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December 15, 2025 95 mins

Earlier this fall, the activist, novelist, and essayist Paul Kingsnorth published an anti-technology polemic called “Against the Machine.” To say it hit a nerve is an understatement. In the months that followed, Kingsnorth has been everywhere; profiled, among places, in the New York Times, the New Yorker, and The Atlantic. In today’s episode, I want to find out why Kingsnorth’s take on technology is resonating so strongly. To help me answer this question, I’m joined by the journalist and scholar Tyler Austin Harper, who wrote a great review of Kingsnorth’s book for The Atlantic. We dive deep into Kingsnorth’s ideas and explore what they teach us about our current moment more generally.

Below are the questions covered in today's episode (with their timestamps). Get your questions answered by Cal! Here’s the link: bit.ly/3U3sTvo

Video from today’s episode: youtube.com/calnewportmedia

INTERVIEW: Why Is Everyone Talking About “Against the Machine”? (w/ Tyler Austin Harper) [0:00] 

  • Is the simple awareness of a notification as harmful as full context switching? [1:15:49]
  • Is there an “ideal ratio” for consuming information across different mediums? [1:17:12]
  • How can I effectively implement your shutdown routine and not keep checking emails? [1:20:21]
  • How can I manage my social media obligations with my marketing job? [1:23:52]

CASE STUDY: Reframing a career to utilize career capital [1:26:07]

CALL: Dealing with conflicting views about digital minimalism in a relationship [1:30:21]

Links:

Buy Cal’s latest book, “Slow Productivity” at calnewport.com/slow
Get a signed copy of Cal’s “Slow Productivity” at peoplesbooktakoma.com/event/cal-newport/
Cal’s monthly book directory: bramses.notion.site/059db2641def4a88988b4d2cee4657ba?
theatlantic.com/books/2025/11/paul-kingsnorth-against-the-machine/684848/

Thanks to our Sponsors: 

This show is sponsored by Better Help:
betterhelp.com/deepquestions
shopify.com/deep
mybodytutor.com
expressvpn.com/deep

Thanks to Jesse Miller for production, Jay Kerstens for the intro music, and Mark Miles for mastering.


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