December 27, 2024 • 28 mins
Birth Characteristics // Voiceover Stories // Dueling Don Pardos // Licorice Pizza Review
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's KFI AM six forty and you're listening to The
Conway Show on demand on the iHeartRadio app.
Speaker 2 (00:08):
I was telling the story of my mom and dad
would take us to Disneyland once a year, and they
would tell us three months or four months in advance,
you know, right around Christmas. Hey, we're going in on
April ninth. She got to behave and one of my
brothers decided not to behave. He bought itching powder and
spread it all over the desks of all the kids,
and they all know. And I'm ninety nine percent sure
(00:31):
this happened where the kids, all the kids' parents had
to come pick them up because they were all itching
like crazy. I know what it was, they didn't know
what it was, and they're breaking out in like hives
and stuff.
Speaker 3 (00:42):
And I I'm about.
Speaker 2 (00:44):
Ninety nine percent sure that the fire department was called
as well, because they were next door, and the paramedics
came over to see to try to figure out what happened,
and they found a box of itching powder in my
brother's desk.
Speaker 3 (00:58):
I'm starting to stand the three day suspension. Yeah, he's
lucky he didn't get expelled.
Speaker 4 (01:04):
Yeah, I mean that turned into a big deal, right,
because what if those what if one of those kids
was allergic or had a condition or something, and you
know they got swollen eyes or whatever it was or
exactly and got their lungs and you know it was.
Speaker 3 (01:18):
It's a big deal, a big deal.
Speaker 2 (01:20):
So I'm with the principal and the teacher that there
had to be some action. Right, Normally I'd pick I'd
support my brother, but I think he crossed the line, okay,
just barely. So he was told by my dad, you
did this, you got in trouble, you got caught. You're
not going to Disneyland this year. And I thought, whoo,
my dad never ever does stuff like that ever.
Speaker 3 (01:43):
So all the kids going, he's serious, yes.
Speaker 2 (01:46):
And so the morning we're going, you know, you always
wake up early and you have breakfast, and he always
took us out of school to go.
Speaker 3 (01:52):
So it's a big special day.
Speaker 2 (01:53):
You know, he didn't have to go to school, and
we're all going to Disneyland on a day where we're
you know, we're supposed to go to school. And so
Disneyland was empty and you can walk around and enjoy yourself.
And we all get in the car except my brother
with the itching powder, and he was in the house
and he wasn't coming, and I thought, Wow, how far
is my dad going to drive down the block here?
(02:13):
Until he turns around and picks this kid back up
and he pulls the car around. We're going out the
driveway and my brother, Jake says, hey, Dad, can you
will you stop the car? And my dad stops the
car and my brother says, if my brother's not going,
I'm not going.
Speaker 3 (02:33):
Wow, Jake, isn't that great?
Speaker 5 (02:36):
Yeah?
Speaker 3 (02:36):
That says a lot about his character, the.
Speaker 2 (02:38):
Greatest guy in the world. He says, if I'm not
if my brother's not going, I'm not going.
Speaker 6 (02:42):
It was your reaction.
Speaker 3 (02:44):
My reaction was, hey, more room for me. Why are
we sitting still?
Speaker 6 (02:49):
Yeah?
Speaker 2 (02:49):
Dad, why did you? Why did you stop? Just slow down, Jake,
get the hell out of here. And he my dad
ended up taking all of us, right he did. Yeah,
he ended up taking all of us. But that was
such a DeFi any moment in my brother's childhood, right, Like,
he's the only kid that said no, no, we're all
going or I'm not going, which is so great it
(03:09):
brings a tear to my eyes.
Speaker 3 (03:10):
It really, I mean, really a special that's consistent with
who he was.
Speaker 6 (03:13):
Yep.
Speaker 3 (03:13):
And he is a sweet man. Sweetest guy in the world.
Is really sweet man. I mean he's obviously he was
born in the wrong family. Well you're all sweet.
Speaker 2 (03:22):
Nah, he's over the top. I mean, he rescues dogs
all the time. He's always upbeat. He doesn't hate anybody,
never gets pissed at anybody. He can just hang up
on a good friend. No way you'd go to the
track with the guy, right, But he's always always upbeat.
Speaker 3 (03:40):
And I don't know how he does it, man, but
you know, he works.
Speaker 2 (03:43):
He doesn't have kids, but they have like five or
six dogs, and those dogs are the world to him.
And he's and he's just a really decent human being,
like a really good person. And you know, of all
the brothers and sisters, I think his his character. I
don't know where it was formed, but somebody had an
(04:04):
influence on him that we all didn't catch. The No,
he's fourth, fourth, fifth city. Yeah, he's fourth, fourth born,
so he's close to the middle there. Yeah, he's a
middle kid out of six, right, the three and four
are the you know the two medals, right, do.
Speaker 7 (04:23):
You find that? I don't know how much you've looked
into that, do you find that that the order of
births with all your siblings kind of go true to
form from what we've always heard, the first in the
middle and the last and all that.
Speaker 6 (04:32):
You know what, I don't.
Speaker 2 (04:33):
I'm not really sure what what those theories are like?
Speaker 3 (04:37):
Is it? I know that my sister got a lot
in life. She was the first born. Oh, she was
the first thing.
Speaker 6 (04:43):
She's the oldest.
Speaker 2 (04:44):
She's but we have we had one girl, and then
my dad had five boys.
Speaker 6 (04:47):
My mom and dad.
Speaker 3 (04:48):
My mom had something to do with it too.
Speaker 7 (04:50):
I think the girl thing makes sense, but also the
firstborn thing makes sense. So she got she doubled it. Oh,
my god, with the privilege. I guess you could say.
Speaker 2 (04:57):
My dad wrote a song about her. My dear has
never written a song in his life. You wrote a
song about her. And there's a million pictures of her
around around, you know, our house growing up. I think
there's one of me, and try to find one of
the of the youngest.
Speaker 4 (05:12):
So long man to hear some of the characteristics of
the first middle okay, so first natural leader, high achiever, organized,
on time, know it all, bossy, responsible adult, pleaser, obeys
the rules the middle.
Speaker 7 (05:25):
That makes sense.
Speaker 3 (05:25):
That way it goes slowly. Again, the firstborn is.
Speaker 4 (05:28):
One natural leader, high achiever, very organized, very organized, on time,
always know it all.
Speaker 7 (05:36):
Yeah, she I think, I think she knows that, you guys,
when Thursday nights not Friday nights to drapings.
Speaker 6 (05:44):
Yes, she didn't know.
Speaker 2 (05:45):
She didn't know that, right, so maybe not not all
of it. She knew bossy uh as a kid.
Speaker 3 (05:51):
Yeah, get in the wheel. Well that's a little yeah,
pretty bossy as a kid, right, responsible?
Speaker 4 (05:57):
Yes, yes, adult pleaser yeah, obeys.
Speaker 3 (06:02):
Yeah, pretty much. Okay.
Speaker 2 (06:04):
She had by the way, she had a massive, massive bedroom.
It was supposed to be like the master bedroom to
the house that we lived in in the valley, and
the rest of the boys were in one room, five
of us in one room. And she had a fireplace
in her room, a walk in closet fireplace in her room,
(06:24):
and had two different exposures, like she looked west and
north from her windows.
Speaker 4 (06:30):
Two different exposures.
Speaker 2 (06:32):
Huge ass room, good for her. And we were all piled.
We had two bunk beds and a car bed, you know,
So we had two bunk beds that we had lived
in that we slept into my brother had one of
those like speed racer car.
Speaker 3 (06:44):
Beds, stinky boys. God, it was unbelievable. I don't know
why we put up with that, because you had to.
Speaker 2 (06:52):
Well, we could have, we could have. I mean, there's
five of us. We could have taken over.
Speaker 4 (06:56):
You should have.
Speaker 2 (06:56):
We should have. We we couldn't taken her out. The
middle child, okay, middle child.
Speaker 4 (07:01):
Flexible, easygoing, social peacemakers, independent, secretive, may feel like life
is unfair, strong, negotiator, and generous.
Speaker 2 (07:10):
Okay, and that's like yeah my brother yeah, like like
Corey and and and Jake. Yeah, that's that's kind of them, right.
Speaker 4 (07:16):
Okay, the babies of the family, right, this is sean
risk taker, outgoing, creative, self centered, Oh yeah, financial, financially irresponsible.
Speaker 2 (07:27):
Not he's not that, but competitive so far. He's like,
you know, eight for nine yeah, nine for ten.
Speaker 4 (07:34):
Bored, easily, very easily, likes to be pampered. I don't know,
I don't know, sense of humor, very funny. And that
was for those, Okay, if you're the only child close
to parents, self control, leader, mature, dependable, demanding, unforgiving, private
and sensitive.
Speaker 2 (07:53):
Wow man, oh man, that's wild house. I mean it's
such a generalization. But man, do they nail it a
lot of Yeah, I hit a lot of those. Yeah,
that's wild. That's crazy, man, that's a you know that
that the youngest one. I mean, you describe my brother
Sean to the tea, except that he's financially he's not irresponsible.
(08:14):
He owns two restaurants and Steamboat Springs, Colorado. Yeah, okay, yeah,
it works up from nothing. He was like a bus boy.
Speaker 7 (08:20):
So with six you find those ones that are in
the middle, they're they're sort of like a variance of
those things.
Speaker 3 (08:26):
Yeah. Yeah, that pretty much nailed them, though.
Speaker 6 (08:27):
I guess.
Speaker 3 (08:28):
So there's six kids, the three and four or the
middle one. Yeah, yeah, I guess so. Yeah, yeah, Well
that's that's that's about right. But that's that's wild. How
you can generalize like that, that's crazy.
Speaker 8 (08:38):
You're listening to Tim Conway Junior on demand from KFI
A M six forty and.
Speaker 2 (08:45):
I just talked commercial for McDonald's there popcorn chicken. Oh yes,
and I'm big big I'm sorry, Jack in the box,
Jack in the box popcorn chicken, and I'm a big
Jack in the box guy.
Speaker 3 (08:57):
So I had to try the popcorn chicken very very good.
Speaker 2 (09:01):
No, yeah, I would give it an eight out of ten,
maybe an eight eight point five.
Speaker 6 (09:05):
I agree.
Speaker 3 (09:06):
Oh you've had it. It's so good. It really is good.
I'm so simpule.
Speaker 6 (09:09):
And it's like this is it's a spot.
Speaker 2 (09:10):
It comes in a little kind of little container there,
pop that open.
Speaker 6 (09:13):
You have to go.
Speaker 3 (09:16):
Got to enjoy yourself.
Speaker 6 (09:17):
Man, what the hell?
Speaker 9 (09:19):
The one of the worst voiceover sessions come for a
commercial ever that I ever had in my career for
Jack in the Box. And it wasn't Jack in the
Box's fault. It's just a bunch of stuff came together
and it was it was awful. It was nightmare.
Speaker 3 (09:34):
Oh really.
Speaker 9 (09:34):
It was on a Friday, and it was, first of all,
the last session on a Friday. It was supposed to
be a four o'clock record session in Santa Monica. Wow,
and that's fine. I go there, I'm on time, and
they said, we're having problems with the studio. So it's
a delay. It's a delayed. It was an hour. Now
it's five o'clock on a Friday, okay, which is which
(09:55):
is not a problem for me. But when I tell
you what happened, so and now it's after five it's
like five twenty and I go and they go, yeah,
I'm sorry about this. I go, no, it's no problem.
I'm out here, I'm having a cup of coffee, I'm reading.
And finally they say, okay, we're ready for you. I
walk in and the first thing I hear somebody say
is I was supposed to be at my kid's birthday
party forty five minutes ago.
Speaker 6 (10:16):
They go, oh, man, this is just awful.
Speaker 9 (10:19):
And then they said, Mark, great, nice to me. You.
Let's get let's get going because we're kind of we
like what you did with your audition.
Speaker 6 (10:26):
Just do it like, you know.
Speaker 3 (10:27):
So pressure's on you now, right right right.
Speaker 9 (10:30):
And it was one of those things where there's they
want you to say a lot in a very short time.
So it's like you have a thirteen or fourteen seconds
is what I recall a gap to crush this copy,
and the copy is really you have to really rush it,
(10:50):
and yet you also want to give it though, whatever
the love it needs, okay, And without getting into a
long thing about it, they said, we we need you
to do it more like. And then as they're starting
to talk and I'm in a studio in another studio,
you're not in the same room with them.
Speaker 6 (11:06):
Okay. They're holding up this thing. It's a talkback thing.
Speaker 9 (11:09):
It looks like a remote control for a TV, and
it isn't working well. So they say, Mark, we like
what you're doing. But and I go, gosh, I'm sorry,
I can't hear you right now. And they go and
is this any better? And they go, Mark, we need
you to.
Speaker 6 (11:26):
I can't.
Speaker 9 (11:28):
And all I'm thinking about now is I'm not giving
them the read I want they want. The timeframe is
so short, and everybody wants to go home, okay, and
it's not my fault.
Speaker 6 (11:37):
I just got here. Okay. So then.
Speaker 9 (11:42):
That continues for like five minutes. And now I'm sweating
like a guy having a stroke. Okay. This guy gets
up from the corner of the room. I hadn't even seen
him before, like Brando and Apocalypse. Now he looked like that.
He was like in my mind, he was huge. He
was probably pretty good size, shaved head, and the lighting
was like right down on him and and he said,
I'm so and so I'm Jack. I'm the guy who
(12:04):
plays you know, he's the actual guy who runs the agency,
and he's the voice of Jack.
Speaker 3 (12:08):
Wow.
Speaker 9 (12:08):
Okay, okay. So I go, oh my god, it's a
pleasure to meet you. I I you know, I've heard
nice things, right. He goes, uh, he says, well, it's
great to have you here. But and all of this
is while the the talkback is still breaking up.
Speaker 6 (12:20):
I'm having trouble here.
Speaker 9 (12:21):
But I'm you know, I'm kind of just like going
through the pleasantries because I know what he's saying, right,
And he goes, I really need you to and I'm like,
oh my god, this is and so I just took
another run at it and it was too long and
it wasn't what they and I said, you know, maybe
we'll just do this a different day. And literally, I
I the session just evaporated. It just went away.
Speaker 6 (12:42):
Is that right? Yeah? Yeah?
Speaker 9 (12:43):
Yeah, yeah yeah. It was crazy, man. So I cannot when.
Speaker 2 (12:47):
You're driving home, You're probably a million thoughts are going
into your head.
Speaker 9 (12:50):
And I called the agent. I said, you know, this
just got away. There was so much stuff going on,
and we the session started late, and people wanted to
go home. I don't think I was giving him the
read I wanted. And it was just I felt and
I'm really sorry, and then I didn't even tell him
the talkback thing, which is but it just made it
all awful.
Speaker 6 (13:05):
Every note I couldn't really hear them, you know.
Speaker 2 (13:08):
I went out on commercial editions for a while, and
then I remember I was out on Sunset Boulevard for
a It was for one of those dryer sheets that
you throw in fire, and they were going to do
a real close up on it, like through a microscope
and you could see the fibers inside the dryer sheet.
(13:29):
And so the guys says, he brought us in about
three at a time, and three guys come in and
we could see what the other guys were doing through
the window. And the director said, once you come in,
give us your name, and then wiggle your body like
you're a fiber in one of these dryer sheets. And
I said, buddy, look, I don't think you got the
(13:52):
right guy. I'm not your guy. And he goes, no,
he goes, I want you to do this. I want
to I think you could. You could be great at
wiggling your body like a dryer, like a fiber and
a dryer sheet. And I said, I honestly, god, I'm not.
I am so not your guy. You're wasting your time.
If you even put this on video. And he said no, no,
(14:14):
he goes, we're running out of time. We really want
you to do it right now. I said, I'm not
going to I'm not your guy, and I left and
the guy called my agent. He was so pissed. Oh wow,
you know that that he he said, I stormed out
of there.
Speaker 6 (14:27):
I didn't.
Speaker 2 (14:28):
I just said, I'm not your guy for this. You
know there's forty people in this room that can do
that better than I can. I'm just not that guy.
And I remember my I stopped going to a commercial
commercial editions.
Speaker 6 (14:40):
So that was the one that.
Speaker 3 (14:41):
Yeah, I said this for.
Speaker 2 (14:43):
Actors and people who were like, you know, this is
you know, acceptable to ideas and can go in and
out of flowing out of things.
Speaker 3 (14:50):
That's not me.
Speaker 6 (14:50):
Did you ever see you saw the spot on the air.
Speaker 2 (14:53):
Yeah, and it looked they picked the right guys and gallows,
but what wasn't me.
Speaker 3 (14:57):
That's what man. I just I'm which is not that
kind of guy. I've never been.
Speaker 2 (15:01):
I know a lot of people when they listen to
the show are like, wow, that guy's probably a hot dancer,
but I'm really not. I'm just I don't like move
that way, I just don't think like that. You probably
dance pretty. You do dance because you dance on TV.
Speaker 9 (15:14):
I did it on Fox eleven, but you know you don't.
Let's not undercut your acting at Licorice Pizza. You distinguished
yourself quite handsome.
Speaker 3 (15:21):
It's not dancing.
Speaker 2 (15:22):
By the way, do you see that guy on He's
getting a lot of publicity on TikTok and YouTube where
he's the dancing weather map.
Speaker 6 (15:30):
He's stile my act. He's stole that.
Speaker 3 (15:32):
That's your act and he never gave you credit for it.
Speaker 9 (15:35):
Yeah, but it's been decades now. So look, you know,
I hope he does really well with it, and then
I hope he burns in a fiery pit of hell.
Speaker 3 (15:41):
But he talks about it as if he created.
Speaker 6 (15:43):
No, that's that I didn't know. That's lame. That's super lame.
Speaker 8 (15:47):
You're listening to Tim Conway Junior on demand from KFI
AM six forty.
Speaker 2 (15:54):
So this is the Don Pardo competition of Stefush. Have
you found the music without lyrics?
Speaker 3 (15:59):
Yes, sir?
Speaker 6 (15:59):
Why you want to give us a little music? All right?
Speaker 2 (16:02):
All right, you know what's the music gonna sound like?
Let's have it in their cans.
Speaker 6 (16:06):
Yeah, man, all right, guys, you want to that music?
Speaker 3 (16:11):
Pot?
Speaker 9 (16:12):
That's right, it comes down hot buddy, Come on, you
got to bring it on the hot good.
Speaker 6 (16:15):
All right?
Speaker 2 (16:15):
Okay, Now we're gonna flip a coin. Very exciting to
see you, very exciting. Yeah, give a coin on you.
Speaker 6 (16:21):
I don't think I do.
Speaker 3 (16:22):
Nobody has coins on them anymore.
Speaker 6 (16:23):
Right now, I'm.
Speaker 2 (16:25):
Gonna write on a piece of paper one to ten,
and the closest to it gets to pick.
Speaker 3 (16:33):
All right, one to ten? Who goes first?
Speaker 6 (16:37):
Oh, you're asking me?
Speaker 2 (16:39):
Well, no, I'm writing a number one to ten. Whoever
gets closest to the number gets to pick whether they
go first or second. All right, all right, to get
to pick who gets the number first, I'm gonna write
another number. So this is the number to get to
the number.
Speaker 6 (16:57):
To be able to be able to get for the
next night.
Speaker 3 (16:59):
All right, Mark, number were team one and ten?
Speaker 6 (17:01):
All right? Four?
Speaker 7 (17:03):
Four?
Speaker 3 (17:03):
Krozer?
Speaker 6 (17:05):
But five?
Speaker 3 (17:06):
Okay, it was three?
Speaker 2 (17:07):
So Mark goes first and picking one one to ten? Okay, okay,
all right, now Mark, one to ten? And what number
am I writing down?
Speaker 6 (17:16):
Six?
Speaker 3 (17:17):
Six is wrong?
Speaker 6 (17:18):
Crozier? Three?
Speaker 3 (17:20):
Oh it's seven, Mark, got it?
Speaker 6 (17:24):
It's gonna be let crows. Dude, go first.
Speaker 3 (17:29):
There's no deflector no no, no.
Speaker 6 (17:30):
No no. I get the choice. I get the choice.
Speaker 3 (17:34):
The rule was you get a choice.
Speaker 6 (17:36):
You do.
Speaker 3 (17:36):
They didn't hear that part. Yeah, well we can roll
it back.
Speaker 6 (17:40):
All right.
Speaker 3 (17:40):
Here it is good Luck Crouch.
Speaker 5 (17:42):
Alright, music starts here I Don Krozer's.
Speaker 6 (17:57):
Saturday Night Long.
Speaker 10 (18:01):
With Dana Carvey, still Hartman, Nor McDonald, Lorraine Newman, Eddie Murphy,
Maya Rudolph.
Speaker 6 (18:19):
With musical guests Whoe.
Speaker 11 (18:25):
And your host Steve Martin, Ladies and gentlemen, Steve Martin.
Speaker 9 (18:38):
That was really good, dude, that really was you really
stuck the landing.
Speaker 6 (18:43):
That was so cool man, dude, that was really good.
Speaker 3 (18:46):
Hey, I learned from the best.
Speaker 6 (18:47):
Alight.
Speaker 3 (18:47):
Wow, that's Crozier.
Speaker 6 (18:49):
I don't have any water anything. This is tough and
he was good.
Speaker 2 (18:52):
Doing his Don pardell Man and now it's Mark Pardo.
All right, you ready, let's be ready, all right, red leather,
yellow leather, red leather.
Speaker 6 (19:03):
We'll bring that music on a hot trying to bury
my bury me under the music. It'll be better though.
Speaker 2 (19:08):
One music starts and here it is Mark Thompson is
Don Pardo.
Speaker 6 (19:21):
It's Saturday Night Live.
Speaker 12 (19:24):
With Tana Carvey, Phil Hartman, McDonald, Lauren Newman, adding Myrthy.
Speaker 13 (19:38):
Michael Rudolph, with musical guests Queen and the host Steve Martin,
Old ladies and gentlemen.
Speaker 6 (19:53):
Steve Martin, all right, Mark, I.
Speaker 7 (20:02):
Really love What I loved about it was your professionals
some shows because you had the just the slight little
nuances that Don used.
Speaker 9 (20:09):
Yeah, he's got that little when he does live, he'll
gove you.
Speaker 6 (20:14):
Know, like that that little thing.
Speaker 3 (20:17):
Yeah, very good.
Speaker 2 (20:18):
All right, Now we all get to vote, right, all right,
let's start with Steph Roni who knocked it out? Krozier
or Mark Thompson.
Speaker 3 (20:28):
I liked Krozier.
Speaker 9 (20:29):
Crozier, Yeah, you're sweet. I think you stuck the landing.
I liked it too.
Speaker 2 (20:35):
Somebody who knows there's only a guy who's here one
night a week, and a guy here is five.
Speaker 3 (20:40):
Nights, five nights a week. It could be a long week.
Speaker 2 (20:45):
All right, Bellio, Krozier or Mark Thompson.
Speaker 3 (20:49):
I'm going with Mark Mark Ye Angel Martinez.
Speaker 2 (20:56):
I'm going with Crawler all right, And I'm going with
Mark Thompson. So it's so it's it's a dead heat.
It's a dead heat, as it should be. So the
audience has to decide. Oh my god, all right, yeah,
(21:18):
let's put up on Twitter. All right, but it's up
on Twitter.
Speaker 6 (21:21):
Okay.
Speaker 3 (21:21):
We put the audio up as well, or or just
as soon as I get it, we.
Speaker 2 (21:24):
Will, right, So the audience will decide. We'll know by
ten o'clock. Who is the better? Don Pardoh well the man,
I thought they were both real, but it's neither better.
Speaker 9 (21:35):
There was a cool individual take each of us had on.
Speaker 6 (21:39):
The whole thing.
Speaker 2 (21:40):
I thought it was great and krozer for you not
to have ever done that before tonight exactly. That's wild. Dude, Man,
that is crazy. You got an ear for that. You
got to quit radio, make some money. I mean, you
can do impressions, dude, Yeah, you got the other What
is the other one you do? Felix the cat? Felix
the cat, Yeah, somebody else.
Speaker 14 (22:01):
I don't even know what philis the catch sounds like,
he goes we last at h no, no, but no
you do. Who's the Martin and Lewis?
Speaker 2 (22:13):
Jerry Lewis right, Jerry Lewis right, that's a hot one, right, Yeah,
go out there, Don Pardo and Jerry Lewis.
Speaker 9 (22:23):
Factory have Don Pardo introduced, Jerry Lewis, you come up
do that thing that impressions do. They turn around and
they know you're Jerry Lewis. Right, you had a cigarette.
Now Jerry would play maybe older demos on that though. Thought, yeah,
I think it's a cruise.
Speaker 2 (22:38):
I think you're a you know, the Alaska cruise after
summer when the old people come out.
Speaker 6 (22:43):
Yeah.
Speaker 2 (22:43):
Yeah, oh that's great though. Congratulations of both you. You
both sounded hotter.
Speaker 6 (22:47):
Now.
Speaker 2 (22:48):
I know it's a fierce competition, but you both showed up.
He went fifteen rounds. Yeah, you know, a good offense
takes care of a good defense. I thought you just
let him play on the field, and you know players
will take care of themselves, right.
Speaker 3 (23:02):
Yeah, it was hot mine.
Speaker 7 (23:03):
Look, the idea of doing anything like that with with
Mark Thompson is is an achievement in my head as
far as I'm concerned.
Speaker 6 (23:09):
True.
Speaker 3 (23:09):
Yeah, that's a street dog.
Speaker 8 (23:12):
You're listening to Tim Conway Junior on demand from KFI
Am sixty.
Speaker 2 (23:18):
There's a new movie now called Licorice Pizza, directed by
Paul Thomas Anderson, and it's uh I got my first
review because I'm in this sucker, right, I'm in. I'm
a major, major part of this movie. And even though
(23:41):
I'm not on the Billboard and not listed on Rotten
Tomatoes as an actor in this thing, big part, big,
big part. So but the first review is coming from
somebody that Mark Thompson knows.
Speaker 6 (23:58):
Right.
Speaker 2 (23:59):
He says, my pal just saw black Licorice and said
you're great in it. Okay, it's called licorice pizza, but
black licorice is fast.
Speaker 3 (24:11):
I still undering.
Speaker 2 (24:17):
It's so dead on black licorice. What were you in
before beef Hamburger, right, I mean? And then he says,
I mean, he didn't go on and on about you.
He did say that you were good. Look, and then
he goes on, he didn't make a big deal out
of you. And I asked, and he said you were okay,
(24:41):
And then he wrote, again, look, stop pressuring me. He
said you were in it. I asked about you and
he said you were okay. And then he wrote, oh,
I meant licorice pizza. And then he says, look, I've
got a lot of s going on right now. Black pizza,
Black liquorice pizza. It's the Paul Thomas Andrews the movie
You're in you idiot, and you were good.
Speaker 6 (25:04):
Well, there you go.
Speaker 3 (25:05):
That's all I need, right and man, And then I
wrote him back.
Speaker 2 (25:09):
I said, I'm I'm quitting radio next week solely based
on your buddies review of my acting ability. I hope
he's right. How about if I play the trailer for you?
But I think it's coming out this month, but the yeah,
the trailers great.
Speaker 4 (25:24):
Man.
Speaker 2 (25:25):
It's like anybody grew up in the valley and had
a crush on a girl or a crush on a
guy and all the you know, stupid things you do
and you know period. Yeah, yeah, it's the seventies seventies
in the San Fernando Valley, you know, back in the
km E t old days, liquorice, Pizza Tower records.
Speaker 3 (25:43):
Boy, he really he really.
Speaker 7 (25:45):
PGA really kind of puts his stuff in that little
like Boogie Knights. Yeah, he's in the valley.
Speaker 2 (25:50):
Yeah, he loves Well, that's where he grew up in,
you know, in the San Fernando Valley. Yeah, and his dad,
Ernie Anderson, and my dad knew each other in c
Eveland and they drove out together to make it in Hollywood,
that one crazy Here we go.
Speaker 13 (26:07):
It's a god awful small affair.
Speaker 6 (26:11):
To the girl with them the house. I'm at the
common Mary one day, but her.
Speaker 11 (26:15):
Mummy is yelling no.
Speaker 6 (26:19):
Until daddy has toes.
Speaker 3 (26:21):
That's a girl's young lady.
Speaker 6 (26:23):
But her friend is nowhere to be seen.
Speaker 12 (26:26):
How'd you become such a hot shot?
Speaker 13 (26:27):
Actual through this?
Speaker 3 (26:29):
That's what I meant to do.
Speaker 8 (26:31):
To the scenes with the clearest view, and she's up.
Speaker 11 (26:36):
To the cell of the screen.
Speaker 6 (26:37):
Do you know who I am? Yeah? Do you know
who my girlfriend is?
Speaker 2 (26:40):
Ubiz Barbies straight sand sand, You're like sands, like the ocean,
like si sand.
Speaker 3 (26:47):
Hello, stray sand sand.
Speaker 6 (26:51):
But this is feet that brops.
Speaker 3 (26:55):
She's ten times our roads took us here.
Speaker 6 (26:58):
She could stand.
Speaker 3 (27:01):
You're not my director?
Speaker 9 (27:07):
Do you really want to see my boobs?
Speaker 6 (27:10):
Sure?
Speaker 3 (27:12):
That's my only line?
Speaker 7 (27:17):
Just you said that if I saw them in the movie,
I would be the loudest laughing person in the entire theory.
Speaker 5 (27:25):
Do you really want to see my boobs?
Speaker 6 (27:27):
Sure? Can I touch them? Slapped them in the face?
Speaker 3 (27:41):
Man, it looks great, it really does. Licorice pizza. He's
he's probably easily my favorite director. Oh is that right?
Speaker 2 (27:49):
Yeah?
Speaker 7 (27:51):
Booge Knights is my top three all time. I like
that movie was made so brilliantly. When they had the
Criterion editions of DVDs and stuff, I got that one
and I listened to the director's commentary through the whole thing.
Speaker 3 (28:03):
That's just so fascinating to the man talking.
Speaker 6 (28:05):
I gotta do that.
Speaker 7 (28:06):
He did that for Magnolia and Boogie Nights and some
of the stories that he told in during Boogie Knights
and during the Director's come Phenomenals.
Speaker 2 (28:14):
I'm gonna do that tonight. That would be awesome. I
didn't know there's a director's cut. Yeah, that's great. We're
live on KFI AM six forty Conway Show on demand
on the iHeart Radio app.
Speaker 1 (28:25):
Now you can always hear us live on KFI AM
six forty four to seven pm Monday through Friday, and
anytime on demand on the iHeart Radio app.
It's KFI AM six forty and you're listening to The
Conway Show on demand on the iHeartRadio app.
Speaker 2 (00:08):
I was telling the story of my mom and dad
would take us to Disneyland once a year, and they
would tell us three months or four months in advance,
you know, right around Christmas. Hey, we're going in on
April ninth. She got to behave and one of my
brothers decided not to behave. He bought itching powder and
spread it all over the desks of all the kids,
and they all know. And I'm ninety nine percent sure
(00:31):
this happened where the kids, all the kids' parents had
to come pick them up because they were all itching
like crazy. I know what it was, they didn't know
what it was, and they're breaking out in like hives
and stuff.
Speaker 3 (00:42):
And I I'm about.
Speaker 2 (00:44):
Ninety nine percent sure that the fire department was called
as well, because they were next door, and the paramedics
came over to see to try to figure out what happened,
and they found a box of itching powder in my
brother's desk.
Speaker 3 (00:58):
I'm starting to stand the three day suspension. Yeah, he's
lucky he didn't get expelled.
Speaker 4 (01:04):
Yeah, I mean that turned into a big deal, right,
because what if those what if one of those kids
was allergic or had a condition or something, and you
know they got swollen eyes or whatever it was or
exactly and got their lungs and you know it was.
Speaker 3 (01:18):
It's a big deal, a big deal.
Speaker 2 (01:20):
So I'm with the principal and the teacher that there
had to be some action. Right, Normally I'd pick I'd
support my brother, but I think he crossed the line, okay,
just barely. So he was told by my dad, you
did this, you got in trouble, you got caught. You're
not going to Disneyland this year. And I thought, whoo,
my dad never ever does stuff like that ever.
Speaker 3 (01:43):
So all the kids going, he's serious, yes.
Speaker 2 (01:46):
And so the morning we're going, you know, you always
wake up early and you have breakfast, and he always
took us out of school to go.
Speaker 3 (01:52):
So it's a big special day.
Speaker 2 (01:53):
You know, he didn't have to go to school, and
we're all going to Disneyland on a day where we're
you know, we're supposed to go to school. And so
Disneyland was empty and you can walk around and enjoy yourself.
And we all get in the car except my brother
with the itching powder, and he was in the house
and he wasn't coming, and I thought, Wow, how far
is my dad going to drive down the block here?
(02:13):
Until he turns around and picks this kid back up
and he pulls the car around. We're going out the
driveway and my brother, Jake says, hey, Dad, can you
will you stop the car? And my dad stops the
car and my brother says, if my brother's not going,
I'm not going.
Speaker 3 (02:33):
Wow, Jake, isn't that great?
Speaker 5 (02:36):
Yeah?
Speaker 3 (02:36):
That says a lot about his character, the.
Speaker 2 (02:38):
Greatest guy in the world. He says, if I'm not
if my brother's not going, I'm not going.
Speaker 6 (02:42):
It was your reaction.
Speaker 3 (02:44):
My reaction was, hey, more room for me. Why are
we sitting still?
Speaker 6 (02:49):
Yeah?
Speaker 2 (02:49):
Dad, why did you? Why did you stop? Just slow down, Jake,
get the hell out of here. And he my dad
ended up taking all of us, right he did. Yeah,
he ended up taking all of us. But that was
such a DeFi any moment in my brother's childhood, right, Like,
he's the only kid that said no, no, we're all
going or I'm not going, which is so great it
(03:09):
brings a tear to my eyes.
Speaker 3 (03:10):
It really, I mean, really a special that's consistent with
who he was.
Speaker 6 (03:13):
Yep.
Speaker 3 (03:13):
And he is a sweet man. Sweetest guy in the world.
Is really sweet man. I mean he's obviously he was
born in the wrong family. Well you're all sweet.
Speaker 2 (03:22):
Nah, he's over the top. I mean, he rescues dogs
all the time. He's always upbeat. He doesn't hate anybody,
never gets pissed at anybody. He can just hang up
on a good friend. No way you'd go to the
track with the guy, right, But he's always always upbeat.
Speaker 3 (03:40):
And I don't know how he does it, man, but
you know, he works.
Speaker 2 (03:43):
He doesn't have kids, but they have like five or
six dogs, and those dogs are the world to him.
And he's and he's just a really decent human being,
like a really good person. And you know, of all
the brothers and sisters, I think his his character. I
don't know where it was formed, but somebody had an
(04:04):
influence on him that we all didn't catch. The No,
he's fourth, fourth, fifth city. Yeah, he's fourth, fourth born,
so he's close to the middle there. Yeah, he's a
middle kid out of six, right, the three and four
are the you know the two medals, right, do.
Speaker 7 (04:23):
You find that? I don't know how much you've looked
into that, do you find that that the order of
births with all your siblings kind of go true to
form from what we've always heard, the first in the
middle and the last and all that.
Speaker 6 (04:32):
You know what, I don't.
Speaker 2 (04:33):
I'm not really sure what what those theories are like?
Speaker 3 (04:37):
Is it? I know that my sister got a lot
in life. She was the first born. Oh, she was
the first thing.
Speaker 6 (04:43):
She's the oldest.
Speaker 2 (04:44):
She's but we have we had one girl, and then
my dad had five boys.
Speaker 6 (04:47):
My mom and dad.
Speaker 3 (04:48):
My mom had something to do with it too.
Speaker 7 (04:50):
I think the girl thing makes sense, but also the
firstborn thing makes sense. So she got she doubled it. Oh,
my god, with the privilege. I guess you could say.
Speaker 2 (04:57):
My dad wrote a song about her. My dear has
never written a song in his life. You wrote a
song about her. And there's a million pictures of her
around around, you know, our house growing up. I think
there's one of me, and try to find one of
the of the youngest.
Speaker 4 (05:12):
So long man to hear some of the characteristics of
the first middle okay, so first natural leader, high achiever, organized,
on time, know it all, bossy, responsible adult, pleaser, obeys
the rules the middle.
Speaker 7 (05:25):
That makes sense.
Speaker 3 (05:25):
That way it goes slowly. Again, the firstborn is.
Speaker 4 (05:28):
One natural leader, high achiever, very organized, very organized, on time,
always know it all.
Speaker 7 (05:36):
Yeah, she I think, I think she knows that, you guys,
when Thursday nights not Friday nights to drapings.
Speaker 6 (05:44):
Yes, she didn't know.
Speaker 2 (05:45):
She didn't know that, right, so maybe not not all
of it. She knew bossy uh as a kid.
Speaker 3 (05:51):
Yeah, get in the wheel. Well that's a little yeah,
pretty bossy as a kid, right, responsible?
Speaker 4 (05:57):
Yes, yes, adult pleaser yeah, obeys.
Speaker 3 (06:02):
Yeah, pretty much. Okay.
Speaker 2 (06:04):
She had by the way, she had a massive, massive bedroom.
It was supposed to be like the master bedroom to
the house that we lived in in the valley, and
the rest of the boys were in one room, five
of us in one room. And she had a fireplace
in her room, a walk in closet fireplace in her room,
(06:24):
and had two different exposures, like she looked west and
north from her windows.
Speaker 4 (06:30):
Two different exposures.
Speaker 2 (06:32):
Huge ass room, good for her. And we were all piled.
We had two bunk beds and a car bed, you know,
So we had two bunk beds that we had lived
in that we slept into my brother had one of
those like speed racer car.
Speaker 3 (06:44):
Beds, stinky boys. God, it was unbelievable. I don't know
why we put up with that, because you had to.
Speaker 2 (06:52):
Well, we could have, we could have. I mean, there's
five of us. We could have taken over.
Speaker 4 (06:56):
You should have.
Speaker 2 (06:56):
We should have. We we couldn't taken her out. The
middle child, okay, middle child.
Speaker 4 (07:01):
Flexible, easygoing, social peacemakers, independent, secretive, may feel like life
is unfair, strong, negotiator, and generous.
Speaker 2 (07:10):
Okay, and that's like yeah my brother yeah, like like
Corey and and and Jake. Yeah, that's that's kind of them, right.
Speaker 4 (07:16):
Okay, the babies of the family, right, this is sean
risk taker, outgoing, creative, self centered, Oh yeah, financial, financially irresponsible.
Speaker 2 (07:27):
Not he's not that, but competitive so far. He's like,
you know, eight for nine yeah, nine for ten.
Speaker 4 (07:34):
Bored, easily, very easily, likes to be pampered. I don't know,
I don't know, sense of humor, very funny. And that
was for those, Okay, if you're the only child close
to parents, self control, leader, mature, dependable, demanding, unforgiving, private
and sensitive.
Speaker 2 (07:53):
Wow man, oh man, that's wild house. I mean it's
such a generalization. But man, do they nail it a
lot of Yeah, I hit a lot of those. Yeah,
that's wild. That's crazy, man, that's a you know that
that the youngest one. I mean, you describe my brother
Sean to the tea, except that he's financially he's not irresponsible.
(08:14):
He owns two restaurants and Steamboat Springs, Colorado. Yeah, okay, yeah,
it works up from nothing. He was like a bus boy.
Speaker 7 (08:20):
So with six you find those ones that are in
the middle, they're they're sort of like a variance of
those things.
Speaker 3 (08:26):
Yeah. Yeah, that pretty much nailed them, though.
Speaker 6 (08:27):
I guess.
Speaker 3 (08:28):
So there's six kids, the three and four or the
middle one. Yeah, yeah, I guess so. Yeah, yeah, Well
that's that's that's about right. But that's that's wild. How
you can generalize like that, that's crazy.
Speaker 8 (08:38):
You're listening to Tim Conway Junior on demand from KFI
A M six forty and.
Speaker 2 (08:45):
I just talked commercial for McDonald's there popcorn chicken. Oh yes,
and I'm big big I'm sorry, Jack in the box,
Jack in the box popcorn chicken, and I'm a big
Jack in the box guy.
Speaker 3 (08:57):
So I had to try the popcorn chicken very very good.
Speaker 2 (09:01):
No, yeah, I would give it an eight out of ten,
maybe an eight eight point five.
Speaker 6 (09:05):
I agree.
Speaker 3 (09:06):
Oh you've had it. It's so good. It really is good.
I'm so simpule.
Speaker 6 (09:09):
And it's like this is it's a spot.
Speaker 2 (09:10):
It comes in a little kind of little container there,
pop that open.
Speaker 6 (09:13):
You have to go.
Speaker 3 (09:16):
Got to enjoy yourself.
Speaker 6 (09:17):
Man, what the hell?
Speaker 9 (09:19):
The one of the worst voiceover sessions come for a
commercial ever that I ever had in my career for
Jack in the Box. And it wasn't Jack in the
Box's fault. It's just a bunch of stuff came together
and it was it was awful. It was nightmare.
Speaker 3 (09:34):
Oh really.
Speaker 9 (09:34):
It was on a Friday, and it was, first of all,
the last session on a Friday. It was supposed to
be a four o'clock record session in Santa Monica. Wow,
and that's fine. I go there, I'm on time, and
they said, we're having problems with the studio. So it's
a delay. It's a delayed. It was an hour. Now
it's five o'clock on a Friday, okay, which is which
(09:55):
is not a problem for me. But when I tell
you what happened, so and now it's after five it's
like five twenty and I go and they go, yeah,
I'm sorry about this. I go, no, it's no problem.
I'm out here, I'm having a cup of coffee, I'm reading.
And finally they say, okay, we're ready for you. I
walk in and the first thing I hear somebody say
is I was supposed to be at my kid's birthday
party forty five minutes ago.
Speaker 6 (10:16):
They go, oh, man, this is just awful.
Speaker 9 (10:19):
And then they said, Mark, great, nice to me. You.
Let's get let's get going because we're kind of we
like what you did with your audition.
Speaker 6 (10:26):
Just do it like, you know.
Speaker 3 (10:27):
So pressure's on you now, right right right.
Speaker 9 (10:30):
And it was one of those things where there's they
want you to say a lot in a very short time.
So it's like you have a thirteen or fourteen seconds
is what I recall a gap to crush this copy,
and the copy is really you have to really rush it,
(10:50):
and yet you also want to give it though, whatever
the love it needs, okay, And without getting into a
long thing about it, they said, we we need you
to do it more like. And then as they're starting
to talk and I'm in a studio in another studio,
you're not in the same room with them.
Speaker 6 (11:06):
Okay. They're holding up this thing. It's a talkback thing.
Speaker 9 (11:09):
It looks like a remote control for a TV, and
it isn't working well. So they say, Mark, we like
what you're doing. But and I go, gosh, I'm sorry,
I can't hear you right now. And they go and
is this any better? And they go, Mark, we need
you to.
Speaker 6 (11:26):
I can't.
Speaker 9 (11:28):
And all I'm thinking about now is I'm not giving
them the read I want they want. The timeframe is
so short, and everybody wants to go home, okay, and
it's not my fault.
Speaker 6 (11:37):
I just got here. Okay. So then.
Speaker 9 (11:42):
That continues for like five minutes. And now I'm sweating
like a guy having a stroke. Okay. This guy gets
up from the corner of the room. I hadn't even seen
him before, like Brando and Apocalypse. Now he looked like that.
He was like in my mind, he was huge. He
was probably pretty good size, shaved head, and the lighting
was like right down on him and and he said,
I'm so and so I'm Jack. I'm the guy who
(12:04):
plays you know, he's the actual guy who runs the agency,
and he's the voice of Jack.
Speaker 3 (12:08):
Wow.
Speaker 9 (12:08):
Okay, okay. So I go, oh my god, it's a
pleasure to meet you. I I you know, I've heard
nice things, right. He goes, uh, he says, well, it's
great to have you here. But and all of this
is while the the talkback is still breaking up.
Speaker 6 (12:20):
I'm having trouble here.
Speaker 9 (12:21):
But I'm you know, I'm kind of just like going
through the pleasantries because I know what he's saying, right,
And he goes, I really need you to and I'm like,
oh my god, this is and so I just took
another run at it and it was too long and
it wasn't what they and I said, you know, maybe
we'll just do this a different day. And literally, I
I the session just evaporated. It just went away.
Speaker 6 (12:42):
Is that right? Yeah? Yeah?
Speaker 9 (12:43):
Yeah, yeah yeah. It was crazy, man. So I cannot when.
Speaker 2 (12:47):
You're driving home, You're probably a million thoughts are going
into your head.
Speaker 9 (12:50):
And I called the agent. I said, you know, this
just got away. There was so much stuff going on,
and we the session started late, and people wanted to
go home. I don't think I was giving him the
read I wanted. And it was just I felt and
I'm really sorry, and then I didn't even tell him
the talkback thing, which is but it just made it
all awful.
Speaker 6 (13:05):
Every note I couldn't really hear them, you know.
Speaker 2 (13:08):
I went out on commercial editions for a while, and
then I remember I was out on Sunset Boulevard for
a It was for one of those dryer sheets that
you throw in fire, and they were going to do
a real close up on it, like through a microscope
and you could see the fibers inside the dryer sheet.
(13:29):
And so the guys says, he brought us in about
three at a time, and three guys come in and
we could see what the other guys were doing through
the window. And the director said, once you come in,
give us your name, and then wiggle your body like
you're a fiber in one of these dryer sheets. And
I said, buddy, look, I don't think you got the
(13:52):
right guy. I'm not your guy. And he goes, no,
he goes, I want you to do this. I want
to I think you could. You could be great at
wiggling your body like a dryer, like a fiber and
a dryer sheet. And I said, I honestly, god, I'm not.
I am so not your guy. You're wasting your time.
If you even put this on video. And he said no, no,
(14:14):
he goes, we're running out of time. We really want
you to do it right now. I said, I'm not
going to I'm not your guy, and I left and
the guy called my agent. He was so pissed. Oh wow,
you know that that he he said, I stormed out
of there.
Speaker 6 (14:27):
I didn't.
Speaker 2 (14:28):
I just said, I'm not your guy for this. You
know there's forty people in this room that can do
that better than I can. I'm just not that guy.
And I remember my I stopped going to a commercial
commercial editions.
Speaker 6 (14:40):
So that was the one that.
Speaker 3 (14:41):
Yeah, I said this for.
Speaker 2 (14:43):
Actors and people who were like, you know, this is
you know, acceptable to ideas and can go in and
out of flowing out of things.
Speaker 3 (14:50):
That's not me.
Speaker 6 (14:50):
Did you ever see you saw the spot on the air.
Speaker 2 (14:53):
Yeah, and it looked they picked the right guys and gallows,
but what wasn't me.
Speaker 3 (14:57):
That's what man. I just I'm which is not that
kind of guy. I've never been.
Speaker 2 (15:01):
I know a lot of people when they listen to
the show are like, wow, that guy's probably a hot dancer,
but I'm really not. I'm just I don't like move
that way, I just don't think like that. You probably
dance pretty. You do dance because you dance on TV.
Speaker 9 (15:14):
I did it on Fox eleven, but you know you don't.
Let's not undercut your acting at Licorice Pizza. You distinguished
yourself quite handsome.
Speaker 3 (15:21):
It's not dancing.
Speaker 2 (15:22):
By the way, do you see that guy on He's
getting a lot of publicity on TikTok and YouTube where
he's the dancing weather map.
Speaker 6 (15:30):
He's stile my act. He's stole that.
Speaker 3 (15:32):
That's your act and he never gave you credit for it.
Speaker 9 (15:35):
Yeah, but it's been decades now. So look, you know,
I hope he does really well with it, and then
I hope he burns in a fiery pit of hell.
Speaker 3 (15:41):
But he talks about it as if he created.
Speaker 6 (15:43):
No, that's that I didn't know. That's lame. That's super lame.
Speaker 8 (15:47):
You're listening to Tim Conway Junior on demand from KFI
AM six forty.
Speaker 2 (15:54):
So this is the Don Pardo competition of Stefush. Have
you found the music without lyrics?
Speaker 3 (15:59):
Yes, sir?
Speaker 6 (15:59):
Why you want to give us a little music? All right?
Speaker 2 (16:02):
All right, you know what's the music gonna sound like?
Let's have it in their cans.
Speaker 6 (16:06):
Yeah, man, all right, guys, you want to that music?
Speaker 3 (16:11):
Pot?
Speaker 9 (16:12):
That's right, it comes down hot buddy, Come on, you
got to bring it on the hot good.
Speaker 6 (16:15):
All right?
Speaker 2 (16:15):
Okay, Now we're gonna flip a coin. Very exciting to
see you, very exciting. Yeah, give a coin on you.
Speaker 6 (16:21):
I don't think I do.
Speaker 3 (16:22):
Nobody has coins on them anymore.
Speaker 6 (16:23):
Right now, I'm.
Speaker 2 (16:25):
Gonna write on a piece of paper one to ten,
and the closest to it gets to pick.
Speaker 3 (16:33):
All right, one to ten? Who goes first?
Speaker 6 (16:37):
Oh, you're asking me?
Speaker 2 (16:39):
Well, no, I'm writing a number one to ten. Whoever
gets closest to the number gets to pick whether they
go first or second. All right, all right, to get
to pick who gets the number first, I'm gonna write
another number. So this is the number to get to
the number.
Speaker 6 (16:57):
To be able to be able to get for the
next night.
Speaker 3 (16:59):
All right, Mark, number were team one and ten?
Speaker 6 (17:01):
All right? Four?
Speaker 7 (17:03):
Four?
Speaker 3 (17:03):
Krozer?
Speaker 6 (17:05):
But five?
Speaker 3 (17:06):
Okay, it was three?
Speaker 2 (17:07):
So Mark goes first and picking one one to ten? Okay, okay,
all right, now Mark, one to ten? And what number
am I writing down?
Speaker 6 (17:16):
Six?
Speaker 3 (17:17):
Six is wrong?
Speaker 6 (17:18):
Crozier? Three?
Speaker 3 (17:20):
Oh it's seven, Mark, got it?
Speaker 6 (17:24):
It's gonna be let crows. Dude, go first.
Speaker 3 (17:29):
There's no deflector no no, no.
Speaker 6 (17:30):
No no. I get the choice. I get the choice.
Speaker 3 (17:34):
The rule was you get a choice.
Speaker 6 (17:36):
You do.
Speaker 3 (17:36):
They didn't hear that part. Yeah, well we can roll
it back.
Speaker 6 (17:40):
All right.
Speaker 3 (17:40):
Here it is good Luck Crouch.
Speaker 5 (17:42):
Alright, music starts here I Don Krozer's.
Speaker 6 (17:57):
Saturday Night Long.
Speaker 10 (18:01):
With Dana Carvey, still Hartman, Nor McDonald, Lorraine Newman, Eddie Murphy,
Maya Rudolph.
Speaker 6 (18:19):
With musical guests Whoe.
Speaker 11 (18:25):
And your host Steve Martin, Ladies and gentlemen, Steve Martin.
Speaker 9 (18:38):
That was really good, dude, that really was you really
stuck the landing.
Speaker 6 (18:43):
That was so cool man, dude, that was really good.
Speaker 3 (18:46):
Hey, I learned from the best.
Speaker 6 (18:47):
Alight.
Speaker 3 (18:47):
Wow, that's Crozier.
Speaker 6 (18:49):
I don't have any water anything. This is tough and
he was good.
Speaker 2 (18:52):
Doing his Don pardell Man and now it's Mark Pardo.
All right, you ready, let's be ready, all right, red leather,
yellow leather, red leather.
Speaker 6 (19:03):
We'll bring that music on a hot trying to bury
my bury me under the music. It'll be better though.
Speaker 2 (19:08):
One music starts and here it is Mark Thompson is
Don Pardo.
Speaker 6 (19:21):
It's Saturday Night Live.
Speaker 12 (19:24):
With Tana Carvey, Phil Hartman, McDonald, Lauren Newman, adding Myrthy.
Speaker 13 (19:38):
Michael Rudolph, with musical guests Queen and the host Steve Martin,
Old ladies and gentlemen.
Speaker 6 (19:53):
Steve Martin, all right, Mark, I.
Speaker 7 (20:02):
Really love What I loved about it was your professionals
some shows because you had the just the slight little
nuances that Don used.
Speaker 9 (20:09):
Yeah, he's got that little when he does live, he'll
gove you.
Speaker 6 (20:14):
Know, like that that little thing.
Speaker 3 (20:17):
Yeah, very good.
Speaker 2 (20:18):
All right, Now we all get to vote, right, all right,
let's start with Steph Roni who knocked it out? Krozier
or Mark Thompson.
Speaker 3 (20:28):
I liked Krozier.
Speaker 9 (20:29):
Crozier, Yeah, you're sweet. I think you stuck the landing.
I liked it too.
Speaker 2 (20:35):
Somebody who knows there's only a guy who's here one
night a week, and a guy here is five.
Speaker 3 (20:40):
Nights, five nights a week. It could be a long week.
Speaker 2 (20:45):
All right, Bellio, Krozier or Mark Thompson.
Speaker 3 (20:49):
I'm going with Mark Mark Ye Angel Martinez.
Speaker 2 (20:56):
I'm going with Crawler all right, And I'm going with
Mark Thompson. So it's so it's it's a dead heat.
It's a dead heat, as it should be. So the
audience has to decide. Oh my god, all right, yeah,
(21:18):
let's put up on Twitter. All right, but it's up
on Twitter.
Speaker 6 (21:21):
Okay.
Speaker 3 (21:21):
We put the audio up as well, or or just
as soon as I get it, we.
Speaker 2 (21:24):
Will, right, So the audience will decide. We'll know by
ten o'clock. Who is the better? Don Pardoh well the man,
I thought they were both real, but it's neither better.
Speaker 9 (21:35):
There was a cool individual take each of us had on.
Speaker 6 (21:39):
The whole thing.
Speaker 2 (21:40):
I thought it was great and krozer for you not
to have ever done that before tonight exactly. That's wild. Dude, Man,
that is crazy. You got an ear for that. You
got to quit radio, make some money. I mean, you
can do impressions, dude, Yeah, you got the other What
is the other one you do? Felix the cat? Felix
the cat, Yeah, somebody else.
Speaker 14 (22:01):
I don't even know what philis the catch sounds like,
he goes we last at h no, no, but no
you do. Who's the Martin and Lewis?
Speaker 2 (22:13):
Jerry Lewis right, Jerry Lewis right, that's a hot one, right, Yeah,
go out there, Don Pardo and Jerry Lewis.
Speaker 9 (22:23):
Factory have Don Pardo introduced, Jerry Lewis, you come up
do that thing that impressions do. They turn around and
they know you're Jerry Lewis. Right, you had a cigarette.
Now Jerry would play maybe older demos on that though. Thought, yeah,
I think it's a cruise.
Speaker 2 (22:38):
I think you're a you know, the Alaska cruise after
summer when the old people come out.
Speaker 6 (22:43):
Yeah.
Speaker 2 (22:43):
Yeah, oh that's great though. Congratulations of both you. You
both sounded hotter.
Speaker 6 (22:47):
Now.
Speaker 2 (22:48):
I know it's a fierce competition, but you both showed up.
He went fifteen rounds. Yeah, you know, a good offense
takes care of a good defense. I thought you just
let him play on the field, and you know players
will take care of themselves, right.
Speaker 3 (23:02):
Yeah, it was hot mine.
Speaker 7 (23:03):
Look, the idea of doing anything like that with with
Mark Thompson is is an achievement in my head as
far as I'm concerned.
Speaker 6 (23:09):
True.
Speaker 3 (23:09):
Yeah, that's a street dog.
Speaker 8 (23:12):
You're listening to Tim Conway Junior on demand from KFI
Am sixty.
Speaker 2 (23:18):
There's a new movie now called Licorice Pizza, directed by
Paul Thomas Anderson, and it's uh I got my first
review because I'm in this sucker, right, I'm in. I'm
a major, major part of this movie. And even though
(23:41):
I'm not on the Billboard and not listed on Rotten
Tomatoes as an actor in this thing, big part, big,
big part. So but the first review is coming from
somebody that Mark Thompson knows.
Speaker 6 (23:58):
Right.
Speaker 2 (23:59):
He says, my pal just saw black Licorice and said
you're great in it. Okay, it's called licorice pizza, but
black licorice is fast.
Speaker 3 (24:11):
I still undering.
Speaker 2 (24:17):
It's so dead on black licorice. What were you in
before beef Hamburger, right, I mean? And then he says,
I mean, he didn't go on and on about you.
He did say that you were good. Look, and then
he goes on, he didn't make a big deal out
of you. And I asked, and he said you were okay,
(24:41):
And then he wrote, again, look, stop pressuring me. He
said you were in it. I asked about you and
he said you were okay. And then he wrote, oh,
I meant licorice pizza. And then he says, look, I've
got a lot of s going on right now. Black pizza,
Black liquorice pizza. It's the Paul Thomas Andrews the movie
You're in you idiot, and you were good.
Speaker 6 (25:04):
Well, there you go.
Speaker 3 (25:05):
That's all I need, right and man, And then I
wrote him back.
Speaker 2 (25:09):
I said, I'm I'm quitting radio next week solely based
on your buddies review of my acting ability. I hope
he's right. How about if I play the trailer for you?
But I think it's coming out this month, but the yeah,
the trailers great.
Speaker 4 (25:24):
Man.
Speaker 2 (25:25):
It's like anybody grew up in the valley and had
a crush on a girl or a crush on a
guy and all the you know, stupid things you do
and you know period. Yeah, yeah, it's the seventies seventies
in the San Fernando Valley, you know, back in the
km E t old days, liquorice, Pizza Tower records.
Speaker 3 (25:43):
Boy, he really he really.
Speaker 7 (25:45):
PGA really kind of puts his stuff in that little
like Boogie Knights. Yeah, he's in the valley.
Speaker 2 (25:50):
Yeah, he loves Well, that's where he grew up in,
you know, in the San Fernando Valley. Yeah, and his dad,
Ernie Anderson, and my dad knew each other in c
Eveland and they drove out together to make it in Hollywood,
that one crazy Here we go.
Speaker 13 (26:07):
It's a god awful small affair.
Speaker 6 (26:11):
To the girl with them the house. I'm at the
common Mary one day, but her.
Speaker 11 (26:15):
Mummy is yelling no.
Speaker 6 (26:19):
Until daddy has toes.
Speaker 3 (26:21):
That's a girl's young lady.
Speaker 6 (26:23):
But her friend is nowhere to be seen.
Speaker 12 (26:26):
How'd you become such a hot shot?
Speaker 13 (26:27):
Actual through this?
Speaker 3 (26:29):
That's what I meant to do.
Speaker 8 (26:31):
To the scenes with the clearest view, and she's up.
Speaker 11 (26:36):
To the cell of the screen.
Speaker 6 (26:37):
Do you know who I am? Yeah? Do you know
who my girlfriend is?
Speaker 2 (26:40):
Ubiz Barbies straight sand sand, You're like sands, like the ocean,
like si sand.
Speaker 3 (26:47):
Hello, stray sand sand.
Speaker 6 (26:51):
But this is feet that brops.
Speaker 3 (26:55):
She's ten times our roads took us here.
Speaker 6 (26:58):
She could stand.
Speaker 3 (27:01):
You're not my director?
Speaker 9 (27:07):
Do you really want to see my boobs?
Speaker 6 (27:10):
Sure?
Speaker 3 (27:12):
That's my only line?
Speaker 7 (27:17):
Just you said that if I saw them in the movie,
I would be the loudest laughing person in the entire theory.
Speaker 5 (27:25):
Do you really want to see my boobs?
Speaker 6 (27:27):
Sure? Can I touch them? Slapped them in the face?
Speaker 3 (27:41):
Man, it looks great, it really does. Licorice pizza. He's
he's probably easily my favorite director. Oh is that right?
Speaker 2 (27:49):
Yeah?
Speaker 7 (27:51):
Booge Knights is my top three all time. I like
that movie was made so brilliantly. When they had the
Criterion editions of DVDs and stuff, I got that one
and I listened to the director's commentary through the whole thing.
Speaker 3 (28:03):
That's just so fascinating to the man talking.
Speaker 6 (28:05):
I gotta do that.
Speaker 7 (28:06):
He did that for Magnolia and Boogie Nights and some
of the stories that he told in during Boogie Knights
and during the Director's come Phenomenals.
Speaker 2 (28:14):
I'm gonna do that tonight. That would be awesome. I
didn't know there's a director's cut. Yeah, that's great. We're
live on KFI AM six forty Conway Show on demand
on the iHeart Radio app.
Speaker 1 (28:25):
Now you can always hear us live on KFI AM
six forty four to seven pm Monday through Friday, and
anytime on demand on the iHeart Radio app.
Tim Conway Jr. on Demand News
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