November 1, 2025 • 31 mins
Bio
Vale! ULB The Sound of Cabana Bounce. Most of Vale! ULB’s lyrics flow effortlessly between Spanish and English, but even if you don’t speak the language, their energy translates loud and clear. Their latest single, “Devórame,” is a high-speed, high-energy celebration from a five-member band that has crafted an entirely new genre where the primary language is fun.“The band made a new genre called Cabana Bounce,” says lead vocalist Val. “Most of our songs are about joy, movement, and connection. ‘Devórame’ is one of them.”Born in Colombia and raised in a musically rich family, Val is the daughter of Dante Vargas, a multi Latin Grammy Award-winning musician and producer from Peru. Her dual heritage shines through her powerhouse voice strong, expressive, and versatile enough to adapt to any sound the band explores.“Devórame,” which translates to “Devour Me,” captures that playful and passionate essence. “It’s not a romantic song,” explains trumpeter Emi, “it’s about confidence, presence, and living in the moment.”Come take a bite of me now / Before it’s too late papi / Come take me down / Baby devórame ya.In this context, ya literally meaning “already” becomes a demand for right now.The Band’s Global RootsVale! ULB is a collective of musicians whose diverse cultural backgrounds shape the band’s vibrant sound:
Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
Vale! ULB The Sound of Cabana Bounce. Most of Vale! ULB’s lyrics flow effortlessly between Spanish and English, but even if you don’t speak the language, their energy translates loud and clear. Their latest single, “Devórame,” is a high-speed, high-energy celebration from a five-member band that has crafted an entirely new genre where the primary language is fun.“The band made a new genre called Cabana Bounce,” says lead vocalist Val. “Most of our songs are about joy, movement, and connection. ‘Devórame’ is one of them.”Born in Colombia and raised in a musically rich family, Val is the daughter of Dante Vargas, a multi Latin Grammy Award-winning musician and producer from Peru. Her dual heritage shines through her powerhouse voice strong, expressive, and versatile enough to adapt to any sound the band explores.“Devórame,” which translates to “Devour Me,” captures that playful and passionate essence. “It’s not a romantic song,” explains trumpeter Emi, “it’s about confidence, presence, and living in the moment.”Come take a bite of me now / Before it’s too late papi / Come take me down / Baby devórame ya.In this context, ya literally meaning “already” becomes a demand for right now.The Band’s Global RootsVale! ULB is a collective of musicians whose diverse cultural backgrounds shape the band’s vibrant sound:
- Val – Lead Vocals (Colombia/Peru)
- Emi – Trumpet (Argentina)
- Anier – Percussion (Cuba)
- Friki – Guitar (Cuba), son of a founder of the legendary Buena Vista Social Club
- Deezle – Bass, Production, and Vocals (New Orleans, USA)
- Deezle is a three-time Grammy-winning producer who’s worked with Lil Wayne, Drake, and Nicki Minaj.
- Emi is also a Grammy winner, with credits including The United States vs. Billie Holiday soundtrack and tours with Ricky Martin and Marc Anthony.
- Anier is a multi-time champion of Cuba’s Fiesta del Tambor (Festival of Drums).
- Carlos “Los” Battey, the band’s manager, is a Grammy-winning songwriter and music executive who has penned hits for Madonna, Justin Bieber, Jason Derulo, David Guetta, Chris Brown, and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
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Speaker 2 (00:34):
Hi, guys, welcome to another episode of Creators to Creators. Today,
today we have a very special guest.
Speaker 3 (00:41):
Okay, hey, this is Diesel from Valle ulb.
Speaker 4 (00:45):
Hi and.
Speaker 2 (00:47):
From valov Nice. Welcome, Welcome. So you know I love
going back to the beginning. You know, I always say
the beginning chart our trajectory in life. You know, our
little habits we pick up along the way, follow us
to our adulthood. Tell me a little bit about you know,
and whoever wants to start first, go for it. About
your childhood and how you kind of got into music
(01:09):
and when did the love for it began, and how
you guys.
Speaker 3 (01:12):
Met So I started knowing that I wanted to be
a musician when I was five because my uncle who
was like he was also my friend, but he was,
you know, my dad's younger brother, and he was like
the coolest dude ever. And he also played bass and
(01:34):
wore cool jewelry and cool clothes, and I was like, man,
I think I want to be like him when I
grew up. So at nine years old, I got the
opportunity in elementary school, when you know, when school still
had a lot of music programs and band programs, I
(01:56):
got the opportunity to go went a band director who
came to my class. I had no idea who he was,
but he came to my class and asked who wanted
to be a musician, and uh, you know, I raised
my hand. So I along with some of my friends
in my class, we marched over to where the band
(02:18):
would practice. And we walked into a room full of
instruments already set up and people there to play him.
And they went through the different instruments and you know,
the drums, trumpets, the trumball, and then they finally got
to the saxophone. I was like, that's what I want
to play. I want to play saxophone. And that was
that was how I got my start from childhood.
Speaker 5 (02:41):
So for me. I, Well, my dad is a very.
Speaker 6 (02:45):
Well known musician. He's like a multi Grammy winner. So
he used to direct bands, do you know, arrangement produce,
especially in the Latin industry salsa. So he used to
take me to all of his places. You know, it
is funny because I when I was little, I.
Speaker 5 (03:01):
Never liked salsa until I grew up.
Speaker 6 (03:04):
So I would be like, you know, on the studio,
all bored and whatever, until until I got to high
school and my jazz teacher he would like, yeah, my god,
I'm never gonna forget. He was like, if you don't
know how to sight read and play jazz, you're a
stupid singer. So then no, I yeah, I know it's crazy,
(03:29):
but I you know, that motivated me to learn more
music and to get more serious about it. Even though
since I was little, I used to audition for things
and stuff like that in the you know, especially in pop.
Speaker 5 (03:40):
But high schools where I took it for real real.
Speaker 6 (03:44):
And then my high school teacher is the one that
got me my first gigs, my first show. So I
started working when I was seventeen. And then and then,
you know, since I was little, I used to see
my dad, you know, direct bands like uh, he used
to play with you know, Marc Anthony and stuff like that.
I never took interests until one time I went to
(04:07):
one of his gigs, of his shows, and I was
of course.
Speaker 5 (04:12):
It was Sasa, and I was like, you know what
I wanna.
Speaker 6 (04:15):
I want to be that singer, you know, I want
to be one of the of the female singers, even
though they were all male, Like.
Speaker 5 (04:21):
What doesn't why doesn't he have any like you know,
girls singers. And of course because there you know, when it.
Speaker 6 (04:29):
Comes to women, like he's very protective and stuff like that.
So yeah, yeah, and also like you had to audition.
Speaker 5 (04:37):
You know, so so I was like that, I want
to audition. I want to audition.
Speaker 6 (04:41):
It took me three tries for me to get in,
finally getting because then the sausa is really hard. So
especially like like the hard like very old school sawsa.
It's like totally different from nowadays, like you have to
sing its strong, you have to.
Speaker 5 (04:59):
Have like guapadia and stuff like that.
Speaker 6 (05:02):
I don't know how to say that in English.
Speaker 5 (05:06):
So it took me three tries.
Speaker 6 (05:07):
And then I started, you know, working with my dad
in the salsa industry and that's where I met Emiliano and.
Speaker 5 (05:14):
Et cetera, et cetera.
Speaker 6 (05:15):
And then because of Emiliano, which is one of our
trumpet players from Value will Be, I met Diesel Annette,
and here we are. It's a very long story, but
I just I just summarized it very quick.
Speaker 2 (05:28):
I love it.
Speaker 3 (05:29):
I love it right.
Speaker 2 (05:31):
Yes, that's amazing. How did how did the name come about?
And and what does it mean to each of you personally.
Speaker 3 (05:42):
When we first started, before we met Val, we were
ULB and it was initially it was untitled Latin Band,
but then we were like, we're bringing so many different
cultures together. Yeah, it should be the United Latin Band
(06:05):
because we're bringing you know, we're bringing cultures, not only
Latin cultures, but like my grandfather was from Kingston and
I'm from New Orleans, so you know, we're mixing all
those cultures together, which actually match and go together. It's
just you know, one person plays the rhythm this way,
(06:27):
one person plays the rhythm that way kind of thing.
But and like our beans and rice are wet, there's
a dry or like that kind of thing. So when
we met Val and she, you know, she agreed to
(06:48):
be a part of the band and was like, yeah,
I'd love to. I want to say it was Dead
who came up with the idea. Let's call it Valley
Ulb And for Valley, you know, as the only female
in the group, it was like that's oh, that's a
great name. But then like Vallet also, you know, is
(07:11):
about value and about worth, and we do, you know,
in a lot of our songs. We have our fun
party songs, but we also have songs you know that
speak about self value and what people are are really
(07:32):
worth and what it's like to you know, to come
together and and actually unite and have a good time
together and do great, great work together and do great
things together, to not only have a party, but to
affect culture and to affect uh, you know, have a
positive effect on society.
Speaker 2 (07:53):
I love that. That's beautiful. I love that. How how
would you describe your sound as you know, cabana bounce,
How did that genre come to life and what defines
it sonically?
Speaker 3 (08:07):
Well, sonically it's a mix of you know, you got
val from Colombia and Peru, Anyere who's Cuban, Emiliano who's Argentinian,
and me being from New Orleans with Jamaican roots. So
it's all those things mixed together and and all the
(08:28):
different stuff Like I've studied jazz, I've studied I've made
pop records, I've made rock records. Val has done salsa
and pop and uh and Ayere has done like actual
folk music and you know as a percussive contest winner
in Cuba like the whole country. And then Emmy, you know,
(08:54):
is Argentinian and he's his own music is like more
like a like a hip hopper but with you know,
trumpets and stuff. But then he also plays with Mark
Anthony and Shakira and Ricky Martin, so you know, it's
it's like all of that stuff mixed together. And then
(09:16):
to make it simple, I always tell people it's like
take Black Eyed Peas, take No Doubt, take Santana and
some Stevie Wondon and then and then poor Gumbo juice
(09:37):
all over it.
Speaker 2 (09:40):
I love it. That's awesome.
Speaker 6 (09:42):
I think I think for a cabana bounce, like for me,
one thing that's important is a lot of the percussion
part a lot of the rhythmic that the band brings. Uh.
Speaker 5 (09:54):
It's one of the main things.
Speaker 6 (09:56):
In the of what I see for for the for
our brand.
Speaker 5 (10:02):
So is the percussion.
Speaker 6 (10:04):
Yeah, and what he said, like the folk folk music
that and your brains. It's very important and like we all,
you know, we all have done like music from our roots,
you know, like like for me, I love Marineira, I
love provir music. It's one of my favorites. You know,
(10:26):
all schools ASA and stuff like that. So we bring
all of that. But for sure is the percussion that
we bring and the rhythmic of the melodies that we
bring in the band.
Speaker 2 (10:36):
I love that. No, I think that's a beautiful I
love that mix. It's in the I mean this music,
this song is so it's so fun and it's like
it's like, you know, I was just curious, like what
what was you know, what inspired this this this song
and the title of the song. I think it's just
a fun you know, it's also hot. It's like sexy.
Speaker 5 (11:00):
Yes, that's true, that's true.
Speaker 6 (11:03):
And then we have another one that we also released. Uh,
but that one is more romantic. It's romantic.
Speaker 2 (11:10):
I like romantic. Romantic is good.
Speaker 5 (11:13):
Yeah, I love I've been loving romantic.
Speaker 3 (11:17):
You gotta live a well rounded life. You need some sexy,
some romantic, some hype, some fun, some ratget and and
that's and that's what cabana bounce really is. It's just
a mix of all the different vibes that we vibe
to in their respective moments, because you know, there's a
time for everything. So when it's party time, we party.
(11:40):
When it's sexy time, we sexy.
Speaker 2 (11:43):
So with with if I'm saying this correctly, is it
devour diviro meat? Is that is how you pronounced.
Speaker 3 (11:53):
In English?
Speaker 2 (11:53):
Yeah? You know you said, you know it's it's a
isn't it like a romantic song? But it could expand
into like, you know, you know what message or feeling
you want? What what message you're feeling you want people
to you know, walk away after listening to it?
Speaker 3 (12:13):
Well, you know that's the that's the spicy, spicy sexy
joint like it Okay, now that you've you've done all that,
you know your business.
Speaker 5 (12:27):
The funny thing about that song is that you know
what inspired me? Is this song? Probably d so No,
I don't know if you notice.
Speaker 6 (12:34):
It's like the guy, the guy telling the girl like
like you know, I want you one more time, but
it's it's like.
Speaker 2 (12:45):
Like you will devour me one more time?
Speaker 5 (12:47):
You devour it.
Speaker 6 (12:48):
But it's a romantic, you know, sassitude. So that inspired
me for that, but we just made a little.
Speaker 2 (12:54):
Bit more nasty, that's ay, bit just a little bit,
just a little bit, yeah, I mean, you know, and
I think it's I think it's a great song. Especially
it's fun, it's it's sexy and honestly, you know, you
know music, it's it's and also I mean, first of all,
the song the vocals is just so it's actually hypnotic,
(13:18):
you know, and it's just very like haunting in a
way as well. It's like I want to listen to
it again, what yeah, I mean, I mean I played
it in the in the in the house. I was like, wow,
I love this, Like I just want to dance. I
feel good. I want to drink some wine as I'm
listening to it. A little bit about like the process
of making it, you know, you guys in the studio,
(13:40):
like how do you guys come up with this? Like, yeah,
let's talk about this. Let's like, you know, what does
that look like for you guys.
Speaker 3 (13:50):
So initially, because we did a lot of revisions to
that track, okay, I was I was wanting to do
something that was along the lines of Brazilian funk because
you know, we liked the we love, we loved the
(14:10):
rhythms and you know, and I sent it over the
Loss and he was like, yo, the beat is crazy.
And Val loved the beat, and uh we was like,
oh what, you know, what could we do? And and
then you know, Val came up with that idea and
we were like, yo, that's super dope. But then there
(14:35):
was also the idea too add some additional production to it.
So we went to, uh, oh, why can't I say
his name Sonic? Yeah, I always want to call him
by his real name. But yeah, so we went to Sonic,
(14:57):
who did some you know, a lot of like Shakira
record It's and a lot of other big land records,
and uh, you know, we stripped the beating and and
and the vocals and you know, showed him the idea,
but then he totally you know, revamped it. And then
(15:17):
we revamped it again, and uh and you know, through
some rewrites and through some with lows and and and
Sonic and Val, we uh we came up.
Speaker 2 (15:31):
With that No, it's it's it's great. I really love it. Yees,
So I love asking this question and and there is
no wrong answer, I promise. But the three levels of influence, money, power,
and respect, And if you could choose only one of
those things, which one would you choose? And why?
Speaker 6 (15:57):
Oh why?
Speaker 5 (15:58):
Is gonna sound crazy?
Speaker 6 (16:00):
And I feel like money, but I will tell you why.
Speaker 5 (16:04):
I will tell you why.
Speaker 2 (16:06):
Yeah, no, no, no.
Speaker 6 (16:08):
Just because you know, for me, in my life, I
like enjoying my life. You know, I like spending time
with my family. I like, you know, right now, I
have a new dog. I like, you know, going out
with her and that you know, and that's a lot
of spending. So I will you know for me money,
(16:31):
I want to travel, I want to do so much,
and you know, not only that, but money to produce
more music, to know, to make more songs, to be
with people. I think for me, money is more important,
just for us to enjoy life much more.
Speaker 2 (16:47):
It's a great answer. That's it for me.
Speaker 3 (16:51):
I would say I would say respect because I feel
like when you're respected, that is power, because people respect
what you say and what you do and how you move,
and that that very well can generate money and lots
(17:16):
of it, you know, depending on who you're dealing with.
So that would be that would be my order.
Speaker 2 (17:22):
I love that do you guys, you know now that
we're living in a time where you know, they say
indie artists, people that are you know, take there's there's
a there's a surge right of indie artists taking control
of their their catalogs, doing their thing and putting their
music out and and and getting the streaming, getting them
getting the numbers. But of course, you know there's the
(17:43):
mainstream where they just have the machine working for them.
Now do you do you find that, you know, because
you have some artists like you know who've done it
and did really well doing their own and owning their
own stuff, do you find that the music industry is
(18:03):
changing in favor of the artists now or do you
feel like there's still a lot of work to be
done when it comes to the industry.
Speaker 6 (18:16):
I think a lot of artists are speaking up about it,
and that's what's changing a little by little. I think
it hasn't changed like one hundred percent, but it's shifting.
Speaker 5 (18:28):
Because a lot of awareness.
Speaker 4 (18:31):
Yeah that's my bad, val No, no, you can go okay,
So so yeah, you know, on one hand, it's much
easier for artists to.
Speaker 3 (18:48):
On their stuff and have it released and have it
on the platforms and have it available and you know
in the digital stores, and you know, have your merch
made printfully or whoever you know the merged companies are
and all of that stuff has become very easy. But
(19:12):
the other thing that can definitely be a contributor to
making the more difficult is that there's like tens of
thousands of new records coming out every week. Yeah, you know,
And it's like it's like even with producing, when it
(19:36):
became super easily accessible for anybody who wanted to call
themselves a producer or had the dream let me not
even say call themselves had the dream of being a producer.
Once that happened and some people had success of fifty
dollars beats, you know, for people like like me and
(20:01):
like Low's that ruined the market. Yeah, yeah, you know,
because it's like if I can get a Rose Royce
for one hundred dollars, well, if I can get something
that's like that that can get me from point A
to get to for one hundred dollars, why would I
go get a Rose Royce if I'm going to make
more money off if I can sell that for Rose
(20:22):
Royce prices once I use it you know. That's I
don't know if that analogy was clear, but but yeah,
so those kinds of things make things difficult because you know,
once once certain things like that happened, then you know,
quality control went down and next thing, you know, people
(20:46):
are only selling sixty thousand units and they're calling that gold.
That's not a gold record. A gold record is five
hundred thousand, right, you know, and those are huge differences.
That's like those numbers of a significant difference. And then
when it comes to the earning, that's when you see
it because you're like, oh, yeah, so and so's album
(21:08):
was number one, how many units did it sell? Thirty
five thousand? Okay? You know, so with investing, like, we
have a really dope team of experienced professionals who have
been in the majors for a long time, but we're
(21:33):
doing an independent thing together. Yeah, because we all are
are high level professionals at what we do and we
have our own little machine. You know.
Speaker 2 (21:43):
That's great, that's I think that's a beautiful thing.
Speaker 3 (21:46):
Yeah, it's really beautiful, and it's needed. Like, you know,
artists have to understand that they're going to need help
and you have to promote if I if I say
I'm going to say something right now, now, you're gonna
immediately tell me what company it is, by.
Speaker 2 (22:07):
Course, yes, yes, yes, yes.
Speaker 3 (22:10):
They never stop reminding you that they have Hamburgers right right. Ever,
so that's the thing that you know, like artists try
to go viral and all this kind of stuff, and yeah,
going viral is cool, but going viral doesn't necessarily mean
that you're going to be known for music. You're gonna
(22:31):
be known for whatever you did that you went viral for.
But if you constantly still beat the pavement, you know,
pass out your flies with a QR code, do you know,
do your you know, your your posts advertising your stuff.
But even like people, when people connect and they have
(22:52):
something tangible in their hand, like you put something in
their hands, that's a whole different That's an experience exactly. Yeah,
may not be Disney World, but it's still an experience.
Speaker 2 (23:04):
Right, absolutely. No, very well said, you're right, because I
mean the way we consume music is so different to
than you know, back in the day when our parents
you know, or grandparents did you know, consume music like
with records and tangible things. So yeah, you're absolutely right.
You know, tell us about more about the virtual show idea.
(23:24):
How do you guys see technology changing how you know
you connect with your audience?
Speaker 7 (23:31):
So or mean, I think since COVID, like everything changed.
Of course in the music industry, I know, we my
father and I started doing lives nice Facebook. Yeah, so
because the musicians didn't have anything. I mean, I mean
some did, but it was like you know, you weren't
(23:54):
allowed in a way to like work with people.
Speaker 5 (23:57):
But we did it underground.
Speaker 7 (23:59):
But then we started doing live life live streams, and
I honestly enjoyed in more. I mean I enjoyed it.
I enjoy also performing live. But it's just you connect
deeply more with the fans like I can.
Speaker 6 (24:13):
I can get like I can send them voice memos
and there they live like what in Colombia and I
can send them voice memos sometimes like videos.
Speaker 7 (24:22):
I think it's very I think for me it's it's amazing.
Speaker 2 (24:27):
I love that.
Speaker 5 (24:28):
No, and I think with the fans like that.
Speaker 2 (24:30):
Yeah, No, I've I've never. I think that's what you're right,
it's since COVID, things have completely completely changed. And I
think that's a great idea because everything's streaming right, everything's
on social media, everything's online. So that's just the perfect
way to go.
Speaker 6 (24:48):
You can connect with the fans, you can, you know,
you can, it's like twenty four seven. You can chat
with them and and they're very loyal.
Speaker 5 (24:57):
They're more loyal than the ones you see in everyday shows,
you know.
Speaker 7 (25:03):
And uh so, yeah, that's that's.
Speaker 5 (25:07):
That's what that's what I think.
Speaker 2 (25:10):
I think that's.
Speaker 3 (25:14):
So for me, I like, I feel like it's great
because fans from all over the world, like they're saying,
can tap in and experience your show. But then also
you don't have to pay for the bus, you don't
(25:36):
have to for travel, you don't have to pay for
insurance just in case somebody gets hurt at the stadium.
You don't have to pay the stadium costs, you know. Yeah, exactly.
So I feel like it's a great it's a great thing,
you know, and the live experience is still a different
experience and it can be a phenomenal experience. But you know,
(26:01):
when people get to get to be right there, like
everybody's got a front row seat, not just not just
the people who can afford it, you know.
Speaker 2 (26:11):
Yeah, I love that.
Speaker 3 (26:13):
Yes, So I think it's great.
Speaker 7 (26:14):
Patically, you can hear everything right, So yeah, it's it
makes it so especially if you have headphones, it's like
you hear everything and it's very nice.
Speaker 2 (26:25):
I love that. I have a fun question for you guys.
If you guys could perform with any artist, living or dead,
who would it be and.
Speaker 3 (26:35):
Why I have a somewhat of a tie. Okay, I
would be Prince on Michael Jackson.
Speaker 2 (26:44):
Oh yes, absolutely.
Speaker 3 (26:48):
Love those but as different as they are, you know, yeah,
because I used to dance and do ballet and stuff
like that, and I always loved Michael's dancing, like and
and and the choreography was just so tight that Fatima
would do like during like to remember the times, time
(27:10):
and all that like that. That choreography was incredible. And
then I say Prince just because of his excellence and
and dedication to excellence and in sonics and in musicianship showmanship.
I mean, they both were really great showmen. But I
(27:32):
had some friends who worked with Prince and they were
like his attention to like if one little thing didn't
sound the way they you know, they said it to
sound in sound check or how you know, director sounds,
he would automatically know and be like, hey, we got
(27:52):
to fix that. You know so and then if he
if he heard feedback, you could lose your job.
Speaker 2 (28:00):
Like Beyonce, I love it. That's great, Yeah, I love
that for me.
Speaker 7 (28:10):
Oh my god, it's like I wish I could give
you a whole list.
Speaker 5 (28:13):
Honestly, it's very hard. It's so hard, but.
Speaker 6 (28:19):
I will say I I would love to extol just
because I'm listening to him a lot today, like this month,
and of course every Latina Selena.
Speaker 2 (28:32):
That's yes, love Selena, Selena. You know I would.
Speaker 7 (28:38):
I would have loved to see how you know, sharing
the stages with her.
Speaker 6 (28:41):
You know, she she brings such a light so I
I just can't imagine the adrenaline, the emotions.
Speaker 5 (28:49):
That you can get on the stage with her.
Speaker 7 (28:51):
So Ya Latin Latina, you know Latino Latina's pick.
Speaker 5 (28:57):
I love it.
Speaker 2 (28:58):
I love that, you know. So as soon as my favorite,
one of my favorites, she and Aliyah, those are one
of my favorite, oh yeah, passed away. It's just you know,
gone too soon, you know.
Speaker 5 (29:12):
Yeah, uh so they would have been legends.
Speaker 2 (29:16):
I don't want still now, Like imagine one hundred so
where can uh you know, everybody find what you know
your music and follow you guys on social media. Where
can people find you guys online?
Speaker 3 (29:32):
Our band is at Ballet U l B. That's the
letter V like Victor a l e U l B
like boy and then value you want to give them yours?
Speaker 6 (29:47):
Oh, Vallet you will be on Spotify, YouTube the same thing.
Speaker 7 (29:51):
And oh my my personal.
Speaker 3 (29:54):
Yeah yeah on everything for the band.
Speaker 6 (29:58):
Oh yeah, Ballet you will be Ballet, you will be
dot com everything. But my personal is vow v A
l borgas guys official official.
Speaker 2 (30:12):
I love it.
Speaker 5 (30:13):
I love it.
Speaker 3 (30:14):
And Minus Diesel gets Grammy's d e z l e
g E T S g r A M M y S.
Speaker 2 (30:23):
I love that. That's a great I love that I got.
I gotta change mind to that. Yosha gets oscars. There
you go, you know, speaking into existence right.
Speaker 3 (30:34):
Well I have three already.
Speaker 2 (30:35):
Oh wow, man, I mean I'm bowing down. That's that's incredible.
Thank you guys so much for coming on. It was good, right,
it was a pleasure talk you both, uh, and then
please come on come back anytime whenever you got something,
you know, something new.
Speaker 3 (30:52):
Dropping likewise Miosha was such a pleasure.
Speaker 2 (30:56):
Absolutely, it was nice talking to you.
Speaker 5 (30:59):
Thank you so much.
Speaker 2 (31:00):
Absolutely, thank you guys, and thank you all for listening
and always remember to live, love, laugh. We'll see you
guys next time. Goodbye,
If you love entertainment, current events, and Hollywood miss Creator
to Creators Hosted by the filmmaker Mio Shabine, known for
the shutter Hit documentary or Noir and the acclaimed film
Anatomy of an Anti Heroo Redemption. This show features interviews
(00:22):
with filmmakers and creatives from around the globe. Join the
fun with guest celebrities and gain valuable insights. We'll subscribe
now and follow Creator to Creators.
Speaker 2 (00:34):
Hi, guys, welcome to another episode of Creators to Creators. Today,
today we have a very special guest.
Speaker 3 (00:41):
Okay, hey, this is Diesel from Valle ulb.
Speaker 4 (00:45):
Hi and.
Speaker 2 (00:47):
From valov Nice. Welcome, Welcome. So you know I love
going back to the beginning. You know, I always say
the beginning chart our trajectory in life. You know, our
little habits we pick up along the way, follow us
to our adulthood. Tell me a little bit about you know,
and whoever wants to start first, go for it. About
your childhood and how you kind of got into music
(01:09):
and when did the love for it began, and how
you guys.
Speaker 3 (01:12):
Met So I started knowing that I wanted to be
a musician when I was five because my uncle who
was like he was also my friend, but he was,
you know, my dad's younger brother, and he was like
the coolest dude ever. And he also played bass and
(01:34):
wore cool jewelry and cool clothes, and I was like, man,
I think I want to be like him when I
grew up. So at nine years old, I got the
opportunity in elementary school, when you know, when school still
had a lot of music programs and band programs, I
(01:56):
got the opportunity to go went a band director who
came to my class. I had no idea who he was,
but he came to my class and asked who wanted
to be a musician, and uh, you know, I raised
my hand. So I along with some of my friends
in my class, we marched over to where the band
(02:18):
would practice. And we walked into a room full of
instruments already set up and people there to play him.
And they went through the different instruments and you know,
the drums, trumpets, the trumball, and then they finally got
to the saxophone. I was like, that's what I want
to play. I want to play saxophone. And that was
that was how I got my start from childhood.
Speaker 5 (02:41):
So for me. I, Well, my dad is a very.
Speaker 6 (02:45):
Well known musician. He's like a multi Grammy winner. So
he used to direct bands, do you know, arrangement produce,
especially in the Latin industry salsa. So he used to
take me to all of his places. You know, it
is funny because I when I was little, I.
Speaker 5 (03:01):
Never liked salsa until I grew up.
Speaker 6 (03:04):
So I would be like, you know, on the studio,
all bored and whatever, until until I got to high
school and my jazz teacher he would like, yeah, my god,
I'm never gonna forget. He was like, if you don't
know how to sight read and play jazz, you're a
stupid singer. So then no, I yeah, I know it's crazy,
(03:29):
but I you know, that motivated me to learn more
music and to get more serious about it. Even though
since I was little, I used to audition for things
and stuff like that in the you know, especially in pop.
Speaker 5 (03:40):
But high schools where I took it for real real.
Speaker 6 (03:44):
And then my high school teacher is the one that
got me my first gigs, my first show. So I
started working when I was seventeen. And then and then,
you know, since I was little, I used to see
my dad, you know, direct bands like uh, he used
to play with you know, Marc Anthony and stuff like that.
I never took interests until one time I went to
(04:07):
one of his gigs, of his shows, and I was
of course.
Speaker 5 (04:12):
It was Sasa, and I was like, you know what
I wanna.
Speaker 6 (04:15):
I want to be that singer, you know, I want
to be one of the of the female singers, even
though they were all male, Like.
Speaker 5 (04:21):
What doesn't why doesn't he have any like you know,
girls singers. And of course because there you know, when it.
Speaker 6 (04:29):
Comes to women, like he's very protective and stuff like that.
So yeah, yeah, and also like you had to audition.
Speaker 5 (04:37):
You know, so so I was like that, I want
to audition. I want to audition.
Speaker 6 (04:41):
It took me three tries for me to get in,
finally getting because then the sausa is really hard. So
especially like like the hard like very old school sawsa.
It's like totally different from nowadays, like you have to
sing its strong, you have to.
Speaker 5 (04:59):
Have like guapadia and stuff like that.
Speaker 6 (05:02):
I don't know how to say that in English.
Speaker 5 (05:06):
So it took me three tries.
Speaker 6 (05:07):
And then I started, you know, working with my dad
in the salsa industry and that's where I met Emiliano and.
Speaker 5 (05:14):
Et cetera, et cetera.
Speaker 6 (05:15):
And then because of Emiliano, which is one of our
trumpet players from Value will Be, I met Diesel Annette,
and here we are. It's a very long story, but
I just I just summarized it very quick.
Speaker 2 (05:28):
I love it.
Speaker 3 (05:29):
I love it right.
Speaker 2 (05:31):
Yes, that's amazing. How did how did the name come about?
And and what does it mean to each of you personally.
Speaker 3 (05:42):
When we first started, before we met Val, we were
ULB and it was initially it was untitled Latin Band,
but then we were like, we're bringing so many different
cultures together. Yeah, it should be the United Latin Band
(06:05):
because we're bringing you know, we're bringing cultures, not only
Latin cultures, but like my grandfather was from Kingston and
I'm from New Orleans, so you know, we're mixing all
those cultures together, which actually match and go together. It's
just you know, one person plays the rhythm this way,
(06:27):
one person plays the rhythm that way kind of thing.
But and like our beans and rice are wet, there's
a dry or like that kind of thing. So when
we met Val and she, you know, she agreed to
(06:48):
be a part of the band and was like, yeah,
I'd love to. I want to say it was Dead
who came up with the idea. Let's call it Valley
Ulb And for Valley, you know, as the only female
in the group, it was like that's oh, that's a
great name. But then like Vallet also, you know, is
(07:11):
about value and about worth, and we do, you know,
in a lot of our songs. We have our fun
party songs, but we also have songs you know that
speak about self value and what people are are really
(07:32):
worth and what it's like to you know, to come
together and and actually unite and have a good time
together and do great, great work together and do great
things together, to not only have a party, but to
affect culture and to affect uh, you know, have a
positive effect on society.
Speaker 2 (07:53):
I love that. That's beautiful. I love that. How how
would you describe your sound as you know, cabana bounce,
How did that genre come to life and what defines
it sonically?
Speaker 3 (08:07):
Well, sonically it's a mix of you know, you got
val from Colombia and Peru, Anyere who's Cuban, Emiliano who's Argentinian,
and me being from New Orleans with Jamaican roots. So
it's all those things mixed together and and all the
(08:28):
different stuff Like I've studied jazz, I've studied I've made
pop records, I've made rock records. Val has done salsa
and pop and uh and Ayere has done like actual
folk music and you know as a percussive contest winner
in Cuba like the whole country. And then Emmy, you know,
(08:54):
is Argentinian and he's his own music is like more
like a like a hip hopper but with you know,
trumpets and stuff. But then he also plays with Mark
Anthony and Shakira and Ricky Martin, so you know, it's
it's like all of that stuff mixed together. And then
(09:16):
to make it simple, I always tell people it's like
take Black Eyed Peas, take No Doubt, take Santana and
some Stevie Wondon and then and then poor Gumbo juice
(09:37):
all over it.
Speaker 2 (09:40):
I love it. That's awesome.
Speaker 6 (09:42):
I think I think for a cabana bounce, like for me,
one thing that's important is a lot of the percussion
part a lot of the rhythmic that the band brings. Uh.
Speaker 5 (09:54):
It's one of the main things.
Speaker 6 (09:56):
In the of what I see for for the for
our brand.
Speaker 5 (10:02):
So is the percussion.
Speaker 6 (10:04):
Yeah, and what he said, like the folk folk music
that and your brains. It's very important and like we all,
you know, we all have done like music from our roots,
you know, like like for me, I love Marineira, I
love provir music. It's one of my favorites. You know,
(10:26):
all schools ASA and stuff like that. So we bring
all of that. But for sure is the percussion that
we bring and the rhythmic of the melodies that we
bring in the band.
Speaker 2 (10:36):
I love that. No, I think that's a beautiful I
love that mix. It's in the I mean this music,
this song is so it's so fun and it's like
it's like, you know, I was just curious, like what
what was you know, what inspired this this this song
and the title of the song. I think it's just
a fun you know, it's also hot. It's like sexy.
Speaker 5 (11:00):
Yes, that's true, that's true.
Speaker 6 (11:03):
And then we have another one that we also released. Uh,
but that one is more romantic. It's romantic.
Speaker 2 (11:10):
I like romantic. Romantic is good.
Speaker 5 (11:13):
Yeah, I love I've been loving romantic.
Speaker 3 (11:17):
You gotta live a well rounded life. You need some sexy,
some romantic, some hype, some fun, some ratget and and
that's and that's what cabana bounce really is. It's just
a mix of all the different vibes that we vibe
to in their respective moments, because you know, there's a
time for everything. So when it's party time, we party.
(11:40):
When it's sexy time, we sexy.
Speaker 2 (11:43):
So with with if I'm saying this correctly, is it
devour diviro meat? Is that is how you pronounced.
Speaker 3 (11:53):
In English?
Speaker 2 (11:53):
Yeah? You know you said, you know it's it's a
isn't it like a romantic song? But it could expand
into like, you know, you know what message or feeling
you want? What what message you're feeling you want people
to you know, walk away after listening to it?
Speaker 3 (12:13):
Well, you know that's the that's the spicy, spicy sexy
joint like it Okay, now that you've you've done all that,
you know your business.
Speaker 5 (12:27):
The funny thing about that song is that you know
what inspired me? Is this song? Probably d so No,
I don't know if you notice.
Speaker 6 (12:34):
It's like the guy, the guy telling the girl like
like you know, I want you one more time, but
it's it's like.
Speaker 2 (12:45):
Like you will devour me one more time?
Speaker 5 (12:47):
You devour it.
Speaker 6 (12:48):
But it's a romantic, you know, sassitude. So that inspired
me for that, but we just made a little.
Speaker 2 (12:54):
Bit more nasty, that's ay, bit just a little bit,
just a little bit, yeah, I mean, you know, and
I think it's I think it's a great song. Especially
it's fun, it's it's sexy and honestly, you know, you
know music, it's it's and also I mean, first of all,
the song the vocals is just so it's actually hypnotic,
(13:18):
you know, and it's just very like haunting in a
way as well. It's like I want to listen to
it again, what yeah, I mean, I mean I played
it in the in the in the house. I was like, wow,
I love this, Like I just want to dance. I
feel good. I want to drink some wine as I'm
listening to it. A little bit about like the process
of making it, you know, you guys in the studio,
(13:40):
like how do you guys come up with this? Like, yeah,
let's talk about this. Let's like, you know, what does
that look like for you guys.
Speaker 3 (13:50):
So initially, because we did a lot of revisions to
that track, okay, I was I was wanting to do
something that was along the lines of Brazilian funk because
you know, we liked the we love, we loved the
(14:10):
rhythms and you know, and I sent it over the
Loss and he was like, yo, the beat is crazy.
And Val loved the beat, and uh we was like,
oh what, you know, what could we do? And and
then you know, Val came up with that idea and
we were like, yo, that's super dope. But then there
(14:35):
was also the idea too add some additional production to it.
So we went to, uh, oh, why can't I say
his name Sonic? Yeah, I always want to call him
by his real name. But yeah, so we went to Sonic,
(14:57):
who did some you know, a lot of like Shakira
record It's and a lot of other big land records,
and uh, you know, we stripped the beating and and
and the vocals and you know, showed him the idea,
but then he totally you know, revamped it. And then
(15:17):
we revamped it again, and uh and you know, through
some rewrites and through some with lows and and and
Sonic and Val, we uh we came up.
Speaker 2 (15:31):
With that No, it's it's it's great. I really love it. Yees,
So I love asking this question and and there is
no wrong answer, I promise. But the three levels of influence, money, power,
and respect, And if you could choose only one of
those things, which one would you choose? And why?
Speaker 6 (15:57):
Oh why?
Speaker 5 (15:58):
Is gonna sound crazy?
Speaker 6 (16:00):
And I feel like money, but I will tell you why.
Speaker 5 (16:04):
I will tell you why.
Speaker 2 (16:06):
Yeah, no, no, no.
Speaker 6 (16:08):
Just because you know, for me, in my life, I
like enjoying my life. You know, I like spending time
with my family. I like, you know, right now, I
have a new dog. I like, you know, going out
with her and that you know, and that's a lot
of spending. So I will you know for me money,
(16:31):
I want to travel, I want to do so much,
and you know, not only that, but money to produce
more music, to know, to make more songs, to be
with people. I think for me, money is more important,
just for us to enjoy life much more.
Speaker 2 (16:47):
It's a great answer. That's it for me.
Speaker 3 (16:51):
I would say I would say respect because I feel
like when you're respected, that is power, because people respect
what you say and what you do and how you move,
and that that very well can generate money and lots
(17:16):
of it, you know, depending on who you're dealing with.
So that would be that would be my order.
Speaker 2 (17:22):
I love that do you guys, you know now that
we're living in a time where you know, they say
indie artists, people that are you know, take there's there's
a there's a surge right of indie artists taking control
of their their catalogs, doing their thing and putting their
music out and and and getting the streaming, getting them
getting the numbers. But of course, you know there's the
(17:43):
mainstream where they just have the machine working for them.
Now do you do you find that, you know, because
you have some artists like you know who've done it
and did really well doing their own and owning their
own stuff, do you find that the music industry is
(18:03):
changing in favor of the artists now or do you
feel like there's still a lot of work to be
done when it comes to the industry.
Speaker 6 (18:16):
I think a lot of artists are speaking up about it,
and that's what's changing a little by little. I think
it hasn't changed like one hundred percent, but it's shifting.
Speaker 5 (18:28):
Because a lot of awareness.
Speaker 4 (18:31):
Yeah that's my bad, val No, no, you can go okay,
So so yeah, you know, on one hand, it's much
easier for artists to.
Speaker 3 (18:48):
On their stuff and have it released and have it
on the platforms and have it available and you know
in the digital stores, and you know, have your merch
made printfully or whoever you know the merged companies are
and all of that stuff has become very easy. But
(19:12):
the other thing that can definitely be a contributor to
making the more difficult is that there's like tens of
thousands of new records coming out every week. Yeah, you know,
And it's like it's like even with producing, when it
(19:36):
became super easily accessible for anybody who wanted to call
themselves a producer or had the dream let me not
even say call themselves had the dream of being a producer.
Once that happened and some people had success of fifty
dollars beats, you know, for people like like me and
(20:01):
like Low's that ruined the market. Yeah, yeah, you know,
because it's like if I can get a Rose Royce
for one hundred dollars, well, if I can get something
that's like that that can get me from point A
to get to for one hundred dollars, why would I
go get a Rose Royce if I'm going to make
more money off if I can sell that for Rose
(20:22):
Royce prices once I use it you know. That's I
don't know if that analogy was clear, but but yeah,
so those kinds of things make things difficult because you know,
once once certain things like that happened, then you know,
quality control went down and next thing, you know, people
(20:46):
are only selling sixty thousand units and they're calling that gold.
That's not a gold record. A gold record is five
hundred thousand, right, you know, and those are huge differences.
That's like those numbers of a significant difference. And then
when it comes to the earning, that's when you see
it because you're like, oh, yeah, so and so's album
(21:08):
was number one, how many units did it sell? Thirty
five thousand? Okay? You know, so with investing, like, we
have a really dope team of experienced professionals who have
been in the majors for a long time, but we're
(21:33):
doing an independent thing together. Yeah, because we all are
are high level professionals at what we do and we
have our own little machine. You know.
Speaker 2 (21:43):
That's great, that's I think that's a beautiful thing.
Speaker 3 (21:46):
Yeah, it's really beautiful, and it's needed. Like, you know,
artists have to understand that they're going to need help
and you have to promote if I if I say
I'm going to say something right now, now, you're gonna
immediately tell me what company it is, by.
Speaker 2 (22:07):
Course, yes, yes, yes, yes.
Speaker 3 (22:10):
They never stop reminding you that they have Hamburgers right right. Ever,
so that's the thing that you know, like artists try
to go viral and all this kind of stuff, and yeah,
going viral is cool, but going viral doesn't necessarily mean
that you're going to be known for music. You're gonna
(22:31):
be known for whatever you did that you went viral for.
But if you constantly still beat the pavement, you know,
pass out your flies with a QR code, do you know,
do your you know, your your posts advertising your stuff.
But even like people, when people connect and they have
(22:52):
something tangible in their hand, like you put something in
their hands, that's a whole different That's an experience exactly. Yeah,
may not be Disney World, but it's still an experience.
Speaker 2 (23:04):
Right, absolutely. No, very well said, you're right, because I
mean the way we consume music is so different to
than you know, back in the day when our parents
you know, or grandparents did you know, consume music like
with records and tangible things. So yeah, you're absolutely right.
You know, tell us about more about the virtual show idea.
(23:24):
How do you guys see technology changing how you know
you connect with your audience?
Speaker 7 (23:31):
So or mean, I think since COVID, like everything changed.
Of course in the music industry, I know, we my
father and I started doing lives nice Facebook. Yeah, so
because the musicians didn't have anything. I mean, I mean
some did, but it was like you know, you weren't
(23:54):
allowed in a way to like work with people.
Speaker 5 (23:57):
But we did it underground.
Speaker 7 (23:59):
But then we started doing live life live streams, and
I honestly enjoyed in more. I mean I enjoyed it.
I enjoy also performing live. But it's just you connect
deeply more with the fans like I can.
Speaker 6 (24:13):
I can get like I can send them voice memos
and there they live like what in Colombia and I
can send them voice memos sometimes like videos.
Speaker 7 (24:22):
I think it's very I think for me it's it's amazing.
Speaker 2 (24:27):
I love that.
Speaker 5 (24:28):
No, and I think with the fans like that.
Speaker 2 (24:30):
Yeah, No, I've I've never. I think that's what you're right,
it's since COVID, things have completely completely changed. And I
think that's a great idea because everything's streaming right, everything's
on social media, everything's online. So that's just the perfect
way to go.
Speaker 6 (24:48):
You can connect with the fans, you can, you know,
you can, it's like twenty four seven. You can chat
with them and and they're very loyal.
Speaker 5 (24:57):
They're more loyal than the ones you see in everyday shows,
you know.
Speaker 7 (25:03):
And uh so, yeah, that's that's.
Speaker 5 (25:07):
That's what that's what I think.
Speaker 2 (25:10):
I think that's.
Speaker 3 (25:14):
So for me, I like, I feel like it's great
because fans from all over the world, like they're saying,
can tap in and experience your show. But then also
you don't have to pay for the bus, you don't
(25:36):
have to for travel, you don't have to pay for
insurance just in case somebody gets hurt at the stadium.
You don't have to pay the stadium costs, you know. Yeah, exactly.
So I feel like it's a great it's a great thing,
you know, and the live experience is still a different
experience and it can be a phenomenal experience. But you know,
(26:01):
when people get to get to be right there, like
everybody's got a front row seat, not just not just
the people who can afford it, you know.
Speaker 2 (26:11):
Yeah, I love that.
Speaker 3 (26:13):
Yes, So I think it's great.
Speaker 7 (26:14):
Patically, you can hear everything right, So yeah, it's it
makes it so especially if you have headphones, it's like
you hear everything and it's very nice.
Speaker 2 (26:25):
I love that. I have a fun question for you guys.
If you guys could perform with any artist, living or dead,
who would it be and.
Speaker 3 (26:35):
Why I have a somewhat of a tie. Okay, I
would be Prince on Michael Jackson.
Speaker 2 (26:44):
Oh yes, absolutely.
Speaker 3 (26:48):
Love those but as different as they are, you know, yeah,
because I used to dance and do ballet and stuff
like that, and I always loved Michael's dancing, like and
and and the choreography was just so tight that Fatima
would do like during like to remember the times, time
(27:10):
and all that like that. That choreography was incredible. And
then I say Prince just because of his excellence and
and dedication to excellence and in sonics and in musicianship showmanship.
I mean, they both were really great showmen. But I
(27:32):
had some friends who worked with Prince and they were
like his attention to like if one little thing didn't
sound the way they you know, they said it to
sound in sound check or how you know, director sounds,
he would automatically know and be like, hey, we got
(27:52):
to fix that. You know so and then if he
if he heard feedback, you could lose your job.
Speaker 2 (28:00):
Like Beyonce, I love it. That's great, Yeah, I love
that for me.
Speaker 7 (28:10):
Oh my god, it's like I wish I could give
you a whole list.
Speaker 5 (28:13):
Honestly, it's very hard. It's so hard, but.
Speaker 6 (28:19):
I will say I I would love to extol just
because I'm listening to him a lot today, like this month,
and of course every Latina Selena.
Speaker 2 (28:32):
That's yes, love Selena, Selena. You know I would.
Speaker 7 (28:38):
I would have loved to see how you know, sharing
the stages with her.
Speaker 6 (28:41):
You know, she she brings such a light so I
I just can't imagine the adrenaline, the emotions.
Speaker 5 (28:49):
That you can get on the stage with her.
Speaker 7 (28:51):
So Ya Latin Latina, you know Latino Latina's pick.
Speaker 5 (28:57):
I love it.
Speaker 2 (28:58):
I love that, you know. So as soon as my favorite,
one of my favorites, she and Aliyah, those are one
of my favorite, oh yeah, passed away. It's just you know,
gone too soon, you know.
Speaker 5 (29:12):
Yeah, uh so they would have been legends.
Speaker 2 (29:16):
I don't want still now, Like imagine one hundred so
where can uh you know, everybody find what you know
your music and follow you guys on social media. Where
can people find you guys online?
Speaker 3 (29:32):
Our band is at Ballet U l B. That's the
letter V like Victor a l e U l B
like boy and then value you want to give them yours?
Speaker 6 (29:47):
Oh, Vallet you will be on Spotify, YouTube the same thing.
Speaker 7 (29:51):
And oh my my personal.
Speaker 3 (29:54):
Yeah yeah on everything for the band.
Speaker 6 (29:58):
Oh yeah, Ballet you will be Ballet, you will be
dot com everything. But my personal is vow v A
l borgas guys official official.
Speaker 2 (30:12):
I love it.
Speaker 5 (30:13):
I love it.
Speaker 3 (30:14):
And Minus Diesel gets Grammy's d e z l e
g E T S g r A M M y S.
Speaker 2 (30:23):
I love that. That's a great I love that I got.
I gotta change mind to that. Yosha gets oscars. There
you go, you know, speaking into existence right.
Speaker 3 (30:34):
Well I have three already.
Speaker 2 (30:35):
Oh wow, man, I mean I'm bowing down. That's that's incredible.
Thank you guys so much for coming on. It was good, right,
it was a pleasure talk you both, uh, and then
please come on come back anytime whenever you got something,
you know, something new.
Speaker 3 (30:52):
Dropping likewise Miosha was such a pleasure.
Speaker 2 (30:56):
Absolutely, it was nice talking to you.
Speaker 5 (30:59):
Thank you so much.
Speaker 2 (31:00):
Absolutely, thank you guys, and thank you all for listening
and always remember to live, love, laugh. We'll see you
guys next time. Goodbye,
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