Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's the after show decompression session, doing what they do best,
flapping their gums.
Speaker 2 (00:06):
You know, we're good, We're good.
Speaker 3 (00:08):
All the buttons are pushed that are supposed to be
pushed and those that aren't supposed to be pushed. I
ain't touching, and.
Speaker 2 (00:14):
The levels be bouncing. We're in good shape.
Speaker 1 (00:17):
That's good.
Speaker 3 (00:18):
So let's just get right to it. Who is this
superstar star.
Speaker 2 (00:25):
Crush celebrity crush that I have not?
Speaker 1 (00:28):
Charlie has been pushed.
Speaker 3 (00:29):
Well.
Speaker 2 (00:30):
I named my car after Charlie Sarone. That's how much
I love her. I'm crazy about just the kind of
woman she is. Man she and Robin Wright pen is
another one I got a bad crush on. Now it's
Jennifer Landon. Jennifer Jennifer Landon, daughter of Michael Landon, and
on Yellowstone she plays the purple haired tighter.
Speaker 1 (00:53):
Yes, she's funny. She's funny. Here she is Robin.
Speaker 2 (01:00):
And on the show.
Speaker 3 (01:01):
I can see why you'd have a crush on her.
Speaker 2 (01:03):
She plays a texarcane girl, talk like least you got
a real thick accent and they make fun of that.
Canna understand her worth the shit? So I'm always like Wow,
what a great actress. She really performs. I wonder who
that person is, and it wasn't until just a couple
of days ago with the new Yellowstone episode, I decided
to do my homework. Turns out it's Michael Landon's daughter.
And then I watch interviews with her where she's out
(01:25):
of character and just being herself, and she's a sharp,
smart lady. She might play a Texar Canna ding Dong
horseback riding gal on Yellowstone, but that is not Jennifer Landon.
She's amazing and I could see her winning some big
Oscar kind of awards from the acting job she does.
(01:47):
Like Joaquin Phoenix kind of goes crazy to get into
that role.
Speaker 1 (01:51):
Oh yeah, he becomes a role like he did with
Johnny Cass.
Speaker 2 (01:54):
Yeah. Daniel d Lewis is another one method acting. She
must get just completely out of who she really is
in her mind to be able to become that character.
Speaker 1 (02:06):
I love all those British actors who play American roles
and you have no early idea that they're British, and
then they're being interviewed like on a late night talk
show and you're like, I didn't know they were British.
Speaker 2 (02:19):
Okay, speaking of Yellowstone, Kelly fucking Riley, Yeah, she's hot.
She's British English. In real life, I had no idea
and that I watched in interview and there she is.
He talks like this in real life. I'm like, no
fucking way, Well that's really her. She's brilliant and she
(02:39):
deserves a rack full.
Speaker 3 (02:40):
Of awards too, don't they such a twitch?
Speaker 1 (02:43):
I heard the funniest thing yesterday and it was kind
of like a fake commercial about Yellowstone, and it was like,
don't miss the new season of Yellowstone without Kevin Costner.
It just perfect for you if you're a Yellowstone fan.
But don't let me Kevin gooster. Very funny is this.
Speaker 2 (03:07):
He had He decided a couple of years ago he
had a passion project Horizon, and he said, I want
to do more than one thing a year, Yellowstone guys
to share it in.
Speaker 1 (03:19):
When he first got onto Yellowstone, it was only supposed
to be a short term thing. That's such a hit
that it was all consuming. And he was like, dude,
I only five seasons.
Speaker 3 (03:29):
Yeah, yeah, they flashed that money at you, you'll change
your mind.
Speaker 1 (03:32):
I said no, but he might need to come back
because his Passion Project flopped at the box office.
Speaker 2 (03:38):
It really did, and I'm not sure why, but it's
very long. Part one is very long. I enjoyed it,
and I've watched it multiple times, but I can definitely
see where it's tough to soak in something that involved.
Speaker 1 (03:49):
You know what. They say, it's because it was so long. Yeah,
And like when Nona Ryder was bitching about young actors
these days, and not just young actors but young influencers
and saying they their attention span is that of a goldfish.
Speaker 2 (04:05):
A goldfish, if.
Speaker 1 (04:07):
It's longer than an hour, they're out. And so when
you tell them that there's a movie that's three and
a half hours long, they're not gonna go and watch it.
Speaker 3 (04:16):
Well, that's that's me. If I'm gonna sit there for
that long, it better really hold my attention or.
Speaker 2 (04:22):
Bo better be able to watch it in the comfort
of his own home, which is not too much to ask.
Speaker 1 (04:27):
I still love going to the movie theater, something about
being in that dark theater and the screen is so big,
and the idea that you can't just put it on
pause and go to the restroom or go wash dishes.
Speaker 2 (04:41):
Yeah, you gotta roll with it. Man, and oh, the
seats are more comfortable. You can order from a menu
and your table.
Speaker 3 (04:48):
Plus you can get commercials without watching television.
Speaker 1 (04:53):
That the commercials all come before the movie.
Speaker 2 (04:56):
That's right, that's true, as as not during the movie.
Speaker 1 (04:59):
The bad thing about going to the movie theater it
is and I try to time it to where I
go when there's not very many people, like first showing
of the day on a Saturday or Sunday, because I
do not like it when people behind me are talking.
What did they say?
Speaker 2 (05:13):
Oh my god?
Speaker 1 (05:14):
Like, hey, do you want some more popcorn? I think
I'm gonna get up and go to the restroom. I
can get you some skittles if you want.
Speaker 2 (05:19):
I'm like, well, see, that's why I love Alamo Draft
House so much, because they have very strict rules there
and they just splash them up on the screen. They go,
if we see you screw them with your phone or talking,
you're gonna get one warning only, and then it doesn't
matter what you pay to get in, you're getting thrown out,
as it should be. And yeah, I think that's a solid,
a solid rule. I think that's only fair because we
(05:41):
all paid.
Speaker 3 (05:42):
It's not cheap to.
Speaker 2 (05:43):
Go to the movies. And if you want to add
in popcorn, drink, god forbid a hot dog, Yeah, you
could get fifty seventy five bucks. You can end up spending,
especially if you're not alone.
Speaker 1 (05:51):
Did I tell you about the time that they call
the cops on me at the movie theater?
Speaker 2 (05:54):
Why what'd you do? Are you screwing around in the
back seat?
Speaker 1 (05:58):
No? No, no, no no. It was Austin and it
was the opening of Samahayeks Frieda and we went to
the eleven thirty at night show and we had a
party beforehand, and then we went as a group.
Speaker 3 (06:12):
You was a little tipsy, I'm sure, No, no, no, no.
Speaker 1 (06:16):
I was there to see the movie. I was anticipating
loving the movie. And there was a couple in the
front that had brought their two year old toddler, and
his two year old toddler was hyped up on sugar
or something. I guess they couldn't get a babysitter. So
the toddler is running up and down the stairs and
then going, okay, get get mama. No na. And during
(06:39):
the movie I waited. Halfway through the movie, I couldn't
take it anymore, cause, you know, especially if you don't
have kids. Then you hear the kids, it's all you hear.
So I went quietly down. I crouched down so I
wouldn't disturb anybody else, and I said, excuse me, is
there any way that you could take your child out
(06:59):
to the hallway and settle them down? And the dad
looks at me and he's like, if you have a
problem with my child, you could take them out, and
I'm like okay. Then he got up and got in
my face, and they called the cops on us, and.
Speaker 2 (07:13):
You kicked him in the balls.
Speaker 1 (07:14):
No, no, Well, once the manager found out what was
going on, they threw them out good, you know, because
other people were complaining.
Speaker 2 (07:22):
I'm sorry you got in trouble for that. You you
were helpful, not only for your own experience forevery ever
their damn but.
Speaker 3 (07:28):
You weren't being a bit about it.
Speaker 2 (07:30):
Could you please?
Speaker 1 (07:31):
Can your fucking kid outside? I love kids, but at
eleven thirty at night showing for Freda, which is like
an R rated.
Speaker 3 (07:40):
Movie, kid need to be in bed?
Speaker 1 (07:42):
Thank you?
Speaker 2 (07:43):
Yeah?
Speaker 1 (07:44):
Or who's tied up like a But it's still funny
because like, hey, Anna, I remember the time they called
the cops on.
Speaker 2 (07:50):
You rope him up like a calf if he gets
in my way.
Speaker 3 (07:54):
But you weren't. You weren't really being a bit about it,
because I remember I would see one of the Batman
movies and these two girls wouldn't shut the fuck up,
Oh my god, and people were hollering at them, and
finally security came in said, come here, you not go
to see the rest of it.
Speaker 1 (08:10):
Gone, let's good, But they ruined the experience for everybody
I know.
Speaker 3 (08:13):
And movies aren't as cheap as what you.
Speaker 2 (08:17):
No, not even a mattee ticket, which is what I
usually get. Even a matinee ticket, if you want to
go in ten o'clock in the morning, knowing that you're
gonna have the theater mostly to yourself and all that,
it's still eleven twelve dollars just for the ticket. The
prices for the concessions are.
Speaker 1 (08:31):
Just as expens Well, that's where they make the money,
is the concession. That's why they ask you not to
bring in outside food, because they make the money. Because
we want concessions.
Speaker 3 (08:40):
We want to take your money. We don't want you
feeding yourself when we can feed you and overcharge.
Speaker 2 (08:45):
You like them being yeah, well, if I can get
away with it.
Speaker 3 (08:48):
I will.
Speaker 1 (08:49):
Well, guys, I've got ten thirty conferences.
Speaker 2 (08:53):
Yeah yeah, Anna's got a busy day. I need to
get back in bed. I'm feeling kind of right.
Speaker 3 (08:56):
Yeah me too.
Speaker 2 (08:57):
Thank you.
Speaker 3 (08:58):
Thanks for tuning in today. Tune in tomorrow for ask
us Stuff Day. We'll all lane something, all.
Speaker 1 (09:04):
Right, don't call the cops on us.
Speaker 2 (09:06):
That's right. Let's squat up nice and early in the morning.
We got about a dozen voicemails.
Speaker 1 (09:09):
We'll listen to the first, and we have some leftovers too.
Speaker 2 (09:12):
Yes, you see, we got four.
Speaker 3 (09:13):
All right, We'll see you tomorrow. Bye bye bye, don't
go change
It's the after show decompression session, doing what they do best,
flapping their gums.
Speaker 2 (00:06):
You know, we're good, We're good.
Speaker 3 (00:08):
All the buttons are pushed that are supposed to be
pushed and those that aren't supposed to be pushed. I
ain't touching, and.
Speaker 2 (00:14):
The levels be bouncing. We're in good shape.
Speaker 1 (00:17):
That's good.
Speaker 3 (00:18):
So let's just get right to it. Who is this
superstar star.
Speaker 2 (00:25):
Crush celebrity crush that I have not?
Speaker 1 (00:28):
Charlie has been pushed.
Speaker 3 (00:29):
Well.
Speaker 2 (00:30):
I named my car after Charlie Sarone. That's how much
I love her. I'm crazy about just the kind of
woman she is. Man she and Robin Wright pen is
another one I got a bad crush on. Now it's
Jennifer Landon. Jennifer Jennifer Landon, daughter of Michael Landon, and
on Yellowstone she plays the purple haired tighter.
Speaker 1 (00:53):
Yes, she's funny. She's funny. Here she is Robin.
Speaker 2 (01:00):
And on the show.
Speaker 3 (01:01):
I can see why you'd have a crush on her.
Speaker 2 (01:03):
She plays a texarcane girl, talk like least you got
a real thick accent and they make fun of that.
Canna understand her worth the shit? So I'm always like Wow,
what a great actress. She really performs. I wonder who
that person is, and it wasn't until just a couple
of days ago with the new Yellowstone episode, I decided
to do my homework. Turns out it's Michael Landon's daughter.
And then I watch interviews with her where she's out
(01:25):
of character and just being herself, and she's a sharp,
smart lady. She might play a Texar Canna ding Dong
horseback riding gal on Yellowstone, but that is not Jennifer Landon.
She's amazing and I could see her winning some big
Oscar kind of awards from the acting job she does.
(01:47):
Like Joaquin Phoenix kind of goes crazy to get into
that role.
Speaker 1 (01:51):
Oh yeah, he becomes a role like he did with
Johnny Cass.
Speaker 2 (01:54):
Yeah. Daniel d Lewis is another one method acting. She
must get just completely out of who she really is
in her mind to be able to become that character.
Speaker 1 (02:06):
I love all those British actors who play American roles
and you have no early idea that they're British, and
then they're being interviewed like on a late night talk
show and you're like, I didn't know they were British.
Speaker 2 (02:19):
Okay, speaking of Yellowstone, Kelly fucking Riley, Yeah, she's hot.
She's British English. In real life, I had no idea
and that I watched in interview and there she is.
He talks like this in real life. I'm like, no
fucking way, Well that's really her. She's brilliant and she
(02:39):
deserves a rack full.
Speaker 3 (02:40):
Of awards too, don't they such a twitch?
Speaker 1 (02:43):
I heard the funniest thing yesterday and it was kind
of like a fake commercial about Yellowstone, and it was like,
don't miss the new season of Yellowstone without Kevin Costner.
It just perfect for you if you're a Yellowstone fan.
But don't let me Kevin gooster. Very funny is this.
Speaker 2 (03:07):
He had He decided a couple of years ago he
had a passion project Horizon, and he said, I want
to do more than one thing a year, Yellowstone guys
to share it in.
Speaker 1 (03:19):
When he first got onto Yellowstone, it was only supposed
to be a short term thing. That's such a hit
that it was all consuming. And he was like, dude,
I only five seasons.
Speaker 3 (03:29):
Yeah, yeah, they flashed that money at you, you'll change
your mind.
Speaker 1 (03:32):
I said no, but he might need to come back
because his Passion Project flopped at the box office.
Speaker 2 (03:38):
It really did, and I'm not sure why, but it's
very long. Part one is very long. I enjoyed it,
and I've watched it multiple times, but I can definitely
see where it's tough to soak in something that involved.
Speaker 1 (03:49):
You know what. They say, it's because it was so long. Yeah,
And like when Nona Ryder was bitching about young actors
these days, and not just young actors but young influencers
and saying they their attention span is that of a goldfish.
Speaker 2 (04:05):
A goldfish, if.
Speaker 1 (04:07):
It's longer than an hour, they're out. And so when
you tell them that there's a movie that's three and
a half hours long, they're not gonna go and watch it.
Speaker 3 (04:16):
Well, that's that's me. If I'm gonna sit there for
that long, it better really hold my attention or.
Speaker 2 (04:22):
Bo better be able to watch it in the comfort
of his own home, which is not too much to ask.
Speaker 1 (04:27):
I still love going to the movie theater, something about
being in that dark theater and the screen is so big,
and the idea that you can't just put it on
pause and go to the restroom or go wash dishes.
Speaker 2 (04:41):
Yeah, you gotta roll with it. Man, and oh, the
seats are more comfortable. You can order from a menu
and your table.
Speaker 3 (04:48):
Plus you can get commercials without watching television.
Speaker 1 (04:53):
That the commercials all come before the movie.
Speaker 2 (04:56):
That's right, that's true, as as not during the movie.
Speaker 1 (04:59):
The bad thing about going to the movie theater it
is and I try to time it to where I
go when there's not very many people, like first showing
of the day on a Saturday or Sunday, because I
do not like it when people behind me are talking.
What did they say?
Speaker 2 (05:13):
Oh my god?
Speaker 1 (05:14):
Like, hey, do you want some more popcorn? I think
I'm gonna get up and go to the restroom. I
can get you some skittles if you want.
Speaker 2 (05:19):
I'm like, well, see, that's why I love Alamo Draft
House so much, because they have very strict rules there
and they just splash them up on the screen. They go,
if we see you screw them with your phone or talking,
you're gonna get one warning only, and then it doesn't
matter what you pay to get in, you're getting thrown out,
as it should be. And yeah, I think that's a solid,
a solid rule. I think that's only fair because we
(05:41):
all paid.
Speaker 3 (05:42):
It's not cheap to.
Speaker 2 (05:43):
Go to the movies. And if you want to add
in popcorn, drink, god forbid a hot dog, Yeah, you
could get fifty seventy five bucks. You can end up spending,
especially if you're not alone.
Speaker 1 (05:51):
Did I tell you about the time that they call
the cops on me at the movie theater?
Speaker 2 (05:54):
Why what'd you do? Are you screwing around in the
back seat?
Speaker 1 (05:58):
No? No, no, no no. It was Austin and it
was the opening of Samahayeks Frieda and we went to
the eleven thirty at night show and we had a
party beforehand, and then we went as a group.
Speaker 3 (06:12):
You was a little tipsy, I'm sure, No, no, no, no.
Speaker 1 (06:16):
I was there to see the movie. I was anticipating
loving the movie. And there was a couple in the
front that had brought their two year old toddler, and
his two year old toddler was hyped up on sugar
or something. I guess they couldn't get a babysitter. So
the toddler is running up and down the stairs and
then going, okay, get get mama. No na. And during
(06:39):
the movie I waited. Halfway through the movie, I couldn't
take it anymore, cause, you know, especially if you don't
have kids. Then you hear the kids, it's all you hear.
So I went quietly down. I crouched down so I
wouldn't disturb anybody else, and I said, excuse me, is
there any way that you could take your child out
(06:59):
to the hallway and settle them down? And the dad
looks at me and he's like, if you have a
problem with my child, you could take them out, and
I'm like okay. Then he got up and got in
my face, and they called the cops on us, and.
Speaker 2 (07:13):
You kicked him in the balls.
Speaker 1 (07:14):
No, no, Well, once the manager found out what was
going on, they threw them out good, you know, because
other people were complaining.
Speaker 2 (07:22):
I'm sorry you got in trouble for that. You you
were helpful, not only for your own experience forevery ever
their damn but.
Speaker 3 (07:28):
You weren't being a bit about it.
Speaker 2 (07:30):
Could you please?
Speaker 1 (07:31):
Can your fucking kid outside? I love kids, but at
eleven thirty at night showing for Freda, which is like
an R rated.
Speaker 3 (07:40):
Movie, kid need to be in bed?
Speaker 1 (07:42):
Thank you?
Speaker 2 (07:43):
Yeah?
Speaker 1 (07:44):
Or who's tied up like a But it's still funny
because like, hey, Anna, I remember the time they called
the cops on.
Speaker 2 (07:50):
You rope him up like a calf if he gets
in my way.
Speaker 3 (07:54):
But you weren't. You weren't really being a bit about it,
because I remember I would see one of the Batman
movies and these two girls wouldn't shut the fuck up,
Oh my god, and people were hollering at them, and
finally security came in said, come here, you not go
to see the rest of it.
Speaker 1 (08:10):
Gone, let's good, But they ruined the experience for everybody
I know.
Speaker 3 (08:13):
And movies aren't as cheap as what you.
Speaker 2 (08:17):
No, not even a mattee ticket, which is what I
usually get. Even a matinee ticket, if you want to
go in ten o'clock in the morning, knowing that you're
gonna have the theater mostly to yourself and all that,
it's still eleven twelve dollars just for the ticket. The
prices for the concessions are.
Speaker 1 (08:31):
Just as expens Well, that's where they make the money,
is the concession. That's why they ask you not to
bring in outside food, because they make the money. Because
we want concessions.
Speaker 3 (08:40):
We want to take your money. We don't want you
feeding yourself when we can feed you and overcharge.
Speaker 2 (08:45):
You like them being yeah, well, if I can get
away with it.
Speaker 3 (08:48):
I will.
Speaker 1 (08:49):
Well, guys, I've got ten thirty conferences.
Speaker 2 (08:53):
Yeah yeah, Anna's got a busy day. I need to
get back in bed. I'm feeling kind of right.
Speaker 3 (08:56):
Yeah me too.
Speaker 2 (08:57):
Thank you.
Speaker 3 (08:58):
Thanks for tuning in today. Tune in tomorrow for ask
us Stuff Day. We'll all lane something, all.
Speaker 1 (09:04):
Right, don't call the cops on us.
Speaker 2 (09:06):
That's right. Let's squat up nice and early in the morning.
We got about a dozen voicemails.
Speaker 1 (09:09):
We'll listen to the first, and we have some leftovers too.
Speaker 2 (09:12):
Yes, you see, we got four.
Speaker 3 (09:13):
All right, We'll see you tomorrow. Bye bye bye, don't
go change
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