April 21, 2025 • 44 mins
Too Short, Symba, & StunnaMan02 pulled up to talk about their new movie Freaky Tales. Symba & Stunnaman kicked off a dope Freestyle while Too Short previewed a new song off his new album "SIR Too Short Volume 1Freaky Tales"
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Right back at it. Man, Welcome back to the Have
Baked Podcast. Your favorite cousin, Drake in the building. It's
a special one. I know I say that every time,
but you see what's going on. This one is really different,
for real, for real man, y'all, welcome to the show.
Oakland's fine is the o G that raised everybody in
this room. Too short in the building, symbol in the billing,
stunner man, oh two in the billing.
Speaker 2 (00:19):
What's happening?
Speaker 3 (00:20):
Family, we're here, we're here, we're still winning, winning, so
we're clear to say.
Speaker 4 (00:28):
I mean, they gonna blurt it out, but.
Speaker 2 (00:31):
He make your job harder. I mean, but that's too
short words.
Speaker 5 (00:35):
So you know, I think it should be okay to
say that here.
Speaker 6 (00:37):
I wasn't planning saying proud.
Speaker 4 (00:39):
My mom would be right now. She heard me say
the radio.
Speaker 7 (00:42):
Next to too short, that's like, I don't favorite you know,
mamm got crustal.
Speaker 2 (00:46):
I mean your mama, my mama, here's mama. You know
what I'm saying. I ain't gonna lie.
Speaker 1 (00:50):
My mama loved ice Cube though she ice Cube boy,
that was supposed to be your daddy.
Speaker 2 (00:55):
What she said that? No, cap, that's all the Funny
Freaky Tells.
Speaker 1 (01:05):
The movie Man out Right Now dropped this past Friday,
April fourth. You know what I'm saying, we got to
talk about it now. From my understanding, it's based on
the director, Ryan Fleck's memories of growing up in nineteen
eighties in Oakland.
Speaker 2 (01:18):
First question, too short. Did he nail it?
Speaker 1 (01:21):
You were the only one around in the eighties outside
doing your thing when you watched the film for the
first time, was you like, that's exactly.
Speaker 2 (01:27):
What he was doing in the eighties? Well, yeah, got
he got a good look.
Speaker 6 (01:30):
Man.
Speaker 8 (01:31):
He didn't he didn't overstep his boundaries and try to
go into things that he didn't know about.
Speaker 6 (01:36):
But he got it.
Speaker 2 (01:37):
Man.
Speaker 8 (01:37):
It was from his perspective you get the different you know,
ethnicities and the diversity in the movie of what were
people people were going through, dealing with the racial tensions
and whatnot. But I was like, you know, they got
the scenes with his skin heads re acting up. They
ain't never showed up at the East Oakland house for you.
Speaker 1 (01:57):
Yeah, Okay, I'm glad you said that, because I wanted
to know, like for that, Okay, cool, all right, So
that didn't happen for show for show.
Speaker 8 (02:05):
They said that that there's some people that said they
were some punk rockers who really had.
Speaker 2 (02:10):
A type of parties.
Speaker 3 (02:11):
Yeah, I can see one of one of the guys
who I guess from that time, he actually went to
the remake of the set at the Guild and he
started crying because he was like, it reminded me of
growing up as a kid. So it is people that
lived on that side. We probably didn't, but it is
people that lived on that side.
Speaker 8 (02:29):
They had me, They had some other people, like some
consultants around the shooting set trying to make sure it
stayed authentic. So I say he did a pretty good
job of just capturing that little bit that bubble of
a story and and stuff that they put the warriors
in the player.
Speaker 2 (02:45):
That's dope. Now, Simber, you played the role up too
short in the movie.
Speaker 5 (02:49):
Yeah, man, Well.
Speaker 1 (02:51):
Let's all just take our time getting one out.
Speaker 2 (03:05):
I'm sorry, go ahead.
Speaker 3 (03:07):
No, man, it was a blessing man. Like I've been
you know, I've been doing my press running. I've been saying,
you know, we all grew up trying to be like
short for sure.
Speaker 5 (03:14):
You know what I mean.
Speaker 3 (03:15):
If you knew how to speak to the women, you
was listening to Too Short if you was out here
on some get your money and the females and you
know what I mean, staying out the way. He was
trying to be like Too Short me personally. That's the
way I was trying to live as a younger. So
it was an honor to play this role. A lot
of people be like, was it hard? Was it the pressure?
I was like, nah, because I kind of been emulated
(03:36):
my whole life.
Speaker 5 (03:37):
You know what I'm saying. I've been using his pickup
lines my whole life.
Speaker 3 (03:41):
So I knew the lingo and I knew as long
as i'd be player, we'll know that role.
Speaker 8 (03:46):
You remember what I told you when you called me, Yeah,
I said, go watch I'm a player of the video,
and go watch Cocktails the video, and then you tell
why those too specifically, because that's that's the too Short Yeah,
the Cadillac and and the Bros and all this ship.
And I'm like, if you do that, call mister fab
whatever he tell you, yes, that that that'll give to you.
Speaker 3 (04:07):
And that's exactly what I did too, because he right
after he told me that, he sent me four videos.
I watched the videos and our call fab Fab was like,
this is what you gotta understand about time.
Speaker 6 (04:20):
You know, that's exactly I got videos.
Speaker 5 (04:23):
He's young.
Speaker 6 (04:25):
Fam got videos to him like a teenager, like mimicking
me and ship. Oh wow. So that's why I said
called fab.
Speaker 5 (04:30):
Yeah yeah, you know, shout out to the big home.
Speaker 2 (04:33):
B F A B absolutely now simber you in the
movie as well?
Speaker 6 (04:36):
What was your role? First of all, name short Stunner.
Speaker 1 (04:41):
Simple they fall before we started rolling on the camera,
they was passing around stuff and it's day far.
Speaker 2 (04:47):
You know what I'm saying.
Speaker 7 (04:48):
So off that O to Stunner juice healthy alternative alcohol
T A C CBD caffeine, cane sugar, you know, was
like a buger, come get This is what we say
to the come on man, to y'all, y'all Stunner man.
Speaker 2 (05:04):
What's your role in the movie? O?
Speaker 7 (05:06):
G play Lenny G based off the freddie b one
of two short good friends. Wanted to hear the curators
of our culture that we have now out the trunk
real hustle that eventually with all over the world with
the independent game. So I play him and instead of
being an artist, I was a DJ. So I was
too short as DJ in the back just having fun
and I discovered some talent that took the movie to
the next.
Speaker 2 (05:25):
Level, meaning what what do you mean?
Speaker 7 (05:28):
I want to give it away? But you know, we
got it. It's a it's a dope scene and dope
situation in there where we we give some people who
needed or who deserved a big opportunity and then look
at who they was and they want to kill the opportunity.
So you know, I won't want to spoil it for you.
Speaker 4 (05:41):
You know, we made a whole song.
Speaker 1 (05:42):
About it too til Yeah, is this movie based on
the song or is it just about life experiences or it.
Speaker 8 (05:49):
Comes from music like Freaky Tail's Early Too Short music
was inspiring to the director as well, as was the
grunge music and the punk rock stuff.
Speaker 6 (05:58):
And he's just like, if you watch the movie or.
Speaker 8 (06:00):
Something, if they don't play it, they name drop it
like a lot of uh of Oakland music history. They
talk about. You hear tower Power mentioned, they play a
tower Power song in the movie. You hear them dropping
names like Slidestone and and Pointed Sisters and just you know,
just kind of like the music was a lot. It
has a lot to do with the movie. Like when
(06:22):
you play it back. It's like really a character, like
the city's a character.
Speaker 6 (06:26):
Also is the music?
Speaker 1 (06:28):
What what's symbol? You can start in your opinion. What's
one reason everybody needs to go see this movie?
Speaker 3 (06:37):
I think, Man, something I was saying the other day
is like, I think this movie captures bear your culture
as a whole. I think we're a melting pot of
diverse people.
Speaker 2 (06:47):
All right.
Speaker 3 (06:48):
Sure you got the urban side, to the hipster side,
to the skinheads, to the punk rock kids too. That's
all a part of Barryer culture. And a lot of
times we don't necessarily commercially get the credit we deserve
for people kind of running off with our culture or
running off with our style. And I think this movie
embodies a lot of Bay Area culture and Ryan and
(07:12):
Anna did a great job at capturing that from every aspect.
So that's what I would say. Is something that's special
about it?
Speaker 2 (07:18):
To me? Absolutely short.
Speaker 8 (07:20):
Yeah, the theme of the movie is to me, it's
you know, it's all about the underdog not getting it,
you know, winning, And to me that if you listen
to Bay Area hip hop, we've been saying that message
all alonge. Just don't be a punk like you might
hear you know you might hear all this stuff, but really,
if you just listen to what we've all been saying
(07:41):
all the way from from too Short Freddy B to
E forty all the way to the Russell, just don't
be a punk, get your money standing for yours when
if you're in a room full of people, don't be
the weeklink in the room.
Speaker 6 (07:51):
You know what I mean.
Speaker 8 (07:52):
And it's just the movie. Just that's the reason why
you want to go see it. You'll walk out that
theater going I'll never be a punk again.
Speaker 6 (07:59):
Like that's you.
Speaker 8 (08:00):
And it's not about who's the toughest, hardest muscles. All
this stuff is just like fight man, don't fight just hard.
Speaker 2 (08:07):
That's that's really what the bay is.
Speaker 8 (08:10):
But I say that about I say that about you know,
the town and the surrounding areas. I'm like, you gotta
watch you you pick your fights with because if you're
picking a fight on physical appearance, you might end up
with something you don't want.
Speaker 6 (08:21):
Because you can go pick the littlest little god.
Speaker 8 (08:26):
If he don't fight you, he might walk around the
corner and come back with some people that will whos
messed with my little cousin.
Speaker 2 (08:33):
Damn him.
Speaker 5 (08:34):
Yeah, exactly.
Speaker 6 (08:35):
That's that's that's how it is out here.
Speaker 8 (08:37):
So sir, you know, we learned to deal with them
the multi cultural environment that we live in. We go
other places and racism is just more intense than as
and it is here. People frown on mixed marriages and
stuff like that. We've been used to that ship for
so long.
Speaker 6 (08:52):
Yeah, you know you can.
Speaker 1 (08:53):
It's kind of hard to be racist in the bay.
Like you gotta hide that ship, you know what I'm saying,
because that's.
Speaker 3 (08:58):
A great topic to speak on. I was having a
conversation about that with a couple of homies the other day. Like,
over here, we grow up with a lot of different ethnicities,
so it's like where you in itself, it's kind of
predominantly black and the whole are. Yeah, so it's like
we grow up with so many different your neighbor relation
(09:21):
for everything. That's that's that's like.
Speaker 4 (09:23):
You said, we a bullier base.
Speaker 7 (09:24):
Everybody got that individual culture that bleed together. You make
this pot that just tastes so good you can't find
nowhere else. And were really in a bubble both ways,
you know, sometimes a lot we kind of insulated because
we got our own identity and then but a lot
of times our stuff don't get out. So that's why
I'm happy with this film because it's something that nobody
ever seen before. In twenty twenty five, that's hard to
(09:45):
say when everybody did everything. So to take something nobody
ever seen before, it is something that's never been made before,
a revamp and then give it to the world.
Speaker 6 (09:53):
That's big.
Speaker 4 (09:53):
You know what I'm saying, especially coming from our section.
Speaker 1 (09:55):
Facts And for you, man, why do you feel everybody
needs to go see this movie?
Speaker 6 (10:00):
Man?
Speaker 7 (10:00):
Because it's everything you need in your life, everything you
didn't know you need. You know what I'm saying. And also,
like I said before, it's something we haven't seen. It's fresh,
it's new. Everybody got they they shine in this movie.
Every type of demographic got they shine in this movie.
And it's an upbeat and feels good. Even though it
got some freaky stuff going on and you see some conflict,
(10:20):
it still feels good.
Speaker 2 (10:22):
Let's talk about the freaky stuff.
Speaker 1 (10:23):
That was a good point right there. It's not a man,
oh tales. I want to talk to the actor too short? Okay,
you know what I'm saying. I heard you had an
interesting scene in there and we talked about it. Brother,
I heard too Short say he ain't never yeah on
the show, sir, I.
Speaker 5 (10:43):
Just was telling I just was telling this story.
Speaker 3 (10:47):
We was actually in Utah and we was watching the
movie and it was my first time seeing it. I
believe they had seen it and everything, and we was
watching the movie. So I was kind of like hesitating
to see how he felt about my walk up to him.
And before I could even say how you feel, he grabbed.
(11:07):
He said, I ain't never did that before.
Speaker 6 (11:13):
Ever. Man, still to this day ever, I've never eaten
for a show.
Speaker 2 (11:19):
Okay, got okay, I got you got you got?
Speaker 6 (11:21):
You got?
Speaker 8 (11:21):
You got?
Speaker 1 (11:22):
That made it seem like you was just freaking sixty nine. God, yeah,
it was a shock value.
Speaker 8 (11:28):
Man.
Speaker 6 (11:29):
It's a good scene.
Speaker 8 (11:29):
It's one of my favorite scenes actually because because it's
you know, it's a movie.
Speaker 2 (11:33):
How would you rate his acting playing you in the movie? That?
Were you amazed? Like, oh, he he did that? I thought.
Speaker 8 (11:40):
The first thing that went around was the still photos
and you couldn't even tell he looked just like you
still photos.
Speaker 6 (11:45):
It was like like they showed.
Speaker 2 (11:47):
Me might be his daddy and I'm looking at you.
Speaker 6 (11:49):
I got that.
Speaker 8 (11:52):
Looking at it, put the old smile on him, had
the ship all real authentic and ship.
Speaker 3 (11:58):
But that was a unique process too, because I had
to go to this uh this place in Hollywood and
I had to like put this pause. I had to
put this like this thing in my mouth, right, but
I had to hold it for like like twenty five minutes.
So I'm like, okay, this for like twenty five minute.
(12:19):
Pressure like dripping and everything like getting the grill.
Speaker 5 (12:23):
So I didn't know what it was gonna be like.
Speaker 3 (12:24):
So when I got this set, they had to grill
there and I put it in and if it hurts.
Speaker 8 (12:29):
I said, this is crazy, said, they made the mold
and simber.
Speaker 2 (12:34):
For you, what was it like becoming too short for
this film?
Speaker 1 (12:37):
Like go through the process of you know, make up,
the outfit change. You know, how did you like you said,
you watched several videos and how did you become too
short for this Freaky Tales film?
Speaker 3 (12:47):
I think man for me, it was like kind of
matching the timing of his mannerisms, you know what I mean.
Sounk got this like this cool ass walk. You know
what I'm saying. He gonna he's gonna lean, He's gonna
lean in on you like this a little bit, you
know what I'm saying. So it's like I wanted to,
like master like the timing of his mannerisms and just
the timing of his word and then make sure I'm
like getting the you know what, I'm getting it, getting
(13:10):
it right on que and everything. So it was a
lot of fun. I think for me, it was hard
to break character once we was done filming. You're right,
so I'm at the I had a performance at the
Warriors game like a few days after.
Speaker 5 (13:23):
We was we was filming.
Speaker 4 (13:25):
That was the same day, same four years.
Speaker 6 (13:27):
There is.
Speaker 3 (13:30):
Not only doing the war I tell one of the
one of the ladies at the Warriors he said.
Speaker 6 (13:45):
Character character.
Speaker 3 (13:48):
I'm so sorry, man, Yeah, I was, man, shout out
to the Golden State Warriors.
Speaker 5 (13:53):
Super gave me for that too.
Speaker 2 (13:54):
Shut. That's super dope. Man.
Speaker 1 (13:56):
Let's talk about how this film changed the dynamic in
the Bay Area for media along. Right, it's a feature film, Uh,
lions Gates throwing it.
Speaker 2 (14:04):
How do you guys feel that this.
Speaker 1 (14:06):
Will bring more opportunities to the Bay Area as far
as film, Well, I think.
Speaker 6 (14:11):
You just show and prove we have a this this
cloud over.
Speaker 8 (14:16):
I'ma I'm gonna put it on Oakland where they just
don't shoot nothing. Ever, since I was a youngster, we
couldn't get a permit to shoot a music video.
Speaker 6 (14:24):
So you know, I heard recently.
Speaker 8 (14:26):
That the crew from blind Spotting, it's an Oakland. They
did the movie, then they did the TV show, and
they even had a hard time like securing locations in Oakland,
so they ended up having to shoot scenes other places
because you can't get the permits to shoot. This movie happened,
Freaky tells happened because of the budget.
Speaker 6 (14:45):
And I asked it. I asked production, how did y'all
make this happen?
Speaker 8 (14:48):
And like they had to pay for it? They because
the directors they really wanted it to be in Oakland.
They said they came across that that that brick wall
where it was like it can't be done here. You
got to go make a fake Oakland somewhere and shoot
somewhere else, and they said, we want Oakland. So whatever
that extra millions was, they put that up. Most people
wouldn't do that.
Speaker 1 (15:09):
Shout out to them, man, because that's dope. That makes
the feel more authentic.
Speaker 8 (15:13):
And then in essence, a lot of people from the
Bay were part of the crew. Tom Hanks is in
the movie only because he's from o from Oakland. He
wouldn't been if he wasn't from Okland. He said, Oh,
Oakland movie. That's how much it meant to him. And
he probably came and I already just came and did
it almost like for free, you know what I'm saying,
just because it's in Oakland. So I think that you
(15:33):
just opened the floodgates to say it can be done.
And you got a lot of people, you know, the
Ryan Coogler's out there that are like, you know, I
want to shoot where I'm from.
Speaker 6 (15:42):
What do we have in the movies? We got a
whole bunch of San.
Speaker 8 (15:43):
Francisco movies Withisco at the backdrop of the hills and
the Bay and the bridge against the Golden Gate.
Speaker 6 (15:49):
We got a whole bunch of La movies.
Speaker 8 (15:50):
We got movies about Miami, movies about New Orleans, movies
about New York movies always in d C.
Speaker 6 (15:56):
But where is the little ass open?
Speaker 4 (15:58):
Where the love for Oakland?
Speaker 3 (16:00):
And it's a lot of it's a lot of movies
East Coast movies that's based on the Bay area.
Speaker 5 (16:04):
Yeah, a lot of big movies.
Speaker 3 (16:06):
We ain't got to say no names, but it's a
lot of big movies that we all watched that got
that story from the Bay Area over.
Speaker 2 (16:13):
The characteristics here surely not sure? I got a question.
You said something and what you were just talking?
Speaker 1 (16:18):
What do you think needs to happen so we can
bridge these gaps, you know, moving forward? Like who do
we need to sit down? We're like, look, man, everything
not negative coming out of Oakland.
Speaker 6 (16:26):
We do something right now.
Speaker 8 (16:28):
I'm not gonna bite my tongue. If Oakland, California was
a hustler, it would be a weak hustler. It would
mean because Oakland let all the funny go away. You
couldn't keep the raiders, couldn't keep the warriors. That's money
that come to the city. You're sitting here and just
just like I remember when the Ways Brothers was coming
(16:51):
in trying to like, you know, buy up some of
that unused property.
Speaker 6 (16:55):
I've heard all kind.
Speaker 8 (16:56):
Of stuff about like what the potential that Oakland has
getting money and the city is against us? Man, Like
what they give me a they may name the street
after me, But a few years ago, like thirty years
too late, you should have been at that ship from
somewhere else. They had a parade. You make six platinum
folk Gold out. We're gonna name the hold in Boulevard,
(17:18):
not just a little.
Speaker 2 (17:20):
Sign pissed too short off Oakland.
Speaker 6 (17:22):
Know what I'm saying.
Speaker 8 (17:23):
Man said, you got the port of Oakland right there,
all kinds of ship coming in. Why you think the
drug dealers were so rich back in the day. Yeah, yes, sir,
I have that mentality of a hustler as a city,
and we might be able to grow.
Speaker 6 (17:36):
So as these filmmakers approach you.
Speaker 8 (17:39):
If Ryan Coogler came to the city of Oakland said
I need to permiss to shoot, give me to him,
I would give him the red tape and make it difficult,
like let him shoot.
Speaker 2 (17:47):
Man, And you know his pedigree, you know what he's doing.
Speaker 8 (17:49):
Like, so I just say, as a hustler, I'm telling
the city, like get your money man.
Speaker 2 (17:54):
You said that on get yours?
Speaker 6 (17:55):
Yeah, I know.
Speaker 7 (17:56):
Raffael Kassow what they're doing in the legislative raphaeld caassold
v did make it Bay to bay list. They working
on working with Oakland City Council on getting the legislation
to where you get a tax right off if you
come shooting in town. So you know, I think that's
a step forward. But you know, he's definitely you know,
the elder the wisdom is speaking to let you know, like, man,
let's turn this up, like what we waiting for, Like
(18:17):
we got all the talent, we got all the resources,
we know we raw, Let's go show the worldly man, let's.
Speaker 2 (18:25):
Get to this music part.
Speaker 3 (18:26):
Man.
Speaker 1 (18:26):
The movie is out right now, Freaky Tails starring Simba.
Speaker 2 (18:30):
You know what I'm saying, Star, what's up?
Speaker 5 (18:34):
I had to rewrap Freaky Tales.
Speaker 2 (18:36):
That was wrong.
Speaker 5 (18:37):
I had to rerap the entire song.
Speaker 8 (18:40):
Well, like re recording all the music in the movie
is like a rendition really, so what.
Speaker 1 (18:46):
You still got all your old beats and you just
gave him the beat or because I think it's a
it's a cost thing if you license the actual song.
Speaker 8 (18:53):
As opposed to the lad movies. You hear songs that
you know, but that's not a song. They just did
a version so they could like that.
Speaker 3 (19:01):
Rewrapping that song made me realize cat a lot of man,
because I'm sitting like I'm sitting there like minute six,
like and we still got like three minutes to.
Speaker 8 (19:16):
Go, Like it was a lot be on a label
called seventy five Girls Records, and the original Freaky Tales
was a story about how I met all seventy five girls,
and then the worsion that everybody knows is I just
took the seventy five and trimmed it down to about
forty because out of them seventy five, the ones that
got knocked off not nothing.
Speaker 6 (19:37):
The ones that got knocked off the list, it was
kind of whack cash rhymes.
Speaker 2 (19:41):
I didn't want to.
Speaker 8 (19:43):
I just eliminated it was too The song was fifteen
minutes long, was too long, so we knocked it down there.
Speaker 6 (19:47):
It's about if you counted this about forty forty something.
Speaker 5 (19:50):
Bro, Yeah, no, that was that was a lot.
Speaker 6 (19:53):
About half of its true, with half of it is
just rhyming.
Speaker 9 (19:56):
Yeah.
Speaker 3 (19:56):
But it was fun re recording it too, because it
was like it put me in a time of like
before the big studios was around, before the big engineers
was around, and all of this. It's like UNK was
doing this from the soil, you know what I'm saying.
Speaker 8 (20:10):
And the original Freaky Tales is that's that's one pass
you did.
Speaker 6 (20:16):
But at that point we was in the studio spind it.
We was in the studio.
Speaker 2 (20:21):
Your young rappers better get it together.
Speaker 6 (20:23):
For sure. We was in the studio spending a lot
of money.
Speaker 8 (20:26):
And it wasn't a lot of money going around really
to just be wasting on studios, you would know, you
would be at the house knowing everything you're gonna do
at the studio before you get in the studio. You
couldn't come to the studio and write a rap or
learn the rap. You just got to go. So at
that point I had did some sessions. I was doing
all my sessions like that, just wrap it if I
(20:47):
fuck up, like try to maybe like stack it a
little bit. And but I didn't know really how to
punch in and fit the line, Like I didn't know
that shit about trying to match my voice, punching in,
fix the part step so I could go back and
play you all the early Too Short albums and show
you every song where I'm on every song for real,
you know. But even like I like the mess up,
(21:08):
so I like the I like it like it, just no,
that's me too, like when I'm already and I used
to get mad.
Speaker 2 (21:13):
I damn, I stumbled over word, but it's raw and
show that.
Speaker 6 (21:15):
Now he live.
Speaker 2 (21:16):
He really he did that, Like, no, it's part of
what I'm doing.
Speaker 8 (21:19):
I can show you Freakytails where it was supposed to
be this line. I can show you where I stacked
one time and tried to fix the line. You can
hear the two stacks is different. It's just on there.
Speaker 6 (21:27):
Remember when.
Speaker 8 (21:27):
But when you play it back, people go, that's a mistake.
I'm like, man, nobody gonna care about that.
Speaker 6 (21:32):
Let's run it.
Speaker 3 (21:33):
Man, No, that's crazy because I probably punched that about
a hundred times.
Speaker 6 (21:37):
But I had already.
Speaker 8 (21:38):
I tell you, I probably had sat in the room
somewhere and wrapped that it's entirety a hundred times.
Speaker 6 (21:44):
Probably.
Speaker 2 (21:45):
Yeah, you already.
Speaker 8 (21:46):
Damn you know when you when you write a rhyme,
you know what you're gonna say, but then you get
in the move and you say it.
Speaker 6 (21:52):
A little wrong.
Speaker 8 (21:53):
He was like, that's still cool. You know, like you
were supposed to the way you want to slide. He's like,
that's the way, but then the way you end up slide.
He's like, I can live with that. It's cool, and
you just it just flow.
Speaker 2 (22:02):
Bro.
Speaker 6 (22:03):
That Damn every song I record I do that.
Speaker 5 (22:05):
That's incredible.
Speaker 9 (22:06):
Too.
Speaker 2 (22:07):
That's I got a question.
Speaker 1 (22:08):
Since I got all y'all three superheroes in here, man,
can we get a song with y'all three with what
we're doing is good?
Speaker 5 (22:15):
Definitely, definitely what the.
Speaker 6 (22:17):
Studio at we're going right now?
Speaker 1 (22:19):
Call call guys right around the corner.
Speaker 5 (22:24):
Guy, open up empire. We needed to know.
Speaker 8 (22:27):
I'm pretty sure everybody got to beat on him right now.
That's banging with the hook already. You see what I
brought bopady.
Speaker 2 (22:36):
Show stay ready, but you got with both y'all two.
I got a question for y'all.
Speaker 1 (22:39):
What have y'all learned from too Short rapping, acting or
you know, whatever it is? What what game has has
showed taught y'all young rappers?
Speaker 7 (22:51):
He teaches a lot, He touches. Pelo said this word,
but it's to stick to itness. In one of his interviews,
he said, when your stuff start rolling, that's not the
time to go to sleep. That's when you put more
work in. You keep going, you wrap harder, you go
do this, you go do that, go over here and
do that. So I just staying on it and staying
consistent because I feel like in my career the thing
that has made me stand out and push forward.
Speaker 4 (23:12):
Is just being consistent getting it like.
Speaker 8 (23:15):
In the nuts shows, like he's saying, do your push ups?
Do a push up?
Speaker 6 (23:20):
He turned around, said he slid. Then he said, get
god in man. The last time I seen him, I said,
what's next?
Speaker 2 (23:28):
They need a new slogan, and he said.
Speaker 6 (23:30):
What should be next? I say, tell all the curls
to clean.
Speaker 7 (23:32):
They got you women out right now on all fend
of the platforms.
Speaker 8 (23:38):
That that's a two ways. That's a two ways streak
to you know, like you've got clean, that's all.
Speaker 6 (23:45):
Get clean for real.
Speaker 3 (23:46):
I always say, never stopped living. Every time I see
you Key living, rather rather it's in the Las Vegas
and dres Rather it's in l A in the stud udio.
Rather we're in the bay doing a movie premiere. Like
every time I seen the Lindciaga coke. You know what
(24:07):
I'm saying, clean, got his people with him, got them
joints out. You know what I'm saying, it's looking good,
failing good.
Speaker 8 (24:14):
Ask me the best career advice. I just say, man,
don't forget to have fun.
Speaker 6 (24:17):
Don't forget that.
Speaker 3 (24:18):
Literally every time I see him living. So that's that's
what I take from it too.
Speaker 6 (24:23):
It's gonna be a fin ass journey if you let
it too.
Speaker 1 (24:26):
Sure you told everybody years ago that after Og told you,
whatever you do, just don't stop rapping, right.
Speaker 6 (24:31):
Yeah, yeah, I was. I was. I was contemplating retirement.
Speaker 2 (24:34):
That was my question, Read Alert, What did you feel
like retired?
Speaker 8 (24:39):
I was turning thirty and thirty ye old rappers in
eighteen nineties? Was yeah, your old? Yeah you know so
it's my thirtieth birthday. I remember, you know the numbers
I was on my tenth album. I was like, bro,
I got it. You know, I did it. It's done.
What else you gonna do it?
Speaker 7 (25:00):
It?
Speaker 8 (25:00):
And I had this whole retirement campaign. I'm like, I'm
gonna just help other artists get in the game and
do stuff. And Red Alert was like, like, what are
you doing? Bro?
Speaker 6 (25:07):
Like, we don't we don't retire like you.
Speaker 2 (25:09):
Like.
Speaker 8 (25:10):
He just gave me examples of like blues singers, R
and B singers and jazz jazz musicians. He's like, when
did they retire? Old?
Speaker 6 (25:18):
Look at them right now, they in their sixties and seventies.
Speaker 2 (25:20):
Ron still singing right now.
Speaker 8 (25:24):
So for hip hop man, those hip hop trailblazers the
krs ones who keep making albums and keep being prominent,
the Fat Joe's the e forties, you know that, just
just stay active. And I think that as setting that example.
What is your expiration day? Ain't no inspiration day? Still,
the wolves fall off, The wills might fall off at
(25:45):
any time. When they fall off, you gotta have enough
heart to be like, put it up. But if the
wills don't fall off, why are you getting out the car?
Speaker 1 (25:51):
And so the all the two short fans out there,
too short, they never retiring. Don't ask no more because
the wills ain't wills.
Speaker 2 (26:00):
Believe that.
Speaker 1 (26:02):
Let's talk some music. Man, what everybody got going on
after this movie? You know, Freaky Tails is out right now.
Everybody out there watching his interview? Go watch it right now,
right now, go check it out. What y'all got going musically?
What's going on for y'all anything after the movie?
Speaker 7 (26:16):
Man were dropping we flooding man. Man, get your rain boosts. Man,
make sure you're good. We're gonna drop the eater. Get
the rain boost man. We're gonna drop the eat right,
get your rainbow, get the rain boots man, eat it.
Speaker 6 (26:27):
Salad means a lot of ship come on man.
Speaker 2 (26:29):
Wow, whatever it means to you. I never thought of
that because that could mean a lot of Oh man.
Speaker 7 (26:41):
It means what it means right man, now health and wellness,
bro come on, speaking of that, we're about to drop
about to drop an album called Healthy Gas Volume two
around my birthday May third.
Speaker 4 (26:53):
People don't know me and too short. We turus this
tourus gay come.
Speaker 7 (26:56):
On man, he and then I'm gonna drop another album too,
called The Big Stunners. So I'm gonna drop two projects
within the week of each other.
Speaker 4 (27:03):
You feel me?
Speaker 7 (27:03):
All new music well Eta Salad is gonna be on
the Healthy Gas Volume too. But one album is supposed
to be centered towards, you know, getting your mind, your
body spirit right, mentally, physically, spiritually, motionally, psychologically, morally, financially, socially,
and environmentally. And then the next album is when you're
stepping out having a good time, Big Stunner. That's when
you're outside mobbing, doing your thing.
Speaker 4 (27:21):
You know what I'm saying.
Speaker 6 (27:21):
So we're flooding straight up show.
Speaker 5 (27:24):
That was a lot of game right.
Speaker 2 (27:25):
There, well spoken.
Speaker 6 (27:30):
All the time he starts spitting it.
Speaker 2 (27:32):
You hear me. Utilization You got over there?
Speaker 6 (27:37):
Seven Big words in the world.
Speaker 4 (27:41):
I'm around genius is so I can speak my vernacular.
Speaker 6 (27:45):
I think the point is to ride the wave. The
movie is a wave.
Speaker 8 (27:48):
And if anybody in your camp, yourself, you looking in
the mirror, talking to yourself, thinking about it, where you're riding, driving,
you gotta ride the wave, man. So of course we
all should be. We had enough time to get ready
for it. And you know, I'm ride the motherfuck away, man.
Speaker 3 (28:05):
I think it's the same thing for me, man, Like
Unk just said, for me personally, the past two years,
I kind of fell out of love with music, you know.
Speaker 2 (28:13):
Let's talk about it.
Speaker 5 (28:14):
I was kind of dealing.
Speaker 3 (28:15):
With a label situation to where I always love record
music and making music. It's a lot of fun, but
it becomes the process of putting it out that takes
the fun away, you know what I mean. So for
me it was a struggle to pass. I would say,
twenty four months, just get music out me and my
label wasn't seeing how that And it's nobody fault, you
know what I mean.
Speaker 5 (28:34):
I don't blame nobody.
Speaker 2 (28:35):
Are you still with the label?
Speaker 6 (28:36):
No?
Speaker 5 (28:37):
No, I'm free. I'm free.
Speaker 3 (28:38):
And I think this movie is kind of what inspired
me to be like, you know what, let's get back
to the music. So I'm actually dropping my first song.
I'm gonna announce it right here on Cambye.
Speaker 2 (28:54):
Understand.
Speaker 3 (28:55):
Yeah, my first song off of Atlantic Records is February
twenty fifth. It's called Lonely, coming out independently, me and
my own team. Shut out to Starland, shout out to
Majority Rules, shut out to Stone's Way, shout out to
my whole team. And I'm just excited to, you know,
feel like a new artist again. This movie reinspired me,
got me feeling like a new artist, got me back
(29:17):
in the media unk, and got me back turned up.
So I'm ready to get back to.
Speaker 2 (29:20):
It straight up. Man, I ain't gonna lie. It's crazy that
you say last two years.
Speaker 1 (29:24):
Man, you know you've been not feeling doing music because
last two years, shit, it seemed like from from the
fans' eyes, that you've been, you know what I mean,
making it happen. I have seen on everybody couch, you
know what I mean, You're dropping off bars, everybody in
amazement like, oh wow, what we're doing. So to hear that, like, so,
how do you do you do you feel now that
you've done the label thing. You got two shirts shit
(29:46):
next to you. It's independent the way for simple man.
You know what's the man got six platinum albums, folk
gold ones.
Speaker 8 (29:53):
No.
Speaker 3 (29:53):
But here's the thing. I think everybody's journey is different.
Speaker 2 (29:56):
Facts.
Speaker 3 (29:57):
I'm somebody that naturally had a hard time building a team.
So the major structure has always been kind of like
my way because it's for me to build a team
within that. For somebody like A Short or l Russell
or whoever it may be, they got certain infrastructures around them,
you know. I mean that allows them to be able
to flourish that way. For me, it wasn't necessarily that.
(30:19):
So everybody journey is different. But I feel now I'm
confident enough in my team to be able to see
what that looks like. This is my first time kind
of taking on the independent scene, and with what I
got behind me right now, and as confident as I
am in this new music, I think it's time for that.
Speaker 1 (30:35):
What advice could you give a younger rapper you know
that's thinking about.
Speaker 3 (30:39):
Don't let the industry tell you who you are. Sign
me for something and then told me to do something
different once they sign me.
Speaker 6 (30:48):
That's normal.
Speaker 2 (30:48):
They always do that wait, can you I mean, you're
not on a label no more? Can you be specific?
Speaker 3 (30:52):
Or so I got signed for a specific thing that
y'all all loved me for speaking up far culture right,
being an alternative for what black society looks like to the.
Speaker 5 (31:03):
Rest of the world.
Speaker 6 (31:04):
Lyricists, that's lyrics.
Speaker 3 (31:06):
Giving them that game. And then once you get there,
they like, we need something for the strip club.
Speaker 8 (31:11):
And I'm like, when you get inside the major label system,
they work on formulas that already are successful. So basically,
what's winning right now, what just won recently is what
they want you to do. But they come and get
you for different reasons. They come and get you because
I like what you do, and then they go, now,
let's do what.
Speaker 6 (31:30):
The industry does. He's like, Bro, that's not what I do.
I do.
Speaker 8 (31:34):
We got a problem then, because that's what you got
to do if you want to get love over here.
Speaker 6 (31:37):
And I've seen it.
Speaker 8 (31:38):
I've personally been involved with artists who were very original,
very creative, from different places around the country a few
different instances. I've seen up close and personal. We're major
label signs of artists for what they do, and then go,
we've got to send you to this producer, that producer,
that producer, and then play it and it's like, we
got to keep working on this.
Speaker 6 (31:56):
No you don't. You shouldn't let them do what they do.
Stop telling them what to do. So I used to
do a thing where I was on the major label.
Speaker 8 (32:02):
I would I would turn in my album before they
send me recording the recording budget, like they want to
see you the front end, the make a album in
the back end. When you finish, it's already done. I
turn it in and just say send them both at
the same time, and they're like, who does that. I'm like,
just take the album before they can get an a
n R person to help.
Speaker 2 (32:19):
Me make it that don't know ship.
Speaker 8 (32:21):
I would send them the artwork, cover art, front, back, inside,
I would send them all the songs, and I would
send them credits handwritten in my handwriting. I said that
the one fair X package and be like, they go
the album, send my check. They couldn't tell me like, well,
we need this song. I was like, bro, that's the album.
Speaker 6 (32:41):
Put it out.
Speaker 3 (32:42):
I wish I'd have been thinking like that, but for me,
it was more so one of them things. It's like
y'all didn't see me around here for years.
Speaker 5 (32:48):
You know what I'm saying.
Speaker 8 (32:49):
They want you to need that budget, they want to
run that budget up here. Yeah you know what I'm saying.
Speaker 5 (32:53):
Yeah, I'm as producers.
Speaker 3 (32:55):
Yeah, I'm running around like you know what, Let me uh,
let me take their vice because mine hasn't worked the
best so far.
Speaker 5 (33:02):
But it wasn't that.
Speaker 3 (33:03):
It's just I wasn't being consistent enough with my own advice,
you know what I mean. So now it's like exactly
what Unk's saying. It's like do what you believe in
and turning your ship. You do the work and tell
them this is what is gonna be in this harm
and move forward.
Speaker 8 (33:16):
You was winning though with the why they was slow
in your process. You was killing them with the but
with the social media that.
Speaker 3 (33:23):
It goes back to what he said, Look where we're from,
for sure, we're hustless. So from the day I went
on to LA Leakers, I said, Jordan up, now y'all
let from Anny, y'all get on the LA Leakers.
Speaker 5 (33:33):
What I was saying was, Y'ALLDN.
Speaker 3 (33:34):
Gave me exposure, opportunity, It gave me access to the industry.
I'm never gonna go away It might be slow for
a minute, it might not be no music for a minute,
but I'm never gonna go away now that Charlton gave
me this access.
Speaker 1 (33:46):
Straight up, man, I appreciate y'all taking some time. I
chopping it up with me. Now, Simba in stunner man
O two show, you're gonna let you off the hook.
I ain't let needs to off the hook. Y'all gott
to drop off some bars for y'all. Slide out of
here on me. I ain't gonna even.
Speaker 7 (33:57):
Lie to you, then said the only way I rapped
us if we both wrapped on this freaky tail beat.
Speaker 6 (34:01):
I didn't say that you're to get show here.
Speaker 8 (34:06):
I slid him some unreleased musicady co.
Speaker 2 (34:09):
Hey, I ain't gonna show was ahead of gain. He
just told you how he did the album with the labels.
Speaker 5 (34:15):
I got so many.
Speaker 3 (34:16):
Before before we get out of here. Let me tell
y'all how professional unk is. Unk was here before both
of you. To literally that he literally was here before
both of us, Like I literally was like, oh.
Speaker 2 (34:28):
You been in the game thirty years. I was showing
up on time.
Speaker 5 (34:30):
I was leaving the room.
Speaker 3 (34:31):
I said, I got time to stop and grab some
glasses right man.
Speaker 5 (34:35):
The line was long.
Speaker 3 (34:36):
I ended up getting here about three minutes. Unk was
here like he he wanted them for sure.
Speaker 7 (34:41):
For sure he was start to get everybody a delicious
sandwich from Donnasaura bombing the sandwiches. What a real viet
to me is delight. If you've never been to Dinosaurs,
they have three locations working there for this, Broa, make
sure you stop at Union City for the grand open
there Dinosaurs.
Speaker 1 (34:59):
For Hey, this is the Halfway podcast freaking tells the
movies out now man, go check it out at your
theater near you.
Speaker 2 (35:05):
Stunning man, before we leave, can you just let them
know what we're doing?
Speaker 7 (35:08):
Hey, look we big step in. We're enjoying life. Were
having fun. We believe in that God. We loving ourselves,
We treating ourselves right, We believe in ourselves the most importantly, were.
Speaker 1 (35:17):
Still just told you I couldn't less believe a pat
of here without starting some bars for us, cutting man.
Speaker 3 (35:24):
I've been I've been waiting to come to Camill and
do this for a minute.
Speaker 2 (35:28):
Man, I've been waiting to have you cutting man.
Speaker 3 (35:30):
Let's lug out of chip on my shoulder. You know
what they're saying. Oh, this shit ain't dropped enough music.
I agree with them, but were on the way. What
we're doing, we on the way Riki tales in theaters.
April fourth, shut up to my uncle short shack it
we living in a whack air. A new wear cap here,
(35:51):
real life looking like an episode.
Speaker 5 (35:53):
Of Black Mirror.
Speaker 4 (35:54):
This that BBL.
Speaker 5 (35:55):
But your legs don't.
Speaker 3 (35:56):
Match here fitting off got the streets looking like the
crack air was out here pushing everything except for hippop.
Ten million dollars got them. People been in TikTok. I
walk up in these ballrooms feeling like I'm Will Smith,
the first to say I ain't a legend getting Chris Rock.
I can't tell niggas going broken, getting desperate.
Speaker 5 (36:14):
Hold on, I can't telling me going broken, getting desperate.
Speaker 3 (36:19):
The coaching full of votes, begging for investments, artists getting used,
going viral for some views, just to sign to a
building full of Adam twenty two's.
Speaker 5 (36:27):
I got some of my schools.
Speaker 3 (36:29):
I hate to visit the past, growing up, my mom
and my uncles. All that I had heavy father figure
in my life was not my dad. See my pop
shot at cops killed.
Speaker 5 (36:38):
It's so crack.
Speaker 3 (36:39):
That should help you do the math. See, I've been
trying to fight the demons off. I used to try
to drink them off with that. Ain't no relief at all.
Used to play ball, but my grades wasn't consistent, so
all I had was boss Shall was born in prison
front the bay. Boy was trying to eat whatever you
got on your plate. Boy, as Keith Lee, he came
and couldn't last the day boy, take to seein when
they finally on your way, boy, making me a feeling.
Speaker 5 (37:01):
When I'm here to say the.
Speaker 3 (37:02):
Day boy, yo, cat me, what's that cousin Drey freaky
tails it dinner April fourth. Let's get to it, man,
I tell them, I tell him, Tom and Tom again.
I think, get that, damn well, the trends.
Speaker 5 (37:17):
I'm really good.
Speaker 3 (37:18):
I'm really him Hey, Tom and Tom again. I think
forget that I've been.
Speaker 5 (37:22):
Moving the needle that's getting under their skin. Tom and
Tom again.
Speaker 3 (37:26):
I think forget that I've been moving the coaching that's
making it move.
Speaker 5 (37:30):
Again, Tom and Tom again, I think.
Speaker 3 (37:32):
Forget that O two Stunner gave us some juice mixed
with chin.
Speaker 1 (37:39):
That's how we're doing it, man, podcast with your counting Drake.
Speaker 2 (37:43):
He doesn't spend so much gas. I broke my hands.
Speaker 5 (37:48):
That's how we're doing it.
Speaker 3 (37:49):
Man, come on, bar come on man, Lulio April twenty fifth.
Freaky Tales in all theaters April fourth. Let's get it so.
Speaker 2 (38:00):
I appreciate you, cutting, appreciate you.
Speaker 1 (38:03):
Stunner man O toothina drop off some bars with a babe. Man,
what we're doing? Man, you're to look off the beat. Man,
I'm about to stretch my covers on pause. I'm about
to take us to this level. So I just need
you'll help. I need y'all throw a woman's name or
just anything y'all think of. On his freestyle, We're gonna
just keep it going. Toll g you want to jake
the honors and that anything. Start get short on that
(38:26):
short said, start off with it, with it with what
stunning man on too Finna drop off these bars man
one O six cam Yeah, with your cuttin dra let's.
Speaker 7 (38:37):
Go, hey, Freaky tails drop April Forest. Were having fun?
Speaker 4 (38:40):
What's the what's the thame again?
Speaker 6 (38:42):
All right? Come on?
Speaker 5 (38:43):
What you doing?
Speaker 2 (38:44):
Oh?
Speaker 7 (38:45):
Come on?
Speaker 6 (38:46):
Steal over the minute?
Speaker 4 (38:47):
Wait the game up.
Speaker 7 (38:48):
I feel like folks, I'm outside having fun. You know,
you know you if you know me. We're just keeping
it lit. I'm with too short and simple.
Speaker 5 (38:56):
We with the whole click.
Speaker 7 (38:57):
Like I said, we went their hall game up like
it's foes out of Saint Mary Anne Hood like to
do yoga.
Speaker 4 (39:02):
She don't play cards and she is not a joker.
Speaker 6 (39:04):
When I pull up on her buff, I just poke her.
Speaker 7 (39:07):
I got a bad thing. Her name is Cindy, but
she real high maintenance. She always want findy. She'd be
all up in my face like Jimmy, gimme, gimmey and
my pip homies they be like, we're on Cindy City City. Hey,
I got a chick and she really from the Apple
and she got that water too.
Speaker 4 (39:21):
What tastes like?
Speaker 5 (39:21):
Staff? Wos you know? We have a bun.
Speaker 6 (39:25):
Simba hot minen.
Speaker 4 (39:26):
Come and do what you do.
Speaker 5 (39:27):
We don't sit on the little rap, but it's on
you even going crazy. I think you should continue.
Speaker 6 (39:32):
Hey, I'm gonna continue.
Speaker 4 (39:33):
You and Louis on the menu. You we got dinosaurs.
I can go in extending you.
Speaker 5 (39:37):
We do forget to tell them about your O two juice.
Speaker 6 (39:39):
Hey, this O too juice, and hell the turner this soda.
Speaker 4 (39:42):
You ain't knowing it's way better than I said. The foes.
Speaker 7 (39:45):
They got a god bend everything you need to get
up in here. We got the minerals that make you
feel good. He's stunning man on two the simber. We're
from the hood and you know we on ship and you.
Speaker 4 (39:54):
Know we gottapply.
Speaker 6 (39:55):
Hey, Frisco Nicks did not fuck up.
Speaker 3 (39:57):
Anyho are you first go up any you other reason
that we can't get on one accord?
Speaker 5 (40:05):
For that reason, piggytails and theaters a.
Speaker 4 (40:07):
Before, come on April before, we having fun. Hey, I
got a lady with some boys. She got some fun. Hey,
and tell me your name. I need you to yell
it out so we can't continue this game. Come on.
Speaker 7 (40:18):
I got a chick named Mary and she slid through
with some five chicks in her class.
Speaker 4 (40:23):
It was Cindy and she had lydia. And you know
we was on that like nibbie, and we got to
getting on them. You know, little Wayne, baby.
Speaker 7 (40:31):
Mama, I was on the site. I love you, little Wayne.
I'm just playing for the freestyle.
Speaker 6 (40:35):
I could remember why I could do it with a smile.
Speaker 7 (40:37):
Got a couple of women want to have my child,
and we having fun too short in the building, and
I'm feeling the one and so too. Man, you know
what we do may freakytails out this probably go see
it with the crew you know too in the building?
Speaker 2 (40:49):
Man is to have that podcast. I'm sorry, come, you
ain't dropping off no balls, He's my cut.
Speaker 3 (40:55):
I got one thing to say before we get out
of the ball, so that you hear you us pause.
I need the whole world to hear this. Not only
is freaky Tails in theaters. April fourth, the Golden State
Warriors are winning the NBA Finals this.
Speaker 1 (41:09):
Year a symbol no matter how I go, Warriors in
foe believe that Warriors in folk.
Speaker 2 (41:15):
Man, you say one show.
Speaker 8 (41:18):
I love the words, but we are not getting past Okay, see,
I know what we did the bustle a few years ago.
Speaker 6 (41:23):
But I'm just saying in a.
Speaker 2 (41:24):
Shy, shy gil because Alexander he be balling. No, I
ain't gonna lie. He really saucy though, I ain't gonna lie. Jimmy, Oh, Jimmy, Jimmy.
Speaker 6 (41:34):
Jimmy, you know you have a long night.
Speaker 4 (41:38):
Will you know what?
Speaker 7 (41:47):
What what was? What was?
Speaker 6 (41:52):
What was the score? Every time we played them this season? Hey?
What do you saying?
Speaker 2 (41:58):
Froday see that was different. Oh see that was different.
We ain't talking about that right now. Yeah, it's on
right now.
Speaker 6 (42:05):
Sure play.
Speaker 8 (42:06):
That's all for man, I won't stop. They call me
serch and short rapping. It's what I do for sporting.
Still about last from the open streets, rapping over open bee.
Speaker 6 (42:29):
Like it's ninety three. Tell them jump then she want
to fuck with me rolling up the straight with some
too short weed, rolling up this joint.
Speaker 8 (42:38):
But this too short weed on the first one spit
the pippoting in the national.
Speaker 6 (42:43):
I'm an oak.
Speaker 2 (42:44):
I had to.
Speaker 8 (42:46):
I took this real pipping over the seas, pressed in
peace to my little brother pimp seeds. We used to
break these horse, turn them upside down and shake these
these new don't want no pe son like it's free.
I thought you knew I'm still rapping. I thought you
knew I'm still mac in here. It's the twenty twenties
(43:09):
and I'm still rapping. I'm still rapping, rapping. I thought
you knew I'm still rappings.
Speaker 6 (43:15):
Fiting, man, I thought you knew.
Speaker 8 (43:17):
I'm still mac in too short baby on the mic,
I'm still.
Speaker 6 (43:22):
Rapping, rapping. They say I gotta found mouth.
Speaker 8 (43:27):
I'm too controversial, but I am who I am, no
acting and no rehearsal, which they could be real like me.
I just to test the time since eighty five telling
them don't for free, don't do at least still call
(43:48):
me daddy riding in my all white caddies with one, two,
three boat baddies p bis excepting baddies. And they all
want to subject and they aren't gonna pay me when
they with a dread because they love when I talk
to my ship and they.
Speaker 6 (44:06):
Say, short dug, can you say, hey, this is what
we're doing.
Speaker 2 (44:14):
On the half Pay podcast, we got a huncle shot
in the building.
Speaker 9 (44:16):
Man, stop playing you can respect on your ship man
not you new not you know your rabbit about you
knew still man your magnet on the mic.
Speaker 6 (44:28):
I'm still rabbit, my rabbit. That's where we're going, Lord,
Right back at it. Man, Welcome back to the Have
Baked Podcast. Your favorite cousin, Drake in the building. It's
a special one. I know I say that every time,
but you see what's going on. This one is really different,
for real, for real man, y'all, welcome to the show.
Oakland's fine is the o G that raised everybody in
this room. Too short in the building, symbol in the billing,
stunner man, oh two in the billing.
Speaker 2 (00:19):
What's happening?
Speaker 3 (00:20):
Family, we're here, we're here, we're still winning, winning, so
we're clear to say.
Speaker 4 (00:28):
I mean, they gonna blurt it out, but.
Speaker 2 (00:31):
He make your job harder. I mean, but that's too
short words.
Speaker 5 (00:35):
So you know, I think it should be okay to
say that here.
Speaker 6 (00:37):
I wasn't planning saying proud.
Speaker 4 (00:39):
My mom would be right now. She heard me say
the radio.
Speaker 7 (00:42):
Next to too short, that's like, I don't favorite you know,
mamm got crustal.
Speaker 2 (00:46):
I mean your mama, my mama, here's mama. You know
what I'm saying. I ain't gonna lie.
Speaker 1 (00:50):
My mama loved ice Cube though she ice Cube boy,
that was supposed to be your daddy.
Speaker 2 (00:55):
What she said that? No, cap, that's all the Funny
Freaky Tells.
Speaker 1 (01:05):
The movie Man out Right Now dropped this past Friday,
April fourth. You know what I'm saying, we got to
talk about it now. From my understanding, it's based on
the director, Ryan Fleck's memories of growing up in nineteen
eighties in Oakland.
Speaker 2 (01:18):
First question, too short. Did he nail it?
Speaker 1 (01:21):
You were the only one around in the eighties outside
doing your thing when you watched the film for the
first time, was you like, that's exactly.
Speaker 2 (01:27):
What he was doing in the eighties? Well, yeah, got
he got a good look.
Speaker 6 (01:30):
Man.
Speaker 8 (01:31):
He didn't he didn't overstep his boundaries and try to
go into things that he didn't know about.
Speaker 6 (01:36):
But he got it.
Speaker 2 (01:37):
Man.
Speaker 8 (01:37):
It was from his perspective you get the different you know,
ethnicities and the diversity in the movie of what were
people people were going through, dealing with the racial tensions
and whatnot. But I was like, you know, they got
the scenes with his skin heads re acting up. They
ain't never showed up at the East Oakland house for you.
Speaker 1 (01:57):
Yeah, Okay, I'm glad you said that, because I wanted
to know, like for that, Okay, cool, all right, So
that didn't happen for show for show.
Speaker 8 (02:05):
They said that that there's some people that said they
were some punk rockers who really had.
Speaker 2 (02:10):
A type of parties.
Speaker 3 (02:11):
Yeah, I can see one of one of the guys
who I guess from that time, he actually went to
the remake of the set at the Guild and he
started crying because he was like, it reminded me of
growing up as a kid. So it is people that
lived on that side. We probably didn't, but it is
people that lived on that side.
Speaker 8 (02:29):
They had me, They had some other people, like some
consultants around the shooting set trying to make sure it
stayed authentic. So I say he did a pretty good
job of just capturing that little bit that bubble of
a story and and stuff that they put the warriors
in the player.
Speaker 2 (02:45):
That's dope. Now, Simber, you played the role up too
short in the movie.
Speaker 5 (02:49):
Yeah, man, Well.
Speaker 1 (02:51):
Let's all just take our time getting one out.
Speaker 2 (03:05):
I'm sorry, go ahead.
Speaker 3 (03:07):
No, man, it was a blessing man. Like I've been
you know, I've been doing my press running. I've been saying,
you know, we all grew up trying to be like
short for sure.
Speaker 5 (03:14):
You know what I mean.
Speaker 3 (03:15):
If you knew how to speak to the women, you
was listening to Too Short if you was out here
on some get your money and the females and you
know what I mean, staying out the way. He was
trying to be like Too Short me personally. That's the
way I was trying to live as a younger. So
it was an honor to play this role. A lot
of people be like, was it hard? Was it the pressure?
I was like, nah, because I kind of been emulated
(03:36):
my whole life.
Speaker 5 (03:37):
You know what I'm saying. I've been using his pickup
lines my whole life.
Speaker 3 (03:41):
So I knew the lingo and I knew as long
as i'd be player, we'll know that role.
Speaker 8 (03:46):
You remember what I told you when you called me, Yeah,
I said, go watch I'm a player of the video,
and go watch Cocktails the video, and then you tell
why those too specifically, because that's that's the too Short Yeah,
the Cadillac and and the Bros and all this ship.
And I'm like, if you do that, call mister fab
whatever he tell you, yes, that that that'll give to you.
Speaker 3 (04:07):
And that's exactly what I did too, because he right
after he told me that, he sent me four videos.
I watched the videos and our call fab Fab was like,
this is what you gotta understand about time.
Speaker 6 (04:20):
You know, that's exactly I got videos.
Speaker 5 (04:23):
He's young.
Speaker 6 (04:25):
Fam got videos to him like a teenager, like mimicking
me and ship. Oh wow. So that's why I said
called fab.
Speaker 5 (04:30):
Yeah yeah, you know, shout out to the big home.
Speaker 2 (04:33):
B F A B absolutely now simber you in the
movie as well?
Speaker 6 (04:36):
What was your role? First of all, name short Stunner.
Speaker 1 (04:41):
Simple they fall before we started rolling on the camera,
they was passing around stuff and it's day far.
Speaker 2 (04:47):
You know what I'm saying.
Speaker 7 (04:48):
So off that O to Stunner juice healthy alternative alcohol
T A C CBD caffeine, cane sugar, you know, was
like a buger, come get This is what we say
to the come on man, to y'all, y'all Stunner man.
Speaker 2 (05:04):
What's your role in the movie? O?
Speaker 7 (05:06):
G play Lenny G based off the freddie b one
of two short good friends. Wanted to hear the curators
of our culture that we have now out the trunk
real hustle that eventually with all over the world with
the independent game. So I play him and instead of
being an artist, I was a DJ. So I was
too short as DJ in the back just having fun
and I discovered some talent that took the movie to
the next.
Speaker 2 (05:25):
Level, meaning what what do you mean?
Speaker 7 (05:28):
I want to give it away? But you know, we
got it. It's a it's a dope scene and dope
situation in there where we we give some people who
needed or who deserved a big opportunity and then look
at who they was and they want to kill the opportunity.
So you know, I won't want to spoil it for you.
Speaker 4 (05:41):
You know, we made a whole song.
Speaker 1 (05:42):
About it too til Yeah, is this movie based on
the song or is it just about life experiences or it.
Speaker 8 (05:49):
Comes from music like Freaky Tail's Early Too Short music
was inspiring to the director as well, as was the
grunge music and the punk rock stuff.
Speaker 6 (05:58):
And he's just like, if you watch the movie or.
Speaker 8 (06:00):
Something, if they don't play it, they name drop it
like a lot of uh of Oakland music history. They
talk about. You hear tower Power mentioned, they play a
tower Power song in the movie. You hear them dropping
names like Slidestone and and Pointed Sisters and just you know,
just kind of like the music was a lot. It
has a lot to do with the movie. Like when
(06:22):
you play it back. It's like really a character, like
the city's a character.
Speaker 6 (06:26):
Also is the music?
Speaker 1 (06:28):
What what's symbol? You can start in your opinion. What's
one reason everybody needs to go see this movie?
Speaker 3 (06:37):
I think, Man, something I was saying the other day
is like, I think this movie captures bear your culture
as a whole. I think we're a melting pot of
diverse people.
Speaker 2 (06:47):
All right.
Speaker 3 (06:48):
Sure you got the urban side, to the hipster side,
to the skinheads, to the punk rock kids too. That's
all a part of Barryer culture. And a lot of
times we don't necessarily commercially get the credit we deserve
for people kind of running off with our culture or
running off with our style. And I think this movie
embodies a lot of Bay Area culture and Ryan and
(07:12):
Anna did a great job at capturing that from every aspect.
So that's what I would say. Is something that's special
about it?
Speaker 2 (07:18):
To me? Absolutely short.
Speaker 8 (07:20):
Yeah, the theme of the movie is to me, it's
you know, it's all about the underdog not getting it,
you know, winning, And to me that if you listen
to Bay Area hip hop, we've been saying that message
all alonge. Just don't be a punk like you might
hear you know you might hear all this stuff, but really,
if you just listen to what we've all been saying
(07:41):
all the way from from too Short Freddy B to
E forty all the way to the Russell, just don't
be a punk, get your money standing for yours when
if you're in a room full of people, don't be
the weeklink in the room.
Speaker 6 (07:51):
You know what I mean.
Speaker 8 (07:52):
And it's just the movie. Just that's the reason why
you want to go see it. You'll walk out that
theater going I'll never be a punk again.
Speaker 6 (07:59):
Like that's you.
Speaker 8 (08:00):
And it's not about who's the toughest, hardest muscles. All
this stuff is just like fight man, don't fight just hard.
Speaker 2 (08:07):
That's that's really what the bay is.
Speaker 8 (08:10):
But I say that about I say that about you know,
the town and the surrounding areas. I'm like, you gotta
watch you you pick your fights with because if you're
picking a fight on physical appearance, you might end up
with something you don't want.
Speaker 6 (08:21):
Because you can go pick the littlest little god.
Speaker 8 (08:26):
If he don't fight you, he might walk around the
corner and come back with some people that will whos
messed with my little cousin.
Speaker 2 (08:33):
Damn him.
Speaker 5 (08:34):
Yeah, exactly.
Speaker 6 (08:35):
That's that's that's how it is out here.
Speaker 8 (08:37):
So sir, you know, we learned to deal with them
the multi cultural environment that we live in. We go
other places and racism is just more intense than as
and it is here. People frown on mixed marriages and
stuff like that. We've been used to that ship for
so long.
Speaker 6 (08:52):
Yeah, you know you can.
Speaker 1 (08:53):
It's kind of hard to be racist in the bay.
Like you gotta hide that ship, you know what I'm saying,
because that's.
Speaker 3 (08:58):
A great topic to speak on. I was having a
conversation about that with a couple of homies the other day. Like,
over here, we grow up with a lot of different ethnicities,
so it's like where you in itself, it's kind of
predominantly black and the whole are. Yeah, so it's like
we grow up with so many different your neighbor relation
(09:21):
for everything. That's that's that's like.
Speaker 4 (09:23):
You said, we a bullier base.
Speaker 7 (09:24):
Everybody got that individual culture that bleed together. You make
this pot that just tastes so good you can't find
nowhere else. And were really in a bubble both ways,
you know, sometimes a lot we kind of insulated because
we got our own identity and then but a lot
of times our stuff don't get out. So that's why
I'm happy with this film because it's something that nobody
ever seen before. In twenty twenty five, that's hard to
(09:45):
say when everybody did everything. So to take something nobody
ever seen before, it is something that's never been made before,
a revamp and then give it to the world.
Speaker 6 (09:53):
That's big.
Speaker 4 (09:53):
You know what I'm saying, especially coming from our section.
Speaker 1 (09:55):
Facts And for you, man, why do you feel everybody
needs to go see this movie?
Speaker 6 (10:00):
Man?
Speaker 7 (10:00):
Because it's everything you need in your life, everything you
didn't know you need. You know what I'm saying. And also,
like I said before, it's something we haven't seen. It's fresh,
it's new. Everybody got they they shine in this movie.
Every type of demographic got they shine in this movie.
And it's an upbeat and feels good. Even though it
got some freaky stuff going on and you see some conflict,
(10:20):
it still feels good.
Speaker 2 (10:22):
Let's talk about the freaky stuff.
Speaker 1 (10:23):
That was a good point right there. It's not a man,
oh tales. I want to talk to the actor too short? Okay,
you know what I'm saying. I heard you had an
interesting scene in there and we talked about it. Brother,
I heard too Short say he ain't never yeah on
the show, sir, I.
Speaker 5 (10:43):
Just was telling I just was telling this story.
Speaker 3 (10:47):
We was actually in Utah and we was watching the
movie and it was my first time seeing it. I
believe they had seen it and everything, and we was
watching the movie. So I was kind of like hesitating
to see how he felt about my walk up to him.
And before I could even say how you feel, he grabbed.
(11:07):
He said, I ain't never did that before.
Speaker 6 (11:13):
Ever. Man, still to this day ever, I've never eaten
for a show.
Speaker 2 (11:19):
Okay, got okay, I got you got you got?
Speaker 6 (11:21):
You got?
Speaker 8 (11:21):
You got?
Speaker 1 (11:22):
That made it seem like you was just freaking sixty nine. God, yeah,
it was a shock value.
Speaker 8 (11:28):
Man.
Speaker 6 (11:29):
It's a good scene.
Speaker 8 (11:29):
It's one of my favorite scenes actually because because it's
you know, it's a movie.
Speaker 2 (11:33):
How would you rate his acting playing you in the movie? That?
Were you amazed? Like, oh, he he did that? I thought.
Speaker 8 (11:40):
The first thing that went around was the still photos
and you couldn't even tell he looked just like you
still photos.
Speaker 6 (11:45):
It was like like they showed.
Speaker 2 (11:47):
Me might be his daddy and I'm looking at you.
Speaker 6 (11:49):
I got that.
Speaker 8 (11:52):
Looking at it, put the old smile on him, had
the ship all real authentic and ship.
Speaker 3 (11:58):
But that was a unique process too, because I had
to go to this uh this place in Hollywood and
I had to like put this pause. I had to
put this like this thing in my mouth, right, but
I had to hold it for like like twenty five minutes.
So I'm like, okay, this for like twenty five minute.
(12:19):
Pressure like dripping and everything like getting the grill.
Speaker 5 (12:23):
So I didn't know what it was gonna be like.
Speaker 3 (12:24):
So when I got this set, they had to grill
there and I put it in and if it hurts.
Speaker 8 (12:29):
I said, this is crazy, said, they made the mold
and simber.
Speaker 2 (12:34):
For you, what was it like becoming too short for
this film?
Speaker 1 (12:37):
Like go through the process of you know, make up,
the outfit change. You know, how did you like you said,
you watched several videos and how did you become too
short for this Freaky Tales film?
Speaker 3 (12:47):
I think man for me, it was like kind of
matching the timing of his mannerisms, you know what I mean.
Sounk got this like this cool ass walk. You know
what I'm saying. He gonna he's gonna lean, He's gonna
lean in on you like this a little bit, you
know what I'm saying. So it's like I wanted to,
like master like the timing of his mannerisms and just
the timing of his word and then make sure I'm
like getting the you know what, I'm getting it, getting
(13:10):
it right on que and everything. So it was a
lot of fun. I think for me, it was hard
to break character once we was done filming. You're right,
so I'm at the I had a performance at the
Warriors game like a few days after.
Speaker 5 (13:23):
We was we was filming.
Speaker 4 (13:25):
That was the same day, same four years.
Speaker 6 (13:27):
There is.
Speaker 3 (13:30):
Not only doing the war I tell one of the
one of the ladies at the Warriors he said.
Speaker 6 (13:45):
Character character.
Speaker 3 (13:48):
I'm so sorry, man, Yeah, I was, man, shout out
to the Golden State Warriors.
Speaker 5 (13:53):
Super gave me for that too.
Speaker 2 (13:54):
Shut. That's super dope. Man.
Speaker 1 (13:56):
Let's talk about how this film changed the dynamic in
the Bay Area for media along. Right, it's a feature film, Uh,
lions Gates throwing it.
Speaker 2 (14:04):
How do you guys feel that this.
Speaker 1 (14:06):
Will bring more opportunities to the Bay Area as far
as film, Well, I think.
Speaker 6 (14:11):
You just show and prove we have a this this
cloud over.
Speaker 8 (14:16):
I'ma I'm gonna put it on Oakland where they just
don't shoot nothing. Ever, since I was a youngster, we
couldn't get a permit to shoot a music video.
Speaker 6 (14:24):
So you know, I heard recently.
Speaker 8 (14:26):
That the crew from blind Spotting, it's an Oakland. They
did the movie, then they did the TV show, and
they even had a hard time like securing locations in Oakland,
so they ended up having to shoot scenes other places
because you can't get the permits to shoot. This movie happened,
Freaky tells happened because of the budget.
Speaker 6 (14:45):
And I asked it. I asked production, how did y'all
make this happen?
Speaker 8 (14:48):
And like they had to pay for it? They because
the directors they really wanted it to be in Oakland.
They said they came across that that that brick wall
where it was like it can't be done here. You
got to go make a fake Oakland somewhere and shoot
somewhere else, and they said, we want Oakland. So whatever
that extra millions was, they put that up. Most people
wouldn't do that.
Speaker 1 (15:09):
Shout out to them, man, because that's dope. That makes
the feel more authentic.
Speaker 8 (15:13):
And then in essence, a lot of people from the
Bay were part of the crew. Tom Hanks is in
the movie only because he's from o from Oakland. He
wouldn't been if he wasn't from Okland. He said, Oh,
Oakland movie. That's how much it meant to him. And
he probably came and I already just came and did
it almost like for free, you know what I'm saying,
just because it's in Oakland. So I think that you
(15:33):
just opened the floodgates to say it can be done.
And you got a lot of people, you know, the
Ryan Coogler's out there that are like, you know, I
want to shoot where I'm from.
Speaker 6 (15:42):
What do we have in the movies? We got a
whole bunch of San.
Speaker 8 (15:43):
Francisco movies Withisco at the backdrop of the hills and
the Bay and the bridge against the Golden Gate.
Speaker 6 (15:49):
We got a whole bunch of La movies.
Speaker 8 (15:50):
We got movies about Miami, movies about New Orleans, movies
about New York movies always in d C.
Speaker 6 (15:56):
But where is the little ass open?
Speaker 4 (15:58):
Where the love for Oakland?
Speaker 3 (16:00):
And it's a lot of it's a lot of movies
East Coast movies that's based on the Bay area.
Speaker 5 (16:04):
Yeah, a lot of big movies.
Speaker 3 (16:06):
We ain't got to say no names, but it's a
lot of big movies that we all watched that got
that story from the Bay Area over.
Speaker 2 (16:13):
The characteristics here surely not sure? I got a question.
You said something and what you were just talking?
Speaker 1 (16:18):
What do you think needs to happen so we can
bridge these gaps, you know, moving forward? Like who do
we need to sit down? We're like, look, man, everything
not negative coming out of Oakland.
Speaker 6 (16:26):
We do something right now.
Speaker 8 (16:28):
I'm not gonna bite my tongue. If Oakland, California was
a hustler, it would be a weak hustler. It would
mean because Oakland let all the funny go away. You
couldn't keep the raiders, couldn't keep the warriors. That's money
that come to the city. You're sitting here and just
just like I remember when the Ways Brothers was coming
(16:51):
in trying to like, you know, buy up some of
that unused property.
Speaker 6 (16:55):
I've heard all kind.
Speaker 8 (16:56):
Of stuff about like what the potential that Oakland has
getting money and the city is against us? Man, Like
what they give me a they may name the street
after me, But a few years ago, like thirty years
too late, you should have been at that ship from
somewhere else. They had a parade. You make six platinum
folk Gold out. We're gonna name the hold in Boulevard,
(17:18):
not just a little.
Speaker 2 (17:20):
Sign pissed too short off Oakland.
Speaker 6 (17:22):
Know what I'm saying.
Speaker 8 (17:23):
Man said, you got the port of Oakland right there,
all kinds of ship coming in. Why you think the
drug dealers were so rich back in the day. Yeah, yes, sir,
I have that mentality of a hustler as a city,
and we might be able to grow.
Speaker 6 (17:36):
So as these filmmakers approach you.
Speaker 8 (17:39):
If Ryan Coogler came to the city of Oakland said
I need to permiss to shoot, give me to him,
I would give him the red tape and make it difficult,
like let him shoot.
Speaker 2 (17:47):
Man, And you know his pedigree, you know what he's doing.
Speaker 8 (17:49):
Like, so I just say, as a hustler, I'm telling
the city, like get your money man.
Speaker 2 (17:54):
You said that on get yours?
Speaker 6 (17:55):
Yeah, I know.
Speaker 7 (17:56):
Raffael Kassow what they're doing in the legislative raphaeld caassold
v did make it Bay to bay list. They working
on working with Oakland City Council on getting the legislation
to where you get a tax right off if you
come shooting in town. So you know, I think that's
a step forward. But you know, he's definitely you know,
the elder the wisdom is speaking to let you know, like, man,
let's turn this up, like what we waiting for, Like
(18:17):
we got all the talent, we got all the resources,
we know we raw, Let's go show the worldly man, let's.
Speaker 2 (18:25):
Get to this music part.
Speaker 3 (18:26):
Man.
Speaker 1 (18:26):
The movie is out right now, Freaky Tails starring Simba.
Speaker 2 (18:30):
You know what I'm saying, Star, what's up?
Speaker 5 (18:34):
I had to rewrap Freaky Tales.
Speaker 2 (18:36):
That was wrong.
Speaker 5 (18:37):
I had to rerap the entire song.
Speaker 8 (18:40):
Well, like re recording all the music in the movie
is like a rendition really, so what.
Speaker 1 (18:46):
You still got all your old beats and you just
gave him the beat or because I think it's a
it's a cost thing if you license the actual song.
Speaker 8 (18:53):
As opposed to the lad movies. You hear songs that
you know, but that's not a song. They just did
a version so they could like that.
Speaker 3 (19:01):
Rewrapping that song made me realize cat a lot of man,
because I'm sitting like I'm sitting there like minute six,
like and we still got like three minutes to.
Speaker 8 (19:16):
Go, Like it was a lot be on a label
called seventy five Girls Records, and the original Freaky Tales
was a story about how I met all seventy five girls,
and then the worsion that everybody knows is I just
took the seventy five and trimmed it down to about
forty because out of them seventy five, the ones that
got knocked off not nothing.
Speaker 6 (19:37):
The ones that got knocked off the list, it was
kind of whack cash rhymes.
Speaker 2 (19:41):
I didn't want to.
Speaker 8 (19:43):
I just eliminated it was too The song was fifteen
minutes long, was too long, so we knocked it down there.
Speaker 6 (19:47):
It's about if you counted this about forty forty something.
Speaker 5 (19:50):
Bro, Yeah, no, that was that was a lot.
Speaker 6 (19:53):
About half of its true, with half of it is
just rhyming.
Speaker 9 (19:56):
Yeah.
Speaker 3 (19:56):
But it was fun re recording it too, because it
was like it put me in a time of like
before the big studios was around, before the big engineers
was around, and all of this. It's like UNK was
doing this from the soil, you know what I'm saying.
Speaker 8 (20:10):
And the original Freaky Tales is that's that's one pass
you did.
Speaker 6 (20:16):
But at that point we was in the studio spind it.
We was in the studio.
Speaker 2 (20:21):
Your young rappers better get it together.
Speaker 6 (20:23):
For sure. We was in the studio spending a lot
of money.
Speaker 8 (20:26):
And it wasn't a lot of money going around really
to just be wasting on studios, you would know, you
would be at the house knowing everything you're gonna do
at the studio before you get in the studio. You
couldn't come to the studio and write a rap or
learn the rap. You just got to go. So at
that point I had did some sessions. I was doing
all my sessions like that, just wrap it if I
(20:47):
fuck up, like try to maybe like stack it a
little bit. And but I didn't know really how to
punch in and fit the line, Like I didn't know
that shit about trying to match my voice, punching in,
fix the part step so I could go back and
play you all the early Too Short albums and show
you every song where I'm on every song for real,
you know. But even like I like the mess up,
(21:08):
so I like the I like it like it, just no,
that's me too, like when I'm already and I used
to get mad.
Speaker 2 (21:13):
I damn, I stumbled over word, but it's raw and
show that.
Speaker 6 (21:15):
Now he live.
Speaker 2 (21:16):
He really he did that, Like, no, it's part of
what I'm doing.
Speaker 8 (21:19):
I can show you Freakytails where it was supposed to
be this line. I can show you where I stacked
one time and tried to fix the line. You can
hear the two stacks is different. It's just on there.
Speaker 6 (21:27):
Remember when.
Speaker 8 (21:27):
But when you play it back, people go, that's a mistake.
I'm like, man, nobody gonna care about that.
Speaker 6 (21:32):
Let's run it.
Speaker 3 (21:33):
Man, No, that's crazy because I probably punched that about
a hundred times.
Speaker 6 (21:37):
But I had already.
Speaker 8 (21:38):
I tell you, I probably had sat in the room
somewhere and wrapped that it's entirety a hundred times.
Speaker 6 (21:44):
Probably.
Speaker 2 (21:45):
Yeah, you already.
Speaker 8 (21:46):
Damn you know when you when you write a rhyme,
you know what you're gonna say, but then you get
in the move and you say it.
Speaker 6 (21:52):
A little wrong.
Speaker 8 (21:53):
He was like, that's still cool. You know, like you
were supposed to the way you want to slide. He's like,
that's the way, but then the way you end up slide.
He's like, I can live with that. It's cool, and
you just it just flow.
Speaker 2 (22:02):
Bro.
Speaker 6 (22:03):
That Damn every song I record I do that.
Speaker 5 (22:05):
That's incredible.
Speaker 9 (22:06):
Too.
Speaker 2 (22:07):
That's I got a question.
Speaker 1 (22:08):
Since I got all y'all three superheroes in here, man,
can we get a song with y'all three with what
we're doing is good?
Speaker 5 (22:15):
Definitely, definitely what the.
Speaker 6 (22:17):
Studio at we're going right now?
Speaker 1 (22:19):
Call call guys right around the corner.
Speaker 5 (22:24):
Guy, open up empire. We needed to know.
Speaker 8 (22:27):
I'm pretty sure everybody got to beat on him right now.
That's banging with the hook already. You see what I
brought bopady.
Speaker 2 (22:36):
Show stay ready, but you got with both y'all two.
I got a question for y'all.
Speaker 1 (22:39):
What have y'all learned from too Short rapping, acting or
you know, whatever it is? What what game has has
showed taught y'all young rappers?
Speaker 7 (22:51):
He teaches a lot, He touches. Pelo said this word,
but it's to stick to itness. In one of his interviews,
he said, when your stuff start rolling, that's not the
time to go to sleep. That's when you put more
work in. You keep going, you wrap harder, you go
do this, you go do that, go over here and
do that. So I just staying on it and staying
consistent because I feel like in my career the thing
that has made me stand out and push forward.
Speaker 4 (23:12):
Is just being consistent getting it like.
Speaker 8 (23:15):
In the nuts shows, like he's saying, do your push ups?
Do a push up?
Speaker 6 (23:20):
He turned around, said he slid. Then he said, get
god in man. The last time I seen him, I said,
what's next?
Speaker 2 (23:28):
They need a new slogan, and he said.
Speaker 6 (23:30):
What should be next? I say, tell all the curls
to clean.
Speaker 7 (23:32):
They got you women out right now on all fend
of the platforms.
Speaker 8 (23:38):
That that's a two ways. That's a two ways streak
to you know, like you've got clean, that's all.
Speaker 6 (23:45):
Get clean for real.
Speaker 3 (23:46):
I always say, never stopped living. Every time I see
you Key living, rather rather it's in the Las Vegas
and dres Rather it's in l A in the stud udio.
Rather we're in the bay doing a movie premiere. Like
every time I seen the Lindciaga coke. You know what
(24:07):
I'm saying, clean, got his people with him, got them
joints out. You know what I'm saying, it's looking good,
failing good.
Speaker 8 (24:14):
Ask me the best career advice. I just say, man,
don't forget to have fun.
Speaker 6 (24:17):
Don't forget that.
Speaker 3 (24:18):
Literally every time I see him living. So that's that's
what I take from it too.
Speaker 6 (24:23):
It's gonna be a fin ass journey if you let
it too.
Speaker 1 (24:26):
Sure you told everybody years ago that after Og told you,
whatever you do, just don't stop rapping, right.
Speaker 6 (24:31):
Yeah, yeah, I was. I was. I was contemplating retirement.
Speaker 2 (24:34):
That was my question, Read Alert, What did you feel
like retired?
Speaker 8 (24:39):
I was turning thirty and thirty ye old rappers in
eighteen nineties? Was yeah, your old? Yeah you know so
it's my thirtieth birthday. I remember, you know the numbers
I was on my tenth album. I was like, bro,
I got it. You know, I did it. It's done.
What else you gonna do it?
Speaker 7 (25:00):
It?
Speaker 8 (25:00):
And I had this whole retirement campaign. I'm like, I'm
gonna just help other artists get in the game and
do stuff. And Red Alert was like, like, what are
you doing? Bro?
Speaker 6 (25:07):
Like, we don't we don't retire like you.
Speaker 2 (25:09):
Like.
Speaker 8 (25:10):
He just gave me examples of like blues singers, R
and B singers and jazz jazz musicians. He's like, when
did they retire? Old?
Speaker 6 (25:18):
Look at them right now, they in their sixties and seventies.
Speaker 2 (25:20):
Ron still singing right now.
Speaker 8 (25:24):
So for hip hop man, those hip hop trailblazers the
krs ones who keep making albums and keep being prominent,
the Fat Joe's the e forties, you know that, just
just stay active. And I think that as setting that example.
What is your expiration day? Ain't no inspiration day? Still,
the wolves fall off, The wills might fall off at
(25:45):
any time. When they fall off, you gotta have enough
heart to be like, put it up. But if the
wills don't fall off, why are you getting out the car?
Speaker 1 (25:51):
And so the all the two short fans out there,
too short, they never retiring. Don't ask no more because
the wills ain't wills.
Speaker 2 (26:00):
Believe that.
Speaker 1 (26:02):
Let's talk some music. Man, what everybody got going on
after this movie? You know, Freaky Tails is out right now.
Everybody out there watching his interview? Go watch it right now,
right now, go check it out. What y'all got going musically?
What's going on for y'all anything after the movie?
Speaker 7 (26:16):
Man were dropping we flooding man. Man, get your rain boosts. Man,
make sure you're good. We're gonna drop the eater. Get
the rain boost man. We're gonna drop the eat right,
get your rainbow, get the rain boots man, eat it.
Speaker 6 (26:27):
Salad means a lot of ship come on man.
Speaker 2 (26:29):
Wow, whatever it means to you. I never thought of
that because that could mean a lot of Oh man.
Speaker 7 (26:41):
It means what it means right man, now health and wellness,
bro come on, speaking of that, we're about to drop
about to drop an album called Healthy Gas Volume two
around my birthday May third.
Speaker 4 (26:53):
People don't know me and too short. We turus this
tourus gay come.
Speaker 7 (26:56):
On man, he and then I'm gonna drop another album too,
called The Big Stunners. So I'm gonna drop two projects
within the week of each other.
Speaker 4 (27:03):
You feel me?
Speaker 7 (27:03):
All new music well Eta Salad is gonna be on
the Healthy Gas Volume too. But one album is supposed
to be centered towards, you know, getting your mind, your
body spirit right, mentally, physically, spiritually, motionally, psychologically, morally, financially, socially,
and environmentally. And then the next album is when you're
stepping out having a good time, Big Stunner. That's when
you're outside mobbing, doing your thing.
Speaker 4 (27:21):
You know what I'm saying.
Speaker 6 (27:21):
So we're flooding straight up show.
Speaker 5 (27:24):
That was a lot of game right.
Speaker 2 (27:25):
There, well spoken.
Speaker 6 (27:30):
All the time he starts spitting it.
Speaker 2 (27:32):
You hear me. Utilization You got over there?
Speaker 6 (27:37):
Seven Big words in the world.
Speaker 4 (27:41):
I'm around genius is so I can speak my vernacular.
Speaker 6 (27:45):
I think the point is to ride the wave. The
movie is a wave.
Speaker 8 (27:48):
And if anybody in your camp, yourself, you looking in
the mirror, talking to yourself, thinking about it, where you're riding, driving,
you gotta ride the wave, man. So of course we
all should be. We had enough time to get ready
for it. And you know, I'm ride the motherfuck away, man.
Speaker 3 (28:05):
I think it's the same thing for me, man, Like
Unk just said, for me personally, the past two years,
I kind of fell out of love with music, you know.
Speaker 2 (28:13):
Let's talk about it.
Speaker 5 (28:14):
I was kind of dealing.
Speaker 3 (28:15):
With a label situation to where I always love record
music and making music. It's a lot of fun, but
it becomes the process of putting it out that takes
the fun away, you know what I mean. So for
me it was a struggle to pass. I would say,
twenty four months, just get music out me and my
label wasn't seeing how that And it's nobody fault, you
know what I mean.
Speaker 5 (28:34):
I don't blame nobody.
Speaker 2 (28:35):
Are you still with the label?
Speaker 6 (28:36):
No?
Speaker 5 (28:37):
No, I'm free. I'm free.
Speaker 3 (28:38):
And I think this movie is kind of what inspired
me to be like, you know what, let's get back
to the music. So I'm actually dropping my first song.
I'm gonna announce it right here on Cambye.
Speaker 2 (28:54):
Understand.
Speaker 3 (28:55):
Yeah, my first song off of Atlantic Records is February
twenty fifth. It's called Lonely, coming out independently, me and
my own team. Shut out to Starland, shout out to
Majority Rules, shut out to Stone's Way, shout out to
my whole team. And I'm just excited to, you know,
feel like a new artist again. This movie reinspired me,
got me feeling like a new artist, got me back
(29:17):
in the media unk, and got me back turned up.
So I'm ready to get back to.
Speaker 2 (29:20):
It straight up. Man, I ain't gonna lie. It's crazy that
you say last two years.
Speaker 1 (29:24):
Man, you know you've been not feeling doing music because
last two years, shit, it seemed like from from the
fans' eyes, that you've been, you know what I mean,
making it happen. I have seen on everybody couch, you
know what I mean, You're dropping off bars, everybody in
amazement like, oh wow, what we're doing. So to hear that, like, so,
how do you do you do you feel now that
you've done the label thing. You got two shirts shit
(29:46):
next to you. It's independent the way for simple man.
You know what's the man got six platinum albums, folk
gold ones.
Speaker 8 (29:53):
No.
Speaker 3 (29:53):
But here's the thing. I think everybody's journey is different.
Speaker 2 (29:56):
Facts.
Speaker 3 (29:57):
I'm somebody that naturally had a hard time building a team.
So the major structure has always been kind of like
my way because it's for me to build a team
within that. For somebody like A Short or l Russell
or whoever it may be, they got certain infrastructures around them,
you know. I mean that allows them to be able
to flourish that way. For me, it wasn't necessarily that.
(30:19):
So everybody journey is different. But I feel now I'm
confident enough in my team to be able to see
what that looks like. This is my first time kind
of taking on the independent scene, and with what I
got behind me right now, and as confident as I
am in this new music, I think it's time for that.
Speaker 1 (30:35):
What advice could you give a younger rapper you know
that's thinking about.
Speaker 3 (30:39):
Don't let the industry tell you who you are. Sign
me for something and then told me to do something
different once they sign me.
Speaker 6 (30:48):
That's normal.
Speaker 2 (30:48):
They always do that wait, can you I mean, you're
not on a label no more? Can you be specific?
Speaker 3 (30:52):
Or so I got signed for a specific thing that
y'all all loved me for speaking up far culture right,
being an alternative for what black society looks like to the.
Speaker 5 (31:03):
Rest of the world.
Speaker 6 (31:04):
Lyricists, that's lyrics.
Speaker 3 (31:06):
Giving them that game. And then once you get there,
they like, we need something for the strip club.
Speaker 8 (31:11):
And I'm like, when you get inside the major label system,
they work on formulas that already are successful. So basically,
what's winning right now, what just won recently is what
they want you to do. But they come and get
you for different reasons. They come and get you because
I like what you do, and then they go, now,
let's do what.
Speaker 6 (31:30):
The industry does. He's like, Bro, that's not what I do.
I do.
Speaker 8 (31:34):
We got a problem then, because that's what you got
to do if you want to get love over here.
Speaker 6 (31:37):
And I've seen it.
Speaker 8 (31:38):
I've personally been involved with artists who were very original,
very creative, from different places around the country a few
different instances. I've seen up close and personal. We're major
label signs of artists for what they do, and then go,
we've got to send you to this producer, that producer,
that producer, and then play it and it's like, we
got to keep working on this.
Speaker 6 (31:56):
No you don't. You shouldn't let them do what they do.
Stop telling them what to do. So I used to
do a thing where I was on the major label.
Speaker 8 (32:02):
I would I would turn in my album before they
send me recording the recording budget, like they want to
see you the front end, the make a album in
the back end. When you finish, it's already done. I
turn it in and just say send them both at
the same time, and they're like, who does that. I'm like,
just take the album before they can get an a
n R person to help.
Speaker 2 (32:19):
Me make it that don't know ship.
Speaker 8 (32:21):
I would send them the artwork, cover art, front, back, inside,
I would send them all the songs, and I would
send them credits handwritten in my handwriting. I said that
the one fair X package and be like, they go
the album, send my check. They couldn't tell me like, well,
we need this song. I was like, bro, that's the album.
Speaker 6 (32:41):
Put it out.
Speaker 3 (32:42):
I wish I'd have been thinking like that, but for me,
it was more so one of them things. It's like
y'all didn't see me around here for years.
Speaker 5 (32:48):
You know what I'm saying.
Speaker 8 (32:49):
They want you to need that budget, they want to
run that budget up here. Yeah you know what I'm saying.
Speaker 5 (32:53):
Yeah, I'm as producers.
Speaker 3 (32:55):
Yeah, I'm running around like you know what, Let me uh,
let me take their vice because mine hasn't worked the
best so far.
Speaker 5 (33:02):
But it wasn't that.
Speaker 3 (33:03):
It's just I wasn't being consistent enough with my own advice,
you know what I mean. So now it's like exactly
what Unk's saying. It's like do what you believe in
and turning your ship. You do the work and tell
them this is what is gonna be in this harm
and move forward.
Speaker 8 (33:16):
You was winning though with the why they was slow
in your process. You was killing them with the but
with the social media that.
Speaker 3 (33:23):
It goes back to what he said, Look where we're from,
for sure, we're hustless. So from the day I went
on to LA Leakers, I said, Jordan up, now y'all
let from Anny, y'all get on the LA Leakers.
Speaker 5 (33:33):
What I was saying was, Y'ALLDN.
Speaker 3 (33:34):
Gave me exposure, opportunity, It gave me access to the industry.
I'm never gonna go away It might be slow for
a minute, it might not be no music for a minute,
but I'm never gonna go away now that Charlton gave
me this access.
Speaker 1 (33:46):
Straight up, man, I appreciate y'all taking some time. I
chopping it up with me. Now, Simba in stunner man
O two show, you're gonna let you off the hook.
I ain't let needs to off the hook. Y'all gott
to drop off some bars for y'all. Slide out of
here on me. I ain't gonna even.
Speaker 7 (33:57):
Lie to you, then said the only way I rapped
us if we both wrapped on this freaky tail beat.
Speaker 6 (34:01):
I didn't say that you're to get show here.
Speaker 8 (34:06):
I slid him some unreleased musicady co.
Speaker 2 (34:09):
Hey, I ain't gonna show was ahead of gain. He
just told you how he did the album with the labels.
Speaker 5 (34:15):
I got so many.
Speaker 3 (34:16):
Before before we get out of here. Let me tell
y'all how professional unk is. Unk was here before both
of you. To literally that he literally was here before
both of us, Like I literally was like, oh.
Speaker 2 (34:28):
You been in the game thirty years. I was showing
up on time.
Speaker 5 (34:30):
I was leaving the room.
Speaker 3 (34:31):
I said, I got time to stop and grab some
glasses right man.
Speaker 5 (34:35):
The line was long.
Speaker 3 (34:36):
I ended up getting here about three minutes. Unk was
here like he he wanted them for sure.
Speaker 7 (34:41):
For sure he was start to get everybody a delicious
sandwich from Donnasaura bombing the sandwiches. What a real viet
to me is delight. If you've never been to Dinosaurs,
they have three locations working there for this, Broa, make
sure you stop at Union City for the grand open
there Dinosaurs.
Speaker 1 (34:59):
For Hey, this is the Halfway podcast freaking tells the
movies out now man, go check it out at your
theater near you.
Speaker 2 (35:05):
Stunning man, before we leave, can you just let them
know what we're doing?
Speaker 7 (35:08):
Hey, look we big step in. We're enjoying life. Were
having fun. We believe in that God. We loving ourselves,
We treating ourselves right, We believe in ourselves the most importantly, were.
Speaker 1 (35:17):
Still just told you I couldn't less believe a pat
of here without starting some bars for us, cutting man.
Speaker 3 (35:24):
I've been I've been waiting to come to Camill and
do this for a minute.
Speaker 2 (35:28):
Man, I've been waiting to have you cutting man.
Speaker 3 (35:30):
Let's lug out of chip on my shoulder. You know
what they're saying. Oh, this shit ain't dropped enough music.
I agree with them, but were on the way. What
we're doing, we on the way Riki tales in theaters.
April fourth, shut up to my uncle short shack it
we living in a whack air. A new wear cap here,
(35:51):
real life looking like an episode.
Speaker 5 (35:53):
Of Black Mirror.
Speaker 4 (35:54):
This that BBL.
Speaker 5 (35:55):
But your legs don't.
Speaker 3 (35:56):
Match here fitting off got the streets looking like the
crack air was out here pushing everything except for hippop.
Ten million dollars got them. People been in TikTok. I
walk up in these ballrooms feeling like I'm Will Smith,
the first to say I ain't a legend getting Chris Rock.
I can't tell niggas going broken, getting desperate.
Speaker 5 (36:14):
Hold on, I can't telling me going broken, getting desperate.
Speaker 3 (36:19):
The coaching full of votes, begging for investments, artists getting used,
going viral for some views, just to sign to a
building full of Adam twenty two's.
Speaker 5 (36:27):
I got some of my schools.
Speaker 3 (36:29):
I hate to visit the past, growing up, my mom
and my uncles. All that I had heavy father figure
in my life was not my dad. See my pop
shot at cops killed.
Speaker 5 (36:38):
It's so crack.
Speaker 3 (36:39):
That should help you do the math. See, I've been
trying to fight the demons off. I used to try
to drink them off with that. Ain't no relief at all.
Used to play ball, but my grades wasn't consistent, so
all I had was boss Shall was born in prison
front the bay. Boy was trying to eat whatever you
got on your plate. Boy, as Keith Lee, he came
and couldn't last the day boy, take to seein when
they finally on your way, boy, making me a feeling.
Speaker 5 (37:01):
When I'm here to say the.
Speaker 3 (37:02):
Day boy, yo, cat me, what's that cousin Drey freaky
tails it dinner April fourth. Let's get to it, man,
I tell them, I tell him, Tom and Tom again.
I think, get that, damn well, the trends.
Speaker 5 (37:17):
I'm really good.
Speaker 3 (37:18):
I'm really him Hey, Tom and Tom again. I think
forget that I've been.
Speaker 5 (37:22):
Moving the needle that's getting under their skin. Tom and
Tom again.
Speaker 3 (37:26):
I think forget that I've been moving the coaching that's
making it move.
Speaker 5 (37:30):
Again, Tom and Tom again, I think.
Speaker 3 (37:32):
Forget that O two Stunner gave us some juice mixed
with chin.
Speaker 1 (37:39):
That's how we're doing it, man, podcast with your counting Drake.
Speaker 2 (37:43):
He doesn't spend so much gas. I broke my hands.
Speaker 5 (37:48):
That's how we're doing it.
Speaker 3 (37:49):
Man, come on, bar come on man, Lulio April twenty fifth.
Freaky Tales in all theaters April fourth. Let's get it so.
Speaker 2 (38:00):
I appreciate you, cutting, appreciate you.
Speaker 1 (38:03):
Stunner man O toothina drop off some bars with a babe. Man,
what we're doing? Man, you're to look off the beat. Man,
I'm about to stretch my covers on pause. I'm about
to take us to this level. So I just need
you'll help. I need y'all throw a woman's name or
just anything y'all think of. On his freestyle, We're gonna
just keep it going. Toll g you want to jake
the honors and that anything. Start get short on that
(38:26):
short said, start off with it, with it with what
stunning man on too Finna drop off these bars man
one O six cam Yeah, with your cuttin dra let's.
Speaker 7 (38:37):
Go, hey, Freaky tails drop April Forest. Were having fun?
Speaker 4 (38:40):
What's the what's the thame again?
Speaker 6 (38:42):
All right? Come on?
Speaker 5 (38:43):
What you doing?
Speaker 2 (38:44):
Oh?
Speaker 7 (38:45):
Come on?
Speaker 6 (38:46):
Steal over the minute?
Speaker 4 (38:47):
Wait the game up.
Speaker 7 (38:48):
I feel like folks, I'm outside having fun. You know,
you know you if you know me. We're just keeping
it lit. I'm with too short and simple.
Speaker 5 (38:56):
We with the whole click.
Speaker 7 (38:57):
Like I said, we went their hall game up like
it's foes out of Saint Mary Anne Hood like to
do yoga.
Speaker 4 (39:02):
She don't play cards and she is not a joker.
Speaker 6 (39:04):
When I pull up on her buff, I just poke her.
Speaker 7 (39:07):
I got a bad thing. Her name is Cindy, but
she real high maintenance. She always want findy. She'd be
all up in my face like Jimmy, gimme, gimmey and
my pip homies they be like, we're on Cindy City City. Hey,
I got a chick and she really from the Apple
and she got that water too.
Speaker 4 (39:21):
What tastes like?
Speaker 5 (39:21):
Staff? Wos you know? We have a bun.
Speaker 6 (39:25):
Simba hot minen.
Speaker 4 (39:26):
Come and do what you do.
Speaker 5 (39:27):
We don't sit on the little rap, but it's on
you even going crazy. I think you should continue.
Speaker 6 (39:32):
Hey, I'm gonna continue.
Speaker 4 (39:33):
You and Louis on the menu. You we got dinosaurs.
I can go in extending you.
Speaker 5 (39:37):
We do forget to tell them about your O two juice.
Speaker 6 (39:39):
Hey, this O too juice, and hell the turner this soda.
Speaker 4 (39:42):
You ain't knowing it's way better than I said. The foes.
Speaker 7 (39:45):
They got a god bend everything you need to get
up in here. We got the minerals that make you
feel good. He's stunning man on two the simber. We're
from the hood and you know we on ship and you.
Speaker 4 (39:54):
Know we gottapply.
Speaker 6 (39:55):
Hey, Frisco Nicks did not fuck up.
Speaker 3 (39:57):
Anyho are you first go up any you other reason
that we can't get on one accord?
Speaker 5 (40:05):
For that reason, piggytails and theaters a.
Speaker 4 (40:07):
Before, come on April before, we having fun. Hey, I
got a lady with some boys. She got some fun. Hey,
and tell me your name. I need you to yell
it out so we can't continue this game. Come on.
Speaker 7 (40:18):
I got a chick named Mary and she slid through
with some five chicks in her class.
Speaker 4 (40:23):
It was Cindy and she had lydia. And you know
we was on that like nibbie, and we got to
getting on them. You know, little Wayne, baby.
Speaker 7 (40:31):
Mama, I was on the site. I love you, little Wayne.
I'm just playing for the freestyle.
Speaker 6 (40:35):
I could remember why I could do it with a smile.
Speaker 7 (40:37):
Got a couple of women want to have my child,
and we having fun too short in the building, and
I'm feeling the one and so too. Man, you know
what we do may freakytails out this probably go see
it with the crew you know too in the building?
Speaker 2 (40:49):
Man is to have that podcast. I'm sorry, come, you
ain't dropping off no balls, He's my cut.
Speaker 3 (40:55):
I got one thing to say before we get out
of the ball, so that you hear you us pause.
I need the whole world to hear this. Not only
is freaky Tails in theaters. April fourth, the Golden State
Warriors are winning the NBA Finals this.
Speaker 1 (41:09):
Year a symbol no matter how I go, Warriors in
foe believe that Warriors in folk.
Speaker 2 (41:15):
Man, you say one show.
Speaker 8 (41:18):
I love the words, but we are not getting past Okay, see,
I know what we did the bustle a few years ago.
Speaker 6 (41:23):
But I'm just saying in a.
Speaker 2 (41:24):
Shy, shy gil because Alexander he be balling. No, I
ain't gonna lie. He really saucy though, I ain't gonna lie. Jimmy, Oh, Jimmy, Jimmy.
Speaker 6 (41:34):
Jimmy, you know you have a long night.
Speaker 4 (41:38):
Will you know what?
Speaker 7 (41:47):
What what was? What was?
Speaker 6 (41:52):
What was the score? Every time we played them this season? Hey?
What do you saying?
Speaker 2 (41:58):
Froday see that was different. Oh see that was different.
We ain't talking about that right now. Yeah, it's on
right now.
Speaker 6 (42:05):
Sure play.
Speaker 8 (42:06):
That's all for man, I won't stop. They call me
serch and short rapping. It's what I do for sporting.
Still about last from the open streets, rapping over open bee.
Speaker 6 (42:29):
Like it's ninety three. Tell them jump then she want
to fuck with me rolling up the straight with some
too short weed, rolling up this joint.
Speaker 8 (42:38):
But this too short weed on the first one spit
the pippoting in the national.
Speaker 6 (42:43):
I'm an oak.
Speaker 2 (42:44):
I had to.
Speaker 8 (42:46):
I took this real pipping over the seas, pressed in
peace to my little brother pimp seeds. We used to
break these horse, turn them upside down and shake these
these new don't want no pe son like it's free.
I thought you knew I'm still rapping. I thought you
knew I'm still mac in here. It's the twenty twenties
(43:09):
and I'm still rapping. I'm still rapping, rapping. I thought
you knew I'm still rappings.
Speaker 6 (43:15):
Fiting, man, I thought you knew.
Speaker 8 (43:17):
I'm still mac in too short baby on the mic,
I'm still.
Speaker 6 (43:22):
Rapping, rapping. They say I gotta found mouth.
Speaker 8 (43:27):
I'm too controversial, but I am who I am, no
acting and no rehearsal, which they could be real like me.
I just to test the time since eighty five telling
them don't for free, don't do at least still call
(43:48):
me daddy riding in my all white caddies with one, two,
three boat baddies p bis excepting baddies. And they all
want to subject and they aren't gonna pay me when
they with a dread because they love when I talk
to my ship and they.
Speaker 6 (44:06):
Say, short dug, can you say, hey, this is what
we're doing.
Speaker 2 (44:14):
On the half Pay podcast, we got a huncle shot
in the building.
Speaker 9 (44:16):
Man, stop playing you can respect on your ship man
not you new not you know your rabbit about you
knew still man your magnet on the mic.
Speaker 6 (44:28):
I'm still rabbit, my rabbit. That's where we're going, Lord,
Popular Podcasts
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com