Flawportunity Formula

Teaching Tuesday presents 🎙🎙🎤🎤 Better Oops Than What If

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Episode Transcript

Speaker 1 (00:18):
Oh oh, I'm always hot.

Speaker 2 (00:30):
I'm the one that called shots.

Speaker 3 (00:32):
I'm cat to top choice. And I see y'all not
or why y'all talking by name? Y'all see y'all aft right.

Speaker 4 (00:39):
Let me tell you.

Speaker 2 (00:39):
How I got Just bring the dog. That's all of
my brains.

Speaker 5 (00:42):
That's the way that I've been doing.

Speaker 3 (00:43):
Thank thank y'all ain't been doing now. Y'all seeing this now,
now see everybody do it?

Speaker 6 (00:48):
Now.

Speaker 3 (00:49):
See it's a whole game. Y'all still don't know my name.
I'm saying three times out, might pombou my caddy?

Speaker 7 (00:54):
Mind?

Speaker 3 (00:55):
Y'all see that I'm hot, y'all. Check that spotcast, y'all
see the energy, y'all mistake that I really got you?
I know right now, y'all really can't even stand with me.
Y'all hate me, I see.

Speaker 8 (01:06):
That, but that's me.

Speaker 9 (01:08):
Y'all.

Speaker 10 (01:08):
Take your muster me, y'all take your muster me.

Speaker 2 (01:11):
Y'all take her muster me, y'all.

Speaker 11 (01:15):
Y'all.

Speaker 3 (02:27):
Amisour has been hot. I got lines rather block, I
got so many things. I mean it all world bod
y'all still trying me. I don't think y'all can drop.
Matter of fact, watch I die just I'm suicide, y'all
looking at my carosse at times. I know that, and
that's all, but y'all didn't even find that.

Speaker 2 (02:45):
So y'all trying to give.

Speaker 3 (02:46):
Me no peace, I said, y'all all them but telling
all that mother ain't y'all ain't have to give it.

Speaker 2 (02:51):
I said, give me web.

Speaker 4 (02:52):
That's y'all.

Speaker 3 (02:54):
See that I'm hot, y'all. Y'all check that was podcast.
Y'all see the energy, y'all mistate that I really got.
I know right now, y'all really can't und stand with me.

Speaker 5 (03:03):
Y'all hate me. I see that, but that's with me.

Speaker 2 (03:07):
Y'all take me for mouster me.

Speaker 4 (03:08):
Y'all take me for moster me.

Speaker 10 (03:10):
Y'all take your mouth me, y'all take y'all.

Speaker 12 (03:49):
Y'all see that I'm hot, y'all.

Speaker 2 (04:11):
Y'all said that was podcast.

Speaker 3 (04:12):
Y'all see the energy, y'all state that I really got.
I know right now, y'all really can't even stand with me.

Speaker 13 (04:19):
Y'all hate me.

Speaker 5 (04:20):
I see that, but that's with me.

Speaker 9 (04:22):
Y'all.

Speaker 10 (04:22):
Take your muster me, y'all, take your muster me, y'all
take digger n me, y'all take y'all, show you's no vergie.

Speaker 14 (04:45):
You y'all.

Speaker 6 (04:49):
The second.

Speaker 3 (04:52):
Come, oh y'all, don't born or sunthing this outh too
with me?

Speaker 15 (04:58):
You know what I'm saying.

Speaker 2 (05:00):
God bless some women like this. I got got gonna
write the books and talk to us straight out.

Speaker 16 (05:04):
Check this out.

Speaker 17 (05:05):
No her, no person know me my mostage and know
all her own is love, and Dundy should know love.

Speaker 18 (05:16):
And Dundee I no beezer, no it is with.

Speaker 17 (05:20):
Me worth All our own is love, and Dundee should
know love and condies shouldn't know.

Speaker 4 (05:29):
Lad.

Speaker 3 (05:29):
I know the first time you see me and I
saw you, you was a dominant to ruugh of me too,
But I know everything I could like bless you. I
had so much money. Yeah, I had to test you
to see if he was worthing what you came. But
I seen lady, it turned out to be my soul mate.

Speaker 19 (05:46):
Hang.

Speaker 3 (05:46):
Yeah, I know everything that when we teamed up. You
give me all the support and that's what I need
and what you I'll never let you go. I gotta
keep you in love, you with mother. Yeah, I love
it when you brought me in said everything you did.
I know when whitness y'all, I've seen that I.

Speaker 2 (06:04):
Used to be used to be blacking.

Speaker 18 (06:07):
You see, like a mix.

Speaker 2 (06:09):
There's nobody else taking chest. I know you go with
my boy, but.

Speaker 17 (06:12):
All yeah, me my mostache, baby girl owns loving.

Speaker 18 (06:20):
This is going out to you, baby loving.

Speaker 4 (06:23):
I'm feeling your.

Speaker 18 (06:24):
Peezer is with me.

Speaker 20 (06:27):
Words that wasn't for you. Hold but check us out.
My loving shouldn't know about your beauty. My body starts
to tremble, it's rather posing. At the same time, chemical
thoughts in my mind got me blind to the fact.

Speaker 21 (06:44):
That you mind.

Speaker 6 (06:46):
Yeah, I'm loving you, holding.

Speaker 4 (06:48):
You, squeezing you, touching you, kissing you, kissing you, feeling
You're feeling me.

Speaker 18 (06:52):
I'm feeling you. I'm feeling you.

Speaker 22 (06:57):
On you.

Speaker 4 (07:00):
I'm whoa, I just.

Speaker 23 (07:09):
Who I just stamping sounder standing moses.

Speaker 2 (07:20):
Look sorry, baby baby, I love you so much.

Speaker 3 (07:25):
I love you so much, so just just let my
thoughts just you know everything that you feel about me
in the way I do my things.

Speaker 2 (07:32):
I know I mean that stuff. But I father, some
future is not.

Speaker 4 (07:37):
Gonna this love.

Speaker 2 (07:38):
The walking around with you is no come out my
I said not the music, stop the music, let's go.

Speaker 17 (07:45):
No, I'm not you know me mistage and know her
own is love and consh yeah, erm and I don't pleaser.

Speaker 18 (07:59):
With me word.

Speaker 2 (08:02):
On this love and sho love and.

Speaker 13 (08:09):
This is the beautiful thing.

Speaker 24 (08:11):
Yeah, yeah, it's beautiful. Ya, it's beautiful. Ain't right saying?
I know you what you were getting on this weapon?
Oh yeah, this is so Look this is the main season. Yeah,
ain't the tars today?

Speaker 18 (08:28):
Yeah? I was born in the summer.

Speaker 2 (08:29):
Yeah, I been here every summer time time and women
asked me.

Speaker 25 (08:34):
How you come up at the time, I tell you
grind for thirty one super Speaker, Shine for thirty one Solace, Yeah, Green,
Grind for thirty one Solace.

Speaker 18 (08:44):
When they asked me how to.

Speaker 26 (08:45):
Come up, I tell him die for thirty one Summers.

Speaker 5 (08:48):
Yeah.

Speaker 3 (08:49):
First off, I'm a god, God, God, I'm a Tarsis.
You never heard I ain't god much to say?

Speaker 4 (08:56):
What say?

Speaker 6 (08:57):
I know?

Speaker 2 (08:57):
I was born in about the man single be said, I.

Speaker 27 (09:03):
Call them.

Speaker 2 (09:05):
And now thound no one can't stop me back down.
Y'all want to come and play with me and come
on last with me, and let's see what what happened.
I've been like a hook. Don't be incredible, and my
attitude is so how shot, it ain't never.

Speaker 28 (09:24):
Gonna turn that it.

Speaker 16 (09:26):
You've been shut my light out.

Speaker 2 (09:29):
You better put your heart somehow.

Speaker 26 (09:31):
I was boring in summer yacht. I been here, Harry,
summer wore up time.

Speaker 25 (09:36):
And when they ask you having come up, come home,
I'm telling grinder thirty was suppers speak of shine for
Doddy was summer bringing grinder.

Speaker 18 (09:45):
Doddy wants sommers.

Speaker 26 (09:47):
When they asked me how to come up, I tell
him down for thirty one summer.

Speaker 2 (09:51):
Yeah, I've been the blessed kid. Everybody wanted to see.

Speaker 3 (09:55):
What I did death and you know you you know
that you never check me. Yeah years ago, damn hot light.

Speaker 2 (10:03):
Hot grew boot man. That's nothing next to come to me.

Speaker 18 (10:07):
Talk to him.

Speaker 2 (10:08):
And if you don't like the way y'all relate, what
caught a police.

Speaker 3 (10:13):
I'm sinking dumb dumps all the time.

Speaker 2 (10:16):
When people ask me what's.

Speaker 18 (10:17):
On my mind?

Speaker 3 (10:18):
I do my dirt, I do my dry, I go
hort dance. I gotta shine And I ain't been let
you know the dumble talking down hew y'all, I ain't
nicking money. I'm talking about him, hot boy, y'all on
the chart and watch out his jar.

Speaker 4 (10:33):
Rest do it.

Speaker 2 (10:35):
It's only simple if you knew how to do it.

Speaker 29 (10:37):
You want so do it.

Speaker 4 (10:38):
You knew it.

Speaker 2 (10:39):
But I knew how to do it.

Speaker 3 (10:41):
That's why I got in there, and I got stupid
and I got into it here. Now I'm the hottest
thing on the whole play No, Foddy can't even stop me.
I they's got my haul the rocks and they down
I'm doing.

Speaker 22 (10:54):
I'm rapping.

Speaker 26 (10:56):
I was boring in the summer, yap. I been here
harry someing my body, dude. And when they ask me let.

Speaker 25 (11:02):
Me come up, I tell you grind I thirty what
shopper out spinker shine for thirty one? Summerin't grind for
thirty who?

Speaker 26 (11:12):
When they asked me now the collar, I tell him
for thirty what soper top?

Speaker 18 (11:17):
This is do this?

Speaker 6 (11:18):
What?

Speaker 3 (11:19):
And nom y'all say, y'all gonna stop this? Oh yeah,
y'all must be stop it. Not gonna stop me? No, No,
I'm not stop my body. Nobody want to stop with
I don't, so don't playing this out for me right quick.

Speaker 2 (11:34):
I was not gonna stay my segn just don't me.

Speaker 30 (11:49):
You're now rocking when your head the key shout out
to boss at the radio show. It's twenty twenty five.
We up here to elevate and that's giddy.

Speaker 28 (11:57):
Oh what.

Speaker 18 (12:00):
Lady?

Speaker 2 (12:02):
Oo we were in the Boss Lady Radio Show.

Speaker 18 (12:05):
Y'all know who it is.

Speaker 5 (12:06):
Ooh we it's the strange one.

Speaker 31 (12:08):
You know what I'm saying.

Speaker 19 (12:09):
I got my wife thunder beside me and yeah, yeah, yeah,
we're chalking at the Boss.

Speaker 18 (12:13):
Lady Radio Show.

Speaker 2 (12:15):
Oh man, it's finna get ugly. Y'all get ready for
this man.

Speaker 18 (12:19):
Salute to your salute to your oo wee.

Speaker 2 (12:25):
What's up world?

Speaker 3 (12:27):
That's one thing, the strange one want to see let
me see you break a swing. Come out, let's go,
come out, let's go, let me see you break.

Speaker 18 (12:38):
Let's go out.

Speaker 2 (12:40):
Bring it out, girl, Yes, bring it out, girl, Bring
it out.

Speaker 4 (12:44):
Girl.

Speaker 5 (12:45):
See you break the sweep every place that I go.

Speaker 3 (12:49):
You gotta get the place brook. Oh yeah, I've been
doing this every day yet every month. Yeah, but that's
one thing. I gotta have the women doing ino.

Speaker 15 (12:58):
Not now.

Speaker 2 (12:59):
I don't want to shake it. What is all out
for me that I ain't even right. I wanted to
see you work. I want to see you build up
your body. I'm trying to carriage.

Speaker 3 (13:07):
You well, I'm trying to carrye your everybody, even the
man can get in this.

Speaker 2 (13:12):
I want y'all to break down.

Speaker 5 (13:14):
I want y'all to get down.

Speaker 2 (13:15):
So let me see you break and swam out.

Speaker 22 (13:18):
Let's go.

Speaker 3 (13:20):
Get I'm full. Break it down there. Let me see
you break a swep off.

Speaker 4 (13:27):
Got work, sweat you got work.

Speaker 32 (13:30):
We'll come out.

Speaker 5 (13:31):
We'll see you breaker sweep.

Speaker 2 (13:33):
Every city that'll go too, every place that'll touch. I'm
the drunk cake. They said, I ain't tell you too much.

Speaker 3 (13:41):
Do y'all better deal with me? Come over, do y'all
better again with me? Come over, y'all bet again with me.
We see you bricker.

Speaker 2 (13:48):
Oh yeah, the party were going to groove and we
ain't never gonna stop.

Speaker 22 (13:52):
Son.

Speaker 2 (13:53):
You tell my brother the New York the man planting
a rock. I'm gonna make you get down now.

Speaker 22 (13:58):
I've got that.

Speaker 2 (13:59):
Out of two, I got the jug missed up.

Speaker 16 (14:02):
Make you move and make you move.

Speaker 2 (14:04):
And if y'all don't understand what I'm doing them, mislow
it down for a big just so you can get
it and get the feeling that you need to fit. Yeah,
get it in the girl.

Speaker 3 (14:13):
Yeah, decision world swear a little for me, yet, make
me see you break the swork.

Speaker 2 (14:20):
Yes, come on, I said, let me see you break
the sweet.

Speaker 5 (14:28):
Come out sweet, come out sweat.

Speaker 2 (14:32):
Let me see you break a swat. Wow, and the
tude that would guess I'm still getting down. We'll come
to your city.

Speaker 5 (14:40):
On your town, see you break the sweet.

Speaker 2 (14:42):
Let's go worse, Let's go work, Let's go work, let's
go work.

Speaker 4 (14:46):
Let's go with worse.

Speaker 2 (14:48):
We see you break it down. Now, I'm bad boy nobody.

Speaker 16 (14:52):
I'm hot to touch.

Speaker 2 (14:54):
Everybody said in every place that I go.

Speaker 18 (14:56):
I know ever too much.

Speaker 22 (14:57):
Sweet.

Speaker 2 (14:58):
Yes, yes, we're yes, we're yes, we're guys.

Speaker 4 (15:00):
We're guess, we're guys.

Speaker 5 (15:01):
We're guys. We're guys.

Speaker 18 (15:02):
We're got.

Speaker 3 (15:02):
Come on, we'll see you break this week. Get up
and dance, get up and work out whatever you want
to do. I got the movement. Just try to again.
Done for yours.

Speaker 2 (15:13):
Were let's go from let's go well, let's go from let's.

Speaker 4 (15:16):
Go to, let's go from let's go.

Speaker 26 (15:20):
Away.

Speaker 4 (15:22):
Yeah, now got the groom.

Speaker 3 (15:25):
I'm motivating, So let me say you break up swire guys,
were come on, get down.

Speaker 4 (15:29):
There, come on, get down on walks let's do this.

Speaker 2 (15:33):
Got we seed you work as flight.

Speaker 16 (15:36):
Yeah, let's go.

Speaker 3 (15:38):
I'm coming to your city soon now, gonna turn it out. Ben,
let me say you wake us lights.

Speaker 2 (15:43):
Well, yeah, let's go.

Speaker 4 (15:44):
Let's go this work, let's go, let's go. Sw myns
on the floors.

Speaker 2 (15:49):
Let me say, you break up.

Speaker 4 (15:50):
Wow, let me get him, let me go.

Speaker 2 (16:09):
Please, let me come, let me get him, let me come. Please,
don't hold you got.

Speaker 4 (16:16):
Let me get him, let me go.

Speaker 2 (16:18):
Wait, leat get, let me come, let.

Speaker 4 (16:21):
Me get him, let me come, let me get him.

Speaker 33 (16:24):
Please, don't hold by re repay the costs to beat
the box on my game.

Speaker 14 (16:28):
I can't even take a load.

Speaker 33 (16:31):
Like the time in home, say haze, say they on
the ride, take a car like okay, okay pull loop
it this thing you know what's coming is everybody's better
lay loan, strange things take getting ready to get the money,
pushing in and nothing bath dough at lasend James up tight,
everybody in my city gonna ride.

Speaker 4 (16:50):
All I gotta do is sad.

Speaker 33 (16:51):
Say the word stratu, haze us off tight, brol first,
leave him close, taking on the concrete, ain't kay, and
I'll take out so twelve clear say ho ship with
lot slip.

Speaker 16 (17:01):
I'll let this to gram Kevin.

Speaker 33 (17:03):
Get your nose straight from the streets, the direct line,
holotel bullet see the sunshine, keep it.

Speaker 6 (17:09):
Tell him from your game.

Speaker 33 (17:10):
Game, try to tell my red get up, tend to
say please, don't make the wrong move. This is an
undercover shakedown. Get the ruber from the sad spot, because
this new generation like the barber lit A two thirty
three back at the trail house, all black ski mask. Now,
it's like, so you was curtified, chick read from the south.

Speaker 2 (17:28):
Let me get him, Let me get him. Please, let
me go, Let me get him, Let me get him.

Speaker 4 (17:36):
Please, don't hold you. Let me get him, let me
get him.

Speaker 2 (17:40):
Please, let me get him.

Speaker 4 (17:41):
Let me come.

Speaker 2 (17:42):
Let me get him, let me get him, Let me
get him. Please, don't hold you back. So I'm done.

Speaker 34 (17:48):
Stupid retorted what I'm all pree you really want to
bud down, you really want to touch Come on, come
on now, give me tell you I'm gonna have a
fit to step ball over with.

Speaker 2 (18:03):
Y'all body like God bus coming on with your You
have issues done, y'all. I see that too. We see
that I'm got nothing on the track.

Speaker 3 (18:14):
You said that that's a desertation.

Speaker 2 (18:17):
Want to play there?

Speaker 3 (18:18):
Come out gets his hair grenade. I'm going to add
that sun gone. No one is going up sad. Let
me get him, Let me get him. Please, let me
get him, Let me get.

Speaker 28 (18:31):
Him, Let me get him.

Speaker 3 (18:33):
Please, don't hold me back. Let me get him, Let
me get him. Please, let me get him, Let me
get him, Let me get him, Let me get him,
Let me get him. Please, don't hold me back.

Speaker 30 (18:46):
Wants say nobody show. We have a new show called
Social Media Cat paying attention. Listening to January twenty nine Central.

Speaker 35 (18:59):
Tune in and Teach is going down big topics to
talk about y'all.

Speaker 4 (19:05):
Yep ooh wee.

Speaker 36 (19:08):
It's the Strange one and we're rocking with the Boss
Ladies Radio show. You know what I'm saying, baddest show
that's happening right now. We always tuned in on spreaker
to listen to it.

Speaker 31 (19:21):
Y'all come check it out.

Speaker 37 (19:30):
Yeah Yeah, it's a girl Boss Lady aka Misfabulous aka
dj D Sky Tune in weekdays nine pm Central Sundays
at six pm.

Speaker 38 (19:43):
Just check your local listings for real times.

Speaker 31 (19:45):
In real time.

Speaker 38 (19:46):
I'm talking about you know, got the part time gigs,
so it might not be every night, but at least
twice a week now Boss Sadi's radio show. Download the
spreaker app search Boss Lady Show for our entrepreneur's local
entrepre forreneurs world Why nine pm weekdays Sundays at six
Also catch Balls Sades radio show weekdays at nine Sundays

(20:09):
at six p m Central nine pm Central for our
local artists underground artists worldwide.

Speaker 31 (20:15):
Yes we do support both world wide. See you in
the chat room.

Speaker 8 (20:22):
Yeah yeah yeah yeah yeah yeah yeah.

Speaker 16 (20:27):
Yeah hey.

Speaker 32 (20:37):
Hold lay.

Speaker 8 (20:43):
Solo Stanty Building.

Speaker 32 (20:45):
Yeah yeah yeah yeah yeah yeah.

Speaker 2 (20:51):
And I mean my Johay you see.

Speaker 8 (20:54):
And then you manter show I'm me Blessing, and then
you mana Shaw i'm me Messy, and then my shower
me man.

Speaker 32 (21:01):
Petty plenty girls.

Speaker 16 (21:02):
Then we like me.

Speaker 4 (21:04):
Or baby and my jay.

Speaker 22 (21:12):
He.

Speaker 8 (21:12):
Then you married shower Me Blessing, and then you married
shower be Messy, and then you married shower me man
petty plenty co. Then we like me plas fast me
come back to jac Sam. We thought you like me
Famila and we call like me.

Speaker 16 (21:29):
Can you da me Ma?

Speaker 6 (21:32):
No?

Speaker 8 (21:33):
Ba said my last men.

Speaker 6 (21:40):
Like he like it like you like you meant to
be happy.

Speaker 8 (21:46):
Shay orry me by.

Speaker 16 (21:52):
Claiming that you but like.

Speaker 6 (21:56):
Wow okay korami bab.

Speaker 4 (22:01):
And me my jeway.

Speaker 8 (22:03):
You see he let you married shower me blessing and
let you married shower be messy and then you shower
me man Patty Plenty, Come THET me like me already
pay me, gve me.

Speaker 6 (22:19):
And my jaway.

Speaker 8 (22:20):
You see he let you married shower me.

Speaker 6 (22:23):
Blessing, and then you.

Speaker 8 (22:24):
Married shower I be messy, and then you married shower
me Man Patty Plenty, come THET me like me hold
doctor to help you red Ami family.

Speaker 4 (22:35):
I don't me joe let me I am.

Speaker 2 (22:40):
Please her.

Speaker 8 (22:41):
I want to celebrate.

Speaker 4 (22:43):
I want to be late.

Speaker 8 (22:44):
I want to let my name in everybody and judge
over bless me and not move my way about so.

Speaker 6 (22:49):
Many gig but that's not like me.

Speaker 16 (22:51):
Come at in me back.

Speaker 8 (22:54):
Masala bjos my pet ya tamobadil, I go call love
you all I know one sofer normal bah bah bless
my wife along Dami.

Speaker 16 (23:07):
Baby, you.

Speaker 4 (23:11):
And me my jehway. You see that he let you matter.

Speaker 6 (23:15):
Shower me blessing.

Speaker 8 (23:16):
He then you matter shower me messy he let you
many shower me man, Betty Plenty come thet me like me,
Ormi baby deve you.

Speaker 2 (23:28):
And me my jehway you see helet you matter shower.

Speaker 8 (23:33):
Me, bless you and then you matter shower me messy
hell every many shower me man Betty Plenty come then
me like me. Yeah yeah see that called me solos.
Thanks mister Jackson.

Speaker 14 (23:45):
One love to wan love to do you what do
you want?

Speaker 39 (24:00):
That's what ned come what people listen, is you very true?

Speaker 22 (24:04):
Mate?

Speaker 35 (24:04):
Realsy to to mean to pay a teach is going
down big topics to talk about y'all.

Speaker 22 (24:12):
Yeah, h.

Speaker 40 (24:34):
Turn and pays turn and pays turn and pays spiritual currency.

Speaker 4 (24:38):
I'm just trying to earn a wage. I've been rich
since Burke.

Speaker 40 (24:41):
That's the benefit and the fam been divine, says the Genesis,
Turn and pays turn and pays turn the page spiritual currency.
I'm just trying to hurt a wage of optimism from
the mind of the pessimist and the family say divine.

Speaker 4 (24:55):
To the exodus.

Speaker 41 (24:56):
Go you see the exhibits on your last laugh. Those
are the portals 's botta met with I pass. We
got a holy angel straded out across the earth. Those
we got social in front of the mother fucking day
of Earth to buy fam and you know we chomping
all gyms, were slinking, flame and so on from heaven.
Yeah we all in that ain't a top of so
on square over whether stop and clothes onces. We move

(25:16):
across the sky up in this golden boat. So the players,
I'll be shooting at the demon oars. We're walking dead
up on the earth.

Speaker 4 (25:22):
You better check the scores.

Speaker 41 (25:23):
And I ain't talking about no NBA or NFL because
it's the super Bowl of like the World Series fail.
Don't pick that anthy Christ to be the fucking president.
Don't let this soap it take your brain that you
think hesitant.

Speaker 18 (25:34):
I'm like a human torch on.

Speaker 41 (25:35):
Flame and everything I touched. Few demons hain't ain't no
no portue nere for walking much.

Speaker 18 (25:39):
We hit your miles.

Speaker 41 (25:40):
Always running in the media, Young Destruction is always popping
up with apd ym this, I'll we bang it's a motherfucking.

Speaker 18 (25:47):
Next to this clear right the way.

Speaker 41 (25:48):
Were checking demons off the head list.

Speaker 40 (25:50):
God turn the paste, turn and pays turn the paste.
Spiritual currency. I'm just trying to earn a wage. I've
been rich since birth, that's the benefit and the family divine,
says the Genesis, turning page, turning page, turn the page,
spiritual currency. I'm just trying to turn a wage optimism
from the mind of a pessimist, and the fam say

(26:11):
divine to the exodus, gope, bloody skies.

Speaker 18 (26:13):
Through the smoke.

Speaker 40 (26:14):
You can see the whole faith by the second life
of death, and you can meet them both taking shelter
from the greed, by the flames crack of Santa and
the winds bringing change. But I'm seeing shackles, no escaping. No,
it's satan, No, it's motivation. Notice how they pencil the men,
and they chose to erase some a cold game till
they burn it up and built the new city on
them same ashes.

Speaker 4 (26:33):
Where you turn it up.

Speaker 40 (26:34):
It's prone to get twisted when the truth it's like
a gangst the finger. So nowadays I'll talk to angels.

Speaker 6 (26:38):
To contain my anger.

Speaker 18 (26:40):
Eyes widen.

Speaker 40 (26:40):
I'm just siding with the most high walking by faith.
The family chosen toil. We're supposed to lie. No surprise,
opposition got the viper's hissing. But this the spiritual war.
My friendly competition hip hop on the highest wave form,
and my heart is like the ark of Noah poetically
brave storms.

Speaker 18 (26:56):
God is present.

Speaker 4 (26:57):
We can't stand around and wait for them.

Speaker 40 (26:59):
Meditative in the lighthouse, talking right now, right now, people
close those highs. If you're feeling when I'm feeling, put
your hands up high super banks. Turning page turn and page,
turn the page, spiritual currency.

Speaker 4 (27:10):
I'm just trying to earn a wage.

Speaker 40 (27:12):
I've been rich since birth, that's the benefit. And the
FAM been divine since the Genesis. Turn the page, turn
the page, turn the page, spiritual currency.

Speaker 4 (27:21):
I'm just trying to earn a wage.

Speaker 40 (27:23):
Iftimisten from the minds of the pessimist, and the FAM
say divine to the exodus goal.

Speaker 30 (27:37):
This is a perfect staging m Last lat Live. Let's
stop playing Brass Lady links and have songs to her email,
and let's get in the chat room and participate. You
want your music played on the radio station, but you
will not get in the chat room to see if
your music is being played. Come on, y'all, if you're

(27:58):
serious about your career, let's do it. If you're not,
stop sending their emails. If you're not going to participate
in the chat room. Thank you very much. Public service
announcement from Boss You're radio show.

Speaker 36 (28:15):
Do your thing, bouce lady, do your thank The strange
one is listening oo wee.

Speaker 5 (28:30):
R read yeah.

Speaker 12 (28:36):
You know this.

Speaker 42 (28:36):
Many that were on the top of the downs because
I'm supported by the mob and they follow the car.

Speaker 2 (28:42):
I'm loved by the blouse.

Speaker 5 (28:43):
Get a boy, the laws.

Speaker 43 (28:44):
That's why they're staring, watch her and gather the problem
because but.

Speaker 4 (28:48):
I ain't going for it.

Speaker 42 (28:50):
I'm way too important. I'm touring there and exploring. Come
back when you got your born. I'm putting you on
a foreman. I'm sorry disappointed. He a legally search and
couldn't find that joint here my boy being you on
the pay road for giving that bids now it's my
inmo to get it.

Speaker 5 (29:06):
How you leave now?

Speaker 42 (29:07):
A savage? Just my uncle Bubba is. But since the kid,
my mother, brother Auntie daughter, neighbor. Auntie always used to say,
fucking pigs. Yeah that's all that I know, getting money
and duck in the five boat. What I thought your
job was the server protect But since you wanna hummy hope,
I'm not wearing the bits.

Speaker 21 (29:26):
What the who wants be blessed.

Speaker 42 (29:28):
Haters, pray y'all fail the test of playing me with
failing stress.

Speaker 2 (29:31):
Tell them go to hell and be blessed. You feel
how you want up here in the stress, y'all? Damn,
what's that gonna sener? S a rest?

Speaker 42 (29:38):
Come when you're seeing me on the blocking and nine.
Even though what they get pop they called the cops.

Speaker 43 (29:46):
Would that be you over saggerating if I told you
they hate it?

Speaker 39 (29:49):
How man be they called the cops.

Speaker 42 (29:53):
I'm just out here with my carmes that we're trying
to get paid even though we're making change.

Speaker 18 (29:57):
Call the cops. But you what y been not here?

Speaker 5 (30:02):
But call it wit.

Speaker 2 (30:07):
Sitches the stack?

Speaker 6 (30:07):
Yea?

Speaker 2 (30:08):
I swear godchches you get stitches?

Speaker 22 (30:15):
This word?

Speaker 3 (30:17):
Oh my god, I see y'all watching me y'all the time,
and I see y'all hating dad.

Speaker 2 (30:22):
I'm gonna shine wow me.

Speaker 3 (30:24):
You need to watch me in the our to come
here and see how I'm here getting mine. I'm not
like cock o baba man, I ain't gonna savage in here.
I swear to God, you don't want to steal up
the because if you do what y'all to beat up principles,
the why that carries your body. That's what the seas
car I feel how many people walk. I'm playing with

(30:45):
me today. I swear to God, you man, it's gonna
call it God anyway you go. I gotta put you
in that just because I see the world. It's checking out, man,
Helen floor stitches away. I'm watching what y'all talking about. Y'all,
y'all it's still how see ride from the South. Yeah,
I know what I'm doing it. I'm going to do
it out care you feel I'm just moving you.

Speaker 22 (31:09):
Oh stop, it.

Speaker 2 (31:10):
Wasn't I see you? But if I do, you think
it's called a fella in it?

Speaker 5 (31:14):
I missed.

Speaker 18 (31:15):
I mean, now you.

Speaker 2 (31:16):
See me at your so when I step then y'all
take you wrong?

Speaker 4 (31:20):
A counter cots.

Speaker 42 (31:21):
Now, why when you're seeing me on the block drinking
done even know what you get? Public called the cops.

Speaker 43 (31:28):
Would I be your b exaggerating if I told you
didn't hate it?

Speaker 28 (31:32):
Now?

Speaker 39 (31:32):
Man, be they called the cops.

Speaker 42 (31:33):
What I'm just out here with my cans that we're
trying to get paid even though we're making a change.

Speaker 18 (31:40):
He called the cops.

Speaker 42 (31:41):
But you know what's strange. I been not here for days.
We been know what knocked the way? They called it cors.
When you see me on the block drinking done, you
even know what you get? Public called the cops.

Speaker 43 (31:54):
Would I be your b exaggerating if I told you
didn't hate it?

Speaker 28 (31:57):
Now?

Speaker 39 (31:58):
Man be they called the cops.

Speaker 42 (31:59):
What Oh, I'm just out here with my gangs that
we're trying to get paid. Even though we make a change.

Speaker 39 (32:05):
They call the cops.

Speaker 42 (32:07):
But you know what's strange? I been not here, but
dangs even know what I'm not No way they called
it coss.

Speaker 5 (32:16):
Let go, they called it cops.

Speaker 21 (32:24):
They called it cops.

Speaker 6 (32:42):
What what?

Speaker 44 (32:48):
What?

Speaker 22 (32:49):
What's your boy?

Speaker 45 (33:17):
Dres ceo DJ and programming for Dred's Radio Cafe. You
got a banging cut that you want to be heard,
got a show coming up, a gig?

Speaker 5 (33:27):
You want to sell?

Speaker 16 (33:28):
Some products?

Speaker 45 (33:29):
You name it, send it to Dre's Radio Cafe. Dre's
Radio Cafe is a twenty four to seven Internet radio
station designed with you in mind, by being herded by
one hundred and fifty thousand listeners every month.

Speaker 5 (33:44):
What does that mean to you? That means more than
just going to YouTube one to just going to.

Speaker 45 (33:49):
Google, more than just having a SoundCloud up more than
just having any of the other programs set up.

Speaker 18 (33:55):
All right, so check this out.

Speaker 45 (33:56):
What I want you to do is send your banging
cuts through your ad anything that you have involved that
you want to get involved with to d R e
z e y two one at yahoo dot com. That's
d R e Z e y two one at yahoo
dot com. That's Dre's Radio Cafe twenty four seven Radio
Design with you in mind.

Speaker 22 (34:16):
What y'all sipping on?

Speaker 18 (34:17):
Let's go.

Speaker 46 (34:19):
The Union music group.

Speaker 6 (34:21):
Baby, Wait a.

Speaker 18 (34:22):
Minute, Wait a minute, you don't mean I got a juice.

Speaker 5 (34:27):
Hold on.

Speaker 18 (34:28):
Y'all knew what it was. Want to make it that
won't pull us on me down?

Speaker 47 (34:33):
Yeah, we had a good thing going, baby by Still
I gotta make it good and keep two steps ahead
because I'm out of here creeping and sleep being in

(34:54):
too bes.

Speaker 4 (35:00):
I've got no.

Speaker 18 (35:01):
Problem or should I see a situe? Wave shines.

Speaker 47 (35:05):
I got two women, but they both don't go in
stations and.

Speaker 18 (35:10):
Want station up me. But you think we are left go.
It ain't the other warming. She don't want to share
me no more. So I shined so hard to keep
saying times so we ain't out of dairs. Living that
deple life.

Speaker 48 (35:31):
I'm made a struggle, y' I don't know what to do.
I don't want juice because a man too. I gotta
make it good and keep two steps ahead because I'm
out of here creeping and sleeping in two stairs. Said,

(36:01):
I gotta make it good and keep two steps ahead
because I'm about to hear creeping.

Speaker 18 (36:15):
And sleep being in two faces.

Speaker 47 (36:22):
Now, this woman over there jedz me all love, love,
sin sh shure the water, treat it on me, and
no woman on this.

Speaker 18 (36:34):
Side jeez me an love. Truss said she's dead for me.
But I'm in the.

Speaker 47 (36:43):
Lay saints stay right on the same page, trying to
make me settle down, settle down.

Speaker 18 (36:54):
I'm afraid that it's much lace.

Speaker 31 (36:59):
Doing it.

Speaker 16 (37:00):
Ain't just got up pay. So I gotta make it good, good, good,
good good.

Speaker 47 (37:07):
Keep two steps ahead because I'm out here creeping and
sleep being into spaces. Said, I gotta make it good

(37:28):
and keep two steps ahead because I'm out of here
creeping and sleep being into bed and want figure out.
Calling one of my father's get some help with my situation,

(37:49):
be homing.

Speaker 18 (37:51):
I got two women and woll.

Speaker 5 (37:53):
My love.

Speaker 18 (37:56):
And they say this decisions making time. Thre no thing
about love it too.

Speaker 22 (38:02):
I used to.

Speaker 4 (38:04):
Love it too A fool time.

Speaker 18 (38:07):
I love it too.

Speaker 4 (38:08):
You have you working nor the time? Will you're talking to?

Speaker 5 (38:14):
Love me to the fool time.

Speaker 2 (38:19):
You have working time?

Speaker 4 (38:22):
Oh yeah yeah, I don't know what side. I don't
know what.

Speaker 18 (38:29):
I don't know what to do.

Speaker 48 (38:31):
I don't know say the most time in love with
the town living litodas.

Speaker 18 (38:39):
It used to be fun, but now it saying it
can We'll just be together.

Speaker 49 (38:49):
This is your girl v mao aka.

Speaker 14 (38:52):
Mold thoughts and you are two mo to be awarded
you boss lady rady a.

Speaker 4 (39:03):
We make it to the mona.

Speaker 15 (39:06):
We make it to the mine.

Speaker 44 (39:08):
We would have made it all yo.

Speaker 4 (39:13):
We make it to the money. We'll make it to
the coon.

Speaker 16 (39:23):
We say, make it the mon money.

Speaker 4 (39:26):
We're making to the case.

Speaker 6 (39:29):
We going.

Speaker 4 (39:34):
Were making to the man, honey money. We'll make it
to the condo.

Speaker 50 (39:38):
Yeah, we just making to that. We don't make it
to the money. I here, we need don't feed it up.
We never to the strain. We never to the day.

Speaker 4 (39:55):
We did with did with me body, Yes, make I
do want they sake, Come.

Speaker 51 (40:02):
Make it through those dogs.

Speaker 52 (40:04):
Day to medal day dog. We're gonna take it to
the learning and taken to the true boll Tell me
now you would it be to mean? When they laughing
in me, I would never leave by fet gold, I
would never leave nobody Australia. Ain't tell me what in
the day yay when they say we could it so

(40:26):
mean yah whatever ya.

Speaker 4 (40:32):
I don't want to be your No.

Speaker 16 (40:34):
I know that I'm never gonna maggie yea magie.

Speaker 18 (40:46):
No matter what that said.

Speaker 4 (40:47):
We gonna make to the money in the candle. We
gonna magie.

Speaker 18 (41:06):
The money.

Speaker 16 (41:08):
Makes it all exame.

Speaker 4 (41:16):
We make it to the money we name in the
money meaning the.

Speaker 16 (41:26):
We say, make it to the mod moy moonic. We're
making to the cot.

Speaker 2 (41:32):
Harcor we make it to the money.

Speaker 6 (41:39):
Means in the coonomy.

Speaker 4 (41:48):
We say makes it a my monic moonic.

Speaker 16 (41:51):
We'll make it to the cordon.

Speaker 28 (41:57):
Is.

Speaker 4 (41:58):
We're making to the money.

Speaker 14 (42:00):
Money who man is a no money?

Speaker 53 (42:11):
What makes a little car? We have game so far,
it's being very hard. We don't want to hurt nobody,
but we've been trying all side to be our best.
We can't be any tribe. I'm going to level.

Speaker 16 (42:32):
We're gonna get to.

Speaker 53 (42:40):
Make it a little money even though they be Isa,
we're never gonna make it, but we give that leg.

Speaker 16 (42:51):
O't make it attle money will at the weeks.

Speaker 4 (43:04):
Lolcome we.

Speaker 22 (43:06):
T weeks.

Speaker 16 (43:08):
We ain't gonna amazy.

Speaker 22 (43:11):
The money w.

Speaker 4 (43:13):
May get to the wa. We may get to the
man and the money make it.

Speaker 2 (43:30):
We said the money diggs On, The money.

Speaker 46 (43:34):
Is tell them.

Speaker 15 (43:44):
Is in them parts here so special world.

Speaker 54 (44:31):
Don't join us to Dad.

Speaker 4 (44:35):
Because space the part the Boss Thine.

Speaker 3 (44:38):
Day twenty of Job Weekdays ninety scho In.

Speaker 55 (44:45):
Sunday sixty Church Dellow the string around the Sirs Past
thirties Body of Show.

Speaker 16 (44:57):
By s Job.

Speaker 55 (45:00):
The Bay Show. Yeah yeah, I'm promoted doing what I do.

Speaker 22 (45:13):
Don't know what I do?

Speaker 51 (45:16):
Yes, Boss Lady ray.

Speaker 18 (45:22):
To Yeah, Hey guys, how you doing?

Speaker 21 (45:31):
This is your boy.

Speaker 55 (45:31):
It's Cola King Lion at Lionehouse right now and the
Lions and give it a big, big shout out to
the boss Lady radio station.

Speaker 38 (45:39):
You already know what time it is.

Speaker 21 (45:41):
I just wanted to do this for her.

Speaker 15 (45:43):
I hope you enjoyed this intro.

Speaker 4 (45:45):
Love you, boss Lady.

Speaker 15 (45:46):
Keep doing your thing.

Speaker 18 (45:47):
This is your boys at Colon Lion.

Speaker 31 (45:48):
Always be real, always keep it there.

Speaker 18 (45:51):
Love you guys.

Speaker 31 (46:07):
What's up? What's up?

Speaker 38 (46:08):
Welcome back to another Boss Sadies Live radio show, Montaile
War with Him now s Freaking.

Speaker 31 (46:15):
Studio, Sponsorbized Boss Ladies.

Speaker 38 (46:19):
And a War Woing Trays Radio Cafe a k A
The Hangout ak A Trays. Hey en up, next off
the Magic's Out We got next to the song smooth
Classy Bent from back in When the Early Day, when
your girl d ski rock at the house.

Speaker 31 (46:38):
Let's go teach two.

Speaker 32 (47:00):
Job in the ocean.

Speaker 16 (47:03):
Oh no, that l June job in the ocean. Oh no,
that l June.

Speaker 56 (47:16):
The job in the ostrich.

Speaker 27 (48:00):
No, no, no, no.

Speaker 57 (48:24):
No, you reppen though.

Speaker 6 (48:36):
And I met you in the time.

Speaker 46 (48:40):
We talk the hour ju the night I met you
in the time seping Lane we talk the hour Jol
then night.

Speaker 6 (48:51):
Nothing in the articles.

Speaker 58 (48:56):
Hours the week could be a long article, nins drop
a hour.

Speaker 21 (49:05):
Could be.

Speaker 3 (49:08):
Don't pouper dunted no.

Speaker 59 (49:13):
Let down follow dropped in the pusan power hold on
the aletic don fo dropped in the posion pop.

Speaker 16 (49:27):
Hold on no that aletics.

Speaker 59 (49:30):
Down fo dropped in the ocean out hold on no
that aletics down.

Speaker 32 (49:39):
Fo dropped in the ocean out.

Speaker 22 (49:44):
No, a let down.

Speaker 16 (49:48):
In the ocean out No.

Speaker 32 (49:53):
Abt it too do fallow dropped in the ocean out.

Speaker 58 (50:00):
For hours or the week could be alone nobing Lamber
or the colonize. In the winter we draft for hours,
or the week could be alone and nobing Lamber or
the colon nights in the winter we draft for hours,
or the week could be alone and nobing Lamber or

(50:21):
the colt Nights in the winter, we draft for hours,
or the week could be alone.

Speaker 32 (50:28):
Long our sergeant of oh, that.

Speaker 56 (50:35):
Hollow drop in the ocean of Oh, No, that.

Speaker 32 (50:43):
Hollow dropped in.

Speaker 16 (50:45):
The emotion.

Speaker 56 (50:47):
O hollow dropped in.

Speaker 60 (50:53):
The emotions Botototti, Princeton.

Speaker 51 (51:14):
Cost of the Princeton Posts of Princeton, costs of the
Princetont Princeton thetttt.

Speaker 4 (52:35):
How making mind?

Speaker 61 (52:36):
I'm on a hustle, I'm on the grind everything I
see how making mind yell yell because they ain't know
how to get bread. I think I'm busy keeping that
business steady. You want to press that hustling, real hard
double back for the cash MCing hate it's real mad
because they ain't know how to get bread. I think
I'm presit keeping that business steady. You want to press
that hustle li p real hard double back for the cash,

(52:57):
making hate. It's real mad because they ain't you know
how they cried twenty seven three sixty five way to
two long and now.

Speaker 18 (53:03):
It's my shine.

Speaker 6 (53:04):
I'm study went up running into the limelight.

Speaker 61 (53:06):
You steady running your mother's on her last I'm gonna
make it happen. I'm at a young age, but I'm
gonna make me laugh. I say, got me stuff, I'm
gonna hustle.

Speaker 18 (53:13):
I'm on a crime. Everything I see.

Speaker 4 (53:16):
I know where they go.

Speaker 61 (53:17):
I know I know where that's gonna steady, Jason, this paper,
pulling up some more money, not buy a sight.

Speaker 4 (53:22):
And I'm gonna keep it chilling the Durnk summer when I.

Speaker 61 (53:23):
Ride out, catch you on the house and weekend getting away,
plus a shorty that he knows how to make you stay,
Oh Jewels, I mean gonna stay ice out, keep you
chilling the Durnk summer when I ride out.

Speaker 21 (54:13):
There, Cannae, can you gonna get get there?

Speaker 5 (54:16):
Give everything everything anyway?

Speaker 3 (54:17):
Anne a game there inquitly there make therequitally in.

Speaker 5 (54:25):
The job to please chop.

Speaker 18 (54:29):
The jobc please chopping.

Speaker 31 (54:34):
Number can.

Speaker 21 (54:38):
To Canada, Make Baby Place from the again.

Speaker 18 (54:43):
Now uge the three sugar job.

Speaker 16 (55:00):
Drop in the ocean.

Speaker 51 (55:02):
Oh no that I let.

Speaker 16 (55:08):
Drop in the ocean.

Speaker 32 (55:12):
For hours or the week could be.

Speaker 58 (55:15):
Another member of the coln Nights in the winter we
drive for hours, or the week could be long and long.

Speaker 32 (55:24):
Our search for Sunday?

Speaker 3 (55:28):
Has it a pillow?

Speaker 5 (55:29):
Next?

Speaker 32 (55:30):
You on our search for Sunday? Has it a pillows?

Speaker 27 (55:44):
Oh?

Speaker 32 (55:44):
And ha shad a bellows?

Speaker 28 (55:46):
You long?

Speaker 32 (55:48):
Our search for Sunday? Lo and has it a bellows?

Speaker 62 (55:57):
Hi?

Speaker 63 (55:57):
My name is Literce Lawrence from Los Angeles, California, and
my music is playing on award winning Boss Ladies radio show.
The latest episode that I was on was be a
Powerful Communicator. My song My Secret Lies is on all

(56:19):
major digital platforms and I will be releasing it starts
with me before two thousand and twenty three ends and
I will be playing Julia on Alisa and Mahogany, which
is gonna be a TV series.

Speaker 14 (56:54):
When to Think about You, they.

Speaker 64 (56:58):
My body starts to h tripped about the love we
made yes that day.

Speaker 16 (57:20):
It felt so good.

Speaker 32 (57:22):
Side there's a smell and of face.

Speaker 4 (57:31):
When a grasp.

Speaker 16 (57:34):
I love a lady still ooh.

Speaker 31 (57:45):
Oh one need.

Speaker 16 (57:52):
Stay beside me. Hold this feed.

Speaker 4 (58:08):
I just can hide.

Speaker 32 (58:14):
Nothing compared to your love.

Speaker 16 (58:18):
It's wird in a million.

Speaker 18 (58:23):
It's s good to me.

Speaker 16 (58:30):
When you touch my body. I stopped to marriageack o,
it's taking.

Speaker 14 (58:46):
As I reached my pee, I can high speak.

Speaker 16 (58:54):
I feel restaurtedy from within me.

Speaker 6 (59:02):
Aboot as yearning.

Speaker 32 (59:06):
Ignite, and it's burning.

Speaker 65 (59:11):
It begins to spread. Not a good respe Hold call Nat, you.

Speaker 32 (59:29):
So deep, is said amade.

Speaker 16 (59:33):
Oo Oo, hold this feeling. I just get O.

Speaker 31 (01:00:17):
I can wait till you get home.

Speaker 4 (01:00:22):
And then will start my hots beating so fast.

Speaker 16 (01:00:30):
Because I can hear your keys.

Speaker 4 (01:00:33):
Opening with.

Speaker 31 (01:00:42):
Yo. What's up?

Speaker 14 (01:00:43):
Y'all already know what time it is.

Speaker 49 (01:00:45):
It's time for mis Fabulous aka Boss Lady a k
A d J D Sky Check me out on a
ward winning Dre's Radio Cafe aka Dre's eight. Check him
out Monday and Friday night live seven pm to about
eight pm. Monday and Friday about seven pm. It's about
eight pm. He might do a little overtime, but it's

(01:01:07):
worth the overtime, know what I mean. Dre's Radio and
it's fabulous and oh thanks for putting me on number
one on Dre's eight. I'm still celebrating what y'all sipping on.

Speaker 18 (01:01:20):
Let's go, yo, let's go. It's your girl, miss bag,
this w that with that.

Speaker 5 (01:01:31):
Girl with just ch.

Speaker 31 (01:01:38):
Let's roll, shut.

Speaker 33 (01:01:56):
Shut, shut up.

Speaker 4 (01:02:02):
I want you, I want you, I want your man.
I wait all.

Speaker 6 (01:02:18):
W I want you.

Speaker 4 (01:02:25):
I want you to be baby judge up please, I
want your.

Speaker 22 (01:02:35):
I want your.

Speaker 4 (01:02:38):
Jo this guy as a girl beetle with that.

Speaker 18 (01:02:51):
Girl. I want your love.

Speaker 28 (01:03:16):
I want you to be.

Speaker 22 (01:03:25):
Je Ja.

Speaker 18 (01:03:33):
Be the by.

Speaker 16 (01:03:36):
W cry.

Speaker 18 (01:03:41):
Me, I'm not wan me, I'm not not me.

Speaker 6 (01:03:49):
Joe.

Speaker 4 (01:03:57):
God, it's that messages.

Speaker 28 (01:04:05):
Bade this issue became.

Speaker 57 (01:04:55):
You're not to onto the boss le show.

Speaker 27 (01:04:58):
I want you to tap band with us on the
check room, So go ahead download that speaker app.

Speaker 36 (01:05:03):
You don't want to miss none of these vibes.

Speaker 6 (01:05:09):
It's never too late to start over again. As long
as you have breath in your body, you still have
a chance to lay. But not deny.

Speaker 27 (01:05:19):
God.

Speaker 6 (01:05:19):
It's a flow, a sho g s, hustle, grind shine.
It's about that time you either really want it or
you don't. Time you either don't get it or you
won't for your bomb, no.

Speaker 7 (01:05:34):
Matter which, she got a pick a side, because that
ain't nowhere between.

Speaker 6 (01:05:37):
We don't have door not. You either really want it
or you don't.

Speaker 4 (01:05:41):
Un your time.

Speaker 6 (01:05:42):
You either donna get it.

Speaker 7 (01:05:43):
Or you won't on your bomb, No matter which she
got a pick a side, because that ain't nowhere between.

Speaker 66 (01:05:48):
We don't have to do or not this what in
all winter for the summer figure unless the highly favorite
make them reconsider.

Speaker 6 (01:05:55):
I would win my swin on hold the highest bitterne
if that's.

Speaker 66 (01:05:58):
What you like, you want it, ain't you by I'm
gonna be read between uther lots before I wait, sitting
in my time.

Speaker 6 (01:06:03):
Trust, I'm going that really rooms. If I see something fine,
I don't wait on nobody. Y'all go get it on
my own leave by day. You got it at night?
Put a pack of sacking flight. Life is rough, but
I'm gonna ride time. It's husband right beside.

Speaker 7 (01:06:16):
I shall ain't had enough from us supply you'll give
me what I want, so I.

Speaker 6 (01:06:21):
Could give it what you need. You either really want
it or you don't. You either gonna get it or
you won't.

Speaker 7 (01:06:27):
Put your bone No matter which, she gotta pick a side,
because that ain't nowhere between. We don't have door not
you either really want it or you don't. Undertome, you
either gonna get it or you won't. On your bone,
no matter which she got a pick a side, because
that ain't no where between.

Speaker 6 (01:06:42):
We don't have door not. If you respected the.

Speaker 66 (01:06:45):
Red flags when you've seen them, maybe the depth of
the pain or to hurr you experience with that individual
wouldn't have been so traumatic.

Speaker 6 (01:06:54):
You never knew of it. There's hustle forgive me.

Speaker 27 (01:06:57):
Sweet it on other side and miss me. Nothing that
I've been through could ever bring me so strong. Even
weddings got shaky, huad added up a still makes sense?
Did all I did is just I get right here?
If you only knew what I went through.

Speaker 16 (01:07:13):
Your sola choice bl.

Speaker 6 (01:07:17):
You either really want it or you don't. Done, you
either gone get it or you won't.

Speaker 7 (01:07:21):
From your bone, no matter which, she gotta pick side,
because that ain't no women between.

Speaker 6 (01:07:25):
We don't have door not. You either really want it.

Speaker 18 (01:07:29):
Or you don't.

Speaker 7 (01:07:29):
Undertime, you either don't get it or you won't or
you won't, no matter which, she gotta pick a side,
because that ain't no one between.

Speaker 6 (01:07:36):
We don't have door not.

Speaker 66 (01:07:38):
If you want to go in the bed or go
all in. On the other side, it's a guarantee win.
How can you lose if you never give in, go harder.

Speaker 14 (01:07:47):
When you feel like stop.

Speaker 6 (01:07:49):
You either really want it or you don't. You either
gon't get it or you won't clean no matter which.

Speaker 7 (01:07:55):
She gotta pick side because that ain't no women.

Speaker 6 (01:07:57):
We don't have or not. You either really wanted or
you don't. You either be get it or you won't,
no matter which. Got to pick a back, because there
ain't nowhere between.

Speaker 25 (01:08:08):
We don't have doing that and.

Speaker 31 (01:08:18):
Yeah we got that chit that truth.

Speaker 22 (01:08:26):
Yeah.

Speaker 16 (01:08:27):
Please don't wait my time.

Speaker 6 (01:08:29):
Please don't hit my.

Speaker 16 (01:08:30):
Time the sun.

Speaker 31 (01:08:32):
I want to lucky for before my.

Speaker 67 (01:08:35):
Time, she says, either but approaching me this my hair
is a trully never has a trophy.

Speaker 6 (01:08:45):
Please don't land a dun.

Speaker 16 (01:08:47):
Please don't make my time.

Speaker 4 (01:08:49):
I don my umble.

Speaker 29 (01:08:51):
Going basis an she's there, goes a bother busy there
the dead, there's my here's a trophy, defy, here's a trophy.

Speaker 51 (01:09:04):
Oh love by.

Speaker 16 (01:09:12):
You get.

Speaker 4 (01:09:15):
Boy?

Speaker 22 (01:09:16):
He did not he.

Speaker 16 (01:09:22):
God, Brad, don't br.

Speaker 4 (01:09:26):
Game me.

Speaker 16 (01:09:27):
You tag and that should love me?

Speaker 2 (01:09:29):
You tag no one people on me?

Speaker 4 (01:09:32):
You tag?

Speaker 62 (01:09:32):
You know these deep but they don't either real they
need not think you tag damn your truphy.

Speaker 6 (01:09:39):
You di.

Speaker 56 (01:09:41):
And my thumb my fat.

Speaker 67 (01:09:49):
If you such a bat or, don't need anything about
a pot of me.

Speaker 16 (01:09:55):
He's a trophy.

Speaker 32 (01:09:57):
There, here's a trophy.

Speaker 22 (01:09:59):
Please I.

Speaker 16 (01:10:01):
Please my god, baby, I can be your.

Speaker 6 (01:10:09):
Fun baby present.

Speaker 16 (01:10:13):
This here's a trophy.

Speaker 6 (01:10:15):
This I here's a trophy.

Speaker 9 (01:10:17):
Oh this by you bad boy?

Speaker 6 (01:10:30):
I know.

Speaker 62 (01:10:33):
By my bad don't bad game me. You tag and
I shouldn't love me. You'll tag the one people on me?
You did you know these things? But they don't even
really they neither thank you.

Speaker 14 (01:10:51):
I'm your Trump.

Speaker 4 (01:10:52):
You don't know.

Speaker 16 (01:10:54):
Maybe I'm beside. I want to love Alma.

Speaker 6 (01:11:03):
If she's such a format for the name me.

Speaker 28 (01:11:08):
This, I have a trophy.

Speaker 67 (01:11:11):
This, I has a joelph please the lad please a
time I.

Speaker 4 (01:11:17):
Got my ol b baby.

Speaker 29 (01:11:22):
She sells a long baby by basn.

Speaker 16 (01:11:27):
This my hair is a trophy.

Speaker 31 (01:11:29):
This my here's a trophy.

Speaker 16 (01:11:31):
Joy.

Speaker 57 (01:11:38):
Yeah, hey, it's your girl Rojie. And I'll hear from
New York City. And of course I have my name

(01:11:59):
energy coming up so for you guys, and I'll check
out the news coming us.

Speaker 68 (01:12:08):
Since you're gone where it's never been the same. Apisso
mazz Since you gone way, SI gone, never.

Speaker 16 (01:12:42):
A pison.

Speaker 69 (01:12:47):
Since you gone, you always hold me even and it
was wrong. Never gave up on me.

Speaker 70 (01:13:10):
You show the beast in me, gave me the insplation.

Speaker 16 (01:13:21):
It was a card from mena sirt.

Speaker 4 (01:13:27):
So though what is right?

Speaker 70 (01:13:33):
Hey, be your bride and l since your gon and
lover be the same. Abiss of me since you done, No,

(01:14:01):
not that you're hackness empty side.

Speaker 16 (01:14:12):
These there is.

Speaker 4 (01:14:13):
Hot to mo.

Speaker 2 (01:14:18):
There's a hard so man, all.

Speaker 16 (01:14:25):
Do that moment I say good, b you are close
to my.

Speaker 54 (01:14:40):
Always be a hot of mine. Since you done. You
know my man, The.

Speaker 71 (01:14:57):
Abisto means since you done, since your gone where.

Speaker 16 (01:15:14):
It's never man the same a pistol mez.

Speaker 22 (01:15:26):
Since you gone.

Speaker 38 (01:15:45):
Dude, you got that cold in the sea, with that
five hundred miles brought to you by cos.

Speaker 21 (01:15:53):
By like waking up.

Speaker 32 (01:15:56):
Well, I know I'm gonna be.

Speaker 72 (01:15:57):
You're gonna be the man who gets drop next to you.
And if I have a yeah, I know I'm gonna be.
I'm gonna be the man's heav into you. But I
want walk five hundred miles.

Speaker 73 (01:16:07):
And the eye would walk five hundred bore, just so
be the man who want a thousand miles full down
that show door.

Speaker 72 (01:16:18):
When I'm working. Yes, I know i'm gonna be. I'm
gonna be the man's working hustle you when the money
comes in from the work, I do apostle almost every penny.

Speaker 32 (01:16:27):
Answer you WHENNA come home. I don't know i'm gonna be.

Speaker 72 (01:16:30):
I'm gonna be the man who comes home to you
and if a pro, but I know i'm gonna be.

Speaker 32 (01:16:36):
I'm gonna be the man is growing old with you.

Speaker 73 (01:16:38):
But I want walk five hundred miles and the eye
would walk five hundred bore, just so, be the man
who wants a thousand miles full down that show door.

Speaker 74 (01:16:52):
Tada turn it, David, don't diddy down day da dada.

Speaker 32 (01:17:01):
No, I'm gonna be.

Speaker 72 (01:17:01):
I'm gonna be the man who's lonly without you. I'm
gonna dreaming. Well, I know i'm gonna dream. I'm gonna
dream about a time when I'm with you. Why no, no, No,
I'm gonna be. I'm gonna be the miracles along with you.
I'm gonna come home. Yes, I know i'm gonna be.
I'm gonna be themer Coles do home with you. I'm
gonna be the man who's coming home with you.

Speaker 56 (01:17:22):
But about five hundred miles, and nig would walk five.

Speaker 73 (01:17:27):
Hundred more just to be the man who walks a
thousand miles to fall down at your door.

Speaker 74 (01:17:37):
Ting I'm didding, Daddy, Da Da da, And I would
walk five hundred miles and I would walk five hundred

(01:17:58):
more just to be a man.

Speaker 38 (01:18:32):
I've come to terms with the fact that my future
might not involve people I'm around now.

Speaker 31 (01:18:49):
I get tired of doing this.

Speaker 38 (01:18:51):
Every time I try something new, sometimes I had to
walk away from.

Speaker 18 (01:18:56):
What I want to find what I just.

Speaker 31 (01:19:37):
I made mistakes in my life. I've learned from my
bad choices. I don't know better. Next time.

Speaker 38 (01:19:59):
God mention a person's past mistakes when they're trying to change,
that's like throwing rocks at them while they're struggling to
climb a mountain.

Speaker 31 (01:20:17):
Yeah, let's talk about that, y'all.

Speaker 38 (01:20:19):
Instead of saying opportunity formula, were gonna say flaw portunity formula. Yeah,
that's right, turning your stumble into success the flaw portunity formula.
When circumstances scene critted against you, you can either lie
or cry. You don't under saying that We're definitely gonna

(01:20:40):
talk about that right here on Boss Says.

Speaker 14 (01:20:43):
Live Radio show. Let's go, y'all, What's up, y'all?

Speaker 38 (01:21:05):
Welcome back to another Boss Sadies Live radio show, Mock
Tie War Winning now Spreaking Studios, sponsor by Boss Sadies
Inco War Winning, Dres Radio Cafe aka to Hangout aka
Dres eight and Social Media Cap Milwaukee twenty twenty Bold
January twentieth Man Listen Anniversary, Welcome back, Welcome back to

(01:21:31):
another show.

Speaker 31 (01:21:33):
Hot, this dopest show, underground show in the world on
the planet, all that good stuff.

Speaker 38 (01:21:42):
And I can go straight to open mic because once
again they took the live broadcast, so it will be
pre recorded from now on. Whenever they changing back, I
will definitely let you know because they were messed up.

Speaker 31 (01:21:56):
I mean, they wanted to change it at the end.

Speaker 22 (01:21:58):
Of the year.

Speaker 31 (01:21:58):
They didn't wait through the beginning. They did at the
end like make you feel real comfortable and then boom,
Zach gone. Golly.

Speaker 38 (01:22:07):
So yeah, we had solo Stela, solo stan Lee, excuse me, prayer,
you know what I'm saying, Like that joint that was good,
that was definitely went back to the Motherland with that.
Appreciate that, the buying family with that Exodus brought to
you by gods son the Pharaoh.

Speaker 31 (01:22:28):
And then we had Artists of the Month the Strange.

Speaker 38 (01:22:31):
One featuring Red Call the Cops, Red the Doll, you
know what I'm saying. And then Jada Franchise two Beds
featuring Q brought to you by Kenney Bob. Appreciate that,
and the new release of Ward went into CoA King
Lion and Misfabulous with that We'll make it to the money,

(01:22:55):
you know what I'm saying.

Speaker 31 (01:22:56):
And then we had.

Speaker 38 (01:22:58):
This Artist of the Month, LaTrece Lawrence with deep Inside
Dope song those song I love that.

Speaker 31 (01:23:06):
That's some real.

Speaker 38 (01:23:09):
With your significant other type of song, you enjoying each
other's company, that kind of stuff. And then we got
a Missfab new release featuring DJ Diskey with just Love Me.
We had a Goddess a Flow with No Halfees aka
HGS Lyrical, and we had Regina Hicks with Trophy and

(01:23:31):
Vero g Since You've Gone Away new release along with
Customs twenty five Life Records presents Nicole MC five hundred miles.
You know I'm talking about whoa WAYA was some heavy
things in the building. Fellas will be up next particularly,
I do want to thank everyone for liking, downloading, and

(01:23:54):
sharing the show, checking us out on audigital platforms.

Speaker 31 (01:23:58):
You know what I'm saying.

Speaker 38 (01:23:59):
You know won't be live, but check out my YouTube
channel boss Lady four one four six for the lives
for the broadcasts.

Speaker 31 (01:24:10):
Start with our season one Music Indie Review.

Speaker 38 (01:24:13):
I'll just run through some of the shows that I
did do on Boss Lady four one six on the
YouTube channel here.

Speaker 27 (01:24:22):
We did.

Speaker 38 (01:24:24):
Just uploaded Investing Yourself, social Media Cap Milwaukee with the
Strange one and that was yesterday. Social Media Cap is
now on spreaker. You can definitely check that out. And
we did Streaming Fraud and we did Music Indie Review

(01:24:45):
season one and Top twenty Countdown season one.

Speaker 31 (01:24:50):
You know what I'm saying.

Speaker 38 (01:24:50):
So we nice and caught up with the twenty twenty
five layout of the lives. You'll actually get to see
me doing the show on YouTube at Boss Lady four
one four six.

Speaker 31 (01:25:04):
You know what I'm saying.

Speaker 38 (01:25:05):
Appreciate everybody that was in the chat room the last
two shows. Don't talking about shout out salute to Boss King.

Speaker 31 (01:25:12):
The Legend.

Speaker 38 (01:25:13):
Shout out salute to Dres Radio Cafe Drasy you know
what I'm saying. Shout out salute to Noriega, the King
that One Hand Producer. Shout out to v Mayo AKA
More Thoughts. Shout out to Fox One Folk Dank. Shout
out to CoA King Lyon, Shout out to twenty five
of Life Records.

Speaker 31 (01:25:33):
Shout out to Rick Ike.

Speaker 38 (01:25:35):
Shout out to the Strange One Artists of the Month
Congratulations and LaTrece Lawrence Artists of the Month Congratulations and
shout out salute for all your support and your encouragement.

Speaker 31 (01:25:49):
Keep them coming with through those songs.

Speaker 14 (01:25:52):
Yeah took me tonight.

Speaker 38 (01:25:55):
I do want to talk about turning that opportunity into
a flow opportunity because there's a lot of plans that
just don't come through. You make them, you set them,
you're doing them, and then it falls through. It don't work,
you know, and you've been feeling like all your circumstances
is against you. You're trying to beat the odds and

(01:26:18):
it just don't seem to.

Speaker 21 (01:26:21):
Work out.

Speaker 38 (01:26:22):
There's just some garbage, don't want to give up on
a throw it in the trash, But you can find
gold in the garbage.

Speaker 31 (01:26:27):
You can create or make a creative response. You can.

Speaker 38 (01:26:36):
Learn the flaw Portunity formula, and I think it's about
three steps. You can measure the impact. You can learn
how to do boldness with boundaries.

Speaker 18 (01:26:49):
We all need that.

Speaker 38 (01:26:50):
So I'm learning just like you. So without further ado,
let's get some eat of you in our lives, y'all.
Turning your stumble into success the flaw Portunity formula. We're
gonna find that at Addicted to Success Dot Cole Slash

(01:27:11):
Success Dash Advice Slash, turning dash your dash stumble dash
into Dash success Dash, the Dash Flaw Opportunity Dash formula.
When circumstances scene pitted against you, you can either laugh
or cry. What was about four weeks ago on December sixteenth,

(01:27:32):
twenty twenty four by Justin Bokie. When circumstances scene pitted
against you, you can either laugh or cry. Here's how
I learned that laughing can really pay off finding gold
in the garbage. I was shooting a Global Tech Giants
launch video to introduce a new cutting edge wireless router.

(01:27:56):
The router had a cool design, sleep packaging, and the
science product developer even looked stylish and had an engaging voice.
We had all the elements to make a catchy video,
or so we thought. One thing we hadn't accounted for
was the Router's super long, tongue twisting technical name. During

(01:28:17):
the video shoot, the product guy kept stumbling over the
name of his device. He got more and more frustrated
as he bungled the name, slapped his forehead, then laughed
at his own futility. He finally painfully initiated the full
name of Router and gamely pushed through the rest of
his dialogue. I grown to myself at how awkward the

(01:28:37):
final video would look. Over the next few days, I
nervously edited what was designed to be a straightforward, too
many video.

Speaker 31 (01:28:46):
There was a lot of money invested in this launch.

Speaker 38 (01:28:49):
My stomach sank as I reviewed what was a professional,
but to be honest, boring promo piece. Needing a laugh,
I watched the outtakes of the guy struggling mightily with
the name. Now this was fun to watch, and then
it hit me it would probably be fun for others
to watch too. I quickly cut together a series of

(01:29:10):
its frustrated then torture takes on the writer name his
good natured laughter at his struggles, gave a lightness to it.
At the end, a link to the full product video
read quote watch Martin get it right. This extra little
twenty second video was not part of the client project,
but I figured.

Speaker 31 (01:29:29):
We owed it to them.

Speaker 38 (01:29:31):
Their client loved it, phew, and it gave us the
green light to promote it via social media. It earned
great exposure overnight on major tech industry news sites, generally
much greater.

Speaker 31 (01:29:42):
Traffic than we could ever promise with the original video.

Speaker 38 (01:29:46):
I finally remember that little production and how leaning into
the humor and real ability of the situation creating some magic.
Since then, I always appreciate seeing a company's creative, self
depreciatedation turned a sour situation suite. Here's one of my
favorite examples from the restaurant industry.

Speaker 31 (01:30:08):
A fucking creative response.

Speaker 38 (01:30:15):
In twenty seventeen, KFC tried to innovate with its delivery
logistics in the UK and found a new vendor.

Speaker 31 (01:30:23):
Sadly, the partnership failed.

Speaker 38 (01:30:25):
By early twenty eighteen, most of the KFCs was running
out of chicken and customers were angry.

Speaker 27 (01:30:31):
Damn.

Speaker 38 (01:30:33):
The chain had to close nine hundred restaurants, a majority
of its locations across the UK. On one day alone,
fifty three thousand social media posts mentioned KFC running out
of chicken, using hashtag KFCC crisis, hashtags and others. KFC's
response it tossed the usual executive press release and declined

(01:30:55):
to play the blame game. Instead, it embraced the failure
with a serving of bold humor. KFC read a full
page print ad in widely viewed newspapers to reach.

Speaker 31 (01:31:06):
A broad swap of its customers.

Speaker 38 (01:31:09):
The ads simply showed an empty KFC bucket with a
big FCK printed on it instead of KFC. Under the image,
it read, We're sorry a chicken restaurant without any chicken.
It's not ideal. It's been a hell of a week,
but we're making progress and every day more and more

(01:31:31):
fresh chicken is being delivered to our restaurants. The upshot
KFC's funny and humble response generated more than seven hundred
press and broadcast mentions, delivering a total audience of roughly
eight hundred million globally. Two hundred million plus social media
users were also exposed to the indilable FCK image. In

(01:31:56):
a three month span, the single print ad had let
across media boundaries to earn a resurpassing one billion. Besides
increased band exposure, consumer sentiment towards KFC actually rolls following
KFC's gusty response.

Speaker 31 (01:32:13):
Per consumer insights provider, you GOV.

Speaker 38 (01:32:18):
If there's a bottom line here, it's that some market
conditions you might consider a dead end may actually help
you stand out in advance the flaw portunity formula. There's
a method to the messaging if you want to get
it right. Step one, identify a clear critical weakness that

(01:32:38):
might also be useful in telling your story.

Speaker 31 (01:32:41):
This is your flaw portunity.

Speaker 38 (01:32:44):
I've seen this term in fictional character development, and I
find it also fits in the business world. Your flaw
portunity should be well known enough that hiding it is
pointless difficult slash impossible to fix quickly. Otherwise just fix
not connected to safety, ethics or core functionality, relatable or

(01:33:06):
even better, amusing to your audience, ideally tied to something
unique about your brand. Step two, reframe the weakness. Turn
your criticism into a mark of authenticity. Yes, we're expensive
because we use real ingredients, a badge of honor. It

(01:33:27):
is difficult, that's what makes us special. A shared joke
our board game is addictive. Sorry about your late nights
a powerful differentiator. We're probably not for everyone. Cool Step
three amplification. Don't dance around your flaws. Showcase them creatively.

(01:33:51):
Use specific numbers. Our rooms are twenty five percent smaller
and fifty percent cheaper. Create memorable visuals. A giant one
star review Billboard. Develop catchphrases slow coffee for slow mornings,
give critics a platform to bit commerce, ay commercer rate,

(01:34:14):
I think and laugh, but control the narrative measuring impact.
Here are some useful metrics to track for your bold move.
Sediment shift in social mentions, sales patterns during slash after campaign,
media coverage, tone, customer feedback, themes, employee morale, community engagement levels,

(01:34:39):
boldness with boundaries. Of course, with any boat move, you
must navigate risk. Here are some campaign guidelines to help
you avoid potential pr mind fields. Authensity is not negotiable.
Humor must punch up never now, keep core brand values intact,

(01:34:59):
draw clear lines of decorum you won't cross. Maintain quality
while embracing flaws. Carefully monitor all channels of potential feedback,
and engage quickly and consistently. Be ready to pull back.
If criticism evolves from product to ethics, employees grow uncomfortable
with messaging, or consumer sentiment, or media coverage turns increasingly negative.

(01:35:24):
As you can see, the best response to criticism isn't
always defense. It can be creative ownership that turns critics
into community. You're not trusting your core value proposition. You're
simply showing the human humor side.

Speaker 31 (01:35:39):
Of your brand.

Speaker 38 (01:35:40):
When done right, your biggest weakness highlights your authentic strength,
and that is our adu for our lives.

Speaker 2 (01:35:50):
Yet I like that.

Speaker 38 (01:35:52):
That means you can make mistakes and turn the mistakes
into the formula. After that drasy drop, we gonna get
into the fellows. We started that first half with the ladies,
and after that, uh, definitely, after that strange one in
the mix at the beginning.

Speaker 31 (01:36:10):
You know what I'm saying. We got some boss king
the legends, new.

Speaker 38 (01:36:14):
Joints from him, some from customs or something something Dre
and that Rick I, y'all make sure y'all stay tuned,
Go go nowhere.

Speaker 21 (01:36:31):
Yeah, have you ever been in a hangout before two
hours or nothing?

Speaker 75 (01:36:35):
Let's drain heat.

Speaker 76 (01:36:37):
Dre's Radio Cafe got that going on every Monday night
from seven pm till nine sometimes a little bit of overtime,
but if we do overtime, it's always good for the love,
you know what I'm saying. And also on Friday, Dre's eight,
the funnest hour you can have all day trying to
determine what song gonna be?

Speaker 6 (01:36:51):
Number one?

Speaker 22 (01:36:53):
Who can it be?

Speaker 39 (01:36:54):
Can it be your song?

Speaker 76 (01:36:56):
If you want to submit music to d r e
z E y two one yaho dot com didn't vote
at six four zero three nine D eight on Friday
seven to nine pm, I mean seven to eight pm,
excuse me, or just hang out Monday nights seventy nine,
stay tuned to Boss Ladies Radio Show presented by Boss

(01:37:16):
Ladies in the dzkidand let's run them up.

Speaker 39 (01:37:20):
You know how we do. Trace Radio Cafe.

Speaker 22 (01:37:22):
We out here.

Speaker 21 (01:37:25):
Happy holidays to y'all.

Speaker 75 (01:37:27):
First off, I want to get shot shout to the
amazing award winning Boss Lady Radio Show. Get shot shout
to DRES Radio Cafe. Get shot shot to madal Noriega, the.

Speaker 21 (01:37:40):
King four one four a dank. You know what I'm saying.
All amazing artist is all over the globe.

Speaker 75 (01:37:46):
Man twenty five A Life Records Danny Joel, you know
what I'm saying, Global empire.

Speaker 21 (01:37:52):
Oh y'all you know how we doing it?

Speaker 75 (01:37:54):
Were going up baby worldwide, Happy New Year, Let's get
it your young man?

Speaker 27 (01:38:03):
What got yall?

Speaker 6 (01:38:05):
What do.

Speaker 27 (01:38:10):
You go to?

Speaker 4 (01:38:11):
The boy takes that wing?

Speaker 22 (01:38:22):
Then what a ride?

Speaker 4 (01:38:23):
And Harold till my little things and then.

Speaker 31 (01:38:29):
Got what thinking.

Speaker 4 (01:38:36):
Jaging pack always causing it to the fav level class
the time. I think the present times.

Speaker 77 (01:38:46):
Pa taken times, women a pole and talk.

Speaker 4 (01:38:51):
And fast, wasn't the lack of bad bad bed making
things back back? And I was the man racking ladder
back the mother day.

Speaker 5 (01:39:07):
And they got her own.

Speaker 4 (01:39:13):
About name down from that.

Speaker 78 (01:39:18):
Naday and then I and the One's gone throw and
I got home rock iv Anna last my wine when
the landing from when I had and the way it.

Speaker 22 (01:39:32):
Was the girl and.

Speaker 77 (01:39:34):
Bromble so Satan time again.

Speaker 4 (01:39:41):
Sergin and fantastic band to break the treatment grow read
into that bridge God, and that was to ride as
a bird out God.

Speaker 22 (01:39:53):
And what I.

Speaker 4 (01:39:58):
Know, mom p, I.

Speaker 5 (01:40:03):
Want to think about.

Speaker 75 (01:40:05):
Thank you.

Speaker 77 (01:40:10):
Pint above and the other things A man last fantasy
brand man Grandma and.

Speaker 4 (01:40:22):
Play the day and that.

Speaker 28 (01:40:26):
Out of my fist, bad.

Speaker 6 (01:40:30):
Man very cause what I want.

Speaker 4 (01:40:32):
I'm blacking back and gusty.

Speaker 6 (01:40:34):
The bla went with that, and we'll.

Speaker 77 (01:40:38):
Have around and play definitely as on that other.

Speaker 4 (01:40:44):
When they grow up wind day, Why thank you pain.

Speaker 28 (01:40:49):
I had a night.

Speaker 4 (01:40:52):
In menything, thank you and brought them was again like two.

Speaker 5 (01:41:01):
Lords and you God got.

Speaker 2 (01:41:06):
Sending the two berd drop of corn.

Speaker 4 (01:41:10):
Don't life for one day.

Speaker 5 (01:41:14):
In the build? What they think?

Speaker 19 (01:41:21):
Yeah, damn right. I got him looking. Also, I got
him joking, but Shelby jink that the boss head.

Speaker 4 (01:41:34):
He felt me.

Speaker 19 (01:41:35):
I got him looking, got him jink and got him
looking at me. Keep you got him joking, got him
looking at me. You got him too, got him looking,
got him looking at me. Keep you got him drinking,
got him looking at me, I said him looking there right.

Speaker 31 (01:41:48):
There, he's a more basking with that. Got him got
let's get it right.

Speaker 19 (01:41:55):
Y'all hands games out man, then riding stay silent. I
never been fake. I got him choking in the club.
Yeah they couldn't wake. I gotta taking pictures. Yeah, they
be watching looking at me like an am nasi.

Speaker 4 (01:42:09):
Then right, it's the way that I comes.

Speaker 19 (01:42:11):
I'm doing my thing ware The fun they think of
from the bottom, mother of mouth and own money guns.

Speaker 22 (01:42:17):
Look.

Speaker 4 (01:42:17):
Got the mouth, yeah, shape like one.

Speaker 19 (01:42:20):
I got him looking, got him joking, got him looking
at me, got him looking, got him chicken with me,
got him looking, got him chicken, got 'm looking at me.
I got him choking, got him looking at me. I
got him looking at me like the Papa rock set.
Got him take a picture. Yeah, that's the hoppit yet
it see me doing me to wear a rock. I'm
coming from the bottom, man of going to the top.

Speaker 22 (01:42:41):
Yeah.

Speaker 19 (01:42:42):
And the so south by say yeah. And the dreads
I doing my weight. They ain't him a flood. I
get it from my mama. You'll understand me. You ain't
wearing no trauma the way that died to my thing
in the jail. Yeah, I see him stop, Yeah, I
see him step Yet it pig watching Yetta can't stop.

Speaker 27 (01:43:00):
Man.

Speaker 4 (01:43:01):
I'm doing my things, damn right. Once I be riding.

Speaker 19 (01:43:04):
I got him looking, got him chicken, got him looking
at me, got him looking, got him joking with me,
egg got him looking, got him joking, got him.

Speaker 18 (01:43:11):
Looking at me.

Speaker 19 (01:43:12):
I got him looking, got him joking with me. Egg
break it back. It's the way that I do me.
I told y'all just the way that I hate. I
always hate on these peaks and you're raking shing bike
to the streets, bank to the seats that it goes.
I'm doing my thing just the way that I flow,
and like a time bomb where you're thinking from the

(01:43:34):
bottom money mouth the own money flaw. Yeah, I'm from
the hood, from misunderstood, from the projects. Now I'm still
doing good. Yeah, man speaking bringing them over heat. I
got him one sticking at me because up taking yeat
be fresh. Yeah, I hate the toe, Yeah, be shinning,
yet to wear a rope. It's the way I come,

(01:43:54):
It's the way I live. I'm plowing my thing. You
hated mighty square chill. I got you look, we got
it here looking, got the jogging with me. I got
him lifting, got him jingging with me. You got him looking,
got him joking, got him looking at me. I got
him looking, got him jinging with me. Hey, it's time
for me to set up breaking And I said, yeah,

(01:44:14):
hate it. Somebody's well away. And then right I had
to cut the cake. I'm blind my day or that
dogs playing.

Speaker 5 (01:44:22):
Yeat jee in the bild.

Speaker 19 (01:44:24):
Dad, I came up from your ship and a brilliant,
im finna stick. He got a feel yet, and you
got to be a trillionet. You ain't in the pending.
You ain't hit the boot. You ain't hit a single
Yetta tell the truth. Yeah, set a light, Yeah, shout
of bright. I'm doing my thing. Yeah, I'm so nice. Yeah,

(01:44:44):
stay hi. Yeah, I'm on the mic. You better recognize Gee,
tell it bike youah, front of the block. Yeah in
the boot, ain't damn right what I wanna do? I
got him joking, got him looking, got him chicken with me,
got him looking, got him chicken with me, got him looking,
got him joking, got him joking with me, damn right,
braying by that he that Pete. Never, don't try to

(01:45:08):
get Pete never. This the way I ain't nigga ain yuh.
I'm a real figure.

Speaker 4 (01:45:14):
Your damn it.

Speaker 2 (01:45:17):
I be rioting, y'all, be sliding, y'all be rolling.

Speaker 4 (01:45:21):
I don't be hiding.

Speaker 22 (01:45:22):
Yuh.

Speaker 2 (01:45:23):
I gotta say so low, so low. That's the way
that I roll.

Speaker 28 (01:45:27):
Bro.

Speaker 4 (01:45:27):
I ain't win the legativerything and the fake kis.

Speaker 19 (01:45:30):
I ain't goin to float ship, so you better wait then, right,
I got you looking, y'all got your chickens. Damn Roger done,
got took and shut, damn right the way that I
do me, Damn right, I do it on these peaks,
Damn right. I'm breaking straight through the streets just the
way I A. I got you looking, got your jokey,

(01:45:51):
got you looking at the me, I got your chokey,
got you looking at me, eggs, got your looking, got
your joke gota looking at the MEI got your looking,
got your chicken with me, Yo, twistler rich less for
the world, empty EMTB. Yeah, it's not boy leaders job,

(01:46:11):
after music, nor the drug look gods, gotcha looking at Jim?
Yeah right, me coming hard, Yo's customs.

Speaker 79 (01:46:28):
I just want to give another shout out to everybody
on the syndicate part one and part two doing a
fucking amazing They're doing the round, they're getting their place,
it's doing this job. I just want to give a
huge salute to everybody again. Let's fucking go twenty five
to life. Salute, baby.

Speaker 4 (01:46:50):
Joe.

Speaker 80 (01:46:50):
I just want to put the real hustlers twenty five
after life, lackings and drug young music, call us and norms,
pull us for life.

Speaker 18 (01:46:57):
Customs are misery.

Speaker 80 (01:46:58):
Let's get it in fulling with the crew to five
l whits you YOUMG brother labels In the game, we
repentless lead customs of misery, brothers from another mother.

Speaker 6 (01:47:07):
In this rock game name no once a fuck ty fly.

Speaker 80 (01:47:09):
To laugh for its Here we was a plot in
the streets and the clubs let him not fucking canst
a love yard game, mussy proof keeping it sight take
a night we have thought it was ready for a
fight with the rewindm every beat we mind.

Speaker 4 (01:47:22):
This is our anthem our.

Speaker 80 (01:47:24):
Lyrical to life, the life we lived by the cone
y'ad gang brothers and nods on this long mode customs
and misery, where the kings of the scene, in this
white dream press free. On the plots of the boost
we speak the fucking truth, grit and crime.

Speaker 2 (01:47:38):
We show enough and the loose customs on the line.

Speaker 80 (01:47:40):
Misery got the beats together, we can't get taking over
the streets. Brotherhood forced in the heat of the crime,
twenty five to life forever into twine.

Speaker 2 (01:47:49):
Why the YMG we wrote, eat no fear?

Speaker 18 (01:47:52):
Would we step on the stage.

Speaker 80 (01:47:53):
You know misery is here our legacy filled with persuatins
hears in this frock game we persevere no stuff in
the floor of the rise.

Speaker 4 (01:48:01):
Too far Villa White gm G Wishing for the stars.

Speaker 80 (01:48:05):
When that revive and re beat, we may kiss the
reef customs of missery for legends, the mysteries. Twenty fives
alive won in this for real Yark Gang Music Group.
You know the tale customs and misery holds in the team.

Speaker 4 (01:48:17):
In this hip hop scene, we race supreme together.

Speaker 5 (01:48:20):
We stand united.

Speaker 12 (01:48:21):
We fall to five.

Speaker 80 (01:48:23):
Villa White gm G answering the customs of misery upon
this type. In this my journey, we hgnite when the
reverse every life we bring the heat in the game
of life.

Speaker 21 (01:48:33):
We can't refeat.

Speaker 2 (01:48:35):
Twenty fives to Love Records hold in the town. Y'all
Gang Music Group, the kings of the town.

Speaker 80 (01:48:40):
Through the hearts and loves, we stay strong in this
fucking world of w We belong grunting everything them a
back in town in this roofless rough game, wearing the
crowd customs of misery, legends and the making every feat.
We truck foundations, shake you y G n G T
five l for River Rippon.

Speaker 18 (01:48:58):
In the studio.

Speaker 80 (01:48:59):
In the street, there's no heart, stepping, hustling hard, kicking.

Speaker 2 (01:49:02):
The float tight in the dead and night.

Speaker 80 (01:49:04):
We shine bright from the underground to the mainstream scene.

Speaker 2 (01:49:08):
We're living the dream fucking supreme.

Speaker 80 (01:49:10):
Why not destiny with every bar rousing above, We're shooting stars,
customs and missiery that tied out of jewel in this
rat jungle with the fucking truth.

Speaker 4 (01:49:20):
Joe's twenty fives alive?

Speaker 2 (01:49:21):
Why GMG one runs off?

Speaker 5 (01:49:24):
Bring him?

Speaker 80 (01:49:24):
The heat's making the beach truck standing tall.

Speaker 5 (01:49:27):
No one can bring us down in this.

Speaker 11 (01:49:28):
Mpar of sound.

Speaker 81 (01:49:29):
We wear the crown, A legacy.

Speaker 2 (01:49:31):
Lists forever renowned, So remember the names.

Speaker 80 (01:49:34):
Never forget twenty five to love because the best you
met y'ab gang music group forever.

Speaker 4 (01:49:40):
We stand in this game, side by side, hand in hand.

Speaker 76 (01:49:58):
Your customs rapid on God, I'm blessed, what a beautiful life.
Doesn't matter who this song is for. I have a
beautiful mind. I put my mind to it and go
ge hit it. Trust me, I ain't done done. I
could be cold aka wider v or white widow. Either way,

(01:50:19):
you don't want no problems when you ride with me.
I'm riding clean. My girl is fine, but not our
Barbie Dale nor a cartoon. She says, I have no feelings,
but I'm a thriller that shows no mercy and Mercy's
what's going on? Is this Allan on the track or
K Cooper?

Speaker 2 (01:50:39):
No, this is Texas.

Speaker 76 (01:50:41):
No, I hate you even though you make me feel
like a little life of signing out for this is
the set hit. I am the dedicated one, DJ Versatile
aka Drazy of Dres Radio Cafe, and you just witness
greatness in the one of all the tracks on the syndicate,

(01:51:02):
Volume two.

Speaker 18 (01:51:03):
Shout shout out.

Speaker 76 (01:51:04):
To Miss Fabulous Lyrics, MC, the co Allions, Young Prominence,
Josh Evans, Asher Pike Lady, Miss Misery and Iland on
the Track, Randy Hitch Wave, King's Card Cartoon, Noriegata King,
the one Hand Producer, K Cooper, Little Life for Myself,

(01:51:26):
my Money, Matt and anyone I missed, and your host
for this project, Customs and twenty five to Life Records.
This is Drake c ind and I'm out of here.

Speaker 2 (01:51:37):
Let's get it cracking.

Speaker 31 (01:51:39):
Let us go, Yeah yeah next. You got that Tracy
feature in Tim Hill with that.

Speaker 5 (01:51:48):
The R two got my blood all.

Speaker 39 (01:51:55):
Feel that and y'all just less than my blood.

Speaker 21 (01:52:00):
I'm about to change the game.

Speaker 4 (01:52:01):
I'm go ahead, player break show, self each morning.

Speaker 2 (01:52:06):
I put a watch on just to keep up with timing.

Speaker 22 (01:52:08):
The ball up block.

Speaker 2 (01:52:08):
It's going to shapey just to keep me from shining.

Speaker 44 (01:52:10):
I know they no better, but got a whole note bruh,
postuff and be I me with my gi mean of
bad little attitudes. Move swing only make my fan want
to do some real bad things like snatchal chicks.

Speaker 5 (01:52:22):
Keep me your with pick up a six.

Speaker 4 (01:52:24):
Have you looking for the gap while she get brace
of this cause bring her back?

Speaker 2 (01:52:27):
Let you kicks on her left, shaking and telling you
how she's been a real freak.

Speaker 7 (01:52:31):
Gleatly.

Speaker 44 (01:52:32):
You know you ain't gonna bright Damn well, ain't the
last player. I ain't mate, just reacting to a fast
Yeah wants.

Speaker 21 (01:52:38):
Me, Yeah, I'll see you.

Speaker 82 (01:52:39):
Ain't me riding big body?

Speaker 44 (01:52:41):
I can see me on some dates, b can't I
say no, bro, I'm just a thug by nature. Love
keeps me shackled. There's a way I can hate something.

Speaker 4 (01:52:48):
Dedicated to the player.

Speaker 77 (01:52:49):
I hate to seeing me ride with you and they
were letting it slid seeing nigga die.

Speaker 31 (01:52:53):
Players can't have.

Speaker 44 (01:52:54):
Ship without niggas acting like miss just so Wama saying
the hood It's like I'm a bad biggas cannot have
a roll like hell, aw, can't I roll our bigga boy?

Speaker 27 (01:53:02):
That man?

Speaker 21 (01:53:02):
Hello, can't I stand.

Speaker 4 (01:53:04):
Not about the grass?

Speaker 83 (01:53:05):
Hello?

Speaker 22 (01:53:06):
Well? Why we at it?

Speaker 8 (01:53:07):
And your niggas hell.

Speaker 27 (01:53:08):
No are you?

Speaker 4 (01:53:09):
Sare you camunition?

Speaker 81 (01:53:10):
Me and my nigga's axing no competition this and that
brother in the stock sweet with position, leaving.

Speaker 21 (01:53:15):
Them wishing that cease fire.

Speaker 18 (01:53:16):
That I three ti nigga.

Speaker 81 (01:53:18):
You can't stop me because I'm a live Why instead
of the busting niggas heads with no discussions, some niggas
stuff busting.

Speaker 21 (01:53:24):
I can't help with your girl's brushing suspicions and leussen.

Speaker 81 (01:53:26):
Gotch you deep and concentration. Envision me exciting your girl
with penetration, section with relations doub letting your girls. She
can fight the feelings. She's felling the Bible, loving the
way a nigga spitting home. Man, how you're living, you
must not be living like niggas.

Speaker 2 (01:53:39):
If you want my nigga, I wouldn't be following with cheese.

Speaker 4 (01:53:41):
Nigga.

Speaker 2 (01:53:42):
Believe me, your mother feels.

Speaker 42 (01:53:43):
Like she needs me.

Speaker 81 (01:53:44):
He's a die piece and bidom make love to a
real She and your broad chows me so true to
your local station.

Speaker 18 (01:53:49):
Call them up and relate your player.

Speaker 5 (01:53:51):
I hate and JEDDI can Jaddy can't I hate to
seeing me rhyme.

Speaker 2 (01:53:54):
Wish you nig would laugh when it fly.

Speaker 27 (01:53:56):
See your nigga.

Speaker 44 (01:53:57):
Die les can have ship whit out niggas acting like that?
And so I'm a say in the other hood, it's
like math figgas.

Speaker 5 (01:54:02):
Can I have a roll like hell off?

Speaker 21 (01:54:05):
Can't I roll up bigging about that man's Helloa?

Speaker 77 (01:54:07):
Can't I extend about a grand Hello?

Speaker 16 (01:54:10):
Well while we at it?

Speaker 4 (01:54:11):
Can y'all not just hell though?

Speaker 5 (01:54:13):
Okay you still don't get it?

Speaker 2 (01:54:14):
Let me break it down lightly.

Speaker 44 (01:54:16):
I really don't care if you haters don't like me.
I'm still Doug, that laid back, wound, cool and crazy.
Show up represent grab a chicken, be sweating. You can't
put your with a white ice wriss fan. We're stuck
up a brand with a whipp on my hands from
trim go withm what grain candy paint, bowling ball? Look
warm with you girl that want to faint?

Speaker 18 (01:54:34):
I can see it in your eye.

Speaker 44 (01:54:36):
Lady, you're still mad at me? You better check your down.
I think she got some wet paties more?

Speaker 31 (01:54:40):
Can I say I got game?

Speaker 18 (01:54:41):
Please check my family?

Speaker 21 (01:54:43):
In fact, they gonna tell it if we don't give her.

Speaker 4 (01:54:45):
Damn, it's a shame.

Speaker 2 (01:54:46):
You're the Do you want to be like Mike or
be like Ike?

Speaker 22 (01:54:49):
To me?

Speaker 5 (01:54:49):
You act straight up type?

Speaker 4 (01:54:50):
Oh well, what can I say?

Speaker 2 (01:54:52):
This game on end with en?

Speaker 16 (01:54:54):
I mean like you tell me?

Speaker 21 (01:54:55):
Who needs friends?

Speaker 4 (01:54:56):
Dedicated to the player.

Speaker 77 (01:54:57):
I hate to see me ride wish you and they
were letting mis lives getting nigga die.

Speaker 44 (01:55:01):
Players can't ship without niggas actually like that this, So
why am I stay in the other hood?

Speaker 4 (01:55:05):
If like I'm a math niggas?

Speaker 18 (01:55:06):
Can't I have a roll like?

Speaker 4 (01:55:08):
Hell off?

Speaker 21 (01:55:09):
Can't I roll up big about that being Hello?

Speaker 44 (01:55:11):
Can't I extend about.

Speaker 25 (01:55:13):
A grand Hello?

Speaker 22 (01:55:14):
Well?

Speaker 26 (01:55:14):
While we at it?

Speaker 5 (01:55:15):
Can y'all nigga?

Speaker 51 (01:55:16):
Hell though?

Speaker 76 (01:55:17):
Amount Chamelion, I appreciate the big player. Yo to my
cartail family. That's a west him Daddy, little Land, Shorty,
Chase and my rod dog Charlotte ps in in the
you know what's up there? We're gonna run this two
K two, ain't no game change?

Speaker 31 (01:56:02):
Yell next you got me? I get my flow?

Speaker 84 (01:56:25):
My poll so high when I blow up my pole
so high when I blow up my foot was sketchy,
never sketchy.

Speaker 13 (01:56:42):
When I'm rapping, I trouble like it's high when I
sup Donkey Dog and I'm coming from the West. Don't
need to test my skills. And I'm a second fan
like the blue Cold Hills has eyes, So don't ask
for brads. What you see me doing my thing, I
fust it out. You will give me trade what, but
I ain't trying to fund it like Uncle Buck.

Speaker 21 (01:56:58):
I want a big musci true.

Speaker 2 (01:57:00):
Put the booy sound to shiek the ground like earthspoted,
to make noise.

Speaker 5 (01:57:03):
To wake you up.

Speaker 2 (01:57:13):
My full so high when I blow up my foe
saw high.

Speaker 5 (01:57:20):
When I blow up.

Speaker 13 (01:57:26):
My rap cool as hard as like a trap house.
As I slapped the strap spood like I was hurt
the least my inky is tight, So check out these.

Speaker 4 (01:57:34):
I played the battle to grill like.

Speaker 2 (01:57:35):
I was in a war zone, and my parents.

Speaker 3 (01:57:37):
Never raised no fool, So I keep it so cool
like your long school vicar and the hippop.

Speaker 18 (01:57:42):
I won't be.

Speaker 2 (01:57:43):
Sid until I couldn't go my way to the time.

Speaker 84 (01:57:55):
My full so high when I blow up my phoe
saw high when I blow up. So if you said
back down and drown in this industry, it's not a.

Speaker 18 (01:58:12):
Joke at all.

Speaker 2 (01:58:13):
And I smoke the microphone just like mar.

Speaker 14 (01:58:15):
Why don't you get high on Mars.

Speaker 13 (01:58:17):
I got barred for days with these browns that I
come up with, and I find myself forty nine stop
in the lab.

Speaker 2 (01:58:24):
So I grabbed my posts together, like Hope the podcast.

Speaker 13 (01:58:27):
That I come up with, and I'm plucking wind to
heart on everybody in the game like I was Brandy's Savage.

Speaker 84 (01:58:42):
My phoe saw high when I blow up, My Phoe
saw high when I blow up.

Speaker 21 (01:59:03):
You already know who it is when you hear that
roll up. It's your boy. Four one Folk Day, the
soul of the Streets.

Speaker 85 (01:59:09):
October twelfth, Central Standard time, seven pm. Check in with
your boy, and i'ma be discussing the new us that
got coming out of Love Games too, the new singles
I got coming up.

Speaker 21 (01:59:22):
And the subject matter would be social media Captain Lema
Be locked in with my own girl, dj Dsky, the world.

Speaker 44 (01:59:30):
Winning DJ d Ski and the one handed producer doing
what y'all can't do with two hands.

Speaker 21 (01:59:36):
The boy know where y'all get a kid.

Speaker 85 (01:59:39):
Once again October twelfth, seven pm Central Standard Time, and
if you need any interviews or commercials, get up with
dj D no more than twenty five dollars to get
you plugged in.

Speaker 4 (01:59:53):
Roll love.

Speaker 44 (01:59:58):
Need you O my time, you my trug, you my drum?

Speaker 21 (02:00:03):
Yeah, say don't you brother?

Speaker 4 (02:00:07):
Letty come, let it come.

Speaker 18 (02:00:12):
Roller problems on your brown.

Speaker 21 (02:00:15):
Just don't find get your side, Joe.

Speaker 16 (02:00:21):
You know you something like a vine.

Speaker 4 (02:00:24):
I can't lie.

Speaker 22 (02:00:27):
No loud.

Speaker 18 (02:00:59):
Yeah, y'all.

Speaker 30 (02:00:59):
Listen to move stylens a t yo h p a
k A new yagat kids. I told you I was
coming back with another one. He would go get beat yeah,
m h.

Speaker 28 (02:01:22):
M hmmm.

Speaker 63 (02:01:32):
Mm hmmm.

Speaker 32 (02:01:35):
Hm you would go get beat yeah, h.

Speaker 63 (02:01:45):
M hmmm.

Speaker 5 (02:01:55):
Yeah, y'all.

Speaker 30 (02:01:55):
Listen to this move styles of t yo h p
a k A Newer Yaga King. I told you I
was coming back with another one. He would go get
beat yeah, h.

Speaker 62 (02:02:19):
M hm.

Speaker 18 (02:02:23):
Hm yeah, y'all.

Speaker 30 (02:02:31):
Listening to this booth styles of t y O h
P a k A.

Speaker 2 (02:02:34):
Where ye are a kid?

Speaker 30 (02:02:35):
I told you I was coming back with another one.

Speaker 22 (02:02:37):
He would go get beat. Yeah.

Speaker 18 (02:02:59):
Yeah, y'all.

Speaker 30 (02:02:59):
Listen to move stout as a t O HP aka
Yet the kid I told y'all was coming back with
another one. When you go get beat, Yeah.

Speaker 85 (02:03:22):
You already know who it is when you hear that
roll up, it's your boy. Four one Folk Dank the
soul of the streets. October twelveth Central Standard time, seven pm.
Check in with your boy, and i'ma be discussing the
new news guy got coming out, Love games too, the
new singles I got coming up, and the subject matter.

Speaker 21 (02:03:43):
Would be social media.

Speaker 85 (02:03:44):
Captain Lema be locked in with my own girl, dj
D Ski, the world winning dj D Ski and the
one handed.

Speaker 44 (02:03:52):
Producer doing what y'all can't do with two hands. The
boy know where y'all get a kid.

Speaker 21 (02:03:58):
Once again.

Speaker 85 (02:03:59):
October twelve, seven pm Central Standard Time. If you need
any interviews or commercials, get up with dj D No
more than twenty five dollars to get you plugged.

Speaker 18 (02:04:11):
This Roll Love book.

Speaker 4 (02:04:15):
Yeah, did you wote my son?

Speaker 44 (02:04:19):
You my trum?

Speaker 6 (02:04:21):
You my drug?

Speaker 4 (02:04:22):
Yeah?

Speaker 27 (02:04:25):
Say ye?

Speaker 4 (02:04:25):
Don't you from daddy come Daddy comes.

Speaker 18 (02:04:31):
Roll Love problem?

Speaker 16 (02:04:33):
So yo, Mom, just don't file.

Speaker 86 (02:04:36):
It's your time, Joe. You know you something like a
vibe I can't live Yeah, So Love.

Speaker 31 (02:05:21):
One Folk Dan't waking back.

Speaker 18 (02:05:23):
Let's go.

Speaker 2 (02:05:26):
Gotta think the board when I wake up.

Speaker 21 (02:05:29):
Put the light of some of my bead.

Speaker 44 (02:05:30):
Then I wake up. You gotta think the board when
I wake up. It's devils out here saying prayed up.
Everybody wanted to kill a put it on live the block.
Hot jorties can't play outside when they killed did reil
last day y'all cried though my action sain't perfect.

Speaker 21 (02:05:50):
Lord knows I tried jealousy.

Speaker 44 (02:05:52):
It should be your first degree feathery, mister politician.

Speaker 18 (02:05:56):
Nine, buying what you're selling me?

Speaker 85 (02:05:58):
God beg me fore before, can't the damn thing change?
Democrap Republican shit?

Speaker 44 (02:06:03):
It saw the same gang lea put me again in
the box to get the job, and maintained trying to
raise your sun right, bud, he claiming gang gas joke
the hot, the pain, but sometimes I feel the tras
rap a drinking smoke.

Speaker 21 (02:06:15):
Think it ghost like a little saying put you when
the box, getting the.

Speaker 44 (02:06:19):
Job, and maintained trying to raise your sun right, buddy,
claiming gang gas, Think before before, ain't a damn thing changed?

Speaker 21 (02:06:27):
Joke to hot the pain, but sometimes I feel the drain, bro,
Thank the Lord, whin I wake up, put the lighter
to my weed.

Speaker 12 (02:06:34):
Then I bake up.

Speaker 44 (02:06:36):
Drink Gotta thank the Lord. Whin I wake up, it's
devil's out. He'll stayed prayed up. Gotta thank the Lord.
Whin I wake up, put the lighter to my weed.
Then I bake up. Bro, Gotta date the Lord. When
I wake up, it's devil's out. He'll stayed prayed up.
Gotta think the Lord whin I wake up, Put the

(02:06:59):
lighter to I weed. Then I wake up God, and
thank the Lord when I wake up. It's that's how
he had stayed prayed up. God, and thank the Lord
when I wake up.

Speaker 18 (02:07:13):
From no.

Speaker 44 (02:07:15):
God, and thank the Lord when I wake up. Brod Wow.

Speaker 83 (02:08:00):
To have your own family, I want you to think
about that for a moment. Forget the millions, the supercars,
the status.

Speaker 39 (02:08:09):
What about.

Speaker 83 (02:08:13):
Your bloodline, your legacy. Have you ever truly stood still
and thought about creating life?

Speaker 82 (02:08:21):
There's only one thing I need, and I wanted it
since I was a kid.

Speaker 39 (02:08:26):
I want a family. A family that's.

Speaker 4 (02:08:33):
Not long ago.

Speaker 83 (02:08:35):
I became a father and it broke me. I thought
I was ready, I thought it was strong. But nothing
prepares you for what happens when you hold that tiny,
fragile life in your hands. You see, fatherhood is in
some fairy tale about galloping in the park and cute smiles.

Speaker 39 (02:08:57):
No, it's raw, it's bru it's confronting.

Speaker 83 (02:09:02):
Because all that on my masculinity and every male stuff,
it doesn't mean a damn thing.

Speaker 39 (02:09:07):
When your baby takes a crap on you.

Speaker 83 (02:09:10):
Listen, that small, fragile, little baby will shatter every illusion
you have about yourself. Your child forces you to look
in the mirror and see everything you've avoided. You will
see your own childhood, your own father, and you can't run,
you can't hide. Now you may not understand what I mean,

(02:09:32):
so let me explain.

Speaker 39 (02:09:35):
All my life.

Speaker 83 (02:09:36):
I believed in killing the boy to become the man.
The masculinity world loves that phrase, kill the boy to
become the man, and I lived by it. I buried
the boy I once was a long time ago, and
I took a piss on his gray. But when I
became a father, something changed. One day I was playing

(02:09:58):
with my baby, when we were having a good time,
but then I heard a voice. It was in loud,
but it was there, a whisper from deep inside.

Speaker 5 (02:10:08):
Why not me.

Speaker 39 (02:10:10):
Why didn't I deserve this?

Speaker 83 (02:10:12):
It was my inner child, the boy I thought I
killed long ago, the boy who was abandoned by his
own father, The boy who never had a man to
show him the way or even believe in him, The
boy who learned too early that he was all alone
in this world. I tried to silence him. I told
him to shut up, to be quite. This isn't about you,

(02:10:37):
I said, don't take away from my child. But no
matter how hard I pushed him away, he was there.
Because that's what fatherhood does. It forces you to look
in the mirror, not just as the man you are,
but as the boy you've been running from. And in
that moment, I realized something. You can't kill the boy

(02:11:00):
because he's part of you. Every wound he carries, every
fear he buried, every tear he shed. He's been waiting
for you, waiting for you to stop running, waiting for
you to look him in the eye and say I've
got you.

Speaker 27 (02:11:14):
Now.

Speaker 83 (02:11:15):
That's the hardest part of fatherhood, not just being shown
for your child, but being strong enough to confront the
boy inside you, because until you heal him, you'll never
be whole. And until you're whole. You'll never be the
father your child deserves. Listen, the entire masculinity world was wrong.

(02:11:36):
You cannot kill the boy. For decades, I've hitted my
inner child. I thought i'd buried him, but he was
always there waiting. The reason I'm sharing this is because
I know most of men trying to kill their inner child.

Speaker 39 (02:11:52):
You might be one of.

Speaker 83 (02:11:53):
Those men, and you may not even be aware of it.
Maybe you're ashamed of the boy you once were. Maybe
you despise him for being weak, so you pretend he
doesn't exist. You bury him, you try to forget him.
But here's the dark reality. When you hate your inner child,

(02:12:14):
you hate a part of yourself. Take a moment to reflect.
Have you been trying to bury your inner child. You
don't have to wait until fatherhood to forgive and be
there for your inner child. The boy inside you isn't
your enemy. He's the part of you that survive all
those times you felt abandoned, all those moments you were hurt, scared,

(02:12:38):
or unsure of yourself. He's the one who took the
beatings and kept the scars. So instead of trying to
kill him, maybe it's time to meet him to stop
running to look him in the eye and say I'm
here Now, You're not alone anymore. I've got you. When

(02:12:58):
you stop hating him, start healing him, everything changes. You'll
feel lighter, You'll forgive yourself for the mistakes you've made,
and as you heal, something incredible happens. You unlock the
creativity of the boy you once were, the part of
you that dreams without limits. Combine that creativity with the

(02:13:20):
discipline you've built as a man, and you create something unstoppable.
It's not just healing, it's transformation. The boy's creativity the
man's discipline. Together they make you whole. And when that happens,
you'll finally be free to become the man you've always

(02:13:41):
known you could be. That phrase, kill the boy to
become the man, it's a lie. You don't kill the boy.
You heal him, and when you do, you create something
far stronger, a man who is whole, disciplined, and creative.

Speaker 39 (02:13:59):
So don't wait.

Speaker 83 (02:14:01):
Don't wait for fatherhood to show you the mirror, don't
wait for the whispers to get louder. You have the
power to start healing right now.

Speaker 22 (02:14:10):
Now.

Speaker 83 (02:14:11):
This video was a little different. I opened up more
than I usually do because I know this is something
they struggle with, even if they don't realize it yet.
So I want to hear from you. What's your story?
Have you ever tried to bury your inner child? Share
your story and if this message resonated, pass it on

(02:14:32):
to someone.

Speaker 39 (02:14:32):
Who needs it, because we're all in this together.

Speaker 83 (02:14:37):
Remember, you can't kill the boy, but when you embrace him,
you'll finally become the man you've always known you could be.

Speaker 39 (02:14:49):
No before.

Speaker 82 (02:15:01):
Serve the store, I know the don does deepest side.

Speaker 39 (02:15:12):
Weggs, rage, Yson.

Speaker 82 (02:15:17):
Ride, I know Beau, I know the blak, I over fim.

Speaker 6 (02:15:30):
You no.

Speaker 4 (02:15:34):
And no one who comes to find me with.

Speaker 21 (02:15:39):
My time at school.

Speaker 27 (02:15:41):
I know you.

Speaker 6 (02:15:45):
I know you. Wow.

Speaker 87 (02:16:37):
Oh yeah, buddy, congratulations far from we and many blessings
to you and your new addition to the family.

Speaker 27 (02:16:55):
Yeah.

Speaker 31 (02:16:56):
So, if you got music to you play seriously and
you seriously know.

Speaker 38 (02:17:02):
That you need heavy rotation, send it to Boss Lady
ninety five eight ninety five at gmail dot com.

Speaker 31 (02:17:11):
And oh don't forget your sponsor, Drazy d R e
z E y two one at yahoo dot com. And
that's really all I have to say, Good afternoon, morning
and email. We'll see yours up next show peace.

Speaker 5 (02:17:31):
We are now transferring me to your customer CARORAC.

Speaker 21 (02:17:34):
Bring you close the line, I mean we will happiest
called at Penism.

Speaker 22 (02:17:37):
Make me for you will.

Speaker 5 (02:17:39):
By the way, you're sure you're getting great service and
your call maybe recorded or monitor