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Episode Transcript

Speaker 1 (00:00):
What up right now, it's time to.

Speaker 2 (00:03):
Start radio show.

Speaker 3 (00:11):
Sure we are the greatest, We played the greatest and
the artists on the radio show.

Speaker 4 (00:29):
We got hot topics.

Speaker 5 (00:30):
We did it popping on the radio show.

Speaker 6 (00:34):
Listen to love, but listen video up in your relationship
problems ve you with it, So make sure you tune
in and the radio show.

Speaker 1 (00:46):
I was happy to see a show go down over
the weekend. A lot of Latinos had it going in
the city of Los Angeles, and I didn't detect or
heard anything or read anything about ice taking the any
of the people that was there. Very happy that it
went down. Keep our fingers crossed that we can stop
some of this madness, get back to some normancy as

(01:08):
we bring you the radio show done thee MD and
BRO delivering next to human chandelier and making it that
before you're live and direct. The radio show strictly independent
hip hop and R and B music at its finest.
What's going on? I hope everybody had a wonderful, wonderful
weekend and we're here with another one hot independent show
for all of you out there here on the radio show. Indeed,

(01:31):
what's going on?

Speaker 7 (01:32):
Man?

Speaker 1 (01:32):
How you doing?

Speaker 7 (01:33):
Man?

Speaker 1 (01:34):
I'm doing fine.

Speaker 2 (01:34):
Man.

Speaker 8 (01:35):
My beat's back on California soil. For the last couple
of weeks, I was on Arkansas soil, you know. But
I'm back in Cali and I'm not saying it's better,
but Arkansas has it. Has it love, you know, I
mean quiet, you know, no fireworks every day, no street takeover.

Speaker 9 (02:03):
I mean it.

Speaker 5 (02:03):
It's only only annoys me in the country.

Speaker 9 (02:06):
It's crickets.

Speaker 1 (02:07):
Oh, the crickets. Yeah, there's a lot of crickets down there.

Speaker 4 (02:10):
It's a million crickets.

Speaker 5 (02:12):
Maybe up those trees. You get your.

Speaker 10 (02:17):
Day.

Speaker 8 (02:18):
But it's nice and peaceful, you know. Shout out to
my family who I spend the fortune lie with. We
had a ball, me and the rest of us, and
plus the police department for that city, Dumas, Arkansas. We
all hung out on the fortune line.

Speaker 1 (02:37):
We had a blast. Okay, that's what's up, man. Shout
out to everybody out there. Is said you said, Dumas, Arkansas. Dumous, Arkansas.

Speaker 8 (02:45):
Yeah, about about forty miles south of Pine Bluff.

Speaker 1 (02:50):
Okay, all right, forty miles south of Pine Pine Bluff.
Shout out to everybody out there in Dumis. I hope
you are listening out there and Dumas, Hey, what's up?
Hit us up a key or did radio showing it
on your social media platform that you're checking this out on.
And yeah, we went here for you out there, Dumas,
shut out everybody out there, Doomas Arkansas. It's all yeah,

(03:11):
it's all good. Britta living next to Human Chandelier.

Speaker 6 (03:13):
How you doing tonight, man, I'm doing great. I'm doing
great tonight. You already know I've been promoting my new
album CALLI Goods new album on Friday. Spotify put me
on the New Music Friday list on the release radars,
So that's pretty cool. We've been having a great time
promoting these albums. You know, it's been it's been a

(03:36):
great week great weekend.

Speaker 1 (03:37):
That's what's up. And what are the albums called? Again?
Let us know.

Speaker 6 (03:41):
My album is called Nostalgia. Nostalgia by Britty leven X,
the Human Chandelier and Cali Goods album it's called Testimony.

Speaker 1 (03:50):
Okay, make sure you scoop up both albums on all
social media platforms. Make sure you go ahead and do
that thing right now, right there. And I'm sure they
don't mind if you listen to him over and.

Speaker 5 (04:01):
Over again, over and over and over.

Speaker 1 (04:04):
And then downloaded again. You know, I'm sure they both
will mind if you buying over and over again as well.

Speaker 6 (04:10):
Right well, Kelly Goods is just on YouTube, and you
know it's all visuals of fourteen songs straight through.

Speaker 7 (04:17):
You know.

Speaker 5 (04:18):
Yeah, yeah, our guest is really pretty tonight.

Speaker 1 (04:21):
Oh yeah, our guest's been doing her thing.

Speaker 11 (04:23):
Man.

Speaker 1 (04:23):
She's like everywhere. Man, she's like the big time, big time,
like pr extraordinaire and all that stuff as well. And
you know, she's even got me into a few things.
You know what I'm saying, I'm not gonna even lie.
She's got me into. I've been standing outside, I couldn't
get in, I said, and she just let me in.
You know what I'm saying. She's juiced up. She got
juice all over the city. Man's that's the one to

(04:43):
know right here. So do on trip. We got you,
We got you. We're gonna get to the trendy trendy
topics right now, got to the trinity, going to trendy
topics brought to you bys Spotlight three sixty.

Speaker 2 (04:53):
Me.

Speaker 1 (04:54):
If you liked some of the celebrities stuff, that Moneya's
hooked me up with check it out right there, Spotlight
through sixty media on all on all social media platforms.
Make sure y'all follow that right now. Now we're gonna
do some independent artists stuff. I'm gonna throw two things
at you, and we're gonna talk about both of them
real quick here. So I had a chance to and

(05:14):
I was kind of telling a lo loud about this
a little earlier. We were talking about independent artists and
their stage performances and when the stage performance go wrong.
All right, So I had an independent artist who I
spoke to recently and actually had a chance to see recently,
and I thought about it as I was talking to
them on the phone that when they got on stage,

(05:36):
the MC introduced them, they came on stage, they played
their performance track, and what happened was their music to
get to the stage performance portion of it, they had
to go forward on the stage performance track like forty
five seconds before they finally got to the park to

(05:57):
where they were able to start performing their performance. So
they had basically forty five minutes forty five seconds of
music that they didn't want They should have edited out.
It looked unprofessional up there trying to perform, and it
was just out of control. The crowd was mad, you
know what I'm saying. They looked unprofessional and in the DJ.
Poor DJ, he didn't know because you know, he didn't

(06:18):
realize he had to go in forty five seconds before
they was able to get to the performance track part
of the music that they wanted to perform with, so
unprofessional performances. Britta living next to Human shechand de Larter,
have you witnessed this before at a show that you
performed at?

Speaker 6 (06:36):
Yes, for sure, for sure, that's sound crazy. I ain't
never had nothing like that happened before. I've had some
stuff happen that shouldn't have happened during the performance that
was out of my control, but not that that is interesting,
Like that is crazy. How you have some music that's
not even supposed to be on your set and the
DJ got to speed it up?

Speaker 5 (06:55):
Like that's crazy.

Speaker 6 (06:56):
The only thing I can see is, you know, okay,
say you got a fifteen minutes set, right, and something happens.

Speaker 5 (07:01):
With the DJ where maybe he bumps.

Speaker 6 (07:03):
The turntables or something like that, and then it message
your song up or something crazy happened in the crowd
and they got to start it over and now.

Speaker 5 (07:10):
They're trying to fast forward to where you left off.

Speaker 6 (07:12):
That's the only time I see you fast forward in
anything that I've never seen anything like that before, you know,
like I've had crazy things happen during my performance, Like,
for example, this little girl was in the front of
the stage and you know, I had him cardboard cutouts
and she was mesmerized by my cardboard cutouts.

Speaker 5 (07:29):
I'm telling you, somebody was telling her get away, get away.

Speaker 6 (07:32):
She got so mad, you know when they told her
to get away, and one of them like fell halfway
or something like that because she was mad, she didn't
hit the cardboard cutout.

Speaker 5 (07:41):
And now my cardboard cutouts ain't standing.

Speaker 6 (07:43):
Up like I'm Destiny's child, you know, in between these things,
let it fail this way, you know I can't go
and fix it. Well, I'll performance. It's crazy. So but
besides that, no again, no, you should not be having
somebody fast fast forward. That's some amateur type scenario, and
depending were you at, that might work if it's like
an open mic, you know, where it's not like a

(08:05):
big deal. But if people have paid money and the
promoters have put a lot into it, or you're opening
for a major artist, that's a no no.

Speaker 2 (08:14):
Yeah.

Speaker 1 (08:14):
And then on top of all that, I want to
add on to it that he was playing that with
an X score to his phone, So, in other words,
the DJ had to fast forward his phone to get
the question of it to where he wanted he needed
to perform. I thought that was really tacky, and I
remember that when I was talking to the artists on
the phone recently.

Speaker 5 (08:29):
So what was it that was played?

Speaker 6 (08:31):
Like you they couldn't just sing along with the forty
five seconds that was playing?

Speaker 1 (08:35):
No, it was no that the artist didn't want He
wasn't singing the law. He just wanted to get to
the park to where the you know where he got
to say.

Speaker 5 (08:44):
Intro get the crowd pumped on this, look control you got.

Speaker 1 (08:47):
That's not how it worked. He was standing around looking,
oh oh that ain't that ain't the part I wanted
to hear. So, you know, A I digress. I thought
it was very unprofessional and very tacky. So I'm not
gonna put him out on blast because I talked to
him recently and he got my directly life, so I'm
leave it alone.

Speaker 6 (09:06):
Earned a lesson. Yeah, yeah, let's not put it on blast.
You know, private conversation to check in. Don't let this
happen again.

Speaker 1 (09:12):
Bro, exactly, we don't want to do that. Monette has
anything if you notice anything crazy or anything ever happened
to you crazy while you were on stage.

Speaker 12 (09:21):
Before me, I wouldn't say crazy, but I've definitely had
moments like that where something happened and like the there's
no music and I just got to roll with it
because you really have.

Speaker 5 (09:32):
To think quick on your feet.

Speaker 12 (09:34):
You've got a whole audience in front of you, so
it's really important to yeah, just be able to talk
or do something.

Speaker 13 (09:55):
What's up? Twas wishing all a star.

Speaker 7 (10:08):
For a love.

Speaker 13 (10:11):
Like no world?

Speaker 7 (10:12):
Yeah?

Speaker 14 (10:14):
Are you who you say you are? Because I'm searching
for some wanting my love.

Speaker 15 (10:25):
Maybe I haven't before.

Speaker 16 (10:29):
And none all this time. I've got to be sure.
I ain't got no time for shared joyation.

Speaker 15 (10:40):
I'm looking for relations and no know your better.

Speaker 4 (10:46):
Gotta get to know your bad.

Speaker 7 (10:48):
Yeah, I know your pa.

Speaker 14 (10:52):
You gotta get to know your past, gotta get to
know better.

Speaker 4 (11:00):
I gets to know.

Speaker 7 (11:01):
Your par.

Speaker 14 (11:03):
Yeah, gotta get to know Yeah, baby, can't you coming
over and pushing and I'm home?

Speaker 4 (11:13):
Then we can look up and count to be camel.

Speaker 7 (11:15):
And do so well. You got me filing you.

Speaker 17 (11:21):
I don't know what to do, so follow the hurt
pin in the drop bus that I been through.

Speaker 7 (11:28):
Yes, come bound.

Speaker 14 (11:31):
Me you wallity time. Please do one work whatever it
takes you. The hap man, Well what you say is true.

Speaker 16 (11:41):
I'll be making humor boo, giving you a heart and
one of mine.

Speaker 4 (11:47):
Don't get some me know your pet.

Speaker 14 (11:50):
Gotta get some and get to know your pay.

Speaker 4 (11:57):
I want to kick you out. I gotta get some know
your bed.

Speaker 1 (12:03):
You gotta get to know you.

Speaker 4 (12:04):
B yeah, yees ye get it.

Speaker 7 (12:11):
Girl.

Speaker 4 (12:11):
Just let me knowing.

Speaker 17 (12:13):
I won't no have the worm and had bone out
and purchase. Let me go get dinner by you.

Speaker 18 (12:20):
You my hard baby. You'll get ham and he to
my grip to my collar. I'm going to baby. Gotta
get to know your bed, gotta you gotta get to
know your girl. God, you gotta count you don't get

(12:41):
a baby, get a little bit of kissing all your bull.

Speaker 4 (12:49):
Yay, Hey No, I just gotta count know you to
know you head bag.

Speaker 7 (12:54):
If you can the dead.

Speaker 4 (12:56):
I never want to get to know your bead.

Speaker 7 (12:59):
Bay.

Speaker 15 (12:59):
I get a shout to get to know you. Things
and everything you want to get to know your bad.

Speaker 7 (13:10):
I get to know you. Didn't even again.

Speaker 4 (13:15):
Your betty doesn't know you had yeah again again you
thing no better?

Speaker 7 (13:27):
Let I spent all night had you got to get
to know you.

Speaker 19 (13:37):
Let's go own, I mean just down, Yeah, jukes, love
and lush late late, what's late?

Speaker 2 (13:55):
We go and move a.

Speaker 20 (13:57):
Crowd, turn up your radio.

Speaker 9 (14:08):
Ain't my door.

Speaker 21 (14:09):
It's like boh black robe, Hey, baby girl, pick us
a big y'll say, had to give it to it
like you am my top?

Speaker 7 (14:16):
Hey?

Speaker 9 (14:17):
Then I tip on and touch you want to call
it a name?

Speaker 21 (14:20):
When the beast tell me you get the harder shake
back and harllerm and oh hey, make your knees, touch
your ankles.

Speaker 9 (14:27):
Well, I'm share check it from baby shaky, shake.

Speaker 21 (14:30):
It shaking, gold shaking, gold go cheming, gold girl, che
gold checking, gold.

Speaker 22 (14:40):
Check checking, go.

Speaker 21 (14:45):
Check from the trunk.

Speaker 9 (14:46):
Hey, my dough was like, whoa black robe?

Speaker 7 (14:49):
Hey?

Speaker 9 (14:50):
When when you see me in the club, you see
a Boston.

Speaker 21 (14:53):
When I'm going all strikes yo, lost, shakey, shakey, shakey,
check it for a play. Can you take your ticket?
Take it from a play? Make you shake it, shake
and shake it for a play. Watched you take it,
take it. Take it from a player, hey my doors
like bold black Rob and baby Girl, big us up
beyon say, had to give it to it like you

(15:14):
in my top.

Speaker 9 (15:14):
Hey, Then I tip on im touch you want to coordinate?

Speaker 21 (15:18):
When the last time you get the hard and shake
back in Harlem and oh hey we make your knees
touch your ankles.

Speaker 9 (15:26):
You know what I'm saying. Check it from baby, shake
and shake it right ten toe, never fold the baby. Yeah,
what's the lesson for old your baby? You ain't no?

Speaker 21 (15:38):
I thought I told your baby right back in the
bling to stay. Yeah, see side and another lord and
throw it up if you're feeling big step in the
building out doors like bold black Rob, a baby girl,
big us up beyond say, had to give it to

(15:59):
a she in my top, Daddy. Then I tip on
until she want accord it. Date when the best tell
me you get the hold of shake back in horror. Oh,
make your knees touch your ankles. You know I'm Shay
Chicken from baby shake and.

Speaker 9 (16:14):
Shake it.

Speaker 10 (16:17):
Like what if y'all the big boy and that big

(16:38):
boy's neighborhood. You know I'm on the radio show. You
know how it goes for real girl.

Speaker 22 (16:52):
Smoking letters out the window, all the text girls all.

Speaker 4 (16:57):
Play out, I could believe, trying to play hell.

Speaker 7 (17:02):
Let to show them how to chew.

Speaker 23 (17:05):
Appreciate how the wake of major and you don't you
don't want to say you now?

Speaker 7 (17:12):
Aparently I would never hurt him.

Speaker 4 (17:16):
I met no father wants the major. There's no other
faces knowing all the.

Speaker 15 (17:22):
Ways the pay save a stable way with me an.

Speaker 2 (17:52):
I want you.

Speaker 4 (18:01):
Kind of can the lady teacher like that?

Speaker 22 (18:05):
Cann fody like that? So glad you chose to walk
with plas doing dad because one such things are so crazy.

Speaker 7 (18:21):
Last I watch your ma looptown ll.

Speaker 24 (19:24):
Fame, fame.

Speaker 4 (19:27):
Fall my pe.

Speaker 1 (19:51):
Let's go ahead and move on to move the crowd.
I guess more name you nasties right, quick jobs, make
it happen the radio show, Yeah, can.

Speaker 20 (19:59):
Get closer, take the case.

Speaker 13 (20:01):
Time for the radio show.

Speaker 1 (20:04):
Move the crowd and we are inside to move the crowd.
What about now? What we do each and every week
around at this time is we take an artists off stage,
bring them back stage. You get to know them howbridge.

Speaker 5 (20:15):
Up close and more personal.

Speaker 1 (20:19):
Joining us Now somebody she's been doing our thing on
the on the pr n on the music In. Now
she's back on the music In with a new one
for us. We got Unassis in the buildings. Nassis, how
you doing tonight? Sound effects? Yeah, sound effects for you.

(20:39):
That's how we do around here. So what's what's going
on with you these days?

Speaker 12 (20:43):
Oh my gosh, I've been working on a lot of stuff,
my music, my brand, and I've been so excited for
people to see what I've been working really hard on
the last few months. I feel like the last few years,
I know you were talking about how I was doing
pr Yeah, I was doing that for just a couple
of years, but first and foremost, I'm a music artist,

(21:06):
actress model, So I just really wanted to get back
to that and wanted people to see me as that.
So the last few months, I've been working really hard
on this project and now I'm finally launching and I'm
just ecstatic.

Speaker 8 (21:19):
What is your plan for your career, for your career
now and your promotion for your this new single that
you're releasing.

Speaker 12 (21:29):
For the single, I'm just trying to get out into
media pretty much, promote the song on like different playlists
and things like that. I appreciate, you know, having an
interview like this at Dundee, and just in my project
in general. So I'm working on a web series and
doing different skits with that, and then also just been

(21:51):
working on like my overall image and brand because as
an artist, that's really important and sometimes people are lacking that,
and I know for sure myself I was lacking that
for the longest time. I couldn't figure it out. And
finally I like found my niche and like what I
want to look like, and I just kind of like
started digging deep. And it really wasn't too hard because

(22:14):
I was like, well, I'm already you know, dressing like
that and doing these things. But it was just being
able to hone in on it and then have something
to show to other people that they're going to understand.

Speaker 5 (22:27):
What was your favorite part about working on this project.

Speaker 12 (22:30):
My favorite part, I would say being able to build
the entire brand, because again, it's been like an entire thing.
It wasn't just like about the song the music, like
it's this entire just this entire I don't know world
that I'm putting together that I want to bring other

(22:50):
people into.

Speaker 5 (22:52):
So I really had a lot of.

Speaker 12 (22:54):
Fun just diving the deepest I've ever done into my
own creativity and being able to share that with my
team and expand on it.

Speaker 5 (23:02):
And now we're here.

Speaker 1 (23:04):
All right, we're gonna check out this record right quick.

Speaker 9 (23:07):
Here.

Speaker 1 (23:07):
This is Down by Money You nasa y'all strictly independent
hip hop and R and B music. It's the radio show.

Speaker 13 (23:14):
Independent Artists Live Here. We got this independent game on
lock I figure it out the radio show.

Speaker 25 (23:29):
I would like to get to know I could be
the kind of girl you could be down for, because
then I look at you, I feel something. Tell me,
then you are the kind of guy out of shut make.

Speaker 19 (23:44):
A move on.

Speaker 25 (23:45):
Then if I don't let you know, then I won't.
Before I had to be wrong, But I feel like
something could be going on the month I see here, mom,
that it becomes soldier.

Speaker 24 (23:57):
There ain't no other manias on.

Speaker 2 (24:00):
I want to be down with what you're going.

Speaker 26 (24:04):
I want to be down.

Speaker 24 (24:06):
I don't want to be down with you to the town.

Speaker 7 (24:10):
Okay, it's true. I want to be.

Speaker 25 (24:12):
Dead doing coming. Do you get us clinging? But do
you cloying? And anybody's son? I be long live with

(24:35):
not the reason thing I saw someone.

Speaker 7 (24:37):
To care for.

Speaker 25 (24:39):
Maybe all you need to shoulder to cry out if
that's a fact that I'll be more than you ever
could dream more if it is done and I got
plent to you, Nil, I don't want puvid. I don't
want to stay by yourself being able.

Speaker 20 (24:58):
To fool you.

Speaker 24 (24:59):
We let your hold me over a.

Speaker 20 (25:05):
Do you like something clobinging?

Speaker 13 (25:09):
Do you like something coving going?

Speaker 7 (25:13):
Do you like something cooking going on? You know? Pious?

Speaker 25 (25:21):
Okay, let's tell you that I got some to you
mother elevens for your product him, I'll say, like fat
you up and being coming going up packing from the

(25:53):
cliving going on? You know about the maybe plea.

Speaker 1 (26:07):
And I was down by I'm on that unassis down nasis. Yeah,
that's a good record on name.

Speaker 5 (26:17):
Thank you.

Speaker 12 (26:19):
Yeah, y'all can follow me on all platforms.

Speaker 1 (26:22):
I am M O, N E T A N A
I S okay. All right, well thanks for joining us,
and you know I'll be seeing you somewhere.

Speaker 7 (26:31):
Yes.

Speaker 1 (26:33):
This weekend, exactly, yeah, exactly, all right, money, thanks for
taking thanks for joining us, take care, we'll see you.

Speaker 24 (26:40):
Thank you guys, bye and good luck.

Speaker 1 (26:44):
Yeah, and if you want to request that record right there,
go ahead and make down number one around here. Oh
I'm on that unassis fans, please hit us up a
keyword da radio show every weekend, make down number one.
You already know what you need to do. Make the move.

Speaker 7 (26:59):
Bye.

Speaker 1 (27:00):
All right, y'all, we got more to come. When we
come back. I'm want to hit you over the head
with something else that folks has been telling me about.
And it's that time of year. I didn't realize it's
that time of year. But we'll discuss that next and
we'll discuss how independent artists, how that affects you and
what you need to do to make it happen. But
we also have not played a song yet. We got

(27:21):
some music we got to get to you, including a
certain artist which I'll give you a clue is here
now One of those songs is in there, strictly independent
up in RB music as fine as it's the radio show.
Here's what's going on recently on the radio show. We
got g Flame Bugatti in the building.

Speaker 2 (27:36):
Man, G Flame?

Speaker 1 (27:37):
What's up man? How you doing?

Speaker 2 (27:38):
Man?

Speaker 27 (27:38):
So?

Speaker 1 (27:39):
Dondee man? How you doing?

Speaker 2 (27:40):
Man?

Speaker 5 (27:41):
Blessed man?

Speaker 1 (27:41):
Blessed? God is good boy.

Speaker 9 (27:42):
That's all I can say.

Speaker 1 (27:43):
God is the greatest. That's what's up?

Speaker 7 (27:46):
Man?

Speaker 1 (27:46):
So what's been happening since the last time we seen you, Megan,
It's been a minute.

Speaker 28 (27:50):
I've been working, man, I'm being honest with you. Man,
I've just been really just keeping my foot on the gas,
keeping my foot on the next you know what I'm saying,
keeping this keeping this drive going, because you know, consistency
is the key to his business, you know what I mean?
And uh, just making sure that I'll continue to just
make good music man for the people.

Speaker 27 (28:07):
Man.

Speaker 28 (28:08):
You know, one time and I had an opportunity to
meet this guy named Jay Bees who me and him
as close friends today. And he's a Grammy Award platinum
producer man, and we got some hits, man, and he
behind that record right there called uh count.

Speaker 9 (28:23):
You ain't a money bag.

Speaker 29 (28:24):
I come a say, give him suck of small eyes
on the snake.

Speaker 20 (28:27):
Y'all want to come to the table.

Speaker 4 (28:29):
He don't bring a play and just go on the facale.
You want to fee the Tate Humbo.

Speaker 1 (28:34):
We stopped by the ninth and you are coach of
Creators and your awards brunch. This platform exists to uplift
the voices, journeys and bringing to black creators whose impact
often goes unrecognized. I call it with a few of
the arterys and got their thoughts for what wing their
awards meant to them. Congratulations on winning your award.

Speaker 7 (28:54):
Thank you.

Speaker 4 (28:55):
What the war means?

Speaker 24 (28:57):
It means that the hard work that I put in
is actually recognized.

Speaker 30 (29:01):
She's really quiet on her very thrilled to get here.
You don't you know, when you start in this business,
you don't think these things are the results of it.
I just do things that I enjoy a passionate about,
So it's great. It's really cool.

Speaker 1 (29:13):
Congratulations to all the nominees as well as the presenters
and the winners as well. This week to pick hit
J T l R featuring Snoop Dogg and Mad Scientists.

Speaker 23 (29:25):
That's my box with so much trauma on the I
G kind of hard being jail double NYT paraphrase, no.

Speaker 1 (29:31):
Distance I heard each week on the radio ship.

Speaker 23 (29:34):
At this dude pursuit of the wealth tender. You go on, girl,
just shake that fruit because I never know.

Speaker 20 (29:39):
Now back to the radio show. She got a home
like a bottles h She knows she is certified. She

(30:04):
walked by.

Speaker 11 (30:09):
Little walk Tim SHEI lips, she.

Speaker 20 (30:17):
Gonna shoot fly.

Speaker 13 (30:18):
She Gucci daddy, Gucci is Louis.

Speaker 31 (30:25):
It's in Louis, that proud person's fashion killer with up,
she says, yes, she know it. She gave up the
short short watch out how she won't same way she talking.

Speaker 13 (30:37):
Oh, she detected her so hardy go and get it
Jimmy too.

Speaker 31 (30:40):
She cuts some feeted you only mess with Mom Fisk
riding through the city. Missus, Hello kitty and depended bretty
polo horses when she riding with me.

Speaker 13 (30:50):
She loves shopping, DC, DC, party and the mound.

Speaker 20 (30:53):
She gets it how she wanted.

Speaker 13 (30:55):
She's so country brandma. She keep that money coming. She
be born very stuff and this super woman she got it.

Speaker 11 (31:02):
You can't tell her not only like a bottle said.
She hustled like the succeed. She knows she is certified.

Speaker 7 (31:12):
She walked by.

Speaker 20 (31:17):
Little walk till she didn't gonna shoot fly.

Speaker 7 (31:31):
On my crime.

Speaker 32 (31:32):
But my game got the stark never tane, keep it sharp,
never plane rising high, the shape free, the brails thro
the sky. It strikes as a while, set the world,
every move trail blazing, and the.

Speaker 20 (31:44):
Glue eyes on me can't help her see stripes of
oak times.

Speaker 32 (31:47):
I'll tiger, I'm that fire I'm got us with the
golden touch the rooster game, need no clutch, she got
the crown.

Speaker 20 (31:53):
No bribles in psych on the Moon's glove.

Speaker 32 (31:55):
Pu were men in the league of my own set
the base, no challenge, just in my brain.

Speaker 4 (32:00):
I'm the common blazing past.

Speaker 24 (32:02):
It's in the sky.

Speaker 32 (32:03):
Mike is cast bouts trying to mimic my game, but
they say, like shadows, don't stand the flea and.

Speaker 13 (32:08):
The testing so good heat, the screening, turn the stage.

Speaker 32 (32:11):
Into my m pay alive when I am big, So
you can't wear a bring your success.

Speaker 24 (32:16):
I'm the trend stuck sitting on the crimp.

Speaker 13 (32:19):
Hey, stay impressed, been in the sore skin.

Speaker 32 (32:21):
I'm bringing heat and zero stress seeing the queen shack
of horse and look the way.

Speaker 33 (32:27):
You're sitting So secrets on the bosom and now Hetty's
stunning on the latinos on the feet.

Speaker 7 (32:33):
Got a model walking on them.

Speaker 4 (32:35):
There for progression.

Speaker 33 (32:36):
But see the type that can't get hood on a
body on some guys, the type that you can't let
me pass you the boot shot pay and keep them
paying because the static strings and the pint and fast
right body, right line ain'tything for this year the nikki
even got a little higgin a no meaning yo nothing

(32:56):
no man shring a pull a little bit ba and
know some boss you know that she a bead homy
got that again when a once his night?

Speaker 11 (33:06):
What hey ho?

Speaker 2 (33:07):
They play shot?

Speaker 20 (33:08):
Ain't he ain't no cozy chick. So missle with that
poor shuster.

Speaker 1 (33:12):
That's the cattle talking about it.

Speaker 2 (33:13):
So you win.

Speaker 33 (33:14):
You gotta even ass loam dropping shoulders top a bottle topper, but.

Speaker 20 (33:19):
Only like a bow, said, she hustled like a bad six.

Speaker 11 (33:23):
She knows she is certified stan damn.

Speaker 2 (33:27):
When she walked by, don't she pad?

Speaker 7 (33:30):
Yeah?

Speaker 11 (33:32):
You look walk tim he'll singer bad, pleaseim lips dead
singers ain't gonna shoot fly.

Speaker 20 (33:41):
She ain't singer bad.

Speaker 9 (33:43):
Don't she bade?

Speaker 7 (33:44):
Don't she bad?

Speaker 34 (33:46):
Broom through boom, broom through boom boom through boom broom
through boom.

Speaker 20 (34:20):
Love and lust?

Speaker 19 (34:23):
Late late, what's late?

Speaker 2 (34:25):
We go and move a crow.

Speaker 4 (34:30):
Show?

Speaker 9 (34:33):
Turn up to radio?

Speaker 14 (34:46):
Are you theo fly?

Speaker 24 (34:47):
You singer?

Speaker 35 (34:48):
Ever, it's like we've belong together. Maybe I won't to
feel your pleasure. I'm trying to dig in your treasure.

Speaker 7 (35:03):
I turn into a bed room.

Speaker 1 (35:09):
Let's every girl into the.

Speaker 35 (35:14):
I'm gonna take the shot shot show bad shot, send
a man into a group of because like you can't.

Speaker 7 (35:24):
Tell that tic.

Speaker 35 (35:28):
Let's turn the ones into taking my hands off you
read for whatever, when you're going through love that chi shot.

Speaker 4 (35:40):
You GoGet and so.

Speaker 35 (35:44):
Then we're gonna this thing jumping.

Speaker 4 (35:48):
I can't birthy you got me.

Speaker 35 (35:51):
Trying to do't have on the baby, Oh god, your
baddy fucking.

Speaker 13 (36:00):
Way there, don't make it go crazy it.

Speaker 7 (36:08):
Into the bed room.

Speaker 4 (36:10):
Let's chase it back gw until I'm gonna take this shot. Shot.
That's your bad shot.

Speaker 7 (36:22):
Man, it's a flu.

Speaker 13 (36:23):
Bad because great and ge like you can taste that slick.

Speaker 7 (36:28):
Gold.

Speaker 35 (36:30):
Let's turn the ones into taking the hands off your
bread forever when going through your kids shot lose you me.

Speaker 13 (36:44):
Lord and so then we don't need this tay click.

Speaker 35 (36:50):
Let's turn the one's in the chore taking the.

Speaker 15 (36:54):
Pas off your off you however whatever, love that you
street camp stream.

Speaker 7 (37:03):
Just stilling me.

Speaker 1 (37:28):
Check this out this Warren gee, and you're listening to
the radio show.

Speaker 24 (37:33):
I can't tell you ninety two breathes.

Speaker 4 (37:35):
Why I'm trying.

Speaker 11 (37:38):
Can your.

Speaker 24 (37:43):
I can't breathe, So you'll give me mouth to loud get.
I'm a saved by God. I just won't know live
on the water until.

Speaker 4 (38:00):
Swarming out of the bound the water with you, with you, with.

Speaker 24 (38:07):
You, because I don't mind drowning and you.

Speaker 2 (38:16):
You'll smother me with your good energy.

Speaker 24 (38:21):
And I don't care to come up for it.

Speaker 36 (38:26):
You'll give me from my soul baby and leave you
having to being the baddest.

Speaker 37 (38:34):
I don't care, no, no, it makes me feel whole inside.
And if you're not him, your other.

Speaker 9 (38:45):
Side out of mind.

Speaker 7 (38:48):
I'm chasing that dope for me.

Speaker 5 (38:51):
It gives me every time I go running the every time.

Speaker 24 (38:58):
I can't tell you now you don't reasons why I'm
drowning and your Lord, I can't breathe, so you give
me mouth to mouth get.

Speaker 36 (39:13):
I'm always safe by God. I just want to live
underwater with you. I just want to live underwater with you, with.

Speaker 2 (39:30):
You, with you, because I don't mind drowning and your.

Speaker 7 (39:41):
So I'm gonna take it in.

Speaker 24 (39:42):
I hate to fix every day.

Speaker 26 (39:46):
For you always do my heart away. I leave antibody forget.
You had no idea that's what.

Speaker 7 (39:59):
I was where.

Speaker 2 (40:03):
Chasing you in my.

Speaker 5 (40:04):
Trees hasn't got to get your read.

Speaker 24 (40:13):
Hasn't got to show your me, hasn't got to rub
your my pony.

Speaker 26 (40:23):
I can't tell you now you don't breezes while I'm
drowned and drowning.

Speaker 7 (40:29):
In your.

Speaker 24 (40:31):
No, no, no, I can't breeze, or.

Speaker 36 (40:35):
You'll give me my to moth getting out tomorrow, by.

Speaker 37 (40:42):
Jove yall live.

Speaker 4 (40:46):
From the water with you, I swom I just want
to live from the.

Speaker 7 (40:52):
Water with you.

Speaker 29 (40:54):
Swoll yeah, I'm going the limit.

Speaker 1 (41:07):
Say that one is out now right, Brent.

Speaker 5 (41:10):
Right, it's out right now, it's out right now.

Speaker 1 (41:13):
Yeah, man, she go ahead and scooped that up right there.
That is ninety two reasons.

Speaker 6 (41:17):
Right, yes, ninety two reasons off my album called Nostalgia.

Speaker 1 (41:23):
That's what's uping man, gone and scoop that up right now.
You already know what to do. All social media platforms,
go ahead and let it do what it do right
there for you, man.

Speaker 6 (41:33):
For sure, you watch me swim underwater on the video
on Instagram or YouTube.

Speaker 1 (41:39):
Yeah exactly. Yeah, you can watch the swim underwater as well,
or re watch.

Speaker 5 (41:44):
The radio show episode and check it out there exactly.

Speaker 1 (41:47):
You can watch the swimming underwater right there as well.
In fact, I need to bring my little speed on
and get some swimming on too. It's all good, oh man,
we made it that hap before you man wear a
hood the hood block to block always, the radio show,
Dundee and Britta living next to you, men chandelier making
it happen for you right here, Independent style bringing the
hottest independent artist to you. Don't forget this is also

(42:09):
speaking of video forgot to mention to you that this
is also a video shows. If you like the video
portion of the show, as we do that at the
same time, you can also watch the video show video
portion of the show over and over again on our
YouTube channel our Keyword Da Radio Show on YouTube or Twitch.
You can watch the show right there in its entirety,

(42:31):
so go ahead and do that. In fact, while you're there,
subscribe and follow to those channels. Also, go ahead and
let it happen as well. Again, you can check that
out really immediately after the show on why the show
is going on, you can check that out, and you
can check out some previous episodes that'ce up there on
YouTube as well our Keyword Da Radio Show, And if
you want to see even more, you can always go

(42:52):
to our rocal and Amazon Fire channels that Keyword DA
Radio show on both platforms, and you can check out
the full episodes right there and Spotlight three sixty media
also as well. So let's go ahead and jump into
another trending topic, trending topic of the day, the second
one of the show. And I was talking to some

(43:16):
artists as well, and you know, I'm always talking to
artists on the phone, trying to keep my posts on
what's going on. And I noticed this is the time
of year to where it is Grammy season. Artists are
now trying to get Grammy consideration. So any artist is
checking us out right now, I'm gonna go over really quickly.

(43:36):
If you were thinking about trying to get considered to
win a Grammy, here's the process. You go to Grammy
www Dot Grammys dot com, and you go to their
website and you go to where it says Online Entry
Process OEP. You need to fill out that form and
upload your information as well as your song. And once

(43:58):
you do that real quickly, it will be reviewed and
over over about three hundred and fifty penelists, and it'll
go through not one, not two, not three, not four,
but five rounds of voting, which including peers, industry professionals,
Grammy people and the like. And if your song makes
it through the whole process, then and only then you'll

(44:21):
get nominated and perhaps have that chance to win the Grammy.
So it's a process for you. If you ever considered
getting your song Grammy nominated, go ahead and up do
that right now and go to their website and you
can do that. ND if you notice of any artists
ever trying to go there and get to Grammy nominated,
because I noticed that a lot of them are out

(44:42):
there now asking for consideration.

Speaker 8 (44:46):
Well, the consideration is what you just announced.

Speaker 1 (44:50):
But before you can be even.

Speaker 8 (44:53):
Considered in the past that first round your record are
your singles should be played on several online radio shows,
so you could have a trail of where your song
is played. You get you need to get hooked up
to some of these servicing companies that service songs for radio.

(45:18):
That's the announcement I wanted to make today about the
radio show we're gonna partner with Urban Influencer College Radio.

Speaker 1 (45:30):
Yeah, brit I, have you ever thought about getting Grammy
nominated for your music?

Speaker 4 (45:36):
Yes, I have.

Speaker 6 (45:38):
I have mixed feelings about it because the majority of
the time artists that aren't signed to a major label
don't win. They're just there for the experience and to
say that they were nominated. So you know, I could
be wrong, but it's just what I see.

Speaker 1 (45:59):
So, yes, I I love it.

Speaker 6 (46:00):
But then you know, I guess I have to go
in with the expectation of I'm not gonna win, you know,
like not thinking that you know, since I'm nominated, I'm
going to win. I've known so many people that have
been nominated and they did not win, you know, so yeah.

Speaker 1 (46:17):
Yeah, In fact, I've know quite a few that's that's
been throwing it out there that they want to get nominated,
and quiet has kept We're going to be working on
being voters behind the scenes, so you know, we'll be
able to kind of least lend our vote to that. Yeah,
I'm working on that. So but yeah, no, I've been
seeing that. So I figured I as well, figure, Michael,

(46:38):
get it, get it out there and let any other
any part independent artists know and maybe considering going there
as far as getting a Grammy nominated, at least let
them know the process and how much I didn't get
the cost because I was looking at it from uh
meeting from the media, for from the voter and media end.
So I didn't look at the cost of the end

(47:00):
the No, I think it is a fee. I think
it is a fee. I think it is something. I
think it's something. I don't think it's free. I think
it's something.

Speaker 38 (47:08):
I know you have to you have to you have
to join the Grammy join join them, and that's you know,
and I think that's like two three year membership.

Speaker 8 (47:20):
Right as long as you with the long as you're
on membership, then it's axact.

Speaker 7 (47:26):
What you have for.

Speaker 1 (47:28):
Right membership right, right, you're paying for the membership. But
I'm in fact, you know what, I'm gonna do a
better job. I'm go and research that and I'll have
the membership information for next week and I'll let everybody
know how to join as a member of the Grammys.

Speaker 8 (47:44):
And Britt, you had the right idea about you wasn't
really considering doing nothing like that. But no, consider it
because it's good promotions. Yeah, it's something on your resume
that puts you in front of all the rest of them.

Speaker 6 (48:01):
I mean, if I can afford it, you know, like sure,
you know certain things they aren't in my budget to
play around with you know, right aford it then, yeah,
of course, like I would like to be nominated. The
thing is, I guess I would have to go in
it knowing is a ninety percent chance that I won't win,

(48:26):
you know, like it's a very thin chance that I will.

Speaker 5 (48:32):
It's ninety nine.

Speaker 1 (48:33):
But Michelle Man, we'll go ahead, roll on too. Love
and Luss coming up momentarily after that, we got play
at a slat. But before that, quick celebrity interview, Real Quick,
brought to you by Spotlight three sixty Media. Make sure
you follow all the celebrity stuff I do on and
then at spot three sixty Media dot com and at
Spotlight three sixty Media on all social media platforms. I
caught up real quickly with actor extraordinary and legend Lawrence

(48:57):
Hilton Jacob at a recent event. Here here's how I
go check get out celebrity in you the Sweet.

Speaker 20 (49:05):
Show, Ribbon and all the Red carbis.

Speaker 24 (49:08):
Here's an exclusive celebrity interview you.

Speaker 1 (49:11):
About the about two months ago. Yeah, man, it been
been been busy. Been on the road going to play
Jason's Lardy mid that in two years ago. It's been
very very busy in this last seven months so I've
just been doing a lot, you know, and trying to
get regular like people, yeah, out of them back home
to chill out doing them plays as far as doing
movies and television shows, difference differences and similarly difference in

(49:32):
it's live. You have audiences and every night those though
the play has a come find it being the same.
It's a little different because you don't know how the
audience gonna react. Sometimes they forget you doing the play.
People are yelling and go, hey, come on, coach cheese
and I'm not playing co cheese. He's got a roll
with it, or they'll call my name and stuff like that.

Speaker 27 (49:56):
Let's go, let's go, Let's go with your girl, Pretty
Living next the Human Shadow. Here on the radio show,
and you're listening to Love or Lust? Do you have
a problem with your relationship? Do you want to know
if it's love or lust? Let us all vote and
let us all let you know if you're in love
or if it's lust.

Speaker 1 (50:15):
All right, y'all went inside of Love and Lust our
love relationship topic of the day. But delivering next to
Human Chandelier, the floor is yours.

Speaker 6 (50:25):
Go Britty Living ex the Human Schandelier and today on
love or lust?

Speaker 5 (50:33):
The topic is is it love for lust?

Speaker 6 (50:36):
When you've been with someone for a long time and
it's gotten to the point to where you don't want
to be with them, but you stick it out because
you're afraid of being lonely and don't want to deal
with the hassle of starting something new with someone else.

Speaker 1 (50:52):
Being comfortable being what's the word I'm looking for where
you're you're you're like, don't don't want you? Yeah, you
don't want to be by yourself, that fear of being alone,
so you you deal with it. What's that word? As
far as fear of not wanting to learn somebody new,
so you don't want to go through that whole process

(51:14):
of dating again. You don't want to go through the
whole dating process. So I guess, I guess that would
have to be love because I assume you would have
been with this person for a while, but you're still
sticking it out anyway. But it might be a low
self esteem issue as well, because you don't want to
go out and try to find somebody else, you know.

Speaker 8 (51:34):
Any thought, Yeah, you gotta be on the love side,
because I don't see no less than that.

Speaker 1 (51:39):
Yeah, I don't seen you lest love? All right, let's
roll long too, play it a slab, Let's roll.

Speaker 6 (51:48):
Join the radio show every Monday night, Every Monday night,
wait for the indie song that you enjoyed the most.

Speaker 1 (51:58):
All right, y'all, we gotta play a slave right about now?
What we do each and ground this time is we
take a couple of songs, and we asked one funnel
metal question, and that's what should we do with these
particular songs? Should we play them or should we layers
throw it in the cybertrash never to be heard from again?

(52:19):
Or play it as we throw it on the future
home of the radio show dot com coming soon as
it make its triumph return. So we got two songs
we'll get to this week. One is a recount song,
Oh no, I'm sorry both, they're both. He's a new
I'm sorry both, he's a new. First one Chris Legacy
song is called less than a Woman. Chris Legacy, less

(52:41):
than a Woman? Let us know your thoughts. Did we
play these or should we slay these?

Speaker 2 (52:45):
All?

Speaker 9 (52:45):
Right?

Speaker 1 (52:46):
Either way go we want to hear from you a
keyword da Radio Show on all social media platforms. Chris
Legacy songs called less than a woman. It's check it out,
play it the slave.

Speaker 39 (52:56):
Let's go the radio show, radio show, the radio show,
plate or sleep.

Speaker 4 (53:16):
One day I was at work and I had a
female co worker come up to me and she was
hurt down at the press.

Speaker 40 (53:24):
I need to talk to somebody, And this is what
she told me. It's heart staring in the mirror because
I can't stand.

Speaker 20 (53:38):
Oh, it is eyes see.

Speaker 41 (53:42):
I see this heart broken little woman, so sad, so depressed,
staring right back.

Speaker 39 (53:52):
And the radio show, radio shows, the radio show late
late or slip your.

Speaker 1 (54:00):
First play the slave record for tonight right there. That
is Chris Legacy. Song is called less than a woman,
Chris the Legacy, less than a woman, Player the slave.
If you want to leave your comment, we'll read that.
You know speak you leave your comment on the platform
you're listening to. Should be player to say it like
a word of a diva, Hey, word of a diva?
Nice nice play, old school vibe. Okay, all right, so

(54:23):
I just she gave it a play at least, all right,
m D. Player the Slave? What should do with that?
Chris Legacy. I'm gonna give it.

Speaker 8 (54:37):
I'm gonna give it a play.

Speaker 1 (54:39):
That's what you call all right, and I'm gonna go
ahead and give the record to play as well. I
thought it was cool.

Speaker 9 (54:57):
And my girl gave it a play too.

Speaker 1 (55:00):
Who's that?

Speaker 9 (55:02):
Who you think it is?

Speaker 5 (55:04):
Travis?

Speaker 1 (55:05):
Okay, hey Travis? Are you doing?

Speaker 36 (55:08):
Hey?

Speaker 1 (55:08):
Travon Wall's well with you? Travis? Shout out to Travis
out there? Uh, Brita living next to you? Chandelier player,
the slid? What should we do with it?

Speaker 5 (55:16):
I'm playing it, man, it's a.

Speaker 1 (55:18):
Play as well. Kelly, good player the slid? What should
we do with that record?

Speaker 37 (55:28):
Sir?

Speaker 1 (55:32):
Wake up Kelly, Kelly? Good you there?

Speaker 5 (55:37):
Yeah, he said, say it again.

Speaker 6 (55:43):
I got no choice but to play.

Speaker 1 (55:45):
Okay, all right, okay, so good? Uh uh south farre Steaming.
How you doing tonight?

Speaker 36 (55:59):
Hey?

Speaker 7 (56:00):
A m D. I'm good.

Speaker 37 (56:00):
How you doing?

Speaker 1 (56:01):
We're good? We're good? That's song?

Speaker 5 (56:04):
Sorry, good night, Dundee?

Speaker 1 (56:07):
You got us both? Yeah, we're good. What what should
we do with that song? You think we should play it?
Or slid? What do you think we should do with it?
Seth fire STEENI.

Speaker 20 (56:17):
I'm sorry, I wasn't really listening.

Speaker 5 (56:19):
I was talking because I have some people.

Speaker 14 (56:23):
Here with me.

Speaker 1 (56:24):
Oh yeah, people with you? Oh okay, yeah, I have some.

Speaker 5 (56:26):
Family here with me out of town.

Speaker 1 (56:28):
So we were kind of talking, oh okay, telling them,
I said, hello, thank you, we'll do yeah, yeah, no problem.
Dj O way man, how you doing to night, sir?
And I'm doing all right. I'm slaying everything. Man, We're
slaying that right there were slaying. I'm slaying everything tonight. Okay,

(56:51):
last week, it's all good. Bad shout out to DJ
Alady's in the building. Man, for sure. We're gonna go
ahead and move on to the second record tonight. This
is wrong. Hyme scheme songs called fine. Rhyme scheme song
is called fine skip to with your the radio show.

Speaker 39 (57:10):
The radio show show, radio show, the radio show play
or slip.

Speaker 42 (57:17):
H poc Fine to maina psaki hi film mighty sign

(57:39):
when I'm ahead mac fine, We're going to mea psaki
hid sign when I'm don't.

Speaker 4 (57:51):
About parti abo party la.

Speaker 42 (57:55):
Malissafi maligafian Gafi, I got in my mind, got got
my dish.

Speaker 39 (58:05):
When we zim the radio show show, radio show, the
radio show or slid.

Speaker 1 (58:13):
Second player the slave record with tonight that is wine
scheme song is called fine. Rhyme scheme song is called fine.
Brit living, extra human chandelier player, the slave. What should
we do with that one?

Speaker 5 (58:25):
Then I'm playing that. I was popping like. I like that,
I like the energy of that man. Let's do it.
I'm playing it.

Speaker 1 (58:37):
So that wraps it up for this portion of the
end of the evening. The radio show, The Radio.

Speaker 32 (58:42):
Show So Fun.

Speaker 13 (58:43):
Make sure you follow us on own social platforms at
the Radio Show