Tyler Perry's Duplicity (REVIEW): Trivializing Police Violence | Ep279 - Black on Black Cinema - Black Movie Reviews

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Okay, before we get started, I just want to say
this is just a personal thing for me. I need
people to fucking stop thinking this Kanye West shit is
abusing or funny. This nigga is doing interviews in clan
robes and wearing swastikas and comments are like, oh, the
swasaka looks nice. This ship is fucking insane. I have

(00:22):
had enough. I am gonna get right into my old
man bag before we do this dumb fucking episode. This
is mental illness in the worst fucking way, and we
need to stop placating this shit. I don't give a
fuck how many albums or beats this nigga's made. This
shit is sad. He needs fucking help. Please stop acting
like this is not a big deal.

Speaker 2 (00:39):
It's huge.

Speaker 1 (00:41):
That's it, all right, Um, I'm just really tired of
saying it. It's driving me crazy. Yeah, because all fucking
diamond out or what. Okay, all right, Yes, Look, mental
health is a real fucking thing, and we need to
stop pretending that it's not like. This shit is not
a joke. It's really fucking sad, and seeing a black

(01:01):
man in a clan outfit is fucking crazy.

Speaker 3 (01:09):
I have no idea less about.

Speaker 2 (01:12):
The villain, right now, go find the last down before
I change.

Speaker 1 (01:21):
Let's rapid change on.

Speaker 2 (01:23):
It, you know all right?

Speaker 1 (01:25):
Episode two seventy nine Welcome This is Black and Black Cinema.
This episode seventy nine is on Tyler Perry's duplicity. I'm
gonna let anybody go before me. For the love of God,
I will let Tiara go first.

Speaker 3 (01:47):
How did I know? How did I know that you want?
That you will let me give my ladies?

Speaker 1 (01:52):
Little is not dead.

Speaker 3 (01:54):
I would just say what I told you guys earlier.
I'm okay if we never do a Tyler Perry movie
ever again. I like to like things, even if it's bad.
I need to at least have fun and find it
someone enjoyable. And maybe because I was already in a

(02:14):
bad mood today, but when I was watching it, my
move got worse. It really got worse, and I got
pretty upset watching what it's supposed to be a pretty
serious topic done seriously. So it's not like this was
like a supposed to be satirical or anything like that.
This was supposed to be dead serious, and it was.

(02:38):
It was so shallow and things that you would like
to see you on Twitter very one note. And I
like the people in the movie, like I've seen them
in different things and I usually enjoying them and other things.
And look, I'm not gonna shade anyone for taking an
acting job, considering how hard it is right now for
a lot of actors and stuff, but goddamn, man, like,

(03:01):
could we at least get something that has a little
bit of a little bit more substance of what we
got in this movie. I would also like to say
that just because you're married to a black woman does
not mean you can't, you know, be racist. Is that
a I mean breaking news, guys. You can have black

(03:26):
spouses and black children and still be racist. You can.
You can you can be black yourself and play in
a black sport like the NFL and still say some
dumb ship like how black things aren't political. I listened
to that episode today and it's just seeing Tyler Perry

(03:52):
does so does so many good things for actors who
need work, and is willing to pay them things that
white hollyo it won't do that, But his inability to
write a substance of script is the thing that will
always annoy me. But this, but maybe today was just
not the day for me. But today was just it
wasn't a movie where I was like, oh uh, Tyler

(04:15):
Perry whatever today. So you know what, I'm like, I
don't want to watch another one of one of the
movies again. I'm good.

Speaker 1 (04:24):
So that's so. That's so you didn't like the movie?

Speaker 2 (04:26):
All right?

Speaker 1 (04:27):
Cool? God it I liked.

Speaker 3 (04:29):
I liked Tyler Left. I like what I liked looking
at him. He is wonderful.

Speaker 2 (04:36):
Who is who is this? Okay?

Speaker 1 (04:41):
Oh, Judina got it? What it looks like?

Speaker 2 (04:48):
All right? No, go Aheadle's Drake.

Speaker 4 (04:52):
It looks like Drakes. You want me to go?

Speaker 2 (04:57):
Yeah, I want you to go?

Speaker 5 (04:59):
Okay, all right, quick storytime. Right, So last Saturday, all right,
I wasn't doing anything. I was watching television, and I'm like,
I wasn't planning on watching the movie. I was like,
I'm not gonna I'm not watching for bullshit because you
know it's gonna be bullshit. But I was like, fuck it,
all right, I'll go ahead and watch it. So I
watched the movie and like, arms folded, just off because

(05:23):
it's a tilet parody, right, just entertain me, nigga, and
even he failed miserably. Right, Yes, I didn't even tell you.
And I didn't tell you niggas that I watched it
because Michael watched it.

Speaker 1 (05:33):
What Sunday Saturday, Sunday night.

Speaker 4 (05:37):
I didn't even let your niggas know that I watched it.

Speaker 5 (05:39):
I was I'm just gonna show up on the episode
episode and Michael was like, yo, if this, if it
ends the way I think it is, Terrence is not
going to be on this episode. And I was like,
I already watched it. I didn't let these niggas know.
I was just like, I'm I'm done. Just like see
I said, I'm finished. This is my last Tyle of
Perry movie. I think this is I hate this movie

(06:00):
a fucking hate. And the problem is it's not his
worst movie.

Speaker 1 (06:05):
No, it's not.

Speaker 2 (06:06):
It's not.

Speaker 5 (06:07):
It isn't his worst movie. Like production wise, continuity wise,
it's pretty fucking terrible, dialogue wise is awful. But it's again,
it's not his worst movie. It's the subject matter that
that is surrounding the bullshit that he gives us. And
I told you, niggas, I didn't actually tell you the
day I had to go back to look at the

(06:28):
fucking the chat, right the chat when you sent the
trailer that morning on the chat, I said, I refuse.
I thought I had wrote. I thought I had written.
I thought I had written why I refused, But I didn't.
But I told you niggas last week why I said
I refuse Because I knew this was going to be
some bullshit on a serious topic. Yeah, you did, And
I didn't know how fucking right I was gonna be.

(06:51):
Like I was the rightest. I was more right than
I even thought I was gonna be, because this was
one of the most bullshitted it ass movies I've ever
seen in body life, nigga, the ending, the plot, just
what we'll get into it. But I've never been so

(07:12):
mad at a at a twist in my fucking life.

Speaker 4 (07:16):
Yeah, like it was.

Speaker 5 (07:17):
It was. It was like it was just a normal movie,
a normal bullshit movie. I'm like it was. He was
taking it kind of serious in the first hour and
he was like, oh, he was cheating on his wife.
I'm like, so the fuck what he deserves to get
murdered by a cop because of that? Where are we going?
Where are we going with this? And then it just
got worse and worse, and I'm like, yo, Tyler, you
you're a billionaire. I get it, you don't he hates

(07:40):
black men because every nigga in this movie wasn't worth
a goddamn except for the the.

Speaker 4 (07:45):
News report, like the gay gay cod and his homeboy.

Speaker 1 (07:49):
I don't know.

Speaker 5 (07:50):
He wasn't supposed to be gay, but like okay, and
his and his white friend, you know, the producer. He
was the only good nigga in the movie. The nigga
that we didn't see on screen that was beating his
black girlfriend in the military. He wasn't ship for some reason,
and we didn't see that nigga, Tyler. We was trash.

(08:10):
Fucking the one that got shot was trash because he
was cheating on his wife and fucking was garbage, Okay.

Speaker 1 (08:19):
And I like as an actor he's fun. He's fun
in these type of movies, Like you know what I mean,
like these level of movies.

Speaker 3 (08:28):
Oh wait, go ahead, you know you sound like you're
ready to jump into a lake that's clearly only three
ft deep, and then you pretend to write.

Speaker 5 (08:39):
And then like become the Hulk and like like break
myself out of a fucking off of a fucking anchor.
But anyway, this movie can suck my Dick. I hate
this fucking he don't need to make another movie. I
saw an article yesterday. He's creating like this Tyler Perry
like dream thing where he's going to give filmmakers like
the opportunity to create like short films. He didn't say

(09:02):
like black filmmakers. He just like filmmakers in general. I'm
like nigga, No, put put black in it. Bro, put
black in it. Don't just say filmmakers put black. You black, Bro,
You made the table that you kept saying they wouldn't,
they wouldn't let you act. You made it. Let other
people write for you. Dog, Please, for the love of God,
please don't write another movie for the rest of your life.

Speaker 1 (09:24):
Please, by the way, like I would be fine.

Speaker 4 (09:28):
Right exactly people of color. I don't give fuck.

Speaker 5 (09:30):
Just just no, dog, this is it. When I if
you ever decide to ever do another Telibraum movie, I
will not be on that episode. I'm not watching it.

Speaker 1 (09:40):
I have I have an opinion on that, so I
will I will express that.

Speaker 5 (09:43):
Because it's just this was too much. And again he
he he writes movies about women getting beat up all
the time, and like people just accept that shit, And
I get it like he's telling out stories but like
this is all you do. He was like the six
Triple eight was not good either, but like it was
a fucking historical drama. So he got a pass and
people were like, oh, he's starting to do good shit.

(10:03):
Like nah, nigga, He's just the same psychopath ass nigga that
he's been for the last twenty five years.

Speaker 4 (10:08):
And I'm sick of it. I hate this fucking movie.

Speaker 5 (10:12):
Like we'll just get into what's wrong with it everything,
but yeah, and and like, look, I've been well listening
to these dudes for twenty years. Uh, double toasted. They
used to be spilled in their rating system. This is
a fuck you.

Speaker 2 (10:29):
I was waiting until. I was waiting until we did
this episode before I watched the review.

Speaker 5 (10:33):
I haven't watched I haven't watched any reviews. I don't
know what you did. I've been rotch the single reviews,
so I don't know what they gave this movie. They
usually kind of give him past because it's taller, Perry nonsense,
but this is a fuck you. It's offensives. Offensive, that's it.
That's all I got. This is fucking offensive.

Speaker 1 (10:49):
Is that is that is a choice word that I
was going to use a lot. So so Terrence gives
it a fifty percent.

Speaker 5 (11:00):
It's how I don't do that. She gets zero points,
would use zero points.

Speaker 1 (11:07):
Yeah, fair enough, I might get your Uh you.

Speaker 2 (11:11):
Know, Terrence may mentioned that, you know, when me and
my wife sat down and watched this, my wife is
an attorney, so it's always it's always interesting. He was
always interesting.

Speaker 4 (11:23):
You don't know how lawyers work.

Speaker 2 (11:24):
It is always interesting to watch one of these movies
with with an attorney president and uh yeah, he may
mention that. Uh you know, I sat down and I said,
if the plot goes the way I think it goes,
Terrence probably not going to be on this movie. And
Terrence said, how do you think the plot goes? And

(11:48):
you know, I hate to pat myself on the back,
but like, I think I pretty much nailed it. I
think I pretty much nailed it really early on. I'll
tell you exactly when when we go through the movie.
And I'm not saying that as like, you know, I'm
some fucking awesome. No, I'm saying I nailed this plot
because I don't know how to write a movie. Either.

(12:17):
This is this is not, this is not you know,
all the caveats and all that, right, Like, oh, you
know Tyler Perry does gives people work and all these
brilliant All right, we all know that, right, we all
know that we're judging this as a piece of art.

Speaker 5 (12:35):
And you know, part of me, to a Candidas, that's
what this is.

Speaker 2 (12:40):
Part of me, like part of me I was starting
to like enjoy these movies for like the ridiculousness that
they are. Right, but this is just this isn't even
like I think, I think Terrace, You're right one, it's
the the Cruxtal. The plot revolves around a a police

(13:05):
shooting of a black man, and race is involved, and
it's just defensive. It's one thing for Tyler Perry nonsense
to just kind of.

Speaker 1 (13:17):
Be here, right, like a couple guys, I gotta get
off this.

Speaker 2 (13:22):
I gotta get this super artist off right, like right,
Like that's fun like nonsense, right, niggas got a nigga
lives in a loft, he's got a sex dungeon at
the bottom of it. That's communal, that's silly.

Speaker 1 (13:41):
Right, stay in that lane, right, But.

Speaker 2 (13:46):
But that nonsense coupled with something that is very real
in this society, that that just made me mad, and
so I'm just sitting there mad watching this movie. And
I'm mad watching all this ridiculous like nonsense go on,

(14:07):
and it just this is the first time that I'm
actually offended by a Tyler Perry movie. And you know,
just and yeah again, much like Tiara, when this was over,
I said something to the effect, we don't have to
do another movie. We don't have to do another Tyler
parent movie. At least if we're going to do another one,

(14:28):
we're not doing another one until twenty twenty seven, okay,
because you got to this year.

Speaker 5 (14:35):
Yeah.

Speaker 2 (14:36):
So no, man, I wasn't a fan. The only person
in this movie that I like is ron Rico Lee.
I appreciate the the subversion spoiler alert. He's one of
the villains in this movie, and I appreciate the subversion
because Ronrico Lee is the perpetual nice guy in a

(15:00):
everything right, that's the trick. You can only pull one
pull off once, and it sucks that it's in this movie.
But he was the standout, and he usually is in
these movies. That guy needs more work, He needs better work.

(15:23):
He should be upgraded. Yeah he should, he should everyone
else Uh no, no, no, no to everyone else. I
don't know who Cat Graham is. Is that somebody else knows?

Speaker 4 (15:36):
That's the that's the thing, everybody.

Speaker 2 (15:38):
That's the main character.

Speaker 3 (15:40):
She is from Vampire Diary, so shouts everyone who watched
that show, which vampire she was really good in?

Speaker 1 (15:51):
Uh, I'll take your word for it.

Speaker 2 (15:54):
When she's talking to the district attorney, like.

Speaker 6 (16:00):
Yo, this is awful.

Speaker 2 (16:02):
This is awful, This is awful writing, this is awful delivery,
this is awful. Megan Tandy is is the the anchor?

Speaker 1 (16:14):
Awful? And and look, I am all for trying to
be a nicer person. I'm gonna be a giant hypocrite
in two seconds. But the script is written with no

(16:39):
because computers are actually reasonable to some degree. This feels
like it's written by a small child with a large
crayon right, Like it's they they don't even have like
the dexterity to write normal ship, Like there are things
I told you guys offline. I had to rewatch a
scene because because the dialogue didn't make sense to what

(17:02):
they were trying to get across. I was confused. And
I'm not a fucking idiot, like I'm like, what are
you talking about? Did you do this thing. No, I
didn't proceed to explain how you did that exact thing.
I'm like, is the audio broken? What the fuck is
going on?

Speaker 5 (17:19):
So I agree peaking, and that the audio was peaking
in that van. I can tell you that much.

Speaker 1 (17:24):
Yeah, if you caught that, I didn't.

Speaker 5 (17:26):
When she was screaming in the van, I was like,
it sounds like the mic was fucked up.

Speaker 2 (17:31):
Just going on.

Speaker 5 (17:32):
But you know, see the little thing that I that
I noticed in the movie as I was watching.

Speaker 1 (17:37):
This is why I read the entire time.

Speaker 2 (17:39):
This is why, this is why nobody respects IMDb reviewers. Okay,
Era featured the featured review. Okay, this film isn't Oscar worthy,
but it's also not three hours long. That'sh your barometer lane.
The length, Oh, it wasn't good, but at least it
was short. No, at least I could get out there

(18:01):
and go do something else the rest of the day. Good. Oh,
I got stabbed in the heart with a pocket knife,
but at least it wasn't a sword.

Speaker 3 (18:07):
What the fuck?

Speaker 6 (18:08):
It doesn't make sense?

Speaker 2 (18:10):
Well, yes, the acting was. Yes, the acting wasn't the best,
and some parts were very well overacted.

Speaker 1 (18:18):
What the good word?

Speaker 5 (18:21):
No?

Speaker 1 (18:22):
Bad?

Speaker 2 (18:23):
But you say right now, But the plot twists made
more than made up for the deficiencies. I think, Oh
this is my part. This is the thing that really
pissed me off. I think it also did well addressing
current social issues with a positive message like we can
all do better. Thank you Tyler Perry for addressing issues
that most filmmakers don't. He didn't. He used it as

(18:48):
a as a fucking maguffin.

Speaker 6 (18:52):
To move this asshole, shitty plot forward.

Speaker 2 (18:58):
He exploited it started.

Speaker 4 (19:02):
I'm glad I'm not the only one I saw someone.

Speaker 1 (19:05):
I just like to point out I've not given my
review yet, because as angry as you are, you're one
hundred percent correct. All of you are one hundred percent correct.
But I i, as I often do, I will go
further into uh hating this movie, which maybe I don't
even know if I hate it as much as Terrence,

(19:26):
but probably I don't know. I mean, okay, okay, look,
I I like a good like. I like a fun
stupid bad movie. I like I'm okay with that, like
the the backhand, uh you know, you know that the
world type of ship like I'm fine with making fun

(19:48):
of that kind of full.

Speaker 4 (19:49):
From Grace was terrible, but it's fun.

Speaker 1 (19:52):
It's fun.

Speaker 5 (19:54):
Divorce in that movie is ridiculous, but again, they Carried
is not really fun. But like he was really good,
but goddamn good in that movie.

Speaker 4 (20:06):
Out in the first scene he was dead.

Speaker 3 (20:08):
Ali can make fun movies.

Speaker 1 (20:10):
Right, and that's totally fine. They're not good, but that's
totally fine.

Speaker 5 (20:13):
Yeah, don't tell me them, don't don't look at don't
look at me in my eyes and tell me it's
a good taler parable because I might smack it out.

Speaker 1 (20:18):
You Like, as a person, I will say this, I
legitimately enjoyed. What is it? Why did I get married?

Speaker 4 (20:26):
Why did I get married? I mean that's fine.

Speaker 5 (20:27):
I mean still legitimately, I legitimately enjoyable. But I'm not
going to call it an amazing movie. It's just good,
Like every that was one of his best ye, Like,
it's not that's not a real it. We're not playing
Povo right there. It's not even hurdles is jumping over
the broom at a wedding, so it's not really.

Speaker 1 (20:43):
Difficult and falling over the right it ain't even intentional.
So I say all that to say this the word
you guys both used. My cons you used is absolutely correct.
It is offensive, and I'm watching the movie and I'm like, okay,
this is bad one. It's I have issues with, like

(21:07):
how its shot, Like movies shouldn't look like television shows
that you made for nine dollars. That's fucking irritating to me.
But yeah it does. Okay, bro, So all of that right,
Like the the technical aspects and everything are what they are,
and it's classic Tyler Perry. But the movie is in

(21:27):
itself offensive. What you did was take one of the
most serious fucking topics. It is twenty twenty five, which,
by the way, is the reason I started the episode
with what I said, we are past the time of
like playing the fuck around with race shit. Right now
we are at a cusp in fucking American society and
in world society. That shit is going seriously fucking wrong,

(21:51):
and there's only a matter of time before they stop
just coming for Latin folks and they start coming for us.
And then I watched this fuck movie where a black
man who is easily the most known black director on
the fucking planet. Not saying that's a good thing, I
don't think that it is, but that is reality. Certainly

(22:11):
the most known black director in the US. You go
ask white people name to fucking black directors, Tyler Perry
is likely the first one they say, right, even if
they've never seen one of his movies.

Speaker 5 (22:22):
Right.

Speaker 1 (22:22):
Maybe they say Spikely right, which is sad. But he
is the prominent fucking name that represents us in movies.
He is, for better or for worse, always worse. That
taking that responsibility and flushing it down the toilet, by
maybe throwing into the fucking into the fucking conversation about

(22:47):
black people being killed by cops, that like, maybe black
people are in on it and causing these issues secretly,
and maybe white people aren't so bad.

Speaker 7 (22:56):
This is the narrative you want to put out there, Piers,
me though, what the fuck are we doing? All these
niggas are plotting to take down white cops, even black
cops are also in it to screw white cops. What
narratives are you building, dude? What narratives are you building?
I'm just telling this story. You have a responsibility with

(23:18):
your art. You have a responsibility And people go, oh,
he doesn't know, responds you just snor selling stories. White
people don't have responsibility. They also have responsibilities, dude, but
you're not you.

Speaker 1 (23:29):
Weigh bowl or some shit like that, where like non
niggas see your movies, you are a major fucking director.
You When you put out your art, it resonates, whether
whether you want it to or not, whether you think
it stays in the community, and every black person just
understands and gives you a fucking pass or not. It
leaves the community and people see this shit. So for me, no,

(23:52):
I didn't like the movie. I found it incredibly fucking offensive.
It's poorly written, it's poorly acted. Everyone in this movie
fucking stinks. Minus Ronrico Lee. I still like him in
this right, I do like I just think that guy's
kind of a fun actor to watch. But it's bad.
I don't know if it's bad because the dialogue sucks

(24:13):
and maybe these actors and actresses could rise to the
occasion in another movie.

Speaker 2 (24:16):
I don't know.

Speaker 1 (24:17):
But you all fucking sucked in this and the fact
that you were fucking involved in this movie. You need
to go look at yourself and go, what the fuck
was I doing in this You are literally seating black
people's destruction. By the next time a black man gets killed,
they go Oh, maybe they are all in on it.
Maybe they just trying to get insurance money or whatever
the fuck, because you know how to be doing. You're

(24:40):
putting that shit into the fucking world. Man, Your fucking
art matters. Even though it's not very good by our standards,
it still matters. I fucking hated this movie. I hated
the fucking ending. It was fucking ridiculous. I didn't like
how anybody talk to each other. I texted you, guys,
I was like, what is this scene in Like they're

(25:02):
having bunching. It's like mad impressive.

Speaker 4 (25:04):
Why is it like each other? Fucking bizarre? Your friends?

Speaker 3 (25:10):
Why are you busting my balls? Like what?

Speaker 1 (25:13):
Somebody needs to cut somebody needs to come clean, come
clean for what mind you?

Speaker 4 (25:17):
We don't know these niggas yet. It's two minutes into the.

Speaker 1 (25:19):
Movie, right, it made no sense whatsoever, Like like that
person wrote on IMDb in the dumbest way, like there's
tons of overacting and like chewing up scenery for just
no no, But at the core of this movie it
is deeply fucking offensive. And all three of you have

(25:40):
said we don't need to do any more Tyler Perry movies.
And look, let me just say this. I agree. I'm
fucking done. Fuck him. I don't need to watch it
in twenty twenty seven. I don't need to watch it
in twenty twenty nine. I don't give a fuck fuck
it to me. I'm done, Like I cannot play Kate
to black people seeding their own destruction through art. I

(26:03):
don't like when Kanye does this shit, and I don't
like when Tyler Perry does this shit. Kanye's got a
fucking mental illness, but Tyler Perry doesn't seem to have one.
He just can't stop shitting on black people for fucking money. Sorry,
maybe maybe you have affluenza sent you're a billionaire. Now,
whatever the fuck it is, go seek help because I'm
not supporting this shit. Fuck him very personally, because this

(26:25):
shit is ridiculous. It's ridiculous black people getting shot in
the streets of the Singa's like, well, don't we make
a movie where the white cop got set up by
a black cop?

Speaker 5 (26:34):
All right?

Speaker 2 (26:34):
Yill?

Speaker 4 (26:35):
Who wrote this?

Speaker 1 (26:36):
Who told you this shit was good? Do you have
anybody in your team to go? All right? Let me
see your draft? I don't know. Mindigga wouldn't do this.
Chat chat chat, ChiPT was like, naw, you gotta dum
put it up, Like what.

Speaker 6 (26:47):
The fuck what are you doing?

Speaker 1 (26:50):
You're making black look like a fucking assholes in this
moment it's written, I mean since forever, but especially right now.
It's fucking ridiculous.

Speaker 5 (27:00):
He was on Good Morne in America two weeks ago,
right and why he wrote He talking about why he
wrote this Free to Kid for the boy. He wrote
this movie because he he what did he say? He said,
he wrote this movie because he was tired of people

(27:21):
taking advantage of what is it like movements and and
using them for their own gain and like creating narratives
about like I guess black Lives Matter. Some of those
people took money and shit like that. So he wanted
to create a movie. He wanted to create a movie
like talking about people like using political narratives for their

(27:43):
own gain and using in the fairst nefarious means to do.
So that's the reason why he wrote this movie. That
was his reasoning.

Speaker 1 (27:49):
But that's what you're doing, that's what you're doing. That's
what you're doing.

Speaker 2 (27:53):
So he heard that that some branches of Black Lives
Matter maybe swindling people, So he wanted to so he
wanted so he wanted to amplify that.

Speaker 5 (28:02):
That's what I got, and then he came up with
this bullshit movie to kind of like, I don't know what.
I don't know what his message is at the end
of this movie. That's stupid bullshit speech he gets at
the end, she goes, it's about It's like, I don't
want people it's about cops and like people of color
and race relations. But it wasn't. She said that two

(28:23):
seconds before she said that, she said, that's not what
it was about. I don't want people make it political,
but that's not what it's about. It's about cops and
race relations. Okay, we're already at the end, but like
you know, that's m hmm, that's where That's where we're
at now. But this nigga is a billionaire. Like I

(28:45):
don't want to call this nigga a coon just yet
because I don't think he is.

Speaker 3 (28:48):
I don't think, I don't think.

Speaker 1 (28:51):
I don't like, I don't like billion You.

Speaker 5 (28:53):
Give me one more of these fucking if you give
me one more of these movies, yeah, I'm gonna have
to who is this to Is this appealing money?

Speaker 4 (29:02):
I don't know.

Speaker 1 (29:06):
A niggas are guilty of setting up white cops. Who
are you appealing to?

Speaker 5 (29:11):
It's sometimes yous are guilty. This one in particular, he
was cheating on his wife, so he deserved to this
shot in the chest.

Speaker 1 (29:19):
What is that like argument?

Speaker 3 (29:21):
Like, I feel like if you're going to write a
movie about how certain members of Black Lives Matter took
advantage of the movement, you can tell that story without
diminishing the seriousness of why the movement exists in the
first place, and you can use you could create characters

(29:44):
who do believe in what Black Lives Matter supposed to do,
and they and they and they create the activism around that,
and you can tell stories around civil rights and all
that stuff like that and still have grifters as part
of as villains in a way, especially right now with
with like with uh grifters being able to do it

(30:05):
so easily through social media and using all the buzzwords
and everything like that. You you can tell that story,
but this isn't the way that this is not the
way to do it. It's especially right all of them, right,
and and you you made the white cop and also
the old white lady like uh like just happenstance like

(30:29):
victims or whatever, just like making them like, oh oh,
I didn't know that that was going to happen, or
I didn't mean to kill them, like do you set
me up? No? No, And I and I don't like
when when we have to give conservatives or racists any
talking points, but I feel like this kind of does
because Tyler Perry is one of the most influential filmmakers

(30:53):
out there period. And and now you know, you just
need a subgroup of people, whether they're black conservatives or
white folks are racist and say like, but don't we
have both sides who do who do this?

Speaker 1 (31:07):
Like that's what happened, It's inevitable, that's what will happen,
is this is seated here society.

Speaker 2 (31:14):
But yeah, maybe we shouldn't hire black cops.

Speaker 1 (31:19):
Bingo, like you know how white white cops, right, because
white cops all they need black people to push.

Speaker 3 (31:28):
Them, especially since one of the cops in here head
of record previously was kicked off the force and it's
still the villain. Sorry spoiler, I guess it's just you can't.

Speaker 2 (31:39):
And look, you know people out there are going to
be like, oh y'all, just y'all just y'all reaching, y'all
y'all doing, but like, all right, cool that narratives FU. Look,
I think I think people don't realize. I think people
don't realize how much like art plays a role in society,

(31:59):
Like it shapes how we think. Because Joah Nigga's not
watching the news, right, so it shapes how we think
it and it can be overt, it could be subtle,
but it does play a part in how we think.
That's why, that's why they don't want that's why people

(32:19):
don't want to see black people in movies. They get
mad when when when uh uh voles are race swapped,
or because they don't want to see us like that
because they know, oh, if if this person sees themselves
in this, maybe they can do it like it's so, No,

(32:40):
I don't think we're I don't think we're reaching when
it comes to the importance of art in society. You know,
as much as this can be called art and.

Speaker 1 (32:49):
Oh it elictens in a fucking response, it's.

Speaker 2 (32:52):
Yeah, that's that's that's literally the definition of art. It
has to elicit some response. So I have so yeah, No,
I don't I don't think we're I don't think we're
I don't think we're reaching with that man like and
for someone with the pull and the funds and the
resources that Toyler Perry has, which I respect. Right, he

(33:17):
started from homelessness and now he you know, he is one,
He's a billionaire, right Like, that's the American dream. I
respect it. But with great power comes great respond There
must also come with responsibility, Guys, I mean, I don't
know what else to tell you.

Speaker 5 (33:36):
Yeah, Like I can respect his I can respect what
he's done. I don't have to. I don't have to
like the art. I don't have to like the product
that he put out.

Speaker 3 (33:43):
He puts out I don't think respect this either. No, this,
I don't think this this is also worth this this
movie is worthy of respect. I think.

Speaker 5 (33:53):
Gets no respect. I mean respect where he's respect respect
made it, But like his his his output is garbage,
it's trash.

Speaker 1 (34:05):
Well, look, I'll go a step further. I'm beginning to
not respect it your entire fucking journey, and I'll tell
you why, because getting all the way to the top
off the backs of kicking black people down isn't a
thing to respect. Right Like, Hey, Jeff Bezos made a
trillion dollar fucking company, but he did it by exploiting

(34:28):
and destroying small businesses. I don't respect that. Like so,
if the hustle is kicking our backs in for you
to become a billionaire, I don't fucking respect that. I
would rather you be fucking poor and have self respect
and give a fuck about the community that you came
from than to be a billionaire and just make shit
like this. That trash is fucking serious things. While people

(34:50):
are being gunned down the street, you likely don't have
to worry about being shot by cops, but people in
your audience, your fan base, apps to fucking lutely do.
And what you did is you trivialize their lives, their
very real lives. If I had this movie in the
fucking tuck and I'm watching What's Happened in the United States,
I'm like, yeah, you.

Speaker 6 (35:10):
Know what.

Speaker 1 (35:12):
Not releasing this movie my nigga? Yeah I know. Amazon,
I got a contract where I can write a new
movie in twenty five days. I got it right, like right, something.

Speaker 5 (35:21):
Else correct it put it out within three weeks because.

Speaker 1 (35:24):
You edited right, So you could have made something else.
But you saw this movie and you saw what was
fucking happening, and you still released it. And even if
Trump didn't win and everything was relatively quote unquote normal,
black people are still being fucking shot. What respect am
I supposed to have? When I think about like Trayvon
Martin and all of these other you know, and Michael

(35:46):
Brown and all of these other black people who've been
killed by police, and then I watched this fucking movie
where you just trivialized the shit. I expect this from
a shitty white director. I don't expect this from a
black director who is the most prominent name in black
uh filmmaking. I do not expect that stick to the
shit that you know, which is a bunch of fucking nonsense.

(36:08):
That's fine. If it was like Tyle Perry's Duplicity and
it was like a white cops shot on a white
guy and it had like nothing to do with race
and they were trying to set I wouldn't give a fuck.
We'd be laughing about how dumb this fucking movie is.

Speaker 2 (36:21):
Who cares?

Speaker 1 (36:22):
But you took a very serious thing and you trashed
it for profit, which his argument, Oh, they're using narratives
to make money or whatever, that's what you're doing. That's
what you're doing. You're taking this narrative the very serious
fucking situation, and you're using it to make money, and
you're not taking it fucking seriously. You're not that fucking

(36:44):
bullshit ass speech. No cops, white cops killing black people
is fucking political. This is You cannot be this fucking
stupid just because you have a billion dollars. Did your
fucking brain fall out of your fucking head. It can't
be that hard. Once you become rich and you just
become a fucking moron, you can't. And if if you say,

(37:08):
well I didn't know that, then stop making movies, shut
your whole fucking studio down and sell it to somebody else.
If you don't know that, this is not okay. Look,
I know he'll never see this. Maybe someone afforded to
him and he'll laugh as while he's laying on his
bed of money.

Speaker 6 (37:24):
I don't.

Speaker 1 (37:26):
Yeah, good, come on the show and we can talk
about We go through your whole fucking catalog and we
could talk about if.

Speaker 2 (37:32):
I'm a high brown negro, would that make you right?

Speaker 1 (37:38):
I'm from Baltimore, nigga, like you know, like I didn't
grow up in fucking Hollywood anything else. Neither did he.
But I certainly don't have a fucking billion dollars, and
if I did, maybe I'd hire a fucking writer's room.
The fuck out of here. Anyway, let's start this episode.

Speaker 5 (37:54):
We literally have not started a goddamn movie.

Speaker 3 (37:57):
So then this should go pretty fast.

Speaker 1 (38:02):
We're doing We're doing a Micah writes a fucking movie
review level speed on this ship.

Speaker 5 (38:08):
I feel so vindicated because literally the second, the second
I saw this trailer, I was like, this is gonna
be some bullshit. This is this is gonna be fucked up.
And I was right vindication. I can't learn that show
like it's I knew it. Though I knew it. He
can't write a good script. He has he has no

(38:30):
nuance in his brain to write anything of substance. This
was so mad when I saw it. I'm like, Yo,
this is bullshit. This is gonna be sucked up.

Speaker 1 (38:37):
Now, this is this is your now, this is your
this is your, dude, I told you, like one, you
get to tell it, you get to brag on that. Hmm,
all right, let's fucking blaze to it, all right. So
they end up on the boat Jesus Christ. So the

(39:01):
movie opens with what are these fucking people's names?

Speaker 5 (39:08):
And I don't know Marley Kevin.

Speaker 1 (39:12):
It's just the niggas from New Addition. So Pila, Marley and.

Speaker 4 (39:21):
Bobby, Ricky and Mike exactly.

Speaker 1 (39:24):
Tony and and Kevin. Right, So they're at at a
soul cycle class or something like that.

Speaker 2 (39:30):
Hey, let me ask you a question. When you're on
a stationary bike, do you do like Tony and do
fucking push ups while you're on it? Like?

Speaker 1 (39:36):
No, this is a thing. Now, this is a thing
like the like these classes that they it's all like
rhythm basically got yeah, yeah, you gotta.

Speaker 5 (39:49):
The whole body. It's a full body workout. I didn't
realize everyone was in it. I didn't know the news
anchor and the producer was also in the.

Speaker 2 (39:58):
The news anchor, Uh Shannon played by actor Shannon l
Lear Lanier. So you know, you know how well he is.

Speaker 4 (40:07):
He's not a character's name.

Speaker 2 (40:09):
When you when your character's name is the same as your.

Speaker 1 (40:13):
Name, Yeah, that's like Shannon Shannon all right. Uh so
just a fucking hilarious joke. I don't know that guy
that wish you well, I really do. So everybody's coming
out of their their soul cycle class or whatever black
Soul cycle, and so Fila is a news anchor, and

(40:37):
Kevin played by ron Rico Lee is a cop, and
Tony is a former cop. He's a private dick at
this point, and then Marley is a lawyer. Black people
are doing very well. Apparently the cop is doing extremely well.
When we get to his thirty thousand dollars fucking Atlanta house,
christ I was. I was like, okay, this the message.

(41:01):
So Fela doesn't like Romrico Lee's character. She hates this nigga,
like to the point where I'm like, this is wildly
aggressive for.

Speaker 4 (41:12):
It being for thirty seconds in the movie two.

Speaker 1 (41:15):
Minutes and thirteen seconds in and two minutes were fucking
opening credits. I'm like, why is she so mad?

Speaker 2 (41:21):
God damn.

Speaker 1 (41:22):
She's like, don't invite that nigga to breakfast.

Speaker 2 (41:24):
Fuck that nigga.

Speaker 1 (41:25):
I hate him, like I hate his guts. He only
sit in the back of the class to stare at
our asses. I'm like, I mean, yeah, but like, why
are you mad about it? Like one, they got stadium seating,
I get it, nigga, Like chill, you sit.

Speaker 6 (41:38):
In the back.

Speaker 1 (41:39):
So, so Marley is like Susie positive. She's like, oh my.

Speaker 6 (41:45):
God, everyone's great.

Speaker 1 (41:46):
Let's all have breakfast together before we go to work,
you know, because we work from home and at school
in this universe.

Speaker 6 (41:52):
And so.

Speaker 1 (41:55):
Fela or Fila and Tony and Arla and uh felis
husband is his name Rodney? They all meet to have breakfast.
Rodney comes in.

Speaker 5 (42:08):
MS. Mama m's. Don't forget mama m's because she said
that nine times, Mama for breakfast, breakfast, Okay, Mama m's
for breakfast, Mama, MS michaeh mama m mamam for breakfast.

Speaker 6 (42:24):
A real restaurant?

Speaker 1 (42:25):
Is this a real restaurant?

Speaker 6 (42:27):
I don't know.

Speaker 1 (42:27):
I don't know what this takes place in Georgia?

Speaker 4 (42:33):
Say that I say that is that Chester?

Speaker 5 (42:35):
Is there a Chesterfield? I'm sure there is a probably
Chesterfield in every state because that's probably.

Speaker 1 (42:40):
I mean, look, it looks like it's probably Atlanta. Considering
that house later on, like that house don't exist anywhere
that we could we could live here. I wonder if
that guy is corrupt? Was he driving a lamb?

Speaker 4 (42:53):
Time is it in the more? What time is it?

Speaker 1 (42:56):
I don't know, Like it feels like these niggas are
just really taking it easy, going to work like it's
like eleven.

Speaker 5 (43:04):
Because they're like, hey, we go to soul cycle. I
got to get home to get dressed, and I'm going
to meet you at mama M's. You know, mamam, what
time is it? And then she goes to work at
the news station. What the fun time does her ship start?

Speaker 3 (43:22):
She's an afternoon ancher.

Speaker 5 (43:25):
On Channel three early for us. The show is called
early for us again.

Speaker 1 (43:35):
But it's not early, it's early for us.

Speaker 4 (43:41):
That's offensive, mya.

Speaker 5 (43:43):
What do we do?

Speaker 3 (43:45):
She's an anchor, which probably explain why they're in a
lot of debt. She's probably not very good, damn.

Speaker 4 (43:54):
But why is it called early for us? That's not afternoon?

Speaker 5 (43:57):
It's not like unless he's saying, like niggas is always
CPT time, twelve.

Speaker 4 (44:01):
O'clock is early for us.

Speaker 2 (44:05):
I like this.

Speaker 1 (44:06):
He really thought that through, just to be a fucking
prick about it, you know what, Like I'll allow it.
Like that took a lot of That took a lot
of time. So so the four of them meet and
it is the shittiest conversation between four friends I've ever heard.
It's overly aggressive. Everyone talks to each other like they

(44:27):
are about to have a fistfight. And you think it's
supposed to be a brunch. I've never been mad at brunch.
They have alcohol there. That doesn't make sense. I didn't
I didn't like it. This is what I texted you
all about. I was like, I don't like any of
this conversation. Like it felt weird, Like it felt like
nobody is reading their lines properly. It was fucking strange.

Speaker 5 (44:44):
Everybody's confrontational in his fucking movies.

Speaker 1 (44:46):
Yeah, for like no reason at this point, there's no
reason to be uh smash cut to the police station.
Ron Rico is h he's a cop, Kevin, and he's
explaining about like how they're gonna take down the these
gangs or whatever. This is the most hap hazard bullshit
I've ever heard.

Speaker 2 (45:04):
You see all this, You see all this red stuff
that's crime, and the purple stuff that's that's gang crime,
and you know, we gotta get all this. Apparently apparently
the entire city is just.

Speaker 6 (45:23):
It's overrun.

Speaker 4 (45:26):
It got some city. Wait for the Joker and the
Penguins show up, like this is.

Speaker 1 (45:31):
The most dangerous city in the fucking world.

Speaker 5 (45:35):
Meanwhile, every scene is like scenic fucking houses.

Speaker 4 (45:38):
And ship I'm like, where's the crime? Where is?

Speaker 5 (45:41):
It makes you.

Speaker 4 (45:45):
Everywhere? Chesterfield Field, America.

Speaker 2 (45:49):
Right.

Speaker 1 (45:51):
So at a certain point, Kevin, uh, he stops after
he's done with his very detailed presentation. He's Caleb, who
is this young white cop and he's like, hey, I'm
gonna be your i'mnna be a field sergeant today. You're
gonna be with me.

Speaker 2 (46:08):
And he's like, uh, this is when I called This
is when I this is right here, No bullshit, no bullshit,
because this is when I knew because he was too shifty, right,
he's too shifty, and he's and he and he obviously
doesn't know what the funk he's doing. There's crime over here,

(46:28):
so you gotta control all these areas right here.

Speaker 6 (46:33):
So I was like.

Speaker 2 (46:36):
Well, this nigga did it. Whatever, whatever it is, this
nigga did it.

Speaker 3 (46:42):
I did have a feeling he was on it because
he told feeling that she was beautiful outside.

Speaker 2 (46:47):
The like his vibe and seemed weird.

Speaker 3 (46:54):
And she's supposed to be.

Speaker 5 (46:55):
I was like, right, if he's if they're so cool,
he's he knows she's married, yeah.

Speaker 2 (47:00):
Right right.

Speaker 3 (47:04):
Like that, Like but you look beautiful today. I'm like, like.

Speaker 1 (47:06):
No, you know that?

Speaker 2 (47:09):
Yeah.

Speaker 1 (47:09):
Look look fellas, Look I'm long old and married. Don't
you ever tell my wife she's beautiful like that. I
knock your teeth out of your head, don't. I don't
like that. Ship. Oh you look beautiful today. Get the
fuck out of here, Like, get the funk out of here.
You No, no, don't even look at it.

Speaker 5 (47:30):
I was, I was. I wasn't there, right, I wasn't
there yet, Michael. But I'm like, this nigga looks guilty.

Speaker 2 (47:36):
I was, like I was.

Speaker 4 (47:38):
He's pulling off his.

Speaker 5 (47:38):
Best fucking like a lioneso from training, basically training for dummy.

Speaker 2 (47:43):
That's what.

Speaker 1 (47:43):
Yeah, this movie it is, it is.

Speaker 4 (47:46):
That's what this movie is.

Speaker 2 (47:48):
That's what I was. That's what And I'll tell you
and when I and when I when I said that
second text, I'll tell you exactly when I said that
second test that that that solidified it for me.

Speaker 1 (47:59):
Well for me, it is at ten second time, at
ten fifty nine or eleven minutes in, when they're sitting
in the squad con He's like, oh, yeah, you don't
want to go to these different areas and you know
you don't trust where I'm taking you and all that.
I was like, this niggas corrupt, like this niggas corrupt,
Like the fuck out of here. This shit doesn't make
any sense. Why are you talking to this other cop

(48:21):
like that? Like he didn't.

Speaker 4 (48:22):
Do anything yet.

Speaker 6 (48:24):
Yeah.

Speaker 1 (48:27):
Yeah, he's like he's like a train, you know. He's like,
he's like a pretty.

Speaker 5 (48:30):
And he says in in I think he says in
the station. He's like, if a cop says shoot you shoot,
no questions.

Speaker 1 (48:36):
Asked that that was it.

Speaker 2 (48:38):
He's like when when when when a when a cop
says gun you shoot? Yeah? Yeah, gun when the cops
is gun you know this nigga, this nigga there we go. Yeah,
this nigga's behind it.

Speaker 6 (48:53):
Now.

Speaker 1 (48:53):
The question is how dumbe gonna get so and it
gets pretty dumb pretty fast. So, uh, Rodney is out jogging. Yeah,
Ronnie is out jogging. He's got his fucking beats on
so he can't hear ship and he ends up going
to some house. Right, he like walks behind this alley
or whatever and goes to this house. Somebody calls this

(49:19):
woman Delora.

Speaker 4 (49:19):
Who made the fucking phone call? Who made the phone call?
Who made the phone call.

Speaker 3 (49:25):
I thought. I thought it was failing. I mean, that
was they were supposed to deduce that it was her.

Speaker 5 (49:31):
It was supposed to but that wasn't her voice. That
was not her voice unless she.

Speaker 2 (49:35):
Was yeah, you're cheating, Yeah, he cheating, he's cheating.

Speaker 1 (49:38):
Yeah, because you should have been like that boy sounds familiar,
like nope, yeah, I mean to imply it was.

Speaker 5 (49:47):
And even and even if it was her, how the
fuck did she over.

Speaker 2 (49:50):
The How she gets the number one?

Speaker 5 (49:52):
How should get that white woman's number?

Speaker 4 (49:55):
Did she know he was?

Speaker 3 (49:56):
Why are you asking?

Speaker 1 (49:58):
Look, there's another not there's another circumstance that happens that.
I'm like, there's no way that anyone could have known
like this. This lined up like, it doesn't make any sense.
We'll talk about it later. So the cops show up
after this anonymous call from some black woman who's like, hey,
white lady, there's a there's a strange black man behind

(50:21):
your house. You know, but I live behind you, but
I saw this guy, and I think you should call
the police. Bitch, why don't you call the police, because
if you live behind me, he's right at your house too.
That she doesn't make any sense the lords don't ask
too many fucking questions, right, Like this shit makes no sense.

Speaker 5 (50:40):
She's like, oh, She's like there's a guy walking in
the alleyway.

Speaker 4 (50:43):
He's black.

Speaker 5 (50:44):
I'm like, well there you go.

Speaker 1 (50:45):
Okay, a right, bring the guns, bring as many as
you can think of, like all right, what the fuck?
And by the way, she calls and like the whole
point of this is to like pin this on this
old white right, like, oh see, you know how to
be calling the police or whatever. And it's like, again,

(51:05):
you're not qualified to talk about this issue, like you're
really not, Like, just please don't do this. He pulls
out like he's walking up. He's got his headphones on.
The cops show up and they're like, hey, you know,
stop stop right there, but he doesn't hear them because
he has his headphones on. And he looks up and
notices the cops and he immediately pulls out his phone.

(51:27):
And ron Rico Lee's character is like gon gon and
the white cop shoots him twice in the chest. And
then when ron Rico is like looking but also like sinister,
it kind of licks his lips a little bit. I
was like, oh, this nigg is mad guilty so so

(51:48):
then uh, they do something really weird that doesn't make
any fucking sense.

Speaker 5 (51:52):
So yeah, like a like a Samsung folding. First of all, look,
I'm not Look he pulled that thing out of his pocket.
I'm like, first of all, why was he gonna start
recording the cops? Is that what he's like? If two

(52:14):
cops have their gun to dream on me, I'm like, yo,
what the fuck is going on? I'm not pulling anything
out of my pocket. I'm just not. And that ship
looked like a fucking gun.

Speaker 1 (52:24):
It was.

Speaker 3 (52:28):
I was actually thinking about earlier when I when I
was watching this, and I was like, you know, if
CHOOFERD really wanted to have a nuance discussion around police
shootings and when the cops and when cops fear for
their lives and things like that, this that could have
actually been it right, that they could have really well,
he could have really told a pretty nuanced story around

(52:50):
that issue. Because like the possible nance my bad because
because in the following scenes, I'm like, I mean, I
was like, well it did look like I mean, like,
so like, what do we like if we say that
it looks like a gun and the cop has a
split split second decision on do you wait for this

(53:12):
person to pull out so it could be a gun
and you get shot, or do you take the first shot?
Like I would be willing to watch something like that
because I think that that that that has a lot
to say about society right now and how polarized we
are when it comes to these things making more than
just very pun intended black a black and white issue, right, Like.

Speaker 1 (53:30):
You're absolutely right about that. Like if that situation had
been that's the story of like they killed. You know,
he gets killed and this cop is like, oh my god,
holy shit, and he feels horrible about it, or even
if that guy lived but he was shot or whatever,
and you know that's the method of like bringing people
together and seeing like maybe don't jump to conclusions. I

(53:51):
didn't know it was a gun on a cop. I
know your job is hard, you know, black people, you
got to deal with it. Like that's a conversation I'm
willing to listen to. Immediately skeptical because people are really
bad at those kind of conversations, But at the same time,
that would at least be some level of effort about
showing people coming together over this issue that is hurting everyone.

(54:15):
But black people very specifically, that would be different. But
this is, oh shit, nigga's a gun conspiracy theory. Like
that's not like, that's not the same fucking thing. And
that's a that's a real problem.

Speaker 3 (54:26):
And you could have used Ron Recole as that person
who is like, uh, who is kind of like, you know,
I backed the blue and because this is our our
real lives blah blah blah blah blah, and this is
what we have to go through. That could have been
like your quote unquote villain. But I don't want to
rewrite the movie because I don't know, like Micha said,
I don't know how to write movies.

Speaker 1 (54:49):
Yeah, yeah, yeah, this needs an extra cutikes. So all right,
so from there where am I?

Speaker 2 (54:59):
They're live on the air, right, thank you, Live on
the air, nigga, this makes no sense? And yeah again,
like they're live on the air and they're having some room,
some some weird cooking segment and then breaking news, a
good job producer, breaking news a man just got shot

(55:22):
by the cops and he's been identified as my anchor's husband.

Speaker 1 (55:28):
What the fuckow? Yeah, what kind of ron bird at
the ash is that? And the person who min go
fuck yourself, San Diego, Like.

Speaker 5 (55:40):
That has the interesting thing about this scene that I
know none of you, none of you caught if you
go to thirteen fifty eight and pause it and look
at the teleprompter and see what it says, because she
says it turns out that the victim is thirty six
year old Rodney Black, and she pauses, right, she doesn't
finish the fucking name because it's her husband, and she

(56:03):
freaks out. Read what the fucking teleprofter says. It's cut off?
Half of it cut off, But like, read what the
teleprompter says.

Speaker 1 (56:14):
I don't have it out y right back after this
commercial break, commercial break.

Speaker 5 (56:19):
No, it said thirteen fifty nine, it says, it says
Rodney Black ellipses. That's what the teleprompter says. That's what
the teleprompter says.

Speaker 4 (56:35):
It doesn't. I was like, of course it does, because
party is a.

Speaker 3 (56:41):
Fucking idiot, doesn't really say that.

Speaker 1 (56:45):
That's fucking wild.

Speaker 5 (56:46):
That's what it says. It's or thirteen fifty eight. You
can see it's blurry, but you can see it. I
was watching it on my TV and I'm like, hold on,
ain't no motherfucking way that's what the ship says.

Speaker 1 (56:56):
Yeah, that's a.

Speaker 5 (56:57):
Black Ellipses thirteen fifty eight. Is the best way to is.

Speaker 4 (57:03):
This is?

Speaker 5 (57:04):
This is this is This is the quality that when
you get from Tyler Perry. Why would it say black
ellipses dot dot dot? Is it speak to text?

Speaker 2 (57:15):
Right?

Speaker 4 (57:18):
Because because because.

Speaker 1 (57:19):
We didn't, they just put the fucking actual script on.

Speaker 5 (57:23):
They put on the telepropter.

Speaker 2 (57:26):
Don't forget to trail off right like it might as
well be it might as well be stage direction, nigga,
it might as well be disappointed.

Speaker 5 (57:35):
Yeah. If if that's what's on the telepropter, why did
you cut to that? Granted, no one is going to
see that, but like again, I was taking notes, nigga,
and I'm like, Yo, there's no fucking way, There's no way.
That's really that's terrible. This is this is the level
of production that you get with a Tyler Perry production.

Speaker 2 (57:58):
Yeah, because he says, will be right back after this commercial.

Speaker 4 (58:01):
Break, right, it's right underneath that ship.

Speaker 6 (58:03):
It's right.

Speaker 4 (58:05):
He just put the scripture.

Speaker 1 (58:06):
He literally just put.

Speaker 2 (58:09):
Right like it's supposedly like all right, all right, all right, unbelievable.

Speaker 5 (58:13):
I couldn't.

Speaker 1 (58:16):
That's a good gut. That's a very very terrible though.

Speaker 3 (58:21):
Oh wow, it really is there.

Speaker 2 (58:25):
Yeah.

Speaker 1 (58:28):
So so Tony goes to Marley's job and he's like,
she's like, oh my god, what are you doing here?
Like you're you're ruining my you know. And he's like, yeah,
I got something to tell you. She's like what is it?
And then smash cut to Marley running in the hospital
to uh fail a question.

Speaker 2 (58:51):
Did they just end the live newscast? Yeah, no, no, no,
we cut the commercial, got the commercial bright, They cut
the commercial and then just never came back.

Speaker 5 (59:00):
Like.

Speaker 1 (59:02):
Difficulties, just like the like on the Simpsons they have
the guy like just drinking, like the image like they had.

Speaker 4 (59:09):
Don Lemon, and his husband was just just was there
right along with him.

Speaker 5 (59:12):
You know.

Speaker 1 (59:18):
So when they they're all at the hospital, you know,
I guess the like they do this thing they try
to be dramatic. The doctor comes up and he's like
like you can't but they're like, you know, obviously your
husband has died because he was looking the cheapest stamps

(59:39):
in the book. So he died of his his gunshot wounds,
and and so it like the voice is muted and
and then philis starts crying and breaking down. I appreciate
them muting the sound because I'm sure that she did

(01:00:00):
not carry that scene. Well. Sorry, like I'm not trying
to be an asshole, but your performance in this movie
it's abysmal up until this point and the same after.

Speaker 5 (01:00:13):
So that was the baseline and didn't get any better.

Speaker 1 (01:00:18):
She's doing her level best with the work or with
the script she had. Everybody's back at Phali's house. They're all,
you know, trying to, you know, figure out what happened.
They're all very sad about it anyway. So I'm a
hard time.

Speaker 2 (01:00:35):
Giving this to the producers, like, hey, I've run the
best investigative news division uh at Chesterfield, and we we
will do anything we can to help. And the pet
and the private Eye like I'll do anything to help
to Babe.

Speaker 4 (01:00:55):
Exactly.

Speaker 2 (01:00:59):
And Marley's like, I'm gonna find out who did it
and I'm gonna I'm gonna or I'm gonna that cop
and I'm gonna bury that son of a bitch. I'm
so sick at tire of these white officers killing us
and getting away with it. Like this is this is
Cat Graham trying to seem like determined but it just

(01:01:21):
comes off as kind of vacant, like I don't.

Speaker 6 (01:01:25):
Look, I don't know.

Speaker 1 (01:01:26):
And I'm really trying to be easy on the actors here.
The writing is so flat and boring. I'm not sure
outside of like an excellent fucking actor, and everybody here
is less than that. It's hard, Like I'm trying to like,
they're not able to fucking elevate a mediocre script.

Speaker 2 (01:01:47):
They're not.

Speaker 1 (01:01:48):
Just they're just not And look that's not that's not
really a shitting on the actress. Most actors can't do that.

Speaker 4 (01:01:55):
Writing.

Speaker 5 (01:01:56):
And that's not exactly the hardest thing to do, because
now I was terrible. Yeah, all the time they do
the best was what they have.

Speaker 1 (01:02:06):
Yeah, well sure, you know. I mean, if that's what
you want to go with, I I I believe you
believe that they're doing their don't.

Speaker 5 (01:02:15):
I've never seen this woman in anything else, so I
don't have a baseline to go off of. I've seen
Tyler Lepliy and other things. I mean, all pe Valley,
that's about it.

Speaker 1 (01:02:26):
Oh, he's to Drake.

Speaker 5 (01:02:28):
Drake, I call him Niggadra because that's what you look like. Yeah,
and the other chick, I don't know what the fun
was going on with her acting. She was awful.

Speaker 1 (01:02:37):
Yeah, it's not good.

Speaker 2 (01:02:39):
So this funeral, yeah, this funeral and uh and rival
station Channel nine is there, and this one, this this
white woman who is I guess the reporter doesn't see
one of the stinkest looks on her face. She's got
like I'm a racist face ship like she's just.

Speaker 1 (01:03:03):
A word.

Speaker 2 (01:03:03):
But you can, like you could just like tell a
white person, yeah, yeah, that's exactly.

Speaker 1 (01:03:13):
I'm glad. Are we sure he's dead? Anyone else in there? Yeah?
She sucked, And so Phelia goes over to her and
she just starts sucking, screaming on her. And this white
woman isn't like, oh my god, I apologize, but she's
just like, I don't have lines in this.

Speaker 2 (01:03:29):
She's just grinned, like okay, this woman looks like Charlotte
Flair now like some weird it's just odd.

Speaker 5 (01:03:41):
She did some work done.

Speaker 2 (01:03:43):
And you know.

Speaker 3 (01:03:45):
Again, I just feel like, if this was going to
be a more nuanced movie, there was an opportunity here
to kind of show how the media is, or how
certain informans of media can be complicit in this poll
or this increasing polarizing society. That could have been because

(01:04:05):
because because click, because that's a rival station, right, a
rival news station that they that they kind of say,
but that could have been like a Fox News esque thing,
like if this topic was going to be taken more seriously.

Speaker 2 (01:04:21):
But it is, what was he doing there? And you
know all the all the talking points, right, but no,
it's just this this woman screaming at this reporter. Those
racist cops killed my husband.

Speaker 1 (01:04:32):
Like it's no, it.

Speaker 5 (01:04:34):
Was Tyler Perry letting a black woman scream at a
white woman's and having party for his fucking, his fucking
fan base. That's all that was.

Speaker 1 (01:04:43):
Right, which really right? But it and I look, I'm
sure people watched that and they were like, oh I
feel that felt good, But that really cuts differently when
you go to the end and you go, oh, right, right, right?
How am I?

Speaker 2 (01:04:59):
So turns out all these niggas set up this poor
white guy, Like what the fuck again?

Speaker 1 (01:05:06):
Why is that the narrative that you want?

Speaker 2 (01:05:08):
This poor white guy married to a black woman, so
he's obviously not racist? Come on, yo, what the.

Speaker 3 (01:05:13):
Fuck did you know he was married to a black woman?
I didn't.

Speaker 4 (01:05:20):
You didn't tell me.

Speaker 1 (01:05:25):
I remember.

Speaker 3 (01:05:27):
My reaction was girl, you get out of here?

Speaker 2 (01:05:32):
Who are you?

Speaker 5 (01:05:33):
I'm commit another crime, by the way, by kidnapping this
poor It's like, oh, now I'm complicit and fucking kidnapping. Cool,
I'd rather not good.

Speaker 4 (01:05:48):
No, I don't think so, my nigga. But he came
up with the plan.

Speaker 1 (01:05:51):
All right, Oh you know how right, that's that's the
narrative of this movie. So they they go back. I
guess they're having the post funeral. Yeah, yeah, no, no, no,
but here here, here's my thing. Here's my thing about.

Speaker 2 (01:06:10):
This a post funeral death party. Is that what you just?

Speaker 5 (01:06:14):
Hell?

Speaker 1 (01:06:14):
The reason why I said that, I know what awakes.
The reason why I said that is because I was
thinking about this meme where it's like black people twenty
minutes after you, you're in the fucking ground and it's.

Speaker 2 (01:06:24):
Like a celebration of life.

Speaker 1 (01:06:28):
Yeah, that's how we really like. White funerals are sad.
This is another thing that's offensive to me. Black people
don't react like this at funerals, like yeah, we said,
or whatever, where is the chicken, my nigga, and turn
on some fucking music, you know, not at all?

Speaker 2 (01:06:45):
Right, it's a fucking family reunion, right, play that ship
like yeah, you know what, because it's what I wanted
to back bikes.

Speaker 1 (01:06:56):
Uh but yeah, no, none of this. I then this
feels like black people feel very weird. Also, this nigga
is at a funeral and he got he got a
black he got on a black shirt with a black
he got a black own black suit. But he don't
have a tie on his shit. Just open, nigga, you're
not at the club. You're not at the club.

Speaker 2 (01:07:15):
Remember you said that. Remember you said that for another
scene a little later, I'll bring it up. Yeah, it
seems kind of inappropriate. But they cut to a scene
where Marley and Fayla are in her bedroom, and this
was the scene where I was like, or Fayla has

(01:07:38):
something to do with it. This is when I sent
him at this scene.

Speaker 1 (01:07:43):
What time is this in the movie?

Speaker 2 (01:07:47):
Yeah? Yeah, because she specifically says, I don't know how
I'm gonna do this. He took care of everything. What
will I do for money? You're a prime time news anchor.

Speaker 4 (01:08:00):
What are you?

Speaker 2 (01:08:01):
What are you gonna do for the money? Now?

Speaker 1 (01:08:06):
Look, look you look early.

Speaker 2 (01:08:08):
Look if it was in the morning, you'd be making
more money. So get the fuck out of here. I
don't know what I'm gonna do for money. You're a
news anchor. What the fuck you mean you don't know
what you're gonna do for money? You think Denise Coke?
You think Denise Coke is out here fucking putting out
scams to sue Baltimore for for fifteen million dollars.

Speaker 1 (01:08:29):
Get the fuck out of here, Denise Coching. That's a
wild pull.

Speaker 4 (01:08:36):
Did she recently quit?

Speaker 1 (01:08:37):
Then she recently returned to retire? I think I think
she retireed.

Speaker 5 (01:08:41):
Yes, in the game for forty years.

Speaker 1 (01:08:47):
That's a wild local pull. Yeah, so yeah, poor poor failure.
She don't know what to do. Apparently none of that
rings weird. Tomorley, She's like, oh, you know, my my
friend is just really concerned about money on the day
of this nigga's funeral. But okay, super strange, so much debt,

(01:09:11):
what the fuck you know?

Speaker 2 (01:09:12):
Rolling around in a range Rover.

Speaker 1 (01:09:15):
It is Atlanta, Like they got to do something. So
then Marley meets with the da uh not played by c. H.
Pounder obviously, but and this is a very weird situation
because they are so she's so fucking hyper aggressive and

(01:09:38):
and like weirdly unprofessional. Like okay, they're two lawyers, right,
Like I understand you gotta do your fucking you gotta
do your lawyer ship, like the dance of like I'm
gonna sue you. Oh you better not no no, but
like it's weird, and and then it's like the da
is like, well, we have the body cam footage and
she's like, bitch, I don't need no body camp, but
fuck you. And then she shows it to and she's.

Speaker 6 (01:09:58):
Like you would, right it dude look like a gun.

Speaker 1 (01:10:01):
Like it was just fucked up, Like it was a weird,
fucking It's an entirely weird conversation.

Speaker 5 (01:10:06):
Is very was that body camp footage was four K
and like, yeah, body.

Speaker 2 (01:10:14):
The body cam for how tall is wrong? Rico Lee
is wrong? Rico Lee seven ft tall because that body cam.

Speaker 5 (01:10:20):
No, I know exactly how tall he is in this
movie six one because that's what his fucking record says, Like.

Speaker 1 (01:10:31):
Ron Rico Lee is six one. I'm six five, Hello,
welcome to the show.

Speaker 3 (01:10:37):
Yo.

Speaker 5 (01:10:37):
I guess I paid attention to a lot when she
was looking at his fucking his profile picture, the height
said six one. I was like, the nigga, you are
not six one. Then everyone else in this movie is.

Speaker 1 (01:10:52):
That Nigga is five to seven. In real life, he's
the hight. He's the high of our girl.

Speaker 2 (01:11:01):
No, come on, that's hilarious.

Speaker 6 (01:11:05):
Six one.

Speaker 2 (01:11:09):
Come on yo.

Speaker 4 (01:11:10):
Even Roderrico Lee wouldn't lie about that ship.

Speaker 5 (01:11:12):
Yo.

Speaker 3 (01:11:15):
He's just like every dude on a dating app the Lives.

Speaker 1 (01:11:17):
But their height just round up to six feet, just
round up.

Speaker 5 (01:11:21):
No, that was his that was his fucking his police record,
police profile.

Speaker 1 (01:11:26):
No, I get it, that's what he was going to do.
They was trying to round that ship up.

Speaker 2 (01:11:34):
Get the funk out of here, yo.

Speaker 4 (01:11:36):
That that makes me laughs hilarious.

Speaker 5 (01:11:40):
Oh man, good lord.

Speaker 2 (01:11:42):
That Nigga's body cam was a GoPro on top of
the head. God damn, he's so tall.

Speaker 1 (01:11:51):
No, he's not.

Speaker 5 (01:11:52):
Oh ship.

Speaker 1 (01:11:53):
So so after she sees the body cam footage, she's
really Mary's really upset. She leaves. She calls Tony. She's like,
I saw the body can footage.

Speaker 6 (01:12:03):
It really did look like a gun.

Speaker 2 (01:12:04):
I'm real sad.

Speaker 1 (01:12:05):
He's like, stop at the local shell station they paid
for advertising. I'll meet you there.

Speaker 5 (01:12:10):
Now here's the interesting before we go on, here's an
interesting about the body camp footage. Because he dude, shoots him.
Caleb shoots Rodney right, and he starts providing CPR. On
the bodycam footage, it's clear as day that ron Rico
Lee tells him to stop. Yeah when the guy he's
not dead, he's done, and the.

Speaker 2 (01:12:32):
Guy even and Caleb even says. Caleb even says, he's
still breathing, right, So.

Speaker 4 (01:12:38):
What the fuck are we doing right now?

Speaker 5 (01:12:40):
The body camp footage shows that the nigga that's recording
it is telling us, dude to stop providing life saving CPR.

Speaker 2 (01:12:47):
I mean, maybe these are the whints that something.

Speaker 8 (01:12:49):
Is a missy footage and right, and then d don't see.

Speaker 2 (01:13:03):
Yeah, nothing wrong here.

Speaker 1 (01:13:05):
He's a terrible lay, very strange.

Speaker 5 (01:13:11):
I don't care anyway.

Speaker 1 (01:13:12):
Marley goes and sees Dolores, the white woman who called
the police initially, and.

Speaker 5 (01:13:18):
I hated this scene. I hated this fucking scene.

Speaker 1 (01:13:20):
It's very odd. It's very odd.

Speaker 6 (01:13:22):
Hey, so what happened?

Speaker 1 (01:13:24):
Oh well, I got a phone call for this person
and blah blah blah blah blah, you know, like who
lives there? Wait a minute after I've given you like
twenty five answers, Hey, who are you?

Speaker 2 (01:13:34):
By the way, I'm just a friend.

Speaker 1 (01:13:35):
But I'm gonna answer none of your fucking questions. I'm
gonna call the police. What are we talking about right now?

Speaker 5 (01:13:39):
Like it was really okay, go ahead, go ahead. And
then she goes to talk to the neighbor. And this
is supposed to be comedy, Like the same funny, nigga,
this is not funny.

Speaker 2 (01:13:48):
That's your question.

Speaker 1 (01:13:49):
I did not care for that scene at all. Can
I sue her for feeding the goats or whatever? Why
are you saying this to me?

Speaker 4 (01:13:58):
This movie is just like I was getting.

Speaker 2 (01:14:03):
Something that bothered me. I don't know why I bothered me. Yeah,
something that bothered me, and I don't know why, but
it did. At thirty six seventeen, Uh, the producer is
dressed like he's getting ready to go to the club, yo, Like,
why do you have three buttons un buttoned?

Speaker 1 (01:14:22):
Nigga? You at work?

Speaker 2 (01:14:26):
Bro, You at work? You ain't singing, You're not singing
blurred lines?

Speaker 1 (01:14:32):
You at work? Nigga? Even I got that? Yeah, I
don't know.

Speaker 5 (01:14:40):
I don't.

Speaker 6 (01:14:40):
I don't know why I got all this ship hanging.

Speaker 4 (01:14:43):
I don't know what the h it's really weird.

Speaker 1 (01:14:46):
Man work back on, Yeah, Like why what was going on?

Speaker 3 (01:14:53):
Why?

Speaker 1 (01:14:54):
You got your taco meet out, Like.

Speaker 4 (01:14:56):
Yeah, the woman is like the women ain't out. We're
gonna play today, Like.

Speaker 6 (01:14:59):
What the what are you doing?

Speaker 5 (01:15:00):
Like what going on over there? This nigga shirtless? This
nigga you put his fucking jacket on?

Speaker 1 (01:15:08):
Okay, Yeah, I don't I don't really understand that.

Speaker 2 (01:15:11):
Like that feels bothered me.

Speaker 1 (01:15:13):
That feels that feels like a choice.

Speaker 4 (01:15:15):
It's like a real white.

Speaker 1 (01:15:20):
Talking about like yeah, like.

Speaker 5 (01:15:23):
Like are we gonna pretend that Tyler Perry is not
you know, gay, or are we gonna do that We're
gonna keep doing this or bisexual?

Speaker 4 (01:15:30):
Whatever, We're still.

Speaker 2 (01:15:32):
Doing that for Queen Latifa. If we're still doing it
for Queen Latina, we can Okay, are we not doing
it for Tyler Perry?

Speaker 5 (01:15:41):
Again? I told you that story Like when I was
at the I was at the fucking studio with my
uncle way back in the day. She came to the
studio with her girlfriend, her friend or something like you know,
the girl took him to be her friend.

Speaker 1 (01:15:56):
I mean it's a really that's still like some people
like that. She's not open.

Speaker 5 (01:16:00):
Do people still think like come on now, like come on,
you love queen, Like come on.

Speaker 3 (01:16:06):
Man stepped out with her with her with.

Speaker 1 (01:16:09):
Her partner, like recently, okay, what was that movie? If
niggas watch set it off for two seconds.

Speaker 5 (01:16:19):
At all, figure it out, nigga, nobody's that good at
an actress. But yeah, like nah Man, like come on,
he does this. He's like, I'll do it for my
my audience and yourself. It's fine, my nigga, Like, come.

Speaker 1 (01:16:34):
On, it's cool, bro, Like you got a billion dollars, like.

Speaker 4 (01:16:37):
There's nothing wrong with it.

Speaker 1 (01:16:39):
Literally got your money, bro, like him money whatever.

Speaker 6 (01:16:43):
I don't.

Speaker 5 (01:16:45):
Like, look, we know dog, it's fine. You got you
got a kid. You know from your beard's it's fine.

Speaker 1 (01:16:51):
It's fine. I don't care.

Speaker 5 (01:16:53):
Like, dude, it's like this these two guys, I like,
I don't know if y'all called it, but I'm like,
these dudes are gay, colded. I can see what it
felt like because they're like he was talking about, they're
always together. But he was like in the beginning, Shannon
was talking about like I got kids, and I'm like, okay,
I don't mean nothing.

Speaker 1 (01:17:12):
No, I don't.

Speaker 4 (01:17:13):
Tyler Perry got a kid.

Speaker 1 (01:17:16):
Adoption is a thing, Like it's fun. That's also true,
ye know, they are very gay coded. You're you're absolutely
right about I.

Speaker 3 (01:17:24):
Think they were a couple, but established if if Marley
was a good lawyer or not, because.

Speaker 1 (01:17:34):
No, it's established she's not.

Speaker 2 (01:17:37):
Well apparently she apparently she she got tony yeah from
from the city when the when the police tried to
you know, set him up with some bullshit. But maybe
the police just tricked her into getting him that money.

(01:18:00):
So maybe yeah, maybe she's not. Maybe she's maybe she's
just a shitty attorney.

Speaker 3 (01:18:06):
Because because she has that scene with the other DA
who is a dark skinned black woman hm hm, who
was defending this white cope message whatever. Uh, And She's like,
by the time I'm done with, the entire state will
be begging to settle. And I'm like, but why but

(01:18:27):
like but like but also but.

Speaker 2 (01:18:30):
Why did y'all hear how she read that? Did y'all
hear how she read it? Because that's exactly how it sounded.

Speaker 1 (01:18:38):
She delivered, Like now I sing to my daughter with
no pitch in my voice at all, because I can't.

Speaker 3 (01:18:44):
But like, it's it's I found that seemed to be
so weird because I'm like, but the thing it did
look like a gun when he was taking it out
of his so like, what is your what is your
argument that this is such a open didn't shut case?
And then he's like, well he's he's dead and he's

(01:19:05):
a black man who got shot by a white cow.

Speaker 5 (01:19:09):
Yeah that's usual.

Speaker 3 (01:19:10):
And like I need to be like but it's like
and like what there has to be more here?

Speaker 1 (01:19:17):
Yeah, she's not a very good lawyer, Like what's your evidence?

Speaker 5 (01:19:20):
Shot?

Speaker 4 (01:19:23):
You don't have any You just seen the footage, just
like oh that's why she was like oh ship.

Speaker 1 (01:19:28):
Then they got they did.

Speaker 2 (01:19:29):
Damn they got that.

Speaker 1 (01:19:31):
They got this dead to rights like I mean they don't,
but like what the fuck is Yeah? You need an
argument also, And I'm gonna fast forward like super quick here.
I don't like that the villains are all brown and
the fucking hero is I really don't. I don't care
for that.

Speaker 4 (01:19:47):
What I said, like everybody and then like you know
everybody's terrible.

Speaker 1 (01:19:51):
Oh well, all right, the other dude, Tony, Tony is
uh he's a light dude. That's fair, So all right,
fast forward we we we see a scene of like
ron Rico Lee Kevin is talking to Tony and he's like, look,

(01:20:11):
I heard that the white cop came over they all
house last night, you know, trying to talk to you.
I'm I'm gonna have a conversation with him, and you know,
I'm gonna keep an eye out on on Felis house,
make sure she's okay. I'll just be across the street,
across street my Lamborghini or whatever. But I just be
across you. She won't even know I'm there in my
seven hundred thousand sports car. She won't even notice it.

Speaker 5 (01:20:33):
Everybody's I don't think he was driving that car just yet.

Speaker 1 (01:20:35):
Well, I'm sure he's driving a fucking place car, but
I just like to point out that he's driving like
a two hundred thousand dollars car. And nobody can figure
out if this niggas corrupt or not. Okay, do you
have detectives at work there?

Speaker 5 (01:20:50):
This is another issue. This is another issue with the
movie we did. You're fast forwarding, but I don't know
if he bought this car just yet. Because here's the thing.
This be the beginning of this movie and the end
of this movie is a seven month span. That's true,
the first three months, like he gets shot the day
of three months later, she settles for the fifteen million

(01:21:12):
dollars once everything is said and done with that four
months later. So all of this is the three months
before they settle. So I don't know if he got
the car or not. All right, again, time frame in
this movie doesn't make any fucking sense.

Speaker 2 (01:21:26):
Well, and also speaking speaking of time frames, at some
point in this movie, the private investigator Tony found out
some information that he didn't want to that he didn't
share with Figgie, with with Marlin the Lloyd. Right, this woman, this,
this is a whole subplot because because she's got trust

(01:21:49):
is shit.

Speaker 1 (01:21:50):
Why wouldn't you defend Tiara?

Speaker 6 (01:21:54):
She's like, why wouldn't you tell me this information?

Speaker 2 (01:21:58):
Well, I didn't think it was that. I wasn't sure.
I needed to make sure because or or relevant to us, right,
And it wasn't. And it wasn't my information to tell you, right,
it wasn't my information to tell you. And she was like, no, no,
I've got trust this you should have told me. You're
sleeping on the couch tonight.

Speaker 1 (01:22:16):
What they win the case? They win the case, They
win the case.

Speaker 2 (01:22:23):
Four months later, this nigga is still on the couch.

Speaker 1 (01:22:28):
No, get the fuck out of here, we're breaking up.

Speaker 4 (01:22:30):
He got his own house.

Speaker 1 (01:22:33):
Yeah, grand from the fucking couch.

Speaker 2 (01:22:36):
Last time.

Speaker 3 (01:22:39):
I had this, this gave me I had questions. I
was like, wait a minute. So he's like, there's nothing
that I don't have much stove from the settlement, but
we can share some of money, like how much money
did you get and what did you do with it? One?
But also four months on the couch? What is the
relationship between Rodney and Marley? Again? I think he's supposed
to be like she's like, oh, he's like a brother
to me. But why because he was talking to you

(01:23:00):
like a brother at that diner scene. So I don't
even know why we're while we're.

Speaker 1 (01:23:05):
Are supposed to be whatever the fuck?

Speaker 3 (01:23:08):
But like, why we why for breakfast? Why are we
supposed to care about this relationship that we saw two
seconds of. In the two seconds we saw was so
hostile right there?

Speaker 1 (01:23:18):
There is no connection between those two characters. And woever,
I don't care.

Speaker 3 (01:23:22):
I don't care about this.

Speaker 1 (01:23:23):
I think this niggas trying to carry you don't like.

Speaker 3 (01:23:29):
Unless unless you was secretly in love with him and
and maybe y'all had a thing in the past or whatever,
and he was the one who got away, Like there
could have been so much more there and now. But
it was like Noah, he is like like I know
he's like a brother to you. I do love him.
And it's like why you bust my balls, bitch, And
it's just like whoa are we sure?

Speaker 1 (01:23:50):
Like damn.

Speaker 5 (01:23:54):
It just none of this makes any sense. And this
nigga slept on the couch for four months? Does he
not have a home of his own?

Speaker 3 (01:24:00):
But like but also like you're on the couch over
someone you're your your part is putting you on a
couch over someone who they were not in a relationship with.

Speaker 1 (01:24:15):
Okay, I'm gonna I'm gonna defend this woman a little bit.
Not four months, I'm not not. That's crazy. I'm gonna
tell you this, I am not. Okay, Like if Micah
cheated on his wife and I never told my wife,
she'd be pissed about that, Like that's that's legit.

Speaker 2 (01:24:36):
Would I sleep on the couch?

Speaker 4 (01:24:38):
Let me think?

Speaker 1 (01:24:39):
Fuck no, what the fuck's she'd be?

Speaker 5 (01:24:41):
Like?

Speaker 1 (01:24:41):
I can tell me. I'm like me not say his
story to tell he a piece of ship, Like how
big his fucking head is. He's a weird nigga.

Speaker 2 (01:24:47):
I don't know, Like you know, yeah, Rodney's weird. Guys,
this guy playing Rodney is weird.

Speaker 1 (01:24:54):
This is this is just a metaphor, right, Like, But
she wouldn't be like I can't trust you. I'd be like,
the trust issues are clearly not on this side of
the fucking equation then, and but why are we so
mad about this? Nigga got shot twice? What the fuck
are we talking about right now? But she's like, no,
I got trust issues. And what does she say? Is
one of the dumbest things I've ever heard, because I watched.

Speaker 2 (01:25:17):
The thing is how they do everything? What a what
a what a wonderful attitude to have defense attorney, What.

Speaker 6 (01:25:30):
A wonderful attitude to have it?

Speaker 1 (01:25:34):
He says, I was the weirdest statement I've ever heard one.
Like writing wise, that's bad, like delivery it was terrible,
But logic wise, like you said, like as an attorney, that.

Speaker 4 (01:25:45):
Makes us sense.

Speaker 1 (01:25:46):
But as a human being on earth, the way you
do one thing is the way you do everything. I
assure you it isn't. I assure you it is. He
immediately caught her out. And he immediately caught her out.

Speaker 2 (01:25:58):
I was like, well, what about all the good stuff
I've done the count. Get out of here, Get out.
Why about what I'm about to say to you, Please
don't be offended about what is the most realistic woman
thing I've ever seen in a movie. She makes it

(01:26:20):
an ill advised point, But what about.

Speaker 3 (01:26:23):
All this I am personal experience.

Speaker 2 (01:26:34):
And I'm just saying, I'm just just like dock the
fucking glass over Like.

Speaker 3 (01:26:43):
But why does she have trust issues? Like because was
like all of a sudden.

Speaker 2 (01:26:48):
Because of all of a sudden, because.

Speaker 1 (01:26:51):
I don't know, I don't know, you know, you know
how black men they're all lives and ship right like that.

Speaker 5 (01:26:58):
They're all lies and cheaters and schemers and scammers.

Speaker 1 (01:27:01):
I mean, maybe maybe he was really bad. Maybe he
was really bad at vacuuming the floor at their house.
And she was like, the way you do one thing
is the way you do everything, and I hate the
way you did this, So we're gonna break up. And
I trusted and she said that ship that's this lines
I've ever heard.

Speaker 2 (01:27:20):
It was one of those. It was it was like
from Deo y people. It was just.

Speaker 1 (01:27:24):
Like, we don't.

Speaker 5 (01:27:28):
This movie.

Speaker 3 (01:27:30):
And I just remembered it. But it was something that
really bothered me and it's it's probably a small thing,
but I'm like, couples don't really do this, right, like
where you no? No, no, no, like no, like the diner
scene at the very beginning, it feels like ice you
to eight months ago? So when are you gonna get married?
I'm like, Yo, that's not.

Speaker 2 (01:27:54):
A couple. Couples don't. Couples don't do that. Adults do
that to their adult children. Parents do that to their
adult children. That's what that's that's who does that. Nah.

Speaker 1 (01:28:05):
If somebody did that to me, you put me like
it's like being in I don't know, like l a confidentially.
You're like putting the spotlight on me, Like where were
you on January first? Like why are you being so
fucking aggressive when you're getting married? I don't know, but
I ain't inviting your stank ass now, so funk off
like you.

Speaker 3 (01:28:22):
Having when are you giving me some kids? Some grand babies?

Speaker 2 (01:28:26):
Some grand babies? Yeah? Yeah yeah, my sister getting harassed
and ship like uh, don't don't listen.

Speaker 1 (01:28:34):
No, I'm not doing that with my daughter. Take your time.
Fuck these niggas out here, like no, no one's good
enough for you. Yeah, don't don't you know girls are nice,
like don't talk, then are a problem. So then we
meet Tyler Perry.

Speaker 5 (01:28:55):
All niggas ain't ship.

Speaker 1 (01:28:56):
Yeah, no kidding. So after leaving, by the way, the
reason why we find out about the four months on
the couch. Shit again, we would have been broken up
three months and twenty nine days ago. Get the fuck
out of here.

Speaker 2 (01:29:13):
That's yeah, I'm not sleeping on the couch, man, get
out of here again.

Speaker 1 (01:29:17):
I met my wife being like, go sleep on the
couch now. I'm like, we both pay rent here, Like
like no, the fuck absolutely not, no, absolutely not. You
going like that, don't But she's like, I'm going to
the gym. It's like late night, right, And he's like, oh,

(01:29:38):
I'll come with you. And she was like no, and
he's like, I've been sitting on this I've been laying
on this couch for four months. I'm like, I got
your back hurt.

Speaker 4 (01:29:45):
Like I'm like whoa.

Speaker 5 (01:29:46):
I was like wa, wait a minute what when he
said that, like, ain't no fucking way, very yes.

Speaker 1 (01:29:56):
So they leave the gym and lo and behold our
power couple is outside of the gym. They just got there,
you know, they just got their suna on or whatever. Again,
these dudes work together, but they're together a lot, like
they have soul cycle together, that the gym, late night together,

(01:30:16):
getting a sweat on, Like they don't got all the
buttons up, Like just say the day, dude, Like just
say that. You don't have to hide it from your audience,
Like it's fucking weird.

Speaker 2 (01:30:26):
Also, like, do you think do you think that like
if he were to just outright like have a positive
gay couple, do you think that would help in in
his base, who was you know, largely Christian and lower
se conservative, Like do you think it would help ease

(01:30:47):
them into accepting gay people as like, you know, human
fucking beings and members of society that needed to be
treated with the same amount of respect as anybody else, you.

Speaker 1 (01:30:58):
Would think, But if you're it would be. But if
you're deeply closeted, you don't want to fucking do that. Instead,
you just code them and they just you know, they
just sprinkle these people around your movies and hopefully no
one notices we notice.

Speaker 3 (01:31:14):
Yeah, how did he not know already?

Speaker 6 (01:31:16):
Like, I mean, no, people.

Speaker 1 (01:31:18):
Are amazing, Yeah, people amazingly.

Speaker 3 (01:31:23):
That was a dumb question for me to ask because considering
the state of the world. Yes, you know, of course
people would, just people.

Speaker 1 (01:31:30):
Don't want to Conservatives don't realize that Lindsey Graham is
a game. Okay, like Tim Scott is he but he
was engaged? I was told he was engaged.

Speaker 5 (01:31:42):
Is he still engaged or after he was not? In
the the bath water?

Speaker 4 (01:31:49):
Then she was like my check.

Speaker 1 (01:31:53):
She was like, I gotta go.

Speaker 3 (01:31:55):
He definitely has shaved his beer. He's he's good, he's
he's free.

Speaker 5 (01:31:59):
Shock.

Speaker 1 (01:32:00):
So she gets kidnapped after she leaves the gym by
great value John Cena the cop and you cannot see
it once you you just cannot see it. And so
he's like, listen, you know, I know you think of
a piece of She raises cop. But it turns out
I'm a good person. I'm a good I'm one of

(01:32:22):
the good ones.

Speaker 4 (01:32:22):
Right, I'm one of the good ones that just kidnapped you.
But you know that.

Speaker 1 (01:32:28):
Yeah, But I'm using this as a way to like
two positive things, like all right, cool, thanks, punis shirt,
get the fuck out here. So they introduced this white woman.
Her name is Anna Lewis. Anna Lewis is this character
played by Angela Hellily. She reads so flatly and delivers

(01:32:51):
these lines so poorly that it's almost impressive. She's like,
I was dating Kevin the police officer. He was incredibly
sweet to me. I also met Rodney, and I'm like,
Jesus fucking Christ, speed it up. Put this on one
point twenty five, like let's go. Good God. So apparently

(01:33:15):
she dated Kevin Lee's character. He's possessive and crazy, like
when a switch goes off, he's like nuts or whatever.
And then she said and then she talks about Rodney,
and Marley gets pissed and she's like, you are cheating
with Rodney and Kevin, and she says, no, I wasn't,

(01:33:37):
and then proceeds to talk about how she also dated Rodney.
I'm like, so you were fucking both of them, which
is what the fuck? She just said, Like this is
the thing that I was super confused about. You are
reading okay, because then the dialogue fucking sucks.

Speaker 5 (01:33:53):
At the end of the movie, because I was fucking
confused myself until I saw that at phone that seem
to have the ultimate charge on it, but that's neither Yeah.

Speaker 6 (01:34:03):
It's like.

Speaker 1 (01:34:05):
It's in low power mode for six months.

Speaker 2 (01:34:09):
Anyway, Yeah, it wasn't it like a wasn't it like
a name spoiler? Wasn't it like a name change or
some ship? Well?

Speaker 5 (01:34:16):
No, what happened when she was dating Tony? Yeah, he
used Heaven's name. I was like when when she was
when she we can look, we're at the Shenanigans part.
The whole movie has been Shenanigans. We're at the point
now where it just completely went off the fucking rails.
They get he gets kidnapped, She gets kidnapped by them,

(01:34:37):
and they go to the city hotel and whatever, and
the woman an ali is Anna louis like, hey, she
tells him this whole thing. But the black his wife
tells her that. And before they say, hey, what about
this this record you have on your your military record, right,
you beat up with your black man, soldier, you beat

(01:34:59):
up a black man. And the woman and his wife
is like, no, he was protecting me from some ignorant
ass ain't shit nigga, of course, because all niggas ain't
shit in Tyler Perrent movies.

Speaker 1 (01:35:07):
Yeah, and he was telling me, by the way, apropos
of nothing, the dark.

Speaker 5 (01:35:11):
Skinning black man was beating it out of me, and
he was protecting me. That's why that was on this record,
and he lied and said he called me and that
he called him a nigga and all this ship, so
that was.

Speaker 4 (01:35:20):
That was false.

Speaker 5 (01:35:21):
And then Anna Louis Anna Lewis is like, well Tony
said he or Kevin was like, well he's two people,
he's evil, uh, And I was afraid he was gonna
kill me. So I started recording him and I left
the phone under the bathroom sink or whatever the fund
you said, and she was like what and she's like,
here's the code nine G seven two sixty nine. I'm like,

(01:35:44):
that's not.

Speaker 2 (01:35:44):
A phone code. First, that's not a phone colder.

Speaker 4 (01:35:50):
This what are you? Why are there letters in there?

Speaker 2 (01:35:53):
Anyway?

Speaker 5 (01:35:54):
So that's where we're at now. So she finally goes
to this mansion and.

Speaker 1 (01:35:57):
Yeah, I mean I saw that it was Tony on
the video, but I was like, like, they don't. Did
she mention that that was this name change thing, because
like I totally missed.

Speaker 4 (01:36:07):
No, No she didn't.

Speaker 1 (01:36:09):
She didn't.

Speaker 2 (01:36:10):
Thank you.

Speaker 5 (01:36:10):
We found that out at the end. And he's like,
hey man, the funny part is why you use my
name and that fake?

Speaker 1 (01:36:17):
Oh that's right, that's right.

Speaker 4 (01:36:18):
That I was like, one off question at one off line.

Speaker 2 (01:36:22):
Yeah, that's kind of weird.

Speaker 4 (01:36:23):
Man.

Speaker 2 (01:36:25):
Also, that's weird. That's really weird. That's weird. Twist for
twist's sakes, it doesn't make any sense.

Speaker 1 (01:36:30):
What also doesn't make sense already at that point, Like
that doesn't make you.

Speaker 2 (01:36:33):
Know, what also doesn't make sense. Terrence pointed out that
Marley is looking up Kevin's information and Kevin is six
to one. He's also his weight is somewhere around one
ninety five. No, Yo, you're not Terrence. I'm Nigga is
not built like Terrence, you know, like it's just not

(01:36:56):
like what he's felt, more like me.

Speaker 1 (01:36:58):
And he exactly and he's.

Speaker 4 (01:37:01):
Two inches shorter, right, Yeah, but come.

Speaker 1 (01:37:03):
On, which I like to point out as often as
humanly possible, someone is shorter than ridiculous.

Speaker 5 (01:37:09):
And he's been on the force for thirty years and
he's still a beat cop. Well he's a lieutenant, but
like he's been on the force as long as the
bad boys have been on the force, and he's still
out in the streets.

Speaker 1 (01:37:20):
I mean, black men just cannot get ahead on the police.

Speaker 5 (01:37:23):
For they really don't want to leave the fucking squad.
Cause but all right, thirty years nigga, nineteen ninety six
is when you started. It's twenty twenty five, bro, Either
retire or like get behind the death.

Speaker 1 (01:37:37):
It's supposed to be. I mean, there are no decent
detectives in this little city that y'all live.

Speaker 5 (01:37:44):
They couldn't find Caleb. This niggas been on a run
for seven months. They couldn't find him.

Speaker 1 (01:37:48):
But all right in the same small town, this nigga
left the fucking the radius of the city.

Speaker 2 (01:37:55):
Nigga, you stand out of the motel.

Speaker 3 (01:37:57):
Wait, wait, jos, they can't find so Also, I really
didn't appreciate the.

Speaker 2 (01:38:05):
Fact that that that the that the producer and and
the and the anchor kept going on and on and
on about how sketchy sketchy the hotels.

Speaker 6 (01:38:17):
Looks sketchy looks sketchy.

Speaker 5 (01:38:19):
Guys, this is.

Speaker 1 (01:38:24):
Live in a lovely neighborhood, but is very and totally fine.

Speaker 3 (01:38:29):
Wait, children, at this at this point, they had already
settled settled the case, and so shouldn't Caleb be free
and everything? How are they ruining his life because they
made it seem like no he was.

Speaker 5 (01:38:44):
They had a worn out for his arrest, they he
had criminal charges on it. They were trying to find
him at this point on the run.

Speaker 1 (01:38:54):
Yeah, he's just staying at the Motel six on the
at the end of the block. Couldn't figure out where
he was.

Speaker 4 (01:39:00):
They don't say that, no one today. We leave it
light on for you.

Speaker 2 (01:39:02):
No, they don't like not fuck you anyway.

Speaker 5 (01:39:05):
So, yeah, they were still they were still looking for
this nigga, even after he kidnapped fucking you know Marley.

Speaker 2 (01:39:10):
Yeah, yeah it is.

Speaker 4 (01:39:12):
But I don't think his wife, black wife.

Speaker 1 (01:39:14):
Yeah, I don't think they report. I don't think Marley
reported that she got kidnapped.

Speaker 5 (01:39:18):
No, she didn't know, because this just happened four months after,
you know, the fifteen million dollars settlement that that Marley
got right, and she just left, She just disappeared.

Speaker 1 (01:39:31):
What the fuck?

Speaker 5 (01:39:32):
Like, I don't talk to Mary either. They're like, whoa
you numbers's like she changed her number like I thought
she was supposed to be your best friend.

Speaker 1 (01:39:39):
The fuck don't want told cycle together?

Speaker 2 (01:39:42):
Like what happened?

Speaker 5 (01:39:43):
All right?

Speaker 1 (01:39:44):
So so Marlee Marley, after listening to the further story
about the phone and everything else, she decides to go
to Kevin's house. Track star Kevin's house, I don't know
what the rental price is for this home? Apparently they

(01:40:07):
say it is a rental. I assume the rental price
is fifteen thousand dollars a month. This looks like a
house that the dude who dips his face in the
bowl of ice water would rent. That fucking dork, ask loser,
what does that guy do for a liver? What do
is that gotta do for liver? And uh? She So

(01:40:28):
she goes and she goes to like check it out,
and then surprise, surprise, Tony pops up.

Speaker 2 (01:40:34):
He's like, ah, I got you.

Speaker 1 (01:40:35):
Girl, I'm with you, Like I'm not hiding in the
shadows and shit, I'm doing it for normal reasons. And
you know, like when you come up on somebody, the
first thing you do is grab your hand around their mouth,
like ah, I love you, or.

Speaker 2 (01:40:49):
It's just me handgag, come over in the darkness, handgagging people,
like what the fuck?

Speaker 1 (01:40:56):
Just to like it's just like, hey, Marley, it's me,
I got you, like like you make it a lot.
And then it got rolled up on anyway, right, what
a what a what an amazing private investigator movie? Fucking
hate inspector?

Speaker 2 (01:41:13):
He roll right right?

Speaker 6 (01:41:18):
What the fuck? Like you couldn't see that ship coming
to model.

Speaker 1 (01:41:22):
You couldn't hear it.

Speaker 5 (01:41:23):
It's like Lamborghinias aren't exactly electric vehicles, my nigga. So
it's like it's incredibly loud, like visually and fucking audibly.
So all right, cool.

Speaker 1 (01:41:33):
This should made no sense, by the way, I also
like that she parked away from the house like there's
nothing else around and they can yeah, they can see
your car.

Speaker 3 (01:41:44):
She pulled up to the house with the headlights on
and then when she got there she turned them off.
And I was like, well, that's that the.

Speaker 1 (01:41:51):
Purpose, idiot, This doesn't make any sense. So he pulls
up in the in the fucking lambo or whatever, and
he's like, hey, wat y'all come in, like since y'all
know weirdly across the street, fact and strange, and and
she's like, all right, you know, I guess, and you know,
I'm sure. Tony is like, hopell everything work out and
I can get off the couch night.

Speaker 2 (01:42:12):
This Tony shit really pisses me off. Man, didn't Tony twist?
It makes no sense. It makes no fucking sense.

Speaker 1 (01:42:22):
That's what I'm telling you. That dialogue confuses shit out
of me. I'm like, who are you talking about?

Speaker 5 (01:42:28):
To be confusing, Even even after all this sudden done,
it's still confusing because he just looked like one or
two lines to try to fucking explain it away. And
if you're not paying that much of attention, which is
not exactly the most difficult thing to do, you just
you're just like, I don't understand.

Speaker 4 (01:42:43):
What the fuck is happening?

Speaker 5 (01:42:45):
This movie so much had I needed ammunition to show
you how fucking stupid.

Speaker 2 (01:42:50):
This movie was. To be perfectly honest with you, like
me and my wife are at the age where we
gotta have subtitles on when we watching Ship right, like
it just because you miss it, you because you missed it.
And the only reason I caught it is because the subtitles.
She said Kevin, and the subtitles said Tony and then

(01:43:11):
his line, and I was like, yeah, what what?

Speaker 1 (01:43:14):
What?

Speaker 2 (01:43:14):
Like we had deposit all together? What the fuck was
going on.

Speaker 5 (01:43:20):
To day?

Speaker 1 (01:43:22):
I don't want so So they go into this house.
It's decorated by a lunatic. There's just no color, which
buses Ship out of me personally.

Speaker 5 (01:43:35):
It's like it's not a rental anymore because he bought it,
he said, I bought it because he says, nigga, I
was like, with what salary, nigga.

Speaker 2 (01:43:45):
You're a beat.

Speaker 6 (01:43:46):
You're a beat.

Speaker 5 (01:43:47):
I get it.

Speaker 4 (01:43:48):
You've been on the force for thirty years.

Speaker 5 (01:43:50):
So yeah afterwards, yeah, but we're not but we're not
supposed to know, yeah just yet. And I don't know
niggas are by the end, I don't know if the niggas,
if they're togethering.

Speaker 4 (01:44:03):
I'm confused, that's part. I'm still I thought they were.
She killed three people with a flare gun, which, go ahead.

Speaker 2 (01:44:11):
What did they give this woman when when needs to
when these two big burly as niggas are are fighting
the woman? What did they give her? I don't know
that works instantly.

Speaker 1 (01:44:25):
I don't know chloroform powder, Like, what did you give her?

Speaker 2 (01:44:31):
I have no clue.

Speaker 1 (01:44:33):
So she finds the phone. She goes to the bathroom.
She finds the phone.

Speaker 5 (01:44:38):
First of all, this is a mansion, by the way,
mansions have several fucking bathrooms. And she even says bathroom, right,
He's like, it's the bathroom used the one of the
She goes to the bathroom.

Speaker 4 (01:44:49):
And she finds the phone magically, Why right there?

Speaker 1 (01:44:55):
Why would this white woman, why why does my woman
tape the phone the bottom of the sink or the
drawer or whatever, in like the guest bathroom. Wouldn't you
do it in the bathroom that you probably use the most?

Speaker 4 (01:45:09):
Why would she do it anyway?

Speaker 1 (01:45:12):
Okay, that's a fair.

Speaker 5 (01:45:13):
That's called the cloud, nigga. You put up on the
cloud and you'll be you're good. You just throw the
fucking phone away. Why did she How long ago did
she date Tony or Kevin?

Speaker 1 (01:45:25):
Because it's been it's been seven months, right.

Speaker 5 (01:45:30):
Yes, again, this phone has an amazing charge. Even if
the phone has cut off.

Speaker 2 (01:45:36):
That they've been together for seven months total, or they've
been together seven months before the four month time jump.

Speaker 5 (01:45:44):
They were together seven months before the four months, if
I'm not mistaken.

Speaker 2 (01:45:48):
So this phone lasted for a year.

Speaker 1 (01:45:55):
On my nigga on. She ain't turned the shit on.
It's been on for a year. And by the way,
it's been off for a year. No one's called, no
one's texted. You ain't hear no.

Speaker 3 (01:46:07):
Buzzing, nothing want into the guest bathroom at all.

Speaker 2 (01:46:11):
Just no.

Speaker 5 (01:46:15):
Top of that, even if the phone was off, Even
if she got the phone off, the battery is still
not gonna last that long.

Speaker 2 (01:46:22):
No, right, it's just not it's just and look, we're
being pedantic right when Nippy like.

Speaker 1 (01:46:29):
I don't, look, we're going out. We're going down swinging,
like we're going out with a bang.

Speaker 6 (01:46:37):
This is a dumb.

Speaker 5 (01:46:39):
Get out of here. This is the worst fucking This
movie is terrible. So we're going to be as fucking
critical as possible. Ship magic phones.

Speaker 1 (01:46:48):
So look, they tried to pull they tried to pull
a get out. She leaves the bathroom. She's like, it's
gonna go home.

Speaker 6 (01:46:54):
I'm gonna get out of here.

Speaker 1 (01:46:56):
And she goes to the doors. Door, it doesn't work.
Doors locked front doors, li and uh Rodrico Lee is like,
got your keys and she's like give me the give
me the keys. Rose It's like no, sorry, and then
you know. And then basically Tony is sitting there, he's smoking.

Speaker 5 (01:47:13):
Weed, Denzel Washington, he's trying to be the.

Speaker 1 (01:47:16):
Cool playet, all right, and he and he's like ron
Rico Lee's like I told her she was going to.

Speaker 5 (01:47:25):
Figure it out.

Speaker 1 (01:47:26):
She went to high with my nigga, Like she's smarter
than us, and so so, uh, Tony's response is we're
going for a boat ride we're gonna throw your ass
in the water and kill you. Come on, let's go
for a boat ride. She's like, I don't want it,
and they were like it's no big deal, and and
she and she made a mistake. She made a mistake.

(01:47:48):
She tried to run, like why are you staying on
this on that floor, like I don't know what she
should have done. Whatever she did do was a terrible choice.
These are two grown men. They're gonna catch you. These
niggas weren't even putting any effort, like we're gonna throw
you overboard like they were. They were in a fucking
jolly mood. Also, when he says oh, she's like, I

(01:48:08):
don't even know you, and he goes, I'm I'm the
man of your dreams, baby, it's me Tony. And I
was like, you know what, he did deliver that kind
of sinisterly like I enjoyed that scene. I was like
that he had some drig vibes to it, like he did.
He did. He look like him more there than anytime.
Rob Rigo Lee Uh decides he's just gonna like I'm

(01:48:31):
just gonna choke you to death. Uh, And then I
guess they just gave this this woman heroin, Like, was
it just black tar heroin?

Speaker 2 (01:48:40):
I don't. I don't know what it was. Angel does
I don't know what instantly.

Speaker 1 (01:48:50):
Or no, no, she they make her smell it.

Speaker 2 (01:48:52):
They make her smell it, all right, so.

Speaker 4 (01:48:57):
But not smelling souls wake you up?

Speaker 2 (01:48:58):
They wake you up. Yeah, I don't know.

Speaker 1 (01:49:01):
It was like senniment or some ship.

Speaker 2 (01:49:02):
She was just like, oh.

Speaker 1 (01:49:05):
Past, it was weird.

Speaker 2 (01:49:07):
What what is that drug?

Speaker 1 (01:49:10):
Maybe it's some sort of roofie.

Speaker 2 (01:49:11):
I don't know.

Speaker 3 (01:49:11):
I don't.

Speaker 1 (01:49:12):
I don't drug women.

Speaker 2 (01:49:13):
Yeah, turn yourself in.

Speaker 1 (01:49:17):
You so go to jail, Go to jail address, you
go in the prison.

Speaker 5 (01:49:30):
So did smell?

Speaker 1 (01:49:33):
They they pick her, They pick her up. They they
go off the back of the house and they walk
down to the dock. I feel like the dock could
have been a little closer to the house, Like somebody
is gonna see she was a job. Yeah, for as
much money as you all got, like build a house
further back. So they get in the boat and they

(01:49:54):
take her out to the water and then surprise, surprise, nigga,
here comes uh feel us. She comes out.

Speaker 2 (01:50:03):
She's like, it wasn't it wasn't a surprise though it
wasn't a surprise. I was like, well an hour and
twenty minutes ago, ma, get the fuck out it.

Speaker 6 (01:50:13):
She was like, I really like you.

Speaker 1 (01:50:16):
We're really together. I pretended to be a stole cold
bitch earlier, but I was.

Speaker 2 (01:50:21):
Acted because also the movie is called duplicity.

Speaker 4 (01:50:24):
Guys like like, I mean, everybody was duplicit, like twenty.

Speaker 1 (01:50:32):
Five cent words a right A.

Speaker 2 (01:50:38):
If everybody maya copa, one of this guy's gonna get
another chance, Like alright, man, god.

Speaker 1 (01:50:47):
Damn fuck, god damnit man, like I so all right. So,
So basically the whole plot is that she was, she was,
she was. She was in the lower part of the boat.
It's not even that big of a boat, by the way,
it's not that big.

Speaker 4 (01:51:06):
Of a book for her to be.

Speaker 1 (01:51:07):
Just she was down hide. She comes out and they're like,
all right, cool, we're gonna So basically, is the the
whole point of this that they use this woman and
they killed Rodney so that they could just get money, right,
That's it.

Speaker 2 (01:51:27):
That's all. So the whole the whole plot is is
it's Taylor is married to Rodney and she doesn't want
to be with him, but he's broke, so he don't
have any life insurance, so killing him won't give her
life insurance. So apparently Tony killed a guy as a cop,

(01:51:49):
right and and uh, but he told but he told
his girlfriend that he didn't do it. She got him
off and three hundred thousand dollars and that was him
killing a black man. Right. So they come up with
this idea, Well, what if a white guy kills a
black man, she could get she could get us fifteen

(01:52:12):
million dollars, right, and and and and and they would
use that to uh and and they would the three
of them would would use would split that money and
frame a white cop. Right because she's even like.

Speaker 1 (01:52:30):
Oh yeah, I use the political narratives to foolies.

Speaker 3 (01:52:39):
It just and it just didn't.

Speaker 2 (01:52:42):
So yeah, it's all it was all about. It was
all about three duplicitous niggas trying to get money.

Speaker 1 (01:52:48):
So they a cop pulls up on them on Lake Douglas.
He's like a run a cop in a boat. He's like, hey,
what are you What are your negroes doing here?

Speaker 2 (01:52:56):
I don't know you knew how to niggas can't swim?
What's going on here? Right?

Speaker 1 (01:52:59):
They were like, shoot, they just shot this poor white
boy for no reason.

Speaker 4 (01:53:04):
Now now, now mind your boat, now, now mind you.

Speaker 5 (01:53:08):
The reason why he's on the boat speaking with them
is because someone called this nigga and said, hey, there's
a boat out on the lake, so maybe you should
go check that out. And they go and shoot this motherfucker. Cool,
So now you murdered the cop. He's like, let me
pull the plugs and to sink the ship. It didn't

(01:53:29):
think it. It just capsized the motherfucker upside down boat.
A dead motherfucking white man is in the middle of
the river. And someone called and told them, y'all niggas.

Speaker 6 (01:53:39):
Was out on the boat.

Speaker 3 (01:53:41):
Didn't also say here, didn't he say that the that
that the at the level that the water.

Speaker 4 (01:53:50):
He said, the tide is low, so like.

Speaker 2 (01:53:54):
You go drown on These people are just gonna float
to the top and the like like this like this
this this this water like lead out to international waters
or some ship, like what the fuck is you gotta
get off right, you gonna and knowing them they're gonna.

Speaker 1 (01:54:09):
Go back to their to their dog like, hey, dexter,
you gotta go out a little bit. These niggas went
out fifteen feet and one dead body over there like, Okay,
that seems weird, so someone's gonna find it.

Speaker 2 (01:54:25):
And this is this is so like because like they
go through all this, right, these these fucking masterminds, right,
they they come up with this plot to to to
frame a white cop to get this got killed, to
have to have super attorney get them fifteen million dollars

(01:54:47):
and and and and they're like, oh, ship, here's a cop.

Speaker 6 (01:54:51):
Shoot them.

Speaker 2 (01:54:51):
And but but it's like a comedy of errors, right,
because it's like they shoot him, he falls, I'm a
i'm a sink the boat. It caps out. Oh ship,
he had a life best on going there and going
there and try to get the life vest off of him,
so he'll sink.

Speaker 1 (01:55:08):
And it just is And they're also really bad at it.
They're like, we can barely catch him. I'm like this
nigga's not floating one hundred miles an hour.

Speaker 6 (01:55:15):
It's like just crammy in the water.

Speaker 2 (01:55:17):
And Tony's got the fucking got the fucking pool cleaner
and he's a skimmer.

Speaker 1 (01:55:25):
I can't get him. He's an adult male, he's big,
what the fuck?

Speaker 3 (01:55:30):
And eventually jumping the water, he clearly like his feet
clearly hits the ground.

Speaker 1 (01:55:38):
Yeah, it's obvious. It's like like, hey Jesus, you're walking
on water. Congratulations, Like kidding, pool, what are we doing that?

Speaker 2 (01:55:48):
We're not idiot? So so meanwhile, they tie, they tied,
They put weights around Marley, and they put chains on her.
They put the Christmas style chain. They got a boat anchor,
right and they and they put a boat anchor on her,
and she's still like unconscious at worst or groggy at best. Right,

(01:56:12):
Apparently she's got the lungs of a swimmer because she's
in there unconscious. And then all of a sudden, like
she ain't take no deep breath, she wasn't braced for it.
She's just booming in the water and all of a
sudden and she fucking yanking the chain and ship and
trying to exert all this energy. And then you would
like she she had her breath for a really really

(01:56:33):
long time for someone who was just unconscious coming out
of under, and she.

Speaker 4 (01:56:39):
Became how how name.

Speaker 1 (01:56:43):
Yeah, like and she was smart enough in that moment
to realize there was a capsized boat so she could
go under in the air pocket to get I'm like, okay,
just woke up, na, what are we talking about?

Speaker 2 (01:56:57):
Right now.

Speaker 6 (01:56:59):
So she does that.

Speaker 1 (01:57:00):
Then she gets up onto the boat. Unbeknownst to the
to the three villains, she shoots uh Fheila in the
back of a flare gun.

Speaker 5 (01:57:10):
Then uh instantly kills her, which I don't think is
actually what happened.

Speaker 1 (01:57:14):
But no, no, she shoots ron Rico seemingly in the dick.
He dies uh via flair. She has enough time to
reload the flare gun while her boyfriend is like, hey,
I love you baby. I'm like, once, smack the goddamn
flare gun out of her hand. What are you a cycle?
You're just standing there?

Speaker 3 (01:57:35):
And then she.

Speaker 1 (01:57:37):
And he just died. Yeah, an he had a real gun.

Speaker 3 (01:57:45):
Yeah.

Speaker 1 (01:57:52):
You know.

Speaker 2 (01:57:53):
The thing that really pisses me off about the Tony
thing not not only is it just like a twist
for no fucking re right, Like you really you you
had a really fun opportunity to have a really cool
double fight in this in this house that was just

(01:58:14):
ripe for wrecking right. It could have been the girl,
it could have been the ron Rico Lee. It's still
been the bad guy. He the failure, could still you know,
be the secret mastermind behind the whole thing. But if
Tony was on her side. They could have had h
could have had a fucking dope ass fight in this big,

(01:58:34):
beautiful house, right introduced this set piece, this this wonderful house, Like,
let's fucking let's have that. Let's have some fun. No,
what do we get, uh, someone getting shot in the
back with a flare gun and someone getting like it.

Speaker 1 (01:58:52):
Just also like I'm even okay, I'm even okay with
the like a tag team about in the house. But
then it like maybe the light skin you know, folks,
they lose the first round and the darn skin people
take him out on the boat to kill him or whatever,
then you have your flare gun fight or whatever. Like
I'm fine with that, but I agree like they should

(01:59:13):
have had a fight, a double a double team fight
in the house.

Speaker 3 (01:59:16):
That that would have made sense, you know, they could
they could have even they could even like done the
thing with Tony where they made him so suspicious throughout
the movie because like he what he's been through with
the forest and everything, and maybe like, oh, it's Tony,
is ton deplists or whatever, and then it's actually no, he's.

Speaker 1 (01:59:35):
Actually yeah, he's actually like he's actually making sense, right,
Like her trust issues by the way that would have
addressed her trust issues. She had them with him even
though this dude balls are blue as fucked for four
months like he's going through all that and then in
the end she's like, oh, I couldn't trust you, and

(01:59:56):
it turns out like you could trust him and maybe
you should let of that fucking baggage you had. You know,
you don't bring up ship and never address it. She
has trust issues which are all verified that everyone around
her is a gigantic.

Speaker 4 (02:00:10):
Like what, never trust any.

Speaker 1 (02:00:17):
Okay, you know white cops because they're okay, you know,
you know why you.

Speaker 3 (02:00:25):
Can't trust anybody because the way they do one thing
is the way they do everything.

Speaker 4 (02:00:31):
Bars trust anybody? Good night cops and gay.

Speaker 1 (02:00:38):
Black men does it and they're you know, seemingly Latino Longer,
I don't know your boyfriends.

Speaker 2 (02:00:47):
Now you nailed it.

Speaker 1 (02:00:48):
You nailed it, and you know what, and you know
that's I think that's uh, that's a perfect line for
how Tyler Perry makes movies the way he does one
one doesn't all. So you know what, we're gonna end
it right in the shade, you know what, that nmore

(02:01:09):
that line is going to be the new Live long enough.

Speaker 2 (02:01:14):
You know, die villain live long enough? Yeah, yeah, die
hero live long enough. See yourself become the villain? Right,
How you do one thing is how you do everything? Yeah.

Speaker 1 (02:01:26):
The ignorant nigga version of that is this lie perfect
all right. That is episode two seventy nine. We are
not fucking kidding. We are never doing another Tyler Perry movie.
But you know what, we got our cathartic shot out
in the first thirty minutes and I think we did
have a good time shooting on how terrible this movie
is in and of itself in the last hour and

(02:01:47):
a half. So hopefully you enjoyed that. Uh, go back
and listen to our other Tyler Perry episodes or go
back and watch those, because we never done one of
these niggas movies. Again, I don't give So that's it
for us to seventy nine. We will be back next
week with a preview episode for episode to eighty.

Speaker 2 (02:02:05):
Later, guys, see yeah

Speaker 3 (02:02:08):
Bye, yeah, yeah, yeah,

All Episodes

Tyler Perry's Duplicity (REVIEW): Trivializing Police Violence | Ep279

Episode Transcript

Popular Podcasts

24/7 News: The Latest

Dateline NBC

The Clay Travis and Buck Sexton Show

.css-15opob5{left:0;position:absolute;top:0.8rem;} All Episodes

.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Tyler Perry's Duplicity (REVIEW): Trivializing Police Violence | Ep279