Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Time to radio show.
Speaker 2 (00:21):
We are the greatest.
Speaker 3 (00:22):
We played the greatest indie.
Speaker 4 (00:24):
Artists on the radio show.
Speaker 5 (00:26):
We got hot topics, we did they propping on the
radio show.
Speaker 2 (00:31):
Listen to love and listen, give you other up in
your relationship.
Speaker 6 (00:34):
Problems will be with it, so make sure you tune
in and the radio show.
Speaker 7 (00:41):
It appears that Jimmy Kimball seemed to be able to
get his show back on the air. I wonder if
that happened, will happen? I wonder if it will happen
to Stephen Colbert as well. We'll continue to monel that
situation as we bring in the radio show done D
n D and Britta loven X Human Chandelier, making it
that before you're live and direct from our wee By
(01:01):
Houses studios, you got to ask to set hit them
up three one oh nine two two eight one one
four three one old nine two two eight one one
four any condition, in any style. They're there for you.
Operators are standing by. What's going on your spar radio
show strictly independent hip hop and R and B music
at its finest. Happy to be here for another week
(01:23):
here afore here on the radio show. So uh, what's
going on hope. Everybody had a wonderful proceps this week,
and we're here with another one for you as well, y'all.
Britter living next to you, Michelle DELEI, how you doing tonight.
Speaker 3 (01:37):
I'm doing great. I'm doing great, Happy to be in
the building.
Speaker 7 (01:42):
Happy to have you here in the building as well.
Kelly good you all right over there.
Speaker 8 (01:49):
All as well. Man, I'm happy. How y'all doing tonight.
Speaker 7 (01:52):
I'm good man, I'm good. I'm good man. I'm trying
to get them then, but we're gonna work on it
and getting them in in a few moments here and
big give the shot real quick and say hello, Okay, yeah,
we gotta get him in through zoom or something like
that tonight. It's all good. We're gonna go ahead, keep
rolling on with the shows. I work on getting NDN
(02:14):
on the back end. So there's a lot of things
that are going on. We're gonna touch on this real
quick here again. We've got an industy topic which we'll
put on the table right now, an industry topic brought
to you by Spotlight three sixty Media. We're like all
the celebrity stuff that I do on that end. Make
sure you follow all the industry stuff Spotlight three sixty
(02:34):
media on all social media platforms. That avenue is open
for you right now. So ice Cube was on a
recent podcast, and on that podcast he spoke about artists
going out there and getting new fans, that they need
to kind of take care of the fans they have.
(02:55):
Your true ones will stay with you always. You take
care of your true fans for your worry about going
to get new ones. Here's what I ask you about
to say on a recent podcast about that subject.
Speaker 9 (03:06):
Right there, that's all you got. It's all about your
core fans. Everybody else got to get in where they
fit in. And some artists you got. It takes some
time to figure that out. Some artis you know, you
come out, you big, you hot. Then you start to
try to you know, expand we want to get new fans.
You know you want platinum. You wanna go double platinum.
(03:28):
So now you're starting to reach. Once you start to
reach too much, you'll come attached, you detach.
Speaker 7 (03:37):
From your core.
Speaker 9 (03:39):
So now you're floating out there trying to get new
fans because you don't.
Speaker 7 (03:43):
Realize you don't lost your old fans.
Speaker 9 (03:45):
So you stay with your core and you make everybody
come to you. You don't want this, Let's say for you,
this is for my core fans. You could be one
of those, but I'm not about to do nothing to
try to get you to be a fan. But I'm
gonna do what I do, do what my fans love,
(04:05):
and then they'll stay with you forever and they won't
abandon you, and you'll be here thirty forty years later.
Speaker 7 (04:12):
Just think about that, what I keep just saying, making
music for your core fans, not forgetting them at all,
because those are your true dye hard fans, and they
will be with you through thick and thin and no
matter what. Britt, what do you think about that? What
Ice keep saying. I think that's true.
Speaker 6 (04:29):
It's always cool to try to get new fans, of course,
but you still got to cater to you know, your
day ones, you know, so the majority is catering to
your day ones. Now we get some new ones, cool,
and we will put new content out there to grab
other people in. But besides that, our focus is always
on our day ones.
Speaker 7 (04:51):
Might should have done to think about that, sir?
Speaker 10 (04:55):
Yes, sir, oh yeah, I agree, I agree. I took
some notes there. I got the little dependance. Pad uh
huh shout out to to the O G. He said
that if you don't want this, this same for you.
Speaker 2 (05:09):
Like that's from a.
Speaker 10 (05:11):
From an indie standpoint and a major standpoint. I feel
like with your fans, like that's what it has to be,
Like that's the foundation, like off Gate, like, Hey, this
is what I bring to the table. This is what
it's gonna be. This is what you're gonna get from
me every time. If you want to go for the
ride and enjoy the journey with me, let's grow together.
If not, tell the other folks about me. So take
(05:32):
it like me.
Speaker 7 (05:33):
You don't want for that, man, that's that's what's up.
Salute Michelle Man. Definitely, you got, you got, you got, you.
Speaker 11 (05:48):
Got that, you got, you got that, You got that
taken body, body, buddy body.
Speaker 12 (06:00):
You.
Speaker 7 (06:06):
Got that sick body.
Speaker 3 (06:10):
Southern girl, pretty face like she came from.
Speaker 13 (06:12):
The island, from the island.
Speaker 14 (06:16):
I see the front, but I can wait just to
see it from behind.
Speaker 15 (06:23):
We guess me.
Speaker 16 (06:24):
Bags like clon come to my team because you're batting
like a thousand.
Speaker 17 (06:32):
You got that big buddy, buddy, buddy buddy, sick buddy, buddy, buddy, Boddy.
Think you think, Buddy, Buddy, Buddy Boddy, sick Buddy, Buddy,
thick Buddy.
Speaker 18 (06:44):
Let's take.
Speaker 17 (06:46):
Buddy Buddy, Buddy Buddy, Sit Buddy Babyboddyboddy.
Speaker 16 (06:53):
Buddy Buddy's got that sick body.
Speaker 3 (07:01):
You got that.
Speaker 16 (07:02):
Bounce like hydraulics on in the old school, share.
Speaker 15 (07:06):
With the top tail buck in the drum.
Speaker 16 (07:08):
What I wouldn't do for you to drumb it on
me like it's heavy water.
Speaker 3 (07:14):
Is fucking fit?
Speaker 15 (07:15):
Quitted?
Speaker 16 (07:16):
Can get quitted?
Speaker 4 (07:20):
It seems like you're ready a red.
Speaker 17 (07:25):
Think by Buddy Buddy, Buddy, Buddy Buddy, think body got it?
Think Bunny Baby, Everybody Boddyboddyyboddy, Buddy.
Speaker 19 (07:40):
Buddy, Baddy, Buddy Goody, you got that big Buddy, Buddy,
(08:18):
Buddy Buddy sick Buddy, Buddy.
Speaker 2 (08:21):
Buddy got that big Bundy by.
Speaker 17 (08:26):
Everybody, Boddyickbody, Big Joyboddyboddy Moddybuddy Boddy, Eboddy.
Speaker 20 (08:34):
God, everybody.
Speaker 3 (08:41):
Got that sick body?
Speaker 18 (08:45):
What did everybody? It's your gonna Gomedy thing yeo. And
make sure you are tuned.
Speaker 21 (08:48):
In to the radio show at all time, and make
sure you request how bad I want to on the
radio show as well.
Speaker 22 (08:56):
By god, you don't know no better out baby beauty,
you feel like I cook good?
Speaker 23 (09:15):
Tell stop.
Speaker 20 (09:21):
Me you o.
Speaker 24 (09:24):
No, yeah, let me pet me the scene that'll know
I cover elections? Who sees I'm the only.
Speaker 4 (09:29):
One that they n in between?
Speaker 2 (09:30):
And if I've ever made that after you could watch
me leave now, don't stop, giddy yitty.
Speaker 24 (09:34):
Even if I'm mad or your friend king giddy. I'm
a real real I don't play myself. And if Buddy
dot he played me, then he played itself. Now, if
you're right, then you can get it.
Speaker 2 (09:42):
I like you.
Speaker 16 (09:42):
Yeah, I'm with it.
Speaker 2 (09:43):
You can tream me good if it's bore me. Hell,
I'm real good for you boy, real good for your help.
Speaker 25 (09:48):
Yeah, who don't know Holbert Alonas La Baby you do it?
Speaker 24 (10:04):
Tighten you feel like a good tell me you old boy,
I'll star.
Speaker 26 (10:12):
Me and you old babe?
Speaker 27 (10:14):
You feeling yes, sweety Julie, I don't know if telling
you can't tell me though we have wrong to.
Speaker 20 (10:27):
Any by.
Speaker 15 (10:31):
You who don't know Alberta Hona and.
Speaker 2 (10:51):
Who don't know Albert Alonas he like baby?
Speaker 25 (10:54):
You do right?
Speaker 19 (10:55):
Tighten you feel like a good?
Speaker 2 (10:57):
Tell me, oh by, don't stop so we can knew
it all night.
Speaker 23 (11:09):
Come on, yeah, come on, come on, he said, down
here skuts outside out summary, no rides catch eye figures
it in my underside whole black shopping baseboom and music clupping,
(11:32):
soaking up that sunshine.
Speaker 28 (11:34):
I'm being outside day school of night too side Southern love, Southern.
Speaker 23 (11:41):
Brid saying those natos clack fans, go grab a drinking,
go grab a man.
Speaker 29 (11:47):
I think we're gone, but wait, there's more homstead for
the floor.
Speaker 20 (11:52):
So child John's house were a good sounds.
Speaker 29 (11:56):
Wow him, it's souse crazy. Oh this is so Come
on people.
Speaker 20 (12:01):
Where it's a whole place.
Speaker 29 (12:04):
Come along, baby, do sum.
Speaker 1 (12:14):
Do the sup.
Speaker 2 (12:24):
Racking shown the plate cormorate on the side.
Speaker 23 (12:28):
Cousins plads bad start the trash of pride.
Speaker 18 (12:32):
I got that shine of the jar DJ shrumping.
Speaker 5 (12:35):
Heat by the bar.
Speaker 23 (12:36):
Girls on the flop and m here symm my boot started,
but they cost the grip.
Speaker 15 (12:39):
Come on, leave.
Speaker 20 (12:52):
We can.
Speaker 29 (12:58):
Where the good un whoa him? It's South Swizzie, Come
my people way, it has a whole days. Comes home ready,
do the ss off?
Speaker 18 (13:17):
Come off?
Speaker 4 (13:18):
Do we be My cue is better than yours. Ain't
no people. We could take it to the flour.
Speaker 5 (13:32):
All I need is a jam at a good time.
Speaker 23 (13:34):
I'm trying to go muddy, no blinding dned beans, mac
and cheese and green from a plate and she together
a snicker butter already ate Mmm. Southern boys make you
lose your mind true religion in the summer time.
Speaker 4 (13:44):
You ain't gotta go home, get your best bed out
of hair. But you're not too young.
Speaker 23 (13:50):
You know where you got time speed, So let's package
dried and into my crab.
Speaker 4 (13:56):
No sleep till dawn.
Speaker 29 (13:58):
And that's your story, say people working. Its whole play
coming up. We do this supp computer that's spun.
Speaker 25 (14:38):
That's you.
Speaker 4 (14:42):
Gotta missed a round and brought a city girl to
the trail.
Speaker 1 (14:45):
Cul show up, look and lust or slave and move
(15:08):
a crowd.
Speaker 18 (15:15):
Turned up your radio.
Speaker 1 (15:17):
Rick Rock, use a food for this one.
Speaker 12 (15:19):
For everybody got to get a boom and system even TikTok.
Speaker 17 (15:22):
Going fool with this one with this.
Speaker 12 (15:24):
Because Rick Rock was a boom for this one, for
this deep wreck with the ball on Blair on buss
the bill non, this ain't that, sain't that didn't know
I could go kick the sat and put that on anything.
This ain't cat So don't start none, it won't be none.
Just need to make it. Never want to refund because
when I came to the forty y'all was by myself.
But nine times out of ten I.
Speaker 7 (15:43):
Leave with someone else to count.
Speaker 5 (15:45):
She not.
Speaker 30 (15:48):
I just want to get it in.
Speaker 18 (15:49):
Okay, she and I.
Speaker 25 (15:51):
She is in.
Speaker 30 (15:52):
I just want to get it in, get it in,
get it in. I just want to get it in.
Shen she again, I just want to get it in.
Speaker 4 (16:08):
All the time.
Speaker 3 (16:09):
She get done, but she don't want you.
Speaker 18 (16:10):
I'm gonna knock it up the.
Speaker 31 (16:11):
Port like a home run day. That's my people, that's
my folks, that's my dad. One like, hey, that's my
being Monroe front. You had the great one left right, right, left,
Yet that's on you. Who you with your best friend?
Let her come to I'm gonna put it to the side.
I'm a back dad.
Speaker 18 (16:24):
What are my people?
Speaker 7 (16:25):
Where it sat? Where the back at off backs?
Speaker 32 (16:27):
Who is that?
Speaker 33 (16:28):
Yeah?
Speaker 31 (16:28):
I'm at you now, I said, collected. When they're black
with the tattoos. Want to see me when the visit,
when the fly out, when the ride out, pick it
to my hide out level one double late plus, Frank.
If she a don peace, I'm aa fink wight. I'm
gonna pull up.
Speaker 1 (16:41):
I'm gonna show up.
Speaker 3 (16:42):
But what you gonna to let me what? She tagged
me with the hashtag too she.
Speaker 32 (16:46):
And I, she attend.
Speaker 30 (16:48):
I just want to get it in, she and I.
Speaker 1 (16:51):
She atend.
Speaker 7 (16:53):
I just want to get it in, get it in,
get it in.
Speaker 30 (16:57):
And I just want to get it in.
Speaker 18 (17:00):
You're not.
Speaker 30 (17:02):
I just want to get it in.
Speaker 1 (17:04):
Boom boom boom.
Speaker 5 (17:14):
You not.
Speaker 30 (17:16):
I just wanted to get you.
Speaker 23 (17:21):
I just want to.
Speaker 7 (17:22):
Let's get inside and move the crowds so we can
learn more about michaell to Don as to make it
happen right here, man, let's go.
Speaker 16 (17:29):
Y'all, get closer to your speakers.
Speaker 2 (17:32):
The kid's time for the radio show.
Speaker 1 (17:35):
Move the crowd.
Speaker 7 (17:37):
We are inside and move the crowd right aboy. Now,
what we do each and every week around this time
is we taking artists off stage, being a backstage against
nother of my.
Speaker 3 (17:46):
Brits, up close and more personal.
Speaker 1 (17:50):
I love that.
Speaker 7 (17:51):
Right there and joining us now is my man. He's
doing this thing making it happen. The first one I've
ever seen take notes as we're doing the show, man,
we got michaell to Don in the building mens some matro.
How you doing to nice sir.
Speaker 10 (18:03):
Oh, I'm blessed man. Hope all is well with you guys.
Pleasure to be here. Thank you for the opportunity for sure.
Speaker 7 (18:10):
Man, So mo shu to Don Man, tell us a
little bit more about you, man, what's going on with you?
Speaker 34 (18:14):
To Don?
Speaker 7 (18:15):
These days?
Speaker 10 (18:17):
These days we're working, man, Shout out to my team
first and foremost big leagues. The world is ours, you know.
We're all about the culture. We're going to make a difference,
change lives and make great music.
Speaker 7 (18:32):
That's what's up man. Well, I'm sure one of your
favorite part is making it. This song that we're about
to play by you, your new single that that you
got out right now that we're about to play megian dollars.
So tell us about this record that we're about to
play right now.
Speaker 10 (18:45):
Yeah, so million dollars.
Speaker 7 (18:48):
It's about me just getting it out the mud.
Speaker 10 (18:53):
Getting it from the from the ground up, rick by brick,
really just overcoming obstacles and first seeing my life in
a certain way. You know, I got tired of seeing
it on TV. I got tired of you know, reading
it in a book, and I wanted it to come
to fruition. So just putting in work, believing in God
and just keeping my head down and just straightforward. That's
(19:19):
where that's that's how the song came about.
Speaker 2 (19:21):
Billion dollar.
Speaker 7 (19:23):
All right, y'all about to jumping a million dollar right
now right here on the radio show Strictly Independent and
RB Music at this finest, y'all, let's make it happen.
Million dollar, my shooter, don let's.
Speaker 2 (19:34):
Go independent artists live here.
Speaker 1 (19:37):
We got this independent game on lock all day.
Speaker 4 (19:40):
Figure it out the radio.
Speaker 20 (19:41):
Show me a little bit.
Speaker 16 (19:57):
I so look at my reading man about.
Speaker 18 (20:01):
Two hundred years ago, that China bath.
Speaker 2 (20:05):
The type read.
Speaker 16 (20:07):
If he's number take us. Look at my redearist got
two hundred years a boy that shine the breath the tyrad.
If he's take it shut time further.
Speaker 29 (20:23):
Than dam it's mister fras on, I'm coming this one.
Speaker 7 (20:26):
You could bind the red by.
Speaker 16 (20:27):
The something beside all.
Speaker 5 (20:29):
Yeah, I love it.
Speaker 16 (20:30):
She rise it gives you.
Speaker 18 (20:31):
Come make it l on, ain't nothing not getting drug
up and make a hello magic six against the nasty nast.
Speaker 12 (20:37):
Bernie make up, eat the bathy they give me daddy,
daddy or that I'm giving the match six and nasty Bernie,
make up the baby they gonna be.
Speaker 16 (20:46):
Daddy, know that I'm killing all day.
Speaker 20 (20:50):
What you is big?
Speaker 25 (20:52):
Turn me her life.
Speaker 13 (20:54):
You won't for cat even if it's like I live
in a thing, return and then get read all right,
God brilliant. Damon's dripping the sun. Look at my rig
that's two.
Speaker 19 (21:06):
Three years ago.
Speaker 16 (21:08):
That China bad Tangarin. If he's living, i'ma take.
Speaker 23 (21:14):
Yes, shit, that's so rich.
Speaker 35 (21:16):
Look at my rate list about two hundred years agoing
the chain of bread on time.
Speaker 16 (21:25):
If you's to live on, i'ma take it out, Sha
get it like dad. Maybe you get.
Speaker 35 (21:30):
Take it chiggen, you get a real go down China
bichen niked nigga by so grind grind China sweet a
bit sweet thighs.
Speaker 15 (21:43):
I give you a lit shit squash.
Speaker 16 (21:46):
I don't blue faces because I know you're going now.
Speaker 2 (21:49):
You wanna si down on board like a ship.
Speaker 35 (21:52):
Sweyn get real nesting, you're gonna get out. I say,
he's looking really meaning let the shore, baby go ahead,
let me see.
Speaker 16 (22:04):
Let the party do the my way.
Speaker 4 (22:07):
Love it?
Speaker 2 (22:07):
How you throwing baby.
Speaker 1 (22:08):
Going crystal grease?
Speaker 35 (22:11):
Look at my RAS's a hundred years again.
Speaker 16 (22:15):
And not trying a brag the time. Maybe he's really
number ticket shut.
Speaker 17 (22:22):
I'm sorry, look at my raise the music, Colin, I'm
sign a brag the tired.
Speaker 20 (22:32):
If he's really a.
Speaker 15 (22:38):
Shame so much you run, I'm my ship not gonna
freeze my dog.
Speaker 2 (22:47):
Gotcha, brother, go ahead.
Speaker 28 (22:56):
So much?
Speaker 5 (23:06):
Gotcha?
Speaker 18 (23:09):
Un sure?
Speaker 7 (23:10):
All right, y'all? That was my share to Don, Man,
That was my share to Don. Songs called meg and dollars.
Give you social media, man, so we can go ahead
and let you and let you well, well you can
hang out with us, but let's go ahea, give you
social media real.
Speaker 16 (23:20):
Quick, all right, for sure.
Speaker 10 (23:22):
So it's Maestro underscore DA underscore Don, but a spelled
D zero in.
Speaker 7 (23:29):
So my shro to Don Maestro.
Speaker 1 (23:31):
Underscore DA Underscore D zero in.
Speaker 7 (23:34):
You can follow me on ig okay, make sure you
follow mishel to Don. Right there. We're gonna step away.
When we come back, man, we gotta play some music.
We have not played any music, Maestro. I want to
thank you for being on being a guest with us today,
but you're welcome to hang out with us and for
another for the duration of the show as long as
you like. And we're gonna step away place a record.
(23:54):
We'll be back in about twelve minutes, y'all. When we
come back, MD is something that you have been harping
bount that up that hip hop legend spoke upon and
we're gonna talk about that coming up in about twelve minutes,
y'all will be back the radio show. Here's what's going
on recently on the radio show. We got Raleigh in
the building.
Speaker 36 (24:13):
It definitely a lot so as we just spoke about,
I just started managing myself again. I kind I had
a manager. Probably then if a manager can't take you
further than where you can take yourself, you know what
I'm saying, or the relationship that we need to.
Speaker 37 (24:31):
Have here, it doesn't make sense to continue to have
this relationship because if somebody happen to come along with
it does and you're teching.
Speaker 7 (24:42):
For somebody that does.
Speaker 32 (24:43):
It's not.
Speaker 14 (24:45):
The one, my only one perfect for me, but it's
never perfect. I don't know where if I'll ever.
Speaker 15 (24:55):
Don't change.
Speaker 1 (24:57):
Long way.
Speaker 7 (25:00):
You Johnson's Cabaret, California, see to take what are you
bringing to the table.
Speaker 21 (25:14):
I'm bringing everything I helped this season down on my back.
Speaker 18 (25:18):
I did this. I carried the season, I held it down.
Speaker 23 (25:21):
I was there for my girls black Sply, but I
also was there for the movies.
Speaker 18 (25:25):
Though you don't see me hold it down.
Speaker 32 (25:27):
This season, you're gonna.
Speaker 15 (25:28):
See who the real.
Speaker 7 (25:29):
Make sure you make it a point to check out
Johnson's Cabaret California season six. This season is gonna be
hot ass. The cast moves to the West Coast as
the show continues its format in documenting the interactions and
competition between Jocelyn and the cast of young ladies flying
for a spot for her cabaret performance.
Speaker 23 (25:51):
You feel like everything that Jocelyn has taught me in
the last you know, three years, I definitely paid off
this season.
Speaker 18 (25:58):
I'm very grateful for her.
Speaker 5 (26:00):
She taught me so much about womanhood and being a woman,
and I'm really excited to show the world what she's
taught me.
Speaker 7 (26:07):
The Josson's Cabaret California Season six now streaming on the
Zeus Network this week. To pick hits, j T l
R featuring Snoop Dogg and Mad Scientists. That's my box.
With so much trauma on the it kind of hard
being jail double Nyt paraphrase, no distance her each week
on the radio ship yet this stupid pursuit of the
(26:29):
wealthender you go on, girl, just shake that fruit because
I never met her.
Speaker 1 (26:33):
Now back to the radio show.
Speaker 14 (26:46):
You made me hell Huckey, this name, it's constant and.
Speaker 4 (26:53):
Around.
Speaker 1 (26:55):
You are the one, my only one.
Speaker 3 (27:00):
Perfect for me, but it's never perfect.
Speaker 14 (27:02):
I don't know where if I liver, just serve it
because you don't change.
Speaker 1 (27:08):
Let me found my way.
Speaker 4 (27:10):
I have been so that sight.
Speaker 2 (27:12):
Afterday, oh some time.
Speaker 18 (27:15):
You know, woman, love for you.
Speaker 16 (27:17):
There's nothing that I want to do. There's nothing that
I want to do.
Speaker 15 (27:22):
It comes to you.
Speaker 16 (27:24):
There reverses gris.
Speaker 18 (27:29):
You know the sun give me life.
Speaker 1 (27:33):
It's someone lose giving life.
Speaker 14 (27:38):
Even heaven those some condisional You want my motivation the
reason I follow my heart?
Speaker 30 (27:48):
You give me that suf love, honest pure.
Speaker 7 (27:53):
If I don't have it, you know I'll find it.
Speaker 2 (27:55):
Give me men sounds grave.
Speaker 1 (27:57):
So when it comes to you, there's.
Speaker 14 (28:00):
Nothing Nana went into don orsscribe.
Speaker 15 (28:07):
Do you love the Sunday?
Speaker 22 (28:11):
Thank you?
Speaker 14 (28:16):
Damn Heaven knows is unconditional.
Speaker 26 (28:23):
Some condision, it's some cons some it's some conditional.
Speaker 20 (28:54):
Yeah, listen, I recommend it and listen to the radio show.
Speaker 16 (28:57):
By the time you think you a body girl? The
mode away? How side you can bring your friends? I'll
be away gay and survive? Bro up, take a shout,
I got you drink and we lie so straight the game.
Speaker 28 (29:19):
If you something what you're doing pretty from everything with me?
You know you want a girl you win? Gettle everybody
do say that you dress and cover with me.
Speaker 16 (29:36):
You'll be honest.
Speaker 15 (29:37):
Baby.
Speaker 38 (29:38):
I like you and I need a wife to let
me call you every day and double one a night to.
Speaker 16 (29:42):
All you're gonna do is tell me everything you want
to do.
Speaker 2 (29:45):
A promise.
Speaker 16 (29:45):
I can try to make it happen.
Speaker 39 (29:47):
Side take a body the mud away, how inside you
can bring your friends.
Speaker 4 (29:54):
I'll be away.
Speaker 16 (29:55):
Gay, cancel, take a shot, don't drink. Damn you lie?
Speaker 29 (30:02):
So today was a good.
Speaker 38 (30:07):
Day to hit the gang up? What's the move though?
Money coming in? Any worry by the thing too? B
only can time for a nice white guy forever with you,
trying to get you out of this party to watt
and get it jumping with you. Maybe y'all want which
time I've been holding up the ball like I'm standing
in the line. I'm a slick you the bettest front
around and we got that she's gone.
Speaker 16 (30:25):
Can we wipe each other down?
Speaker 30 (30:26):
Dolls?
Speaker 3 (30:27):
I like you and I need a.
Speaker 38 (30:28):
Wife to let me call you every day in double
one a night too.
Speaker 16 (30:31):
All you gotta do is tell me everything you want
to do. A promise you to try to make it happen.
Speaker 39 (30:36):
Time thank the body girl the mud away? How inside
you can bring your friends?
Speaker 15 (30:43):
How'll be away as a lie?
Speaker 34 (30:48):
Take a shine, I got drink and we lie so
straight time you think a body girl the mud away?
Speaker 16 (31:00):
How inside you can bring your friends?
Speaker 29 (31:03):
How the lazy cake is?
Speaker 1 (31:07):
Take a shadow d and lies so.
Speaker 40 (31:13):
Light is fire?
Speaker 16 (31:27):
Take a shadow that dr and lie so so it's light.
Speaker 2 (31:33):
Strap love and lust late late lake, we can and.
Speaker 3 (31:41):
Move a crowd.
Speaker 16 (31:46):
Show, turn up your radio.
Speaker 32 (31:50):
Strike straight, please go listen.
Speaker 21 (32:01):
Go let them rich where they on them, wear them
bad babs where they are upon them.
Speaker 1 (32:07):
Map.
Speaker 2 (32:07):
You know what's the photo shoot?
Speaker 18 (32:09):
Every time I'm popping out, I on them? Oh I
know he hatemen.
Speaker 21 (32:13):
Now let them richness where they on them, hear them
bad babs where they are upon them?
Speaker 18 (32:19):
Map.
Speaker 2 (32:19):
You know what's the photo shoot?
Speaker 18 (32:21):
Ever it's time I'm popping out, I'll bet on them.
Oh I know a hatmen.
Speaker 21 (32:25):
Now you know what repingify ten You can orange mount me.
If you ain't a richness you can get from around me,
and with no suckers, you can never clown me.
Speaker 4 (32:34):
You know what's clean in my city?
Speaker 21 (32:35):
You can really crown me. I don't rich, ain't get
upon the map. You can see your shaken down throwing money.
Shot Now I get my own bag boot what talking
bouts say?
Speaker 18 (32:45):
Shoes getting me?
Speaker 2 (32:45):
Come and shine a damons.
Speaker 18 (32:47):
In your mouth.
Speaker 21 (32:47):
I keep a boos attitude, baby boo. I've been ruined,
give money all day. I'm being up booth with big dudes.
I sitting on these every day, just like them, bradgood.
Speaker 5 (32:57):
All the motion that we haven't.
Speaker 1 (32:58):
You know, we can't little.
Speaker 21 (33:00):
Rich where they on them, hear them bad bad where
they at upon them.
Speaker 2 (33:05):
You know what's the photo shoot?
Speaker 18 (33:07):
Every time I'm popping, No, I'll be on them.
Speaker 1 (33:10):
Oh I know.
Speaker 21 (33:11):
Hating now, let them rich where they on them, let
them bad bad where.
Speaker 18 (33:16):
They at upon them.
Speaker 32 (33:17):
You know what's the photo shoot?
Speaker 18 (33:19):
Every time I'm popping now, I'll be on them. I known.
Speaker 12 (33:25):
And when the men the city that my daddy come
get her come, I canna drop up back to my proppings.
Speaker 2 (33:30):
Miss my floy you on me bad? Can't one?
Speaker 12 (33:35):
What a rich rish my soul earth where he's been
the boy his first car is on my earth Broken.
Speaker 3 (33:44):
I told my sisters, is.
Speaker 32 (33:45):
He ain't this herd?
Speaker 2 (33:46):
Wet them rich where they on them, wear.
Speaker 21 (33:49):
Them bad bad, where they at upon them?
Speaker 2 (33:52):
You know what's the photo shoot?
Speaker 18 (33:53):
Every time I'm popping night, I'll be on them, I know.
Speaker 2 (33:57):
Now, Let them rich where you're the bad bad? Where
they are on the map.
Speaker 18 (34:04):
You know what's the photo shoot every time I'm popping out?
I'm oh, I know they hate me now?
Speaker 28 (34:17):
Yeah?
Speaker 41 (34:18):
Yeah, dis Davonte Road makes y'all check me out my
new single, Blowing.
Speaker 3 (34:22):
Up a tea just dropped everywhere, bowing.
Speaker 2 (34:26):
Up A team.
Speaker 41 (34:30):
Just said, look at this, you look so sweet, bowing
up a Teach me the buddy looks sweet.
Speaker 4 (34:47):
I want to get to know here.
Speaker 16 (34:48):
Oh yeah, I bet Chet's baby over here.
Speaker 32 (34:53):
Honey.
Speaker 41 (34:53):
You what I gotta do to impress your Anything you want,
I'll get you in my bag.
Speaker 3 (35:00):
I gotcha.
Speaker 42 (35:01):
Oh loco motas Mama, who are going through?
Speaker 3 (35:04):
What is Bonita?
Speaker 1 (35:06):
Come yet?
Speaker 3 (35:07):
Put it on me?
Speaker 10 (35:07):
So?
Speaker 2 (35:08):
Yeah?
Speaker 16 (35:08):
Shape right, let me see have a goat Yeah, rock
the boat.
Speaker 3 (35:11):
Let it hurt a little wine.
Speaker 42 (35:13):
Your wear thin, twitch your middle, rock the boat. Let
it hurt a little wine you wear thin, y'all.
Speaker 41 (35:21):
She looks fee me like her puzzy We are boe right,
don't gave no flee.
Speaker 16 (35:27):
That's my bob here.
Speaker 42 (35:28):
I am a drinking dropped the beat sixtybody like hanging
my me, move fastom Put myself on that thing that's
my hampern.
Speaker 41 (35:39):
I put my saf on that thing that's my imprint.
Speaker 16 (35:44):
Put my sip on that thing.
Speaker 19 (35:46):
Rock the boat.
Speaker 3 (35:47):
Let it hurt a little wine.
Speaker 42 (35:49):
Your wear tin, twitter, your middle, rock the boat. Let
it hurt a little whine your wearin, y'all.
Speaker 41 (35:56):
I'm going to patigue my meta buddy. Look Sweetzita. I
want to get to know you. Bet shirts baby Senorita
aneas you what I gotta do to impressia anything you want?
Speaker 2 (36:12):
I get your in my bag.
Speaker 41 (36:14):
I got you, you know, rookie, yell you immediately, bus
give me cookie, gel, give me give me other cookie.
Speaker 3 (36:22):
Now let us be bo.
Speaker 42 (36:25):
One by friend.
Speaker 2 (36:26):
It is a good buddy.
Speaker 16 (36:27):
You look so fine.
Speaker 42 (36:28):
God, somebody hadn't try to like an nick a secret Canta.
Speaker 41 (36:33):
Nobody Meita, buddy looks sweeting I want to get to
know he yeah, bet shirts baby Senorita anager. What I
gotta do to Impressia?
Speaker 16 (36:49):
Anything you want?
Speaker 4 (36:50):
I get your in my bag.
Speaker 8 (36:53):
I got you.
Speaker 14 (36:59):
Gee body.
Speaker 7 (37:05):
Udio shout no forget. If you got a choice right now,
you can always check out the Radio Show dot Com.
You want to hear these songs that we're playing over
and over again, you can go right there to the
Radio Show dot com and check that out. It is
now up and running. Go to our website www. Dot
Radio show dot com. Click on where it's where it
is a button playing music. You can hear some songs
(37:27):
that are playing right now the return of the Radio
Show dot Com. And also, while you're there checking this
out right now, this is also a video show. The
show that we're doing right now is also a video show.
So if you go there right now, click on the
links where the video is and you can see currently
me right there on the screen. So go ahead and
(37:47):
check it out right now the Radio show dot Com.
You can go ahead and check everything out on the
video in as we do the audio show and video
show at the same dang time. Prett what you think
about what Eric Sermons said right there?
Speaker 3 (38:02):
Yeah, no, I think it's true.
Speaker 6 (38:05):
I agree, and.
Speaker 4 (38:09):
That's it.
Speaker 26 (38:09):
I agree.
Speaker 6 (38:10):
I mean, you know, like I like to be repetitive
at times, but it's a it's always best to be
creative and you know, try to do some different.
Speaker 40 (38:19):
You don't think that artists could be created without using
profanity all they can?
Speaker 4 (38:25):
I think both.
Speaker 6 (38:26):
I think sometimes profanity is needed, not in everything, but
I feel like sometimes, you know, like you guys are
out at a party or whatever, and sometimes those curse
words just hit different. Now, of course, if we're doing
something mainstream and it's just radio or you know, regular television,
you know you need to be censored. But besides that,
(38:47):
there it is that percentage of time where you know,
those curse words hit better than the non curse words.
You know, you're you're feeling some type of way, you're out,
you're having fun, and just like go too short when
when we do two short song, you know the song
where he'd.
Speaker 7 (39:05):
Be like m M, you know what I'm saying, what's
my favorite word?
Speaker 6 (39:11):
Yeah, like people want to hear that, you know, like
on the radio you can't play that and it's still
a hit and you're gonna hear just what's my favorite word?
Speaker 5 (39:20):
Why you gotta say it like short, but at the
party you're gonna want to hear it, you know.
Speaker 7 (39:23):
Like, yeah, the way the way it's supposed to be. Yeah, Yeah,
it's all good man, definitely. Man, we got Love and
Lust coming up momentarily. We gotta played a slave coming
up before we move on to the after party as well. First,
I caught up with after Extraordinary Marcus Polk. He has
a brand new movie which is coming out. I caught
(39:44):
up with him recently an event to promote this new movie,
and here's what he had to say about that. Love
and Lust is coming up now.
Speaker 32 (39:53):
Show ribbon and all the red carpets.
Speaker 20 (39:56):
Here's an exclusive celebrity.
Speaker 7 (39:58):
Interview from from your different world that you've had like
on the Bounce Network, on the shows that you're on
there doing this right here. What was it life for you?
Speaker 16 (40:07):
Oh?
Speaker 43 (40:07):
Man, it's a great movie.
Speaker 28 (40:09):
Man.
Speaker 43 (40:09):
Rom Coms always fun, A lot of fun. Anytime that
I can come in and make people live, you know,
I love to do it. I love to do it,
so it's easy for me on the comedy side. On
the romantic side, that's something new to me. But it
was very fun doing some some new parts of having
a female counterpart in the field project that I'm playing
off of as well. That was really amazing and I
(40:31):
think people are gonna love seeing me in this this life.
Speaker 3 (40:34):
And Yo, what up? This is Marcus Park and you
are listening to the radio show.
Speaker 5 (40:38):
You know, let's go, let's go, let's go with your girl,
Pretty Loving X the Human Chandelier here on the radio show.
And you're listening to Love or Lust? Do you have
a problem with your relationship? Do you want to know
(40:59):
if it's love or let us all vote and let
us all let you know if you're in love or
if it's lust.
Speaker 7 (41:05):
All right, y'all, we are inside of love and lust
right about now to MD is gonna be a first
time just break it to see the expression on both
our faces?
Speaker 30 (41:14):
Is mine?
Speaker 7 (41:15):
On love and lust? Of bridge? The floor is yours?
Speaker 6 (41:19):
Okay, it's your girl, Pretty Loving X the Human Chandelier
The day on love or lust?
Speaker 4 (41:27):
The topic is.
Speaker 7 (41:30):
Is it love or lust?
Speaker 6 (41:32):
If you have a partner that does everything for you financially.
But whenever you guys have a dispute about any issues,
it's either their way or the highway.
Speaker 7 (41:48):
I don't think that one is either love or lust.
I think that's some more of a controlling thing, you know,
I don't. I don't you know, I don't think that.
I don't think that's either love or us.
Speaker 3 (42:00):
We need we need David Cooley here for that one.
Speaker 7 (42:06):
He definitely wouldn't say. He definitely would say it's controlling.
It's my way, no way, day man shout out to him.
It's all good. Yeah, that's that's that's my thing, my
feeling on the bridge, that's it's it's neither love nor us.
It's more controlling.
Speaker 3 (42:21):
Yeah, it's not love all of us. You don't do that.
You don't do do that to your significant one. M now,
just because you're making more money.
Speaker 40 (42:31):
You know, you shouldn't even go. You shouldn't use that
for your trump card that you know. I don't care
if you're a man making more money than her.
Speaker 3 (42:39):
Or vice versa, you shouldn't. You shouldn't go that route.
Speaker 40 (42:44):
You know, that's just it's just rude. Yeah, it's not love,
that's not us. That's just downright being me.
Speaker 7 (42:53):
Yeah, gret, what do you think.
Speaker 4 (42:57):
Let's see what Kelly good things?
Speaker 7 (43:00):
Yeah, Kelly good, what do you think?
Speaker 8 (43:05):
All right? So that is definitely luss. It is controlling,
But it's lust. Okay, it's like a Sugar Danny or
sugar Mama. You know you're paying for what you want,
but you win and you coount person that you were
lust getting over. You reeled the men and you paid
for their services to be with you for At the
(43:26):
same time, you want to control them. You didn't want
You don't want them to give their opinion. You know,
there's there's no meeting halfway. You don't act like you
value them. You don't value their opinion. You're like, you know, opinion.
What I mean, I'm giving you what I'm giving you,
so you're gonna do what I'm saying or or you're
(43:48):
getting or you know, it's the highway. So that's definitely less.
It's not love. Love doesn't do that, but not does that.
And when you want what you want, when you want
to those are entitlement.
Speaker 3 (43:59):
It should points there. You got a point there.
Speaker 7 (44:03):
Yeah, well that's that's why I'm glad we go to you, man,
because I didn't think of it from a pimp point
of view. I was just thinking about it from.
Speaker 3 (44:11):
Yeah, I was keeping on, I was keeping on the
conservative Yeah relationship, you know, normal normal relationship.
Speaker 7 (44:20):
Yeah, but if I got.
Speaker 40 (44:23):
Yeah, yeah, that's smooth man, that's smooth.
Speaker 3 (44:27):
Yeah I like that.
Speaker 7 (44:30):
Yeah, definitely now that you put it that way. Yeah, man,
that's lost.
Speaker 3 (44:34):
Bringing them off.
Speaker 7 (44:36):
Let me get my pimp pand too, let me get
that ready to roll.
Speaker 3 (44:41):
Skip.
Speaker 7 (44:42):
All right, but Britain, since you the only female here,
what do you think love of us?
Speaker 3 (44:46):
Yeah?
Speaker 4 (44:47):
I agree with what he said.
Speaker 6 (44:51):
Now, there could be times where like the person is
like that, and sometimes I guess you should like tell
them like, hey, like you know, I feel like my.
Speaker 3 (45:05):
Opinion isn't valid in those type of way.
Speaker 6 (45:08):
You know, when we get into an argument or whatever,
or if something has to be a decision has to
be made, and if you talk to them about it,
you know, and they don't change, then of course that's LUs.
But if they do change, then that's love.
Speaker 7 (45:26):
Okay, all right, got you, got you? Gotcha?
Speaker 40 (45:30):
Yeah?
Speaker 7 (45:30):
What do you feel about that keyword? Da radio showing
on social media platforms? Let me know your thoughts?
Speaker 3 (45:38):
Eleven X. You need to open up an X.
Speaker 40 (45:43):
Platform so people can answer you on your X platform
so you can read back some of these comments that we.
Speaker 3 (45:51):
Be making on your subject matter.
Speaker 6 (45:56):
Oh, love and LUTs Okay, could times, it's hard to
get people to engage.
Speaker 4 (46:02):
They just like to read and like, Yeah.
Speaker 3 (46:05):
We can take two or three of them, you know,
and you can read them.
Speaker 7 (46:09):
Yeah, we can get some. We'll see if you need
to come in in their future.
Speaker 1 (46:12):
Y'all.
Speaker 7 (46:13):
Let you know, that's a good idea. I think you
need to put something like that on the radio show
dot com. Let's do that. Let's do that.
Speaker 3 (46:18):
Let's do that.
Speaker 7 (46:19):
Yeah, let me let me, let me figure out how
to put that on her. That's a good idea, m D.
Let's send it through the X platform.
Speaker 3 (46:29):
Radio show. Don't we got an X platform.
Speaker 7 (46:33):
I'm a little I'm a little mad at X right now.
We do, but we don't.
Speaker 15 (46:39):
But they do that.
Speaker 7 (46:39):
They do a knife at us, trying to make us
play for everything. Oh you should have, but it's all
good man, spot if I did it. Yeah, let's get
to play this, y'all.
Speaker 12 (46:50):
Let's go join the radio show every Monday night, every
Monday night.
Speaker 4 (46:57):
For the indie song that you enjoyed the most.
Speaker 7 (47:01):
All right, y'all, we are now inside the play at
the slag right to bound this right around this time
is during this time, we asked one fundamental question that's
what should we do with these particular songs? Should we
play them or should we slay.
Speaker 20 (47:18):
Sled?
Speaker 7 (47:19):
That's right, y'all, slay the record, throw it in the
cyber trash never to be heard from again. Or put
them in put them in play at the slad they
get on the play side, perhaps be attitude. Now what
is up and running asdradio show dot com. So we
got a special treat tonight. We have not one, not two,
(47:40):
but three songs that we're gonna get.
Speaker 1 (47:42):
To right now.
Speaker 7 (47:43):
All right, that's an all time record. That is an
all time record. Man, early we cap it two, but
we're gonna go with three tonight, all right, all right,
all right? First one we got. Artist is named Stephanie.
Song is called She's She'll never be Mine, Stephanie, She'll
never be Let's check it out. Even go play the slave.
Speaker 20 (48:02):
Let's go the radio show, radio shows the radio show
play or sligay.
Speaker 29 (48:31):
Lady baby, something with you?
Speaker 18 (48:35):
Just they've been going ride.
Speaker 16 (48:39):
Becose, y'all.
Speaker 44 (48:41):
Behavior has slowly been changing. I've become you walk around
at the line, everything's just.
Speaker 35 (48:54):
Fine, but you're really in this gast.
Speaker 20 (48:59):
I would us to lose my bride because you sad
it's a raw radio show. The radio show, play or
slick that?
Speaker 7 (49:09):
Right? There is Stephanie song is called never should Never
be Mine? Stephanie should never be Mine? So m d
play the slave? What should we do with that record?
Speaker 3 (49:19):
I'll play that?
Speaker 7 (49:20):
You play that all right? That's smooth, Kelly good? What
you think about this record? Play the slave? What should
we do with it?
Speaker 8 (49:35):
Lady? She got an old soul. I'm gonna have to
play okay, all right.
Speaker 7 (49:48):
Brittay Liven next to you? Mis Chandela? Or what do
you think about the record? Play the slip?
Speaker 3 (49:52):
I'll play all right, he's brit said, I play it.
Speaker 7 (50:06):
It's all good. It's all good, and I think it's
I'll go ahead and play the record as well, right
and why not?
Speaker 3 (50:17):
Production wise, it was a good production.
Speaker 7 (50:19):
It's a good production.
Speaker 17 (50:20):
You like it?
Speaker 3 (50:20):
Yeah, yeah, it was a good production.
Speaker 12 (50:23):
You know.
Speaker 45 (50:24):
Whether I liked it or not, that was a good production.
That whoever put that together did it right. If the
song stopped still been right. Production has been done right.
Right when you really do production right and you have
a great song, Uh huh?
Speaker 34 (50:43):
That was it?
Speaker 3 (50:44):
That was a damn good.
Speaker 40 (50:46):
Yeah, but no, it's it can hit mainstream radio easily.
You can't mainstream easily. It's commercial. Okay, well, I'll tell
you what. Let's move on the song number two to now.
Speaker 7 (51:00):
Uh, the song number two, Britain, Kelly Good, this record. Actually,
we played this record while y'all was going I think
a couple of weeks ago, and it was too close
to call, so we have to bring it back and
get a recount. They both this is uh, Kelly Good,
it's your record, sir. No drama, no drama. Let's quit
(51:24):
jump into this right quick here, brit do me a favorite.
See that hook for me.
Speaker 4 (51:30):
I'm not going in that like I used to.
Speaker 6 (51:33):
I don't need the streets I got used to before
I changed field.
Speaker 20 (51:42):
The radio show, radio show, the radio show or slide.
Speaker 29 (51:49):
I'm not going up like I used to.
Speaker 27 (51:52):
I don't need the streets like I used to before
I changed field.
Speaker 16 (52:00):
I'm not looking for no drama, no no, no, baby Mama, I.
Speaker 1 (52:06):
Just want to bring me.
Speaker 33 (52:09):
I try to tell you what it is, but you
still doubt. I tell you patience is a virtue, but
you still pout then and my dms, but you got
the cold and re routt them. You know it's only
you for playing with me. Acting childish and security is
a weakness. Min taught you better, just to show you
got us real. I wrote you love letters, I got
your names, had it on me, put it on my shoulder.
Ain't got no time for no games. We're only getting older.
(52:30):
We've been solid from the jump. It's been a while now, though,
switching up. You acting up? I tell you calm down.
I see them clowns on your wall, thirsty running the.
Speaker 20 (52:38):
Radio show show, radio shows, the radio show, play or slid.
Speaker 7 (52:43):
All right, that's the second play the SLEDG record for tonight.
Right there. That is Kelly Good featuring Bridge Leven. Next
the Human Shendon Leer. No drama, no drama. So I
guess we know how this side of the room feels.
So MD, I guess it's up to me and you
play the slate nd what's we do with it?
Speaker 3 (53:02):
Uh, it's close. I will give it a play.
Speaker 40 (53:07):
I just think Callie kind of rushed his lyrical the
way he's running, how he was spitting his lyrics.
Speaker 3 (53:13):
He would just go a little bit too quick. He
should have smoothed it out. But the damn good record,
especially that hook.
Speaker 7 (53:31):
All right, man, I like the record as well, So
I'm gonna go ahead and play it also.
Speaker 3 (53:41):
Turned she just turned me on.
Speaker 7 (53:47):
Well, then we go go into the third play the
sledd record. Right there, we all get on this one.
Speaker 19 (53:52):
This is uh.
Speaker 7 (53:54):
Name Nanny Leani, no name, Nanni Laila. Nanni Laila sounds
called something like that. Nanny Laila Sounds called something like that.
Let's check it out. Here we go. The third player,
the slave record for the evening, y'all, I'm sorry, the.
Speaker 20 (54:15):
Radio show, radio show, the radio show or slid.
Speaker 28 (54:30):
And understanding.
Speaker 2 (54:31):
You gotta know that there's a whole nine. Straighten up
and find your place in there wherever you want see
that you're right. A body trip, a bunny teller for
no recommend that hits you, slip through like a wet
out on freak noise. That's where we are. And then
that ghosts you. Hey, don't you do that?
Speaker 20 (54:47):
But up hey after to do that, because I do
know my.
Speaker 28 (54:55):
Ain't got no.
Speaker 18 (54:56):
Time for that.
Speaker 2 (54:58):
Boo down bohow, something like.
Speaker 20 (55:14):
Cold radio show, the radio show or slid that.
Speaker 7 (55:21):
Is our history making. Third play the slagh record for tonight.
That is Nanny Nanni Laila Sounds called something like that.
Nanni Laila something like that. Play the Slave brit Deliving
next to Human Chandelier. What do you think about that one?
Speaker 1 (55:38):
I liked it.
Speaker 6 (55:39):
It gave me dose of cat vibes like it gave
me like a calm dos ca.
Speaker 4 (55:44):
I was really feeling it.
Speaker 16 (55:45):
I thought it was different.
Speaker 7 (55:47):
Okay, all right, Kelly, good but vibes this record give
you hearing. Brent, come here, you play it? Okay, all right,
(56:08):
all right, m D play the slag? What should we
do with it?
Speaker 3 (56:17):
I gotta ride and die with the rest?
Speaker 7 (56:19):
All right? And sure, why not? I'm gonna ride and
die with it as well? All right, y'all. That wraps
up the radio show for this week. We will have
another exciting guest bitch shut out to Michel the don
(56:42):
for being a guest here tonight here on the radio
show Don't Forget. You can always request this Songmingion Dollar
right here each week. All you gotta do is go
to your social media platforms and bequest the record. See
yeah the radio show so far.
Speaker 12 (56:55):
Make sure you follow us on all social platforms at
the Radio show
Time to radio show.
Speaker 2 (00:21):
We are the greatest.
Speaker 3 (00:22):
We played the greatest indie.
Speaker 4 (00:24):
Artists on the radio show.
Speaker 5 (00:26):
We got hot topics, we did they propping on the
radio show.
Speaker 2 (00:31):
Listen to love and listen, give you other up in
your relationship.
Speaker 6 (00:34):
Problems will be with it, so make sure you tune
in and the radio show.
Speaker 7 (00:41):
It appears that Jimmy Kimball seemed to be able to
get his show back on the air. I wonder if
that happened, will happen? I wonder if it will happen
to Stephen Colbert as well. We'll continue to monel that
situation as we bring in the radio show done D
n D and Britta loven X Human Chandelier, making it
that before you're live and direct from our wee By
(01:01):
Houses studios, you got to ask to set hit them
up three one oh nine two two eight one one
four three one old nine two two eight one one
four any condition, in any style. They're there for you.
Operators are standing by. What's going on your spar radio
show strictly independent hip hop and R and B music
at its finest. Happy to be here for another week
(01:23):
here afore here on the radio show. So uh, what's
going on hope. Everybody had a wonderful proceps this week,
and we're here with another one for you as well, y'all.
Britter living next to you, Michelle DELEI, how you doing tonight.
Speaker 3 (01:37):
I'm doing great. I'm doing great, Happy to be in
the building.
Speaker 7 (01:42):
Happy to have you here in the building as well.
Kelly good you all right over there.
Speaker 8 (01:49):
All as well. Man, I'm happy. How y'all doing tonight.
Speaker 7 (01:52):
I'm good man, I'm good. I'm good man. I'm trying
to get them then, but we're gonna work on it
and getting them in in a few moments here and
big give the shot real quick and say hello, Okay, yeah,
we gotta get him in through zoom or something like
that tonight. It's all good. We're gonna go ahead, keep
rolling on with the shows. I work on getting NDN
(02:14):
on the back end. So there's a lot of things
that are going on. We're gonna touch on this real
quick here again. We've got an industy topic which we'll
put on the table right now, an industry topic brought
to you by Spotlight three sixty Media. We're like all
the celebrity stuff that I do on that end. Make
sure you follow all the industry stuff Spotlight three sixty
(02:34):
media on all social media platforms. That avenue is open
for you right now. So ice Cube was on a
recent podcast, and on that podcast he spoke about artists
going out there and getting new fans, that they need
to kind of take care of the fans they have.
(02:55):
Your true ones will stay with you always. You take
care of your true fans for your worry about going
to get new ones. Here's what I ask you about
to say on a recent podcast about that subject.
Speaker 9 (03:06):
Right there, that's all you got. It's all about your
core fans. Everybody else got to get in where they
fit in. And some artists you got. It takes some
time to figure that out. Some artis you know, you
come out, you big, you hot. Then you start to
try to you know, expand we want to get new fans.
You know you want platinum. You wanna go double platinum.
(03:28):
So now you're starting to reach. Once you start to
reach too much, you'll come attached, you detach.
Speaker 7 (03:37):
From your core.
Speaker 9 (03:39):
So now you're floating out there trying to get new
fans because you don't.
Speaker 7 (03:43):
Realize you don't lost your old fans.
Speaker 9 (03:45):
So you stay with your core and you make everybody
come to you. You don't want this, Let's say for you,
this is for my core fans. You could be one
of those, but I'm not about to do nothing to
try to get you to be a fan. But I'm
gonna do what I do, do what my fans love,
(04:05):
and then they'll stay with you forever and they won't
abandon you, and you'll be here thirty forty years later.
Speaker 7 (04:12):
Just think about that, what I keep just saying, making
music for your core fans, not forgetting them at all,
because those are your true dye hard fans, and they
will be with you through thick and thin and no
matter what. Britt, what do you think about that? What
Ice keep saying. I think that's true.
Speaker 6 (04:29):
It's always cool to try to get new fans, of course,
but you still got to cater to you know, your
day ones, you know, so the majority is catering to
your day ones. Now we get some new ones, cool,
and we will put new content out there to grab
other people in. But besides that, our focus is always
on our day ones.
Speaker 7 (04:51):
Might should have done to think about that, sir?
Speaker 10 (04:55):
Yes, sir, oh yeah, I agree, I agree. I took
some notes there. I got the little dependance. Pad uh
huh shout out to to the O G. He said
that if you don't want this, this same for you.
Speaker 2 (05:09):
Like that's from a.
Speaker 10 (05:11):
From an indie standpoint and a major standpoint. I feel
like with your fans, like that's what it has to be,
Like that's the foundation, like off Gate, like, Hey, this
is what I bring to the table. This is what
it's gonna be. This is what you're gonna get from
me every time. If you want to go for the
ride and enjoy the journey with me, let's grow together.
If not, tell the other folks about me. So take
(05:32):
it like me.
Speaker 7 (05:33):
You don't want for that, man, that's that's what's up.
Salute Michelle Man. Definitely, you got, you got, you got, you.
Speaker 11 (05:48):
Got that, you got, you got that, You got that
taken body, body, buddy body.
Speaker 12 (06:00):
You.
Speaker 7 (06:06):
Got that sick body.
Speaker 3 (06:10):
Southern girl, pretty face like she came from.
Speaker 13 (06:12):
The island, from the island.
Speaker 14 (06:16):
I see the front, but I can wait just to
see it from behind.
Speaker 15 (06:23):
We guess me.
Speaker 16 (06:24):
Bags like clon come to my team because you're batting
like a thousand.
Speaker 17 (06:32):
You got that big buddy, buddy, buddy buddy, sick buddy, buddy, buddy, Boddy.
Think you think, Buddy, Buddy, Buddy Boddy, sick Buddy, Buddy,
thick Buddy.
Speaker 18 (06:44):
Let's take.
Speaker 17 (06:46):
Buddy Buddy, Buddy Buddy, Sit Buddy Babyboddyboddy.
Speaker 16 (06:53):
Buddy Buddy's got that sick body.
Speaker 3 (07:01):
You got that.
Speaker 16 (07:02):
Bounce like hydraulics on in the old school, share.
Speaker 15 (07:06):
With the top tail buck in the drum.
Speaker 16 (07:08):
What I wouldn't do for you to drumb it on
me like it's heavy water.
Speaker 3 (07:14):
Is fucking fit?
Speaker 15 (07:15):
Quitted?
Speaker 16 (07:16):
Can get quitted?
Speaker 4 (07:20):
It seems like you're ready a red.
Speaker 17 (07:25):
Think by Buddy Buddy, Buddy, Buddy Buddy, think body got it?
Think Bunny Baby, Everybody Boddyboddyyboddy, Buddy.
Speaker 19 (07:40):
Buddy, Baddy, Buddy Goody, you got that big Buddy, Buddy,
(08:18):
Buddy Buddy sick Buddy, Buddy.
Speaker 2 (08:21):
Buddy got that big Bundy by.
Speaker 17 (08:26):
Everybody, Boddyickbody, Big Joyboddyboddy Moddybuddy Boddy, Eboddy.
Speaker 20 (08:34):
God, everybody.
Speaker 3 (08:41):
Got that sick body?
Speaker 18 (08:45):
What did everybody? It's your gonna Gomedy thing yeo. And
make sure you are tuned.
Speaker 21 (08:48):
In to the radio show at all time, and make
sure you request how bad I want to on the
radio show as well.
Speaker 22 (08:56):
By god, you don't know no better out baby beauty,
you feel like I cook good?
Speaker 23 (09:15):
Tell stop.
Speaker 20 (09:21):
Me you o.
Speaker 24 (09:24):
No, yeah, let me pet me the scene that'll know
I cover elections? Who sees I'm the only.
Speaker 4 (09:29):
One that they n in between?
Speaker 2 (09:30):
And if I've ever made that after you could watch
me leave now, don't stop, giddy yitty.
Speaker 24 (09:34):
Even if I'm mad or your friend king giddy. I'm
a real real I don't play myself. And if Buddy
dot he played me, then he played itself. Now, if
you're right, then you can get it.
Speaker 2 (09:42):
I like you.
Speaker 16 (09:42):
Yeah, I'm with it.
Speaker 2 (09:43):
You can tream me good if it's bore me. Hell,
I'm real good for you boy, real good for your help.
Speaker 25 (09:48):
Yeah, who don't know Holbert Alonas La Baby you do it?
Speaker 24 (10:04):
Tighten you feel like a good tell me you old boy,
I'll star.
Speaker 26 (10:12):
Me and you old babe?
Speaker 27 (10:14):
You feeling yes, sweety Julie, I don't know if telling
you can't tell me though we have wrong to.
Speaker 20 (10:27):
Any by.
Speaker 15 (10:31):
You who don't know Alberta Hona and.
Speaker 2 (10:51):
Who don't know Albert Alonas he like baby?
Speaker 25 (10:54):
You do right?
Speaker 19 (10:55):
Tighten you feel like a good?
Speaker 2 (10:57):
Tell me, oh by, don't stop so we can knew
it all night.
Speaker 23 (11:09):
Come on, yeah, come on, come on, he said, down
here skuts outside out summary, no rides catch eye figures
it in my underside whole black shopping baseboom and music clupping,
(11:32):
soaking up that sunshine.
Speaker 28 (11:34):
I'm being outside day school of night too side Southern love, Southern.
Speaker 23 (11:41):
Brid saying those natos clack fans, go grab a drinking,
go grab a man.
Speaker 29 (11:47):
I think we're gone, but wait, there's more homstead for
the floor.
Speaker 20 (11:52):
So child John's house were a good sounds.
Speaker 29 (11:56):
Wow him, it's souse crazy. Oh this is so Come
on people.
Speaker 20 (12:01):
Where it's a whole place.
Speaker 29 (12:04):
Come along, baby, do sum.
Speaker 1 (12:14):
Do the sup.
Speaker 2 (12:24):
Racking shown the plate cormorate on the side.
Speaker 23 (12:28):
Cousins plads bad start the trash of pride.
Speaker 18 (12:32):
I got that shine of the jar DJ shrumping.
Speaker 5 (12:35):
Heat by the bar.
Speaker 23 (12:36):
Girls on the flop and m here symm my boot started,
but they cost the grip.
Speaker 15 (12:39):
Come on, leave.
Speaker 20 (12:52):
We can.
Speaker 29 (12:58):
Where the good un whoa him? It's South Swizzie, Come
my people way, it has a whole days. Comes home ready,
do the ss off?
Speaker 18 (13:17):
Come off?
Speaker 4 (13:18):
Do we be My cue is better than yours. Ain't
no people. We could take it to the flour.
Speaker 5 (13:32):
All I need is a jam at a good time.
Speaker 23 (13:34):
I'm trying to go muddy, no blinding dned beans, mac
and cheese and green from a plate and she together
a snicker butter already ate Mmm. Southern boys make you
lose your mind true religion in the summer time.
Speaker 4 (13:44):
You ain't gotta go home, get your best bed out
of hair. But you're not too young.
Speaker 23 (13:50):
You know where you got time speed, So let's package
dried and into my crab.
Speaker 4 (13:56):
No sleep till dawn.
Speaker 29 (13:58):
And that's your story, say people working. Its whole play
coming up. We do this supp computer that's spun.
Speaker 25 (14:38):
That's you.
Speaker 4 (14:42):
Gotta missed a round and brought a city girl to
the trail.
Speaker 1 (14:45):
Cul show up, look and lust or slave and move
(15:08):
a crowd.
Speaker 18 (15:15):
Turned up your radio.
Speaker 1 (15:17):
Rick Rock, use a food for this one.
Speaker 12 (15:19):
For everybody got to get a boom and system even TikTok.
Speaker 17 (15:22):
Going fool with this one with this.
Speaker 12 (15:24):
Because Rick Rock was a boom for this one, for
this deep wreck with the ball on Blair on buss
the bill non, this ain't that, sain't that didn't know
I could go kick the sat and put that on anything.
This ain't cat So don't start none, it won't be none.
Just need to make it. Never want to refund because
when I came to the forty y'all was by myself.
But nine times out of ten I.
Speaker 7 (15:43):
Leave with someone else to count.
Speaker 5 (15:45):
She not.
Speaker 30 (15:48):
I just want to get it in.
Speaker 18 (15:49):
Okay, she and I.
Speaker 25 (15:51):
She is in.
Speaker 30 (15:52):
I just want to get it in, get it in,
get it in. I just want to get it in.
Shen she again, I just want to get it in.
Speaker 4 (16:08):
All the time.
Speaker 3 (16:09):
She get done, but she don't want you.
Speaker 18 (16:10):
I'm gonna knock it up the.
Speaker 31 (16:11):
Port like a home run day. That's my people, that's
my folks, that's my dad. One like, hey, that's my
being Monroe front. You had the great one left right, right, left,
Yet that's on you. Who you with your best friend?
Let her come to I'm gonna put it to the side.
I'm a back dad.
Speaker 18 (16:24):
What are my people?
Speaker 7 (16:25):
Where it sat? Where the back at off backs?
Speaker 32 (16:27):
Who is that?
Speaker 33 (16:28):
Yeah?
Speaker 31 (16:28):
I'm at you now, I said, collected. When they're black
with the tattoos. Want to see me when the visit,
when the fly out, when the ride out, pick it
to my hide out level one double late plus, Frank.
If she a don peace, I'm aa fink wight. I'm
gonna pull up.
Speaker 1 (16:41):
I'm gonna show up.
Speaker 3 (16:42):
But what you gonna to let me what? She tagged
me with the hashtag too she.
Speaker 32 (16:46):
And I, she attend.
Speaker 30 (16:48):
I just want to get it in, she and I.
Speaker 1 (16:51):
She atend.
Speaker 7 (16:53):
I just want to get it in, get it in,
get it in.
Speaker 30 (16:57):
And I just want to get it in.
Speaker 18 (17:00):
You're not.
Speaker 30 (17:02):
I just want to get it in.
Speaker 1 (17:04):
Boom boom boom.
Speaker 5 (17:14):
You not.
Speaker 30 (17:16):
I just wanted to get you.
Speaker 23 (17:21):
I just want to.
Speaker 7 (17:22):
Let's get inside and move the crowds so we can
learn more about michaell to Don as to make it
happen right here, man, let's go.
Speaker 16 (17:29):
Y'all, get closer to your speakers.
Speaker 2 (17:32):
The kid's time for the radio show.
Speaker 1 (17:35):
Move the crowd.
Speaker 7 (17:37):
We are inside and move the crowd right aboy. Now,
what we do each and every week around this time
is we taking artists off stage, being a backstage against
nother of my.
Speaker 3 (17:46):
Brits, up close and more personal.
Speaker 1 (17:50):
I love that.
Speaker 7 (17:51):
Right there and joining us now is my man. He's
doing this thing making it happen. The first one I've
ever seen take notes as we're doing the show, man,
we got michaell to Don in the building mens some matro.
How you doing to nice sir.
Speaker 10 (18:03):
Oh, I'm blessed man. Hope all is well with you guys.
Pleasure to be here. Thank you for the opportunity for sure.
Speaker 7 (18:10):
Man, So mo shu to Don Man, tell us a
little bit more about you, man, what's going on with you?
Speaker 34 (18:14):
To Don?
Speaker 7 (18:15):
These days?
Speaker 10 (18:17):
These days we're working, man, Shout out to my team
first and foremost big leagues. The world is ours, you know.
We're all about the culture. We're going to make a difference,
change lives and make great music.
Speaker 7 (18:32):
That's what's up man. Well, I'm sure one of your
favorite part is making it. This song that we're about
to play by you, your new single that that you
got out right now that we're about to play megian dollars.
So tell us about this record that we're about to
play right now.
Speaker 10 (18:45):
Yeah, so million dollars.
Speaker 7 (18:48):
It's about me just getting it out the mud.
Speaker 10 (18:53):
Getting it from the from the ground up, rick by brick,
really just overcoming obstacles and first seeing my life in
a certain way. You know, I got tired of seeing
it on TV. I got tired of you know, reading
it in a book, and I wanted it to come
to fruition. So just putting in work, believing in God
and just keeping my head down and just straightforward. That's
(19:19):
where that's that's how the song came about.
Speaker 2 (19:21):
Billion dollar.
Speaker 7 (19:23):
All right, y'all about to jumping a million dollar right
now right here on the radio show Strictly Independent and
RB Music at this finest, y'all, let's make it happen.
Million dollar, my shooter, don let's.
Speaker 2 (19:34):
Go independent artists live here.
Speaker 1 (19:37):
We got this independent game on lock all day.
Speaker 4 (19:40):
Figure it out the radio.
Speaker 20 (19:41):
Show me a little bit.
Speaker 16 (19:57):
I so look at my reading man about.
Speaker 18 (20:01):
Two hundred years ago, that China bath.
Speaker 2 (20:05):
The type read.
Speaker 16 (20:07):
If he's number take us. Look at my redearist got
two hundred years a boy that shine the breath the tyrad.
If he's take it shut time further.
Speaker 29 (20:23):
Than dam it's mister fras on, I'm coming this one.
Speaker 7 (20:26):
You could bind the red by.
Speaker 16 (20:27):
The something beside all.
Speaker 5 (20:29):
Yeah, I love it.
Speaker 16 (20:30):
She rise it gives you.
Speaker 18 (20:31):
Come make it l on, ain't nothing not getting drug
up and make a hello magic six against the nasty nast.
Speaker 12 (20:37):
Bernie make up, eat the bathy they give me daddy,
daddy or that I'm giving the match six and nasty Bernie,
make up the baby they gonna be.
Speaker 16 (20:46):
Daddy, know that I'm killing all day.
Speaker 20 (20:50):
What you is big?
Speaker 25 (20:52):
Turn me her life.
Speaker 13 (20:54):
You won't for cat even if it's like I live
in a thing, return and then get read all right,
God brilliant. Damon's dripping the sun. Look at my rig
that's two.
Speaker 19 (21:06):
Three years ago.
Speaker 16 (21:08):
That China bad Tangarin. If he's living, i'ma take.
Speaker 23 (21:14):
Yes, shit, that's so rich.
Speaker 35 (21:16):
Look at my rate list about two hundred years agoing
the chain of bread on time.
Speaker 16 (21:25):
If you's to live on, i'ma take it out, Sha
get it like dad. Maybe you get.
Speaker 35 (21:30):
Take it chiggen, you get a real go down China
bichen niked nigga by so grind grind China sweet a
bit sweet thighs.
Speaker 15 (21:43):
I give you a lit shit squash.
Speaker 16 (21:46):
I don't blue faces because I know you're going now.
Speaker 2 (21:49):
You wanna si down on board like a ship.
Speaker 35 (21:52):
Sweyn get real nesting, you're gonna get out. I say,
he's looking really meaning let the shore, baby go ahead,
let me see.
Speaker 16 (22:04):
Let the party do the my way.
Speaker 4 (22:07):
Love it?
Speaker 2 (22:07):
How you throwing baby.
Speaker 1 (22:08):
Going crystal grease?
Speaker 35 (22:11):
Look at my RAS's a hundred years again.
Speaker 16 (22:15):
And not trying a brag the time. Maybe he's really
number ticket shut.
Speaker 17 (22:22):
I'm sorry, look at my raise the music, Colin, I'm
sign a brag the tired.
Speaker 20 (22:32):
If he's really a.
Speaker 15 (22:38):
Shame so much you run, I'm my ship not gonna
freeze my dog.
Speaker 2 (22:47):
Gotcha, brother, go ahead.
Speaker 28 (22:56):
So much?
Speaker 5 (23:06):
Gotcha?
Speaker 18 (23:09):
Un sure?
Speaker 7 (23:10):
All right, y'all? That was my share to Don, Man,
That was my share to Don. Songs called meg and dollars.
Give you social media, man, so we can go ahead
and let you and let you well, well you can
hang out with us, but let's go ahea, give you
social media real.
Speaker 16 (23:20):
Quick, all right, for sure.
Speaker 10 (23:22):
So it's Maestro underscore DA underscore Don, but a spelled
D zero in.
Speaker 7 (23:29):
So my shro to Don Maestro.
Speaker 1 (23:31):
Underscore DA Underscore D zero in.
Speaker 7 (23:34):
You can follow me on ig okay, make sure you
follow mishel to Don. Right there. We're gonna step away.
When we come back, man, we gotta play some music.
We have not played any music, Maestro. I want to
thank you for being on being a guest with us today,
but you're welcome to hang out with us and for
another for the duration of the show as long as
you like. And we're gonna step away place a record.
(23:54):
We'll be back in about twelve minutes, y'all. When we
come back, MD is something that you have been harping
bount that up that hip hop legend spoke upon and
we're gonna talk about that coming up in about twelve minutes,
y'all will be back the radio show. Here's what's going
on recently on the radio show. We got Raleigh in
the building.
Speaker 36 (24:13):
It definitely a lot so as we just spoke about,
I just started managing myself again. I kind I had
a manager. Probably then if a manager can't take you
further than where you can take yourself, you know what
I'm saying, or the relationship that we need to.
Speaker 37 (24:31):
Have here, it doesn't make sense to continue to have
this relationship because if somebody happen to come along with
it does and you're teching.
Speaker 7 (24:42):
For somebody that does.
Speaker 32 (24:43):
It's not.
Speaker 14 (24:45):
The one, my only one perfect for me, but it's
never perfect. I don't know where if I'll ever.
Speaker 15 (24:55):
Don't change.
Speaker 1 (24:57):
Long way.
Speaker 7 (25:00):
You Johnson's Cabaret, California, see to take what are you
bringing to the table.
Speaker 21 (25:14):
I'm bringing everything I helped this season down on my back.
Speaker 18 (25:18):
I did this. I carried the season, I held it down.
Speaker 23 (25:21):
I was there for my girls black Sply, but I
also was there for the movies.
Speaker 18 (25:25):
Though you don't see me hold it down.
Speaker 32 (25:27):
This season, you're gonna.
Speaker 15 (25:28):
See who the real.
Speaker 7 (25:29):
Make sure you make it a point to check out
Johnson's Cabaret California season six. This season is gonna be
hot ass. The cast moves to the West Coast as
the show continues its format in documenting the interactions and
competition between Jocelyn and the cast of young ladies flying
for a spot for her cabaret performance.
Speaker 23 (25:51):
You feel like everything that Jocelyn has taught me in
the last you know, three years, I definitely paid off
this season.
Speaker 18 (25:58):
I'm very grateful for her.
Speaker 5 (26:00):
She taught me so much about womanhood and being a woman,
and I'm really excited to show the world what she's
taught me.
Speaker 7 (26:07):
The Josson's Cabaret California Season six now streaming on the
Zeus Network this week. To pick hits, j T l
R featuring Snoop Dogg and Mad Scientists. That's my box.
With so much trauma on the it kind of hard
being jail double Nyt paraphrase, no distance her each week
on the radio ship yet this stupid pursuit of the
(26:29):
wealthender you go on, girl, just shake that fruit because
I never met her.
Speaker 1 (26:33):
Now back to the radio show.
Speaker 14 (26:46):
You made me hell Huckey, this name, it's constant and.
Speaker 4 (26:53):
Around.
Speaker 1 (26:55):
You are the one, my only one.
Speaker 3 (27:00):
Perfect for me, but it's never perfect.
Speaker 14 (27:02):
I don't know where if I liver, just serve it
because you don't change.
Speaker 1 (27:08):
Let me found my way.
Speaker 4 (27:10):
I have been so that sight.
Speaker 2 (27:12):
Afterday, oh some time.
Speaker 18 (27:15):
You know, woman, love for you.
Speaker 16 (27:17):
There's nothing that I want to do. There's nothing that
I want to do.
Speaker 15 (27:22):
It comes to you.
Speaker 16 (27:24):
There reverses gris.
Speaker 18 (27:29):
You know the sun give me life.
Speaker 1 (27:33):
It's someone lose giving life.
Speaker 14 (27:38):
Even heaven those some condisional You want my motivation the
reason I follow my heart?
Speaker 30 (27:48):
You give me that suf love, honest pure.
Speaker 7 (27:53):
If I don't have it, you know I'll find it.
Speaker 2 (27:55):
Give me men sounds grave.
Speaker 1 (27:57):
So when it comes to you, there's.
Speaker 14 (28:00):
Nothing Nana went into don orsscribe.
Speaker 15 (28:07):
Do you love the Sunday?
Speaker 22 (28:11):
Thank you?
Speaker 14 (28:16):
Damn Heaven knows is unconditional.
Speaker 26 (28:23):
Some condision, it's some cons some it's some conditional.
Speaker 20 (28:54):
Yeah, listen, I recommend it and listen to the radio show.
Speaker 16 (28:57):
By the time you think you a body girl? The
mode away? How side you can bring your friends? I'll
be away gay and survive? Bro up, take a shout,
I got you drink and we lie so straight the game.
Speaker 28 (29:19):
If you something what you're doing pretty from everything with me?
You know you want a girl you win? Gettle everybody
do say that you dress and cover with me.
Speaker 16 (29:36):
You'll be honest.
Speaker 15 (29:37):
Baby.
Speaker 38 (29:38):
I like you and I need a wife to let
me call you every day and double one a night to.
Speaker 16 (29:42):
All you're gonna do is tell me everything you want
to do.
Speaker 2 (29:45):
A promise.
Speaker 16 (29:45):
I can try to make it happen.
Speaker 39 (29:47):
Side take a body the mud away, how inside you
can bring your friends.
Speaker 4 (29:54):
I'll be away.
Speaker 16 (29:55):
Gay, cancel, take a shot, don't drink. Damn you lie?
Speaker 29 (30:02):
So today was a good.
Speaker 38 (30:07):
Day to hit the gang up? What's the move though?
Money coming in? Any worry by the thing too? B
only can time for a nice white guy forever with you,
trying to get you out of this party to watt
and get it jumping with you. Maybe y'all want which
time I've been holding up the ball like I'm standing
in the line. I'm a slick you the bettest front
around and we got that she's gone.
Speaker 16 (30:25):
Can we wipe each other down?
Speaker 30 (30:26):
Dolls?
Speaker 3 (30:27):
I like you and I need a.
Speaker 38 (30:28):
Wife to let me call you every day in double
one a night too.
Speaker 16 (30:31):
All you gotta do is tell me everything you want
to do. A promise you to try to make it happen.
Speaker 39 (30:36):
Time thank the body girl the mud away? How inside
you can bring your friends?
Speaker 15 (30:43):
How'll be away as a lie?
Speaker 34 (30:48):
Take a shine, I got drink and we lie so
straight time you think a body girl the mud away?
Speaker 16 (31:00):
How inside you can bring your friends?
Speaker 29 (31:03):
How the lazy cake is?
Speaker 1 (31:07):
Take a shadow d and lies so.
Speaker 40 (31:13):
Light is fire?
Speaker 16 (31:27):
Take a shadow that dr and lie so so it's light.
Speaker 2 (31:33):
Strap love and lust late late lake, we can and.
Speaker 3 (31:41):
Move a crowd.
Speaker 16 (31:46):
Show, turn up your radio.
Speaker 32 (31:50):
Strike straight, please go listen.
Speaker 21 (32:01):
Go let them rich where they on them, wear them
bad babs where they are upon them.
Speaker 1 (32:07):
Map.
Speaker 2 (32:07):
You know what's the photo shoot?
Speaker 18 (32:09):
Every time I'm popping out, I on them? Oh I
know he hatemen.
Speaker 21 (32:13):
Now let them richness where they on them, hear them
bad babs where they are upon them?
Speaker 18 (32:19):
Map.
Speaker 2 (32:19):
You know what's the photo shoot?
Speaker 18 (32:21):
Ever it's time I'm popping out, I'll bet on them.
Oh I know a hatmen.
Speaker 21 (32:25):
Now you know what repingify ten You can orange mount me.
If you ain't a richness you can get from around me,
and with no suckers, you can never clown me.
Speaker 4 (32:34):
You know what's clean in my city?
Speaker 21 (32:35):
You can really crown me. I don't rich, ain't get
upon the map. You can see your shaken down throwing money.
Shot Now I get my own bag boot what talking
bouts say?
Speaker 18 (32:45):
Shoes getting me?
Speaker 2 (32:45):
Come and shine a damons.
Speaker 18 (32:47):
In your mouth.
Speaker 21 (32:47):
I keep a boos attitude, baby boo. I've been ruined,
give money all day. I'm being up booth with big dudes.
I sitting on these every day, just like them, bradgood.
Speaker 5 (32:57):
All the motion that we haven't.
Speaker 1 (32:58):
You know, we can't little.
Speaker 21 (33:00):
Rich where they on them, hear them bad bad where
they at upon them.
Speaker 2 (33:05):
You know what's the photo shoot?
Speaker 18 (33:07):
Every time I'm popping, No, I'll be on them.
Speaker 1 (33:10):
Oh I know.
Speaker 21 (33:11):
Hating now, let them rich where they on them, let
them bad bad where.
Speaker 18 (33:16):
They at upon them.
Speaker 32 (33:17):
You know what's the photo shoot?
Speaker 18 (33:19):
Every time I'm popping now, I'll be on them. I known.
Speaker 12 (33:25):
And when the men the city that my daddy come
get her come, I canna drop up back to my proppings.
Speaker 2 (33:30):
Miss my floy you on me bad? Can't one?
Speaker 12 (33:35):
What a rich rish my soul earth where he's been
the boy his first car is on my earth Broken.
Speaker 3 (33:44):
I told my sisters, is.
Speaker 32 (33:45):
He ain't this herd?
Speaker 2 (33:46):
Wet them rich where they on them, wear.
Speaker 21 (33:49):
Them bad bad, where they at upon them?
Speaker 2 (33:52):
You know what's the photo shoot?
Speaker 18 (33:53):
Every time I'm popping night, I'll be on them, I know.
Speaker 2 (33:57):
Now, Let them rich where you're the bad bad? Where
they are on the map.
Speaker 18 (34:04):
You know what's the photo shoot every time I'm popping out?
I'm oh, I know they hate me now?
Speaker 28 (34:17):
Yeah?
Speaker 41 (34:18):
Yeah, dis Davonte Road makes y'all check me out my
new single, Blowing.
Speaker 3 (34:22):
Up a tea just dropped everywhere, bowing.
Speaker 2 (34:26):
Up A team.
Speaker 41 (34:30):
Just said, look at this, you look so sweet, bowing
up a Teach me the buddy looks sweet.
Speaker 4 (34:47):
I want to get to know here.
Speaker 16 (34:48):
Oh yeah, I bet Chet's baby over here.
Speaker 32 (34:53):
Honey.
Speaker 41 (34:53):
You what I gotta do to impress your Anything you want,
I'll get you in my bag.
Speaker 3 (35:00):
I gotcha.
Speaker 42 (35:01):
Oh loco motas Mama, who are going through?
Speaker 3 (35:04):
What is Bonita?
Speaker 1 (35:06):
Come yet?
Speaker 3 (35:07):
Put it on me?
Speaker 10 (35:07):
So?
Speaker 2 (35:08):
Yeah?
Speaker 16 (35:08):
Shape right, let me see have a goat Yeah, rock
the boat.
Speaker 3 (35:11):
Let it hurt a little wine.
Speaker 42 (35:13):
Your wear thin, twitch your middle, rock the boat. Let
it hurt a little wine you wear thin, y'all.
Speaker 41 (35:21):
She looks fee me like her puzzy We are boe right,
don't gave no flee.
Speaker 16 (35:27):
That's my bob here.
Speaker 42 (35:28):
I am a drinking dropped the beat sixtybody like hanging
my me, move fastom Put myself on that thing that's
my hampern.
Speaker 41 (35:39):
I put my saf on that thing that's my imprint.
Speaker 16 (35:44):
Put my sip on that thing.
Speaker 19 (35:46):
Rock the boat.
Speaker 3 (35:47):
Let it hurt a little wine.
Speaker 42 (35:49):
Your wear tin, twitter, your middle, rock the boat. Let
it hurt a little whine your wearin, y'all.
Speaker 41 (35:56):
I'm going to patigue my meta buddy. Look Sweetzita. I
want to get to know you. Bet shirts baby Senorita
aneas you what I gotta do to impressia anything you want?
Speaker 2 (36:12):
I get your in my bag.
Speaker 41 (36:14):
I got you, you know, rookie, yell you immediately, bus
give me cookie, gel, give me give me other cookie.
Speaker 3 (36:22):
Now let us be bo.
Speaker 42 (36:25):
One by friend.
Speaker 2 (36:26):
It is a good buddy.
Speaker 16 (36:27):
You look so fine.
Speaker 42 (36:28):
God, somebody hadn't try to like an nick a secret Canta.
Speaker 41 (36:33):
Nobody Meita, buddy looks sweeting I want to get to
know he yeah, bet shirts baby Senorita anager. What I
gotta do to Impressia?
Speaker 16 (36:49):
Anything you want?
Speaker 4 (36:50):
I get your in my bag.
Speaker 8 (36:53):
I got you.
Speaker 14 (36:59):
Gee body.
Speaker 7 (37:05):
Udio shout no forget. If you got a choice right now,
you can always check out the Radio Show dot Com.
You want to hear these songs that we're playing over
and over again, you can go right there to the
Radio Show dot com and check that out. It is
now up and running. Go to our website www. Dot
Radio show dot com. Click on where it's where it
is a button playing music. You can hear some songs
(37:27):
that are playing right now the return of the Radio
Show dot Com. And also, while you're there checking this
out right now, this is also a video show. The
show that we're doing right now is also a video show.
So if you go there right now, click on the
links where the video is and you can see currently
me right there on the screen. So go ahead and
(37:47):
check it out right now the Radio show dot Com.
You can go ahead and check everything out on the
video in as we do the audio show and video
show at the same dang time. Prett what you think
about what Eric Sermons said right there?
Speaker 3 (38:02):
Yeah, no, I think it's true.
Speaker 6 (38:05):
I agree, and.
Speaker 4 (38:09):
That's it.
Speaker 26 (38:09):
I agree.
Speaker 6 (38:10):
I mean, you know, like I like to be repetitive
at times, but it's a it's always best to be
creative and you know, try to do some different.
Speaker 40 (38:19):
You don't think that artists could be created without using
profanity all they can?
Speaker 4 (38:25):
I think both.
Speaker 6 (38:26):
I think sometimes profanity is needed, not in everything, but
I feel like sometimes, you know, like you guys are
out at a party or whatever, and sometimes those curse
words just hit different. Now, of course, if we're doing
something mainstream and it's just radio or you know, regular television,
you know you need to be censored. But besides that,
(38:47):
there it is that percentage of time where you know,
those curse words hit better than the non curse words.
You know, you're you're feeling some type of way, you're out,
you're having fun, and just like go too short when
when we do two short song, you know the song
where he'd.
Speaker 7 (39:05):
Be like m M, you know what I'm saying, what's
my favorite word?
Speaker 6 (39:11):
Yeah, like people want to hear that, you know, like
on the radio you can't play that and it's still
a hit and you're gonna hear just what's my favorite word?
Speaker 5 (39:20):
Why you gotta say it like short, but at the
party you're gonna want to hear it, you know.
Speaker 7 (39:23):
Like, yeah, the way the way it's supposed to be. Yeah, Yeah,
it's all good man, definitely. Man, we got Love and
Lust coming up momentarily. We gotta played a slave coming
up before we move on to the after party as well. First,
I caught up with after Extraordinary Marcus Polk. He has
a brand new movie which is coming out. I caught
(39:44):
up with him recently an event to promote this new movie,
and here's what he had to say about that. Love
and Lust is coming up now.
Speaker 32 (39:53):
Show ribbon and all the red carpets.
Speaker 20 (39:56):
Here's an exclusive celebrity.
Speaker 7 (39:58):
Interview from from your different world that you've had like
on the Bounce Network, on the shows that you're on
there doing this right here. What was it life for you?
Speaker 16 (40:07):
Oh?
Speaker 43 (40:07):
Man, it's a great movie.
Speaker 28 (40:09):
Man.
Speaker 43 (40:09):
Rom Coms always fun, A lot of fun. Anytime that
I can come in and make people live, you know,
I love to do it. I love to do it,
so it's easy for me on the comedy side. On
the romantic side, that's something new to me. But it
was very fun doing some some new parts of having
a female counterpart in the field project that I'm playing
off of as well. That was really amazing and I
(40:31):
think people are gonna love seeing me in this this life.
Speaker 3 (40:34):
And Yo, what up? This is Marcus Park and you
are listening to the radio show.
Speaker 5 (40:38):
You know, let's go, let's go, let's go with your girl,
Pretty Loving X the Human Chandelier here on the radio show.
And you're listening to Love or Lust? Do you have
a problem with your relationship? Do you want to know
(40:59):
if it's love or let us all vote and let
us all let you know if you're in love or
if it's lust.
Speaker 7 (41:05):
All right, y'all, we are inside of love and lust
right about now to MD is gonna be a first
time just break it to see the expression on both
our faces?
Speaker 30 (41:14):
Is mine?
Speaker 7 (41:15):
On love and lust? Of bridge? The floor is yours?
Speaker 6 (41:19):
Okay, it's your girl, Pretty Loving X the Human Chandelier
The day on love or lust?
Speaker 4 (41:27):
The topic is.
Speaker 7 (41:30):
Is it love or lust?
Speaker 6 (41:32):
If you have a partner that does everything for you financially.
But whenever you guys have a dispute about any issues,
it's either their way or the highway.
Speaker 7 (41:48):
I don't think that one is either love or lust.
I think that's some more of a controlling thing, you know,
I don't. I don't you know, I don't think that.
I don't think that's either love or us.
Speaker 3 (42:00):
We need we need David Cooley here for that one.
Speaker 7 (42:06):
He definitely wouldn't say. He definitely would say it's controlling.
It's my way, no way, day man shout out to him.
It's all good. Yeah, that's that's that's my thing, my
feeling on the bridge, that's it's it's neither love nor us.
It's more controlling.
Speaker 3 (42:21):
Yeah, it's not love all of us. You don't do that.
You don't do do that to your significant one. M now,
just because you're making more money.
Speaker 40 (42:31):
You know, you shouldn't even go. You shouldn't use that
for your trump card that you know. I don't care
if you're a man making more money than her.
Speaker 3 (42:39):
Or vice versa, you shouldn't. You shouldn't go that route.
Speaker 40 (42:44):
You know, that's just it's just rude. Yeah, it's not love,
that's not us. That's just downright being me.
Speaker 7 (42:53):
Yeah, gret, what do you think.
Speaker 4 (42:57):
Let's see what Kelly good things?
Speaker 7 (43:00):
Yeah, Kelly good, what do you think?
Speaker 8 (43:05):
All right? So that is definitely luss. It is controlling,
But it's lust. Okay, it's like a Sugar Danny or
sugar Mama. You know you're paying for what you want,
but you win and you coount person that you were
lust getting over. You reeled the men and you paid
for their services to be with you for At the
(43:26):
same time, you want to control them. You didn't want
You don't want them to give their opinion. You know,
there's there's no meeting halfway. You don't act like you
value them. You don't value their opinion. You're like, you know, opinion.
What I mean, I'm giving you what I'm giving you,
so you're gonna do what I'm saying or or you're
(43:48):
getting or you know, it's the highway. So that's definitely less.
It's not love. Love doesn't do that, but not does that.
And when you want what you want, when you want
to those are entitlement.
Speaker 3 (43:59):
It should points there. You got a point there.
Speaker 7 (44:03):
Yeah, well that's that's why I'm glad we go to you, man,
because I didn't think of it from a pimp point
of view. I was just thinking about it from.
Speaker 3 (44:11):
Yeah, I was keeping on, I was keeping on the
conservative Yeah relationship, you know, normal normal relationship.
Speaker 7 (44:20):
Yeah, but if I got.
Speaker 40 (44:23):
Yeah, yeah, that's smooth man, that's smooth.
Speaker 3 (44:27):
Yeah I like that.
Speaker 7 (44:30):
Yeah, definitely now that you put it that way. Yeah, man,
that's lost.
Speaker 3 (44:34):
Bringing them off.
Speaker 7 (44:36):
Let me get my pimp pand too, let me get
that ready to roll.
Speaker 3 (44:41):
Skip.
Speaker 7 (44:42):
All right, but Britain, since you the only female here,
what do you think love of us?
Speaker 3 (44:46):
Yeah?
Speaker 4 (44:47):
I agree with what he said.
Speaker 6 (44:51):
Now, there could be times where like the person is
like that, and sometimes I guess you should like tell
them like, hey, like you know, I feel like my.
Speaker 3 (45:05):
Opinion isn't valid in those type of way.
Speaker 6 (45:08):
You know, when we get into an argument or whatever,
or if something has to be a decision has to
be made, and if you talk to them about it,
you know, and they don't change, then of course that's LUs.
But if they do change, then that's love.
Speaker 7 (45:26):
Okay, all right, got you, got you? Gotcha?
Speaker 40 (45:30):
Yeah?
Speaker 7 (45:30):
What do you feel about that keyword? Da radio showing
on social media platforms? Let me know your thoughts?
Speaker 3 (45:38):
Eleven X. You need to open up an X.
Speaker 40 (45:43):
Platform so people can answer you on your X platform
so you can read back some of these comments that we.
Speaker 3 (45:51):
Be making on your subject matter.
Speaker 6 (45:56):
Oh, love and LUTs Okay, could times, it's hard to
get people to engage.
Speaker 4 (46:02):
They just like to read and like, Yeah.
Speaker 3 (46:05):
We can take two or three of them, you know,
and you can read them.
Speaker 7 (46:09):
Yeah, we can get some. We'll see if you need
to come in in their future.
Speaker 1 (46:12):
Y'all.
Speaker 7 (46:13):
Let you know, that's a good idea. I think you
need to put something like that on the radio show
dot com. Let's do that. Let's do that.
Speaker 3 (46:18):
Let's do that.
Speaker 7 (46:19):
Yeah, let me let me, let me figure out how
to put that on her. That's a good idea, m D.
Let's send it through the X platform.
Speaker 3 (46:29):
Radio show. Don't we got an X platform.
Speaker 7 (46:33):
I'm a little I'm a little mad at X right now.
We do, but we don't.
Speaker 15 (46:39):
But they do that.
Speaker 7 (46:39):
They do a knife at us, trying to make us
play for everything. Oh you should have, but it's all
good man, spot if I did it. Yeah, let's get
to play this, y'all.
Speaker 12 (46:50):
Let's go join the radio show every Monday night, every
Monday night.
Speaker 4 (46:57):
For the indie song that you enjoyed the most.
Speaker 7 (47:01):
All right, y'all, we are now inside the play at
the slag right to bound this right around this time
is during this time, we asked one fundamental question that's
what should we do with these particular songs? Should we
play them or should we slay.
Speaker 20 (47:18):
Sled?
Speaker 7 (47:19):
That's right, y'all, slay the record, throw it in the
cyber trash never to be heard from again. Or put
them in put them in play at the slad they
get on the play side, perhaps be attitude. Now what
is up and running asdradio show dot com. So we
got a special treat tonight. We have not one, not two,
(47:40):
but three songs that we're gonna get.
Speaker 1 (47:42):
To right now.
Speaker 7 (47:43):
All right, that's an all time record. That is an
all time record. Man, early we cap it two, but
we're gonna go with three tonight, all right, all right,
all right? First one we got. Artist is named Stephanie.
Song is called She's She'll never be Mine, Stephanie, She'll
never be Let's check it out. Even go play the slave.
Speaker 20 (48:02):
Let's go the radio show, radio shows the radio show
play or sligay.
Speaker 29 (48:31):
Lady baby, something with you?
Speaker 18 (48:35):
Just they've been going ride.
Speaker 16 (48:39):
Becose, y'all.
Speaker 44 (48:41):
Behavior has slowly been changing. I've become you walk around
at the line, everything's just.
Speaker 35 (48:54):
Fine, but you're really in this gast.
Speaker 20 (48:59):
I would us to lose my bride because you sad
it's a raw radio show. The radio show, play or
slick that?
Speaker 7 (49:09):
Right? There is Stephanie song is called never should Never
be Mine? Stephanie should never be Mine? So m d
play the slave? What should we do with that record?
Speaker 3 (49:19):
I'll play that?
Speaker 7 (49:20):
You play that all right? That's smooth, Kelly good? What
you think about this record? Play the slave? What should
we do with it?
Speaker 8 (49:35):
Lady? She got an old soul. I'm gonna have to
play okay, all right.
Speaker 7 (49:48):
Brittay Liven next to you? Mis Chandela? Or what do
you think about the record? Play the slip?
Speaker 3 (49:52):
I'll play all right, he's brit said, I play it.
Speaker 7 (50:06):
It's all good. It's all good, and I think it's
I'll go ahead and play the record as well, right
and why not?
Speaker 3 (50:17):
Production wise, it was a good production.
Speaker 7 (50:19):
It's a good production.
Speaker 17 (50:20):
You like it?
Speaker 3 (50:20):
Yeah, yeah, it was a good production.
Speaker 12 (50:23):
You know.
Speaker 45 (50:24):
Whether I liked it or not, that was a good production.
That whoever put that together did it right. If the
song stopped still been right. Production has been done right.
Right when you really do production right and you have
a great song, Uh huh?
Speaker 34 (50:43):
That was it?
Speaker 3 (50:44):
That was a damn good.
Speaker 40 (50:46):
Yeah, but no, it's it can hit mainstream radio easily.
You can't mainstream easily. It's commercial. Okay, well, I'll tell
you what. Let's move on the song number two to now.
Speaker 7 (51:00):
Uh, the song number two, Britain, Kelly Good, this record. Actually,
we played this record while y'all was going I think
a couple of weeks ago, and it was too close
to call, so we have to bring it back and
get a recount. They both this is uh, Kelly Good,
it's your record, sir. No drama, no drama. Let's quit
(51:24):
jump into this right quick here, brit do me a favorite.
See that hook for me.
Speaker 4 (51:30):
I'm not going in that like I used to.
Speaker 6 (51:33):
I don't need the streets I got used to before
I changed field.
Speaker 20 (51:42):
The radio show, radio show, the radio show or slide.
Speaker 29 (51:49):
I'm not going up like I used to.
Speaker 27 (51:52):
I don't need the streets like I used to before
I changed field.
Speaker 16 (52:00):
I'm not looking for no drama, no no, no, baby Mama, I.
Speaker 1 (52:06):
Just want to bring me.
Speaker 33 (52:09):
I try to tell you what it is, but you
still doubt. I tell you patience is a virtue, but
you still pout then and my dms, but you got
the cold and re routt them. You know it's only
you for playing with me. Acting childish and security is
a weakness. Min taught you better, just to show you
got us real. I wrote you love letters, I got
your names, had it on me, put it on my shoulder.
Ain't got no time for no games. We're only getting older.
(52:30):
We've been solid from the jump. It's been a while now, though,
switching up. You acting up? I tell you calm down.
I see them clowns on your wall, thirsty running the.
Speaker 20 (52:38):
Radio show show, radio shows, the radio show, play or slid.
Speaker 7 (52:43):
All right, that's the second play the SLEDG record for tonight.
Right there. That is Kelly Good featuring Bridge Leven. Next
the Human Shendon Leer. No drama, no drama. So I
guess we know how this side of the room feels.
So MD, I guess it's up to me and you
play the slate nd what's we do with it?
Speaker 3 (53:02):
Uh, it's close. I will give it a play.
Speaker 40 (53:07):
I just think Callie kind of rushed his lyrical the
way he's running, how he was spitting his lyrics.
Speaker 3 (53:13):
He would just go a little bit too quick. He
should have smoothed it out. But the damn good record,
especially that hook.
Speaker 7 (53:31):
All right, man, I like the record as well, So
I'm gonna go ahead and play it also.
Speaker 3 (53:41):
Turned she just turned me on.
Speaker 7 (53:47):
Well, then we go go into the third play the
sledd record. Right there, we all get on this one.
Speaker 19 (53:52):
This is uh.
Speaker 7 (53:54):
Name Nanny Leani, no name, Nanni Laila. Nanni Laila sounds
called something like that. Nanny Laila Sounds called something like that.
Let's check it out. Here we go. The third player,
the slave record for the evening, y'all, I'm sorry, the.
Speaker 20 (54:15):
Radio show, radio show, the radio show or slid.
Speaker 28 (54:30):
And understanding.
Speaker 2 (54:31):
You gotta know that there's a whole nine. Straighten up
and find your place in there wherever you want see
that you're right. A body trip, a bunny teller for
no recommend that hits you, slip through like a wet
out on freak noise. That's where we are. And then
that ghosts you. Hey, don't you do that?
Speaker 20 (54:47):
But up hey after to do that, because I do
know my.
Speaker 28 (54:55):
Ain't got no.
Speaker 18 (54:56):
Time for that.
Speaker 2 (54:58):
Boo down bohow, something like.
Speaker 20 (55:14):
Cold radio show, the radio show or slid that.
Speaker 7 (55:21):
Is our history making. Third play the slagh record for tonight.
That is Nanny Nanni Laila Sounds called something like that.
Nanni Laila something like that. Play the Slave brit Deliving
next to Human Chandelier. What do you think about that one?
Speaker 1 (55:38):
I liked it.
Speaker 6 (55:39):
It gave me dose of cat vibes like it gave
me like a calm dos ca.
Speaker 4 (55:44):
I was really feeling it.
Speaker 16 (55:45):
I thought it was different.
Speaker 7 (55:47):
Okay, all right, Kelly, good but vibes this record give
you hearing. Brent, come here, you play it? Okay, all right,
(56:08):
all right, m D play the slag? What should we
do with it?
Speaker 3 (56:17):
I gotta ride and die with the rest?
Speaker 7 (56:19):
All right? And sure, why not? I'm gonna ride and
die with it as well? All right, y'all. That wraps
up the radio show for this week. We will have
another exciting guest bitch shut out to Michel the don
(56:42):
for being a guest here tonight here on the radio
show Don't Forget. You can always request this Songmingion Dollar
right here each week. All you gotta do is go
to your social media platforms and bequest the record. See
yeah the radio show so far.
Speaker 12 (56:55):
Make sure you follow us on all social platforms at
the Radio show
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