Episode Transcript
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Speaker 1 (00:00):
Once of you guys a sugar out ash Brown. And
since we're not getting a Game of Thrones series this summer,
I have decided that I am going to talk all
about my next best series, which is Squid Games. Alright,
(00:23):
Squid Games. This is season three, this is the final season.
And oh boy, so I'm talking about episode one and two.
So bear in mind, I am talking about everything. So
if you haven't seen it yet and you are a fan,
please switch off this episode until after you have looked
(00:44):
at one and two, cause that's what we're gonna talk
about today.
Speaker 2 (00:47):
Okay, So.
Speaker 1 (00:51):
My thing with Squid Games, I got into it with
like mid pandemic, like post pandemic times when season one
started and everybody was at home watching Netflix, and I
got into it like it was that was the show
to watch because you're like, oh my gosh, I've never
seen anything.
Speaker 2 (01:09):
Like this before. What is this squid goods?
Speaker 1 (01:13):
And it was just so over the top and just
raw that you could not.
Speaker 2 (01:23):
You couldn't not, you couldn't look away, you just could not.
Speaker 1 (01:26):
It had really a grasp on us as a culture,
especially as American culture.
Speaker 2 (01:32):
It had such a grasp on us to where you're
like oh my gosh, I have to watch this. What
is this?
Speaker 1 (01:38):
And it held on tight. But I will say the
season finale for the first season when the main guy, Gium,
I think I said that, gim Gium, when he decides,
you know what, I'm not gonna get on that plane
and go be a good father to my daughter.
Speaker 2 (02:00):
I'm gonna jump back into the game.
Speaker 1 (02:04):
That was single handedly one of the craziest things I've
ever seen, because, again, just conceptually thinking about it, I
don't understand why he felt the need to go back.
It's different like if they had gone after him, if
they kidnapped him, if they forced him back into the game.
Speaker 2 (02:19):
He volunteered. He volunteered that he's gonna get back into
the game.
Speaker 1 (02:25):
So we get season two and he's got all these
plans of how he's gonna get back into the game.
He's got all this expendable money, he's got all these resources,
he's hired a.
Speaker 2 (02:36):
Whole team, the whole thing.
Speaker 1 (02:39):
And you're just like, how is he pouring so much
into this dog gone game? And his daughter don't have
a daddy? Well, I guess she has a daddy because
I think the wife remarried or whatever. But or the
baby mama whoever she's got to stand in daddy that
obviously is doing way better. So he finds his way
(03:04):
back into the game, and I think, as an audience member,
I'm just thinking, logistically wise, why is he back? Like,
what was the big plan of getting back into the game.
You're gonna get back into the game, and then what
So he gets back into the game, and.
Speaker 2 (03:25):
Of course they've changed up the rules. That's easy.
Speaker 1 (03:28):
Let's just go ahead and throw a monkey wrench in there.
Let's change up some rules. It's just some different stuff.
Speaker 2 (03:32):
Why not.
Speaker 1 (03:36):
The main guy who turns out to be the lost
brother of the detective. He is seemingly the mastermind behind everything,
which was interesting, very damn interesting. He actually enters a game.
He kind of does like this undercover type of thing
(03:57):
and enters a game.
Speaker 2 (03:58):
Well, the whole.
Speaker 1 (04:01):
The overall premise of season two is just like Gion
getting back into the game.
Speaker 2 (04:05):
He gets a whole bunch of folks killed.
Speaker 1 (04:07):
He starts like a tyranny type of thing, but he
gets a lot of people killed, and you're just like, well,
what's next for him? So starting with season three, they
bring Gion back and he's okay, seemingly. I mean, it's
kind of you know, it's kind of bruised up. He's
(04:28):
kind of mashed up bad. But he's alive. And they
bring him back to the main area where I guess
everybody is sleeping and stuff like that, and so I
have no sympathy for him, like you know sometimes don't
have like sympathy for the protagonists.
Speaker 2 (04:46):
Oh, you know, the protagonist. He just means well, and
he's just doing this.
Speaker 1 (04:50):
He was home free, he had the money he won,
and he voluntarily took himself back into the game. So
the whole time, I'm really just like, Yan, I'm so
sick of you. I'm so tired of you. You complaining,
you're trying to plan this, trying to plan that.
Speaker 2 (05:10):
I was so sick of him.
Speaker 1 (05:13):
Not even funny, not even funny.
Speaker 2 (05:16):
So you know, they gotta begin some more games.
Speaker 1 (05:22):
The girl that was one of the workers, you know,
the workers with the shapes on the face and all
that stuff.
Speaker 2 (05:28):
She gains their trust.
Speaker 1 (05:33):
And figuring out how they take people's organs and all
that stuff, and then my brothers shout out, kaya bizil.
He actually reminded me that because I was like, why
is she taking such time? With this one guy. You know,
he's just another player in the game, but he was
the father of the little girl that she always was
going to visit last season season two. So I was like, oh,
(05:56):
that wasn't okay cause I didn't really make the connection.
I was like, why she had so special with this guy,
But so she does have some sort of connection with him,
which is why she wanted to spare his life. So,
you know, she kills the other coworkers, including the doctor
that patched this guy up, and they're gonna get the
(06:21):
guy into one of the uniforms of the workers, and
I guess that's how they're getting out. But it's just like,
again with that, I feel like the plot was not
really thought through well.
Speaker 2 (06:35):
And I could be completely wrong.
Speaker 1 (06:36):
I could be you know, I'm only onto episode two
of the third and final season, but I don't see
how this can end well for her, And the creator
already said, you know, it's not gonna end well for anyone.
It gonna it's not gonna be this great happy story,
which I can totally get and I think makes sense.
(07:01):
But yeah, cause I'm like, I don't understand. I mean,
I don't see how she's gonna make it out with
this guy who's injured. They a d One thing that
really annoyed the heck out of me is episode one,
season three. So after she kills the coworkers in the
(07:24):
little makeshift operation room, right, she gets the one that
was a doctor or whatever some kind of medical staff
to see about the guy that had, you know, come
in or whatever. And she's like, he's like, oh, yeah,
you know, I checked him. All his vital organs that
are in place. You didn't cut this man open. How
you know all his vital organs are are set or
(07:45):
in place. You didn't have no monitors going on its
little two by four cement room. And then the man say, oh, well,
you know he he's gonna need a transfusion.
Speaker 2 (07:57):
We don't have uh, that type of facility here. And
the worker turns to him and says, oh, well use me.
I'm all positive, go ahead and use me. And I'm like, really,
that's what we're doing. We just gonna just we just
gonna give her a blove.
Speaker 1 (08:11):
And she keeps keep in mind she's got the pistols,
you know, pointed at this doctor's head, like yeah, and
you better not f up.
Speaker 2 (08:20):
So they do blood transfusion. I'm like, this is so unrealistic.
This don't even make no damn sense.
Speaker 1 (08:26):
But i'm'na let y'all have it, though, I'm go'a letyall
have it, cause it's this is the story that y'all
wanted to tell.
Speaker 2 (08:32):
Let it go.
Speaker 1 (08:34):
The guy that's there with his mom in the game,
I don't know why, but I just felt like he
was going to betray the mother and set her up
to be killed because of the game that was being
played for the episode two, and that was the one
where they were split into two teams that was Hide
and Seek, and split into two teams. One team hides
(08:56):
and they're given keys to open up doors and possibly escape,
and the other team hunts 'em down and kills them.
And that's how they passed that game.
Speaker 2 (09:06):
And mm mm mm. The one trans character turned out to.
Speaker 1 (09:15):
Be the one with the biggest heart, and that character
I don't even know what their name was, but they
have fought so much to preserve the life of the
elderly lady and then the pregnant girl, which I'm like,
this is all kinds of problems. She done fell down
the staircase, broke her ankle, the girl is a liability.
(09:35):
She is a liability. Why is she in this game again?
So they finally get to a place of finding safety
and all this stuff right, and they find a room.
Speaker 2 (09:51):
And then the girl water break.
Speaker 1 (09:53):
I'm like, you know what, this is the craziest thing
that could even happen. The girl water break and grandma
have to help them, and the trans person is trying
to like man the door so just in case somebody
else come in and try to kill them, you know,
they ain't gonna kill their and the baby.
Speaker 2 (10:08):
The girl give bird the baby. You know, it's healthy issue.
Speaker 1 (10:12):
I guess as healthy as a baby can be, because
again they're not in no medical facility. So the beginning
of this episode, the pregnant lady and the elderly lady
gave the trans person the key.
Speaker 2 (10:27):
So the transports had three keys.
Speaker 1 (10:29):
So the doors, you know, they had different shapes, and
so all of the all three of them had the
three different shape keys, and the trans person had fought
off some more people and basically made it to the end,
made it to the end, used all three keys, open
the door. Congratulations, all this stuff, and they're about to
(10:51):
step in, but then they stop and they thought about
the old lady and the pregnant girl in the next room,
and with that they came back and I was like, dang,
trans person was just about to, you know, just about
to get through and get in, but they came back,
and as soon as they came back to tell the
(11:11):
old lady and the girl that just had the baby,
they got got. But not only did he get got,
they got got by the baby father of the girl
that just had the baby or the boyfriend. I'm not
sure if he's the father or just like a guy
that she started.
Speaker 2 (11:30):
To fall for. Mm it.
Speaker 1 (11:32):
It was kind of hard to keep track of that,
and I didn't look back at season two, so it
is what it is. And so he was able to
keep her safe in that moment and then announced that
he had found her. The baby and the elder l lady.
They just know that he killed somebody and that was that.
(11:53):
So on the final scene, and I was started to
tell you the the son and the grandmother are on
two different tea and I thought it was interesting how
they was just going off on each other in the
second the uh the first episode as to why they
should switch teens, Like the the son was like being
brutal with the y'all, Like he was like, yeah, you know, mom,
(12:16):
you can't handle killing somebody. You remember when I was
a kid, you know, Dad used to smack you around
and you never fall.
Speaker 2 (12:23):
Back, Like I mean, just complete disrespect in their regard.
Speaker 1 (12:27):
You can see the horror in her face too, you
she looking at you ungrateful, you know. So it was
it was a very awkward scene to see that, and
so I was like, okay, whatever it is, what it is.
But in that final scene they figure out where the
door is and how to utilize it or whatever. So
(12:48):
the girls holding the baby, the old lady is there,
and the sun comes to the doorway, and so he
still has to kill someone because he hadn't killed anyone yet,
and he.
Speaker 2 (12:59):
Pushed his mother out the way cause he ain't gonna
kill her.
Speaker 1 (13:02):
He's going after the girl, and the mother stobs him
in the back and kills him.
Speaker 2 (13:08):
I was like, day, I ain't see that coming. I
did not see that coming.
Speaker 1 (13:12):
Ooh. I did not see that coming at all. So
that was quite interesting to watch it unfold. But I
feel like this is gonna be one of those series
where they just just start killing off everybody.
Speaker 2 (13:25):
Just everybody gonna dead. Everybody gonna dead.
Speaker 1 (13:28):
Gn he needed to be dead because I am so
sick of him and and him and his little trans
or whatever he's in.
Speaker 2 (13:37):
I don't get it. I don't understand it.
Speaker 1 (13:39):
And then also the detective is still trying to figure
out how to get back to the island. Right, so
this quote unquote captain who I was very suspicious of. Okay,
it's very suspicious of this captain after the first episode
because he hit The way he was acting was very
suspicious to me, and I was like, mm, I don't
know if I try that guy rightfully. So, come to
(14:02):
find out he is working for the detective's brother, and
so for the last three years he has been helping
to keep the detective off of the trail of where
to find an island. I was like, good God, I
would have never guessed that. But the guy that was
originally working for Guion or whatever kind of figured out
(14:23):
that something was wrong with the captain, something was off
with him, and so he's kind of doing his own
like sub investigation or whatever he's gonna do. But the
detective is starting to be suspicious, like he was very
protective of the captain. He's like, no, this guy helped me.
He saved my life, rah rah rah. But he could
(14:44):
have also been the same one to you know, to
do anything and to make sure that you know and
looks like he been doing this from the start.
Speaker 2 (14:55):
That's what I lied to me.
Speaker 1 (14:58):
So it's been an interesting turn of events, so to speak.
I can say that it's been interesting indeed, indeed, And yes,
I will continue to watch as it's the final season
and I only gave us six episodes.
Speaker 2 (15:13):
Which I feel a way about two. But mmm, I
gonna go too deep into that.
Speaker 1 (15:18):
But if you aren't already watching Squad Games, you may
wanna check it out and see how you feeling. But yeah,
if you're watching it.
Speaker 2 (15:29):
It is what it is. It is exactly what it is.
Speaker 1 (15:34):
But i'm'a holler at y'all later, have a great one.
Speaker 2 (15:38):
Talk to you soon.