da radio show 12-16-25

Episode Transcript

Speaker 1 (00:00):
It's time to.

Speaker 2 (00:03):
Radio show.

Speaker 3 (00:08):
Sure shot, we are the greatest. We played the greatest
in the artists on the radio show. We got hot topics.

Speaker 1 (00:27):
We did a popping on the radio show.

Speaker 4 (00:31):
Listen to love, but listen. Give you up in your
relationship problems.

Speaker 5 (00:35):
We'll be with it.

Speaker 6 (00:36):
So make sure you tune in and the radio show.

Speaker 7 (00:41):
I'm a Rob Reiner fan. I was sad to see
that he passed away. He and his wife killed my son.
Oh Man, them Archie Bunker shows. I just had to
get one of those in the night man. Big shout
out to Rob Rhyner, Rest the peace. We dedicate tonight's
show to you to bring you the radio show. Dundee
and Britta levenex to Human Chandelier, the Union making that

(01:04):
before you by here tonight.

Speaker 1 (01:05):
Britta Leven next to Human Chandelier.

Speaker 7 (01:08):
Make sure you're getting right. Man, we get a radio show.
What's going on, fam Hope everything is good for you tonight.

Speaker 1 (01:14):
Hope everything is wonderful.

Speaker 7 (01:15):
Hope you guys have started your holiday season off with
a bang, and we're here bringing the hot independent music
for you that we do each and every week around
this time. What's going on, y'all, welcome to the radio show.
Every week you're not knowing, we bring you the hottest
independent music from all over the country, and tonight it's
no difference. And we got some songs to get to.

(01:38):
We got actually got a Christmas song to get to,
a Christmas independent record that we don't get many many
of those in so we're gonna be playing that tonight.
So let's go ahead and bring in Brita Leven next
to Human Chandelier and find out what's going on with her.

Speaker 1 (01:53):
So, Britt, how you doing tonight?

Speaker 8 (01:55):
I'm going great, man. I'm out of town right now.
I'm in Texas.

Speaker 1 (01:58):
You're in Texas.

Speaker 8 (02:00):
I'm in Texas. You know, Shout out to the new
country album I got coming out.

Speaker 1 (02:04):
Okay.

Speaker 8 (02:05):
First, I'm actually out here with the artist. Uh a nation.

Speaker 7 (02:14):
Okay, what's what's what you guys doing the show out there?
What's going on out there?

Speaker 8 (02:18):
We are we are promoting his project.

Speaker 9 (02:24):
Okay, yeah, yeah, So it's it's pretty fun, pretty fun.

Speaker 8 (02:28):
I'll be out here for the next three days or whatever. So,
you know, shout out to nation. Shout out to nation.

Speaker 1 (02:35):
Okay, we'll shout out the nation. In fact, if.

Speaker 10 (02:37):
You nations, nations Okay, Well if if if he went,
if he's within an earshot, happened to tap in with us, Man,
you know, say what's up to me?

Speaker 9 (02:50):
Well, you know the whole team is in this uh,
the same hotel. He's not in this room, but you
know the whole team is in this same hotel.

Speaker 11 (02:59):
Whatever.

Speaker 9 (02:59):
But I will definitely definitely let him know and I
will be posting this clip to give him a shout out,
so you know, shut.

Speaker 7 (03:08):
All right, Well, shout out to him, man, definitely shout
out to him for sure. Say that name again, Nation's Nate.
Say the name of the nation, Nation Zaymar. Yes, okay,
shout out to Nation Zmar. Man, shout out to him.
And hey, if you got a record, tell him to
send this music too. Is I want to check him.

Speaker 8 (03:26):
Out for sure? For sure?

Speaker 12 (03:28):
Definitely mm hm.

Speaker 7 (03:30):
Now speaking of checking out, me and D checked out
on an event and I'm sorry MD is not here
right now, but we had a chance to check out
on the event over the weekend, the Urban Access Hollywood
event that happened in Hollywood. Shout out to uh Eva Patterson,
Raw three Nation as well as an Easy Way and
also to CEI Fashions for being a part of that

(03:52):
event where they bought a whole bunch of people together
are artists as well as uh uh makers, and they
were people there looking for projects to put money behind.

Speaker 1 (04:05):
These were streaming services.

Speaker 7 (04:07):
These were just investors looking to invest in projects. There
was looking There was an investor there walking walking in
the room with five million dollars looking to invest in
a project, and a happy perhaps a project that day
walked away with five million dollars in their pocket to
help promote their project for the new year. A bunch

(04:29):
of independent artists was in the building as well. I
don't know if any of them got lucky or not,
but I was thinking to myself if some of you
independent artists were in the building and they walked up
to you and say, hey, brit I like what you
got going on. I want to put five million dollars
behind you. How would you spend it? What would you

(04:49):
do with it?

Speaker 8 (04:52):
You said how much?

Speaker 1 (04:54):
Five million?

Speaker 11 (04:55):
Okay?

Speaker 8 (04:55):
Okay.

Speaker 9 (04:57):
I would invest it into my label yard, and you
know I would put it into promo more artists, development,
because you can be uh to developed. You know, we
can always learn something. I would have a plan. I
don't have that plan at the moment on what I

(05:19):
would do with that? But you can't do nothing without
a plan.

Speaker 8 (05:21):
But yeah, definitely like I.

Speaker 9 (05:23):
Would, I would do videos, uh, get more radio promo. Yeah,
I can't even the list goes on. I really have
to sit and actually think a buck.

Speaker 1 (05:36):
Okay, that's what's up, Carl? Are you doing it night? Sir,
very good man.

Speaker 7 (05:43):
When you have five million dollars for failing your lap,
what would you do with it? How would you promote?
Carl Williams, I was.

Speaker 11 (05:53):
Invested in Uh, you know, really I would. I probably
would probably get my own studio too. I could really
just really just work around the crop and most of
us were doing in promo, so going video. You know,
promo is the most important part. You know, if you
have some money, you know, the promotion I think is

(06:16):
the biggest part of having a hit. You can have
a hit song and now have a power to promote
it and still won't go no pussure. Most of my
money would probably be invested in promo.

Speaker 1 (06:28):
Got you, got you?

Speaker 7 (06:29):
And I did say it was also someone there that
was in the building that night and actually on stage
on one of the panels in each unit us real quick,
I just wanted to get him to say a few
words about that event real quick.

Speaker 1 (06:41):
We got from.

Speaker 7 (06:42):
Signature Entertainment, got my man Sterling gin the building man,
so Sterling.

Speaker 1 (06:47):
First of all, what the hell you being?

Speaker 10 (06:49):
Man?

Speaker 1 (06:49):
You're late and let's getting no what's up?

Speaker 11 (06:51):
Man?

Speaker 1 (06:51):
How you doing?

Speaker 13 (06:54):
Let me tell you all the stuff I got on
my plate. Now I'm good to hear because I just
love y'all. So I'm on here for that man. But hey,
I'm working, man, I'm working. I want to chime in
on what you said about somebody giving five million. Number one,
you know anyone who believes that that's unrealistic. But secondly,

(07:15):
never spend that on a record or never spend that
on it. You want to start investing. That's why we
don't have money right now. It's black people. First thing
we do. We spend the money, do invest and buy
property right right?

Speaker 9 (07:30):
What I'm glad he said that, Like I wanted to
say that, I'm glad he said that can tu right?

Speaker 1 (07:35):
So, yeah, you know what I mean.

Speaker 13 (07:36):
When I have my first hit records, the little money
I got, you always think it's going to be coming in,
and you just spending and spending and spending.

Speaker 1 (07:44):
Right this is a new day.

Speaker 13 (07:45):
There's nowhere on the internet, right nowhere on the internet.
And that did tell you I worked with the Jackson's.
I work with a lot of people. You not making
that five million back, no kind of way on no record.

Speaker 14 (08:02):
Get up this that hop I was telling you about
slapping this that harp, up this, Get up. I'm I'm
looking for a Southern love. So I'm doing men.

Speaker 5 (08:22):
For a little bigger face.

Speaker 1 (08:23):
And y'a.

Speaker 14 (08:23):
Also, everything's gonna be all ride. I'm looking hard in
my aby y'all popping these tasks on my brand new clothes,
stopping to find me a hole in the wall or
the spot where he had big wonders. I gotta treat
it like a game of tag and the myth that
I'm it tagged. So if you can tell them that
I'm down in the dirty and I'm loving this country.

Speaker 4 (08:45):
Trail ride, I mean, he just lied.

Speaker 14 (08:46):
All I know how to do was me come up
working them out now that I'm down south.

Speaker 5 (08:51):
So you can tell them that I'm checking in and
I get it up.

Speaker 15 (08:58):
Get up, letting miss see y'all get you up, let
me see.

Speaker 5 (09:07):
Get you up, miss.

Speaker 14 (09:13):
They get you in, mississiifick s a. It's the only
teens that I see in Memphis, went and down that way. Kentucky,
don't Alabama, Carolina's within country, Grandma summer whether like shropper
Canna sister Louisiana in the louis eight country too. So

(09:33):
you can tell them a shiny song.

Speaker 5 (09:35):
He was shiny somebody.

Speaker 14 (09:36):
Aromas in Oklahoma. From Virginia to Arkansas, Indian up Aka
saw in the land. They don't plan, they let they
just take it course. She told me that she wanted
to ride and wasn't talking about the horse.

Speaker 15 (09:49):
Now, get you up, get you up, letting miss see y'all,
get up, Let this see get up.

Speaker 14 (10:07):
Let me get a little level bruse so that I
can execute time to step in and where you won't
just don't do step on my boots. Don't living life
life Facebook, Baby, that's a whole lot of life and pokes.
Got a whole lot of beefs up north. But down here, baby,
it is my folks. Somebody said that the roof's on.

Speaker 16 (10:29):
Fine.

Speaker 1 (10:29):
You can tell them that.

Speaker 8 (10:30):
I burned it out them that I learned it out.

Speaker 14 (10:32):
The first thing that I learned down here is that
they don't do in because no wishing here is. My
mission is to get y'all on the blow. Y'all blow
you tired of that same over here on your brand
news yo.

Speaker 1 (10:44):
See don't now get it up?

Speaker 5 (10:49):
Yeah, I get it up. Letting me see y'all gonna
get up. Let this see get.

Speaker 4 (11:04):
Shot and lush, late Lady Slate, can we go and
move a crowd.

Speaker 1 (11:16):
Of radio show? Turn up your radio.

Speaker 5 (11:22):
Radio and wait? Rehustle agony.

Speaker 17 (11:32):
Sometimes you don't know where to go, don't don't so
got to hit the ground running.

Speaker 5 (11:40):
Be careful, though, be careful.

Speaker 4 (11:41):
My mind's all over the place.

Speaker 17 (11:43):
She re hustle on tvm's finest last year, was thinking
about it rolling into college. They double doing the interest rate,
credit and all in the garbage they dealing with, these
paws of fate with the awe to greet and tomorrow's
Stanley promised these days I don't be giving them, to
be honest, But Mama say, you gotta pay homage to
God regardless. Simplest plane, you see, My aim is on

(12:05):
a trucking range that costs a bucking change.

Speaker 4 (12:08):
Now why I take the bus and train with.

Speaker 17 (12:10):
Diamond cluster change.

Speaker 4 (12:11):
Remember all them days I had them.

Speaker 17 (12:13):
Hunger, pains, humbleless ever of course being poorsed and infectious disease.
I wonder why these young getting checking this squeeze, screaming like.

Speaker 5 (12:21):
Oh please, don't break up the scene.

Speaker 17 (12:23):
They got bloods on the strip like diabetic machines. It
goes one fort of money and two's foot of the show.
Gotta keep it growing till you find which way to go. Man,
got it's fun which way to go?

Speaker 2 (12:39):
Sometime you just don't know what you better like people,
you see what I'm talking.

Speaker 5 (12:46):
I'm giving you my hearing. I'm also giving you my
respective for the stream. I'm giving you my respective my life.

Speaker 17 (12:53):
Yeah, a rock change and whips to represent them pain
even more, change and lips. It represents the slaves taking
young and change his wits. He set up in his
ways because he's numbing pain, convinced his happiness is sad.
He get blew him like in YPD, young fellow, want
to beat me through to Einstein lines, that's when you
hurt the CD.

Speaker 4 (13:13):
He walked the.

Speaker 17 (13:14):
Fine line, blind and stuffy Yo with Stevie due balance
nine nine nins the Sons of your Tasini to in
two with the one stop for deafen seventy one's clock.
He ain't see that eyes forty five with the jump
shot the honey thinking not much cappillar, crack the law,
but not quite, just a little white like mac Miller.
I told my wife I can get it right in
the change out to Morrows.

Speaker 5 (13:34):
She didn't see it.

Speaker 17 (13:35):
I got tired that chasing not d but I didn't
play the blind man a straight from the law, though
flipping their bird makes a lot like a pray to
a law.

Speaker 18 (13:45):
Man.

Speaker 5 (13:47):
I know you got this in your will you in
the gym binging it, or you might be.

Speaker 19 (13:57):
Want to turn people people.

Speaker 20 (13:59):
It's just.

Speaker 5 (14:08):
Tras something I never knew straight, sup. I just want
to see South say.

Speaker 1 (14:31):
Boy, can I'm calling you Listen to the radio show
with me and my uncle. Alright, your auntie, you're gonna
get her.

Speaker 21 (14:41):
Yeah, yeah, big fellas when you are represent right.

Speaker 1 (14:47):
Now, pusy t on the track, toty young.

Speaker 21 (14:55):
And ye big fee we back at it again.

Speaker 18 (14:58):
Listen me, tell me, tell me, tell me you get
it to you.

Speaker 22 (15:23):
She wrote up with the boss Man with the boss
playing hit it to this guy lord with a hundred
grand and I'm about to take a knee deep like
it's quick saying, dipping through the city lit on adrenaline.

Speaker 1 (15:34):
Maybe you'm a grown man. It's my my ron that
you love him.

Speaker 22 (15:38):
When we show that magic, when we go hand listen
to the sounds of the town of Power eighty eight,
they're gonna break it down for a pound and make
a baby.

Speaker 1 (15:47):
We can have it freaking in the lobby.

Speaker 22 (15:49):
She's coming knocking close, she said, then the for rock.
We're feeling lovey, Dubby, keep rubbing on my tummy. She's
trying to win the shot, the chance to win the
hor beat. She want a big shower gang. But you
never had roses and chocs until I met. The dream
is forever. We're grind hard together. We're gonna make the
hangers from off because he's forever.

Speaker 5 (16:13):
Tell me, she wont tell me. Somebody can give it
to you. Yeah, tell me change and again.

Speaker 2 (16:41):
They don't get the.

Speaker 5 (16:43):
Girl Shova.

Speaker 2 (16:51):
I want a full.

Speaker 5 (16:55):
Audi twenty me to you. Are you gonna do?

Speaker 1 (17:27):
You already know what it is, baby girl? Yeah, I'm
about to change your life.

Speaker 5 (17:32):
It's real.

Speaker 1 (17:32):
No, baby, it's me and you against the world.

Speaker 2 (17:35):
Whatever you want to.

Speaker 21 (17:36):
Set your feet trips around the world.

Speaker 1 (17:38):
Baby me and you this.

Speaker 7 (17:40):
Don't stop this luck, just tell me baby. Let me
go ahead and uh rig your car wales Man. Let's
go ahead and do this right now. Uh move the crowd.

Speaker 1 (17:52):
Let's do it.

Speaker 4 (17:52):
Y'ah can get closer to your speakers. It's time for
the radio show. Move the crowd, all.

Speaker 7 (18:00):
Right, y'all want to thank sterling G and Big Fee
for hanging in there with us. Man and hopefully down
the road we can bring them back. But I will
say that we're inside to move the crowd right about now?
What we do each niggaok around this time, it's been
taking artists off stage, bring up back stage.

Speaker 8 (18:14):
You get to know them how Brits up close and
more personal.

Speaker 1 (18:19):
And a man, he's to been doing this thing for
a while. He's in the building right now.

Speaker 5 (18:23):
Man.

Speaker 1 (18:23):
We got Carl Williams in the building. Man. So Carl,
how you doing, sir?

Speaker 11 (18:28):
I'm good, sir, all right.

Speaker 1 (18:30):
Very good man. So tell us real quick what's going
on with Carl Williams? Man?

Speaker 11 (18:34):
How man? Carl? Even?

Speaker 13 (18:35):
Just so.

Speaker 11 (18:37):
A very good guys. I've been trying to you know,
disfe of bread the news.

Speaker 7 (18:45):
Okay, that's what's up man? Now I see you got
to you gospel and you also got a little hip
hop to you as well. Man, So tell us about
that being able.

Speaker 11 (18:53):
To intertwine the two, you know, I feel like, man,
you know that's a genre work.

Speaker 16 (19:00):
Man.

Speaker 11 (19:00):
That's uh, that's really more relatable, you know, to to
to the audience that I'm trying to read to. You know,
so you know, so that that's that's that's okay.

Speaker 23 (19:12):
As a hip hop artist, did you started as a
regular hip hop artist or.

Speaker 12 (19:17):
Did you always been a gospel hip hop artist?

Speaker 11 (19:22):
Now, I started out. I started out segular. You know.
I was about the streets. Of course, that's why I
was raising. But I don't know if y'all ever heard
of the group y'all Brewing people. They had a song
that called Don't Stop for Music years ago, and uh yeah,
I met one of his, one of their daughters, and

(19:43):
uh me and her was on a song, and she
took me to their studio and they was in the
h in a transition moment. They was going from segular
to gospel, and they needed a guy, a rapper to
rap on one of their songs called all the Way In,
And it was a gospel a song, and so I
was just at the right place at the right time.

Speaker 16 (20:04):
Man, and I did it.

Speaker 11 (20:05):
And that one song kind of like transformed my life. Man,
it made me not want to because you know, most
made me not want to you know. The message that
they had in their song was it was a profile,
It was a strong message, and it changed my whole life.

Speaker 12 (20:23):
Okay, So one more question.

Speaker 23 (20:26):
When you when you start being a hip hop artist
for gospel, what was the changing point coming from the
street style to the gospels house? What made you change
that acquisition when you decided to do that was quickly?

Speaker 11 (20:44):
You know, one is fake and one is real. That
just to slung it up. One is faith and one
is real. You know, you can exaggerate and here over
there secular music, but over here, man, everything has to
be accurate in one. So that's a big gear for
so the.

Speaker 23 (21:04):
Street hip hop more hard to promote them the gospel
hip hop is gospel.

Speaker 11 (21:10):
Easier now not in this John, because this this uh
uh these people today they like uh, that kind of music.
They seem like they gravitate to that type of music more.
But it's turning around slowly.

Speaker 12 (21:28):
Okay, all right, We're.

Speaker 1 (21:30):
Gonna check out the song right now.

Speaker 22 (21:31):
Man.

Speaker 7 (21:32):
The we're gonna play is thank you Lord. We're gonna
play that. So we're gonna make it happen right now,
Carl Williams, Right now, thank you Lord. Let's step into it.
Strictly independent hip hop and RB music'all. It's the radio show.

Speaker 4 (21:45):
Independent Artists Live Here. We got this independent game on
lockout Day.

Speaker 11 (21:49):
Figure it out.

Speaker 1 (21:50):
The radio show.

Speaker 24 (22:00):
Good to you.

Speaker 5 (22:04):
It's the ludel dood to you, and you know that
it's brought you through.

Speaker 10 (22:10):
You take.

Speaker 25 (22:17):
When John's kind out that my family would do, and
you know I had to call him. I wanna say,
get out, up.

Speaker 5 (22:30):
Burst.

Speaker 1 (22:30):
I want to thank God for Pam.

Speaker 26 (22:32):
It's on this beat and the lyrical skills that pay
the bill that saved me from the street. No more bill,
don't gee, no donna fly, don't no schemes. I just
want to serve God and bring something tick to my dream. Hey,
I thank you for your son and I he died
for me on cavalry. I thank you for my patience
when they see nothing what's happening. Thank you for my help,
my straight, my friends, and my family. I'm a child

(22:52):
of guard in the yard. Man, so watch how you
be handling me used to be like song. Now I
be like, Oh, that's how I thank the Lord and
break for those that point I've seen these falls. I
thank you for forgiveness that we all can't go down
hell and this hit rap gang God jokes for me.
Y'am heiting that like mal the you and you know that.

Speaker 5 (23:11):
It's bron Do you know what I'm saying. I can't get.

Speaker 25 (23:20):
When jost my feeling would do.

Speaker 5 (23:23):
I had to call on music.

Speaker 2 (23:25):
I wanna ship, can't get off.

Speaker 5 (23:29):
Can't get up?

Speaker 27 (23:32):
Yeah, I started off at the bottom all the way
up to the top. Yeah, it's been the journey your problems.
I couldn't have done there with that. I've seen a
whole lot of drama. I had to face so many trials,
been doing so many problems.

Speaker 11 (23:44):
Got us brad me your nap. I know that they
did it.

Speaker 27 (23:46):
I give him praise. I had to repare for my
even way my that's much better than Jesus name live
for saying.

Speaker 1 (23:51):
I see the change. I see the difference like ninety days,
and I think the love for amazic grace. I should
have been chill to nothing the grave, but God bleft
for me to see today. Got to thank you for
your mercy. I'm gonna need a whole lot of grace.

Speaker 27 (24:01):
Even though I my word with my heart, I'm gonna
seek your face some a soul so dirty, clean it up,
being a passive race, holy spirit like the turrety want
to do it.

Speaker 1 (24:09):
He done made away very.

Speaker 24 (24:11):
Good to you as you know that he's wrong.

Speaker 25 (24:14):
You do you know what I'm saying, Thank you, thank
you when ms kind around that my family would do.
But you do have to call on us. I want
to say thank God out.

Speaker 26 (24:34):
Okay, thank the Lord for your mercy. Thank you Lord
for your grace. Hey, thank the Lord for me. Saved
my life when the bullets passed my faith. Okay, Thank
the Lord for my kids. Thank the Lord for my talent.
Thank you Lord for the strength decline but blue don't
move my mountain. Thank you Lord for my teams. Thank
the Lord for my dreams.

Speaker 11 (24:50):
Read. Thank the Lord.

Speaker 26 (24:51):
I'm gonna lift testimony because God can do anything.

Speaker 11 (24:53):
Okay.

Speaker 26 (24:54):
If the Lord been good to you like I know
it been good to me, say man, he say thank
you Lord, Thank you Lord, Thank you Lord.

Speaker 24 (24:59):
I'm I'm the Lunn to you, and you know that
He's brought you through you want to say thank you along,
take you along.

Speaker 25 (25:12):
When time's got around and my bill, do you know
I had to call on you. I want to say
thank you.

Speaker 5 (25:22):
Bang it on.

Speaker 7 (25:47):
Alright right there? That was Carl Williams. Thank you Lord,
Carl Williams, Thank you Lord. So Carl, which which rapper are.

Speaker 28 (25:55):
You on that?

Speaker 21 (25:55):
What?

Speaker 2 (25:56):
What?

Speaker 29 (25:56):
What?

Speaker 1 (25:56):
Versus? Yours?

Speaker 11 (25:59):
The Ferson sir?

Speaker 1 (26:00):
First? And third? Okay, okay, who's that on the hook?

Speaker 11 (26:04):
Oh that's Jane Henderson, God's Property okay and Core.

Speaker 7 (26:11):
Okay, all right on Ryan, and that's already out right,
the song's already out.

Speaker 11 (26:15):
Yeah, sure, it's not much Chev on the charte right now?

Speaker 1 (26:19):
Okay, yeah, yeah.

Speaker 7 (26:19):
I was about to ask you that you want a
gospel chart to my understanding, will you you're moving up
the gospel chart there.

Speaker 1 (26:25):
Congratulations on that.

Speaker 11 (26:27):
Thank you so much. All good for sure.

Speaker 8 (26:30):
Congratulations really nice song.

Speaker 11 (26:33):
Thank you so much.

Speaker 1 (26:34):
Mm hmm yeah definitely. So everybody liked it around here.

Speaker 7 (26:38):
So the next single, man, I want you to come
through join us again and we'll work on the next
single and promote that as well when you're ready.

Speaker 11 (26:46):
Okay, all right, man, thank you for having me and
I really appreciate.

Speaker 7 (26:50):
It no problem, man, give me your Instagram and all
that good stuff and website and where people can find
you get more information on Karl Williams.

Speaker 11 (26:58):
Well on Facebook, you can go I'm called wigiaans on Instagram,
I'm called william six one on one night and you
can go to Dust Spirit Entertainment writekers dot com and
find all my music.

Speaker 7 (27:13):
All right, go ahead and front shout out to end
the Spirit Records Entertainment making it happen as well. And uh, Carl,
thanks again, Happy holidays to you. We'll catch you with
you down the road.

Speaker 11 (27:23):
Okay, I'm right, man, y'all have a bless day.

Speaker 7 (27:27):
YouTube, take care da man's Carl Wellias. Make sure if
you like the record, thank you lord. You wanna go
ahead and make a number one around here. Can go
ahead and uh requested requested, requested a keyword here radio
show and on social media platforms each week, or you
can go to the radio show dot com. You can
go ahead and uh leave your information right there. All right,
all right, that's Carl Williams joining us and we're gonna

(27:49):
step away come back. When we come back, I'm gonna
play that Christmas record that uh the finally one we
have a Christmas song were about to play right now
in Independent Christmas Song. We're about to get to plus.
So we're gonna talk about some other stuff, which include
MD something you always spoke about artists making money other ways.

(28:10):
We're gonna talk about that and much more strictly independent
hip hop and RB music. As fun as you're off
the radio show, don't Move. Here's what's going on recently
on the radio show. Here's what Salt had to say
when I asked her how independent artists should learn about
the music industry, particularly the business side.

Speaker 1 (28:27):
Is what she had to say. Did you know about
the music industry?

Speaker 30 (28:30):
Fight for your rights and don't stop fighting. Read your contracts,
do your due diligence. Because you love the music and
you love what you do, but the industry is not
gonna love you.

Speaker 8 (28:43):
You gotta get you people to love you.

Speaker 30 (28:45):
But the music business is gonna try and take advantage
of you, so make sure that you take care of yourself.

Speaker 12 (28:51):
I agree.

Speaker 9 (28:54):
Technically the music business is about ten to fifteen percent,
maybe twenty percent talent, and the rest of it is business,
you know, So if you're getting caught up in your art,
you know, and you're not reading the fine print and
having the lawyer read the fine print, you might run
into some trouble eventually in your career.

Speaker 7 (29:16):
Lease drop out of the Salt and Pepper Hall of
Fame induction ceremony after party here in Los Angeles.

Speaker 1 (29:22):
It was definitely a situation.

Speaker 7 (29:23):
A lot of the celebrities of courses in the house
Salt and Pepper costle came through and made their parents
own the red carpet as well. I caught it with
a lot of celebrities that got their thoughts all Salt
and Pepper course being adducted to the rocket.

Speaker 19 (29:34):
As a youngster. You ain't salt pepper, this is the rapper.
You didn't say female rappers? Right, we didn't say that
back in the day, Oh the female rapper. No, we
said salt pepper.

Speaker 5 (29:44):
That's it.

Speaker 19 (29:45):
We said Queen Land. We said, well like we say
these type of we didn't. They didn't put them labels
on until later. So they've always had respect from us
now that they get in respect from everybody else.

Speaker 1 (29:55):
Salute. Now, did you have a Salt and Pepper CD?

Speaker 5 (29:59):
Right?

Speaker 1 (30:00):
I had a.

Speaker 31 (30:01):
Jacket, I had a workout.

Speaker 1 (30:04):
Sal I hate yes, I.

Speaker 8 (30:06):
Hate everything Saw and pepper.

Speaker 1 (30:07):
Last year, I was salt and pepper with my sister
for Halloween.

Speaker 20 (30:10):
So yeah, I was sawing pepper.

Speaker 32 (30:12):
Yeah.

Speaker 1 (30:15):
This week to pick here j T l R featuring
Snoop Dogg and Mad Scientists.

Speaker 33 (30:20):
That's my box with some mu's drama on the I
T kind of hard being jail double nyt paraphrase.

Speaker 1 (30:26):
No distance I heard each week on the radio ship.

Speaker 33 (30:29):
Just this stupid pursuit of the wealth, thender loke. Come on, girl,
just shake that fruit because I never.

Speaker 4 (30:33):
Met a Now back to the radio show.

Speaker 21 (30:54):
I want to be on your wish list like well,
because you know you got me a forgiven. All you
gotta give me for Christmas is Jowell. I'll wrap you
up in a big red pivitge. Today is a special day,
but every day we choose a holiday, I always treat
you in a special way, polluting your card.

Speaker 1 (31:08):
Happy holidays?

Speaker 21 (31:09):
Why you the fine things messing all red light Santa
coming down the ship Me with a red band.

Speaker 12 (31:13):
Danna with a fat suit on her.

Speaker 1 (31:14):
You know I got the bad. It ain't nothing to
a boss.

Speaker 21 (31:16):
You can have it? Can I punk that portion in
the driveway they hand you the keys taking rib back
were killing them Boost and the crime rate.

Speaker 1 (31:23):
That's a social we do with the fly where she.

Speaker 16 (31:25):
Do with mom.

Speaker 21 (31:25):
Way, all you gotta give me Cristmas is joll sell.

Speaker 1 (31:28):
I wrap you up in a big red pivot.

Speaker 21 (31:33):
All you gotta give me some Christmas is your sell.

Speaker 1 (31:36):
I wrap you up in a big grab pickot.

Speaker 6 (31:44):
Call you put me Hoday Street.

Speaker 5 (31:50):
Senna, call you.

Speaker 6 (31:53):
Do this one thing for me, good girl before him,
I'll be naughty. Say I gave you a guillless more
than what said twice.

Speaker 28 (32:09):
I know you knows me now that he was being
nicely by John.

Speaker 32 (32:15):
You're less christas you're wis joy crown.

Speaker 7 (32:29):
Sent?

Speaker 4 (32:31):
Can she.

Speaker 5 (32:35):
Warmy?

Speaker 34 (32:39):
No, don't need no cial thanks, need you try me?

Speaker 21 (32:45):
Oh you gotta give me christ and yourself? About you
up in a big You gotta give me some Christmas
nor Sell, I got you up.

Speaker 11 (32:56):
In a big band picture.

Speaker 5 (32:58):
Hell be crap.

Speaker 21 (33:01):
Oh you gotta give me some Christmas.

Speaker 5 (33:02):
Your seal.

Speaker 11 (33:03):
I wrap you up in a big grand.

Speaker 28 (33:04):
Baby belong monly Christmas will servis.

Speaker 21 (33:17):
All you gotta give me for Christmas is your seal.
I'll wrap you up in a big brand babies, Chris.
All you gotta give me for Christmas and your seal.
I'll wrap you up in a big brand.

Speaker 32 (33:28):
Babies, Babymas, I am god.

Speaker 5 (33:42):
You don't know no better. Hona, you don't know no better.

Speaker 35 (33:51):
Shat you around, baby, you do attack, you feel I
could good?

Speaker 3 (33:55):
Tell me you all back?

Speaker 4 (33:58):
Who'll start at sometimes?

Speaker 3 (34:06):
Yeah, let me peek in the scene that'll know I
cover election mail two scenes.

Speaker 2 (34:09):
I'm the only one that the in between.

Speaker 1 (34:10):
And if I've ever made that after, you could watch
me leave now.

Speaker 36 (34:13):
Don't stop giddy, yitty, even if I'm mad or your
friend king Jaddy.

Speaker 4 (34:16):
I'm a real real I don't play myself. And if
Buddy dot he plenty, then he played itself. Now, if
you're right, then you can get it.

Speaker 2 (34:22):
I like you. Yeah, I'm with it.

Speaker 4 (34:23):
You can tre me good if it's bore me. Hell,
I'm real good for you, boy, real good for your hell.

Speaker 35 (34:28):
Yeah, baby beauty, it's you feel that cook good. Yeah,

(34:58):
sweety Chulie.

Speaker 37 (35:00):
I don't know them telling me chance, tell me though,
we have one to be honey by Honey, Honey.

Speaker 2 (35:17):
You.

Speaker 5 (35:24):
Don't know Hoba and you don't know how alone he loves. Baby.

Speaker 35 (35:34):
You do right time and you feel like a good,
tell me, oh, don't start at.

Speaker 5 (35:43):
All, by thinking knew it all.

Speaker 4 (35:46):
Night, look and lust late late, what's late we can
and move a Crown.

Speaker 5 (36:00):
Radio show. Turn up the radio, remember a little bit
so much ship freeze, mister got go ahead.

Speaker 4 (36:17):
I saw look at my rie mast bout.

Speaker 37 (36:20):
Two hundred years ago that China bath.

Speaker 4 (36:25):
The tigrad is.

Speaker 5 (36:27):
If he's lemmer, take ship us is.

Speaker 38 (36:31):
Look at my rede whereas got two hundred years it
like that chine of Brath the Tiger.

Speaker 5 (36:40):
If he's slimmer, take it shut time. Other than dm
it's mister fras on. I'm come make this one.

Speaker 19 (36:45):
Don't take bind the.

Speaker 38 (36:46):
Red by the something beside Yeah, loop it she rides
it gives you come make it.

Speaker 1 (36:51):
Lie on, ain't nothing not getting drug up and.

Speaker 39 (36:54):
Not make a Hollo magic six against the nasty nasty
burny make up in the path they give me the addy,
Daddy that I'm giving the match six and nasty d
n it make up eat the baby.

Speaker 5 (37:05):
It's gonna be Daddy, know that.

Speaker 4 (37:07):
I'm killing all o game.

Speaker 5 (37:10):
What you was big?

Speaker 39 (37:12):
Turn me a lie you want my cat even the
physic I live in at.

Speaker 2 (37:17):
And don't give bag around girl brilliant Damon's dripping.

Speaker 5 (37:21):
The sub seven. Look at my re that's how three years.

Speaker 38 (37:26):
Ago that china bad the tangy. If he's live them,
i'm'na take yes, that's so rich. Look at my relist
got two hundred years agoing, not china bread the time.
If he's living, i'm'a take it about shiget it lived.

(37:49):
Maybe you can take it chig to get away, go
down china niked.

Speaker 39 (37:55):
Niggas grind grind, that's oh, no tweet, sweet bit, sweet thighs.

Speaker 2 (38:03):
I give you here the eshit the swash.

Speaker 4 (38:05):
I don't blue faces because I.

Speaker 34 (38:07):
Know you're going now want to tie down on the
floor like a ship.

Speaker 5 (38:11):
Swiney chep you get real nexting you're gonna get out cooking.

Speaker 38 (38:17):
I say, he's like it real, ain't mean Let this sure, baby,
go ahead and see.

Speaker 5 (38:23):
Let the poddy go the my head love it? How
you throwing baby.

Speaker 4 (38:28):
Going cusson brez.

Speaker 2 (38:30):
Look at my.

Speaker 5 (38:33):
Three years a coin and not.

Speaker 38 (38:35):
Train the brag the type of rig it means really
number tickets I saw.

Speaker 5 (38:44):
Look at my Ris music Colin shin a brag the time.
If he's my chicken.

Speaker 18 (38:58):
Swem so much, shnna freeze my got your brother.

Speaker 37 (39:08):
Go ahead, so much.

Speaker 1 (39:28):
Alright. Look all right, look, hey, look, hey, look check
us out.

Speaker 37 (39:32):
Man.

Speaker 7 (39:32):
We we are in the radio show. We're here making
it happen for you right now. Done, D M D
and Britta living next to human chandelier, were just doing
our thing. There's little big shout out to uh Carl
Williams for being a guest earlier here on the radio show.
And hey, request this record. All right, let's do that,
request the record, all right. Hope everybody's having a wonderful

(39:55):
holiday season right now, and hope some of y'all getting
your shot up and done and all that good stuff.
Happy Kwanza, happy Honka, Merry Christmas, Happy New Year, anything
and everything you celebrate. Happy holidays to you is what
I really want to say. Just plain happy holidays to you.

(40:17):
All right, Ritchie, look like you're sleepy.

Speaker 9 (40:22):
I am exhausted, man, like I have had no sleep.
You have no idea like I got. I got on
a plane at five o'clock in the morning. I left
around like two in the morning. I've been up all day.
It's eleven forty five out here right now. I am
fighting it.

Speaker 7 (40:40):
Wow, Wow, okay, okay, Well, hopefully you're going to have
you all too much longer. And if you, if you
got to cut it out earlier than I I understand.
I got you, I got you, I see you.

Speaker 9 (40:50):
I'm fighting it. I'm fighting as long as I can.
Y'all got I'm fighting to it. Just so you know,
this is a team effort right now.

Speaker 7 (40:58):
Oh, okay, you guys, I guess you guys are not
doing on shows tonight, right, No, we're not.

Speaker 9 (41:06):
We're not tomorrow. We're doing a bunch of filming tomorrow
or whatever.

Speaker 8 (41:10):
So yes, yes. And also I'm doing some more chandelier
radio TV.

Speaker 9 (41:17):
Segments as well while I'm out here, and promo for
the album Beyond the Rodeo, my country album coming out
January first.

Speaker 7 (41:27):
Okay, all right, that's what's up. That's a good look
out there. So you're gonna be gonna be You're gonna
do more talking to yourself.

Speaker 1 (41:35):
Yes, I'm talking, yeah, yea.

Speaker 7 (41:42):
And then she got this part where she she's she's
sitting laying on one part and the opposite Twins is
at the other end of the room, and she's conversating
with herself.

Speaker 8 (41:53):
Yes, yes, the regular Brittany and the chandelier.

Speaker 7 (41:58):
Nothing's wrong with that, Yeah, nothing wrong with that man,
you're going keep you're going, keep it going exactly, exactly,
nothing wrong with that at MD, and you speak highly
of this. Independent artists are making money other ways now.
So the Universal Music they opened up sort of like

(42:19):
a theme park thing and a a in a sort
of a superstore where artists now are able to sell
physical product including CDs, vinyl, other merch, all in one spot.
They've opened up several stores, one in New York, a
couple of them overseas, and you're one in Japan and
all that, and uh, they're now working diligently to bring

(42:42):
back merch and bring bring back physical products.

Speaker 1 (42:46):
So just letting you know, now, physical product is making
that return.

Speaker 7 (42:50):
So if you don't have a CD player or a
record player, you might want to go ahead and invest
in one because physical product is making this return back.
So d you you spoke about this long time ago
that he was all coming back, all coming full circle.

Speaker 23 (43:04):
Well, as you know, you know that that organization called FAM.

Speaker 12 (43:12):
Is doing that.

Speaker 23 (43:13):
You know, quite a few record stories across the country
owned operated by Afro American businessmen and they're trying to
make it work, but it's not working.

Speaker 12 (43:25):
And like I told a lot of those merchants, they're not.

Speaker 23 (43:30):
Going to work until the artists started promoting their fan
to go purchase a home entertainment center for the home.

Speaker 7 (43:41):
And she's our celebrity guest this week, DJ Sky. After that,
Love and Lust, here we go. DJ Sky brought you
by the Spotlight three sixty Media. Check out the celebrity
stuff I got going on. Make sure you go ahead
and click on that Spotlight.

Speaker 1 (43:54):
Three sixty Media. Love and Lust it is next after this.

Speaker 4 (44:00):
Ribbon in all the red carpets.

Speaker 5 (44:03):
It's an exclusive celebrity.

Speaker 1 (44:04):
Interview if you bring into the season of bad As USA.

Speaker 31 (44:07):
This season, of course, I'm bringing my decks the top
of DJing. I haven't seen anybody do it better than me.
But I'm also gonna bring all the looks you can expect,
brand new, fashion forward looks in every moment of the season,
and you're gonna see definitely definitely.

Speaker 7 (44:23):
So you with this is not your first rodeo being
part of the Batties franchise.

Speaker 31 (44:26):
Yes, this is my third season as the Batties DJ.
And you know if I'm excited for everything that is
to become after this.

Speaker 7 (44:33):
So, what have you learned about yourself working with the
Baddest USA so far, just this season as it's just
now gigging off.

Speaker 31 (44:40):
Keep your head on the swivel, that's the thing. Gotta
be quick on your toes. And just because things are
good one second doesn't mean it will be good the
next second. And you have to expect anything that comes
within this environment exactly.

Speaker 1 (44:53):
That's true. And definitely watch her on Baddie's USA.

Speaker 31 (44:56):
Batti's USA. It's your girl, DJ Skyhigh Baby. You know vibes,
you see the ad DJ Skyhigh Baby. Listening to the
radio show.

Speaker 36 (45:14):
Let's Go, Let's go, Let's go with your girl Pretty
Loving X the Human Chandelier here on the radio show,
and you're listening to love or Lust? Do you have
a problem with your relationship? Do you want to know
if it's love or lust? Let us all vote and
let us all let you know if you're in love
or if it's lust.

Speaker 7 (45:33):
I know, I said one day for Halloween, man, I
was gonna just like come out Halloween showing this breakout
like Britt and just start doing all that right here.

Speaker 1 (45:41):
I bet I a blow of mine watching me dressed
like her and doing all that. That's crazy.

Speaker 7 (45:49):
It's all good, all right, Brett Love and lust. We
are in it right now, Show Turn, take.

Speaker 40 (45:54):
It away, Okay, God, Human Sandelier and Today on love
or the topic is, let's say you're with someone and
they post you on social media.

Speaker 9 (46:10):
They post you guys going out having a great time.
You guys look like the best social media couple. Like
you guys, look, you guys are what do you call it?
A couple of goals?

Speaker 8 (46:21):
But no matter what, your spouse does not introduce you
to their friends or family. Is that love or lust?

Speaker 12 (46:31):
My question is we took all these pictures or social media,
were we naked?

Speaker 1 (46:39):
I'm sure some of them you probably were, but probably so.
I mean, I wouldn't doubt it. But that question, that
question to me, if yeah, that that that was probably
in the avenue of lust.

Speaker 7 (46:55):
I'm thinking because if i'm if I'm you know, it's
like when somebody at their cell phone and they sitting
they're sitting there chilling and they're not doing it at all,
but yet they go live on Instagram and they start
partying that like they doing their thing and act like
they the life of the party.

Speaker 1 (47:11):
Fake. It's all fake, all Hollywood. It's fake. You know,
we live in Hollywood. Here in La and it's just that, Hollywood.

Speaker 12 (47:18):
So we saw that yesterday, Hollywood, Yeah, we did.

Speaker 1 (47:21):
And it's it's you know, fake fake that that's that's purely, purely,
purely purely. It was doing it. I'm lusting after you
to make you look good. So it's all good. What
do you think, Brett, Yeah.

Speaker 5 (47:38):
I think it's I think it's less two mm hmm.

Speaker 9 (47:41):
Okay, you say they just doing it for the gram,
you know, like why why can't I meet your family
and friends even though they see it on social media
and they see you showing me off?

Speaker 11 (47:51):
But like what's the problem, Like why can't I meet them?
What are you hiding?

Speaker 1 (47:57):
Okay, all right, all right, it's living a living ex
living X.

Speaker 11 (48:01):
Yes.

Speaker 1 (48:02):
What my man at right here right there? Oh you
know what? I thought he was out the night man,
meaning that you're not here as well?

Speaker 37 (48:13):
Man.

Speaker 1 (48:13):
Definitely, man, So give me your two cents on that
real quick.

Speaker 16 (48:17):
Yeah, I heard the questions. I'm gonna have to say
that that's bust, like y'all said, you know, person doing
it for the grand anybody can be seen with a
batty on the ground, you know how the food up,
you know, I mean, make it look like a good time.
But then you know what's the problem my game? You
bring them around not to let alone your family. You

(48:40):
don't want to bring them around your friends, Like that's crazy,
Like nobody can nobody can see this person you hide,
become more you embarrassed for you know, you come ready
to take that ride.

Speaker 1 (48:50):
So that's what I love it all, exactly, exactly exactly.

Speaker 12 (48:57):
Yeah, like.

Speaker 1 (49:01):
Anxiety.

Speaker 12 (49:04):
Yeah, a person sounded like a gold digger.

Speaker 1 (49:06):
Yeah, that sounds sounded like a last as long as
the live, as long as the live. Ago when I like,
I don't know you, I is not even there.

Speaker 23 (49:17):
I was like, wow, it's like what the timidation song,
you know, bathing away? Yeah, smoke eads away? Uh huh,
good question, Britt Quick, Yeah, good question.

Speaker 1 (49:31):
Yeah.

Speaker 11 (49:32):
Oh.

Speaker 23 (49:33):
And I got a lot of friends that's been looking
on looking at the show. They say they like your look.
Oh yeah, look brother, I was saying birth. I thought
they was talking to me. And I looked at that
person said hey, hey, hey, hey hey. They said, no,
not you fool, I'm talking about her. They said she's

(49:54):
a human shandelier.

Speaker 11 (49:56):
Hey.

Speaker 12 (49:57):
He asked me, that's yours, and I said, I wish
so I said, then I told him so back off.

Speaker 16 (50:16):
Numbers and recorded.

Speaker 13 (50:18):
I like that.

Speaker 23 (50:19):
I like to meet that race so I can hear
her in the face one just one time, one time,
just one good.

Speaker 8 (50:28):
I think we all want to hit the operator in.

Speaker 7 (50:31):
Oh yeah, yeah, she deserves the good pop in the
head man, she's messing up the vibe. Yeah, man, it's
gone get the play of the sleigh. Let's go ahead
and do that, not now, but right now here we go.

Speaker 19 (50:48):
Join the radio show every Monday night, every Monday night,
or wait for the indie song that you enjoyed the most.

Speaker 7 (50:58):
All right, y'all win inside of play the slag right
to by. Now, what we do each and every week
around this time is we take a couple of songs,
and we asked that one little simple question, that's what
should we do with these songs?

Speaker 1 (51:08):
Should we play them or should we.

Speaker 4 (51:12):
Pay SI.

Speaker 1 (51:16):
For shure?

Speaker 7 (51:16):
Man, we got two songs we're gonna get to real quick,
uh real secret. These were last week's songs because we
have technical problems last week. So we're gonna go ahead
and play these songs. So we're gonna act like these
are new. So the first song we're gonna play right now,
that we are gonna get to tonight is Hollywood Turk
Songs called Paradise.

Speaker 1 (51:35):
Hollywood Turk song is called Paradise. Let's just get to it.

Speaker 20 (51:39):
Here we go, the radio show, Radio shows, the radio
show play or slid.

Speaker 2 (52:00):
Been Champagne.

Speaker 41 (52:01):
It's a day party on the be glop full of
drinks and we're rolling up the stink. I got sent
up in my fiend, grew up in the country house,
playing in the creek. Now mine Kelly never thought I
swear I been venus with the team every day light
sweare used to be a dream. Now on they's with
some pretty thing southern California where it never rains. The

(52:22):
vibe is so cool. I came out of doing on
an islands, including.

Speaker 1 (52:25):
In alib.

Speaker 5 (52:28):
Paradise, in Paradise.

Speaker 20 (52:37):
Paradise, the radio show, Radio shows, the radio show, or sledge.

Speaker 7 (52:45):
All right, that's the first play the slave record tonight.
That was Hollywood Turk Paradise, Hollywood Turk Paradise.

Speaker 1 (52:51):
So what do we think about that? One? Indeed played
the slave? What should be doing it?

Speaker 23 (52:56):
Yeah?

Speaker 12 (52:57):
He got reviews last time, good reviews. A little bit.
I'll keep it the same, I'll play it. I don't
know he's hit. It doesn't lay in California. I don't
know what part of California was.

Speaker 1 (53:13):
In exactly, Britt, what do you think play the slip?
That's a plug. Kelly, good, play the slip, and I'm

(53:36):
gonna go ahead and play the record as well.

Speaker 23 (53:44):
So apparently what we kind of heard last week, we
still all had the same effect.

Speaker 7 (53:51):
Of playing the slip right right exactly. Yeah, hopefully hopefully
it'll record right this week.

Speaker 1 (53:58):
It's all good? Uh big sleep, how you doing man?
We're good man? Were good man? Play the slave? What
should we do with this record?

Speaker 11 (54:08):
There?

Speaker 4 (54:08):
You play it?

Speaker 1 (54:09):
All right?

Speaker 7 (54:16):
All right, let's check out the second player. The slid
it's just keena. Let it keenul day. Keena to day
sounds called natural. Keena la day sounds called natural. Let's
check it out.

Speaker 1 (54:28):
Here we go.

Speaker 20 (54:29):
The radio show show, radio shows, the radio show or slid.

Speaker 5 (54:51):
Visions. Come on, can we study? I want to.

Speaker 34 (55:03):
Get amazing, you know, she clean as can be, so
we can see how elflessly we make a mess out
a little bad.

Speaker 29 (55:19):
That's a love in this show. You can tell it
anything you want. I hesitated at the wind. The radio
radio shows, the radio show play or slig.

Speaker 7 (55:35):
All right, the second player the slate record Tonight that
it's Keena today sounds called natural. Keena today sounds called natural.
Brita living next to human chandelier. What do you think
about the record? Play the slaves?

Speaker 16 (55:47):
I like it.

Speaker 11 (55:48):
It sounds very natural. I'm gonna play it.

Speaker 1 (55:56):
Kelly Good, play the slate? What should we do with it?

Speaker 12 (55:58):
I can't hear him.

Speaker 11 (56:00):
Playd play the sled.

Speaker 12 (56:09):
Hey, I'm going with everybody else. It sounds you better
this time?

Speaker 7 (56:12):
All right, big sleep, play the slig What should we
do it?

Speaker 20 (56:24):
Play by.

Speaker 21 (56:30):
What?

Speaker 1 (56:30):
I'm gonna play the record as well?

Speaker 23 (56:37):
Then according to my records, a little bit that we heard.
We all had the same opinion this time.

Speaker 7 (56:43):
Good, good good. Hopefully the record right this time, so
it's all good alright. As that wraps up the radio
show for this week, like to thank everybody for joining us.
We got one more show left in the year twenty
twenty five, so uh.

Speaker 1 (56:58):
We're gonna go ahead and do that next week.

Speaker 7 (57:00):
We got another exciting guest as we wrap up this year,
and again big shout out to Carl Williams for being
a guest here on the radio show Tonight Channel The
after party that is coming up next.

Speaker 1 (57:12):
See you hey.

Speaker 19 (57:13):
The radio show so far, make sure you follow us
on all social platforms at the Radio Show