November 21, 2024 • 51 mins
Rob Schneider is a mob lawyer and Chet Hanks is a good gangster.
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🎬PLOT 🎬
A narcissist concocts a get-rich-quick scheme that ignites a violent chain reaction and overwhelms the lives of those around him.
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WHERE TO WATCH
https://tubitv.com/movies/100025533/dead-wrong
🎬PLOT 🎬
A narcissist concocts a get-rich-quick scheme that ignites a violent chain reaction and overwhelms the lives of those around him.
🍆WE'RE NOW ON INSTAGRAM🍆
💩EVERY ROB SCHNEIDER FILM RANKED💩
BACON'S RANKINGS - https://boxd.it/30Xsm
CALEB'S RANKINGS - https://www.imdb.com/list/ls026099749/
📈 EVERY ADAM SANDLER FILM RANKED 📉
MARIE’S RANKINGS - https://boxd.it/gVg1o
BACON’S RANKINGS - https://boxd.it/2ZVtq
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🔥ADAM SANDLER PLEASE STOP SHOP🔥
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Rob Schneid, is it somewhat popular?
Speaker 2 (00:05):
Comedic actor? Shocks are like dogs. They only knighte when
you touch the private post. I think there's been a mistake.
Speaker 1 (00:13):
Did you say stage?
Speaker 3 (00:14):
They want together like flam on tumafish claustrophobia.
Speaker 4 (00:18):
It's the gayest of all photists.
Speaker 1 (00:20):
You can do it. Keep hop keeping as my life
socks read it, bg JG the.
Speaker 4 (00:26):
Tomster making coffy, mister Tom.
Speaker 1 (00:32):
Welcome to Rob Schneider. Could you not a complete retrospective
of all Rob Schneider movies past present but still somehow future.
I'm Robert Bacon, and with me is who me?
Speaker 2 (00:45):
Oh? Just Caleb George drinking out of my Adam Sandler
please stop mug.
Speaker 1 (00:49):
Oh look at that. That's great. That's great in the
show notes, if you want an Adam Sandler, please stop mug.
You can go ahead and get That's a great gift
to give an enemy.
Speaker 2 (00:59):
Hey, they won't know what the fuck it is?
Speaker 1 (01:06):
Like? What's wrong with what's wrong with this face? Maria
is not with us. She has a wedding to plan, so,
you know, more important things than watching this piece of garbage.
Speaker 2 (01:17):
She's also smart, that's the other one. She also knows
how to value her time. Yeah, I think I think
that's also it.
Speaker 1 (01:25):
We tried to schedule this once and it just didn't
take because the movie's so shitty.
Speaker 2 (01:31):
None of us were interested in No, it's like.
Speaker 1 (01:33):
Do we have to? But you know what we do
because it's on TB now, it's on TOOB for free.
Anybody can watch this, is it?
Speaker 2 (01:41):
Really?
Speaker 1 (01:41):
Yes? What are we watching this time? We watched Dead Wrong,
which had a limited release on May twenty first, twenty
twenty four, in a very small number of theaters, like
a handful.
Speaker 2 (01:52):
Just Scottsdale, Arizona. Is that right where Rob's from?
Speaker 1 (01:56):
They got that market locked down.
Speaker 2 (02:00):
It was all Rob and Rob's neighbors.
Speaker 1 (02:02):
I assume they weren't watching Jake Paul Tyson. They were
just watching the animal again, like they are keeping him afloat.
Oh my god. So you can watch this on two
be for free. Just look up Dead Wrong, you know.
And I think TWOB is actually the perfect place for
(02:22):
Rob Schneider. I think Rob Schneider and Tube go hand
to hand. Adam Sandler and Netflix they go hand in hand.
And Kevin James and Old Country Buffet they go hand
in hand.
Speaker 2 (02:36):
I agree Rob Schneider on two B is great because
it's low quality. The ads absolutely scream at you every
ten to fifteen minutes.
Speaker 1 (02:46):
I like watching a movie that way. I like.
Speaker 2 (02:48):
I love it too.
Speaker 1 (02:49):
I like it. It's like, h this movie's really boring.
Speaker 2 (02:51):
Ty you got stage?
Speaker 1 (02:56):
Oh shit, why are they so aggressive? The tied Steven
settle down, Tied, I'm already using you all right?
Speaker 2 (03:04):
It truly, it's scarce the shit every time, and it
also stops right before the actual act breaks and it
comes back, you're like, it's like three or four seconds
of the previous scene. So you're like, we can't get
the commercial just a little bit better, We can't delay
for a second more.
Speaker 1 (03:20):
They're auto generated. They don't even place them in there days.
Speaker 2 (03:25):
It sucks because two v's library is really good. It's
pretty so many good movies on.
Speaker 1 (03:29):
I'm like, oh, especially their library of commercials, Like I
even get Spanish commercials and I don't speak Spanish.
Speaker 2 (03:37):
Largest library of commercials you find out there of any
streaming service.
Speaker 1 (03:43):
We are not sponsored by two B, but we are
sponsored by Old Country Buffet. Come on down. We'll be
playing Kevin James in the background of the gift shop
Old Country Buffet. You could also if you're on two
B and you're just like, man, I'm just gonna make
a day out of ruining my life, and you want
to watch a bunch of Rob Schneider's. They got Daddy
Daughter Trip. They do they do, so you could watch
(04:06):
Daddy Daughter Trip on to to be, you know, double
feature Daddy Daughter Trip and then this and uh reevaluate
what you're doing with your life. There's also Big Stan,
the Reef two, the Animal in Appropriate Comedy, remember that
one his Library, Surf, Ninja's Knockoff, and American Virgin all
(04:27):
on to B.
Speaker 2 (04:28):
They have so many prop snier films, so let's say
too many.
Speaker 1 (04:34):
Yeah.
Speaker 2 (04:35):
I would several times to anyone who will listen.
Speaker 1 (04:38):
I try to find out any information on this movie.
Can't there's nothing not It's been scrubbed, like they don't
want anybody to know this movie fucking exists even to
be When you search, it's like, are you positive?
Speaker 2 (04:52):
Is that what you want to wait? To be's? Making
sure you're to B is wow?
Speaker 1 (04:59):
Yeah? And then sometimes they check in with you if
you're still watching Dead Wrong, They're like, are you still okay?
Is everything okay?
Speaker 2 (05:06):
I mean we named it dead wrong, and you still
want to watch it. I'm just making sure, okay.
Speaker 1 (05:14):
Anyway, I just found there's only one interview of him online,
and it's him with like a YouTuber who you know
does a fun job. But we don't really find out anything.
It's mostly just Rob complaining like an old man and
saying that like movies is like a numbers game. We
all know this. How he likes to speak his mind.
He's really all about that right now. The plot of
(05:36):
this movie a narcissist Concox a get rich quick scheme
that ignites a violent chain reaction and overwhelms the lies
of those around him. Caleb, we watched this individually all
the way through. It's very long.
Speaker 2 (05:52):
It's too long. Yeah, an hour and fifty minutes. It's
two hours and five minutes if you watch it on
two B.
Speaker 1 (06:01):
Again, not sponsor, but two. I want to let everybody
know that our sponsored Old Country Buffet. Hey, come on down,
get a biscuit just covered in gravy. You wind up.
We call it biscuit soup. We give you a bowl
of gravy and we drop a biscuit in it. Old
Country Buffet.
Speaker 2 (06:19):
Sorry you were saying about how long.
Speaker 1 (06:21):
It's too long, and I'm making this even longer. And
it starts out with inspired by actual events. And I
googled this and I could not find any sort of
events that vaguely represent what happened in.
Speaker 2 (06:34):
This that's because any this is this, viewer, beware any
that phrase that phraze can be construed every ways. But
inspired by true events you can slap on anything that
means anything. I could have farted in the wind and
been like disinspired the aviator, like it doesn't really matter,
Like that's what inspired by true events means. It means
(06:54):
it's just like I had an idea because I saw
fucking this thing. But like versus, like versus some of
the other ones, which is based on true events, right,
Like inspired is the most vague one you could throw on.
So I don't know why you would throw that one
on this one unless you're just like this outrageous story.
I don't think it's that outrageous. I don't think it is.
Speaker 1 (07:15):
Before we go any further, I do want to say
that this podcast is inspired by true events. We watched
the movie. Do you have notes? I went through so
many notes. Okay, let's get let's dive in these notes.
I got so many notes about Rob Schneider.
Speaker 2 (07:31):
Some of them don't make sense. Yeah, but my first
note is inspired by true events with a stupidly vague phrase.
That was my first note, followed by vague, unoriginal and
uninteresting cold open.
Speaker 1 (07:43):
Oh that we see later. The one thing I did
find out is that same scene later that's in the
streaming version. The theatrical version, it did not do that.
Speaker 2 (07:54):
It didn't come back to that scene again.
Speaker 1 (07:56):
No, it just never started with that scene. It just
started without the flashback.
Speaker 2 (08:00):
You don't need the flashback either. You don't need the
opening cold open. You don't need it.
Speaker 1 (08:04):
You don't. That was That was a change made obviously
really late in the game. Put in the theaters of that,
and a bunch of the music changed. It was different
music than in the theatrical than the streaming.
Speaker 2 (08:13):
Yeah, because the music in this is ridiculously bad. It's
like just cheap free, royalty free music.
Speaker 1 (08:23):
It feels like because they didn't have the right why did.
Speaker 2 (08:26):
They have the cold open? I understand that added five
minutes to the movie. Our movie could have been an
hour forty five, two hours on two be easy.
Speaker 1 (08:33):
Well, I think they liked to do that, because then
they were able to do one year earlier and then
a little bit later it was eight months later.
Speaker 2 (08:41):
But all that shit was confusing far.
Speaker 1 (08:44):
No, so you want to make your audience confused, because
if you leave confused, then maybe you're like, oh, is
it my fault that I didn't like this movie? You know?
Is this movie really good? And it was smarter than me.
Speaker 2 (08:57):
It's constantly assuming that the audience is dumb. Because there's
a character that gets pregnant and they talk about having
a baby. Oh, you have to you have the easiest
convention of passing time. She wasn't pregnant. They were talking
about getting pregnant. She's pregnant. Now I will make the assumption.
Speaker 1 (09:13):
Time later months later, after you went a.
Speaker 2 (09:18):
Year back, has been a month forward? Like it just
they kept being like time is important, and I'm like,
is it really?
Speaker 1 (09:24):
In this movie they had to turn down a guy
trying to make like a timeline on the side of
the screen, like as it was going, so just you
knew where you were in time?
Speaker 2 (09:34):
This was this isn't fucking Christopher Nolan creating a tenant
timeline here, Like we don't need I don't need you
to tell me which direction we're jumping back and forward.
I can. I can figure it out.
Speaker 1 (09:46):
I think, I think. Can we just cut to the chase?
Can we just go through the plot of this movie?
Speaker 2 (09:51):
Yes, we should do that for because it will get
really confusing if we don't. Because it's a fucking really
confusing movie.
Speaker 1 (09:57):
So we have a guy named Billy and he's a
big old piece of shit and his job is he
works for Chet Hanks. He's a gangster that you know,
he's only about the drugs and he gets really mad
about any kind of death or sex trafficking, like he's
he's got a conscience, right, And Billy works for Chet Hanks.
(10:21):
And Billy has a wife that wants to have a baby,
but he's too busy cheating on her with her sister.
Speaker 2 (10:29):
Yeah, which she seems comfortable with until Billy decides to
have a baby, and at that point she's got to
cut him off. She doesn't want to hurt her sister.
Speaker 1 (10:37):
No, No, that's wrong, Caleb. Yeah, yeah, cheating with your
sister's husband is wrong once she's pregnant. We all know
that's the rule.
Speaker 2 (10:48):
That's the rules, buddy, that's how it works. So cheat, cheat,
till you knock him up. That's what I think.
Speaker 1 (10:55):
Also in this universe, there is another gangster, but he
does not have a heart of go. He's the bad gangster.
So we have a good gangster Chet Hanks. I don't
really understand his character, and we have this really bad
gangster guy and bad gangster you know, he gives out
loans and stuff to you know, degenerates, like Rob Schneider,
(11:15):
a attorney who has a gambling problem and owes them
a bunch of money. So he owes bad gangster a
bunch of money. Instead of taking the money, He's say, hey,
you have to be a you have to be a
crooked lawyer. Now you're a you're a mob lawyer. And
it's kind of like a better call Saul situation if
you wrote it like a moron.
Speaker 2 (11:36):
Yeah, this is like a big lots better call Saul,
like a fucking dollar general better call Saul.
Speaker 1 (11:42):
I wish it kind of was a better call Sau situation,
or at least we could see like him, maybe he
being him being a good person, because we didn't really
see him being a good person. He shows as himself
being a good person.
Speaker 2 (11:54):
We can get into it, okay, but My problem with
this whole movie is I don't know who to root for.
I don't know who the good person. I don't know
who the protagonist is in this movie.
Speaker 1 (12:02):
Billy's wife, Yeah, she's the only She's so good of
a person that when her baby that was stolen from
her is shown to her.
Speaker 2 (12:15):
She patiently waits to have it returned. We will get
to that. Well, let's just get to that, Okay, So
you tell the rest of the plot.
Speaker 1 (12:25):
The rest of the plot is the most important. That's
just the setup, all right. There's the characters. Billy he's
not getting enough money because he's with you know, Chat Hanks.
He's like, you know, not making enough money as a gangster.
And he sees a news report about babies being stolen,
and it gives him the idea to steal his own baby,
sell that baby, and then once he sells the baby,
(12:46):
then turn around and sue the hospital for millions of
dollars so he could be a millionaire. And he decides
to use Rob Schneider, the lawyer, as the go between.
Is he's gonna he steals this baby from the hospital,
gives it to Rob Schneider, he pays Rob Schneider for
doing this. Then Rob Schneider sets up on his side
(13:07):
a deal with a guy who just got out of
prison and his wife who want a kid. We've got
to talk about.
Speaker 2 (13:14):
This, yeah, because it's a really weird plot line. And
uh yeah, it's a really weird plot line.
Speaker 1 (13:20):
So I forgot about this crazy storyline because this is
just slapped on there. A guy gets out of prison
and meets his wife, and we find out that prison
guy and his wife can't have a baby because we
learned this through a flashback when they were like out
on a walk in the middle of nowhere, like in.
Speaker 2 (13:40):
Far the middle of the fucking Missouri. I don't understand
where they.
Speaker 1 (13:45):
Are fucking nowhere, in the middle of nowhere. There's a
fucking dirt road. Him and his wife are on a
walk and they are mugged, like guys come up like
it's an alley in a street.
Speaker 2 (13:56):
It's like a fucking like a pair of fucking vagabond
hope like like they should have little sticks with little
bundles like that's what they looked like. They just like
and they weren't threatening really all.
Speaker 1 (14:09):
They just kind of.
Speaker 2 (14:09):
Came out of the bushes and stood there. It was
really weird.
Speaker 1 (14:13):
Prison guy didn't really like that, and he couldn't stop himself,
and he was able to disarm the guy and stab
him in the neck with his own knife.
Speaker 2 (14:22):
Yeah, and he went to jail for it, and he.
Speaker 1 (14:24):
Went to jail for it, but also didn't Did that
guy end up stabbing his wife in the stomach? Is
that what happened?
Speaker 2 (14:30):
I think Again, it's not clear, but she at that
moment when he stabbed the like, this is what I
think happened. She starts to like convulse and I think
maybe the stress of the event, yes, caused her to
I think have a miscarriage. But my favorite part is
she's like she starts to fall down. She's like, something's
wrong with the baby. Obviously he's like on top of
(14:52):
this dude and he sees it and it's like, real quick,
let me just stab this guy and this test like
and they just stabs him in the throat and then
gets up and goes to tend to her needs. It's
like why, it's like an active moment of like, oh honey, okay, here,
let me just finish his death real quick. Like it's
so weird. It's so weird.
Speaker 1 (15:11):
You can understand what this movie is trying to do
a lot of the times, it just doesn't do it
very well.
Speaker 2 (15:16):
But it's based on a book.
Speaker 1 (15:18):
Oh I read that too, but I couldn't find any
book that had this plot.
Speaker 2 (15:23):
Like, they're making all this shit up, you know what
they're doing.
Speaker 1 (15:26):
So that prison guy he gets out of prison and
him and his wife are like, we got to have
a baby. We really want a baby, but we can't
make a baby. We really need a baby. That's basically
what they do. That guy for some reason goes to
Rob Schneider and he's like, I need a baby. You're
a bad lawyer and I need a baby. And Rob
Snyder's like, yeah, it's gonna cost you money, baby. So
Rob Sneider's playing both sides of this deal's getting money
on both sides. And he gives this baby to Oh,
(15:51):
thank you so much for the baby, that guy, and
then he takes it back to his wife. And that's
basically the beginning part of the plot.
Speaker 3 (16:00):
Right.
Speaker 2 (16:01):
It's wild. It's wild, and there's so much more to unwrap,
but that's essentially the breakdown of it.
Speaker 1 (16:06):
Yeah, yeah, uh, what else did I write about this?
There's some weird sex scenes in this.
Speaker 2 (16:12):
I wrote that this is soft soft core porn.
Speaker 1 (16:14):
Yeah, yeah, that's good. I'd say that it's it's like
the beginning of a soft core porn and it cuts
right before yeah. Anything.
Speaker 2 (16:24):
There are so many weird character plotlines that you're like,
is this necessary? Like is the insurance investigator dude necessary?
Speaker 1 (16:33):
Post film we didn't talk about that, so in like
act three we're introduced too.
Speaker 3 (16:38):
Yeah.
Speaker 1 (16:39):
Yeah, there's an insurance investigator that's treated like an FBI agent.
You know, he like walks around, he's like insurance investigators.
Speaker 2 (16:45):
He looks addresses like he's like a Miami de detective
from Dexter Like he's like it doesn't that energy. But
then you realize like he has no teeth, like at all.
There's nothing he can do. He's an insurance and investigator.
And at the end of the film, he just ultimately
is like, yeah, I'm not gonna I'm not gonna pursue it,
and I'm like, so, what is your purpose here? He
(17:09):
just gives up. Yeah, he was like, I just wanted
to bone the pink the pink haired lady. That's all
I wanted to do.
Speaker 1 (17:14):
The sister. Billy's wife's sister has pink hair, and she
ends up having sex with the detective and they fall
in love. I don't know that was the only love story.
Speaker 2 (17:24):
I don't know.
Speaker 1 (17:25):
Oh no, So he comes in and he's investigating this
because he's like, no way that a baby was stolen
from the hospital. This Billy guy's shifty as can be,
and Billy does a really horrible job of not being shifty.
Speaker 2 (17:37):
Yeah, my favorite part about what you just said is
no way someone could steal a baby from a hospital.
But it's very funny me because a baby was absolutely
stolen from that hospital. Yes, and and there was a
part of me while I was watching. There's this big
negotiation scene that they have. Rob Schneider is representing Billy
and the hospital is there with the insurance investigator and
(18:00):
Job is kind of defending Billy and saying we want
that They're trying to negotiate really a settlement. What's going on?
At one point I was thinking, like, why am I
on the side of fucking Billy and Rob Schneider. A
baby was stolen from the hospital. What measures are you
taking to make sure someone just doesn't walk in and
take a baby? Like I don't understand why this was
(18:24):
even possible.
Speaker 1 (18:26):
They show him breaking into the back of the hospital
with nothing in his hands. The door is shut, it
looks like it's supposed to be locked. He kind of
like waves his hands over it and opens up the
back of the door. So the back door was never locked.
So that is a horrible, horrible hospital.
Speaker 2 (18:44):
Yeah, why isn't there someone at the desk at all
times to make sure whoever comes out of the rooms
or goes into rooms? Like it doesn't make any sense.
But at one point I was like, well, a baby
was stolen and that is the hospital's responsibility. But is
it worth sixty million? I don't know about that.
Speaker 1 (19:03):
I mean, did you see that baby not worth sixty
million dollars?
Speaker 2 (19:05):
Did I see the baby in the Duffel bag?
Speaker 1 (19:07):
Yeah?
Speaker 2 (19:08):
Yeah, I saw the baby in the Duffel bag. There
is we put it in a Duffel bag.
Speaker 1 (19:12):
There is a lot of fake baby, and they don't
even try to show the face because it's just a
plank fake. I think it's a plank of wood.
Speaker 2 (19:19):
It truly is a fake. The fakest baby I've ever
seen since fucking that American sniper. American sniper.
Speaker 1 (19:26):
Yeah, but they did actually show two shots of a
baby for like fractions of a second, so they didn't get.
Speaker 2 (19:34):
It's really tight shots.
Speaker 1 (19:35):
I have a feeling that monologue by the way that
Rob Schneider goes on where he just rants, uh you know,
he walks into the room it's the hospital people, and
and he gives this monologue. I wrote it down because
I kind of want to memorize this and then like
use it in an audition.
Speaker 2 (19:53):
Oh my god, you wrote it down.
Speaker 1 (19:55):
I wrote it down. You want to hear it? Yes,
let me be very very clear, Okay. I have police reports,
testimony from eyewitnesses. I got lab reports, all describing in
(20:17):
great detail the fact that the level of your poorly
run hospital inept unsecure and negligent to a degree that's
almost incomporcinghensible. You failed to protect a newborn baby and
as a result of that, destroyed two, probably three lives. Yeah,
(20:39):
you want to go to trial. God, well, let's go
to trial. I will parade mister and missus Evans on
every news site and social media platform from here to Beijing.
I'm gonna turn this case into an international fucking scandal
and then shove it up your asshole. Give me weeks,
Give me weeks of bad publicity every day in that courtroom.
(21:02):
Give it to me and all your fucking company, sixty million, gentlemen,
not a penny less, and it all goes away. I'll
take my oscar. Incredible, And I want to point out
I think Rob Schneider kind of forgot his lines at
(21:23):
the beginning because it doesn't really make any sense. No,
I have police reports, testimony from eyewitnesses. I got lab reports,
all describing in great detail the fact that the level
of your poorly run hospital, it doesn't make any sense.
Speaker 2 (21:40):
And not that I'm in a fin Rob Schneider for
a fucking second. But it is hard to distinguish between
whether it's Rob or the writing. I have no idea,
because the writing in this movie he you know what.
Here's why, I say, very briefly, if you are a
filmmaker or a writer or a producer or an actor
or whatever you are, like, go out and think make
(22:03):
your art, because this shit is like the one of
the worst scripts I've ever seen on screen. It is
so bad, horribly written. It is horribly written, and I
just kept watching it being like, how did this shit
get made? How am I watching it? How is it
accessible to me? I don't understand a lot of money
(22:25):
was to be How was to be making money off
of this? How is that fair to anyone? There's so
much better art that could be made, be put on,
to be at extra ten to fifteen minutes a runtime
to your whole experience, and that fucking I could be
a part of that. If you have art, if you
have a script, go write it. It's way better than
anything else that I watched, guaranteed. So sorry to interrupt.
Speaker 1 (22:53):
But we gotta listen to a few commercials Focie. So
I want to say I don't think in the actors
do a bad job. I think they do the best
of what they're given.
Speaker 2 (23:06):
I honestly, I can't believe I'm gonna say this, and
this is not necessarily a compliment, but I do think
that Chet Hanks is one of the best actors in
this movie.
Speaker 1 (23:15):
Yeah, Chet Hanks crushes good gangster.
Speaker 2 (23:18):
He actually does a really good job.
Speaker 1 (23:20):
He's got a neck tattoo. It's great.
Speaker 2 (23:22):
Yeah. One of my notes I wrote down is, ooh,
squirrel got a two for one on the spider tattoos.
Do you remember that? Yes, I got two for one
deal on a spider tattoo. He's got one big one
on one small one on his neck.
Speaker 1 (23:37):
His named a squirrel. There's a character named Squirrel. Didn't
even need to talk about him, didn't he was He
was one of my favorite characters. Though I wish that
we followed Squirrel.
Speaker 2 (23:47):
Yeah. There were a couple of characters that giving me
kind of like, you know, dollar store breaking bad, like
even Chet Hanks. And this is very much like, uh
it was an air and uh, what's his face from
Breaking Back?
Speaker 1 (24:02):
Sorkin?
Speaker 2 (24:02):
Aaron Sorkin from Breaking Back? Yeah, always walking and talking
every scene. No, but I really likes chetthanks. He's he
doesn't have the s like soft like touch of a
of a good actor, but his intention is very much
there and frankly, like in this entire film, I don't
know who I'm supposed to root for, but I do
(24:23):
know that Chehanks's character has the only moral compass of
anyone in this film. It's very odd. When he's like,
don't sell drugs of kids, I'm like, yeah, don't do that.
When he's like, we don't sell children into slavery and
he puts two bullets in two guys heads, I'm like, yeah,
Gough King, Yeah, of course, yeah, absolutely murder fine though, Like, fine, yeah,
(24:49):
you could kill people who bring children into into child slavery.
I'm fine with that, Yes, fine with it. And in
the end he dishes out the biggest justice of all.
So I'm kind of like he's the a bad guy
of the film because he's the only one who has
to see who seems to have any sort of moral
barometer at all, And it's very odd that's the case.
Speaker 1 (25:11):
They do a really bad job with Rob Schneider's character
of like, I don't know. Sometimes in each scene he
flip flops into being like he's into it. Most of
the time he's not into it. He's trying to get
out make them more of a sleeze ball, or make
him less of a sleeze ball. He's kind of in
this weird sleezeball territory. Yeah.
Speaker 2 (25:29):
Well, well, like even you know, the monologue that you
delivered fucking perfectly, thank you, it has a bit of
a moral air to it, versus if you had built
that character's storyline and his motivations a little bit. He
should go into that knowing he's absolutely a piece of shit,
Like I'm just getting this money. I know this is
(25:50):
all lie, but there's a moral superiority in that speech
that he kind of gives, which is probably just because
he lacks nuance as an actor to be able to
like do any of the so he's just going into like,
I'm gonna act this my heart out right now, which
is like, but that's not actually what this monologue is.
This monologue is a big fucking lie, And you're ripping
off insurance companies, which again, don't make me root for
(26:11):
insurance companies. What the fuck are you doing? So it's like, again,
like who am I supposed to root for in this thing?
And then in the end his character gets killed no
matter what, So it's like, what who is who's the guy?
Who's the character supposed to?
Speaker 3 (26:25):
Like?
Speaker 2 (26:26):
Who am I rooting for? Kill them all? I don't
give a shit.
Speaker 1 (26:28):
Kind of wanted all of them to die. At the
end of this one, all of them should have died,
so basically we should just finish what happens. So they
end up winning. Rob Schneider and Billy win. They get
the money from the insurance company. The guy who just
got out of prison who got the child who has
everything that he wants, heard on the news that they
won a settlement against the hospital and decides that he
(26:52):
wants a million dollars for some reason, and he blackmails
him into giving him a million dollars Billy and then
Billy on him and kills him. Why did that guy
want to get? Why was he being greedy?
Speaker 2 (27:04):
He kind of justifies it by saying like this is
gonna set me my family up. But it's like, okay,
but you also just stole or you also just got
a baby for like twenty five thousand dollars or something
like that. We're not really thinking ahead here, are we
on anything?
Speaker 4 (27:22):
Like?
Speaker 2 (27:23):
I don't know. It's just so weird to me. Nothing
is motivated in any sort of way.
Speaker 1 (27:28):
No. I did one of my notes, I hear I
wrote don and pick letters an hour left. Yeah, And
that's when I started drawing things Caleb like I drew.
I drew, and Billy's wife was crying.
Speaker 2 (27:41):
This is when I just started writing down just random shit,
like I wrote, Denise swears my baby DENI Denise Denise
wearies my baby DENI I'm like, why did we Why
is she named Denise? I wrote down short king mob
boss wait gay short king mom boss, Yeah, which is
(28:07):
so weird. There's he is a short King. He's gotta
be like five six, he's gotta be five to five.
He's a little tiny dude, and he and this is
like the bad mob boss, the nasty one guy. And
they just open it up with a scene where he's
like picks up a hitchhiker.
Speaker 1 (28:23):
Oh my, which I don't know why wait because the
movie was written fifty years ago and just came through.
I don't understand who hitchhikes? Who picks up hitch hikers?
What is happening?
Speaker 2 (28:35):
And why did he pick because I because it's a woman.
She's very attractive, right, So it's like it ends up
kind of being a trap and she's gonna rob him.
And so they get in the car. Short King's driving
singing a terrible song. She's in the driver's seat and
there's like a car stalled off this side, and she's
(28:56):
like we should pull over and help, and he's like, no,
I'm not going to do that. One charity today, that's
all you get. And then she pulls out a gun.
She's like, no, you're gonna pull over. So he gets
caught in a little trapped.
Speaker 1 (29:05):
And then the other guy pulls a gun. We got
double gun situation.
Speaker 2 (29:09):
Double gun situation to start.
Speaker 1 (29:11):
The start, that's how you start. Well. Second scene in
the film.
Speaker 2 (29:14):
Second scene in the film, first scene.
Speaker 1 (29:16):
Is million dollars being exchanged in the turn and you're like,
who is this? What's this going on? Why am I
being shown this doesn't matter? One year earlier.
Speaker 2 (29:23):
And like forty minutes into the movie, I was like, oh, okay,
the guy that went to prison was the guy that
got hit and Billy's okay, it's probably about the baby.
Like immediately I was like, oh, okay, now I understand
the first scene. I understand anything's going on. Yeah, but
I don't understand why he picked up this woman because
at first I thought like, oh, attractive girl, like maybe
(29:43):
that's and he's kind of nefarious, like he's you know,
coming across the kind of farious. But then he's gay.
Speaker 1 (29:50):
Maybe well, first of all, it's bad writing, but if
I'm going to make an excuse, he did sell people
into sex slavery, right, Oh, so maybe he was abducting
her for sex slavery.
Speaker 2 (30:03):
But also un clear.
Speaker 1 (30:07):
Yeah, it's also very weird and he ends up winning
that he shoots both of them, and that's just how
we learn that he's like cunning, evil. Yeah, he's the
bad bad man. Also, Billy's the bad man. A lot
of bad men in this.
Speaker 2 (30:21):
Chet's technically a bad man. He does stab Billy in
the end with like a fucking ten inch net blade.
Speaker 1 (30:27):
Oh yeah, you're right. Oh we forgot about that. So
Billy gets found out by Chet Hanks that he sold
his own baby and this whole thing, and then chet
Hanks guts Billy like a fish. Yeah, it's really graphic.
It's there's nothing else that that that's this graphic in
the film. And then it gets super duper graphic.
Speaker 2 (30:49):
It's because they also gouge his eyes out first. That's
the thing with the movie is it's like it borders
on bad, but then there's like weird sex scenes that
kind of give it like it's attempting to be this
Scorsese film, right, like where there's a sense of realism
and all this shit to it. And then there's this
violent scene at the end that's also like got bad
(31:11):
seat like special effects to tied to it. It's so weird.
Speaker 1 (31:14):
The blood in it is really weird. I drew thumbs
and eyes, but I did not draw them together, and
I wrote OMG, and then I wrote gut, like a
fish and I drew those are thumbs and eyes. Omg,
there's the knife. And then I wrote that was bad,
and I drew a little guy.
Speaker 2 (31:35):
That's way better than what I did. I just wrote
weird notes.
Speaker 1 (31:38):
Okay, what else you got? What other notes you got?
Speaker 2 (31:40):
So this made me laugh? There gay short King has
Gay short King. My boss has a muscle. He's got
like a muscle that he uses to kind of rough
up rock time and time. And I wrote the muscle
was like, I'm going full guy Richie because he's he's
(32:00):
got a British accent, but it really fades in and out.
It's not very good. But there's such a moment where
he like punches Rob in the face when he's in
the stall and he just leans over him. It's such
a guy Richie moment. He's like, you owe him so money,
so fucking come through with it. You understand me.
Speaker 1 (32:17):
You're late again. Mister Bones is very concerned that you
want now you don't handle your responsibilities. Do you understand me?
Speaker 2 (32:27):
Rolling those?
Speaker 1 (32:28):
I take my apple case and seriously.
Speaker 4 (32:30):
Or maybe he's sick or be inconvenienced by you, or
maybe he fondly thanks you in way over your fucking
head either way, I.
Speaker 1 (32:37):
Won't be late if on gold Gate money, you owe
him fucking money.
Speaker 2 (32:42):
Now come and gaze and you're.
Speaker 1 (32:44):
Like, what why is he British? He doesn't.
Speaker 2 (32:48):
But then it fades. It's so bad, it goes in
and out the whole fucking thing. I do want to
talk about the end with the baby. Okay, you talk
about the end baby, because sure, because the end is wild.
Then is wild to me? After the after Billy gets
gutted for selling his baby to Rob Schneider, who then
turned around and sold it to a guy who just
(33:09):
was out of prison for staving hobo, then let us
know if you're confused, Yeah, let us know what he is.
Then Rob shoots you know, short King Gay, Short King
mo Boss.
Speaker 1 (33:23):
Yet with a shotgun that was given to him as
a gift from.
Speaker 2 (33:26):
By Squirrel by Squirrel two for one on the spider tattoos.
This is all coming together, it's all Rob Snider shoots
short King gay, mob Boss, shoots guy Ritchie Mussel, and
then he gets the fuck out of there, right So
then at that point, the woman who has the baby
(33:46):
realizes her husband is not coming home because he's been
murdered by Billy.
Speaker 1 (33:51):
Though, the woman with the baby, who got the who
was given the baby, Yes.
Speaker 2 (33:55):
Yes, for her, I guess, I guess. But here here's
my problem. Okay, at the end of the film, that
woman who has the baby, who is given the baby,
who didn't ever say hey, how did she get the baby?
How did I miss this? Maybe I missed this, but
never did I remember there being a moment where she
was like, where did you Where did you get this
(34:17):
baby from? Where did the baby come from?
Speaker 1 (34:21):
I think she did maybe, And then it was kind
of like, you don't want to know.
Speaker 3 (34:26):
Keep him Jacob, why because because he belongs to somebody else,
somebody didn't want him. I believe God wants to stab
this child. I believe he picked you to be his mother.
Speaker 2 (34:49):
Honey, what shall we?
Speaker 4 (34:52):
Maybe the Bible tells us the answer to that question,
Joseph the son of Jacob.
Speaker 2 (35:00):
But also at the same time, there's a wilful negligence
there where you're like, you didn't stop to really understand
where this baby came from.
Speaker 1 (35:06):
I found it. So they were just giving them away
at the car wash.
Speaker 2 (35:12):
It was a door prize, new new grocery store opening.
Speaker 1 (35:18):
I don't remember any grocery store opening. What grocery store
opened is Marianna's.
Speaker 2 (35:23):
They got they got a big pile of pumpkins, a
big pile of babies right next to you. It's a
two for oneer. But I was like, we don't need
two babies, so I just grab one and then I
have five pumpkins as well.
Speaker 1 (35:33):
You're shopping it, Marianos. We don't. We don't have a
lot of money. You just got out of prison. We
live in the middle of nowhere. I only have one dress.
Speaker 2 (35:39):
Oh we don't, and the baby costs twenty five thousand dollars.
Speaker 1 (35:42):
Jesus Wait, but the pumpkins were free pumpkins. I don't
care we have We live in the middle of nowhere.
There's pumpkins everywhere. I need to know where the baby
came from. And why are you shopping at Mariana's.
Speaker 2 (35:52):
I was shopping there because I've got a hot bar
that I just can't get enough of.
Speaker 1 (35:56):
We don't have the money for you to be wasting
at a hot bar.
Speaker 2 (36:00):
Come on, well, you're not gonna believe baby.
Speaker 1 (36:02):
I'm calling that Marianna's. I'm asking how much babies are.
Speaker 2 (36:05):
No, don't but pick up a few extra pumpkins. I
manage money poorly.
Speaker 1 (36:13):
So she didn't ask, gives the baby back barely.
Speaker 2 (36:21):
That's that's that's what I'm getting too.
Speaker 1 (36:23):
Yeah, go ahead.
Speaker 2 (36:24):
That's my problem. Yeah, is that she comes up to
the woman whose baby was stolen. Like, I want to
be clear about this. This woman had a baby for
like a few hours, she went to bed, and then
that baby was stolen. This is a gone baby, gone situation.
Speaker 1 (36:41):
I wrote down.
Speaker 2 (36:41):
I wrote up baby gone yeah, yeah, yeah, yeah, truly
it is. And so she hasn't seen her fucking baby.
She held it for a little bit and she passed out.
She doesn't seen her baby. This woman comes up as
holding the baby. If I am the mother of this baby,
I am like, give me my fucking baby right now, Like, yeah,
give it to me.
Speaker 3 (37:00):
You.
Speaker 2 (37:00):
I don't know who you are. I don't care, but
give me my baby.
Speaker 1 (37:03):
You know, you don't say thank you for giving me
my baby back. Do you want to hang out with
my baby some more?
Speaker 2 (37:08):
Yeah?
Speaker 1 (37:08):
Do you want to hang out? Do you wanna maybe
steal my baby someday?
Speaker 2 (37:12):
Not only that, Not only that, but the woman was
like I can't remember what it was. But the woman's
like I named him Joseph, and the woman, the woman
whose baby was stolen, goes, I will keep the name.
I'm sorry what you're gonna keep the name? For the
(37:36):
why does what? This woman has owned your baby for
a week tops tops tops probably three days, she illegally
illegal baby. By the way, she not a good person
to have around your baby, period, no period, and she
is like I named him Joseph. I will, I will
honor that.
Speaker 1 (37:57):
I will.
Speaker 2 (37:59):
You have earned that, think you you raised my baby
for three days, and so you as tradition here in
Maricopa County. Now, I will retain and keep sir Joseph.
Speaker 1 (38:14):
Yes, I'm sure he's already too used to the name
by now. Yes, he'll be confused when I change it,
you know, considering he's four days old. In all four
days he's been Joseph.
Speaker 2 (38:27):
I'm so sorry to interrupt.
Speaker 1 (38:31):
But we gotta listen to a few commercials.
Speaker 4 (38:36):
Foci.
Speaker 1 (38:38):
The movie presents her like she is a good person
deep down, and that she just really wanted a baby,
and she just picked the wrong guy. Oh, I guess
you know she picked the wrong guy in a way,
and then she and she picked the wrong guy. But
the woman who picked Billy picked a way worse person.
Speaker 2 (38:55):
Oh yeah, I mean all these women could do way better.
Speaker 1 (38:58):
Yes, yes, actually, oh so then also Rob Schneider at
the end, he gets away, he blows away short my boss,
bad mob boss.
Speaker 2 (39:08):
Yeah, short King gave my boss.
Speaker 1 (39:10):
And takes the money and goes to where's he go to, like.
Speaker 2 (39:13):
King Coon or Mexico, Mexico where it's in.
Speaker 1 (39:16):
Mexico And he meets a woman that he's known for
like five days and he loves her and then he
is killed. Is he killed by short mob boss.
Speaker 2 (39:25):
J King my boss, Gay short King my boss?
Speaker 1 (39:27):
Gay short King my boss? Did he not kill gay
short King my boss because he shot him point blank
with a shotgun?
Speaker 2 (39:34):
Yeah, I don't think he murdered. I don't think he
killed him.
Speaker 1 (39:36):
So then gay shork King mob boss finds Rob Schneider
and kills him and that's the end of the movie.
Speaker 2 (39:42):
Yeah, And it's a blackout gunshot. That's the end of
the five. It's it's like gone baby, gone versus gone Girl.
It's like gone baby, gone girl, Gone.
Speaker 1 (39:51):
Baby, gone girl, breaking bad better call Saul. It's weird. Yeah,
and a little the animal in there, you know.
Speaker 2 (40:00):
Oh yeah, Well there's always a little bit of the
animal in any Rob Schneider film. That's built in.
Speaker 1 (40:06):
You can't take the animal out of them.
Speaker 2 (40:07):
You can't take the animal out of the Schneider.
Speaker 1 (40:09):
Also, the movie's just like the sound mixing's done really
really poorly. You could hear like background noise fade in
and out from takes. I watched the movie with headphones
on and it was really distracting, So make sure to
watch it on to be on the bus on speakerphone.
Speaker 2 (40:28):
Honestly, that's the best viewing experience you could ask for.
Speaker 1 (40:31):
The best way to view it is if you're somebody
on that bus and it's not your device, so you
can be scrolling through Reddit as you hear this vaguely
in the background.
Speaker 2 (40:40):
Honestly, I want to be watching it from the person's
cell phone who's sitting directly in front of me on
the bus. That's what I want, That's what you want.
But I want to be able to hear everything. But
I want it on a tiny screen that I'm edging
over someone's shoulder to be able to watch.
Speaker 1 (40:55):
Excuse me the way, are you trying to mooch off
my two B account? It's free, right, But these commercials
are for me. They're especially curated.
Speaker 2 (41:04):
I paid to be shocked to death by my favorite commercials.
Speaker 1 (41:08):
Tied that Baby's Gone, I'm John Cena buy a car.
I think I've had a general commercial on there. You know,
I know Shack shows up sometimes.
Speaker 2 (41:20):
Oh well, Shack is anytime you watch just basic anything,
you're guaranteed to see a Shack show up. Shack's in there.
Oh man, what other notes you got? Honestly, that's about it.
We kind of touched on everything. Yeah, my last note
I wrote was what is happening?
Speaker 1 (41:38):
What's that for?
Speaker 2 (41:39):
I don't know. It could be anything, Honestly, it could
be anything. I will just say he'd also did put
a baby in a duffle bag. I don't know if
we that or not, but he puts it. He snuck
a baby out in a duffle bag.
Speaker 1 (41:51):
He threw the baby, which was a plank in a blanket,
into a duble bag and just walked straight out with
a black hood on. Like he dressed like what you
would dress suspicious if you said, draw somebody who's suspicious.
It's this man.
Speaker 2 (42:08):
That's why I'm constantly like, hey, why does Rob Schnyder
and whatever the billy, have an actual fucking case. Someone
walked in in a hoodie and all dressed in all
black and snuck in and out with a baby in
a double bag, Like what are we doing?
Speaker 1 (42:25):
And he was missing for hours? This baby, this baby
was missing for hours and nobody knew.
Speaker 2 (42:32):
Nobody.
Speaker 1 (42:33):
Horrible, horrible hospital.
Speaker 2 (42:35):
What was the deal? He set up a bunch of cameras, Yeah,
was to deal with that.
Speaker 1 (42:40):
He used those cameras to tell when his wife was
sleeping and when the nurse was going to leave. Oh,
so he like set up some cameras around to make
sure he had some like you know, exits.
Speaker 2 (42:52):
I see interesting.
Speaker 1 (42:54):
I don't know. I think security is a little bit
not that lax around babies. I'm not sure. I hope.
So here's a life announcement to everybody. My wife and
I are having a baby.
Speaker 2 (43:05):
Yeah, I will buy it.
Speaker 1 (43:08):
I need a through guy, I need another guy. I
have to give it to. What. Let me call up
Rob Schneider. That's probably the best guy.
Speaker 2 (43:18):
I'm gonna steal a babybydressing in the most blatant steal
baby clothes you could possibly do.
Speaker 1 (43:24):
You know what, Let's give it a shot. I'll give
you a call when we have the baby, and I
want to see if you could steal the baby, to
see how easy it would be. But if you get caught,
I'm not saying anything.
Speaker 2 (43:34):
I won't get caught because I'm going to be really
inconspicuous when I plant about a dozen cameras everywhere. No
one's gonna catch me planting the cameras, nor will they
catch me sneaking in. Nor would they catch me with
a duffle bag, Nor would they catch me putting a
baby in a duffle bag, nor would they catch me
exiting with a baby in a duffel bag.
Speaker 1 (43:52):
And you know what, I'm gonna leave all the cameras
that I used behind, yes, to be found and then
given to me later by.
Speaker 2 (44:01):
An insurance investigator who will do nothing about it.
Speaker 1 (44:04):
Yes, he just knows that it's there. He's like, hey,
he just knows.
Speaker 2 (44:08):
I got a weird feeling about that guy. I won't
pursue it, but I got a weird feeling by that guy.
Speaker 1 (44:12):
Should I use these cameras to have sex with that
woman's sister? I got pink hair. I like that.
Speaker 2 (44:18):
Anyway, I'm gonna go hang out on my boat, the
Miami Harbor so stupid, man, This movie is fucking horrible.
Speaker 1 (44:28):
Yeah, it's a bad movie. If you can't tell, I
don't have any other notes. Are we gonna we're gonna
have to rank this?
Speaker 2 (44:33):
I mean, this is a I just added it to
my list.
Speaker 1 (44:37):
Oh is yours on letterboxed? Are you still on IMDb? Well?
Speaker 2 (44:41):
Am I AMDBB I can over a letter box?
Speaker 1 (44:43):
No, no, no, keep it on IMDb. I might have
kept mine on there. I don't even know. I'm trying
to find him now. So where Caleb does dead wrong?
The two B classic go.
Speaker 2 (44:54):
I'm putting it just above the Chosen One? Wow, okay,
and just below Big Stan.
Speaker 1 (45:01):
Oh, worse than Big Stan? Yeah, worse than Big Stan.
You know what, I gotta agree with you. I gotta
agree with you. Big Stan is is a bigger pile
of shit than this gay Stan. Gay Stan. Big Stan
had a lot of homophobia in it, is what I'm
trying to say.
Speaker 2 (45:22):
Yeah, instead you said I said gay Stan, and I
as a gay Stan. Big Stan had a lot of
homophobia in it.
Speaker 1 (45:31):
So where so is that? Where's that at? What number
is that at?
Speaker 2 (45:34):
That's thirteen for me, So just to be clear, it's
above the Chosen One, but below big stand so big Stan,
I have a twelve and I'm dead wrong. Then I
have chosen one. Then inappropriate comedy is still the biggest
pile of ship.
Speaker 1 (45:46):
That's what I have. That's that's the lowest one to me.
So what's your what's your top What are your top three?
From three to one?
Speaker 2 (45:53):
Three is Judge Dread, Two is Deuced Bigelow European Jiggle
classic and number one one is Douce bigel o' maile.
Speaker 1 (46:01):
Okay, okay, that's a good that's a good top three?
Speaker 2 (46:05):
What is yours?
Speaker 1 (46:06):
Uh? Well, where would I put this film?
Speaker 2 (46:09):
Yeah?
Speaker 1 (46:10):
I did?
Speaker 4 (46:10):
You?
Speaker 2 (46:10):
Are you not putting in the same spot?
Speaker 1 (46:12):
No, not the exact same spot, because I don't know
how I feel about the Chosen One.
Speaker 2 (46:20):
Yeah, but I could see a case to be made
about the Chosen One having just that one moment alone
with Rob Schneider. What is it?
Speaker 1 (46:29):
It's like a bird, oh in the bird, And I
mean that's so good. I think that alone?
Speaker 2 (46:34):
Yeah, you know what, because like the movie overall is
way worse, but it might be an more enjoyable watch.
Speaker 1 (46:41):
I don't know. Yeah, you know what you're telling me? Hey,
Bacon do I have to watch the Chosen One or
Dead Wrong? And I guess I'm telling you to watch
Chosen One. So I'm gonna put this below Chosen One
and above in appropriate comedy. This will be my second
least favorite Rob Schneider film.
Speaker 2 (46:59):
HM.
Speaker 1 (46:59):
The bottom uh three are the Chosen One, fucking dead
wrong and in app appropriate comedy. My top three from
three to one are Deuce Bigelow, Male Jiglow, two is Knockoff,
and one is Deuce Bigelow European Jiglo. I think the
superior Jigglo movie. You put it, You have it really
(47:20):
high on your so I think we both agree that. Second,
I think that we both agree that if you're gonna
watch two Rob Schneider movies, just watch the Male Jiglo duology.
Speaker 2 (47:31):
Yeah, of course, and and European Jigglow is just for
tick base got.
Speaker 1 (47:36):
A boob job.
Speaker 2 (47:37):
Boob job is worth it. But I would never tell
someone to watch it by themselves. You really liked Knockoff
that much?
Speaker 1 (47:48):
I guess I have it at number two. I don't remember, dude,
it was a long time ago we watched that. I know, what,
do you want me to watch it again? Are you
fucking serious, you want me to watch it?
Speaker 2 (47:57):
I have it at six six.
Speaker 1 (47:59):
Okay, well I have I have Judged Dread at five,
then I have the Animal at four. Six is the
Hot Chick for me?
Speaker 2 (48:05):
I have Knockoff at six, Hot Chick at five, The
Animal is at four, Judge Dread three. Yeah, and so on.
Speaker 1 (48:12):
Yeah. You could check out our both our lists in
the show notes and also probably put Caleb's letterbox on there.
He should check that out. Check out our Instagram. I'll
put random stuff up on there from time to time,
so enjoy that. Wanted to just get this one out
before the end of the year so you had a
little content over the holiday. We will be back for obviously.
(48:35):
We know about a Happy Gilmore two currently filming, currently filming,
so we're really excited about that. We'll probably be back
before Happy Gilmore two comes out with something else, you know.
I'm sure there's a Kevin James movie that's going to
be coming out soon or something like that, and Rob
Schneider's shitting out these you know, A More S and More.
As soon as that comes out, we're going to have
(48:55):
to watch that.
Speaker 2 (48:57):
What is it that the Spanish one?
Speaker 1 (48:59):
The Spanish one and it's I think it was written
by his wife, I do remember, or something like that.
I can't wait, Oh man, I can't wait. Uh but Caleb,
So would you say, Rob Schneider? Could you not? That's
all right? Could you not?
Speaker 2 (49:17):
Let me be very very clear, Okay, I have.
Speaker 4 (49:24):
Police reports, testimony from eyewitnesses. I got lad reports, all
describing in great detail the fact that the level of
your poorly run hospital inept, unsecure and negligent to a
degree that's almost incompra fucking ancible. You failed to protect
(49:46):
a newborn baby and as a result of that, destroyed two,
probably three lives. Yeah, you want to go to trial.
Speaker 1 (50:03):
Wow, let's go a trial.
Speaker 4 (50:07):
I will parade mister and missus Evans on every news
site and social media platform from here to Beijing. I'm
gonna turn this case into an international fucking scandal and.
Speaker 2 (50:22):
Then shove it up your asshole.
Speaker 4 (50:25):
Give me weeks, give me weeks of bad publicity every
day in that court room. Give it to me and
all your fucking company. Sixty million dollars, gentlemen, not a
penniless
Speaker 2 (51:00):
Ey
Rob Schneid, is it somewhat popular?
Speaker 2 (00:05):
Comedic actor? Shocks are like dogs. They only knighte when
you touch the private post. I think there's been a mistake.
Speaker 1 (00:13):
Did you say stage?
Speaker 3 (00:14):
They want together like flam on tumafish claustrophobia.
Speaker 4 (00:18):
It's the gayest of all photists.
Speaker 1 (00:20):
You can do it. Keep hop keeping as my life
socks read it, bg JG the.
Speaker 4 (00:26):
Tomster making coffy, mister Tom.
Speaker 1 (00:32):
Welcome to Rob Schneider. Could you not a complete retrospective
of all Rob Schneider movies past present but still somehow future.
I'm Robert Bacon, and with me is who me?
Speaker 2 (00:45):
Oh? Just Caleb George drinking out of my Adam Sandler
please stop mug.
Speaker 1 (00:49):
Oh look at that. That's great. That's great in the
show notes, if you want an Adam Sandler, please stop mug.
You can go ahead and get That's a great gift
to give an enemy.
Speaker 2 (00:59):
Hey, they won't know what the fuck it is?
Speaker 1 (01:06):
Like? What's wrong with what's wrong with this face? Maria
is not with us. She has a wedding to plan, so,
you know, more important things than watching this piece of garbage.
Speaker 2 (01:17):
She's also smart, that's the other one. She also knows
how to value her time. Yeah, I think I think
that's also it.
Speaker 1 (01:25):
We tried to schedule this once and it just didn't
take because the movie's so shitty.
Speaker 2 (01:31):
None of us were interested in No, it's like.
Speaker 1 (01:33):
Do we have to? But you know what we do
because it's on TB now, it's on TOOB for free.
Anybody can watch this, is it?
Speaker 2 (01:41):
Really?
Speaker 1 (01:41):
Yes? What are we watching this time? We watched Dead Wrong,
which had a limited release on May twenty first, twenty
twenty four, in a very small number of theaters, like
a handful.
Speaker 2 (01:52):
Just Scottsdale, Arizona. Is that right where Rob's from?
Speaker 1 (01:56):
They got that market locked down.
Speaker 2 (02:00):
It was all Rob and Rob's neighbors.
Speaker 1 (02:02):
I assume they weren't watching Jake Paul Tyson. They were
just watching the animal again, like they are keeping him afloat.
Oh my god. So you can watch this on two
be for free. Just look up Dead Wrong, you know.
And I think TWOB is actually the perfect place for
(02:22):
Rob Schneider. I think Rob Schneider and Tube go hand
to hand. Adam Sandler and Netflix they go hand in hand.
And Kevin James and Old Country Buffet they go hand
in hand.
Speaker 2 (02:36):
I agree Rob Schneider on two B is great because
it's low quality. The ads absolutely scream at you every
ten to fifteen minutes.
Speaker 1 (02:46):
I like watching a movie that way. I like.
Speaker 2 (02:48):
I love it too.
Speaker 1 (02:49):
I like it. It's like, h this movie's really boring.
Speaker 2 (02:51):
Ty you got stage?
Speaker 1 (02:56):
Oh shit, why are they so aggressive? The tied Steven
settle down, Tied, I'm already using you all right?
Speaker 2 (03:04):
It truly, it's scarce the shit every time, and it
also stops right before the actual act breaks and it
comes back, you're like, it's like three or four seconds
of the previous scene. So you're like, we can't get
the commercial just a little bit better, We can't delay
for a second more.
Speaker 1 (03:20):
They're auto generated. They don't even place them in there days.
Speaker 2 (03:25):
It sucks because two v's library is really good. It's
pretty so many good movies on.
Speaker 1 (03:29):
I'm like, oh, especially their library of commercials, Like I
even get Spanish commercials and I don't speak Spanish.
Speaker 2 (03:37):
Largest library of commercials you find out there of any
streaming service.
Speaker 1 (03:43):
We are not sponsored by two B, but we are
sponsored by Old Country Buffet. Come on down. We'll be
playing Kevin James in the background of the gift shop
Old Country Buffet. You could also if you're on two
B and you're just like, man, I'm just gonna make
a day out of ruining my life, and you want
to watch a bunch of Rob Schneider's. They got Daddy
Daughter Trip. They do they do, so you could watch
(04:06):
Daddy Daughter Trip on to to be, you know, double
feature Daddy Daughter Trip and then this and uh reevaluate
what you're doing with your life. There's also Big Stan,
the Reef two, the Animal in Appropriate Comedy, remember that
one his Library, Surf, Ninja's Knockoff, and American Virgin all
(04:27):
on to B.
Speaker 2 (04:28):
They have so many prop snier films, so let's say
too many.
Speaker 1 (04:34):
Yeah.
Speaker 2 (04:35):
I would several times to anyone who will listen.
Speaker 1 (04:38):
I try to find out any information on this movie.
Can't there's nothing not It's been scrubbed, like they don't
want anybody to know this movie fucking exists even to
be When you search, it's like, are you positive?
Speaker 2 (04:52):
Is that what you want to wait? To be's? Making
sure you're to B is wow?
Speaker 1 (04:59):
Yeah? And then sometimes they check in with you if
you're still watching Dead Wrong, They're like, are you still okay?
Is everything okay?
Speaker 2 (05:06):
I mean we named it dead wrong, and you still
want to watch it. I'm just making sure, okay.
Speaker 1 (05:14):
Anyway, I just found there's only one interview of him online,
and it's him with like a YouTuber who you know
does a fun job. But we don't really find out anything.
It's mostly just Rob complaining like an old man and
saying that like movies is like a numbers game. We
all know this. How he likes to speak his mind.
He's really all about that right now. The plot of
(05:36):
this movie a narcissist Concox a get rich quick scheme
that ignites a violent chain reaction and overwhelms the lies
of those around him. Caleb, we watched this individually all
the way through. It's very long.
Speaker 2 (05:52):
It's too long. Yeah, an hour and fifty minutes. It's
two hours and five minutes if you watch it on
two B.
Speaker 1 (06:01):
Again, not sponsor, but two. I want to let everybody
know that our sponsored Old Country Buffet. Hey, come on down,
get a biscuit just covered in gravy. You wind up.
We call it biscuit soup. We give you a bowl
of gravy and we drop a biscuit in it. Old
Country Buffet.
Speaker 2 (06:19):
Sorry you were saying about how long.
Speaker 1 (06:21):
It's too long, and I'm making this even longer. And
it starts out with inspired by actual events. And I
googled this and I could not find any sort of
events that vaguely represent what happened in.
Speaker 2 (06:34):
This that's because any this is this, viewer, beware any
that phrase that phraze can be construed every ways. But
inspired by true events you can slap on anything that
means anything. I could have farted in the wind and
been like disinspired the aviator, like it doesn't really matter,
Like that's what inspired by true events means. It means
(06:54):
it's just like I had an idea because I saw
fucking this thing. But like versus, like versus some of
the other ones, which is based on true events, right,
Like inspired is the most vague one you could throw on.
So I don't know why you would throw that one
on this one unless you're just like this outrageous story.
I don't think it's that outrageous. I don't think it is.
Speaker 1 (07:15):
Before we go any further, I do want to say
that this podcast is inspired by true events. We watched
the movie. Do you have notes? I went through so
many notes. Okay, let's get let's dive in these notes.
I got so many notes about Rob Schneider.
Speaker 2 (07:31):
Some of them don't make sense. Yeah, but my first
note is inspired by true events with a stupidly vague phrase.
That was my first note, followed by vague, unoriginal and
uninteresting cold open.
Speaker 1 (07:43):
Oh that we see later. The one thing I did
find out is that same scene later that's in the
streaming version. The theatrical version, it did not do that.
Speaker 2 (07:54):
It didn't come back to that scene again.
Speaker 1 (07:56):
No, it just never started with that scene. It just
started without the flashback.
Speaker 2 (08:00):
You don't need the flashback either. You don't need the
opening cold open. You don't need it.
Speaker 1 (08:04):
You don't. That was That was a change made obviously
really late in the game. Put in the theaters of that,
and a bunch of the music changed. It was different
music than in the theatrical than the streaming.
Speaker 2 (08:13):
Yeah, because the music in this is ridiculously bad. It's
like just cheap free, royalty free music.
Speaker 1 (08:23):
It feels like because they didn't have the right why did.
Speaker 2 (08:26):
They have the cold open? I understand that added five
minutes to the movie. Our movie could have been an
hour forty five, two hours on two be easy.
Speaker 1 (08:33):
Well, I think they liked to do that, because then
they were able to do one year earlier and then
a little bit later it was eight months later.
Speaker 2 (08:41):
But all that shit was confusing far.
Speaker 1 (08:44):
No, so you want to make your audience confused, because
if you leave confused, then maybe you're like, oh, is
it my fault that I didn't like this movie? You know?
Is this movie really good? And it was smarter than me.
Speaker 2 (08:57):
It's constantly assuming that the audience is dumb. Because there's
a character that gets pregnant and they talk about having
a baby. Oh, you have to you have the easiest
convention of passing time. She wasn't pregnant. They were talking
about getting pregnant. She's pregnant. Now I will make the assumption.
Speaker 1 (09:13):
Time later months later, after you went a.
Speaker 2 (09:18):
Year back, has been a month forward? Like it just
they kept being like time is important, and I'm like,
is it really?
Speaker 1 (09:24):
In this movie they had to turn down a guy
trying to make like a timeline on the side of
the screen, like as it was going, so just you
knew where you were in time?
Speaker 2 (09:34):
This was this isn't fucking Christopher Nolan creating a tenant
timeline here, Like we don't need I don't need you
to tell me which direction we're jumping back and forward.
I can. I can figure it out.
Speaker 1 (09:46):
I think, I think. Can we just cut to the chase?
Can we just go through the plot of this movie?
Speaker 2 (09:51):
Yes, we should do that for because it will get
really confusing if we don't. Because it's a fucking really
confusing movie.
Speaker 1 (09:57):
So we have a guy named Billy and he's a
big old piece of shit and his job is he
works for Chet Hanks. He's a gangster that you know,
he's only about the drugs and he gets really mad
about any kind of death or sex trafficking, like he's
he's got a conscience, right, And Billy works for Chet Hanks.
(10:21):
And Billy has a wife that wants to have a baby,
but he's too busy cheating on her with her sister.
Speaker 2 (10:29):
Yeah, which she seems comfortable with until Billy decides to
have a baby, and at that point she's got to
cut him off. She doesn't want to hurt her sister.
Speaker 1 (10:37):
No, No, that's wrong, Caleb. Yeah, yeah, cheating with your
sister's husband is wrong once she's pregnant. We all know
that's the rule.
Speaker 2 (10:48):
That's the rules, buddy, that's how it works. So cheat, cheat,
till you knock him up. That's what I think.
Speaker 1 (10:55):
Also in this universe, there is another gangster, but he
does not have a heart of go. He's the bad gangster.
So we have a good gangster Chet Hanks. I don't
really understand his character, and we have this really bad
gangster guy and bad gangster you know, he gives out
loans and stuff to you know, degenerates, like Rob Schneider,
(11:15):
a attorney who has a gambling problem and owes them
a bunch of money. So he owes bad gangster a
bunch of money. Instead of taking the money, He's say, hey,
you have to be a you have to be a
crooked lawyer. Now you're a you're a mob lawyer. And
it's kind of like a better call Saul situation if
you wrote it like a moron.
Speaker 2 (11:36):
Yeah, this is like a big lots better call Saul,
like a fucking dollar general better call Saul.
Speaker 1 (11:42):
I wish it kind of was a better call Sau situation,
or at least we could see like him, maybe he
being him being a good person, because we didn't really
see him being a good person. He shows as himself
being a good person.
Speaker 2 (11:54):
We can get into it, okay, but My problem with
this whole movie is I don't know who to root for.
I don't know who the good person. I don't know
who the protagonist is in this movie.
Speaker 1 (12:02):
Billy's wife, Yeah, she's the only She's so good of
a person that when her baby that was stolen from
her is shown to her.
Speaker 2 (12:15):
She patiently waits to have it returned. We will get
to that. Well, let's just get to that, Okay, So
you tell the rest of the plot.
Speaker 1 (12:25):
The rest of the plot is the most important. That's
just the setup, all right. There's the characters. Billy he's
not getting enough money because he's with you know, Chat Hanks.
He's like, you know, not making enough money as a gangster.
And he sees a news report about babies being stolen,
and it gives him the idea to steal his own baby,
sell that baby, and then once he sells the baby,
(12:46):
then turn around and sue the hospital for millions of
dollars so he could be a millionaire. And he decides
to use Rob Schneider, the lawyer, as the go between.
Is he's gonna he steals this baby from the hospital,
gives it to Rob Schneider, he pays Rob Schneider for
doing this. Then Rob Schneider sets up on his side
(13:07):
a deal with a guy who just got out of
prison and his wife who want a kid. We've got
to talk about.
Speaker 2 (13:14):
This, yeah, because it's a really weird plot line. And
uh yeah, it's a really weird plot line.
Speaker 1 (13:20):
So I forgot about this crazy storyline because this is
just slapped on there. A guy gets out of prison
and meets his wife, and we find out that prison
guy and his wife can't have a baby because we
learned this through a flashback when they were like out
on a walk in the middle of nowhere, like in.
Speaker 2 (13:40):
Far the middle of the fucking Missouri. I don't understand
where they.
Speaker 1 (13:45):
Are fucking nowhere, in the middle of nowhere. There's a
fucking dirt road. Him and his wife are on a
walk and they are mugged, like guys come up like
it's an alley in a street.
Speaker 2 (13:56):
It's like a fucking like a pair of fucking vagabond
hope like like they should have little sticks with little
bundles like that's what they looked like. They just like
and they weren't threatening really all.
Speaker 1 (14:09):
They just kind of.
Speaker 2 (14:09):
Came out of the bushes and stood there. It was
really weird.
Speaker 1 (14:13):
Prison guy didn't really like that, and he couldn't stop himself,
and he was able to disarm the guy and stab
him in the neck with his own knife.
Speaker 2 (14:22):
Yeah, and he went to jail for it, and he.
Speaker 1 (14:24):
Went to jail for it, but also didn't Did that
guy end up stabbing his wife in the stomach? Is
that what happened?
Speaker 2 (14:30):
I think Again, it's not clear, but she at that
moment when he stabbed the like, this is what I
think happened. She starts to like convulse and I think
maybe the stress of the event, yes, caused her to
I think have a miscarriage. But my favorite part is
she's like she starts to fall down. She's like, something's
wrong with the baby. Obviously he's like on top of
(14:52):
this dude and he sees it and it's like, real quick,
let me just stab this guy and this test like
and they just stabs him in the throat and then
gets up and goes to tend to her needs. It's
like why, it's like an active moment of like, oh honey, okay, here,
let me just finish his death real quick. Like it's
so weird. It's so weird.
Speaker 1 (15:11):
You can understand what this movie is trying to do
a lot of the times, it just doesn't do it
very well.
Speaker 2 (15:16):
But it's based on a book.
Speaker 1 (15:18):
Oh I read that too, but I couldn't find any
book that had this plot.
Speaker 2 (15:23):
Like, they're making all this shit up, you know what
they're doing.
Speaker 1 (15:26):
So that prison guy he gets out of prison and
him and his wife are like, we got to have
a baby. We really want a baby, but we can't
make a baby. We really need a baby. That's basically
what they do. That guy for some reason goes to
Rob Schneider and he's like, I need a baby. You're
a bad lawyer and I need a baby. And Rob
Snyder's like, yeah, it's gonna cost you money, baby. So
Rob Sneider's playing both sides of this deal's getting money
on both sides. And he gives this baby to Oh,
(15:51):
thank you so much for the baby, that guy, and
then he takes it back to his wife. And that's
basically the beginning part of the plot.
Speaker 3 (16:00):
Right.
Speaker 2 (16:01):
It's wild. It's wild, and there's so much more to unwrap,
but that's essentially the breakdown of it.
Speaker 1 (16:06):
Yeah, yeah, uh, what else did I write about this?
There's some weird sex scenes in this.
Speaker 2 (16:12):
I wrote that this is soft soft core porn.
Speaker 1 (16:14):
Yeah, yeah, that's good. I'd say that it's it's like
the beginning of a soft core porn and it cuts
right before yeah. Anything.
Speaker 2 (16:24):
There are so many weird character plotlines that you're like,
is this necessary? Like is the insurance investigator dude necessary?
Speaker 1 (16:33):
Post film we didn't talk about that, so in like
act three we're introduced too.
Speaker 3 (16:38):
Yeah.
Speaker 1 (16:39):
Yeah, there's an insurance investigator that's treated like an FBI agent.
You know, he like walks around, he's like insurance investigators.
Speaker 2 (16:45):
He looks addresses like he's like a Miami de detective
from Dexter Like he's like it doesn't that energy. But
then you realize like he has no teeth, like at all.
There's nothing he can do. He's an insurance and investigator.
And at the end of the film, he just ultimately
is like, yeah, I'm not gonna I'm not gonna pursue it,
and I'm like, so, what is your purpose here? He
(17:09):
just gives up. Yeah, he was like, I just wanted
to bone the pink the pink haired lady. That's all
I wanted to do.
Speaker 1 (17:14):
The sister. Billy's wife's sister has pink hair, and she
ends up having sex with the detective and they fall
in love. I don't know that was the only love story.
Speaker 2 (17:24):
I don't know.
Speaker 1 (17:25):
Oh no, So he comes in and he's investigating this
because he's like, no way that a baby was stolen
from the hospital. This Billy guy's shifty as can be,
and Billy does a really horrible job of not being shifty.
Speaker 2 (17:37):
Yeah, my favorite part about what you just said is
no way someone could steal a baby from a hospital.
But it's very funny me because a baby was absolutely
stolen from that hospital. Yes, and and there was a
part of me while I was watching. There's this big
negotiation scene that they have. Rob Schneider is representing Billy
and the hospital is there with the insurance investigator and
(18:00):
Job is kind of defending Billy and saying we want
that They're trying to negotiate really a settlement. What's going on?
At one point I was thinking, like, why am I
on the side of fucking Billy and Rob Schneider. A
baby was stolen from the hospital. What measures are you
taking to make sure someone just doesn't walk in and
take a baby? Like I don't understand why this was
(18:24):
even possible.
Speaker 1 (18:26):
They show him breaking into the back of the hospital
with nothing in his hands. The door is shut, it
looks like it's supposed to be locked. He kind of
like waves his hands over it and opens up the
back of the door. So the back door was never locked.
So that is a horrible, horrible hospital.
Speaker 2 (18:44):
Yeah, why isn't there someone at the desk at all
times to make sure whoever comes out of the rooms
or goes into rooms? Like it doesn't make any sense.
But at one point I was like, well, a baby
was stolen and that is the hospital's responsibility. But is
it worth sixty million? I don't know about that.
Speaker 1 (19:03):
I mean, did you see that baby not worth sixty
million dollars?
Speaker 2 (19:05):
Did I see the baby in the Duffel bag?
Speaker 1 (19:07):
Yeah?
Speaker 2 (19:08):
Yeah, I saw the baby in the Duffel bag. There
is we put it in a Duffel bag.
Speaker 1 (19:12):
There is a lot of fake baby, and they don't
even try to show the face because it's just a
plank fake. I think it's a plank of wood.
Speaker 2 (19:19):
It truly is a fake. The fakest baby I've ever
seen since fucking that American sniper. American sniper.
Speaker 1 (19:26):
Yeah, but they did actually show two shots of a
baby for like fractions of a second, so they didn't get.
Speaker 2 (19:34):
It's really tight shots.
Speaker 1 (19:35):
I have a feeling that monologue by the way that
Rob Schneider goes on where he just rants, uh you know,
he walks into the room it's the hospital people, and
and he gives this monologue. I wrote it down because
I kind of want to memorize this and then like
use it in an audition.
Speaker 2 (19:53):
Oh my god, you wrote it down.
Speaker 1 (19:55):
I wrote it down. You want to hear it? Yes,
let me be very very clear, Okay. I have police reports,
testimony from eyewitnesses. I got lab reports, all describing in
(20:17):
great detail the fact that the level of your poorly
run hospital inept unsecure and negligent to a degree that's
almost incomporcinghensible. You failed to protect a newborn baby and
as a result of that, destroyed two, probably three lives. Yeah,
(20:39):
you want to go to trial. God, well, let's go
to trial. I will parade mister and missus Evans on
every news site and social media platform from here to Beijing.
I'm gonna turn this case into an international fucking scandal
and then shove it up your asshole. Give me weeks,
Give me weeks of bad publicity every day in that courtroom.
(21:02):
Give it to me and all your fucking company, sixty million, gentlemen,
not a penny less, and it all goes away. I'll
take my oscar. Incredible, And I want to point out
I think Rob Schneider kind of forgot his lines at
(21:23):
the beginning because it doesn't really make any sense. No,
I have police reports, testimony from eyewitnesses. I got lab reports,
all describing in great detail the fact that the level
of your poorly run hospital, it doesn't make any sense.
Speaker 2 (21:40):
And not that I'm in a fin Rob Schneider for
a fucking second. But it is hard to distinguish between
whether it's Rob or the writing. I have no idea,
because the writing in this movie he you know what.
Here's why, I say, very briefly, if you are a
filmmaker or a writer or a producer or an actor
or whatever you are, like, go out and think make
(22:03):
your art, because this shit is like the one of
the worst scripts I've ever seen on screen. It is
so bad, horribly written. It is horribly written, and I
just kept watching it being like, how did this shit
get made? How am I watching it? How is it
accessible to me? I don't understand a lot of money
(22:25):
was to be How was to be making money off
of this? How is that fair to anyone? There's so
much better art that could be made, be put on,
to be at extra ten to fifteen minutes a runtime
to your whole experience, and that fucking I could be
a part of that. If you have art, if you
have a script, go write it. It's way better than
anything else that I watched, guaranteed. So sorry to interrupt.
Speaker 1 (22:53):
But we gotta listen to a few commercials Focie. So
I want to say I don't think in the actors
do a bad job. I think they do the best
of what they're given.
Speaker 2 (23:06):
I honestly, I can't believe I'm gonna say this, and
this is not necessarily a compliment, but I do think
that Chet Hanks is one of the best actors in
this movie.
Speaker 1 (23:15):
Yeah, Chet Hanks crushes good gangster.
Speaker 2 (23:18):
He actually does a really good job.
Speaker 1 (23:20):
He's got a neck tattoo. It's great.
Speaker 2 (23:22):
Yeah. One of my notes I wrote down is, ooh,
squirrel got a two for one on the spider tattoos.
Do you remember that? Yes, I got two for one
deal on a spider tattoo. He's got one big one
on one small one on his neck.
Speaker 1 (23:37):
His named a squirrel. There's a character named Squirrel. Didn't
even need to talk about him, didn't he was He
was one of my favorite characters. Though I wish that
we followed Squirrel.
Speaker 2 (23:47):
Yeah. There were a couple of characters that giving me
kind of like, you know, dollar store breaking bad, like
even Chet Hanks. And this is very much like, uh
it was an air and uh, what's his face from
Breaking Back?
Speaker 1 (24:02):
Sorkin?
Speaker 2 (24:02):
Aaron Sorkin from Breaking Back? Yeah, always walking and talking
every scene. No, but I really likes chetthanks. He's he
doesn't have the s like soft like touch of a
of a good actor, but his intention is very much
there and frankly, like in this entire film, I don't
know who I'm supposed to root for, but I do
(24:23):
know that Chehanks's character has the only moral compass of
anyone in this film. It's very odd. When he's like,
don't sell drugs of kids, I'm like, yeah, don't do that.
When he's like, we don't sell children into slavery and
he puts two bullets in two guys heads, I'm like, yeah,
Gough King, Yeah, of course, yeah, absolutely murder fine though, Like, fine, yeah,
(24:49):
you could kill people who bring children into into child slavery.
I'm fine with that, Yes, fine with it. And in
the end he dishes out the biggest justice of all.
So I'm kind of like he's the a bad guy
of the film because he's the only one who has
to see who seems to have any sort of moral
barometer at all, And it's very odd that's the case.
Speaker 1 (25:11):
They do a really bad job with Rob Schneider's character
of like, I don't know. Sometimes in each scene he
flip flops into being like he's into it. Most of
the time he's not into it. He's trying to get
out make them more of a sleeze ball, or make
him less of a sleeze ball. He's kind of in
this weird sleezeball territory. Yeah.
Speaker 2 (25:29):
Well, well, like even you know, the monologue that you
delivered fucking perfectly, thank you, it has a bit of
a moral air to it, versus if you had built
that character's storyline and his motivations a little bit. He
should go into that knowing he's absolutely a piece of shit,
Like I'm just getting this money. I know this is
(25:50):
all lie, but there's a moral superiority in that speech
that he kind of gives, which is probably just because
he lacks nuance as an actor to be able to
like do any of the so he's just going into like,
I'm gonna act this my heart out right now, which
is like, but that's not actually what this monologue is.
This monologue is a big fucking lie, And you're ripping
off insurance companies, which again, don't make me root for
(26:11):
insurance companies. What the fuck are you doing? So it's like, again,
like who am I supposed to root for in this thing?
And then in the end his character gets killed no
matter what, So it's like, what who is who's the guy?
Who's the character supposed to?
Speaker 3 (26:25):
Like?
Speaker 2 (26:26):
Who am I rooting for? Kill them all? I don't
give a shit.
Speaker 1 (26:28):
Kind of wanted all of them to die. At the
end of this one, all of them should have died,
so basically we should just finish what happens. So they
end up winning. Rob Schneider and Billy win. They get
the money from the insurance company. The guy who just
got out of prison who got the child who has
everything that he wants, heard on the news that they
won a settlement against the hospital and decides that he
(26:52):
wants a million dollars for some reason, and he blackmails
him into giving him a million dollars Billy and then
Billy on him and kills him. Why did that guy
want to get? Why was he being greedy?
Speaker 2 (27:04):
He kind of justifies it by saying like this is
gonna set me my family up. But it's like, okay,
but you also just stole or you also just got
a baby for like twenty five thousand dollars or something
like that. We're not really thinking ahead here, are we
on anything?
Speaker 4 (27:22):
Like?
Speaker 2 (27:23):
I don't know. It's just so weird to me. Nothing
is motivated in any sort of way.
Speaker 1 (27:28):
No. I did one of my notes, I hear I
wrote don and pick letters an hour left. Yeah, And
that's when I started drawing things Caleb like I drew.
I drew, and Billy's wife was crying.
Speaker 2 (27:41):
This is when I just started writing down just random shit,
like I wrote, Denise swears my baby DENI Denise Denise
wearies my baby DENI I'm like, why did we Why
is she named Denise? I wrote down short king mob
boss wait gay short king mom boss, Yeah, which is
(28:07):
so weird. There's he is a short King. He's gotta
be like five six, he's gotta be five to five.
He's a little tiny dude, and he and this is
like the bad mob boss, the nasty one guy. And
they just open it up with a scene where he's
like picks up a hitchhiker.
Speaker 1 (28:23):
Oh my, which I don't know why wait because the
movie was written fifty years ago and just came through.
I don't understand who hitchhikes? Who picks up hitch hikers?
What is happening?
Speaker 2 (28:35):
And why did he pick because I because it's a woman.
She's very attractive, right, So it's like it ends up
kind of being a trap and she's gonna rob him.
And so they get in the car. Short King's driving
singing a terrible song. She's in the driver's seat and
there's like a car stalled off this side, and she's
(28:56):
like we should pull over and help, and he's like, no,
I'm not going to do that. One charity today, that's
all you get. And then she pulls out a gun.
She's like, no, you're gonna pull over. So he gets
caught in a little trapped.
Speaker 1 (29:05):
And then the other guy pulls a gun. We got
double gun situation.
Speaker 2 (29:09):
Double gun situation to start.
Speaker 1 (29:11):
The start, that's how you start. Well. Second scene in
the film.
Speaker 2 (29:14):
Second scene in the film, first scene.
Speaker 1 (29:16):
Is million dollars being exchanged in the turn and you're like,
who is this? What's this going on? Why am I
being shown this doesn't matter? One year earlier.
Speaker 2 (29:23):
And like forty minutes into the movie, I was like, oh, okay,
the guy that went to prison was the guy that
got hit and Billy's okay, it's probably about the baby.
Like immediately I was like, oh, okay, now I understand
the first scene. I understand anything's going on. Yeah, but
I don't understand why he picked up this woman because
at first I thought like, oh, attractive girl, like maybe
(29:43):
that's and he's kind of nefarious, like he's you know,
coming across the kind of farious. But then he's gay.
Speaker 1 (29:50):
Maybe well, first of all, it's bad writing, but if
I'm going to make an excuse, he did sell people
into sex slavery, right, Oh, so maybe he was abducting
her for sex slavery.
Speaker 2 (30:03):
But also un clear.
Speaker 1 (30:07):
Yeah, it's also very weird and he ends up winning
that he shoots both of them, and that's just how
we learn that he's like cunning, evil. Yeah, he's the
bad bad man. Also, Billy's the bad man. A lot
of bad men in this.
Speaker 2 (30:21):
Chet's technically a bad man. He does stab Billy in
the end with like a fucking ten inch net blade.
Speaker 1 (30:27):
Oh yeah, you're right. Oh we forgot about that. So
Billy gets found out by Chet Hanks that he sold
his own baby and this whole thing, and then chet
Hanks guts Billy like a fish. Yeah, it's really graphic.
It's there's nothing else that that that's this graphic in
the film. And then it gets super duper graphic.
Speaker 2 (30:49):
It's because they also gouge his eyes out first. That's
the thing with the movie is it's like it borders
on bad, but then there's like weird sex scenes that
kind of give it like it's attempting to be this
Scorsese film, right, like where there's a sense of realism
and all this shit to it. And then there's this
violent scene at the end that's also like got bad
(31:11):
seat like special effects to tied to it. It's so weird.
Speaker 1 (31:14):
The blood in it is really weird. I drew thumbs
and eyes, but I did not draw them together, and
I wrote OMG, and then I wrote gut, like a
fish and I drew those are thumbs and eyes. Omg,
there's the knife. And then I wrote that was bad,
and I drew a little guy.
Speaker 2 (31:35):
That's way better than what I did. I just wrote
weird notes.
Speaker 1 (31:38):
Okay, what else you got? What other notes you got?
Speaker 2 (31:40):
So this made me laugh? There gay short King has
Gay short King. My boss has a muscle. He's got
like a muscle that he uses to kind of rough
up rock time and time. And I wrote the muscle
was like, I'm going full guy Richie because he's he's
(32:00):
got a British accent, but it really fades in and out.
It's not very good. But there's such a moment where
he like punches Rob in the face when he's in
the stall and he just leans over him. It's such
a guy Richie moment. He's like, you owe him so money,
so fucking come through with it. You understand me.
Speaker 1 (32:17):
You're late again. Mister Bones is very concerned that you
want now you don't handle your responsibilities. Do you understand me?
Speaker 2 (32:27):
Rolling those?
Speaker 1 (32:28):
I take my apple case and seriously.
Speaker 4 (32:30):
Or maybe he's sick or be inconvenienced by you, or
maybe he fondly thanks you in way over your fucking
head either way, I.
Speaker 1 (32:37):
Won't be late if on gold Gate money, you owe
him fucking money.
Speaker 2 (32:42):
Now come and gaze and you're.
Speaker 1 (32:44):
Like, what why is he British? He doesn't.
Speaker 2 (32:48):
But then it fades. It's so bad, it goes in
and out the whole fucking thing. I do want to
talk about the end with the baby. Okay, you talk
about the end baby, because sure, because the end is wild.
Then is wild to me? After the after Billy gets
gutted for selling his baby to Rob Schneider, who then
turned around and sold it to a guy who just
(33:09):
was out of prison for staving hobo, then let us
know if you're confused, Yeah, let us know what he is.
Then Rob shoots you know, short King Gay, Short King
mo Boss.
Speaker 1 (33:23):
Yet with a shotgun that was given to him as
a gift from.
Speaker 2 (33:26):
By Squirrel by Squirrel two for one on the spider tattoos.
This is all coming together, it's all Rob Snider shoots
short King gay, mob Boss, shoots guy Ritchie Mussel, and
then he gets the fuck out of there, right So
then at that point, the woman who has the baby
(33:46):
realizes her husband is not coming home because he's been
murdered by Billy.
Speaker 1 (33:51):
Though, the woman with the baby, who got the who
was given the baby, Yes.
Speaker 2 (33:55):
Yes, for her, I guess, I guess. But here here's
my problem. Okay, at the end of the film, that
woman who has the baby, who is given the baby,
who didn't ever say hey, how did she get the baby?
How did I miss this? Maybe I missed this, but
never did I remember there being a moment where she
was like, where did you Where did you get this
(34:17):
baby from? Where did the baby come from?
Speaker 1 (34:21):
I think she did maybe, And then it was kind
of like, you don't want to know.
Speaker 3 (34:26):
Keep him Jacob, why because because he belongs to somebody else,
somebody didn't want him. I believe God wants to stab
this child. I believe he picked you to be his mother.
Speaker 2 (34:49):
Honey, what shall we?
Speaker 4 (34:52):
Maybe the Bible tells us the answer to that question,
Joseph the son of Jacob.
Speaker 2 (35:00):
But also at the same time, there's a wilful negligence
there where you're like, you didn't stop to really understand
where this baby came from.
Speaker 1 (35:06):
I found it. So they were just giving them away
at the car wash.
Speaker 2 (35:12):
It was a door prize, new new grocery store opening.
Speaker 1 (35:18):
I don't remember any grocery store opening. What grocery store
opened is Marianna's.
Speaker 2 (35:23):
They got they got a big pile of pumpkins, a
big pile of babies right next to you. It's a
two for oneer. But I was like, we don't need
two babies, so I just grab one and then I
have five pumpkins as well.
Speaker 1 (35:33):
You're shopping it, Marianos. We don't. We don't have a
lot of money. You just got out of prison. We
live in the middle of nowhere. I only have one dress.
Speaker 2 (35:39):
Oh we don't, and the baby costs twenty five thousand dollars.
Speaker 1 (35:42):
Jesus Wait, but the pumpkins were free pumpkins. I don't
care we have We live in the middle of nowhere.
There's pumpkins everywhere. I need to know where the baby
came from. And why are you shopping at Mariana's.
Speaker 2 (35:52):
I was shopping there because I've got a hot bar
that I just can't get enough of.
Speaker 1 (35:56):
We don't have the money for you to be wasting
at a hot bar.
Speaker 2 (36:00):
Come on, well, you're not gonna believe baby.
Speaker 1 (36:02):
I'm calling that Marianna's. I'm asking how much babies are.
Speaker 2 (36:05):
No, don't but pick up a few extra pumpkins. I
manage money poorly.
Speaker 1 (36:13):
So she didn't ask, gives the baby back barely.
Speaker 2 (36:21):
That's that's that's what I'm getting too.
Speaker 1 (36:23):
Yeah, go ahead.
Speaker 2 (36:24):
That's my problem. Yeah, is that she comes up to
the woman whose baby was stolen. Like, I want to
be clear about this. This woman had a baby for
like a few hours, she went to bed, and then
that baby was stolen. This is a gone baby, gone situation.
Speaker 1 (36:41):
I wrote down.
Speaker 2 (36:41):
I wrote up baby gone yeah, yeah, yeah, yeah, truly
it is. And so she hasn't seen her fucking baby.
She held it for a little bit and she passed out.
She doesn't seen her baby. This woman comes up as
holding the baby. If I am the mother of this baby,
I am like, give me my fucking baby right now, Like, yeah,
give it to me.
Speaker 3 (37:00):
You.
Speaker 2 (37:00):
I don't know who you are. I don't care, but
give me my baby.
Speaker 1 (37:03):
You know, you don't say thank you for giving me
my baby back. Do you want to hang out with
my baby some more?
Speaker 2 (37:08):
Yeah?
Speaker 1 (37:08):
Do you want to hang out? Do you wanna maybe
steal my baby someday?
Speaker 2 (37:12):
Not only that, Not only that, but the woman was
like I can't remember what it was. But the woman's
like I named him Joseph, and the woman, the woman
whose baby was stolen, goes, I will keep the name.
I'm sorry what you're gonna keep the name? For the
(37:36):
why does what? This woman has owned your baby for
a week tops tops tops probably three days, she illegally
illegal baby. By the way, she not a good person
to have around your baby, period, no period, and she
is like I named him Joseph. I will, I will
honor that.
Speaker 1 (37:57):
I will.
Speaker 2 (37:59):
You have earned that, think you you raised my baby
for three days, and so you as tradition here in
Maricopa County. Now, I will retain and keep sir Joseph.
Speaker 1 (38:14):
Yes, I'm sure he's already too used to the name
by now. Yes, he'll be confused when I change it,
you know, considering he's four days old. In all four
days he's been Joseph.
Speaker 2 (38:27):
I'm so sorry to interrupt.
Speaker 1 (38:31):
But we gotta listen to a few commercials.
Speaker 4 (38:36):
Foci.
Speaker 1 (38:38):
The movie presents her like she is a good person
deep down, and that she just really wanted a baby,
and she just picked the wrong guy. Oh, I guess
you know she picked the wrong guy in a way,
and then she and she picked the wrong guy. But
the woman who picked Billy picked a way worse person.
Speaker 2 (38:55):
Oh yeah, I mean all these women could do way better.
Speaker 1 (38:58):
Yes, yes, actually, oh so then also Rob Schneider at
the end, he gets away, he blows away short my boss,
bad mob boss.
Speaker 2 (39:08):
Yeah, short King gave my boss.
Speaker 1 (39:10):
And takes the money and goes to where's he go to, like.
Speaker 2 (39:13):
King Coon or Mexico, Mexico where it's in.
Speaker 1 (39:16):
Mexico And he meets a woman that he's known for
like five days and he loves her and then he
is killed. Is he killed by short mob boss.
Speaker 2 (39:25):
J King my boss, Gay short King my boss?
Speaker 1 (39:27):
Gay short King my boss? Did he not kill gay
short King my boss because he shot him point blank
with a shotgun?
Speaker 2 (39:34):
Yeah, I don't think he murdered. I don't think he
killed him.
Speaker 1 (39:36):
So then gay shork King mob boss finds Rob Schneider
and kills him and that's the end of the movie.
Speaker 2 (39:42):
Yeah, And it's a blackout gunshot. That's the end of
the five. It's it's like gone baby, gone versus gone Girl.
It's like gone baby, gone girl, Gone.
Speaker 1 (39:51):
Baby, gone girl, breaking bad better call Saul. It's weird. Yeah,
and a little the animal in there, you know.
Speaker 2 (40:00):
Oh yeah, Well there's always a little bit of the
animal in any Rob Schneider film. That's built in.
Speaker 1 (40:06):
You can't take the animal out of them.
Speaker 2 (40:07):
You can't take the animal out of the Schneider.
Speaker 1 (40:09):
Also, the movie's just like the sound mixing's done really
really poorly. You could hear like background noise fade in
and out from takes. I watched the movie with headphones
on and it was really distracting, So make sure to
watch it on to be on the bus on speakerphone.
Speaker 2 (40:28):
Honestly, that's the best viewing experience you could ask for.
Speaker 1 (40:31):
The best way to view it is if you're somebody
on that bus and it's not your device, so you
can be scrolling through Reddit as you hear this vaguely
in the background.
Speaker 2 (40:40):
Honestly, I want to be watching it from the person's
cell phone who's sitting directly in front of me on
the bus. That's what I want, That's what you want.
But I want to be able to hear everything. But
I want it on a tiny screen that I'm edging
over someone's shoulder to be able to watch.
Speaker 1 (40:55):
Excuse me the way, are you trying to mooch off
my two B account? It's free, right, But these commercials
are for me. They're especially curated.
Speaker 2 (41:04):
I paid to be shocked to death by my favorite commercials.
Speaker 1 (41:08):
Tied that Baby's Gone, I'm John Cena buy a car.
I think I've had a general commercial on there. You know,
I know Shack shows up sometimes.
Speaker 2 (41:20):
Oh well, Shack is anytime you watch just basic anything,
you're guaranteed to see a Shack show up. Shack's in there.
Oh man, what other notes you got? Honestly, that's about it.
We kind of touched on everything. Yeah, my last note
I wrote was what is happening?
Speaker 1 (41:38):
What's that for?
Speaker 2 (41:39):
I don't know. It could be anything, Honestly, it could
be anything. I will just say he'd also did put
a baby in a duffle bag. I don't know if
we that or not, but he puts it. He snuck
a baby out in a duffle bag.
Speaker 1 (41:51):
He threw the baby, which was a plank in a blanket,
into a duble bag and just walked straight out with
a black hood on. Like he dressed like what you
would dress suspicious if you said, draw somebody who's suspicious.
It's this man.
Speaker 2 (42:08):
That's why I'm constantly like, hey, why does Rob Schnyder
and whatever the billy, have an actual fucking case. Someone
walked in in a hoodie and all dressed in all
black and snuck in and out with a baby in
a double bag, Like what are we doing?
Speaker 1 (42:25):
And he was missing for hours? This baby, this baby
was missing for hours and nobody knew.
Speaker 2 (42:32):
Nobody.
Speaker 1 (42:33):
Horrible, horrible hospital.
Speaker 2 (42:35):
What was the deal? He set up a bunch of cameras, Yeah,
was to deal with that.
Speaker 1 (42:40):
He used those cameras to tell when his wife was
sleeping and when the nurse was going to leave. Oh,
so he like set up some cameras around to make
sure he had some like you know, exits.
Speaker 2 (42:52):
I see interesting.
Speaker 1 (42:54):
I don't know. I think security is a little bit
not that lax around babies. I'm not sure. I hope.
So here's a life announcement to everybody. My wife and
I are having a baby.
Speaker 2 (43:05):
Yeah, I will buy it.
Speaker 1 (43:08):
I need a through guy, I need another guy. I
have to give it to. What. Let me call up
Rob Schneider. That's probably the best guy.
Speaker 2 (43:18):
I'm gonna steal a babybydressing in the most blatant steal
baby clothes you could possibly do.
Speaker 1 (43:24):
You know what, Let's give it a shot. I'll give
you a call when we have the baby, and I
want to see if you could steal the baby, to
see how easy it would be. But if you get caught,
I'm not saying anything.
Speaker 2 (43:34):
I won't get caught because I'm going to be really
inconspicuous when I plant about a dozen cameras everywhere. No
one's gonna catch me planting the cameras, nor will they
catch me sneaking in. Nor would they catch me with
a duffle bag, Nor would they catch me putting a
baby in a duffle bag, nor would they catch me
exiting with a baby in a duffel bag.
Speaker 1 (43:52):
And you know what, I'm gonna leave all the cameras
that I used behind, yes, to be found and then
given to me later by.
Speaker 2 (44:01):
An insurance investigator who will do nothing about it.
Speaker 1 (44:04):
Yes, he just knows that it's there. He's like, hey,
he just knows.
Speaker 2 (44:08):
I got a weird feeling about that guy. I won't
pursue it, but I got a weird feeling by that guy.
Speaker 1 (44:12):
Should I use these cameras to have sex with that
woman's sister? I got pink hair. I like that.
Speaker 2 (44:18):
Anyway, I'm gonna go hang out on my boat, the
Miami Harbor so stupid, man, This movie is fucking horrible.
Speaker 1 (44:28):
Yeah, it's a bad movie. If you can't tell, I
don't have any other notes. Are we gonna we're gonna
have to rank this?
Speaker 2 (44:33):
I mean, this is a I just added it to
my list.
Speaker 1 (44:37):
Oh is yours on letterboxed? Are you still on IMDb? Well?
Speaker 2 (44:41):
Am I AMDBB I can over a letter box?
Speaker 1 (44:43):
No, no, no, keep it on IMDb. I might have
kept mine on there. I don't even know. I'm trying
to find him now. So where Caleb does dead wrong?
The two B classic go.
Speaker 2 (44:54):
I'm putting it just above the Chosen One? Wow, okay,
and just below Big Stan.
Speaker 1 (45:01):
Oh, worse than Big Stan? Yeah, worse than Big Stan.
You know what, I gotta agree with you. I gotta
agree with you. Big Stan is is a bigger pile
of shit than this gay Stan. Gay Stan. Big Stan
had a lot of homophobia in it, is what I'm
trying to say.
Speaker 2 (45:22):
Yeah, instead you said I said gay Stan, and I
as a gay Stan. Big Stan had a lot of
homophobia in it.
Speaker 1 (45:31):
So where so is that? Where's that at? What number
is that at?
Speaker 2 (45:34):
That's thirteen for me, So just to be clear, it's
above the Chosen One, but below big stand so big Stan,
I have a twelve and I'm dead wrong. Then I
have chosen one. Then inappropriate comedy is still the biggest
pile of ship.
Speaker 1 (45:46):
That's what I have. That's that's the lowest one to me.
So what's your what's your top What are your top three?
From three to one?
Speaker 2 (45:53):
Three is Judge Dread, Two is Deuced Bigelow European Jiggle
classic and number one one is Douce bigel o' maile.
Speaker 1 (46:01):
Okay, okay, that's a good that's a good top three?
Speaker 2 (46:05):
What is yours?
Speaker 1 (46:06):
Uh? Well, where would I put this film?
Speaker 2 (46:09):
Yeah?
Speaker 1 (46:10):
I did?
Speaker 4 (46:10):
You?
Speaker 2 (46:10):
Are you not putting in the same spot?
Speaker 1 (46:12):
No, not the exact same spot, because I don't know
how I feel about the Chosen One.
Speaker 2 (46:20):
Yeah, but I could see a case to be made
about the Chosen One having just that one moment alone
with Rob Schneider. What is it?
Speaker 1 (46:29):
It's like a bird, oh in the bird, And I
mean that's so good. I think that alone?
Speaker 2 (46:34):
Yeah, you know what, because like the movie overall is
way worse, but it might be an more enjoyable watch.
Speaker 1 (46:41):
I don't know. Yeah, you know what you're telling me? Hey,
Bacon do I have to watch the Chosen One or
Dead Wrong? And I guess I'm telling you to watch
Chosen One. So I'm gonna put this below Chosen One
and above in appropriate comedy. This will be my second
least favorite Rob Schneider film.
Speaker 2 (46:59):
HM.
Speaker 1 (46:59):
The bottom uh three are the Chosen One, fucking dead
wrong and in app appropriate comedy. My top three from
three to one are Deuce Bigelow, Male Jiglow, two is Knockoff,
and one is Deuce Bigelow European Jiglo. I think the
superior Jigglo movie. You put it, You have it really
(47:20):
high on your so I think we both agree that. Second,
I think that we both agree that if you're gonna
watch two Rob Schneider movies, just watch the Male Jiglo duology.
Speaker 2 (47:31):
Yeah, of course, and and European Jigglow is just for
tick base got.
Speaker 1 (47:36):
A boob job.
Speaker 2 (47:37):
Boob job is worth it. But I would never tell
someone to watch it by themselves. You really liked Knockoff
that much?
Speaker 1 (47:48):
I guess I have it at number two. I don't remember, dude,
it was a long time ago we watched that. I know, what,
do you want me to watch it again? Are you
fucking serious, you want me to watch it?
Speaker 2 (47:57):
I have it at six six.
Speaker 1 (47:59):
Okay, well I have I have Judged Dread at five,
then I have the Animal at four. Six is the
Hot Chick for me?
Speaker 2 (48:05):
I have Knockoff at six, Hot Chick at five, The
Animal is at four, Judge Dread three. Yeah, and so on.
Speaker 1 (48:12):
Yeah. You could check out our both our lists in
the show notes and also probably put Caleb's letterbox on there.
He should check that out. Check out our Instagram. I'll
put random stuff up on there from time to time,
so enjoy that. Wanted to just get this one out
before the end of the year so you had a
little content over the holiday. We will be back for obviously.
(48:35):
We know about a Happy Gilmore two currently filming, currently filming,
so we're really excited about that. We'll probably be back
before Happy Gilmore two comes out with something else, you know.
I'm sure there's a Kevin James movie that's going to
be coming out soon or something like that, and Rob
Schneider's shitting out these you know, A More S and More.
As soon as that comes out, we're going to have
(48:55):
to watch that.
Speaker 2 (48:57):
What is it that the Spanish one?
Speaker 1 (48:59):
The Spanish one and it's I think it was written
by his wife, I do remember, or something like that.
I can't wait, Oh man, I can't wait. Uh but Caleb,
So would you say, Rob Schneider? Could you not? That's
all right? Could you not?
Speaker 2 (49:17):
Let me be very very clear, Okay, I have.
Speaker 4 (49:24):
Police reports, testimony from eyewitnesses. I got lad reports, all
describing in great detail the fact that the level of
your poorly run hospital inept, unsecure and negligent to a
degree that's almost incompra fucking ancible. You failed to protect
(49:46):
a newborn baby and as a result of that, destroyed two,
probably three lives. Yeah, you want to go to trial.
Speaker 1 (50:03):
Wow, let's go a trial.
Speaker 4 (50:07):
I will parade mister and missus Evans on every news
site and social media platform from here to Beijing. I'm
gonna turn this case into an international fucking scandal and.
Speaker 2 (50:22):
Then shove it up your asshole.
Speaker 4 (50:25):
Give me weeks, give me weeks of bad publicity every
day in that court room. Give it to me and
all your fucking company. Sixty million dollars, gentlemen, not a
penniless
Speaker 2 (51:00):
Ey
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