Creator to Creators S7 Ep 34 Bailey Grey

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Bailey Grey Emerges “Out From Under” with Jazzy, Honest, and Joyously Complex Debut“Out From Under,” the debut single from Love It All  Bailey Grey’s first full-length album showcases the arrival of a fearless new voice in pop music. Fusing jazz, blues, and danceable pop with lyrical honesty and emotional intelligence, the track is a vibrant introduction to Bailey’s musical world. With her warm, expressive vocals and genre-bending musicality, Grey creates a sound that’s both refreshingly personal and artistically rich.What makes the song even more striking is the story behind it. Bailey wrote “Out From Under” while working nights as a host in an underground London bar disguised as a sex shop. “‘It said ‘Girls! Girls! Girls!’ on the front,” she laughs, “but it was just a dive bar and restaurant. I was getting home at 3 or 4 in the morning, waking up late, and going back to work a few hours later. I felt low, burnt out, and stuck  but still trying to make time to create music and figure out my life.” The result: a song born of exhaustion, longing, and hope, shaped into a beautifully produced, timeless groove.Built on a rhythmic ticking motif that mirrors the pressure of time, “Out From Under” cleverly underscores its themes without being overbearing. Bailey’s rim-click percussion ticks steadily beneath shifting tempos  racing forward one moment, slowing down the next  as she sings lines like:“Can I make the time go slow? / And get out from under?”That emotional layering  blending storytelling with sound design  is a hallmark of Love It All, a collection that dances across genres while remaining deeply introspective. Bailey draws inspiration from iconic female artists like Amy Winehouse, Sara Bareilles, Fiona Apple, Joni Mitchell, and Dodie, while forging a voice unmistakably her own.“I get bored when I make the same kind of music,” Bailey explains. “So I zhuzh it up I blend genres, follow new sounds. I want the album to reflect all the spaces I’ve been creatively. Every song is a new lens.”A Journey From Stage to StudioOriginally from northern New Jersey, Bailey’s artistic roots run deep. She began her career as a child actor in New York’s musical theater scene, starring in the Broadway National Tour of Mary Poppins at age 10. Her credits include Stephen Schwartz’s opera Séance on a Wet Afternoon and A Christmas Rose at Carnegie Hall alongside Jane Seymour.After high school, she studied musical theatre at the Royal Conservatoire of Scotland and earned a master’s degree from the Royal Central School of Speech and Drama in London. It was during the pandemic that Bailey began writing her own music in earnest. “Theater will always be a part of me,” she says, “but I needed to start telling my own stories.”Her songs aren’t just lyrical  they’re sensory. Bailey writes from the rhythms and sounds of her surroundings. “I live in a soundscape,” she says. “There’s a rhythm in everything a bus passing by, birds outside the window, cars rushing past  and I try to build those moments into the music.”On Love It All, that soundscape comes to life:

• “When I Fall” features a bass ukulele and soprano uke.
• “Easy,” the closing track, was recorded near an open London window you can hear the distant hum of buses and passing voices.
• The title track, “Love It All,” is a meditation on finding wonder amid struggle: “I fall in love with every song that I hear / Polyrhythmic harmonies reflect my atmosphere.”

She adores that lyric for two reasons: “I’ve never heard anyone use ‘polyrhythm’ in a lyric,” she notes. “And it’s not just clever