Episode Transcript
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Speaker 1 (00:00):
It's time to starve.
Speaker 2 (00:03):
Radio show.
Speaker 3 (00:08):
Sure we are the greatest. We played the great ist
indie artists on the radio show.
Speaker 4 (00:26):
We got hot top things.
Speaker 5 (00:27):
We did a popping on the radio show.
Speaker 6 (00:31):
Listen to love and listen. Give you over up in
your relationship problems.
Speaker 5 (00:35):
We'll be with it, so make sure you tune in
and the radio show.
Speaker 7 (00:41):
I can't believe it. One of us got on a
television show and I did not even know about it.
You want to know about that. But we're gonna talk
about that and much more tonight as we bring you
the radio show Dundee and Brita leven next to Human Chandelier.
M D is missing, but we're gonna catch up with
nd at some point. Tonight. We bring you the udio
show at the strictly Independent bou banar B Music at
(01:02):
its finance before y'all. That's right, y'all. This is the
radio show Strictly Independent about Bananab music right here. Every week.
What's going on? Everybody wanted, everybody had a wonderful week.
We are here with another one here on the radio show.
If we make it do what we do each and
every week around this time. Britt Levin Extra Human Chandelier.
How you doing tonight?
Speaker 8 (01:24):
Man?
Speaker 5 (01:24):
You already know I'm doing good. It's lit.
Speaker 1 (01:31):
You already know.
Speaker 9 (01:32):
We had forty seven thousand views right now on a
Nick Canada night show.
Speaker 10 (01:36):
So it's lit.
Speaker 7 (01:38):
Yeah, what's up. That's what's up. We're gonna talk about
that a little later on tonight. So it is going down, man,
we're gonna talk about that. That's right on the Nick
Nick cannon Litz show. So views is up, so we're
gonna see you can draw some more views up on
that for sure here on the radio show tonight.
Speaker 3 (01:54):
Man.
Speaker 7 (01:54):
What else has been going on? H Britt?
Speaker 9 (01:56):
I mean that that's pretty much in just like promoting
these out you know, trying to get these albums out there.
That's what's going on. You know, Nostalgia by Britty livnext
to Human Chandelier and Testimony by Kelli Good. We've been
trying to get that out there, new footage, new visuals,
you know, mm hm.
Speaker 7 (02:14):
That's what's up man. But definitely make sure you buy
those albums. Scoop those up.
Speaker 8 (02:17):
You already know what to do right here.
Speaker 7 (02:20):
Shouldn't have to tell you. But if you don't know,
buy both products and if you want to make really
good friends with Britt and Kelly Good. Go ahead and
buy it twice, all right, right, buy it twice. They
won't mind. Just like but man, Chuck Platinum, he won't
mind either if you buy his product twice. Man. We're
gonna talking to Shuck Platinum momentarily. In fact, let's go
(02:42):
ahead jump into trended topics. Trinded topics. We're gonna put
one out there, Trinity Topics, brought to you by Spotlight
three sixty Media. If you like all the celebrity stuff
that I got going on, including some of this of
the Zeus network things that I've done recently, we should
be posted on Spotlight three sixty Media on that website
as well as follow on social media at Spotlight three
(03:04):
sixty Media. I saw you with Justin Lee, oh yeah,
oh yeah, definitely always keeping it moving, keeping it moving
right there for sure as usual. And I saw you
with Nick Canning. We're gonna talk about that a little later,
right yeah. Yeah, So you know, we always keeping it
moving here on the radio show. Everybody's doing it and
(03:25):
making things happen around here. Now Trending topics.
Speaker 8 (03:30):
Here we go.
Speaker 7 (03:32):
There is a podcast that I was listening to these folks,
thought that the music industry has gotten a little stale
and felt that it was missing creativity. It's lacking creativity
right now. Here's what they sit on a recent podcast
in regards to that, you.
Speaker 11 (03:51):
Get the music out in the world to be heard independent.
Speaker 7 (03:54):
Artists looking on right now, because we did with independent artists,
How do we get somebody like you all to notice this?
Speaker 8 (03:59):
I knew that.
Speaker 7 (04:01):
The rappers are not exciting, singers are not exciting. There's
no new quothnographers, there's no new companies coming up, like
Who's Who's making something new and fresh.
Speaker 8 (04:13):
I think there's a lot of new and frapping in.
Speaker 5 (04:16):
It's just that we gonna like, you know what I'm saying, like,
there's a lot.
Speaker 7 (04:18):
Of new autists coming out of this that the other
doing it off like crazy small. That's right. They're saying
that the music industry is lacking creativity, lacking moves, and
it's stale right now. So I was really thinking about that,
and do I think that the music industry is stale
(04:39):
right now? I think, in my personal opinion, it's kind
of still in a couple of areas, meaning that I
have not seen that group come out in a while.
I haven't seen a good female group R and B
wise even come out in a while, So I think
in those areas it's missing. Uh, it is lacking a
little stale in those areas. Creativity wise, I'm kind of
(05:00):
on the fence, you know, yes and no so, but
I figured since you guys are in the music industry,
you all would know a little more so and have
a different opinion more so than I will on that.
Chuck Platinum, what do you think about that? Do you
think that the music industry is still in lack creativity
right now?
Speaker 12 (05:21):
I don't think that it's still in lack of creativity.
I think that it's always there is artists that's creating.
I think the fact that the discovery may be lacking,
but there's always artists and people out there that's doing
a thing that's you know, it just really depends where
you're looking at.
Speaker 8 (05:40):
That's how I feel about it.
Speaker 7 (05:41):
Okay, what do you mean discover as far as discovering
new talent.
Speaker 8 (05:44):
Or discovering new talent. Absolutely, I mean, you know, back
in the day, it.
Speaker 12 (05:49):
Was traditional for you know, labels to promote new talent,
and I think now the labels are focused on other things.
So you know, there's not many people being promoted out
there that have that talent that people are looking for.
Speaker 8 (06:05):
But I believe it's available. I believe that there's people.
Speaker 12 (06:08):
Out there that's you know, that definitely had that skill
set that can be promoted.
Speaker 8 (06:13):
I think that it's just lacking.
Speaker 7 (06:15):
Okay, okay, that's what's up. That's what's up. Britta LEVINEXT
to you, miss Sheela. What do you think is the
music industry lacking creativity? Is a stale right now? Yes?
Speaker 13 (06:25):
Or no?
Speaker 9 (06:27):
You know what, It just depends. I feel like fifty
percent yes in certain areas. With the creativity, you gotta
go to the trenches to kind of get the creativity.
You know, a lot of people out here, or a
lot of females, different things that you want to put
on these jeans and a T shirt on stage. If
I want to see jeans and a T shirt on stage,
(06:47):
I'll go watch my auntie a karaoke. You know what
I'm saying, Like, I would like to see like real
performers out there. And number two, back to what you
was talking about. You said something about out groups. You know, nowadays,
everybody selfish and everybody want to be Beyonce. Everybody want
(07:07):
to be Beyonce in these groups, so nobody wants to
not be Beyonce in the group. Everybody want that spot.
Like even though everybody on the same stage and in
a singing group, which people don't know, everybody in the
singing group get paid exactly the same, whether you the
lead singer or not. But that that fame and everything
like get to get your head and everybody can't be
on the same page and people be arguing. So that's
(07:29):
why you can't never really you're not seeing groups because
somebody always doing something, somebody going to jail, somebody, uh,
you know, they they can't wake up, They not on time.
This one think they better than everybody, and they not
the lead.
Speaker 1 (07:41):
You know.
Speaker 9 (07:42):
They they arguing, they're not doing what they're supposed to do.
So that's why you don't see that many groups. But
I do feel like creativity is kind of kind of interesting.
But if you go to the trenches, you'll find it.
You know, it's there all day.
Speaker 7 (07:55):
Okay, all right, what do you think about that keyword?
A radio show on on social media platform, you could
chime in on that. So far right now, we've got
a poll going on in the clubhouse room. If you're
checking us out in the clubhouse a keyword d a
radio show, there's a poll. Is the music industry steal
when it comes to creativity?
Speaker 8 (08:13):
Yes or no?
Speaker 7 (08:13):
You can vote right there, or if you on any
of our social media platforms that you're checking us out
on right now currently, you can go ahead and leave
your comment yes and no. Right there, is the music
industry steale?
Speaker 8 (08:25):
Yes or no.
Speaker 7 (08:25):
We want to hear from you.
Speaker 10 (08:40):
She got a home like a bottle. She knows she
is certified.
Speaker 8 (08:50):
Walk by.
Speaker 10 (08:55):
Walk till she didna shoot fly.
Speaker 1 (09:03):
She Gucci Daddy, Gucci is Louis.
Speaker 14 (09:11):
It's in Louis that proud a person's fashion killer with herr,
she says, yes, she know it. She gave up the
short short watch out how she won't same way she talking.
Speaker 15 (09:22):
Oh.
Speaker 1 (09:22):
She the type of hustle at and go and get it.
Speaker 6 (09:25):
Jimmy too.
Speaker 14 (09:26):
She custom fitted holy mess with mom fils trop riding
through the city missus Hello Kitty and depending pretty polo horses.
Speaker 16 (09:34):
When she riding with me.
Speaker 1 (09:35):
She loves shopping, d C, DC, party and around.
Speaker 6 (09:39):
She gets it how she wanted.
Speaker 1 (09:41):
She's so country Grandma. She keep that money coming. She
be born very stunning, this superwoman, she got it. You
can't tell her none of only.
Speaker 10 (09:49):
Like a bottle sis. She hustled like a success. She
knows she is certified.
Speaker 16 (09:57):
She walked by, walk.
Speaker 5 (10:10):
Shot on my crime, on my game.
Speaker 17 (10:18):
Got the spark, never tane, keep it sharp, never playing,
brissing high.
Speaker 5 (10:22):
Break the change green.
Speaker 17 (10:23):
The browns know the sky slight, It strikes as a
live set the world.
Speaker 18 (10:27):
Every move trail blazing, and the glue eyes on me
can't help but see strips of turns up tighter. I'm
that fire.
Speaker 5 (10:34):
I'm then got us the golden to the scows.
Speaker 10 (10:36):
The game need no cutch, shot the crown, no ribles
in sight.
Speaker 19 (10:39):
I'm the moon's glow, pure men in the league of
my own, set the base, no challenge, just in my race.
Speaker 1 (10:46):
I'm the common, blazing fast.
Speaker 8 (10:47):
It's in the sky.
Speaker 5 (10:48):
Mike is cast brother.
Speaker 1 (10:49):
Strips of mimic my game, but they fail like shadows.
Don't send the flag. Good so good heat, the screaming,
turn the stage.
Speaker 12 (10:56):
Into my empire alive while I am big do you
can't let a bring your success.
Speaker 17 (11:02):
I'm the trendset sitting on the crip here that's the
impressive pinion.
Speaker 1 (11:06):
The sowski I'm bringing zero stress.
Speaker 20 (11:08):
See the queen shack of.
Speaker 1 (11:10):
Horse and find you know the way he's sitting on
the bit.
Speaker 21 (11:13):
You Seecret's on the bosom and now Hetty's stunning on
them latinos on the feet.
Speaker 2 (11:18):
Got a model walking on them again for from wresting.
Speaker 21 (11:21):
But see the type they can't get hood onybody yo
some times, the type that you can't let you pass
you damn you the bunch shut head and the haying
cuts the standard strings independent, fast right body right, mind right, ain'tything.
But this year the nikki even got a little shiggy
in a no mabe yoa the little man shring a
(11:43):
pull a little.
Speaker 2 (11:44):
Only know some bosh.
Speaker 22 (11:45):
You know that she ad Homy got.
Speaker 8 (11:48):
That goat yet again.
Speaker 7 (11:50):
He once is a boy he now all.
Speaker 16 (11:53):
They face shot.
Speaker 10 (11:54):
Maybe he ain't no poesy chick. So missle with the
pull shoveler, that's the.
Speaker 7 (11:57):
Cattle talking about it.
Speaker 22 (11:59):
So you ain't got it.
Speaker 21 (12:00):
Even as my dropper shots top a bottle topper only
like a bow sid she hustled like a bad sixteen.
Speaker 15 (12:08):
She knows she is certified stan damn when she walked back.
Speaker 9 (12:15):
She made.
Speaker 15 (12:17):
You look didn't walk him her singer Panda him lips dead,
singers everything, gonna shoot fly, she's singer bad.
Speaker 6 (12:29):
Yeah, don't she.
Speaker 16 (12:30):
Bagg broom through boom broom through bo broom through boom
broom through boom.
Speaker 2 (13:05):
Love and lost, late late later we go and move
a crown.
Speaker 1 (13:15):
Show, turn to radio.
Speaker 19 (13:31):
Are you look like you're singer ever? It's like we
belong together. Baby, I want to fill your pleasure. I'm
trying to dig in your.
Speaker 4 (13:47):
Treasure an turn up.
Speaker 8 (13:52):
Into the bed room.
Speaker 6 (13:55):
Everywhereto er.
Speaker 19 (14:00):
Take the shot, shot show bad shot, send a mantua
group of because some g like you can taste that.
Speaker 4 (14:14):
Let's turn the ones into taking my hands off. You
ready for whatever? When you're going through love that kid
shot gose you.
Speaker 13 (14:28):
Go get and so.
Speaker 16 (14:30):
We're gonna get this thing. Jump out.
Speaker 4 (14:33):
I can't bothy you got me?
Speaker 23 (14:35):
It is trying to do't have on the baby, Oh God,
your body looking.
Speaker 1 (14:45):
Way there, don't make it go crazes.
Speaker 8 (14:49):
It shows you.
Speaker 4 (14:53):
Into the bird room. Let's shea sit back.
Speaker 6 (14:57):
We girl until I had you. Yeah, I'm gonna take
this shot.
Speaker 1 (15:03):
Shot that's your part, shot.
Speaker 8 (15:07):
Man, it's a full.
Speaker 1 (15:08):
Pad because great such like you.
Speaker 10 (15:10):
Can taste that sick.
Speaker 8 (15:14):
Cold.
Speaker 4 (15:15):
Let's turn the ones into picking the pays off your
bread forgever when you come through the camp street, how.
Speaker 16 (15:26):
You me.
Speaker 1 (15:29):
Logging and so then we can't need to stay click.
Speaker 4 (15:35):
Let's turn the one's in the door picking the days
off your home of.
Speaker 16 (15:40):
You whatever.
Speaker 1 (15:44):
Love got Chip Street, camp streets. You just hear me
loggy and so the little less day jump in.
Speaker 7 (16:14):
Check this out, this Warren Ge and you listening to
the radio show.
Speaker 20 (16:18):
I can't tell you ninety.
Speaker 5 (16:19):
Two reasons why I'm drowning.
Speaker 24 (16:23):
And your lode.
Speaker 25 (16:28):
I can't reason you give me about the mile getting.
I'm only saved bye good. I just swam other live
m the water on two. I just swam nother li
on the water with you.
Speaker 20 (16:49):
With you, with you, cause I don't mind drawing and joy.
Speaker 13 (17:01):
She'll smother me with your good energy, and I don't
care to come up for you'll give me put my
solar scape.
Speaker 5 (17:15):
And leave. You have been to being the baddest. I
don't care, no, no, it makes me feel whole inside.
And if you're not him your other.
Speaker 8 (17:30):
Side out of mind.
Speaker 26 (17:33):
I'm chasing that dope for me excives me every time
I come running, every time.
Speaker 5 (17:43):
I can't tell you now told breezes why I'm drowning.
Speaker 27 (17:48):
And your life.
Speaker 5 (17:54):
I can't breeze or you'll give me mouth to miget.
Speaker 1 (17:58):
I'm always safe by God.
Speaker 16 (18:04):
I just won't know.
Speaker 6 (18:06):
Live on the water with you.
Speaker 5 (18:10):
I just want to lift on.
Speaker 20 (18:12):
The water with you, with you, with you, because I
don't mind drowning and your.
Speaker 5 (18:26):
I'm gonna take it in. I need to fix every day, but.
Speaker 2 (18:32):
You always don't.
Speaker 5 (18:33):
My wife away, I leave anybody for you. You had
no idea that's what I was doing with.
Speaker 26 (18:48):
Chasing you in my trees. Haven't got to get you read,
I haven't got to show you.
Speaker 5 (19:04):
Listen, got to rebuild my pill.
Speaker 25 (19:08):
I can't tell you now to tones why I'm drowned
and drowning in y'all.
Speaker 20 (19:16):
No, no, no, you can't breeze or you'll give me
my to mole.
Speaker 5 (19:22):
Getting now to mowbo.
Speaker 16 (19:27):
Jove.
Speaker 24 (19:28):
Yeah, I just wall live from the water with you.
Speaker 1 (19:33):
I swam, No, I just wanner live from the water,
would you?
Speaker 8 (19:38):
I swam?
Speaker 5 (19:41):
I swam.
Speaker 6 (19:44):
Care some mine.
Speaker 20 (19:46):
Drowning and y'all.
Speaker 7 (19:50):
Let's go ahead and jump into move the crowd. What's
our guest, Chuck Platinum. He's in the building right now.
Let's go, y'all can get closer to your take the
time for the radio show, Move the crowd, all right, y'all,
way are inside of Move the crowd where we're taking
artists off stage, bring the backstage to get the nose
(20:11):
of hibrids.
Speaker 5 (20:15):
Up close and more personal.
Speaker 7 (20:17):
I love that part and showing us now is our
folks out of New York, right, yes, sir, all right,
absolutely okay, now asks what's up?
Speaker 5 (20:27):
Man?
Speaker 7 (20:28):
Join us now? And we got Chuck Platinum in the building, Man,
Chuck Platinum. How you doing a nice sir?
Speaker 8 (20:33):
Feeling great?
Speaker 7 (20:34):
Great, great, great, glad to be here, very good man.
First of all, thank you for staying up with us. Man,
I know what's laid out there. We appreciate the fact
you stayed up with us to be a part of this.
Speaker 12 (20:44):
Absolutely absolutely. Well, it's my time. I usually work at
night anyway, so this this is my time to.
Speaker 8 (20:49):
Shine, So be all good.
Speaker 7 (20:50):
Okay, it's all good man. So you're normally making tracks
and artists at this time, right?
Speaker 8 (20:55):
Absolutely? Absolutely?
Speaker 7 (20:57):
Okay, Well, you know, well speaking of of a track, uh,
by by way of your I g uh you showed
a part of you in the studio. I guess making
some magic. Can you explain this right here? For sir,
(21:28):
that's you and that's you in the studio and and
but I guess making a track right there, man? So
what was the magic behind that right there?
Speaker 1 (21:36):
Oh?
Speaker 8 (21:36):
That was just something that was real quick.
Speaker 10 (21:39):
I was.
Speaker 8 (21:39):
I was actually on my way to work. Uh, I
believe that was yesterday.
Speaker 12 (21:45):
I might have posted that I was on my way
to work, and you know, I just wanted to be
creative and just get some get some time, get some
wreck time in the gym. So you know I had
discovered that sample. I'm always digging in the crates so
to speak. You know what I mean, which is our
crates is online now. But I was digging in the
crates and uh, you know found that that gym right there.
(22:08):
Just chopped it up and you know, put a little
clip on. And at that time when I put that
clip up there, that beat wasn't even done.
Speaker 8 (22:15):
It was just a loop.
Speaker 12 (22:16):
So you know, I finished it up and you know,
just made it happen. So yeah, shout out to you
for finding that one. That's my most recent creation.
Speaker 7 (22:25):
Okay, now you're gonna take that beat in hand and
get that to somebody, right, I would assume, right.
Speaker 12 (22:30):
Yeah, I probably I'm deciding where that's gonna go right now.
I'm working on a couple of projects, so I'm just deciding,
you know, what, what I'm gonna do. But that was
just some that was just some wreck time. But when
I played it, I definitely got some great responses from it.
So who knows who they out of.
Speaker 8 (22:46):
Land up with?
Speaker 7 (22:48):
Okay, all right, man and speak speaking of which man
had a chance to research you some more on your
ig and uh, you were saying you were speaking about
an artist artist having a track and and having your
tracks for a certain amount of time and not putting
the tracks out, and that if you give them a
certain amount of time and they don't put the track out,
(23:08):
then you're gonna take that track give it to somebody else.
Speaker 8 (23:11):
That's a fact.
Speaker 7 (23:11):
What is the timetable? How long do you give it
artists to put the track out? And why?
Speaker 2 (23:19):
Right?
Speaker 12 (23:20):
So it's really more or less about communication with me.
A lot of times, you know, it's pretty common for
artists not to have songs ready right away, or you know,
you might have artists that may be sitting on songs
or do songs for other.
Speaker 8 (23:37):
Projects, which is cool.
Speaker 12 (23:38):
I have no problem with that, But when you have
no communication about it, then we've maybe created one song
or multiple songs. You know, at least the producer should
have the opportunity to know exactly what you're doing with
the song, so you know I'm giving them. You know,
it really depends if we have a relationship. You know,
(24:00):
it might be a little while, maybe you know, six months.
You know, I might reach out to you, hey, you know,
what are we doing with the song? Or you know,
are you doing anything with these beats? And if there's
really no response then at that time and this is
only if we don't have any contract you excuse me,
contractual obligations or if you didn't you know, because sometimes
you give beats to artists to work on. They may
(24:21):
like to beat, they may not have paid for the
beat already. So you know, if there's no contractual obligations
to the beat, then you know, there's really no time frame.
It's like I'll ask you within that time period. Hey,
you know, if you tell me that you like it
and you're gonna use it, then you know, is this
song gonna be used? Because a lot of times, you know,
(24:42):
in the majors, you won't even know. You might send
something to somebody and they may not use it, and
you know that beat is just out there. So I'm
just me working on with independent artists, I think is
their responsibility to let the producer know if they're going
to use their material or not. So I say, you know,
six months year, like I said on the post, six
month years. You know, it might be a year, it
(25:03):
might be six months. I might reach out to you,
but you know, we're definitely gonna Really it's more about
the incentive of all those old tracks that I got.
Let's let's let's get those back. It's been like two
three four years we did these songs, and what are
we doing with them? But that just came from me
listening to my catalog and you know, listening to some beasts,
like dang I sent this beat out. I wonder, wonder
(25:26):
what this person is doing with this beat. So yeah,
that's where that came out. That's where that came Oh okay.
Speaker 7 (25:32):
That's what's up man, No dam man, we got Chuck
Platinum in the building. Y'all want to have a highlight
and keyword A radio show on on social media platforms.
Let me know what's up at this point. Brit living
next to you and Shandon Live, go ahead and talk
to Chuck Platinum.
Speaker 9 (25:46):
Okay, Chuck, how you doing tonight.
Speaker 8 (25:48):
I'm wonderful. How about you?
Speaker 9 (25:50):
I'm doing great. I'm doing great. What is your favorite
part about working and producing?
Speaker 12 (25:56):
My favorite part about working and producing is really just
putting the right together, just creating the record being you know,
having the artists. You know, you draw one emotion from
the creation of the record, and then you have you know,
the other emotion from the artists bringing their perspective on.
So when you gel all of that together, that usually
makes a great, you know, great combination, especially if you're
(26:19):
fortunate enough to work with the artists in the studio
and produce the record for them. But you know, you
could find that magic even if you're just emailing it
back and forth and creating like that. So that would
be that definitely would be my favorite thing about creating
with the artists.
Speaker 7 (26:35):
Okay, that's what's up. That's what's up.
Speaker 28 (26:37):
Now.
Speaker 7 (26:37):
What's all you created? Was Hustler man? So tell us
about this Hustler record we got here?
Speaker 12 (26:42):
Oh yeah, Hustler, that's the first single off my project
called The Warm Up. I released that project on June twentieth,
and uh, you know, Hustler is basically just about what
I do every day. You know, I get up every
single day. I'm an entrepreneur. I uber at night, you know,
to keep the lights on, you know. So it's basically
(27:03):
just about you know, me getting up every day, every night,
twenty four hours, seven days a week, just hustling. Whatever
it is, whether it's music, whether it's uber, and whether
it's you know, whatever I'm doing.
Speaker 8 (27:14):
You know, it's always about making that dollar.
Speaker 7 (27:17):
Legally, of course, legally, for sure, I want to make
that dollar. Make that clear legally.
Speaker 8 (27:24):
Let's make that clear.
Speaker 7 (27:25):
Yes, indeed, man, we're going check out hustling right now.
Let's go ahead and make it happen. Keyword here, radio
show on social media platforms. Please go ahead and tell
a friend and pass that on. Chuck Platinum in the
building right now, Hustler. Let's check it out the radio.
Speaker 1 (27:39):
Show Independent Artists Live here.
Speaker 2 (27:42):
We got this independent game on lock our day. Check
it out the radio show.
Speaker 1 (27:58):
I grind every day.
Speaker 8 (28:00):
Hey, I have to. There wasn't no books.
Speaker 1 (28:02):
Nobody showed me the map two had.
Speaker 12 (28:05):
To figure it out, learn the hard way, love the lessons.
Now I do it the small way, fully independent. Never
wanted the recorded contract.
Speaker 8 (28:14):
In fact, I turned down all of that.
Speaker 1 (28:16):
Couldn't see the future.
Speaker 12 (28:18):
But it's here now, executives and artists and fear Now kid,
the camera's got family shedding tears now they exposed.
Speaker 1 (28:26):
You want to see it in here now? Can't do
nothing about it because the media is.
Speaker 12 (28:30):
Social algorithms really designed to coach you.
Speaker 8 (28:33):
Whoever will provoke you.
Speaker 12 (28:35):
You want fame, so you hopeful around with the game.
Speaker 1 (28:39):
It it choke you.
Speaker 12 (28:40):
God be for the rapping his many to want to
smoke you. That's why I'm not vocal. Jail ain't my thing.
If it was you took us would be dead on
the rival. If it's my life versus yours, I'm here
for the survival. Be clear, brothers turn rifles, then spend
the block back and nothing ever happened.
Speaker 8 (28:56):
It's wick it out here.
Speaker 12 (28:58):
Be careful with your actions to be the ones not watching,
with the traction, see everything to do nothing, but still.
Speaker 8 (29:06):
Got your head out like y'all owe you something.
Speaker 12 (29:08):
Thirty plus years big jumping, always acting, got my hands
or something, and then literally you all came from nothing,
just the mind of a master.
Speaker 8 (29:18):
Ain't no fronting because I'm a hustler.
Speaker 24 (29:21):
Color Land Jerry Day.
Speaker 16 (29:23):
I'm a hustle.
Speaker 12 (29:26):
Every day, Ran Jeffy doing it every day, shudder.
Speaker 24 (29:33):
Lad, every day.
Speaker 8 (29:34):
I'm a hustler.
Speaker 24 (29:36):
M tire Land Jeff I do it every day.
Speaker 1 (29:38):
Crazy and rich Jeremy, I do it every.
Speaker 6 (29:41):
Day and night.
Speaker 8 (29:43):
You know you gotta get that like you get it.
Speaker 12 (29:45):
I get it every day, hustling right big though. I'm
a serve a customer, whether it's music or huber. I
might give him a lift or a versus or track,
whatever I got to gift.
Speaker 8 (29:55):
I'm a jack of.
Speaker 12 (29:56):
All trades and master revolt to see and everything cham
your ship brings always number one no other places. An
option practice makes perfect. That's why I never stopped, even
when my peers did.
Speaker 2 (30:08):
I never gave up.
Speaker 1 (30:09):
Always stay relevant.
Speaker 12 (30:10):
Television, movies, the talentness ever, and I'm clever, so I'm
a mag them more energy.
Speaker 8 (30:16):
Be my presence felt everywhere. You remember me, even my
enemies they love me too. It must be tough trying to.
Speaker 12 (30:23):
Fit these shoes you can't pay jus and still paying
them any challenge in my weight. I'm case laying them
recipes to the drama king, I got my armor, let
the Piranha sing, I'm locked in in born a winner,
dir legend already spoken. It's in a legend of fully
your counter top of the change legacy mounting. I am
the truth, youth of a fountain. Faith is as tall
(30:45):
as a mountain in brain supreme. I'm never doubted claim
a spy. They loudly shout that I'm a hustler.
Speaker 8 (30:52):
Baby, I'm a hustler every day. A friend Chevy do
it every day.
Speaker 12 (31:02):
One again, ride you know, tell your lady Cheli day,
I'm a hustle and am tell.
Speaker 8 (31:09):
You land che did every day and friend Chevy do
it every day.
Speaker 24 (31:15):
Ride you know all the way to link.
Speaker 6 (31:46):
Okay, where you go?
Speaker 7 (31:57):
Oh that's right, Chuck platinum. Huh Chuck platinum, hustler right there, Yes, sir, Yeah,
So Chuck, is that out? Are coming out or what's
up with the record there?
Speaker 8 (32:06):
That's out right now, that's out right now. You can
get the warm upbout so on all DSPs.
Speaker 12 (32:11):
Shout out to Ayana Records, which is my label distributed
by Empires.
Speaker 8 (32:16):
So yes, we are live with that record. And the
video is out too, so you can go check that out.
Speaker 7 (32:21):
Okay, make sure you do that and scoop those scoop
thosel get those streams up right there on that project
and much more. Chuck Platinum, man, what give me an
I G Get them all your info so they can
go ahead and buy that and catch up with you.
Speaker 12 (32:35):
Well, yeah, most definitely the Google me Chuck Platinum, my knowledge, Paanel.
Everything will come up with the music. Hit me on
any any social media you can follow me. I'm not Hollywood.
I follow back Chuck Platinum on all all platforms Facebook,
i G.
Speaker 8 (32:52):
Everything is on Chuck Platinum.
Speaker 7 (32:54):
All right, Chuck Platinum is out. We'll catch up with
him down the road. We got more of the radio
show and including somebody here was on a show and
Nick Cannon we're gonna talk about that. And if you
only had one hundred dollars, how would you promote your music?
We'll give you some steps on what you can do
with that. Hopefully catch up with m D. We got
(33:15):
played a slag, we got love and Lust, we got
the celebrity interview of the Evening right there, and a
whole lot more strictly independent about by the R and
B Music and It's finest the radio show. We stopped
by the ninth and you are coach your creators and
your awards Brunch. This platform exists to uplift the voices,
journeys and bring into black creators whose impact often goes unrecognized.
(33:40):
Accard it with a few of the honorees and got
their thoughts for what witting their awards meant to them.
Come congratulations on one in your award you must.
Speaker 9 (33:51):
It means that the hard work that I put in
is actually being recognized.
Speaker 1 (33:55):
And I appreciate you, don't.
Speaker 12 (33:59):
You know, when you start in this business, you don't
think these things are the results of it.
Speaker 2 (34:03):
I just do things that I enjoy and passionate about.
Speaker 7 (34:05):
So it's great, It's really cool. Congratulations to all the
nominees as well as the presenters and the winners as well.
This week to pick hit J T l R featuring
Snoop Dogg with Mad Scientists, That's My Box with some
much trauma on the It kind of hard being jail
double Nyt paraphrase, no distance I heard each week on
(34:27):
the radio shop Just this stue pursuit with the wealthender
you go on girl, just shake that fruit because I
never know me.
Speaker 2 (34:34):
Now back to the radio show.
Speaker 8 (34:55):
My riding down my baby, she's f.
Speaker 1 (35:02):
Yes on my way. Don't get a girl. Don't blame okay,
I said, I say, don't lay my bag. I don't
have to ask.
Speaker 5 (35:14):
I have to pay, like.
Speaker 8 (35:16):
When you take control of me, and like when you.
Speaker 6 (35:20):
Speak, you only I bet you have to brain you run.
Speaker 8 (35:24):
Away from me.
Speaker 2 (35:25):
You ain't n pay me noticing.
Speaker 5 (35:27):
Channel because I say you need what would you like?
Speaker 1 (35:34):
Would you because I say, but yours.
Speaker 29 (35:42):
Say because I feel for a se it's a side
because I see it's a side because I feel sing.
It's I say, because I see received I want you get.
Speaker 8 (35:58):
We're not selling their I'm gonna do.
Speaker 1 (36:02):
My husband night. So baby gonna make some time. I
put love point saying so you're ready go.
Speaker 8 (36:07):
You don't know I must do so.
Speaker 17 (36:10):
Like you haven't better do but that be like I
come back, baby, gonna talk you your son.
Speaker 1 (36:17):
You can't do about it.
Speaker 8 (36:18):
You didn't think that.
Speaker 17 (36:20):
Yeah, I like when you take your love me and
like when you speaking probably maybe.
Speaker 8 (36:28):
Run away from me.
Speaker 1 (36:30):
You won't have to tell you.
Speaker 24 (36:31):
Know the same chouse. I say, you need.
Speaker 8 (36:43):
Much spinning iron. But your.
Speaker 29 (36:47):
Sense, your good.
Speaker 2 (37:14):
Love and lush late lay slate.
Speaker 6 (37:18):
We go and move a crowd.
Speaker 10 (37:23):
Radio show, so turn up your radio.
Speaker 1 (37:29):
Hey, sometimes man, I can't just hang out like a
regular person. You know you see me. You are different
in many ways. To start off with the fact that
I stay busy. I don't waste no time. It's twenty
five bague baby, I'd be busy. I'd be pissed.
Speaker 18 (37:48):
I'd be busy all the time. I got funny on
my mind, he on my my crin. I'd be pissy.
Speaker 1 (37:54):
I'd be pissed.
Speaker 18 (37:55):
I'd be always faking shows, staking on my door. You
don't want. I just know.
Speaker 1 (38:00):
I'll be busy, kisty, busy in a good way.
Speaker 18 (38:03):
Whoa whoa busy in a good way? WHOA busy in
a good way. I'll be busy, kiddy, busy in.
Speaker 1 (38:10):
A good way. Whoa busy in a good way? Whoa
busy in a good way? Whoa whoa? I'd be busy.
I'd be busy, look clean.
Speaker 10 (38:21):
Like, who's wizzy?
Speaker 28 (38:22):
Only can your cake now in the jiffy? I'll be
busy like a keeper won.
Speaker 1 (38:35):
Keeper.
Speaker 10 (38:36):
I'm a gift type of creature.
Speaker 1 (38:40):
I just follow, don't procedure.
Speaker 18 (38:42):
I'd be busy like a mumbo bree I they live
like a humbo wait. I want to see things may
become with me in my set at the Double Tree.
I've been busy like I got no friends. I work
hard like a Mexic game. I don't mean no compare
excellent leg I'd phys I'd be busy the pick up
money on my mind, pay day on ma my grind.
Speaker 1 (39:03):
I'd be pisy. I'd be pissed.
Speaker 18 (39:05):
I'd be always booking showers, price taking on my door again.
Speaker 2 (39:09):
You don't want I know.
Speaker 18 (39:10):
I'll be busy. I'd be pisy, busy in a good way.
WHOA whoa busy in a good way? WHOA whoa busy
in a good way. Oh, I'll be busy, busy, busy
in a good way. WHOA whoa busy in a good way?
Whoa whoa busy in a good way.
Speaker 1 (39:25):
I'd be busy.
Speaker 18 (39:27):
I'll be busy making moves, run my city, ingle pool
to Mississippis.
Speaker 1 (39:36):
I must die to give a million. I'll be busy
like gelling.
Speaker 30 (39:42):
Classes in the land, making classic videos, send the magic
with all under banning.
Speaker 1 (39:52):
I'd be busy in a wain ah I can't stop.
Speaker 18 (39:55):
Man, a pool involved and if they're not more to
put your head like Dylan, Oh, I beat busy like
black Fridday, like my name was Lake, like a hot
day baby who got game. I'd be busy. I'd be
busy all the time. I got money on my mind,
Mama crin, I'd be busy.
Speaker 1 (40:14):
I'd be busy.
Speaker 9 (40:16):
I can't hear you done.
Speaker 7 (40:17):
Oh I did that by accident. I was trying to work.
How are you doing tonight, man.
Speaker 31 (40:22):
I'm doing okay.
Speaker 7 (40:23):
I had a while week at the O C Fair. Okay,
that's what's uping man? O C Fair.
Speaker 31 (40:28):
Yeah, the school tour did a show down, did a
forty minute show uh huh. And I was upset that
Brittany wasn't there. But that's okay, like me, so I.
Speaker 7 (40:40):
Feel it. I feel it, oh man, man, But we
had a ball down there, brit Living extra Human Chandelier
has some has a chance to uh do something with
Nick Cann and Nick can had it? What a podcast
that when Nick had britt Yeah.
Speaker 9 (40:58):
So, I mean, I guess you can call it a podcast,
but it's it's like a nighttime nighttime talk show, you know,
it's just just on a network called One Second. I
think it's called Waverley. It is a Wondery Media. So
(41:20):
it's on Wondery Media right now and it's on YouTube
at the moment and on Instagram. But you know he's
moving to get it on another network or whatever. But yeah,
it's called Nick Cannon at night. You know it's like.
Speaker 7 (41:36):
Okay, well, well MD, here here's a taste of bread
on that show with Nick Cannon on this nighttime show.
Here's how it went.
Speaker 3 (41:45):
Is it hellalthy to tell your spouse every day how
fine they are?
Speaker 5 (41:54):
Yes, that's very.
Speaker 1 (41:58):
Healthy human, Sandulra, And you have an amazing boy.
Speaker 2 (42:04):
It's a great I think.
Speaker 11 (42:06):
I'm sure you talk about this and the intimacy styles
of letting your partner know how attracted you are.
Speaker 7 (42:12):
To Yes, right there. So you was on there with Nigga.
Speaker 8 (42:18):
What was that about?
Speaker 7 (42:19):
Britt? You was singing? What was it about?
Speaker 9 (42:22):
So pretty much the shows about relationships and he'll have
you asked questions like about relationships and uh. That the
lady that was talking, she's one of the people offer
married at first title. She's like a coach, you know,
like a relationship coach.
Speaker 15 (42:39):
Uh.
Speaker 9 (42:40):
And she's like she's a doctor and she gives advice
on what she feels like to help you out and
help other people out in relationships.
Speaker 3 (42:47):
You know.
Speaker 9 (42:47):
So that was just my question and she gave her
take on it. But Nick and another comedian named Courtney
b they agreed that they want somebody to tell them
all day that you know, they think they find you know,
but the doctor said she didn't think that that was
a good idea. So it's just you know, you asking
for advice about your relationship. You know, it talks about
(43:09):
all type of things.
Speaker 7 (43:10):
Do you check? Check that out right there? Nick Cannon's
show right there on YouTube. You can find that it's
out there real.
Speaker 9 (43:17):
Easy to find out at night, and you can add
it on Instagram to see the next episode that's coming out.
And you can check me out on their Instagram and
Nick Cannon's Instagram.
Speaker 7 (43:29):
So it's pre recorded, not live, pre recorded, yes, pre
recorded show right there.
Speaker 8 (43:36):
For sure.
Speaker 7 (43:36):
We'll go ahead and roll on with this right here.
It's trending topic number two here again, WoT to buy
Spotlight through sixty Media Again, like all the celebrity stuff
I do, make sure you follow it it spot Light
through sixty Media on all social media platforms. By the way,
that is coming up momentarily after this. If you have
one hundred dollars and you have that to put your
(43:58):
music on all streaming platforms. As far as marketing and promotion,
here's what someone said to do on a recent podcast
that I was checking out.
Speaker 11 (44:08):
You get the music out in the world to be heard.
Distro Kids the cheapest out there. It charges two dollars
and eight cents for unlimited tracks. Next, I'm gonna throw
fifteen dollars at a Canva Pro subscription. It's gonna cover tour,
concert flyers, merch mockups, cover art, all my graphic and
visual needs. And next, I'm gonna put twenty dollars at
a chat GPT plus subscription.
Speaker 2 (44:27):
Literally solve every problem that I have as.
Speaker 7 (44:29):
An independent artist.
Speaker 11 (44:30):
Next, I'm gonna spend twenty dollars on a Symphony Pro account.
All right, this is gonna be my music marketing hub
for my artist career. I'm gonna focus on two things immediately.
Number one, building my artist website. It's gonna have links
to streaming platforms, merch store, tour dates, et cetera. And
then number two, I'm focusing on collecting as much fan
data as possible so that I can be in control
(44:50):
of my own career. Now that I have all this
fan data, I'm gonna throw thirty eight dollars at flow Desk.
They're gonna handle all my email marketing. This way, I
have a direct line to my fans, no middleman involved.
Anytime I'm announcing a new song, tour dates, special VIP access,
just want to thank them for their support. I've got
direct communication to them.
Speaker 7 (45:09):
That is a lot right there. But that's what he
did as far as breaking down, using just one hundred
bucks and getting their music, getting your music out there
to as many people as humanly possible by way of
social media. This your kid and all of the platforms
that he named. And I'm gonna have to end up
posting that somewhere on the radio show dot com on
(45:29):
the site so folks could check that out. And that
is a lot to digest right there in that forty
five second snippet that I had there. What do you
think about that? MD?
Speaker 8 (45:40):
I think he fell a snake oil.
Speaker 7 (45:42):
Yeah, yep, yeah, And they don't work that way. The
very first thing you got to have it, so.
Speaker 31 (45:51):
A good product, a great product right before idiot had
crap works all right?
Speaker 7 (45:57):
Well, Britt, what do you think you being an artist,
you think that's something you can do? I know you
it ran through it.
Speaker 8 (46:03):
But any of that that you that you.
Speaker 7 (46:05):
Think might work.
Speaker 8 (46:08):
I don't even know what he said.
Speaker 2 (46:10):
I just know it.
Speaker 7 (46:15):
Was a lot to digest. Yep, it was so pretty
go ahead.
Speaker 9 (46:21):
Is he saying, you know about you promoting only having
one hundred dollars? Is that what he's talking about?
Speaker 7 (46:26):
Yeah, if you had a hundred bucks, he was just
telling you how he can you can stretch that in
so many directions to promote your music.
Speaker 9 (46:34):
I mean, if you had a hundred bucks, yeah, I
mean you could do something with it. You know, you
can't do everything, but you can do something with it.
You know, like you on social media and you can
you could pay for what do you call it branding?
You know, pay to boost your posts. You know, like
you put twenty five here or six dollars here, six
(46:54):
dollars there. You know, like, yeah, but what that what
that generate?
Speaker 7 (47:01):
Any revenue for you?
Speaker 5 (47:03):
You can pay?
Speaker 31 (47:04):
That's what That's the big problem. We get all those
independent labels to pay, but we're never showing them how
they can generate revenue back from all that money.
Speaker 5 (47:14):
They yes, so it can.
Speaker 9 (47:16):
So this is the thing. It depends on what posts
you're boosting. Are you boosting a post telling them how
to get to your website, telling them how to buy
your music, and telling them how to buy your merch
What is the post that you're boosting trying to get
out there saying you know? So, it just depends on
what the boost is. And sometimes it could boost it
to two thousand people, It could boost it to five
(47:40):
hundred people. It could it could boost it to forty
thousand people. It just depends if you're gonna put that
whole hundred on there, or are you gonna do like
the twenty twenty five. You know, it just depends on
how much you're gonna put on the boost within the hundred.
But you could split it up where because you can.
You can only put six dollars on there, and that's
six dollars a go home week, So how many posts
(48:01):
you're gonna do with that six dollars and you're promoting
this is where you buy my merch, this is where
you buy my music, so you know, you can make
that hundred back and more. It just depends on what
your marketing plan is and what your graphics look like? R.
Speaker 7 (48:17):
What do y'all think about that keyword? Did radio show on?
On social media platforms? We roll on to Celebrity is
Celebrity Interview this week. After that, love and Lust and
play the Slave before we get up out of here.
Celebrity Interview this week brought you by Spotlight three sixty Media.
This week, we have I caught it with Attorney Benjamin
(48:40):
Crump recently. Here's how that went. Let's go.
Speaker 2 (48:46):
Show ribbon and all the red carpets.
Speaker 32 (48:49):
Here's an exclusive celebrity interview division.
Speaker 7 (48:53):
As far as when we've moved to keep going in
the world the way it is today?
Speaker 33 (48:57):
Where is the theory of Saint Kopacking proverb that lest
we look back to see forward. When we think about
what our ancestors did, you know they had it much
worse than the Trump administration.
Speaker 1 (49:12):
I'll never forget this.
Speaker 7 (49:14):
Older black woman telling me or turning cross.
Speaker 34 (49:17):
She said, Baby, when you go out there and you
speak all across America, remind our people that we done
been through way too many thunderstorms to war about a
few rain drops coming from the Trump administration.
Speaker 9 (49:42):
Let's go, Let's go let's go with your girl, Britty
LOVINEX the Human Chandelier. Here on the radio show, and
you're listening to love or Lust? Do you have a
problem with your relationship? Do you want to know if
it's love or lust? Let us all vote and let
us all let you know if you're in love or
if it's lust.
Speaker 7 (50:01):
All right, y'allen said the love of less. Right about now,
Britta living next to human chandelier, the floor is yours.
Speaker 9 (50:10):
It's your girl, Britty loving X the Human Chandelier. And
today on love or Lust, the topic is is it
love or lust? If they never tell you I love you,
and when you tell them, they never say it back,
but their actions one hundred percent show that they do
love you. Is that love or lust?
Speaker 7 (50:36):
What the same? They said again?
Speaker 8 (50:37):
Sounds like lust to me?
Speaker 7 (50:39):
All right, well, I guess, uh, I don't know. I
guess you could. I guess I guess in that sense,
I guess MD. I'll go with you, man, it have
to be lust, all right.
Speaker 22 (50:49):
First off, MD D, how y'all doing?
Speaker 8 (50:51):
Thank you for having me homie? What some man?
Speaker 7 (50:53):
How you doing?
Speaker 22 (50:56):
All right? I'm doing great, man, It's good to be here. Yeah,
I have to go up. I'm gonna go back to
the age old Anders and always say I'm gonna say
that it is love. But just because you love someone
doesn't mean you have to be in love with them.
Speaker 7 (51:14):
Yeah, we'll go to play the slay right now, while
she maridates on.
Speaker 9 (51:16):
That, join the radio show every Monday night, every Monday night,
play it or wait for the indie song that you
enjoy the most.
Speaker 7 (51:28):
All right, yall inside to player the slay right now?
We do each and every week around this time. Is
we take not one, but two songs and we ask
one question, and that's what should we do with these
particular songs? Should we play them?
Speaker 1 (51:40):
Or should we delayer, slid.
Speaker 7 (51:45):
Slay the record, throw it in the cyber trast never
to be heard from again, or play it added to
the future home of the radio show dot com as
it makes triumphant return coming fall of twenty twenty five.
All right, so two songs gonna get you right now.
I will say this that both songs have more of
(52:05):
an and a Caribbean feel to them. I will give
you that as a clue. All right, So the first
record we got is TJ Song is called twark It
TJ Song is called twirk it. Gee, I wonder what
this song is about. Let's make it happen, y'all. Yeah, man,
the radio show.
Speaker 32 (52:26):
Let's go the radio show show, Radio show, the radio show,
or slid.
Speaker 17 (52:42):
Money Monny Monny, Bunnyny, Bunny, Monny pain Monny, Funny Honey
Monny Way, Funnynny Honny Honnynny, Honey, bunny, pame honey, bunny, honey, honey, honey, gottaway.
Speaker 2 (53:00):
She said, so your numb, but.
Speaker 8 (53:06):
For the advice for your numb but the night got
drop though.
Speaker 29 (53:12):
Up just.
Speaker 14 (53:17):
Right that WoT be they your numb got do your surgery.
Speaker 6 (53:22):
But english phone ronning.
Speaker 23 (53:25):
If I'm a little deservey thing, put lane going.
Speaker 32 (53:28):
Someone moving, radio show, the radio show, play or slid.
Speaker 7 (53:33):
All right, that's the first play the slave record right there.
That is t J songs called t J song is
called twirk it. So play the slid. What should we
do with the record? Uh MD, what do you think?
Play the slaves? It's unfair, but I'll give it a play.
Speaker 8 (53:50):
Okay, join the radio show.
Speaker 7 (53:59):
All right, I'm gonna ahead and play the record as well.
I thought it was cool. All right, now I'm gonna
go ahead, and ask Britta living next to human chandelier,
play the slid? What should we do with it?
Speaker 9 (54:15):
I'm playing it. I thought it was popping.
Speaker 15 (54:16):
I like it.
Speaker 7 (54:17):
Okay, all right, Kelly good you think about the record
player of the slid.
Speaker 4 (54:33):
I like this.
Speaker 22 (54:34):
He can't roll right? All right?
Speaker 7 (54:45):
Now, it's TJ songs called twirk it. TJ song is
called twirk it. All right, So let's go ahead and
play the second record tonight. It's project song is called sweat.
Project song is called sweat. Let's check it out here
we go.
Speaker 32 (55:01):
Play the slid, the radio show, Radio show, the radio show,
play play or slid.
Speaker 5 (55:16):
A shirt.
Speaker 27 (55:18):
I may have be sure that, but that will just
lyne you know if I moved that.
Speaker 15 (55:23):
Bomb.
Speaker 5 (55:24):
But they're like Liam's actually, but I know you have
approved that.
Speaker 27 (55:27):
Can your share your buddy, buddy, Praise your buddy, buddy,
not legsy baddy, Babby, God create your buddy buddy.
Speaker 8 (55:34):
Is pray you with the money stays some body?
Speaker 27 (55:36):
Body? Sweet sweet sweet sweat, sweat, sweat and money, sweet
sweet sweat, sweet sweet wind for me that sweat only
then a sweat only at sweat, sweet sweet sweet sweat.
Speaker 32 (56:02):
The radio show, Radio show, the radio show Play.
Speaker 7 (56:07):
That is our second place Slate Record of the night.
That is a project songs called Sweat. Project song is
called Sweat all right, Britta, let me next to Human Chandelier.
What do you think about this one?
Speaker 9 (56:19):
I thought it was cool, you know, real mellow.
Speaker 7 (56:23):
Something. You play it?
Speaker 5 (56:25):
Yeah?
Speaker 9 (56:25):
I play it?
Speaker 7 (56:26):
Okay, m D play the sligh? What do you think
about the record? Bye, y'all, catch everybody else next week.
(56:48):
We're done the.
Speaker 1 (56:50):
Radio show so far.
Speaker 2 (56:51):
Make sure you follow us on all social platforms at
the Radio Show
It's time to starve.
Speaker 2 (00:03):
Radio show.
Speaker 3 (00:08):
Sure we are the greatest. We played the great ist
indie artists on the radio show.
Speaker 4 (00:26):
We got hot top things.
Speaker 5 (00:27):
We did a popping on the radio show.
Speaker 6 (00:31):
Listen to love and listen. Give you over up in
your relationship problems.
Speaker 5 (00:35):
We'll be with it, so make sure you tune in
and the radio show.
Speaker 7 (00:41):
I can't believe it. One of us got on a
television show and I did not even know about it.
You want to know about that. But we're gonna talk
about that and much more tonight as we bring you
the radio show Dundee and Brita leven next to Human Chandelier.
M D is missing, but we're gonna catch up with
nd at some point. Tonight. We bring you the udio
show at the strictly Independent bou banar B Music at
(01:02):
its finance before y'all. That's right, y'all. This is the
radio show Strictly Independent about Bananab music right here. Every week.
What's going on? Everybody wanted, everybody had a wonderful week.
We are here with another one here on the radio show.
If we make it do what we do each and
every week around this time. Britt Levin Extra Human Chandelier.
How you doing tonight?
Speaker 8 (01:24):
Man?
Speaker 5 (01:24):
You already know I'm doing good. It's lit.
Speaker 1 (01:31):
You already know.
Speaker 9 (01:32):
We had forty seven thousand views right now on a
Nick Canada night show.
Speaker 10 (01:36):
So it's lit.
Speaker 7 (01:38):
Yeah, what's up. That's what's up. We're gonna talk about
that a little later on tonight. So it is going down, man,
we're gonna talk about that. That's right on the Nick
Nick cannon Litz show. So views is up, so we're
gonna see you can draw some more views up on
that for sure here on the radio show tonight.
Speaker 3 (01:54):
Man.
Speaker 7 (01:54):
What else has been going on? H Britt?
Speaker 9 (01:56):
I mean that that's pretty much in just like promoting
these out you know, trying to get these albums out there.
That's what's going on. You know, Nostalgia by Britty livnext
to Human Chandelier and Testimony by Kelli Good. We've been
trying to get that out there, new footage, new visuals,
you know, mm hm.
Speaker 7 (02:14):
That's what's up man. But definitely make sure you buy
those albums. Scoop those up.
Speaker 8 (02:17):
You already know what to do right here.
Speaker 7 (02:20):
Shouldn't have to tell you. But if you don't know,
buy both products and if you want to make really
good friends with Britt and Kelly Good. Go ahead and
buy it twice, all right, right, buy it twice. They
won't mind. Just like but man, Chuck Platinum, he won't
mind either if you buy his product twice. Man. We're
gonna talking to Shuck Platinum momentarily. In fact, let's go
(02:42):
ahead jump into trended topics. Trinded topics. We're gonna put
one out there, Trinity Topics, brought to you by Spotlight
three sixty Media. If you like all the celebrity stuff
that I got going on, including some of this of
the Zeus network things that I've done recently, we should
be posted on Spotlight three sixty Media on that website
as well as follow on social media at Spotlight three
(03:04):
sixty Media. I saw you with Justin Lee, oh yeah,
oh yeah, definitely always keeping it moving, keeping it moving
right there for sure as usual. And I saw you
with Nick Canning. We're gonna talk about that a little later,
right yeah. Yeah, So you know, we always keeping it
moving here on the radio show. Everybody's doing it and
(03:25):
making things happen around here. Now Trending topics.
Speaker 8 (03:30):
Here we go.
Speaker 7 (03:32):
There is a podcast that I was listening to these folks,
thought that the music industry has gotten a little stale
and felt that it was missing creativity. It's lacking creativity
right now. Here's what they sit on a recent podcast
in regards to that, you.
Speaker 11 (03:51):
Get the music out in the world to be heard independent.
Speaker 7 (03:54):
Artists looking on right now, because we did with independent artists,
How do we get somebody like you all to notice this?
Speaker 8 (03:59):
I knew that.
Speaker 7 (04:01):
The rappers are not exciting, singers are not exciting. There's
no new quothnographers, there's no new companies coming up, like
Who's Who's making something new and fresh.
Speaker 8 (04:13):
I think there's a lot of new and frapping in.
Speaker 5 (04:16):
It's just that we gonna like, you know what I'm saying, like,
there's a lot.
Speaker 7 (04:18):
Of new autists coming out of this that the other
doing it off like crazy small. That's right. They're saying
that the music industry is lacking creativity, lacking moves, and
it's stale right now. So I was really thinking about that,
and do I think that the music industry is stale
(04:39):
right now? I think, in my personal opinion, it's kind
of still in a couple of areas, meaning that I
have not seen that group come out in a while.
I haven't seen a good female group R and B
wise even come out in a while, So I think
in those areas it's missing. Uh, it is lacking a
little stale in those areas. Creativity wise, I'm kind of
(05:00):
on the fence, you know, yes and no so, but
I figured since you guys are in the music industry,
you all would know a little more so and have
a different opinion more so than I will on that.
Chuck Platinum, what do you think about that? Do you
think that the music industry is still in lack creativity
right now?
Speaker 12 (05:21):
I don't think that it's still in lack of creativity.
I think that it's always there is artists that's creating.
I think the fact that the discovery may be lacking,
but there's always artists and people out there that's doing
a thing that's you know, it just really depends where
you're looking at.
Speaker 8 (05:40):
That's how I feel about it.
Speaker 7 (05:41):
Okay, what do you mean discover as far as discovering
new talent.
Speaker 8 (05:44):
Or discovering new talent. Absolutely, I mean, you know, back
in the day, it.
Speaker 12 (05:49):
Was traditional for you know, labels to promote new talent,
and I think now the labels are focused on other things.
So you know, there's not many people being promoted out
there that have that talent that people are looking for.
Speaker 8 (06:05):
But I believe it's available. I believe that there's people.
Speaker 12 (06:08):
Out there that's you know, that definitely had that skill
set that can be promoted.
Speaker 8 (06:13):
I think that it's just lacking.
Speaker 7 (06:15):
Okay, okay, that's what's up. That's what's up. Britta LEVINEXT
to you, miss Sheela. What do you think is the
music industry lacking creativity? Is a stale right now? Yes?
Speaker 13 (06:25):
Or no?
Speaker 9 (06:27):
You know what, It just depends. I feel like fifty
percent yes in certain areas. With the creativity, you gotta
go to the trenches to kind of get the creativity.
You know, a lot of people out here, or a
lot of females, different things that you want to put
on these jeans and a T shirt on stage. If
I want to see jeans and a T shirt on stage,
(06:47):
I'll go watch my auntie a karaoke. You know what
I'm saying, Like, I would like to see like real
performers out there. And number two, back to what you
was talking about. You said something about out groups. You know, nowadays,
everybody selfish and everybody want to be Beyonce. Everybody want
(07:07):
to be Beyonce in these groups, so nobody wants to
not be Beyonce in the group. Everybody want that spot.
Like even though everybody on the same stage and in
a singing group, which people don't know, everybody in the
singing group get paid exactly the same, whether you the
lead singer or not. But that that fame and everything
like get to get your head and everybody can't be
on the same page and people be arguing. So that's
(07:29):
why you can't never really you're not seeing groups because
somebody always doing something, somebody going to jail, somebody, uh,
you know, they they can't wake up, They not on time.
This one think they better than everybody, and they not
the lead.
Speaker 1 (07:41):
You know.
Speaker 9 (07:42):
They they arguing, they're not doing what they're supposed to do.
So that's why you don't see that many groups. But
I do feel like creativity is kind of kind of interesting.
But if you go to the trenches, you'll find it.
You know, it's there all day.
Speaker 7 (07:55):
Okay, all right, what do you think about that keyword?
A radio show on on social media platform, you could
chime in on that. So far right now, we've got
a poll going on in the clubhouse room. If you're
checking us out in the clubhouse a keyword d a
radio show, there's a poll. Is the music industry steal
when it comes to creativity?
Speaker 8 (08:13):
Yes or no?
Speaker 7 (08:13):
You can vote right there, or if you on any
of our social media platforms that you're checking us out
on right now currently, you can go ahead and leave
your comment yes and no. Right there, is the music
industry steale?
Speaker 8 (08:25):
Yes or no.
Speaker 7 (08:25):
We want to hear from you.
Speaker 10 (08:40):
She got a home like a bottle. She knows she
is certified.
Speaker 8 (08:50):
Walk by.
Speaker 10 (08:55):
Walk till she didna shoot fly.
Speaker 1 (09:03):
She Gucci Daddy, Gucci is Louis.
Speaker 14 (09:11):
It's in Louis that proud a person's fashion killer with herr,
she says, yes, she know it. She gave up the
short short watch out how she won't same way she talking.
Speaker 15 (09:22):
Oh.
Speaker 1 (09:22):
She the type of hustle at and go and get it.
Speaker 6 (09:25):
Jimmy too.
Speaker 14 (09:26):
She custom fitted holy mess with mom fils trop riding
through the city missus Hello Kitty and depending pretty polo horses.
Speaker 16 (09:34):
When she riding with me.
Speaker 1 (09:35):
She loves shopping, d C, DC, party and around.
Speaker 6 (09:39):
She gets it how she wanted.
Speaker 1 (09:41):
She's so country Grandma. She keep that money coming. She
be born very stunning, this superwoman, she got it. You
can't tell her none of only.
Speaker 10 (09:49):
Like a bottle sis. She hustled like a success. She
knows she is certified.
Speaker 16 (09:57):
She walked by, walk.
Speaker 5 (10:10):
Shot on my crime, on my game.
Speaker 17 (10:18):
Got the spark, never tane, keep it sharp, never playing,
brissing high.
Speaker 5 (10:22):
Break the change green.
Speaker 17 (10:23):
The browns know the sky slight, It strikes as a
live set the world.
Speaker 18 (10:27):
Every move trail blazing, and the glue eyes on me
can't help but see strips of turns up tighter. I'm
that fire.
Speaker 5 (10:34):
I'm then got us the golden to the scows.
Speaker 10 (10:36):
The game need no cutch, shot the crown, no ribles
in sight.
Speaker 19 (10:39):
I'm the moon's glow, pure men in the league of
my own, set the base, no challenge, just in my race.
Speaker 1 (10:46):
I'm the common, blazing fast.
Speaker 8 (10:47):
It's in the sky.
Speaker 5 (10:48):
Mike is cast brother.
Speaker 1 (10:49):
Strips of mimic my game, but they fail like shadows.
Don't send the flag. Good so good heat, the screaming,
turn the stage.
Speaker 12 (10:56):
Into my empire alive while I am big do you
can't let a bring your success.
Speaker 17 (11:02):
I'm the trendset sitting on the crip here that's the
impressive pinion.
Speaker 1 (11:06):
The sowski I'm bringing zero stress.
Speaker 20 (11:08):
See the queen shack of.
Speaker 1 (11:10):
Horse and find you know the way he's sitting on
the bit.
Speaker 21 (11:13):
You Seecret's on the bosom and now Hetty's stunning on
them latinos on the feet.
Speaker 2 (11:18):
Got a model walking on them again for from wresting.
Speaker 21 (11:21):
But see the type they can't get hood onybody yo
some times, the type that you can't let you pass
you damn you the bunch shut head and the haying
cuts the standard strings independent, fast right body right, mind right, ain'tything.
But this year the nikki even got a little shiggy
in a no mabe yoa the little man shring a
(11:43):
pull a little.
Speaker 2 (11:44):
Only know some bosh.
Speaker 22 (11:45):
You know that she ad Homy got.
Speaker 8 (11:48):
That goat yet again.
Speaker 7 (11:50):
He once is a boy he now all.
Speaker 16 (11:53):
They face shot.
Speaker 10 (11:54):
Maybe he ain't no poesy chick. So missle with the
pull shoveler, that's the.
Speaker 7 (11:57):
Cattle talking about it.
Speaker 22 (11:59):
So you ain't got it.
Speaker 21 (12:00):
Even as my dropper shots top a bottle topper only
like a bow sid she hustled like a bad sixteen.
Speaker 15 (12:08):
She knows she is certified stan damn when she walked back.
Speaker 9 (12:15):
She made.
Speaker 15 (12:17):
You look didn't walk him her singer Panda him lips dead,
singers everything, gonna shoot fly, she's singer bad.
Speaker 6 (12:29):
Yeah, don't she.
Speaker 16 (12:30):
Bagg broom through boom broom through bo broom through boom
broom through boom.
Speaker 2 (13:05):
Love and lost, late late later we go and move
a crown.
Speaker 1 (13:15):
Show, turn to radio.
Speaker 19 (13:31):
Are you look like you're singer ever? It's like we
belong together. Baby, I want to fill your pleasure. I'm
trying to dig in your.
Speaker 4 (13:47):
Treasure an turn up.
Speaker 8 (13:52):
Into the bed room.
Speaker 6 (13:55):
Everywhereto er.
Speaker 19 (14:00):
Take the shot, shot show bad shot, send a mantua
group of because some g like you can taste that.
Speaker 4 (14:14):
Let's turn the ones into taking my hands off. You
ready for whatever? When you're going through love that kid
shot gose you.
Speaker 13 (14:28):
Go get and so.
Speaker 16 (14:30):
We're gonna get this thing. Jump out.
Speaker 4 (14:33):
I can't bothy you got me?
Speaker 23 (14:35):
It is trying to do't have on the baby, Oh God,
your body looking.
Speaker 1 (14:45):
Way there, don't make it go crazes.
Speaker 8 (14:49):
It shows you.
Speaker 4 (14:53):
Into the bird room. Let's shea sit back.
Speaker 6 (14:57):
We girl until I had you. Yeah, I'm gonna take
this shot.
Speaker 1 (15:03):
Shot that's your part, shot.
Speaker 8 (15:07):
Man, it's a full.
Speaker 1 (15:08):
Pad because great such like you.
Speaker 10 (15:10):
Can taste that sick.
Speaker 8 (15:14):
Cold.
Speaker 4 (15:15):
Let's turn the ones into picking the pays off your
bread forgever when you come through the camp street, how.
Speaker 16 (15:26):
You me.
Speaker 1 (15:29):
Logging and so then we can't need to stay click.
Speaker 4 (15:35):
Let's turn the one's in the door picking the days
off your home of.
Speaker 16 (15:40):
You whatever.
Speaker 1 (15:44):
Love got Chip Street, camp streets. You just hear me
loggy and so the little less day jump in.
Speaker 7 (16:14):
Check this out, this Warren Ge and you listening to
the radio show.
Speaker 20 (16:18):
I can't tell you ninety.
Speaker 5 (16:19):
Two reasons why I'm drowning.
Speaker 24 (16:23):
And your lode.
Speaker 25 (16:28):
I can't reason you give me about the mile getting.
I'm only saved bye good. I just swam other live
m the water on two. I just swam nother li
on the water with you.
Speaker 20 (16:49):
With you, with you, cause I don't mind drawing and joy.
Speaker 13 (17:01):
She'll smother me with your good energy, and I don't
care to come up for you'll give me put my
solar scape.
Speaker 5 (17:15):
And leave. You have been to being the baddest. I
don't care, no, no, it makes me feel whole inside.
And if you're not him your other.
Speaker 8 (17:30):
Side out of mind.
Speaker 26 (17:33):
I'm chasing that dope for me excives me every time
I come running, every time.
Speaker 5 (17:43):
I can't tell you now told breezes why I'm drowning.
Speaker 27 (17:48):
And your life.
Speaker 5 (17:54):
I can't breeze or you'll give me mouth to miget.
Speaker 1 (17:58):
I'm always safe by God.
Speaker 16 (18:04):
I just won't know.
Speaker 6 (18:06):
Live on the water with you.
Speaker 5 (18:10):
I just want to lift on.
Speaker 20 (18:12):
The water with you, with you, with you, because I
don't mind drowning and your.
Speaker 5 (18:26):
I'm gonna take it in. I need to fix every day, but.
Speaker 2 (18:32):
You always don't.
Speaker 5 (18:33):
My wife away, I leave anybody for you. You had
no idea that's what I was doing with.
Speaker 26 (18:48):
Chasing you in my trees. Haven't got to get you read,
I haven't got to show you.
Speaker 5 (19:04):
Listen, got to rebuild my pill.
Speaker 25 (19:08):
I can't tell you now to tones why I'm drowned
and drowning in y'all.
Speaker 20 (19:16):
No, no, no, you can't breeze or you'll give me
my to mole.
Speaker 5 (19:22):
Getting now to mowbo.
Speaker 16 (19:27):
Jove.
Speaker 24 (19:28):
Yeah, I just wall live from the water with you.
Speaker 1 (19:33):
I swam, No, I just wanner live from the water,
would you?
Speaker 8 (19:38):
I swam?
Speaker 5 (19:41):
I swam.
Speaker 6 (19:44):
Care some mine.
Speaker 20 (19:46):
Drowning and y'all.
Speaker 7 (19:50):
Let's go ahead and jump into move the crowd. What's
our guest, Chuck Platinum. He's in the building right now.
Let's go, y'all can get closer to your take the
time for the radio show, Move the crowd, all right, y'all,
way are inside of Move the crowd where we're taking
artists off stage, bring the backstage to get the nose
(20:11):
of hibrids.
Speaker 5 (20:15):
Up close and more personal.
Speaker 7 (20:17):
I love that part and showing us now is our
folks out of New York, right, yes, sir, all right,
absolutely okay, now asks what's up?
Speaker 5 (20:27):
Man?
Speaker 7 (20:28):
Join us now? And we got Chuck Platinum in the building, Man,
Chuck Platinum. How you doing a nice sir?
Speaker 8 (20:33):
Feeling great?
Speaker 7 (20:34):
Great, great, great, glad to be here, very good man.
First of all, thank you for staying up with us. Man,
I know what's laid out there. We appreciate the fact
you stayed up with us to be a part of this.
Speaker 12 (20:44):
Absolutely absolutely. Well, it's my time. I usually work at
night anyway, so this this is my time to.
Speaker 8 (20:49):
Shine, So be all good.
Speaker 7 (20:50):
Okay, it's all good man. So you're normally making tracks
and artists at this time, right?
Speaker 8 (20:55):
Absolutely? Absolutely?
Speaker 7 (20:57):
Okay, Well, you know, well speaking of of a track, uh,
by by way of your I g uh you showed
a part of you in the studio. I guess making
some magic. Can you explain this right here? For sir,
(21:28):
that's you and that's you in the studio and and
but I guess making a track right there, man? So
what was the magic behind that right there?
Speaker 1 (21:36):
Oh?
Speaker 8 (21:36):
That was just something that was real quick.
Speaker 10 (21:39):
I was.
Speaker 8 (21:39):
I was actually on my way to work. Uh, I
believe that was yesterday.
Speaker 12 (21:45):
I might have posted that I was on my way
to work, and you know, I just wanted to be
creative and just get some get some time, get some
wreck time in the gym. So you know I had
discovered that sample. I'm always digging in the crates so
to speak. You know what I mean, which is our
crates is online now. But I was digging in the
crates and uh, you know found that that gym right there.
(22:08):
Just chopped it up and you know, put a little
clip on. And at that time when I put that
clip up there, that beat wasn't even done.
Speaker 8 (22:15):
It was just a loop.
Speaker 12 (22:16):
So you know, I finished it up and you know,
just made it happen. So yeah, shout out to you
for finding that one. That's my most recent creation.
Speaker 7 (22:25):
Okay, now you're gonna take that beat in hand and
get that to somebody, right, I would assume, right.
Speaker 12 (22:30):
Yeah, I probably I'm deciding where that's gonna go right now.
I'm working on a couple of projects, so I'm just deciding,
you know, what, what I'm gonna do. But that was
just some that was just some wreck time. But when
I played it, I definitely got some great responses from it.
So who knows who they out of.
Speaker 8 (22:46):
Land up with?
Speaker 7 (22:48):
Okay, all right, man and speak speaking of which man
had a chance to research you some more on your
ig and uh, you were saying you were speaking about
an artist artist having a track and and having your
tracks for a certain amount of time and not putting
the tracks out, and that if you give them a
certain amount of time and they don't put the track out,
(23:08):
then you're gonna take that track give it to somebody else.
Speaker 8 (23:11):
That's a fact.
Speaker 7 (23:11):
What is the timetable? How long do you give it
artists to put the track out? And why?
Speaker 2 (23:19):
Right?
Speaker 12 (23:20):
So it's really more or less about communication with me.
A lot of times, you know, it's pretty common for
artists not to have songs ready right away, or you know,
you might have artists that may be sitting on songs
or do songs for other.
Speaker 8 (23:37):
Projects, which is cool.
Speaker 12 (23:38):
I have no problem with that, But when you have
no communication about it, then we've maybe created one song
or multiple songs. You know, at least the producer should
have the opportunity to know exactly what you're doing with
the song, so you know I'm giving them. You know,
it really depends if we have a relationship. You know,
(24:00):
it might be a little while, maybe you know, six months.
You know, I might reach out to you, hey, you know,
what are we doing with the song? Or you know,
are you doing anything with these beats? And if there's
really no response then at that time and this is
only if we don't have any contract you excuse me,
contractual obligations or if you didn't you know, because sometimes
you give beats to artists to work on. They may
(24:21):
like to beat, they may not have paid for the
beat already. So you know, if there's no contractual obligations
to the beat, then you know, there's really no time frame.
It's like I'll ask you within that time period. Hey,
you know, if you tell me that you like it
and you're gonna use it, then you know, is this
song gonna be used? Because a lot of times, you know,
(24:42):
in the majors, you won't even know. You might send
something to somebody and they may not use it, and
you know that beat is just out there. So I'm
just me working on with independent artists, I think is
their responsibility to let the producer know if they're going
to use their material or not. So I say, you know,
six months year, like I said on the post, six
month years. You know, it might be a year, it
(25:03):
might be six months. I might reach out to you,
but you know, we're definitely gonna Really it's more about
the incentive of all those old tracks that I got.
Let's let's let's get those back. It's been like two
three four years we did these songs, and what are
we doing with them? But that just came from me
listening to my catalog and you know, listening to some beasts,
like dang I sent this beat out. I wonder, wonder
(25:26):
what this person is doing with this beat. So yeah,
that's where that came out. That's where that came Oh okay.
Speaker 7 (25:32):
That's what's up man, No dam man, we got Chuck
Platinum in the building. Y'all want to have a highlight
and keyword A radio show on on social media platforms.
Let me know what's up at this point. Brit living
next to you and Shandon Live, go ahead and talk
to Chuck Platinum.
Speaker 9 (25:46):
Okay, Chuck, how you doing tonight.
Speaker 8 (25:48):
I'm wonderful. How about you?
Speaker 9 (25:50):
I'm doing great. I'm doing great. What is your favorite
part about working and producing?
Speaker 12 (25:56):
My favorite part about working and producing is really just
putting the right together, just creating the record being you know,
having the artists. You know, you draw one emotion from
the creation of the record, and then you have you know,
the other emotion from the artists bringing their perspective on.
So when you gel all of that together, that usually
makes a great, you know, great combination, especially if you're
(26:19):
fortunate enough to work with the artists in the studio
and produce the record for them. But you know, you
could find that magic even if you're just emailing it
back and forth and creating like that. So that would
be that definitely would be my favorite thing about creating
with the artists.
Speaker 7 (26:35):
Okay, that's what's up. That's what's up.
Speaker 28 (26:37):
Now.
Speaker 7 (26:37):
What's all you created? Was Hustler man? So tell us
about this Hustler record we got here?
Speaker 12 (26:42):
Oh yeah, Hustler, that's the first single off my project
called The Warm Up. I released that project on June twentieth,
and uh, you know, Hustler is basically just about what
I do every day. You know, I get up every
single day. I'm an entrepreneur. I uber at night, you know,
to keep the lights on, you know. So it's basically
(27:03):
just about you know, me getting up every day, every night,
twenty four hours, seven days a week, just hustling. Whatever
it is, whether it's music, whether it's uber, and whether
it's you know, whatever I'm doing.
Speaker 8 (27:14):
You know, it's always about making that dollar.
Speaker 7 (27:17):
Legally, of course, legally, for sure, I want to make
that dollar. Make that clear legally.
Speaker 8 (27:24):
Let's make that clear.
Speaker 7 (27:25):
Yes, indeed, man, we're going check out hustling right now.
Let's go ahead and make it happen. Keyword here, radio
show on social media platforms. Please go ahead and tell
a friend and pass that on. Chuck Platinum in the
building right now, Hustler. Let's check it out the radio.
Speaker 1 (27:39):
Show Independent Artists Live here.
Speaker 2 (27:42):
We got this independent game on lock our day. Check
it out the radio show.
Speaker 1 (27:58):
I grind every day.
Speaker 8 (28:00):
Hey, I have to. There wasn't no books.
Speaker 1 (28:02):
Nobody showed me the map two had.
Speaker 12 (28:05):
To figure it out, learn the hard way, love the lessons.
Now I do it the small way, fully independent. Never
wanted the recorded contract.
Speaker 8 (28:14):
In fact, I turned down all of that.
Speaker 1 (28:16):
Couldn't see the future.
Speaker 12 (28:18):
But it's here now, executives and artists and fear Now kid,
the camera's got family shedding tears now they exposed.
Speaker 1 (28:26):
You want to see it in here now? Can't do
nothing about it because the media is.
Speaker 12 (28:30):
Social algorithms really designed to coach you.
Speaker 8 (28:33):
Whoever will provoke you.
Speaker 12 (28:35):
You want fame, so you hopeful around with the game.
Speaker 1 (28:39):
It it choke you.
Speaker 12 (28:40):
God be for the rapping his many to want to
smoke you. That's why I'm not vocal. Jail ain't my thing.
If it was you took us would be dead on
the rival. If it's my life versus yours, I'm here
for the survival. Be clear, brothers turn rifles, then spend
the block back and nothing ever happened.
Speaker 8 (28:56):
It's wick it out here.
Speaker 12 (28:58):
Be careful with your actions to be the ones not watching,
with the traction, see everything to do nothing, but still.
Speaker 8 (29:06):
Got your head out like y'all owe you something.
Speaker 12 (29:08):
Thirty plus years big jumping, always acting, got my hands
or something, and then literally you all came from nothing,
just the mind of a master.
Speaker 8 (29:18):
Ain't no fronting because I'm a hustler.
Speaker 24 (29:21):
Color Land Jerry Day.
Speaker 16 (29:23):
I'm a hustle.
Speaker 12 (29:26):
Every day, Ran Jeffy doing it every day, shudder.
Speaker 24 (29:33):
Lad, every day.
Speaker 8 (29:34):
I'm a hustler.
Speaker 24 (29:36):
M tire Land Jeff I do it every day.
Speaker 1 (29:38):
Crazy and rich Jeremy, I do it every.
Speaker 6 (29:41):
Day and night.
Speaker 8 (29:43):
You know you gotta get that like you get it.
Speaker 12 (29:45):
I get it every day, hustling right big though. I'm
a serve a customer, whether it's music or huber. I
might give him a lift or a versus or track,
whatever I got to gift.
Speaker 8 (29:55):
I'm a jack of.
Speaker 12 (29:56):
All trades and master revolt to see and everything cham
your ship brings always number one no other places. An
option practice makes perfect. That's why I never stopped, even
when my peers did.
Speaker 2 (30:08):
I never gave up.
Speaker 1 (30:09):
Always stay relevant.
Speaker 12 (30:10):
Television, movies, the talentness ever, and I'm clever, so I'm
a mag them more energy.
Speaker 8 (30:16):
Be my presence felt everywhere. You remember me, even my
enemies they love me too. It must be tough trying to.
Speaker 12 (30:23):
Fit these shoes you can't pay jus and still paying
them any challenge in my weight. I'm case laying them
recipes to the drama king, I got my armor, let
the Piranha sing, I'm locked in in born a winner,
dir legend already spoken. It's in a legend of fully
your counter top of the change legacy mounting. I am
the truth, youth of a fountain. Faith is as tall
(30:45):
as a mountain in brain supreme. I'm never doubted claim
a spy. They loudly shout that I'm a hustler.
Speaker 8 (30:52):
Baby, I'm a hustler every day. A friend Chevy do
it every day.
Speaker 12 (31:02):
One again, ride you know, tell your lady Cheli day,
I'm a hustle and am tell.
Speaker 8 (31:09):
You land che did every day and friend Chevy do
it every day.
Speaker 24 (31:15):
Ride you know all the way to link.
Speaker 6 (31:46):
Okay, where you go?
Speaker 7 (31:57):
Oh that's right, Chuck platinum. Huh Chuck platinum, hustler right there, Yes, sir, Yeah,
So Chuck, is that out? Are coming out or what's
up with the record there?
Speaker 8 (32:06):
That's out right now, that's out right now. You can
get the warm upbout so on all DSPs.
Speaker 12 (32:11):
Shout out to Ayana Records, which is my label distributed
by Empires.
Speaker 8 (32:16):
So yes, we are live with that record. And the
video is out too, so you can go check that out.
Speaker 7 (32:21):
Okay, make sure you do that and scoop those scoop
thosel get those streams up right there on that project
and much more. Chuck Platinum, man, what give me an
I G Get them all your info so they can
go ahead and buy that and catch up with you.
Speaker 12 (32:35):
Well, yeah, most definitely the Google me Chuck Platinum, my knowledge, Paanel.
Everything will come up with the music. Hit me on
any any social media you can follow me. I'm not Hollywood.
I follow back Chuck Platinum on all all platforms Facebook,
i G.
Speaker 8 (32:52):
Everything is on Chuck Platinum.
Speaker 7 (32:54):
All right, Chuck Platinum is out. We'll catch up with
him down the road. We got more of the radio
show and including somebody here was on a show and
Nick Cannon we're gonna talk about that. And if you
only had one hundred dollars, how would you promote your music?
We'll give you some steps on what you can do
with that. Hopefully catch up with m D. We got
(33:15):
played a slag, we got love and Lust, we got
the celebrity interview of the Evening right there, and a
whole lot more strictly independent about by the R and
B Music and It's finest the radio show. We stopped
by the ninth and you are coach your creators and
your awards Brunch. This platform exists to uplift the voices,
journeys and bring into black creators whose impact often goes unrecognized.
(33:40):
Accard it with a few of the honorees and got
their thoughts for what witting their awards meant to them.
Come congratulations on one in your award you must.
Speaker 9 (33:51):
It means that the hard work that I put in
is actually being recognized.
Speaker 1 (33:55):
And I appreciate you, don't.
Speaker 12 (33:59):
You know, when you start in this business, you don't
think these things are the results of it.
Speaker 2 (34:03):
I just do things that I enjoy and passionate about.
Speaker 7 (34:05):
So it's great, It's really cool. Congratulations to all the
nominees as well as the presenters and the winners as well.
This week to pick hit J T l R featuring
Snoop Dogg with Mad Scientists, That's My Box with some
much trauma on the It kind of hard being jail
double Nyt paraphrase, no distance I heard each week on
(34:27):
the radio shop Just this stue pursuit with the wealthender
you go on girl, just shake that fruit because I
never know me.
Speaker 2 (34:34):
Now back to the radio show.
Speaker 8 (34:55):
My riding down my baby, she's f.
Speaker 1 (35:02):
Yes on my way. Don't get a girl. Don't blame okay,
I said, I say, don't lay my bag. I don't
have to ask.
Speaker 5 (35:14):
I have to pay, like.
Speaker 8 (35:16):
When you take control of me, and like when you.
Speaker 6 (35:20):
Speak, you only I bet you have to brain you run.
Speaker 8 (35:24):
Away from me.
Speaker 2 (35:25):
You ain't n pay me noticing.
Speaker 5 (35:27):
Channel because I say you need what would you like?
Speaker 1 (35:34):
Would you because I say, but yours.
Speaker 29 (35:42):
Say because I feel for a se it's a side
because I see it's a side because I feel sing.
It's I say, because I see received I want you get.
Speaker 8 (35:58):
We're not selling their I'm gonna do.
Speaker 1 (36:02):
My husband night. So baby gonna make some time. I
put love point saying so you're ready go.
Speaker 8 (36:07):
You don't know I must do so.
Speaker 17 (36:10):
Like you haven't better do but that be like I
come back, baby, gonna talk you your son.
Speaker 1 (36:17):
You can't do about it.
Speaker 8 (36:18):
You didn't think that.
Speaker 17 (36:20):
Yeah, I like when you take your love me and
like when you speaking probably maybe.
Speaker 8 (36:28):
Run away from me.
Speaker 1 (36:30):
You won't have to tell you.
Speaker 24 (36:31):
Know the same chouse. I say, you need.
Speaker 8 (36:43):
Much spinning iron. But your.
Speaker 29 (36:47):
Sense, your good.
Speaker 2 (37:14):
Love and lush late lay slate.
Speaker 6 (37:18):
We go and move a crowd.
Speaker 10 (37:23):
Radio show, so turn up your radio.
Speaker 1 (37:29):
Hey, sometimes man, I can't just hang out like a
regular person. You know you see me. You are different
in many ways. To start off with the fact that
I stay busy. I don't waste no time. It's twenty
five bague baby, I'd be busy. I'd be pissed.
Speaker 18 (37:48):
I'd be busy all the time. I got funny on
my mind, he on my my crin. I'd be pissy.
Speaker 1 (37:54):
I'd be pissed.
Speaker 18 (37:55):
I'd be always faking shows, staking on my door. You
don't want. I just know.
Speaker 1 (38:00):
I'll be busy, kisty, busy in a good way.
Speaker 18 (38:03):
Whoa whoa busy in a good way? WHOA busy in
a good way. I'll be busy, kiddy, busy in.
Speaker 1 (38:10):
A good way. Whoa busy in a good way? Whoa
busy in a good way? Whoa whoa? I'd be busy.
I'd be busy, look clean.
Speaker 10 (38:21):
Like, who's wizzy?
Speaker 28 (38:22):
Only can your cake now in the jiffy? I'll be
busy like a keeper won.
Speaker 1 (38:35):
Keeper.
Speaker 10 (38:36):
I'm a gift type of creature.
Speaker 1 (38:40):
I just follow, don't procedure.
Speaker 18 (38:42):
I'd be busy like a mumbo bree I they live
like a humbo wait. I want to see things may
become with me in my set at the Double Tree.
I've been busy like I got no friends. I work
hard like a Mexic game. I don't mean no compare
excellent leg I'd phys I'd be busy the pick up
money on my mind, pay day on ma my grind.
Speaker 1 (39:03):
I'd be pisy. I'd be pissed.
Speaker 18 (39:05):
I'd be always booking showers, price taking on my door again.
Speaker 2 (39:09):
You don't want I know.
Speaker 18 (39:10):
I'll be busy. I'd be pisy, busy in a good way.
WHOA whoa busy in a good way? WHOA whoa busy
in a good way. Oh, I'll be busy, busy, busy
in a good way. WHOA whoa busy in a good way?
Whoa whoa busy in a good way.
Speaker 1 (39:25):
I'd be busy.
Speaker 18 (39:27):
I'll be busy making moves, run my city, ingle pool
to Mississippis.
Speaker 1 (39:36):
I must die to give a million. I'll be busy
like gelling.
Speaker 30 (39:42):
Classes in the land, making classic videos, send the magic
with all under banning.
Speaker 1 (39:52):
I'd be busy in a wain ah I can't stop.
Speaker 18 (39:55):
Man, a pool involved and if they're not more to
put your head like Dylan, Oh, I beat busy like
black Fridday, like my name was Lake, like a hot
day baby who got game. I'd be busy. I'd be
busy all the time. I got money on my mind,
Mama crin, I'd be busy.
Speaker 1 (40:14):
I'd be busy.
Speaker 9 (40:16):
I can't hear you done.
Speaker 7 (40:17):
Oh I did that by accident. I was trying to work.
How are you doing tonight, man.
Speaker 31 (40:22):
I'm doing okay.
Speaker 7 (40:23):
I had a while week at the O C Fair. Okay,
that's what's uping man? O C Fair.
Speaker 31 (40:28):
Yeah, the school tour did a show down, did a
forty minute show uh huh. And I was upset that
Brittany wasn't there. But that's okay, like me, so I.
Speaker 7 (40:40):
Feel it. I feel it, oh man, man, But we
had a ball down there, brit Living extra Human Chandelier
has some has a chance to uh do something with
Nick Cann and Nick can had it? What a podcast
that when Nick had britt Yeah.
Speaker 9 (40:58):
So, I mean, I guess you can call it a podcast,
but it's it's like a nighttime nighttime talk show, you know,
it's just just on a network called One Second. I
think it's called Waverley. It is a Wondery Media. So
(41:20):
it's on Wondery Media right now and it's on YouTube
at the moment and on Instagram. But you know he's
moving to get it on another network or whatever. But yeah,
it's called Nick Cannon at night. You know it's like.
Speaker 7 (41:36):
Okay, well, well MD, here here's a taste of bread
on that show with Nick Cannon on this nighttime show.
Here's how it went.
Speaker 3 (41:45):
Is it hellalthy to tell your spouse every day how
fine they are?
Speaker 5 (41:54):
Yes, that's very.
Speaker 1 (41:58):
Healthy human, Sandulra, And you have an amazing boy.
Speaker 2 (42:04):
It's a great I think.
Speaker 11 (42:06):
I'm sure you talk about this and the intimacy styles
of letting your partner know how attracted you are.
Speaker 7 (42:12):
To Yes, right there. So you was on there with Nigga.
Speaker 8 (42:18):
What was that about?
Speaker 7 (42:19):
Britt? You was singing? What was it about?
Speaker 9 (42:22):
So pretty much the shows about relationships and he'll have
you asked questions like about relationships and uh. That the
lady that was talking, she's one of the people offer
married at first title. She's like a coach, you know,
like a relationship coach.
Speaker 15 (42:39):
Uh.
Speaker 9 (42:40):
And she's like she's a doctor and she gives advice
on what she feels like to help you out and
help other people out in relationships.
Speaker 3 (42:47):
You know.
Speaker 9 (42:47):
So that was just my question and she gave her
take on it. But Nick and another comedian named Courtney
b they agreed that they want somebody to tell them
all day that you know, they think they find you know,
but the doctor said she didn't think that that was
a good idea. So it's just you know, you asking
for advice about your relationship. You know, it talks about
(43:09):
all type of things.
Speaker 7 (43:10):
Do you check? Check that out right there? Nick Cannon's
show right there on YouTube. You can find that it's
out there real.
Speaker 9 (43:17):
Easy to find out at night, and you can add
it on Instagram to see the next episode that's coming out.
And you can check me out on their Instagram and
Nick Cannon's Instagram.
Speaker 7 (43:29):
So it's pre recorded, not live, pre recorded, yes, pre
recorded show right there.
Speaker 8 (43:36):
For sure.
Speaker 7 (43:36):
We'll go ahead and roll on with this right here.
It's trending topic number two here again, WoT to buy
Spotlight through sixty Media Again, like all the celebrity stuff
I do, make sure you follow it it spot Light
through sixty Media on all social media platforms. By the way,
that is coming up momentarily after this. If you have
one hundred dollars and you have that to put your
(43:58):
music on all streaming platforms. As far as marketing and promotion,
here's what someone said to do on a recent podcast
that I was checking out.
Speaker 11 (44:08):
You get the music out in the world to be heard.
Distro Kids the cheapest out there. It charges two dollars
and eight cents for unlimited tracks. Next, I'm gonna throw
fifteen dollars at a Canva Pro subscription. It's gonna cover tour,
concert flyers, merch mockups, cover art, all my graphic and
visual needs. And next, I'm gonna put twenty dollars at
a chat GPT plus subscription.
Speaker 2 (44:27):
Literally solve every problem that I have as.
Speaker 7 (44:29):
An independent artist.
Speaker 11 (44:30):
Next, I'm gonna spend twenty dollars on a Symphony Pro account.
All right, this is gonna be my music marketing hub
for my artist career. I'm gonna focus on two things immediately.
Number one, building my artist website. It's gonna have links
to streaming platforms, merch store, tour dates, et cetera. And
then number two, I'm focusing on collecting as much fan
data as possible so that I can be in control
(44:50):
of my own career. Now that I have all this
fan data, I'm gonna throw thirty eight dollars at flow Desk.
They're gonna handle all my email marketing. This way, I
have a direct line to my fans, no middleman involved.
Anytime I'm announcing a new song, tour dates, special VIP access,
just want to thank them for their support. I've got
direct communication to them.
Speaker 7 (45:09):
That is a lot right there. But that's what he
did as far as breaking down, using just one hundred
bucks and getting their music, getting your music out there
to as many people as humanly possible by way of
social media. This your kid and all of the platforms
that he named. And I'm gonna have to end up
posting that somewhere on the radio show dot com on
(45:29):
the site so folks could check that out. And that
is a lot to digest right there in that forty
five second snippet that I had there. What do you
think about that? MD?
Speaker 8 (45:40):
I think he fell a snake oil.
Speaker 7 (45:42):
Yeah, yep, yeah, And they don't work that way. The
very first thing you got to have it, so.
Speaker 31 (45:51):
A good product, a great product right before idiot had
crap works all right?
Speaker 7 (45:57):
Well, Britt, what do you think you being an artist,
you think that's something you can do? I know you
it ran through it.
Speaker 8 (46:03):
But any of that that you that you.
Speaker 7 (46:05):
Think might work.
Speaker 8 (46:08):
I don't even know what he said.
Speaker 2 (46:10):
I just know it.
Speaker 7 (46:15):
Was a lot to digest. Yep, it was so pretty
go ahead.
Speaker 9 (46:21):
Is he saying, you know about you promoting only having
one hundred dollars? Is that what he's talking about?
Speaker 7 (46:26):
Yeah, if you had a hundred bucks, he was just
telling you how he can you can stretch that in
so many directions to promote your music.
Speaker 9 (46:34):
I mean, if you had a hundred bucks, yeah, I
mean you could do something with it. You know, you
can't do everything, but you can do something with it.
You know, like you on social media and you can
you could pay for what do you call it branding?
You know, pay to boost your posts. You know, like
you put twenty five here or six dollars here, six
(46:54):
dollars there. You know, like, yeah, but what that what
that generate?
Speaker 7 (47:01):
Any revenue for you?
Speaker 5 (47:03):
You can pay?
Speaker 31 (47:04):
That's what That's the big problem. We get all those
independent labels to pay, but we're never showing them how
they can generate revenue back from all that money.
Speaker 5 (47:14):
They yes, so it can.
Speaker 9 (47:16):
So this is the thing. It depends on what posts
you're boosting. Are you boosting a post telling them how
to get to your website, telling them how to buy
your music, and telling them how to buy your merch
What is the post that you're boosting trying to get
out there saying you know? So, it just depends on
what the boost is. And sometimes it could boost it
to two thousand people, It could boost it to five
(47:40):
hundred people. It could it could boost it to forty
thousand people. It just depends if you're gonna put that
whole hundred on there, or are you gonna do like
the twenty twenty five. You know, it just depends on
how much you're gonna put on the boost within the hundred.
But you could split it up where because you can.
You can only put six dollars on there, and that's
six dollars a go home week, So how many posts
(48:01):
you're gonna do with that six dollars and you're promoting
this is where you buy my merch, this is where
you buy my music, so you know, you can make
that hundred back and more. It just depends on what
your marketing plan is and what your graphics look like? R.
Speaker 7 (48:17):
What do y'all think about that keyword? Did radio show on?
On social media platforms? We roll on to Celebrity is
Celebrity Interview this week. After that, love and Lust and
play the Slave before we get up out of here.
Celebrity Interview this week brought you by Spotlight three sixty Media.
This week, we have I caught it with Attorney Benjamin
(48:40):
Crump recently. Here's how that went. Let's go.
Speaker 2 (48:46):
Show ribbon and all the red carpets.
Speaker 32 (48:49):
Here's an exclusive celebrity interview division.
Speaker 7 (48:53):
As far as when we've moved to keep going in
the world the way it is today?
Speaker 33 (48:57):
Where is the theory of Saint Kopacking proverb that lest
we look back to see forward. When we think about
what our ancestors did, you know they had it much
worse than the Trump administration.
Speaker 1 (49:12):
I'll never forget this.
Speaker 7 (49:14):
Older black woman telling me or turning cross.
Speaker 34 (49:17):
She said, Baby, when you go out there and you
speak all across America, remind our people that we done
been through way too many thunderstorms to war about a
few rain drops coming from the Trump administration.
Speaker 9 (49:42):
Let's go, Let's go let's go with your girl, Britty
LOVINEX the Human Chandelier. Here on the radio show, and
you're listening to love or Lust? Do you have a
problem with your relationship? Do you want to know if
it's love or lust? Let us all vote and let
us all let you know if you're in love or
if it's lust.
Speaker 7 (50:01):
All right, y'allen said the love of less. Right about now,
Britta living next to human chandelier, the floor is yours.
Speaker 9 (50:10):
It's your girl, Britty loving X the Human Chandelier. And
today on love or Lust, the topic is is it
love or lust? If they never tell you I love you,
and when you tell them, they never say it back,
but their actions one hundred percent show that they do
love you. Is that love or lust?
Speaker 7 (50:36):
What the same? They said again?
Speaker 8 (50:37):
Sounds like lust to me?
Speaker 7 (50:39):
All right, well, I guess, uh, I don't know. I
guess you could. I guess I guess in that sense,
I guess MD. I'll go with you, man, it have
to be lust, all right.
Speaker 22 (50:49):
First off, MD D, how y'all doing?
Speaker 8 (50:51):
Thank you for having me homie? What some man?
Speaker 7 (50:53):
How you doing?
Speaker 22 (50:56):
All right? I'm doing great, man, It's good to be here. Yeah,
I have to go up. I'm gonna go back to
the age old Anders and always say I'm gonna say
that it is love. But just because you love someone
doesn't mean you have to be in love with them.
Speaker 7 (51:14):
Yeah, we'll go to play the slay right now, while
she maridates on.
Speaker 9 (51:16):
That, join the radio show every Monday night, every Monday night,
play it or wait for the indie song that you
enjoy the most.
Speaker 7 (51:28):
All right, yall inside to player the slay right now?
We do each and every week around this time. Is
we take not one, but two songs and we ask
one question, and that's what should we do with these
particular songs? Should we play them?
Speaker 1 (51:40):
Or should we delayer, slid.
Speaker 7 (51:45):
Slay the record, throw it in the cyber trast never
to be heard from again, or play it added to
the future home of the radio show dot com as
it makes triumphant return coming fall of twenty twenty five.
All right, so two songs gonna get you right now.
I will say this that both songs have more of
(52:05):
an and a Caribbean feel to them. I will give
you that as a clue. All right, So the first
record we got is TJ Song is called twark It
TJ Song is called twirk it. Gee, I wonder what
this song is about. Let's make it happen, y'all. Yeah, man,
the radio show.
Speaker 32 (52:26):
Let's go the radio show show, Radio show, the radio show,
or slid.
Speaker 17 (52:42):
Money Monny Monny, Bunnyny, Bunny, Monny pain Monny, Funny Honey
Monny Way, Funnynny Honny Honnynny, Honey, bunny, pame honey, bunny, honey, honey, honey, gottaway.
Speaker 2 (53:00):
She said, so your numb, but.
Speaker 8 (53:06):
For the advice for your numb but the night got
drop though.
Speaker 29 (53:12):
Up just.
Speaker 14 (53:17):
Right that WoT be they your numb got do your surgery.
Speaker 6 (53:22):
But english phone ronning.
Speaker 23 (53:25):
If I'm a little deservey thing, put lane going.
Speaker 32 (53:28):
Someone moving, radio show, the radio show, play or slid.
Speaker 7 (53:33):
All right, that's the first play the slave record right there.
That is t J songs called t J song is
called twirk it. So play the slid. What should we
do with the record? Uh MD, what do you think?
Play the slaves? It's unfair, but I'll give it a play.
Speaker 8 (53:50):
Okay, join the radio show.
Speaker 7 (53:59):
All right, I'm gonna ahead and play the record as well.
I thought it was cool. All right, now I'm gonna
go ahead, and ask Britta living next to human chandelier,
play the slid? What should we do with it?
Speaker 9 (54:15):
I'm playing it. I thought it was popping.
Speaker 15 (54:16):
I like it.
Speaker 7 (54:17):
Okay, all right, Kelly good you think about the record
player of the slid.
Speaker 4 (54:33):
I like this.
Speaker 22 (54:34):
He can't roll right? All right?
Speaker 7 (54:45):
Now, it's TJ songs called twirk it. TJ song is
called twirk it. All right, So let's go ahead and
play the second record tonight. It's project song is called sweat.
Project song is called sweat. Let's check it out here
we go.
Speaker 32 (55:01):
Play the slid, the radio show, Radio show, the radio show,
play play or slid.
Speaker 5 (55:16):
A shirt.
Speaker 27 (55:18):
I may have be sure that, but that will just
lyne you know if I moved that.
Speaker 15 (55:23):
Bomb.
Speaker 5 (55:24):
But they're like Liam's actually, but I know you have
approved that.
Speaker 27 (55:27):
Can your share your buddy, buddy, Praise your buddy, buddy,
not legsy baddy, Babby, God create your buddy buddy.
Speaker 8 (55:34):
Is pray you with the money stays some body?
Speaker 27 (55:36):
Body? Sweet sweet sweet sweat, sweat, sweat and money, sweet
sweet sweat, sweet sweet wind for me that sweat only
then a sweat only at sweat, sweet sweet sweet sweat.
Speaker 32 (56:02):
The radio show, Radio show, the radio show Play.
Speaker 7 (56:07):
That is our second place Slate Record of the night.
That is a project songs called Sweat. Project song is
called Sweat all right, Britta, let me next to Human Chandelier.
What do you think about this one?
Speaker 9 (56:19):
I thought it was cool, you know, real mellow.
Speaker 7 (56:23):
Something. You play it?
Speaker 5 (56:25):
Yeah?
Speaker 9 (56:25):
I play it?
Speaker 7 (56:26):
Okay, m D play the sligh? What do you think
about the record? Bye, y'all, catch everybody else next week.
(56:48):
We're done the.
Speaker 1 (56:50):
Radio show so far.
Speaker 2 (56:51):
Make sure you follow us on all social platforms at
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