On the Saturday August 16, 2025 episode of The Richard Crouse Show we meet Patrick Tarr. He has over a decade of experience in the film and television world in Canada—currently he is the co-executive producer and writer of CBC’s “Saint-Pierre,” and he was the head writer and executive producer on CTV’s “Cardinal.” He’s also written for Saving Hope, Nurses, Cracked and The Colony, as well as Canadian institution Murdoch Mysteries to name a few.
Today we’ll talk about his television work, but I also want to tell you about his debut novel, “The Guest Children,” which is now available wherever you buy fine books. The book was inspired by the real-life thousands of “guest children,” British children who were sent to Canada during WWII to stay safe from the bombings.
Then, I don’t know if you’ve been watching the Billy Joel documentary on Crave called “And So It Goes.” It’s a fascinating and revealing two part look at the life and music of the “Just the Way You Are” singer, exploring love, loss and struggles that contributed to his songwriting.
As a companion to those documentaries, I dug into the archive and found an intercview I did a few years ago with Liberty DeVitto. As Billy Joel’s drummer from 1976 to 2003, he’s credited as drummer on records with sales of over 150 million copies. Do you love “Just the Way You Are”? That Liberty DeVitto. How about "She's Always a Woman,” “Only the Good Die Young" “You May be Right” or “It’s Still Rock and Roll to Me”? All Liberty DeVitto. He’s what they call a New York City style drummer, solid and powerful. He also an author with a memoir called, “Liberty: Life, Billy and the Pursuit of Happiness,” available wherever you buy fine books. It details not only the good times with Joel, but also the bad… leading up to their split in 2006.
Today, I chose some excerpts from the interview to share an insider’s view of what it was like working with Billy Joel as he became a superstar.
Finally, I love going to live theatre, but I recently had a chance to experience it in a different way. “Back to the Future: The Musical” is now playing at the CAA Ed Mirvish Theatre in Toronto, and I was invited to not only see the show, but to visit the theatre, on stage and backstage, to chat with the show’s stars, DAVID JOSEFSBERG who plays Doc Brown and LUCAS v who brings Marty McFly to vivid life.
The show is based on the iconic 1985 movie “Back to the Future,” and sees Marty McFly accidentally change the course of history when he is transported back to 1955 in a time machine built by the eccentric scientist Doc Brown. He’s in a race against time to fix the present, escape the past, and send himself... back to the future.
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If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
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The Burden
The Burden is a documentary series that takes listeners into the hidden places where justice is done (and undone). It dives deep into the lives of heroes and villains. And it focuses a spotlight on those who triumph even when the odds are against them. Season 5 - The Burden: Death & Deceit in Alliance On April Fools Day 1999, 26-year-old Yvonne Layne was found murdered in her Alliance, Ohio home. David Thorne, her ex-boyfriend and father of one of her children, was instantly a suspect. Another young man admitted to the murder, and David breathed a sigh of relief, until the confessed murderer fingered David; “He paid me to do it.” David was sentenced to life without parole. Two decades later, Pulitzer winner and podcast host, Maggie Freleng (Bone Valley Season 3: Graves County, Wrongful Conviction, Suave) launched a “live” investigation into David's conviction alongside Jason Baldwin (himself wrongfully convicted as a member of the West Memphis Three). Maggie had come to believe that the entire investigation of David was botched by the tiny local police department, or worse, covered up the real killer. Was Maggie correct? Was David’s claim of innocence credible? In Death and Deceit in Alliance, Maggie recounts the case that launched her career, and ultimately, “broke” her.” The results will shock the listener and reduce Maggie to tears and self-doubt. This is not your typical wrongful conviction story. In fact, it turns the genre on its head. It asks the question: What if our champions are foolish? Season 4 - The Burden: Get the Money and Run “Trying to murder my father, this was the thing that put me on the path.” That’s Joe Loya and that path was bank robbery. Bank, bank, bank, bank, bank. In season 4 of The Burden: Get the Money and Run, we hear from Joe who was once the most prolific bank robber in Southern California, and beyond. He used disguises, body doubles, proxies. He leaped over counters, grabbed the money and ran. Even as the FBI was closing in. It was a showdown between a daring bank robber, and a patient FBI agent. Joe was no ordinary bank robber. He was bright, articulate, charismatic, and driven by a dark rage that he summoned up at will. In seven episodes, Joe tells all: the what, the how… and the why. Including why he tried to murder his father. Season 3 - The Burden: Avenger Miriam Lewin is one of Argentina’s leading journalists today. At 19 years old, she was kidnapped off the streets of Buenos Aires for her political activism and thrown into a concentration camp. Thousands of her fellow inmates were executed, tossed alive from a cargo plane into the ocean. Miriam, along with a handful of others, will survive the camp. Then as a journalist, she will wage a decades long campaign to bring her tormentors to justice. Avenger is about one woman’s triumphant battle against unbelievable odds to survive torture, claim justice for the crimes done against her and others like her, and change the future of her country. Season 2 - The Burden: Empire on Blood Empire on Blood is set in the Bronx, NY, in the early 90s, when two young drug dealers ruled an intersection known as “The Corner on Blood.” The boss, Calvin Buari, lived large. He and a protege swore they would build an empire on blood. Then the relationship frayed and the protege accused Calvin of a double homicide which he claimed he didn’t do. But did he? Award-winning journalist Steve Fishman spent seven years to answer that question. This is the story of one man’s last chance to overturn his life sentence. He may prevail, but someone’s gotta pay. The Burden: Empire on Blood is the director’s cut of the true crime classic which reached #1 on the charts when it was first released half a dozen years ago. Season 1 - The Burden In the 1990s, Detective Louis N. Scarcella was legendary. In a city overrun by violent crime, he cracked the toughest cases and put away the worst criminals. “The Hulk” was his nickname. Then the story changed. Scarcella ran into a group of convicted murderers who all say they are innocent. They turned themselves into jailhouse-lawyers and in prison founded a lway firm. When they realized Scarcella helped put many of them away, they set their sights on taking him down. And with the help of a NY Times reporter they have a chance. For years, Scarcella insisted he did nothing wrong. But that’s all he’d say. Until we tracked Scarcella to a sauna in a Russian bathhouse, where he started to talk..and talk and talk. “The guilty have gone free,” he whispered. And then agreed to take us into the belly of the beast. Welcome to The Burden.