da radio show

Episode Transcript

Speaker 1 (00:00):
It's time to.

Speaker 2 (00:03):
Radio show.

Speaker 3 (00:08):
Sure we are the greatest. We played the greatest in the.

Speaker 2 (00:24):
Artists on the radio show.

Speaker 3 (00:26):
We got hot top bis. We did the popper on
the radio show.

Speaker 4 (00:31):
Listen to love and listen give you all up in
your relationship.

Speaker 5 (00:34):
Problems will be with it.

Speaker 3 (00:36):
So make sure you tune in and the radio show.

Speaker 5 (00:41):
The radio show.

Speaker 6 (00:42):
So did you get a chance to stand in line
if you lived in Los Angeles to get your commmittives
Nipsey Hustle tap card. The line was long, it was
off the hook. Many of Nipplesy Hustles fans was in
line to get one. I missed my opportunity. I was
too busy to go. But if you got one, let
us know. The night after bringing the radio show Dundee

(01:05):
m D and Brittain levin next to human chandelier and
making it Apple for your live and direct word. This
is the radio show strictly independent hip hop and RB
music at his finest. Hi y'all there, oh hi ya there,
and how y'all doing. Hope all is well with you
all and you had a wonderful week. We're here back
with another one right here for you, bringing a hot
independent music as we do each and every week right
here on the radio show. Uh MD, how are you

(01:28):
doing tonight?

Speaker 7 (01:29):
Oh man, I'm chilling, chilling, you know, waiting for that
phone call go pick up my little baby.

Speaker 6 (01:38):
Yeah, he's referring to his dog, definitely. So your dog,
your dog is in the hospital suffering from heat stroke,
and you're going, you're waiting for the call to go
pick the dog up from the hospital and bring.

Speaker 8 (01:51):
Them home, not him her, or bring her home. I'm sorry,
bring her home? And what's special dog? What's your dog's name?

Speaker 9 (02:00):
And we called it Stormy?

Speaker 8 (02:01):
Stormy, yeah, raising miniac.

Speaker 5 (02:06):
Oh and being how that happened?

Speaker 3 (02:10):
I don't know. I heard her. I heard her back
there with what weeds, letting carrying on.

Speaker 7 (02:15):
Yeah, we shook up to the bat heat stroke.

Speaker 6 (02:21):
Hmm okay, but we we wish Stormy the best and
a speedy recovery.

Speaker 8 (02:26):
Hope hopefully Stormy could.

Speaker 6 (02:27):
Make it home tonight and being in your care and
and and be where she needs to be, right next
to you and and and with the family and with
the other dog that stare as well. What's your dog
name as well? We call him knucklehead, knuckle ahead, Okay,
Stormy Knucklehead I hope they be together as one man.

Speaker 7 (02:45):
That I didn't name him, that it was my brother's dog,
and that was that was his name he gave him
when he was and stuff.

Speaker 5 (02:53):
How did you get them to you?

Speaker 3 (02:54):
About three four years old? About ten now?

Speaker 6 (03:01):
Oh okay, all right, well, knuckle ahead and Stormy hoping
to be together. That's one as well. Real soon, Britt,
How are you doing tonight?

Speaker 8 (03:12):
I'm doing good.

Speaker 5 (03:12):
I'm doing good. Happy to be in the building.

Speaker 6 (03:16):
That's what's up. Yeah, and our house. How's the project
going along?

Speaker 8 (03:20):
Great?

Speaker 5 (03:21):
Great, everything's going great.

Speaker 8 (03:23):
Okay, and then let them know what the project gets
called again.

Speaker 4 (03:27):
The project is called Nostalgia by Britty living X stay
Human Chandelier and make sure you look up testimony by
Callie Good on YouTube.

Speaker 8 (03:38):
Okay, definitely that album.

Speaker 7 (03:40):
That album had that single called ninety two years right, Yes,
that's a dynamite single.

Speaker 6 (03:48):
Yeah, make sure you scoop that up on all streaming platforms.
Kelly Good, you're good over there.

Speaker 10 (03:56):
I'm good.

Speaker 11 (03:56):
I'm good.

Speaker 8 (03:59):
That's what's up.

Speaker 6 (04:00):
And we're all in the building night making it appen
for you. Don't forget if you guys want to get
in and chime in. We're not going to have a
guest tonight, but well, we're sort of not gonna have
a guest tonight right here on the radio show tonight
during Move the crowd.

Speaker 8 (04:11):
But hey, that gives you more time to get in
more room for you.

Speaker 6 (04:15):
You can hear this up keyword did radio show on
all social media platform Let's go ahead and roll along
to the first topic of the evening topic of the
trending topic brought to you by Spotlight three sixty Media.
If you like the celebrity stuff that I do, go
right there. Spotlight three sixty Media on all streaming platforms
and all social media platforms is the place to be

(04:36):
for that stuff. All right, Now, let's start here.

Speaker 8 (04:42):
So there was a.

Speaker 6 (04:45):
Where's my little note of ed I'm sorry, I let
me get my note right here. I don't want to
start serious. Let's go with the Let's go with the
nice story first. So Chris Brown is doing this thing.
He is touring, of course, you know, all around the world.
He's doing this tour and doing this thing. And Chris
Brown definitely a hot show. However, there are some fans

(05:07):
that are complaining a little bit. And why you ask
is because Chris Brown set. It is very long. It's
not a two hour set. It's more of a four
hour set. The five hour set. Chris Brown jams fifty
songs in this set. Some fans saying that it may
be too long for them. They can't hang and they

(05:29):
can't handle it. It set is a little bit too long.
So I'm asking you, as as fans of any artists,
if you were able to see your favorite artists, and
you were able to get a ticket to go see them,
how long is too long? And then Ivey bringing back
for an independent artist, how long would your set be
if you had a chance to do a major concert,

(05:51):
how long would your set be? So hit me up,
keyworda radio show? Let me know your thoughts on that, MD.
How long is too long for an artists to be
performing on stage, even at their own show.

Speaker 7 (06:05):
It all depends how many hits do that artist have.
If he's like a line now, Richie, who has about
fifty hits? Right, you wanna get tired of him because
he got many songs that you're so familiar with that
it wouldn't bother you.

Speaker 6 (06:23):
Catalog though, I give Chris Brown this thing. He got
a lot of hits. I don't know if he got
four hours worth of hits like that, but he definitely
has a lot of them.

Speaker 8 (06:31):
I gotta give it to him. He do. He had
a lot of songs I like.

Speaker 4 (06:35):
And nah, it's just the thing like us older people
have bed times, That's what it is. And I've seen
people that was in my age bracket that was getting
sleepy and they like they was liking it, but they
just was getting tired. So you already know what this
dude coming with. It's like a festival. Get ready, like
you going to the festival. Drink your energy drinks, you.

Speaker 5 (06:57):
Know, have your coffee. You know what I'm saying.

Speaker 4 (06:59):
Tell your job you ain't coming in tomorrow, not before
be prepared.

Speaker 5 (07:05):
Does he coming with it? And then another thing too,
like it's good that.

Speaker 4 (07:08):
He coming with it like that, And you barely can
make it towards the end because people be complaining about
how much these ticket sales be.

Speaker 2 (07:14):
Oh, I know it would be so high.

Speaker 5 (07:16):
So he giving you your money's worth. Somebody always got
something to complain about giving you your money worth.

Speaker 4 (07:22):
And if you can't hang, get on out of there
or taking nap at your seat, you know, like if
you can't hang, But it's a bunch of people there
that is hanging and they enjoying the ride. Him in
his sweat suit and his sweatpants and what they talking
about him up there gyrating in the rain with all
his lights on, like everybody he.

Speaker 9 (07:44):
From Los Angeles ain't complaining.

Speaker 6 (07:47):
Well, I don't know where they're from, but I read
that's something that were complaining because they felt that the
concert was just too long and he was doing too
many hits.

Speaker 8 (07:55):
But hey, it's all good man.

Speaker 6 (07:56):
I figured, if you're a fan, you know you should
be able to joy and oh as much as you
can of the fan and of the artist. And you know,
you paid all that money. You definitely want to get
your money's worth.

Speaker 5 (08:06):
So saying they was getting sleepy, that's all it was.
They getting tired.

Speaker 4 (08:10):
So you know, yeah, like I said, you get to
a certain age, you thirty five and up, it's time
for you to go taking nap, you know, Like, Okay.

Speaker 8 (08:20):
So you're thinking it's just an age thing.

Speaker 5 (08:22):
It's an age thing. Yes, for sure.

Speaker 4 (08:24):
You got energy to bull and you ready to you
kicking it usually, you know, like at a certain age
when it's time to go out to the club, you
already tired when the club don't get cracking till eleven
thirty in the first place. But you tired at ten
o'clock and his concert you know what I'm saying. Concerts
start what eight o'clock except thirty, you know, so you
tired around ten, but he's still going, you know now.

Speaker 8 (08:46):
And now britt on the artists.

Speaker 6 (08:47):
And if you if you did a major concert like that,
how long would you be on stage?

Speaker 8 (08:52):
Fifteen minutes, twenty minutes? How long would you give the craw?

Speaker 4 (08:57):
Well, I've done it for and like mine was about
two hours.

Speaker 8 (09:02):
Oh you did two hours?

Speaker 4 (09:04):
Uh huh yeah, okay, like an hour and two hours.

Speaker 8 (09:09):
So you had enough material for two hours?

Speaker 12 (09:11):
Yeah?

Speaker 8 (09:12):
Oh okay, Hey, I've.

Speaker 5 (09:14):
Been doing this since I was about she I A
don't you want to say a long tide?

Speaker 4 (09:20):
Okay, Look, I gotta I gotta catalog myself, like and
if you've been following this whole journey, you know, you know,
like a bunch of people, know, like songs I did
fifteen years ago.

Speaker 6 (09:31):
Oh got you? Okay, all right, so you're just new
to me, not new to this. Okay, I got it exactly,
I got you, okay, Okay, No, I didn't know it's
all good, So she did two hours and an independent
already checking us out right now, how long would you
do on stage? Chris Brown? In five hours? Bread eleven X,
you been shanning Li did two hours. If you're you

(09:51):
had a chance of performing a major concert concert, how
long would you do? Let us know keyword da radio
show on all social media platus forms.

Speaker 13 (10:13):
You made me feel lucky.

Speaker 12 (10:15):
That's virus con style.

Speaker 14 (10:17):
And then there's there's your all around me. You are
the one, my only one perfect from me, but it's
never perfect. I don't know if I ever just have
it because.

Speaker 15 (10:33):
You don't change, and we found.

Speaker 2 (10:35):
Our way ivy, so that sight afterday sometimes your woman
love for you. There's nothing that I want to do.
There's nothing that I want to do when it comes
to you. The worst is great.

Speaker 12 (10:55):
You know the sun give me life, lose, giving live,
even heaving.

Speaker 14 (11:06):
Those is unconditional. You want my motivation, the reason I
follow my heart?

Speaker 2 (11:15):
You give me that stuff, honest pure. If I don't
have it, you know I'll findeed. You mean, man sounds
a graph.

Speaker 12 (11:24):
So when it comes to you, there's nothing that I
would in worse script.

Speaker 15 (11:33):
You know the sun gave lives, giving life, even heaving
those is unconditional.

Speaker 2 (12:21):
List.

Speaker 11 (12:22):
I recommend it and listen to the radio show.

Speaker 16 (12:24):
By the time you think of body girl the man
away our side.

Speaker 2 (12:30):
You can bring your friends. I'll be and survive. Brodie up,
take a shout that got you drink and.

Speaker 1 (12:39):
We lie so suck straight the game stuff.

Speaker 2 (12:45):
If you tell me what you're doing up the hole,
get pretty in the mirror.

Speaker 11 (12:50):
From maybe you're in with me?

Speaker 2 (12:53):
You know you went to glink girl? Everybody do say
that you dressing.

Speaker 17 (13:02):
With me?

Speaker 18 (13:05):
I like you and I need a wife to let
me cut you every day in double one.

Speaker 12 (13:08):
A night too.

Speaker 2 (13:09):
All you're gonna do is tell me everything you want
to do A promise.

Speaker 18 (13:12):
I could try to make it happen.

Speaker 12 (13:14):
Time dude, bring them by, draw them away, zide can
bring your friends.

Speaker 2 (13:21):
I'll be away. Dancel lie sho drink damn you lie?
So today was a good day to hit the gang up.
What's the moves though? Money coming?

Speaker 6 (13:36):
Any worry by the thing to you only can tell
for a nice whine and guy forever with You're trying
to get you out of this party to wat and
get it jumping with you.

Speaker 2 (13:44):
Maybe you don't want which time.

Speaker 11 (13:45):
I've been holding up the ball like I'm standing in
the line.

Speaker 2 (13:48):
I'm a slick you the beddest fun around and we
got that done? Can we wipe each other down?

Speaker 12 (13:53):
Dolls?

Speaker 19 (13:53):
I like you and I need a wife to let
me cut you every day in double one a night too.

Speaker 2 (13:58):
All you're gonna do is tell me everything you.

Speaker 20 (14:00):
Want to do.

Speaker 2 (14:00):
A promise I can try to make it happy.

Speaker 21 (14:03):
Time you take a body girl the Model away, how
inside you can.

Speaker 2 (14:09):
Bring your friends?

Speaker 11 (14:10):
How you winy came?

Speaker 21 (14:12):
It's a lie road up, take a shine, I got
a drink and we lie, so it's.

Speaker 18 (14:19):
A party light straight.

Speaker 2 (14:22):
By the time you think a body Girl the Mode away,
How inside you can bring your friends?

Speaker 1 (14:30):
How you winy came?

Speaker 2 (14:31):
It's a live roll up.

Speaker 18 (14:34):
Take a shot, I got the drain and.

Speaker 2 (14:36):
We lie, so it's a party light straight.

Speaker 17 (14:42):
And he.

Speaker 2 (14:51):
Is a fire road.

Speaker 5 (14:53):
Take a shine of that drink and we lie.

Speaker 3 (14:57):
So so it's a party.

Speaker 18 (15:02):
Love and lush Late late, what's late?

Speaker 2 (15:07):
We can and move the Wow show.

Speaker 18 (15:15):
Turn up your radio.

Speaker 22 (15:17):
SHK boy, let's go.

Speaker 18 (15:27):
Let's go.

Speaker 23 (15:28):
Let them rich where theyre on them, let them bad
babs where they are upon them.

Speaker 11 (15:34):
You know what's the photo shoot? Every time I'm popping night,
I'll be on them. Oh, I know hatemen.

Speaker 18 (15:40):
Now, let them rich where there.

Speaker 23 (15:42):
You on them, Let them bad babs where.

Speaker 11 (15:45):
They are upon them.

Speaker 2 (15:46):
You know what's the photo shoot?

Speaker 11 (15:47):
Every time I'm popping now, I'll be on them. I
know hatmen? Now you know one breathing niffy kids. You
get orange maun me.

Speaker 23 (15:55):
If you ain't a rich you can get from around
and wouldn't the fuckers. You can never clown me. You
know what's queen in my city? You can really crown me.
I don't rich, ain't get upon them map. You can
see him shaken down, throwing money showing. Now I get
my own bag.

Speaker 3 (16:10):
Booe.

Speaker 11 (16:10):
What talking bouts.

Speaker 23 (16:11):
Say shoes letting me come and shine a DNA seen
your mouth?

Speaker 18 (16:14):
I keep a barboss attitude, baby boo.

Speaker 2 (16:17):
I've been ruined and money all day.

Speaker 11 (16:19):
I'm men up booth with big dudes.

Speaker 23 (16:20):
I sitting on these every day just like some braggoo
all the motion that we haven't. You know, we can't
lit Let them rich where they are on them, wear
them bad bads where they at upon them mile.

Speaker 11 (16:32):
You know what's the photo shoot? Every time I'm popping out,
I'll be on them. I know they hatemen.

Speaker 23 (16:38):
Now, let them richness where they on them, wear them
bad bads where they at upon them.

Speaker 12 (16:44):
Map.

Speaker 2 (16:44):
You know what's the photo shoot?

Speaker 11 (16:46):
Every time I'm popping out, I on them.

Speaker 18 (16:49):
I know they hate.

Speaker 2 (16:52):
And win on men in the city.

Speaker 8 (16:53):
My big daddy, Come, I.

Speaker 18 (16:55):
Can drop up back to my propper eight. Miss my
floy you're on me bad, can't know?

Speaker 5 (17:00):
Yeah?

Speaker 18 (17:01):
What a rich rich my soul plea. He's been the boy.
His first car is on my arm broken. I told
my son, is he ain't this her?

Speaker 23 (17:12):
Wet them rich where they on them, let them bad
bad where they at upon them.

Speaker 17 (17:18):
Mile.

Speaker 11 (17:18):
You know what's the photo shoot? Every time I'm popping now.

Speaker 2 (17:21):
I'll be on them.

Speaker 3 (17:23):
I know they hating him.

Speaker 23 (17:24):
Now, Let them rich where they on them, Let them
bad bad where they at upon them.

Speaker 2 (17:30):
You know what's the photo shoot?

Speaker 11 (17:32):
Every time I'm popping now, I'll be on them. I
know they hating him now.

Speaker 21 (17:44):
Yeah, Yeah, it's Davonte brog makes y'all check me out
my new single.

Speaker 2 (17:49):
Growing Up a Team just dropped every man. Growing Up
a Team just said, look at this he looks so sweet.

Speaker 21 (18:09):
Bonea mamita buddy looks sweet.

Speaker 2 (18:13):
I want to get to know here.

Speaker 21 (18:15):
Oh yeah, bet Chet's baby here, honey ja, What I
gotta do to impress your anything you want?

Speaker 2 (18:24):
I'll get your in my bag. I got you or locomotives.

Speaker 8 (18:29):
Mamma, who are going to do? What is Bonita?

Speaker 2 (18:33):
Come yet?

Speaker 8 (18:33):
Put it? Permit?

Speaker 2 (18:34):
So yeah, shape right?

Speaker 24 (18:35):
Let me see have a go yeah, rob potot. Let
it hurt a little wine the wing to cametal rock pool.
Let it hurt a little wine.

Speaker 2 (18:45):
Wet came yall.

Speaker 18 (18:48):
She looks sweet me like her pussy.

Speaker 8 (18:51):
We are bone.

Speaker 2 (18:52):
I don't get no sweet. That's my bobby here.

Speaker 25 (18:55):
I am a danking dropped the beat, sexybody like hanging
mammy fast.

Speaker 18 (19:00):
Room trouble wench.

Speaker 16 (19:01):
Put myself on the thing that's my emperor. I put
myself on that thing that's my emperor. Put my slip
on that rock the boat.

Speaker 24 (19:14):
Let it hurt a little wine your with ten twelve
your middle roped the boat. Let it hurt a little
wine your wear in ya.

Speaker 18 (19:23):
Go, Mamita.

Speaker 21 (19:26):
Buddy looks sweet, Narita, I want to get to know,
he chirts, honey ja, what I gotta do to impressia?

Speaker 8 (19:38):
Anything you want?

Speaker 18 (19:39):
I'll get you in my bag.

Speaker 25 (19:41):
Out you you know, rookie, y'ell you immediately bos bring
me cookie, y'all give me give me other cooky. Now
let us we boom booms, Gushi wa wine, Penny A friend.

Speaker 2 (19:52):
That's a good buddy.

Speaker 21 (19:54):
It looks so fine.

Speaker 2 (19:55):
God, somebody.

Speaker 8 (19:58):
Like Nike.

Speaker 25 (19:58):
It a secret can telling nobody.

Speaker 18 (20:02):
Going to fatigue me?

Speaker 2 (20:04):
Buddy, looks sweet. I want to get to know. Yeah, yeah, cheb,
I need you.

Speaker 18 (20:14):
What I gotta do to impression.

Speaker 2 (20:16):
Anything you want? I'll get you in my bag.

Speaker 12 (20:20):
I got you.

Speaker 8 (20:28):
Just look at it looks so sweet. Just see.

Speaker 2 (20:36):
And I look about you.

Speaker 6 (20:40):
Here's what's going on recently on the radio show we
got Rah in the building.

Speaker 9 (20:44):
It definitely a lot so as we just talked about.

Speaker 8 (20:46):
I just started managing myself again.

Speaker 26 (20:50):
I kin I'm not a manager probably, and if a
manager can't take you further than away, you can take yourself.

Speaker 8 (20:58):
You know what I'm saying.

Speaker 26 (20:59):
Or don't have the relationship that we need to have
to bro here. There's no sense to continue to have
this relationship because if somebody had to come along with
it does and you're teching for somebody that it's not.

Speaker 14 (21:15):
The one my own one perfect for me, but it's
never perfect. I don't know where if I live. Just
heven shout, don't change to be found my way.

Speaker 10 (21:31):
Right after day.

Speaker 2 (21:33):
Sometimes no woman up for you. There's nothing there that
woman do. There's nothing there.

Speaker 8 (21:41):
It's Johnson's Cavalery California. See just take what are you
bringing to the turble?

Speaker 13 (21:44):
I'm bringing everything I've helped this season down on my back.

Speaker 11 (21:48):
I did this, I carried the season.

Speaker 3 (21:50):
I held it down.

Speaker 23 (21:52):
I was there for my girls, Black Squat, but I
also was there.

Speaker 2 (21:55):
For the movies.

Speaker 11 (21:56):
So you have seen me hold it down. This season,
You're gonna see who in the real If you.

Speaker 6 (21:59):
Feeling to make sure you make it a point to
check out Johnson's Cabaret California season six.

Speaker 8 (22:06):
This season is gonna be hot ass.

Speaker 6 (22:08):
The cast moves to the West Coast as the show
continues its format in documenting the interactions and competition between
Jocelyn and the cast of young ladies flying for a
spot for her cabaret performance.

Speaker 13 (22:22):
It's feel like everything that Jocelyn has taught me in
the last you know, three years, I.

Speaker 11 (22:27):
Definitely hate off this season. I'm very grateful for her.

Speaker 4 (22:30):
She taught me so much about womanhood and being a woman,
and I'm really excited to show the.

Speaker 11 (22:35):
World what she's taught me.

Speaker 6 (22:36):
Amazing using a Johnson's Cabaret California Season six, now streaming
on the Zeus Network this week to pick hits j
t LR featuring Snoop Dogg and Mad Scientists.

Speaker 8 (22:49):
That's my box.

Speaker 6 (22:51):
With so much trauma on the it kind of hard
being jail double Nyt paraphrase, no distance.

Speaker 8 (22:56):
Her each week on the radio.

Speaker 2 (22:58):
Shit at this dude, pursuit of the wealth. Come on, girl,
just shake that food because.

Speaker 8 (23:02):
I now back to the radio show.

Speaker 6 (23:08):
And don't forget this is also a video show. If
you like what's going on on the audio end, you
can also check out the video show on YouTube as
well as Twitch at the same time as we do
the show right here, keyword da radio show on both platforms.
If you happen to be there and you want to
go check it out. You can see me currently right
now on the screen. And if you like the other

(23:28):
finished product portion of the show when it's up and
done and all that good stuff, go to our ro
cool channel and Amazon I'm sorry Rokul and yeah, our
ROCU channel. ROCU channel A KEYWORDA radio show. Make sure
you go ahead and check out the show right there,
and you can also check out Spotlight three sixty Media

(23:48):
on that same platform. All that at Keyword da radio
show as well. We had a chance to catch up
with et Cetera. He came through earlier this year ring
our doing Move the Crowd. So here's our quick move
the crowd, flashed back with et cetera. We're gonna play
this record and then we're gonna chop it up on

(24:09):
the serious end coming up after this.

Speaker 8 (24:11):
Just check it out the radio show.

Speaker 27 (24:13):
Yea time for the radio show Move the crowd.

Speaker 8 (24:20):
All right, y'all, we are inside and move the crowd
right about now.

Speaker 6 (24:22):
What we do each and the week around this time
is bringing on us off stage, bring them backstage to get.

Speaker 8 (24:27):
To know them up close and personal and joining us.

Speaker 6 (24:29):
Now somebody who I had a chance to actually see
at the World Move Move World Move Music Awards.

Speaker 8 (24:36):
In fact, he won an award. There.

Speaker 6 (24:37):
We're gonna talk to me about that right now. We
got et Cetera in the building, man, So et cetera,
how you doing.

Speaker 8 (24:47):
Right? So it's all Bill, Make sure.

Speaker 9 (24:52):
I'm having a good time. Man I'm living that post
ward life right now.

Speaker 8 (24:56):
That's what's up. That's what's up, man, So fail me,
what how did you get that? And et cetera.

Speaker 5 (25:02):
I got it.

Speaker 9 (25:03):
You know, when I was growing up, you know, I've
always did think a little differently. So when I started rapping,
I didn't know what I wanted to do. I just said,
you know what, I'm gonna just do me. And you know,
I didn't do I didn't do black music, I didn't
do white music. I didn't do art music. I didn't
do you know, soft music. And my style was solely different.

(25:25):
And they, you know, no one knew how to take me,
so they catagorized me. And I went through a cusize
names and they said.

Speaker 8 (25:34):
You know what, I don't know what to do.

Speaker 9 (25:36):
You just like this et cetera type of guy. And
I was like, that's gonna be my name from this
point on.

Speaker 6 (25:44):
Oh okay, okay, Well that's that's kind of funny that
you that you go there with it and brought that
up because I was trying to figure out when I
was doing a little background with you, the style of
music that you do, So what type of style would
you consider your self?

Speaker 8 (26:00):
And I'm going.

Speaker 6 (26:01):
If I'm going to the old school record store and
I and I'm looking for an et Cetera record, what
what category would I find it? When you start flipping
through the when I'm flipping through, yeah, where will I
find you?

Speaker 5 (26:12):
Now?

Speaker 9 (26:12):
You will probably find me in like pop rap, pop rapop,
alternative rap.

Speaker 8 (26:21):
Yeah, okay, pop pop, pop rap or alternative rap.

Speaker 6 (26:25):
We're gonna make it happen right here on the radio
show right now as we getting ready to play et
Cetera's record Dance for You about to play that. There's
a few moments here, but et Cetera, how did you
get kaya Jones on that record?

Speaker 8 (26:38):
How did it happen?

Speaker 5 (26:39):
Yeah?

Speaker 9 (26:40):
Everybody asked. Kaya Jones is a very very very very
interesting and beautiful soul. A lot of people don't know that.
Me and kaya Jones go back a couple of years
and it was a situation where she was doing doing
independent records and I wanted to write for her, and

(27:03):
instead of doing that, I wrote that record Dance for You.

Speaker 8 (27:05):
And I said check this out.

Speaker 9 (27:07):
While she was in between projects, I came to her
about maybe like a couple of years ago, and I said,
how about you do a song with me? And she's like,
of course, and I was like, I have it for
you in the next couple of weeks, and she just
she blessed me. And I actually wrote it all out.

(27:27):
I gave it to a young lady named Vocals by
Jimal because she's in my autocorrect, because I'm actually, you know,
a prolific writer, like I write hip hop records.

Speaker 8 (27:36):
I like I write R and B records. I write
pop records for myself and others.

Speaker 9 (27:40):
And she made she brought that to life while I
was simultaneously working on projects. And then we presented it
to Kaya and Kya laid down on Golden Vocals and like.

Speaker 6 (27:53):
All right, man, we're gonna check out this record right now,
dance for you. Let's make it happen strictly independing pop
and RB music and is fine. It's it's the radio show.

Speaker 18 (28:01):
Independent Artists Live Here. We got this independent game on
lock day. Figure out the radio show.

Speaker 2 (28:19):
I know you want me, want get to know me
just by the look on your face. I know you're
watching Mekers.

Speaker 22 (28:26):
I'm watching you while I wind out my ways.

Speaker 11 (28:29):
I know you see me. Don't make it easy for you.

Speaker 3 (28:32):
To look away.

Speaker 11 (28:34):
And if you want to please me, to please.

Speaker 2 (28:37):
Me every day.

Speaker 28 (28:39):
I want to do something that away may make you
feel all right, all right and make me a wakend.

Speaker 2 (28:46):
Make this thing last all night.

Speaker 18 (28:48):
I like you.

Speaker 28 (28:50):
Later, we'll light to make it come down lighter you lighten,
We'll like to make it go as a lighter to
make it.

Speaker 2 (29:02):
Come come pap.

Speaker 29 (29:26):
I want you to grain and ligo bick and wayne
and little bick and move your body next to mine.
I want you to dip the liquor blick and shift
the nkele back and.

Speaker 8 (29:35):
Do this just one more time.

Speaker 29 (29:36):
I do it like you was all I needed to
see you wait here watching You needed to be so
stop that you're making me weak when you drop that
you could do anything with your backside, just not that,
because you just making me open your boy to move
like what a more ship? Can I put my hands
on your waistline then make it move to the bitch

(29:56):
like walk Ben, tup me walk Ben, tell me you break.

Speaker 8 (30:00):
It down and I'm an check it.

Speaker 9 (30:02):
My ma mind must be is it here?

Speaker 18 (30:05):
Is it just me?

Speaker 11 (30:07):
I like you like to We like to make it
come down.

Speaker 1 (30:12):
I let her, you like her.

Speaker 2 (30:14):
We like to make it.

Speaker 18 (30:18):
You'd like to we like to make it come down.

Speaker 1 (30:24):
We like to make it go out.

Speaker 11 (30:26):
I don't want to dancer, I.

Speaker 1 (30:29):
Want to want to.

Speaker 15 (30:31):
I want to dance for you.

Speaker 11 (30:34):
Want your.

Speaker 15 (30:36):
Wanta dance.

Speaker 22 (30:40):
Is monad for your own.

Speaker 30 (30:44):
My mother, say it back in position textingist got your attention,
say the test rabbit, ask for you that so much
sandwich about.

Speaker 6 (30:55):
The big shoutout right there too, electure for being a

(31:29):
guest right here on the radio show inside and moved
the crowd. We did that a little earlier this year,
and I decided to bring that back, as you know,
can go through those uh, move the crowd, flashback. Let
you hear some of those that some of y'all may
have missed. Some of y'all had requested a few of those,
so I said, all right, let me throw a few
of those on because some of y'all want available when
we did those interviews, and hey, we bring them back

(31:50):
every now and then.

Speaker 8 (31:51):
Let you check those out, all right?

Speaker 6 (31:54):
Then, define we got played a slag and we got
love of lust coming up in a little bit, as
well as the celebrity interview coming up as well.

Speaker 8 (32:01):
In just a little bit.

Speaker 17 (32:05):
She got her homely like a bottle sister, hustled like
a bad succeed. She knows she is certified Payton.

Speaker 2 (32:24):
She walked by.

Speaker 17 (32:30):
Little tall walk till he'll single please m lips dead
and she didn't gonna shoot the fly.

Speaker 18 (32:38):
She she.

Speaker 27 (32:43):
Cuccidaddy Cuccini is Louis. It's in Louisa prod her person's fashion.

Speaker 2 (32:48):
Kill her with up.

Speaker 3 (32:50):
She's sixty, Yeah, she know it.

Speaker 27 (32:52):
She gave up the short short watch out how she
walked same way she talked. Oh she detyped a hustle
on and going Jimmy too. She cuts some feety you
don't eve mess with Mom Phillis throw riding through the
city missus Hello kitty and depending britty.

Speaker 11 (33:08):
Polo horses when she riding with me.

Speaker 2 (33:10):
She loves shopping DC party had on.

Speaker 18 (33:14):
She gets it how she wanted. She's so country grandmother
that she keep that money coming. She be born very stunning,
this superwoman. She got it.

Speaker 17 (33:22):
You can't tell her nothing only like a bottles. She
hustled like a success. She knows she is certified laden.

Speaker 2 (33:32):
She walked by.

Speaker 17 (33:37):
You little walk tim he'll she pleaseim Lipstad.

Speaker 18 (33:43):
She didn't gonna fly.

Speaker 2 (33:51):
On my crime on my game, got the stock never
tan keep.

Speaker 10 (33:55):
Shop, never clan bussing high, bring the cheek c browns,
b this sky, the strikes as a wire, set the.

Speaker 2 (34:02):
World every mood, trail blazing and the glue eyes on me.

Speaker 18 (34:05):
Can't help but see stripes of oak fo times I'll
tie you up.

Speaker 2 (34:08):
I'm that fire.

Speaker 31 (34:09):
I'm the ignited, got us what the golden to the
screws the game, need no clutch, shot the.

Speaker 23 (34:13):
Crown, no bibles in sight.

Speaker 2 (34:14):
I'm the moon's glow cumber men in the league of.

Speaker 31 (34:17):
My own, set the pace, no challenge, just in my brains.
I'm the comet blazing fast. It's in the sky, makes
cast but the strip to mimic my game, but they
fail like shadows, don't send the flame to them. So
good heat, the swinging legs turn the stage and to
my m alive while I am big, So you can't
want a bring your success. I'm the trails sitting on

(34:39):
the crap here he impressed it being in the swords.

Speaker 2 (34:41):
He I'm bringing heat and zero stress.

Speaker 27 (34:43):
See the queen shack.

Speaker 8 (34:47):
The way it's sitting.

Speaker 2 (34:48):
So you said on the blooming tunos on the feet.
Got a model walking on the for progression.

Speaker 32 (34:56):
But she's the type they can't get cool on a
body or sometimes the fact that you can't let me
pass get up. Damn you the punch, shut head and
check them haydon because the standard streams in dependent, they
range body wise, mind right, ain'tything for this year. The
nikki even got a little shity get us, you know,
maybe yoa the little man string a pull a little little.

Speaker 33 (35:19):
Only know some pout here you know that she a
mommy got that do get again at once his name,
but hey, now all the place shot Maybe he ain't.

Speaker 2 (35:29):
No poesy chick. So miss up with that pol shotler.

Speaker 5 (35:32):
That's the kind of talking balance.

Speaker 2 (35:34):
So you ain't got it.

Speaker 32 (35:35):
Even dass mouth dropped my shoulder top a bottle pop
up like a bow said.

Speaker 18 (35:40):
She hustled like a bad succeed.

Speaker 17 (35:43):
She knows she is certified. Damn she walked by. Yeah
you didn't walk tim he'll singer pad she passing on
the shop flat se ser.

Speaker 15 (36:05):
She bg bron bron bron.

Speaker 18 (36:17):
Bron, love and and and lust late late, what's late?

Speaker 2 (36:45):
We came and move a crowd.

Speaker 15 (36:49):
Rad show.

Speaker 18 (36:53):
Turn the radio.

Speaker 34 (37:05):
Oh are you look like you're steningever it's like we
belong together. Oh baby, I want to fill your pleasure.

Speaker 35 (37:20):
I'm trying to dig in your.

Speaker 2 (37:22):
Treasure, trying to.

Speaker 34 (37:27):
Into the bird room secret every girl into under.

Speaker 2 (37:35):
Take the shot shot show bad.

Speaker 34 (37:39):
Shot a man into a group of because at gin
like I can't taste aspect.

Speaker 20 (37:49):
Let's turn the ones into taking the hands off you
read for whatever you're going through.

Speaker 2 (37:57):
Love that cad shots you go get and shut. You're
gonna get this thing jumping. I can't birthy. You got me.

Speaker 35 (38:12):
Trying to don't have from the baby. Oh God, your
body looking way there, don't make it go crazy it
girl into a bird.

Speaker 2 (38:30):
Let's chasing bad girl until I'm gonna take this shot
shot at your pot shot man into a froul bed
because break some ge like you can taste that tactic.

Speaker 20 (38:50):
Let's turn the ones into taking the hands off your
bad forever wing through the kids, shot.

Speaker 2 (39:01):
Human loggin and so then we're gonna get to stay.

Speaker 35 (39:07):
Clicks, turn the one's in the chore, Thank you, the days.

Speaker 18 (39:14):
Of your fever.

Speaker 35 (39:16):
Whatever I've got Chimp street, camp, streets, human just human
me loggy.

Speaker 2 (39:25):
And so the little listing jump in.

Speaker 8 (39:49):
Check this out, this Warren ge and you're listening to
the radio show.

Speaker 19 (39:53):
I can't tell you not two reasons why, child, I
can't brazle, you'll give me mouth loget. I'm only saved
by God.

Speaker 2 (40:14):
I just won't know live on the water with you.
I just won't know live on the water with.

Speaker 18 (40:22):
You, but you.

Speaker 1 (40:27):
With you, because I don't mind drowning and joy.

Speaker 11 (40:36):
You'll smother me with your good energy.

Speaker 3 (40:41):
And I don't care to come up for it.

Speaker 36 (40:47):
You'll give me from my solar's baby and leave you
having to be.

Speaker 1 (40:53):
In the baddest.

Speaker 11 (40:54):
I don't care.

Speaker 2 (40:56):
No, you use me, you hold inside.

Speaker 16 (41:03):
And if you're not, he your other.

Speaker 2 (41:05):
Side out of mind.

Speaker 3 (41:08):
I'm just sing that dope for me. E gives me
every time I come running there every time.

Speaker 19 (41:18):
I can't tell you now any to breezes why I'm
drowning and your word, I can't breeze, so you'll give
me mouth to mouth get. I'm always saved by God.

Speaker 2 (41:39):
I just want to live on the water with you.
I just want to lift on.

Speaker 1 (41:47):
The water with you, with you, with you, because I
don't mind drowning and you.

Speaker 3 (42:01):
I'm gonna take it in.

Speaker 2 (42:02):
I need to fix every day.

Speaker 20 (42:07):
For you.

Speaker 11 (42:07):
Always don't know the way I think, auntiebody for you.

Speaker 1 (42:17):
You had no idea.

Speaker 11 (42:19):
That's what I was doing with.

Speaker 3 (42:23):
Chasing you and my trees.

Speaker 36 (42:28):
Listen got to give you read Hasten, got to show
you me hasn't got to rub your my point.

Speaker 1 (42:43):
I can't tell you now, you.

Speaker 11 (42:45):
Don't reasons why I'm drowning, drowning.

Speaker 1 (42:49):
In your word.

Speaker 2 (42:51):
No, no, no, I can't breeze.

Speaker 36 (42:55):
So you'll give me now to morrow, getting out tomorrow most.

Speaker 37 (43:08):
Swoll just swaller sway.

Speaker 6 (43:26):
Let's roll right along here. We got played the slid,
we got Love of Luss coming up tonight. But first
we got our celebrity interview this week, brought to you
by Spotlight three sixty Media. Now I will say that
this is the first time we had the celebrity interview
this week and it was not done by me. Nah
on this week done by but eleven xt to Human Chandelier.
You had a chance to catch up with Volume ten recently, right.

Speaker 8 (43:51):
Right, And how did that go?

Speaker 3 (43:54):
Went great?

Speaker 5 (43:55):
Went great?

Speaker 4 (43:55):
It was a really fun night, really fun night. We're
supposed to be working on some music. So great interviews.

Speaker 6 (44:02):
Okay, well let's see how that went. Here s how
I go in this week celebrity interview. Let's check it out.

Speaker 18 (44:08):
Show ribbon and all the red carpets.

Speaker 38 (44:11):
Here's an exclusive celebrity interviews.

Speaker 4 (44:14):
Pretty weapon next here from nine to nine point one
F M K L E P on the radio show and.

Speaker 2 (44:20):
Who do we have here?

Speaker 18 (44:22):
It's the great.

Speaker 2 (44:24):
Exactly how you feeling tonight?

Speaker 5 (44:27):
I'm a little tipsy, get intimate with it.

Speaker 8 (44:31):
I'm a little TIFC.

Speaker 11 (44:32):
That's cool, that's cool.

Speaker 2 (44:33):
Let him know what you just did the other weekend?
Uh almost last.

Speaker 1 (44:37):
It on stage and painted.

Speaker 11 (44:39):
It was so spectacular.

Speaker 4 (44:41):
But then I've been going from l A for a
long time, A long time.

Speaker 5 (44:50):
I named on and instantly y'all put me back to work.

Speaker 8 (44:53):
I really appreciate it.

Speaker 39 (44:54):
Man us, oh much, yea, let's go, let's go, let's go.
It's your girl, Britty leven X the Human Chandelier here
on the radio show.

Speaker 4 (45:09):
And you're listening to Love or Lust? Do you have
a problem with your relationship? Do you want to know
if it's love or lust? Let us all vote and
let us all let you know if you're in love
or if it's lust?

Speaker 6 (45:22):
All right, yae wi inside a Love and Lust ride
or mout now and Britain. That's a nice job with
volume ten.

Speaker 5 (45:28):
Thank you, thank you?

Speaker 8 (45:30):
Yes, indeed, all right? Love and lust what we got
this week?

Speaker 4 (45:34):
Okay, guys, it's your girl Britty leven X the Human
Chandelier And to date on love or lust?

Speaker 5 (45:41):
The topic is is it love or lust?

Speaker 4 (45:44):
When your partner wants you to get a bb L
and plastic surgery? They only want you, they are faithful,
but they want you to have surgery.

Speaker 33 (45:55):
Is that love or lust?

Speaker 6 (45:58):
I will go ahead and say probably lust, because you
know if it would be lust, because when you first
met the partner of your choice there you knew what
you knew what you had when you signed the contract.
Now when you're trying to enhance it in some way
or another, you know, I'm gonna go ahead and say
that's lust.

Speaker 8 (46:17):
You know what I'm saying, because.

Speaker 5 (46:20):
You don't you feel like they don't love him for
the real person, for.

Speaker 8 (46:23):
Who they are, for who they are exactly exactly what you.

Speaker 5 (46:28):
Do, feel even better about themselves.

Speaker 8 (46:33):
Right right right, That's that's my feeling on it. And
did what you think love of LUs got?

Speaker 9 (46:39):
Yeah, you're right. You got to be the less side,
you know.

Speaker 7 (46:42):
So he's going for a trophy that he wants everybody
to see, you know, so it ain't like he said
he loved he.

Speaker 4 (46:52):
Loved her him, but he only won't her though he
don't want know nobody else. He is faithful, he is
he is only wanting to be with her. But it's like,
look how about we, you know, get these surgeries in
the hands to look a bit.

Speaker 9 (47:08):
Oh so he want to end hands?

Speaker 5 (47:09):
Okay, you know what, Dundee, I can go back on that.

Speaker 8 (47:12):
I can be love with love. Okay, I'll go with
love because.

Speaker 7 (47:17):
I didn't catch at the beginning when she said he
don't want nobody else.

Speaker 5 (47:21):
Yeah, he don't want nobody else. That's love. That's like
he don't cheat, and it's just the idea.

Speaker 8 (47:29):
That he got love. You can go with love. Okay,
brit what do you what do you go with?

Speaker 12 (47:36):
You know what?

Speaker 5 (47:37):
Like I want to say love to.

Speaker 4 (47:41):
I'm kind of caught up in the middle because you know,
it could because you're just lusting after the person. But
then again, what sticks out is he don't want nobody else. Now,
it might not be right that he wants her to
get these surgeries, you know what I'm saying, But if
he don't want to be with nobody else, and even
if you don't get the surgeries, you still want to

(48:03):
be with her.

Speaker 6 (48:03):
You know that's that's love exactly. Let's getting inside to
play the slave real quick. Let's make it happen here.

Speaker 5 (48:09):
We go join the radio show every Monday night, every
Monday night.

Speaker 2 (48:16):
For the indie song that you enjoy the most.

Speaker 8 (48:20):
Brit you don't strike me as one. That's being that.
That was being hands you would do that, and being
hands like that.

Speaker 17 (48:25):
Not not.

Speaker 12 (48:27):
Look like.

Speaker 4 (48:28):
I don't need to be en hands. It's enhancing itself.
I feel like a build a bear, like I look
late or something like that.

Speaker 8 (48:36):
It's all good. I ain't Brent.

Speaker 5 (48:39):
All parts are there.

Speaker 8 (48:41):
I ain't mad at I'm not mad at you at all.

Speaker 3 (48:47):
How you want to how you want to love it
now exactly.

Speaker 4 (48:50):
All I need to do is work out a little
bit more. We gonna need to add nothing nothing.

Speaker 8 (48:55):
I heard that, and I ain't mad at you.

Speaker 18 (48:56):
Man.

Speaker 8 (48:57):
We're inside to play the slave right about now. What
we do each and every week.

Speaker 6 (49:00):
Around this time is we asked one fundamental question, and
that's what should we do with these two particular songs?

Speaker 8 (49:06):
Should we play them or should we.

Speaker 6 (49:09):
Say that's like y'all slaid, throw it in the cyber trash,
never to be heard from again or added to the
up andcoming return of the radio show dot com in rotation.
So we got a couple of songs that we're gonna
get to real quick before we get into the side,
get it into the head and out of session. Coming

(49:29):
up a little bit. We got a couple of songs.
The first song that we will get to is called
artist's Name is Eric Nicole Malone songs called I'm Clubbing
Erica Nicole Malone songs called I'm Clubbing. If you like
the record or hate the record, either way, or go
play it the slag, let us know which the raction.

Speaker 17 (49:49):
We can go.

Speaker 8 (49:51):
What's up?

Speaker 3 (49:51):
We did that?

Speaker 6 (49:52):
No, I know, I told you earlier, last earlier when
we started the show. It didn't come out last week,
so we were kind of redoing ith. Yeah, we're doing
what we're doing last week show with a couple of
twist Yeah. So you pretend like you didn't hear it. Yeah,
to pretend like you didn't hear it, all rights.

Speaker 8 (50:09):
Make it happen. Here we go, the radio show, the.

Speaker 10 (50:11):
Radio show show, Radio shows, the radio show, play or slide.

Speaker 38 (50:17):
Money thang, make it go, make them don't come that thang,
make it go broke.

Speaker 13 (50:30):
Than make them don't take that thang, make it go
don't talk, shake that tang, make him don't go say
that thang, making the don't talk shaang, don't go that.

Speaker 11 (50:43):
Than make it broath back to bad something to see bottom.

Speaker 2 (50:47):
Line troll kick it up.

Speaker 11 (50:49):
With me, bottom line them everything. She won't be bottom.

Speaker 2 (50:52):
Line money, ain't straight down?

Speaker 22 (50:55):
An't your winning?

Speaker 2 (50:56):
Go overhead if he ain't being.

Speaker 22 (50:58):
It, go overhead low and don't come back less.

Speaker 2 (51:02):
You ready to blow down?

Speaker 39 (51:04):
Yeah?

Speaker 11 (51:05):
Next level?

Speaker 17 (51:05):
Hi?

Speaker 22 (51:06):
You know what he thinks for the next level chick.

Speaker 10 (51:08):
She's like next C radio shows, the radio show or slid.

Speaker 6 (51:14):
That is our first play the slave record for tonight.
That is Erica Nicole Malone songs called I'm Clubbing, ericamccole
malone songs called I'm Clubbing, uh Real, the Living next
to Human Chandelier, that song, play the slig What should we.

Speaker 8 (51:27):
Do with it?

Speaker 6 (51:29):
I'm playing It's call a good backer now.

Speaker 17 (51:39):
Yet?

Speaker 8 (51:40):
Okay? All right, m D play the slave? What did
what you do with the record?

Speaker 7 (51:44):
I'm playing?

Speaker 8 (51:45):
All right, Jackie? How you doing tonight?

Speaker 28 (51:53):
Sir?

Speaker 17 (51:55):
Hey?

Speaker 22 (51:55):
What's going on y'all?

Speaker 8 (51:56):
It's been a minute. Yeah, man, you've been all right,
yeah saying I'm okay. That's what's something.

Speaker 39 (52:01):
Man.

Speaker 8 (52:01):
When you think about the Erica Nicole Malone record I'm Clubbing,
it was cool. Okay. How you doing tonight?

Speaker 2 (52:14):
I'm good.

Speaker 8 (52:15):
Are you guys doing tonight? We're doing good.

Speaker 6 (52:17):
Pronounce your last name for me. Take that around the
block for me, real quick, pro now step.

Speaker 8 (52:22):
For me, thea the alaba. Yeah, okay, it's all good.

Speaker 19 (52:28):
Man.

Speaker 8 (52:28):
What you think about the record we just played. Oh
it's cool man, it's cool. Okay, you play it right? Yeah, okay.

Speaker 6 (52:42):
Then Randy right there, Randy Slave and he didn't like it. Randy,
I figured you would like it. Randy, you being the DJ,
we need something that you can get the kids.

Speaker 8 (52:52):
To dance too.

Speaker 6 (52:53):
So good shout out to the school tour. All right,
let's check out the second record tonight. This is a
Land songs called get It, Atlantra songs called get It.

Speaker 8 (53:03):
Let's go here we go?

Speaker 10 (53:05):
The radio show, the radio show, the radio show or slid.

Speaker 12 (53:12):
H I feel.

Speaker 2 (53:35):
The chains around sometimes the sky who has falling?

Speaker 11 (53:43):
Then a festenees.

Speaker 2 (53:46):
A side was calling I'm tred through.

Speaker 30 (53:51):
The man was calling vis to the battery lifting things
like cun Sie live and things.

Speaker 10 (54:05):
Radio shows, the radio show play or slid.

Speaker 8 (54:09):
That'd be our second player slid record for tonight.

Speaker 6 (54:12):
That is Atlantra sounds called get it, Atlantra sounds called
get it. Indeed, player the slip. What should we do
with that one? It's a play all right, Jackie? What
you think about that one? Player the slid?

Speaker 5 (54:38):
Okay, that responses, I can't hear the response.

Speaker 8 (54:43):
You can hear it. Oh my fault. That's my bad.

Speaker 6 (54:45):
Both of them once at ND said play it. Jackie
said he was cool. He's Patty of player too. Okay, Eric,
what do you think about the record show player the slip?

Speaker 8 (55:00):
I actually like it?

Speaker 18 (55:01):
Play it, you know, I actually like it.

Speaker 8 (55:03):
And I think it might just need a better mix,
but I like it. Okay, it's all good. He's there, Okay, anyway,
still not there? Okay, uh give me got there? And

(55:24):
then uh milanza milanzai.

Speaker 6 (55:29):
I pronounced that right, melonized, melonized melonized. Okay, MELLENI said that,
Uh I like it. Uh she wants to hear more. Okay,
it got cut off, Yeah, I got cut off because
we want to play a snippet of it. Okay, it's
all good, it's all good. By way a clubhouse. All right,

(55:52):
it's all good. And I guess that Melanized likes the record.
All right, I'm gonna.

Speaker 8 (56:06):
Roll on from that. Those are our two play the
Sligh records for the night. Again.

Speaker 6 (56:10):
If you want to chime in on it, you can
go ahead a keyword did radio show. You'll leave a
comment on your platform that you're checking the show out
on right now. Again, I'm doing my best to look
at all those as much as humanly possible. So again,
any platform you're checking the show out on right now,
you go ahead.

Speaker 3 (56:27):
And do that.

Speaker 8 (56:27):
Leave your comment. We will read those while we're on
the air.

Speaker 6 (56:32):
Again, like to thank everybody for checking us out on
the radio show in this week. We got another exciting
show next week for the radio show coming up on
all of our other affiliates across the country. For next week,
we got an exciting guest as well. Stick and stay,
don't move. We got the Head and Out of session
that is starting right now. As we go ahead and
critique some music, give that constructive feedback on these songs

(56:54):
and we go for there. Everybody else will see you
next week. Saying bad time, saying bat Shana we.

Speaker 18 (57:00):
Go, but the radio show so far. Make sure you
follow us on all social platforms at the Radio Show