a convo with thew bros

Episode Transcript

Speaker 1 (00:00):
Never trust my lucky my love.

Speaker 2 (00:02):
Yeah, bless the fantasy and my killer in the face.

Speaker 3 (00:05):
Yeah, broadly taking while you're fronting none your bait. Yeah,
rebel gang blackfeet, Honey, that's a gang.

Speaker 4 (00:12):
Huh.

Speaker 3 (00:12):
Check my paper by my beingess.

Speaker 2 (00:14):
Fucking staying fitch, I wrote, try and sell me.

Speaker 3 (00:16):
I just grow, line them up and knock them down
a treaty, old leg down my nose, give my so
called smiling tired.

Speaker 4 (00:22):
I don't make.

Speaker 3 (00:22):
Friends with my thoats seeing your claim, mimstakes. I pray
your people get exposed, let them know. I mean, anybody
get better when I'm along. You know, the shoot the
better the JOm song in a second, if I can
fire my beady, this friend of my chemistry, the matter
pack and I'm look at the will they put the
dream and believe me chicking another game and the window,
the part jumping, the fire of the beat, like raiding

(00:43):
the ass, and I feel like you with five and
the six lives the time like see me and I'm
getting like and it was easy. We've never been broken
up with turning the girl probably broke your clean.

Speaker 1 (00:53):
I got my brother and my cot.

Speaker 3 (00:58):
Clumb up, buddy, got that beat the knuckle.

Speaker 5 (01:02):
Up nothing, just my I got my brother's here, feed
in my cup feed and tripped.

Speaker 2 (01:10):
They buy my bucket, got that beef, hit.

Speaker 1 (01:14):
The knuckle love nothing. I'm so hot my nuther.

Speaker 5 (01:19):
I don't need nobody else around me. Bitch, I got
my brothers. I'll trust some motherfucker. Are you niggas on
the coover slack with biggers, hundercovers, bat and boosie bitches
lovers moon the fuck with im? A rubber bitch must
take dad. I'm gonna suck that.

Speaker 6 (01:32):
Don't don't play me fucking no lame. I got my
gang of business pitch.

Speaker 1 (01:35):
We do no spit boxing.

Speaker 5 (01:36):
Leave it stains a business bitch, blood sucker, motherfucker show
my fings a business. Bitch gotta scope on my a.
I'm blong brains and that the motherfucker want to get
in and I'm gone. Fellows, it take a minute to
get in the back of packing the back to the
back of the life. You notice fact that I'm gonna
give you a pack of that strong niggas want to
pick up the game.

Speaker 6 (01:52):
But I'm a niggas a bag like the biggie soldier.

Speaker 5 (01:54):
Bitch, keep brawing my line said, I no, no mind,
and she can't wait to give me that dog humh yeah,
riding along with the folk like a traveling the mind,
let it bloat like passing this out with your whole
like you want to deep down and the thought like
ship is too easy. All of your niggas too bumming.
You're peasy fucking around with one of our brothers. I
promise you niggas would never rested.

Speaker 6 (02:28):
What up?

Speaker 4 (02:28):
What up?

Speaker 1 (02:29):
What up?

Speaker 2 (02:29):
It's another motherfucking episode to beyond the beer. We are
in here.

Speaker 7 (02:32):
It is Sunday, August, what the day, the third right,
twenty five, So we're gonna start to show off a
little different. We're gonna permit this video that we shot
the All Summer Clem All Summer Cyple, produced by Rosewood Beats,
featuring Keith Rosewood, myself, Christian with a k nova Kin,

(02:56):
and my cousin Tony.

Speaker 6 (02:58):
Motherfucking mate. You got the.

Speaker 7 (03:02):
The link, yeah, justin.

Speaker 8 (03:05):
You got the hustle different uh, you got the all
Summer the cipher link.

Speaker 6 (03:14):
Yeah huh yeah, you can just pull up on you tube.

Speaker 9 (03:22):
Okay, yeah, small fucker is not opening nothing.

Speaker 7 (03:31):
Figures alright, Well, great, get to this real quick shut.

Speaker 9 (04:12):
What the hell is this?

Speaker 6 (04:13):
Who is these dudes had no ideas? Who is this
the one right? Eighteen hours ago?

Speaker 1 (04:31):
Yeah, I said, I'm gonna do it no more my hand.
Why if you see on five minutes.

Speaker 8 (04:51):
That n see it's all the mean a gun, I
don't bring it Sea live and that right, let's get it.

Speaker 6 (05:00):
Black Stile.

Speaker 8 (05:00):
There's a lifestyle gut a nigga type of profile. Split
a flame with a light South, Chris and nigga win
the mic South. Anything that a nigga bring to the campfire,
we cook treck a squeally, make a nigga bleed one
of the double tap nigga shook cuts quick get a
sound light hood niggas never my God, great spell the
flame through a nigga brain. I'm gonna leave a stake.

Speaker 1 (05:25):
St wasn't gonna do it no more my hand man.

Speaker 8 (05:33):
If you see on fire Man that nit se song
and me nigga don't bring it see live, I got
red litten get it here, Black Stile, there's a lifestyle
gut a nigga type of profile. Spit a flame with
a light South. Chris and nigga win the mic South.
Anything that a nigga bring to the campfire, we cook

(05:56):
treger squeally make a nigga bleed one of the double
tap nigga shook it cuts quick goodness, stop light good
niggas never mind CRT set the frame through a nigga brain.

Speaker 6 (06:05):
I'm gonna leave a stain.

Speaker 8 (06:05):
I'm gonna take life flashed off everybody on my feel
by the flash of cash sin we ski masskin.

Speaker 10 (06:12):
We ain't gonna care, razy dope, young nigga, first up
the boat. I'm blessed like I rum with the pope fitish.
They low don't catch me.

Speaker 1 (06:18):
It's my log.

Speaker 10 (06:19):
I pull up by getting they go one time you approach,
figures they gripping the toast. Much shot us them niggas
and post No, I'm not hottest niggas that you know.
Pull up in product, probably with your hope. Just know
that I got it right inside my coat. I can
get it to anybody for the low.

Speaker 1 (06:31):
Oh repeat that.

Speaker 10 (06:32):
Jay Savage, we don't fuck with ben Bow's used to
have been biggate dreams.

Speaker 1 (06:35):
Go to the league and have missus falling out.

Speaker 10 (06:37):
My two would believe if they ever seen the way
that I'm balling now knocking for live with a fifty
cow roller joint up to joint like a sippy Styn.
Try to catch up the megas look like the whole.
You will stand up. Niggas sit you down since a sideway.
These niggas hate me now business that used to play
bys and take me now minute been wanting you men
like fifty but a promise of taking.

Speaker 11 (06:54):
You with me in the place of serenity. I chose
my definity in the meat and activated my end and
geek got out of the darkness with the one land
where I could be about to be in the world
what it was I wanted to see. I chose to
be the one to get the job done. I chose

(07:16):
to meet the stars. I chose to greet the sun.
The path that I am on I chose to walk upon.
I chose to keep the faith.

Speaker 1 (07:24):
I wanted to kill yours over my eyes.

Speaker 11 (07:27):
You don't know to be blind out enough times over
my mind, these wraps of mind. I'm gonna make them
rhymes till it's time for me to go, which I
hope it's ever so made. The words of sleep be
paying deep veryding his dog mansa.

Speaker 4 (07:41):
Tell me who the fuck going the problem so much
green or you think your boys and green Goddnight.

Speaker 12 (07:47):
And the layer.

Speaker 4 (07:48):
They must look like God his bitch for everybody, y'all.
Her Robin worked it in the sound. If we just
grinding in the.

Speaker 1 (07:56):
Morning, the seams, the cast, they wan't on you.

Speaker 4 (08:01):
I'm trying to bring the town back you without locking
your don't loose sa like it's so a physic like
the staff in the produce. How my whole clicking, strip
you down, give me your everything you want. I might
just let her keep her down. I'm a savage mama.
Just fu Saint Louis, praise Mami. No nig you're you're
holding them, say pray.

Speaker 1 (08:21):
Don't let it flip again.

Speaker 4 (08:23):
It's for I'm mumba le or full of pain and
yeah I know what. I'm mother again, play for my
life number three? Who want mother? But again let me
bunce back. I'm gonna slow you. Who they fucking war
welcome now just the draging, no lack and hope your
package and no big lunch, no snacking. I'm a big

(08:43):
boy and Yaea bore no bragging. Okay maybe you're little,
but just here be dragon. See our horse play with
the word plate for relaxing. I'm a wird nerve best
press plate ball lass and not a magine me in
your grip with the Maxin. It's your fit screaming lice.
You got hit by your Maxine trucking. Your bitch got

(09:04):
a bit like subducting. The Maxxin had that pussy stupids
fig and you know, like the Maxxine and say you're
on the nothing level of the dub.

Speaker 1 (09:12):
The maxis In can't kid anhing shovel.

Speaker 6 (09:15):
The bodies get packed in.

Speaker 1 (09:17):
I ain't come to give him.

Speaker 6 (09:18):
Okay, No, I'm.

Speaker 1 (09:20):
Taxing after seeing what they did to tame me.

Speaker 6 (09:23):
I'm Braxton, part.

Speaker 1 (09:24):
Of the bridge.

Speaker 4 (09:25):
Just got your rolle to copy the kids being just
self fishing out. You ain't goin to pretend I paid
the way for my seeds.

Speaker 1 (09:33):
They just died.

Speaker 6 (09:33):
Obo can don't have to clear. They dout the bug because.

Speaker 1 (09:36):
They daddy go vi. Niggas do they little dance.

Speaker 6 (09:40):
And I walks right. They didn't know coast right there.

Speaker 1 (09:42):
You know.

Speaker 6 (09:43):
Niggas a like hurl from.

Speaker 7 (09:44):
Him decent decent if I say tent right, appreciate it.

(10:06):
So since we got your uh, what's what's what's what
you think your next project gonna be Oh.

Speaker 6 (10:10):
The next project is the uh the uh shit.

Speaker 8 (10:17):
It's several uh. The gold Bars project we got going on.
That's basically the gold Bars. It's just basically me uh
bringing the artist in uh, letting them select their track,
and uh once they select the track, uh, we actually
get the recording done and we do the hanging mic
uh gold mic. We got a brand new I just

(10:39):
uh copped out the uh the gold retro mic, and
we hang the mic at any location that just look dope,
and we let the artists just get that record off.

Speaker 6 (10:49):
It ain't even no hooks or nothing. It's just bars.
They just get on there.

Speaker 8 (10:53):
Some people will do sixteen, some people do twenty four,
some people will do thirty two. So it it depends
on how how much they feeling.

Speaker 1 (11:00):
Uh.

Speaker 8 (11:00):
All of which is is very very good to cutting
points for different points of content for them to put
out for theyself or whatnot. But uh, or even if
they just do a verse in a hook, either one
is uh. It can be used either way.

Speaker 7 (11:13):
Got you got you, got you yeah, David saying something
about shooting that we want to shoot that other day
that song that we did too next and I don't
remember what he's talking about.

Speaker 8 (11:24):
Yeah, but we got I gotta we just we got
a hold up Christian, all right, she did the first one.
Christian did the first one. If we can uh see it,
pull that one up, pull it up, let.

Speaker 6 (11:38):
Me see real quick?

Speaker 7 (11:39):
Hold up?

Speaker 1 (11:40):
Hold up a christ.

Speaker 9 (12:02):
What is it called?

Speaker 6 (12:03):
Finna? Drop this that that gold bars?

Speaker 1 (12:05):
What is it called?

Speaker 7 (12:07):
Uh?

Speaker 1 (12:07):
It's uh.

Speaker 6 (12:10):
Wordplay? Uh go just go to uh roseword nineteen ninety nine.

Speaker 4 (12:21):
Fu go fuck.

Speaker 1 (12:25):
Alright, so she said, getting no commercials.

Speaker 6 (12:34):
Well, you can pay to get that out. You can
pay to stop that. Yeah I didn't even know that.
Oh okay, re.

Speaker 12 (12:42):
Read no commercials fast war with rewind.

Speaker 6 (12:47):
Yeah, that's it right there. Check the your fos.

Speaker 3 (13:08):
Listen with the time.

Speaker 11 (13:10):
You can bet your bottom dollar. I can make your
mama color. I can make a leader fellaw, I can
make a club fellow right now we go tomorrow.

Speaker 1 (13:18):
My tongue, it is not bought us. It's okay.

Speaker 11 (13:22):
If this short recurs, how can one nag? Listen up,
big your nag. That's the season.

Speaker 1 (13:27):
What's on this track?

Speaker 4 (13:28):
Let's get it.

Speaker 11 (13:29):
There's a club.

Speaker 1 (13:30):
Let'st get it.

Speaker 11 (13:31):
He's a lot you're feeling leaders club. I don't give it,
but it's only four minute here. You know me up?
Tell me where you know me from?

Speaker 3 (13:39):
Is it from the black one?

Speaker 11 (13:41):
I grew up as in front of this club. If
you choose a stepping son, you look at it and
look at the walk. Let go by myself the son
I was wanting, then the saw and you better know
where cod of this ashore started as now sinking. No,
it's now looking for and you can control me.

Speaker 4 (13:59):
I can up.

Speaker 11 (14:01):
Thanks stood the old man, Thank you, Thanks God.

Speaker 4 (14:04):
We met.

Speaker 11 (14:07):
Up around me who showed me braknant every single one
of the best on me.

Speaker 12 (14:11):
I can, lady, so up to me.

Speaker 11 (14:13):
The shows that don't say the word place, got your
standing round like a merry goat. Dress it up, but
you can dress it down. It don't matter. Liver's got
you jumping up and down all the holy gusts.

Speaker 9 (14:24):
I live my rock star lifestyle.

Speaker 11 (14:27):
I think on the goat word. Place, got your staying
brown like a mery goat. Dress it up, but you
can dress it down.

Speaker 10 (14:33):
It don't matter.

Speaker 11 (14:34):
Don't livers got you jumping up and down? Call it
holy ghosts. I live my rock star lifestyle. I say
on the goat word, pray.

Speaker 8 (14:48):
Okay, yeah, sure, so that's that's our very first entry.
She represented the motherfucker. Well, the sample was from the
field Non Faratu and we just put some tr app
with it and and made a real jazzy to match her,
to match her energy level. As I can see, she
got a lot of it, and uh yeah, that's kind
of her trademark. And uh, she did an excellent job

(15:10):
and it was a great time working with her, and
we got a lot of more stuff going on. And
she is the only female in the cipher, and she
had held her own held a mental spot, which is
a very key spot where people have to you know,
that's used where people kind of lose interest. But uh,
we're running back, we're running up. Yeah he didn't, he didn't. Yeah,

(15:34):
so we're gonna run back the Cipher featuring Kristen with
a K. She is the third person under in the roster,
myself number one. Mantega, the host of your show Beyond
the Bed is second position, Novacaine is fourth, and bringing
up the rear the Dragon Tony motherfucker.

Speaker 1 (15:53):
Made them stound. I'm gonna do it no more, my hat.

Speaker 4 (16:10):
Man.

Speaker 8 (16:10):
If you see on fire Man that n it see
its son and mean nigga, don't bring a season live
and got right.

Speaker 1 (16:20):
Let's get a head.

Speaker 6 (16:22):
Black stele.

Speaker 8 (16:23):
AT's a lifestyle cut a nigga type of profile. Split
a flame within a nice South, curse a nigga win
a MIC's South.

Speaker 6 (16:29):
Anything that a nigga brings.

Speaker 8 (16:31):
To the campfire, we cook trigger squeally, make a nigga bleed.
One of the double tap niggas cuts quick, get a
sod light hood niggas. Let my hand great set a
flame through a nigga brain.

Speaker 6 (16:41):
I'm gonna leave a stain.

Speaker 8 (16:42):
I'm gonna take life, blast off everybody on my feel
about the slave soft cash in.

Speaker 1 (16:47):
We ski maskking.

Speaker 10 (16:49):
We gonna carr our hensy dope, young nigga, brush up
the boat. I'm blessed like I'm brum with the pope.
Fittsh they low, don't catch me. It's Muffing's log. I
pull up, I get and they go. Once I you approach,
figures they ripping the toes.

Speaker 1 (16:58):
One shot up to the niggas.

Speaker 10 (17:00):
No, I'm the hottest nigga that you don't pull up
and product probably with your hope.

Speaker 6 (17:03):
Just know that I got a right inside my coat
even get it to anybody for the Lord, Oh Repeter
Jay Savage.

Speaker 10 (17:09):
We don't fuck with ben bows used to have men
bigga dreams. Go to the league and have business falling out.
My teas would believe if they have ever seen the
way that I'm falling now knocking for live with a
fifty cow brother, joint up to joint like the city stown.
Try to catch up the MEAs gonna take a while.
You would stand up, nigga, I'll sit you down, just
a sideway. These niggas hate me now, visis tech us
the blabys and take me now. Many have been wanting
to kive me like fifty but a promise of taking you.

Speaker 11 (17:30):
With me in the place of serenity, I chose my divinity,
listen to my getting and.

Speaker 1 (17:36):
Meat and activated my endergy.

Speaker 11 (17:39):
Got out of the darkness to a land where I
could be about to be in the world what it
was I wanted to see. I chose to be the
one to get the job done. I chose to meet
the stars. I chose to treat the sun the path
that I am all I chose to walk upon. I
chose to keep the faith. I chose to carry on

(18:00):
older my eyes. I love how to be blind proud
enough times put my mind these wraps of mind. I'm
gonna make the ride to the side for me to go,
which I hope it's episode main the words of Sleepy
paying deep every day, get down.

Speaker 6 (18:14):
Mansa, send me who the fuck w on?

Speaker 1 (18:16):
The problem? So much green?

Speaker 4 (18:18):
Or you think your boy the green gobbling her dog
night and the loud? You think my sniggy look like
god them No.

Speaker 1 (18:24):
Batman ain't any bitch for everybody.

Speaker 4 (18:26):
Y'all here robbin bursting in the sound of sweets, grindest
in the morning.

Speaker 12 (18:31):
The seams.

Speaker 1 (18:31):
So you just want the cast they won't hm you.

Speaker 4 (18:34):
I'm trying to bring the town back you without locking
your don't loose to like it's so offising, like the
staff that's in the produce my whole clipping strip you
down to me or anything you on. I might just
let her keep her down. I'm aa savage, Mama, just
fo gonna Saint Louis raised mom a, Non, you're stressing
your holding them say praise holle it s again it's

(18:57):
what I'm mumbling or full of pain and yeah, no
what I'm play for my life? Number three? Who my
mother again? Let me felt back? Number show you who
they fucking war welcome.

Speaker 6 (19:09):
Now it's just the dragon.

Speaker 4 (19:11):
No lack and hope, your packet, no big LUNs, no snacking.
I'm a big boy, yackie more, no bracket. Okay maybe
you're a little, but just help you drag and see.
I wants played with the word play relaxing number word nerve,
that's press play ball lass and number madgin me and

(19:31):
your grip with the Max in which a bit three
men lice you got hit by your Max and trucking
your bitch gott a fit lice and ducking.

Speaker 1 (19:39):
The mountain at the pussy students creak and you.

Speaker 4 (19:42):
Know like the Max adn't say you'm on the nothing
level of the duve the Max's head. You can't get
a nothing shoveled. The bodies getting backed in. I ain't
come to give him okay, no, I'm taxing. Have to
see him what they did to save me. Your braxton
on on the bridge and not your roll.

Speaker 1 (19:59):
The copy, the kids and feeding itself just.

Speaker 4 (20:04):
Paying to wait for my seed. They just don't walk.
Kids don't have to clean it out the bug and
they daddy don't fit nicka do they little dance and
out walks body didn't know coachbody game and when it
disact like him.

Speaker 9 (20:20):
Yeah, okay, yeah, yeah, okay.

Speaker 6 (20:31):
I think I can rab a little bit.

Speaker 2 (20:33):
Everybody could rab a.

Speaker 9 (20:34):
Little bit, A little bit, man, just a little big
She wrapped.

Speaker 6 (20:43):
You're doing the next one? Yeah, you see, you see
just waiting, he said to.

Speaker 13 (20:59):
He.

Speaker 6 (21:00):
He got me a roster, He got the full horsemen. Yeah,
the ones of us in the studio, the ones is it?
Is it?

Speaker 9 (21:11):
The ones of us at the studio?

Speaker 1 (21:13):
So I got one, y'all get it?

Speaker 6 (21:17):
Alright? Alright, yes, sir, yes, sir in love so yeah, yeah,
I got.

Speaker 1 (21:24):
So.

Speaker 12 (21:25):
I gotta my first page.

Speaker 1 (21:27):
Me and him.

Speaker 12 (21:28):
We just got in the studio and made a classic,
h not too long ago, great record that we're gonna
end up dropping her soon. I've been knowing him. He's
a great writer, bro, but he's one of them guys
who who's been going live on Facebook for seven eight
years just spinning his bars. I'm like, man, put it
on wax for me. I've been asking to put it
on wax for about two years in the making. So

(21:48):
to finally get him in a bag that he wanna
create with me and put some stuff on wax. I'm
just capitalizing that moment.

Speaker 2 (21:55):
And I came, I came up there to that to
y'all session, right, yeah, yeah, h oh yeah, he went third.

Speaker 6 (22:04):
It's potential.

Speaker 7 (22:07):
But just like I said that night, yeah, you know,
delivery has to be worked on. And you gotta say,
you gotta if you wrote it, I gotta believe it, right,
that's the fact.

Speaker 6 (22:25):
So a lot of it was like you're reading it.
It wasn't like and not you, yeah, but some other
artists that was there. It was just you know, it
was just like.

Speaker 7 (22:41):
It wasn't believable right now. There was no emotion attached
to it. It was we just in here fucking off
tape exactly, you know what I mean. And for me,
I don't like studio sessions like that because I can't
I can't vibe off of what you know what I'm saying.
I can't vibe with that, you know what I mean. So,

(23:05):
and again it's and there's no disrespect to nobody, but
everything ain't for everybody, Like every beat ain't meant for
me to get on every song, ain't you know what
I'm saying this, sir. So it's like, but like I said,
it's potential there rocky pop on but like I said,
it's potential, it's potential there. You know, even some of

(23:26):
the shit I heard from you. You know, it was like,
oh okay, that's gotta go. And and to to support
that that point, there are songs that I produced that that.

Speaker 8 (23:35):
Track ain't for me, like I'll hear the cadence of
what should be on it, or it might be the
key that the song is written, especially if it's if
it's R and B. If I sing it, I can
record it, but I can hear that it's not my style.
It's written for somebody else, and I think knowing that
it is the key, some tracks are just for certain people.

Speaker 12 (23:57):
Man, touching on it real quick, it's crazy you bring
up the session because my my my music partner was
highly upset with that. You know what I'm saying with
the with just how the studio session once you came,
once you came with you know what I'm saying, So
let's just start then. The secondly that was I wasn't
leading that, you know what I'm saying, just not not

(24:17):
this is my partner. But I wouldn't if when I
lead a session when it's me putting my money on
the session and I invite people out. It's it's a
different vibe for sure. If respectfully, man, if you if
we dive into my catalog and I and I and I,
let's just give you the history behind it. I always
get complimented on the professionalism of my music. You know

(24:40):
what I'm saying. One thing out the gate. When I
was eighteen rapping, man, I knew presentation. The first presentation
is everything. So that third that's why when you say this,
like I feel you. But it's like, man, let me,
let me, let me show you what it what it
would be like if I if it's my session for sure,
for sure, and you're I'm I'm a student of this game.
I'm saying, it's not too many artists you can menace

(25:02):
outside of Saint Louis. I'm in my Saint Louis era
of finding out who does what I do. But it's
like when it comes to like hip hop as a collective,
I'm a really I'm a real student.

Speaker 7 (25:10):
You don't need to find out who do what you do.

Speaker 1 (25:13):
Just do what you do.

Speaker 12 (25:14):
I just love I just love the game that much
though it's just it ain't it's it's not me comparing
to anything. I just enjoy finding new music.

Speaker 4 (25:20):
I look.

Speaker 12 (25:20):
I enjoy finding dope artists. I enjoy finding finding people
that got a record that I know can be like, dang,
this is a record in my playlist and I know
this guy. I just like good music, bro, So I don't.
I'm it's just making good music. To me, Let's make
timeless music. I love making classics, timeless music that you
can play forever. That's my That's the type of music
I like to hear. That's the type of music I

(25:40):
like to make, you know what I'm saying. So, but again,
when we colliding to yo, it's gonna you gonna yeah,
like I like you tied him with my partner.

Speaker 1 (25:48):
L P o O G.

Speaker 12 (25:49):
Shout out to him. You know what I'm saying. That's
that's my day one for sure. So so I seen
him coming, I'm like, oh yeah, we I mean he was.
I was actually trying to get him on the cipher
with me that the one I'm about to do next
with him, But he responding time he was you know,
he kind of you know how people are with their audistry.
A lot of people it's more of a journal than
really rapping. You know what I'm saying. So it's hard
to get out their mold from time to time. But yeah,

(26:10):
not to talk too much, but yeah, man, we gonna. Yeah,
I can't, I can't. I just I'm just excited to show.
I'm excited for it to be for this new eraror that.

Speaker 7 (26:19):
Then I'm walking into it working with y'all, and I'm
excited for it for you, bro, just to see the enthusiasm,
you know what I'm saying. But just stay at it,
you know what I'm saying. Just stay at it and
just be you, authentically you, unapologetically you. Yeah, don't try
to fit into no mold. Don't try to follow a
certain sound that's popping right now, because that shit gonna

(26:40):
die next week, you know what I mean. Don't just
stay you, stay true to you who you are. Just
can't nobody do you like you, Nobody be you but you,
you know what I mean. So there's already one other,
So somebody, there's no other you be you, you know
what I mean. But yeah, just let me know when

(27:01):
y'all got another session going on. Man, when you you
know what I mean, when you're trying to rock out,
I'm in the city. Out slide there for sure.

Speaker 6 (27:08):
For sure.

Speaker 12 (27:08):
I appreciate the man much.

Speaker 7 (27:10):
Respect likewise likewise. So yeah, that was this is this,
this this show of mine. It's kind of off kilter
today because I won't he's supposed to be here to
for real for real, I really I really wasn't. But
I'm here, so it's like, fucking let me go and
do it, you know what I mean?

Speaker 12 (27:31):
Cook? Why not cook?

Speaker 1 (27:33):
Yeah, So.

Speaker 7 (27:36):
Just to give people a quick little rundown, I'll be
back out starting August twenty first, I will be leaving
and going to New Orleans with Dave East. From the
twenty first to the twenty fifth, I'll be gone. We're

(27:57):
going to New Orleans, We're going to Alabama, Atlanta, and
then ending it in the Chicago.

Speaker 6 (28:06):
It's gonna be crazy.

Speaker 7 (28:07):
Yeah, it's gonna be nuts.

Speaker 12 (28:08):
Man. What's your set?

Speaker 1 (28:09):
Like? So?

Speaker 12 (28:10):
How many songs do you know? How long is your
normal set?

Speaker 7 (28:12):
I got thirty minute set? Okay, yeah, thirty minute set.
When I first started on the leg of the tour,
I had an hour and I was rocking.

Speaker 1 (28:21):
I was rocking.

Speaker 7 (28:23):
But he added some more people to the tour, the homeie,
uh little Keith. He gonna be there. I mean a
little neik he gonna be there. That's another artist that
he working alongside of, kind of heavy. I got like
three records right now with East. They get mixed and

(28:46):
mastered as we speak. Okay, so them coming out, Yeah,
them with old records. Guy will will be ready to
go by September October. Oh yeah, that's gonna be crazy.
Then we're gonna shoot the visions. I gotta he's coming
here to shoot some visuals and then I'll be going
to New York to shoot visuals. And I need a

(29:08):
I need a cameraman because it's like a lot of
people saying, like, man.

Speaker 6 (29:13):
We don't see enohing, we don't did it.

Speaker 7 (29:15):
First of all, ain't no cloud chasing ass niggy. I
don't give a fuck about your life, your.

Speaker 6 (29:19):
Comments, the views.

Speaker 7 (29:20):
I don't care about none of that. I'm living this
ship in real time, so all that other shit don't
even matter. But I need a camera man because I
got a lot of behind the scenes footage and you know,
just little studio moments and little funny moments that I
want to start putting together. So if anybody knows a
cameraman is available to travel, like at the drop of

(29:41):
a hat. Let me know, you will be compensated. Yeah,
So that's a job for somebody. They just gotta know
what they're doing. Just don't have no camera, get the
propressing buttons. That's that's not a photographer, that's not a videographer.
It's more to it than that. I know that. So yeah,

(30:06):
but anybody that you know, got those skills and can travel,
you know, at any given moment, and that's really what
you do for real. I let me man, you will
be paid for it. Oh yeah, besides that, for sure, you.

Speaker 12 (30:22):
Know, definitely got some people in mind. Definitely running past,
running past them to see what they say. I don't
like I said, I've been recording music in the city
for shooting videos for about eight years, so I've just
been kind of meeting green people over the course of
my life. So I definitely running past I don't know.

Speaker 7 (30:38):
Yeah, for sure, for sure.

Speaker 12 (30:39):
I ain't saying these my buddies, but they cameraman, so right,
ye know, man, that's amazing though, real spill man, it's
so like back and humble about it, like to have
a connect like Davies because he is relevant in the
game at this point.

Speaker 6 (30:55):
You see this ain't.

Speaker 7 (30:56):
This ain't our first rodio neither nothing, you know what
I'm saying. So like when I was not was, I'm
still with with my brother Zeus y'all know him as Rockapuff.
We was, you know, had a situation with with mac
ten Okay, so you know it's it's up. Yeah, yeah,
I don't done work with may Bag Music. They got

(31:20):
the homeboard U be the Underboss. They got a section
of they had a section of may Back music called
Maybak Music Latino where he was working with all cube
and Dominican Puerto Rican artists, you know what I'm saying.
So I'm Mexican back and can speak a little Spanish,
so I started working doing some records with them. It

(31:41):
was I've been doing this shit for a while, bro,
for a minute. I'm just I just don't put it
out there as much, and that my chick be telling me,
like fuck that, stop being so damn humble with ship,
you know what I mean. But I still live in
the era, in the in the mind frame of an
era where everything don't have to be publicized, you what

(32:02):
I'm saying, and everything, Like I don't even like taking pictures,
but I do that shit because this is, you know,
part of what comes with what I do. You know
what I'm saying, It's.

Speaker 12 (32:10):
A whole nother aspect of the game that your fans
gonna need, especially becoming relevant in the game these days.
You know what I'm saying. We get your older gentlemen
and the way you your mindset. You even have footing
in the game for a long time. But it's like
just being in the game right now. It's just it
ain't even overly doing it, man, It's it's a way

(32:32):
to record moments, some moments of your life and people
know you're not flexing. You know what I'm saying. I
actually feel like that's what I do. You know what
I'm saying. I post content and it's more so on
the me happy to be there sense. You know what
I'm saying. I'm more of always I'm more of a
fan standpoint or just appreciative standpoint over to where I'm

(32:53):
It's just you can it's it's not me flexing, And
for sure, you know what I'm saying. I'm letting you know, hey, bro,
I'm just I don't know how I got here, but
I'm here, thank you. You know what I'm saying, so
it's a way to do things. But that's just how
I do it, you know, it's just throwing out different
ideas of getting getting your content out there and still
being you like man.

Speaker 6 (33:11):
But you know, I just thought about me.

Speaker 7 (33:13):
I had three beats from from Keith right. I got
arrested for assault, and I don't know where the beats went.
What you mean, remember you redid purple Rain for me.
I don't know where that beat is.

Speaker 6 (33:34):
I still got it. I need you to send three.
I'll be honest. I got a dig. Dig them three beats.
It could be in one of six hard drives.

Speaker 7 (33:45):
You know, you know what year it was you did that.

Speaker 8 (33:48):
I'm gonna say that was I know what year it was?
Twenty eighteen? Who twenty eighteen or nineteen? Someone in that
because you was That's wh when I was over on
Congress in Spanish Spanish life, it was you weren't staying
back there on real I was staying on because you

(34:12):
were staying around the corner on Congress and I was on.

Speaker 6 (34:16):
Damn, what's that street with the hill, the long hill?

Speaker 1 (34:20):
Yep?

Speaker 6 (34:20):
Robert? Was that Robert Robert?

Speaker 8 (34:23):
Because I stayed off of I think it was I
stayed around the corner a year from your ass right
when I stayed on This time we moved. We've always
been by whether when I first met him he lived
next door to me.

Speaker 1 (34:39):
We moved.

Speaker 7 (34:41):
We have a conversation, Yo, where you're at, I'm on
such the street where you are. I'm on this street,
and that's right around.

Speaker 2 (34:46):
The corner from the house right around that has happened.

Speaker 8 (34:49):
Look, look at least four not to mention. The first
time was my first wife his mom's and my first
wife was.

Speaker 6 (34:58):
Yep, yep. Every day pottingers running their mouthtop potts, he said.

Speaker 9 (35:02):
Every day, every day, every day.

Speaker 2 (35:07):
This is what he had the shed in the back
of the crib.

Speaker 1 (35:11):
That was.

Speaker 6 (35:16):
Telling me about that. Then you came to the one
on Elizabeth. Then you came to the one.

Speaker 7 (35:23):
Uh did you come to the one because I stayed
on Scott.

Speaker 9 (35:26):
And then you look, you was around the corner on.

Speaker 6 (35:30):
No, that wasn't Elizabeth. In Spanish, lad concress. Yeah you
was on conference.

Speaker 9 (35:36):
Yeah yeah, and.

Speaker 12 (35:37):
These yeah, these different areas, you're not standing different.

Speaker 8 (35:40):
Look look funny ship, real look, real story. Look he
I'm walking up my steps.

Speaker 9 (35:47):
He rolled past.

Speaker 8 (35:49):
It's one street to go down and connect all them
streets over there, and he he like, what's up with
He rose and I didn't know who he was and
I clutched and he.

Speaker 1 (35:58):
Was like, yeah, I got one too, and I was
like that what I was like at that time?

Speaker 6 (36:02):
He want my real name? I don't know if you
tell Yeah, I knew his real name, but so I
was like this that. I'm like, man, because they not
I think I came out to coll he pulled back
by the house.

Speaker 1 (36:14):
I'm like, he's like, I stayed right around the corner.

Speaker 9 (36:16):
Like again, yeah, it was dope, dope, so.

Speaker 6 (36:26):
Different neighborhoods. He's like this, this is all.

Speaker 12 (36:30):
Where you'll musical like connection store.

Speaker 8 (36:33):
When that story that started at the first house, the
very first house was my my ex wife was his
mom's friend. That that that ship that he talking about
back there, it was a guy that built the building.
It wasn't it was literally a ship.

Speaker 6 (36:47):
It wasn't.

Speaker 8 (36:48):
It wasn't the garage. It was the dude that built
the house, built a space back there for him to
build tools and like that. No, he was making principles
and selling them out, selling them out on a new
house fery and that was like his hustle buildings. So
I just took over where he was hustling and changing
into a recording studio, made another hustle because I wasn't working.

Speaker 6 (37:06):
I wasn't working no job at that point. Yep, there
just eighty four. So that back then his name was and.

Speaker 8 (37:23):
I don't know if you wanted to name, but he
had another name, and shit I found he found out
that's what was back there, and then he started coming
back there and we were started working in but then
we had at various places we didn't done work. So
the reporter we have as working in the studio is seamless.
It's not a it's not even a I don't even

(37:45):
like he's the best. He's a type of artist that
I like to work with because I don't have to.
I don't have to tell him what to do, like
he know what he's looking for, like we didn't.

Speaker 12 (37:55):
I don't like it.

Speaker 8 (37:56):
But when artists record a record and they hear it
back and they don't like the recorded not the song,
but the way that they performed it, I know he
looking for a particular delivered for sure, so it could
sound good, but he know it ain't explore, it ain't
expressing the emotion that he meant for.

Speaker 12 (38:15):
The express exactly so.

Speaker 8 (38:18):
But I know he also the artists that can go
right back in there and record that ship like I
ain't no time without stumbling over with all all the bullshit,
like he he writes, that's a lost art he writes,
writes all the time, writes, He's never trying to go
in there and spit freestyle ever, He's he's a ping guy.
I love the ping guys. The ping guys is where

(38:39):
the songs come from. You know, you get the real,
the real motherfucker. Yeah, There's been plenty of people that
the freestyle and did you know hit records, But.

Speaker 6 (38:50):
That ship is here and miss and it's real miss
a lot.

Speaker 8 (38:54):
Because a lot of times niggas is being there just
saying it and that shit don't sundo.

Speaker 6 (38:58):
I can't and I've tried it.

Speaker 7 (39:00):
I can't do it where you know a lot of
these artists nowadays, a punch and artist, I can't do that.

Speaker 2 (39:08):
I can sit there and think of some ship in
my head.

Speaker 6 (39:09):
Yeah, but it's going on paper and.

Speaker 8 (39:12):
And the thing about it, that's that's big ups for
ad mid that because I think artists feel like admitting
that they can't freestyle takes away from them having talent.
Every rapper don't have to have off the Dome. Yeah,
off the Dome is cool, and guys that can do it,
let him do it.

Speaker 6 (39:27):
It's dope.

Speaker 7 (39:28):
But see, niggas got that ship fucked up in confused
when jay Z and Lil Wayne's right and people think
like they can be the greatest MC because they ain't
got to right ship and you ain't really saying ship.
Like I've sat and watched the whole NBA Young Boy
recording session when I tell you that ship because he
bro it was the weirdest ship.

Speaker 2 (39:48):
He'll sit there and they literally mumbling come on, and
then you say something and then they stop.

Speaker 7 (40:02):
All right, come on, like right, there's no thought into
none of that for real, there's really no you just
shitting there.

Speaker 12 (40:09):
This is talent.

Speaker 2 (40:10):
You just shitting there making words rhyme. Okay, cool, that's
true enough.

Speaker 12 (40:15):
But why Be's a different one though. He's definitely one
of the ones we actually kind of but.

Speaker 7 (40:19):
I like you, I like to actually shit there and
think because if I'm putting it on paper, one line
follows the other.

Speaker 6 (40:28):
That's right.

Speaker 8 (40:29):
Some of the stuff is all out of context when
you when you're trying to freestyle, it's what it literally is,
what's off the top of your head, whatever popping your head.
So because you made it rhyme, don't necessarily mean like,
I don't have to stop cats just saying certain names
of certain guns. And I know guns well, Bro, there's

(40:50):
no such thing as what you just see. Man, There's
no such thing.

Speaker 6 (40:54):
So you gotta you know, you gotta say something else.

Speaker 12 (40:57):
Definitely definitely understand Hull what you're saying. I had to personally,
I had to get away from it, you know what
I'm saying. And it's funny we having this conversation because
I remember being an artist right and having that debate
on I can write, I can freestyle. I can write,
I can freestyle, but you see the effect, you know
what I'm saying. I can personally see the effect of
a song that you freestyle.

Speaker 1 (41:17):
It had.

Speaker 12 (41:19):
The simple, the simple flow of it, the simple bounce
of it. Sometimes is the ones that kind of go
sometimes that's what caused people to do the freestyle. But
I'm just in the era now where I know my
writing capability is so unique that I have to just
honestly show it off at this point. That's that's my flexing.
That's that's what I'm flexing. When it comes to writing.

(41:41):
I don't flexing, none of that's in life, but I
will flex when it comes to using words. So yeah,
I definitely understand on what you're saying with the writing.

Speaker 7 (41:48):
For sure, Yeah for sure.

Speaker 12 (41:49):
But you know, at the same time, like you said,
let the people that get that can freestyle them stick
to it.

Speaker 6 (41:55):
Yeah, yeah, And I get why. I get that.

Speaker 8 (41:58):
It's like the like to to in that in that
lane rapping. That's the ultimate. Like if you can just
say a bunch of dope, ship off the time off.

Speaker 12 (42:08):
If you can go like a young nudy, do it,
don't do it, you know what I mean.

Speaker 6 (42:16):
That's that's the bottom line.

Speaker 8 (42:18):
Like Franstance, when I heard Nas talk about recording a
song with Biggie, he said he was stuck on two
lines after two hours sitting there listening to Beat and Big,
get up and go in there and bust out the
whole fucking.

Speaker 6 (42:34):
The whole verse with no paper. It was just all
in his head. He said.

Speaker 8 (42:38):
I packed up my pen and I went home that day,
and that's the day I realized I was not on
his level. Fact, so he just put freestyling up here,
and I guess it should be because.

Speaker 6 (42:49):
That is a talent. But everybody. That's the other thing.

Speaker 8 (42:52):
The Internet got everybody thinking, because they see somebody else
do something, I can do it.

Speaker 6 (42:57):
And that's whether it's uh, the people with the food
challenges or whatever, I'm ana copy what they doing. I
could do it because they doing this that if it
ain't going on in your region.

Speaker 8 (43:07):
But from a from a producer's perspective, working with a
writing artist like.

Speaker 6 (43:12):
Like Mantega is.

Speaker 8 (43:15):
The god because nine times of tiket, if I play
him a track within two of the three minutes, he's.

Speaker 6 (43:24):
Going to have something that he pre wrote that can
go to that. And you know because when he's like like.

Speaker 8 (43:32):
I already know, he didn't already set over here, and
he'd have walked back and forth pace hit the on
on a couple of times, he got something in his head.

Speaker 6 (43:39):
So all I know is on the track and record
that was like the last it's simple, simples, that simples that.

Speaker 7 (43:47):
That's that's that's definitely I know within the first two
minutes like that, mold it up with what we're doing
with you from that era, like and then you know
with the New New York respect, you know what I'm saying,
and how you how you you know how you showcase yourself.

Speaker 12 (44:00):
It's it's only right that you keep ridding. That's the
East Coast lover's thing. Anybody that got love for the
East Coast, anybody's from the East Coast.

Speaker 8 (44:08):
But three styles started the start. That's what I'm saying.

Speaker 12 (44:16):
Make me something that okay, even if it ain't written,
they keep something ready. They always been ready.

Speaker 1 (44:21):
You don't don't know, ni.

Speaker 2 (44:22):
It was always like, let me hear something right now.

Speaker 12 (44:24):
Yeah, man, you had to go like I have guys
walk I just had a guy walk up to me yesterday.
Man speak for it for me, like guys only be
one four balls to day. They don't be expecting you
to go. You know what I'm saying, having a sixteen
cause it's like bro. Mostly because the new artists who's
popping and get it, got it to the point that man,
not these these styles ain't free, so that's what they

(44:46):
feel like.

Speaker 9 (44:46):
He was eight o'clock, y'all.

Speaker 7 (44:49):
That's the end of my time. It's beyond the beard.
Thank y'all for listening. Tapping in tuning in appreciate everybody.
Thanks for checking out the premiere. Y'all can check that
out on all platforms, YouTube, social media, uh I g
every everywhere, So go ahead and tap into that. The
Hustle Different All Summer Podcast Cipher.

Speaker 13 (45:11):
Let's get it, dog gag Yother dog Game. I got

(45:31):
money on, I got legit man, I got domind dance, litter.
See this spad you do on this bus need ghetto.

Speaker 8 (45:40):
Bad dog gag Yo the dog Gags.

Speaker 13 (45:44):
I got money on, I got legit man, I got
domin dance that you