da radio show

Episode Transcript

Speaker 1 (00:00):
It's time to.

Speaker 2 (00:03):
Radio show.

Speaker 3 (00:08):
Sure we are the greatest, We play the greatest in
the artists.

Speaker 4 (00:25):
On the radio show.

Speaker 3 (00:26):
We got hot topics.

Speaker 5 (00:28):
We did a popper on the radio show Listen to
love and listen give you up in your relationship.

Speaker 6 (00:34):
Problems will be with it.

Speaker 3 (00:36):
So make sure you.

Speaker 7 (00:37):
Tune in and the radio show.

Speaker 8 (00:41):
The radio show, they say a daylight today there are
a possible approximately twelve million hot dogs that are consumed.
I wonder if that's accurate enough or not. Well, We're
gonna take a tally to that because I'm gonna look
that up tonight after we bring in the radio show
Dundee and d and Britta living next to you chandelier

(01:01):
making it up before year. This is the radio show
strictly independent hip hop and RB music at its funest.
Happy Labor Day to you all. Hope you all had
a wonderful holiday. Did your barbecue? Did you get a
chance to sit down and relax? What you put on
the gril? Let us know, get us up? Did you
say what's the plate? We would love to hear how
your day went today? Even some of you all did

(01:22):
you even work today? That's that's some of y'all did
that as well. Let us know how your day turned
out today. This is the radio show. Let's go ahead
and bring in the crew. You know, we do what
we do each week around here. H MD. How you
doing tonight? Indeed you walk away? There you go? MD,

(01:43):
How you doing?

Speaker 9 (01:47):
I can hear?

Speaker 8 (01:48):
I can MD either or the MD. MD come back
out and come back in. That's what we're gonna do.
Come back out, come back in. MD. All right, I'll
get you guys, I'll get you in the minute. M
D Britt, how you doing.

Speaker 10 (02:01):
I'm hanging in there. I'm hanging in there. I had
a cool weekend. We had molly Fest this weekend, the
fundraiser for Black Molly for a funeral and concert turned
out real nice on the weekend.

Speaker 8 (02:15):
Oh okay, it's what was molly You said, molly Fest? Right?

Speaker 10 (02:19):
Yeah, yeah, we had a concert, a fundraiser called molly Fest,
and we had a bunch of people come through and perform.

Speaker 8 (02:25):
It's pretty nice. Okay, molly Fest. I've never heard of that.
That's that's something new.

Speaker 10 (02:30):
Yeah, it was the first time we did it. She
needed to raise some funds for her or her family
had to raise funds for the funeral. Funeral was on
the eighth. It turned out pretty nice. So every year
we're gonna have something called Molly Fest, you know, to
remember her life.

Speaker 8 (02:51):
Okay, if you got a song that she did, send
something to me and we could play that during the
after party as an attribute to her. Okay, I got you, Okay,
all right, definitely man. But we got our guest DJ
Drecting in the building right now, so we're gonna be
chopping up with him. I want to get his thoughts
as well as Brita deliver next your thoughts on now.
YMD comes back on this right here, So there's going

(03:14):
to our trending topic. Trending topic brought to you by
Spotlight three sixty Media. If you got a if you
like all the sub deliberty life, if you like all
the celebrity stuff that I do, please feel free to
follow at Spotlight three sixty media dot com. Independent artists
out there, I had a chance to catch it with
one Thurston how an independent hip hop artist, and I

(03:37):
asked him is he happy even being an independent artist?
If he is, you know, or if he's not, how
can he make it better? Here's what Thurston have to say,
Are you happy with the way the music industry is
right now. Man, a lot of money, not a lot
of money being made for artists with on the screening end.
Are you happy with the way the game is right now?

Speaker 11 (03:55):
I mean, you make yourself happy because if one aspect
of it is not working, then and you find other
aspects to make up for it. You know, there are
several ways to stream besides just.

Speaker 12 (04:06):
Having your music stream.

Speaker 11 (04:07):
You know, is your merch there's your product, there's your consulting.
So it'll all pan out if you find more ways.
You know, it's very beneficial because a lot of times,
like right now, even for many artists, your music is
basically and your and your music videos are commercials that
promote you as a brand. So as long as you

(04:28):
have something else to sell, your fans and you will
make up the difference of what you're missing out on there.

Speaker 8 (04:35):
Butt So I asked him was he happy being an
independent artist? Happy with the music industry the way it is?
And he said, you know, there are other ways besides
the streaming, because the streaming does not make a lot
of money. Of course we all know that, but he's
saying that your video is also selling you as a product,
and your merch sells you as a product, you know,

(04:56):
so he said, you know you could take that and
make money off that of course, so uh, DJ d Re,
what did you think about what you just heard from
a man Thurston? Now what he just said? I think
it's true.

Speaker 13 (05:07):
You know, you know your music, it brings awareness to you,
awareness to your brand, and if you have something else
to offer, you know, uh where you can monetize that.
That that helps a lot as far as you know,
getting getting money, because streaming, unless you know you're doing

(05:30):
like ridiculous ridiculous numbers, then you know you're just you
won't make that much money in streaming.

Speaker 8 (05:38):
The Independent Artist Act, they're checking us out. What do
you think? Hey word da radio show? On all social
media platforms on that level as well, can you what
do you think about the music industry? What do you
Is it something that you can change? Can you use
anything besides streaming to make money? Your thoughts were always
looking for you as well.

Speaker 14 (06:06):
You made me feel lucky.

Speaker 7 (06:08):
That's rus constilent.

Speaker 14 (06:11):
And then there's there's your all around me. You are
the world, my only one perfect from me, but it's
never perved. I don't know if I'll ever deserve it because.

Speaker 15 (06:26):
You don't change, and we found my way.

Speaker 14 (06:30):
I've be so that waight afterday. Sometimes you know, woman
love for you. There's nothing that I would in do.
There's nothing that I want to do when it comes
to you.

Speaker 7 (06:44):
The worst is grid. You know the sun give me
a live?

Speaker 15 (06:53):
Can someone else giving life?

Speaker 14 (06:58):
Even heaving as some conditional You want my motivation the
reason I follow my heart.

Speaker 8 (07:08):
You give me that stuff, love, honest.

Speaker 4 (07:10):
Stuff pure.

Speaker 7 (07:13):
If I don't have it, you know I'll find it.

Speaker 16 (07:15):
Give me mind.

Speaker 14 (07:16):
Sounds a graph I So when it comes to you,
there's nothing that I want inscrib.

Speaker 15 (07:27):
You know the sun, give me life, give me life,
even having houses u conditional.

Speaker 14 (07:51):
It's some conditional.

Speaker 16 (08:14):
Liten I recommend it and listen to the radio show.

Speaker 17 (08:17):
By the time you think about the girl the morn
away our side.

Speaker 7 (08:23):
You can bring your friends. I'll be link and survive.
Brodie up, take a shout. I got your drink and
we lie so straight.

Speaker 4 (08:37):
The gangs up.

Speaker 18 (08:39):
If you're telling what you're doing, dumping the whole pretty
in the mirror from the baby with me. You know
where you went in girl you Lincoln, everybody do say
that you fas dressing day comments with me.

Speaker 6 (08:57):
I like you and I need a wife. Let me
cut you every day in double one a night too.

Speaker 7 (09:02):
All you're gonna do is tell me everything you want
to do a promise. I can try to make it happen.
Sign dude, think them d the mud away? How sid dude,
and bring your friends.

Speaker 19 (09:14):
I'll be away the gang cancel, lie, take a shine,
I drink damn you lie?

Speaker 20 (09:22):
So today was a good day to hit the gang up?

Speaker 7 (09:28):
What's the moves though?

Speaker 8 (09:29):
Money coming in?

Speaker 1 (09:30):
A worry boy?

Speaker 21 (09:30):
The thing to you?

Speaker 22 (09:31):
Only your time for a nice white and guy forever
with you, trying to get you out of this party
to wat and get it jumping with you. Maybe y'all
want which time I've been holding up the ball like
I'm standing in the line.

Speaker 7 (09:41):
I'm a slick you the bettest run around that we
got that she don't?

Speaker 6 (09:45):
Can we wipe each other down?

Speaker 2 (09:46):
Dolls?

Speaker 6 (09:47):
I like you and I need a wife to let
me cut you every day in double one.

Speaker 20 (09:51):
A night too.

Speaker 7 (09:51):
All you gotta do is tell me everything you want
to do a promise. I can try to make it happen.

Speaker 19 (09:56):
Time dude, think the body dur the mud on? How
inside you can bring your friends.

Speaker 20 (10:03):
How the Wendy came.

Speaker 23 (10:05):
It's a live road, Take a shin kind of drink
and you lie, so it's night straight by the time
you take a body girl a mother away.

Speaker 7 (10:20):
How inside you can bring your friends.

Speaker 2 (10:23):
How the windy cake is.

Speaker 19 (10:25):
A fu Take a shine as a drain and we lie.

Speaker 2 (10:31):
So it's a light straight.

Speaker 5 (10:36):
And he.

Speaker 20 (10:44):
Is a fire road.

Speaker 17 (10:47):
Take a shine that drink and lie so so it's party, light, stret.

Speaker 2 (10:56):
Love and lost, play, lay, sleep, we can and move a.

Speaker 12 (11:02):
Crown show, turn up your radio, Let's go.

Speaker 20 (11:20):
Let's go.

Speaker 24 (11:21):
Let them rich where they on them, Let them bad
babs where they are upon them.

Speaker 23 (11:27):
You know what's the photo shoot?

Speaker 24 (11:29):
Every time I'm popping?

Speaker 2 (11:30):
Now I be on them?

Speaker 24 (11:32):
Oh I know, hatemen. Now, let them rich where they
upon them, Let them bad babs where they are upon them.
You know what's the photo shoot? Every time I'm popping,
Now I'll be on them. Oh I know hatmen? Now
I know one repogniff the piin. You can't orange maun
me if you ain't a rich you can get from
around me, and wouldn't the fuckers you can never clown me.

Speaker 16 (11:54):
You know what, queen in my city?

Speaker 1 (11:55):
You can really crown me.

Speaker 24 (11:57):
I don't rich, ain't get upon them map. You can
see your showing them throwing money showing now I give
my own bag.

Speaker 4 (12:03):
Boot.

Speaker 24 (12:03):
What talking bouts say shoes getting they come and shine
a dynasty your mouth.

Speaker 12 (12:07):
I keep a boos.

Speaker 24 (12:08):
Attitude, baby boot. I've been ruined and money all day.
I'm men the booth with big dudes. I sitting on
the every day just like them, braggoo all the motion
that we haven't.

Speaker 1 (12:18):
You know, we can't let him.

Speaker 24 (12:20):
Rich where they on them, wear them bad bads where
they at up on them.

Speaker 12 (12:25):
Mile, you know what's the photo shoot?

Speaker 24 (12:27):
Every time I'm popping out.

Speaker 23 (12:28):
I'll be on them.

Speaker 12 (12:30):
Oh, I know hatemen.

Speaker 24 (12:31):
Now let them richness where they on them, wear them
bad bads where they at upon them.

Speaker 12 (12:37):
Man, you know what's the photo shoot?

Speaker 24 (12:39):
Every time I'm popping.

Speaker 25 (12:40):
Out, I'll be on them.

Speaker 26 (12:42):
I know hat now men and win on men the
city that my big daddy come get her. I can
drop up back till my poppy is miss her, my
floy you're on me bad.

Speaker 1 (12:53):
Can't get what a rich wish of my soul he spent.

Speaker 7 (12:58):
The boy his first car is on my broken.

Speaker 21 (13:04):
Told my.

Speaker 2 (13:06):
Wet them rich where.

Speaker 24 (13:07):
They on them, Let them bad bad where they are
upon them.

Speaker 23 (13:11):
Mile.

Speaker 12 (13:12):
You know what's the photo shoot?

Speaker 24 (13:13):
Every time I'm popping, Now, I have you and on them.

Speaker 2 (13:16):
I know hat now.

Speaker 24 (13:18):
Let them rich where they on them, let them bad
bad where they are upon them. You know what's the
photo shoot? Every time I'm popping. Now, I have you
and on them.

Speaker 12 (13:28):
I know Hatan now.

Speaker 9 (13:37):
Yeah, yeah it's Davonte Road makes y'all check me out
my new single.

Speaker 12 (13:42):
Brown Up A Team just dropped every one.

Speaker 2 (13:46):
Brown Up A Team.

Speaker 7 (13:50):
Just said, look at this.

Speaker 2 (13:50):
You look so sweet.

Speaker 9 (14:02):
Bone Mamita, buddy looks sweet. I want to get to
know here.

Speaker 6 (14:08):
Oh yeah, I.

Speaker 9 (14:09):
Bet Chet's baby over here, honey, Ja, what I gotta
do to impressia? Anything you want, I'll get.

Speaker 20 (14:18):
Your in my bag.

Speaker 27 (14:20):
I got your or locomotives, Mamy, who are going through?

Speaker 8 (14:24):
What is Bonita? Come yet? Put it on me?

Speaker 7 (14:27):
So yeah, shape right, let me see how a go. Yeah,
rock the boat, let it.

Speaker 28 (14:31):
Hurt a little wine the war toimetal, rock the boat,
Let it hurt a little wine wearing y'all, she looks.

Speaker 4 (14:42):
Sweet me like a pussy.

Speaker 7 (14:45):
We are boring, right, don't get no swee.

Speaker 27 (14:47):
That's my bob here, I am a drinking dropped the
beat sixty body life hanging Mammy, move fast, room.

Speaker 8 (14:53):
To go, manches.

Speaker 29 (14:55):
Put myself on that thing that's my hampering. Put my
saf on that thing that's my imprend. Put my tap
on that rap the boat.

Speaker 28 (15:07):
Let it hurt a little wine. New West sent t
your middle raped the boat. Let it hurt a little wine.

Speaker 16 (15:14):
New we Ya.

Speaker 9 (15:17):
Bona mamita, buddy looks sweet. I want to get to
know he bit chats by Senora, honey Ja, What I
gonna do to impressia? Anything you want, I'll get you
in my bad look out you.

Speaker 27 (15:36):
You know rookie, y'ell you immediately, bas bim me cookie,
y'ell give me, give me other cooky. Now let us
be boom one bunny friend. It's a good buddy. It
looks so fine. Gods, somebody.

Speaker 7 (15:51):
Chance like a niked a secret, can't nobody.

Speaker 9 (15:55):
Bona mamita buddy looks sweet, Nita. I want to get
in over Hereabo honeed you what I gotta do to
impress you? Anything you want, I'll get you in my bag.

Speaker 2 (16:13):
I got you. Just look at this.

Speaker 8 (16:22):
It looks so sweet.

Speaker 6 (16:23):
God, and I look about.

Speaker 8 (16:33):
Get inside and move the crowd and check out my
man DJ d Wreck first hand. Let's make it happen y'all.

Speaker 7 (16:40):
Y'all, get closer to your speakers.

Speaker 1 (16:42):
Take its time for the radio show.

Speaker 2 (16:45):
Move the crowd.

Speaker 8 (16:47):
All right, y'all, we are inside and moving the crowd
right about now. We do each you new every week
around at this time. Is we taking on this off stage?
Bring them back stage? You get the know the mound.

Speaker 3 (16:55):
Britts up close and more personal.

Speaker 8 (17:00):
Favorite time of the week. Right there and joining us
is a man. He's doing this thing. He's working with
Nick Cannon on the Wilding Out tour doing this thing. Man.
We got DJ Drek in the building. Man, DJ d
Wreck Man officially, welcome to the radio show.

Speaker 30 (17:14):
Thank you.

Speaker 8 (17:14):
I appreciate it, man, thanks for having me. No problem,
no problem.

Speaker 4 (17:17):
Man.

Speaker 8 (17:17):
As you mentioned earlier, man, you you worked with Nick
Cannon and right there on the Wilding Out show. You
are the DJ of that show. Man. So what's what's
that like?

Speaker 13 (17:26):
Yeah, sir, I'm the DJ and co host of the show.
I mean, it's a it's a it's a great show. Everybody.

Speaker 8 (17:32):
We're like a big family. We all, you know, when
we were shooting Atlanta.

Speaker 13 (17:41):
Wherever we shoot, we all stay in the same hotel,
so we take over a whole hotel and it's crazy.
And whether it's in Atlanta and out in the Inland
Empire or New York and New Jersey, you know, we
have cookouts and you know, out by the pool and
stuff like that. So you know, it gets wild at

(18:01):
the hotel, and it gets wild on set.

Speaker 8 (18:04):
So we just have a good time.

Speaker 21 (18:05):
Man.

Speaker 8 (18:06):
Yeah, that's what I was wondering with that. When you
guys are out on the road, I mean, when the
cameras are off, I mean, I'm sure the jokes don't stop.
I'm sure it's just the non stop you're just laughing.
It's not even work to you, right, No, No, it's not.

Speaker 13 (18:20):
I mean, you know, sometimes it feels like work when
you're on set, but you know, nobody's safe, and you know,
cameras can be rolling, cameras cannot be rolling if you
look like you need to get got at and somebody,
you know, you might somebody's gonna say something to you
or about you, or is somebody else about you and
pointed that you gonna know that you are the topic

(18:42):
of discussion. So yeah, nobody's safe.

Speaker 8 (18:44):
God our man, DJ our guest Tonight dj D Records
in the building. We're gonna be playing this new single
nine times out of ten. Coming up in just a
few moments here now before we bring in everybody else,
A holler at you. Now, you did a lot of commercials, man,
and I was looking at your You're real and I
noticed a lot of those commercials I've seen throughout the years, man,
And and I just want to thank you for a

(19:06):
lot of those commercials, man, because you got me eat
McDonald's throughout the years, eating McDonald's. And I never realized
that a lot of those commercials was you in them, man,
when I was growing up watching them. Yeah, and people
ever approach you on those Yeah.

Speaker 13 (19:20):
I mean, you know, sometimes people will recognize me from
a commercial. But yeah, it's been a long time since
I've done a McDonald's commercial. But for you know, there
was a time where I was, you know, I were
good auditions and you know, the cats that would be
in the room getting ready to audition, they'd be like,
oh man, this doue is here again. Because I was
booking like McDonald's. It's like I was McDonald's guy, you know,

(19:43):
and so I had a nice little run in McDonald's
commercials and not just McDonald's, but you know a bunch
of other stuff too. So ye, but yeah, yeah, now
you know, I put them online every now and then
and people people.

Speaker 1 (19:58):
See him and they go, oh, oh, that is that dude.

Speaker 7 (20:01):
I was a man I never knew, you know.

Speaker 13 (20:03):
And even with the Danny Phantom the theme song, you know,
people find out that, you know, I'm the voice of
that that TV show, and a lot of these people like,
if you're in your early or you know, late twenties
or mid to late twenties, early thirties, you grew up
on Danny. You know, you watch Danny Phantom, and you know,

(20:25):
you were really young when Danny Phantom came out. And
a lot of people come up to me and they say,
you know, Danny Phantom is the first rap that I
ever learned, and you know, and and it's funny because
I mean these are grown adults with kids and you know,
full beards and stuff like that, and they're like, man,
it's the first rap I ever learned. And you know that,

(20:45):
you know, you you the goat for that, and I'm like, well,
you know, I appreciate it, But you know, you just
never know how what you do can affect people.

Speaker 1 (20:56):
You know, you just you know, you just do it.

Speaker 13 (20:58):
You put it out there, and you know you go
live your life, move on to the next job.

Speaker 8 (21:03):
That's what's up. Brita living next to you and Chandelier
talked to DJ d Rex.

Speaker 31 (21:09):
Okay, okay, I have two questions for you and what
are those?

Speaker 10 (21:13):
What do you have like a favorite moment in your
career and what was your favorite part about creating this project?

Speaker 8 (21:24):
Uh, the my music project?

Speaker 1 (21:28):
Is that what you.

Speaker 13 (21:30):
Asked me? If what's my favorite part of creating the
music project?

Speaker 8 (21:34):
Yes, sir, okay.

Speaker 13 (21:35):
So to answer the first question, uh, I gotta say
one of my one of my favorite moments in my
career was performing the first time I ever performed at
Madison Square Garden and it was Nick and myself. We
were on the screen tour in two thousand and three

(21:57):
and it was bananas. It was everybody. I mean, you know,
B two K was the headliners.

Speaker 8 (22:04):
That was their their tour and everybody in New York
came out and you.

Speaker 13 (22:10):
Know, just to be from the West coast, you know,
we played a bunch of West Coast music and everybody
in the arena was rocking with us, and you know,
that's when Jiggelow was out, and you know, it was
just a really you know, surreal moment for me because
you know, we're in New York and it's the birthplace

(22:31):
of hip hop, you know, and and everybody just loved it.

Speaker 8 (22:36):
And so that was that's a big memorable moment for me.
Tell me about the single. Nine times out of ten
to me, So, yeah, it's the party record. It's a
it's a club record, and.

Speaker 13 (22:48):
You know, I just wanted to bring that fun you know, energy,
high energy, uh that the Bear is known for, you know,
the back to the forefront, you know, and hopefully this
song does that because I you know, I like to dance.
I started off in show business as a dancer, just

(23:14):
from being a bee boy and then dancing behind different
artists and things like that and doing music videos and
you know, just kind of being in the background but
part of it, you know. And that's what this song
made me do. With this song made me move, and
so that's what I want to do. I want to
make people.

Speaker 8 (23:31):
Move with this all right, man, we let's chigure out
this record. Nine times out of ten. DJ d rec
let's make it happen strictly independently about Benarmi music. And
it's fine. It's the radio show.

Speaker 1 (23:42):
Independent artists live here. We got this independent game on lock.
They chigured out the radio show. It's that time again.

Speaker 32 (24:05):
Your boy gone off ten haine head, He damn near
broke my spine head trying to kill with a chick
this and nine to see honey. Rick Rock use a
food for this one, for everybody got to get a
boom and system. Even TikTok going fool with this one,
with this because Rick Rock was a boot for this one,
for this, the wreck with the bell on blame on
buss the bill.

Speaker 13 (24:25):
No, this ain't that.

Speaker 2 (24:26):
Ain't that didn't know.

Speaker 32 (24:27):
I can go tiptoe day to put that on anything.

Speaker 12 (24:30):
This ain't cat So don't start none.

Speaker 8 (24:32):
It won't be nothing.

Speaker 32 (24:33):
Just even making never want to refund, because when I
came to the party, y'all, was by myself. For nine
times out of ten, I leave with someone else.

Speaker 30 (24:41):
She and I.

Speaker 1 (24:44):
I just wanted to get it in. She and I shed.
I just want to get it in, get it in,
get it in. I just want to get it in.
I I just want to get it in all the time.

Speaker 33 (25:05):
She get done, but she don't want you. I'm gonna
knock it up the port with the home run. Hey,
that's my people, that's my folks, that's my day one,
that's my being the Roe front. You had the great
one left, right, right, left and looks on. You don't
who you with your best friend? Let her come to
I'm gonna put it to the side.

Speaker 8 (25:19):
I'm a back dad.

Speaker 1 (25:20):
What are my people?

Speaker 8 (25:21):
Where it's at?

Speaker 1 (25:22):
Where the back at off?

Speaker 16 (25:23):
Bax? Who is that?

Speaker 34 (25:24):
Yeah?

Speaker 20 (25:24):
I'm at you.

Speaker 35 (25:25):
I should collected when they're black with the tattoos. I
want to see me when the visit, when the fry out,
when the ride out. Pick it to my height out
number one double lake plus right. If she a done peace,
I'm a bike bight.

Speaker 4 (25:37):
I'm gonna put up.

Speaker 1 (25:37):
I'm gonna show up. What you're gonna do?

Speaker 2 (25:39):
Let me what.

Speaker 35 (25:39):
She tagged me with the hashtag tooo Yes, she and
I she again, I just want to get it in,
she and I she agaend.

Speaker 1 (25:49):
I just want to get it in, get it in,
get it in, you know, I just want to get
it in.

Speaker 16 (25:55):
She and I she atend.

Speaker 1 (25:58):
I just want to get it in.

Speaker 2 (26:02):
Boom boom, boom boom.

Speaker 4 (26:09):
You're not.

Speaker 8 (26:12):
I just want to get.

Speaker 1 (26:17):
I just want to get it.

Speaker 8 (26:21):
That's DJ d rec right there, sir. That is a
good record, man, good record. Definitely, definitely. They are field
right there big time. Thank you, yes, sir, thank you, michell.
That record out.

Speaker 7 (26:32):
It's out.

Speaker 8 (26:33):
It's out.

Speaker 13 (26:33):
It's it's streaming on all the major platforms, and the
video is out on my YouTube page, which is at
d j d w R e K eight eight fresh
f R e s h.

Speaker 8 (26:48):
So d J D rec eighty a fresh.

Speaker 13 (26:51):
If you type that in the video, it'll go to
my page and you'll see, uh, the video pop up
and you know, other music and things like that.

Speaker 8 (27:00):
Yeah, okay, you're performing at all the wild out shows?
Are you doing that? Are you performing at it? Are
you performing anywhere?

Speaker 25 (27:07):
Yeah?

Speaker 13 (27:07):
Well, this song, the record just came out, so I
plan to perform it when we do get some more shows,
when we do start, you know, go back at what
we do, start back out on the road.

Speaker 8 (27:20):
I do plan on performing a record. Okay, all right, Bret,
what you thinking about the record? Does she step away? Okay,
very much, have stepped away. She stepped away. It's all good.
So what's next for you? What's next for me? It's
just uh, I'm again, I have some some of the
songs that I need to record.

Speaker 13 (27:41):
Uh and uh just just you know, we're really working
this record at radio and and and in the clubs
and things like that and at the record pool, so
you know, just to really get this song out there,
you know, talking about independent you know what I mean.
It's a hustle, you know what I mean. So you know,
I gotta I gotta shake a lot of hands and

(28:03):
and meet a lot of people and stuff, you know.
So uh, and it's my label, so I'm doing a
lot of the admin stuff as well as all the
artists stuff and and so it's a lot.

Speaker 8 (28:15):
It's a real job, thank you.

Speaker 13 (28:18):
And you don't really see any any uh any income
from it until you know, for a while, like you
really gotta really grind and then you know, hopefully it
pays off.

Speaker 8 (28:31):
Yeah, it's a job, man. We'll keep up the good work, man,
keep putting out there. What's up, Britt Right?

Speaker 1 (28:36):
I didn't want you to like let him go?

Speaker 24 (28:40):
No.

Speaker 31 (28:40):
I thought the song was great.

Speaker 10 (28:42):
I was caught up in the setting zone zoom man,
you know, like I couldn't get out of there.

Speaker 8 (28:47):
You know, it was on mute.

Speaker 10 (28:48):
But besides that note, I thought the song was great.
Great job up the great work.

Speaker 8 (28:53):
Thank you. I appreciate it for sure. All right. DJ
D raight Man, thanks for joining us, man, and we'll
catch you with you down the old Okay, thanks for
having me for show Man. Next single come Through. We'll
make it happen definitely, definitely. And when you when you're
in l A doing the doing the performing the record,
y'all do the while in down tour, let me know
what come Through got you. Okay. So all right now,
all right man, take care, all right, peace peace. DJ

(29:16):
D d W rec right there. Make sure you requests
that record of his right there, all right? Nine times
out of ten. All right, well, I can tell you
that nine times out of ten. If you do that,
we'll play that every week around here, each and every
week here on the radio show. We're gonna step away,
take this quick time out. When we come back. We
got some songs to play. I gotta figure out what
happened with m D. And we got some things we

(29:38):
got to get to, including love and Lust, play the
sled and much more as we get ready for the
after party coming up after that the radio show Don't Move.
Here's what's going on recently. On the radio show, we
got Raleigh in the building.

Speaker 36 (29:51):
Definitely a lot so spoke about I just started managing
myself again.

Speaker 8 (29:57):
I kind of manager and probably sends and if a
manager can't take you further than where you can take yourself,
you know what I'm saying.

Speaker 36 (30:07):
Or don't have the relationship that we need to have
teams with brow here doesn't make sense to continue to
have this relationship because if somebody happen to come along
with it, it does, and you're tight to somebody that
it's not.

Speaker 14 (30:22):
You are the one, my only one, perfect believe, it's
never pervid. I don't know where if I ever just
serve it, you don't change to be found my way.
I'll be so nice right after day. Sometimes you know,

(30:42):
woman up for you. There's nothing there I want to do.

Speaker 20 (30:46):
There's nothing there.

Speaker 8 (30:48):
Jostins, cal California, seeing sake, what are you bringing to
the cable?

Speaker 3 (30:51):
I'm bringing everything.

Speaker 16 (30:52):
I helped this season down on my back.

Speaker 4 (30:55):
I did this.

Speaker 16 (30:56):
I carried the season.

Speaker 24 (30:58):
I yelled it down and I was there for my
girls black Sply.

Speaker 16 (31:01):
But I also was there for the movies. Bout you
have seen me hold it down. This season you're gonna
see who are real feelings.

Speaker 8 (31:07):
Make sure you make it a point to check out
Johnson's Cabaret California season six. This season is gonna be
hot ass. The cast moves to the West Coast as
the show continues its format in documenting the interactions and
competition between Jocelyn and the cast of young ladies flying
for a spot for her cabaret performance.

Speaker 37 (31:29):
Feel like everything that Jocelyn has taught me in the
last you know, three years, I definitely paid off this season.

Speaker 38 (31:36):
I'm very grateful for her.

Speaker 5 (31:37):
She taught me so much about womanhood and being a woman,
and I'm really excited to show the world what she's
taught me.

Speaker 7 (31:44):
Amazing, you know.

Speaker 8 (31:45):
Josson's Cabaret California Season six, now streaming on the Zeus Network.
This week's pick hit j T l R featuring Snooped
Off and Mad Scientists. That's my box with so much
trauma on the gee, kind of hard being jail double
nyt paraphrase, No distance don't hurt. Each week on the
radio ship.

Speaker 16 (32:05):
Just the stupe pursuit of the wealth tender.

Speaker 7 (32:07):
You come on, girl, just shake that fruit.

Speaker 8 (32:09):
Because I never met a mers dune.

Speaker 39 (32:11):
Now back to the radio showing.

Speaker 21 (32:21):
Here.

Speaker 40 (32:23):
I would like to get to know if I could
be the kind of girl that you could be down for,
because when I look at you, I feel something.

Speaker 16 (32:33):
Tell me then you're the kind of guy that shut
make more wrong.

Speaker 40 (32:39):
And if I don't let you know, then I won't
be four real.

Speaker 16 (32:43):
I do be wrong by I feel like something could
be going on. The more I see here's more that
it becomes soldier.

Speaker 40 (32:51):
Therein no other menus on there. I want to be
that what you're going, I want to be that. I
don't want to be down with you to the town.

Speaker 16 (33:04):
I think that it's true. I want to be dead
ing coment.

Speaker 41 (33:16):
Do us then cling coming? But do clo going on?
And don't anybody's sona be long live with a the
reason thing I saw someone to care.

Speaker 42 (33:32):
For Mary be all you need to shoulder to cry
out if that's a fact that not me more than
you ever could dream of.

Speaker 16 (33:42):
If it is and I got plant you, I'll then
a gay until.

Speaker 42 (33:48):
I don't want you, Pavid, I don't want to stay
by yourself. Be needle to cool you up and let
your mom me over.

Speaker 41 (33:57):
I go to bet something clobing going looking?

Speaker 16 (34:03):
Do you like something colobing going? Do you have something
cooking going on?

Speaker 2 (34:09):
You know?

Speaker 16 (34:15):
Okay, tell you that I got some up and let him.

Speaker 40 (34:29):
I'll have to say exactly do you up the passing
from the climbing going on? You know about the perious pleas?

Speaker 7 (35:02):
What's going on in Korean rhymes?

Speaker 1 (35:04):
And you're listening to the radio show body.

Speaker 17 (35:06):
Time, you think of body girl the mone away our side.

Speaker 7 (35:12):
You can bring your friends. I'll be away and gay
as bro up, take a shout, I got you drink
and we lie. So somebody.

Speaker 4 (35:26):
The girls up.

Speaker 7 (35:27):
If it's something what you do?

Speaker 4 (35:31):
Get predict in are from you with me?

Speaker 18 (35:34):
You know you girl doing? Got everybody do? Say that
you fash dressing com with me?

Speaker 6 (35:46):
I like you and I need a wife to let
me call you.

Speaker 2 (35:49):
I want to to Oh you're gonna do is?

Speaker 6 (35:52):
Tell me everything you want to do A promise I
can try to make it happen.

Speaker 7 (35:55):
Sign think a body, drive the mode away, how sid
dude and bringing friends.

Speaker 4 (36:03):
I'll be away.

Speaker 20 (36:04):
Gang cancel lie.

Speaker 7 (36:07):
Take a shine, I drink. Damn you lie.

Speaker 20 (36:11):
So today was a good day to hit the gang up?

Speaker 16 (36:16):
What's the moves though?

Speaker 22 (36:17):
Money coming in a worry by the thing to you
only can tell for a nice white and guy forever
with you, trying to get you out of this party,
towat and get it jumping with you.

Speaker 7 (36:26):
Maybe y'all want which time I've been holding up the
ball like.

Speaker 22 (36:29):
I'm standing in the line. I'm a slick you the
beattest run around that we got that she done?

Speaker 7 (36:33):
Can we wipe each other down?

Speaker 2 (36:35):
Dolls?

Speaker 6 (36:35):
I like you and I need a wife to let
me tell you every day in double one a night too.

Speaker 7 (36:40):
All you gotta do is tell me everything you want
to do A promise I can.

Speaker 20 (36:43):
Try to make it happen.

Speaker 19 (36:44):
Time, dude, thank the body girl the mud away? How
side bringing friends?

Speaker 4 (36:52):
How the gang as a lie?

Speaker 7 (36:56):
Take a shine, I got drink and you lie so.

Speaker 23 (37:03):
Straight by time you take a body girl of mud away?

Speaker 7 (37:08):
How inside you can bring your friends?

Speaker 2 (37:11):
How the rady cake is.

Speaker 7 (37:16):
Take a shine and does dr and lies so has
some light straight.

Speaker 1 (37:25):
And is a fire.

Speaker 7 (37:35):
Take a shin, dr and lie so so it's buy light, streak,
love and lust.

Speaker 39 (37:48):
Late lady, late we go and move a crowd all
radio show, Turn up your radio.

Speaker 20 (38:00):
Crying.

Speaker 4 (38:01):
God, don't, baby, beauty, you feel that? Cook good?

Speaker 2 (38:19):
Tell me.

Speaker 4 (38:22):
Who start.

Speaker 16 (38:26):
Old?

Speaker 37 (38:30):
Yeah, let me peep in the scene that'll know I
cover election mal two scenes.

Speaker 3 (38:33):
I'm the only one that they're in between. And if
I've ever made that after, you could watch me leave now,
don't stop giddy yitty.

Speaker 1 (38:39):
Even if I'm mad or your friend king giddy. I'm
a real real I don't play myself.

Speaker 3 (38:42):
And if Buddy dot he played me, then he played itself.

Speaker 9 (38:44):
Now if you're right, then you can get it.

Speaker 2 (38:46):
I like you.

Speaker 7 (38:47):
Yeah, I'm with it.

Speaker 1 (38:48):
You can treat me good if it's bore me.

Speaker 4 (38:49):
Hell, I'm real good for you boy, real good for
your help.

Speaker 2 (38:53):
Yeah, and.

Speaker 16 (39:04):
Who don't know how bad alone love?

Speaker 4 (39:07):
Maybe you do it?

Speaker 37 (39:08):
Tighten you feel I could, God, tell me you'll start.

Speaker 32 (39:16):
Me?

Speaker 12 (39:16):
You old bob?

Speaker 2 (39:18):
You know.

Speaker 25 (39:21):
Feeling sweety, Julie, I don't know every time you can't
tell me though we have wrong touby honib on your.

Speaker 37 (39:38):
Own, who don't know holbat honor and who don't know
abd Alona's love.

Speaker 4 (39:58):
Maybe you do right? Tighten you know I could good?
Tell me well, don't start by.

Speaker 8 (40:09):
We knew it all now, don't forget This is also
a video show, so if you like the audio portion
that's going on, check out the video show. This is
also a video show at the same time. Go to
our YouTube channel at Keyword DA Radio Show as well
as twitch at a Keyword DA Radio show as well.

(40:31):
We are a Hood the Hood, Block the Block Always
the radio show done de m D and Britta Living
X the Human Chandelier making it happen for you right
here on a Monday, I got you loud and clear now, MD,
I'm glad you said something. I was about to ask
you to say something. Are you doing tonight, man, I've
been waiting for you to cut me on you locked
me out? Yeah, yeah, you know, we were having some

(40:53):
technical difficulties. I knew you were there. I was gonna
test you out right about now. But I'm glad you
said something. But you here here, I missed it. Yes, yeah,
you missed a guest DJ D rec Yeah, but it's
all good. He'll be right back here when he drops
the next single, so be on the lookout for that

(41:14):
real soon. But you missed him. But you're right on
time for this right here are trending topic right now
Trending top again brought you a boy Spotlight three sixty
Media again. You like that celebrity stuff that I got
going on, Please feel free to check out Spotlight three
sixty Media keyword on all social media platform as well

(41:35):
as Spotlight three sixty media dot com now.

Speaker 2 (41:41):
MD.

Speaker 8 (41:41):
You've always had preached this right here about the artists
not signing with the major record company, and if you do,
you have a chance to lose a lot of money
and your business might not be handled correctly, and you
give up a lot as far as your your money
is concerned. If you choose to go ahead and take
that money that they give you when you first sign

(42:03):
a big signing bonus. If you do end up signing
with the major record company, make sure you hold the
majority of your licensee licensing a seventy thirty split. You
keep the seventy as an artist. The record company get
the thirty. Make sure you do that. If you don't
believe me, I've listened to a podcast I called it
what a podcast I was talking about this very subject

(42:25):
and how you should handle that. Here's what they were
saying on that podcast.

Speaker 43 (42:29):
So you never want to sell your masters, but artists always,
for some reason give up ownership of their masters because
they want that check, but they don't understand that they're
never going to recoup. The bigger the check you take,
the more in debt you are with the record company.

Speaker 8 (42:43):
But most artists are just very you.

Speaker 43 (42:45):
Know, create to take the money off the table, and
they'll sell their rights, and they'll sell for a royalty.
But if I'm advising you, I would tell you to
never sell your rights. I would tell you to stay
independent as long as you can, so you can basically
write the terms you want. Is where one you have ownership,
there's a reversion on the license. So you're doing an

(43:08):
exclusive license with the record company and the rights revert
back to you after ten years. I mean then I
wouldn't do anything more than a seventy thirty split because
you want to give them some skin in the game,
so the favor of the artists.

Speaker 2 (43:24):
So I want my artists to have at least seventy percent.

Speaker 43 (43:27):
If I can get them eighty, i'll get the ADI,
but I want them to have at least seventy percent.
I don't want any distribution fee.

Speaker 8 (43:35):
Yeah, some key thoughts right there. I thought he said
that that I liked. What he said is that no
distribution fee at the end right there, and you know,
make sure the record company you give them thirty, you
keep the seventy as an artist, and you know things
in that nature. There was those key things that's stuck
out in my mind. I thought I was listening to
that gentleman speak on that issue right there, MD, What

(43:57):
do you think about that?

Speaker 34 (44:00):
I like what he said, and it makes a lot
of sense what he was preaching, because there are a
lot of artists and independent labels. They they're too thirsty
for the business. And when you start making emotional decisions

(44:20):
and you don't make decision with facts, you're gonna get
I'm gonna say nine point nine nine percent of the time,
you're gonna get screwed. There's too many thirsty artists and labels.
They're reaching out for the money. And I understand why
they reach out for the money, because nine even nine

(44:41):
point nine you don't have big money that came into
the business. So they're just trying to get a handful
of money to pay bills, Give them apartment, get them
a little fancy car. They think, they think load for

(45:02):
themselves and they don't look at the big picture. And
I know quite a few artists it's too thirsty for
the deals and they think they're getting over too. So
I understand what my man is saying, and I agree
with him one. You know, it's a thought process. And
for urban music, a lot of music prospects don't have

(45:23):
thought process. They just go with the money, unlike.

Speaker 31 (45:29):
Right, So they gonna rob you, and you're gonna blow
all your.

Speaker 8 (45:31):
Money, yeah basically, and then you be in a hole
trying to have to happen to pay all that back
with your music and you realize you're not making anything. Oh,
you're gonna pay it back with your music if your
music sell, yeah, if itself.

Speaker 10 (45:44):
Look, but then if you got a low percentage that
you're getting, you know what I'm saying, that's gonna be
another problem too, because you weren't looking at the paperwork,
you know, like, if you wasn't looking out for yourself
or had somebody else looking out for you, then your
percentage ain't that high on what you're receiving on the
music in anyway, you getting all yourself off of performances?

Speaker 8 (46:03):
Mm hmm. And what do y'all think about that? Man?
Keyword da radio show on all social media platforms and
let me know your thoughts. If you don't want to comment,
go ahead and type out a comment. We'll read those
while we are on the air. Let's move on to
our celebrity interview. This week, I caught up with Robert
Record Robert Ricard at the game premiere. New movie game

(46:24):
coming out real soon. Here's what we have to say
in regards to that and much more. We got played
a slave, we got love with Less coming up after this.

Speaker 1 (46:32):
Show, ripping in all the red car bis.

Speaker 44 (46:36):
Here's an exclusive celebrity interview.

Speaker 34 (46:39):
Hi guys.

Speaker 20 (46:41):
Here at the premiere of the game.

Speaker 8 (46:43):
I love this for sure. Man, This don't get older
you right, No, it does not.

Speaker 12 (46:47):
Love this Just shout to everybody at home, Love you guys.

Speaker 45 (46:50):
All the young people out there, college kids, high kids,
everybody's ware up with me. All the adults love you guys.
Everybody military, love you guys too. Everybody in medical field responders.
I love you guys, kids till I love you guys
now now everybody tonight.

Speaker 8 (47:05):
I have talked to all the casts and said that
you and the director have chemistry amongst everything, and the
chemistry chemistry that you two work with next level. Tell
him about that chemistry.

Speaker 45 (47:14):
Yeah, you know, Stelley, not we we we get it
done every time. I love working with stell working still
my whole career. It's probably our eighth project together. And
it's a good person to be with. And then now
that RG involved and Roy Graham is amazing and he's
a great asset to have and look to make a
lot more with him.

Speaker 8 (47:30):
They have me tell her why did to go watch
the game? Way come out? Uh?

Speaker 45 (47:33):
Ever, go watch the game? I'm Robert Chard and I
love you guys, God blessed, and then followed me on
all my socials at the Robert Rochard on everything.

Speaker 8 (47:42):
Check out my only fans. I'm Robert Shard. You're listening
to the radio.

Speaker 30 (47:47):
Shows, Let's go, let's go, Let's go with your girl,
Bretty living x the Human Chandelier here on the radio show.

Speaker 5 (48:01):
And you're listening to Love or Lust? Do you have
a problem with your relationship? Do you want to know
if it's love or lust? Let us all vote and
let us all let you know if you're in love
or if it's lust.

Speaker 8 (48:14):
All right, y'all we inside of love and lust right
about now. Brita living next to human chandelier, the floor
is yours.

Speaker 31 (48:22):
It's your Girl Pretty Loving. Next The Human Chandelier, and
today on love or lust? The topic is is it
love or lust? If your spouse only wants you to
wear the clothes that they buy.

Speaker 8 (48:36):
For you, that would probably be lust right there. If
if you're only able to wear what they bought you,
that's lust because you're wanting them to look a certain
type of way. If you love them, you would accept
me for who I am. So that's love. Let mean lust?
I'm sorry, that's lust.

Speaker 21 (48:55):
That's love. That's love. But that type of love that
you don't want, you know, it's controlling. I wouldn't say
it's less because it's not. You're not even lessing after
the good clothes you wearing. You know she want to
wear her you know something that's maybe revealing, or you
know a color that you don't like, and you know

(49:15):
you not lesting after that. You just want to control.
You just want to control her or him, So you know,
you might be they might be so much in love
with you that they just want to control you. Like
mind mind, mind only do what.

Speaker 31 (49:27):
I let's call Andrew a telephone numbers? Are they monitor
and recruiting?

Speaker 8 (49:32):
Yeah?

Speaker 21 (49:32):
I can go in love with them and the type
of love that you want.

Speaker 8 (49:36):
Okay, you know what I and after you made that point,
clear man, I can see you right there, you made
a valid point. I didn't think of it that way.
You know, I guess it would be coming to you,
right the man that wants to make sure nobody see
as woman's we basically dress her up, covered up from
head to toe basically. So yeah, I see, I see
your point right there. You made it a valid argument,

(49:57):
valid argument. That's why I said it was the fence,
so I was reaching that. Well, that's that's cool, man.
We all got three different perspectives on it. ND was
on the fence. I said, love. Kelly Good said, uh, love,
but in a negative way. Britt, what do you think
is the woman when you brought this to the table,
love or lust? Agree with Kelly? Okay, okay, nothing wrong

(50:21):
right with that right there? I agree as well. Uh
Nicki Nikki My Nikki says, uh no, that's controlling. Okay.
She said, no, that's she's disagreeing. She said, no, that's controlling. Okay, Okay.

Speaker 34 (50:38):
I figure I figure women were looking at it that way. Controlling. Yeah,
they don't understand. We asked you the question is it
love or LUs. We didn't ask no statement, Well, no,
you know, it's it's cool, it's cool, she said. She
said she said lust at first, and she said she felt.
I guess what Kelly Good said was it's not love
or lust, it's controlling. So maybe that's that's where she's

(51:01):
going with it. But what do y'all think? All the
other ladies checking us out a keyword? Did radio shows?
Let us know your thoughts on that, love or lust?
Let us know we're gonna get inside of play the
slid right now. Let's go ahead and do that.

Speaker 1 (51:13):
Shall we join the radio show every Monday night?

Speaker 12 (51:17):
Every Monday night, wait for the indie song that you
enjoyed the most.

Speaker 8 (51:25):
One day, we're gonna have to do a love and
lust show. We got to let love and lust breathe
a little longer coming up soon, we're gonna have to
do something real soon with that on its own. Maybe
we need to do another hour or so with the
show here and give love and lust and breathing room.
That's what I'm thinking. It's all good. We got you.

Speaker 3 (51:45):
Up lately.

Speaker 8 (51:45):
Oh I know, yeah, yeah, she's been spising it up.
It's all good. We got to let love and lust.
Breathe that's coming soon. But two songs were about to
let breathe right now during Clay the Slid. This is
where we ask one fundamental question, and that's what should
we do with these particular songs. Should we be play it?
Or should we slickt y'all, slay the record, throw it

(52:07):
in the cyber trash, never to be heard from again.
All right, so we got two songs we're gonna get
you right now. The first song we got right now,
artist's name is chicker Russ. Chicka Russ songs called raw raw.
Chicker Russ sounds called raw raw. I mean we played
this song during the after party one time. I think
I like this one.

Speaker 2 (52:27):
Here.

Speaker 8 (52:27):
We gonna let's make it happen.

Speaker 38 (52:28):
Play it the slave, Let's go the radio show, Radio show,
the radio show, play play it or slick.

Speaker 44 (52:38):
If you can get out whatever, let me check you out,
your brother be catching.

Speaker 12 (52:46):
I got too many better names.

Speaker 4 (52:48):
If you get out theeveret.

Speaker 9 (52:56):
I got too many better names.

Speaker 16 (52:58):
You get to do.

Speaker 9 (53:01):
So whatever you say with your bed, I'm never too
all time.

Speaker 7 (53:06):
You hold me down because you always on time.

Speaker 23 (53:09):
You can make a movie, make a blue pad, you
can know whatever, baby, we can let your movie difference
and you're always you don't know that has to take
the whole thing.

Speaker 15 (53:19):
Let me swat.

Speaker 9 (53:22):
I love it when you hold me time.

Speaker 7 (53:25):
I need your body on mind.

Speaker 9 (53:27):
No talking.

Speaker 38 (53:31):
Radio show, the radio show or slip.

Speaker 8 (53:35):
That was the first play the slave record for tonight.
Right there? That is chick a rust sounds called raw rod.
Chick rust sounds called raw raw. All right, Uh, bring
the living next to you, miss Chandelier, play the slive?
What should we do with this one? I'm playing that
raw Rod?

Speaker 21 (53:51):
I like that?

Speaker 8 (53:52):
Yeah, okay, Kelly good? What you think about out their record?
Player slid? What should we do with it? Indeed? Player

(54:12):
the slid? What do you think we should do with
that record? I'm definitely gonna play that one. Eric, How
you doing tonight? I'm good? How are you doing that?
I'm good, man, I'm good. What should we do with
that record? Play the sled? Go ahead and play it?

Speaker 6 (54:28):
Man?

Speaker 8 (54:29):
All right? Young young? How you doing tonight? Yep? Just
tappening in with y'all. Listen to the show. Okay, what
you think about that record? We just played that? Chicka
ris ra Rod play the sled? What should we do
with it.

Speaker 4 (54:43):
I'll play it.

Speaker 8 (54:44):
I'll play it. It was cool, Okay, I'm gonna go
ahead and play the record myself. Don't forget if you
want to make comments on the record. If you don't
want to speak, your comment will read those as well

(55:06):
on the perspective platforms that you're checking us out on.
Right now, Let's go ahead check out the second record
right now, second player, the slayer of the record.

Speaker 6 (55:14):
This is a.

Speaker 8 (55:16):
Tyleomesian talamicia. Talamicia sounds called in your face. Talamsia sounds
called in your face. Let's check this one out.

Speaker 38 (55:26):
Here we go the radio show, radio show, the radio
show or slip knock.

Speaker 7 (55:32):
Who's there?

Speaker 1 (55:40):
Your face?

Speaker 16 (55:44):
In your face?

Speaker 1 (55:47):
Your face?

Speaker 44 (55:52):
Sadly get shot my lefty tappy while I'm counting up
my baggage. If I'm on it, I don't see no component.
If I ride you like a pony, you gonna need
to take the moment. I gotta fat behind I saying,
am I wanna be mine? Blowing his mind? Tell my
son bringing to God? Am I I'm too fine with

(56:12):
it yet?

Speaker 8 (56:13):
I grind.

Speaker 44 (56:15):
If I tuned it up and put it online, I'm
gonna start trending in.

Speaker 16 (56:19):
That gag I throw this, they throw that bag.

Speaker 44 (56:22):
I'll be laughing at how you go outside from stepping
you could tell how.

Speaker 38 (56:28):
To radio show radio shows, the radio show play or
slid the.

Speaker 8 (56:34):
Second play the slave record right there, that is Telemesia
sounds called in your face Tellamesia in your face? MD,
What do you think about that? Tyla Mesia? I will
play it, Okay, I'll give it a did you want us?
Next week on the radio show with another exciting guest

(56:56):
saying bad time, saying bad channel. We gone. I'll see
you next week. The after Party's coming up next by y'all.
Hey the radio show so far.

Speaker 12 (57:05):
Make sure you follow us on all social platforms at
the Radio Show