My Darling Clementine starring Henry Fonda

Episode Transcript

Speaker 1 (00:00):
Hudson River Radio dot Com the best thing to happen
to the Internet.

Speaker 2 (00:05):
Lux Presents Hollywood Leaver Brothers Company, the makers of Lux Flakes,
bring you the Lux Radio Theater starring Henry Fonder, Richard Conty,
and Kathy Downs in My Darling Clementine, Ladies and gentlemen.

Speaker 3 (00:29):
Your producer, mister William Keeley.

Speaker 4 (00:37):
Greeting from Hollywood, Ladies and gentlemen, Tonight we bring you
the story of Wyatt Earth. Among the many heroes of
the early West, Wyatt Earp and his three brothers stand
as symbols of the fighting Marshal, the sheriff who fought
with fist and gun to establish law and order on
our frontiers. Irp is played tonight by Henry Fonda. In

(00:59):
twentythe Fox's screen success, My Darling Clementine co starred with
Henry Is Kathy Downs, also from the original cast, and
that new and talented arrival among screen stars, Richard County.
My Darling Clementine was filmed in Arizona, in that primitive,
weirdly beautiful country of the Navajos. There were no laundry

(01:21):
facilities there, of course, and Kathy Downs was telling me
how she and other members of the troop did their
own in tubs of lukewarm water and lux flakes. They
were observed in this daily ceremony by a group of
fascinated squaws. And one of Kathy's favorite souvenirs is a
cake of soap made of yucker roots that an Indian

(01:42):
woman gave her in exchange for Yes, You're right a
box of lux, which only goes to prove that the
bargaining instincts of the red man or red woman in
this case are as keen as ever. It's playtime and
Here's Henry Fonda starred as Wire her, Richard Conte as
Doc Holliday, and Cathy Downs as my darling Clementine. Our

(02:06):
curtain rises on the first act.

Speaker 5 (02:09):
Oh madoll, Oh madn Oh.

Speaker 6 (02:15):
My doll and clement Time.

Speaker 5 (02:28):
Ten thousand camel All the stray.

Speaker 7 (02:35):
Left my way.

Speaker 6 (02:38):
And wandered away.

Speaker 8 (02:42):
And the Sons of God.

Speaker 4 (02:46):
Arizona the eighteen ys along a broad sweep of rangeland
the herd of cattle settles down for the night. Nearby,
around the campfire, four men have just finished supper. The
men are brothers, the brothers James Virgil Morgan and Wyatt's
Wyatt until recently the United States marshal at Dodge City.

(03:10):
Suddenly breaking through the twilight, five riders draw up to
the camp.

Speaker 5 (03:16):
Ai Adi.

Speaker 4 (03:19):
Wait here, boys, I'll see what they want.

Speaker 5 (03:21):
My name's Clinton, mister, he's hearing my boys evening your cattle.

Speaker 9 (03:27):
Huh yeah, Me and my brothers are tailing mind to California.

Speaker 10 (03:30):
You'll never make it so if you ain't gonna committed
to no shipper, I'll take them off your hands.

Speaker 4 (03:35):
Thanks, not interested.

Speaker 10 (03:36):
Me and my boys will make it good offer. Pay
your silver five dollars ahead.

Speaker 4 (03:41):
They more than that in Mexico.

Speaker 5 (03:43):
Will be a sorry looking a load for the time
you get to California.

Speaker 9 (03:46):
They'll feed out when they get the grass. Say what
do they call this place just.

Speaker 6 (03:50):
Over the rise there?

Speaker 10 (03:51):
Big town called Tombstone, Fine town, Tombstone, Yeah, heard of it.

Speaker 4 (03:57):
Well, me and my brothers might ride in there tonight,
get ourselves a shave, maybe glass of beer.

Speaker 10 (04:02):
Yeah, you'd enjoy yourself wide awake, wide open town too soon.

Speaker 4 (04:07):
Well, thanks for stopping by.

Speaker 10 (04:08):
Change your mind about them cattle. I'll be around mon boys.

Speaker 5 (04:16):
Or coffee wire.

Speaker 4 (04:17):
No thanks more.

Speaker 9 (04:19):
That was a tribe of Clanton, look about as mangy
as we do.

Speaker 4 (04:22):
Uh, let's get to cleaning up supper dishes.

Speaker 11 (04:24):
Eh dreams.

Speaker 5 (04:25):
That was my de fine Charles Son.

Speaker 11 (04:27):
One of these days as going to be as good
a cook as more.

Speaker 5 (04:30):
Well, I'm learning and trying.

Speaker 4 (04:31):
That's what I keep.

Speaker 9 (04:32):
Telling him to do. Corey Sue ain't marrying him because
he's so pretty. It's because he's such an awful good cook.

Speaker 5 (04:38):
That's a fact.

Speaker 4 (04:40):
Hey, if we're going into town, what are we waiting
for supper dishes?

Speaker 12 (04:43):
Brother Herd, all go on, I'll clean up here. I
turn to ten Herd anyway.

Speaker 11 (04:47):
Don't be lonesome, kid, I wouldn't be lonesome.

Speaker 9 (04:50):
You can sit here and think about your girl. I
bet you marry Corey Sue first day we get back home.

Speaker 12 (04:56):
Look, I didn't show you this HI wanted for last week.
Thinks you'll like it.

Speaker 4 (05:03):
Say, what do you call that thing? Necklace?

Speaker 5 (05:05):
And short of I guess it's a pending solid silver.

Speaker 9 (05:09):
Sure it's pretty, James, I look mighty pretty in them
yellow curls at Corey sews.

Speaker 13 (05:15):
All right?

Speaker 4 (05:15):
That the truth.

Speaker 12 (05:16):
Now, Well, if you're going into town here, bet amount up.

Speaker 9 (05:20):
Keep the fire going, James. We'll be back four or
five hours.

Speaker 14 (05:33):
Sure, wasting a dollar for that bath in town. You
stayed with James and just stood out in this rain.

Speaker 4 (05:38):
It's coming down, all right.

Speaker 6 (05:40):
That's some white up in town.

Speaker 4 (05:41):
That Tombstone.

Speaker 5 (05:42):
Uh yeah, funny you running into mister Scott.

Speaker 4 (05:45):
What mister Scott doing back in Gude city, verge? He's
mayor of Tombstone. Now know what he did?

Speaker 14 (05:50):
Offered while the job as marshall two hundred and fifty
dollars a month, two hundred and well, wyat you you
didn't take.

Speaker 4 (05:57):
It, did you? I sure didn't. We're in the cattle
that I.

Speaker 11 (06:00):
Don't know whether we are or not.

Speaker 5 (06:02):
Pull up?

Speaker 4 (06:02):
What are you talking about?

Speaker 11 (06:03):
Look those boulders. We left a kettle just north of
those boulders.

Speaker 4 (06:07):
How can you see in all this ring?

Speaker 11 (06:08):
You can see all right?

Speaker 4 (06:09):
And they're gone wire.

Speaker 11 (06:10):
The cattle's gone.

Speaker 4 (06:12):
James I tuck wagon still there?

Speaker 6 (06:14):
See a likely James is in the wagon.

Speaker 4 (06:16):
Come on, he's dead.

Speaker 11 (06:23):
Wid James is dead, shot.

Speaker 4 (06:26):
In the back. Our kid brother shot in the back,
Morgan virgie. We're going back into town. I mean, god, damn,
mister Scott. James was dead and the cattle was gone.
All I want to know is whether that Marshaling, jot

(06:47):
is still open, Sure is what I like to take it? Then,
providing my two other brothers or deputies. When do you
want to start now? Who runs a gambling in this town?

Speaker 5 (06:56):
A fellow named Holiday, Doug Holiday.

Speaker 4 (06:58):
Who runs a cattle Clanton's old man Clanton and his
four sons say, where are you figuring on living?

Speaker 15 (07:05):
What?

Speaker 4 (07:05):
I hadn't thought about it yet. I'll get some rooms
here in the hotel for you and your brothers. Swell
you all in over the jail first thing in the morning.
Any idea where I might find old man Clinton?

Speaker 5 (07:15):
Hard to say your duck holidays place? Maybe?

Speaker 9 (07:18):
Thanks, I'll try Holiday.

Speaker 4 (07:26):
Good evening, mister Clinton. Uh oh evening, Well you were
right h our cattle They said, I wouldn't get very
far with him.

Speaker 5 (07:36):
It was Russell this evening said so well, it's too
bad hear that? Boys us heard was Russell. Well, I
guess you ain't heading for California then.

Speaker 4 (07:48):
No, I just got myself a job.

Speaker 10 (07:50):
I'll punching Marshalling Marshall in Tombstone.

Speaker 5 (07:56):
Well, good luck to you, mister Earth.

Speaker 4 (07:59):
Why at her?

Speaker 11 (08:00):
Eh?

Speaker 10 (08:01):
Oh, well, good night, mister rp Non boy, this.

Speaker 4 (08:17):
Here is not much of a grave, James, the best
we can do for you now, eighteen years old. Didn't
get much of a chance, did you. I wrote to
Pa and Corey Sue. They're going to be all busted
up over Corey Sue's young, But Pa, I guess you'll

(08:38):
never get over it. I'll be coming out here to
see your regular James, So Morgan Verge, we're going to
be around here for a while. Can't tell. Maybe when
we leave this country, young kids like you will be
able to grow up and live safe. We're not forgetting

(08:59):
a jeans now.

Speaker 5 (09:08):
We getting nowhere?

Speaker 11 (09:09):
Sitting around the jailhouse. Wiat where's Verde.

Speaker 4 (09:12):
Washing up in the hotel?

Speaker 9 (09:13):
He's all day Scott in the Clinton's range. He's been
moving cattle all right, but that doesn't prove anything.

Speaker 14 (09:18):
Got any ideas, And I'm going over to doc Holidays place,
Holidays back in town.

Speaker 4 (09:24):
If he isn't now wait for him.

Speaker 14 (09:26):
What about Holiday's girl, the one who sings there shihuaa?

Speaker 4 (09:29):
She won't talk.

Speaker 16 (09:30):
See you later more, baldy, you you busy?

Speaker 5 (09:45):
Wars kind of slow this afternoon.

Speaker 17 (09:47):
You know when ducks coming back? I heally be back tonight.

Speaker 5 (09:50):
Maybe I ain't heard.

Speaker 17 (09:52):
Where has he been this time?

Speaker 4 (09:53):
Baldi toushon over the border? Who knows where dark goes?

Speaker 17 (09:57):
That's right, who knows?

Speaker 5 (10:00):
Why?

Speaker 17 (10:01):
I see the new Marshall, the poker player.

Speaker 5 (10:03):
He's been doing all right too.

Speaker 17 (10:05):
I don't like Marshalls. Maybe I go hang around that
table a little while, careful, Oh shoot, shoot.

Speaker 5 (10:18):
An Marshall, your play, my play.

Speaker 4 (10:22):
I love poker, yes, sir, I really love poker.

Speaker 5 (10:27):
Oh how did you are?

Speaker 13 (10:28):
Mind?

Speaker 5 (10:29):
If I watch hang around, maybe you'll bring me some mark.
It's still your play, Marshall.

Speaker 4 (10:34):
Now what would I do if I was in your boots?

Speaker 3 (10:36):
Colonel?

Speaker 9 (10:37):
You're a real gambler. Huh that you're living at it? Huh?
Why I just threw three.

Speaker 4 (10:42):
Cards and I stood pat and if you raised me?
Now the question is what should I do?

Speaker 5 (10:49):
Take your time, Marshall.

Speaker 4 (10:51):
Poker is a game of chance, isn't it? Shiuahwa?

Speaker 17 (10:54):
Some people think so.

Speaker 9 (10:55):
But the way you're standing over my shoulder increases the
odds considerable.

Speaker 17 (11:00):
What the matters for?

Speaker 16 (11:01):
Oh?

Speaker 4 (11:01):
Nothing except you just told the colonel what cards I'm holding?

Speaker 17 (11:04):
Oh you got eyes in back of your head?

Speaker 10 (11:06):
Huh.

Speaker 4 (11:06):
Mirror over the bar, I saw you raise three fingers.
You better get out of here. Shouaa listen, can't you
doing that again? I'll send you back over the border
where you belong.

Speaker 17 (11:14):
This is Duc Holliday's town.

Speaker 18 (11:16):
When he comes back to.

Speaker 4 (11:17):
Run along, shaua, oh shoo, shoot right right along? Where
were we? Sorry? Chance, but I don't like eight handed poker,
do you?

Speaker 5 (11:28):
You don't think?

Speaker 19 (11:28):
No?

Speaker 4 (11:29):
No, no, let's see you just raised me. Yeah.

Speaker 9 (11:36):
Well, seeing as how you know, I got three of
a kind, I'll just have to call you.

Speaker 5 (11:41):
Yes, you lose, Marshall got a little straight to schuld.

Speaker 4 (11:46):
Well.

Speaker 5 (11:47):
Doc just walked in.

Speaker 4 (11:48):
Huh oh that's dark holiday.

Speaker 3 (11:51):
Huh, nice looking fella.

Speaker 18 (11:54):
I thought I told you to get out of town.

Speaker 5 (11:55):
Have a heart, Doc, I said I'd cut you in.

Speaker 3 (11:58):
I told you to get out of town.

Speaker 6 (11:59):
Doc, I'm going you're headed.

Speaker 8 (12:01):
In the wrong direction. At doors for ladies and gentlemen.
You go through the kitchen.

Speaker 3 (12:05):
Sure, sure, go on with your game, gentlemen.

Speaker 4 (12:09):
It's getting late. I better cash me. Yeah, me too. Sure.
It's a hard town for a fellow to have a
quiet game of poker.

Speaker 3 (12:18):
And sorry to have broken it up. I just don't
like the way the colonel plays.

Speaker 4 (12:22):
It doesn't matter.

Speaker 9 (12:23):
I just been killing time anyway, been waiting to see you.
I have an out of town mister, so you know
who I am. I know all about you and your
reason for being here, and I hever a lot about
you too, Doc. You let your mark around in Deadwood, Denver,
in places in fact a man could almost follow your trail,
going from graveyard to graveyard.

Speaker 4 (12:42):
There's a graveyard here too, the biggest graveyard west of
the Rockies. Marshals and I usually get along much better
when we understand that right away. Get your meaning, Doc, good,
Have a drink, thanks, believer.

Speaker 5 (12:54):
It will all dear.

Speaker 3 (12:55):
Glass of champagne for the marshall.

Speaker 4 (12:57):
Make it whisky.

Speaker 9 (12:57):
You're my guest, Marshall champagne plan. I'm staying here long
a while, so you catch the rustlers who killed your brother.

Speaker 4 (13:05):
That's the general idea. What's the specific idea. I don't
follow you quite well. You haven't taken it into your
head to deliver us all from evil. H I hadn't
thought of it quite like that. But you need a
bad idea. That's what I'm getting paid for.

Speaker 3 (13:20):
Let's get down the cases, Marshall.

Speaker 4 (13:22):
What about me?

Speaker 5 (13:22):
For instance?

Speaker 9 (13:23):
How would you handle me if I took a notion
to break the law you already.

Speaker 4 (13:26):
Have from what I've heard. The law is my business.

Speaker 3 (13:29):
Doc, I see where an opposite.

Speaker 4 (13:30):
Can if I draw a gun. So then how good
you are with yours? I'm a great one for education, Marshall. Sorry,
but I'm not carrying a gun. We can remedy that
quickly enough.

Speaker 6 (13:40):
Are you down there?

Speaker 3 (13:41):
Let's have your gun. There's a gun, mister Rick.

Speaker 4 (13:47):
Yeah, looks familiar too, belongs to my brother.

Speaker 20 (13:51):
Thanks.

Speaker 12 (13:51):
Verge, all right, I've got another.

Speaker 3 (13:54):
Now, if I killed you, Marshall, chances are he killed me.

Speaker 9 (13:57):
Chances are thought charge would ruin my res invitation of
the gambler. Folks might say you were a fool who
have started it. So let's have that drink instead.

Speaker 4 (14:05):
Verge, meet dark holiday, Audi, have a drink you.

Speaker 3 (14:10):
I'd like you to join us too, boldly, Yes, sir,
thank you?

Speaker 5 (14:13):
Doc.

Speaker 3 (14:14):
Well, gentlemen, your health, your health? Doc?

Speaker 5 (14:19):
You all right?

Speaker 6 (14:21):
I'm all right?

Speaker 11 (14:23):
Fill up the glass.

Speaker 4 (14:26):
Going to the performance tonight, Marshall performance.

Speaker 3 (14:29):
Haven't you noticed the posters?

Speaker 4 (14:31):
Oh, the Shakespeare's come to Tombstone.

Speaker 3 (14:34):
I haven't been a long time since I've heard Shakespeare.
How would you like to join me?

Speaker 4 (14:38):
Fine? With or without a gun.

Speaker 3 (14:41):
With by all means next time, your brother might not
be around.

Speaker 4 (14:53):
Where we going to find out?

Speaker 8 (14:55):
Shakespeare an actor? The theater is filled with people and
he hasn't even showed up.

Speaker 4 (14:58):
I'm afraid, mister Dennis and p. Thorndyke is drunk.

Speaker 11 (15:01):
Drunk or not.

Speaker 3 (15:02):
We better get him.

Speaker 8 (15:02):
The last three shows we've had the stars been drunk
and the management had to fill in with bird imitations. Well,
the population is getting mighty sick of bird imitations, mister Repp.

Speaker 4 (15:11):
Yes, we better find Thorndyke then, unless you want to
have a riot on your hands. Me, it doesn't matter.
I'd still like to know where we're going.

Speaker 8 (15:18):
But there's a little Mexican saloon. Since he's not at
my place, chances he's dead.

Speaker 12 (15:24):
Really, gentlemen, I.

Speaker 4 (15:25):
Must get to the theater. Shut up, Thorndyke. We want any
more poetry. Understand, If you're an actor, act, maybe you'd
rather dance, Finn You can dance later very well.

Speaker 5 (15:40):
To be or not to be, that's just a question
whether it's.

Speaker 4 (15:47):
Nope, Well, there's your active Get him out of here. Wait,
I want to hear it, or to take arms against
the sea if troubles, by opposing end them to die,
to sleep no more, and by us sleep to say
we end the heartache and the thousand natural shocks.

Speaker 11 (16:10):
That flesh is heir to.

Speaker 4 (16:12):
H tis a consummation devoutly to be wished, to die,
to sleep.

Speaker 5 (16:19):
To sleep, per chance to dream.

Speaker 4 (16:22):
Aye, there's the rough, for in that sleep of death,
what dreams may come?

Speaker 5 (16:28):
When we have shuffled out this mortal coil.

Speaker 4 (16:31):
You're nothing but poems even along Clanton? What oh oh sure,
doctor sure, please go on with the d Thank you. Sir,
must give us pause, must give us pause. I please
help me, sir, I must give us pause. There's the

(16:53):
respect that makes calamity of so long a life. For
who would bear the whips and scorns of time, the
law's delay, the insolence of office, and.

Speaker 3 (17:04):
The spoons the patient merit.

Speaker 4 (17:05):
Of the unworthy takes when he himself my disquietus, Make
excuse me, Marshall's the matter with doc? I don't know
they're waiting for you at the theater, mister Thorndyke. Thank you, sir.
Shakespeare was not intended for taffan, sir, No for tapping loud.
I wait a minute, Marshall, how much face here?

Speaker 5 (17:33):
What's going on in here?

Speaker 4 (17:35):
My apologies, mister Clinton. I had to hit ike and
I guess I increased one at thin's ribs and you
will ride.

Speaker 11 (17:42):
I'm all right.

Speaker 5 (17:43):
I guess they had a little too much to drink.
Mister Sure.

Speaker 9 (17:46):
I figured they're just having them sell some fun. Come on,
mister Thorndyke, I'll take you to the theater.

Speaker 11 (17:52):
What happened?

Speaker 4 (17:53):
I pulled my gun on him, poor And when I.

Speaker 5 (17:55):
Do see this whip oliguer, you see the swipper.

Speaker 10 (18:00):
Next time, I'm gonna get kill understand.

Speaker 5 (18:06):
Kill me.

Speaker 8 (18:16):
Our stars Henry Fonder, Richard County and Kathy Downs will
return in the moment with Act two of My Darling Clementine.

Speaker 4 (18:23):
Hudson River Radio dot Com. We return you now to
William Keeley Act two of My Darling Clementine, starring Henry
Fonder as Wired R, Richard County as Doc Holliday, and
Kathy Downs as Clementine. It's a couple of weeks now

(18:51):
since Wired Up settled down in Tombstone, but the new
Marshal's no closer to discovering the murderer of his young
brother James. It would be the Clantons could even be
Doc Holliday, Doc who's haunted by a racking call, Doc
the tavern keeper who quotes Shakespeare and scorns the law.

Speaker 5 (19:10):
One person might.

Speaker 4 (19:11):
Know the full story of mysterious Doc Holliday his dark
skinned girl Shawalla, But you're always full of smiles and silence.
Early one morning, the westbound stagecoach leaves the passenger at
the mansion house alone on the porch wired her watches
her come up the hotel steps.

Speaker 13 (19:32):
If you don't mind getting out of your chair, some
baggage down?

Speaker 4 (19:35):
Oh sorry, miss, thank you. Hotel clerk seems to disappeared.
As a rule, he watches out for the stage. Any
special place you want those bags?

Speaker 13 (19:44):
Well, I'd like them brought to my room.

Speaker 21 (19:46):
But if the clerk is, oh, something wrong? Why you're
the sheriff, Ah Marshall.

Speaker 13 (19:54):
All right, I thought you were employed here.

Speaker 4 (19:57):
I'm terribly sorry, No need to be sorry.

Speaker 9 (19:58):
By time I got myself out of that chair, you
uh here for a visit.

Speaker 13 (20:03):
I'm looking for someone Doctor John Holliday.

Speaker 4 (20:06):
You mean Doc Holliday.

Speaker 13 (20:08):
Well, I imagine.

Speaker 4 (20:09):
So Doc rode out of town early this morning.

Speaker 9 (20:11):
Miss hard to say, money'll be back supper time most likely.

Speaker 4 (20:15):
Oh, here's the clerk. Now, I got a customer for you.

Speaker 5 (20:17):
Dad.

Speaker 22 (20:18):
We want a nice room for miss Carter, Clementine.

Speaker 5 (20:21):
Catters, ma'am.

Speaker 4 (20:23):
I mean, if you're just signed the register, missus Carter,
don't mean nothing.

Speaker 13 (20:27):
Tones up the face a little little. He really didn't
have to bring my bags.

Speaker 9 (20:33):
Upstairs, Marshall, and I told him to send up a
couple of buckets of hot water in case you wanted
to take a bath.

Speaker 13 (20:38):
That's very thoughtful of you.

Speaker 4 (20:40):
Well, here's your room. What do you know?

Speaker 13 (20:43):
What's the matter?

Speaker 4 (20:44):
Looks like they put you right across the hall from
Doc Holliday.

Speaker 13 (20:47):
That's John's rue, Yes, ma'am. I wonder if it's locked.

Speaker 4 (20:51):
He doesn't have to lock his doors.

Speaker 9 (20:52):
Miss nobody in Tombstone be fool enough to waltz in there.

Speaker 4 (20:56):
I would come along.

Speaker 13 (20:58):
Man, this is where he lives.

Speaker 4 (21:01):
Then that's right, miss.

Speaker 13 (21:05):
Look on the wall his diploma from college.

Speaker 4 (21:09):
Yeah, that's a diploma. All right.

Speaker 13 (21:13):
He's a wonderful surgeon, isn't he.

Speaker 4 (21:15):
I wouldn't know, ma'am.

Speaker 13 (21:16):
And here his photograph. I remember when he had this
picture taken. See you were a mustache.

Speaker 4 (21:23):
Then that other picture that's you, ain't it. Yes?

Speaker 22 (21:26):
I was a nurse then in a hospital in Boston.
That's that's how I met John.

Speaker 11 (21:32):
Well.

Speaker 4 (21:33):
I guess i'd better get along, miss.

Speaker 13 (21:36):
Thank you for your trouble, Marshal.

Speaker 4 (21:38):
Real pleasure. Hope Doc shows up soon.

Speaker 13 (21:41):
Would he come straight here to the hotel?

Speaker 9 (21:43):
Do you suppose I imagine he'd go to that place
down the street?

Speaker 13 (21:46):
What place?

Speaker 4 (21:47):
Well, it's sort of a bar.

Speaker 13 (21:50):
Well, then i'll wait from there. What's the name of it?

Speaker 4 (21:53):
What's called Doc Holliday's place? Me?

Speaker 7 (22:04):
You space?

Speaker 5 (22:07):
What's the matter? Show? Don't want to stop singing for.

Speaker 17 (22:10):
That girl who just spoke to you. She was here before,
wasn't she?

Speaker 10 (22:14):
Yeah, come in twice this afternoon. What does she want
looking for Doc?

Speaker 17 (22:18):
So you sent her to him?

Speaker 5 (22:19):
Well, of course that.

Speaker 10 (22:21):
He's back now, and he he wants to see her too.

Speaker 5 (22:24):
I don't look so mad. Shwaa, you know Doc?

Speaker 13 (22:27):
Yes, I know Doc.

Speaker 5 (22:29):
We'll stop worrying. You're the only girl he pays any
attention to.

Speaker 17 (22:33):
Am I Steve, I should like to know what's going
on back there?

Speaker 11 (22:36):
I forget it.

Speaker 10 (22:37):
Will you come on sing something? Singing something for old Baldi?

Speaker 17 (22:42):
No, Sue Baldy sure you Gary, Me.

Speaker 3 (22:57):
Just don't know what to say. Aren't you glad to sure?

Speaker 5 (23:00):
Clam? Sure?

Speaker 3 (23:02):
Oh, I'd like you to meet a friend of mine.
Why that missus Carfin we met earlier.

Speaker 13 (23:05):
Today, Joe.

Speaker 4 (23:07):
Hoty, ma'am. Well, i'll see you both later.

Speaker 13 (23:11):
It's wonderful to see you again.

Speaker 4 (23:12):
John.

Speaker 3 (23:13):
Why did you come here?

Speaker 4 (23:15):
Happy? I came?

Speaker 13 (23:17):
I can see you're upset.

Speaker 3 (23:19):
It was ill advised, clem?

Speaker 13 (23:21):
An he less ill advised? And why that you gave
up medicine and left Boston?

Speaker 3 (23:25):
How did you know I was here?

Speaker 13 (23:26):
I didn't know.

Speaker 22 (23:27):
I've been months finding you, from cow camp to cowcamp,
from one mining town to another. Oh, I should think
that if nothing more, you'd at least be flattered to
have a girl chase you.

Speaker 8 (23:38):
Look, clem You've got to get out of here. No,
this is no place for your kind of person.

Speaker 13 (23:42):
What kind of a person am I?

Speaker 4 (23:43):
John?

Speaker 8 (23:44):
Please go home, claim go back way or belong forget
that you ever?

Speaker 17 (23:52):
You heard what he said?

Speaker 13 (23:53):
He said, go back home? Who are you?

Speaker 17 (23:55):
He does not matter who I am.

Speaker 13 (23:57):
He's sick, isn't he? Those coughing spells does he appen? Frequently?
Too often?

Speaker 17 (24:02):
Each time he's worse Oh that frightens you, doesn't it.

Speaker 7 (24:06):
Maybe now you go home?

Speaker 23 (24:07):
Huh, Maybe now you'll leave him alone.

Speaker 13 (24:13):
You're ill, John, that's why you left home.

Speaker 3 (24:17):
That has nothing to do with it.

Speaker 13 (24:18):
Well, as if that would have mattered.

Speaker 8 (24:20):
I tell you, Clem, my health has nothing to do
with it. I don't believe you, and I'll give you
the truth. The man you want you doesn't exist anymore.
There's not a vestige of him left nothing. Now, come on,
I'll take you back to the hotel.

Speaker 13 (24:30):
John. Please, you can't send me away like this. You
can't run away from me anymore than you can run
away from yourself.

Speaker 5 (24:38):
Now.

Speaker 13 (24:39):
I know you don't care whether you live or die
while you tried to get yourself killed. I've heard all
about you, John, and you're wrong, so wrong.

Speaker 21 (24:47):
You've no right to destroy yourself. A world of friends
back home who love you, and I love you.

Speaker 8 (24:54):
There's a stage leaving in the morning. Take it, Clem.
If you don't time moving on.

Speaker 13 (25:00):
Very well, John, I'll go.

Speaker 4 (25:12):
Right.

Speaker 8 (25:14):
If you think your brothers can finish supper all by themselves,
I would like to see.

Speaker 4 (25:17):
You, sure, Doc Trouble, I don't think so more.

Speaker 8 (25:21):
From where I'm standing here, that tin badger're wearing doesn't
give you the right to stick your nose into my
personal affairs.

Speaker 4 (25:27):
What's eating you?

Speaker 5 (25:28):
Doc?

Speaker 4 (25:28):
Why didn't you tell me Miss Cardo had come Tombstone?
Didn't she tell you why she wanted to surprise you?

Speaker 5 (25:33):
All right?

Speaker 3 (25:34):
All right now let me alone.

Speaker 4 (25:36):
I'll be around for while if you have any more questions.

Speaker 3 (25:38):
Baldy, Yeah, Doc, give me that bottle in the glass.

Speaker 8 (25:41):
Jack, you're not going to start drinking whiskey again, I said,
give me that bottle in the glass.

Speaker 11 (25:47):
I'll pour it.

Speaker 4 (25:47):
Do shut up.

Speaker 3 (26:00):
Stuck singing? Will you?

Speaker 5 (26:03):
Hot?

Speaker 13 (26:03):
Doc?

Speaker 17 (26:04):
Doc?

Speaker 4 (26:05):
What is wrong?

Speaker 8 (26:05):
I'll go score your stupid little song somewhere else and
I'll get out of here.

Speaker 11 (26:11):
Docture lapping up the liquor.

Speaker 4 (26:13):
I'm gonna see if I can get him out of here.
Finish your supper while I saw right, I'm finished.

Speaker 8 (26:20):
Have a drink, Marshall, No thanks, Doc, I said, have
a drink, No thanks.

Speaker 4 (26:24):
Look, Doc, I ain't trying to poke my nose into
your personal affairs by from where I stand, and man,
I'll have to go a long way for you. Find
a nicer girl and that miss Carter or a prettier
one for.

Speaker 8 (26:37):
That matter, Marshall, You've said enough, just as you say, Doc,
and this isn't any of your business either.

Speaker 4 (26:45):
Keep that up and you'll be out of business.

Speaker 3 (26:47):
You've just give me a brilliant idea. It's time I tempted, Faith.

Speaker 4 (26:51):
What are you pulling your gun for?

Speaker 16 (26:52):
Now?

Speaker 3 (26:52):
Let's see who's in here tonight that I don't particularly like.

Speaker 4 (26:55):
That's a sucker game, Doc.

Speaker 9 (26:56):
There's probably fifty men around town just waiting to see
you get liquored up so they can figure full of holes,
build him a great reputation, a man that killed Doc Holiday.

Speaker 8 (27:04):
See those fellows playing pokedon there that lamp should suddenly
crash down.

Speaker 6 (27:08):
On the table.

Speaker 3 (27:09):
They may not like it. I'll not find out, Marshall.

Speaker 4 (27:13):
Sorry, I gotta do this. Doctor, give me a hand, Baalie.
Let's get doctor.

Speaker 6 (27:18):
Bed onn and Wyatt more and more.

Speaker 9 (27:30):
Warren Verge have a good breakfast, three chops and four eggs.

Speaker 4 (27:34):
You're pretty good sitting all alone on the porch. It
just came from the barber shop, had my haircut, see looks.

Speaker 14 (27:41):
Knives, ViRGE, and I figured on riding out to James's grave.

Speaker 9 (27:45):
Figured I might ride out myself this afternoon, say Is
that a church bell out here?

Speaker 4 (27:50):
Yeah, that's a church bell all right. You know, if
I wasn't in the territory, I'd swear we were back
home on a Sunday morning. Yeah, with my scrubbing our
next to go to camp.

Speaker 11 (28:00):
By golly, I bet that's what it is.

Speaker 4 (28:02):
A can't me could be?

Speaker 10 (28:04):
You know?

Speaker 4 (28:04):
I can almost swear. I smell the honeysuckle blossons. That's me,
Barbara put some stuff on my hair. I'd sure like
to know what's happened that a church bell is ringing
in this god for a second time.

Speaker 9 (28:17):
They're trying to build a new church. Birds need more money,
though they hadn't a socialist. Morning after the service, Mayor
said there likely be some dancing too.

Speaker 14 (28:25):
You know, there's probably a lot of nice people around here.
We just ain't met him.

Speaker 4 (28:29):
Let's get started, Mark, I'll see you later. Why I
see you later?

Speaker 6 (28:34):
Morning?

Speaker 4 (28:34):
Shoaa? Looking for someone.

Speaker 17 (28:36):
I'm going into the hotel.

Speaker 13 (28:38):
Any objections.

Speaker 4 (28:39):
Doc's still in his room.

Speaker 17 (28:40):
I think he won't be there long when he finds
out you're here. You hit him last night. He come
down here and twist that tein bade around your house?

Speaker 13 (28:52):
Yes, what is it?

Speaker 17 (28:53):
I came up here to see Doc. I decide to
see you first.

Speaker 13 (28:56):
What about?

Speaker 17 (28:57):
Oh, I see what?

Speaker 6 (28:58):
Pe?

Speaker 17 (28:58):
Can you close?

Speaker 13 (28:59):
I said, what about?

Speaker 17 (29:00):
I am shihaha, I am Doc, holidays girl. I just
wanted to make sure you were.

Speaker 6 (29:04):
Packing, slamming those women yelling.

Speaker 3 (29:10):
I'm trying to rest.

Speaker 17 (29:12):
I'm sorry, darling. You're not angry, are you?

Speaker 4 (29:16):
You know? Sa? What?

Speaker 3 (29:17):
Why have I got to be angry with anyone or anything?

Speaker 17 (29:20):
She's packing, Doc, She's leaving town.

Speaker 3 (29:22):
Happy, aren't you?

Speaker 13 (29:23):
Oh?

Speaker 3 (29:23):
Yes, get me a drink. There's a bottle on that table. Yes, Doc,
I'm going into Mexico for a week or two. While
I'm gone, I want to dock.

Speaker 17 (29:32):
Take me with you, please, Doc, please take you with me?

Speaker 3 (29:37):
Sure? Why not, Doc, I've got another idea. Go over
to the saloon.

Speaker 8 (29:41):
Tell Balie I want a wedding breakfast, prepared, flowers, champagne, everything.

Speaker 3 (29:45):
Then get into your prettiest dress.

Speaker 4 (29:46):
Shohaa.

Speaker 8 (29:48):
And if Bali starts asking questions, just tell him the
queen is dead.

Speaker 3 (29:51):
Long live the Queen.

Speaker 19 (29:57):
This is Hudson River Radio dot Com.

Speaker 4 (30:10):
Good morning, Miss Carter, Good morning mister Earth. You've been
standing there long.

Speaker 13 (30:15):
I just came down. I thought I'd wait here on
the porch for the stage coach.

Speaker 4 (30:19):
You leaving, I'm going back east eastbound. Stage don't leave
till noon on Sunday. Somebody's short visit.

Speaker 13 (30:27):
Miss John thinks I've overstayed my visit already.

Speaker 4 (30:31):
I don't know, ma'am.

Speaker 9 (30:32):
But if you ask me, I I think you're giving
up too easy.

Speaker 22 (30:35):
If you ask me, I don't think you know too
much about pride.

Speaker 4 (30:39):
No, ma'am, maybe I don't you hear that, Miss Carter?
A church bell, church bell and Tombstone.

Speaker 15 (30:46):
I believe that's the first church bell I've heard in months.
This may sound strange, marshall, but I love your town
in the morning. Yes, so clean and clear, and the
scent of the desert flowers.

Speaker 4 (30:57):
That's me, barber.

Speaker 13 (31:03):
Are you going to the church service?

Speaker 4 (31:05):
I've been sitting here pondering over it.

Speaker 13 (31:07):
If you do, may I go with you?

Speaker 4 (31:09):
You well, I guess I'm through pondering, Miss Carter, i'd
sure admire to take you to church.

Speaker 24 (31:26):
Well, all, we got the foundation and a bell, I hear,
I declare the first church of Tombstone, which don't have
a name yet. No, no preacher either officially dedicated. No,
I don't pretend to be a preacher. But I've read
the good book from cover to cover and back again,
and I never found nothing against dancing. So we'll commence

(31:46):
by having a dad blasted good dance. Start the music, boy.

Speaker 4 (31:55):
Well, will you oblige me, ma'am?

Speaker 13 (31:59):
Thank you?

Speaker 4 (32:00):
No, I don't, mister Clinton.

Speaker 10 (32:02):
I don't mean to bust up your dancing, miss, but
I've been one dass the Marshall some point.

Speaker 4 (32:06):
It's all right, mister Clinton.

Speaker 5 (32:08):
I know who shot your brother.

Speaker 4 (32:09):
Yet I've got a pretty fair idea.

Speaker 10 (32:12):
Good Maybe this town will turn out like the mayor said,
honest got here when you figured around up them wrestlers.

Speaker 4 (32:21):
It won't be for a while, mister Clinton, but I
promise you you'll be one of the first to.

Speaker 5 (32:24):
Know much you're blind, Marshall. Much your blind?

Speaker 4 (32:28):
Sorry, ma'am, I'm a.

Speaker 13 (32:30):
Drawing you are, Marshall. Here some will.

Speaker 9 (32:33):
Think I forgot what I took the job for. I
haven't forgotten. Well now, damn, miss Carter. Well we're back
in time for Sunday dinner, ma'am. If you want to freshen.

Speaker 8 (32:52):
Up you Hello, Doc, Hello Marshall, Hello Clayton, Hello John.
You might better say goodbye. It doesn't matter if I
told you last night to leave Tombstone. I told you
if you didn't die would just a minute? Doc running
people out of town. That's my business. That's what I'm
getting paid for, Miss Carter. Any other decent citizens can

(33:12):
stay here just as long as they want to. Through
talking Marshall, my advice to you is to start carrying
your gun.

Speaker 4 (33:18):
It's good advice.

Speaker 5 (33:19):
Doc.

Speaker 4 (33:19):
Thanks you.

Speaker 13 (33:28):
This is the second time you've burst into my room. Tuaara.
I wish your knock after this.

Speaker 17 (33:32):
He's gone dogs left town. He was going to Mexico
and take me with him. He was going to marry me. Well,
you leaving town too.

Speaker 13 (33:39):
I had a reintention of leaving town, but I've just
about changed my mind.

Speaker 17 (33:42):
This stage leaves in twenty minutes.

Speaker 5 (33:44):
You will be on it.

Speaker 17 (33:45):
You hear you will be on it.

Speaker 4 (33:46):
It's going on, Miss Carter.

Speaker 13 (33:47):
It looks like a slight case of hysteria.

Speaker 4 (33:49):
Marshall, What are you doing here, Shiuaa?

Speaker 17 (33:52):
None of your business.

Speaker 4 (33:52):
Why don't you behave yourself? Not go back where you belong.

Speaker 17 (33:55):
I'm not getting up here. She leaves town. Well, you
nobodied anyway, you know about talking me? We were going
to get married. He was going to marry me until
it is met.

Speaker 4 (34:04):
What's that you're wearing?

Speaker 16 (34:06):
Doc?

Speaker 13 (34:07):
Doc told me to dress up.

Speaker 17 (34:09):
They would be wedding breakfasted.

Speaker 4 (34:10):
That pendant around your neck? Where'd you get it?

Speaker 13 (34:12):
Doc gave it to me. Where do you think I
got it?

Speaker 4 (34:15):
You're sure that's the truth.

Speaker 13 (34:16):
Why should I lie about it?

Speaker 17 (34:18):
It's solid silver? Doc gives me everything I got.

Speaker 4 (34:21):
Go to your house, shoaa, go to your house and
stay there. I go what I wish? It's your house
of the jails. Did I bring Doc Holiday back here?

Speaker 5 (34:28):
Why?

Speaker 4 (34:28):
Never mind?

Speaker 9 (34:29):
Why and give me that pendant? Sorry, Miss Carter, Maybe
we can have that Sunday dinner some other time.

Speaker 14 (34:42):
Got your horse ready while find out where Doc went.

Speaker 9 (34:44):
I found out he's riding the bullion coach to Tucson.
You and verts stay in town. Keep an eye on
shihahwa what you have to dock for? Because I just
found this the.

Speaker 5 (34:53):
Pendant, the pendant James showed us the night he was killed.

Speaker 4 (34:57):
Brought it for Corey Sue James did shuah? I add it?
Doc Holliday gave it to her.

Speaker 11 (35:04):
Sure you don't want me to ride with you?

Speaker 4 (35:06):
Funny I suspicioned it with the Clemmons all the time.
Didn't know Doc went in for shooting kids in the back.
No more thanks, I'll get him alone with pause.

Speaker 8 (35:25):
Now for station identification, This is CBS, the Columbia Broadcasting System.

Speaker 4 (35:49):
In a moment, Our Stars will return with Act three
of My Darling Clementine. Millions of people saw lovely Colleen
Townshend on the cover of a national magazine, but it
took an alert twenty century Fox talent scout to see
her screen possibilities. Colleen, you look like an outdoor girl.

Speaker 20 (36:05):
That's too, mister Kelley. I love swimming and I'm crazy
about horses.

Speaker 4 (36:08):
Did you see those fine thoroughbreds twentieth Century Fox had
for the shooting of Home Streatch? Oh?

Speaker 13 (36:13):
Yes?

Speaker 5 (36:13):
Indeed.

Speaker 20 (36:14):
In fact, one day I met Corneil wild out at
the Corral. He invited me back to the set to
watch him do a scene with Marine O'Hara.

Speaker 4 (36:20):
You study that technique well, frankly.

Speaker 17 (36:22):
Mister Kelly.

Speaker 20 (36:23):
The technicolor sets were so lovely, and Marine's wardrobe was
so gorgeous. Well, that's all I had eyes for. You
see pretty closier weakness of mine?

Speaker 4 (36:30):
Well, how about those shorts and old shirts you wore
in your own picture, scudder, who's cut a hag.

Speaker 20 (36:35):
Well maybe they'll let me wear more glamorous costumes next time.
June Haber and I had quite a time with our
technicolor suntan makeup.

Speaker 13 (36:42):
We practically covered ourselves.

Speaker 20 (36:43):
With it for our farmer roles, and well, of course
it got in our lingerie as well as our costumes.

Speaker 13 (36:47):
But what do you think, mister Kennedy.

Speaker 8 (36:49):
I think I know, Miss Dwnsen.

Speaker 4 (36:50):
The wardrobe department whisked those things away, luxed them, and
they looked wonderful again.

Speaker 13 (36:54):
Yes, that's it.

Speaker 20 (36:55):
Our things were luxed day after day, and yet after
all the shooting, I do believe they look just as
nice as ever.

Speaker 8 (37:01):
Well that's not surprising, miss Townsend, because we've proved by
actual tests that lux care actually keeps laningerie color fresh
and lovely three times as long. Now, if a studio
had watched them the wrong way, although only careless people
do that, you'd have found your laningurie look faded and
dragged much too soon.

Speaker 4 (37:16):
That's what happened in our tests.

Speaker 8 (37:18):
But when identical under things had gentle lux care, they
still looked lovely after three times as many washings.

Speaker 20 (37:23):
Well, I've always been a luckstand myself. When I found
a studio using lux Flakes too, I was pleased to
think how well, how smart I'd be in.

Speaker 8 (37:31):
Smart Girls Everywhere Lux Girls. Miss Colleen Townsend, thank you
so much for coming tonight. Now back to our producer,
William Keeley.

Speaker 4 (37:39):
Act three of My Darling Clementine, starring Henry Fonda as
Wired Earth, Richard Conte as Dark Holiday, and Kathy Downs
as Clementine. After a few years three hour ride across country,
Wyatt Earth has overtaken and cut off the northbound stage

(38:02):
at the mouth of what you could pass.

Speaker 5 (38:04):
He stands now.

Speaker 4 (38:05):
In the center of the road and signals the stage
coach to come to a stop. Marh, I want your
passenger driver climb down. Doc all right, Marshall, Now what
I'm caring government money. Marshall, You nor stop here. I'm
not holding you.

Speaker 3 (38:22):
You can go on, not going till I'm back aboard.

Speaker 4 (38:24):
You heard what he said, Doc, whip up your horse's driver.

Speaker 10 (38:27):
Sure, Marshal, Suwart.

Speaker 3 (38:31):
You shouldn't have done that, Marshall.

Speaker 9 (38:33):
The stage is going to Tucson, Doc, but you're coming
back to tombstone. I'll suppose we just talk.

Speaker 4 (38:37):
It over you. I'm through talking still you're coming back
with me?

Speaker 3 (38:41):
Sorry, but I'm not going back.

Speaker 4 (38:42):
Well, in that case, I'll be taking you back.

Speaker 13 (38:44):
Stay where you.

Speaker 4 (38:45):
Are, Doc, go off of your gun. Marshall, you call it, Doc,
cow any closer and that's it. I said, I'm taking
you back. Doc, ready to come with me?

Speaker 3 (38:59):
Now, Doc, there was no accident. Wasn't Marshall shooting the
gun out of my hand?

Speaker 4 (39:03):
You hard to miss it at twelve feet?

Speaker 3 (39:05):
Why didn't you want to kill me?

Speaker 9 (39:06):
Because I'm wearing a badge and the badge says you
got to have a trial for his trial for what?

Speaker 4 (39:11):
For murder? For killing my kid brother?

Speaker 3 (39:13):
You've got the wrong man.

Speaker 9 (39:15):
Have I suppose we talk it over on the way back.
Come on, Doc, we'll pick up a horse.

Speaker 4 (39:19):
Away and you.

Speaker 5 (39:25):
Come on bartender whiskey for me and my boy. I
maybe a better pour. Three, mister Clanton three? Ain't that
your other son coming in? Ain't that Billy?

Speaker 4 (39:34):
H looks like Billy's got something on his mind.

Speaker 5 (39:36):
Paul, wait here, I it's a matter of Billy. Paul
just seen him ding into town. The Marshall doc holiday.
Oh what you Frettingbut they hadn't put your wall was place?
Not gonna start asking you all the questions, you fool,
you crazy? I told you to keep away from the girl.
But Pap, what can I do? Now?

Speaker 4 (39:56):
What am I gonna do?

Speaker 5 (39:57):
There's only one thing you can do. Go on, get going?

Speaker 4 (40:11):
Who is it the Marshall?

Speaker 17 (40:12):
Who do you think you are banging on people's doors
this time of night?

Speaker 3 (40:15):
Better let us in shiuaa, Doc that you dog open up?

Speaker 4 (40:19):
Shaa oh, Doc, you came back.

Speaker 3 (40:23):
Why did you tell the Marshall I gave you this
silver pendant?

Speaker 17 (40:26):
Well, well you did, Doc, you you gave it to me.

Speaker 8 (40:29):
I never saw this piece of junk before in my life.
Who gave it to you?

Speaker 17 (40:32):
When you you can remember everything you give me?

Speaker 16 (40:35):
Doc?

Speaker 17 (40:36):
Sure you did?

Speaker 3 (40:37):
Don't you remember when I don't know?

Speaker 13 (40:40):
A week ago?

Speaker 17 (40:40):
Maybe? What difference does it make be in.

Speaker 9 (40:42):
The case, Doc, I charge you with the murder of
my brother James r Oh, Doc, he's funny. I ain't
fool in Shoawa. It was stolen from my brother the
night he was shot in the back.

Speaker 3 (40:51):
Do you still insist I gave it to you?

Speaker 4 (40:52):
Oh? No, No, corner and who did.

Speaker 13 (40:55):
I can be squeaded, Doc, and that's that.

Speaker 4 (40:58):
Come on, Doc, let's go. No, let didn't go. You're
gonna tell us the truth.

Speaker 13 (41:05):
Yes, it wasn't Doc.

Speaker 23 (41:08):
A few nights ago, it was late, somebody knocked at
the door, right. I thought it was you, Doc, So
I opened the door and it was somebody else. Who Oh, Doc,
don't be mad.

Speaker 17 (41:20):
I didn't know. Oh, Billy Clinton. He gave me the jewelry,
and then.

Speaker 5 (41:25):
He tried birds. What happened?

Speaker 6 (41:30):
What that shot?

Speaker 4 (41:31):
Billy Clinton? There he goes birds beyond the barn. Go
get him, Billy Clanton, you better stay at the hotel
to night shoe all next time.

Speaker 9 (41:37):
It may not miss he He did not miss it
this time.

Speaker 18 (41:52):
I got everybody on the low. Marshall, But what do
you bring it down here for?

Speaker 4 (41:55):
She's hurt, real bad. Mayor.

Speaker 9 (41:57):
Put a couple of them poker tables together and set
some lamps around him.

Speaker 4 (42:00):
Give him a hand, Baldi. Sure, Marshall, Morgan, you're at
the hotel. Get miss Carter. She's a nurse. Tell her
to stop. Buy doc's room and get that doctor's bag.

Speaker 3 (42:07):
I told you I can't do it.

Speaker 4 (42:08):
You gotta do it, Doc.

Speaker 3 (42:09):
She was badly hurt, and I stopped being a doctor.

Speaker 11 (42:11):
Three years ago.

Speaker 4 (42:12):
You said she'd have to be operated on, And why
haven't you sent to wa.

Speaker 3 (42:15):
Chucker for the army doctor. That'd take hours. He may
not even be there.

Speaker 4 (42:18):
Doctor, you're gonna operate.

Speaker 11 (42:20):
I'll try.

Speaker 3 (42:21):
I'll do what I can.

Speaker 4 (42:23):
I'll be in the kitchen.

Speaker 3 (42:24):
We'll need boiling water.

Speaker 4 (42:25):
She's unconscious again, Marshall, Yeah, Bali, Billy Clinton.

Speaker 5 (42:30):
Maybe your brother got him. You heard them shots before.

Speaker 9 (42:32):
You'd have been back by now. No, I guess Berg's
got a chase on his hands.

Speaker 4 (42:37):
He'll get him.

Speaker 13 (42:43):
I'm ready whenever you want, John, Thanks, Clemming.

Speaker 3 (42:46):
Got'll move that lamp a little closer.

Speaker 13 (42:48):
She seems to be regaining consciousness.

Speaker 3 (42:51):
It's a pity she will.

Speaker 4 (42:56):
Sorry, Doc, Steve mad No, honey, look, I haven't got
anything to put you to sleep with. So this is
going to hurt like blazes, yellow scream Halla anything you like.

Speaker 13 (43:07):
Bite on this towel, Chuan, May I help?

Speaker 17 (43:11):
Thanks, Miss milk Frazer.

Speaker 3 (43:14):
Just nod your head when you're ready.

Speaker 8 (43:17):
H hold her hands, Marshall, may I watch her feet now,
Bite on that powow shala, bite hard.

Speaker 7 (43:29):
Ummah, what is it.

Speaker 4 (43:47):
I'm Virgi alert. I'm looking for your brother. There's a
shooting in town. I followed him here to this house.

Speaker 6 (43:52):
There's a deputy air Pa.

Speaker 5 (43:54):
You can come in.

Speaker 6 (43:56):
He's right in there.

Speaker 5 (43:56):
Mister r.

Speaker 4 (43:59):
I'm the bad He's dead.

Speaker 10 (44:02):
Hi boy, Billy shut down the streets of Tombstone murdered.

Speaker 4 (44:07):
It's too bad.

Speaker 5 (44:08):
At had the end.

Speaker 4 (44:08):
That's why, Miss Clinton. He got off his horse, walked
in and dropped down dead.

Speaker 5 (44:16):
Who shot him? Depity?

Speaker 11 (44:17):
I did?

Speaker 4 (44:19):
Or are you doing my duty?

Speaker 11 (44:20):
Yeah?

Speaker 10 (44:21):
Sometimes killing is a man's duty. You can go back
to town, can't you.

Speaker 4 (44:26):
Yes, I'm sorry.

Speaker 5 (44:32):
End me that rifle.

Speaker 10 (44:33):
Finn here, poor, open the window, mister. Yeah, at your horses. Boys,
we're going into town.

Speaker 3 (44:53):
It's all over an AUSHAWAA. I'm all finished.

Speaker 13 (44:57):
He doesn't hurt anymore.

Speaker 3 (44:59):
Doc, you're all right now, Honey, you've been a brave girl.

Speaker 22 (45:03):
We're taking you to the hotel Chihuaha. You'll be more
comfortable there, Morgan, if you're and the mayor, sure, ready,
Mayor gently now I'll go with her.

Speaker 3 (45:13):
John. Thanks, Clem.

Speaker 13 (45:15):
I'm awfully proud of you. Doctor Holiday.

Speaker 5 (45:18):
How about a drink?

Speaker 3 (45:19):
Doc, No, I've got to get cleaned up. I'll be
over in a few minutes.

Speaker 4 (45:24):
Clem you have a drink, Marshal, I could use one.
Bali the doc.

Speaker 5 (45:28):
Oh he sure did a Didney Marshall.

Speaker 4 (45:30):
Yeah, Ballie, have you ever been in love me?

Speaker 10 (45:37):
No, Marshall, never been a bartender all my life.

Speaker 4 (45:42):
Well, I better get started looking for birds.

Speaker 5 (45:45):
You'll find his buddy in front of the hotel plan.

Speaker 4 (45:47):
You're fighting.

Speaker 5 (45:48):
Me and my boys waiting for you at the Welchmargo corral.

Speaker 11 (45:58):
Mayor's forming a posse wire. We'll be over in a
little while.

Speaker 4 (46:02):
First James and now Verge. Now, no posse. This is
just for you and me. Morgan.

Speaker 11 (46:09):
I was hoping you'd say that there's four.

Speaker 4 (46:11):
Of them Clamptons.

Speaker 9 (46:12):
That's all right, they're walled Internet corral. All right, baldy song.
It's just at the edge of town.

Speaker 11 (46:16):
It comes Doc.

Speaker 4 (46:17):
Yeah, how Shiwawa Sawa is dead?

Speaker 3 (46:21):
Doctor John Holiday. When do we get the clamptons?

Speaker 11 (46:25):
We thanks Doc, but sorry.

Speaker 4 (46:28):
S all right, Morgue. I kind of think Doc wants
to come along. We go after him. Its son up, Doc, thanks.

Speaker 11 (46:44):
Here they come.

Speaker 5 (46:46):
Three of them. Sam, shut up, stay where you are.

Speaker 10 (46:50):
Sam, you two Ike Maybe others coming in from around
the back.

Speaker 4 (46:55):
It's them all right, the marshall.

Speaker 11 (46:58):
It's brother and Doc Holiday.

Speaker 5 (47:00):
Make a pretty target. Son walking straight down the road.

Speaker 10 (47:04):
There the crazy, but on your guard. Wait untill they
get closer, you fool, stay undercover. Ike, you too, Sam, Finn.

Speaker 5 (47:14):
Get behind the post, splitting up.

Speaker 4 (47:16):
Let them one to the left, one to the right.

Speaker 5 (47:19):
And one keeps coming straight ahead.

Speaker 11 (47:22):
Paul.

Speaker 5 (47:22):
Let them have it in good times. So in good time,
covering Finn, what do you want?

Speaker 4 (47:31):
He's stuck in behind the stable a while.

Speaker 5 (47:34):
Well, now you go right ahead and talk.

Speaker 6 (47:37):
I got a warrant.

Speaker 4 (47:38):
Here for you and your son's charging the murder of
chains and burge alert.

Speaker 18 (47:43):
There's also a charge of cattle rustling.

Speaker 4 (47:46):
I'm giving you a chance to submit, not of the
proper authority.

Speaker 5 (47:49):
You come right on and serve your warrants. Mister, which
one have you killed?

Speaker 16 (47:54):
Jane?

Speaker 10 (47:55):
I did, and the other one too, And I'm killing
you this morning and back here give me to boys.

Speaker 4 (48:06):
I got Doc better come out of that shed, mister Clinton,
while you're still alive. Mister Clinton, you saw what's happened.
You're the only one left now.

Speaker 11 (48:20):
He's opened the door. Wise careful.

Speaker 4 (48:23):
Throw out your rifle, mister Clinton. Now come out with
your hands up.

Speaker 5 (48:29):
Boys, I shave.

Speaker 4 (48:34):
They're dead, but I ain't gonna kill you. I hope
you live one hundred years. Feel just a little what
my paw is gonna feel. That's your horse over there.

Speaker 5 (48:44):
Horse.

Speaker 4 (48:45):
Yeah, yeah, get in the saddle and keep going.

Speaker 3 (48:49):
Get out of.

Speaker 4 (48:49):
Town, start wandering, let them get away. And an old
man who's seen his sons die wors Doc.

Speaker 11 (48:56):
Back of the shed there, Doc good I was.

Speaker 4 (49:00):
It's all right, Doc. You couldn't help it. I got
one of them, didn't I Yeah, you got one of them.

Speaker 13 (49:05):
I had to stop.

Speaker 4 (49:06):
Coffee. Sorry, we'll get you back to the hotel.

Speaker 5 (49:09):
Doc.

Speaker 3 (49:09):
You'll be all right. No, I knew this coffee kill
me one way or another, Doc, Doc.

Speaker 11 (49:17):
Wyatt, lookout.

Speaker 5 (49:20):
Old man Clampton, and they won't be trying to shoot
any more men in the back.

Speaker 11 (49:25):
We should have known he'd have a gun in his saddle.

Speaker 4 (49:29):
Thanks Morgan.

Speaker 11 (49:31):
Well, I.

Speaker 4 (49:34):
Guess we can turn in our badges.

Speaker 18 (49:35):
Now, come on, wire, got to cover today. You're right there, Morgan.

Speaker 13 (49:46):
I'm sorry to see you leave.

Speaker 4 (49:48):
Wyant. Thank you, ma'am.

Speaker 13 (49:50):
There was so many things I wanted to say. Now
nothing seems appropriate.

Speaker 4 (49:55):
Yes, ma'am, I yeah, I know.

Speaker 9 (50:00):
The mayor says you might be staying here a while,
maybe helping get a school started.

Speaker 13 (50:05):
Maybe.

Speaker 9 (50:05):
Well that's mighty nice man. Me and Morgar going out
to Seapod.

Speaker 4 (50:11):
Tell him what happened. I might come east again, get
some cattle, maybe stop by here.

Speaker 13 (50:17):
Again, stop by the schoolhouse.

Speaker 9 (50:19):
Yes, ma'am, I sure will. Goodbye, ma'am, goodbye one, ma'am.
I sure like that name of Clementine.

Speaker 13 (50:36):
This is CBS.

Speaker 1 (50:37):
The column be a broadcasting system.

Speaker 20 (50:50):
Listen to us anytime online or on the free apps
radio dot com.

Speaker 19 (50:55):
You're Marcal Roxom County station