Episode Transcript
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Speaker 1 (00:00):
All right, Scott are you ready?
Speaker 2 (00:02):
I am so ready to laugh and laugh and laugh.
Speaker 1 (00:07):
Did Dakota Johnson lock customers inside of a blue bottle?
Speaker 2 (00:11):
I mean I have to The answer has got to
be yes, because I don't know if they write an article.
If she didn't try to do that, I still think
there's an article. But she did lock people inside of
a coffee shop. Well, let's see what's brewing on a
fancy new episode of Bananas.
Speaker 3 (00:30):
Would you.
Speaker 1 (00:36):
Not for your livesillion pieces?
Speaker 2 (00:40):
Would you?
Speaker 3 (00:44):
Bana?
Speaker 1 (00:46):
BANAA guys, gals, non binary pals, Welcome to Bananas. I'm
Kerk Brown older.
Speaker 2 (00:57):
I am Banana boy number two Scotty Landis. Thank you
for listening to the silliest little podcast there ever was,
especially to our Canadian listeners and our Mexican listeners, and yes,
our Panamanian listeners and our Colombian listeners.
Speaker 1 (01:11):
Just we love you, We love you, and you know,
we don't talk about politics, but we do talk about healthcare.
And I just wanted to let everybody know this has
nothing to do with anything, but New York State just
passed a law that protects doctors from providing abortion supplies
for people in abortion restricting streets restricted states, and I
(01:32):
just want to let you know, for no reason, so
that if you're in an abortion restricted state, you can
contact a doctor in New York and they can mail
you abortion pills. That is a thing that they are
protected from doing. I just wanted to let you know.
You don't talk politics. I'm just letting you know.
Speaker 2 (01:47):
You're just putting it out there because it's in the
news exactly.
Speaker 1 (01:51):
It's in the news, and this is an educational podcast, Scotty,
and it's about the news. First March twenty ninth, we're
in Phoenix. Come on out and see us, Scottie and me.
All right, we're gonna be having fun. May seventh, eighth,
and ninth. I'm in Asbury Park, New Jersey. Then I'm
in Chicago at the Den. Then I'm in Cincinnati at
(02:14):
I haven't said it right yet. I have not said
it right yet. You're definitely in Cincinnati, Ohio Commonwealth Sanctuary,
which is a very fun venue. Now, now let's get
to our our guests today. I'm so excited. Our guest
today is a comedian, actress writer. You can see her
on Netflix Exploding Kittens, ABC's Home Economics and Marvel's Agatha
(02:37):
All Along.
Speaker 2 (02:37):
She's in the.
Speaker 1 (02:38):
Marvel Universe, Folks, That's massive. She was a cast member
on Saturday Night Live for four seasons. She's in the
Lauren Michaels Universe, folks, and and her stand up specials
Pizza Mind and The First Woman are available everywhere you
watch comedy, as well as her podcast Best Friends, Please Welcome,
(02:59):
Sushier Amada.
Speaker 2 (03:00):
Hello, Hello, welcome. We're so glad to have you come.
And you've been on before, but welcome back. I think
a lot has changed. I think every year since twenty twenty,
things changed, like they.
Speaker 4 (03:10):
Heat changing crazy exponentially.
Speaker 2 (03:13):
Yes, so we're glad to have you back. How are
I'm good?
Speaker 1 (03:16):
I'm good. Yeah.
Speaker 3 (03:17):
I just got back to la yesterday. I fled like
a lot of people did.
Speaker 1 (03:25):
Yeah.
Speaker 4 (03:25):
Fires.
Speaker 1 (03:26):
We spent the first three days together and we did Carlsbad, California.
Speaker 3 (03:31):
Very funny hotel, and it was it was genuinely nice
and it was funny because like our friend Julia just
like texted me it was like a bunch of us
are going here.
Speaker 4 (03:40):
I was like great, and it was like you know,
parents with their.
Speaker 3 (03:43):
Kids and there and dogs and I was like solo
just like like like everyone's teen daughter just like yeah,
and me too.
Speaker 2 (03:54):
I also don't want to burn alive. And that's fine.
Speaker 1 (03:58):
We would have barbecues. We were just we have barbecues
every night.
Speaker 4 (04:01):
They sweet, It.
Speaker 1 (04:03):
Was genuinely sweet. But we were talking about the fact that, yeah,
it was like felt weird because a tragedy was happening. Yeah,
but we're all like a bunch of comedians in a
hotel together, and it also felt a little bit like
a comedy festival.
Speaker 3 (04:15):
Yeah, it is like, Yeah, those are moments where it's like,
I really really love being part of the comedy community
because you get just band together and like remind yourself
you're not alone.
Speaker 4 (04:26):
And then also everyone has great jokes.
Speaker 3 (04:29):
Yeah, we are the best people to be around in
a moment of confusion and stress and sorrow and all
of those things.
Speaker 4 (04:37):
So yeah, and I.
Speaker 1 (04:39):
Have also noticed, with few exceptions that are very clear,
I think comedians are there's not a chance of it
being like awkward with them, do you know what I
mean of like things just being weird. Usually it's always
incredibly friendly. You can say whatever you want and they're
very forgiving. It's not like you can ever fuck up
there are certain comedians who like, if you say the
(05:00):
wrong thing, they'll just walk away from you. Yeah, I
can name names three things. You know.
Speaker 2 (05:04):
It's ten percent are only awkward every time I talk
through them.
Speaker 3 (05:10):
That's also a whole section of comedians are justly awkward.
Speaker 2 (05:14):
Yeah, as a non comedian, let me tell you, they're
not ten percent. When they find out you're not a comic,
they just stare at you like, I don't know what
to say to this man. They're all white dudes. I
will say that they're all white dudes, and they're just like, Hi,
how are you?
Speaker 4 (05:30):
Yeah, I forget how to be human?
Speaker 2 (05:33):
Uh So, sir, I was listening to your podcast. You
and Colebyer have such a fun podcast, and I was
listening to the Gym. I've been going to the gym
a lot lately, and I was listening like three episodes
in a row, and I was doing squats on a
machine that's called a v squat machine, so your your
body's sort of like your legs are in front of
you a little bit, okay, not just right below you
and you too were talking about, of course, like any
(05:57):
good podcasts, all the restaurant and catering experiences, you've had,
including all the times you've gotten sick and then times
where you found things in your food. And while I
was squatting you, you said something about finding like metal.
The guy mentioned putting metal in food one time a
server said that to you, and I was down in
a squat and started laughing and then really couldn't stand up.
(06:20):
So I almost like ripped my butt in half, literally
ripped my button half listening to you to just be friends.
And so I'm a new fan. You've yeah, you've acquired
a new ripped in half butthole fan.
Speaker 4 (06:33):
Yeah, that's fine, We're butt ripping good.
Speaker 2 (06:36):
I like that compliment. It was awesome. Thank you. Also,
I have a question that you are uniquely qualified to answer.
Do you still have stress dreams about SNL? I do,
like high school type of can't find locker room type
of stress dreams, And you know it's because of SNL.
Speaker 3 (06:58):
Literally, yeah, it'll be dreams like SNL is a school
like SL Like there's there's lockers in eight h and
I can't find the stage or something, or like I'm
too late because my sketch is happening and I'm not
on on camera yet, or like yeah, yeah, they still pop.
Speaker 4 (07:17):
Up every so often.
Speaker 3 (07:18):
And I've been off the show for like since twenty seventeen,
almost ten years, but I still, oh my god, really.
Speaker 1 (07:27):
Still like part of it.
Speaker 2 (07:28):
It just sounds like such a pressure cooker of a
creative environment that we've had writers and we're friends with
lots of writers who have been on, but for performers, Yeah,
I was just wondering it must personally, And yeah, I
still have those college ones where you forgot to go
to class for the whole semester or whatever, but I imagined,
so yeah, it's true you still have SNL can't find
(07:49):
studio eight h or whatever.
Speaker 4 (07:50):
A truly really I think.
Speaker 3 (07:52):
Also it's like that job's like nothing else in great
ways and also in very interesting ways. But yeah, I've
had haven't had a job like that since. And but
also because I was at that job, anything that comes
my way, I feel like I can handle it, Like
for sure, anything that like any last minute changes or
(08:12):
like huge switches or just energy, like I just feel
like I it rolls off my back because I was in.
Speaker 4 (08:18):
Such a pressure cooker very early in my career.
Speaker 3 (08:21):
So yeah, but I do feel like because it was
like the biggest thing I did earlier on. It's just
like truly I implanted in my brain and comes up
in subconscious very so often.
Speaker 1 (08:35):
Do you ever go back? Have you ever been back
since twenty seventeen?
Speaker 4 (08:38):
I haven't.
Speaker 3 (08:39):
I am going back for the fiftieth anniversary. Cool next month,
which is really excited.
Speaker 4 (08:46):
Or this month? Oh my god, what day is it?
Speaker 2 (08:48):
This has been no idea?
Speaker 1 (08:50):
Yeah this is February.
Speaker 3 (08:51):
Yeah, so like it weeks from now. Wow, but yeah,
I'm going back. That'll yeah, that'll be first time I'm
seeing a show happen.
Speaker 4 (08:58):
Which is cool. I'm excited.
Speaker 3 (09:01):
I think I have been away from the show long
enough that like a lot of anxiety feelings I would
have felt earlier, I don't really apply right now. So
I'm mostly excited, like, see people haven't seen it in
a while and yeah, party.
Speaker 2 (09:17):
Yeah that's gonna be awesome. Good for you. That's so
thank you for answering that question. It's I it just
occurred to me that you were the perfect person asked
you know you want to hear Chris.
Speaker 3 (09:29):
Sure.
Speaker 1 (09:29):
Yeah, but but right before I was talking with Kristin
Shall the other day and we were then she said
the funniest thing about about side of life. She's like, ugh,
they give themselves a party after every show.
Speaker 4 (09:45):
It's pretty congratulatory.
Speaker 5 (09:47):
Yeah, it's such a funny thing because it is it's
like like we've we've run a comedy show for twenty
years or whatever, but like it wasn't a party every night,
but it was such a funny thing to say about
the show. It's like, that's the one thing that no
one has ever complained about Saturday is that they have
a nice after party for the guests who only do
(10:08):
it once.
Speaker 4 (10:08):
Yeah, can you believe every single week.
Speaker 1 (10:14):
Let's be exhausting partying that much?
Speaker 3 (10:16):
Oh yeah yeah, because he also like worked so many
hours all week and then you're like, yeah, now I'm
up till.
Speaker 1 (10:22):
And then it's like, now you have to stay out
till four am? Did Dakota Johnson locked customers inside a
blue bottle coffee? This is from Vulture.
Speaker 2 (10:34):
This is ah.
Speaker 1 (10:35):
This is from two years ago by Rebecca Alter. Thanks
for Rebecca, Becca altered the.
Speaker 2 (10:42):
Best of this? Who sent it?
Speaker 1 (10:45):
I got this off of I got this off of Reddit.
Buddy still my own research.
Speaker 2 (10:51):
Dave Reddit, Yeah, Dave Reddit.
Speaker 1 (10:53):
Bobby read it. Dakota Johnson, actress, celebrity daughter, famous bangs
have r citru fiber trusaheran hostage taker question mark. That
is why Rebecca's the best in the biz. Rebecca Walter
Johnson has been in the news lately for her recent
roles in critically lauded projects blah blah blah blah. On Sunday,
a Twitter user with the handle at biz socks Say
(11:16):
you Know It's Real tweeted the Lime video with a
Dakota anecdote. He claimed to affirm the pure chaos she
radiates true story. Dakota Johnson once locked me and my
mom inside a Blue Bottle coffee shop because the briester
told her she couldn't make the coffee herself. Okay, okay.
(11:39):
This sounds to be the sort of far fetched story
that stan Twitter sometimes likes to make up, but biz
Socks didn't single that he was joking, and it only
got stranger when he followed up with what appears to
be evidence of Dakota Johnson. Johnson handling the door to
a Blue Bottle coffee location, writing that she quote closed
the door on all of us who are still inside,
pulled a rope out of her bag, tied the doors shut,
(12:00):
walked away. We had to have a passer by untie
the rope so we could get out. And then there's
a photograph of Dakota Johnson with the doors at it.
Speaker 2 (12:10):
Oh, I bet she did it.
Speaker 1 (12:13):
Based on this photo alone, there's still an opportunity for
Johnson to say that's not true. Allen, Okay, the pick
doesn't show her actually shutting the door or tying the road.
Thar aren't any viral videos of the incident floating around,
but last October, a staff member who worked at the
same Blue Bottle tweeted their own claim about Johnson. This
is unrelated quote. One time she came into my coffee
(12:34):
shop at Milk Studios at like eleven am, walked behind
the counter and started pretending that she was making drinks
while her people tied the front doors shut from the
outside and started filming her customers were trapped inside. The
details of the legend incident very slightly, but overall it's
an eerily similar anecdote. And the location in Bizsock's picture
(12:54):
is Milk Studios. This is like, let's just ask the
person at this point in the at the article, it's like,
just do the reporter thing where you actually ask the
people involved as opposed to Yeah, So she reached out
to Bis Socks, who turned out to be a New
York named l j And He's been trying to make.
Speaker 2 (13:14):
Sense of this, yeemes.
Speaker 1 (13:19):
Before we spoke on the phone, he suggested that Johnson's
take no prisoner's approach to the Latte Arts might have
had something to do with a video the actress made
for her SI January twenty seventeen Vogue cover story. Ok
And it was filmed at Milk Studios and at the
one oh seven Mark. Johnson wears the same floral Gucci
dress the scene in the Blue Bottle photo. Blah blah
blah blah blah. Okay, here is. I was waiting in
(13:39):
line behind who turned out to be Dacota Johnson, and
I was like, this woman looks so familiar. Couldn't place it.
I was like, it might be Emily Blunt, but then
when I saw her face, I don't know because she.
Speaker 4 (13:52):
I didn't know who the hell this was. Could have been.
Speaker 3 (13:55):
Could have been Anna Kendrick, could have been I could
have been l Fanning.
Speaker 4 (14:00):
I didn't even know. I couldn't couldn't place her.
Speaker 1 (14:03):
Is this is this generic white actress?
Speaker 2 (14:06):
I think it is.
Speaker 1 (14:10):
I went over to my mom and was like, hey,
don't make a big deal, but that's Dakota Johnson from
Fifty Shades of Gray. That's the reference point for Dakota
Johnson's I don't.
Speaker 2 (14:20):
Think so, that's by far her biggest franchise.
Speaker 3 (14:23):
Yeah really, oh yeah, I think how Yeah she made
a splash.
Speaker 1 (14:27):
Am I thinking of the same Dakota. She was a
child actor, Dakota love Oh. I mean that would have
been Fanning.
Speaker 3 (14:38):
Very wild if Dakota Fanning was locking people right, and
I would have been like what.
Speaker 4 (14:42):
But Dakota Johnson, I kind of like, I can see it.
Speaker 1 (14:44):
Yeah, I can see That's now you can understand why
I brought the story to the podcast. I don't know names. Also,
I was shocked to fight out Dakota Fanning.
Speaker 5 (14:55):
Lovable Dakota Fanning, child actor was in Fifty Shades of Gray.
Speaker 2 (15:00):
Very upset. Yeah, you know, they got.
Speaker 1 (15:03):
Quick, okay, but then she pulled like a rope out
of her purse and literally just tied the door shut.
One of the baristas ran over and was like, no, no,
you can't do that. Stop and she just walked away.
We were all inside looking completely dumbfounded as people were
walking by. We were knocking on the door, and this
couple stopped and figured out what we were doing and
untied the rope. Yeah good, that's crazy.
Speaker 2 (15:25):
Wow, Wildfire Country.
Speaker 1 (15:27):
You know, I'll let you know that. This goes on
for about eight more paragraphs and I'm not gonna read anymore.
Speaker 2 (15:36):
But there's no definitive. So the answer is she did
do this is what that?
Speaker 1 (15:41):
Yes, she did.
Speaker 2 (15:41):
In the next eight paragraphs, it's saying she did do
it wild.
Speaker 1 (15:45):
Yeah, it looks like based on these two people. Yeah.
Speaker 3 (15:50):
The first thing that popped in my mind is is
she doing a prank show like a hidden camera like
it's a it's punked, But she she's the only one
like altercating, like she's the she's the instigator in every prank.
Maybe it's just like, yeah, Dakota Dakota's rules or something.
Speaker 2 (16:11):
I could see. I mean, she would be the last
person I would assume to do a prank show, which
might make her the best person to do a prank show.
Speaker 1 (16:19):
Yeah.
Speaker 4 (16:20):
Also, I can one of the accounts had said that
her people use the rope on the Yeah two, is
that what it said?
Speaker 1 (16:29):
Right?
Speaker 2 (16:29):
Who's walking around with ropes? These tastes are celebrities walking
around with ropes in their backs.
Speaker 1 (16:34):
None of it's also very very fifty shades of gray
to walk around.
Speaker 3 (16:40):
Yeah, she has it for photos in case any fans
come up and they're like, do the thing, and she
pulls out the rope.
Speaker 4 (16:46):
She's like, okay, guys.
Speaker 1 (16:48):
I you know, I just already forgot that this wasn't
Dakota Fanning, And I wanted to make the joke that
if the prank show is called Fanning the Flames, everyone
would love it. But then I had to look at
it and see that her name is d Cooda Johnson,
and that joke doesn't work. So I still wanted to
say it, so I did.
Speaker 3 (17:04):
Josh and Johnson, Well that's good, just Johnson, Yeah.
Speaker 2 (17:14):
Yeah, that's cool. I mean, okay, so she was born
into Hollywood royalty, and she's always acted a little differently,
and she likes to make her own blue bottle coffee.
I think the one part that's confusing to me is
if I was a barista working there and the Coda Johnson. Really, honestly,
(17:36):
any celebrity came around and started making coffee, I'd be
okay with it. I would say this is a great
moment the one. The fact that there's not lots of
video of it is the most suss part for me,
because you think everybody in that place would film it
the whole time and post it exactly.
Speaker 4 (17:54):
That's true.
Speaker 1 (17:54):
Yeah, speaking of prank shows, so she did did you
ever do a prank show?
Speaker 3 (18:01):
I auditioned for a prank show some random MTV thing
that maybe didn't even happen.
Speaker 4 (18:05):
I can't remember.
Speaker 3 (18:06):
It was like years and years ago, and the audition
was pranking someone, which like right, like now, I'm like,
is that right?
Speaker 2 (18:14):
Yeah?
Speaker 3 (18:15):
I had like had an inner ear piece. They sent
me into the world. No release forms were signed, and
because it was an audition, right, it was an audition, yes,
and I had to they I think the story was
like I had to go up to a stranger and
be like, oh my god, Eric, we met and like
make up this whole backstory of like, oh we met
at a party.
Speaker 4 (18:34):
We had such a great.
Speaker 3 (18:34):
Connection, and the guy's like, oh sorry, I don't remember you,
and I'm like, oh, oh okay, no, It's just that
meant a lot to me and like may make the
try to really like pull heart strings, and it ended
up being like nice, like he was like yeah, he
like he felt bad. He was like, oh, I'm sorry,
I don't remember you, but you seemed great blah blah blah.
And then he walked away and like I was like, great,
(18:57):
successful prank. And then the producers like, now go back
to that guy and start the exact same conversation. And
I was like what so I had to go back
and be like, oh my god, Eric, and he was
like and then like the fear in his face was
like yeah, oh no, oh she's off.
Speaker 4 (19:15):
Something's off here, Like I'm talking to a crazy person.
Speaker 3 (19:19):
And I felt so bad because I was like he
could have gone about his day being like what a
crazy interaction.
Speaker 4 (19:24):
Now he's like, oh, this.
Speaker 3 (19:26):
Is wild, and I didn't even get the job. And
I was like I ruined some man's day and I
didn't even get the job.
Speaker 2 (19:35):
Well that's New York City. I mean you could have
the same person walking up to you repeatedly starting the
same sentence over and over and over and just okay,
here we go.
Speaker 1 (19:44):
That is the thing that you don't realize, Like the
people watching prankiss don't realize that this is that the
person has an earpiece and there's just a producer being
like push it, yeah, push it farther, do it more,
be worse. I did one. I did one. It was
again I guess it was just a pilot. It never
made it to air, thank fucking god. Only had to
do this once.
Speaker 3 (20:04):
Yeah.
Speaker 1 (20:05):
It was based on a British prank show. And this
was again I was twenty two, I think. And it
was a character that they did in England or in
the UK for a while called Mister Stinks. And he
just smelled bad, that was the deal. And he would
just go on dates with people and he just smelled bad.
Speaker 2 (20:23):
That was all.
Speaker 1 (20:23):
So they got this suit for me and they like
soaked it in coyote piss and skunk stuff. They like
ordered all this stuff off the internet. And it smelt
so bad that when I would put it on, like
I would almost be gagging.
Speaker 2 (20:38):
Yeah.
Speaker 1 (20:38):
And then there and it was women who would set
up their friends. So they would say, I have a
blind date for you. I think you're really gonna like
this guy. So it's all these women who would set
up their friend. And then it was just how long
I could keep them at the date, Like, and I
smelt so bad and it was just upsetting. It was
just essentially upsetting. It was either people being like, you
(21:00):
smell bad, I'm not good doing this, and it was
like why do we make them do that? Or it
would be people who are just being really polite and
like sticking it out through the date. Oh, and it
was and the only thing I could do was like
get closer to the person. That was the only way
to like escalate the thing. Like yeah, and then and
my dressing room was the back of a mini van,
(21:22):
so I'd like change and it was it was February.
It was like negative twenty degrees out.
Speaker 3 (21:26):
Which is also like I guess it's bad for the dates,
but it's worse for you, Like, yeah, you are the
one wearing that.
Speaker 4 (21:33):
Your nose is closest to all of.
Speaker 1 (21:35):
The clothing, and it's like an eight hour day or
like having it on for eight hours straight.
Speaker 2 (21:41):
It was so oh, mister stinks, look it up. Wow.
That sounds terrible. But I do miss when Cable made
shows like now we're at the point where it's in
practical jokers or nothing else. It's it good for those guys,
for Bill an empire that is unfathomably popular and huge,
(22:03):
And Sal's always been a cool dude, but like, there
was a time where all of us made a little
bit of money here and there just doing pilots for
MTV or VH one or IFC or Comedy Central or
I mean it was a w true TV. It was
like you could relyled making I don't know, five grand
or whatever in a year just doing some dumb cable
(22:23):
shows or a little writer's room. And how that is
just gone.
Speaker 1 (22:28):
It's gone.
Speaker 4 (22:29):
Yeah, a lot of those networks are gone. All those
shows are gone.
Speaker 1 (22:33):
Yeah.
Speaker 4 (22:33):
I can't just bop in somewhere like.
Speaker 3 (22:35):
For a week and be like all right, that's I
got some money, you know, like just like little guest
spots here and there.
Speaker 4 (22:40):
It doesn't really happen.
Speaker 2 (22:42):
You did inside Amy Schumer at one point, right, yeah, right,
great example, there was a time where kamed Central had
I think all at once they had Colbert and Daily Show,
they had Tash and South Park, and then they had Workaholics,
Broad City, Kroll, Schumer, Key and Peel they had, I
mean just.
Speaker 1 (23:01):
That same time.
Speaker 2 (23:02):
Talent alone is unthinkable, how many great comedic pieces they
had and now it's just gone. Now it's just the
office reruns.
Speaker 1 (23:10):
And so crazy.
Speaker 2 (23:12):
It's all of that talent and they lost all of it. Yeah,
and GOM Central presents like and they had the half
hours and the hours. It's wild how that how ten
years ago we all could rely on selling stuff for
being in our friends things on that network and now
it is office reruns. Wild. Yeah, we got to take
(23:36):
it back. Now it's just all podcasting now, that's what
it is. Everybody's podcast really is.
Speaker 3 (23:39):
Everyone has a podcast, and they're all also TV shows.
They're also all videos too. They're not actually no listen
to the podcast, they watch it on their phone.
Speaker 2 (23:48):
Yeah, that's really true. If I had bet on YouTube correctly. Boy,
YouTube just is still a juggernaut, like everything else falls away,
and YouTube is just getting bigger and bigger. Yeah, wild times. Uh,
speaking of getting bigger and bigger, Whiskey Bacon sent this
(24:10):
one in. This was in People magazine, so you know
it's medium. It's by Carol Lynn Schultz, who's the best
in the medium. Biz Man twenty two years of age
is allergic to his own orgasms and his symptoms can
last for days.
Speaker 1 (24:26):
No, he is not.
Speaker 2 (24:28):
This is a People magazine, Kert.
Speaker 1 (24:30):
I mean people vets. People vets people, So all right,
I'm excited. Tell me about it.
Speaker 2 (24:36):
A man who has experienced extreme physical and mental distress
following an org. Kert, this is an affliction.
Speaker 1 (24:45):
That's an affliction.
Speaker 2 (24:46):
I'm sorry, Kert, this is an affliction.
Speaker 1 (24:49):
We can't This is like that time we heard that
story about the oh the woman about the dropping, you know,
the tower at amusement parks where it just drops. You know,
it was a story about what that that malfunc should had.
They dropped for twenty four hours, over and over. It
(25:10):
was like eighteen thousand times, Oh my god, that we
could not stop laughing. And turns out we got duped.
It was just a fake starf We laughed so hard
the whole time, just being like, now, this is the tragedy.
This will probably be horrible to be on. But this
is also the funniest thing I've ever heard.
Speaker 2 (25:25):
All Right, this one's not quite as wild as that one.
But a man, a man it is. He's only twenty two,
so you know, there's there's time.
Speaker 1 (25:34):
There's time he could grow out of his.
Speaker 2 (25:38):
As.
Speaker 1 (25:39):
Has he tried zirtech? That's my first question.
Speaker 2 (25:42):
Yeah, Benadol needs to make condoms for this guy. A
man who experienced extreme physical and mental distress following an orgasm.
Research his symptoms online, and he has learned he has
a rare disorder that he is allergic to his own orgasms.
Speaker 1 (25:56):
He's not allergic it. Maybe it's caused by it. But
the word allergic is not the right word for this
man's condition.
Speaker 2 (26:04):
I don't know. As he turns out, he was right.
A twenty two year old man sought care after documenting
that for years he experienced flu like symptoms for several
hours after ejaculation. According to the American Journal of Case Reports,
he struggled with weakness, malays, running nose, itchy eyes. His
symptoms began two to three hours kurt this is an
(26:26):
affliction two to three hours after ejaculation, and by eight
to ten hours they were worse, progressing into conjunctiveviis abdominal pain,
muscle pain, cognitive impairment, and he described his brain was
not functioning what These episodes lasted for two to three days,
preventing him from going to work, and research notes that
(26:49):
due to these reactions, he avoided sexual activity and had
difficulty in relationship.
Speaker 1 (26:53):
Can imagine I can imagine?
Speaker 2 (26:55):
Did the true edge Lord? He arrived for in evaluation
notes after reading online about hyposensitization to sperm. However, a
skin test determined he wasn't allergic to his own semen,
So that's a positive.
Speaker 1 (27:09):
Yeah, yeah, that's.
Speaker 2 (27:10):
A little silver lining in there.
Speaker 1 (27:12):
He's not allergic.
Speaker 2 (27:13):
He's not allergic to his own semen. That's just the
orgasms just having a great time with doctors concluding that
mass cells, a type of immune cells, were triggering the
allergic reaction. The condition post orgasmic illness syndrome POIS or POISSE,
is a rare condition with unclear causes. A study in
(27:34):
Nature says, adding that it affects the quality of life
of men. Yes, I imagined it would wow. In the
case of this twenty two year old. Also, good on
Carol Lynn Schultz for just not naming this guy. This
guy deserves some anonymity here. In the case of this
twenty two year old, he was treated with omal. Oh man,
(27:58):
this is a crazy word. Omal Liz zoom maab omala zoomab. Sorry.
I know it sounds like I'm making things up, but
in the US it's known as exolayer, which can treat
hives and asthma. So there you go.
Speaker 1 (28:13):
That's crazy.
Speaker 2 (28:14):
The exolaire resulted in complete resolution of symptoms the case sets,
and adding that after seven months he stopped taking the medication,
which resulted in the symptoms returning. This guy's going to
be taking exo layer or zo layer. Maybe it's zo layer,
it's xol Yeah, we'll go zolair. That sounds cooler. While
(28:37):
on zolair, the patient is symptom free and feels comfortable
engaging in sexual activity. That's a win. Given its effectiveness
and the fact that the patient tried other medications beforehand
with zero success, we recommended that he continues on o'mal
zoomab for life so it has a happy ending. They
can treat his allergic reaction to his own orgasms. Wow
(29:00):
about that.
Speaker 1 (29:02):
Here's here's a would you rather for you this year?
Say you had this, but the medication that you took
I had a side effect where even when you weren't
engaged in sexual activity, just normally, you would just flap
your hand, like flap your arm like a chicken, do
you know what I mean? Like this like this, So
that's kind of how you would go through life, and
(29:23):
if people asked you about it, you'd have to be, oh,
this is a side effect of my medication. So that
I can come. Which which would you choose to not
to have the allergic reaction or to have that medication.
Speaker 3 (29:34):
I mean, this is actually kind of easy for me
because I feel like women's birth control already does that.
It's it's already like I do you want to get
pregnant or have your arm flap consistently? Like if I
guess I'll have my arm flap consistently, then fine. But
like the amount of friends I talked to and people
(29:56):
in my family that's like, oh well, I don't come
any more, or I sweat, I night sweat, or I
get migraines or you know, it's like all these things
because we have just consistently been put on birth control
and like no other options have been given to us. True,
this is our life, this is what we does deal
with all the time. And also, like part of me
(30:18):
was kind of jealous hearing this story because I'm like, Wow,
these doctors really took time to investigate what was going
on with this young man. That's so wonderful. I don't
know what that's like. I don't know that does not
happen to women hardly ever. If a woman went in
was like this weird thing's happening to me. They'd be like,
you're hysterical, Like something's wrong with you.
Speaker 4 (30:37):
You're exaggerating. You probably have a cold bite like there's.
Speaker 1 (30:40):
Yeah, it's probably in your head.
Speaker 2 (30:42):
You probably have a cold. Get on birth control, yeah, well,
or Tricyclin's coming for you.
Speaker 1 (30:47):
Yeah.
Speaker 3 (30:48):
There's been times where I actually questions about something and
they're like, you should just get on birth control. And
I'm like, I'm literally got off of birth control because
it was causing other problems.
Speaker 4 (30:56):
And they're like, yeah, but that's the only way I know.
Speaker 2 (31:02):
Yeah, but wasn't it. Yes, because we have samples.
Speaker 4 (31:05):
Yeah, you should try this one instead.
Speaker 1 (31:06):
Actually, And that's why Scotty and I recommend vasectomies. Boys
pas no, no no side effects.
Speaker 2 (31:16):
Leep, Like yeah, the only side effect is great night's
sleep for the rest of your life, zero worries. Yeah,
that's a There was a thing I read a few
years ago that were all these women that started on
birth control in like as early as eighth grade or
seventh grade, and then we're on it in high school
and we're in college. They met the dudes they were
going to marry. Then when they got married and they
(31:36):
were going to start families. They got off birth control
and were no longer attracted to their partner yep, whoa,
because the birth was tricking them into thinking they were pregnant,
and then because their body constantly felt like they're pregnant,
they sort of were like, oh, they had this life
partner that they were clinging to, like okay, we'll raise
this thing together. And then when they got off it,
like the pheromones, they didn't like the way they smelled,
(31:57):
they didn't that. When I read that, I mean maybe
it's eight years ago, I was like, wow, that is what.
It's not just a body thing, it's like a mind
thing too.
Speaker 3 (32:07):
Really, I mean, I I don't want to be like
birth control kept me straight. But when I was on
birth control, I was consistently dating men, and I think
I thought, you know, women were attractive, et cetera. But
like it was' until I got off a birth control
where I was like, oh wait a minute, and now yeah,
(32:29):
yeah truly, and now I'm dating a woman and like
you know, full one to eighty and not that I'm
not attracted to men, but just like I was like, oh,
this is very different than what I was feeling before.
And I do wonder if it like dulled some some
senses over the years, because I was truly I was
on birth control since I was sixteen, so like, yeah,
exactly when my friends were like boy crazy, I was like,
(32:51):
I don't feel anything. And then eventually I was like,
I guess I'll start dating, and like it was never
I was never excited to do it until yeah, I
got my hormones were doing what they did naturally, and
I was like, oh, wait a minute, I'm excited about ladies.
Speaker 2 (33:07):
That's great.
Speaker 1 (33:07):
Also amazing.
Speaker 2 (33:09):
Comically, on your Wikipedia page, you may know this, Like
I looked you up, you know, yesterday when we were
prepping and and it's the last fact on your Wikipedia
pages in twenty twenty fours this year came out as
a lesbian. That's the last thing on your Wikipedia. And
I'm like, was it her or did some fan go
Finally we have a new nugget of information to contribute
(33:31):
to the encyclopedia that anyone can edit.
Speaker 4 (33:34):
Yeah, yeah, I don't edit my Wikipedia.
Speaker 2 (33:37):
Yeah, of course you don't.
Speaker 4 (33:39):
The people do.
Speaker 3 (33:39):
They were like, yes, you have to let people know
that when you look her up, she's a lesbian.
Speaker 2 (33:45):
Yes, the people should know It's just a great sentence
to be like somebody was like, here's a new tidbit. Yeah,
you should have a tidbit section on Wikipedia.
Speaker 1 (33:54):
Well, they have a trivia section, and the saddest part
of my Wikipedia pages it says via Kurt Brown Older
is a stand up comedian.
Speaker 4 (34:04):
No did you know?
Speaker 1 (34:07):
Did you know?
Speaker 2 (34:09):
Little?
Speaker 4 (34:10):
No fact?
Speaker 2 (34:12):
True or false. I don't find him funny, so I'm
putting false very funny, so I'm putting true.
Speaker 1 (34:20):
Let me seees us into some shout outs, some thumbs up.
I love passenger clings on the outside of one hundred
and seventy five mile per hour German train after doors
shut him out on a cigarette break.
Speaker 2 (34:32):
Okay, on a cigarette break. They got flung to the
side of one hundred and fifty mile an hour, one
hundred seventy.
Speaker 4 (34:38):
Five mile prime or he was actually like gripping it.
Speaker 1 (34:41):
He was on the door, He's on the doorframe. He's
just pushing himself against the doorframe. It's like an inch
and a half.
Speaker 2 (34:48):
Dakota Johnson's just kicking him in the Chestnules, get out
of here. I'm trying to make a latte. Okay, thumbs ups.
First of all, I want to thank all the bananimals
are we closed our go fundme for fire relief. We
raised fivey, one hundred and twenty four dollars for California
Fire Foundation, which goes to fire victims and the firefighters
(35:08):
who went and fought them. So thanks, Kurt. I looked
up and the multiple gofundmes we've done because of the Banana's,
including Door to Shores. We've had seven hundred and fifty
four individual donors to all those campaigns. We've raised forty
four thousand, two hundred and thirty eight USD one hundred
and ninety Canadian dollars at seventy five British pounds. So
(35:30):
this is that funny. It breaks it down like that,
So thank you. Love that to the seven hundred and
fifty four people who have donated all these charitable things. Now,
Autumn Schuster wants to big thumbs up her husband Jordan
for getting promoted. Jordan is a reluctant but great leader,
which is probably the best kind there is. That's a
(35:50):
cool sum sence. Thumbs up to you, Jordan, way to
get the promotion. U Gina Binaz thumbing up Benjamin for
turning one year old. He is a day one Banana
who went to a Bananas Live in Utero. Gina Iso,
that's pretty good. Gina is also thumbing herself up for
being two years sober. Banana skits her through tough times.
Thanks for the lofts. You are welcome.
Speaker 1 (36:11):
Thumbs up and combs up to everybody who's in the
middle of their dry sixty nine. We're right there with you.
Speaker 2 (36:16):
Yeah, we're thirty something days in. I think this is
a great one. This is a truly unique one. Amber
wants to thumb up Blake Brown, who's age fourteen. I
think he listens to bananas too. Blake earned his personal
best score three hundred and seventy six out of four
hundred with fifteen bullseyes in four h BB gun shooting competition.
(36:40):
Thumb I mean, I didn't even know there was a
daisy BB gun shooting competition. He's going to the Daisy
BB gun Nationals. So congratulations comes up. Let's take him
to the state Fair and have him shoot out some
stars and win some stuffed animals. That's a great job.
Heck yeah, I'll do one more. Let's see what's a
(37:01):
fun one. Oh, this is just a fun one. The
Banana boys are thumbing up the Instagram account pdx dino Rama.
There's a woman named Rachel in Portland, Orga. She builds
dinosaur dioramas all around Portland and puts them out. They're
just scattered around the city. You can find them on
her Instagram. Or if you're just walking by in Portland
(37:23):
and you see a diorama and it's featuring dinosaurs, it's
probably Rachel's instagram pdx Dinorama. Go take a look, send
us a pick. We have a lot of Portland ban animals.
But that's just inserting absurdity into the world for the
joy of it. So thumbs up to you, Rachel.
Speaker 1 (37:40):
That is y and how easy is it? That's so easy?
In beauty they're really cool too, really cool. Not saying
that it's not saying that the dioramas are easy to make,
not at all, but I mean the impulse to insert
absurdity into the world can be done so easily, you know,
go and do it, folks. Yeah.
Speaker 3 (38:00):
I love seeing things that like make the neighborhood more fun,
where it's like, oh yeah, like door painted on at
the bottom of a tree to make it look like
a secret tree house, or like like legos filling up
potholes or something, you know, like that stuff is so
fun and then you're like, there's someone creative here like that.
Speaker 4 (38:17):
I don't know where they are, but they're Oh my gosh.
Speaker 3 (38:19):
Is that reminded me of I don't know if it
ever got figured out.
Speaker 4 (38:24):
Maybe it did, but.
Speaker 3 (38:25):
There when I was in New York this is like
two thousand and nine, I remember I kept seeing these
like red ekg lines all over the place, like yeah,
and I don't know who's all over the city. It
felt like it was everywhere I went. So I was like,
am I doing it? Am I blacking out?
Speaker 1 (38:42):
And it was crazy. It was like like in my neighborhood.
Speaker 3 (38:46):
It was like in green Point, it would be on
my way to UCB. I just felt like it was everywhere,
and I was like, is it one person? Is it
a ring of people? Like and what does it mean?
But I really loved seeing it because it made me
You're like like it's like, oh my gosh, there's another one,
Like like now it's a scavenger hunt, like how many
little lines can I find?
Speaker 4 (39:07):
Yeah? I loved it.
Speaker 1 (39:08):
Oh that's so great. Do you do you remember from
that time?
Speaker 2 (39:12):
We're about to say the same thing you go, I
want to see.
Speaker 1 (39:14):
Okay, do you do you remember neck face from back
in that time.
Speaker 3 (39:19):
I don't remember neck face, but I remember was it
Dick Ham or something ham?
Speaker 4 (39:23):
What was the other one?
Speaker 1 (39:25):
I don't know, Dick Ham or neck face?
Speaker 3 (39:27):
Was it was chicken dick or dick chicken. That's what
it was, Dick chicken. It was it was it was
the body of a chicken with the head of a shaft.
Speaker 2 (39:36):
There you go.
Speaker 1 (39:40):
Uh. Neck face was just it just would say neck
face and it would be kind of almost like blocky,
kind of long letters, and it was all over Brooklyn
back in the day, like probably yeah, two thousand and
nine ten. But I guess neck face moved to La
because now there's a neck face right as you come
into Atwater Village. And my daughters seven saw and she
was like neck face and she's like what is that?
(40:02):
And then I just kind of explained the laffiti and
pieces to her and like public art, and she was
like okay, and then it was like maybe she like
so then every day she got drav go neck face
and say it as we drove by, and then she
just like maybe it was like three weeks ago she
was just like we're waiting at the light and she
just goes, I'm gonna become a graef feedy artist when
(40:24):
I grow up.
Speaker 2 (40:26):
Good.
Speaker 1 (40:27):
She's like I thought, her inspired starter.
Speaker 2 (40:31):
Now she's not going to go to jail. You know,
she's got a good run of thirteen years or whatever
before she can get arrested for it. Get her out there,
get her tagging. Also, Olive's a good name for a tag.
Just draw at Olive with a smiley face.
Speaker 1 (40:43):
I like that.
Speaker 4 (40:44):
That's great.
Speaker 2 (40:45):
I was going to say, I'm sure you all remember this,
and I hope you haven't forgotten this. But there was
somebody used to go around, especially Brooklyn, and they would
outline the shadows of from street lights on signs and
stuff and so on the concrete there'd be a chalk
outline of the sign or the bike or whatever. And
I could never catch the person who's doing it. But
like I'd go into a bar and come out and
(41:05):
somebody would have done it. But all they would do
is wherever the street light was, whatever projected the shadow
on the parking meter or the no parking time, they
would just outline that with chalk on the sidewalk.
Speaker 1 (41:15):
It was so smart.
Speaker 2 (41:16):
It's so simple.
Speaker 1 (41:17):
Yeah, it's so simple. That's so beautiful. I love that.
Speaker 2 (41:21):
I'm gonna assume. I'm just gonna assume that was a year,
because why not. Great job. We love your your public art.
She control, she was blacked out the whole time, kissing
dudes and shadows, smooching dudes and drawn shadows.
Speaker 1 (41:41):
That's the wild time. All right, let's I'll send us
home with this. This is from The Independent, so it's
sort of real. This is written by Natalie Wilson. Thank you, Natalie,
you are the best in the business. You can, of
course send your your strange news to us. Our Instagram
(42:03):
is The Bananas Podcast. You can DM us there, or
you can email us at the Bananas Podcast at gmail
dot com. Passenger clings onto outside of one hundred and
seventy five mile per hour German train after doors shut
him out on cigarette break. The man held on for
almost twenty miles as the train sped at one hundred
and seventy five miles per hour. A fair evading passenger
(42:27):
clung to the cables of a high speed German train
after a lengthy cigarette break saw the carriage doors close
on his luggage. Unwilling to be left behind without his bags.
The man jumped onto the outside of the train when
it punctually pulled away while he was still smoking an
Inglestat state at Inglestat station, reported the BBC. The forty
(42:48):
year old Hungarian national held onto a bracket between carriages
as the train continued to Nuremberg at one hundred and
seventy five miles per hour.
Speaker 2 (42:56):
Wow.
Speaker 1 (42:58):
He had boarded the IC train Munich without a valid
ticket before getting off the train for a cigarette at Inglestat,
please said. The inter City Express train on a six
hour journey in the northern city of Lubec was stopped
by federal police nineteen miles away in Kinding, Upper Bavaria
after witnesses alerted officials to the stowway.
Speaker 4 (43:18):
Well, he said, six hour journey or the.
Speaker 1 (43:21):
He went twenty miles at one hundred and seventy five
miles per hour, So what that's like maybe six minutes
or something. Okay, but you can go six hours on
this train, apparently, I guess that's what.
Speaker 4 (43:34):
But they're like, we have to stop this.
Speaker 2 (43:36):
Yeah, so yeah, I'm running the numbers over here. So
he went twenty miles doing one hundred and seventy five
miles an hour? No, is that what you said?
Speaker 1 (43:48):
Yeah? How many minats somewhere?
Speaker 2 (43:50):
Would that say?
Speaker 1 (43:51):
Sixty into one seventy five is something like two and
a half and then two and a half times twenty,
So it's like, oh, okay, forty yeah, no really yeah, forty.
Speaker 2 (44:03):
Minute, we're on it. Fifty eight fifty eight minutes twenty miles.
Speaker 1 (44:10):
I'm like, no, it can't be. We did our we did.
Speaker 2 (44:13):
I listened to you. I'll never do that again. Where's Ai?
Where's Ai?
Speaker 3 (44:18):
This is like one of those like textbook math questions
where it's like a man jumps on a train at
one hundred and seventy five miles per hour.
Speaker 1 (44:26):
Twenty sorry, no, it's more like twenty seconds eleven minutes
a mile over twenty seconds. Yeah yeah, yeah, I did
it the other way around. Yeah, it's eleven minutes.
Speaker 2 (44:36):
But that's crazy.
Speaker 4 (44:37):
That's still crazy.
Speaker 3 (44:38):
That's still really crazy, especially because I guess I don't
know how those trains work, but on like a New
York subway, if you hit the emergency, either it stops
or the conductor gets alerted immediately.
Speaker 4 (44:50):
So like, did they just watch him do that for
ten minutes?
Speaker 3 (44:53):
And someone was like right, Okay, I'll tell the person,
I don't this looks unsafe.
Speaker 1 (45:01):
Everyone's just looking at their phone the whole time, but yeah,
probably right. I mean we used when I would go
out because I had a I had a surf shack
in Rockaway, like a quarter block from the beach, and
so I would often do shows and then get on
the A train and take the A train all the
way out to Rockaway to surf in the morning, and
(45:23):
we we routinely, routinely would pee between the cars because
like you would just be on the train for an
hour and a half after like you know, in your twenties,
like drinking, probably after your show, and it was it
was often done, and it was terrifying. And that train
goes like fifteen miles an hour. Yeah, but to ride
(45:46):
in between subway cars is like terrifying, and you know,
nothing bad it's gonna happen because it's like you're kind
of walled in on all sides. So I can't imagine
one hundred and seventy five miles an hour like that.
Speaker 2 (45:56):
No, that's so fast. I once got to ride in
the pace car at a NASCAR event out just outside
of La we were I was with the workhogs dudes,
and we got to do like a lap before the
actual race, and that guy that drives the official it
was like a jacked up Camray or whatever. It was
down one hundred and ten. But it you know, like
(46:17):
when you were kids on the highway or something, somebody
would get up to one hundred and be so scary
and all our shitty cars would shake and you'd be like,
oh my god. But for somebody to do it sustained
and then turning it was wild. It was like I
was like, well, I guess this guy's a pro. It's
a good day to die, because but one hundred and
ten fell out of control and he was just you know,
(46:38):
calm as can be talking to us, and you're like,
damn man, that's it was wild.
Speaker 1 (46:43):
Yeah, wild.
Speaker 3 (46:45):
I gotta know what was in that suitcase or that bag.
But he left, Like what why is it so important
that you couldn't like just wait till the train got
to the next station called the customer service.
Speaker 4 (47:00):
Or whatever to be like, hey, I lost my bag.
Speaker 3 (47:01):
Like he had to jump on like risk his life
essentially for whatever was in that bag.
Speaker 2 (47:08):
Yeah, that's a great question. What was it? What was
it illegal? Or was it just so important was it
an anniversary present.
Speaker 1 (47:18):
It's the same thing that was in the briefcase in
pulp fiction. It was just light. He couldn't let his
light get away.
Speaker 2 (47:27):
Controls the light, That's what it was. It was just
a cheese tray, like it is. That is what is
worth risking your Like we all just experienced this because
we all just fled when we had to evacuate, and
it was like you find yourself grabbing the bare minimum
and nothing simultaneously.
Speaker 1 (47:45):
I bought nothing. I brought nothing other than the kid's
dog and wife. I didn't really bring the wife.
Speaker 4 (47:51):
She brought herself.
Speaker 1 (47:52):
Yeah, what did you grab?
Speaker 3 (47:56):
I grabbed. I actually was really impressed with how prepared
I was. Had a go back and then one other
outfit I didn't.
Speaker 4 (48:05):
I only had a sports the sports bra I was wearing.
Speaker 3 (48:07):
I forgot to pack other bras, but I was like, well,
eventually I'll go home, I guess, or just buy them.
And then I did try to have some keepsakes, like, uh,
my friend Nicole bought me a wrap for like toy,
like like a white.
Speaker 4 (48:25):
Friend, and I was like, I gotta have this.
Speaker 1 (48:33):
That's really funny.
Speaker 3 (48:36):
Some love letters and the deed to my house.
Speaker 1 (48:41):
That's smart. Yeah, that's incredibly smart to grab the deed deer.
I left it all. I left it deeds to my car,
like titles for my car, deeds to my house. But
it was all there.
Speaker 4 (48:52):
Yeah. I did a pretty good job.
Speaker 2 (48:54):
You're very well. You're a good survival partner. That's good
to know. God, it was a yeah, it's interesting to
see what you grab again. Going back to this guy,
what could it have been? Like it is? I wish
that the story had that in there. It seems so
I know gold bars, right? Was he like an old
(49:17):
door to door salesman who sold kids whistles and and
and butter knives? And you're like, what is this and
who is this man? That's really butter knives? I don't know.
Speaker 1 (49:31):
I don't know what potato what you're selling? And hungry? Yeah, yeah,
maybe you're selling potato peelers.
Speaker 2 (49:37):
He seemed playing cards, tricks, you know, fun things. Uh,
it would be funny if it was empty. You just
really liked that bag. He's just obsessed with such a.
Speaker 4 (49:47):
They don't make this bag anymore. I can't get another one.
It's greative.
Speaker 1 (49:52):
It was actually a plastic bag. Just plastic bag tied
it half.
Speaker 2 (49:56):
It's always recycled.
Speaker 1 (49:58):
Damn.
Speaker 2 (49:59):
So shere where can they find you? Plug away? Where
can the bananamals hunt you down and become your best friend?
Speaker 3 (50:05):
But animals can go to my website sosheer dot com
and I try to update it, but I probably don't.
And right now it's accurate and my socials are at
the Sheer Truth thhe Sheer Truth. And you can watch
my special The First Woman on Hulu or on YouTube.
(50:27):
My first special, Peace of Mind is also on Amazon
maybe Hulu. There's It's in places and uh everywhere. And
Agatha Along is on Disney Plus.
Speaker 2 (50:39):
That's a hit. It's a hit, bab, You're in a hit.
Speaker 3 (50:43):
And yeah, just like you know, follow me to keep
updated on what I'm doing and listen to best friends.
Speaker 2 (50:49):
Listen to best friends and have the best time in
SNL fifty year reunion or part of history. That's going
to be very cool and exciting. It's somehow cathartic and
make those stress go away when you can just party
and hang out, I hope.
Speaker 3 (51:03):
So yeah, I'm feeling good about it. It feels like like
a college re engineer or something. Yeah, I'm excited to
go back to where it began.
Speaker 1 (51:11):
Oh heck, yeah yeah.
Speaker 2 (51:14):
Banana's Ben Bananas is an exactly right media production.
Speaker 1 (51:31):
Our producer and engineer is Katie Levine.
Speaker 2 (51:34):
The catchy Bananas theme song was composed and performed by Kahan.
Speaker 1 (51:37):
Artwork for Bananas was designed by Travis Millard.
Speaker 2 (51:41):
And our benevolent overlords are the Great Karen Kilgareff and
Georgia Hartstart
Speaker 1 (51:45):
And Lisa Maggott is our full human, not a robot
intern