da radio show

Episode Transcript

Speaker 1 (00:00):
It's time to solve.

Speaker 2 (00:03):
Radio show.

Speaker 3 (00:08):
Sure we are the greatest. We played the greatest indie
artists on the radio show. We got hot topics. We
did a popper on the radio show.

Speaker 4 (00:31):
Listen to Love and listen. Give you all up in
your relationship problems.

Speaker 3 (00:35):
We'll be with it, so make sure you tune in
and the radio show.

Speaker 1 (00:41):
I can't believe it. One of us got on a
television show and I did not even know about it.
You want to know about that. But we're gonna talk
about that and much more tonight as we bring you
the radio show Dundee and Brita leven next to Human
Chandelier m D. It's missing, but we're gonna catch up
with nd at some point. Tonight we bring you the
udio show at the strictly independent baupanar B Music had

(01:02):
its finance before, y'all. That's right, y'all. This is the
radio show strictly independent of boupanar B Music right here.
Every week. What's going on? Everybody one, everybody had a
wonderful week. We are here with another one here on
the radio shows. We make it do what we do
each and every week around this time. Brett Levin h
to Human Chandelier. How you doing tonight?

Speaker 2 (01:24):
Man?

Speaker 5 (01:24):
You already know I'm doing good. It's lit. You already know.
We had forty seven thousand views right now on the
Nick Canada Night Show. So it's lit.

Speaker 1 (01:38):
Yeah, what's up. That's what's up. We're gonna talk about
that a little later on tonight. So it is going down, man,
We're gonna talk about that. That's right on the Nick
Nick Cannon Lit Show. So views is up, so we're
gonnaee you can draw some more views up on that
for sure here on the radio show tonight.

Speaker 5 (01:54):
Man.

Speaker 1 (01:54):
What else has been going on?

Speaker 6 (01:55):
Uh?

Speaker 1 (01:55):
Britt?

Speaker 5 (01:56):
I mean that that's pretty much in just like promoting
these album trying to get these albums out there. That's
what's going on. You know, Nostalgia by Britt Living next
to Human Chandelier and Testimony by Kelli Good. We've been
trying to get that out there, new footage, new visuals.

Speaker 1 (02:12):
You know, mm hm, that's what's up man. But definitely
make sure you buy those albums, scoop those up. You
already know what to do right here, shouldn't have to
tell you. But if you don't know, buy both products.
And if you want to make really good friends with
Britt and Kelly Good. Go ahead and buy it twice,
all right, right, buy it twice. They won't mind. Just

(02:35):
like but man, Chuck Platinum, he won't mind either if
he buy his product twice. Man, we're gonna talking to
shut Platinum momentarily. In fact, let's go ahead jump into
trended topics. Trinded Topics. We're gonna put one out there,
Trinity Topics, brought to you by Spotlight three sixty Media.
If you like all the celebrity stuff that I got
going on, including some of this of the Zeus network

(02:56):
things that I've done recently, we should be posted on
Spotlight three sixty Media on that website as well as
follow on social media at Spotlight three sixty Media.

Speaker 5 (03:06):
I saw you with Justin.

Speaker 1 (03:08):
Lee, oh yeah, oh yeah, definitely always keeping it moving,
keeping it moving right there for sure as usual. And
I saw you with Nick Cannon. We're gonna talk about
that a little later, all right. Yeah, yeah, So you know,
we always keeping it moving here on the radio show.
Everybody's doing it and making things happen around here. Now

(03:29):
Trending topics. Here we go. There is a podcast that
I was listening to these folks thought that the music
industry has gotten a little stale and felt that it
was missing creativity, is lacking creativity right now. Here's what
they sit on a recent podcast in regards to that, you.

Speaker 7 (03:51):
Get the music out in the world to be heard
independ artists looking on right now, because we did with
independent artists, How do we get somebody like you all
to notice this?

Speaker 8 (03:59):
I knew that the rappers are not exciting.

Speaker 1 (04:03):
Singers are not exciting. There's no new quothographers, there's no
new companies coming up, like who's making something new and fresh?

Speaker 5 (04:13):
I think there's a lot of new and frapping it.
It's just that we gonna like, you know what I'm saying,
like there's a lot.

Speaker 9 (04:18):
Of new autists coming out of this that the other
doing it off like crazy small.

Speaker 1 (04:25):
That's right. They're saying that the music industry is lacking creativity,
lacking moves, and it's stale right now. So I was
really thinking about that, and do I think that the
music industry is stale right now? I think, in my
personal opinion, it's kind of still in a couple of areas,
meaning that I have not seen that group come out

(04:47):
in a while. I haven't seen a good female group
R and B wise even come out in a while,
so I think in those areas it's missing. Uh, it
is lacking a little stale in those areas. Creativity wise,
I'm kind of on the fence, you know, yes and
no so, but I figured since you guys are in
the music industry, you all would know a little more

(05:08):
so and have a different opinion more so than I
will on that. Chuck Platinum, what do you think about that?
Do you think that the music industry is still in
lack creativity right now?

Speaker 9 (05:22):
I don't think that it's still in lack of creativity.
I think that it's always there is artists that's creating.
I think the fact that the discovery may be lacking,
but there's always artists and people out there that's doing
a thing that's you know, it just really depends where
you're looking at. That's how I feel about it.

Speaker 1 (05:42):
Okay, what do you mean discover as far as discovering
new talent or.

Speaker 10 (05:46):
Discovering new talent? Absolutely, I mean, you know, back in
the day, it.

Speaker 9 (05:50):
Was traditional for you know, labels to promote new talent,
and I think now the labels are focused on other things.
So you know, there's not many people being promoted out
there that have that talent that people are looking for.

Speaker 10 (06:06):
But I believe it's available.

Speaker 9 (06:08):
I believe that there's people out there that's, you know,
that definitely had that skill set that can be promoted.

Speaker 10 (06:13):
I think that it's just lacking.

Speaker 1 (06:16):
Okay, Okay, that's what's up. That's what's up. Britta Livnex
to you, Mischela, what do you think is the music
industry lacking creativity? Is a stale right now? Yes?

Speaker 6 (06:26):
Or no?

Speaker 5 (06:27):
You know what, It just depends. I feel like fifty
percent yes in certain areas. With the creativity, you gotta
go to the trenches to kind of get the creativity.
You know, a lot of people out here, or a
lot of females, different things that you want to put
on these jeans and a T shirt on stage. If
I want to see jeans and a T shirt on stage,

(06:48):
I'll go watch my auntie a karaoke. You know what
I'm saying, Like, I would like to see like real
performers out there. And number two, back to what you
was talking about. You said something about groups. You know,
nowadays everybody selfish and everybody want to be Beyonce Everybody
want to be Beyonce in these groups, so nobody wants

(07:11):
to not be Beyonce in the group. Everybody want that spot.
Like even though everybody on the same stage and in
a singing group, which people don't know, everybody in the
singing group get paid exactly the same, whether you the
lead singer or not. But that that fame and everything
like get to get your head and everybody can't be
on the same page and people be arguing. So that's
why you can't never really you're not seeing groups because

(07:33):
somebody always doing something, somebody going to jail, somebody, uh,
you know, they they can't wake up, They not on time.
This one think they better than everybody and they noted
the lead. You know, they they arguing, they're not doing
what they're supposed to do. So that's why you don't
see that many groups. But I do feel like creativity
is kind of kind of interesting. But if you go
to the trenches you'll find it. You know, it's there

(07:55):
all day.

Speaker 1 (07:56):
Okay, all right, what do you think about that keyword?
Da radio show on social media platform, you could chime
in on that. So far right now, we've got a
poll going on in the clubhouse room. If you're checking
us out on the clubhouse, A keyword d a radio show,
there's a poll. Is the music industry steal when it
comes to creativity? Yes or no? You can vote right there,
or if you on any of our social media platforms

(08:18):
that you're checking us out on right now currently, you
can go ahead and leave your comment yes and no.
Right there is the music industry steale? Yes or no?

Speaker 11 (08:26):
We want to hear from you.

Speaker 4 (08:41):
She got a home like a bottles Hu.

Speaker 10 (08:45):
Succeed.

Speaker 12 (08:46):
She knows she is certified. Walk till please me lips.
She didn't gonna shoot fly.

Speaker 4 (09:04):
She Gucci Daddy, Gucci is Louis.

Speaker 13 (09:11):
It's in Louisa brought her person's fashion, killed her with up,
she says, and she know it. She gave up the
short short watch out how she won't same way she
talking well.

Speaker 4 (09:23):
She the type of hustle at and go and get it.
Jimmy too. She cuts some feeded holy mess with mom
Phillis trop.

Speaker 13 (09:30):
Riding through the city, missus Hello Kitty and depended pretty
po little horses.

Speaker 4 (09:35):
When she riding with me. She loves shopping. DCC party
had around. She gets it how she wanted.

Speaker 13 (09:41):
She's so country Grandma. She keep that money coming. She
be born very stunning, this superwoman, she got it.

Speaker 12 (09:48):
You can't tell her now like a bottle sis. She
hustled like a success. She knows she is certified laden.
She walked by, walk.

Speaker 2 (10:04):
Till he.

Speaker 4 (10:10):
Shout on my crime, on my game.

Speaker 14 (10:18):
Got the stark, never tane, keep it sharp, never plane
rushing high.

Speaker 10 (10:23):
Birth the change queen.

Speaker 15 (10:24):
The Browns blow the sky, sight and strikes as a wire, set.

Speaker 16 (10:27):
The world every move, trail blazing, got the glue eyes
on me, can't help but see stripes of oil.

Speaker 4 (10:33):
Tis I'll tight you. I'm that fire. I'm the ignite,
got us with the golden touch, woos the game. Need
no clutch, shot the crown, no bridles in sight.

Speaker 17 (10:40):
I'm the moon's glow, pure menn in the league of
my own, set the base, no challenge, just in my brain.

Speaker 4 (10:46):
I'm the comet blazing fast. It's in the sky.

Speaker 10 (10:49):
Makes cast brother strips of mimic my game. But they
fai like shadows.

Speaker 15 (10:53):
Don't send the flame and good so good heat and
screaming turn the stage.

Speaker 4 (10:57):
Into my m How you're alive while I am eggs.

Speaker 16 (11:00):
You can't let a bring of success I'm the trands.

Speaker 4 (11:04):
Sitting on the crimp.

Speaker 16 (11:05):
Hey, that's the impressive finnion the srsk I'm bringing she
in zero stress.

Speaker 4 (11:09):
See the cream.

Speaker 1 (11:10):
Shackle horse and findy.

Speaker 8 (11:12):
Look the way he's sitting on you see we's on
the bosom and there hey you studying on them latinos
on the feet.

Speaker 2 (11:19):
Got a model walking on them again for from wrestle.

Speaker 5 (11:22):
But see the type they can't get hood on the
body on some.

Speaker 4 (11:25):
Time, the type that you can't let you pass you damn.

Speaker 8 (11:29):
You the bunt, shut head and check them Hayton, because
the standard strings independent, face right, body right, mine right,
ain'tything for this year. The nikki even got a little
shit again a no mebe yoda, no little man shring
a pull, a little.

Speaker 4 (11:44):
Bling on some bouchu.

Speaker 18 (11:46):
You know that she a momy got.

Speaker 1 (11:48):
That goat yet again when he wants his name.

Speaker 8 (11:53):
Hey, all they face show he ain't no cozy chicks,
so missle with their pull shessler, that's the kind of
talking about you when you got a heaven ass laugh,
dropping shot, drop a bottle topper.

Speaker 12 (12:05):
Only like a bottle sid She hustled like a bad
succeed She knows she is certified shirt maten damn.

Speaker 4 (12:13):
When she walked by.

Speaker 5 (12:16):
Bad yeah, can you look walked him?

Speaker 12 (12:20):
He'll singer please him, lips dead singer, ain't gonna shoot fly,
she's singer bad.

Speaker 19 (12:28):
Yeah yeah, don't she bad a broom through boom broom
through boom broom through boom broom through booming.

Speaker 20 (13:06):
Love and lost, late late late, we go and move.

Speaker 21 (13:12):
A crowd.

Speaker 5 (13:16):
Show turn up to radio.

Speaker 4 (13:31):
Oh are you the fly?

Speaker 2 (13:33):
You're seeing her?

Speaker 17 (13:34):
Ever, it's like we've belong together. Baby, I want to
fill your pleasure. I'm trying to dig in your treasure.

Speaker 10 (13:49):
I can't turn up.

Speaker 17 (13:52):
Into a bird rooms everywhirl into a merge. I'm I'll
take the shot shot show bad shot.

Speaker 10 (14:07):
A man into a group of.

Speaker 4 (14:08):
Because some g like I can't taste that sefic.

Speaker 17 (14:14):
Let's turn the ones into taking my hands off your
bread for whatever you're going through.

Speaker 4 (14:23):
Love that kid, shot go cose, you.

Speaker 17 (14:28):
Go get it so then we don't get this thing jumping.
I can't birthy you got me trying, don't have on
the baby. Oh God, your body looking.

Speaker 4 (14:46):
Way there, don't make it go crazy it girl over
into the bird room.

Speaker 17 (14:56):
Let's shea sit back until.

Speaker 4 (15:01):
I'm gonna take this shot. Shot at your back.

Speaker 10 (15:06):
Shot man, it's a full pat because break some.

Speaker 5 (15:11):
Ge like you can taste that tectic.

Speaker 12 (15:14):
Gold.

Speaker 17 (15:16):
Let's turn the ones into taking the days off your.

Speaker 1 (15:21):
Bread for whatever.

Speaker 4 (15:23):
When you come through that kid ship you logging, and
so then we don't get this day click.

Speaker 17 (15:36):
Let's turn the one's in the jo taking the days
off your off you whatever. Love that chip camp streets
you just um me logging, and so the little little.

Speaker 10 (15:53):
Misday jump in.

Speaker 1 (16:14):
Check this out this Warren ge and you listening to
the radio show.

Speaker 6 (16:19):
I can't tell you ninety two reasons why I'm trawling,
and your Lord, I can't reason you give me mouth
to mouth get I'm onna saved by God. I just

(16:40):
swam outher the bum the water.

Speaker 4 (16:42):
Wt. I just swam outher the.

Speaker 22 (16:47):
Um the water with you, with you, with you, cause
I don't mind drawing.

Speaker 2 (16:56):
It and joy.

Speaker 6 (17:02):
You'll smither me with your good energy, and I don't
care to come up for it. You'll give me from
my soul baby, and leave you having to be in
the baddest. I don't care, no, no, it makes me

(17:25):
feel whole inside.

Speaker 14 (17:29):
And if you're not hi your other side out.

Speaker 4 (17:32):
Of mind, I'm chasing that dope for me.

Speaker 5 (17:37):
It gives me every time I come running every time.

Speaker 10 (17:44):
I can't tell you now you don't breezes why.

Speaker 4 (17:46):
I'm trowling.

Speaker 6 (17:49):
And your life. I can't breeze, so you'll give me
mouth to miget. I'm always saved by God. I just
want to live underwater with you.

Speaker 4 (18:10):
I just want to live under water with you.

Speaker 3 (18:15):
With you.

Speaker 2 (18:20):
Because I don't mind drowning in.

Speaker 4 (18:23):
Your so I'm gonna take it in.

Speaker 10 (18:28):
I need to fix every day.

Speaker 2 (18:32):
For you.

Speaker 6 (18:33):
Always don't my way, I think auntiebody for you.

Speaker 4 (18:43):
You had no idea. That's what I was doing with.

Speaker 5 (18:49):
Chasing you in my trees.

Speaker 4 (18:54):
Listen, God to give you read.

Speaker 18 (19:00):
I just show you me.

Speaker 5 (19:04):
Listen, got to rub your my pill.

Speaker 4 (19:09):
I can't tell you now it don't.

Speaker 6 (19:11):
Brees why I'm drowned and drowning in y'all. No, no, no,
I can't breeze, so you'll give me my to mouth.

Speaker 4 (19:23):
Getting now to mowbo jove yea.

Speaker 2 (19:30):
I just want to live from the water with you.
I swom no.

Speaker 5 (19:36):
I just want to live from the water with you.

Speaker 2 (19:39):
I swam.

Speaker 10 (19:42):
I swow not.

Speaker 4 (19:45):
Call someone drowning.

Speaker 1 (19:47):
And let's go ahead and jump into move the crowd.
What's our guest, Chuck Platinum. He's in the building right now.

Speaker 13 (19:58):
Let's go, yeah, closer to your speed, taking his time
for the radio show.

Speaker 4 (20:04):
Move the crowd, All.

Speaker 1 (20:06):
Right, y'all way, are inside of Move the crowd where
we're taking artists off stage, bring the backstage to get
to know the Hibridge.

Speaker 5 (20:15):
Up close and more personal.

Speaker 1 (20:18):
I love that part and showing us now is our
folks out of New York, right, yes, sir, all right,
absolutely okay, now asks what's up?

Speaker 10 (20:28):
Man? Join us now?

Speaker 1 (20:29):
And then we got Chuck Platinum in the building, man,
Chuck Platinum. How you doing a nice sir?

Speaker 10 (20:34):
Feeling great? Great, great great, glad.

Speaker 1 (20:36):
To be here, very good man. First of all, thank
you for staying up with us.

Speaker 10 (20:40):
Man.

Speaker 1 (20:40):
I know it's laid out there. We appreciate the fact
you stayed up with us to be a part of this.

Speaker 9 (20:45):
Absolutely absolutely. Well, it's my time. I usually work at
night anyway, so this this is my time is shine,
so we be all good.

Speaker 1 (20:51):
Okay, it's all good man. So you're normally making tracks
and all this at this time right?

Speaker 10 (20:56):
Absolutely absolutely okay, Well.

Speaker 1 (20:59):
You know, well, speaking of a track, uh by, by way,
of your I g uh, you showed a part of
you in the studio. I guess making some magic. Can
you explain this right here for sir. That's you and

(21:30):
that's you in the studio and about I guess making
the track right there? Man? So what was the magic
behind that right there?

Speaker 10 (21:37):
Oh? That was just something that was real quick. I was.
I was actually on my way to work.

Speaker 2 (21:42):
Uh.

Speaker 10 (21:43):
I believe that was yesterday.

Speaker 9 (21:45):
I might have posted that I was on my way
to work, and you know, I just wanted to be
creative and just get some get some time, get some
wreck time in the gym. So you know I had
discovered that sample. I'm always digging in the crates so
to speak. You know what I mean, which is our
crates is online now. But I was digging in the
crates and uh, you know found that that gym right there.

(22:09):
Just chopped it up and you know, put a little
clip on. And at that time when I put that
clip up there, that beat wasn't even done.

Speaker 10 (22:15):
It was just a loop.

Speaker 9 (22:17):
So you know, I finished it up and you know,
just made it happen. So yeah, shout out to you
for finding that one. That's my most recent creation.

Speaker 1 (22:25):
Okay, now, you're gonna take that beat in hand and
get that to somebody, right, I would assume.

Speaker 9 (22:30):
Right, yeah, I probably I'm deciding where that's gonna go
right now. I'm working on a couple of projects, so
I'm just deciding, you know what, what I'm gonna do.
But that was just some that was just some wreck time.
But when I played it, I definitely got some great
responses from it. So who knows who they got.

Speaker 10 (22:47):
Of land up with?

Speaker 1 (22:49):
Okay, all right, man to speak, speaking of which man
had a chance to research. You said more on on
your ig and uh you were saying you were speaking
about an artist artist having a and having your tracks
for a certain amount of time and not putting the
tracks out, and that if you give them a certain
amount of time, if they don't put the track out,

(23:09):
then you're gonna take that track give it to somebody else.

Speaker 10 (23:11):
That's a fact.

Speaker 1 (23:12):
What is the timetable? How long do you give an
artists to put the track out? And why?

Speaker 10 (23:20):
Right?

Speaker 9 (23:20):
So it's really more or less about communication with me.
A lot of times, you know, it's pretty common for
artists not to have songs ready right away, or you know,
you might have artists that may be sitting on songs
or do.

Speaker 10 (23:37):
Songs for other projects, which is cool.

Speaker 9 (23:39):
I have no problem with that, But when you have
no communication about it, then we've maybe created one song,
multiple songs. You know, at least the producer should have
the opportunity to know exactly what you're doing with the song,
so you know I'm giving them. You know, it really
depends if we have a relationship. You know, it might

(24:01):
be a little while, maybe you know, six months. You know,
I might reach out to you, hey, you know, what
are we doing with the song? Or you know, are
you doing anything with these beats? And if there's really
no response then at that time and this is only
if we don't have any contract you excuse me, contractual
obligations or if you didn't you know, because sometimes you
give beats to artists to work on.

Speaker 10 (24:22):
They may like to beat, they may not have paid
for the beat already.

Speaker 9 (24:25):
So you know, if there's no contractual obligations to the beat,
then you know, there's really no time frame. It's like
I'll ask you within that time period. Hey, you know,
if you tell me that you like it and you're
gonna use it, then you know, is this song gonna
be used? Because a lot of times, you know, in
the majors, you won't even know. You might send something

(24:46):
to somebody and they may not use it, and you
know that beat is just out there. So I'm just
me working on with independent artists. I think is their
responsibility to let the producer know if they're going to
use their material or not. So I say, you know,
six month year, like I said on the post, six
month years. You know, it might be a year, it
might be six months. I might reach out to you,

(25:06):
but you know we're definitely gonna Really it's more about
the incentive of all those old tracks that I got.
Let's let's let's get those back. It's been like two
three four years we did these songs, and what are
we doing with them? But that just came from me
listening to my catalog and you know, listening to some
beasts like dang I sent this beat out. I wonder,

(25:27):
wonder what this person is doing with this beat. So yeah,
that's where that came out. That's where that came Oh okay.

Speaker 1 (25:33):
That's what's up man?

Speaker 10 (25:34):
Know da man?

Speaker 1 (25:34):
We got Chuck Platinum in the building. Y'all want to
have the highlight? I M keyword a radio showing on
social media platforms. Let me know what's up at this point,
brit living next to you and Shandon, go ahead and
talk to Chuck Platinum.

Speaker 5 (25:47):
Okay, Chuck, how you doing tonight?

Speaker 10 (25:48):
I'm wonderful. How about you?

Speaker 5 (25:50):
I'm doing great. I'm doing great. What is your favorite
part about working and producing?

Speaker 9 (25:57):
My favorite part about working and producing is really just
putting the record together, just creating the record being you know,
having the artists. Uh, you know, you draw one emotion
from the creation of the record, and then you have,
you know, the other emotion from the artists bringing their
perspective on.

Speaker 10 (26:13):
So when you gel all of that together, that usually
makes a.

Speaker 9 (26:17):
Great, you know, great combination, especially if you're fortunate enough
to work with the artists in the studio and produce
the record for them. But you know, you could find
that magic even if you're just emailing it back and
forth and creating like that. So that would be that
definitely would be my favorite thing about creating with the artists.

Speaker 1 (26:36):
Okay, that's what's up. That's what's up now. You what
you created was Hustler man, So tell us about this
Hustler record we got here?

Speaker 9 (26:43):
Oh yeah, Hustler that's the first single off my project
called The warm Up. I released that project on June twentieth,
And uh, you know, Hustler is basically just about what
I do every day. You know, I get up every
single day. I'm an entrepreneur. I uber at night, you know,
to keep the lights on, you know. So it's basically

(27:04):
just about you know, me getting up every day, every night,
twenty four hours, seven days a week, just hustling. Whatever
it is, whether it's music, whether it's uber, and whether
it's you know, whatever I'm doing.

Speaker 10 (27:15):
You know, it's always about making that dollar.

Speaker 1 (27:17):
Legally, of course, legally, for sure, I want to make
that dollar. Make that clear legally, Let's make that clear. Yes, indeed, man,
we're gonna check out hustling right now. Let's go ahead
and make it happen. Keyword there radio show on social
media platforms. Please go ahead and tell a friend and
pass that on. Check Platinum in the building right now, Hustler.

(27:38):
Let's check it out the radio show.

Speaker 4 (27:41):
Independent Artists live here. We got this independent game on
lock our day. Check it out the radio show.

Speaker 10 (28:00):
Every day. I have to there wasn't no books.

Speaker 1 (28:03):
Nobody showed me the map too.

Speaker 9 (28:06):
Had to figure it out, learn the hard way, love
the lessons. Now I do it the small way, fully independent.
Never wanted a recorded contract.

Speaker 10 (28:14):
In fact, I turned down all of that.

Speaker 9 (28:17):
Couldn't see the future. But it's here now, executives and
artists and fear now kid, the camera's got family shed
in tears. Now they exposed. You want to see in
here now? Can't do nothing about it because the media
is socialo algorithms really designed to coach you. Whoever will
provoke you. You want fames, so you're hopeful around with

(28:39):
the game. It'll choke you. God be for the rapping,
his man be the want to smoke you. It's why
I'm now vocal. Shell ain't my thing. If it was
you took us would be dead on the rival. If
it's my life versus you alls, I'm here for the survival.
Be clear and brothers turn rifles. Then spend the block
back and nothing ever happened.

Speaker 2 (28:57):
It's wick it out here.

Speaker 9 (28:58):
Be careful with your actions and be the ones not
watching with the traction, see everything to do nothing, but
still got your head.

Speaker 10 (29:07):
Out like y'all owe you something.

Speaker 9 (29:09):
Thirty plus years big jumping, always active, got my hands
or something.

Speaker 10 (29:15):
And then literally, you all came from nothing, just.

Speaker 5 (29:18):
The mind of a master.

Speaker 10 (29:19):
Ain't no front it because I'm a hustler.

Speaker 4 (29:23):
Cherry, I'm a hustler.

Speaker 10 (29:27):
Every day, Ran Cherry do it every day, So hustle
and Cherry day. I'm a hustler Game tire Land, Jeff,
I do it every day.

Speaker 4 (29:40):
End, Jerry, I do it every day.

Speaker 10 (29:43):
You know, and you gotta get that.

Speaker 6 (29:45):
You get it.

Speaker 9 (29:45):
I get it every day, hustling right legal though, I'm
a serve a customer, whether it's music or huber, I
might give him a lift or a versu or track,
whatever I got to gift.

Speaker 5 (29:56):
I'm a jack of all trades and master.

Speaker 9 (29:58):
Revolt to seed in every championship brings always number one
no other places.

Speaker 10 (30:04):
An option. Practice makes perfect.

Speaker 9 (30:06):
That's why I never stopped, even when my peers did.

Speaker 10 (30:08):
I never gave up.

Speaker 9 (30:10):
Always stay relevant television, movies, the talentness ever, and I'm clever.
So I'm a mad then for energy. Be my presence
felt everywhere. You remember me, even my enemies they love
me too. It must be tough trying to.

Speaker 10 (30:23):
Fit these shoes.

Speaker 9 (30:24):
You can't pay duds and still paying them any challenge
in my weight, I'm case laying them reci peace to.

Speaker 10 (30:31):
The drama king. I got my armor.

Speaker 9 (30:33):
Let the parana sing, I'm blocked them. Born a winner,
dir legend already spoken. It's in a legend of fully
your counter top of the change, legacy.

Speaker 10 (30:42):
Mounting how you'm the truth youth of a fountain.

Speaker 9 (30:44):
Faith is as tall as a mountain in fragin supreme.
I'm never doubted, claim a spy. They loudly shout that
I'm a hustler, bab.

Speaker 10 (30:56):
I'm a hustler. Friend Chip Dad, everything one to him.

Speaker 11 (31:04):
Ride you know what my hand tell your lad chairlie day.

Speaker 9 (31:08):
I'm a hustle and am tell you lad, I did
every day a friend, Chivery did every day and ride.

Speaker 4 (31:16):
You know the whole way, gonna honey line.

Speaker 5 (31:56):
Okay, where you go.

Speaker 1 (31:59):
That's right, Platinum hustler, Chuck, platinum hustler right there, yes, sir, Yeah,
So Chuck, is that out are coming out or what's
up with the record there?

Speaker 9 (32:07):
That's out right now, that's out right now you can
get the warm up out so on all DSPs shout
out to a Yana Records, which is my label distributed
by Empires. So yes, we are live with that record
and the video is out too, so you could go
check that out.

Speaker 1 (32:22):
Okay, make sure you do that and scoop those scoop
thosel get those streams up right there on that project
and much more. Chuck Platinum, man, what give me an
I G get them all your info so they can
go ahead and buy that and catch up with you.

Speaker 9 (32:35):
Well yeah, most definitely the Google meet Chuck Platinum, my
knowledge paying everything will come up with the music.

Speaker 10 (32:42):
Hit me on any any social media you can follow me.
I'm not Hollywood.

Speaker 9 (32:46):
I follow back Chuck Platinum on all all platforms, Facebook,
i G.

Speaker 10 (32:52):
Everything is all Chuck Platinum.

Speaker 1 (32:55):
All right, Chuck Platinum is out. We'll catch up with
him down the road. We got more of the radio show,
including somebody here was on a show and Nick Cannon
we're gonna talk about that. And if you only had
one hundred dollars, how would you promote your music? We'll
give you some steps on what you can do with that.
Hopefully catch up with m D. We got played a slag,

(33:17):
we got Love and Lust, we got the celebrity interview
of the Evening right there, and a whole lot more
strictly independent about by the R and B music and
its finest the radio show. We stopped about the nice
and you are Coach your creators and your awards brunch.
This platform exists to uplift the voices, journeys and bring
it to black creators whose impact often goes unrecognized. A

(33:41):
call it with a few of the honorees and got
their thoughts. But what were they their awards meant to them?
Congratulations on one in your award, Thank you us.

Speaker 5 (33:52):
It means that the hard work that I've put in
is actually being recognized, and I appreciate you.

Speaker 23 (33:59):
You know, when you start in this business, you don't
think these things are the results of it.

Speaker 1 (34:03):
I just do things that I enjoy a passionate about.

Speaker 10 (34:06):
So it's great.

Speaker 1 (34:07):
It's really cool. Congratulations to all the nominees as well
as the presenters and the winners as well. This week
to pick hit J T l R featuring Snoop Dogg
and Mad Scientists.

Speaker 5 (34:20):
That's my box with so.

Speaker 1 (34:22):
Much trauma on the I G kind of hard being
jail double NYT paraphrase, no distance I heard each week
on the radio show.

Speaker 13 (34:28):
At this stude pursuit of the well tender You go on, girl,
just shake that fruit because I never know mer.

Speaker 20 (34:34):
Now back to the radio showt.

Speaker 10 (34:56):
My riding down my baby, she's free.

Speaker 4 (35:00):
You from my co.

Speaker 2 (35:02):
Lay yeah, gill on my way.

Speaker 4 (35:06):
You don't get all. Don't play no game. I said
what I say, don't lay my bag.

Speaker 22 (35:14):
I don't have to have the bag, like when you
take control of me, and like when you speak you
problylaby did have to bring the run away from me.

Speaker 10 (35:26):
You won't have to pay me.

Speaker 4 (35:27):
Noticing jealous.

Speaker 24 (35:31):
Cause I say you.

Speaker 4 (35:33):
Would you like?

Speaker 10 (35:35):
Would you like.

Speaker 6 (35:37):
That?

Speaker 21 (35:38):
I say, but yours say because I feel.

Speaker 6 (35:46):
It's a side, because I see it's.

Speaker 16 (35:49):
A side, because I see it's the thing. It's a say,
because I see it's receive.

Speaker 10 (35:57):
All over. You get telling and I'm gonna do.

Speaker 4 (36:03):
Us to night, So baby, gonna make some time a.

Speaker 23 (36:06):
Poll love point, saying so you were ready to go,
You don't know. I'm gonna do so good like you
haven't better do but that since like all I come back, baby,
gonna talk to your son.

Speaker 10 (36:18):
You can't down about it.

Speaker 4 (36:19):
You didn't think that doing.

Speaker 22 (36:21):
Yeah, likely you take trouble me and likely you scream, probably.

Speaker 10 (36:29):
Run away from me.

Speaker 21 (36:31):
You won't have to tell you know the same, I say,
saying I m spinding, but your age, your.

Speaker 4 (37:15):
Love and lust.

Speaker 2 (37:18):
Late lady, late, can we came and move a crowd show?
So turn up your radio.

Speaker 14 (37:30):
Hey, sometimes man, I can't just hang out like a
regular person.

Speaker 2 (37:35):
You know you see me.

Speaker 4 (37:36):
You are different in many ways. To start off with
the fact that I stay busy. I don't waste no time.
It's twenty five bague baby, I'd be busy. I'm pissed.

Speaker 14 (37:49):
I'd be busy all the time. I got twenty on
my mind. He stay on my my grind. I'd be pissy.

Speaker 4 (37:55):
I'd be pissed.

Speaker 14 (37:56):
I'd be always pucking shows, sticking on my door. You
don't when I get know, I'll be busy, busy in
the good way. O po, busy in a good way.
Boa busy in a good way. I'll be busy, busy
in a good way. O poa busy in a good way.
O poa busy in a good way.

Speaker 2 (38:15):
Whoa whoa.

Speaker 10 (38:16):
I'd be busy.

Speaker 4 (38:18):
I'd be busy, look clean like who wuzy?

Speaker 24 (38:23):
Only gun o your kids in the now now in
the jiffy. I'll be busy like a keeper won.

Speaker 10 (38:36):
Keeper.

Speaker 4 (38:37):
I'm a gift type of creature. I just follow the procedure.

Speaker 14 (38:43):
I be busy like a bumbo bree. I stay lit
like a bumboat wing. I want to see things may
be come with me in my week.

Speaker 4 (38:49):
At the double Tree. I've been busy like I got
no friends, and I work on like a Mexic kid.

Speaker 14 (38:54):
I don't mean no compare everything elegy. I'd be busy
all the time. I got money on my mind day,
Oh my, my grind, I'd be piss' be pissed. I'd
be always poking shows, taking on my door. Hell, you
don't want I know. I'll be busy, pisy, busy in
a good way. WHOA, whoa busy in a good way? WHOA,

(39:16):
whoa busy in a good way. Oh, I'll be busy, pisy,
busy in a good way. WHOA whoa busy in a
good way? WHOA whoa busy in a good way?

Speaker 2 (39:25):
Whoa.

Speaker 4 (39:26):
I'd be busy.

Speaker 10 (39:28):
I'll be busy.

Speaker 14 (39:30):
Making moves, run my city, kingle good to Mississippi.

Speaker 4 (39:37):
I must like you're a million.

Speaker 14 (39:40):
I'll be busy like gelling blesses in the land, making classics, udyos.

Speaker 4 (39:49):
Send the mad I do with all under banning.

Speaker 14 (39:53):
I'd be busy in all I can't stop meaning involved
with and I did not moll put your head like that.
Then I'd be busy like black Fridday, like my name
was Lake, like a proo hot day by who got game.

Speaker 4 (40:07):
I'd be busy. I'd be busy all the time.

Speaker 10 (40:11):
I got money on my mind.

Speaker 4 (40:13):
I'm mama crime, I'd be busy. I'd be busy.

Speaker 5 (40:17):
I can't hear you done.

Speaker 1 (40:18):
Oh I did that by accident. I was trying to work.
How are you doing tonight, man.

Speaker 5 (40:23):
I'm doing okay. I had a while week in at
the O C.

Speaker 10 (40:26):
Fair.

Speaker 1 (40:27):
Okay, that's what's up man, O C Fair.

Speaker 5 (40:29):
Yeah, the school tour did a show down, did a
minute show.

Speaker 1 (40:33):
Uh huh. And I was upset that Britney wasn't there.
But that's okay, like me, so I feel it. I
feel it, oh man, oh man.

Speaker 5 (40:48):
But we had a ball down there.

Speaker 1 (40:50):
Brital living extra human Chandelier has has a chance to
uh do something with Nick Cann and Nick can had
what a podcast that when Nick had Britt Yeah.

Speaker 5 (40:59):
So, I mean, I guess you can call it a podcast,
but it's it's like a nighttime nighttime talk show, you know,
it's just just on a network called one second. I
think it's called Waverly. It is a Wondery Media. So

(41:20):
it's on Wondery Media right now and it's on YouTube
at the moment and on Instagram. But you know he's
moving to get it on another network or whatever. But yeah,
it's called Nick Cannon at night.

Speaker 1 (41:34):
You know, it's like, okay, well, well, MD, here here's
a taste of bread on that show with Nick Cannon
on his nighttime show. Here's how it went.

Speaker 3 (41:46):
Is it hellalthy to tell your spouse every day how
fine they are?

Speaker 4 (41:55):
Yes, that's very healthy humans. And you have an amazing boy, y'all.
That's a great I think.

Speaker 22 (42:07):
I'm sure you talk about this in the intimacy styles
of letting your partner know how attracted you are.

Speaker 1 (42:13):
To Yes, indeed, right there. So you was on there
with Nigga. What was that about Brett? You singing? What
was it about?

Speaker 5 (42:23):
So pretty much the shows about relationships and he'll have
you asked questions like about relationships and uh. That the
lady that was talking, she's one of the people offer
married at first title. She's like a coach, you know,
like a relationship coach. Uh, And she's like she's a doctor,
and she gives advice on what she feels like to

(42:45):
help you out and help other people out in relationships.

Speaker 3 (42:48):
You know.

Speaker 5 (42:48):
So that was just my question and she gave her
take on it. But Nick and another comedian named Courtney
b they agreed that they want somebody to tell them
all day that you know, they think they find you know,
but the doctor said she didn't think that that was
a good idea. So it's just you know, you asking
for advice about your relationship. You know, it talks about

(43:10):
all type of things.

Speaker 1 (43:11):
Do you check? Check that out right there? Nick Cannon's
show right there on YouTube. You can find that it's
out there real.

Speaker 5 (43:18):
Easy to find out at night, and you can add
it on Instagram to see the next episode that's coming out,
and you can check me out on their Instagram and
Nick Cannon's Instagram.

Speaker 1 (43:30):
So it's pre recorded, not live. Pre recorded, Yeah, pre
recorded show right there for sure. We'll go ahead and
roll on with this right here to trending topic number two.
Here again, waut to you by Spotlight through sixty Media. Again,
like all the celebrity stuff I do, make sure you
follow it Spotlight through sixty Media on all social media platforms.

(43:50):
By the way, that is coming up momentarily after this.
If you have one hundred dollars and you have that
to put your music on all streaming platforms. As far
as marketing and promotion, here's what someone said to do
on a recent podcast that I was checking out.

Speaker 7 (44:09):
You get the music out in the world to be heard.
Distro Kids the cheapest out there. It charges two dollars
and eight cents for unlimited tracks. Next, I'm gonna throw
fifteen dollars at a Canva Pro subscription. It's gonna cover tour,
concert flyers, merch mockups, cover art, all my graphic and
visual needs. And next, I'm gonna put twenty dollars at
a Chat GPT plus subscription literally solve every problem that

(44:29):
I have as an independent artist. Next, I'm gonna spend
twenty dollars on a Symphony Pro account. All right, this
is gonna be my music marketing hub for my artist career.
I'm gonna focus on two things immediately. Number one, building
my artist website. It's gonna have links to streaming platforms,
merch store, tour dates, et cetera. And then number two,
I'm focusing on collecting as much fan data as possible

(44:50):
so that I can be in control of my own career.
Now that I have all this fan data, I'm gonna
throw thirty eight dollars at flow Desk. They're gonna handle
all my email marketing. This way, I have a direct
line to my fans, no middlemen involved. Anytime I'm announcing
a new song, tour dates, special VIP access, just want
to thank them.

Speaker 1 (45:06):
For their support.

Speaker 7 (45:07):
I've got direct communication to them.

Speaker 1 (45:10):
That is a lot right there. But that's what he
did as far as breaking down using just one hundred
bucks and getting their music, getting your music out there
to as many people as humanly possible by way of
social media. This your kid, and all of the platforms
that he named. And I'm gonna have to end up
posting that somewhere on the radio show dot com on

(45:30):
the site so folks could check that out. And that
is a lot to digest right there in that forty
five second snippet that I had there. What do you
think about that?

Speaker 10 (45:40):
MD?

Speaker 5 (45:41):
I think he fell a snake oil.

Speaker 1 (45:43):
Yeah, yep, yeah, And they don't work that way. The
very first thing you gotta have it, so.

Speaker 5 (45:52):
A good product, a great product right before idiot that
crap works.

Speaker 10 (45:57):
All right?

Speaker 1 (45:58):
Well, Britt, what do you think you being an artist,
do you think that's something you can do? I know
you it ran through it. But any of that that
you that you think might work.

Speaker 5 (46:09):
I don't even know what he said.

Speaker 18 (46:11):
I just know.

Speaker 1 (46:15):
It was a lot to digest.

Speaker 5 (46:17):
Yep, it was so pretty go ahead. Is he saying
you know about you promoting only having one hundred dollars?
Is that what hes talking about?

Speaker 1 (46:27):
Yeah, if you had a hundred bucks, he was just
telling you how he can you can stretch that in
so many directions to promote your music.

Speaker 5 (46:35):
I mean, if you had one hundred bucks, yeah, I
mean you could do something with it. You know, you
can't do everything, but you can do something with it.
You know, like you on social media and you can
you could pay for what do you call it branding?
You know, pay to boost your posts. You know, like
you put twenty five here or six dollars here, six

(46:55):
dollars there. You know, like, yeah, but what that where
that generate any revenue for you? You can pay?

Speaker 1 (47:05):
That's what That's the big problem.

Speaker 5 (47:07):
We get all those independent labels to pay, but we're
never showing them how they can generate revenue back from
all that money. They yes, so it can.

Speaker 1 (47:17):
So this is the thing.

Speaker 5 (47:18):
It depends on what post you're boosting. Are you boosting
a post telling them how to get to your website,
telling them how to buy your music, and telling them
how to buy your merch What is the post that
you're boosting trying to get out there saying you know? So,
it just depends on what the boost is. And sometimes
it could boost it to two thousand people, It could

(47:39):
boost it to five hundred people. It could it could
boost it to forty thousand people. It just depends if
you're gonna put that whole hundred on there, or are
you gonna do like the twenty twenty five. You know,
it just depends on how much you're gonna put on
the boost within the hundred. But you could split it
up where because you can. You can only put six
dollars on there, and that's six dollars ago a whole week.

(48:01):
So how many posts you're gonna do with that six
dollars and you're promoting this is where you buy my merch,
this is where you buy my music, So you know,
you can make that hundred back and more. It just
depends on what your marketing plan is and what your
graphics look like?

Speaker 1 (48:18):
A right, what do y'all think about that keyword? Did
radio showing on social media platforms? We roll on to
Celebrity is Celebrity Interview this week. After that, love and
Lust and play the Slave before we get up out
of here. Celebrity Interview this week brought to you by
Spotlight three sixty Media. This week, we have I caught
it with Attorney Benjamin Crump recently. Here's how that went.

(48:44):
Let's go.

Speaker 4 (48:47):
Show ribbon and all the red carbts.

Speaker 15 (48:50):
Here's an exclusive celebrity interview division.

Speaker 1 (48:53):
As far as when we've loved to keep going in
the world the way it is today?

Speaker 10 (48:57):
Where is the theory of.

Speaker 25 (48:59):
Saint Koper, the African proverb that lets we look back
to see forward when we think about what our ancestors did,
you know they had it much worse than the Trump administration.
I'll never forget this older black woman telling me or
turning Croup. She said, Baby, when you go out there

(49:20):
and you speak all across America, remind our people that
we done been through way too many thunderstorms to wear
about a few rain drops coming from the Trump administration.

Speaker 10 (49:39):
Oh, let's go let's go.

Speaker 5 (49:44):
Let's go with your girl Britty living next to the
human chandelier. Here on the radio show, and you're listening
to love or Lust? Do you have a problem with
your relationship? Do you want to know if it's love
or lust? Let us all vote and let us all
let you know if you're in love or or if
it's lust.

Speaker 1 (50:02):
All right, y'allen said the love of less Right about now,
Britta living next to human chandelier. The floor is yours.

Speaker 5 (50:11):
It's your girl Britty loving x the human chandelier. And
today on love or Lust, the topic is is it
love or lust? If they never tell you I love you,
and when you tell them, they never say it back,
but their actions one hundred percent show that they do
love you.

Speaker 2 (50:30):
Is that love or lust?

Speaker 1 (50:37):
Who the same day said again, sounds like lust to me?
All right, well, I guess, uh, I don't know. I
guess you could. I guess I guess in that sense,
I guess MB. I'll go with you, man, it have
to be lust, all right.

Speaker 18 (50:49):
First off, MD and D, how y'all doing? Thank you
for having me?

Speaker 10 (50:53):
Homie? What something? Man?

Speaker 1 (50:54):
How you doing?

Speaker 18 (50:57):
All right? I'm doing great, man. It's good to be here. Yeah,
I'm gonna have to go up. I'm gonna go back
to the age old Anders, and I always say, I'm
gonna say that it is love. But just because you
love something doesn't mean you have to be in love
with them.

Speaker 1 (51:14):
Yeah, we'll go to play the Slayer right now, while
she maridates on that.

Speaker 5 (51:18):
Join the radio show every Monday night, every Monday night,
play it or wait for the indie song.

Speaker 4 (51:25):
That you enjoy the most.

Speaker 1 (51:29):
All right, y'all? Inside of player the Slayer right now?
We do each and every week around this time is
we take not one, but two songs and we ask
one question, and that's what should we do with these
particular songs? Should we play them?

Speaker 4 (51:41):
Or should we delayer, slid.

Speaker 1 (51:45):
Slay the record, throw it in the cyber trash never
to be heard from again, or play it added to
the future home of the radio show dot com as
it makes triumph and return coming fall of twenty twenty five.
All right, so two songs are gonna get you right now.
I will say this that both songs have more of

(52:06):
an and a Caribbean feel to them. I will give
you that as a clue. All right, So the first
record we got is TJ song is called twirk It.
TJ song is called twark it.

Speaker 10 (52:20):
Gee.

Speaker 1 (52:20):
I wonder what this song is about. Let's make it happen, y'all. Yeah, man,
the radio show.

Speaker 15 (52:26):
Let's go the radio show show, radio show, the radio show,
or slid.

Speaker 16 (52:42):
Money money money, monnynny money, money, money, monnyny. Honey honey
lay funny time money monny honey, honey, honey, bunny, honey, monny, honey,
honey honey.

Speaker 8 (53:01):
She said, oh so yourn say, oh but so do
for advice for your numb but up the night, so
drop though.

Speaker 4 (53:14):
Night just glo bloom, oh go back.

Speaker 18 (53:18):
Right.

Speaker 4 (53:18):
That's got me the gi your lung got do your
surgery for English, pone sterning.

Speaker 17 (53:26):
If I'm on Gallottle deserve it, bring put lane.

Speaker 15 (53:29):
Going someone going to radio show, the radio show or
slid All right, that's the first.

Speaker 1 (53:35):
Play the slave record right there. That is t JA
songs called it. T J song is called twirk it.
So play the slave? What should we do with the record?
Uh MD, what do you saying? Play the slave? It's unfair,
but I give.

Speaker 10 (53:50):
It a play.

Speaker 1 (53:51):
Okay, join the radio show, all right, and I'm gonna
go ahead and play the record as well. I thought
it was cool.

Speaker 10 (54:09):
All right.

Speaker 1 (54:10):
Now I'm gonna go ahead and ask Brita living next
to human chandelier, play the slid? What should we do
with it?

Speaker 5 (54:16):
I'm playing it. I thought it was popping.

Speaker 10 (54:17):
I like it.

Speaker 1 (54:18):
Okay, all right, Kelly good you think about the record
player the slad.

Speaker 10 (54:33):
I like this.

Speaker 18 (54:35):
It can't roll right, so I'm play it all right.

Speaker 2 (54:45):
Now.

Speaker 1 (54:45):
It's TJ songs called twirk it. TJ song is called
twirk it all right, So let's go ahead and play
the second record tonight. It's project song is called sweat.
Project song is called sweat. Let's check it out here.
We go play the.

Speaker 15 (55:02):
Slid, the radio show, radio show, the radio show, play
play or slid.

Speaker 10 (55:17):
The same shirt.

Speaker 4 (55:19):
I may be sure that, but that were just lunch.

Speaker 10 (55:21):
You know.

Speaker 6 (55:22):
If I moved that.

Speaker 10 (55:24):
Your bomb, but they're like clams.

Speaker 4 (55:26):
Actually, don't know she have approved that?

Speaker 26 (55:28):
Can your share your buddy buddy, Praise your buddy, buddy,
lazy baddy buddy, God.

Speaker 23 (55:33):
Create your buddy, buddy, Pray your with me.

Speaker 4 (55:36):
Money stays a baddy body.

Speaker 26 (55:39):
Sweet, It's sweat, sweet sweat, sweat, sweat and money, Sweet
sweet sweat, sweet sweet wind for me that sweat only
the Sweat only at Sweat, Sweet Sweet Sweet Sweat.

Speaker 15 (56:03):
The Radio show, Radio Show, The Radio Show It or
Slave That is our.

Speaker 1 (56:09):
Second place Slate record of the night. That is a
project songs called Sweat. Project song is called Sweat all right,
Britto leven next to Human Chandelier. What do you think
about this one?

Speaker 5 (56:20):
I thought it was cool, you know, real mellow.

Speaker 10 (56:24):
Something.

Speaker 1 (56:24):
You play it?

Speaker 5 (56:26):
Yeah? I play it?

Speaker 1 (56:27):
Okay? M D play the sligh? What do you think
about the record? Bye, y'all, catch everybody else next week.

(56:49):
We're done the.

Speaker 5 (56:51):
Radio show so far.

Speaker 11 (56:52):
Make sure you follow us on all social platforms at
the Radio Show