The Return Of The Boom Bap | #Conceitednobodi - Conceitednobodi

Episode Transcript
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Speaker 1 (00:04):
Yo with your boy Rick Bell. And when I want
to hear some real ship, I listened to Conceiding Nobody.
They keep it one hundred. Oh yeah, A couple of
nobodies you should fucking listen to. I just got the
forty y'all might let it bang on him.

Speaker 2 (00:18):
I might rip my heart out, pout on my pain
on him. I might want to shine copp a couple
of chains on him. I might want to stun and
pull up in that rings over half up.

Speaker 1 (00:30):
Boom bound.

Speaker 3 (00:38):
And she immediately recognized Michael. That's why she looked the
fuck off like I know. Michael asked, I ain't here
talking about that one time we fucked at one time
at my brand new house in front of my husband,
and she ignored Mike for the whole fucking home. But
Mike would not be ignored. Who jumped out the dirt

(01:01):
with him? All the background dancers, Mike have receipts. Mike
started naming places. Do you remember on the phone? After
dog here in the park, you and me two or three?

Speaker 4 (01:19):
What about him?

Speaker 3 (01:20):
What about him that died? That is when he ate
the pussy? I'm black, bro, good night, Oh no, part.

Speaker 1 (01:30):
Of me.

Speaker 5 (01:33):
Started a from the gut to the.

Speaker 6 (01:40):
It's conceding nobody from Mike Jack to Max B.

Speaker 1 (01:46):
He bro, you're looking for another producer job, we got you.

Speaker 6 (01:49):
You're going to be our internal you know what I man,
he's some help with these fucking buttons.

Speaker 7 (01:54):
Sh listen, Burdays we was done.

Speaker 6 (02:05):
Max B finally home albums song release.

Speaker 1 (02:10):
I like it for his first showIn I like it
from the bottom. Man got crazy and I'm a big
fan of person man because they got the shady telling
them mother, I don't go crazy.

Speaker 4 (02:24):
Make America songs wavy, mak it wavey and game.

Speaker 8 (02:28):
Let's this baby make a track pushing though it was over, nigga,
don't make me get the checking me, the rim, checking me,
stacking me smiths friend, hold of that Belice jin loose
that police chit she was just the long police depend fits.

Speaker 1 (02:46):
And purple painting of the perfect picture, The black Ball
of Week, I rich a counting niggas, I the tristf
Make America wavey, heavy, bitch o the snow boat Tell
little fuck you went pay.

Speaker 8 (02:58):
Me block wall block like on housing this prime.

Speaker 6 (03:01):
We're going hot for big friend, see that nobody joining macround.

Speaker 1 (03:07):
Fish on the c.

Speaker 6 (03:10):
For surf on the fanol, young Boosie. You see that
Blood and Monster paid for this commercial, this fucking video
brought turned part by a monster nigga cash for those
niggas fifteen seventeen years.

Speaker 1 (03:25):
It's a little rusty, but I get this.

Speaker 6 (03:27):
It's a good first show if you first that back
rushing like a project fish shore man.

Speaker 8 (03:33):
Just looking back making waves, cooking crack New York set
you cooking back because she and she looking back. It's
big bustom straight last year Cooking mag book.

Speaker 4 (03:42):
You for my pudding bag, putting the blue crazy.

Speaker 6 (03:48):
Fling y'all, y'all. He just came home, Sole shot out
to him.

Speaker 1 (03:54):
I think French carried his whole song. Yeah, yeah, get right, man,
that I would have. I'd have been.

Speaker 6 (04:01):
Choruses fire. I think you might have the chorus. I
don't know, but I would have been happier with the with.

Speaker 9 (04:07):
With some bars, a little less bars.

Speaker 6 (04:13):
But Max was never the fucking the lyricists lounge, motherfucking rapper.

Speaker 9 (04:19):
Yeah, but I feel like today, you know, motherfucker's got
writing camps. They got you know, there's no reason why
you can't put together some bars today with all the
help what they got and the move in these rooms,
and I can imagine him not want to accepting your help.

Speaker 1 (04:34):
But come on, gang this.

Speaker 6 (04:35):
First day, they were probably in that weekend in the studio,
going ham, leaving the strip club, leaving the parties.

Speaker 1 (04:41):
Let's let's make some music. I like it.

Speaker 6 (04:45):
I like I've been playing it. It sounds tough in the truck.
It sounds two thousand and nine, Johann.

Speaker 1 (04:50):
That's party with that. Don't listen to the I was
about to say that October say looking at me.

Speaker 6 (04:57):
I was gonna be like, congratulations, listen, finally get to
meet me. But that's it sounds dope to me. I
think it's intro is tough.

Speaker 1 (05:08):
The song. It's a good song, I just not you know.

Speaker 6 (05:10):
A good intro to a lot of motherfuckers haven't heard
Max B. And a lot of these rappers are like
Max B babies.

Speaker 9 (05:16):
Do you think this this is gonna be a Max
B record that makes you people say.

Speaker 6 (05:20):
No, no, no, no. This not turning heads. This is
for like the fans. These are for the people waiting
for him to come out.

Speaker 9 (05:26):
I think that's what you have. One opportunity to make
a good first impression. Yeah, you're right. I don't think
this is the best person. I don't think this is
the last we hear from them. Yeah, I don't think
so either. It got two point three million reviews in
three days. It's doing pretty good. You know, the second
time it might not be two point three million.

Speaker 6 (05:44):
Well, I'm happy, I'm excited. I'm happy. I'm excited to
hear more if I can get like a mac and
cheese or some shit with Max all over it, French
doing his ship with Max all over it.

Speaker 1 (05:56):
Rightfully, I think that'll.

Speaker 9 (05:58):
Be fire rest in pieces of people that off they
live and that robbery.

Speaker 1 (06:03):
I am happy he's home.

Speaker 10 (06:04):
You know.

Speaker 9 (06:05):
Uh, we told my French next weekend out of jail
for a long time. But this is what I don't
know for me, This is you know, we'll see what happens.
I wasn't super excited about bird game back then either.
They had some.

Speaker 6 (06:18):
Joint city bird gang. Yeah right, but it wasn't right
Jim Jones, it wasn't crazy. I like the relationship of
Max Peaks Tape Ship and Jim Jones.

Speaker 9 (06:28):
I think when they came together they fell out all
this ship. So when they were together, it was vultro
that it was. It was a good good fit.

Speaker 1 (06:39):
Listen that Hustle's poem was hard. That one of the greatest, greatest,
like that, I'm gonna go back. Oh, listen to that
ship tonight on the way home. Now. Listen, Jim Jones
always had rider music, that hustles fall he hasn't been
I don't like that since.

Speaker 6 (06:55):
No, I like the The last Jim Jones album I
really liked was the one with the the skull, the
Mexican ship with the fucking Santera rilla, uh and ghost
in my head. That ship, that album that was my
favorite ship. Yeah, you know, but this ship was hot.
This ship is nothing is like this. This is what

(07:18):
ten right, ten eleven when this shit came out, uh, eight.

Speaker 1 (07:23):
Nine, maybe that early.

Speaker 6 (07:27):
Maybe this is at the start of the fucking skull
and bones trend, right, this.

Speaker 9 (07:32):
Is when he really just kicked off. Look at the
look at the album cover. This is still a.

Speaker 1 (07:35):
Still mixtape ship. Yeah when they.

Speaker 6 (07:39):
Say it, don't say the yeah, yeah, looking up real quick.

Speaker 9 (07:42):
But when they had that, uh, that that that relationship
and they were doing their thing couldn't be stopped. I'm
not I don't know if I'm super excited about them
on their own.

Speaker 11 (07:55):
You know what I mean.

Speaker 1 (08:05):
This classic, this classic.

Speaker 6 (08:16):
The last year he put I've been listening to to
the last Whis Kalifa album I've been listening to, and
the last Walle album I've been listening to.

Speaker 1 (08:25):
Yo.

Speaker 6 (08:25):
It's been a lot of good fucking hip hop this year.

Speaker 10 (08:27):
Yo.

Speaker 1 (08:28):
Can I talk about the album winning? Can I talk
about the Wally album?

Speaker 6 (08:32):
I'm never checking.

Speaker 1 (08:34):
For w A.

Speaker 6 (08:34):
I'm surprised, Right when do I ever talk about I
never heard you talking about Never. I understand his ability
and his skill. I respect his lyricism, I understand why
he's held high by his peers. But I'm never checking
for wal A. But the year that rap has been having,

(08:59):
I've been more open mind. I'm like, oh, another rapper
that I'm familiar with. Their music is out. Let me listen.
And there's something about this album, bro, I'm drawn to it.

Speaker 10 (09:10):
One.

Speaker 1 (09:11):
The album cover is tough.

Speaker 6 (09:12):
It's just him and he looks like a teching character,
no words, no name, just a Picasso portrait of him
which which looks fly a ship. Name of the album
is Everything is a lot. Love the name of the album,
love the cover. Play you could just play the first
one or it's yo, Yo, Bro, ask me his best bar.

Speaker 1 (09:39):
I don't know.

Speaker 6 (09:41):
Sonically, this ship is amazing, son and I usually don't
listen to rap albums like that. I'm usually dissecting the
lyrics to beat.

Speaker 1 (09:49):
Bro. I play this.

Speaker 6 (09:50):
Ship and I zone out and every song flows into
the next. I think the most rapidly rap album, Bro,
the song is number five.

Speaker 1 (10:00):
I don't know number six. Part of me.

Speaker 6 (10:01):
Number five is the intro. But this is just put
this ship on and zone out.

Speaker 10 (10:06):
Bro.

Speaker 6 (10:09):
It's great. It's great in the car, it's great in
the shower.

Speaker 1 (10:12):
Yeah, let me hear it for a second.

Speaker 12 (10:14):
And your wife.

Speaker 6 (10:17):
I feel like I gotta over explain myself because I
never listened a while this ship ever.

Speaker 8 (10:22):
Yo, my hard Cooder the most because I can allow
you to death, but still I gotta get go.

Speaker 6 (10:27):
Sometimes I'm sure he's saying phenomenal ship, but I'm like,
I'll get to the lyrics.

Speaker 10 (10:32):
Y'all.

Speaker 8 (10:33):
Niggas name how you're playing with the crash but everything
I lot, so bring everything.

Speaker 1 (10:37):
You're gonna check this ship out. I can see it
in your face. You're gonna come back to this ship. Yeah? Sure,
and you sure it's again.

Speaker 8 (10:43):
I don't unless you want.

Speaker 1 (10:47):
Fun. I'm sure he's saying some flat ship.

Speaker 13 (10:54):
This.

Speaker 1 (10:55):
It is hard trying to feed my mind.

Speaker 8 (10:58):
Gotta be something with these themes in that sometimes.

Speaker 1 (11:02):
Okay, it's just an intro. Number six is the rapping
rap ship. I think Ross is on it too.

Speaker 8 (11:09):
Mama said I really need a wife. First.

Speaker 1 (11:13):
I was, Oh, this is the uh.

Speaker 6 (11:17):
Man, this is the uh oh hell achieves me.

Speaker 4 (11:23):
Title?

Speaker 1 (11:25):
I take your word is Yeah, you know where this
is from. I'm playing for you right now.

Speaker 6 (11:30):
Hold on, go check the Wild album. Go check the
Whiskalifa album too. I'm gonna check this Wild albumn you
so you got me on this bro again, just play
it from the top and read a book. Not not
they don't read the book. I'm saying, it's perfect zone
on music. It's good hang out ship. Please this ship.

(11:53):
While my wife was making food in the kitchen, Hey, yeah,
cook your dinner to this ship exactly like get on
the fucking get on the fucking train with your headphones
on blast.

Speaker 9 (12:07):
I'm gonna check it out because if I can go
through five tracks and not be upset, you got.

Speaker 1 (12:14):
A good star. Yeah.

Speaker 6 (12:16):
The rest of the album you just skimmed through it
and yo, it's really good. Now you got you got Me,
It's it's great hip hop.

Speaker 1 (12:24):
It's not good. You put in the car and just like, yeah.

Speaker 9 (12:28):
That's the I like what they did with that that remake.
But I want to find you this song here because
they did a good job with it. Sometimes people take
songs and they've tried to be doing it's really tough
to because his music is just so powerful and the
way it is like real eclectic, you know, is Jadna.

Speaker 8 (12:51):
They are now keep them.

Speaker 14 (12:54):
In the disguise, riding in the motorcade and now if
you come to very in the jungle, it's we were
from so when niggas stayed humble.

Speaker 9 (13:02):
No, it's not this that's from this album though, give me.
It's not long chief DM hmm, give me. I just
heard it the other day too. I'm not familiar. You

(13:28):
got your ears a phenomenal. That's your superpower. You got
good ears. Yeah, there you go, because we don't you know,
they we fucking ship.

Speaker 4 (13:45):
Up money trees got me out of the ship.

Speaker 6 (13:50):
It's a very strong, it's a powerful being. This is
the most rap song on the album.

Speaker 4 (13:54):
I'm afraid this something is.

Speaker 1 (13:59):
Not check South. Why is the more people talking about
this these women, I don't know. It's my attention with
these I haven't heard one bad song.

Speaker 6 (14:10):
This is good enough for me to check out like you,
but just watch and perform this, don't you figure?

Speaker 9 (14:17):
I definitely want to see this live much fire too
much in the closer to my.

Speaker 1 (14:30):
High high.

Speaker 9 (14:32):
You know how you feel about the people taking like
really big songs and redoing them because it.

Speaker 1 (14:38):
Has a very like similar vibe. I don't mind it.
It's been It's been part of the fucking culture since
its inception. Damn then.

Speaker 6 (14:48):
It's It just makes me understand where the inspiration comes from.

Speaker 1 (14:57):
It's albums a vibe. I don't want to. I don't.

Speaker 6 (15:00):
I used to look at it as like you can't
take the beat and fuck it up right, or you
gotta do it just you gotta do it justice where
it should be a big enough record that is.

Speaker 1 (15:12):
Talked about mooring at the minimum.

Speaker 6 (15:14):
I stopped looking at it like that because I just
appreciate that with it. I just look at it like
this is what they was listening to when they made
their art. I can appreciate the inspiration it's talking and again,

(15:36):
I've never heard a Wale album Obviously I've heard this
ship on the radio, whatever got played on the radio,
and whatever mixtape features he jumped on. He always had
a dope verse, like an acrobat.

Speaker 1 (15:50):
He did is thing bro that he's not missing with
this you on track eleven, give.

Speaker 10 (15:55):
You a Lama.

Speaker 1 (15:56):
It's interesting. I've heard a bad song yet, Yo.

Speaker 6 (16:00):
Sonically it's amazing, Yo, this is fine.

Speaker 1 (16:15):
I'm drawing to this ship yo. Again.

Speaker 6 (16:17):
Usually when I pop in a rap album while press play,
I'm analyzing the beats, I'm analyzing the lyrics. I'm looking
for the metaphors, the double one candres, the wordplay. If
he's flowing on the beat, I'm grading it out the
gates time.

Speaker 1 (16:34):
She's telling you, I haven't.

Speaker 6 (16:37):
I haven't paid attention to any of his punch lines
in this whole album myself, and he deserves some recognition,
even if it's from somebody that's never been a fan.
I just want to give this piece of art some
acknowledgement because I just, yeah, I'm listening to this right

(17:03):
after his podcast.

Speaker 1 (17:04):
I'm gonna go draw to Hustle's poems and I'll hear
this while I take a shout with him. And you know,
I'm like you I'm not.

Speaker 9 (17:12):
I mean, I haven't been a big Wilet fan since
Loaded flower Bot broke up.

Speaker 6 (17:18):
And to me, that was like his crossover hits, so
like I didn't really respect it as like a rap song,
you know, but it weighed you down. But he kills it.
He's at his peak. I think I don't want to
fuck it again. I've only know so much about Wi
A right, but he always seemed like he was chasing
a hit. He always seemed like he was forcing the crossover.

(17:44):
This this feels like he just said, Yo, I'm doing
my own I'm gonna do my things. Nothing feels forced.
None of these feel like radio songs.

Speaker 1 (17:53):
These are all radio songs.

Speaker 6 (17:54):
But it don't feel like it like it don't feel
like he went out of his.

Speaker 1 (17:57):
Way to make it already made.

Speaker 6 (18:01):
I appreciate. I appreciate the feeling I get from it.
That's that's what's been missing in my my rap music
listening in like the past decade, the.

Speaker 1 (18:11):
Feeling it's nostalgic. What the wola? Yeah? Does it give
you like nostalgic feelings?

Speaker 6 (18:19):
It just sounds great.

Speaker 1 (18:20):
Maybe I'm familiar with some of the songs like how
You Pulled Up these classic records I wasn't even too
familiar with before.

Speaker 6 (18:25):
But I'm like, oh, this is a familiar sound. It
sounds great, and I'm enjoying it sounds great, but it
is like it's it's it's almost like a DJ taking
your favorite records putting a.

Speaker 1 (18:38):
Spin on it, you know. I mean, it's not this is.

Speaker 4 (18:50):
That's not all about all.

Speaker 6 (18:55):
That's he did his thing, yo, big shot words shout.

Speaker 1 (19:00):
You're right. I would like to see this live now. Yeah,
it is worth seeing live. Everything is a lot. Everything
is a lot.

Speaker 9 (19:08):
Bro on his sin Field ship, especially if he's doing
this with a live band.

Speaker 6 (19:18):
You know, I'll be sick to day part of me.
It's still early. It is still early. I think he
dropped that like a month ago. But you're right, I
don't hear like a lot of people talking about it. Yeah,
I wonder that I only heard. I forgot what podcast
I was listening to. Somebody mentioned it and was like,
I haven't stopped playing the walle album And I thought, really, well,

(19:40):
Joe Bidens maybe maybe on one of them. But it
wasn't Joe that said it. It was somebody else. I haven't
stopped listening to the Wale album, and I was like, really,
I said, let me go, let me go. Check this
shit out.

Speaker 1 (19:53):
Yo.

Speaker 6 (19:53):
It's been a good year for rat Man. It's number
nineteen on billboards. Oh good, and yeah, shout to La too.
He's forty one years old. He's all right.

Speaker 1 (20:02):
He's doing his thing. He's doing his thing. Who says
you can't be an older gentleman and a rap. I'm
doing this Thing's been rapping with fucking DJ Premier since
ninety three. Listen, oldheads is killing. It's a good year
for raps Son that NAS albums fired too.

Speaker 9 (20:23):
Let's talk about that album. Come on, this mad Man
song you put Me onto this is like DJ Premier
just drop. I've only heard it twice. First of all,
this don't want to hear. This is a highly anticipated
album to listen to.

Speaker 6 (20:34):
Man, it's line the rotation. Yeah, they announced this ship
like twenty years ago. Yeah, they've been trying to do
this since we was kids. This is likest exciting and
seeing Marvel comics on in the movie theater.

Speaker 1 (20:44):
This is like if Dre would have dropped the Chronic No, no,
what was the ship? The Detox?

Speaker 6 (20:51):
That was like an urban legend, right, remember that shit
was supposed to come out and it never came out.
Sopposed to be Chronic three, like the Continuation, it was
the wrap up of the Chronic series.

Speaker 9 (21:00):
We're still waiting for that too. I think if you
drops it at this point, nobody cares like as a
fun and when.

Speaker 1 (21:04):
You first started, well, there's much more respect. Respect that.

Speaker 8 (21:08):
It's not.

Speaker 1 (21:11):
I'm gonna talk. I'm gonna talk about this album. It's good.
It's a great album, and so it's a wallet's album.
Check out Wiley's Abu.

Speaker 6 (21:17):
Everything is a lot. This is not the DJ premire
light Years.

Speaker 1 (21:25):
This is nostalgic. This is very nostalgic. This is the
cheak hold that they got through all like me. Yeah,
look today, Bro's Snow and Sun. You forgot. You better
get your teams out the closet. It's still fresh and
doing Ladies only way forever.

Speaker 6 (21:41):
Official advance by every year, so every year try the
same time as like six years now.

Speaker 1 (21:49):
It's about a fresh, fair fucking butters.

Speaker 4 (21:51):
In fact, everything in my head make bread.

Speaker 12 (21:54):
I made hip hop and siph and the show start
to spread, but still nothing is sweet.

Speaker 4 (21:57):
You could tell about them in the street.

Speaker 6 (22:00):
I know that the new York rapty rap. People are
just salad. This is if you if you're a NAS fan,
if you're a premiere fan, this is in a spot
that I was craving. Both bodies, gentlemen are operating out
there at the highest levels with this album.

Speaker 1 (22:17):
I'm gonna tell you my only issue with this album
we try to switch to go. Look. It sounds like
for me that these motherfuckers were in the same room
when they did this music. They weren't. No, I think
they locked in some of the songs. This song sounded
good like it landed for me. But this is right here.

Speaker 6 (22:36):
Play Joe, your beat is amazing rhyme and this this
is what you were saying. This is like a remake
of a classic. Yeah, every part three.

Speaker 9 (22:47):
So if NAS is rhyme's top tier, when you bring
it together, it's like peanut butter and cargate.

Speaker 4 (22:55):
I know some folks to get away take a.

Speaker 1 (23:00):
Son this on this on so fire, I was fucking
to the ship taking a play on. It sounds good
to beat and by themselves they sound amazing.

Speaker 15 (23:18):
Still Choke a struck walk Night, the Shorts at Night,
the court Stress, and cut your Light Short. I'm from
head rolls and duck sauce, where the fetch rolled on,
duck shorts, Sitney yelling and sailors.

Speaker 1 (23:28):
Everything premiere, the kids staying nodding, his head met while
nodding in the bull or some d n and they
dapping each other off after they lay it down.

Speaker 12 (23:35):
Something rush, they don't know friends and now one gos
is that our sells though in the juvenile pins.

Speaker 6 (23:42):
I want to see that that Joe Budden interviewed to
see because they'll probably say, well, how they came about,
how they put this shit together, because like you said,
it's been anticipated for so long, different place now they building.
Maybe a big factor was just them being able to
come together at the same time.

Speaker 16 (23:55):
Some of them.

Speaker 1 (23:56):
But for me, like I mean, obviously I wasn't there
schoof face out we smiled.

Speaker 9 (24:00):
This is this is like an abstracting going like no time,
the b and ns are going in two different directions.

Speaker 1 (24:08):
You know, this is the break sounds good and what
I see see I can see what you're saying that
it is not as cohesive. It almost give me a headache.

Speaker 12 (24:19):
Nicks, Mets, Yanks, jets, nets, island ringers, the world. This
sounds really got fit jumping with the hold ups and
dips a scoutfulist. The pot holes still be hard in
our whips, never in the night like super Bottles events,
some art galleries.

Speaker 4 (24:38):
I can name some clubs that no longer exists.

Speaker 6 (24:41):
The like Been Shots and and DJ from Ma you
know a lot of a lot of the songs and
the album for me sound like that where it's just
like nas is giving you and that takes you out
of it.

Speaker 1 (24:50):
The bar is his life, like he's given you the
best he got.

Speaker 6 (24:53):
Talked about the Palladium, Yo, I haven't heard about that
ship in fucking twenty years. Premiere has given you a
fucking that's off this fucking universe, gutta, And it just
sounds like they're not in the same Like did y'all
talk to each other, because.

Speaker 1 (25:07):
It's like, oh, this ship is fire, Why is he
rapping it on it like that? Though?

Speaker 6 (25:10):
You heard the DJ Premiere and Royce the five nine
series when they did Prime. Nah, how was that saying
it was Premiere and Roche the five nine they call
themselves Prime. They've made two albums those are Premiers, Like
he was on another level.

Speaker 1 (25:24):
So I'm not saying this. Maybe this is like a
notch below that.

Speaker 8 (25:28):
Let's see, I'm tired of swinging on the sniggers.

Speaker 4 (25:32):
Many sniggers can't even fight.

Speaker 1 (25:33):
I'm a casual sneaking ahead. I don't need them bleeding
on mony nights.

Speaker 10 (25:37):
Marshall.

Speaker 1 (25:38):
This is how I mean. They were definitely in the
studio together, the.

Speaker 8 (25:41):
Biggest if I ever lifted, which is why I'm known
as an under regieva.

Speaker 10 (25:45):
I just I needed to be a race.

Speaker 1 (25:49):
It's shy, nah do sound like it.

Speaker 14 (25:54):
Filling with thugs and legends. I got to seize contacts
in my phone.

Speaker 4 (25:58):
I never delete. I keep the cellular out in the heaven.

Speaker 14 (26:00):
Somebody nuts the reference, telling them I'm selling the best
girl like them Starbucks and gets all of these tides and.

Speaker 6 (26:06):
Kiss I guess it's like, you know, it sounds like
this isn't It's not necessarily like about structure.

Speaker 1 (26:14):
It's like, I'm not hard. These motherfuckers rapping their ass
off so hard. This is my ship. This is everything's
like fun ship, like I'm gonna wrap my ass for
you know what, walking this and make it like did
you read songy songs on the album and Room.

Speaker 4 (26:24):
For Baggage and Room and get Night.

Speaker 1 (26:25):
So they cant hypothetically tag your toe.

Speaker 14 (26:30):
Motherfuckers can't rhyme no more about rhyme no more because
I'm so bram Will I win? Nanna if it's a win,
kind of like asking what time is COMA gonna find
so damn so tomorrow.

Speaker 4 (26:39):
In hindsight is you're an artist?

Speaker 1 (26:41):
Death sneer the fans know what you draw false on death.

Speaker 12 (26:44):
It is like Man Jones shot rapp Glory over the
stratusphere rapping.

Speaker 1 (26:49):
Royce can't rap. I'm going he got a good fucking
weird ship with ship yeah rap no more like it
suns up with his vocal cords. He's going through it.

Speaker 6 (27:02):
I think he's recovering now, but it'll be a shame
right to fucking lose that talent. Not lose the talent,
but lose the ability to perform your talent. Wow, it's
like a ball player breaking his leg. Never the same again.

Speaker 1 (27:18):
DJ Premier. He has a series called Bars in the Booth.
Oh with your boy. Yeah you're trying to get Pat Poost.
Oh don't let's get out of here. You clicked the ship, yup?
I thought he was being funny. It's the series.

Speaker 6 (27:33):
It's series loaded looks oh, he got the mixtape rappers
on this ship.

Speaker 1 (27:39):
I just wanted to see Maya. Does the boom Bam
ship great him.

Speaker 9 (27:45):
I'll just find somebody here. Let's do pat poos, bake
me up. They can't say I'm a hater.

Speaker 1 (27:56):
You're a hater. You from Queen's He.

Speaker 17 (27:57):
Didn't live the one day walking down the app I
take his place. I be there with a suit and
his smell. She don't gotta take me your daddy would
me if I was in the grave. Hay, this be sabotaging,
disrespect you on.

Speaker 9 (28:10):
The there's a there's a different sound when the artist
is in the room with the DJ, with the with
the producer, because the producer is gonna wants meld the.

Speaker 1 (28:20):
Beat in a way he better than his own city.

Speaker 6 (28:22):
After postures on the fly ship and don't something, who's
in the beat or in two different directions, swims and polls, a.

Speaker 1 (28:30):
Look of alcoholic stuck his neck. I like the ostrich.
He'll move and t catching tempo. See, I can see.
I see what you're saying. Me and Bosie, you might
just want be a booster ship. Just don't register. I'm
way ahead of you. It's them mersionary again even though
they still wrapping up.

Speaker 6 (28:46):
I bought that hers she went in.

Speaker 1 (28:47):
I remember when I get determined to win to hurt there.

Speaker 6 (28:50):
That was the visual I had when I was saying,
you don't think he's not in his hand while Na
is in the boot right there.

Speaker 1 (28:56):
I think he's had the vocals, not all of them,
you're saying, but not all of them of them.

Speaker 6 (29:02):
But for me, I just I'm being very like picky
with it, and most people can listen to it, be like, yo,
you sound I don't.

Speaker 9 (29:07):
Nobody can hear that ship and I could be wrong.
They could have been in the fucking booth for the
whole time. They're like, Yo, you don't know what the
fuck you're talking about, you know, But something about it
for me just sounds different, you know. But big shots,
the nods and dj from men, because even with me
saying that this is one of the most anticipated projects
and nobody's gonna give a fuck about my.

Speaker 6 (29:27):
Soul, listen to it more than twice. I'm gonna listen
to some tracks.

Speaker 1 (29:33):
I like, person I'm playing that's your rock. I need
to get through it, the whole, the whole thing, so
I can get it for a good feel for it.

Speaker 9 (29:39):
I purposely was listening to it at the gym, trying
to like I hadn't get to that man Man track,
so I needn't.

Speaker 1 (29:45):
I didn't get as far as I thought. But you
know that that New York state of mind was killing me.

Speaker 10 (29:49):
It was.

Speaker 1 (29:49):
It was too much.

Speaker 15 (29:52):
At night, a court stress, your life short from egg
Rose and ducks.

Speaker 4 (29:58):
City yelling and s didn't he tell it?

Speaker 1 (30:00):
I don't know. We gotta go almost like better coffee
to the underground.

Speaker 6 (30:04):
That's how I like my core feel. That's how I
like my core feels. To be a little smaller Brent
and stay.

Speaker 4 (30:13):
Real for life and the sy with jack Ham.

Speaker 1 (30:17):
No, it's just cool. I gotta give it a couple
more listens you made by.

Speaker 12 (30:22):
Cock because I do this thinking salute the figured.

Speaker 9 (30:25):
I'm freaking you know when you got nas in the
fucking booth, he went off, he killed it.

Speaker 1 (30:34):
I'm gonna play this is this is. I know for
a fact he was in the ball. You went back
to ninety four because he had because he was too
young to not be in a booth. It wasn't playing
all the choice and I ran like a cheetah with
something the way he gets into a pocket man fther
fucking this seventeen the Future.

Speaker 4 (30:55):
Even though the squeeze.

Speaker 9 (30:57):
Hurt, it a big shot to DJ from Man, I'm
still gonna listen to it and pop and ship.

Speaker 6 (31:02):
It's conceding nobody like he is. I'm really excited about
is the damn poo? Sisty, We're gonna play that halftime?

Speaker 1 (31:11):
Oh the record? He didn't drop the album though, right,
it was the record? Yeah? Just the track? Yeah, yeah.
Another another free Man with his first showing.

Speaker 6 (31:20):
From that back when you come home and you want
to drop a joint and you know what it is too,
I'm gonna keep it a being with the Max be Ship.

Speaker 1 (31:28):
I feel like.

Speaker 9 (31:30):
It's it's as you get older, I can't just hear
you talk about being fly, like we know you fly,
You've been flying for a long time.

Speaker 1 (31:41):
What else you got? If I could hear it said
different ways, I don't mind what else you got? You
know what I mean?

Speaker 9 (31:47):
Sisty come out of jail and he's talking about his
situation like he's it's almost like the music. I feel
like it's it to the people. Is a is a
roadway to the people, So like you came home more relatable.
That would have been the time to like let people
know where your head is. Hat what she was going through.
I like the record Max Ship with that ship. I

(32:10):
don't know he was good with the Emo melody bars
and ship.

Speaker 1 (32:14):
Yeah, I don't know.

Speaker 6 (32:14):
We'll see because ship. That's how he came back in
his lane too, right, he didn't. He looked like he
didn't miss a step. They didn't miss up be Max
b looked very rusty, came out to get he didn't.
He didn't break stride. You know, he's been even locking
for he's been locked up for like yeah, fifteen. You know,
I'm letting it slide.

Speaker 9 (32:35):
I'm not trying to like be hard in the situation,
but I just I just hold his next record.

Speaker 1 (32:42):
I don't want to hear about fly ship without some
kind of like.

Speaker 6 (32:45):
Some more substance. Yeah, he was in jail for like
I get that, that makes sense. I mean I want
to hear I want to hear some bars.

Speaker 1 (32:51):
You're grown man. I need to hear some grown man ship.
He was away from your daughter. You didn't see your daughter.
Be hard family, you know what I mean?

Speaker 6 (32:59):
Yeas Emo rap Yo, nobody done it Emo Rap since
Joe Budden and Drake.

Speaker 1 (33:05):
Is that emo rap though?

Speaker 6 (33:06):
I yo to me Joe Budden the move music series music.

Speaker 1 (33:11):
Ship, that's emo rap. Nobody's down there.

Speaker 6 (33:16):
He knocked the door down for that ships that ship
I missed crying out a rap song Slew Dog does
Murder was a case that they gave me. Okay, yea
murder he's going through the murder trials.

Speaker 1 (33:26):
It was a case that they gave me.

Speaker 6 (33:27):
And if you listen to that introspective or where it's
like they just more uh yeah, more introspect. You're talking
to your people, you know what I mean. It's a
it's almost like a journal. You want to hear the journal.
It's music like you want to I want to hear uh,
I want to see your soul type ship.

Speaker 1 (33:48):
I get it, you know what I mean?

Speaker 6 (33:49):
Like when you listen to like music that really stands
and test the time, it's a I want you want
to hear from the artist, like what's going on with you?

Speaker 1 (33:57):
Don't don't give me no, like if you want you
want to make impact. First song, this was the ship,
Come on dog, Yeah, here we are. Thirty years later,
when he walked out the when he walked away from
this ship right.

Speaker 6 (34:08):
He was in a wheelchair too man, James ship yea
listen ship I was I was too yacht to you.
You know what about he caught a moment, He caught
a moment.

Speaker 1 (34:22):
Fire, he was fire close, my eyes closed. Two versions
of it. I ain't a versions. It's a different version.
It's when the soundtrack okay that they gave me murdered

(34:43):
and then James did the concert is the same thing.
When he was going through his trial, Jay had the
Kelly ship. Yeah, was it not guilty? One of one
of them was guilty.

Speaker 6 (34:57):
It was not Kelly not guilty, but that was Jay Kelly.

Speaker 1 (35:03):
What do you do it, yo? You try to get
chat ZBT to read your mind? That was what you
call it. That was after the case. It wasn't there
a song that he did while he was going through
the case. I don't know. Let me see. Is it
on the black album? My have been time? Black album?
Was it was after he beat the case? Knock Life Blueprint?

Speaker 9 (35:25):
I think it might have been like hard light Life,
Let's see ninety eight.

Speaker 1 (35:29):
Yeah, I think I don't remember. Let's see, yeh. I
don't get me over a song? Blueprint? Maybe a blueprint?
This is three is not hard Knock. This is a yeah,
but Hard on Life is ninety eight. It would have

(35:50):
been after that it was Dynasty.

Speaker 6 (35:53):
This is a was fire, Son, This is one of
the hardest intros of all time. Now you gotta play
the intro.

Speaker 1 (36:00):
Yeah they get there.

Speaker 17 (36:01):
You go.

Speaker 1 (36:03):
America people. Yeah, this is the r Kelly joint. Go
under fine goy Yeah, yeah, guilty into prove minutes in
her parking live him Gus Hustler. This was a ship.
This is a great album. Ah this see who likes
your boy?

Speaker 8 (36:22):
What's the problem?

Speaker 1 (36:22):
How I put to this song right here? I used
to play this song over and over?

Speaker 10 (36:30):
Son, what.

Speaker 6 (36:32):
What album cut? I feel like this album slept on
absolutely album cut.

Speaker 1 (36:39):
Each song is amazing.

Speaker 6 (36:41):
Everybody's talking about that volume volume. It's still got enough plays?
Am I seeing that five hundred thousand plays for this song?

Speaker 1 (36:48):
Yeah? You understand now because you're trying.

Speaker 6 (36:52):
This was a classic. You understand soon enough, soon enough
you And it wasn't just him on this, It was
him and Beanie Secret.

Speaker 1 (37:03):
Yeah, single secret. You get hurt. Seagull kills this right here.
I'm in the cell to your spouse. I know it
hurt like hell. The day you kick me yet what
your house is your house? I ain't expected crack pass
your door deep with ribber cruise. Who wants to be
so young? And I ain't ready. You know you from

(37:24):
day one ain't.

Speaker 6 (37:26):
Ship when it comes to with But I need to
hear that. I don't want to hear the bla Blaine.
I want to hear about what you got going on.
I want to hear it might be coming.

Speaker 1 (37:34):
Yeah.

Speaker 6 (37:34):
Hold I hold whatever marketing plan he got situated. Don't
try to bring us back to balling because balling is over.
It's a recession. It's a recession out here. Inflation is
a motherfucker, yo, nobody balling. The President just said, Yo,
you're just gonna have harder lives.

Speaker 1 (37:51):
That's it.

Speaker 6 (37:52):
While I'm adding three hundred million dollars extensions to the house,
I'm writting in.

Speaker 1 (37:56):
Listen sucking cock on Tuesday. But it's been a great
year for rap yo. It has.

Speaker 6 (38:06):
Even the twenty one Savage joint I've been I skimmed
through that one. I like the Drake verse on it.

Speaker 1 (38:11):
You heard it?

Speaker 16 (38:12):
Do you?

Speaker 1 (38:12):
Twenty one Savage and Drake? You know I wasn't super excited.

Speaker 6 (38:16):
It's not it's not. Yeah, I'm not hype about it,
but I I like what he did.

Speaker 9 (38:19):
When you look at twenty and the rest of the
people that came on that album for twenty one, I
feel like Drake could have.

Speaker 1 (38:25):
I mean, Joe said did better, you get it, did better?

Speaker 6 (38:28):
And this is kind of like Joe's take, but I'll
repeat it like if you you had a horrible like
last few months, lost a battle to Ken Drake.

Speaker 1 (38:38):
They're playing this song. They're not like us. It just
starting to die down.

Speaker 6 (38:42):
Now is the time, Peter remind some Hashi you gotta yeah, Yo,
I'm still Drake.

Speaker 1 (38:47):
I'm still doing it.

Speaker 6 (38:48):
Twenty one put you on the record, and you gave
him some some some dude.

Speaker 1 (38:51):
That's dope.

Speaker 6 (38:52):
That's him showing love, showing where he stands. That is
dope because during this time, yeah, and twenty one is
smoking right now.

Speaker 1 (39:02):
And he got Loto. I just feel like he get better.
Drake is Drake is l We know what he know,
we know what he's about.

Speaker 6 (39:08):
I don't like to beat the simple, but a pair
of nose fucking sons.

Speaker 8 (39:14):
Trust Taylor Perry. He makes plays for the Blunt wasn't
even about to rap on his but it, nuns, are
you trying to go because of smoke.

Speaker 4 (39:22):
At the top, Pay at the party, throw them pitches.

Speaker 10 (39:25):
In the truck.

Speaker 1 (39:26):
Actually, like the on street.

Speaker 8 (39:28):
They was kicking it up my like Phantom movie. Bitch,
it's just us.

Speaker 6 (39:33):
The tractor Drake is still the highest play though, because
it's us, bullshit Us.

Speaker 1 (39:38):
Twenty one highs is the highest, right, my brother, No,
I don't know who to trust. I feel like twenty
one of these balls is hitting harder.

Speaker 6 (39:45):
Twenty one he's nice son, he could rack noa. I
mean he's another one. I'm surprised he could rap as
good as he does because I never paid him no
mind till he did the joint album with Drakes at
Her Lost Ship.

Speaker 1 (39:57):
Twenty one is killing all his songs. Twenty one fire
you can rap, yeah, love Pussy. I skimmed through this album.
I want to hear it in the truck. But the
rest of this ship, the rest of this is fire.
What that's about me?

Speaker 8 (40:14):
On the East, they say I got.

Speaker 1 (40:15):
It, soda gorilla killed this ship. I can't. On the
first night, bitch, grow up, grow up yo. And they
y'all playing fast assn go home, so one of one fast.

Speaker 6 (40:27):
Keep it streak, got drop a honey Bun't gonna fuck
you with no money, better go beat you something dogs
dogs ship dog ship, gosh it.

Speaker 8 (40:43):
Dollar ship, Dollship.

Speaker 6 (40:45):
Got jerbo became successful like our bond Weekend Better thank
God that I ain't smack your ass and leave you.

Speaker 1 (40:52):
Leak and tattoos cover my face. Excise you got metro
booming on the album they doing the cup bad. I'm
mixing Giant.

Speaker 8 (41:04):
The Hirst half a ticket for a first while the diamonds.

Speaker 6 (41:07):
Extra large on What Happened to the Streets Ship is Fire.

Speaker 1 (41:13):
Yeah, so you know what I mean?

Speaker 6 (41:15):
Funny one, Yeah, it's it's it's twenty one at his best,
but like you know, in a way that shows he's
progressing where he used to be.

Speaker 1 (41:24):
You know what I mean?

Speaker 6 (41:25):
Poppy, Like there's a way you can just like still
make the music and not I sound like you just
came out and you're still doing the same ship.

Speaker 9 (41:31):
Pop poppy pop poppy, poppy pop, poppe pop poppy.

Speaker 6 (41:36):
And poppy in the hood, big Lotto and I got
my glock hanging out east side.

Speaker 1 (41:44):
Ye yeah, this gip to her roo she killed the
watch so as shaking like it's jelly putting it. She
never chill, put on pennies to the side like a caravan.
I ain't even getting shade, get the day.

Speaker 6 (42:05):
Why and walk out like a blocky man by Burke
got worked by car Cream but he can't pat me
none and let on.

Speaker 8 (42:14):
Out on that but not with fucking Green.

Speaker 10 (42:18):
And then that's the.

Speaker 8 (42:19):
Fucking king.

Speaker 1 (42:25):
Yo, the biggest take out the it's good rap. I'm happy.

Speaker 6 (42:31):
I'm happy for them too. It's a good I'm happy
for the music that's been out. Yeah, man, I'm enjoying.
Oh I'm thoroughly and I've had I haven't enjoyed this
much rap music. The abundance of rap music. They always
be like one maybe two albums a year that I
cling onto. But this year, since fucking January, I feel like, no,

(42:52):
when that push a T album, the Clips album.

Speaker 8 (42:55):
You know, uh.

Speaker 1 (42:58):
Uh, that's your a booming put it. This is like
this came out earlier this year, right, I feel like
this came out in the summertime.

Speaker 4 (43:06):
I'm gonna go to a pill.

Speaker 1 (43:08):
It's been a good year. It's been a good year
for rap.

Speaker 6 (43:14):
Who would have Grammy nominees they the nominations came out.
I want to talk about that real quick, because I
think the Clips got nominated, Kendrick got nominated, Uh, Tyler Creator,
I forgot who the other one is. I hope the
Clips win a Grammy. Look up like wrap Grammy nominations.

(43:39):
It's the fullest I want to see m part of me.
I've never seen the I haven't seen the Grammys in
like ten years.

Speaker 9 (43:56):
All right, let's say Record of the Year got Bad Bunny?
Oh yeah, bringing cough into Docie, Billy Allen, Lady Got Guy,
Kendrick Lamar, they got Bad Buddy in.

Speaker 1 (44:13):
D t A Math. Which one is that one again?
My full album?

Speaker 6 (44:22):
That's a that's that is that's like, that's a That's
my favorite album this year? The albums a song, it's
a good one, this one, this is the one. This
makes me feel good?

Speaker 1 (44:39):
The song or the album. Back to the list. What's
the Kendrick one Record of the year Luther?

Speaker 6 (44:48):
Oh yeah, you're right. Songs Lady got Got. I didn't
even know Lady Gotta put out a song. I've been
on the loop. I've been stuck listening to rap. Mus
check it out real quick rap music, not just big
pun in d m X. It sounds like two thousand

(45:14):
and ninety. Lady is the laying for it A lot
of life, but this got nominated for Best Songs.

Speaker 10 (45:27):
That what.

Speaker 1 (45:30):
This song is a remake too in ways. I know
it's cord built out. It sounds like it sounds like
her ship. It sounds like she remakes her own ship.

Speaker 6 (45:41):
People listen to this and doing lots of cold head banging, banging,
head bang up.

Speaker 1 (45:50):
She looked like fucking it's getting a lot of play.
Marilyn Manson when she did this song, she know she's
getting paid. Well, these budgets are like a million plus
yo to do this ship.

Speaker 6 (46:05):
Shoos the road on the west side a bro hold on,
that's rap category, yo, yo, just I just, I mean
Lady Gaga for a second, I've never heard I'm never
on this side.

Speaker 1 (46:16):
You're a monster those little fans.

Speaker 9 (46:19):
Doctor Lamar, Doctor Umar, Billy Ellish, all right, that's find
the best guy album.

Speaker 10 (46:24):
Of the year.

Speaker 9 (46:25):
Here we go, Bad Bunny, bad Buddy, Justin bieber Swag.
It's be the property Man's best friend. CHLZ push a
t in malice. Let's got a lady guy got made him.

Speaker 6 (46:39):
Kendrick Lamar, g n X, Leon Thomas, Thomas, Mark Wow
tied to creator.

Speaker 1 (46:46):
Cra Crampa Chroma Copia. That's a tough category. That's four
rap albums in there. Yes, album of the Year, that's
a but that's a pot Those are some heavy hitters. Bro.

Speaker 6 (46:59):
I hope bad he wins or or off the clips
pull it off for upset.

Speaker 1 (47:05):
But I don't like that.

Speaker 6 (47:06):
Kendrick Lamark got nominated because that g NX Ship was
more like a mixtapef Like, I didn't feel like that
was like a real album. You don't feel like it
was a real album. This justin permission is fire to
have you heard that? Pay I didn't pay no money
to Justin Bieber. This, yeah, yo, if you like Ship,
you like Justin Bieber.

Speaker 1 (47:26):
At least you know person what this is the name
of the album you come or is the name of
the song. This is the name of the song. The
name of the album is Swagen. So yeah, Justin Bieber
said that turned me off right there. I wouldn't have.
I wouldn't have on the surface like, oh Justin Bieber

(47:48):
like nah, I know he's talent thing, he could sing,
he could sing his ass off, But as.

Speaker 6 (47:55):
As far as like the songs he makes, they're not.

Speaker 1 (47:59):
Let's go through something. Let's go through some let's see,
let's see, let's see if it hits the same way
he sounded like, just like a mini justin timberlay to
me that that's fair. I think he just sings better. Damn,
I might kill the spark yo. That's all right. I

(48:22):
don't need it. Zero sugar, no caffeine, that's a lie.
That's a lot to me right on the bottle.

Speaker 9 (48:32):
Yeah, because when they say zero sugar, the thing that
they that they put for zero sugar, acid thing whatever, it's. Yeah,
what it does is it doesn't sit in your in
your bloodstream. It sits your liver, so you still let
them get fatty liver.

Speaker 1 (48:53):
This whole album is like this.

Speaker 8 (48:55):
I don't like this.

Speaker 1 (48:57):
This don't attract me, like the Wilder album that.

Speaker 10 (49:05):
Hold on.

Speaker 1 (49:06):
I'll play it. I'll give it. I'll give it a
good listen because I know he got made amazing songs.
It's not it's not hip hop, but it's more like
a pop R and B.

Speaker 10 (49:14):
Man.

Speaker 6 (49:14):
Yeah, I don't mind listening to something different than pulling out.
If I like two songs off of this ship, I'm
fine with that.

Speaker 1 (49:26):
Bro.

Speaker 6 (49:27):
I used to buy I used to buy see these
twenty two dollars for two songs.

Speaker 1 (49:33):
Remember that ship now, this is not bad. It's soft.
It's soft though. I'll check it out for it being nominated.
I'll check it out, all right. What else we got?

Speaker 10 (49:44):
I like.

Speaker 1 (49:45):
I like being in tune to what's going on. I
don't know who is Leon Thomas, but I only know
the song.

Speaker 6 (49:50):
I didn't know he put out an album that was
Grammy nominated worthy.

Speaker 1 (49:54):
What was the song? Uh, let's see something? Okay? Yeah, yeah, okay,
I heard this. I heard the album.

Speaker 6 (50:11):
It was all right, but it came out last year.

Speaker 1 (50:14):
Yeah.

Speaker 6 (50:14):
Man, what's the what's the run? It's like the limit
to submit your album. I feel like it's I feel
like it's too old. And I didn't know if it
was Grammy nominated worthy. It's a dope album. It's a
dope album. Maybe I'm shitting on it. Maybe I don't
remember it as much as I should. I feel like
it's been a while ago. Young Thomas.

Speaker 1 (50:36):
Just nice. I've been checking for the ship ship to
the last last year. I was in my R and
B ship one.

Speaker 7 (50:50):
Heart was.

Speaker 1 (50:58):
I got jazzy feel to it. I said, this is fire.
Everybody has a throw. I don't know no of the
R and B album really like that.

Speaker 8 (51:16):
On this Eisdel.

Speaker 1 (51:20):
Whilet's nice, Yo, I never I never doubted his skills
as a rapper. I just never gave a fuck.

Speaker 4 (51:26):
I'm on some protective ship. I'm on some never call
my phone. You bet.

Speaker 6 (51:30):
This new Wallet album is gonna make me go back
and check out, Like, what's his regarded best projects? Ship Fire,
that's well deserved. We heard the Tyler Tyler creator ship.
So yeah, we skimmed through that. I mean Sabrina Carpenter.
I saw the backlash when she was like, I think

(51:50):
she's like super sexual on the cover where she's like
this man's best friend and she's like in lingaree with
a dog chain on. Oh and she's being walked. Oh
she's like twenty two or some ship.

Speaker 1 (52:02):
Oh she's a baby. It looks it looks a little wild. Yeah,
let's see if the music is good. Which is the cocaine?
This is the weekend shit right, what's the biggest what's.

Speaker 6 (52:19):
The biggest play song? This is when I just played
two hund fourteen million, man child god, damn, oh boy?
What is the first song? So man, they used box
for this one it's Ai. Oh my god, did you
hear the AI record this AI song? I'm her, I'm her,

(52:40):
I'm her already.

Speaker 1 (52:42):
Well let me see what I said. Xamed it the
other day? Was it?

Speaker 6 (52:46):
That's the one that was on the Joe Bidens podcast. Yeah,
I went and I listened to it. I said, Yo,
this ship is scary.

Speaker 18 (52:53):
Yo?

Speaker 1 (52:53):
Is this right here? Already?

Speaker 6 (52:54):
Her?

Speaker 10 (52:57):
Bro?

Speaker 1 (52:57):
What this is? Ai? Son?

Speaker 10 (53:04):
Oh?

Speaker 6 (53:04):
I played this ship. I played this in the crib.
Once it faded out, I was waiting for like the
next song.

Speaker 1 (53:10):
I'm like, I want more of this ship. I feel bad.
I wanted more put some life.

Speaker 7 (53:17):
I don't wait on confirmation.

Speaker 1 (53:19):
It's over for us. This she got fake soul ever
been attached to my name since before I was born.
And I don't shrink too made.

Speaker 8 (53:28):
Cruel rooms rides when I come lying, Man, I ain't
a foot. Maybe it's where I'm from. I don't ma accious.
I am anxious.

Speaker 1 (53:39):
I don't change to see that.

Speaker 8 (53:41):
Ain't inhabit this table. I think about me is standing
and trying. I live in a prayer us to pray.

Speaker 1 (53:47):
For already, hush shows him before I have a room ride.
You can see ro this shit is scary. So yeah,
really in my life, I don't for what's.

Speaker 6 (53:59):
Fine because it's good R and B. But I wouldn't
say I had solo. I agree with Parks the Soloss's.

Speaker 1 (54:13):
Getting there myself. This is like Phase two AI? What
AI is doing?

Speaker 6 (54:20):
What Phase five is gonna sound like? Phase five is
gonna be here by twenty twenty seven.

Speaker 8 (54:29):
I don't panic.

Speaker 1 (54:31):
I like this though, this is like this is pleasant, yo,
I just feel bad.

Speaker 10 (54:38):
I like it.

Speaker 1 (54:41):
Like I know the trick, like when you see a
magic you know the trick. Because that ship is fire.
Let's see what else they got? She do got more ship?
Oh ship? I'm gonna be pleas as fuck. It's nine songs.

(55:02):
It's a half hour bullshit.

Speaker 10 (55:05):
It just like the women like.

Speaker 1 (55:08):
The women like me?

Speaker 6 (55:10):
Who I feel bad playing this? So I'll be honest
right now. Who is making money off of this?

Speaker 1 (55:24):
Songwriters? But it's I don't know if this writers on
this the frequency of her soul. That's not a real person,
that's a caricature.

Speaker 6 (55:43):
I'm gonna tell you why I like this right? In music,
you ever heard of everything called a reference track?

Speaker 1 (55:49):
Yes, So.

Speaker 9 (55:52):
For those of you that don't know, a reference track,
is a track where artist doesn't necessarily put down a
final product. They just give you a skeleton of like
what they think. It's just sound like the templar, little
a little bit of beats.

Speaker 6 (56:02):
Yeah, that's what they were trying to this Drake for
that he was using He wasn't making his own songs.
He was using a lot of reference tracks, tracks from
other people.

Speaker 1 (56:12):
Well it's it's it's misunderstood.

Speaker 6 (56:15):
That was like a nock towards him. But yeah, it's
been going on. That's a part of making music. See,
especially music is such a fucking collaborative effort.

Speaker 1 (56:24):
Hey, the Dream, I could find some reference tracks.

Speaker 6 (56:27):
The Dream got a lot of them. That was the
Dream right there for Rihanna. Yeah, but he's not the
real This is not the reference track though. Yeah, this
is the Dream doing it for Rihanna. This is the template.

Speaker 1 (56:42):
Then you put your vocals over it. But you gotta
get the idea right.

Speaker 9 (56:48):
So what I like about it is back in the day,
you had to reference track, You had to get somebody
in the studio, they had to actually lay it down,
and that took time, you know, to get the artists,
you know, engineer and everything. But now now if I
have an idea in the crib, and I'm a songwriter,
a music creator. I can make it a little reference
track with the AI push it to an artist to

(57:10):
be like, hey, I wrote, I wrote this track. Here's
a concept for it. You know, we'll see what you
can do with it. You know, because you can as
a songwriter. You don't get the performance rights like anybody
can still do performance right. So I think it's good
because a lot of time credits those are the little
guys they get they get blown away.

Speaker 6 (57:28):
But doesn't this AI get rid of the songwriters if
this is just yo, this is I'm just putting in
criterias and you executing the commands I'm giving you. You
still got to be able to. AI can't make new
concepts well, I know they're pulling from a billion different places,
and you need somebody that's gonna be able to I
feel like, and that's the jumbo. Whoever the curate made, Yeah,

(57:49):
whoever curated this caricature to be presented as this artist.

Speaker 1 (57:53):
And that's a skill, that's it's an evolution of songwriter.
So it's just this is one person behind it.

Speaker 6 (57:59):
I'm just assuming is this is a group effort thing
there's a lot of people behind this to push for
sound like this to happen.

Speaker 9 (58:09):
I think that there's platforms that allow you to like
make music and put it together right, so you can
you can use the AI platforms kind of like to
build out your songs and stuff. If you listen to
this artist, it sounds amazing, but they're all they all
sound the same. That's what it means by a soul list.

(58:29):
It's like the AI is just giving you the same effort.
It's just it's just it's flawless, but it's the same effort.

Speaker 6 (58:39):
Proud you got good ears, Yo, you got good ears,
and you're good at explaining this ship that you hear.

Speaker 1 (58:46):
I hear it. Now when you say it.

Speaker 9 (58:48):
Like that, that makes it flat. But it's a good
reference track, you know what I mean? Because it like like,
if we make up a concept and we feel like
they're gonna use this, they can. That is an option
to use it as a reference track.

Speaker 6 (59:04):
But I think they're gonna utilize this as their own
and put it out there so they could collect the money.

Speaker 1 (59:09):
They'll try. But people like there's a lot of people
like me.

Speaker 6 (59:11):
I'm not gonna connect to me right away, but not
at all. It's gonna come off as being like, Yo,
what is this copy bullshit?

Speaker 1 (59:19):
I know, I know me.

Speaker 6 (59:21):
If I would have heard this two weeks ago, I
would have been jamming to this not knowing it was AI,
and I would have gotten I would have told you
this right if I would have found out two weeks ago.
I feel like you gotta know upfront with AI. It's
like if you meet a girl and she got son,

(59:41):
she gotta let you know what she got.

Speaker 1 (59:43):
Some artists are like that, don't sneak that up on me, Yo,
you gotta tell me your AI up front. Some artists
are like this, right, so I'm gonna play you.

Speaker 9 (59:49):
Cam Cam is an artist that all his songs sound
very similar, right, And even with that, there's still some
difference because we're human.

Speaker 1 (59:58):
Like.

Speaker 9 (59:58):
One of the things about like with AI, I and
the idea that it makes no mistakes, what makes us
great is the fact that we do make mistakes, so imperfections,
the imperfection.

Speaker 6 (01:00:06):
That's why I like Keisha Cold Ship because she sounds
like she sounded like that was like a confident and
like a.

Speaker 1 (01:00:18):
Like you natural.

Speaker 6 (01:00:19):
She lets her voice cracking her records.

Speaker 1 (01:00:21):
I like that Ship. She in the booth going through it.
We have time, we have time. A lot of this
ship sounds similar.

Speaker 6 (01:00:30):
I'm left. But even though it sounds similar, the way
he's delivering it, the emotion behind it different. I feel like, hey, yeah,
but if you tell me it's AI, it'll be tight.
If you tell me it's AI, I'm always gonna be tight.

Speaker 1 (01:00:46):
It would be impressive. If it was AI, it's gonna
you're like this, bro, this we three years, two years
away from this ship, then it's gotta be really good.

Speaker 6 (01:00:56):
But still like he have the AI band, they have
everything to wrap themselves a halftime.

Speaker 1 (01:01:02):
Yo. I love this because the songwriters, those people that
I'm talking about, they usually washed it. You just think
this is another tool for them to use.

Speaker 9 (01:01:10):
I think it's the tool that's gonna give them a
voice because they usually have not washed up or washed away.
Right because let's say, put it.

Speaker 1 (01:01:16):
I see what you're saying.

Speaker 9 (01:01:17):
If you're Beyonce and this songwriter has made this concept
of a song and a cut somewhere you can't hear
it or you can't Oh, you say you get.

Speaker 1 (01:01:25):
It and you like it.

Speaker 9 (01:01:26):
You know what I'm saying, And not to say that
Beyonce would do this, but it's within your power to
be like, Yo, fuck that songwriter, buy the record from
him for like five hundred dollars. I'm gonna take it
and we're gonna do what we gotta do with it.

Speaker 18 (01:01:38):
Yeah.

Speaker 1 (01:01:39):
But now if you have an AI.

Speaker 9 (01:01:40):
Song that has a digital footprint where I can always
prove that Yo, this was my record that you referenced
x y Z, you know, it gives me a little
bit more leverage to be like, yo, give me the credit,
you know what I mean? And I can produce it
a lot faster, you know what I mean. I can
make you know, let's say I'm making hip hop song.
I can make jingles, like if you have a concept
in your head, rather than you having to call musicians

(01:02:03):
and open up auto tunes and you just be like, yo,
you know what, make give me a jingle that sounds
like turtles and time but us.

Speaker 1 (01:02:13):
That's all I'm saying. It was a good day background.
That's how it's fire. And then think about it like this,
what do we do best?

Speaker 9 (01:02:20):
We sample ship, right, and then from out how I
think music is gonna grow. You're listening to that and
then you hear it sound you like from that, and
you take that, you sample it, and you make a
record from that. You know what I'm saying. It's gonna
be a lot more layers to it. How the kids
are gonna take these artistic tools and make sure where
they we're looking at because these.

Speaker 6 (01:02:40):
Tools, because it's crazy. Either way, they're gonna copy paste
and do all this ship.

Speaker 1 (01:02:44):
She's gonna be three dimensional and she's gonna be crazy
crazy montages with music, you know what I mean.

Speaker 9 (01:02:49):
So I'm excited about it. And then how they're using
AI for music videos. So big shot out to Max
b Uh for that. I feel like that was Fly
the AI music video ship with Superflying.

Speaker 1 (01:03:02):
But I'm not worried. I'm not.

Speaker 6 (01:03:03):
I'm not worried about it. I like I think people
who are. I just think it's scary. I thought it
was scary because I couldn't recognize it right away. It
was the first time I heard because I've heard other
AI ship, We've heard it, we've played AI shit here.

Speaker 7 (01:03:16):
It had.

Speaker 6 (01:03:19):
It had a fake sound to it. I'm like, I
could point it out, it's a robot doing it. This
was the first time where it got me.

Speaker 1 (01:03:25):
You know what AI is.

Speaker 9 (01:03:26):
AI is like min Millie Vanilli. If you just hear
one song, you're gonna be like, oh, this ship is fire.
When you look at the body of work, you're like,
hold on, man, hold on man.

Speaker 1 (01:03:38):
It wasn't it. It was. It's not consistent. Who else
came home? Somebody else came home, right. We talked about
it the pooshist year when he had half They say
the CIA is working on overtime and see you another neighborhood.
I first that back after being released. We're trying to
we're trying to.

Speaker 9 (01:03:55):
We went from the Poosh to the quarter zips and
they let poof schitsy out of jail.

Speaker 1 (01:03:59):
Said any balance and he dropped fire bombs. You just
dropped fire on us. Fd o child, God's too many
people first day out. We all have the sights on
the quartersips gone.

Speaker 16 (01:04:15):
Reclaim your spot, God and gave us a second chance.
I'm talking about the whole second chance.

Speaker 15 (01:04:20):
And you control all three lanes.

Speaker 10 (01:04:23):
You could do whatever you wanna do.

Speaker 4 (01:04:25):
Put your foot on the knicks.

Speaker 1 (01:04:27):
You understand me.

Speaker 16 (01:04:30):
How they lips up these people not ready for you,
and the niggas that was topping down on you, they ain't.
He broke at her the females had to take over.
So listen to your mama, but to the females that
had to take over. Your bitches better get ready, y'all
countada out.

Speaker 10 (01:04:45):
Come on now. While we was counting down.

Speaker 1 (01:04:48):
Whoever was skilled, well, he was locked up for you
when you went to the fun.

Speaker 10 (01:05:02):
The people without you.

Speaker 8 (01:05:05):
Know theo ft on first day out, bitch funk the
fish walked out to jail. I saw six points. I
just got out of the bunk. Bit take in my hand,
so send on me, bitch on freshman after face, I say,
freshman after fish. Baby, come put that puts on it
in the script club, ran out of one, start throwing

(01:05:26):
the honey and nigga. I came't from the ship the
whole world.

Speaker 1 (01:05:29):
Being waiting on the one in the strip cloud. I'm
getting changed.

Speaker 8 (01:05:34):
Ain't no more, mister Golden.

Speaker 6 (01:05:36):
If I run out of one in the strip club
and getting changed from you, said the one that started
throwing honey, I'm.

Speaker 8 (01:05:41):
Like, waited on me. She just ask your faithful to
you till I get home. Trust me home and feeling patient,
I might do a demonstration off worlds sid none of that.
Like four years, I ain't sent the head in three.
Don't let hers go to your head.

Speaker 1 (01:05:55):
The firearms and drug trafficking't know from.

Speaker 8 (01:05:57):
Around the corner where they sneake Martin Luther King's aggressive
out of traffic because I ain't cain't in the back seat.
And while I go is cars trailing because reculars ain't
driving me get mad when I look around and my
members ain't what they posed.

Speaker 4 (01:06:09):
The water going on.

Speaker 8 (01:06:11):
I'm stuck in the cage that drove me crazy, paying
me that trade.

Speaker 1 (01:06:18):
Bitch is on my face.

Speaker 8 (01:06:19):
Unfortunately, I'm CEO and the top shooter for my guin.
Grandma told me keep my grass load the whole time.
I'm the snake smet just PLoP from like three miles away.
He came out, snake a sleep my grandmother.

Speaker 1 (01:06:30):
He told me my cry slow ain't too old time
too much way, I.

Speaker 8 (01:06:37):
Got one from us, your guy that told the drake
when you gonna meet me, you're gonna get real motivated
the same day. Don't play it out, go get your
favorite bullet on your face. Then I rapped when I
am told I rapped when I got ship to say
that self ninety I'm gonna learn just to a court.
Evinced fucking aig f a not a c a nigga
man surreal dish and the made Oh my god, what

(01:06:57):
happened to the virginal wide bodies coloring in black badge?

Speaker 4 (01:07:02):
Of this the same.

Speaker 6 (01:07:03):
Skept on the race to the top of these niggas.

Speaker 8 (01:07:07):
Stuff can't get no bigger. I got rich a while
in jail, locked in the fairs, out doing niggas. I
ain't got more change than you niggas. No such thing
as real niggas, but I'm damn sure ain't counterfeit him
in the bank. Then when fig got penitential rickss off
of jail, calling real Rick, she couldn't my name up
if you playing on keeping the bus, I signed the

(01:07:29):
deal and went to jail. That ain't even seen me
part of my ship. I'm just not buying the change
they say my name. I've been boards shaking. My niggas
died all them change the back ganga right.

Speaker 10 (01:07:37):
Back from the fens.

Speaker 8 (01:07:39):
Just wait more colder every eight hours on, changing the
feet every second, And I changed the bill now performs
when we changed line is good?

Speaker 10 (01:07:46):
Poor?

Speaker 8 (01:07:46):
All these jews are dropping. How you ain't making change?
He ain't dead, But I got niggas in the fire,
smoking little Waine. So when I see my myfics homes,
he ma, ain't say man what I had now am
to my name, making chee cheese out brains, reorganized my
whole gang. On Sunday we work on our nigger money.
On the thirteen, on bopping now with a new chain,
heard screeen niggas again. Tell me told you he rapped

(01:08:07):
one in my cell. I did it, Tommy Pitty Pitty
kept her back, was rich and middley playing steppers. Ain't
got them.

Speaker 1 (01:08:16):
Served, trying to look up, trying to look up, even
out for more than half. This is fire. He rapping,
No hug, there's no My kids, she told me he
get you see that. He spent five years writing his
ass off Yo different He tell me this.

Speaker 8 (01:08:35):
She a feller about they pocket skinny man. Please tell
you rapped niggas saying blitter without permission, that they stealing
mickgas minutes, kids say no the drugs and damn right
to kelling shits, red of eyes, they said, pens leagus.
Likely some people little more like the bells, the shinty
crooked letters, crooked letter. David Bonham trut feeling like, oh,

(01:08:55):
don't watch hit I did on coming out on paper
with the now twenty two. Jesus know my calend and
papers with a full of a piece, and on the
calendar they think you got more shot than see g.

Speaker 10 (01:09:06):
Come and try him.

Speaker 8 (01:09:07):
Look you ain't crack or no name, Shut the fuck up,
order gun store. Nobody ain't got more chuck than us.
Three seventy five over seventy six to call my bluff.
I treat the players. It's like a player and the
custo like a fluck. If you need to treat your
glitzing like a collar, shirting and button up. I treat
gainst us like some of vians. I treat smart niggas
like dusk.

Speaker 10 (01:09:26):
I'm swaying.

Speaker 8 (01:09:27):
Short short story, short nigga. I cannot be touching. I
see a buck, can't get on bush, can't go out, sad,
can't get out far yo. If she left for her
tag G in his glove bought katy pasty, he might
spank it bright tomorrow. I took my home and done
more glock as he went out like chellar Ball. Yeah, bitch,
I had to ship on for these farms in my garage,
and bitch, you long faith in me named after one

(01:09:49):
of my car whether y'all stolen, steal pall stuff and
some pillow jaws and my tricks.

Speaker 10 (01:09:54):
I'm on me.

Speaker 1 (01:09:54):
We beefing.

Speaker 8 (01:09:55):
I'm gonna turn kens to Lamar. He got it cock
flipped on. Lamar died with his gun. He couldn't even yo,
I cannot go. Even my strikers bulletproof all my holes
from me. If it's still allowed to call me mister poof.

Speaker 1 (01:10:06):
Send fawns rose gold. My first day out, damn fool.
But I'm looking forward to more pools Heisty. See that work.

Speaker 6 (01:10:18):
He's so hard that they fucking they named the ski
mask after him, right, They called it the pool Heisty.

Speaker 1 (01:10:27):
Once COVID hit. That's why time he was out right,
yeah Hovid, Yeah, during COVID called it the pool Sisty.
What's his biggest record here? Oh? Back in blood? Yeah,
get it back in blood.

Speaker 8 (01:10:40):
This was hard, yo, Beach, I got my own fatilo
they will. I ain't got no word of the goal.
I shot up by where they would even.

Speaker 4 (01:10:53):
Though took this ship from you.

Speaker 8 (01:10:55):
Get it back in blood, beach, come get it back
in blood. We ain't man's going.

Speaker 1 (01:11:00):
No thought now. I think he was leaving with a
little dirt right now. Oh yeah, ain't a little dirt
locked out to this ship for you come get it back?

Speaker 8 (01:11:08):
And blue nigga killing, ain't they sure?

Speaker 1 (01:11:11):
No hard shirt?

Speaker 8 (01:11:12):
We had three hundred shots up in the car before
we picked up. Dirty niggas who ain't got you going
go grab a.

Speaker 1 (01:11:18):
Gizz give the cheapet the whole country wearing that man
the covid eras perfect.

Speaker 8 (01:11:24):
Time to get to os up on these honey one
on my stand.

Speaker 6 (01:11:28):
For money missed out on our merchant merchandis god who
the pool sisty?

Speaker 1 (01:11:33):
Yo? That's me, son, that's me.

Speaker 10 (01:11:39):
Yo?

Speaker 1 (01:11:39):
How many percentages he gets off of that ship? I
don't even know what it's really called. I still don't
know what that ski mask is. Yo, got my.

Speaker 8 (01:11:51):
Gloom all the wolfing on the nigga. I thought you
was a thug and I ain't got no where to go.
I shot up here where they would you.

Speaker 1 (01:11:58):
Know, to this ship for you get it back?

Speaker 8 (01:12:01):
In blood, bitch, conk get it banging man.

Speaker 1 (01:12:05):
It still look it's a good record.

Speaker 9 (01:12:07):
It's a good record, but big shot the pool shiksty.
You see the difference your home, Welcome home, Welcome back.
I'm just like Yo, I know, I know, max out
of in him. Maybe he should have weighed a little bit.
He's only hasn't been home that long.

Speaker 6 (01:12:21):
He's still getting pool shiksty been home like two months. Yeah,
you know, settling chill with the fans. Ship out, you
know what I mean.

Speaker 1 (01:12:34):
Jumped out the window too quick. But that pressure is
real low, you know what I mean.

Speaker 6 (01:12:40):
And with the French back into French probably in it.
I think it's all right. I think they'll be all right.
But it is a difference. Like you said, it's a
difference man, that poos shikh It is hard.

Speaker 1 (01:12:53):
Came out there at the first bag and he dropped.
It can't be that.

Speaker 6 (01:12:58):
I gotta get my son to pool Shisty. When we
go to the gum range they abandoned. I don't know,
don't talking ship. I took him to the gum range
for his birthday. He's a fucking stone coke killer.

Speaker 15 (01:13:11):
Yo.

Speaker 6 (01:13:12):
I was calling him Jared Wick Yo. I said, Yo,
you're a part time assassin. First time go, first time go.
He's hitting the center mass of the target. What did
he shoot with the pistol the glock? And then we
had a like a modified ar similar to like the
M four and that ship was mad fun.

Speaker 10 (01:13:35):
Yo.

Speaker 6 (01:13:36):
The first time they all got to shoot any type
of weapons. My wife, my two kids, they were all scared.
The youngest one was hyped.

Speaker 1 (01:13:43):
He was ready to go. He turned the other two.
We don't need to be here.

Speaker 6 (01:13:47):
You know, this isn't that much fun. But once they
got the feel for a couple of off, Yeah, it's
a good feeling.

Speaker 1 (01:13:55):
Now did They had him reload to I helped him sometimes.

Speaker 6 (01:14:01):
The way he was holding it, it kept jamming, and
the instructor and the spot was phenomenal.

Speaker 1 (01:14:06):
We went to Jersey.

Speaker 6 (01:14:07):
They had like on hand instructors right there with you,
and they baby sat us and they held our hands
the whole time.

Speaker 1 (01:14:14):
Because I told him.

Speaker 6 (01:14:15):
I'm a veteran, I've shot before, but I'm not qualified
to train my family. Yo, Like help us out. Treat
us like we're all rookies. This is our first day.
And he was explaining to me the way he was
holding the gun. He wasn't holding it the pistol, the
way he wasn't holding it tight at first, so it
kept jamming on him.

Speaker 1 (01:14:35):
Like the little bit of a give he gave.

Speaker 6 (01:14:38):
The way it was fucking the kickback were released and
it will fuck up the next round.

Speaker 1 (01:14:44):
So it was constantly jamming.

Speaker 6 (01:14:45):
But once he figured that part out, once we had
to tell him, Yo, you gotta like squeeze both hands
into each other as hard as you can, Like you
can't try to you're trying to choke this shit.

Speaker 1 (01:14:54):
Yeah, I've taken like three women to the ranges year.
Once he got the fiel for it, he was on point.
It's fun, right, Yeah, say the same thing to him, like,
you gotta fucking grab You're not gonna hurt it, Like,
don't be scared to her. It might hurt you.

Speaker 6 (01:15:06):
Like, squeeze it till it hurts you a little bit,
you know what I mean. Choke that bitch.

Speaker 1 (01:15:13):
It was good.

Speaker 6 (01:15:13):
My wife shot the ar She had a good time.
She was scared too about it. All these videos. It
was fun, yo, and she was a good day. Let
him let it, let them off. Oh you want to
know what my youngest said to me that day too, Yo,
he's a mother heat.

Speaker 1 (01:15:31):
Mother fucker.

Speaker 10 (01:15:32):
Yo.

Speaker 6 (01:15:33):
I'll be saying a lot of shit. They already know me, right,
I talk a lot of shit already.

Speaker 1 (01:15:37):
Yeah.

Speaker 6 (01:15:39):
There's a section of the store where they have guns
where you could go and buy. Yeah, right, fools, pissed
thools shot guns. They got everything.

Speaker 1 (01:15:46):
You try to get one.

Speaker 6 (01:15:47):
I said, dominate because this is after we all shot
and we all like feeling it, We all hype, they
all excited. All they talking about that they want to
do it again. We go to the section where they
got the for sale ship. I go, yo, what's up
damn me right now that I won't buy a gun?
He goes, no balls.

Speaker 1 (01:16:08):
I put them in the headlock. I said, you're fucking crazy.

Speaker 6 (01:16:14):
Then my oldest summed me because I had just stopped
them from fucking play fighting, because they got a habit
of playfighting. I had just stopped them going, Yo, stop
touching each other. This ain't the park, like, stop messing around.
So my son tests me.

Speaker 1 (01:16:29):
I put him in the headlock, and my oldest, oh,
no playing around, no playing around? And I go, yeah,
some motherfuckers yo, yeah, double seeming me with this ship. Yo.
I ain't playing yo.

Speaker 19 (01:16:38):
He said, no balls, y'all. I wanted a power bob.
What a perfect answer, yo. But I told my wife
what happened, because you saw, like like the little commotion.
I told her what happened She's like, that's your son.
I thought he was gonna be like, I dare you Dad,

(01:16:59):
that's them like a.

Speaker 1 (01:17:00):
Little baby yo. He said, no ball balls. I sell you. Fuck.
I said, you're fucking crazy, yo. You know what the fuck?
I am you through the window yo. They said, they

(01:17:21):
shaid have kids. Yo. It's fun. It's a trip. That's
how it gives me rocking your soul. Oh man, I.

Speaker 6 (01:17:30):
Definitely we're definitely gonna go back again, hopefully soon, but
after this, after the snow season is done. The snow
dance has been working. Stop dancing. I heard Staten Allen
really got most of it. See that's what you get.

Speaker 1 (01:17:44):
It worked.

Speaker 6 (01:17:46):
I worked two fifteen hours some days back to back.

Speaker 1 (01:17:49):
Ship it on you. It's been good.

Speaker 6 (01:17:52):
It's like a Christmas bonus coming my way. It's freezing
out there. I'd imagine cold as fuck. They got I
got the units car with isn't coming in. I've seen
the thing and it looks sad. I was like, damn, son, real, No,
that's what's so though. Man, I'm glad the range worked out.

(01:18:12):
Did you do anything else? On his birthday? Was at
the last big one? Oh that was the last big thing. Okay,
because I had we took them to the movies. I
took them to.

Speaker 1 (01:18:21):
What's the other Ship? We did.

Speaker 9 (01:18:23):
It was like a surprise, you know, I thought about
part of the thing. My partner went to the movie theater.
I'm selling you the link. It's a movie theater experience
where you basically pay for four hours. It's you watch
one movie in four hours. It's a it's a it's
a dinner thing where they got food and ship. You
get a private theater. It's like a private enclosed you

(01:18:46):
and a party of whatever, like a karaoke room exactly,
and you watch the movie in there. They bring you
food and then you pay extra fifty bucks. It's an
open bar for for all four hours, so two hundred
dollars you get food four hours. I guess it's like
an advanced space because it's not just the movie. It's
like the food, the the the other ship that they

(01:19:08):
do there too. But you block out that you got access.
You get access to that. Yes, I guess it give
you a chance settled in, actually give you time for
your party to show up.

Speaker 6 (01:19:18):
Nah, you know, maybe I'll try it. But I like
the shared experience of a movie.

Speaker 1 (01:19:24):
MM.

Speaker 6 (01:19:25):
I like a rand though, saying something stupid.

Speaker 9 (01:19:28):
It would be I think like a major movie that's
coming out everybody's looking to see, to be able to
lock a room in.

Speaker 6 (01:19:34):
And then it's not just a movie, it's the food
and the open bos, the hangout of it. Yeah, it
sounds like a hang out with movies. What that open
ball for four hours? Like I'm leaving that theater that
had the giant projector and everybody watched the one movie
you might have be able to see. The movie might
be it might be like a theme night, but it's
actually it's a movie theater, so you might you might

(01:19:55):
not get access to a movie that has that's in
the theater per se, you know what I mean.

Speaker 1 (01:20:00):
So I got to check it out.

Speaker 6 (01:20:03):
I don't know if I'm fully understanding the concept. You're
not trying to nah, I'm getting out of here.

Speaker 9 (01:20:10):
Well, I'm gonna check it out though, because if the
dinner in the movie shit is like you would pay
also almost one hundred and fifty dollars anyway, if I
had to do like.

Speaker 6 (01:20:20):
The for four people though, when we went to watch Utopia,
we all got uh dinner a platters basically like chicken tenders.
I got a cheeseburger, my wife got burrito some shit
like that. In the movie theater, they got us for
the movie theater. It was like one hundred and fifty
dollars for everything. Yeah, just the food, just the food,
no drinks. Right, Hey, I went to the bar, I

(01:20:42):
got the double and not even included the movie tickets. No, Right,
So the hundred fifty is a deal. They And then
they got this new tier at like the AMC where
it's like you pay like a seventeen dollars a year
subscription and you go to the movies twice a week
for free. And I'm like, they just want you in
the movie theater. So they could beat you over the
head with prices the popcorns fifteen dollars.

Speaker 1 (01:21:02):
What's the what's the name of that what's the name
of that movie theater that does dinner? The I pic.

Speaker 9 (01:21:08):
Yeah, So the ie Pick is that I'm referring to,
because this place does they don't do They're not just
doing like tender, They're doing actual like dinner. It's like
a full three course, four course nail type ship. So
the I Pick, if you go to the Pick is luxurious.
If you go do dinner there in a movie.

Speaker 1 (01:21:22):
Take a nap.

Speaker 9 (01:21:23):
Yeah, that's like a bet they give you easily, spending
almost two hundred dollars per person.

Speaker 1 (01:21:28):
It's fun.

Speaker 6 (01:21:29):
And they have the bar right there too. Outside you
dry to the I pick has a bar where you
don't have to pay for a movie ticket.

Speaker 1 (01:21:36):
You could go upstairs and say I want to sit
at the bar? Can you? Oh that's true? What else
would you do? Just buy drinks at the bar? You
can hang out.

Speaker 6 (01:21:43):
They got TVs, they got the sports and ship. You
can order food. Do you have access to the bar
as a non movie moviegoer? Okay, that's cool, Like that's cool. Yeah,
slide into a theater. You can just happy hour, yo,
hit the bar.

Speaker 1 (01:21:56):
That's true.

Speaker 6 (01:21:56):
And if you decide, oh ship, look what's playing?

Speaker 1 (01:21:58):
Fuck it.

Speaker 6 (01:21:59):
I'll tell some people to come through me me here,
watch a movie.

Speaker 1 (01:22:02):
I want to throw to that. There's not a lot
of eye picks though. It's one of the Brooklyn.

Speaker 6 (01:22:05):
It's just I just know I don't want in Manhattan. Okay, yeah,
but I'm gonna take it out though. I like the
idea of having like anen clothed space, you know, even
if it's just me, me and my girl go there different.
It's not private room. Yeah, that's why it was a
private room. Yeah, fuck it, because I was ship. I
don't fuck in the theater, not the private room. It

(01:22:27):
was for the people in that motherfucker. We in the
corner again, nasty. I best we eat, drink and I
fall asleep for three hours. It's not too The recliner
be killing me.

Speaker 1 (01:22:37):
Son. When I get the full reclined seats, it's like
a guilty pleasure. That's it. How much I spend no more.
It's gonna be the best sleep ever.

Speaker 6 (01:22:49):
You know you get you about rub your feet together
because you know you about to sleep with the theater
I was going to they got heated reclinents. So look
at this button. I'll hit the button that was this
button before to adjust.

Speaker 1 (01:23:00):
To see a few times he didn't recline or two
she yeah, I passed out for a minute.

Speaker 6 (01:23:07):
Hold on to my podcorn sleep. I bought tickets just
to get that good now, so she get get cheap audio.
The tickets ain't well if you the way I saw it,
I subscribe and.

Speaker 1 (01:23:20):
You subscribe that's insane.

Speaker 6 (01:23:21):
No, but it's cheaper than Netflix. Netflix trying to do
the power move to buy out Warner Brothers. But if
I could wake up at two AM and I want
to watch a movie, I can just well, you could
do that too. Yeah, you know, the comfort of your
own home can't be there, should I Right? Netflix is
gonna make all these streamers. They're gonna kill Hollywood. Did
they did it go through?

Speaker 1 (01:23:39):
I don't know.

Speaker 6 (01:23:40):
I think did the power move too? Did a power
player to try to outbid Netflix? Okay, there's a billionaire
games going on.

Speaker 9 (01:23:51):
Because that's why I heard Paramount came in with the
with the aggressive offer, because at.

Speaker 6 (01:23:57):
First Netflix just wanted Warner Brothers and HBO all the
other ship.

Speaker 1 (01:24:02):
They're gonna be like, nah, like the CNN Discovery, They're
gonna be like, they're gonna that's gonna be its own
separate entity. We don't want none, none of that, So
you give the give the fans.

Speaker 6 (01:24:10):
Paramount was like, we'll take everything, and they offered like
another fifty billion on top of the eighty three Netflix
was trying to give.

Speaker 1 (01:24:17):
Them, telling people what to give him. The background I
thought I did well, we kind of went into it.

Speaker 6 (01:24:25):
Netflix made a bid to buy Warner Brothers for like
eighty three billion dollars and it seemed like it was
like straight up cash. But then like two days later, Paramount, Paramount,
Paramount plus that the parent company. They're the same ones
too that just bought the UFC. They just just bought USC.

(01:24:48):
I think so like not like within the last year.
You know that company, you.

Speaker 1 (01:24:52):
Know that's a MAGA company too, that's Jared Cushing that.

Speaker 6 (01:24:55):
Yeah, yeah, yeah, that's why this is them trying to
hoard all the media and everything.

Speaker 1 (01:25:00):
It's like billionaire shit going on. All they're gonna do
is the value the fuck out that bit. Yeah, and
now it's in limbo, but now I don't think I
think they uh, let me see, and.

Speaker 6 (01:25:14):
It's to get all the ips everything, Warner Brothers, DC, HBO,
all that shit.

Speaker 1 (01:25:22):
They're gonna own. Listen.

Speaker 6 (01:25:24):
I would love it for Netflix to get it, or
for Paramount Netflix. Yeah, yeah, I don't know.

Speaker 1 (01:25:34):
I mean, it's gonna be a nice little buyout for
Warner Brothers people though. Yeah, whoever whoever's working at Warner Brothers, like,
fuck this, I'm paid whatever, Fuck this eighty year old
company to the highest bid of.

Speaker 9 (01:25:50):
I think Netflix came in. I'm trying to see you
get some details on it. Here Netflix came in for uh,
this is fourth quarter shit too.

Speaker 6 (01:25:57):
They're trying to offload eighty three billion as a fucking
tax write off.

Speaker 9 (01:26:03):
So now Netflix wasn't buying the entire company. It was
just Warner Brothers in HBO, yeah, the streaming and studio business.
But so they made an offer for eighty two billion,
and then Paramount came in with an aggressive offer, like
a hostile buy eight.

Speaker 6 (01:26:23):
I think Netflix came in. I think it's like twenty
three dollars a share right now, I want it. That's
how much it was going to pay out to the investors, right,
So it's twenty nine dollars a share, okay, when Paramount
was going to pay him for like thirty three dollars
a year type shit, and it just been moving. Hell yeah,

(01:26:44):
it was twenty three just a couple of days ago
in October, So it's twenty nine. So so Paramount came
in for like thirty dollars a share. Yeah, but I
believe that they they already in the contract with Netflix.

Speaker 1 (01:27:00):
Let me see.

Speaker 9 (01:27:02):
But I would Netflix get it. I feel like Netflix
can make better movies. Netflix takes more chances, uh with programming.

Speaker 6 (01:27:10):
I don't want it's the first time where they're not innovating.
Now they're just buying out the competition, they're not out playing.

Speaker 1 (01:27:19):
It made a lot of money. Money.

Speaker 9 (01:27:23):
Uh, somebody has said this ship, so somewhere else bust
it down for you, right, tell me top three streamers.

Speaker 6 (01:27:32):
Tell me Netflix, Netflix, Netflix, No, seriously, Netflix, Amazon, Spotify
Movie streamers part of me, Netflix, Amazon, I don't even
know the other one.

Speaker 9 (01:27:48):
Paramount plus, Yeah, Warner Brothers, Warner Brothers, Paramount Plus. I
think it's Paramount and Warner Brothers. So Netflix, Amazon things, Amazon,
Amazon being the second largest, not really as big a
contender as Netflix.

Speaker 6 (01:28:03):
Netflix does this, They really the second largest because it
piggybacks off the Amazon membership just being a prime member
and all the benefits off of that.

Speaker 9 (01:28:11):
Not a product where they're really winning, you know what
I mean. So, really, you have Paramount and Warner Brothers.
Right with the HBO goals, HBO and all of this shit.
Netflix does this deal with it makes it attempt to
buy Warner Brothers. Right in that time period that they're
doing this deal, Warner Brothers can't put out no new ship.

Speaker 1 (01:28:31):
Everything's on hold. Everything's on hold, right because now the
behind the scenes is happening.

Speaker 9 (01:28:37):
While they're doing that, Paramount is also trying to leverage
a large amount of cash to do to do this
deal and getting it get in their face for it right.

Speaker 1 (01:28:45):
Yeah again, I don't know.

Speaker 9 (01:28:46):
What their books is looking at looking like, but if
you're trying to do this deal, you can't do other deals.

Speaker 6 (01:28:51):
And now who's that greenlight in more fucking projects that point? Now,
who's still left in the block? Big Dicka Netflix, Yo,
it's a crazy business move.

Speaker 1 (01:29:05):
For the next year and a.

Speaker 6 (01:29:06):
Half, We're gonna front seventy two billion. And if you
were nig your ship is on hold and our ship
is still pumping. It's is gonna be on a whole
regardless block still pumping.

Speaker 1 (01:29:15):
While we figured this out. We on hold. Regardless. You
can't put no new ship out, you can't put out
no new product, and my ship.

Speaker 9 (01:29:21):
You got your money tied up. Amazon's not a contender.
Now I'm the only kid on the block for the
next year and a half.

Speaker 6 (01:29:28):
Yeah, big, big money right for entertainment, and all the
attention is going to be on them.

Speaker 1 (01:29:32):
Sign whever that CEO is, This ship is genius. That's
a power.

Speaker 6 (01:29:36):
That's a play and a half that's ay, steps ahead,
Come on, you win it either way. You now you're
locking up the competition. You're making them sit down for.

Speaker 1 (01:29:45):
If you close. You just bought. You bought the Territory.

Speaker 9 (01:29:49):
Yeah, you bought your your one of your largest competitors,
the Territory and their product. And by the time you
ready to buy this ship, you're gonna be in the
Netflix put on products.

Speaker 6 (01:29:58):
They do things five right, the finale is out, they.

Speaker 1 (01:30:01):
Start to washing range of things. It's good.

Speaker 6 (01:30:03):
The first two seasons are amazing.

Speaker 1 (01:30:05):
They great, but by the time, by the time they
look like they're twenty eight years old acting like thirteen
year olds, it's weird. I like it.

Speaker 6 (01:30:15):
The first two seasons are amazing. That's why I don't
want to talk. I don't like talking bad about it
because they were really great. But it just it was enough,
you know what I mean. You don't got to keep
going with everything. But the ship is a hell of
a problem. Somebody had a creative has said it online,
that was wit credit for it. That's a wild theory.
That's a dope conspiracy theory.

Speaker 1 (01:30:34):
They win. It is win win then, but.

Speaker 9 (01:30:36):
It's reality though, I mean outside conspiracy. While Warner brothers
tied up in this deal. They're not putting on no
new ip. You know what I'm saying.

Speaker 1 (01:30:44):
Now, then it whatever's in motion, it's still getting put out,
but nothing new is gonna come out of this.

Speaker 9 (01:30:50):
It's gonna be and a half. Yeah, man, they they're
in the middle of being acquired. So pretty much you're
trying to buy a company. Whatever you say, whatever we say,
the value, that's what we said.

Speaker 6 (01:31:01):
And as me being a not a freelance, but yeah,
like a freelancer where like I'm a stand up comedian
and I'm shopping my product, I'm shopping my stand up special.
I'm not going to HBO if I know they tied up,
I'm gonna lean to Netflix. I'm like, yo, I got
to stand so much too.

Speaker 10 (01:31:17):
You.

Speaker 1 (01:31:17):
Honestly, HBO doesn't have the.

Speaker 9 (01:31:20):
They don't have the runway to allow you to come
on their platform the way Netflix does.

Speaker 1 (01:31:26):

Speaker 9 (01:31:27):
It's a little bit harder to get on HVO than
it is to get on Netflix, but.

Speaker 6 (01:31:31):
That's more like a prestigious things. And then they HBO
is part of like that whole because they're part of
the whole broadcasting network, so they still fall in a
lot of broadcasting rules, where Netflix, on the understand, on
the other hand, is not a broadcasting network. They're a
tech company that shows you movies, so they don't they
don't fall into the same.

Speaker 1 (01:31:50):
Bro they're not a broadcasting you're right, Yeah, they're not.
They're not broadcasting.

Speaker 6 (01:31:54):
Are they considered the studio though? Right when they make
their movies.

Speaker 1 (01:31:56):
They're a tech company their own studios. They're a tech company. Yeah,
that own studio.

Speaker 6 (01:32:03):
It's right, you're right, but I never thought of it
like that. They're a tech company. They started out streaming
TV shows and movies.

Speaker 1 (01:32:11):
They started out ranting.

Speaker 6 (01:32:12):
You, yeah, I remember getting three a month, right, it's
a great deal, ten dollars a month, no fucking late fees.
I will have a movie for eight months. They will
watch that shit. They reinvented themselves and started building out,
you know, the streaming ship and that he's the other
part too.

Speaker 1 (01:32:29):
They Netflix.

Speaker 9 (01:32:30):
Most of the videos that you watch is built on
the Amazon infrastructure. So even though Amazon's they're like number two,
really it's like they almost partners because I use your
cloud infrastructure.

Speaker 1 (01:32:41):
To run my ship, you know what I mean? So
you getting that brad Re College, Amazon like yo, Amazon
benefit too. Yeah, you made money. I made money.

Speaker 9 (01:32:52):
It's so really when we talk about who's the top three,
it's really just Netflix, Netflix, Warner Brothers in Paramount. That's
why Paramount is so it's trying to like make In
my opinion, I think that's why Paramount is going hard
to make this, to make this buy because if Netflix
acquires Warner Brothers.

Speaker 6 (01:33:12):
Now they weigh behind. Yeah, too much competition.

Speaker 1 (01:33:16):
What am I watching on Paramount? Star Trek? I mean
I love Star Trek, don't get me wrong, But for
most Americans, I.

Speaker 6 (01:33:22):
Haven't checked Paramount plus in a minute. People, you know,
I want to see lamb Man, Lambman. Yeah, it looks good, Lee,
Bob Thornton.

Speaker 1 (01:33:33):
No, I haven't seen that. It looks good. I want
to shut it out. I want Netflix to win. I
want this is this is I for.

Speaker 6 (01:33:40):
You've been a big Netflix fan. They keep sending me
emails on my dick, come back, come back.

Speaker 9 (01:33:45):
I think the company is just like, first of all,
I'm a tech person, so it's I liked how.

Speaker 6 (01:33:51):
They've been like very disruptive. That's what I'm saying. Yes,
I love that about them. That's why I was like
this is the first time where they're not innovating like
they're doing big power move. This is big business CEO
ship like, yeah, this is the takeover. This is like
we run ship yo, it's and this tells you this.
It also speaks to where they are the product life cycle.

Speaker 1 (01:34:13):
Right.

Speaker 9 (01:34:13):
So to your point, if this is the first time
they're starting to do acquisitions, that means that Netflix ship
is starting to sell, like they're not able to gain
any more subscribers, they're not able to keep growing and
do what quarterly profits they take.

Speaker 1 (01:34:27):
They took away your past, your way. I think that
really hurt.

Speaker 9 (01:34:32):
Yeah, because now it stops your ability to grow and
let people access. They were probably hoping more subscribers will join,
but I think it has the opposite effect that you know, me,
I let go, even people let go. And then it's
because like when people that share passwords, a lot of
people convert because you get annoyed with the oh password

(01:34:52):
this like having the like Joe oh, like having the
you can't have more than five accounts loged in.

Speaker 1 (01:34:56):
That was enough, let them share it.

Speaker 9 (01:34:58):
But limit how many a cap you put a cap
on it, and then you know, people would get annoyed
and be like, Yo, I'm just gonna get my own
ship over time.

Speaker 1 (01:35:06):
But I think that passor shit hurt.

Speaker 9 (01:35:09):
But even with all that being said, I think this
is a boss move, Like and they're not innovating tech wise,
but they're still innovating business wise. This is a This
is a boss move for real, And I'm not paramount
of scramble it. Trump's trying to They're trying to say
it's a monopoly, and I think it would be a monopoly.

Speaker 1 (01:35:29):
If Netflix acquire, if any of them acquire it, If
Netflix acquires Warner Brothers, hell yeah, who else is out there?
So then they got to shut it down. They got
to shut it down. They're trying to.

Speaker 9 (01:35:41):
But Netflix got their lawyers still winning, They got their
lawyers in and it's not like Netflix is not stopping
anybody else from winning. So I think the big thing
with Microsoft in the nineties is Microsoft was also like
preventing other people from opening up their old wes. Is
they would like do things to say like, oh, you
can't you know, you can't put yourself on our platforms.
They would like do think to impede small business from

(01:36:03):
being able to do their operating systems. I don't feel
like Netflix does that. You know, I don't see anything that.

Speaker 6 (01:36:09):
Like where you'd be like, oh, Netflix is haven't done
like bully type things like Amazon would do.

Speaker 1 (01:36:15):
Nah, yeah, not like Amazon facts.

Speaker 9 (01:36:17):
I haven't see that, you know, so I hear that.
What are you gonna say? They just have a fucking
good ass product. People like Netflix, you know what I mean,
They want to buy. I want to see DC on
fucking Netflix. They already talking about a Snyder of Part three,
you know on the end Snyder you think about Snyder
Verse and that.

Speaker 1 (01:36:37):
Night of Verse.

Speaker 6 (01:36:38):
Bring back Henry cavill as Superman.

Speaker 9 (01:36:40):
Could do that with Netflix. So these are independent like
movie contracts. You could do a one or two two
movie deal. You could do a too off Yeah, you know.

Speaker 4 (01:36:49):
What I mean.

Speaker 9 (01:36:50):
DC needs a series seasonal type vibe like you think
about DC Titans, you think about Batman.

Speaker 6 (01:36:59):
Netflix, we'll do yeah, with the with the with the
major motion picture, with IPS. They could do like a
Harry Potter TV series instead of they would own Harry Potter, right,
Harry Potter, d C, Game of Thrones, Godzilla, let's not
even talk about like, yeah, Game of Thrones, the Sopranos,
the Wire or the Wire shows like The Wire. You

(01:37:20):
see how much money fifties game with that?

Speaker 1 (01:37:22):

Speaker 9 (01:37:22):
I'm sure somebody trying to figure out what the next
like Wire? Yeah, that we can put together so with
phenomenal writing. Yeah, to me, The Wire is still my
favorite show, the number one show. Be speaking of fifty
A k. A. Ferrari, I haven't seen it. Oh my god, tried.
I tried.

Speaker 1 (01:37:41):
It's been like full leak. I had was no audio.
I couldn't figure it out. See this is the funk
I talk about. If you had three we your logging, Yo,
give me a locker. You should have asked Jesus next time,
next time, next time, you take that, take that, take that.
You have time to talk about that ship? Oh we

(01:38:03):
got time thirty minutes, so put me on. I've heard
enough about it. I grew up watching Diddy.

Speaker 6 (01:38:10):
I've heard a lot of the stories and the rumors
and a lot of the ship I've heard I've heard before.

Speaker 1 (01:38:15):
But the thing I heard was like, it's from the
people's perspective that was around them. Uh, and it's nothing new.
There's nothing really super new.

Speaker 9 (01:38:26):
And when we're talking about the part of Netflix series
Netflix Series with Puff Daddy docu series.

Speaker 1 (01:38:32):
Yeah, and you know, the big thing for me, the one.

Speaker 9 (01:38:38):
Message you hear over and first of all, it's very
it's very well done. So just watching it was excellent.
It's not like some kind of like backyard like it's
not like a lifetime this is this is good. So
it's good even outside of the salacious Ditty ship. It's
nice to hear about these moments in hip hop she
with the Biggie and Tupac ship, some of the back uh,

(01:39:00):
some of the like backstage vaccine type like oh, I
didn't know that happened.

Speaker 1 (01:39:04):
You know, I could pull up some of it.

Speaker 9 (01:39:06):
Actually, it's good to it's good to see the shots
of New York in the nineties where they just talk
about the situation when City College and what happened there.
So that's always fun watching old New York. So it's
it's it's a very well done documentary. So I would say,
you know, if you don't, you know, even if not

(01:39:27):
into like this relationship, just on that alone, you that
for me, just on that alone, it's like, YO.

Speaker 1 (01:39:36):
Was worth watching. It was different sound And.

Speaker 20 (01:39:43):
Now Sean's always at the receptionist desk begging Kim for something,
a date, a kiss.

Speaker 4 (01:39:51):
He put it all on the table for Kim.

Speaker 1 (01:39:55):
It was weird.

Speaker 20 (01:39:56):
It was weird in the air because everyone knew this
was ours girl, Alan's hottest fish grease right.

Speaker 1 (01:40:03):
Now, this is I don't be sure it's my ex crucial.

Speaker 6 (01:40:06):
Numbers two dollars to the first minute, forty cents for
traditional minute.

Speaker 8 (01:40:11):
And Sean was not really like.

Speaker 1 (01:40:13):
The catch alcohol. He forbade I'll tell you my mom,
Heavy D.

Speaker 9 (01:40:20):
My mom went to his funeral and didn't tell me
who was Heavy Heavy Dale.

Speaker 1 (01:40:27):
But Sean was jill determined like that.

Speaker 9 (01:40:29):
I feel like the black woman job of the nineties
was working with the disabled people, and they all did it.

Speaker 1 (01:40:36):
Didy's mom did it too, And my mom knew cat takers.
Cat takers.

Speaker 9 (01:40:40):
Yeah, my mom knew Heavy D's mom from work, and
you know, she just saw it like a coworker son died.

Speaker 1 (01:40:47):
So she was like, oh, man, she's gonna come pair
of respects. Oh my gosh. She didn't realize the and
she like.

Speaker 9 (01:40:54):
Comes home one day it's like, oh, I went to
some rapper guy's funeral today in Long Island. I'm like, oh,
it's like, oh, Heavy D. I'm like, you went to
Heavy D's funeral and you didn't tell me.

Speaker 1 (01:41:05):
Oh my god, I would have been like a groupie
screaming on the inside. You know what I mean.

Speaker 6 (01:41:10):
I would have had this sad you know, my condolence's
face inside. Everybody was there, yeah, bro, oh my god,
everybody was there.

Speaker 9 (01:41:22):
This is the nineties before they were super famous, Buster
all of them.

Speaker 1 (01:41:27):
Everybody was tip Buster everybody. Motherfucker's right. Come on, man,
I'm so mad at her. I was so mad at her. No,
no way, you weight didn't even up enough yet.

Speaker 6 (01:41:40):
So it's good to see like these old picks. It's
not it's not a total hip piece, you know.

Speaker 1 (01:41:45):
It's for me.

Speaker 6 (01:41:46):
It's a partial historical piece. It talks a lot about
the great things he done he's done to hip hop,
and talked a lot about the the fun up ship
he's done for hip hop. He hasn't paid a lot.

Speaker 1 (01:41:58):
I'm not really gonna give it, but.

Speaker 10 (01:42:00):
Give a buck.

Speaker 6 (01:42:01):
It started to be some dissension between He recorded a
lot of his life, which is which is which I
find interesting, you know, so.

Speaker 1 (01:42:11):
I think it's definitely definitely worth worth your time. Let's
see you definitely wasn't there like some not backlash, but
of my life. People were asking where did all this
footage come from? Like you said, he shot his own ship, Well,
like he was his own camera man. Of the theory

(01:42:33):
behind that, and this is coming from academics.

Speaker 6 (01:42:38):
A little bit, but the theory behind that is that
he didn't pay the camera people.

Speaker 9 (01:42:42):
Initially he was gonna do a doc on himself and
then the Netflix, which the Netflix again, uh, and you
know the.

Speaker 1 (01:42:51):
Netflix deal didn't go through. Just reassure me. He got
found guilty, so I guess you know, they stayed backed.

Speaker 8 (01:42:56):
Away from it and said I'm gonna break it down
like this.

Speaker 6 (01:43:00):
So now you have these camera guys who have been
following him around for about two years.

Speaker 1 (01:43:04):
He's basically like.

Speaker 10 (01:43:05):
To the Bad Boys family.

Speaker 1 (01:43:07):
So he refused payment. They feel like it's Puppy. It's
going back saying what.

Speaker 10 (01:43:13):
Can you do?

Speaker 1 (01:43:15):
Yeah, right, and Puffy has been known what can you do?
It's Puff?

Speaker 9 (01:43:19):
That just a mirror even if he didn't pay you
saying that you got a chance to do a doc
with Puffy that never came.

Speaker 1 (01:43:25):
Out to get you next dick of television.

Speaker 9 (01:43:29):
So people will take that l It's greasy to do
from his position, but people will take that l just
to be like, yo, all right, I did did his
top and dropped.

Speaker 1 (01:43:38):
Yeah, footage is crazy.

Speaker 6 (01:43:39):
A lot of good shows on you know what I mean.
Maybe ye give you a little like thumbs up. It's
like yo, yeah good yo, wool right. But he didn't
pay him. So then fifty swoops in what he says, Yo,
you ain't get paid yo. Let me get that footage,
play that deal with Netflix. Let's let's let's change the
footage around. Maybe seems looked like this about at this time.

(01:44:04):
This was heavy in the works while he's going through
the court case. A lot of the footages shot with
him in the court case like here, so it was
live like they had.

Speaker 9 (01:44:14):
Here's a shot at him in Halle. This is before
he get locked up. The vis goes through up until
the day he goes to jail. The last episode is
oh wow, basically to themselves. In the last final scenes
that showed the video does seems from the hotel.

Speaker 1 (01:44:32):
O fucking way yeah, with the crew as he get locked.

Speaker 9 (01:44:35):
Up, Yeah, to the very last minute, like wow, this
is crazy all this but right here. So initially he
was going to do a doc.

Speaker 1 (01:44:43):
Everybody show his perseverance. I guess because he didn't think
he was going to get locked up.

Speaker 13 (01:44:48):
He didn't even if not guilties. Yeah, he thought he
thought he was getting off on it. And this is
gonna be like his own like victory last game. He
was probably presented like looking about what I had to focus.

Speaker 1 (01:44:59):
So this is when they ready his house the five
million gallons, right, so go ahead sell. Part of God
told me to do nothing, so I got to do it.

Speaker 9 (01:45:17):
So here's the thing, right, So he's he's calling around
asking for favors and ship and as a lady, this
lady right here, Uh, this lady right here, I believe
uh calls.

Speaker 6 (01:45:31):
To ask hephone another time they started. That's not it
cause I asked for her favor. It's basically like, hey,
I need you to, you know, say some words to me,
to say these things about me x.

Speaker 1 (01:45:41):
Y Z now mind you. Just a few months later,
she had.

Speaker 9 (01:45:46):
Called him before before I heard this story, and she
was having a problem with child support.

Speaker 6 (01:45:52):
She needed to get a lawyer. She was losing her children.
And she was like, Yo, I need your help. I
need five out dollars to pay for the lawyer. And
he said no legal He said, no, I'm not doing that,
you know what I mean, and then had the audacity
to be calling her uh A few.

Speaker 1 (01:46:13):
Wants later, he needs a character witness type ship. Yeah.
And then and then she did it. She wrote the letter.
She did it in academy. It's a good person. Yeah,
I mean so because she could she could have been
paid real quick saying type this is it right here.

Speaker 10 (01:46:31):
With your name a little bit.

Speaker 1 (01:46:34):
This broke so she was part of the dirty money group.

Speaker 3 (01:46:37):
Like, motherfucking you know, when zombie is getting big, you're
gonna send your.

Speaker 1 (01:46:41):
Ship ship.

Speaker 14 (01:46:46):
Right now.

Speaker 1 (01:46:46):
That definitely need you going to record.

Speaker 17 (01:46:48):
If I'm asking for a big favor, I can't even
like stay, I'm an investigation.

Speaker 10 (01:46:53):
She's putting this ship in like she's bugging bugging.

Speaker 1 (01:46:58):
I never had a problem with this girl.

Speaker 10 (01:47:00):
Yeah, I know.

Speaker 1 (01:47:02):
I know people who are like him, who just got
the kiff.

Speaker 6 (01:47:05):
For god, they could just talk to themselves out of
any situation.

Speaker 1 (01:47:10):
Age lawsuit that Dawn had just filed and from dirty
my heart, Yeah, both of us on the floor.

Speaker 6 (01:47:22):
That's that right there is suing Sean did he comes
for alleged sexual labor and gender motivated She.

Speaker 16 (01:47:30):
And her bandmate Colleena Harper waited in the kitchen, where
many of them appeared to be with.

Speaker 1 (01:47:34):
So did he like, I'm not supposed to be talking
to you, don't text me? So he knew what he
was doing was not right. I've got some recordings that
I could let you here as well, maybe good for real.

Speaker 4 (01:47:46):
For real, no quessure. You know, I just felt like
me and you was close enough like that. I ain't
asked nine and asked nobody to make a statement.

Speaker 1 (01:47:53):
You know what I'm saying.

Speaker 8 (01:47:55):
I feel comfortable and I feel comfortable with asking you.

Speaker 10 (01:47:57):
I know, real deal, real, real, real, real dog shit.
It's a nigga's funeral that should be jumping in my cade.

Speaker 1 (01:48:07):
You really love me? Yeah, it's always the case of
somebody who's just got people.

Speaker 10 (01:48:16):
I respect that, you know what I'm saying. If you
have any apprehensions of God, don't tell you now.

Speaker 1 (01:48:22):
I say Diddy is larger than life. You know when
you meet him.

Speaker 6 (01:48:24):
Anybody that oral dirty money now, in support of the
music mogul, many of the allegations and incidents described in
this suit are not representative of my experiences, and some
do not align with my own truth.

Speaker 9 (01:48:41):
So she did write this thing of Diddy a favorite
of Diddy, even though just five months before, this man
did not want to pay.

Speaker 1 (01:48:49):
You don't want to you don't want to give her
five thousand dollars. You don't want to help out, help out. Yeah,
they told, they said.

Speaker 6 (01:48:56):
Even writing a letter on five thousand dollars. Okay, that's
thus tomatoes and apples?

Speaker 1 (01:49:02):
Is it saying when you when you're worth about one
point three billion?

Speaker 6 (01:49:09):
If I don't got it that weekend, I don't know
how much I'm worth. Sometimes I don't got gas money
this weekend, I'm not. I love spending the block.

Speaker 1 (01:49:18):
There's a story of.

Speaker 6 (01:49:20):
Him, I thinking his uh, it was either Craig mac
one of his somebody healed money too, right, He had
old dude like a couple of thousand dollars, like maybe
one of two thousand dollars.

Speaker 9 (01:49:31):
And the security guard was like, yo, he heard old boy.
Oh boy was fucked up, right, I mean it was
Craig Mac. Oh boys fucked up and gene deal.

Speaker 1 (01:49:40):
And he was like.

Speaker 9 (01:49:43):
He had ten thousand dollars and he was hoping for puppy.
That puppy forgot you know what I mean. So he
heard puppy say he ain't got no money. Oh boy
walks out. He walks in and tells Puffy like, Yo,
I got ten thousand right here for you that you
have forgot. And your thing last night was like a word, Yo,
let me get that boom. And he's like, Yo, you

(01:50:03):
want me to call so on so And he's like, nah,
I ain't got no money, you know what I mean?
On some like real greasy ship. And Jean was just like, yo,
you cann't fuck with him after that, Like so it's
just a lot of what he's outside of now. That
shouldn't mean the money grabbing ship. And I ain't gonna
talk about how he's a booty bandit, you know.

Speaker 1 (01:50:21):
What I mean. He shouldn't go to jail for what
he does with consensual adults.

Speaker 9 (01:50:26):
It's not It doesn't sound like it's consensual, though, Mom
fucking somebody was drugged the Little Little Real ship or
got acquitted. Yo, that ship was not you're talking about
the case. I'm talking about the docs. We're talking about
different things. Oh, they'd say that in the dock. I'm
talking about the dot. Oh part of that, okay, part
of me, part of me, you know, Well, the producer

(01:50:48):
Little Real.

Speaker 10 (01:50:51):
Is this like a joke, keep the high man, keep
the high trying to bring us down.

Speaker 5 (01:50:58):
I was told to go to but we trapped on
the river the strip club in Miami. Yeah, they put
me on recruiting sex workers.

Speaker 1 (01:51:07):
It's like p Valley. They gave me the bad.

Speaker 11 (01:51:10):
Yeah.

Speaker 5 (01:51:11):
They would tell me, YO, put his hand on see it,
like four or five different screens. There's a point with
a bunch of little pockets in there like yo. And
that's when I realized that Yo, this whole property that's
hidden cameras forty five.

Speaker 1 (01:51:29):
There's a point.

Speaker 9 (01:51:29):
I don't know if I'm able to find it, but
it's a point where that dude rather the producer talks
about some days he would go to the bad and
they would be girls and wake up in the morning
to be girls in the bad. And some days he
wake up in the morning it would be a guy
or diddy in the bad, and then sometimes he'd be sore.

Speaker 6 (01:51:46):
Oh, hold on, see I can find Oh.

Speaker 1 (01:51:51):
That's big, that's big allegations. Yeah, uh.

Speaker 6 (01:52:00):
No, I gotta I gotta find the link. You gotta
hook me up. Yeah, get a password, I gotta find
the thing.

Speaker 1 (01:52:06):
Thing. I'm gonna try.

Speaker 8 (01:52:09):
Everywhere.

Speaker 6 (01:52:09):
It was just that Hey, TD Jakes.

Speaker 1 (01:52:13):
I was just said, that's fine, hold on, and I
was that close, but you lost it already, not too all.

Speaker 5 (01:52:23):
Miami was when the relationship really began, the working relationship.

Speaker 1 (01:52:28):
But now now now, niggas, that's sculling hot. Wow, what's
going on? Is this like a joke?

Speaker 10 (01:52:37):
I wanta keep the high man, keep the highest too
much trying to bring us down.

Speaker 5 (01:52:43):
I was told to go to but we trapped on
the river. It's the strip club in Miami. They put
me on recruiting sex workers. He gave me the bad
boy hat. They would tell me, yo, put the hat on.

Speaker 1 (01:52:58):
Is that calla I'm back to the house, Like, I'm like,
how do I know? Like Alan, they know once you
put that hat on, they know. You know what I'm saying.
The whole deal.

Speaker 5 (01:53:07):
This is like a routine and I'm just like, yo,
this has nothing to do with music. It's weird. But
he felt like this is the only way he's gonna
be here to make this album. They'll be doing these
these freak offs and it'll be puffing justin.

Speaker 1 (01:53:28):
In the room with multiple women's He's having freakoffs with
his son.

Speaker 8 (01:53:32):
Lots of music and lots of drugs life.

Speaker 1 (01:53:36):
You know what I'm saying, it's fucking Friday's fucking Friday.

Speaker 11 (01:53:39):
I had prime Puff. The matter is like sure of himself.
Now you're fifty plus puff, how do you even take canda? Mean,
how is this fun for you at fifty something years old? Like?
Are you doing it to keep up with the kids?

Speaker 18 (01:53:56):
And it goes back to fatherhood. You didn't broom them
to take go over this company. You groomed him to
do the same things that you're doing. And the sad
part about it is you will never know if they
agree or disagree with their father because they can't say.

Speaker 10 (01:54:12):
It you're wrong. The party next door.

Speaker 5 (01:54:16):
It would be the two Shi cocaine or even molly.
We were all on these products, whether we knew it
or not. Okay, you would always hear people say like, Yo,
Puff got God eyes of God's spirit or he he
always knows like people. He built his perception. I open

(01:54:39):
the door. Shit, that's cult leader shames with a bunch
of little pockets in there like Yo. And that's when
I realized that Yo, this whole property.

Speaker 1 (01:54:52):
Spot everywhere TDJ. I would wake up not knowing what
the hell happened.

Speaker 14 (01:55:06):
To me.

Speaker 8 (01:55:07):
Woke up some days he was in the bed.

Speaker 4 (01:55:11):
I'm going on a love ram page.

Speaker 10 (01:55:13):
I ain't hiding nothing, I ain't scarting nothing.

Speaker 4 (01:55:15):
It ain't that's the season that I met.

Speaker 5 (01:55:17):
I would wake up feeling sore, still not understanding exactly
what's transpired.

Speaker 10 (01:55:25):
Yo.

Speaker 1 (01:55:26):
But this yo man talking about sexual assault.

Speaker 10 (01:55:29):
Yo.

Speaker 1 (01:55:30):
I was drugged pretty often.

Speaker 5 (01:55:34):
I tried to confine in KK Christina, that's Puff's chief
of staff, and I thought it would be more, you know, understood,
if I took it to someone who's a woman, but
she was always like trying to like downplay it.

Speaker 11 (01:55:54):
I think KK was the worst gatekeeper he ever had.
Puff is the kind of person.

Speaker 9 (01:56:00):
So you know, they got into it. Then it's a doc. Wow,
it's a doc. Now the big player they left out.
So this is propaganda, right, so you gotta really like,
you know, you listen to it because nothing is new.
But it's also propaganda. So when they talk about the
Tupac and Biggie beef, they really laid out in a
way to make it seem like he situated the whole thing.

(01:56:22):
But the one big person that they don't mention is Haitian.
Jack and Tupac had a situation with Haitian Jack, you
know what I mean. And they're saying that Haitian Jack
is the one that lined him up at the studio.

Speaker 1 (01:56:32):
It's just that Puffy saw it as an opportunity in
ninety in ninety three, ninety four, right when he first out. Yeah,
not whay he got killed. He got shot in the hand.

Speaker 9 (01:56:41):
And they're saying that. People say that, you know, he
just saw it as an opportunity and it was like, yo,
he tried to capitalize off of it, off the drama
that what if it could be us allegedly, you know
what I mean. It's nasty work, nasty marketing. So it
doesn't mention that that's weird. It is as deep as
they got, you know what I mean, because that's like

(01:57:02):
also documented. This is nothing new that I'm saying. This
is just a bunch of tapes running around.

Speaker 6 (01:57:07):
Well, maybe they want to portray it like that, like
how you said they wanted him to be like the
mastermind behind it. That's why I say it's Probaganda, you know.
But it is a good doc though four episodes.

Speaker 1 (01:57:16):
I got to check it out. I got to check
it out. I tried, I tried. He assaulted a lot
of people, bro, or you get the we could wrap
this up one more, one more, one more head right, head,
my head, before our eyes.

Speaker 11 (01:57:28):
Oh my eyes told them last week won the New
York charity basketball game.

Speaker 1 (01:57:33):
I heard about this too in the college, right because
he oversold it.

Speaker 6 (01:57:37):
And taking care of this is this is uh and
you his number two and you are the holder of
their secrets.

Speaker 1 (01:57:50):
The portrayal came at a great course and he got
scars from his tears.

Speaker 6 (01:57:59):
Yo, race, So he's so this is the guy that's
the guy that Joe says. You know, he's like yo
if he says it x y Z.

Speaker 9 (01:58:10):
Because he was like the operations guy behind bad Boy,
you know what I mean, ran the day to.

Speaker 1 (01:58:15):
Day and ship budgets and ship like that.

Speaker 9 (01:58:18):
So people, you know, people in their separation and another
case of Puffy not paying somebody. Puffy tried to like
make him like disappear, not physically, just like not talking
about black Ball.

Speaker 1 (01:58:31):
Like all the completely. Yeah.

Speaker 9 (01:58:33):
So it's a diabolical fucking ship. Even with the propaganda
and how they lay it out. Still it's not like
they made ship up. They might have like arranged it
in a way to make it seem worse than what
it was. But even these things by themselves.

Speaker 1 (01:58:47):
He's a nasty play in the industry. That's a fact.
That's what it is, right. The fact we are here
expose a Yeah, let's wrap this ship up. What we got?
How are you getting out of here? Yo? Thanks for listening,
Thanks for hanging out. He's been having us some winter
breaks twenty one Savage twenty one twenty one, popp It,
popp It, popp It, Big Lotto Work for Sick twenty

(01:59:14):
one twenty one. It's the city the right Johanni American. Thanks,
let's join us this fucking week. It's been good talking
to you.

Speaker 6 (01:59:22):
Make sure you check out that motherfucking doc Hey Mandammi's
coming in Jamiway first Mondammy, Damn Mondemic, big shot at
Jason and Crockett running percent it out of Texas. Hang

(01:59:43):
big shot to e Bro lost his job on the
morning shows.

Speaker 1 (01:59:49):
It's hard out here, but you're gonna bounce back. You
made this ship right. We wanna be here without you.

Speaker 6 (01:59:56):
We're staple right Big New York Quinn, he can't me
I fuck out of here.

Speaker 8 (02:00:02):
Nine figure money tie like y'all mean, got.

Speaker 1 (02:00:08):
I see nobody because she likes shying. If that subscribe.

Speaker 8 (02:00:12):
Noways leave a nigga shirt line.

Speaker 1 (02:00:15):
Hey, I bought that girl a shock because us can't
clean it to me.

Speaker 8 (02:00:19):
Nice baby, don't be mean, to be mean, Go to
sleep with me and wake up in a dream, walk
you in her Mans and get you everything. Everything a
bitch that I ain't going.

Speaker 1 (02:00:30):
I ain't never seen.

Speaker 8 (02:00:31):
Yeah, tenbody is unless you a fucking queen.

Speaker 6 (02:00:35):
It's less than nine condoms.

Speaker 1 (02:00:37):
Ain'tything you with your boy, and I want to forget
your seeing. Nobody keeping one hundred pop A couple of
nobody should listen to.

Speaker 2 (02:00:48):
I just got the forty y'all might let it bang
on them. I might wrint my heart out, poll out
on my pain on him. I might want to shine
copper a couple of chains on him. I might want
to stunt and pull up in there a rag over
capa halfa pine and le

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