Episode 584: The Not Rated Episode

To start the episode, the guys dive into an engaging conversation about the recent leak of the highly anticipated sizzle reel for Kung Fury 2. They explore the various legal issues that are currently hindering the film's release, shedding light on the complexities of the entertainment industry and how such obstacles can impact even the most promising projects. This discussion seamlessly transitions into an exploration of the fantastical universe that the creative team has meticulously crafted, building off the original YouTube short film that garnered a cult following. The conversation highlights the exciting addition of star power to the sequel, featuring renowned actors such as Michael Fassbender, Arnold Schwarzenegger, and David Hasselhoff, each bringing their unique charisma and talent to the project. As the conversation progresses, Cody shares intriguing insights with Joe about the innovative techniques employed by the makers of Cloudy with a Chance of Meatballs, particularly how they took motion capture technology to unprecedented heights. This revelation sparks a broader discussion about the illustrious careers of Phil Lord and Christopher Miller, the dynamic duo behind numerous successful animated and live-action films. Their ability to blend humor with heart in storytelling is examined, showcasing how their work has influenced the landscape of modern animation and filmmaking. The topic then shifts to the gaming world, where the guys discuss the newest trailer for Grand Theft Auto 6, which impressively runs on the in-game engine utilizing the advanced capabilities of the PS5 Pro hardware. They analyze the visuals, gameplay mechanics, and the high expectations surrounding the release, reflecting on how the franchise has evolved over the years and what fans can anticipate from this latest installment. Following this, the conversation flows into a discussion about Game Pass, delving into the plethora of games available on the service. They highlight some standout titles and the value that Game Pass offers to gamers, making it a significant player in the gaming subscription landscape. Cody then shares exciting news regarding Borderlands 4, revealing some significant changes that Gearbox has implemented in the multiplayer experience and the loot system. This segment emphasizes the developers' commitment to enhancing player engagement and satisfaction through innovative gameplay mechanics. To wrap up the episode, the guys turn their attention to the highly anticipated release of the newest Toxic Avenger film, which is set to hit theaters as an unrated feature. They discuss the legacy of the original franchise and how the new installment aims to capture the essence of what made the series iconic while also appealing to a new generation of viewers. The episode concludes with reflections on the evolving nature of film and gaming, leaving listeners eagerly anticipating the upcoming releases and developments in both industries.



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Episode Transcript

Speaker 1 (00:00):
There he is, Yeah, there he is, yeah yeah, yeah, yeah,
what do you Oh.

Speaker 2 (00:17):
No, it's one of those things where I clicked on
an article in at an Apple News and it's like
you need to update your computer in order to be
able to get this, And it's like I need to
update my computer to be able to get an article.

Speaker 1 (00:31):
Yeah, what does it need to load that your computer
doesn't have? That's like in the.

Speaker 3 (00:35):
App it was stoperating system, but it.

Speaker 1 (00:38):
Wouldn't it be like in the news app, Like it's
in that app, right, Like what new feature do they
add that you don't have?

Speaker 3 (00:46):
I don't know.

Speaker 2 (00:49):
It's part of the Apple Spotlight stuff. Yeah, literally says
installed the latest version of Mac OS. And it's like,
I know I've had this issue before, just because my
system's old. I still want to try it and give
it another shot, to try and do a virtual machine

(01:11):
of a Mac OS so I can just run everything.

Speaker 1 (01:14):
On one computer, simulate that bitch, mm hmm, simulate that bell.

Speaker 2 (01:24):
It's kind of hard to do when you have an
am D system though. I think that's probably my biggest
my biggest problem because Max will runoff of Intel systems
for the longest time.

Speaker 1 (01:34):
Yeah, well, I think you can make a a bootble
VM drive that will have Intel on it or does
it have to pull it from a machine it's on.

Speaker 3 (01:51):
So I don't know.

Speaker 2 (01:52):
I know that the stuff that I've tried it with,
there are like commands that you run before you in
command line that replaced like some I think replaced some
lines in some configuration files, and it probably tricks the
system into thinking you.

Speaker 3 (02:09):
Have a detail system. Yeah, gotcha, But they didn't work
for me. So fake news exactly, fake news.

Speaker 1 (02:22):
Right, It's so funny. So I know we don't ever
get like talk about this stuff. But obviously the new
pope was elected or whatever, chosen whatever, whatever the terminology
for that is. They don't pop the white smoke, and
dude showed up right uh right after that. So many
videos have surface of him at like baseball games. Yeah,

(02:46):
it's so funny. It's like the Internet is like on
top of it. It's like, no, I know that guy
from this I'm like, how did how did you pick
that guy out from? Like I mean, I guess he's
fairly well known in like Chicago from where he's from, Yeah,
because of his work with the church and stuff like that.
So I'm guessing the broadcast team at I think it

(03:08):
was a White Sox game. Obviously know who he is. Uh,
so like whenever they find celebrities and stuff or like
you know, local celebrities for the most part, and in
the crowded games, I know, they always put them on camera.
So it's just funny, like like, uh this is And
then I was like, just so many cop popped up.
I was like, oh my god, now we're gonna get

(03:28):
a video of him like eating ut Portillo's or some shit.

Speaker 3 (03:31):
I know, right, the new pope likes Portillo's.

Speaker 1 (03:35):
Who doesn't like Portillo's.

Speaker 3 (03:37):
That's actually a pretty good question if you If.

Speaker 1 (03:40):
You don't like Portillo's, I don't like you, right. Uh.

Speaker 3 (03:45):
My sister actually happened to be in Rome the past
two weeks.

Speaker 1 (03:48):
Oh, she was there for the the the meeting of
the Papal Group or whatever, the conclave.

Speaker 3 (03:54):
Yeah.

Speaker 2 (03:56):
It was kind of a weird, once in a lifetime
you know thing to just be to see a pope elected.

Speaker 1 (04:01):
Yeah, that's a I know, I recall, right.

Speaker 2 (04:03):
The place she's staying at that she was staying at
has like a view of the Vatican.

Speaker 3 (04:09):
Oh, it's so weird. One picture she sent back.

Speaker 2 (04:11):
I was like, dude, that's the that's the place from
from the Vinci Code. It's that round, the big round
structure that's just outside of the Vatican.

Speaker 1 (04:21):
Oh yeah, we'll say. I mean there's a lot of
stuff from Vinci Code in there's like the the.

Speaker 3 (04:27):
Oh yeah, because obviously they filmed.

Speaker 1 (04:29):
Yeah, what's the little glass pyramid that the.

Speaker 3 (04:32):
Well, that's the love that's that's in France.

Speaker 1 (04:36):
I know what I'm saying. Those like those are the moments,
like you're gonna see those because I saw, Uh, this
is a while ago, but I saw someone talk about
like they tried to go to the Loot, like they
were trying to go to the Louver and they just
couldn't figure out where it was at, and they literally
took a picture and standing in front of that glass
pyramid like that's that You're there, Like it's like, I

(04:57):
don't know, I'm not too sure where the entrances from
where you are standing, but I'm pretty sure it's probably
somewhere near there, since that is like literally you're standing
on You're standing literally on top of it. Yeah, I
think it was more of a joke, but I was like,
that's pretty like that's ridiculous. If it's not a joke,
you just took a picture literally at the Louver, the

(05:18):
louverra the Louver.

Speaker 2 (05:22):
To be fair, I'd probably get there and be like, Okay,
I know I'm here, but where where do I go in?

Speaker 3 (05:28):
How do I get into this thing?

Speaker 1 (05:30):
It's probably pretty obvious. I mean, I think they show
the entrance in the Vinci Code movie at one point.

Speaker 3 (05:37):
I don't know, what's been such a long time since
I've seen those movies.

Speaker 1 (05:40):
Actually, don't they what movie was that where they go there? Is?
Is it Edge of Tomorrow?

Speaker 3 (05:51):
Uh? Yes?

Speaker 1 (05:53):
Right? And don't they go to the Louver because isn't
that like one of the destinations for one of the
fucking alien thingies that they're trying I need to capture
or get to. Yes, yeah, I think they actually go
to the entrance of that. I think. Well, speaking of books,

(06:17):
I don't know which thing it is. I joined for
discounted ebooks and stuff, but one of them popped up
and it said, hey, here's a there's a new deal
on a book featuring Orson Well Orson card, what's the
name Orson's got card? The Andrews game guy. I was like, oh,

(06:38):
what like what, like, I wonder what short story or
something of novella or whatever is in this collection. I
click on it and it's literally a book that has
a forward by him. I was like, that's not a
book featuring him like that that that. I was like,
uh okay. So then I was like looking at it more.
I was like, all right, maybe I'm just like missing it.

(06:59):
So I went through and it's literally just someone's book.
And then the reason he did the forward is because
in the book that person talks about the works of him.
So I was like, oh, the book features a mention
of him. I was like, bro, bro, come on that, yeah,

(07:20):
because I was talking about like books that what the
hell was it? It was something about childhood and mental
illness and stuff like that, which obviously is a huge
thing in the in the Indrews Games books because he's
a child and he's pretty tormented for the most part.

(07:42):
But I thought was I was like, I don't know,
I'm not gonna buy this book because he does a
forward and his names mentioned in it?

Speaker 3 (07:48):
Right, does like an interesting book to read?

Speaker 1 (07:53):
No, definitely not what I would be jumping into. That's all.

Speaker 3 (08:01):
That's all he says.

Speaker 1 (08:02):
All one Batman. The animated series episode was first pitched
as a movie Phantom Minace or no Phantom. The phantasm
was an actual Yeah, it was an actual movie. Then later,
I think then they air it as episodes.

Speaker 3 (08:22):
Later on news app just itself off my computer.

Speaker 1 (08:26):
Oh yeah, dude, it's like you bud, you, you old
ass os bitch, I'm out seriously packed its bag and
said this mob bomb going home, right.

Speaker 3 (08:40):
Mm hmm mum. Yeah.

Speaker 2 (08:45):
I do know that the news app quit unexpectedly. I've
already reopened it.

Speaker 1 (08:49):
It's like, no, but listen, listen, listen, listen, listen, listen, listen.
Open it it closed.

Speaker 2 (09:01):
I didn't save anything this week, so I was looking
through my history to see what I was looking at
this week.

Speaker 1 (09:06):
Oh that's a great question, Joe.

Speaker 2 (09:11):
I don't know why I didn't say that, but I
assumed that was probably because we just talk about it naturally,
which is that Kung three two.

Speaker 1 (09:21):
Yeah, ten minutes is real.

Speaker 3 (09:23):
Which I didn't watch all of it.

Speaker 2 (09:24):
I watched like the first two minutes of it and
I was like, I'll watch this later and I never
got back around to it.

Speaker 1 (09:31):
Well, the link I sent you, that link is gone.
You can still I'm.

Speaker 2 (09:37):
Sure I can still find it. It's the internet one something. Yeah, Internet,
it exists forever.

Speaker 1 (09:42):
If you well. The last time I saw it reliably
it was on Reddit because someone linked to it from Twitter,
which is a terrible idea because they're just going to
go after that. But also Reddit's kind of like the
wild Wild West. They just don't pull stuff down unless
it's like straight up murder, uh, and then they do.
But other than that, that's like, that's about it. It

(10:03):
was funny too, because, like I I saw it, I
saw that the thing pop up on I think it
was I don't remember article as I found found it on,
but someone's like, oh, Kung Fury to Sizzle Reel and
I was like, what, they're making a kung free theory too.
Then that down on me when I clicked on, I

(10:24):
was like, oh wait, no, this isn't what I think
it is. This is that crazy ass fucking uh side
scrolling movie with all the crazy stuff. I was like, oh,
hell yeah, dude, because in my brain, like I read
Kung Fury and I was like, kung paw into the fist. No,
that's not right.

Speaker 3 (10:44):
No.

Speaker 2 (10:45):
I think I had a similar reaction to you, like
I was like, Oh, they're making a single to that,
our sequel to that, that like comedy kung fu movie.
And I'm like, I'm you know, okay, I'm down for it.

Speaker 3 (10:58):
It was a funny movie, you know, let's fight some.

Speaker 1 (10:59):
More whatever, and that's kung Palette's what I was thinking.

Speaker 2 (11:05):
Yeah, And then watching this, it was like, oh no,
wasn't this that like YouTube.

Speaker 1 (11:12):
Internet guy? Maybe?

Speaker 3 (11:14):
Yeah, yeah, that was really cool.

Speaker 2 (11:17):
I remember watching like eons ago, and then like, this
is the first time I've ever heard that they were
actually making a sequel. Apparently it's like done, it's shot.

Speaker 3 (11:26):
Yeah, it's just editing. And then went to and what
did this article say from Variety? It was.

Speaker 2 (11:35):
A dispute with one of the backers, I think, is
what is holding it up.

Speaker 1 (11:41):
Yeah, they haven't fully disclosed it, but that's what everyone
is saying on a couple of articles I saw. Yeah.

Speaker 2 (11:48):
After principal photography on Kungfiri Too wrapped in late twenty nineteen,
following shoots in Bulgaria and Germany, post production work stopped
the following year due to a lawsuit between the producers
in the film's Chinese investors. I have no idea how
to pronounce this, but it's great, creasing, creasing. In late

(12:10):
twenty twenty, a lawsuit was filed against Crease and Ertainment USA,
the LA arm of creas and Media, accusing it of
not paying ten million that is promised, effectively shutting down
the production. At the time, Creasen asserted that the lawsuit
was meritless and filed because it had to exercise its
contractual rights to take over the film, which just sounds weird, like, no,

(12:33):
we own this film now, haha, contract It's like, wait,
what Variety understands there has been a little more movement.
There has been sorry, little movement on the project since then.
I mean, you would think that if you put money
into it, you would want to see it released, Like
you don't, just because the way that sentence sounds is
that they're just trying to strong arm them to take.

Speaker 3 (12:54):
The movie over.

Speaker 1 (12:55):
Yeah, it's probably what's happening through the y'all, we'll just
steal it from them. It's like, I don't, I don't
think that's how this works.

Speaker 2 (13:03):
So it works, especially at this point in time, the
month the movie's not done yet, like it's done filming,
but it still needs to go through post production and
editing and whatever else that they need to put into
it for probably CG work and whatnot. So you probably
should have waited a little bit longer before you have
strong arm the damn thing to try and take it over,
I guess, but I guess we'll also see maybe going

(13:26):
forward what comes out of it that is a real
was awesome.

Speaker 1 (13:31):
Yeah, the minutes is fucking bonkers, dude.

Speaker 2 (13:35):
I'm sure I saw up to I think there was
a firefight. Like I said, it was like two minutes.
It's like in that two minutes just is like bam bam,
bam bam, man hitting you with just just different stuff,
and it's like, is that a rhino?

Speaker 1 (13:46):
Dude?

Speaker 3 (13:47):
Is that like something else? Person?

Speaker 2 (13:49):
Like, I don't what's going on? Oh sorry Tri Sarah
cop Yeah, and they're just like shooting like ah, and
I'm like I love this? What is what is this?
I want this now?

Speaker 1 (14:04):
Yeah? It's the So when I first saw it pop up,
I believe it was variety that I actually saw originally
because it was in my history, so it makes me
think that's what it was. It was funny because like
I washed it on my phone, but like silently because
I was laying in bed next to Paige. I don't
want to wake her up, uh, because that's a fury
I don't want to face anytime. But uh yeah, I

(14:27):
was looking at before I watched it. I was like,
I was like Ckung Fury too, was like why did
they change the name, because I was like, I was
thinking of Balls of Fury, which is the Ping Pong movie.
But then I was like, oh, no, Cung Fury. That's
into the that's into the fist. That's the one of
the talking tongue and stuff, right yeah. And then I
was like, no, that's Kung Pao because it sounds like
food U spelled differently. Obviously, well obviously I guess if

(14:51):
you don't know what Kung pau enter the Fist is.
And then I was like what the fuck? And I
clicked on. As soon as I saw it. I was like, oh,
it's this thing. I love it so much because I
thought it was dead in the water like a long
time ago, because I hadn't heard anything from it for
well since twenty twenty or some shit like that. Yeah,
and I was like, oh.

Speaker 3 (15:12):
Dude, five years ago, it's been dead in the water.

Speaker 1 (15:14):
Yeah, Because then the the the thumbnail that Variety used
was Michael Fassbender, and I was like, what the fuck
he wasn't in. I was like, he's in Kung Pow two,
and I was like, no, not Kung Pow two idiots,
Kung Fury too. And I was like, oh, that's even better,
I think, right, And then you like, you have Arnold
Swarzenegger and David Hasselhoff as an an AI that transforms

(15:38):
into a car.

Speaker 2 (15:41):
That because the article here didn't mention and like I said,
I didn't watch the full thing.

Speaker 1 (15:45):
Yeah, so he's, uh, well, let me see if I
get the actual description of it.

Speaker 2 (15:50):
Right.

Speaker 1 (15:50):
I believe it said he's an AIM that turns into
a car. Let me let me pull it up real quick. Yeah.
So David has Off as Hoff nine thousand, his voice,
a member of Fury's team who transformed into.

Speaker 3 (16:08):
A car that's just perfect for him.

Speaker 1 (16:11):
Yeah. Of other you know names of note in there,
Arnold Switzerenegger as the president. Of course, you have Michael
Fassbender as Cult Magnum, Kung Fury's new partner, which is fantastic,
and then of course David Sandberg as Kung Fury. So great,

(16:34):
I need to rewatch the other the first one.

Speaker 2 (16:41):
Like just reading this this like few paragraphs from variety
explaining kind of what it is, like, where it came from,
and where it is is just insane.

Speaker 1 (16:51):
Oh yeah, for sure. So this is the premise. According
to Wikipedia, in nineteen eighty five, Myami is kept safe
under the watchful eye of Kung Fury in his thunder Cops,
the ultimate police force assembled from across history to defeat
the villainous Kung Feur Adolf Hitler. After the tragic death

(17:14):
of thunder Cops sees the group disband, a mysterious villain
emerges from the shadows to aid in the Fure's quest
to attain the ultimate weapon. Kung Fury must travel through
space and time to save his friends, defend the prestigious
Miami Kung Fu Academy, and defeat evil once and for all.

(17:35):
If that doesn't get your loins boosted, I'm sorry, you're
dead inside. You know what I mean. Yes, he's Hitler
has a title Kung Feur Right bro genius, right genius
to me.

Speaker 2 (17:53):
The visuals are just right out of like a like
an eighties action movie combined with what's that?

Speaker 3 (18:01):
What was that? Dragon?

Speaker 1 (18:04):
That?

Speaker 3 (18:04):
Like eighty style DLC for.

Speaker 1 (18:09):
Oh Blood Dragon, Blood Dragon.

Speaker 3 (18:11):
Yeah, for sure, for sure, it was just fantastic.

Speaker 2 (18:18):
That's why I really want to see this now. I'm
kind of hoping like this is one of those things
where because they say leaked, I mean this is this
is going to be the Deadpool style of leaked to
just like, hey, you know, we let's just put it
out there and say, you know, oops, I just tripped
on the down on the post.

Speaker 1 (18:38):
I don't know how this got out.

Speaker 2 (18:40):
I don't know how this got out, sorry, guys, and
then just show like that how much that there's going
to be a you know, people are obviously writing articles
about it. You're going to have people that are just like, no,
let's get this done. Oh you know, put pressure on
the whatever you know funding company. This is to try
and get the done and get out there. That's what

(19:03):
has this has to be.

Speaker 1 (19:05):
I mean, hopefully they can. I mean I don't know
if they're allowed to do a kickstarter or something for it,
because I don't know if people if they can legally
show anything because of this investor group.

Speaker 3 (19:15):
Yeah, that's uh that I doubt that they'd be able to.

Speaker 1 (19:19):
All they could do is do descriptions and still images,
maybe still images, maybe not even still images.

Speaker 3 (19:25):
It just depends.

Speaker 2 (19:25):
I would assume, like how much the financing backers actually
own of the movie.

Speaker 1 (19:30):
Yeah, let's see if this has I was trying to
see if if there was a view count of how
many views that video had had before sitting down, but
not on the Oh, well here's one. Here's a Spanish
I think that's Spanish. I don't know, maybe, but here's

(19:54):
a someone else has uploaded on there that might still
be active. Let's turn the volume down so I don't
get copyrights, right, Oh, it's playing, So no flair. I
don't want your coffee maker thingy uh coffee maker? Yeah,
f l A I R. I don't know. He keep
seeing ads for it.

Speaker 3 (20:15):
Isn't that the shoe company?

Speaker 1 (20:17):
Well at first I thought was the baseball car company?

Speaker 3 (20:20):
Sorry, the trade the trading card company.

Speaker 1 (20:21):
Yeah, but they don't exist anymore. So I was actually
when when the wait a minute, wasn't that Fleer?

Speaker 3 (20:27):
That's flair? There is a flair or something or there.

Speaker 1 (20:31):
I don't know. Well, I mean, there's rick Flair. But
so so far this one, eighteen hours ago has fifty
six and ninety four views, So you can watch that one.
It's I didn't turn volumes. Don't know if it's actually
an English or Spanish, but I'm guessing it's English because
that's the video. I don't think they had a thing.
Oh here's another one another person put up with twenty

(20:53):
four hundred views nine hours ago, so you know the
internet's fighting back. All you really have to do is
make a YouTube channel with just a generic email address
and throw it up there, and you can keep doing
it and they're not They can keep copyright and striking
all you want, but you can just keep infinitely putting
it up there. Not saying you should do that, but

(21:15):
but you can. No.

Speaker 3 (21:16):
I've seen other videos that have taken on that you
could do that.

Speaker 1 (21:20):
You could do the secret way of doing it like
some people do, uploading full ast movies on there and
just title it something completely different with a random description
and just hope people start finding it, and then use
the the code the URL as a and then making
a tiny link and then post it somewhere and tell people, hey,
check out this video. It's pretty cool, and all of

(21:41):
a sudden they're watching like the brand new movie that
just came out, or.

Speaker 3 (21:48):
Is that I have seen? Because obviously.

Speaker 2 (21:50):
I think we talked about one of the movie studios
releasing some of their back catalog on YouTube.

Speaker 3 (21:56):
For free to watch or add some word to watch.

Speaker 2 (21:59):
And then at this past week we were testing a
monitor and I was I was like, is that cloud
you with the chance of Meatballs?

Speaker 3 (22:05):
The whole movie on there.

Speaker 2 (22:06):
It's like, oh, yeah, I know it's it's posted by
Sony and so it's just yeah.

Speaker 3 (22:11):
And then the sequel was on there too.

Speaker 1 (22:12):
It's like, great movie, great movie, both of them. There's
a leak in the boat. Ah, there's an actual leak,
like a sentient leak in the boat was fantastic. Do
We were talking about how they made the first movie
with the most with like actual real cameras, so you
can watch it. There's behind the scenes you can watch

(22:33):
on YouTube and I'll see if I can find it
and post on the website. But so to get more
of like a like a create like a realish feel
to the cameras, they built this rig where so normally
when you do mocab, right, you have people in suits
and they acted out and they capture that motion and
they can translate that into animation of characters. Right, So

(22:57):
these guys did is they actually did the opposite. Okay,
they put the motion tracker on the camera and then
they had the video they had like what they were
setting up as the scene. But they to do this,
they fully animated everything. So it's like, so it's not

(23:18):
just what the camera like in front of it is
seeing right there is literal like it's like a fully
populated town that has actions going on elsewhere. So people
walking around, cars driving all simulated in this thing. So
you could really take the camera and go anywhere and
there's people doing things.

Speaker 2 (23:37):
So this is essentially a way that they have the
scene fully modeled out. It's just a matter of like
what shots do you want and how do you want
to do it? So you could take the camera and
just be like, Okay, actually this looks really good, and
so let's start filming here and then we can move
it and then all the actions just happening.

Speaker 1 (23:54):
Yep.

Speaker 2 (23:54):
But if you don't you don't like it, you can
just basically all right, let's let's replay that and then
just do from a different camera camera angle and see.

Speaker 3 (24:02):
How that works.

Speaker 1 (24:02):
Yeah.

Speaker 2 (24:03):
So I've seen that with like virtual cameras, but not
like a real camera.

Speaker 1 (24:07):
Yeah, so what they so what they did so in it.
One of the things they did also is they fully
built architecture in the in the buildings so when like
the food collect at the end towards the end of
the movie, when like the food storms happening, and they
all the buildings have full destructibility, so if something hits it,
it's not scripted, it literally will just go through and

(24:28):
demolish like a real building. So it has insulation, has
cross beams, it has studs, everything all built into these buildings. Damn. Yeah.
So the one scene that it's most the camera things
most prevalent in which they show in this behind the
scenes video is the ice cream snowball fight scene. So

(24:49):
at one point the the the they're doing a news
thing on it how he made an ice cream storm
and he basically gets in snowball fight with these kids
and he goes fucking bonkers, and so the cameraman follows
him around. So they actually use this old sony like
digital camera, big old shoulder, mounted one mount of these

(25:09):
GPS locators on him in this big warehouse and then
drew out the lines of the walls and everything so
he would never walk through a wall because it had
to be real and then animated it so like Flint
would run through the building and the cameraman follow him,
So the cameraman is literally running through actual three D
space and following along. And so you can get those

(25:33):
edits and you can turn and twist and see all
the reactions of people going on. And they show a
couple different takes in that video of of like the
carnage that he's causing with a snowball fight and the
reactions of characters in the movie when they get attacked.
Because it's again it's fully animated out that's.

Speaker 3 (25:49):
Such a cool choice weird one at the same time.

Speaker 1 (25:52):
Yeah, And it's literally the only time they use it
is like really is it that one scene? But they
use it another time because they can track the camera
where they want to see. State can kind of like, oh,
it's happen over here what you were saying, Like this
is a good angle here, but we'd have to like remove,
like move this person or change the action. But then
they could use it to zoom in, zoom out, But
then they could like literally walk, so it has that

(26:14):
handheld feel but like an animation without having to try
to animate the motion of it. It's literally just captured
and the object they use is the focal point of
the camera. It was fucking wild, dude. So if anybody
owns a physical copy of Clyde, even chance Meatballs one,
you can watch these special features are on there, but

(26:36):
also on YouTube. I believe it's probably still there. I'll
probably find it, but they talk about it and it's
it's spectacular. I was like, this makes this movie even
that much better because you realize, like how prenetic that
scene is in realizing that's a real person chasing after
him in three D space in reality. And the best

(26:56):
part is they rigged up the camera so the cameraman
can see in the eyepiece of the camera, so he's
literally like like seeing what he's doing, and so he
knows he needs to slow down to bounce more because
it's a little too hard, or or like try to
get ahead of him, like you know, and angle himself
into the into the room more, or if he needs
to go into the room or like. It was just crazy, dude,

(27:20):
like and it's just so nuts to do it for
like that, like what a wild choice to do, you
know what I mean? You could have pulled a Pixar
and said, hey, this is your action, and we just
three D plus we plot in where our camera wants
to move in our three D world. No, no, nah nah,
We're going to do it handheld for real, with the
actual human being.

Speaker 2 (27:40):
I think that's your point that that might have been
the point of it, is like you get that natural
balance of an actual person following someone else on the camera,
and to try and simulate that would probably be a
pain in the ass.

Speaker 3 (27:56):
So if you can actually just do.

Speaker 2 (27:58):
It in real life, Yeah, it feels much better, looked
much nicer.

Speaker 1 (28:04):
Yeah, and it did. It looked crazy because once you
realize it and you go back and you watch it,
you're like, oh, that does feel like an actual human
being holding that camera. Do you know why? Because it
was actual human being holding that camera. Yeah. It's funny too,
because I think it's on the special feature. I don't
know if it's on that particular video they're talking about,

(28:27):
like the whole basically, the whole island essentially is is
animated up. They're like, we could drop a camera anywhere
into the world and you'll see people walking down the street,
going into a store to go shopping, driving a car.
It's just there. And then when they it's not like

(28:49):
they animated where like it is drop in food, someone
panics and go over there. They that like script that
out or whatever, but the people are going amongst their
business like yeah, out the It was like this is
fucking wild, dude, wild. But the whole architecture thing was crazy,
Like that's nuts to go through like that level of
detail for like, and it wasn't just like oh this

(29:11):
building is gonna be it. It's all the ones that
are featured because they're like we just like when we
go to drop the like the food, we want it
to be. We don't want to be like, oh this
building just crumbles and this but this one as structure. No,
it's like they did it so when they drop the pancakes,
like actual physics, the pancakes hits the roof and make

(29:34):
crack the dry wall and the stucco, but it doesn't
collapse until another one hits it and then it's the
weight of the pancake will then break the house. And
like they had water sims because there's one point where
like someone's in the bath and there's like the water
sims coming in. Like it's just the amount of stuff
they did. It is crazy because It's like you didn't
just animate to animate, you literally gave everything physics like

(29:59):
you do in modern and like we see all the
time with like the Quarter Crew and stuff. But then
you like when you look at love Death and robots,
they build these simulations in them, so the animation feels,
you know, like it has substance to it. They were
doing this on Cloude with a Chance of Meatballs and
like what twenty ten or some shit or whatever that was?

Speaker 3 (30:21):
Oh my god, Yeah.

Speaker 1 (30:23):
When did that come out? Did when did Cloudy the
Chance of Meatballs come out?

Speaker 3 (30:26):
I guess twenty.

Speaker 1 (30:27):
Twelve Cloudy with a Chance of Meatballs. We were both wrong, Joe,
I was off by year two thousand and nine. Yeah, uh,
just fucking wild, dude. Why oh that doesn't make sense.
I forgot who directed that?

Speaker 3 (30:48):
Who was it?

Speaker 1 (30:49):
Uh? Phil Lord and Christopher Miller. So the guys were
behind the Spider Verse movies. Okay, they were supposed to
be in charge a lot of things, but they've they've
had a weird record of like being removed from projects
because they're a little too Like they did the Lego movie.

(31:12):
There was something they were going to do something else,
and they got pulled from it. I don't remember what
it was.

Speaker 2 (31:17):
All you've listed is bangers so far. So it's like,
why would you pull these guys from from something? Yeah,
it's like they just didn't fit the media anyway, in
which case, well, you already have their resume, you already
have what they can do.

Speaker 3 (31:28):
Why would you hire for the thing that you didn't?

Speaker 1 (31:31):
Yeah? Yeah, oh they it's so one of the movies. Well,
I don't think they didn't direct that one, right, I
think they just produced that one, but I believe it
was done by someone who they worked with on Cloudy.
But the Mitchell's Versus the Machines, which is animated the
same kind of stylish as Cloudy, was really good too.

(31:53):
If you guys haven't seen that one, it's real funny.
It's pretty pretty hilarious. Got a really good voice cast too.
Let's see Cocaine Bear they produced.

Speaker 3 (32:07):
Okay, that one's a little They produced some pretty it's production,
so that just producers, so it doesn't really mean much.

Speaker 1 (32:15):
They do have listed here an untitled live action animated
lego film though, that they are working on, So that's fun.
Another another one of those coming down the pipeline.

Speaker 3 (32:25):
Hey, I'm okay with it.

Speaker 1 (32:27):
I'm trying to find out what the There was a
project they were attached to and then they got removed
from it for some reason. I want to say it
was something prominent and we've seen it, and I don't
remember what the fuck it was. Keep talking amongst yourselves,

(32:53):
fair enough, among yourselves. It's just the two of us.

Speaker 3 (32:56):
It's just the two of us. I will talk amongst myself. Yeah, Joe,
quietly think to myself.

Speaker 1 (33:04):
Oh, that's what it was. They were famously removed from Solo,
a Star Wars story into production, and then Ron Howard
was brought in to redo it. Okay, because they were
making it more of a comedy. Yes, because that's kind
of what they do, and and.

Speaker 2 (33:24):
That fits into with what I was saying, like, you
already have their pedigree, what they're good at doing, so
why would you hire them for something that's not that.

Speaker 3 (33:36):
I do remember.

Speaker 2 (33:37):
I don't remember it being them, but I do remember
that the directors of the Solo movie got removed because
it was being too comedic, and it's like, well, okay, yeah,
if that's what you weren't shooting for, then why did
you hire these guys that are known for doing that?

Speaker 1 (33:54):
So Their first movie was called Extreme Movie. It was
one of those like direct to DVD ones. But I had,
like Michael Sarah, Jamie Kennedy, a bunch of randos in it,
a bunch of people.

Speaker 3 (34:07):
That's an interesting cast.

Speaker 1 (34:09):
That Cloudy the Chances Meatballs twenty one Jump Street, Lego
or Cloudy and Chances Meatballs too, which I think they produced.
They didn't actually direct that one. Uh, but then they
did Lego movie they did, Uh, let's see, I'm looking
to direct the ones. Uh uncredited for Solo Star Wars

(34:35):
stories what we was talking about. Then they did produced
a lot of these movies in between, and I think
I think it was just the next big one they
did was Spider Man. Uh, what the fuck? Why are

(34:58):
they listed as? What? Hold on? What's this? Didn't came
out in it?

Speaker 3 (35:05):
I'm hold on, but I have no idea what I'm
trying to hold on to.

Speaker 1 (35:08):
They did Project Hill Mary.

Speaker 2 (35:12):
Yeah, that's not out yet and I didn't know that
was them.

Speaker 1 (35:19):
Yeah, so apparently it has a release date.

Speaker 3 (35:21):
Joe, Okay, what is it?

Speaker 1 (35:25):
Uh? March twentieth of next year.

Speaker 3 (35:29):
Makes sense?

Speaker 1 (35:31):
Written by Drew Goddard, stars Ryan Gosling, Sandra Huller and
Molina Vin Traub Weintraub. I'm not too true. I say
that name interesting. So they have that coming out, I'll
say what's the next big directing thing and say, oh, okay,
well Project hill Mary.

Speaker 3 (35:52):
That'll be an interesting one to see them.

Speaker 2 (35:53):
Man, it is a somewhat it can be somewhat of
a stark, plastically funny thing, but it is a little
bit more serious than that a lot of the stuff
that they have done in the past.

Speaker 3 (36:10):
Yeah, that would be interesting, interesting scene what they do
with it.

Speaker 1 (36:14):
I mean, they definitely shown that they can do drama,
because I mean they have, like the Spider Verse stuff
has it's obviously got comedy in it, but it has
some pretty high level drama in it too, So like
they can definitely do it that. Yeah, you know, I
see it. I Mean we're not saying it should be
Cocaine Bear, but no, Cocaine Bear was so fucking good, dude.

(36:34):
It was ridiculous. Yeah, it's so really, it's so ridiculous.
It's so it's so bonkers, but it's so it was
so good. Like if you go into it knowing that
it's gonna be ridiculous, Like it's just a modern day
like early nineties, late eighties movie. You're gonna fucking love
it because it's jacked full of just nonsense. Like at

(36:57):
one point, uh, the paramatic call because someone was attacked
by bear and then like the bear starts chasing him
because the the they're uh, they get covered in cocaine
and so it's chasing after him, and like one of
the guys falls out and gets dragged behind the ambulance
and it literally shows him being like cheese grated on

(37:18):
the asphalt. Yeah, dude, it's fucking it's so ridiculous because
it's like you have these moments of like someone's getting
their face shot off because like a shotgun goes off whatever,
like okay, whatever, and then you have that shit and
it's like you didn't need to show all that, but
you did, and I love it. But it's like, also,
Cocaine Bear, it's so good. It's so great.

Speaker 3 (37:42):
A true story, Yeah.

Speaker 1 (37:44):
Somewhat based on a true story. Do any of these
events happen in it?

Speaker 3 (37:48):
No?

Speaker 2 (37:48):
Probably not, because if I recall, right, the real story went, Yeah,
the bear got into cocaine and then like died immediately.

Speaker 1 (37:55):
Yeah, it died pretty fucking fast. It didn't go on
a fucking binge of.

Speaker 2 (38:00):
Right, So this is more of like a one if
type of thing. What if it didn't do?

Speaker 1 (38:04):
What if the bear had a strong enough coke heart.

Speaker 2 (38:08):
Yeah, weren't they making a sequel to that or planning
a sequel to it?

Speaker 3 (38:13):
Not obviously like cocaine beer too, but.

Speaker 1 (38:15):
Like, yeah, they wanted to do like cocaine Shark and
some shit like that. That's what it was, Yeah, which
is which I'm pretty I'm completely okay with. If you
want to do cocaine I.

Speaker 3 (38:25):
Still haven't seen cocaine Bear.

Speaker 1 (38:29):
Let's see if it's anything's listed. Oh god, hiccups. I've
been hitting hiccups lately. I don't know why. It must
be dying.

Speaker 2 (38:40):
Probably are We're all dying. I get that bad if
I get acid reflux.

Speaker 3 (38:46):
Oh yeah, yeah, I'm actually on.

Speaker 2 (38:49):
Like a double dose of of omeprazol and fomodidine to
help it, and so far it is like it's like
night and day.

Speaker 3 (38:59):
I can actually eat.

Speaker 1 (39:00):
Oh yeah, dude, Yeah, Like I say, Cocaine inspired numerous
mock busters, including meth Gator and crack Coon. A Japanese
Japanese film titled Kamakazi Shark or Buru okay, and then

(39:25):
but later retitled the Cocaine Shark to capitalize on the success.
Oh so that actually came out before Cocaine Bear. What
is Cocaine Crabs from Outer Space?

Speaker 3 (39:40):
That just sounds like a B movie?

Speaker 1 (39:42):
Well, the posters, the poster definitely makes it like that
for sure, racing twenty coke this is this is literally
the top of the Wikipedia thing. Cocaine Crabs from Outer
Space is a twenty twenty two American no budget comedy
horror film directed in starring Chuck McGhee or Maggie McGee. Yeah, McGee,

(40:07):
What the fuck is a no budget Like? How do
you make a move with no budget?

Speaker 2 (40:13):
You do it in the backyard all just whatever camera
that you have with your friends.

Speaker 1 (40:19):
Yep, literally says a no budget film is a film
made with very little or no money. Actors and technicians
are project Yeah. But like with Cocaine Crabs from out
of Space.

Speaker 3 (40:30):
With Cocaine Crabs from out Space.

Speaker 1 (40:32):
Why is the premise so fucking long? After two crabs
from space land on Earth, a group of fraternity boys
force feed them cocaine, which triggers an instinct in the
crabs to kill leading to a series of mysterious mysterious
deaths which probably should be mysterious. They're cocaine fueled crabs

(40:53):
death Charles are Detective Charles Reese played by Chuck McGee,
suspects crabs, but his he is dismissed by this captain.
Determined to prove his theory, Reese teams up with a
pet store employee named Alex Bailey to stop the crabs
cocaine fuel rampage.

Speaker 2 (41:11):
Because a pet store employees gonna know about crabs.

Speaker 1 (41:14):
I mean, if it's an exotic pet store.

Speaker 3 (41:16):
I suppose, so, I mean who, but who keeps crabs?

Speaker 1 (41:19):
Like who?

Speaker 2 (41:19):
That's what I was just gonna say, like yeah, because
people keep crabs as pets.

Speaker 1 (41:24):
I don't tell Paige.

Speaker 2 (41:25):
I guess there's there is. You know, there's gonna be
that one person out there that does.

Speaker 1 (41:29):
Like absolutely methgator sounds like a fucking gem too, also
known as attack of the and it does like a.

Speaker 2 (41:40):
Speaking of which, yes, did you watch the the Traler
for a Grand Theft?

Speaker 1 (41:47):
Yes? I did?

Speaker 3 (41:48):
Holy cow?

Speaker 2 (41:50):
Yea that I mean, if that's indicative of what the
graphics will look like.

Speaker 1 (41:56):
So it so. The head of the game I was
the director or it was the lead guy on it
came out with an official statement like this wasn't just
like hyperbole. He came out and said, all the footage
from that trailer was captured on the PS five Pro
and it consists of both gameplay and cut scenes.

Speaker 2 (42:22):
But see, the thing is is like the cut scenes
that they've done in like GTA five. Now I've never
played GTA five, but I've seen people play it are
all in game anyway.

Speaker 3 (42:32):
It's not like pre rendered stuff, right, it's.

Speaker 1 (42:35):
In game engine. Yeah, but they do have like the
the what they mostly refer to is the motion of
the characters are much more smooth than the cinematics because
they can script where they go versus a player just
kind of well moving around and being all fucking erratic. Yeah,
so they they literally show. So what that is is
the game engine running those. I'm guessing the cut scenes

(42:57):
are probably in game engine because that's what they look like.
And that's what That's what Rockstar has always done with
their games like Dead Red Dead Red Redemption one, End two.
I mean, even like as far back as like Max Pain,
they didn't really use cinematics other than like game engine
stuff so Bully was the same way. I think. Uh

(43:19):
And by the way, Joe, you can if you still
have game Pass, you can play Grand Theft aut of five.
Is that I haven't gotten Yeah, you haven't, you fucking sucker.

Speaker 3 (43:29):
I mean to be honest, they're starting to release stuff
that's like, okay, that might be.

Speaker 1 (43:34):
They are in They are in the revolution right now
of pretty pretty solid games. And you even have like
like Bordlands three, the Ultimate whatever edition just came out
on Game Pass two and it has like all the
DLC like everything, and it's like perfectly time because you
can jump in and play that getting ready for Bordlands
four and Boardlands four. Boardlands three and Boardlands four don't

(43:55):
really share a story, but I'm pretty sure a lot
of what's happening is kind of like, you know, indicted
of what's or what you're I'm sorry, not story happening,
but like how you play, like that game give you
kind of a boost, like, oh, I'm getting ready for
fucking Borlands four, which has a grappled thing now and
it has like this weird float mechanic and I'm so excited.

Speaker 3 (44:15):
It's still multiplayer, right it is?

Speaker 1 (44:17):
Yeah, So and the best part is they actually changed
so and Borlands three they actually made a couple of
really good adjustments to the Bordland formula which really kind
of hindered playing with other people. Clint, when you played
Bordlands like one and two is loot wasn't shared, it
was it was just free for all. Yes, So in

(44:38):
Borlands three what they did two major changes they made.
One is uh, loot was uh. It's still shareable if
you share it with somebody, but but it's uh, it's
what's the word. So when you open a chest like
I open a chest, right it's opened, everybody can get
to it, but it's not a free for all. What's

(44:59):
in there. It all PROCs separately for everybody, So I
may actually get I will get different stuff unless it's
a dedicated drop like it's an item from the boss
or whatever. But everybody can get picked up like not
like I'll run over and get the one the one
gun from the boss. Everybody has that instance to get it.
But as soon as I open it, it's available to
get everything is still in there for everybody, and it

(45:20):
can drop, and it drops at the level of your character,
not whoever opens it right then the other one that change,
which is what kind of what Division two did, so
I couldn't cheese people and like it did in Division one,
the level doesn't scale the entire world of whoever's in it.
So if a sake, a character has a thousand hit points, right,

(45:47):
a level one character can come in and instead of
plinking out him and getting like half a point of
damage per bullet, their damage is scaled to theirs. So
if that's a thousand, right, and their level one is
supposed to hit every bullet hits that gun hits for ten,
they hit for ten. But if I'm a I'm like
level thirty three my bullets, again, this is just approximation

(46:10):
to actual numbers. My bullets are supposed to hit for
like three hundred and thirty. The damage is scaled, so
instead of having a thousand hit points to me, that
person has a hundred thousand, So it ramps up the difficulty,
got it, But we affect them the same way. So
if you're level one and I'm level thirty three, your

(46:30):
guy has a thousand hit points, mine is one hundred thousand, right,
your damage does the same equivalent as mine. Interesting and
same thing. So if I pick up a level thirty
three gun. I can't just give it to you and
you can use it because you're still level one. You
can throw it in your vault if you wanted to,
and then come back to it later. But by then
you're gonna have so many guns it just doesn't make

(46:51):
sense to have a fight unless it's like a legendary gun.
But even then, like thirty three is nine level, so
just get rid of it at that point or use
it until you get something better. But yeah, so I
was thinking. And then so the new the new game
does the same thing, but they ramp it up even more,
and I could get some of this wrong. The your

(47:12):
instances of loot change also, so if you have a
certain thing like and plus they've like maximized the loots, like,
even more loot comes out, which is just that's insane
to think about itself. But if I go through and
I play a thing already, right, like I can't get

(47:32):
that critical drop, but you still can, so you're not
limited to playing with me, And then the same thing
for scaling goes through. So if you're like behind me
and we're playing, you still get drops at your level
that are the equivalent of what I would get at
my level, and then the same thing with the scaling
of of of difficulty, but then I can actually change
it on my end, so my characters would be more

(47:55):
difficult and it won't affect you. And I don't know
if they call them world tears. I know they in
Borderlands three where you could change the world tire, so
everybody's harder. I can change that for me and it
doesn't affect yours year tier level would still be one
or or actually at that point you wouldn't be in gaming.
You would be at the beginning, so you have world here.

(48:16):
You just have like standard game difficulty. Mine. I could
rent mine up automatically to be higher level, so everybody
would be two levels higher than me no matter what.
So I get a better chance of better loot dropping,
but also make it harder on myself.

Speaker 2 (48:30):
That's such a weird thing, Yeah, And it seems very
complex to be happening in the background that when you
could be playing at a higher level just so that
you can get better stuff, but you're still playing with
someone at a lower level, and it's just weirdly scales yep.

Speaker 3 (48:49):
Interesting.

Speaker 1 (48:50):
Yeah, So they did that, and then like the mechanics too,
But then they have like all new skill trees you
can bounce around between. I think someone made there was
a rumor out. I don't know if it wasn't confirmed
that at one point you'll be able to unlock like
multiple parts from different trees like skill trees at one time.
I don't know if it's an artifact you get or
if it just once you level up a certain point

(49:11):
where you can be like, hey, I can choose this
super but like I can get this benefit from this
or whatever. But they have all new for all new
Vault Hunters so far that are all. There's still a siren,
but she her sirenabilities are different than other sirenabilities. She
can actually create like a roaming buddy. And one of
them is a big like savor tooth tiger cat, which

(49:34):
obviously if Paige's that, she's like, well you need that class.
I'm like, but I don't. I want the one that
has the mech suit and the drones cat. I know
the cat, I want it to but yeah, yeah, can
I put the cat in a mech o?

Speaker 3 (49:48):
My god, right, Jesus make cat.

Speaker 1 (49:51):
Yeah, And then they think of a character that's very
gun gun zerker in a way where he can du
a wield stuff, but it might just be a super.
But oh so this other thing too is heavy weapons
are no longer a slot in your rotation of guns.
It's a special thing you can pull out. And they
don't have uh ammo. They have regenerative AMMO, so much

(50:14):
like a super or like an ability. They read gen
and you can probably get artifacts and stuff that will
boost that. But then you can, like instead of having
to save your heavy weapon for like a boss, you
can just pull pull it out, just whip it out
and just do damage in an instance. Then when you
put it away, it just slowly rebuilds up to its potential,

(50:35):
so that can be rockets or heavy machine guns like
any of those things worry about, and then keeping and
having one of your slots always for a heavy for
that reason. Yeah, so pretty pretty rad. A lot of
cool little things coming up on that too.

Speaker 3 (50:50):
I do remember playing that, what two or three or whatever.

Speaker 1 (50:55):
It was that I think we played too. Yeah, so
that'd be a fun game because it is a or
player co op game. Mm hmm, sorry, Mike, I think
it's only first person. I don't think there's a third
person view. He really loves third person views for some
bizarre reason.

Speaker 3 (51:12):
Weird is it?

Speaker 2 (51:16):
Do you know if it's uh series X only obviously
it's for P it worked for.

Speaker 1 (51:22):
PC, PC, PS four five five pro. I think probably
PS four pro. Uh it's X N S and I
think it's it's all cross platform.

Speaker 3 (51:35):
Okay, because at this point I'd rather just play on
my PC.

Speaker 1 (51:39):
Yeah, guys, Yeah, because I'm pretty sure if I talk
hint into it, he's gonna play on PC. C. Well,
he just bought recently bought a PS five because there's
obviously games he can't get on his PS on his
play on his computer yet. Yes, but you know, I
mean those like we're looking because he's been looking for
like co op or not co op games. Well, yeah,
co op games, games we can play with, like with

(52:01):
our little group and stuff. And there's not a whole
lot on Steam that's that way. Steam has a lot
of like dedicated like first per like for like one
player only games. In some of those games, like there's
like there's console games that aren't on PC yet. Yes,
so like that's a thing too. Yeah, I don't know

(52:25):
if there's anything else that I ran into. Uh packs
is happening right now? Nothing I've really seen come out
of it is anything of importance.

Speaker 2 (52:40):
See that The Toxic Avenger is going unrated.

Speaker 1 (52:45):
Unready into theaters. Baby, thank you Terrifier three for making
that a standard. Yeah it's funny too, Uh sorry, go ahead.

Speaker 3 (52:55):
There was like a thing with the article that.

Speaker 2 (52:57):
I was reading it from Cinema Blend. Uh was basically like, yeah,
it's going unrated. But is it unrated because they chose
not to try and get rated or is it just
that the MPAA you know, would rate it are and
still want them to cut some stuff out. They don't

(53:17):
really know, but it seems like they're going into theaters
with no rating.

Speaker 1 (53:23):
Yeah, so this is what it says on on there.
So this is from the MPa, the MPa as it's known,
so the Toxic Avenger. It's listed as twenty twenty three
because that was original Reese when it was really originally made,
is unrated due to its ultra violence, mute nudity, and more.

(53:46):
According to the NPA Motion Picture Association, the film is
considered unreleasable due to its graphic and violent content. Some
have suggested it may be released on two B blah
blah blah, but obviously we know that's going to theaters.
So the description of those things are ultra violence. The
film contains a lot of violent and graphic scenes, mutant nudity.

(54:06):
There are depictions of mutants and other characters with nudity.
Then other content include hilarious harm, gnarly theater, fun, and
toxic slug exposure.

Speaker 3 (54:18):
Oh, this list is even longer. From cinema blend.

Speaker 2 (54:21):
Is it mutant nudity, hilarious excuse me almost inhale that spit,
don't do that, mutant nuty, hilarious harm, ultra violent, slash,
toxic content, toxic adventure, gnarly theater, fun, splatter, laughter, monster
core punk rock bandits mops, and toxic sludge exposure.

Speaker 1 (54:44):
Hell yeah, dude, I'm so excited. And they've been doing
viral marketing where like they have someone dressed up like
the Toxic Avenger or toxic as Most as some people
will call them, riding around in garbage trucks through cities.
Oh my god. Yeah, it's hilarious. It's pretty pretty, pretty fun.

(55:04):
I can't wait for this thing. It's gonna be nonsense,
for sure, but that's I mean, obviously that's what we're
going for. If you go to a Toxic Avenger movie thing.
You're gonna see the fucking you know, high art, you're
looking at the wrong high if you know what I mean.

Speaker 3 (55:17):
Well, that's I was.

Speaker 2 (55:18):
Gonna say just now, Like it's it's weird though, because
that you know, the person who plays the Toxic Avenger
is Peter Dinklic, who is very well spoken. Ah, so
it's gonna be weird to see that, you Like, I
don't know if he'll do a voice or whatnot for it,
but it'll be very interesting to hear him coming out

(55:41):
of the Toxic Avenger.

Speaker 1 (55:45):
Yeah, that's it's pretty pretty rad though. I'm gonna I'm
not gonna lie to the and the amount of people
in this movie is just absolutely bonkers mm hmm. But
you know, I'm excited about it. And the director it
actually plays a character in the movie, Making Blair.

Speaker 3 (56:03):
Oh does he? Yeah?

Speaker 1 (56:03):
He plays Dennis Nice Making Blair for the folks who
don't know have made has made quite a few pretty
awesome movies, but one of his biggest ones is Green Room.

Speaker 2 (56:14):
Okay, oh wow, yeah, that saw it, but like it
looked trippy as hell.

Speaker 1 (56:19):
Yeah. So it has Patrick Stewart, Sir Patrick Stewart as
the leader of a fucking hooligan gang. Yeah, yeah, so
you know there's that. The co produced that one. He
executive produced Rebel Ridge, which is the new movie on Netflix.

Speaker 3 (56:37):
Okay.

Speaker 1 (56:38):
His his actual filmography is The Monkey's Paw, which I.

Speaker 3 (56:43):
Don't I remember. Yeah, obviously I've never seen it. It's
a newer one too.

Speaker 1 (56:48):
Right from twenty thirteen, so sort.

Speaker 3 (56:50):
Of okay, so that's the older one. Maybe I'm thinking, Oh,
I'm thinking of The Monkey. The Monkey.

Speaker 1 (56:55):
That movie is awesome. Yeah, yeah, that movie's fucked up.
I love it. Uh, that's kind of ship too. I
kind of wish that one had an unrated version in
theaters because that showed be madness probably like five hours
long too. So he did Uh I Don't Feel at
Home in This World Anymore, which is another any movie
that had Elijah Wood in it, as well as uh

(57:18):
Melanie Lynsky, who's famous for being in U two and
a half Men. But also she's you know, like so
she's been a lot of the different things, but she's
pretty rad. Plus she's married to oh my god, what

(57:39):
is his name, Jason Ritter?

Speaker 3 (57:42):
Oh okay, you haven't heard a long time.

Speaker 1 (57:45):
Yeah, he did a movie called Small Crimes, which had
a dude from Game of Thrones in it, what's his name?
Nikola Coaster w Uh the King's Ye Hold the Dark,
which I know Joe didn't really like. If I'm not mistaken,

(58:07):
you're gonna have to explain it.

Speaker 3 (58:08):
I don't remember it.

Speaker 1 (58:09):
I think it's the one where like it's like at night,
these like creatures come out. Is that the same one
or is this a different one?

Speaker 2 (58:17):
Is that the one It has the kids and they
are in a cabin and yeah, they're not supposed to
go out at night, but their family like a family
member goes missing or something like that.

Speaker 1 (58:34):
No, that's a different one. That's remember which one? This
one is? Okay? Because you're thinking of the one with
uh the guy from.

Speaker 3 (58:45):
Then like a stranger shows up or something like.

Speaker 2 (58:47):
I'm starting to like it's like vaguely there or whatever
that movie is, And obviously it's a very forgettable movie
if if I don't.

Speaker 1 (58:55):
Remember it, Yeah, that one has like there's like monsters
and stuff. This one has wolves in it. M M okay.
Then there's Toxic Avenger Brothers, which is a movie that
came out uh last year with uh Peter Dinklice and
uh Thanos Senate. Okay that was on prime video, I

(59:20):
think m hm, So yeah, mackon Blair's made some good stuff.
Excited about the about that one. He's also he acts
in almost all those movies too. But Kevin Bacon, Elijah
Wood is in this obviously, Peter Dinklins we mentioned is
playing Winston Goose the Toxic Avenger, and then his son

(59:45):
played by Jacob Trembley Tremblay who's a rising star of
his own right. So yeah, you know played the voiced
Damien Wayne Slash Robin in The Harley Quinn Show.

Speaker 3 (01:00:04):
Okay, that's cool.

Speaker 1 (01:00:06):
Yeah, so good times, great oldies, right, Just I can't
wait for that movie. It's it's like just the fact
that like they they they made a a Toxic Avengers movie, right,
and like it's so toxic Avenger, like they won't recent
they can't get recent theaters without like a production company saying, hey,
we're just gonna put it out, which means they can't

(01:00:28):
market it in certain places until until it hits like
a Terrifier three did. Once it makes a lot of money,
then people are like, oh, you want to advertise it here,
you want to advertise it here? It's like you can't
put it on like an NBA game, but you can
fucking put a YouTube ad. Well, you know that's shit.
That's fine, And it's like, oh yeah, once it makes money,
then y'all want it in huh oh yeah, that's how
it works, scumbags, right. Anyhow, I think that's everything that

(01:00:54):
I had. There's so many rumors going on right now.
Like there's a rumor that Carl Urban is returning for
a Judge dread show with the makers of The Boys.

Speaker 2 (01:01:07):
I had heard that, then, I think I had heard that.
That was a pure rumor.

Speaker 1 (01:01:12):
Yeah. Then there's a rumor that Alex Garland's next big
project is a Ellen Ring movie adaptation.

Speaker 3 (01:01:20):
That's a weird one.

Speaker 1 (01:01:21):
Yeah, Like that one. To me, I was like, oh shit,
that's rat because like, obviously we love Alex Garland's work, right,
but it's like that seems so far out of his
norm That's.

Speaker 3 (01:01:31):
What I was gonna say. That doesn't sound like anything
in any of his wheelhouse.

Speaker 1 (01:01:34):
Yeah, Like, don't get wrong, he probably he can probably
do it, but really, if you look at everything he's done,
that doesn't really like fantasy, like full on fantasy world
doesn't really fall in that. No, so I don't think
that's real. And I also like, how to fuck do
you make a movie, a coherent movie out of Ellen Ring.

Speaker 3 (01:01:52):
I don't think you.

Speaker 2 (01:01:53):
Do, Like you would have to take so many liberties
with it that you'd probably pissed everybody off.

Speaker 3 (01:02:00):
Honestly, Yeah, that's true.

Speaker 1 (01:02:05):
BAF towards Sam Rockwell made a cameo and Saturday at
Live last night. Cool because Walton Goggins was the host
and they're like good friends from White Lotus. Apparently that's dope.
I think that's everything I have. Oh last thing, so
the new what's that fucking movie called Final Destination movies

(01:02:33):
coming out called Bloodlines? Obviously not something really Joes into,
but whatever, right, but they're kind of like, uh, it's
kind of like this weird thing. Was like they're making
it like a full circle thing kind of what they
did with the last the last one they did. But
basically it's like Bloodlines that has like returning people in it.
Devin Saw was supposed to come back, the late Great

(01:02:53):
Tony Todd actually has a role in it as the
well his same role Undertaker Guy and kind of even
body me the death in itself. Anyways, Uh, so they've
been doing again viral promotions for it, and one of
the things that's been doing is driving through major cities
with a truck that looks like the log truck and

(01:03:13):
it says remember this, yeah, and then the back of
it they have fake logs up top and the back
of it the screenprint, but it makes the gaps in
the wood make it look like a skull and it's
and it's all dude, And like I swear to the
first video I ever saw, it looked like the logs
on top were slightly moving.

Speaker 3 (01:03:31):
I wouldn't doubt it, But I don't.

Speaker 1 (01:03:32):
Know if that was like the fear of person like
shaking with the fucking camp and their camera phone in
their hand, or if it actually was because if it
actually is moving, like shaking a little bit to make
it seemlate like it's gonna fall off, fucking tremendous dude.
Except for I think maybe that could cause problems, like
people like fucking freak out and like crash their cars.

Speaker 3 (01:03:49):
Well I would think it would just cause them to
slow down.

Speaker 1 (01:03:51):
Yeah, but well, I mean nowadays people just like slam
on their brakes and steer away, probably because you know, idiots,
I think that everything now, looking at this list of
nonsense that I read that wasn't anything to do with
anything we talk about.

Speaker 3 (01:04:09):
Yeah, that was basically everything for me.

Speaker 1 (01:04:11):
Okay, well that's it for this week's episode. Comes naturally.
We have been joke, Ivan, Cody, and usual. You fuckers
just came naturally.

Speaker 3 (01:04:21):
Bye.