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Episode Transcript
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Speaker 1 (00:14):
You already know who it is when you hear that
roll up, it's your boy for one folk day, the
soul of the streets. October twelfth, Central Standard.

Speaker 2 (00:23):
Time, seven pm.

Speaker 1 (00:25):
Check in with your Boy and i'm'a be discussing the
new news guy got coming out, Love games too, the
new singles I got coming up, and the subject matter
would be social media Captain.

Speaker 2 (00:37):
And im'a be locked in with my own Girl.

Speaker 3 (00:39):
Dj DS, the world winning dj.

Speaker 4 (00:41):
DC and the one handed producer doing what y'all can't
do with two hands.

Speaker 3 (00:46):
The boy know where y'all get a kid.

Speaker 1 (00:50):
Once again, October twelfth, seven pm Central Standard Time, And
if you need any interviews or commercials, get up with
dj D No more than twenty five dollars.

Speaker 2 (01:01):
To get you plugged. This from a roll Love from
a bud?

Speaker 3 (01:06):
Yeah, did you wont my song? You my trum?

Speaker 2 (01:12):
You my drum?

Speaker 1 (01:14):
Yeah saying yeah, don't you from Daddy comes Daddy comes Roler,
problems on your mom? Just don't Bob gets your time? Joe,
you know you something like a vine? I can't lie? Yeah,

(01:37):
don't love.

Speaker 2 (02:08):
You're your body?

Speaker 1 (02:08):
Y'alla side ipp bottom, let me fight in. I'm gonna
work it all night. You the type of bitch your
life you will, Lessi, you'm'a dye. Down them chippy sitting right.
I'm gonna work it all night. You the type of
bitch your life. You're your body y gotta.

Speaker 3 (02:19):
Side that a bottom. Let me fight it.

Speaker 2 (02:21):
I'm gonna work it all night.

Speaker 5 (02:22):
You.

Speaker 1 (02:23):
The type of bitch your life you will, Lessie, you'm'a dye.
Don them tivvy sitting right. I'm gonna work it all night.

Speaker 2 (02:28):
You the type of bitch you'all mine. You wanna bow.

Speaker 1 (02:30):
Down that boy swow drop it low woman eating like
a tissi roll. You wanna roll stuff and nose and
your coucie hole. We dropped the low spind the dough
with the coochie stove. Your onnly fans about to bring
us by nine hundred bands. Take off your pants to
get dance for them in the trans twenty grand separated
by them rubber bands serving on the fifth blow call me,
brother man, some of the shit. Play your role, Danny

(02:51):
Glover man. Go get her around like super pot. You
a rubber man.

Speaker 2 (02:55):
Hit the drow.

Speaker 1 (02:56):
Come in flow me like a cover man. I'm in Miami.
But the heat Chimmy, she got my favorite throng. So on,
I'm gonna rip him off, make a mess so on
that pussy, then I'll look it off. Made it bad
for me, maybe trying to trick it off. Nfield second half,
about to kick it off. Hit the droke, Come and
blow me like a cover man. I'm in Miami with
the heat. Jimmy Butler Fair took the chick.

Speaker 4 (03:17):
Play your role, Danny Glover man gonta get him a
round my tooth pot he was a rubber man.

Speaker 1 (03:22):
So much ass, send them jeans. Can you drop big
please hold over wo drank? Then we got to leave
so much as send them jeans. Can you drop big
please bull over on Moore drink. Then we got you
to leave ro love her, your body out of sight
and I'm gonna bottom.

Speaker 3 (03:35):
Let me by it.

Speaker 2 (03:36):

Speaker 4 (03:37):
And you the type of bitch if you would lest he,
I'm a'a die damnm titty sitting rind.

Speaker 3 (03:41):

Speaker 1 (03:42):
You the type of bitch I like, get your body
out of side that go bottom, let me fight it.

Speaker 2 (03:46):

Speaker 1 (03:48):
You the type of pitch I like you would lest
he i'm'a die d n them titty sitting rind, I'm
gonna work it all night.

Speaker 2 (03:53):
You the type of pitch I.

Speaker 3 (03:54):
Like brom you the only world then then I love kid.

Speaker 1 (04:33):
Looking like a pleasant from a bird from a bird
A kid, You the only world that then I loved,
feeling like a pleasant from a bird from a bird.

Speaker 3 (04:53):
Kid, you the only one that I love that I love. Uh.

Speaker 1 (05:00):
Yeah, season like a blessing from a book from a book.

Speaker 3 (05:08):
Yeah, need you wrote my tongue, you my drug?

Speaker 6 (05:14):
You my drug?

Speaker 1 (05:15):
Yeah saying don't you brother lady come letty come. Yeah,
problems on your mind. Just don't vibe. It's your time. Yeah, Joe,
you know you something like a vibe.

Speaker 3 (05:36):
I can't lie. Yeah, Roller, you the only one that
I love that I love.

Speaker 1 (05:45):
Yeah, looking like a blessing from a book from a book. Okay, Roller.

Speaker 7 (06:00):
O god.

Speaker 8 (06:16):
M'na rom no.

Speaker 3 (06:36):
Shaddy.

Speaker 1 (06:36):
Get you something you can smell to hang you with
your friend. You get broth the one in the air
like a slow pops Taddy. Get your sum and you
can smell Toody.

Speaker 3 (06:49):
Get your son and you can so to.

Speaker 9 (06:51):
Pop you hang away your friend.

Speaker 1 (06:53):
You get broth Bro the one in the air like
a so sop haddy to me. You can smoke to Hoddy.
Give you something you can smoke to. Riding in that
old school money like an old running up a check
God regrets to think my old moving bounce or so too.

Speaker 3 (07:13):
I can never owe you.

Speaker 2 (07:14):
I don't talking about it.

Speaker 3 (07:16):
Yeah, ain't.

Speaker 10 (07:16):
Now they have to show you, baby, I can vot you.

Speaker 3 (07:19):
We gonna bring up go through my.

Speaker 1 (07:21):
Coco reps rappers, that new road to my super stretsman
never speak over.

Speaker 3 (07:26):
I go through Hotty. Give you something you can smoke
to your friend? You give Ro like it's so so.

Speaker 2 (07:38):
How they give you something you can smoke to. How
they give you something you can.

Speaker 11 (07:43):
Smoke to.

Speaker 2 (07:45):
Your friend?

Speaker 12 (07:46):
You give Ro.

Speaker 9 (07:48):
The one in the head like it's.

Speaker 3 (07:50):
So so, something you can smoke to from.

Speaker 1 (08:05):
Gotta think the Lord when I wake up, put the
light of to my feed.

Speaker 7 (08:09):
Then I make up.

Speaker 1 (08:11):
Gotta think the Lord when I wake up. It's de
gos out here, say pry up. Everybody wanted to kill
a op put it on lie the block. Hot chorties
can't play outside When they killed Diverail last day, y'all
cried though my action saint perfect Lord knows I tried
jellousn should leave your first degree feathering me, mister politician.

Speaker 2 (08:34):
Nine buying what you're selling me.

Speaker 13 (08:37):
Bake me vote with folks.

Speaker 4 (08:38):
Ain't a damn thing change dem But crack Republican should
have saw the same gang lead and put me again
the box to get the job, and maintained trying to
raise your sun.

Speaker 1 (08:47):
Right but he claiming gang gas, jump to hot the dame.
But sometimes I feel of track, grab a drinking smoke,
think it ghost like little saying, put you when the box,
get the job, and maintain trying to raise your son.
All right, buddy claiming gang gas. Thank mefore with folk
ain't a damn thing changed joke to hide the pain.
But sometimes I feel a drain ro lod. Thank the

(09:09):
Lord when I wake up. Put the lighter to my weed.
Then I bake up dream Gotta thank the Lord. When
I wake up, it's devil's out. He has stayed prayed up.
Got to thank the Lord. When I wake up. Put
the lighter to my weed. Then I bake up from
Gotta thank the Lord. When I wake up, it's devil's out.

(09:32):
He'll stayed prayed up. Gotta thank the Lord when I
wake up. Put the lighter to my weed. Then I
bake up. Got to thank the Lord when I wake up.
It's Devil's out. He has stayed prayed up. Got to
thank the Lord when I wake up.

Speaker 6 (09:51):
From love.

Speaker 2 (09:53):
Gott to thank the Lord.

Speaker 13 (09:55):
When I wake up.

Speaker 3 (10:00):
Li wo ah mm hmm, don't.

Speaker 10 (10:22):
Be acting shout out.

Speaker 12 (10:24):
Broke up.

Speaker 3 (10:42):
Roma.

Speaker 14 (10:46):
While you legging back, put your legs and then you
ain't playing and fat trying to look take is that
while you legging that, put your legs and there you
ain't playing you fair try to look say get there,
but you leg.

Speaker 15 (11:04):
Trying to take that, trying to take the chill legs
and there trying to take is that trying to take?

Speaker 7 (11:14):
Get that bro now?

Speaker 13 (11:16):
But she give me shot?

Speaker 9 (11:17):
It be slot.

Speaker 1 (11:18):
She don't want to not going deep and that thing't
be sweet like a donut shot got me YadA spot
posted it up like don't own a block nod too.
I ain't got no hope your mom on eat top
cream mother crop got that WoT. I'm gonna need a
mock pussy hot and my dick gonna rock you gonna
make it pop.

Speaker 4 (11:38):
She my pot, she my little top. He on the
yacht freeing want the dick when out hit had to
make a watch. When she give me chop it be sloped.
She don't want to knock.

Speaker 13 (11:49):
Go with deep man.

Speaker 1 (11:50):
That thing't be sweet like a donut shot got me
you had a spot, posted it up like I'm on
the block, lied to. I ain't got no help you
my only die green mother crop got that pot. I'm
gonna need a mot pus see hot and my dick
one rock. You gonna make it pop? She my pop,
she my little top he or wrong he got freeing

(12:12):
want to get when I hit had the medical bocky
sveg and put your legs into you ain't playing and
trying to take it that when your leg and that
put your legs and you ain't playing Why because you
ain't fucking know me? Yell you wain't been bag and

(12:35):
god cause who been loveing know you? Because you ain't
loving know me?

Speaker 6 (12:45):
See you and as.

Speaker 1 (12:51):
Baby, you ain't acting right. Make me lose my appetite.
None of them host did to catch me in that afterlight.
I guess I lost my pippin touch. Maybe you ain't
nacking right, just got a head dumb pulling nothing trash
to knight. Never been the flesh she dude, but bringing
nothing rats to night. Girl, never gave you here. She
liking on my saf to knight. Had to put them
chevyes up, taking nothing last to night. Shout up to them, Lesbie,

(13:12):
as I'm riding with my strap to knight, said you
was my ride to Doe. Thought you had my back
for life every time she packed a bag. I know
she coming back to night. Yeah, I told a couple lies.
I ain't about to cap the knight. Call me y'all,
y'all wrest cause that pussy getting taxed the knife.

Speaker 2 (13:26):
He said you was my ride to Doe.

Speaker 13 (13:28):
Thought you had my pack for life every time she
packed a bag.

Speaker 2 (13:31):
No she coming back to night.

Speaker 6 (13:32):
Baby.

Speaker 1 (13:32):
If you ain't acting right, make me lose my apple
tight now these hoest did to catch me getting that
after life?

Speaker 9 (13:38):
Who ben fucking on you?

Speaker 13 (13:41):
Cause you ain't fucking on me?

Speaker 7 (13:44):
Girl?

Speaker 16 (13:44):
You ain't been bad?

Speaker 17 (13:47):
Ride up?

Speaker 18 (13:50):
Cause who being loveing on you?

Speaker 13 (13:53):
Cause you ain't loving on me?

Speaker 19 (13:56):
See you and the after life? Fucking fucking.

Speaker 20 (14:17):
What's helping y'all?

Speaker 21 (14:18):
Your girl Lady.

Speaker 20 (14:22):
To award winning Boss Lady Radio show, Make sure y'all
check out my latest compilation album under various artists called
Family Business and don't forget to check us out from
the ground Up Productions. We got a podcast. You can
check us on YouTube, and you can check us on
our own network from the ground Up Productions t V.
And last but not least, can't forget them boss chips. Baby,

(14:45):
that's right. I got my own potato chips out called
Boss Move Chips, and you could go check it out,
go purchase some and get at me and find out
how you could get your face on the chips.

Speaker 22 (14:56):
Peace, we're under your port.

Speaker 20 (15:00):
Yeah, it's about that time we stand up for our people.

Speaker 23 (15:06):
Create.

Speaker 6 (15:07):
Yo.

Speaker 20 (15:07):
They once told me that if you want to be free,
you got America. It's the best place to be from.
When you black, you to talk for NYPD.

Speaker 24 (15:15):
If not that it's just.

Speaker 20 (15:16):
Enough money, more of it the how you getting treated
that in your own country, there's no way out. They
track you down through your security number or maybe even
Michael ships. I just wonder enough for machines and writs, Yo,
how we gonna trust the government. It's funny that they
think we lack intelligence. Yeah, we got enough evidence to

(15:37):
know they've been trying to wipe us out ever since
we how long would they last in not streets? That's
the relevant. Can't understand the place that you've never been,
can't understand it. Can't trust politicians, especially the ones with
some racist intuitions. Watch your backyard man, Listen. I think
I'm ready for the revolution. Mission they get away with
murder if they got a badge and a gun. How

(15:57):
many black mothers you know that laws say, son hockn
name more than one? They stay, freeze, don't run. And
the more cops come in that sit you dead. Twenty
shots to the body, twenty one to the head, forty
one shots. Now your body's filled. Would let if I
had one wish? Hate wouldn't exist. Can't understand the pain
unless you going through this. But there's some cops that
really put their life on the line. And there's some

(16:19):
thults that's really y'all committing the ponds with the crap
that's called the ignorant in the blond and then the
times they will rise. That freedoms in your mind, yeah,
your freedoms in your mind, Come on, your freedoms in
your minds.

Speaker 25 (16:33):
You say innocent, yon think reasonable doubt. But if you're
black in America your bill.

Speaker 20 (16:43):
They once told me that if you want to be free,
that America is the best place to be. But when
you black, you to target for NYPD. If not that
it's just another minority. How you getting treated bad in
your own country. There's no way, y'all. They track you
down through your security number, maybe even mic ol chits.
I just wonder another form of change and whips some

(17:05):
of my people. Y'all gonna make it no better. Y'all
got that slave mentality. I know that we can do better.
Hate to see your own people make it. Instead of
working hard to get shorts, you'd rather take it. You
want no voss, easy working, fast money. You fall right
into the traps for the black stummy to get paid
to sell drugs. And that's messed up. The only time
you were reddit when you locked up. But now it's

(17:25):
too late. You do a bit for what you did.
Now they're telling you when they eat sleeping sho you
get mad when they kill us. But we kill each other,
not fam. You ain't my fam, you my brother. It's
like slavery when you lock behind bars. Trust me, I
know I still got internal scars, So don't ever say nah,
never could be me. Just make sure you move right
and it won't be And Yo, let's say once told

(17:48):
me that if you want to be free, that America
is the best place to be from. When you black,
you the target for NYPD. If not, that just another
minyor of ad How you getting treated bad in your
own tree. There's no way, y'all. They track you down
through health Security number and maybe even Michael Chicks. I
just wonder another former chasing whips.

Speaker 25 (18:08):
It's some city in America even as I speak.

Speaker 20 (18:14):
Some black bodies is big rush under the way of food.

Speaker 25 (18:21):
My police department that seeks to be judge jewelry and executioner.
Or but somebody who gets spected of a crime.

Speaker 21 (18:37):
Yeah, yeah, it's your girl.

Speaker 26 (18:38):
Boss Lady aka Misfabulous aka dj dsky. Tune in weekdays
nine pm Central Sundays at six pm. Just check your
local listings for real times.

Speaker 16 (18:51):
In real time.

Speaker 26 (18:53):
I'm talking about you know, got the part time gigs,
so it might not be every night, but at least
twice a week nowdes radio show. Download the speaker app
search Boss Ladies show for our entrepreneurs, local entrepreneurs worldwide,
nine pm.

Speaker 16 (19:08):
Weekdays, Sundays at six.

Speaker 26 (19:10):
Also catch boss Ades radio show weekdays at nine Sundays
at six pm Central nine pm Central for our local
artists underground artists worldwide. Yes we do support both world wide.
See you in the chat room.

Speaker 6 (19:27):
You and they want to fly.

Speaker 27 (19:28):
They want us week They sounds surrebus when they did speak,
But we slaves when she's tell the princes from the
belly of beasts.

Speaker 2 (19:37):
They tell me lay load play a day, but.

Speaker 3 (19:40):
I'd rather die to live in shame.

Speaker 2 (19:42):
I ain't selling out. I ain't faking death.

Speaker 18 (19:45):
If they come for me, I'm gonna fight to my
last breath.

Speaker 2 (19:47):
It's lock us some cages.

Speaker 27 (19:49):
If it sells compute call it freedom, but we ain't
never been free. Industry folchures tell them.

Speaker 2 (19:54):
The snakes heavy leader.

Speaker 18 (19:56):
We had feel freights from the slick.

Speaker 2 (19:58):
They killed voices that got us through to free. Fight
the truth in the history or not.

Speaker 3 (20:03):
They push the boys and keep us.

Speaker 2 (20:05):
High here repressing.

Speaker 18 (20:06):
They tell us it's our far when we trapped in
the system.

Speaker 4 (20:09):
I see them tricks.

Speaker 2 (20:10):
I read the plans.

Speaker 27 (20:11):
They want to keep us broke. They want to bleed
our hands. But I ain't bowing, I ain't folding. They
fear the day we all wake up and know this,
stand up in this God.

Speaker 5 (20:21):
We ain't letting people take God's mean a field me
a fight.

Speaker 9 (20:26):
They can't stop us swimming. We unite.

Speaker 27 (20:29):
They touch the poor, feed the water, keep us begging
of what they take more, they tell us folk, but
they saw the same, different places, the same damn dang
to kill. The leaders pay the crooks, system, truth free,
frite books make us hate each other.

Speaker 2 (20:45):
You us to fight, fear us the whipping, and they
ain't gonna frite it. But I see the plan.

Speaker 27 (20:51):
I see it shames a new revolution. Finn break the game,
but take it back with sauce.

Speaker 3 (20:56):
The cheap.

Speaker 27 (20:57):
Ain't no more slaves, ain't no more sheep. The news
are scripted. The folks are riggs. They let us fight
while they stack.

Speaker 28 (21:04):
They fixed.

Speaker 2 (21:05):
They on the water, they're on the land.

Speaker 18 (21:07):
They got your soul in the palm.

Speaker 13 (21:09):
Of their hands.

Speaker 10 (21:10):
But what if we flipped it?

Speaker 29 (21:11):
So backing through?

Speaker 27 (21:12):
What if we broke free from the loss we were sold?
No more leaders want paying, no more slaves to the
games they play.

Speaker 25 (21:20):
They try to buy us, try to silence, but we
turn to ride and send the jotteds.

Speaker 2 (21:25):
A million zeep.

Speaker 18 (21:27):
We march the change, no numbers, freak goad names.

Speaker 2 (21:30):
They try to kill pop, try to kill him, try.

Speaker 25 (21:33):
To kill Pocome, make sure we flipp but they throw it,
still burning, the message still loud.

Speaker 9 (21:38):
We take it back with.

Speaker 29 (21:39):
Saus right now.

Speaker 27 (21:41):
He wish for now, say play smart, tell them thank
your death and your coast in the pocket from y'ad.

Speaker 2 (21:47):
Hein't my guy, No, sa ain't though I ain't leaving
just old ladies make.

Speaker 8 (21:51):
My worst drunk.

Speaker 3 (21:52):
They want me God because I speak.

Speaker 18 (21:53):
So loud and stroke the system got them nervous now.

Speaker 2 (21:56):
But I ain't front here.

Speaker 3 (21:58):
I ain't hiding.

Speaker 18 (21:59):
If they put up that we all colidning. If I die,
it's real.

Speaker 27 (22:03):
Ain't no kimmicks, ain't no headlines, ain't no limits. And
if I live, best believe I'm bringing down this house
of greed.

Speaker 30 (22:12):
Stand up, Lasa, senti, Scott, we ain't vill take God lives?

Speaker 2 (22:17):
We a filter, so be a fight.

Speaker 18 (22:19):
They can't stop plus swaying United.

Speaker 29 (22:22):
Stand up Lasa this SENTI, Scott, we ain't.

Speaker 3 (22:26):
We gon take godass me a filter?

Speaker 31 (22:28):
Me a fight.

Speaker 32 (22:30):
They can't stop pus swaying United.

Speaker 27 (23:00):
The news of scripted. The folks are rigged. They let
us fight what they stacked.

Speaker 29 (23:04):
They fix.

Speaker 10 (23:05):
They're on the water, they're on the land.

Speaker 18 (23:07):
They got your soul in the parme of their hands,
the new subscripted. The folks are rigged.

Speaker 2 (23:21):
They let us fight what they stacked, they fix, they're
on the water.

Speaker 33 (23:26):
What they do?

Speaker 34 (23:26):
What it is, y'ad, you know what it is? Season
one Wall say the radio show with them big old
hits on world.

Speaker 6 (23:42):
Let's get it.

Speaker 21 (23:43):
Say what they want.

Speaker 24 (23:44):
They can say what they like.

Speaker 35 (23:46):
They can say say say it gets old in my shop.
I'm alive in the bridge and he's taking them to
take mama, keep.

Speaker 3 (23:54):
Roll roll songs on.

Speaker 9 (24:00):
Tape.

Speaker 22 (24:01):
They can never play me, they can never play We're.

Speaker 13 (24:04):
Just saying, now you can talk out on here.

Speaker 36 (24:06):
You make it thrick to my m publishing.

Speaker 9 (24:08):
What would out there messing with me?

Speaker 36 (24:09):
Here my kids, I'll tell you what's in and in
this I see you creeping a slow piece and you
shiping those years you win't got nothing, and what I
gotta been nonice for years My ship was crazy.

Speaker 3 (24:17):
Your hell, I'm talking about fore bringing spits.

Speaker 9 (24:19):
But you know what, better take your.

Speaker 3 (24:20):
Chances of my life.

Speaker 36 (24:21):
There's a risk I put the middle of my catalog
in the piers and the wind. Mom like taking losses
but never taking the wind. A drink of water, keeping
focused and pass on the head. Remember walking and catching.

Speaker 3 (24:30):
Buses and beggar for listing.

Speaker 32 (24:31):
Were now we texting your gent and you were still
talking ship.

Speaker 6 (24:34):
I hear them.

Speaker 37 (24:35):
Talking, talk and talk. They could keep talk and talk, talk, listen,
say what they.

Speaker 35 (24:45):
Won't take to say what they like they can say,
stay safe, take it all in the shot. I'm alive
and breathing, taking there to take Mama, keep roll.

Speaker 2 (24:58):
So and a baby. They can never play me.

Speaker 36 (25:03):
They can never play baby in the handle is talking
no more? I ignore it, say my name, I ain't listen,
don't even bother to call it up on my game.
But this isn't the hoppy isn't a sport. You might
get cut if you're trying to get in the way.
You're assault swing your pants a weapons, don't make me.
It might went not about you won't diging deep enough
back and with them Ameli yourself. You're giving to her
like on the pig the ass walk. I'm writing, it's
like a list.

Speaker 2 (25:24):
You can put that on.

Speaker 36 (25:25):
God we get to work, while only you'll get to
sleep in the mouth you like mission every year can take.

Speaker 9 (25:29):
Beneath them a book.

Speaker 10 (25:30):
I hear Ramana grown, and.

Speaker 36 (25:31):
Every time I'm speaking the cut, I hear speaking his
pipe dreams and keeping it blunt.

Speaker 37 (25:35):
And now they talking talk and take a.

Speaker 38 (25:42):
Talk.

Speaker 24 (25:44):
Listen, say what they won't take a safe?

Speaker 4 (25:48):
What they like?

Speaker 21 (25:48):
Take a say say say take it all.

Speaker 23 (25:50):
I'm a shot.

Speaker 35 (25:51):
I'm alive and breathing, taken there to take mama.

Speaker 10 (25:59):
So whatever you got, Happy holidays to y'all.

Speaker 39 (26:19):
First off, I want to get shot out to the
amazing award winning Boss Lady radio show. Get shot out
to Dre's radio Cafe. Get shot out to Madal Noriega,
The King four one for a dank.

Speaker 10 (26:34):
You know what I'm saying.

Speaker 39 (26:35):
All amazing artist is all over the globe Man twenty
five A Life Records, Danny Joey. You know what I'm saying.
Global Empire, Oh y'all. You know how we're doing and
were going up baby worldwide.

Speaker 10 (26:49):
Happen in New York. Let's get it. You're feeling salute, y'all.

Speaker 2 (26:55):
Just much to the amazing one.

Speaker 4 (27:04):
Myself when I'm stay for myself and cutting up and
you're doing showing up here from the bottom of the
bench contest that.

Speaker 2 (27:16):
Yeah, the head to the suspect sitting in the checking
the beast so slast.

Speaker 4 (27:21):
Yeah, the way I put it down, jest, want to
put this, I put it back best hits your road
and by the moss and run my rock.

Speaker 2 (27:30):
I would behave y'all hit or not?

Speaker 40 (27:32):
Dog brother God, let.

Speaker 2 (27:37):
Me ask you myself.

Speaker 4 (27:38):
Let me myself said what Let me hit you with myself.
Let me myself when I'm dig that thing that bother baby, Yeah,
you know the work coming to the duty crazy and
my wrap bank from amazing and then find I'm so
hot and the right place and when I put it
in the house offing on that's outside, yeah everywhere. And

(28:01):
the way I do my thing, I'm that it's talking
like a toll. But you know them what's all wround
and they're right. The way that I do it, I
take a big hair right a head. I so love
is completely. Don't he attend? I want the way I
do with him? And let me introduce myself. Let me
introduce myself. Tell let me introduce myself, and may introduce

(28:24):
myself when I'm depressing and that right, no chest a
thing and yeah, this is my special men and a message.

Speaker 1 (28:33):
Yeah, but my thing in time yet the way around.

Speaker 41 (28:37):
Yeah, I'm a sound Yeah.

Speaker 4 (28:38):
I tell yah hated, I've never been better. Yeah, I
need the world wire this great. I know your hate
is hate, so damn like and let me introduce myself.

Speaker 2 (28:48):
Let me introduce myself.

Speaker 10 (28:50):
Say, will you introduce myself?

Speaker 2 (28:53):
That they introduce myself.

Speaker 13 (28:56):
I am up the lit up the street.

Speaker 2 (28:59):
Yeah, the bosses to the writing, the Yeah, take the
pick and listen.

Speaker 4 (29:06):
Yeah, you know I stayed though, you know I stay
fl you know I stay Yeah, Okay, I put it
together like math then the mather class. Let me introduce
myself down, Let me introduce myself. Let me introduce myself.

Speaker 10 (29:20):
Say what let me.

Speaker 4 (29:23):
Put it just Yeah, then take a right m my
son and days the way I do my bank when
I'm doing stick.

Speaker 2 (29:35):
Yeah from the boys, might.

Speaker 4 (29:38):
Time street, the damage from my neck, Yeah, they them
mom there writing, don't climb to do my hand one
take damn and.

Speaker 2 (29:48):
Let me introduce yourself.

Speaker 4 (29:50):
Let me introduce myself and left my coup the hill
and then left them like yeah the cold, Yeah, like
a local mother. Yeah, call me frank action accent satisfaction
marking like a pick me up like a man right

(30:11):
red and then write a number dome. Yeah, let me alone,
let me say it ain't your bread, and then right,
let me introduce myself.

Speaker 2 (30:20):
Let me introduce myself.

Speaker 23 (30:22):
What.

Speaker 4 (30:23):
Let me introduce myself. Let me introduce yourself, my partner,
and then let you know. Then't right? You know the
one so wrong? And then right one and put it
in the boot share right down there, get it get
through out.

Speaker 2 (30:37):
Yeah, to be that end up, it's a great Let me.

Speaker 4 (30:47):
And then right, let me introduce myself. Let me introduce myself.
Why let me introduce myself and then against like.

Speaker 3 (30:57):
Asking me up?

Speaker 2 (30:59):
See all wait on the beach.

Speaker 29 (31:02):
They're right.

Speaker 4 (31:02):
There's the way I thought, y'all, Hey, I do this
ship pee, I gotta be globe. But when not cold
the right, I might run out when I'm the boss can't. Yeah,
and the move and I had some show. Look, let
me introduce yourself. Let me introduce myself. Let me introduce myself.

(31:25):
Let me introduce. Isn't the way that that man?

Speaker 3 (31:32):
Is it the way that.

Speaker 7 (31:34):
Yes?

Speaker 2 (31:37):
Is it the way that last.

Speaker 10 (31:38):
Man press ship?

Speaker 2 (31:41):
I take a look at me now, okay.

Speaker 4 (31:44):
Let me introduce myself. The boss can't let me introduce.
Let's introduce myself. Look, let me introduce myself. Let me
introduce myself.

Speaker 10 (31:57):
Yeah, just let me.

Speaker 4 (32:00):
First, but this is the first can do. Then I
to be that every thing. And they're right one way that.

Speaker 2 (32:07):
You will see put in to lever albolution.

Speaker 6 (32:11):
I thought you.

Speaker 2 (32:13):
See me and I got to wash fla.

Speaker 6 (32:16):
By what he is?

Speaker 10 (32:17):
They're flash.

Speaker 4 (32:19):
Leaf Let me why planning you lose myself?

Speaker 3 (32:26):
Let me.

Speaker 42 (32:29):
Talk.

Speaker 2 (32:30):
But then they.

Speaker 4 (32:35):
Next they're right there right up my name, your money
you know you know that right, and they're right and
you look myself, let me.

Speaker 2 (32:53):
Why clem me and you myself? Let me myself and
the name and say I am the.

Speaker 43 (33:09):
Com'm going look that night you look. Look there that's

(33:29):
with me, living clouds.

Speaker 10 (33:38):
Lacking bess. You have been do you open?

Speaker 6 (33:43):
Yeah?

Speaker 23 (33:44):
My do you know?

Speaker 2 (33:44):
I didn't want your lady's been stuffing. Look I'm what's
back be to me?

Speaker 10 (33:54):
Yeah?

Speaker 4 (33:56):
Yeah, they got ways looks name right and myself clemming
and myself and then includes herself.

Speaker 20 (34:10):
To myself.

Speaker 44 (34:11):
Yeah myself, I want to cut yeah really the cold
the drugs so fly.

Speaker 2 (34:29):
Just a melody coming like yeah all y'all shop leave
me on pool. Yeah you saint. Why y'all y'all made
all of y'all look y'all being the.

Speaker 4 (34:40):
Friends to plan. Don't tail, Norman Bank. It's clear process.
You just want to find clear with me here, Norman Bank,
what the friend is damn right?

Speaker 12 (34:51):
And just do yourself and me including.

Speaker 4 (34:53):
Myself and yourself into myself. Yeah, okay, come yeah, yeah,
my co and the right.

Speaker 10 (35:06):
Yeah we made.

Speaker 7 (35:08):
Oh my god, yeah like that.

Speaker 2 (35:16):
Smokes for you. There'll be a sign. Let's say my crown,
I introduce myself to their home in the Columbia feet
and the.

Speaker 4 (35:30):
Black logic geary streaks because so the bab the godself
and they're right up, so you think, and yeah, let
me get you do myself. Let me introduce myself. Let
me get you do myself. Let me introduce myself. Yeah,

(35:51):
let me get you lose yourself. Let me yourself right,
this is your including that handsome attractive fact into your roish.

Speaker 2 (36:05):
Yeah, can vote total. We want smoking smoke.

Speaker 35 (36:12):
About tea.

Speaker 2 (36:14):
Let me chad thing.

Speaker 4 (36:16):
Let me I'm gonna interest for myself phone, yeah and myself.

Speaker 2 (36:22):
Let me introduce myself. What let me introduce myself. Let
me introduce myself.

Speaker 4 (36:30):
Yeah, yeah, bell lord drop the phone, drunk guards.

Speaker 2 (36:35):
Yet music car Yeah twenty twenty five.

Speaker 4 (36:42):
Myself, I'm gonna introduce for myself every time may float
the boat.

Speaker 3 (36:48):
I got to go.

Speaker 2 (36:50):
Yeah, let me introduce myself.

Speaker 10 (36:52):
Let me.

Speaker 24 (37:00):
Clat though fast roads, clad though.

Speaker 17 (37:05):
Fast lotos Clo fans Lodo.

Speaker 25 (37:10):
West screws not cloud tho fake gladol Fa Road, who
was screw not cloud noo fake goldom fa Roo West
screw not cloud noo fake got tho fame Road.

Speaker 24 (37:22):
The West screwed on not cloud though face lot.

Speaker 25 (37:25):
Not get old down, get not get on down, yon down,
not get hold down, not get not get hold down,
not get down roost screw not cloud though, fas lot
though fans Road who was screw not.

Speaker 24 (37:39):
Clud though fans clouds.

Speaker 25 (37:43):
It's a party going down in the country, paper cut
and they stepping in.

Speaker 9 (37:48):
They pooskin dad baby.

Speaker 24 (37:50):
The country girls got their douce and they bles.

Speaker 9 (37:54):
No country boys.

Speaker 45 (37:56):
Yeah.

Speaker 3 (37:56):
They always salute you, always moon shine.

Speaker 24 (38:00):
Yeah, I got me you panty, I.

Speaker 25 (38:03):
Feel lovely win on mock on that dragon fel that DrAk.

Speaker 24 (38:06):
Everybody's stepp as soon as they heard.

Speaker 25 (38:09):
The sound, And lordy, it's the d they saying, get
on get on, get on, get on us scooteros not
clout no Faith, not fa Road who was scoots not.

Speaker 3 (38:19):
Clout noo, fake got.

Speaker 24 (38:21):
No fro the worst screws.

Speaker 3 (38:23):
Not clout noo.

Speaker 25 (38:24):
Faith got noo fath Road who was screweds, not clout
though face not no not get down, get nott on down,
not get al down, not get not get on down,
not j down le screwno, get out those fags, not
those fans. Road who was scows. I'm clut noo fast.

(38:46):
Can I just see this sign? No party, little baby
party a little bit. We're kicking dirty riding horses. Little
baby us we drinking shirt. She got done on her head.

Speaker 9 (38:58):
You cut your.

Speaker 16 (38:59):
Girls, you would thing they miss legs.

Speaker 29 (39:02):
Be you in the woods here, they.

Speaker 13 (39:04):
Would go down, go down.

Speaker 24 (39:07):
Russell said, we missed that white war.

Speaker 25 (39:09):
That bird wing where everybody stays stepping to the sound
is loud you.

Speaker 9 (39:15):
It's the d J saying get on.

Speaker 25 (39:17):
Get on, get on, get on this spots not Claud
though Faith glad Road who was screwed, Not claud though
Faith glad Roost screw not Cloud though Faith got Road
who was screw not claud though Faith not get down,
get not get down, not get down, not killing, not

(39:39):
get down, not roso, not out though faces not.

Speaker 13 (39:46):
Road was not glad though faint clud.

Speaker 25 (39:51):
Sucking loudado fat Mississippi no easy yella glad knocking lots
it's here to see.

Speaker 2 (40:00):
Got the fan l F l A.

Speaker 3 (40:04):
V A got the fan.

Speaker 25 (40:06):
Down into Jim arkad I JOm ain't good say not.

Speaker 2 (40:11):
Jim down and wisby a.

Speaker 25 (40:13):
Joy blows not cloud thol fan cloudol f blow was
not cloud though fan cloud flodo wist brodo will not
cloud tho fake glad fa broad who was not cloudol
fake glado Godois grow not cloud though fake got the

(40:33):
f broad who was screw not cloudol face cl not
Joon down, not Joe down, not Joe down, not like
Jon down, not down blotost and not cloud though fans
lot tho fan Road who wist not cloudol fan cloudo fan.

Speaker 3 (40:57):
You know trying to reheal.

Speaker 40 (41:02):
Nine same wait in the mounding, Let's get reading the money,
let's go.

Speaker 3 (41:18):
Let's go find so not gone.

Speaker 46 (41:32):
There's something but the speak. Oh girls, Jane, they know
how to do everything. Yeah, they know how to shake it,
they know how to ride. If you we know we
DIGNI says step son party, So baby girl, do your pance?

(42:09):
How you fit that in them pants? I know I'm
a start, but I'm your number one fan. Two steps
to the left, two steps to the right.

Speaker 9 (42:21):
We're going to a party. And then sounds fight.

Speaker 3 (42:33):
Sold night.

Speaker 46 (42:44):
On the scene and we can't we please, we're partying
on that until the freako thing, the puny doll stuff.

Speaker 13 (42:54):
Don't be coming through.

Speaker 3 (42:56):
What are we kick down with?

Speaker 9 (42:58):
The party?

Speaker 3 (42:59):
Week is gonna be a pig.

Speaker 42 (43:08):
I saw that be a big.

Speaker 9 (43:16):
Dance song.

Speaker 47 (43:25):
Dance So mama big pass by the center said, way,
we're gonna steal.

Speaker 2 (43:33):
We're gonna step what saw three?

Speaker 47 (43:36):
Double step step step step step down and get at
a bag man? Bena who women now there still still
step still.

Speaker 2 (43:49):
Come on the half back man man, I say you
a frank.

Speaker 3 (43:53):
Lets go.

Speaker 23 (44:39):
You no listening to the basis.

Speaker 2 (44:41):
Us tests about you a little.

Speaker 34 (44:44):
Too colpus my damny joke, AK eight customs, pay attention,
sit back and relax back excation. You're not rocking when
you're the key. Shout out to boss Y Radio show.
It's twenty twenty five. We up here to elevate and
let's get it.

Speaker 1 (45:07):
You already know who it is when you hear that
roll up, it's your boy. Four one Folk Dank the
soul of the streets. October twelfth, Central Standard Time, seven pm.
Check in with your boy, and i'ma be discussing the
new US guy got coming out of Love, games too,
the new singles I got coming up, and the subject

(45:28):
matter would be social media capa lema be Locked in
with my own girl. Dj DSKI, the world winning dj
d SKI and the one handed producer doing what y'all
can't do with two hands. The boy know where y'all
get a king.

Speaker 2 (45:43):
Once again.

Speaker 1 (45:44):
October twelfth, seven pm Central Standard Time, And if you
need any interviews or commercials, get up with dj d
no more than twenty five dollars to get you plugged
in roll love?

Speaker 3 (46:00):
Yeah, need you Bromo Son, you my drum, You my drum?

Speaker 10 (46:10):
Say, don't you?

Speaker 3 (46:11):
Brother Laddy comes, Letty comes in.

Speaker 1 (46:16):
Roller problems on your mind? Just don't find it's your time? Yeah, Joe,
you know your son like a vine, I can't lie.

Speaker 3 (46:30):
Yeah No.

Speaker 48 (47:07):
When the cloud strikes a tune your way, dscise the
bosses give to slave on the Airblay's loud making dreams fly,
her voice like thunder lighting up the sky.

Speaker 3 (47:24):
Did escape us Late?

Speaker 13 (47:25):
She knows the group turning up your ball.

Speaker 18 (47:29):
Making your heart move.

Speaker 13 (47:31):
The mic soulfire way.

Speaker 30 (47:32):
She's in control. Dsky shows the aultumate go from Sunrise.

Speaker 18 (47:40):
She's just the Midnight five.

Speaker 30 (47:42):
She's the heartbeat giving saw loudshrit stories of power, the
music so gramped. Ddsky's magic is the autumnate brand.

Speaker 2 (47:55):
Did escape us late?

Speaker 30 (47:57):
She knows the groove turning your world, making your heart move.

Speaker 21 (48:02):
The mic solve fire away.

Speaker 13 (48:04):
She's in control.

Speaker 2 (48:06):
Did this is to show steals the goal.

Speaker 18 (48:11):
Purrhythm, feel the things.

Speaker 16 (48:14):
Bros's Lady's voice comes so sweet, but it's life.

Speaker 30 (48:19):
She's gone the fair Diskey's world beyond coome fadda skip,
Boss Lady. She knows her groove turning off your world.

Speaker 3 (48:35):
Making your heart move.

Speaker 2 (48:37):
The mic solve fire away.

Speaker 13 (48:39):
She's in control.

Speaker 2 (48:41):
Did show steals tomate goal?

Speaker 10 (48:44):
Do you es keep?

Speaker 6 (48:45):
Boss Lane?

Speaker 13 (48:46):
She knows her groove turning up your world.

Speaker 30 (48:49):
Making your heart move the mind solve fire away. She's
in control. Did this to show stields and the goal
fill the rhythm, feel the beat. Boss Lady's voice comes

(49:13):
so sweet.

Speaker 18 (49:14):
Plugged into life.

Speaker 30 (49:16):
She's got dough there, Disky's world beyond. Come there, Jusky
Boss Lady, she knows.

Speaker 18 (49:23):
Their group, turning off your world, making your half move
the Might.

Speaker 30 (49:29):
Song, fire Way, She's in control, The Disy Show, Steed out.

Speaker 29 (49:34):
Of the gold.

Speaker 9 (49:50):
Bars, So come join us.

Speaker 3 (50:02):
Today becomes Me's the Bar, The Boss.

Speaker 49 (50:07):
Like Day, twenty Job Weekdays ninety said Cho in Sunday
sixty Tretcho Dello, The Street.

Speaker 12 (50:19):
Around the Search Paust.

Speaker 49 (50:21):
Seties, Batty Out Show, Basady Job, The Bossy Show.

Speaker 29 (50:33):
Yeah yeah, I'm promoted to me what I do don't
know what I do day?

Speaker 17 (50:45):
Yes the job bossdy rety.

Speaker 2 (50:51):
Tu Yeah, Hey guys, you doing this is your boy.

Speaker 21 (51:01):
It's Cola King Line at Lionehouse right now in the
Lions and giving a.

Speaker 3 (51:05):
Big, big shout out to the Boss Lady radio station.

Speaker 2 (51:09):
You already know what time it is.

Speaker 3 (51:10):
I just wanted to do this for her.

Speaker 8 (51:12):
I hope you enjoyed this intro.

Speaker 20 (51:14):
Love you, Boss Lady, Keep doing your thing.

Speaker 30 (51:16):
This is your boys to Cola Lion, Always be real,
always keep it there, Love you guys.

Speaker 43 (51:34):
Yeah, what's some?

Speaker 16 (51:37):
What's some?

Speaker 11 (51:38):
Welcome back to another Boss Ladies Live radio show. Mall
Town war Win It Now It's Spreading Studio sponsorby Boss
Ladies eight and a war Winning dres Radio Cafe aka
the Hangout ak A dres Hey and up next.

Speaker 16 (51:56):
Off the Love app.

Speaker 50 (51:57):
You got Breetown Friday Now twenty twenty five because you
know your herd d Ski gotta rock the house.

Speaker 24 (52:05):
Let's go, Superson Setuple.

Speaker 51 (52:22):
Every Wether I tried to live with him out? Did
you ever know what it's all about?

Speaker 52 (52:30):
Even when I'm down and think I'm going to lose
control music Son, It shows that nothing is impossible, even
when I'm down and think I'm going to lose. Do
you there's no show my emotions? I wrote to True

(52:54):
every Weather try to live with him out music Son,
It shows that enough the knees and possible.

Speaker 51 (53:02):
Everybody did ask me? What will hunt pod speak to
inspire on thesty final Old.

Speaker 53 (53:13):
You've never speak to inspire on high and say in
every single word I speak to inspire on though anything
it season?

Speaker 21 (53:28):
Lee, explain to you, there's.

Speaker 52 (53:30):
No show my emotions, I wrote to True Although anything
it season?

Speaker 21 (53:36):
Lee, explain to you, there's no show my emotions.

Speaker 51 (53:40):
I wrote to True Heavy Weather tried to live with
him out, did you weather know what it's all about?

Speaker 52 (53:50):
Even when I'm down and think I'm going to lose
control music son, it shows that nothing needs and possible.

Speaker 54 (54:06):
Then put then.

Speaker 12 (54:18):
Put the.

Speaker 16 (55:45):
Yeah yeah, not the chap roll with the YouTube channel.

Speaker 11 (55:50):
We got riverside and film or when did you read
the king?

Speaker 9 (55:56):
A k A t r H.

Speaker 11 (55:57):
We shout out little in the building know I'm saying,
and we got like poetry in the building. A k
A more thoughts in the building, be mayo shout out
in Saluta. We got to Ken in the building. Shot
out of Saluda. We got Mulla bred with a circle,
records in the building. Shot out of Salula. We got

(56:22):
but we got trades radio campaign in the building. Shot
out of Saluta. And we got a porter put in
brother pride, the point crown, just make you want to say,
the whole thing is in the people then and majestic,
majestic cause so on U's brother, little shat us to
this show, y'all, to this show, y'all, just get a call.

Speaker 12 (57:05):
Lad faade.

Speaker 24 (57:42):
Free free.

Speaker 12 (57:51):
THATSLF called up the paps of the typist.

Speaker 42 (58:02):
Of the property of the Tiples, the King of the
type of the prop of the l the type of
the private of the pipe of the type of the
paps of the l the typist of the private of
the type of the tips.

Speaker 12 (58:25):
Of the typist.

Speaker 42 (58:27):
The property of the piple, the type of the private
of the tiples with the pap p the pc of
the l of the type of the property of the
type of the papist pip the type of the privacy

(58:52):
of the tiples with the ring of the types of
the typist the proper.

Speaker 10 (59:42):
Happy holidays to y'all.

Speaker 39 (59:44):
First off, I want to get shot shout to the
amazing award winning Boss Lady Radio Show. Get shot shot
to Dre's Radio Cafe, Get shot shot to Madal Noriega.

Speaker 10 (59:56):
The King for one for a day.

Speaker 39 (59:59):
You know what I'm saying, All amazing artist is all
over the globe. Man twenty five of Life Records, Danny Joey.
You know what I'm saying. Global Empire.

Speaker 10 (01:00:09):
Oh y'all. You know how we're doing that. We're going up, baby, worldwide.
Happen in New Year. Let's get it. You're feeling salute, Yeah.

Speaker 17 (01:00:22):
You're still.

Speaker 16 (01:00:28):
I stay fly f.

Speaker 55 (01:00:33):
Step getting around.

Speaker 2 (01:00:37):
Hat the stuff to me like this, Look I say,
I say, let's stay.

Speaker 55 (01:01:00):
Oh Man, pull.

Speaker 7 (01:01:03):
The fly like me one the right care.

Speaker 3 (01:01:08):
Got to tell the fun we call full into the grill.

Speaker 4 (01:01:12):
Back and I said, st fire the straight good it shot.
But I don't take a field much when it pressing.

Speaker 3 (01:01:20):
What did you get out of deep? A?

Speaker 2 (01:01:22):
Really get tipping out of the.

Speaker 4 (01:01:27):
Field in the field put in the tree care right word,
I preturn not a kid the president and don't care
right I do idea a don cout hold on president
in the butter photo from the hose gold can't run
app The question on the play.

Speaker 2 (01:01:45):
Side makes.

Speaker 3 (01:01:52):
As tail.

Speaker 2 (01:02:03):
Let's say, look I got someone.

Speaker 6 (01:02:10):
They're looking at.

Speaker 4 (01:02:11):
Me on the book when I'm pressing the toad there
right got a motel wait to see.

Speaker 2 (01:02:17):
The man in seven nine.

Speaker 7 (01:02:19):
They're right what you go do?

Speaker 6 (01:02:21):
Yoh?

Speaker 2 (01:02:21):
Decided to fund on that side of the life.

Speaker 4 (01:02:24):
You don't steal where I'm the preside and when I throw,
I won't pray cop. They're run as the thing with
a goat bear.

Speaker 7 (01:02:33):
Around a coat cold.

Speaker 4 (01:02:34):
They see I gether froze, yet you prey to fire
head a toe. I prove my play is the way
they like rowsud, my clips and one of my thoats.
They are right down bat when I'm flying and flat
and look at this stop right, never wanting why I stay?

Speaker 2 (01:02:59):
I say, pay.

Speaker 4 (01:03:10):
Badayuk o to hose vert tear by aliment and fun
upon the town.

Speaker 9 (01:03:23):
It fos.

Speaker 2 (01:03:25):
That's what we had.

Speaker 4 (01:03:26):
Lay that on the Couseabriel coat, I'm going coat and
you hear the gay coat there rather thought to take
what pot.

Speaker 2 (01:03:34):
Cooke Gabriel go around to cloak. Yeah, I'm in the boot. Yeah,
they're the truth. I stay, mother.

Speaker 9 (01:03:43):
Say I got the two.

Speaker 16 (01:03:50):
As they fly my room, I'm like the.

Speaker 2 (01:03:55):
No wonder, that's wonder what I say, guy game, they
don't even truck.

Speaker 3 (01:04:02):
I got a hold de back.

Speaker 4 (01:04:04):
You are right, I'm able to wack get it quarter
print up. I can't hunting over.

Speaker 2 (01:04:13):
I hed the queen's head.

Speaker 3 (01:04:14):
And back of w had on planting.

Speaker 2 (01:04:19):
And if you don't help you look at that.

Speaker 4 (01:04:21):
Great great watching a ray Garantine against me.

Speaker 3 (01:04:25):
They can't got nam.

Speaker 2 (01:04:28):
A more black at all.

Speaker 3 (01:04:31):
Way.

Speaker 2 (01:04:31):
The brief wing.

Speaker 10 (01:04:36):
With nab.

Speaker 2 (01:04:42):
Plassen past.

Speaker 3 (01:04:53):
Class.

Speaker 2 (01:04:58):
Look, I'm like he came close. He came down and
I said, there, man, I.

Speaker 4 (01:05:03):
Got a pissed And you said, man, I put it
on every camera here right, and you yeah, so you
think I'm want to play me there right anything, I
don't say, you have the closing the ring and there I've.

Speaker 2 (01:05:21):
Plant the way to it.

Speaker 37 (01:05:23):
I want to pay me.

Speaker 4 (01:05:24):
They're right, I pay tu of this this. I think
I thought thereat a home pool. I'll covid.

Speaker 55 (01:05:38):
Say I got I'm right.

Speaker 7 (01:05:57):
I can tell.

Speaker 3 (01:05:59):
Holding my I ain't a want that you want to
buy it.

Speaker 2 (01:06:02):
I ain't wanted at by.

Speaker 4 (01:06:03):
You know, don't play that joint out his support. He
ain't out the rock limit and you know everything. Everybody
gonna playing this mad jo.

Speaker 2 (01:06:12):
I'm gonna miss. I'm gonna fly to the lady that
this ship wena.

Speaker 3 (01:06:20):
You know what. I'm a drawn. It needs some twenty
apple cord.

Speaker 4 (01:06:24):
Whatever going games you look at, y'll play.

Speaker 2 (01:06:28):
To the raspy.

Speaker 3 (01:06:31):
Everybody he apart.

Speaker 9 (01:06:33):
It is a part.

Speaker 3 (01:06:34):
They cooling that too.

Speaker 2 (01:06:35):
They are pay and I'm for the old soup.

Speaker 4 (01:06:38):
Y'all say, everybody fear pad.

Speaker 2 (01:06:45):
Thro breath thro the thoat and a.

Speaker 4 (01:06:52):
Fly there right when you here, Mama and him, no
better recognize them on the pist and a grass ain't fly.
I ain't a business, said an yeah, don't even traps.

(01:07:13):
Don't try the right.

Speaker 2 (01:07:14):
I'm like okay.

Speaker 3 (01:07:17):
Lng I go.

Speaker 2 (01:07:18):
Yeah, it's numb bad no one. They're right as the
real no father, They're right down to another.

Speaker 56 (01:07:28):
Right points.

Speaker 57 (01:07:30):
I can't don't be cap thereby present, they can't give
it just they are ready met.

Speaker 55 (01:07:39):
They'll have pot there.

Speaker 2 (01:07:43):
What's what big trap.

Speaker 3 (01:07:45):
Like that cow gave Bay State plan.

Speaker 2 (01:08:10):
Yeah, the flat wing believe that.

Speaker 23 (01:08:15):
All.

Speaker 4 (01:08:16):
Yeah, I'm still away on my crowning. Yeah, probably with
the posto se m to like we look and so
the one.

Speaker 2 (01:08:27):
But yeah, I'm trying the farting way. You know what
any plan.

Speaker 7 (01:08:38):
Said say, don't even try.

Speaker 31 (01:08:55):
Okay, just this way.

Speaker 4 (01:08:58):
Yeah right, I'm like, I love this is lit like friends, Okay,
I'm just sit me a bone present told down in
the chelsea. I didn't want it out the baking in
your right called pas like fly.

Speaker 2 (01:09:21):
Nob while you got.

Speaker 4 (01:09:28):
Yeah did that reason with your.

Speaker 2 (01:09:30):
Markets, Alina was the point to the gods.

Speaker 13 (01:09:35):
I fly a flat That's why I.

Speaker 57 (01:09:38):
Charge, I says, when I got yeverything like my love

(01:09:58):
and you.

Speaker 12 (01:09:59):
Know the.

Speaker 2 (01:10:17):
Flowers solos did.

Speaker 16 (01:10:23):
So start having this like yes, you go out the stakes.

Speaker 58 (01:10:31):
Now satim jack or cuckooon you if that one in
my meca, I am you I am you.

Speaker 20 (01:10:45):
Bye bye Joe the careful.

Speaker 9 (01:10:50):
Cause the lava leave.

Speaker 24 (01:10:53):
It would be like a network now have ye and
I gave you I know the war. Oh send me my.

Speaker 59 (01:11:02):
Fa Betty car and not do mab say that they
like a des amity data or meat.

Speaker 58 (01:11:16):
Oh your too, Lati you know any Tony Muni, Johnny Munimo,
motupa a.

Speaker 29 (01:11:26):
Y t daimo.

Speaker 59 (01:11:29):
See me now I'm living happiness.

Speaker 21 (01:11:32):
Lie if you call me no, if you like Cenot like.

Speaker 3 (01:11:43):
This is world, goda be's life on my own life.

Speaker 24 (01:11:54):
Like way they live, you know bay.

Speaker 13 (01:11:59):
From go to elogu song.

Speaker 24 (01:12:04):
It did it got to make him a RANDI war
I know you who I come from?

Speaker 9 (01:12:14):
No joy from my love.

Speaker 24 (01:12:18):
I pram know die.

Speaker 58 (01:12:23):
Ibato Bama Dad and niwani to you and you wan
me to you and you wan me to you. Ibat
Obama Dad, and wan me to you and Newani to you,
Elnwani to you.

Speaker 59 (01:12:43):
See me now, I'm living in happiness.

Speaker 3 (01:12:46):
Lies.

Speaker 59 (01:12:48):
If you call me no time, if you like you
know lie.

Speaker 58 (01:12:58):
This is world, got up use that for my whole life.
Beeny Mobile gave me ryan Is Ship, gave me ryan Isshi,
gave me ran issue game, you lay inship game, you
Ryan issue Auto Sulus dingy beauty.

Speaker 60 (01:13:38):
It's okay, free the summer or the soldier.

Speaker 26 (01:13:55):
Excuse me, but you know twenty five got some weird
stuff on this heady stuff going up, this height, stuff
going up. So we're gonna hardest for the soldier by
hide jump free twenty five A life records this sho.

Speaker 61 (01:14:12):
War two.

Speaker 27 (01:14:14):
Tenny Chogs, He stood so tarp a freedom's call.

Speaker 62 (01:14:18):
He gave us all him trenches in a fighting brought
the dark into the light.

Speaker 2 (01:14:27):
We have a hardest steel, not so bright.

Speaker 63 (01:14:30):
March through days, font at night with his comrade side
by side.

Speaker 2 (01:14:35):
Saved the world. Would not hide.

Speaker 3 (01:14:37):
Tenny Chuck stood so.

Speaker 13 (01:14:39):
Tall a freedom stall and gave us.

Speaker 62 (01:14:41):
All in the trenches in the fight, brought the dark
into the light, the light, the hardest steel and not
so bright march through days, fought at night with this
comrade side by side.

Speaker 2 (01:14:56):
Saved the world. They would not hide its He stood
so charm of the freedom call.

Speaker 25 (01:15:03):
He gave this all in the transis and the fighting
bog the dog into.

Speaker 63 (01:15:08):
The light, through the smoke and the endless pain, he
kept on standing through the rain.

Speaker 3 (01:15:17):
Danny Joel Hero Boo.

Speaker 2 (01:15:19):
Story Timeless always.

Speaker 21 (01:15:21):
Told Teddy Toe he stood so tall for the freedom call.

Speaker 29 (01:15:26):
He gave this all in the trenches, in the fighting
brother dog.

Speaker 63 (01:15:30):
Into the light, through the heart of steel and eyes
so bright. He marched through days.

Speaker 30 (01:15:46):
Father night with his comrade side by side, saved the world.

Speaker 2 (01:15:50):
They would not hide Teddy Jo.

Speaker 24 (01:15:53):
He sticks so top frien his bid, gave his.

Speaker 18 (01:15:57):
Transis in the fighting fucker.

Speaker 16 (01:16:21):
Of Nick Niga.

Speaker 13 (01:16:24):
Akah, yeah, with that.

Speaker 64 (01:16:29):
Ar Particio, come to your funeral and through it again,
huge and make it official.

Speaker 13 (01:16:34):
I know what's on the menu, but you don't want beef.

Speaker 6 (01:16:37):
We strapped up.

Speaker 9 (01:16:38):
If ship go wrong, throw your shot.

Speaker 13 (01:16:40):
Clipping my crumbs. Young niggas got a pocket full of bills.
You don't want it from the shock because I'm stealing
this ship.

Speaker 10 (01:16:47):
Ain't hard, this ship act hard. Let the max barks turn.

Speaker 13 (01:16:51):
Niggas into track stars.

Speaker 12 (01:16:52):
It's egin, Yam, I'm going and get it.

Speaker 64 (01:16:54):
Don't sneak this on that ego when we come through
with similar the heaveshema you now you see if you
can stop me.

Speaker 46 (01:17:02):
I like to use food in my rhyme scheme and
all about the shotgun.

Speaker 9 (01:17:07):
Turn your kids knees into.

Speaker 64 (01:17:09):
Golly greens, mother fucker, don't get you close, don't get
you close, don't get it twisted. More busts if we
need to be have the whole gang run through here
like a mother bucking a back of wolves, don't get
through close, don't get your ghost, don't get it twisted,
or bust that needs to be.

Speaker 2 (01:17:26):
Have the whole gang run go here like love for
back of wolves, back.

Speaker 65 (01:17:31):
Of Wold talk mics in the night with the energy
to cross the street fighting, knuckle up, baby bucking up.

Speaker 13 (01:17:37):
It's stags of it's on the alf.

Speaker 65 (01:17:38):
They play the girls slinking crumps and the seeing Jamison,
the hond something trouble, blood shot that this swirmle smirf
covering frock, closing for the big get his first mug shot,
A seven and a half is working or that's a
surfle me and the line cooking and took it until
it's closed curtains a bust of shots after surfing for
a purpose. The seven stars represent the seven churches bunch
of tourship for mister relations, Sho'll be.

Speaker 18 (01:18:00):
Caught up like the listeners call up on my first
ship side catch.

Speaker 13 (01:18:05):
It's some raption on the stage with the totage.

Speaker 65 (01:18:09):
You'll be your foster once they really understand the gospel
and Choppe.

Speaker 13 (01:18:13):
And the don't't you close, don't get you close, don't
get in twisted.

Speaker 64 (01:18:17):
If we will bust if we need to be, have
the whole game run through yeah, like a motherfucking a
pack of wolves. Don't get you close, don't get you closed,
don't get it twisted with busts. If need to be,
have the whole gang run through me like mother a pack.

Speaker 2 (01:18:32):
Of wolves, pack of wolves. We know the rip EMPs
of part Post, the body in the museum.

Speaker 20 (01:18:38):
That's what I call a true work of art.

Speaker 66 (01:18:40):
Don't fuck with me because with the king, my skills,
with this pan of so shops, have you running into?

Speaker 9 (01:18:45):
Have you shook?

Speaker 20 (01:18:46):
Afraid of what comes next?

Speaker 3 (01:18:47):
To the ducks?

Speaker 20 (01:18:48):
So it's to come to my powers again, run over.
I got an addiction with this gun.

Speaker 2 (01:18:52):
I loove to make body's rides so high.

Speaker 66 (01:18:54):
So my gun, it's never so much play like don't
play with me, because you do, it'll be game more high,
a little flip, but I leave you fucked up, like.

Speaker 20 (01:19:02):
Drinking too much link, giving you a bad hangover.

Speaker 66 (01:19:05):
I say, troops on my words supposed stay on my
way unless you want to get chewed up and spit
out hooked like a bad advertiser, because I'm hooked up
international like.

Speaker 20 (01:19:13):
See mobs and rising.

Speaker 66 (01:19:15):
I'm here to make your life for living hell like
to go undertake it. Did the man cond in the
first hell in itself, So don't try me. I'll slim
your head up the payment for Mama raised. Stay in
your lane unless you want to become a next victim
to because I'm on a mission and leave you the
next one to come up on the news mission.

Speaker 20 (01:19:32):
So take he take he the one I'm spitting.

Speaker 34 (01:19:42):
Yeah, y'all know what time of this social Media kept
Milwaukee with your hosts, boss ad your calls lorieta King.
Y'all know we got new things on the way and
stay out of stay interviews with social media cat Milwaukee,
and we got both mood reviews coming soon. Pay attention.

Speaker 13 (01:19:56):
Listen.

Speaker 34 (01:19:57):
Look y'all know social media cat we on the move.

Speaker 32 (01:20:01):
It's a fash them see the King back bat them,
see on what them what battest them? See mm hmmm
hm bat them.

Speaker 13 (01:20:14):
Yeah, we got that king the baddest everybody tape.

Speaker 32 (01:20:25):
It's just that official battest them z. The battist them
see m m m m.

Speaker 23 (01:20:34):
Hm m hm m m.

Speaker 38 (01:20:38):
Mm hmmm hmmm mm hmmm mm hm m m hmmm
mmmmmmmmmm hmm.

Speaker 32 (01:20:46):
It's sufficient yea king batist m z wood batty them
say what m.

Speaker 38 (01:20:53):
Hmmm mm hmmm mm hmmm mmmm.

Speaker 32 (01:20:59):
The battest them, see the bast them see m.

Speaker 23 (01:21:03):
H m hm m.

Speaker 6 (01:21:15):
Mate matteis.

Speaker 38 (01:21:21):
M h m hmmmmmm h.

Speaker 32 (01:21:26):
The backst them, see the battlest them.

Speaker 16 (01:21:29):
See it's a fishala the key back on.

Speaker 32 (01:21:34):
The battist see what bast them see.

Speaker 38 (01:21:36):
What mm hmmm mm hmmm mmmmm mm hmmmm mm hmmmmm.

Speaker 56 (01:21:50):
The battlet them see the fast bast them, see the
batte fast them, see the battest m c the battlest them,
see the fattest them scene the battlest them, see the
battlest them scene m.

Speaker 38 (01:22:09):
M hmmm mmm mm hmm.

Speaker 50 (01:22:20):
It's official.

Speaker 56 (01:22:22):
Came back on people battist see what kind of battist
them seem.

Speaker 38 (01:22:31):
Mm hmmm.

Speaker 6 (01:22:34):
Battiste rabi fattest them see bradys braveriship brad brad bra.

Speaker 13 (01:22:55):
Official black.

Speaker 23 (01:22:59):
Got hirafficient, It's just that official. What can I say,

(01:23:20):
request lines are long.

Speaker 18 (01:23:22):
I'm going on, boss, Lady, Lady Len.

Speaker 21 (01:23:26):
First caller, This.

Speaker 67 (01:23:30):
Is Fred the weedhead Man. I wanted to hear something
dope from Brother Rob the Poet Brown. He's an awesome
underground artist dude. Hopefully I can invite him over to
my mom's basement one day and we can do some
bong hitsing later on rally up at McDonald's.

Speaker 10 (01:23:46):
We'll see what we can do for you.

Speaker 3 (01:23:47):
Man.

Speaker 46 (01:23:48):
Next caller, this is the Cause, and I'd just like
to hear something smoothie and groovy.

Speaker 67 (01:23:56):
Bye, Brother Rob the Poet Brown, while I sit here
a great big mole of the yellow hodding.

Speaker 2 (01:24:04):
Well, see what we can do for you, mister Bell
that Carter.

Speaker 28 (01:24:09):
Well, I'll tell you, dude, Ski, Me and my whole comaniacs,
we've been through a whole lot, brother, But after sitting
down and listening to the awesome rhymes by Brother Rob
the Port Brown, I don't know what to say or do.

Speaker 9 (01:24:19):
Man and Brother Rob.

Speaker 2 (01:24:20):
He's always been an old school hook comaniac.

Speaker 23 (01:24:22):
He's down with the prayers.

Speaker 67 (01:24:23):
The vit him is the pull ups, the thrust, the
whole nine yards dude. Supplace something by Brother Rob and
until further Notice what you're gonna do when.

Speaker 2 (01:24:33):
Brother Rob and the whole maniacs run wild on you?

Speaker 9 (01:24:38):
Well you heard them, beat d D Ski.

Speaker 18 (01:24:40):
You gotta give the people what they want, So let
the beat ship up.

Speaker 11 (01:24:47):
Captain's log seven inches, nine and a half of Sunrise
and sunrise.

Speaker 16 (01:24:53):
Half on sunrise.

Speaker 13 (01:24:55):
We got Brother Rod the boy Brown with that my
song called right.

Speaker 7 (01:25:02):
All right?

Speaker 68 (01:25:04):
Thinking, how you gonna carry me through all this bullshit
physical and mental?

Speaker 13 (01:25:08):
Knowing my love has always been a traditional You.

Speaker 68 (01:25:11):
Don't just sit there smile and trying to hide the
fact that you're scared.

Speaker 13 (01:25:14):
I mean running right fast thing.

Speaker 34 (01:25:15):
You know.

Speaker 68 (01:25:16):
I'm struggling to do right you over there, I'm trying
to come off right and exactly. I take a step forward,
You got the three four steps back. I mean, can
a brother make a little part? Resting here for a
hot minute, I run.

Speaker 13 (01:25:26):
Into some extra money, you find an extra way. That
has been my shit fucking pitch. That's just why I
get any other medicinship.

Speaker 68 (01:25:34):
I took my time with you, gradually, moving forward, very
seldom looking back.

Speaker 13 (01:25:38):
Yeah, I know I haven't always been a good husband.
Hell I've been a question for father.

Speaker 18 (01:25:41):
But you really think I need you to remind me
of all that I'm just so stressed out over.

Speaker 68 (01:25:45):
You don't want to grab a fist own head ripping
out the side of my head, or me even grab
a fistful of ripping out the back, or grab a
fistful of ripping out of stuff. But that stuff that
started bakingship with me a long time ago, and I'm
so glad did. Everything takes seaul renewals, nothing ever stays
the same. And if anybody was wondering, yes, this bitch

(01:26:07):
does have a name, and that name is light. Poor
y'all just don't know that bitch ain't right. So I'm
that And again I understand how the books may not
think like me.

Speaker 33 (01:26:19):
But this bitch is a product of misery, and everybody
knows misery us company.

Speaker 68 (01:26:24):
It's along with that misery you got empty jealousy filling
this bread and cold. We've been in gashing your teeth,
paying in justice, eyes and the sea.

Speaker 13 (01:26:32):
This bitch ain't just limited to the four legged dog
feeling ut the speech.

Speaker 9 (01:26:35):
She's got good.

Speaker 13 (01:26:36):
She can flee from your hands like a detective disease.
You can be having a good dad at work. Everything cool,
It's chicky, they come that new supervisor whole house snigger.
God ain't seen you, and God putting the foot down
won't kill.

Speaker 29 (01:26:49):
It's not you.

Speaker 68 (01:26:50):
And the only thing you want to do is back
in there freaking baptized that I ain't had a bitch
good being out with situation. But it's just a small
examine of the bitch is manifestation. This bitch is a problem,
and just like any.

Speaker 13 (01:27:04):
Other problem, you got to meet their head on g
It's that.

Speaker 33 (01:27:07):
Same bitch that makes some cops think it's cool to
shoot down on our brothers on the street like they
help dad.

Speaker 13 (01:27:11):
Lions on the salmon gate.

Speaker 2 (01:27:12):
But that's a whole other stuff. You can tie me.

Speaker 9 (01:27:14):
This bitch will make you.

Speaker 2 (01:27:16):
Think the wrong is right and the right is wrong.

Speaker 68 (01:27:19):
Now you listening to the average hip hop song was
little to no local content and the.

Speaker 13 (01:27:23):
Only thing you can say is your son that Vesle's kicking.

Speaker 68 (01:27:26):
Have you in the poetry been? You've running your mouth
when you need to be shutting the fuck up and
listening this bitch. You'll make a non gambler man, make
a vagina wet, make a venus direct, make a Cooper
brother sweat. Then you start on life for hours, spend
your last little bit of change on.

Speaker 2 (01:27:41):
A pair of sneakers, talk like your main man got
no sugar ban.

Speaker 13 (01:27:45):
Is treacherous. You see what she did in me?

Speaker 33 (01:27:48):
Now me, I consider myself lated that metal type of brother.

Speaker 68 (01:27:51):
Very easy to get along with, but I have a
hard problem trying to figure out what you're like.

Speaker 29 (01:27:55):
I want to be fucking with.

Speaker 2 (01:27:57):
I don't know when it started, but Lord knows I'm playing.

Speaker 29 (01:27:59):
It's stop.

Speaker 13 (01:28:00):
I have no idea how many times.

Speaker 68 (01:28:01):
I'm imagine busting switching the back of the head with
a fucking sto from day to day life to the workplace. Man,
I got stabbed in a fact with a knife and
it ripped it to the left and yanked it to
the right.

Speaker 69 (01:28:11):
And looked at me a few days later and smiling
like he's still like my sincerity's real.

Speaker 3 (01:28:16):
Man, this is what I come with.

Speaker 13 (01:28:17):
You hump her, knock off of you, Fred and return
you slip me a bot of shit.

Speaker 2 (01:28:22):
I'm very slow to get angry. It starts off as
a small trip. Don't let it turn into a wave,
because now the trip is.

Speaker 13 (01:28:27):
Starting the triple.

Speaker 2 (01:28:28):
If life was a man, I'd punch him in the dicky.

Speaker 13 (01:28:31):
Fill was a woman.

Speaker 2 (01:28:31):
I trick her in the pussy.

Speaker 68 (01:28:32):
The only reason, I thought, because I ain't trying to
send nobody to the hospital. This piece was written out
of anger.

Speaker 16 (01:28:37):
You damn right, Dinny and.

Speaker 3 (01:28:39):
Your niggas meet fear.

Speaker 13 (01:28:41):
I got sucker tattoo, the fosse muck over here.

Speaker 2 (01:28:43):
Many am two goddamn knife. Of course I don't feel
this way an wore.

Speaker 29 (01:28:49):
Many team.

Speaker 13 (01:28:49):
You don't make everything switch. What made my mind start
to click.

Speaker 33 (01:28:53):
I took some good advice from a fellow poet, just
me the artist, and he said, brother, if life was
really a bitch thin, they need to have your relationship.

Speaker 29 (01:29:01):
And I did.

Speaker 68 (01:29:02):
And now the light velosophy that rolls through my head
is every day, especially when you're don't end up dating,
is it you?

Speaker 26 (01:29:42):
I've come to terms with the fact that my future
might not involve people I'm around now. I get tired
doing this every time I try something new. Sometimes I

(01:30:04):
had to walk away from what I wanted to find
what I deserved. I've learned from my bad choices. I

(01:30:52):
don't know better next time. Don't mention a person's past
mistakes when they're trying to change. That's like throwing rocks

(01:31:15):
at them while they're struggling to climb a mountain. About
that child, let's talk about it.

Speaker 16 (01:31:30):
You know what I'm saying.

Speaker 26 (01:31:32):
Smart mobile app strategies for your business. You know what
I'm saying.

Speaker 16 (01:31:37):
And knowing how to market your app to your target
audience is a simple question. But the answer isn't that simple?

Speaker 1 (01:31:48):
Man.

Speaker 16 (01:31:48):
Listen, y'all, you don't know your audience.

Speaker 26 (01:31:51):
You know how now to target the audience you're using.
We're gonna find that out right here, fall say rady, y'all,
shall let's go.

Speaker 13 (01:31:59):
Yeah, what's up?

Speaker 8 (01:32:16):
Y'all?

Speaker 26 (01:32:16):
Welcome back to another Boss Sadisiye radio show, Moti or
Winning Now Speaking Studios sponsored by Bass.

Speaker 13 (01:32:25):
Sadies, Inc.

Speaker 26 (01:32:25):
Of War Winning Dre's Radio Cafe Aka to Hangout aka
Dres eight and Social Media Cap Milwaukee.

Speaker 16 (01:32:35):
Welcome back, Welcome back to another show.

Speaker 26 (01:32:39):
How this dopest show in the world on the planet,
playing worldwide everywhere.

Speaker 16 (01:32:45):
Shout out to everybody that's in the chat row tonight.

Speaker 26 (01:32:49):
But before I get to that, let me talk about
that open mite tonight that with super Slamming super dope.
And before I get to that, I just want to
thank you for liking that and sharing the show and
also being a part of the Riverside that Field which
is live on YouTube right now, so we can stay live,
stay lit and on point, you know what I'm saying.

(01:33:10):
First of all, we had Tacoa keing Lyons new and
release Revolts and Rise in a Bossady d theme song
for Boss Sady's radio show. I appreciate that. Then we
have Majestic Majestic with that I am snap on set
and she definitely did that. And then we had Boss
King the Legend with let Me Introduce Myself, you feel Me?

(01:33:33):
And then we had Uncle Diddy blow the Whistle and
with that southern soul. We had Said Way featuring Queen
Thickhams with that big bone girl party live in the
chat bro Nord talk about. It was scrawl on YouTube
right now. Pull it a little closer to me because
I got the little life dimmed.

Speaker 16 (01:33:53):
Out, you feel me.

Speaker 26 (01:33:55):
We got award winners and heavy hitters in the building
too night shout us at throw them hearts up there,
get them lights up because we definitely lived right here
Superstar Saturday on Ball Sadie Radio Show, and we got
award winning Norregata King aka t O HP in the building,
shout out of salute, and we got like Poetry aka

(01:34:17):
v Mayo aka mo Thoughts shot out of the salute.
We got King in the building, shot out of salute,
and we got the Mulai brand Winter.

Speaker 16 (01:34:25):
Circles Records shot out salute.

Speaker 26 (01:34:28):
Aka to Cohen King Ghost Lion shot out salute, and
we got Dre's Radio ward winning Dres Radio Cafe in
the building shot out of salute, and we got it
award winning Brother Roder Poet Brown shout out of salute.
You know what I'm saying, No sit nefinitely got it

(01:34:53):
in the building. And then we got fu One Folk
Day Artists of the Money in the building, shot out
of salute. Latre slayd Us in the building shot us
a little and that's welcome to chat so far to
the show.

Speaker 13 (01:35:06):
Yeah yeah, yah, yay.

Speaker 61 (01:35:11):
Why that's right. That's right, that's right, that's right, that's right.
We're rocket when we rocket rocking, rocking, Yeah, no it
d x uh huh.

Speaker 70 (01:35:29):
M A little bit live. You know, they took our
cheers the way to cheers to all of you cheers
right now, okay, yeah, real cheers. Yeah, they took that
to like, why are they doing that and then they

(01:35:51):
laughed at me. They thought it was funny.

Speaker 16 (01:35:53):
But it's funny. I got back right on point, know
what I'm saying.

Speaker 53 (01:36:00):
About it?

Speaker 21 (01:36:00):
I got it.

Speaker 63 (01:36:01):
Yeah.

Speaker 16 (01:36:03):
So you know, particularly tonight, I.

Speaker 26 (01:36:07):
Do want to talk about, you know, targeting autists and
doing a smart mobile app strategies. You know, today's thing,
today's revolutionaries. We got the AI, but we also got apps,
and without apps, you won't find the AI because AI

(01:36:28):
is all tied.

Speaker 9 (01:36:28):
Up in apps.

Speaker 26 (01:36:29):
If that's something you're using, if that's something you're comfortable with,
it's something you want to try different.

Speaker 2 (01:36:35):
Things like that.

Speaker 26 (01:36:36):
But before you do any of that, let's consider the
fact that we all have to have a specific audience
that wants to hear us, our business, our music, whatever
we got going on. And TikTok is an app, Instagram
is an app, Facebook's and app. Twitter is an app
which is now x and plethora of other apps. The Clapper,

(01:36:59):
I don't know if you heard it yet. I ain't
got into them today yet, but I might be doing
a little bit on some something on there. I'm just
kind of familiarizing myself with what apps I want to
use that's going to bring the audience that gravitates to
what I'm trying to do, if that makes sense. So
a lot of times we are searching and looking for

(01:37:21):
and trying to find that type of audience that wants
to listen to us, see us, buy from us, listen
to our music, stream our music, different things like that.
Same time with business. You know, we're businesses out there
who want to say invest that kind of thing.

Speaker 16 (01:37:42):
So we are going to get into that tonight.

Speaker 26 (01:37:48):
So without further ado, I'm gonna just like you, let's
get some du in our lives. So smart strategies to
successfully market your mobile app, and we're gonna find that
ad addicted to success, dot com, slash entrepreneur, dash profile,

(01:38:11):
slash TikTok, dash app, dash marketing, dash strategies.

Speaker 16 (01:38:19):
Knowing how to market.

Speaker 26 (01:38:20):
Your app to target audience or to your target audience
is a simple question.

Speaker 16 (01:38:26):
But the answer isn't that simple?

Speaker 26 (01:38:29):
Publish about a year ago March thirteenth, around about this
time in twenty twenty four by Zach R.

Speaker 27 (01:38:37):
Guile.

Speaker 26 (01:38:38):
If I'm saying that right, If I'm not, please excuse me.
Let's get into it. Ready to market your app?

Speaker 16 (01:38:46):
Where do you start knowing how to market your app
to your target audience.

Speaker 26 (01:38:51):
Is a simple question, but the answer isn't that simple
Today the choices.

Speaker 16 (01:38:58):
Are more than ever.

Speaker 26 (01:39:01):
Every platform is a new adventure with its own pros
and cons. Facebook is like your familiar neighborhood, Instagram is
where you go to create trendy content, and then there's TikTok,
the vibrant new platform that never sleeps. If your audience
is young Gen Z's and Gen Alpha's, then TikTok is

(01:39:25):
a game changer. It's where videos go viral overnight and
brands become household names in an instant and the best part,
you don't need blockbuster budgets to make a splash. Let's
answer the question of how you market your app to
your target audience on social media, especially TikTok. Now strategies

(01:39:48):
to market your app to your target audience. Strategy one,
identify your target audience. Who exactly are you trying to
reach on social media? This is the million dollar question
that can make or break your act success on the platform.
Identifying your target audience is like finding your tribe. If

(01:40:13):
you understand your audience, who they are, what they love,
and how they interact with the digital world, you are
on the right path. Each social media platform has its
unique demographic mix.

Speaker 16 (01:40:27):
For instance, while Instagram and Snapchat are.

Speaker 26 (01:40:30):
Havens for millennials seeking visual inspiration and connectivity, linked in
caters to professionals seeking to network, and then there's TikTok
in the eclectic community that's not just for teenagers anymore.
According to data published in TikTok self service advertising tools,
brands could reach one point or one thousand, two hundred

(01:40:54):
and eighteen billion users age eighteen and above on TikTok,
and I told twenty twenty three the algorithm on each platform,
especially TikTok, thrives on user engagement. So dive deep into
the ocean of hashtags, trends, and challenges to understand what
resonates with your audience. Are they the fitness enthusiast, fashion officiados,

(01:41:21):
tech geeks, or something entirely unique. The better you know them,
the easier it is to reach out to them via
organic and paid means strategy too, crafting content that captivates.
Now that you've pinpointed your audience, it's time to speak
their language, and on TikTok, that language is all about

(01:41:42):
engaging authentic and creative content.

Speaker 16 (01:41:46):
Every app has a story. What's yours?

Speaker 26 (01:41:49):
TikTok is the perfect place to tell it in a
way that's not just heard but felt. Whether it's behind
the scenes look at your apps creation, user testimonials, or
creative ways your apps solves problems. Your content should be
as dynamic as the platform itself. One of TikTok's superpowers
is its trend centric culture. Participating in trending challenges or

(01:42:15):
creating your own can push your app into the spotlight.
The key is to stay authentic to your brand while
being playful and engaging with the TikTok community. Engage with
your followers, respond to comments, and collaborate with other creators.

Speaker 16 (01:42:31):
I'm gonna say that again.

Speaker 26 (01:42:33):
Engage with your followers, respond to comments, and collaborate with
other creators. Strategy three leverage TikTok's unique features. TikTok is
an ecosystem brimming with features that can turn your.

Speaker 16 (01:42:54):
App marketing into an immersive experience.

Speaker 26 (01:42:58):
Understanding and using these features strategically can amplify your app's
presence and engage your audience in meaningful ways. Hashtags on
TikTok are more than just labels. They're gateways to communities
using The right hashtag makes your content discoverable to the
audience you want to reach, Whether it's popular hashtags like

(01:43:21):
hashtag for you or niche once tailored to your app,
they are essential in increasing your content's reach. TikTok's array
of effects and filters can transform your content from ordinary
to extraordinary. These tools are not just fun, they're powerful
ways to enhance storytelling. Use them to add flair to

(01:43:43):
your app demonstrations, to create visually appealing narratives, or even
to craft unique, branded filters that can go viral.

Speaker 16 (01:43:51):
Music is at the heart of TikTok's appeal.

Speaker 26 (01:43:55):
Integrating popular songs or original sounds can significantly boost your
contents engagement. All you need is a trendy track and
a message that resonates with your message and audience. Strategy
for utilize influencer partnerships. Partnering with the right TikTok influencers

(01:44:18):
can be a game changer for your app, providing it
with the visibility and credibility it needs to thrive. Choose
influencers whose followers mirror your target audience and whose content
style aligns with your brand. Authentic influencer partnerships can lead
to increased credibility and reach for your app. The magic

(01:44:40):
of a successful collaboration lies in authenticity. Influencers need to
believe in your app to create genuine content that resonates
with their followers. It's a partnership where their creative freedom
meets your brand's message. A fitness app, for instance, will
benefit more from collaborating with a well known fitness enthusiasts

(01:45:02):
than a popular food blogger. TikTok influencers are content creation wizards.
They know what works and what doesn't on the platform.
By harnessing their creativity, you can create unique, engaging content
that showcases your app in ways you might not have imagined.

(01:45:22):
Strategy Five, embrace the power of video. On TikTok, a
video first platform, your app isn't just a tool, but
a story waiting to be told. Engaging videos that showcase
your ass features and benefits are key. Think dynamic, concise
clips that could potentially go viral.

Speaker 16 (01:45:43):
Whether it's a simple.

Speaker 26 (01:45:44):
Tutorial, humorous angle, or relatable story. Ensure your content grabs
attention immediately and maintains it. It's about striking a balance
between informative and entertaining videos that resonate emotionally or offer
practical value, tend to get shared and remember, keep it short, impactful,

(01:46:07):
and align with their apps message turning viewers into users.
Strategy six make use of paid advertising. While organic reach
on TikTok can be substantial, paid advertising offers a direct
and powerful way to place your app in front of
your desired audience. TikTok's advertising platform provides a range of

(01:46:30):
tools and options to tailor your campaigns for maximum impact.
TikTok's paid advertising options like in feed ads, branded hashtag challenges,
and brand takeovers provide a direct way to reach potential users.
Run ad campaigns and tailor your ads to be engaging

(01:46:52):
as organic content and target them to reach your specific
audience segments. TikTok offers several ad formats, each with its
unique advantages, from infeed ads that appear as users scroll
through their for you page to branded hashtag challenges that
encourage user participation.

Speaker 16 (01:47:12):
Selecting the right format is crucial.

Speaker 26 (01:47:15):
Brand takeovers in top view ads offer high visibility, while
branded effects allow for creative user interaction with your app.

Speaker 16 (01:47:25):
The success of your.

Speaker 26 (01:47:26):
Ad campaign on TikTok hinges on targeting the right audience.
TikTok's robust targeting options allow you to pinpoint users based
on demographics, interest, and behaviors. Customizing your message to resonate
with this audience increases the.

Speaker 16 (01:47:44):
Likelihood of engagement and app downloads.

Speaker 26 (01:47:48):
The content of your TikTok ads should be as engaging
and creative as organic TikTok content. Ads that blend seamiously
with the user experience tend to perform better. This means
embracing the platforms playful and authentic vibing your ad creatives
strategy seven.

Speaker 16 (01:48:08):
Analyze and adapt based on performance.

Speaker 26 (01:48:12):
Utilize TikTok's analytics tools to track the performance.

Speaker 16 (01:48:15):
Of your content. Analyze metrics like views.

Speaker 26 (01:48:19):
Engagement, and conversation rates or conversion rates. Use these insights
to refine your strategy and improve future campaigns. Effective budget
management is key to a successful TikTok ad campaign. Decide
on a budget that aligns with your marketing goals and
use TikTok's bidding strategies.

Speaker 16 (01:48:38):
To optimize ad delivery.

Speaker 26 (01:48:41):
It's important to monitor performance and adjust bids and budgets
based on the results. Track the performance of your ads
using TikTok analytics metrics such as views, engagement rates, and
click through rates to your apps download page are essential
for evaluating success. Use these insights to refine and optimize

(01:49:03):
future campaigns.

Speaker 16 (01:49:05):
Strategy eight foster community interaction.

Speaker 26 (01:49:09):
Engage with your audience on TikTok by responding to comments,
participating in challenges, and creating interactive content. Building a community
around your app encourages loyalty and word of mouth promotion.

Speaker 16 (01:49:24):
TikTok Live offers an excellent opportunity for real time engagement.

Speaker 26 (01:49:30):
Use live sessions to showcase your app, host Q and a's,
or provide exclusive content. This direct interaction can strengthen your
connection with your audience. Strategy nine Sustaining and growing your
community on TikTok. Building a community around your app on
TikTok is just the beginning. Sustaining and growing this community

(01:49:52):
is crucial for long term success. Engagement doesn't stop at
likes and comments. It extends into creating a loyal use
that advocates for your app. Consistently posting new, fresh content
keeps your audience engaged. Plan a content calendar that aligns
with your apps updates, features, and user stories to keep

(01:50:15):
your followers looking forward to more. Motivate your users to
create their own content related to your app. This not
only provides you with authentic marketing material, but also makes
users feel like an integral part of your apps community.
Occasional giveaways or contests can be a great way to
boost engagement. These events can be tied to specific app

(01:50:37):
features or milestones, creating excitement.

Speaker 16 (01:50:40):
And participation among your followers.

Speaker 26 (01:50:43):
Respond to comments, asks for feedback, and engage in conversations
with your followers.

Speaker 16 (01:50:50):
This two way.

Speaker 26 (01:50:51):
Interaction makes users feel heard in value fostering a stronger
community connection. And by focusing on these community buildings strategies,
you could create a vibrant and engage group of TikTok
users who are not just casual downloaders, but passionate advocates
of your app. Integrating TikTok into your marketing mix from

(01:51:13):
understanding your target audience to creating content that resonates, leveraging influencers,
and utilizing paid advertising, TikTok provides an area of tools
to make your app stand out in the crowded digital space.
Remember the key to success on TikTok lies and authensity, creativity,
and engagement, whether it's through captivating videos, transsetting challenges.

Speaker 16 (01:51:39):
Or strategic partnerships.

Speaker 26 (01:51:41):
Your presence on TikTok should embody the spirit of your
app and speak directly to the hearts of your audience.
As you embark on this exciting journey, keep experimenting, keep learning,
and most importantly, keep enjoying the process. TikTok is not
just a platform, it's a community where your app can

(01:52:02):
come can truly come to life. Ready to take the
plunge and make your app the next TikTok sensation dive
in the TikTok world a weights. If you need expert
guidance or professional touch in executing these strategies, consider exploring
House of Marketers at Marketing Strategies. These expertise in influencer

(01:52:23):
marketing and social media strategy could be the edge of
your app needs to stand out in the competitive digital marketplace.

Speaker 16 (01:52:31):
And that is our eighty year for our life.

Speaker 26 (01:52:38):
Yeah sod, babe, Bath, you got the second half with
the ladies who we started off the first half with
the fellas, and after that, my well, we're just gonna
get it in with some artists of the month like
the Trees and this new comum is Maryland. Y'all make

(01:53:01):
sure y'all stay tuned.

Speaker 32 (01:53:03):
Don't go over.

Speaker 21 (01:53:08):
Oh my name is the Trise Mont.

Speaker 71 (01:53:10):
I'm from Los Angeles, California, and my music is playing
on award winning Boss Ladies radio show. The latest episode
that I was on was be a Powerful Communicator. My
song My Secret Lies is on all major digital platforms

(01:53:33):
and I will be releasing it starts with Me before
two thousand and twenty three ends and I will be
playing Julia on a Lisa and Mahogany, which is gonna
be a TV series.

Speaker 29 (01:53:57):
Win.

Speaker 21 (01:53:57):
I feel.

Speaker 13 (01:54:00):
I need sitching stoics.

Speaker 64 (01:54:02):
We all be free.

Speaker 21 (01:54:07):
To carry and rescue me.

Speaker 72 (01:54:12):
I can fly like a man to be free and
free of the wind beneath my wings because of sling hid.

Speaker 8 (01:54:26):
I love to fly.

Speaker 41 (01:54:29):
A bird of the mountains, feeling free, just to be
me once again.

Speaker 9 (01:54:41):
I want to fill the glass.

Speaker 21 (01:54:44):
Against masked.

Speaker 9 (01:54:47):
The two on my eye needs.

Speaker 16 (01:54:51):
My new felt free.

Speaker 9 (01:54:55):
I want to fly.

Speaker 24 (01:54:59):
Truss, You and.

Speaker 9 (01:55:01):
Whether will.

Speaker 45 (01:55:05):
Be free.

Speaker 9 (01:55:10):
I want a fly.

Speaker 59 (01:55:13):
Just you w.

Speaker 10 (01:55:17):
Together we all be free.

Speaker 9 (01:55:24):
I want a fly fly Jesse went.

Speaker 21 (01:55:31):
Together, will.

Speaker 3 (01:55:34):
Be free.

Speaker 73 (01:55:38):
To gether WI be free.

Speaker 9 (01:55:46):
Together, be free together, the will.

Speaker 29 (01:55:56):
Be free.

Speaker 21 (01:56:00):
To get the weird.

Speaker 50 (01:56:04):
Be okay, misening it works, you enjoy it to ta

(01:56:27):
you are beautiful.

Speaker 13 (01:56:29):
Oh listen listens.

Speaker 73 (01:56:30):
Stuff you are. You're free to be all that you
can be. You are so beautiful, Yes you are to

(01:56:52):
be you. You're fraid to be all that you can be.
You are so beautiful. Yes you are to me, Yes

(01:57:16):
you to me, you are beautiful.

Speaker 17 (01:57:24):
Yes, you.

Speaker 24 (01:57:29):
See you from a people.

Speaker 73 (01:57:34):
That unknown to me, strong and a rich and gavitate.
So why don't you hold you a par and be
proud from which you came? You got a cheap one

(01:57:56):
being all that you can be. You are so beautiful,
so beautiful, you are so beautiful, So beautiful you are.

Speaker 21 (01:58:13):
You're freeing to be old that you can be.

Speaker 9 (01:58:19):
You are so be so.

Speaker 21 (01:58:24):
Yes, you love to make you.

Speaker 9 (01:58:28):
Love.

Speaker 21 (01:58:30):
You're free to be old that you can be.

Speaker 9 (01:58:36):
You are so.

Speaker 3 (01:58:41):
Yes you love to.

Speaker 17 (01:58:43):
Make you love BETI fall, Yes to make you are beautiful?

Speaker 9 (01:58:58):
Yess you.

Speaker 17 (01:59:01):
You will love bet a full. Yes you to me,
you love a fall?

Speaker 3 (01:59:15):
Yes you.

Speaker 21 (01:59:20):
When they try the bat song, don't fuck it the
fun when they try to.

Speaker 5 (01:59:30):
Keep kid, don't suck at padleful you can the soul.
Just rip them back a beautiful trust.

Speaker 29 (01:59:45):
That Ben, That's all.

Speaker 17 (01:59:47):
Yes, never.

Speaker 21 (01:59:53):
You boy, You're free to be all that you can
you be. You are beautiful. Yes you to me, you
by you are free to be all that you can be.

Speaker 24 (02:00:23):
Yes, you, you are so beautiful, so freak, so beautiful, so.

Speaker 9 (02:00:38):
Beauty.

Speaker 24 (02:00:39):
You're so beautiful, so beautiful.

Speaker 20 (02:00:44):
Up, what's up y'all? Sure girl, lady miss from the
eight four five in New York and you are listening
to award winning Boss Lady radio show. Make sure y'all
check out my latest compilation album under various artists called

(02:01:07):
Family Business, and don't forget to check us out from
the ground Up Productions. We got a podcast. You can
check us on YouTube, and you can check us on
our own network from the Ground Up Productions t V.
And last but not least, can't forget them boss chips. Baby,
that's right, I got my own potato chips out called
Boss Move Chips, and you could go check it out,

(02:01:29):
go purchase some and get at me and find out
how you could get your face on the chips.

Speaker 21 (02:01:34):
Peace yeahs.

Speaker 20 (02:01:45):
Lady yea. They stole out playing punish stuff that we
got rid of kills to stop thinking, put the forty
in the mule. They wanted power, so they took away
hours to plan. It was the breakers down like the
Sprints hour's gonna get it, but I'm waking out. Ain't
colt sweats nobody say fit, ain't nor because they ain't

(02:02:08):
done yet. They started a law that we only a
third human in my research of giving effects.

Speaker 21 (02:02:13):
Not assuming.

Speaker 20 (02:02:14):
They don't need to respect our lives. They beat it,
murdered our black men, the rake their wives, and slaying
God I children. That's taught us live. It breaks our history,
told us to close our eyes, gave us the image
of God. The country was built on black labor though white. Well,
I don't follow no religion. I got knowledge of self.
This is my lip for cobencitement. I never claimed to

(02:02:35):
know it all. Just trying to shed a little enlightenment.
What they call me, They call me the walk prisoner mom,
body with spirit, and I'm trying to get into bringing
hip hop back to when they lift the people up.
They killing us. We're feeling us while screaming out in God.
They draw me the WoT prison up. It's like a mouth,
but I can't get out. I'm feeling stuck out of luck.

(02:02:55):
They created it, doubt forget trying to be equal.

Speaker 21 (02:02:59):
Not just ain't ar.

Speaker 20 (02:03:02):
Inseepregation, but black sky. They who's the name war was
when they started with integration. As soon as my people
stop depending on y'all. Y'all had a plan just gonna
make things for say what they change through a firm
down our black wall Street, But we're gonna build their
right back, starting with real Street. We need to get
our own army, have our own heat, separate ourselves and

(02:03:23):
become diss how I'm well out of these minded day slaves.
They put each other in graves and act like they
belong in the cage. Gotcha fighting each other, turn out
against one another. She's to Willie Lynch synt drome and
love your brother. I pledge your lead just to the flag.
But does that include black house? Shall the original words
so we can determine that America America great.

Speaker 24 (02:03:43):
Place to be. But why it's prison if we're supposed
to be free.

Speaker 2 (02:03:48):
Were fumed when the white man came.

Speaker 74 (02:03:50):
Since the days of John Hawkin, I can't say that
too much change we did the modern day Slaveryal, I'm
trying to play the doct You liporate the common man
with the temper centers. Watch me, and the black man
is God, the vigilant gad man. I got the knowledge
of self, the math of law, gave the law, let
the let god head a five fifth the God resurrect
on y'all for mental death ourself, Lord and master boboard

(02:04:13):
that I surveyed, coming in the name of the nation
to show the wall away freedom missing the.

Speaker 2 (02:04:18):
Mind, and they call me the both prison.

Speaker 74 (02:04:19):
Or leader, may go and blind my power sign that's
reaching the teaching it. Come get your lessons while I
learned to burning these degrees, and I hope they all
burn you. I don't mean burn in the sense that
is hurting you God, I mean burn like the sun
with your.

Speaker 20 (02:04:33):
De call me the wo prison. It's like a mock,
but I can't get out. I'm singing it out. Got
the luck they created? Doubt forget trying to be equal,
not I just can't act the free mout either call
me or walk prison life. It's like a moth, but
I can't get out. I'm feeling stuck out of luck.
They created it, doubt forget trying to be people, not

(02:04:55):
just can't.

Speaker 21 (02:04:56):
At the free mo.

Speaker 27 (02:05:31):
M hm.

Speaker 21 (02:05:43):
Yo, what's up? Y'all already know what time it is.

Speaker 75 (02:05:45):
It's time for mis famulous a k A Boss Lady,
a k A d J D Sky.

Speaker 21 (02:05:51):
Check me out on.

Speaker 75 (02:05:51):
Award winning Dre's Radio Cafe aka Dre's eight. Check him
out Monday and Friday night live seven to about eight pm.
Monday and Friday about seven pm. It's about eight pm.
He might do a little overtime, but it's worth the overtime,
know what I mean, Dre's Radio.

Speaker 21 (02:06:13):
It's fabulous and.

Speaker 75 (02:06:14):
No thanks for putting me on number one on Dre's eight.
I'm still celebrating what y'all sipping on.

Speaker 9 (02:06:21):
Let's go.

Speaker 10 (02:06:22):
Money we make.

Speaker 11 (02:06:28):
Yeah, we got that hot and single to cor king
lying feature this fabulous, make it to our cme.

Speaker 2 (02:06:41):
We're saying we make the money, money, money.

Speaker 76 (02:06:45):
What mayordy, we may go. Tell them any money we'll
make it to that noo will don't make a good

(02:07:06):
of money.

Speaker 2 (02:07:07):
You here when they.

Speaker 3 (02:07:08):
Lost being now we never to the streaming level for
the day.

Speaker 9 (02:07:13):
I mean they were there for me back years.

Speaker 76 (02:07:18):
No medal.

Speaker 2 (02:07:18):
What they say we're making for the storm.

Speaker 9 (02:07:22):
Day, the medal the day.

Speaker 77 (02:07:24):
Do we're gonna take it to the learning and taken
to the true world. Tell me now, you would it
be to me when they love it in me? I
would never leave my feet to gold. I would never
leave nobody Australia. Hey, ain't tell me you want in
the day yaya when they say we cood it so

(02:07:45):
mean would it be?

Speaker 2 (02:07:50):
I don't want to be no know that I'm not.

Speaker 3 (02:07:53):
We wanna make.

Speaker 24 (02:07:56):
Yeah, make.

Speaker 2 (02:08:05):
No matter what that said.

Speaker 78 (02:08:06):
We're gonna a magican to the money and the condle.
We gonna make it. We make it to the money.

(02:08:27):
We're making to and he could have made that ole y.
We make it to the money. Money.

Speaker 29 (02:08:37):
We're making this the condle.

Speaker 3 (02:08:42):
Whoa.

Speaker 24 (02:08:44):
We're saying, makeing to the money money money.

Speaker 2 (02:08:47):
We'll make it to the cord.

Speaker 18 (02:08:50):
We recording, y, we're making to the money.

Speaker 29 (02:08:57):
No money.

Speaker 9 (02:08:58):
We made it to the condy. We're saying, makes the
mo money your money.

Speaker 2 (02:09:09):
We'll make it to the crowd.

Speaker 9 (02:09:12):
We recording.

Speaker 7 (02:09:15):
Yay.

Speaker 2 (02:09:17):
We make you tell them Marty no money man to
the crowd.

Speaker 31 (02:09:21):
Yeah, honey, Manion's a no money what man is a
little car. We have games so much and be very hard.
You know, don't want to hurt nobody, but we been
trying all to beat our best.

Speaker 9 (02:09:44):
We can't be any try. I'm doing new Land. We're
gonna get to you means a little mo.

Speaker 3 (02:10:01):
Even know we're never gonna make it a week.

Speaker 27 (02:10:07):
Give that.

Speaker 9 (02:10:13):
Money is money week. Coo ee come ho. We we
ain't gonna amaze.

Speaker 3 (02:10:29):
Money.

Speaker 17 (02:10:31):
Women is a women's money.

Speaker 2 (02:10:50):
My mon, woman.

Speaker 45 (02:11:00):
Said ah Mis mister happiness future.

Speaker 24 (02:11:40):
Sees grilled.

Speaker 3 (02:11:47):
H Sei just love me, Let's roll roll.

Speaker 24 (02:11:57):
Don't you love me?

Speaker 12 (02:12:02):
Joe?

Speaker 9 (02:12:07):
I want you to leave me. Change movie. I want
you to me. I want you please me, I want
your men me. I'm waiting for you all I'm say me.

(02:12:37):
I want you to love me.

Speaker 24 (02:12:40):
I want you to need me.

Speaker 9 (02:12:43):
Change Judge, I want you to love me. I want
you to leave me.

Speaker 4 (02:12:53):
Jo.

Speaker 21 (02:12:58):
This guy's girl miss with that.

Speaker 7 (02:13:04):
Me.

Speaker 3 (02:13:05):
Listen, girls, oh.

Speaker 9 (02:13:13):
Je jealous, I want you. I want you to need be.

Speaker 3 (02:13:33):
Je bab bey the energy.

Speaker 9 (02:13:43):
Then Jan feel the mad. We don't want to be crying.

Speaker 12 (02:13:53):
Jo.

Speaker 9 (02:13:58):
I know you want me.

Speaker 53 (02:14:01):
I know you're going to leave me.

Speaker 17 (02:14:04):
Joe.

Speaker 10 (02:14:10):
Just love.

Speaker 26 (02:14:12):
God mis faassidious she loves because.

Speaker 3 (02:14:18):
This love.

Speaker 9 (02:14:34):
Me at your.

Speaker 57 (02:14:44):
Ja.

Speaker 3 (02:14:50):
I want your feet you give me. I jus me.

Speaker 34 (02:15:04):
Of Nick.

Speaker 22 (02:15:12):
It's a life full of pain. Ain't no fountain of
youth science a degree search. Fame shortens your life.

Speaker 79 (02:15:17):
Celebrities fault can't handle the strife, stress and substance abuse.

Speaker 22 (02:15:21):
It's a deadly game, poor health, mental strain. It's all
the same sames, god its works, but the cost is high.
Got to see loss under the public eye.

Speaker 20 (02:15:29):
Identity crisis summons alist.

Speaker 9 (02:15:32):
People want to.

Speaker 21 (02:15:32):
Love you, but they also the spy.

Speaker 79 (02:15:34):
It's only childhood dreams chasing the fame, but the spotlight's harsh.
It's a dangerous game, advantages disadvantages. It's all a mix
negative effects games, a deadly fix.

Speaker 18 (02:15:43):
People want to murder you, stucky.

Speaker 79 (02:15:45):
Take you home, do weird things to willceive us all alone.
That's a double edged shortcuts deep than wide. Many famous
souls over dose and die.

Speaker 18 (02:15:53):
Hard drugs, hard hours.

Speaker 22 (02:15:55):
Fans scream a loud but inside we're broken, hidden by
the crowd.

Speaker 79 (02:15:58):
Things that heavy burden canes the pain living in the
spot light, driving us insane, says, got its perks, but
the cost is high. Try to see lost under the
public eye.

Speaker 20 (02:16:08):
Identity crisis thugments all us.

Speaker 2 (02:16:10):
People want to love you, but they offer.

Speaker 22 (02:16:12):
The spies, stress and pressure.

Speaker 79 (02:16:14):
It's a constant fight trying to stay sane in the
blinding light things.

Speaker 20 (02:16:18):
A cool mistress takes a.

Speaker 22 (02:16:19):
Heavy toll, leaves you empty with the shattered soul.

Speaker 20 (02:16:22):
People want to murder you, start you, take you home.

Speaker 21 (02:16:24):
Do weird things too?

Speaker 79 (02:16:25):
Will save us all alone. There's a double edged sword,
cuts deep and wide.

Speaker 22 (02:16:29):
Many famous souls over dose and dies, stress and pressure.
It's a constant fight. Try to stay sane in the
blinding light.

Speaker 79 (02:16:37):
Sings a cool mistress takes a heavy toll, leaves you
empty with the shattered.

Speaker 22 (02:16:41):
Soul says, got its perks, but the cost is high.
Try to see lost under the public eye. Identity crisis
thugments all us.

Speaker 79 (02:16:49):
People want to love you where they offer the spies, verticism,
judgments that come in waves. Things of battlefield. Gotta be brave,
but the.

Speaker 22 (02:16:56):
Scars run deep.

Speaker 79 (02:16:57):
Can't heal the pain. Living in the spotlight, and that's insane.
Thing's a dangerous game. Who wants to play? Not me?
Fuck saying it's a price to pay things. A killer
took my last breath, left me broken in the arms
of death. Finally fames grip times can't break free drugs
and stress they consume me.

Speaker 12 (02:17:15):
Thanks.

Speaker 22 (02:17:15):
A killer took my last breath, left me broken in
the arms of.

Speaker 20 (02:17:18):
Death, finally killed me. Warn me down.

Speaker 79 (02:17:22):
Too many drugs in SAME's deadly town West in Peace,
Nicol mc things A deadly game.

Speaker 22 (02:17:28):
Now I'm finally free, y lost privacy, can't find peace?
Every move watch and then the blinding like things.

Speaker 79 (02:17:44):
A cruel mistress takes a heavy toll, leaves you empty
with a shattered soul, leaves you sc w to warm
me down. Too many drugs in Sames, deadly town. Rest
in peace, Nicole mc things, A deadly game. Now I'm
finally free, almost.

Speaker 10 (02:18:25):
Got a.

Speaker 26 (02:18:38):
I got it right that time, y'all. Yeah, let's get
it now, let's get it down. Gotta be some smum
some what's the dad, Let me get on that.

Speaker 16 (02:18:49):
What's the dag?

Speaker 10 (02:18:49):
Real quick?

Speaker 16 (02:18:50):
What's something?

Speaker 2 (02:18:51):
No, let's go, y'all.

Speaker 13 (02:18:56):
Let me tell you something toxic is toxic. It don't
matter that title with your life.

Speaker 80 (02:19:01):
It could be best friend, husband, sister, mama, daddy, brooke.

Speaker 13 (02:19:06):
It don't matter who that your auntie, uncle. If they toxic,
they toxic. If they ain't shit, they just ain't shit.

Speaker 10 (02:19:12):
It don't matter.

Speaker 81 (02:19:13):
I ain't poison is poisoned no matter who the poison.
In fact, it's still gonna have the same result. Y'all
got to stop using this term. Oh that's still your mama,
that's still your daddy, your brother.

Speaker 6 (02:19:25):
Yo.

Speaker 13 (02:19:25):
Let me tell you something. They unhealthy for you. They
jealous of you. They don't want to see your have nothing.

Speaker 2 (02:19:32):
They can't stand when you come brown and.

Speaker 13 (02:19:34):
You're doing better than them. They jealous of your kids.

Speaker 7 (02:19:37):
Right.

Speaker 13 (02:19:37):
I understand that's your cousin he. I understand that's your
brother nil. I understand that they kid. But let me
tell you something. Made learn to stay away from people
that don't mean you no good. Some of the most
poisonous people that you.

Speaker 82 (02:19:50):
Gonna ever run into, and your knight come disguise as
friends and family.

Speaker 13 (02:19:54):
Let me tell you something.

Speaker 29 (02:19:56):
I know it hurt you.

Speaker 20 (02:19:57):
They don't get a lot of it.

Speaker 83 (02:19:59):
I know would hurt you that then people swished on,
people stole from you, but smoot all over your names.

Speaker 13 (02:20:05):
I know it hurts you.

Speaker 16 (02:20:07):
But you know what's gonna hurt worst.

Speaker 13 (02:20:09):
The fact that they can't never come back and use you,
gonna vote. The fact that they ain't never get it
close to you, gonna goote. That's don't hurt hurst, can't.
I know it hurts that you had to throw your
own sister out your house.

Speaker 16 (02:20:22):
I know it hurts that you had to cut.

Speaker 83 (02:20:24):
Your brother off because he was trying to sleep with
your old lady. Let me tell you something, babe. They
can't never come back to you, and that alone gonna
hurt worse than what they did to you.

Speaker 6 (02:20:35):

Speaker 13 (02:20:36):
I know it hurts, man.

Speaker 83 (02:20:38):
I can feel your pain man, by all the dirt
they spread on your name.

Speaker 4 (02:20:42):
Man.

Speaker 2 (02:20:42):
But let me tell you.

Speaker 82 (02:20:43):
Something, man, what they gonna have to have that same
energy because they don't turn that to God's in.

Speaker 13 (02:20:49):
It, because God don't play about you.

Speaker 2 (02:20:52):
I want to be a nerth teak. Let me tell
you something. Yes hurt.

Speaker 13 (02:20:55):
I want you to let go everything over. I want
you to let go there old man you've been chasing.
I want you to let go that old lady.

Speaker 29 (02:21:04):
That go me and you know good.

Speaker 69 (02:21:05):
Because God fend the deliver everything new to you. He
finish give you a new house. He Finiah, give you
a new car. He Finnah, give you a new spouse.
He Finnah give you a new JOm. Out with the old,
in with the new. This is a new your faith card,
bestow it blessings on you.

Speaker 13 (02:21:22):
This is your winning season.

Speaker 69 (02:21:24):
Everything you touched, fin the goat, everything you touch fin
the turn to gold.

Speaker 13 (02:21:29):
This is your winning season. Baby, they can't stop it.

Speaker 82 (02:21:32):
I'm gonna tell you right now, do money finish, find
this way to you. No our fraternities coming to you,
new friends coming to you.

Speaker 13 (02:21:41):
Last night was the last.

Speaker 69 (02:21:42):
Night you was gonna get torun Last night with the
last night you was gonna get hot.

Speaker 13 (02:21:47):
Last night was the last night some of the people
around you was gonna ever see you again. And they
ain't even know it.

Speaker 80 (02:21:53):
Let me tell you something, Ship, if you chumped off
the porch, real young and real earth.

Speaker 83 (02:21:58):
At this point of your life, you probably about thirty five, forty,
maybe even.

Speaker 13 (02:22:03):
Fifty years old, all you wanna do is stay home.
All you wanna do is get you some money. If
you're work a job, you want to stay on the clock.
You don't wanna be in the club. Don't more because
you don't done all that.

Speaker 82 (02:22:17):
She because you don't realize when you were fourteen, fifteen,
sixteen years old.

Speaker 13 (02:22:21):
You was excited that jim off the porch and get
out the house.

Speaker 82 (02:22:25):
Nowaday, when you get to this age here you trying
to sneak up out the screech to go back in
the house.

Speaker 13 (02:22:31):
Everything that got their house.

Speaker 83 (02:22:32):
At this point in your life, You don't realize going
outside got you conventions on your record.

Speaker 13 (02:22:39):
Going outside got you about four, five.

Speaker 82 (02:22:42):
Six, seven, eight, nine ten kids from different.

Speaker 10 (02:22:45):
Ain't a dad?

Speaker 13 (02:22:46):
You realize going outside.

Speaker 80 (02:22:48):
Ain't bringing you nothing but a headache, drama, money, problems,
and script Let me tell you something, The bless us
can't laugh until the land of script clips.

Speaker 13 (02:22:59):
Just watch how good your life yet? When you stop
dealing with people that don't mean you no good.

Speaker 57 (02:23:06):
You know why your.

Speaker 13 (02:23:07):
Life full of curses. You know why your life full
of chaos. You know why your life going bad because
you got bad people around you.

Speaker 10 (02:23:15):
You got so many.

Speaker 82 (02:23:16):
Different spirits around you, so much negative energy around you.

Speaker 13 (02:23:19):
Get from around the enemy, get from rounding the front
of me. So I'm talking about them friends that's really enemies.
Let me tell you something, man, I don't know how
y'd be just hanging out.

Speaker 6 (02:23:29):
With so many people around y'all.

Speaker 13 (02:23:31):
I don't know how God got so many friends. Man,
I can't deal with all the different spirits around me.

Speaker 21 (02:23:36):
I need peace.

Speaker 13 (02:23:37):
I need to be alone. See this season we entering
right now, man, is the season of victory. But you
can't get to victory if you hang around losers. Cut
the losers off. You got to cut people off that
don't mean you no good.

Speaker 2 (02:23:53):
I mean, let me tell you something.

Speaker 68 (02:23:56):
Shit, there's some people out there right now believe in
the lives that heard about you.

Speaker 2 (02:24:01):
It's some people that been told that you was a
lot of whole time you were the truth. It's some
people that have been told that you was faith the
whole time you was.

Speaker 82 (02:24:10):
The realm because the people that told them was markers, chalkers,
fakers and perpetrators.

Speaker 13 (02:24:18):
And people that did you wrong. And they trying to
make sure that they block anybody else from me and you.

Speaker 82 (02:24:25):
But see what gonna happen is the people gonna find
a way to get next to you, to get to
know you for themselves, and they gonna.

Speaker 28 (02:24:33):
Find out the whole time that you were the truth
and they lied on you. The truth always outshine the lies.
The truth always gonna set you free. You ain't gotta
go around and try to prove yourself to nobody.

Speaker 82 (02:24:48):
Just hold on teeth, being consistent, and your persistence gonna
outshine the lie.

Speaker 2 (02:24:54):

Speaker 84 (02:24:56):
Where you're throwing business, you can't have no emotions, and
emotions don't miss see emotions is energy. Emotion you gotta
understand when you're trying to get to a goal, if
that person can help you get to that goal, do that.

Speaker 13 (02:25:11):
Get it done.

Speaker 2 (02:25:12):
Because I'm gonna tell.

Speaker 82 (02:25:13):
You something right, the whole common denominator is the money.
Just like Scotty pipp and Michael Jordan, none of them
mayn't like each other, but they gone six with each other.

Speaker 13 (02:25:24):
Just like Lebron and pat Rodney.

Speaker 82 (02:25:25):
Pat Rodney couldn't stand Lebron, but they going championships with
each other.

Speaker 13 (02:25:30):
You gotta understand something when you working for somebody you.

Speaker 82 (02:25:33):
Might not like your boss. Put your boss pay your bills.
He pay you every two weeks. You want that check. Hell,
half the women that's married to these men can't stand them,
but he pay all the bills. Half the men that's
married to these women can't stand it for he needs
some nookie at night and some cookies in the morning.

Speaker 13 (02:25:51):
Think about what I'm saying.

Speaker 2 (02:25:53):
Let me tell you something, Yes hear you know what
your problem means.

Speaker 13 (02:25:56):
Why you think you could change everybody? You think that
you gonna walk.

Speaker 80 (02:26:00):
In people life and change them. You expecting another you
out of them. But they ain't cut like you, they
ain't built like you. They ain't made like that. They
don't even think like you. They don't care the where
you do. You gotta ask God for some grindy.

Speaker 83 (02:26:14):
You gotta ask God to help you accept the things
that you can't change and change the things.

Speaker 13 (02:26:19):
You can see. I'm gonna tell you something. Make you
gonna stretch yourself off so bad that you're gonna croak
out and pass out.

Speaker 69 (02:26:27):
And they gonna continue living their life like they don't
give a The moment you stop caring, that's the moment
they gonna start can see when.

Speaker 13 (02:26:35):
You're care too much, they give you your butt.

Speaker 82 (02:26:38):
The kids the minute you just missed them, The minute
you add like you donna see them, that's when they.

Speaker 13 (02:26:43):
Gonna start to see you. Everybody that's causing you stretched.

Speaker 82 (02:26:48):
Get from round them people, tell them, get my mom
and my crey old voice.

Speaker 16 (02:26:52):
Baby yet and let go of me.

Speaker 13 (02:26:55):
Let me tell you something to this game. You costs
about thirty forty years old. All you supposed to be.

Speaker 83 (02:27:01):
Worried about ears, sleeping good, living good, getting to the.

Speaker 13 (02:27:06):
Money, having a piece of mind. Man, Yeah, and join
your time. Just shrewd gird y.

Speaker 83 (02:27:12):
Ain't that's what it's suposed to be By When you
hit about thirty forty years old, you supposed to lead
a streets alone.

Speaker 4 (02:27:18):
Man.

Speaker 13 (02:27:19):
I understand that his speech.

Speaker 83 (02:27:21):
Ain't got nothing from me for the court day and
a casket. When you get about thirty forty years old, man,
you ain't supposed to be chasing no old man. Yes,
you're supposed to have one old lady, maybe two, if
that's what you want to. You need a piece of mind,
You need some honey, You need some sleep.

Speaker 82 (02:27:38):
Yet, when you hit them thirties and forties, main things
goned to change.

Speaker 1 (02:27:42):
You can't be living.

Speaker 13 (02:27:43):
Life how you used to do when you was twenty two.
You ain't twenty two no more. Man, your forty two,
and your.

Speaker 82 (02:27:49):
Kids turning about eighteen years old, they ain't about to
get thrown.

Speaker 13 (02:27:53):
It's trying to grow up. Let me tell you something
to this game you cross about thirty forty years old.

Speaker 68 (02:28:00):
Oh, you supposed to be worried about its sleeping cool,
sipping cool.

Speaker 16 (02:28:15):
Yeah y'all, This y'all was meant to night dog talk about. Yeah,
you want some more of that, don't check I'll know
check me out.

Speaker 26 (02:28:28):
Twice a week nine pm Central ten pm Eastern Time,
Monday through Saturday Sundays six pm Central seven pm Eastern
Time for that sixty through Southern Soul and R and B.
You might be tuning into that tomorrow. I'm still debating off.
Be looking out in your rosters for announcements. This was

(02:28:51):
Announcements season two. So whatever you heard that was new,
that was your announcements. And don't forget tofe share and
subscribe on YouTube. Check your email for the riverside fl
version of this. Maybe a little bumpy, maybe not, but
we is on top tonight right here live Boss Ladies

(02:29:15):
Radio Show.

Speaker 16 (02:29:16):
You know what I'm saying enough.

Speaker 26 (02:29:18):
If you got music to be heard and things to
be said in interviews to be done, sid them to.

Speaker 13 (02:29:25):
Boss Lady.

Speaker 16 (02:29:28):
Nine five at gmail dot com.

Speaker 26 (02:29:30):
And oh, don't forget your sponsor, Drazy d r z
e y two.

Speaker 16 (02:29:36):
One at yahoo dot com. And I'm about of here,
and that's really all I have to say.

Speaker 13 (02:29:43):
Good afternoon, morning, and evening.

Speaker 16 (02:29:45):
We'll see some next year heats.

Speaker 32 (02:30:07):
We are now transferring you to a customer care rep.
Please hold the line and we will answer your call
as soon as box.

Speaker 9 (02:30:13):
Thank you for tuning.

Speaker 37 (02:30:15):
By the way, to ensure

Speaker 19 (02:30:16):
You're getting great service, your call may be recorded or
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