going to have the actual jury hear this evidence.
Don't know how it's going to turn out, but the
odds are against P Diddy. It's Later with mokel and
we're going to talk about Lady Gaga and that concert
bomb plot, which to me was amazing but not actually
surprising playing in just a moment.
Speaker 1 (16:01):
You're listening to Later with Moe Kelly on demand from
KFI AM six.
Speaker 3 (16:06):
Forty KFI mister mo Kelly live everywhere in the iHeartRadio
app and YouTube. Eileen Gonzalez is getting a lot of
love in the chat. Some of this make it be uncomfortable,
but she's getting a lot of love, a lot of love.
Speaker 2 (16:21):
Eileen.
Speaker 3 (16:22):
Welcome to the utube stream. And originally we didn't think
you were going to be joining us on the YouTube stream.
We thought, since you're filling in for Mark, you may
not want all the complexities of a camera and how
that might impact your your newscast.
Speaker 2 (16:36):
You said, no, no, no, bring on a camera, bring it on,
bring it on. Yeah, like I said, I did news
for twenty years.
Speaker 3 (16:41):
No, biggie, alrighty, I absolutely love it. So you're you're
gonna be with us permanently. We can get rid of Mark.
Speaker 2 (16:46):
Now, yep, okay, let's give it a b I absolutely
love it.
Speaker 3 (16:51):
Part of the reason as we switch gear is part
of the reason we like talking about music stories just
because Tuala has a history connected to the music industry.
I have a history connected to the music industry in
different ways. He was in radio and I was in
the music labels. But we came together when it came
to concerts, especially either planning them or executing them. When
(17:13):
I saw this story on the wire talking about there
was a plot to bomb a free Lady Gaga concert
this past Saturday in Brazil, it brought to mind a
lot of concerts and concerns that I've had over the
years as far as scheduling a concert trying to and
it's not necessarily even on a terrorism level, we had
(17:35):
gain problems that we had to worry about. This artist
was affiliated with this gang, and these other gangs were
coming to town or coming to the concert and may
shoot up the play. So I think about all these
things that you have to worry about, separate and distinct
the actual artists getting there and performing.
Speaker 4 (17:51):
I remember after nine to eleven, every single concert that
we did after that, every vehicle had to be thoroughly screened.
I'm talking cops with them were coming into artists check
in and they got the mirrors underneath the cars, they
got the dogs sniffing up complace. And now it's commonplace.
(18:11):
But I remember beforehand, we were just you know, extreme
pat downs and things like that. After nine to eleven,
concert and venue security it became like getting into Fort Knocks,
and it has not changed. It from my understanding, as
far as producing concerts, that's one of the biggest expenses.
Speaker 3 (18:31):
It is the insurance involved and trying to prepare for,
unfortunately the unthinkable. But you have to think about it
in advance. And I I'm so glad nothing happened. Let
me be absolutely clear, But according to the story, it says, quote,
the network promoted the rad radicalization of adolescents, the dissemination
of hate crimes, self mutilation, and violent content as a
(18:54):
form of belonging in defiance among young people. And that's
from a press the least talking about how they managed
to dismantle a criminal network that operated online. It's always
been my concern, personal concern when going to a concert
or a large venue something like that possibly happening. And
(19:16):
mind you, this is something that we happen to know about.
I'm quite sure there are plenty of other concerts or
plenty other plots which were thwarted or just stopped at
some point in the process, and we the general public
just never knew about it.
Speaker 4 (19:32):
It's tough because working behind the scenes and working so
closely with security in the past and working to make
sure that venues are safe. After a while, you can't
go anywhere without first eyebaw on the exits, you know,
looking at the crowd, looking at the dotations of the security,
making sure that everything is on point.
Speaker 2 (19:52):
And it's tough.
Speaker 4 (19:53):
I can't ever just go and enjoy a show without
having to be in that mindset of like, okay, I
was a security patrol on the floor. Is there enough
adequate security?
Speaker 3 (20:04):
Oh?
Speaker 4 (20:04):
I see an incident over there? Where's security up? Okay, Okay,
We're off to a bad start. This is the mindset
that I now have, And when I see this story,
I'm like, yeah, yeah, of course.
Speaker 3 (20:15):
I walk into a room if there are a lot
of people, and I'm thinking like, okay, where the exits,
Like you, is there adequate security? I'm looking at generally
the clientele who looks out of place, and if something
jumps off, where where's my first route of escape. It's
(20:35):
one thing to recognize where the exits are. It's another
thing to know that or position yourself accordingly where you
can actually get there. Because I've seen and there are
another things you have to worry about. It could be
a mass shooting, it could be a domestic violence situation.
I've seen that, and that escalates out of control. It
could be an act of terrorism, it could be just
(20:55):
some a fight that breaks out and people start running.
I can't tell you how many times I've been in
a movie theater like outside and either to be someone
shooting or someone starts running. And if you've ever been
in that situation when someone starts running, you don't stop.
Speaker 2 (21:08):
To say, hey, what's going on here? Why is everyone running?
Speaker 3 (21:11):
No, you better run your ass too to get away
from whatever is going on over there. And then people
might end up getting trampled.
Speaker 2 (21:18):
Yeah.
Speaker 4 (21:19):
Unfortunately, I know there are some who would say, well,
it's Lady Gaga. Lady Gaga, she may have attracted it
because of her imagery and some of the things.
Speaker 2 (21:28):
It ain't got nothing to do with Lady Gaga.
Speaker 4 (21:31):
It just happened to be that she was doing a
humongoush show and it would have made the perfect target
for anyone to make a name for themselves. But this
could happen to anyone your favorite artists if they are
huge and drawing a big crowd.
Speaker 3 (21:45):
I promise you this a crowd. They are at a target. Yeah,
it's the crowd, it's not the artist. If you got
fifty thousand people who were captive and I mean that
a captive audience of fifty thousand people or however how
many inherently they're a target.
Speaker 2 (21:59):
Oh, I have to go and look it up.
Speaker 4 (22:01):
But there was I remember when the Taylor Swift tour
was up and running that there were plenty of threats
that were going out to that why they had to
like postpone Certain shows move because of threats, just general threats.
Speaker 3 (22:16):
It happens. It just happens. This is a society that
we live in now, unfortunately, unfortunately, and there's no going back.
It's Later with Mo Kelly caf I AM six forty
live on YouTube and the iHeartRadio app.
Speaker 1 (22:28):
You're listening to Later with Moe Kelly on demand from
KFI AM six forty.
Speaker 3 (22:34):
And before we get out of here, let me do
this final thought. And I've been thinking about this all
day long, and I wanted to be clear on how
I wanted to present it.
Speaker 2 (22:45):
But I was.
Speaker 3 (22:45):
Thinking about the movie industry, something we talk about every
single day on this show some form or another, but
usually it's it's not connected to politics, not always, but
not frequently, but now it is. And I learned a
long long time ago it's not what you do it's
how you go about it. It's not what you say,
(23:06):
but how you say it and the words you choose.
The Trump tariffs, as I said before in previous commentaries,
you know the previous Trump tariffs, Those will impact all
of us in every facet of life if they come
to pass. We still have this grace period before they
may all take effect.
Speaker 2 (23:24):
And there's no real argument here.
Speaker 3 (23:27):
Those terroifts, if they take effect, will impact all of us.
But just like where it's not what you do and
what you say necessarily, it's also true that just because
a problem is legitimate, and trade imbalance is a legitimate
issue and it needs to be solved, just because the
issue is legitimate, it doesn't mean that any old proposed
(23:48):
solution is the solution. In the past day, President Trump
announced the following quote. I am authorizing the Department of
Commerce and the United States Trade Representative to immediately begin
the process of instituting a one hundred percent tariff on
any and all movies coming into our country that are
produced in foreign lands quote close quote. But he also
(24:13):
said we want movies made in America again. Now, contrary
to the President's popular belief, tariffs are not the magic
pill for everything. But going back to it's not what
you say, it's how you say it, and it's not
what you do, but how you go about it. The
President didn't either give the movie studios an he heads
up or consult them as to what movie studios and
(24:37):
theaters thought the problems of their industry were. He may
think Tarif's or the solution, but they aren't, not at all.
Speaker 2 (24:45):
Here's what I mean.
Speaker 3 (24:47):
Virtually every media stock was down today because they were
blindsided by this.
Speaker 2 (24:53):
And I'm inclined to.
Speaker 3 (24:54):
Believe the movie studios know their industry better than the
president or any president. And here's some else which has
gotten lost in this what I call tariff everything approach.
Movies aren't goods anymore. They're services. They're distributed digitally. They're
quote unquote manufactured in dozens of places simultaneously, not just
(25:17):
where they're filmed.
Speaker 2 (25:19):
Post production effects, et cetera.
Speaker 3 (25:21):
Are usually done any number of places around the world
for the same movie, regardless of filming locations. So you
may have a movie which is filmed in America, like Atlanta, Georgia,
for example. Most of the Marvel movies are now filmed
in Atlanta, Georgia. Take Captain America Brave New World are
(25:42):
used as an example, filmed mostly in Atlanta, but there
were some scenes which were filmed in Wahaka, Mexico, Tokyo, Japan,
and in the Middle East in Jordan. Now, are we
gonna penalize a movie like that or how about a
movie like Mission Impossible, which routinely films at exata locations
around the world. Does that make those movies less of
(26:04):
an American movie? And maybe it's post production is completed
by an international agency that is commonplace. You can't film
a Mission Impossible movie all on location in America or
some sound stage or with CGI, and honestly, you and
I don't want that. There's also the reality that it
(26:24):
costs much less to film internationally, and that's part of
the labor issue. But putting tariffs, and here's the main point,
putting tariffs on foreign air quote, foreign movies, whatever that means,
doesn't address any of that. You may have heard that
the President blames Governor Gavin Newsom for this. Well, I
would like to blame Governor Gavin Newsom for a lot
(26:45):
of stuff. But this is not understanding the problem. This
says that President Trump doesn't understand that movies and movie
studios are no longer a Hollywood phenomenon. One of the
biggest complaints about NEWSOM is that a lot of Hollywood
has left for other states. I'm talking states like Georgia.
Talked about Marvel, North Carolina, and Louisiana. Movies, American movies
(27:08):
are not just made in California. The infrastructure to make
these movies, both big and small, are not necessarily connected
to California at all. You have a movie like Russ
with Alec Baldwin has made in New Mexico. Movies routinely
are not made in California. And that's saying nothing of
the TV shows which shoot in various places around the
(27:29):
country and even internationally in Canada, which is a frequent
stand in for US cities. Are these terriffs going to
be placed on television shows?
Speaker 2 (27:38):
Again?
Speaker 3 (27:38):
How does that work? But this speaks to how you
go about it. This speaks to how the powerbrokers should
have been consulted first before announcing a policy which likely
will not bring about the desired result because it hasn't
been thought through and constructed with the actual industry players.
He's alleging he trying to help and Lastly, just like
(28:03):
the tariffs on goods, the other countries will have the
opportunity to respond. China routinely denies entry of American movies,
as do Russia and Taiwan. Some countries do not rely
on our movies and don't care. They do not give
a damn and they don't need America to show our
They don't need America to show their movies. I bet
(28:25):
you most people listening right now have no idea what
the number one movie in the world is. It's made
over two billion dollars in twenty twenty five, and I'm
probably pronouncing it wrong. It's ne Jah two, more than
two billion dollars, not one million of which was made.
Speaker 2 (28:46):
Here in the United States.
Speaker 3 (28:48):
This issue is far more complicated than getting on social
media and proclaiming tariffs on everyone.
Speaker 2 (28:56):
For KFI AM six forty, I'm mo Kelly, what the.
Speaker 1 (29:00):
US hate us or haven't made up your mind?
Speaker 2 (29:02):
We're glad you're here.
Speaker 1 (29:04):
K s I and k OS.
Speaker 4 (29:06):
T H D two Los Angeles, Orange Live
Speaker 2 (29:10):
Everywhere on the Younger radio
Later, with Mo'Kelly News
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