Critics at Large | The New Yorker

Horror movies are big business: this year, they’ve accounted for more ticket sales in the U.S. than comedies and dramas combined, bringing in over a billion dollars at the box office. And the phenomenon goes beyond a hunger for cheap thrills and slasher flicks; artists have been using horror to explore deep-seated communal and personal anxieties for centuries. On this episode of Critics at Large, Vinson Cunningham, Naomi F...

On August 7, 1985, five family members were shot dead in their English country manor, Whitehouse Farm. It looked like an open-and-shut case. But the New Yorker staff writer Heidi Blake finds that almost nothing about this story is as it seems. 

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Generative A.I., once an uncanny novelty, is now being used to create not only images and videos but entire “artists.” Its boosters claim that the technology is merely a tool to facilitate human creativity; the major use cases we’ve seen thus far—and the money being poured into these projects—tell a different story. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the output...

In the latest installment of the Critics at Large advice series, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz answer listeners’ questions about a range of conundrums. Some seek to immerse themselves in fictional worlds; others look for help with their own creative practices. Plus, the actor Morgan Spector (best known as Mr. Russell on “The Gilded Age”) calls in to ask the critics about poetry. “As always after we d...

Scrutiny of the figure of the “trad wife” has hit a fever pitch. These influencers’ accounts feature kempt, feminine women embracing hyper-traditional roles in marriage and home-making—and, in doing so, garnering millions of followers. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss standout practitioners of the “trad” life style, including Nara Smith, who makes cereal and ...

Over the course of his three-decade career, the director Paul Thomas Anderson has dramatized the nineteen-seventies porn industry (“Boogie Nights”), the Californian oil boom (“There Will Be Blood”), and a mid-century London fashion house (“Phantom Thread”). Now he’s trained his gaze on present-day America. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss Anderson’s latest: t...

In contemporary cookbooks—and in the burgeoning realm of online cooking content—there’s often a life style on display alongside the recipes. Samin Nosrat is a fixture of this landscape, and her new book, “Good Things,” aims to pick up where her mega-best-seller “Salt, Fat, Acid, Heat” left off, giving people a new framework for feeding themselves and loved ones. On this episode of Critics at Large, Vinson Cunningham, Naomi...

In the past twenty years, more than a third of all American newspapers have shuttered; trust in media institutions is now at a historic low. And yet we’re still drawn to depictions of reporters onscreen. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss two recent entries into the genre: “The Paper,” a workplace comedy from Greg Daniels and Michael Koman set at a failing loca...

Last week, it was announced that Polymarket—a site where you can bet on basically anything, from the likelihood of a government shutdown to the winner of New York City’s mayoral race—will be allowed to operate in the U.S. The decision was the culmination of a broader trend: since 2018, some thirty-nine states have legalized sports betting, and the rise of online gambling has made the practice a part of daily life. On this ...

Though the character known as Labubu has been around for a decade, the toy version—around six inches tall, sporting bunny ears and a demonic grin—is only just becoming a must-have accessory. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz join the trend and unbox their very own Labubu before diving into the history of such fads. They draw a distinction between collecting and specul...

In the early days of the Hollywood studio system, producers exerted far greater creative control than any individual director. Then, in the mid-twentieth century, a group of young French critics issued a cri du coeur that gave rise to the figure of the auteur: visionary filmmakers ranging from Jean-Luc Godard to Martin Scorsese and Wes Anderson. In the final installment of this year’s Critics at Large interview series, Vin...

Nineteenth-century Americans regarded Paris as a libertine paradise: a smorgasbord of food and fashion, of night life and sex. Today, the pull toward France endures, though the precise nature of its appeal has shifted. On the second in a series of Critics at Large interview episodes, Alexandra Schwartz talks with the staff writer Lauren Collins about her work as The New Yorker’s woman on the ground in France and the long l...

On paper, a thirty-three-year-old socialist would seem an unlikely contender for mayor of New York City. But Zohran Mamdani’s campaign proved compelling enough to make him the front-runner to lead the largest city in America. On the first in a series of Critics at Large interview episodes, Naomi Fry talks with her fellow staff writer Eric Lach about the surprising protagonist of this year’s mayoral race. Together, they con...

Two weeks ago, when Paramount cancelled “The Late Show with Stephen Colbert,” insiders in Hollywood and Washington alike deemed the move suspicious: Colbert had just called his parent company’s payout to Trump a “big fat bribe” on air. Paramount, for its part, claims that the decision was purely financial—Colbert’s show is losing forty million dollars a year. But both the political and economic explanations reveal how the ...

Ari Aster’s wildly divisive new movie “Eddington” drops audiences back into the chaos of May, 2020: a moment when the confluence of the COVID-19 pandemic, the murder of George Floyd and subsequent Black Lives Matter protests, the rise in conspiracy theories, and political strife shattered something in our society. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz situate “Eddington” ...

Audiences have been bemoaning the death of the romantic comedy for years, but the genre persists—albeit often in a different form from the screwballs of the nineteen-forties or the “chick flicks” of the eighties and nineties. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss their all-time favorite rom-coms and two new projects marketed as contemporary successors to the great...

It’s a confusing time to travel. Tourism is projected to hit record-breaking levels this year, and its toll on the culture and ecosystems of popular vacation spots is increasingly hard to ignore. Social media pushes hoards to places unable to withstand the traffic, while the rise of “last-chance” travel—the rush to see melting glaciers or deteriorating coral reefs before they’re gone forever—has turned the precarity of the...

The word “diva” comes from the world of opera, where divinely talented singers have enraptured audiences for centuries. But preternatural gifts often go hand in hand with bad behavior—as in the case of Patti LuPone, the blunt Broadway dame whose remarks about fellow-actresses in a recent New Yorker Profile quickly became a source of scandal. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and guest host ...

Yiyun Li’s “Things in Nature Merely Grow” is a bracingly candid memoir of profound loss: one written in the wake of her son James’s death by suicide, seven years after her older son Vincent died in the same way. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss Li’s book, which reads alternately like a work of philosophy, a piece of narrative criticism, and a devastating acco...