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Episode Transcript
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Speaker 1 (00:03):
Yo with your boy Rick Bell. And when I want
to hear some real ship. I listened to Conceding Nobody
They Keeping one hundred.

Speaker 2 (00:09):
Oh yeah, A couple of nobodies you should fucking listen to.

Speaker 3 (00:14):
I just got it forty y'all might let it bang
on him. I might rip my heart out on my
pain on him. I might want to shine copper a
couple chants on him. I might want to stun and
pull up in that rings over.

Speaker 4 (00:31):
Yo. This he is not a best of This is
the best of year. Boy. Thanks for listening.

Speaker 5 (00:40):
This is some of your favorite moments, your moments that
you chose, brought to you by a I G syst.

Speaker 4 (00:46):
This the ai AI I.

Speaker 6 (00:48):
G and make sure you catches each and every Wednesday
at seven am put our new episode. We'll catch you
next time. Thanks for listening.

Speaker 4 (00:56):
We're back next week. You smoking.

Speaker 7 (01:05):
Yo with your boy Rick Bell?

Speaker 1 (01:06):
And when I want to hear some real ship, I
listened to Conceding Nobody and Keeping one hundred Oh yeah.

Speaker 2 (01:12):
A couple of nobodies you should fucking listen to.

Speaker 4 (01:16):
I just got the forty y'all might let it bang
on them.

Speaker 3 (01:19):
I might rint my heart alcoholt on my pain on them.
I might want to shine copper couple chains on them.
I might want to stun and pull up in that range.

Speaker 8 (01:32):
Why would you eat at a neighborhood Applebee's when apple
Bee recording our private phone conversations and share them with
the government.

Speaker 4 (01:40):
Yeah, welcome to the olive gardens. That's a lie, y'all.

Speaker 8 (01:43):
Got only three salads and no other trees, flowers or follying.

Speaker 4 (01:49):
All of garden, all of garden, the garden. These corporate
chains want you to worship them. Church is chicken. No,
church is not chicken. That ain't Jesus about.

Speaker 8 (02:01):
I know, y'all, KFC, what's going on? And then you
can't even take your girl on a little arcade day.
If Dave gonna bluster her, you know.

Speaker 6 (02:14):
What sound is because he did nobody big shouts that
nobody games.

Speaker 4 (02:23):
You know we lets you knew that? Let us Yeah,
we let our hose you cube for a good house.

Speaker 5 (02:37):
Oh yeah, so that's a broken never see you gonna
well men kill me. I don't want I don't want
to bro I don't want to step on her lyrics.
She's a raunchy type.

Speaker 6 (02:50):
Shout the whole my hose out there, my whole shoutout.

Speaker 4 (02:52):
Is ginger new chore. This is guys, ain't girl is okay?
We out here don't look at me? I fucking look
at me up fucking I don't know look at me while.

Speaker 6 (03:04):
Yeah, watch me watch this years since.

Speaker 4 (03:09):
Out here watched I put my leg up yoga. Congratulations,
you finally get to meet me. Red Wonder with that
one leg up wrote one leg up. We're gonna come
back to the one leg. I'm gonna turn this small
fucker to a flood.

Speaker 6 (03:28):
I'm in this bitch and with my brother brought a
stick and he goes thought I got stambing.

Speaker 4 (03:32):
The I standing beanie bat.

Speaker 2 (03:33):
I'm like the go up there in that level, playing
it on my wrist.

Speaker 4 (03:36):
She made the puddler in the past. Let me go through.
We're going. That's why I got the love galloping head
word easy clean up, easy clean up, don't mean my
geez like pussy all day, all after night. Smile. Yeah,
other people want to enjoy that.

Speaker 2 (03:51):
Nah.

Speaker 4 (03:52):
If I get in your cars like the hand cheetos
cheetos fish, I do them. I need to clear. I
had to focus. I give it a home. She's like the.

Speaker 5 (04:04):
Trophy is killing it just been on his ship this past,
this whole year taking up. He's the type that I
heard his name until the last couple of years.

Speaker 4 (04:14):
But he's really making noise this year, making it coming
up up. Were going the same hold niggas, it's out
of control.

Speaker 5 (04:20):
I'm doing a thing fucking the same hole nigga jinks Ma.

Speaker 4 (04:30):
Yo, we're sucking the same girl. Double signs of my house.
Upset Yo, your problem to man, I'm gonna seeing she's
and be like yo sign sometimes be like Yo, why
are you kids?

Speaker 5 (04:42):
Why do you keep making I have an attitude for
you know what with my wrists.

Speaker 4 (04:47):
You pissed off and I gotta deal with it.

Speaker 2 (04:48):
I don't believe in me.

Speaker 4 (04:49):
Next toy like Crystal be.

Speaker 6 (04:51):
A lot of hard fucking out gets so funny.

Speaker 4 (05:00):
No go repete.

Speaker 9 (05:01):
It just misses.

Speaker 4 (05:15):
You. Sometimes you want to eat it and not beat
Just you Corinne shout Karen, Yeah, man, it's nobody. Sometimes
you just eat it and don't beat it. And look
for you. We all look at me. Don't linking. Don't
look all I'm linking.

Speaker 10 (05:32):
Noa, noa.

Speaker 4 (05:35):
Congratulations you finally get to meet Red one lego? What
up with the one leg up? Funny story. I'm gonna
have the one leg up on you. I got one
leg up on you. I matter. I'm at a play party.

Speaker 6 (05:46):
Okay, let's get into it, because this recently, this is
an old story. You know, we don't even get time,
like all right, it is, I just want to.

Speaker 4 (05:53):
See how your weekend was.

Speaker 6 (05:55):
It wasn't this week not this weekend, no, no, no,
this is this is a while ago. Uh, at this
play party and uh, you know my partner at the time, right,
So we were in that well in my partner right
at the time. So we're in there chilling, right, And
so in the in the playroom, it's like two two
girls and the guy and having like a back and

(06:16):
forth three something, right, So he's eating one out. She's
giving him head and like she they're laying down right,
So she's out, she's.

Speaker 4 (06:24):
Near his head, the other one near.

Speaker 5 (06:25):
His like a sixty nine sort of like he's eating
her out and he's getting head from the other.

Speaker 6 (06:30):
She sitting on his face and give him head. Okay, okay, okay.
And so so me and Shorty were sitting bad we're
watching there like, oh this is nice.

Speaker 4 (06:38):
So Buddy's getting shown live show.

Speaker 6 (06:40):
And then he lists both his legs up into the
air like ship, and then she starts to like fucking
lick his gooch and his bootyole down. He got the
real treatment.

Speaker 4 (06:51):
They almost ran out of there. I know it's too
much for you. Listen the legs up. I'm very sex positive.
That was too much. But yeah, the legs came up
like in slow motion.

Speaker 5 (07:02):
They get like it was routine. She knew what was next.
She didn't skip a beat, got right to it. That's
two legs up. I was like, that's not me. That
was that definitely wasn't me.

Speaker 6 (07:15):
Two legs up, two legs up, as in the air,
booty hole exposed.

Speaker 4 (07:19):
She's getting to it.

Speaker 6 (07:20):
I'm just like, wow, Sure he looked at me. I
look at the wall. Don't look at me with that.

Speaker 4 (07:25):
Don't look at me, look at you would like to try,
you want to try to know what she was thinking.
I just I just can't. They're young, yo, Listen, I
don't know.

Speaker 6 (07:39):
Don't do somebody else. I'm not staring you know. I mean,
you're not gonna have my my bootyhole in the oh.

Speaker 4 (07:46):
No, it's too much, too much. It's time to go. Sweet.

Speaker 6 (07:48):
I barely like having sexis strangers in the room. You have,
my asshole, do not do that.

Speaker 4 (07:54):
He was enjoying it. I bet, I bet he didn't
have no call mess with that. I was eve mature
one that it wasn't even a part of it. You're like, oh,
I was a problem. It's too much. That's why I
knew I was a problem. To get the fuck out
of there.

Speaker 6 (08:07):
Here, Yo, I'm gonna step outside Ladies two and a
vulnerable moment because I'm back here.

Speaker 4 (08:14):
By damn about the chuckle having a good time, You
know what I mean. You don't want to laugh? No,
they got I can't laugh.

Speaker 6 (08:22):
They got both legs and boody holes slippers slapping.

Speaker 4 (08:27):
It just looked crazy. So they was just like, look crazy.

Speaker 6 (08:29):
I was just it's like the descriptions while I was like,
oh ship, and then Shorty's sitting on top of him
is holding his ankles back to ye as a team effort.
Ye as a team effort. She's got she's holding legs back.
So now you ever seen the Amazons.

Speaker 5 (08:43):
Being pressed tholed up being yeah, you don't want to
told me about that ship? Sure, they got up and
started railing them.

Speaker 4 (08:48):
Listen. I don't know. I was out of it. You
got out there before that.

Speaker 6 (08:52):
Yeah, I didn't want to suck the moment with a
chuckle or some ship ship.

Speaker 4 (08:57):
I was too mature.

Speaker 6 (09:01):
When you said that one leg ship, I was like, bro,
you right back on me back, I'll laughing again.

Speaker 4 (09:06):
When I put my leg up, it's not for for
oral treatment you're trying to use.

Speaker 6 (09:10):
It's usually like leverage to get out of the deeper
Angle's my leg up on the bath?

Speaker 5 (09:17):
Yeah that sound one lego? Leg said, one lego. When
I'm doing it is uh, usually from the back.

Speaker 6 (09:28):
Then I try to get that level, get that leverage,
you know. Sometimes I go down like Captain Morgan.

Speaker 4 (09:33):
Listen like that.

Speaker 6 (09:34):
I hit him with a leg lock, move so you
can't move nowhere, and I hit him with the dougie
fresh with the leg up.

Speaker 4 (09:43):
Doing the dogie. Start doing the dougie, boyd, teach you
had a dug. Hey you get caught doing the dog
in the mirror, right, you gotta do it? Mm hmm.
Just wipe from my hand. That's funny. You know where
that's from, right, what I'm paid in full?

Speaker 5 (10:04):
He's dug while he was at Cameron, Yeah, Cameron showing
the video of him fucking that girl.

Speaker 4 (10:08):
He's like, watched this, watch this look while I hit
her with the Doug oh ship. Speaking of that, Cam
has actually got into it.

Speaker 10 (10:18):
Yeah.

Speaker 5 (10:18):
I was about to say, you heard that that fifty
bought all the rights to paid in full. Yeah, and
he's making Cam an executive producer.

Speaker 6 (10:25):
Yeah, which I think is fucking I think it's incredible.
Hold on you because as you know, Cam, Cam know
this out of Cam's now because then he got like.

Speaker 4 (10:32):
Eighty five hundred in that movie.

Speaker 6 (10:34):
He did the movie and got paid yeah, less than
ten stacks because it was like a favor to Dame
that was under his production team and everything in this
In this venture, Cam is looking to make a lot
more money and he probably get percentage as a producer,
he gets some type of royalty. I'm assuming something, well
something EP credits. I mean EP generally means you're getting
a lot more on that show. Yeah, right, you know,

(10:56):
and I'm looking to see what how they do paid
in full. And I like how fifty brought him on. Yeah,
he always had something. Fifty's always fucking with dip set,
whether he's fucking with Jim Jones to get at Cam
or he starts fucking with Cam to get that Dame.
He'd be using those all the motherfuckers yo, Yo, he's
a manipulator, motherfucker.

Speaker 4 (11:17):
Yeah, Quiet Cap out to queens out the Queen's d
J d J T. If you know, you know if
Quiet Cat fifties like big New York fifties trying to
put him Moody out from New York, he putting them on.
So you know, I think whether you're.

Speaker 6 (11:34):
Trying to sign the locks when they had the bad
deal with bad Boy, you're in that time period and
he trying to sign them, you know what I mean,
trying to get sign mob Deep he signed the m
O p wor't he was. He was putting everybody from
New York on. He put him back out. Yeah, made
him a little relevant again, so shot to him. It's
always been doing that. That's a hometown hero for real.

Speaker 4 (11:55):
I like it. I like to move interested in seeing it.
Dame man salty.

Speaker 6 (11:59):
Over talking about oh you got a boss now, damn,
you can't do that while you filing for bankruptcy.

Speaker 4 (12:03):
Nobody want to hear that, yo.

Speaker 5 (12:06):
Imagine you talking all that bolls because he makes you
look like shit if you work for anybody He's like, Yo,
if you got a boys, you might as well call
him daddy.

Speaker 4 (12:14):
That's ridiculous.

Speaker 5 (12:15):
So how are you going to run a business and
have people work for you? If that's your mentality, who's
gonna want.

Speaker 4 (12:19):
To work for you? And people don't? That's his process.

Speaker 5 (12:24):
That's why you go in bankrupt, right, That's like what
the billionaires are like realizing, Yo, if we get rid
of all the workers and we wipe them out, we're
not gonna have nobody taking care of our shit.

Speaker 4 (12:33):
Well they're not realizing they're fast enough. Let me tell
you that. Well, they're trying to get Ai and the
robots to fucking hurry up, losing lots of money in
the process. I'm here for it, though.

Speaker 6 (12:43):
But I'm a fan of this version of Dame, and
I've been been a fan of Dame for a long time. Listen,
I've known this version of Dame since like four or
five when Juicy used to work for him.

Speaker 4 (12:53):
And you know, he's always been a jerk.

Speaker 6 (12:55):
You know, he says a lot of great things from
a like an entrepreneur standpoint, But I think it's two sides.

Speaker 4 (13:00):
One Corn, you're never going to be a great leader
if you never learned how to follow.

Speaker 6 (13:03):
Because leaders of followers too, they just leaders follow the flock.
You know, a good leader is going to be in
submission like a shepherd.

Speaker 4 (13:12):
Shepherd.

Speaker 6 (13:12):
Yeah, if you're leading and you're not paying a sense
to your flock, your flock won't be there for much
longer they being all right.

Speaker 4 (13:24):
And that's what happened to Day.

Speaker 6 (13:25):
Yeah, you had a movement like for a while with Rockefeller,
and the energy was grand, but eventually you didn't listen
to your flock. You disrespected them. You talk down to
them everything, right, you know what I mean? And now
nobody's here for you, and it's like, nah, it's.

Speaker 4 (13:42):
A it's sad to seem like that. I mean, I'm
sure he'll be all right, but to lesson to us all,
I'd say, yeah, right, you know, that's one of those
watch to be watch type ship.

Speaker 6 (13:51):
Don't make those mistakes. Nobody's bigger than the program, you
feel me. Yeah, we're here for people. Hearing that a
lot too lately. Nobody's been in the program game, Yo,
you were here for the people, like even for us,
like if we don't if the fans are like people
were like, yo, you know the podcast is this and
we're like, funk that we're gonna do what you Want'm

(14:12):
gonna listen, all right, cool?

Speaker 4 (14:14):
Do you want to be on this side with niggas?
You know what I mean?

Speaker 6 (14:20):
I like, you know, I love Dame, you know, I
love to see I love the I love the rags
of riches story, Damon. Like you said, I like the
entrepreneur spirit he always showcased. I wish you would, you know,
grow up a bit. It feels like he got like stuck.
What's that called arrested development. He got stuck at this
this attitude era.

Speaker 5 (14:40):
And I'm like, I understand it in your mid twenties
where you feel like you gotta fight everybody to get
to the top. You meet you that you reach that
peak and like it's the right to out your name,
is the right to move? Yeah you got you had
equity in that name. Yo, he had oil businesses and
ship like that.

Speaker 4 (14:57):
I mean.

Speaker 6 (14:58):
My thing is like and as you Yeah, I feel
like you need to branch out and believe in trusting
other people to stay with the times, you know what
I mean, Like, yeah, you were good in two thousands.
Now like work with somebody else, that's more. That's popping, right,
now so you can pass on some of your tutelage
while you.

Speaker 4 (15:15):
Know your hope right, capturing some type of apprentice or
something something, you know what I mean, a little somebody's mentoring.

Speaker 5 (15:21):
It just whacked that because even even I don't see
himself being in a position where he could work with
anybody now. Like it's like how we were saying, how
it's dope to see fifty putting people on still to
this day, they need some therapy.

Speaker 4 (15:33):
They ain't gonna nobody's in a rush to work for
Dame or with Dame. Yeah, you need some therapy.

Speaker 6 (15:40):
That whole gen X, the generator, the gen Zers who
are now in their late twenties. I don't know if
you realize that.

Speaker 4 (15:45):
That's what we're doing.

Speaker 5 (15:47):
Yeah, that's the I'm never going to keep track of that,
to be honest, I feel like it changes every quarter
where the line goes.

Speaker 4 (15:55):
I feel like generations are like in twenty of your clips,
it's always that's what always felt like fifteen twenty year clips.

Speaker 5 (16:01):
Gaze is christ. You know, nobody calls me until we
start recording. Let's start from the top again, Let's start
from the beginning.

Speaker 4 (16:13):
Part of me.

Speaker 6 (16:13):
Yeah, but no, but the it's like twenty year clips.
So you figure we came out of high school and
then it's twenty twenty five now. So people that have
babies high school from our era their kids now their
mid twenties, mid to late twenties.

Speaker 4 (16:25):
Yeah, that's the nice generation. That's next generation, the gen
Zers right behind us. So what's my son he's trying
to like jet off phone. Oh it starts over again,
the gen Zers.

Speaker 6 (16:35):
So he's born like fifteen years later, so he's twenty five. No,
he's not born yet twenty twenty five. He's born in
like what eighteen.

Speaker 4 (16:44):
Fifteen years later after we graduate. That's what you're basing
it on.

Speaker 6 (16:47):
Yeah, well, and that's not don't take two thousand and
two is being a hard point. But just like in
that range, that ninety nine to two thousand and two range,
two twenty years from there would be like you know
that night eighteen to twenty two.

Speaker 4 (17:00):
We don't got to do off so much into it,
you know what I'm saying. So he's genopha. So the
gen Z is what they're doing. They wanting out, Well,
they're complaining about gen xers. You know. Gen X's are
the ones before us. That's us. No, we're for us.

Speaker 6 (17:13):
Those are the older kids. Well we were were millennials,
we're older millennials. No, gen Y, I think Genoay is
after your son.

Speaker 4 (17:22):
I don't know. I think I don't know, after Jedipha.
I don't know.

Speaker 6 (17:25):
The Jenifi is so brand new now they're getting older
and the new generation is starting to come after.

Speaker 4 (17:31):
Them, you know what I mean. But I'm dizzy already.

Speaker 6 (17:34):
Yeah, you keep asking these questions, try to get to
the bottom of this, so they mad at who the
people right before us? Gen X's our parents, and I
say our parents, so our c I get it, our
older older siblings like the ten years for us.

Speaker 4 (17:51):
Okay, okay, okay.

Speaker 6 (17:52):
The niggas that were popping in yeah, you know what
I mean. The gen X's are like fucking card hard
to deal with, you know, they're they're super mean. That
generation is really mean coming out the crack era, and
that was like popping in the nineties though.

Speaker 4 (18:09):
They the ones that's the most offended now. They are
very offended. They don't like nothing that the kids do.

Speaker 6 (18:17):
They don't like the music, it's not real hip hop,
the clothes, fashion, the stupid you know, the.

Speaker 4 (18:26):
The kids don't know.

Speaker 6 (18:27):
They snitch all the time. Speaking of stitch your boy
young Doug, Yeah, been out. That's not what we're talking
about though, what we're talking about. So for those of
you that don't know, I'm gonna give your background here.
Gunna during his whole Wives South thing in Atlanta.

Speaker 4 (18:45):
Right, young thug has been in jail for like two
years on the reco charge.

Speaker 6 (18:49):
He was able to like beat that because the state
did a horrible job is for a job at manage
in that case. And granted they don't like they have
much evidence either to be going honest a lot of.

Speaker 4 (18:59):
Life just here say, but.

Speaker 6 (19:02):
Uh he gonna gonna had made the statement early on
in saying that when they were trying to access his
why sell a gang and why that? Yeah, as a
way to be his case. And so for a good
year year and a half it was Gunna's a stitch
this that and the third was how he got his
plea deal to get out early right and and really
and bringing in going all way back to Kashi sixty nine,

(19:23):
we got caught up with with those dudes come out
of Brooklyn also stinching right and and Takashi situation. I
feel like he has the best reason to because they
were also trying to like murder and kidnap, and they
robbed him, you know what I'm saying, fucking his baby
moms like they was wild out, you know what I mean.
It wasn't like yo, he was telling on people that

(19:44):
he was like in good seats with you know what
I mean. So but nonetheless telling us teller. So some
audio came out the other day of young young thug
being a chatty patty from jail. I don't understand why
people go to jail and talk.

Speaker 4 (19:58):
On the phone, Like everybody knows that's common knowledge, right,
They tell you in the voice message before you start,
this call is being recorded. Yeah, So does he not
think that they're not going to leak they use the
state leaking it?

Speaker 5 (20:11):
What's the what's the the benefit of leaking it? Making
them look bad after making us look bad as the government.

Speaker 6 (20:19):
We stayed ship countless amount of dollars trying to prosecute you.

Speaker 5 (20:23):
Do you think somebody the DA's office was like called
the sheriff and say, yo, I want to hear all
these fucking files, all the phone calls he made. I
want it on my desk tomorrow morning.

Speaker 4 (20:31):
I think they had it. They had it in the
cut from the video, right, because they will keep a
track all his ship.

Speaker 5 (20:37):
Because if they have an open case pending and you
slip up on a phone call, say some wild ship,
they're gonna present that ship in court if.

Speaker 6 (20:42):
They have a cat every on that phone to see
if they can use it against you in court. So
I need see at work, you know what I mean,
Like this is part.

Speaker 4 (20:52):
Of the job. The job. Yeah, he got a phone
call schedule for three or whatever we got, you know
what I mean. Let's listen. Listen. They're probably listening live too.
They're not waiting for the recording. Send me the transcript.
You know. He bullshit, he talking talking to his eight girlfriends.

Speaker 10 (21:12):
Uh.

Speaker 6 (21:13):
So, there's there's a young dog. There's a there's a
video of young dog. Uh in the interrogation room basically,
and I'm trying to see her.

Speaker 4 (21:24):
Can find it. Don't want there you go. I hope
I didn't hear that dog get run over. This nigga
was in that limb and that was New Yorker the
fun that was so weird. This nigga shot at this

(21:44):
to him. I don't know who the fuck they said
Ross with I don't want to I ain't finna, I
don't want to block.

Speaker 3 (21:54):
I don't want to like block out y'all case by
saying Rosie Russell and Russell.

Speaker 5 (22:08):
Bro.

Speaker 6 (22:10):
But he didn't get released for snitching. He's not he
didn't get released for snitching. But the idea is that
here you are running this man giving up giving up ship,
you know what I mean.

Speaker 4 (22:20):
But here you this entire talking about gun on the case.
They're talking about gun names.

Speaker 6 (22:27):
And ship, talking about he might have done it. I
don't want to fuck your case up, but I think
it is just like you know, it's none of my business.
But I like the te from the side, and it's
just like, yo, if you know you're doing some foul ship,
just stay quiet, you know what I mean?

Speaker 4 (22:42):
Just like yo, you know he's just said that and done.

Speaker 5 (22:44):
You know, when you're looking at fucking they were looking
like to put them fifty years under the jail.

Speaker 4 (22:48):
No, I'm not saying that I'm facing that ship. He
probably just look he probably just don't get me spilling
his guts. I'm not mad at him. Whatever you do
when you're when you're facing those years in that time,
you know what I mean? That bullshit. That's you. That's
between you and the law.

Speaker 6 (23:03):
I'm saying that after the fact, when you know you've
done that and you see this man who has done
something similar and you're out here talking ship like he snitch.

Speaker 5 (23:12):
He me he got out on a plea, right because
he copped to something. Cool, young thug.

Speaker 4 (23:17):
He got out. It wasn't like all charges was dropped.
He caught something. Yeah, because he talked to something. Yeah,
that's what I'm saying. Like he had to cop to
something like that.

Speaker 6 (23:25):
And it gave him, like, you know, times probation like
five years and yeah, yeah, fifteen year old due.

Speaker 4 (23:31):
Yeah, he's been like it called jaywalking. Yo.

Speaker 6 (23:33):
Yeah, pretty much higher a driver. But that's not that's
not the worst thing he said. Let's play this, keep
playing the tapes.

Speaker 4 (23:40):
The girl, the girl, the girl gorilla. Yeah, why people
say she pretty?

Speaker 10 (23:51):
You think she ugly?

Speaker 7 (23:53):
You said it?

Speaker 10 (23:54):
This is why, man, They're just saying she looked like Rihanna. Man, Like, goddamn.

Speaker 4 (24:10):
Man, this is corny.

Speaker 6 (24:13):
Hey, hey, we're on the podcast. My thing is like, yo,
not his type. Anytime somebody is saying how much time
on somebody you want to smile? She ain't she ain't
get no pussy's on her mind.

Speaker 4 (24:25):
She's on his mind, right, Yeah, she's on your mind,
you know what I mean.

Speaker 6 (24:28):
Not he apologized for this. He did apologize. He been apologizing.
He got a song apologizing a drake.

Speaker 4 (24:38):
Like drake, please come back to Atlanta. Cool future.

Speaker 10 (24:42):
Sometimes a lot of niggas like that. It'll be like
if the girl was regular and you want to try
to PLoP with a girl. You know, it's just like
you got a number one song and y'all.

Speaker 4 (24:53):
Said, he Gloriala is not ya like Lorilla is? I
mean she does.

Speaker 6 (24:58):
She got a small body in a big hat. But
she batty though frying. Let's pull this out.

Speaker 4 (25:04):
I want to call her ugly? Ugly?

Speaker 6 (25:06):
Is it?

Speaker 4 (25:07):
You're doing too much? You feel me?

Speaker 5 (25:09):
Maybe she said something about it and he's like, what
you're doing? That's so not like he got he got hurt.
It sound like he was hurt. That's like he was
turned down somebody.

Speaker 4 (25:18):
He tried to holler and she said and she shut
it down. She's like, nah, not really, because you've been
in the studio.

Speaker 5 (25:23):
You you He sounds salty, right, like she's coming out
what that they met before? They didn't have songs, right,
I don't know.

Speaker 4 (25:30):
Let's see they got records together, well, really young thug.
Let's see.

Speaker 6 (25:34):
Let's see, and then he talking to a girl about
it and talking to his girl. Let's see if they
got music right. I'm sure they even hit the studio,
even if they have no songs that came out. No,
I don't think I got no music.

Speaker 4 (25:51):
They said she put out of this. That could be ai.
I don't trust nothing. Yeah, I don't trust nothing. If
she hasn't tweeted it, let me see.

Speaker 6 (26:03):
Nah, I don't see no music, but definitely sound like
it was like you just you in jail thinking about Glorilla.

Speaker 5 (26:11):
They got all this. They putting this out like it's
a podcast, episodic. They're putting out his his interviews and
not interviews, his phone calls.

Speaker 4 (26:20):
I'm here for it. I'm here for it, you know
what I mean. I'm gonna see STI an investigation. Who else?

Speaker 6 (26:27):
Now you're talking a bad about Glorella. I'm not talking
about my girl Glow like that.

Speaker 4 (26:30):
Yo. You know what I mean. She out here doing
her things, she got good music out. You know that's
not that's not right? Yes, you lie, lie, Lie. I

(26:51):
would not pursue.

Speaker 5 (26:52):
There's like some dirty mincing ship, but they putting it
out It's weird, right because we talked about ship. I
feel weird because I'm basically this is like gossip. We
gossip it about it, but it's public knowledge. They're putting
it out there, so it's not gossip.

Speaker 4 (27:06):
Yeah, but I mean human beings love gossip. What is
the news? Is it not gossip? There's only like a
portion of the news that's really informational.

Speaker 6 (27:15):
Everything else has got everything is all opinionated, right, Yeah,
this gossip, you know, normally the hi you know what
I mean? This nigga's lying. I would not pursue her.
You told me right now, stop lying. And he said
it like two times. That's how you know you're lying.
They doubled down on it, and he talking to this girl.

(27:36):
He gotta say that to his gossip. What are you
gonna be like, Well, I beat that pussy up.

Speaker 4 (27:38):
Yeah, I can't wait to see her. They blow it
on the phone right now. You'm like, shout out, what
are you wearing? What you got? I'm down walk.

Speaker 9 (27:51):
Like always laugh, Look you look funny.

Speaker 4 (27:55):
Look yeah, he's so. I love to hear it. Though
I'm making fun of a dude like you want that,
don't you? Being ten minutes ago, you wish you could
smell it. You understand you want dirty drawers right now?

Speaker 10 (28:12):
Man to this girl, here we go.

Speaker 4 (28:17):
This is everybody. You're right, Look everybody gossiping. Shout out
to the thoughts. Yo, we're here the support. We're here
to talk about y'all. Thanks for giving the ship to
talk about this. The wild is lead calls. My thing
is that he didn't think that they would. They would
they would be trying.

Speaker 5 (28:36):
I didn't think they would lead him. You thought they
would lead these conversations you're talking about future.

Speaker 9 (28:45):
Like when I'm talking back, when I'm talking about certain things,
he just don't know that he retarded to certain things.

Speaker 4 (28:50):
You know, music, you know what I mean? So what's
she was running that back? What are you saying about future?

Speaker 9 (28:59):
That's the crazy Like when I'm talking about God, when
I'm talking about certain things, he just don't know that
he retarded to a certain thing.

Speaker 4 (29:05):
He retarded. Damn.

Speaker 6 (29:08):
Thank guy all he knows music because he's been hitting
for the last ten years.

Speaker 4 (29:12):
He changed his name. He changed his name Future. Yeah,
he changed his last name to cash. Future Cash.

Speaker 5 (29:19):
No like it's legit whatever, the Leviticus whatever the fuck
his first name is Leviticus cat, look look up his
first name. I'm making fun of it. But he changed
it to cash future name changed.

Speaker 4 (29:38):
You're not same as cash now the Vietnam and then
the video is the mon cash.

Speaker 10 (29:47):
Nah.

Speaker 4 (29:47):
See that's why. No, what's hate? Not you oh young
calling out? Yeah, that's hate. He was.

Speaker 5 (29:54):
He's behind bars, he hated. You know, he's pissed off.
When you pissed off, you're laying out a lot of anger.
I this is like, this is like him trying to
use people as like punching bags and ship.

Speaker 4 (30:04):
So he trying to address it. What he said, he
say about it, right.

Speaker 11 (30:07):
He talked about it like that's the weird part about
this ship that's happening like this, see all these y'all,
this is just like a fun, fun moment and of
means on the internet and trying to just like tounch
my my existence and just my real nigga shit, my
real nigga life to like just just to have fun
with it, but not knowing like but this shit traumatized
in the head. This ship got them make me remember

(30:29):
when I was in jail, this shit makes me remember
those dark ass days and moments I had, bro.

Speaker 6 (30:33):
That's that's you know, when you got a when you
got a really good liar. Right, they're really good at
deflecting from the issue at hand. Right, we're talking about
the things that you said on the call. So what
you say is, Hey, this moment that we're talking about
right now, it is reminding me of the trauma.

Speaker 4 (30:55):
Yeah, it's hurtful.

Speaker 6 (30:57):
You just locked up yesterday. Okay, you know, being outside,
it's reminding you of the trauma of jail. It hasn't
been that long. Stop playing with me. Yeah, okay, stop here,
answer to the question.

Speaker 4 (31:10):
But yo, I get it though.

Speaker 11 (31:11):
It makes me remember those dark ass days and moments.

Speaker 4 (31:13):
I get it. Did she make my girl cry? Did
she all these y'all just made it me cry too.

Speaker 11 (31:20):
One moment the means on the internet and trying to
just like tounge my my existence and just my real
nigga shit, my real nigga life to like just just
to have.

Speaker 9 (31:29):
Fun with it.

Speaker 4 (31:30):
That's yeah. I think it's just a double place. That's
why I don't do crime, you know.

Speaker 5 (31:36):
Yeah, I try to be upstanding citizen. They don't pay.
Don't that make it look cool in movies.

Speaker 4 (31:43):
I seen that S seventeen eighteen. I did a noo
stupid ship and and get away with it. I'm like, yeah,
you know what, I don't got to keep doing this.
Folks ain't got no. I was too paranoid.

Speaker 6 (31:52):
Yeah, I mean I'm good, Yeah, fucking I'm just you know,
shout shout to young Doug. I'm glad he's home, Welcome
back to dinner and congratulations and put Gunner back of
my playlist officially.

Speaker 4 (32:06):
Oh yeah, yeah, he put on new ships.

Speaker 6 (32:08):
Everybody snitch like yo, why they get off? And I'm
still out here being punished.

Speaker 4 (32:13):
He's still he's still making music. So nobody listening. The
problem is the problem, nobody. You gotta have to convince
the fans.

Speaker 6 (32:21):
If the culture, if you don't get the thumbs out
of the culture. I don't give a fuck what you
put out. It all matter, It don't matter, it don't matter.
He probably got new ship out. You do got he
probably let's look it up. It's probably fire too, but
he all right, So nobody gives a fucky Like you said,
once you're talking and ship like that. That's why gun

(32:42):
is going. I mean, Young Thun's going hard. You don't
want that ship. What's his recent? What's recent?

Speaker 4 (32:50):
Ah? A year ago? That is the most recent one
on his videos. He had to rebrand his ship. Yo
latest okay five months ago? Oh five months he little
known legit been here and I got this fiting on
long with my socks biggas. This is fine already, Yo,

(33:18):
this beIN biggas. You had a lead buddy, Yeah, you
know how check get in that oo honey?

Speaker 6 (33:21):
Yeah, he known to la soon or not you got
a smoking or spelling wood letty would have miss on.

Speaker 4 (33:25):
The plage of Minyami my got He's familiar with the throat.
I don't know what the funk this ship is fine?

Speaker 2 (33:31):
First thing.

Speaker 6 (33:32):
First thing is no how I bleed on the blether
I get a cashed.

Speaker 4 (33:38):
Out of her. This is like like some Tory Lane
ship might just be the Bigges flying other thing walky
Biggest said, he besing me. I don't even know.

Speaker 6 (33:49):
Now you think he's throwing paint at the Test Love
because of the Test Love put off that season.

Speaker 4 (33:53):
Desist. Oh, I don't know, I'm ann through. I'm not
stepping Jerry thirty. I'm really don't This ship is crazy. Yep.
You know how to make it so men, he's just
the fucking rat. You know how to pick the video? Stop?
How many? How many views? He got a couple of

(34:14):
million views? He got he got people listening. He's not yeah,
but not what it was. Yeah, he's not. He's not
getting played on the radio. He got he got to
do it all.

Speaker 6 (34:22):
This another one you put out one and one point.
He said, he's still put our box.

Speaker 4 (34:28):
She's like from the back, I'm talking to her that
she yea. They made both of these videos the same weekend. Yes,
got Shrek, Shrek got stage stirs, shrag shuk out storage. Yeah.
Look that's the thing, like d some ship. How about
four hundred all my chains on Blair?

Speaker 3 (34:47):
They like me?

Speaker 6 (34:48):
They like me?

Speaker 4 (34:49):
Do I got it?

Speaker 6 (34:50):
Pair ships still making fire?

Speaker 4 (34:54):
Yo, what a motherfucker. Yeah that's funny. But yeah you
called it. Yeah he's not nobody talking him. Yeah you
mad though, You're like, yo, it's not fair while you
get the past. Gunna, you know what Gunna did that
that he that he's not Gunna is.

Speaker 6 (35:10):
Appealing to women now said fuck you guys. Oh yeah,
if you look at gun as music. He did the
five K marathon the other day talking about health and wellness.

Speaker 5 (35:19):
He gotta be you gotta switch up your stop. He
was facing big he was facing big time too.

Speaker 4 (35:23):
He said that gangster.

Speaker 5 (35:24):
She's like, I'm not with that ship. Joined joined the
run club. I might join the run club at my job. Yo,
motherfucker is doing five K's ship.

Speaker 4 (35:33):
I'm with this ship. He got his shirt off. Now
he got abs, he got abs. Now this is for women.

Speaker 6 (35:40):
Just listen women sept by Wickets and I don't understand
why people don't.

Speaker 4 (35:46):
You know, if women, when women have your back, you're
gonna ride it to the top.

Speaker 5 (35:50):
I should listen to what my wife, she's reading your comments.
She definitely listening to the Joe Budden podcast.

Speaker 6 (36:01):
One thousand, but I'm sure she knows Joe before fan
Well that was Joe's first guest.

Speaker 4 (36:10):
Yeah, nobody. So I love.

Speaker 6 (36:18):
I love the dramatic opening with with with a chord
with the Organs. Organs is like such an old school
It's a good build up, good tension builder. It has
a very like you know she has she has a
crows on the cover, so it fits that look of Elvirah.

Speaker 4 (36:37):
You know. Welcome to the Mistress of the Dark type
ships bear marriorhood of Battest, but she's looking back. I
know these bitches in my shadow feels so cold.

Speaker 6 (36:49):
Started off as Summer Walker. I think some of Walker
is an interesting choice to start the album with. She's fire,
She's had She's had a lot of great albums, and
I feel like some of Walker, interestingly enough, like uh,
similar to Cardi struggles with the fame, you know what

(37:10):
I mean, some of us had issues like.

Speaker 4 (37:12):
Performing, coming out on stage and stuff. She doesn't really like.
Oh she gets anxiety, right, she's an artist. I remember
hearing about that there was an artist, like a big,
huge I thought it was her at first.

Speaker 5 (37:21):
Yeah, well someone Walker too, right, she don't like performance
because she just gets Yeah, they just get mad anxiety
and it's like, rather just be home.

Speaker 6 (37:28):
That's why we that's crazy, That's why we waited eight
years for this album. So I think like starting it
off with Somemer is interesting.

Speaker 4 (37:36):
And shout out to Cardy. You know, this is a
real girly girl album, you know what I mean?

Speaker 6 (37:40):
She no power, girl power, you know the ladies, the
women came out and showed off for this one. Some
of some of the top tier artists so oldening up
with someone Walker is dope. I records already at one
point million.

Speaker 5 (37:52):
Somebody said there was a stat that the Janet Jackson
feature I think even though it's just like an audio clip,
I don't think it's it's actually her doing the vocals.
Somebody said that Janet Jackson never featured on another woman's record.

Speaker 4 (38:05):
Really, which is a crazy stat. I wonder she cleared that. Well,
she has clearing, yeah, but to.

Speaker 5 (38:12):
Get the feature, saying like Janet Jackson, Like that's crazy,
that's a great, big deal. Yeah, so they spent money.
I thought they wasn't spending money. I thought they was
fucking like, yo, we would have she owe us money.
I feel like I feel like they've been paying her
bills the past seven years and she's been home having babies.

Speaker 4 (38:30):
You're like, yo, y'all gotta you gotta get to work.
If I'm the label head, I'm happy with this. Oh
they should be. Yeah, they should be. This is this
is great if i'm if I'm thinking about man this investment.
But it's crazy.

Speaker 5 (38:42):
Yeah, it's crazy that that was a real option. Like
people were talking about that, like, yo, this could happen,
this could flop, this could be bad.

Speaker 4 (38:50):
So she goes with that and we're going to Hello Hello,
Hello is cool. You know, she's still running with that
like gothic sound, you know what I mean.

Speaker 6 (39:02):
I'm listening to it, so you really see like the
production quality, like it's got a lot better. At Cardi's records.
I've been following cards She's just doing mixtapes. So when
she was doing mixtapes, she struggled to like just stay on.

Speaker 4 (39:17):
Beat, you know what I mean. No, she caught it,
but she definitely caught it. She's got melodies now with
the new one that'sn't gloring in the sun.

Speaker 6 (39:27):
How I'm telling Nina's namorates about. I think this record
really like she's showing off her new skill set, you
know what I mean. She's rapping, she's having fun.

Speaker 4 (39:40):
You know what I mean? You cands she got ghostwriters. No,
everybody has ghost writers. Yo. Yeah, at this point, she perform.
I'm not coming to Cardi as like the top five rapper.
I want to hear her. I want to hear her
rat ship.

Speaker 5 (39:55):
If you got somebody putting this ship together and you're
putting it performing.

Speaker 4 (39:59):
It, I'm fine with that, yo, Cardi. Those entertaining to me.

Speaker 5 (40:06):
No, But she got tight that people are questioning her
pen She was like, this is me. I'm writing all
my ship. I'm like, good for her, I'm not.

Speaker 4 (40:12):
I don't fuck everything right.

Speaker 6 (40:14):
So, like rappers will be in the room and they'll
have writers in the room, so they might have the
original line.

Speaker 4 (40:21):
The writers will be like, well, why don't you say
it like this? And about say that you know what
I mean?

Speaker 6 (40:27):
And with that they'll be like, you know, I wrote
the rhymes, and it's like, I guess you did right.
It's not the same as when we think about somebody
writing rhymes.

Speaker 4 (40:34):
Is you sitting with your whole concept, the idea you
putting that ship together from you know? And and that's
rarely how it is.

Speaker 6 (40:43):
They just don't make music like that, you know, anymore,
especially at that level, you know. And that's what I'm saying.

Speaker 5 (40:48):
There's a team of people in the studio working well,
she's doing it, and she's bouncing around like feeling the
energy and ship.

Speaker 6 (40:54):
They want to make sure you're not saying anything that's
going to be your fan base. And if you do
say something that Eliot is a fan base want to
make you aware of it. And there's words that you
use and chorus structure and ways that you can make
a hit song. So there's alwos gonna be people in
the room making records with hers. So I'm not so
mad at that. So we move on from that and
we hit Magnet. Magnet is a hard record, right, this

(41:18):
mixtape ship. I feel like they're definitely chasing the anthem
with this album. There's a lot of anthemy type songs.

Speaker 4 (41:29):
It's pretty.

Speaker 5 (41:31):
That's what I want to look for. I want to
see what what catches feeling because these are dope.

Speaker 4 (41:36):
Magnet is gonna hit, especially when it thinks start hitting
the clause.

Speaker 6 (41:44):
Yeah, right, absolutely is gonna play. Now that's leading gold
mass for me. I love a pop record, the pop ship. Right,
there's doing numbers. Then what's that two million?

Speaker 4 (41:54):
Yes, leaning go mess. This is this is the smart feature.
This is gonna be the Grammy record as almost ain't
she got good features? This is the this is the
fun record. This is the record that you can play
like in high schools. This is going on all the
girls playlist. This is going on the girls playlist.

Speaker 2 (42:14):
Dudele's get so come.

Speaker 4 (42:18):
I want to put it down maybe opinion, I got
I like it.

Speaker 10 (42:22):
I think I'm about to go.

Speaker 4 (42:23):
Look around. Oh she's out the time. They just gotta
boot me.

Speaker 6 (42:27):
Now, I mean that nigga change my get up and
creating the ship that I canna be taking now.

Speaker 2 (42:33):
I don't nobody like you.

Speaker 4 (42:37):
This is this is Cardy in very different lanes, you
know what I mean? Like, this is going into the
poppy ship hard. She wasn't doing as much you first
came out.

Speaker 6 (42:46):
It's really trying to show you, like, Yo, I'm different now,
like I'm not the same CARDI you remember shout out
to you.

Speaker 4 (42:53):
This I as people people are upset about this.

Speaker 6 (42:57):
I like it.

Speaker 4 (42:58):
I like its placement. I like it on this album.
I just the only thing is I wish they pulled
it back, maybe release it as the third video. I
feel like they jumped out the window with this. They
have other they have. I think they have better options
leading into the album. I can see the logic behind
gone with it. Though this is your hometown song, you
put it on a record. Its automatic. New York is

(43:20):
New York, is heavy New York, and it's paid. Talk
the shit. This is like the intro.

Speaker 6 (43:24):
It pays respect to some of one of the greatest
New York rappers of all time him clearing it is
a big deal. It shows you that he had to
be okay with it, right, This is his big record,
This is her getting This is the.

Speaker 5 (43:34):
Ship we gotta appreciate, right, because when these motherfuckers are
dead and they start AI in their beats, we would
never know.

Speaker 4 (43:40):
Oh he wouldn't improved that. And then also this introduces
the song to a newer generation. Right, go back and
hear this shit. Go back and hear Jay's versus all Body,
so you can mind that, you know, with the AI shit, Like,
I think it's important.

Speaker 6 (43:54):
I think certain people had loud voices and might have
felt an attachment to the original record the same way
when we started remixing these.

Speaker 5 (44:05):
Hip hop Yeah, that's what I'm saying. That's that's in
the that's in the blood, that's in the blood of
hip hop. We're gonna take old ship and flip it.

Speaker 4 (44:12):
I think she did good with this, that ship. Yeah,
like I said, I like it. The flow was good.
They thought she was gonna be different from jay Z,
but it's tough to like. You know, it's long too.
She wrapping for like five minutes. It's a three minute record.

Speaker 6 (44:26):
This at this point, this is the longest record outside
the first one, which the first one is the first
minute is is clip clips.

Speaker 4 (44:33):
This is the longest record on the album. She's rapping
on this one, talking ship. She's from New York. Now.

Speaker 6 (44:41):
This also opens up for her to do a jay
Z guest appearance concert, you know what I mean, Like,
if you can get Hold to come out and do
the original.

Speaker 4 (44:50):
This pop up verse verse and.

Speaker 5 (44:55):
When she's on tour, we're going, Yo, We're going to
the tour, got to the I'm taking you with me.

Speaker 4 (45:01):
All right, you come into the show. We're gonna go
see Cardi b If you can.

Speaker 6 (45:05):
Get Cardi to bring jay Z out at the bark Leaves,
you know what I mean. And he just he don't
even got into the whole song.

Speaker 4 (45:13):
I think he just gotta do half a verse, have
a verse four bars shut in New York down, people
are losing their mind holding that came out in decades,
you know what I mean. So he came out of
Cardy that'd be five.

Speaker 5 (45:29):
Especially with this the cold sign, come on, that should
be viral. I gotta be there for that. Come on, son,
for these moments.

Speaker 4 (45:36):
I gotta be there.

Speaker 5 (45:37):
Remember how we was having that list to who we
want to see live now. I'm looking for moments like
I'm mad we couldn't make the verses said in the lock,
like that was a moment we could have been there.

Speaker 6 (45:47):
Yeah.

Speaker 4 (45:47):
No the COVID ship for us up. I mean, if
we really wanted to go though, we could have went. No, Yeah,
we had meanings to get there. It's just like, ah,
the Rucker, I was there for that. I was there
for that. That's something. The Blackout I felt like I
was there, like I remember was like that ship. That's
what I'm looking for the moments, especially in New York.

Speaker 5 (46:06):
So yeah, if Cardi got an opportunity to create something
like that, yeah, I mean, let's do it. Bad Bunny
and Yankee Stadium, the moments Bad Bunny's residency.

Speaker 4 (46:16):
Hey, now, but they get baddies.

Speaker 5 (46:20):
That's that is like real local, like Spider Man local, neighborhood, friendly,
neighborhood ship.

Speaker 6 (46:26):
I feel like she's taking a piece of Bad Bunny
here and really just paying homage to like heritage and
where she comes from like that, And this absolutely makes sense,
and it's work is gonna go crazy in.

Speaker 4 (46:38):
D all right now.

Speaker 6 (46:39):
Right now, their shoulders are wilding out. Son even shoulders
and crazy in the US, which a highly doubt.

Speaker 4 (46:47):
You don't got to. When she enters d R, they're
gonna put her on the show, anthro. This is the
anthem is over. They put her on the shoulders, they're
carrying her. Come on, she's trying. She wanted to get
that free resort, y'all'll do the residency in DR Yo.

Speaker 6 (47:03):
My god, we were going that's too much, baby.

Speaker 5 (47:07):
You gotta stay for that one. Yeah, no, no, even crazy.
Oh man, that's a fight already. Man, there there's a
future fight. I'm fucking myself over your next time. I
gotta prepare myself.

Speaker 4 (47:19):
I'll break it to up salute. This ship was hard.
She got hard, she got hard. She's rapping.

Speaker 6 (47:25):
That's what I'm happy about because I feel like when Nikki,
I'm not I don't want to compare.

Speaker 4 (47:30):
We're not gonna compare big Shot to Nikki.

Speaker 6 (47:32):
Nick I wasn't a fan of what Nikki did because
Nikki leaned into the poppy records heavy after her first album.

Speaker 4 (47:39):
I love that Cardi stood with the harsh and she
rapping still, but Nikki and Nikki doing that though it
put her in a stratusphere. I'm a selfish fan. I
feel you it was good business for Nikki and especially Nicki. Again,
I'm not mad that she did it. Of course a
successful plan. We're not mad at it. But really, just
let me talking about a little bit more.

Speaker 5 (47:59):
Just I'm a fan of the rapper even That's why
I don't like I don't like a lot of Drake albums.
I like his like side projects because he's rapping on them, ships,
the albums he's doing the girl R and B croon
and ship.

Speaker 6 (48:11):
But just going back to Nikki though, I really want
to highlight that, like in that time period, Nicky, Nicky
broke barrier because she was She's She's one of the
first to really get to be that ship as a
as a was like there was like a gap and
she filled that ship up. Nicki, Nicki Minaj. There was
that void, There was a void for women rappers. It
was bad, it was It was definitely a long time.

(48:33):
She The reason was a popping one thousand sent she
she rebirthday. I mean, little kim Is is the the
original parent.

Speaker 4 (48:42):
The blade was it the blade running another blade running,
you know what I mean?

Speaker 6 (48:46):
Everybody comes from Nikki, Nikki Foxy and that whole well Nikki, yeah, Kim,
Little Kim, Little Kim, Foxy and that whole group.

Speaker 4 (48:55):
Right, No dis to Queen of Tifa and that and that.

Speaker 6 (48:58):
That's just the different different tree branch right those I
would say, queenly Teafa is more like Doja.

Speaker 4 (49:04):
And what's the old girl? Pardon you?

Speaker 6 (49:08):
What's the old girl that we just talked about the
other week. She has a grammy you know, she just
want to grammy rap.

Speaker 4 (49:15):
The new girl. Yeah, from Florida, I think so, not Dojo.
It's something d.

Speaker 6 (49:23):
Right, she's the Queen Latifa branch. She's doing a little rap.

Speaker 4 (49:27):
You know.

Speaker 6 (49:27):
It's not as, it's not as, it's not as gangster.
She ain't doing that gully ship. So she's coming from
the Queen Latifa. That what's her name from back in
the day. Yes, yes, she's Queen Latifa. She's what's the
other one, that Lady of Rage.

Speaker 4 (49:45):
There's another one I can't forget, but Max and Sean
that's from that branch. Those are like the seeds of
that ship.

Speaker 6 (49:54):
Kim came out him is the trunk I used to
I used to I used to go ski with the ship.

Speaker 4 (50:01):
Not living this ship. No handle it like a real bitch.

Speaker 6 (50:05):
Yes, I used to throw skins of this ship. Now
throw a chield to this ship. Protect me from the
HIV ship, you know what I mean. Kim came out
on some next ship like she's busting her pussy white
on w she's only seventeen on Biggie was writing her
ship too, he again performers performing the deliveries.

Speaker 5 (50:24):
She and she learned the trade because she wasn't. It
wasn't like Biggie was writing all her ship right. He
was just a heavy influence, and he gave a people
learning influence.

Speaker 4 (50:34):
That's what I'm saying. Yeah, I believe it. She learned
how to. I believe it because I see motherfuckers.

Speaker 5 (50:38):
Like the Game, who I don't think is a good
rapper at all, but he is super successful, so I
can't be mad.

Speaker 4 (50:44):
And he learned a lif and fifty.

Speaker 5 (50:45):
I feel like I'm like exactly, I feel like, damn man,
if I could have applied myself more, I could have
been like the game, Like I think I could have
rapped better than the game, But I don't fucking know,
because I never fucking I don't believe it myself.

Speaker 4 (50:57):
That just go back in that conversation we were having
about talent and people who are talented.

Speaker 6 (51:04):
Skill right, hard work, hard work. Some people work work
hard to be a rapper. Yeah, some people believe are
extremely talented.

Speaker 4 (51:11):
And some people just come to them. I wanted to
come to me. That's my problem. I don't want to
put the effort. I want to feel like I could
just start rhyming words and they don't.

Speaker 6 (51:17):
You know, what might come to you is a humor
and you might have to work on a delivery, you
know what I'm saying. Some people get the delivery comes
to them and they have to work on the content.
Some people get all for all five rings and they're like,
you know what I'm saying.

Speaker 4 (51:31):
They change the game.

Speaker 6 (51:32):
So you know, when I look at Cardi, Cardi is
from that little Kim branch. Kim is really the time.

Speaker 4 (51:38):
I can't think of.

Speaker 6 (51:38):
Anybody that was doing heavy in New York, at least
I'm not. I can't speak for any other states. I'm
sure there's there's other people on the states that was
doing wild ship right, but from the New York I
can't think of anybody else from that New York tree
that was doing the wrong.

Speaker 5 (51:52):
Kim was the one that people she popped it off.
Trina is from that branch like t is right after,
you know what I'm saying.

Speaker 6 (51:59):
I don't want to say Trina because the South has
their own tree branches, you know what I mean, And
they have their own like.

Speaker 4 (52:04):
But I'm talking about just timeline wise.

Speaker 6 (52:07):
Yeah, but I understand that music was very regional back then,
you know what I mean. So, yeah, people got Little
Kid when she was when she was big, But why
I talk about when Little Kim was still local in
the hood.

Speaker 4 (52:16):
It's kind of third you know. People.

Speaker 6 (52:18):
I do have to say Trina doesn't like come from
that influence, But also I don't want to discredit what
was going on local over.

Speaker 5 (52:25):
Where they could put this ship like mainstream. Damn there,
Little Kid it was like the closest thing to mainstream.

Speaker 4 (52:31):
That's we're bad boy for sure.

Speaker 6 (52:32):
That Little Kim was one of the first, like mainstream
doing that real raunchy shit, you know what I'm saying,
And she jumped out. Trina came out behind that in
two thousand. But I feel like there was others in
Florida's I don't want to discredit them. So when we
see Cardi, Cardi is like the remnants when we talk
about just pure in New York, right, I don't want
to disrespect nobody else's hood.

Speaker 4 (52:49):
And not mention nobody. You feel me pure in New York.

Speaker 6 (52:52):
We're talking about like, Yo, Cardy is from that branch,
and I'm like, yo, I'm really happy with where she's at.
Nikki for me, is not you know, she don't really
do She does it, but she don't at the same time,
you know, I mean, Nikki goes to New York, ship
nick goes through Atlanta and for the Heavy Heavy, So
it kind of how she got her ship off right
because Atlanta and Thu Wayinge, so it kind of like

(53:16):
a little she slightly detached.

Speaker 4 (53:18):
From New York. She's Queens Heavy, Definitely, she's detached from
like New York. But NICKI made it Nikki. I feel
like it's one of the ones that really just took
it out of here, made it like to that Nikki was.
Nikki's like the jay Z of this ship. She made
it worldwide platum ten times crying. Yeah, She's like the
jay Z. Bigg paved the way. Yeah, Jagga blew that

(53:38):
ship up.

Speaker 6 (53:39):
Nikki was out of here with that ship. So that's
why I want you I don't want to compare. But
this is this, this is right here, this is for
the streets.

Speaker 4 (53:47):
I love this. This is me around. Congratulations, I was
finally get to meet me one of the bitch.

Speaker 6 (53:53):
This is like, yo, we got the ski masks on,
we all got the lama in the back seats too much,
chuck your beard the man salute and you know, not
for nothing. I told you this summer almost women women
being probably.

Speaker 4 (54:12):
So when she said salute the real pictures I heard, dude,
you were there, you saw it, you saw it. I
want to do that. I'm throwing it up now. If
she looked hard body, I'm gonna throw it up up. Hey,
so you said at ease? Oh ship, Sorry? This is fun.

(54:36):
So we got safe another pop record. You know I
like it.

Speaker 6 (54:42):
This is the heartbreak song, right oh, this is the
I'm in love song. This is the fun record. It's
already this is all you make me safe. This is
like I'm boo I'm booed up.

Speaker 4 (54:54):
I don't want a couple of niggas, but this is
the this is this is the this is the it's
already out of here. Nelly and Kelly Rowling. What was
that song? Remember that song Nelly and Kelly Roling.

Speaker 6 (55:05):
What was that.

Speaker 4 (55:07):
You's like, we bowed up? This is the record that
you make me feel safe.

Speaker 6 (55:17):
This is the record that that that she sends out.
The label works through and says, hey, who can we
get as a good feature on this record?

Speaker 4 (55:25):
We want to we want to put all the sauce
in for this one. You know what I mean? This
is gonna be played.

Speaker 5 (55:30):
She got big features, She's this is she she's making
hardcore New York records and she's branching out at the
same time.

Speaker 6 (55:39):
Definitely, this is gonna play internationally. You're gonna run, you know,
bars and clubs and ship this kind.

Speaker 4 (55:44):
Of this song is safe. You play you play this
in the uber, the elevator, Macy's gonna play this. Macy's
player talk a little bit of whole safe your baby,
come home, Come home.

Speaker 6 (56:04):
I'll tell you it's a funny thing about this though,
CARDI sound like a bunch lesbian in the back hold
me down from the Bronx's Tough Boy.

Speaker 4 (56:12):
She from the Bronx. She had to walk eighteen miles
to school uphill both ways, and you.

Speaker 6 (56:20):
Know how she did it in heels your hell. She
was fifteen in heels, stomping, stomping bitches out.

Speaker 4 (56:28):
Yeah, I guess.

Speaker 6 (56:30):
Wild Skindy chicks, the extra yo with the loft side
of the titty. She had that whack ass bonytail.

Speaker 4 (56:40):
Y'all. Oh ship, that's funny. Now now we move on.

Speaker 6 (56:45):
Now this is this next record here man, man in
your word, this was like the wolf set this right
this or what a dis clap back.

Speaker 4 (56:54):
I was wondering how they were going to handle the
spousal beef, especially so public, right right, It's all the
job though, all said, put out his ship. He did
his thing. Although I would have liked to have her.
I would like to have seen her put it out
on him.

Speaker 6 (57:07):
But I understand why she didn't do it, because she
doesn't because it's a little hard to the relationship break up,
and it kind of this.

Speaker 4 (57:14):
Is kind of like keeping on.

Speaker 5 (57:16):
Also, we didn't say this, but congratulations she announced her pregnancy.

Speaker 4 (57:22):
The party is pregnant.

Speaker 5 (57:24):
Oh right, stephone, Stephane Diggs, baby daddy, shoot the club up.

Speaker 4 (57:29):
Yeah, so they expect things to fit them. Yeah, there
do some volume on this right here you go. So
I get this right, killer spset bitch. Now Cameron gonna
explain it facts, my favorite bitch. It's hard. It's hard.

(57:55):
How you followed this? Yeah, it is heavy New York yog.
You ain't been in the Bronx and you ain't had that,
I tell you. I tell you that chicks with the Bronx.
It's the least time with it. Two yo.

Speaker 6 (58:07):
You know.

Speaker 4 (58:13):
The sick that she wanted to she had what they
call it, it's like a pregnancy fetish. No, it's like
a cream pie CreI the cream pie where you raw them. Yeah,
you know that's where I drow. She was asking you
she fill me up? Yeah, nah, what.

Speaker 6 (58:33):
Kinda I would oblige? And I pulled out to the
be like, are you sure? Nah, I'm obliged a little.
She had a little uh a child that was around
it look like he was ready.

Speaker 4 (58:46):
Yeah. No, And she she wasn't on on the control. No,
the King, no legs up in the air, fill me up, daddy,
That sho don't work. Listen. The king is the risk
of getting pregnant, that's the king.

Speaker 10 (58:58):
Yeah.

Speaker 4 (59:00):
And who this is the second time I met this person.

Speaker 7 (59:03):
Time you roll the dice, yo with your boy Rick Bell.

Speaker 1 (59:17):
And when I want to hear some real ship, I
listened to Conceding Nobody they keep it one hundred.

Speaker 2 (59:21):
Oh yeah, A couple of nobody's you should fucking listen to.

Speaker 3 (59:27):
I just got the forty. Y'all might let it bang
on him. I might rint my heart, uphold on my
pain on him. I might want to shine copp a
couple chains on him. I might want to stun and
pull up in that rings over

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