Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's time to start.
Speaker 2 (00:03):
Radio show.
Speaker 3 (00:22):
We are the greatest.
Speaker 4 (00:23):
We played the greatst indie artists on the radio show.
Speaker 5 (00:26):
We got hot top things.
Speaker 6 (00:28):
We did a popping on the radio show.
Speaker 4 (00:31):
Listen to Love and listen, give you up, bring your relationship.
Problems will be with it, so make sure you tune.
Speaker 3 (00:37):
In and the radio show So Bad.
Speaker 7 (00:42):
Bunny was the choice to perform at this coming Super Bowl.
What do you think in the times that wind Was
he the right.
Speaker 6 (00:49):
Choice or was he the wrong choice?
Speaker 7 (00:52):
We'll talk about that tonight and much more as we
bring in the radio show Dundee Indie and b the
levenx you be and Shandon there.
Speaker 6 (01:00):
I'll make it.
Speaker 7 (01:00):
This is the radio search streaking independently hip hop and
abie music. Each and every week we make this happen
for you. Welcome a board up. Everybody had a wonderful week,
wonderful weekend. We are back with another one here for
you tonight. Let's bring in the crew because you know
we always make it the way we do what we
do here on the radio show.
Speaker 5 (01:18):
MD.
Speaker 6 (01:19):
How you doing tonight, man?
Speaker 8 (01:21):
Oh, I'm trying to rearrange my my office, putting a
lot of new things up. It's not situated. I gotta
put my other pictures up there. You see my billboard
picture in the.
Speaker 3 (01:33):
Back there and my kids and stuff. Oh well, you
know I'm chilling.
Speaker 8 (01:41):
Okay, I'm ready make it work out and see who's
who's on here with us today.
Speaker 3 (01:47):
You know, I had to groom my hair up a
little bit, you know. Ah righty, let's get it going.
Speaker 7 (01:55):
We're gonna get it going. Britta Brittall living next to you,
Mi chandelier. How you doing tonight?
Speaker 6 (02:01):
Oh?
Speaker 7 (02:01):
Neil was on stage performing doing this thing, and a
fan came up there. Neil living a life man Dayton
Allegedly Dayton three two or three women at the same time.
A fan jumped on stage, and Neo guided him off
and continued to stay professional while he was performing on stage.
(02:22):
Didn't miss a beat. If this happened to you, Brits,
what would you do? How would you handle it? Would
you handle it the way Neo did? Or would you
do something different?
Speaker 9 (02:33):
Honestly, No, I wouldn't. I'm not putting my hands on nobody.
I'll let my team handle that, you know. I'll just
continue to perform and kind of move out the way.
But I'm sure within like the five seconds, my team
would actually get that person off stage. But for him
to strong arm that person, you already know. We're in
the age of cancel culture and all type of stuff.
(02:55):
You're putting your hands on people. They trying to sue
you ain't nobody got no money out here, and they
trying to get that big wo on how to get
some money. And any celebrity that touched them, you already
know what's going down. You already seen what happened to
Cardi b. So no, I'm not touching on nobody that
gets on stage. So I will not handle it how
Neo did. I will just make sure the team gets
the person off stage. I just back up and like
(03:17):
kind of put my hands up in the air for
two seconds and then continue to do my.
Speaker 4 (03:20):
Little dance moves that I'm doing or whatever. And you
know that's that.
Speaker 6 (03:23):
That's what's up. That's what's up.
Speaker 7 (03:25):
Whinnie Brianna, how would you handle it if somebody jumped
on stage while you were performing?
Speaker 10 (03:30):
I definitely agree that cancel culture is definitely prevalament, But
I don't know.
Speaker 11 (03:36):
And he's just so smooth with it. I don't fault
him for doing that.
Speaker 10 (03:40):
So maybe in a Rusheet at the moment, I probably
would kind of react the same way.
Speaker 6 (03:45):
Mm hmm, So you kind of react the same way. Okay, Okay, yeah, okay, MD,
what do you what do you think? MD?
Speaker 8 (03:53):
My take will be, you gotta take your chances, because
when you do a show, you're doing it for your fans,
and you want to interact with your fans. I mean
it's it's kind of really hard, but you got to
take a chance because you don't want your fans to think.
Speaker 3 (04:11):
That you're too good to be close to, especially paying
good money to see you. Right, I agree, you do
have Yeah, you do have fans out there who looking for.
Speaker 8 (04:25):
How could I call it a warfare mentality, trying to
get something for nothing and they'll do anything to get
paid and all that. But you can't let that make
that be afraid of interacting with the audience because it's
gonna take away from yourself.
Speaker 11 (04:45):
I mean, I would want to be cautious. I mean
I've seen a lot of people.
Speaker 10 (04:48):
Getting taken out for situations similar to So you got
to protect yourself first.
Speaker 9 (04:53):
Right, Yeah, Like these are your fans though, and like
you know, these are moments that they dream of and
they're just like man like, I love this person. So
it's like you gotta kind of handle them with care.
Speaker 8 (05:09):
Unless unless you invite them, right, unless you have your
security there at the stage and you point at the
person you want to come up on the stage and
they will help them up. But anybody you tell your security,
anybody else come out, come up without me, invite them
up there, having you export them up to the States
with me knock them out.
Speaker 6 (05:30):
You got that, you got that sick potty. You got that,
you got it, you got that gisty, you got that
sick potty.
Speaker 3 (05:39):
You've got that tick body.
Speaker 2 (05:41):
You got that.
Speaker 1 (05:44):
Body body body.
Speaker 3 (05:48):
You got.
Speaker 6 (05:54):
That sick party.
Speaker 12 (05:58):
Southern girl friend bags like she came from the island,
from the island.
Speaker 1 (06:05):
I see the front, but I can wait just to
see it from behind.
Speaker 12 (06:09):
Yeah, he gasping legs like clim sallon, come to my
team because you're batting like a thousand.
Speaker 13 (06:21):
You got that big buddy, buddy, buddy buddy, sick buddy, buddy,
bunny body think that sick buddy buddy, sick buddy boddy,
sick boddy buddy, sick buddy. Let's redake you, buddy, buddy,
buddy buddy sick buddy baby dybody, Boddy Buddy sick buddy, Let.
Speaker 1 (06:50):
You got that bounce like hydraulics on in old school share.
Speaker 2 (06:54):
With the top tail buck in the trump.
Speaker 12 (06:57):
What I wouldn't do for you to drump it on
me like it heavy water is fucking fit, quitted, can
get quitted.
Speaker 5 (07:08):
It seems like you're ready. The red.
Speaker 1 (07:13):
Got the big.
Speaker 13 (07:14):
Buddy Buddy Buddy Buddy cat Buddy.
Speaker 14 (07:17):
Buddy body got a big buddy baby body by everybody
body Body.
Speaker 13 (07:26):
Heyboddy Buddy buddyddy buddy got a.
Speaker 5 (07:31):
Bad moody.
Speaker 13 (08:05):
You got that big buddy Buddy Buddy Buddy six buddy Buddy.
Speaker 14 (08:09):
Buddy got that big buddy anybody by everybody Buddy cick Boddy's.
Speaker 5 (08:16):
Ridiculous big body Buddy Moddy.
Speaker 13 (08:21):
Buddy Boddy Eyboddy gondbody.
Speaker 6 (08:30):
You got that sick body?
Speaker 5 (08:34):
What did everybody?
Speaker 4 (08:35):
It's your Dommedy ding yeo.
Speaker 9 (08:36):
And make sure you are tuned into the radio show
at all times, and make sure you request how bad
I want to on the radio show as well.
Speaker 15 (08:45):
By guy, Baby beauty, it's tight you feel that cuckood
it tell.
Speaker 5 (09:04):
Me who stand.
Speaker 2 (09:10):
Old?
Speaker 5 (09:14):
Yeah, let me pet me. The scene they'll know I
cover elections. Who sees I'm the only one.
Speaker 1 (09:18):
That they n in between?
Speaker 5 (09:19):
And if I've ever made that af so you could
watch me leave now, don't stop giddy.
Speaker 1 (09:22):
Yitty, even if I'm mad or your friend king Gaddy.
I'm a real real I don't play myself.
Speaker 5 (09:26):
And if Buddy Dot he played me, then he played itself. Now,
if you're right, then you can get it.
Speaker 2 (09:30):
I like you.
Speaker 5 (09:31):
Yeah, I'm with it. You can tream me good if
its bore me. Hell, I'm real good for you, boy,
real good for your help. Yeah, you don't know, baby, beauty,
(09:52):
it's tight.
Speaker 16 (09:53):
You feel that cuckood it?
Speaker 5 (09:54):
Tell me let me in you old boy, think you.
Speaker 17 (10:05):
Feeling you sweety Chulie.
Speaker 2 (10:09):
I don't know him telling.
Speaker 5 (10:10):
You can't tell me though we have wrong to.
Speaker 17 (10:16):
Anybody who don't know how that honor and who don't
(10:40):
know how that Alona love, Baby, you do right time
and you feel like a good tell me, oh by.
Speaker 16 (10:48):
Don't start to me.
Speaker 1 (10:50):
I not so sure, but think you knew it all?
Speaker 18 (11:05):
Ye Come on, come eat it down there, guys outside
out summary no rides catch eye figures it and my
underside whole black chopping basboom and music comming, soaking.
Speaker 5 (11:21):
Up that sunshine. I'm been laying outside.
Speaker 18 (11:24):
A hundreday school and night told side Southern love, Southern brill.
Mad see in those dandos clack fans go grab drink
and go grab man.
Speaker 19 (11:36):
Think we're gone, but.
Speaker 4 (11:37):
The wait there's more hostad pursuit of floor.
Speaker 5 (11:41):
Summer child Jo's house. Were the good sounds whom him?
It's out crazy? Oh? Come on people aware it's a
whole place.
Speaker 20 (11:53):
Come along, baby, don't him come off?
Speaker 5 (12:02):
Come off? Do the soup coming off?
Speaker 18 (12:10):
Shot rapping shown the plate cormorat on the side. Cousins
plays bad start the trash with pride. I got that
shine of the jar DJ shrumping heat by the bar,
girls on the floor and m he seem my boot started,
but they cost the grip.
Speaker 21 (12:28):
Come on, laughter, So.
Speaker 5 (12:40):
Where can my job downs off? Where the good sounds
who him? Is off? Swazie this.
Speaker 1 (12:53):
Come my people, wady he.
Speaker 5 (12:55):
Has a whole days?
Speaker 20 (12:57):
Comes on, baby, do the sous off.
Speaker 5 (13:06):
Come off?
Speaker 22 (13:07):
Do?
Speaker 4 (13:16):
I bet my creue is better than yours.
Speaker 1 (13:18):
Ain't no people, we could take it to the flour.
Speaker 4 (13:20):
All I need is a jam at a good time.
Speaker 18 (13:23):
I'm trying to go muddy, no windy done beans, mac
and cheese and greens on a plate. She together in
the snigger, but I already ate mm. Southern boys make
you lose your mind true religion in the summer time.
Speaker 5 (13:33):
You ain't gotta go home.
Speaker 4 (13:35):
Put your best bead out of hair.
Speaker 5 (13:37):
But not too young.
Speaker 4 (13:39):
You know where You've got time to spare.
Speaker 21 (13:41):
So that's back and to ride and into my crab.
Speaker 5 (13:45):
No sleep till dawn. And that's just the way.
Speaker 20 (13:51):
What good canty.
Speaker 5 (13:57):
People come.
Speaker 11 (14:23):
That's not sound, that's.
Speaker 21 (14:31):
You gotta missed around and brought us city girl to
the trail.
Speaker 16 (14:34):
Culture look and lust late late was late, and move.
Speaker 23 (14:57):
A crowd, move.
Speaker 24 (15:04):
Radio, Rick Rock, use a pool for this one, and
everybody got to get a booming system. Even TikTok going
fool with this one with this because Rick Rock was
a boom for this one. This de wreck with the
ball on fla on buss the bill. No, this ain't that,
ain't know I could go.
Speaker 13 (15:20):
Ti Thay put that on anything.
Speaker 24 (15:23):
This ain't cat so don't start none. It won't be
nothing this even make it. Never want to refund because
when I came to the party, y'all was by myself.
For nine times out of ten, I leave with someone else.
Speaker 9 (15:33):
She and I.
Speaker 1 (15:36):
I just wanted to get it in, Okay, she and
I shed, I just want to get it in, get
it in, get it in. I just want to get
it in.
Speaker 24 (15:48):
And I.
Speaker 1 (15:50):
I just want to get it in.
Speaker 5 (15:57):
All the time.
Speaker 25 (15:57):
She get done, but she don't get off the broth
like a home run day. That's my people, that's my folks,
that's my dame one like, hey, that's my being.
Speaker 5 (16:04):
The roight front.
Speaker 25 (16:05):
You had the great left right right left y that's
on you don't who you with your best friend? Let
her come to I'm gonna put it to the side.
I'm a back dad.
Speaker 1 (16:13):
What are my people?
Speaker 5 (16:14):
Where sat?
Speaker 3 (16:14):
Where the back at off facts?
Speaker 2 (16:16):
Who is that?
Speaker 25 (16:17):
Yeah, I'm at you, I said, collected when they're black
with the rattoos. I want to see me when the visit,
when the bry out, when the ride out. Pick it
to my height out level one. That will lay plus
right if she your tie peaks, I'm a bike fight.
I'm gonna put up. I'm gonna show up.
Speaker 5 (16:31):
What you gonna do? Let me what?
Speaker 3 (16:32):
She tagged me with the hashtag too Yes, she and I.
Speaker 1 (16:35):
She again, I just want to get it in.
Speaker 26 (16:39):
She and I.
Speaker 1 (16:40):
She again, I just want to get it in, get
it in, get it in. I just want to get
it in, she and I. She add, I just want
to get it in.
Speaker 16 (16:55):
Bo.
Speaker 1 (17:05):
I just want to I just want.
Speaker 7 (17:12):
All Right, y'all, we got our guests in the building,
Whitney Briann. We're gonna be talking to her inside and
move the crowd right about now.
Speaker 6 (17:19):
Let's get to it, y'all.
Speaker 16 (17:20):
Yet closer against time for the radio show.
Speaker 6 (17:25):
Move the crowd and we're inside and move the crowd
right a boy now.
Speaker 7 (17:29):
But we do each and every week around this time,
is we're talking, taking on this off stage, bring them backstage.
Speaker 6 (17:34):
She gets to know them, my bride.
Speaker 4 (17:37):
Up close and more person Oh good.
Speaker 7 (17:39):
I waited a long time to finally get to see
you do it, man. It's all good. Finally get to
see you doing man and joining us. Now we got
an artistright out of Las Vegas, man, we got Whitney
Brian in the building.
Speaker 6 (17:50):
Whitney Brian. Officially, how you doing tonight?
Speaker 3 (17:55):
Very good?
Speaker 6 (17:56):
Very good?
Speaker 7 (17:57):
So tell us real quickly about Whitney Brian. What's going
on with you these days?
Speaker 10 (18:01):
The singer slaves rapper and just doing the best I
can out in this corrupted world.
Speaker 11 (18:09):
Combs it up.
Speaker 7 (18:10):
Okay, all right, So you're a singer and a rapper, right, yes,
I do go Okay, which one do you like.
Speaker 6 (18:15):
More than the other?
Speaker 11 (18:17):
I guess it depends on my mood, honestly, Like, if
I'm in a.
Speaker 10 (18:22):
Bad mood, then hey, I'm probably gonna want to rap
if I'm in a more subductive, chill move than singing,
for sure.
Speaker 6 (18:28):
Okay, Okay, that's what's up.
Speaker 7 (18:30):
So so so definitely so you're living in the Las
Vegas area, so house the independent music scene for you
out there in Las Vegas.
Speaker 10 (18:39):
Definitely good. You have a lot of close knit things
and you kind of just circle around in that. But
since I'm so close to Kelly, I'll also kind.
Speaker 11 (18:45):
Of go back and forth. Yeah, the weather here is crazy.
I'm glad summer is over.
Speaker 6 (18:52):
Oh summer.
Speaker 7 (18:53):
Oh yeah, because summer oh yeah, one hundred and five
hundred and six hundred and ten out there in the desert.
Oh yes, it's really crazy hot out there for sure.
Speaker 6 (19:02):
Definitely.
Speaker 24 (19:02):
So.
Speaker 6 (19:02):
So how long you've been doing your thing?
Speaker 10 (19:06):
I'm into your music seriously for about five years now,
so it's been been quite a while, but Evan off, No,
I'm trying to perfect everything.
Speaker 6 (19:16):
Okay, this is your first project or or you got
other product you've had.
Speaker 11 (19:19):
Before, my first project that I'm really trying to push.
Speaker 3 (19:23):
A state like that.
Speaker 7 (19:24):
Okay, Okay, Now we're gonna We're gonna play a record
by you coming up called a poppy. So we're gonna
play that one coming up from you in a few moments,
and I'll ask you about that song before I'm gonna
letter m D and Britta living next to Humans Chandelier
talk to you. So, uh, Britta leven next to you, Shane,
let go ahead and talk to uh uh Whitney Briand.
Speaker 4 (19:45):
Okay, Whitney Brian. I have two questions for you.
Speaker 9 (19:49):
What was your favorite part about working on the project
and what was your least favorite part about working on
this project.
Speaker 10 (20:00):
Part was just the creativity part. I love getting lost
in the music, so I love finding the beat. I
love finding like just the inspiration of it is all
addicting to me.
Speaker 11 (20:12):
The worst part is.
Speaker 10 (20:14):
After getting done, finding out where I want to push
it to and doing the whole business side of it.
Because I'm more of an artist, I just like being
a studio own right, But now I've got to put
on my business at and promoted, et cetera.
Speaker 11 (20:27):
And I gotta say that's like the most annoying part.
Speaker 6 (20:30):
Is mm hmmm.
Speaker 7 (20:32):
Yeah, that business part could be a little annoying for
artists and all that NBA talk to of Whitney Brian, Well.
Speaker 3 (20:41):
I guess you know, this is my first time really
encountering with you. I'd like to know what are your.
Speaker 8 (20:47):
Future plans of you touring across the country to get
yourself introduced to your fan base, you know, from coast
to coast.
Speaker 3 (20:58):
Do you have any immediate plans or you wait into
the wakeside of that.
Speaker 10 (21:03):
I'm definitely excited about it, but that's more stuff I'm
trying to get figured out with.
Speaker 11 (21:07):
My team and stuff.
Speaker 10 (21:09):
I think we're more interested of just doing the internet
present first before brunching off. But I'm definitely excited for
when it's time for sure.
Speaker 8 (21:19):
Now another thing, have you ever thought about using ABC
out there in Vegas to promote your career?
Speaker 22 (21:27):
No?
Speaker 11 (21:28):
I haven't actually heard of them, to be honest.
Speaker 3 (21:31):
Okay, you know there's a station.
Speaker 8 (21:33):
You know, I have a client he just did an
interview out there in Vegas on ABC for his musical career.
Speaker 3 (21:42):
Thank you to have your people look into that.
Speaker 11 (21:45):
Yeah, definitely, it sounds definitely like something I would be into.
Speaker 3 (21:49):
In fact, have you heard of Big Fever out there
in Vegas?
Speaker 22 (21:54):
Again?
Speaker 6 (21:55):
Big Fever?
Speaker 3 (21:56):
Have you heard of him?
Speaker 21 (21:57):
Mmmm?
Speaker 24 (21:59):
No.
Speaker 11 (22:00):
I kind of stay in my own kind of box.
That's something I'm been working on so I can be
able to collaborate with more people. So that's probably why
I haven't.
Speaker 3 (22:08):
A show like ABC on TV or like what like,
yeah ABC on TV?
Speaker 14 (22:15):
Yeah?
Speaker 11 (22:15):
Okay, well, yeah, I know I know what I was
in sure talking about the like on TV.
Speaker 3 (22:20):
Okay, forgot the radio out there too?
Speaker 7 (22:25):
Yeah, Well, what he's referring to as an artist out
there by be Young Thunder. It's it's a television show
that's on the ABC affiliate out there in Las Vegas,
and they feature independent artists to my understanding out there.
So the fact that we'll be posting that Young Thunder
clip on our social media keyword did radio show coming
up in the day or too soon? As I go
ahead and chop it up for you so you'll get
(22:47):
to see that. So kind of research that out there
for you. Whitney Brianna brand set you out there in
Las Vegas.
Speaker 9 (22:54):
Yeah, from we're info for like you know, okay what
we're talking about, you know?
Speaker 6 (22:58):
Oh yeah, definitely, Yeah, we're gonna make it happen.
Speaker 7 (23:01):
We're gonna make it happen and shout out to Young
Thunder out there in Las Vegas as well. So Whitney Briann,
we're gonna go ahead and play this record a Iye Poppy.
So tell me about this record, Balk before we get
to it.
Speaker 10 (23:12):
As a definitely sensual song, I have been making it
tapping into an element, but I think everybody kind of
relates to at some point in their life.
Speaker 11 (23:20):
So it was just a fun song. It's a fun
club song.
Speaker 6 (23:24):
Okay. So it's a fun song that you made. So
we're gonna get to it right now.
Speaker 7 (23:28):
Let's check out Ie Poppy right here, Whitney, Brian in
the building, y'all the radio show.
Speaker 16 (23:34):
Independent Artists Live here. We got this independent game on
lock chegure it out the radio show.
Speaker 21 (24:02):
I buppy, you want to build on him when he's
going you but your name on it, and maybe you
could build on it.
Speaker 19 (24:17):
But under sad, let's pay about it. Make sure whether
rub is not. I don't want to go up a
couple of times when your home is.
Speaker 5 (24:41):
Kind of like that.
Speaker 27 (24:43):
I had a lumpy, I had nothing, I had nothing love.
I am nothing. I am nothing, nothing about.
Speaker 19 (25:04):
Knock and you see what I'm working with all the.
Speaker 28 (25:12):
Something, just me and my fred day something for no
Fresa like get hurt texting.
Speaker 19 (25:23):
You know you can't cut you got an election. I'm
sure you got the map of something. Because I don't want.
Speaker 5 (25:31):
To mirror maybe marry like about.
Speaker 19 (25:38):
God because maybe oh to me like that, you know,
I mean like that, I like that, like that, like that.
Speaker 27 (25:54):
My cat cat.
Speaker 5 (25:58):
Yet I have not.
Speaker 19 (26:13):
It could be a proud of show and boy, you
know I like that and I want to try to
buy bad that.
Speaker 5 (26:25):
I'm a g how that when I do it like
you and do it like that?
Speaker 11 (26:30):
Nothing I am nothing.
Speaker 27 (26:35):
I'm nothing, boy, nothing, I'm nothing. I'm nothing, Lolly, I'm nothing.
Speaker 19 (26:51):
Puppy.
Speaker 7 (26:53):
I pappy, that's what the girls calling me. I mean,
I mean, I'm sorry, I mean I pappy right there.
Whitney Brian's Whitney Briann. Is that record our coming out?
Or what's that with the record?
Speaker 11 (27:06):
I haven't released it yet, but it's in the way.
Speaker 5 (27:09):
It's in the way.
Speaker 7 (27:10):
Okay, all right, that's coming soon, So coming soon. I mean,
what you think about the record?
Speaker 3 (27:15):
I said it was smooth. I like her, like her tone.
Speaker 8 (27:18):
I like the way she's seeing how smooth she is
she is, she's you know, she had that little sex
appeal with her vocals.
Speaker 6 (27:26):
And that's that's a good day. Because all right, sounds good.
Speaker 7 (27:31):
Whitney, Brian, can you go ahead and give your social
media and all the real quick and tell us what
we can follow you and pick up your music and
keep up with your career.
Speaker 10 (27:39):
Yes, Instagram is my main platform right now, which is
so we need brand music.
Speaker 11 (27:44):
So yeah, I'm gonna be there. I post a lot.
You see what's up with be there for sure?
Speaker 7 (27:48):
Step away, do our thing when we come back. We
got more of the radio show, including who owns who
owns your your track when you go in the studio
or record refoord the song? Who is the real person
that owns the record until you guys straighten it out.
We'll get into that and much more coming up the
(28:08):
radio show coming up in twelve minutes, y'all, we'll talk
about that.
Speaker 6 (28:11):
Don't move. Here's what's going on. Recently on the radio
show we got Raleigh in the building. It definitely a lot.
So as you just spoke about, I just started managing
myself again. I try ikind a manager.
Speaker 29 (28:24):
Probably then if a manager can't take me further than
where you can take yourself, you know what I'm saying,
or doesn't have.
Speaker 6 (28:33):
The relationship that we need to have clean Bill here,
it doesn't make sense to continue to have this relationship
because if.
Speaker 7 (28:40):
Somebody has to come along with it does and you're
tying for somebody that doesn't, it's not good.
Speaker 21 (28:47):
The one My one perfect for me, but it's never perfect.
Speaker 1 (28:54):
I don't know where if I live, serve you don't change.
Speaker 2 (29:00):
Wait for you.
Speaker 7 (29:13):
Johnson's Cabaret California seeing take what are you bringing to
the table.
Speaker 23 (29:16):
I'm bringing everything I helped this season down on my back.
I did this.
Speaker 4 (29:21):
I carried the season.
Speaker 19 (29:23):
I held it down.
Speaker 23 (29:24):
I was there for my girls Blacks Fly, but I
also was there for the movies.
Speaker 1 (29:29):
You seen me hold it down.
Speaker 5 (29:30):
This season, you're gonna see who the real.
Speaker 7 (29:32):
Make sure you make it a point to check out
Johnson's Cabaret California season six.
Speaker 6 (29:38):
This season is gonna be hot.
Speaker 16 (29:40):
Ass.
Speaker 6 (29:40):
The cast moves to the West.
Speaker 7 (29:41):
Coast as the show continues its format in documenting the
interactions and competition between Jocelyn and the cast of Young
Ladies Fine for a spot for her cabaret performance.
Speaker 23 (29:54):
I feel like everything that Jocelyn has taught me in
the last you know, three years, I definitely head off
this season.
Speaker 11 (30:01):
I'm very grateful for her.
Speaker 21 (30:02):
She taught me so much about womanhood and being a woman,
and I'm really excited to show the world what she's
taught me.
Speaker 7 (30:09):
Amazing Josson's Cabaret California Season six, now streaming on the
Zeus Network this week.
Speaker 6 (30:17):
To pick hit j T l R featuring Snoop Dogg
and Mad Scientists.
Speaker 30 (30:22):
That's my box with so much trauma on the I
G kind of hard being jail double Nyt paraphrase, no.
Speaker 6 (30:28):
Distance her each week on the radio ship at.
Speaker 30 (30:31):
This dude, pursuit of the wealthender you go on, girl,
just shake that fruit because I never remember.
Speaker 16 (30:36):
Now back to the radio show Love and Lush Late
lad or Slave and a.
Speaker 5 (30:46):
Crowd show Turn Radio.
Speaker 31 (31:05):
Oh are you the fly listening? Heever, It's like we
belong together. Oh baby, I want to fill your pleasure
I'm trying to dig in your treasure, trying to into
(31:27):
the bird rooms. Every girl into uner take the shot
shot show bad.
Speaker 5 (31:39):
Shot a man into a group of.
Speaker 4 (31:42):
Because are you to g like I can't taste that set.
Speaker 32 (31:48):
Let's turn the ones into taking the hands off you
reread for whatever when.
Speaker 1 (31:56):
You're going through love that kid.
Speaker 5 (31:58):
Shots you.
Speaker 31 (32:02):
Go get and sting. We're gonna get this thing jumping.
I can't birthy you got me it trying to don't
have on the babyy oh god, your body looking.
Speaker 5 (32:20):
Way there, don't make it go crazy.
Speaker 31 (32:24):
It is girl into a bird room.
Speaker 5 (32:30):
Le's she sit bad we until I'm gonna take this shot.
Speaker 31 (32:37):
Shot at your bad shot man into a frou pat
because creak such like you can.
Speaker 5 (32:45):
Taste that tectic co.
Speaker 32 (32:49):
Let's turn the ones into taking the hands off your
bread forever money.
Speaker 5 (32:57):
Thing through kids shot.
Speaker 1 (33:01):
Human lugged and so Dan, we're gonna get to stay click.
Speaker 32 (33:10):
Let's turn them once in the cho Thank you the
days of your fee whatever.
Speaker 31 (33:19):
Got chat camp streams human just human me.
Speaker 5 (33:24):
Lugging and so this day jump in.
Speaker 3 (33:48):
Check this out. This Warren ge and you listening to
the radio show, I can't.
Speaker 5 (33:53):
Tell you now to reasons why child?
Speaker 19 (33:58):
Can you up? I can't reas, so you'll give me
mouth loget.
Speaker 5 (34:08):
I'm only saved by God.
Speaker 2 (34:14):
I just wall o the bum the water with you.
Speaker 1 (34:19):
I just wall not of lip bum, the water with you, with.
Speaker 2 (34:24):
You, with you, because I don't mind drowning and joy.
Speaker 5 (34:32):
You'll smother me with your good energy and I don't
care to come up for head.
Speaker 23 (34:46):
You'll give me from my son's baby and leave you having.
Speaker 1 (34:52):
To be in the baddest.
Speaker 4 (34:53):
I don't care.
Speaker 1 (34:56):
No, it makes me feel old inside.
Speaker 23 (35:03):
And if you're not h your other side out of mind,
I'm justsing that dope for me.
Speaker 1 (35:11):
Excuse me every.
Speaker 3 (35:12):
Time I come running there, every time.
Speaker 5 (35:18):
I can't tell you.
Speaker 4 (35:19):
Now you told breezes why.
Speaker 5 (35:20):
I'm drowning.
Speaker 21 (35:23):
And your lie.
Speaker 19 (35:28):
I can't breeze, so you.
Speaker 29 (35:30):
Give me mouth to mouth get.
Speaker 5 (35:33):
I'm always saved by God.
Speaker 1 (35:39):
I just want to live on the water with you.
Speaker 5 (35:44):
I just want to lift one in.
Speaker 2 (35:46):
The water with you, but you.
Speaker 5 (35:52):
With you, cause I don't mind drowning and your I'm
gonna take it in.
Speaker 1 (36:02):
I need to fix every day.
Speaker 13 (36:06):
For you.
Speaker 23 (36:07):
Always do my way. I think antibody for you. You
had no idea, That's what I was doing with.
Speaker 3 (36:23):
Chasing you and my trees.
Speaker 33 (36:28):
Hasten got to give you read. Hasten got to show
you me hasn't got to grip your my point.
Speaker 5 (36:43):
I can't tell you now, you don't reasons why I'm
drowned and drowning.
Speaker 29 (36:48):
In your word.
Speaker 19 (36:51):
No, no, no, I can't breeze or you'll kill me
now tomorrow getting.
Speaker 5 (36:57):
Out tomorrow, I swam.
Speaker 7 (37:24):
Wanna jump into another trending topic right about now coming
up we do have played a slave and loving loss
as well.
Speaker 6 (37:30):
Coming up just a little bit as well.
Speaker 7 (37:32):
Now, if you go in the studio with Britt with
your brand new uh uh diamond bra they're making them
tracks and all that stuff. You won't believe who I
found out actually owns the track. It's the producer that
makes the track and the person that pays for the
studio studios, the person that owns the music.
Speaker 5 (37:56):
I didn't know that.
Speaker 6 (37:57):
I did not know that.
Speaker 7 (37:59):
You ain't getting it exactly in the case what Brich
just said, you didn't believe. Here's what I heard from
a recent podcast, someone actually bringing up and talking about
that actual point.
Speaker 6 (38:11):
Here's how that go.
Speaker 16 (38:12):
Whoever pays for the studio time owns the master.
Speaker 26 (38:16):
So if you're an artist and someone invites you to
the studio and they're paying for everything and you jump
on the record, they own the master. That is why
when an artist buys a song they have to submit paperwork,
paying a producer whoever points, and publishing, because now they're
taking ownership of the master.
Speaker 5 (38:36):
Yeah.
Speaker 7 (38:36):
See, I didn't know that. I just learned that from
listening to that, so I figured i'd bring that to
the table. But I'm glad you already knew that, brit
So your thoughts real quick.
Speaker 4 (38:50):
So it's a tricky thing.
Speaker 9 (38:52):
It is a tricky thing technically, but I mean it
is what it is because the studio session does cost money,
you know, So it is what it is.
Speaker 4 (39:00):
So I fifty fifty I agree and I don't, but
it is what it is. You know, it's business. It's
not about your feelings, your personal feelings, you know.
Speaker 7 (39:10):
So, MD you agree that the person that produces the
track and pays what the studio time owns the song.
Speaker 9 (39:18):
Well, definitely the person that produces it makes sense. But
the person that pays that could be a random person
right that friends with you or the producer And it's like,
how how you got the track.
Speaker 7 (39:31):
That I agree, And that's what I was thinking when
I heard that. I said, so you mean that I
could come meet I don't know anything about music. I
can come in there and pay and I own the track.
Is that where we're going with it?
Speaker 3 (39:42):
No, I don't think you own the track. You own
the master.
Speaker 6 (39:47):
Okay, that's a that's a that's a difference.
Speaker 8 (39:51):
It's tricky. Like Britt just said, it's tricky if you're
executive producer, that's what you're talking about. That's the man
who pays the bill. He owned the masters unless he's
under contract with the label. And the song is still
owned by the songwriters and the publisher. Yeah, and the
(40:17):
artist doesn't own anything unless they are the writer of
the song and they do own the publishing for his
a hersh song. But yes, the master is owned by
the executive producer until you pay him off for the
session that you did it.
Speaker 7 (40:37):
So, in other words, I could be going around owning
all kinds of masters if I go ahead and.
Speaker 6 (40:41):
Pay for the studio, you don't own the song own
the masters.
Speaker 3 (40:45):
Yeah, yeah, the master back in the old days with
the tape.
Speaker 6 (40:49):
Right now, it's the flash drive or the CD or whatever.
Speaker 8 (40:53):
They record on the file, They own that until you
pay them for the session, until you pay taking the producer,
or he recooks his money and call it like that,
he recooks his money from the artists.
Speaker 3 (41:08):
Yeah, own the master and only the master, not the
song per se on.
Speaker 2 (41:15):
Michael.
Speaker 9 (41:15):
You need the master though, like you need the master
to break down the performance track, like all types of stuff.
Speaker 4 (41:20):
Like you need that master for different reasons. And if
you ain't got the bag, like it can really hinder
your life because people can hold that over you, you know.
Like that's why I had to figure out, how are
you gonna do this and keep going?
Speaker 9 (41:33):
Because you don't have the bag to really go with it,
like the real bag, not the play bag, you know,
you know where you really out here going to different
radio stations, you know, really getting the promo done. Like
I had to really figure that out until I get
the bag, Like, you know, I'm not gonna let that
stop my dream and what I'm doing, you know.
Speaker 4 (41:52):
So I had to start producing and recording and doing doing.
Speaker 9 (41:56):
It all myself because I had so many people snatching
the rug from up under me, like it was crazy,
and I was just like, man, like I can't do
this anymore, like people holding stuff over my head, you know, like, well,
you don't want to sign with with Interscope, you know,
and I paid for this studio session, you know, like
this is what I want you to do.
Speaker 4 (42:13):
So I'm going to match the rug from up under
you like I had that happen.
Speaker 9 (42:16):
I had this man I'm not gonna say who he is,
you know, no disrespect, but I had this man and
his woman contact my parents trying to get me to
take this deal with Interscope when I was younger, and
all the work that they have put into the studio sessions,
you know, like so, and I had to let all
that go because I didn't pay for none of those
(42:38):
studio sessions.
Speaker 3 (42:39):
I didn't with the deal.
Speaker 8 (42:41):
So correct, because you don't have the masters to reproduce anything, right,
and you can't do that until you pay for the
master or you got a contractual deal with the executive
producer to do certain things to get the music out.
Speaker 34 (43:03):
You know.
Speaker 3 (43:03):
It's tricky, you know, it works all kinds of different ways.
Speaker 8 (43:08):
And you just got to know what you you're putting
yourself through before you make any dumb moves said like that.
You just got you just gotta know, you know, and
there's nothing wrong, because sometimes all is that. The ones
that you know of today, they went through all that
(43:28):
in the beginning, but they didn't care because your main
objective is to get your name out to the public.
And once you get your name out of the public
and you and you sacrifice one or two masters, that's
not gonna hurt you, you know, because now your name
is out there and people are waiting for you, waiting
(43:49):
for your next projects, and now you how to control
that and and those other two projects probably won't go
nowhere because as a artists, you won't perform them on stage,
you know, you won't promote it, you won't do nothing
for that song, and it can't make you do anything.
Speaker 6 (44:10):
Okay, Randy, it's tricky.
Speaker 7 (44:12):
It's tricky, Randy says, if you just sing on the song,
didn't write lyrics, the masters isn't yours to even talk about.
Speaker 4 (44:21):
Okay, but what if you wrote the lyrics?
Speaker 6 (44:24):
Yeah, what if you wrote the lyrics? Then what happens then?
Speaker 3 (44:26):
Who said that?
Speaker 6 (44:27):
Randy?
Speaker 4 (44:28):
Randy Man?
Speaker 6 (44:32):
Okay, big shout out to Randy for what chiming in
on it.
Speaker 7 (44:34):
Let's go ahead and move right along to our celebrity
interview of the evening, brought you by Spotlight three sixty Media. Again,
if you're like all the celebrity stuff that I do
on that end, please feel free to check out at
Spotlight three sixty Media on all social media platforms. This time,
I caught up with R and B singer Marcus Houston,
got his starts on the brand new movie that's out Run,
(44:58):
which is in theaters right now. Makes you go ahead
and check that out very quickly. Caught up with Marcus
Houston when we come back. We got love and Lust
coming up. See you in about thirty five seconds. Y'all,
let's make it happen. Celebrity interview.
Speaker 6 (45:10):
Let's go.
Speaker 16 (45:14):
Ribbon and all the red carbiss.
Speaker 33 (45:16):
Here's an exclusive celebrity interview.
Speaker 5 (45:19):
This film right here.
Speaker 16 (45:20):
Run.
Speaker 7 (45:20):
Yeah, it's a different direction that the foot This film
is gone absolutely absolutely well.
Speaker 35 (45:25):
We wanted to do something different, and we want to
do something unique and clever. Chris's brain is always trying
to think of what's new, you know, with you Got
Served and things like that, being innovative and trying to
do things that are going.
Speaker 3 (45:37):
To change the game.
Speaker 35 (45:38):
And I think that this movie because it's a it's
a sci fi movie, but I'm an urban you.
Speaker 3 (45:43):
Know, it's an urban cast.
Speaker 35 (45:44):
It's the urban director, urban writer, urban filmmakers, and it's
going to just it should do really, really well. Hopefully
that everybody goes out and supports it, because this is
a person's kind Martinus Houston.
Speaker 3 (45:54):
Right here, you listening to the radio show.
Speaker 5 (46:00):
Lust. Let's go, let's go, let's go.
Speaker 9 (46:06):
It's your girl, Britty Lovin X the Human Chandelier here
on the radio show, and you're listening to love or lust?
Do you have a problem with your relationship? Do you
want to know if it's love or lust? Let us
all vote and let us all let you know if
you're in love or if it's lust.
Speaker 7 (46:24):
All right, y'all way inside of lovelust right about now,
and this is our love relationship topic of the evening.
Speaker 6 (46:30):
Britta LEVINEX to Human Chandelier. The floor is yours.
Speaker 4 (46:35):
It's your girl, Britty Levin X the Human Chandelier. And
today on love or what the topic is.
Speaker 9 (46:43):
Let's say you've got strong feelings for two different people
and you feel like you love them.
Speaker 4 (46:50):
Vote is that love? Do you really have love for
two people? Or is it lust?
Speaker 2 (46:57):
Oh?
Speaker 7 (46:58):
Okay, So if you got uh feelings for two people,
you know what I can say that will probably can
stand on the fensive either love or love. Really you
don't think so, because I think you can. You can
genuinely love two people.
Speaker 6 (47:17):
I think so.
Speaker 7 (47:17):
I think a woman schedule of doing that, or a
man or even a man, it can genuinely love two people.
What are you thinking?
Speaker 6 (47:25):
Go ahead?
Speaker 3 (47:26):
Okay, now, you can't love to No, you can't love too.
That's less.
Speaker 4 (47:33):
Or is that you love one of them but you're
less than after the other, because like.
Speaker 6 (47:38):
Yeah, I can see too.
Speaker 3 (47:39):
That's like oranges.
Speaker 7 (47:42):
Play a move right there, we're gonna go on to
play at the slig We're gonna knock that out right now, let's.
Speaker 24 (47:46):
Go join the radio show every Monday night, every Monday night.
Speaker 1 (47:54):
For the indie song that you enjoyed the most.
Speaker 6 (47:58):
All right, you'll went inside to play at the slab
right about.
Speaker 5 (48:00):
Now.
Speaker 6 (48:00):
What we do each and every week around this time
is we take a.
Speaker 7 (48:03):
Couple of songs and we ask one fundamental question, and
that should we play them or.
Speaker 6 (48:09):
Should we.
Speaker 7 (48:14):
Sla That's right, y'all, slay the record, give it off
the proverbial hard drive or add it to the now
up and running ever adding on the radio show dot
com as you go and check that out.
Speaker 6 (48:27):
You can go ahead at the radio show dot com
and check out.
Speaker 7 (48:29):
Well, just a couple of songs playing right now, but
that's why we're adding them on each week. All right,
So we got two songs that we are going to
get to right now. The first one, I hope I
pronounced this name right. This is twin twin fix twin
fixed songs called mistake. Twin fix song is called mistake.
(48:52):
Let's check it out, play it the slag.
Speaker 36 (48:54):
Let's go the radio show, radio show, the radio show
play play it or flitch.
Speaker 22 (49:09):
I don't want to die, son sons, I'll find it
out be fall indeed, time and time my mind don't
why maybe?
Speaker 37 (49:23):
Yeah, I mad enough to say so. It's signing to
look away. I just did some fucking space from my
lady's dress a safe before it because the lady, sorry
for I'm on the stage. Yeah, man, mustag, don't take play.
Speaker 29 (49:46):
Like that.
Speaker 22 (49:49):
Let me.
Speaker 5 (49:53):
Don't want to get in and you don't want the mistake.
Speaker 36 (49:56):
The radio show, radio shows, the radio show, place it
or that is the.
Speaker 7 (50:02):
First play the slave record tonight that is twin fixed
songs called mistakes. Twin fix song is called mistakes. Brita
living next to you be sch What do you think
about that one? Player the slave?
Speaker 6 (50:14):
I play it, you'll play it.
Speaker 26 (50:18):
All right?
Speaker 6 (50:23):
All right? Indeed, play the slave? What should we do
with that record?
Speaker 3 (50:27):
That's a slave?
Speaker 6 (50:28):
That's all right? Yeah, that's That's kind of where I
was going with that as well. I'm gonna go ahead
and slave the record myself.
Speaker 8 (50:39):
Yeah, you want to hurt his feeling, But he got
the right he got the right name of the title
of the song, and he got the right name as
an artist.
Speaker 3 (50:51):
They need to fix the twins because.
Speaker 6 (50:56):
Oh man, it's all good. It's all good. Kelly Good?
Is Kelly Good? There yet?
Speaker 16 (51:03):
There you go here?
Speaker 6 (51:05):
Okay, Kelly Good? Did you hear that record?
Speaker 2 (51:07):
Man?
Speaker 6 (51:07):
How you doing tonight? I'm good man, I'm good. Can't complain.
What did you think about that record we just played?
Speaker 2 (51:15):
Yeah, I'm.
Speaker 7 (51:17):
Yeah, that's what I figured. Okay, it's all good, Kelly Good,
slate that record, Low Diggs. How you doing tonight, sir?
Speaker 3 (51:26):
Oh man, I'm great man.
Speaker 6 (51:28):
Thanks for asking. Who's going on with you? Indeed, I'm
gonna have to slay that one myself. Man, I gotta
slay that one. Okay, we're gonna slay that one.
Speaker 3 (51:40):
Hey, kel D, did you figure out what he was
trying to do on that song?
Speaker 2 (51:47):
It sounded like, uh.
Speaker 30 (51:51):
Three six month fia slash, uh resurrect takeoff and I
don't know.
Speaker 6 (52:00):
Yeah, I didn't get it either. Uh Hope.
Speaker 7 (52:03):
I pronounced your name right, ma'am. Uh Toko, So Toko,
So Toko? How you doing tonight? Am I pronouncing that right?
So Toko?
Speaker 12 (52:16):
Are you there?
Speaker 29 (52:18):
S a t o?
Speaker 14 (52:19):
K oh?
Speaker 6 (52:19):
How you doing? Okay? I guess she's not there. She's listening.
It's all ry good. We got some toco. She's here, Well,
we can try her to bring her on a little later.
Speaker 3 (52:30):
What's she at Instagram?
Speaker 6 (52:31):
No, she's sitting right next to you and the N Clubhouse.
Speaker 29 (52:35):
Yeah.
Speaker 7 (52:36):
Yeah, as still sitting here trying to bring him up.
Speaker 6 (52:42):
It's all good.
Speaker 7 (52:43):
Let's go ahead and check out another play of the
Slave record right now. This is Tracy Rizzle songs called
Duodos slide Tracy Riddles Doodo slide.
Speaker 18 (53:04):
Tell me maybe what's.
Speaker 17 (53:06):
Your e t A.
Speaker 19 (53:08):
Pullo right there?
Speaker 5 (53:09):
Fire cause you know the vibe?
Speaker 38 (53:10):
Don't you be a mini late, No, no shreaty like
his mind slight him to the side. Don't hurt back
on as a text, don't.
Speaker 5 (53:18):
You keep him way long?
Speaker 19 (53:20):
Tell me what's your e t A?
Speaker 37 (53:22):
Yeah?
Speaker 38 (53:22):
Yeah, tell me what's your e t A?
Speaker 5 (53:24):
Yeah?
Speaker 19 (53:25):
Yeah? Yeah.
Speaker 38 (53:27):
Shorty on the way says she's going with me droptop
being we gotta sitting pretty, said she on no way
going out of the way. Total that safe, so I can.
Speaker 5 (53:35):
Have my way.
Speaker 16 (53:38):
And I ain't fall asleep.
Speaker 38 (53:39):
Main I'm still fall off and her deep bend and
backstrokes and.
Speaker 16 (53:43):
Then I'm a flock. Let me know you close to
me on tide.
Speaker 5 (53:49):
Got you can't too.
Speaker 38 (53:50):
Fire to change up mind, So shoty, let me know
when you with that dog?
Speaker 19 (53:56):
Maybe what's your e t A? Woo?
Speaker 17 (53:58):
What pullo right there?
Speaker 5 (54:00):
You know the vibe?
Speaker 1 (54:01):
Won't you be a mining like?
Speaker 38 (54:02):
No, no treaty, like his mind's led him to the side.
Don't hurt back on as a text, don't you keep
on waiting long? Tell me what's your e t A?
Speaker 14 (54:12):
Yeah?
Speaker 38 (54:13):
Yeah, tell me what your e t A?
Speaker 5 (54:15):
Well?
Speaker 38 (54:15):
Yah, yeah, I mean waiting on you to com do
slide do and show me all them bla tricks. But
say down like my rolley trying not to be passion.
But then I'll talk controlling gay things in it like
a going balling. Oh, I just want to top one
more time. Go if you can lay you get a
fine baby, Let me you know when you will ride,
(54:35):
when you get outside.
Speaker 5 (54:39):
Got you came to a fire to change your.
Speaker 19 (54:42):
Mind, so shouty.
Speaker 5 (54:44):
Let me know when you with the dog.
Speaker 38 (54:46):
Maybe what's your e t A? Pull up right in fire?
Speaker 5 (54:51):
You know the vibe?
Speaker 1 (54:51):
Won't you be a mining like like?
Speaker 19 (54:53):
No, no treaty like his.
Speaker 38 (54:55):
Minds led him to the side. Don't hurt back on
as a text. Don't keep on waiting long. Tell me
what's your e t A?
Speaker 34 (55:03):
Yeah?
Speaker 16 (55:03):
Yeah, tell me what's your e t a?
Speaker 5 (55:06):
Wait? Yeah, okay, even tell me what you dare?
Speaker 2 (55:40):
Yeah?
Speaker 6 (55:41):
Because I got love for you.
Speaker 3 (55:43):
Love you, love your baby.
Speaker 29 (55:45):
You've been on my mind lately, loomtime, babe, night daily,
it's crazy because I got love you, love you, love
your baby. Catch God up and don't face me that serious.
You're contangment baby.
Speaker 34 (56:02):
Okay, who messed up and fumbled off?
Speaker 9 (56:06):
You?
Speaker 34 (56:07):
I can never though, na. I just want to spend
some time. Tell me it was really in your mom
little things. It's been little small. Shouldn't we even beat
another time? I like that, I like you, cannot get
to know you more.
Speaker 29 (56:23):
Cause I got love you, love you, love your baby,
and you've been on my mind lailing sometime every night dayling.
It's crazy cause I got love you, love you, love
you baby. Got you got up it. Don't face me,
that's serious. You're containment baby. Okay, we've been friendly too long.
(56:48):
On my way, take your phone. I've been weed out tonight.
Some of the met you have been my eyes.
Speaker 5 (56:56):
It's on me. I got it.
Speaker 29 (56:59):
You're gonna reckon ays that I'm at somebody. I e
when I get to on your more lost your love
for you baby, and you've been on my mind lailor sometime.
Speaker 1 (57:14):
Every night days.
Speaker 29 (57:16):
It's crazy cause I got a love field, love field
love for you baby,
It's time to start.
Speaker 2 (00:03):
Radio show.
Speaker 3 (00:22):
We are the greatest.
Speaker 4 (00:23):
We played the greatst indie artists on the radio show.
Speaker 5 (00:26):
We got hot top things.
Speaker 6 (00:28):
We did a popping on the radio show.
Speaker 4 (00:31):
Listen to Love and listen, give you up, bring your relationship.
Problems will be with it, so make sure you tune.
Speaker 3 (00:37):
In and the radio show So Bad.
Speaker 7 (00:42):
Bunny was the choice to perform at this coming Super Bowl.
What do you think in the times that wind Was
he the right.
Speaker 6 (00:49):
Choice or was he the wrong choice?
Speaker 7 (00:52):
We'll talk about that tonight and much more as we
bring in the radio show Dundee Indie and b the
levenx you be and Shandon there.
Speaker 6 (01:00):
I'll make it.
Speaker 7 (01:00):
This is the radio search streaking independently hip hop and
abie music. Each and every week we make this happen
for you. Welcome a board up. Everybody had a wonderful week,
wonderful weekend. We are back with another one here for
you tonight. Let's bring in the crew because you know
we always make it the way we do what we
do here on the radio show.
Speaker 5 (01:18):
MD.
Speaker 6 (01:19):
How you doing tonight, man?
Speaker 8 (01:21):
Oh, I'm trying to rearrange my my office, putting a
lot of new things up. It's not situated. I gotta
put my other pictures up there. You see my billboard
picture in the.
Speaker 3 (01:33):
Back there and my kids and stuff. Oh well, you
know I'm chilling.
Speaker 8 (01:41):
Okay, I'm ready make it work out and see who's
who's on here with us today.
Speaker 3 (01:47):
You know, I had to groom my hair up a
little bit, you know. Ah righty, let's get it going.
Speaker 7 (01:55):
We're gonna get it going. Britta Brittall living next to you,
Mi chandelier. How you doing tonight?
Speaker 6 (02:01):
Oh?
Speaker 7 (02:01):
Neil was on stage performing doing this thing, and a
fan came up there. Neil living a life man Dayton
Allegedly Dayton three two or three women at the same time.
A fan jumped on stage, and Neo guided him off
and continued to stay professional while he was performing on stage.
(02:22):
Didn't miss a beat. If this happened to you, Brits,
what would you do? How would you handle it? Would
you handle it the way Neo did? Or would you
do something different?
Speaker 9 (02:33):
Honestly, No, I wouldn't. I'm not putting my hands on nobody.
I'll let my team handle that, you know. I'll just
continue to perform and kind of move out the way.
But I'm sure within like the five seconds, my team
would actually get that person off stage. But for him
to strong arm that person, you already know. We're in
the age of cancel culture and all type of stuff.
(02:55):
You're putting your hands on people. They trying to sue
you ain't nobody got no money out here, and they
trying to get that big wo on how to get
some money. And any celebrity that touched them, you already
know what's going down. You already seen what happened to
Cardi b. So no, I'm not touching on nobody that
gets on stage. So I will not handle it how
Neo did. I will just make sure the team gets
the person off stage. I just back up and like
(03:17):
kind of put my hands up in the air for
two seconds and then continue to do my.
Speaker 4 (03:20):
Little dance moves that I'm doing or whatever. And you
know that's that.
Speaker 6 (03:23):
That's what's up. That's what's up.
Speaker 7 (03:25):
Whinnie Brianna, how would you handle it if somebody jumped
on stage while you were performing?
Speaker 10 (03:30):
I definitely agree that cancel culture is definitely prevalament, But
I don't know.
Speaker 11 (03:36):
And he's just so smooth with it. I don't fault
him for doing that.
Speaker 10 (03:40):
So maybe in a Rusheet at the moment, I probably
would kind of react the same way.
Speaker 6 (03:45):
Mm hmm, So you kind of react the same way. Okay, Okay, yeah, okay, MD,
what do you what do you think? MD?
Speaker 8 (03:53):
My take will be, you gotta take your chances, because
when you do a show, you're doing it for your fans,
and you want to interact with your fans. I mean
it's it's kind of really hard, but you got to
take a chance because you don't want your fans to think.
Speaker 3 (04:11):
That you're too good to be close to, especially paying
good money to see you. Right, I agree, you do
have Yeah, you do have fans out there who looking for.
Speaker 8 (04:25):
How could I call it a warfare mentality, trying to
get something for nothing and they'll do anything to get
paid and all that. But you can't let that make
that be afraid of interacting with the audience because it's
gonna take away from yourself.
Speaker 11 (04:45):
I mean, I would want to be cautious. I mean
I've seen a lot of people.
Speaker 10 (04:48):
Getting taken out for situations similar to So you got
to protect yourself first.
Speaker 9 (04:53):
Right, Yeah, Like these are your fans though, and like
you know, these are moments that they dream of and
they're just like man like, I love this person. So
it's like you gotta kind of handle them with care.
Speaker 8 (05:09):
Unless unless you invite them, right, unless you have your
security there at the stage and you point at the
person you want to come up on the stage and
they will help them up. But anybody you tell your security,
anybody else come out, come up without me, invite them
up there, having you export them up to the States
with me knock them out.
Speaker 6 (05:30):
You got that, you got that sick potty. You got that,
you got it, you got that gisty, you got that
sick potty.
Speaker 3 (05:39):
You've got that tick body.
Speaker 2 (05:41):
You got that.
Speaker 1 (05:44):
Body body body.
Speaker 3 (05:48):
You got.
Speaker 6 (05:54):
That sick party.
Speaker 12 (05:58):
Southern girl friend bags like she came from the island,
from the island.
Speaker 1 (06:05):
I see the front, but I can wait just to
see it from behind.
Speaker 12 (06:09):
Yeah, he gasping legs like clim sallon, come to my
team because you're batting like a thousand.
Speaker 13 (06:21):
You got that big buddy, buddy, buddy buddy, sick buddy, buddy,
bunny body think that sick buddy buddy, sick buddy boddy,
sick boddy buddy, sick buddy. Let's redake you, buddy, buddy,
buddy buddy sick buddy baby dybody, Boddy Buddy sick buddy, Let.
Speaker 1 (06:50):
You got that bounce like hydraulics on in old school share.
Speaker 2 (06:54):
With the top tail buck in the trump.
Speaker 12 (06:57):
What I wouldn't do for you to drump it on
me like it heavy water is fucking fit, quitted, can
get quitted.
Speaker 5 (07:08):
It seems like you're ready. The red.
Speaker 1 (07:13):
Got the big.
Speaker 13 (07:14):
Buddy Buddy Buddy Buddy cat Buddy.
Speaker 14 (07:17):
Buddy body got a big buddy baby body by everybody
body Body.
Speaker 13 (07:26):
Heyboddy Buddy buddyddy buddy got a.
Speaker 5 (07:31):
Bad moody.
Speaker 13 (08:05):
You got that big buddy Buddy Buddy Buddy six buddy Buddy.
Speaker 14 (08:09):
Buddy got that big buddy anybody by everybody Buddy cick Boddy's.
Speaker 5 (08:16):
Ridiculous big body Buddy Moddy.
Speaker 13 (08:21):
Buddy Boddy Eyboddy gondbody.
Speaker 6 (08:30):
You got that sick body?
Speaker 5 (08:34):
What did everybody?
Speaker 4 (08:35):
It's your Dommedy ding yeo.
Speaker 9 (08:36):
And make sure you are tuned into the radio show
at all times, and make sure you request how bad
I want to on the radio show as well.
Speaker 15 (08:45):
By guy, Baby beauty, it's tight you feel that cuckood
it tell.
Speaker 5 (09:04):
Me who stand.
Speaker 2 (09:10):
Old?
Speaker 5 (09:14):
Yeah, let me pet me. The scene they'll know I
cover elections. Who sees I'm the only one.
Speaker 1 (09:18):
That they n in between?
Speaker 5 (09:19):
And if I've ever made that af so you could
watch me leave now, don't stop giddy.
Speaker 1 (09:22):
Yitty, even if I'm mad or your friend king Gaddy.
I'm a real real I don't play myself.
Speaker 5 (09:26):
And if Buddy Dot he played me, then he played itself. Now,
if you're right, then you can get it.
Speaker 2 (09:30):
I like you.
Speaker 5 (09:31):
Yeah, I'm with it. You can tream me good if
its bore me. Hell, I'm real good for you, boy,
real good for your help. Yeah, you don't know, baby, beauty,
(09:52):
it's tight.
Speaker 16 (09:53):
You feel that cuckood it?
Speaker 5 (09:54):
Tell me let me in you old boy, think you.
Speaker 17 (10:05):
Feeling you sweety Chulie.
Speaker 2 (10:09):
I don't know him telling.
Speaker 5 (10:10):
You can't tell me though we have wrong to.
Speaker 17 (10:16):
Anybody who don't know how that honor and who don't
(10:40):
know how that Alona love, Baby, you do right time
and you feel like a good tell me, oh by.
Speaker 16 (10:48):
Don't start to me.
Speaker 1 (10:50):
I not so sure, but think you knew it all?
Speaker 18 (11:05):
Ye Come on, come eat it down there, guys outside
out summary no rides catch eye figures it and my
underside whole black chopping basboom and music comming, soaking.
Speaker 5 (11:21):
Up that sunshine. I'm been laying outside.
Speaker 18 (11:24):
A hundreday school and night told side Southern love, Southern brill.
Mad see in those dandos clack fans go grab drink
and go grab man.
Speaker 19 (11:36):
Think we're gone, but.
Speaker 4 (11:37):
The wait there's more hostad pursuit of floor.
Speaker 5 (11:41):
Summer child Jo's house. Were the good sounds whom him?
It's out crazy? Oh? Come on people aware it's a
whole place.
Speaker 20 (11:53):
Come along, baby, don't him come off?
Speaker 5 (12:02):
Come off? Do the soup coming off?
Speaker 18 (12:10):
Shot rapping shown the plate cormorat on the side. Cousins
plays bad start the trash with pride. I got that
shine of the jar DJ shrumping heat by the bar,
girls on the floor and m he seem my boot started,
but they cost the grip.
Speaker 21 (12:28):
Come on, laughter, So.
Speaker 5 (12:40):
Where can my job downs off? Where the good sounds
who him? Is off? Swazie this.
Speaker 1 (12:53):
Come my people, wady he.
Speaker 5 (12:55):
Has a whole days?
Speaker 20 (12:57):
Comes on, baby, do the sous off.
Speaker 5 (13:06):
Come off?
Speaker 22 (13:07):
Do?
Speaker 4 (13:16):
I bet my creue is better than yours.
Speaker 1 (13:18):
Ain't no people, we could take it to the flour.
Speaker 4 (13:20):
All I need is a jam at a good time.
Speaker 18 (13:23):
I'm trying to go muddy, no windy done beans, mac
and cheese and greens on a plate. She together in
the snigger, but I already ate mm. Southern boys make
you lose your mind true religion in the summer time.
Speaker 5 (13:33):
You ain't gotta go home.
Speaker 4 (13:35):
Put your best bead out of hair.
Speaker 5 (13:37):
But not too young.
Speaker 4 (13:39):
You know where You've got time to spare.
Speaker 21 (13:41):
So that's back and to ride and into my crab.
Speaker 5 (13:45):
No sleep till dawn. And that's just the way.
Speaker 20 (13:51):
What good canty.
Speaker 5 (13:57):
People come.
Speaker 11 (14:23):
That's not sound, that's.
Speaker 21 (14:31):
You gotta missed around and brought us city girl to
the trail.
Speaker 16 (14:34):
Culture look and lust late late was late, and move.
Speaker 23 (14:57):
A crowd, move.
Speaker 24 (15:04):
Radio, Rick Rock, use a pool for this one, and
everybody got to get a booming system. Even TikTok going
fool with this one with this because Rick Rock was
a boom for this one. This de wreck with the
ball on fla on buss the bill. No, this ain't that,
ain't know I could go.
Speaker 13 (15:20):
Ti Thay put that on anything.
Speaker 24 (15:23):
This ain't cat so don't start none. It won't be
nothing this even make it. Never want to refund because
when I came to the party, y'all was by myself.
For nine times out of ten, I leave with someone else.
Speaker 9 (15:33):
She and I.
Speaker 1 (15:36):
I just wanted to get it in, Okay, she and
I shed, I just want to get it in, get
it in, get it in. I just want to get
it in.
Speaker 24 (15:48):
And I.
Speaker 1 (15:50):
I just want to get it in.
Speaker 5 (15:57):
All the time.
Speaker 25 (15:57):
She get done, but she don't get off the broth
like a home run day. That's my people, that's my folks,
that's my dame one like, hey, that's my being.
Speaker 5 (16:04):
The roight front.
Speaker 25 (16:05):
You had the great left right right left y that's
on you don't who you with your best friend? Let
her come to I'm gonna put it to the side.
I'm a back dad.
Speaker 1 (16:13):
What are my people?
Speaker 5 (16:14):
Where sat?
Speaker 3 (16:14):
Where the back at off facts?
Speaker 2 (16:16):
Who is that?
Speaker 25 (16:17):
Yeah, I'm at you, I said, collected when they're black
with the rattoos. I want to see me when the visit,
when the bry out, when the ride out. Pick it
to my height out level one. That will lay plus
right if she your tie peaks, I'm a bike fight.
I'm gonna put up. I'm gonna show up.
Speaker 5 (16:31):
What you gonna do? Let me what?
Speaker 3 (16:32):
She tagged me with the hashtag too Yes, she and I.
Speaker 1 (16:35):
She again, I just want to get it in.
Speaker 26 (16:39):
She and I.
Speaker 1 (16:40):
She again, I just want to get it in, get
it in, get it in. I just want to get
it in, she and I. She add, I just want
to get it in.
Speaker 16 (16:55):
Bo.
Speaker 1 (17:05):
I just want to I just want.
Speaker 7 (17:12):
All Right, y'all, we got our guests in the building,
Whitney Briann. We're gonna be talking to her inside and
move the crowd right about now.
Speaker 6 (17:19):
Let's get to it, y'all.
Speaker 16 (17:20):
Yet closer against time for the radio show.
Speaker 6 (17:25):
Move the crowd and we're inside and move the crowd
right a boy now.
Speaker 7 (17:29):
But we do each and every week around this time,
is we're talking, taking on this off stage, bring them backstage.
Speaker 6 (17:34):
She gets to know them, my bride.
Speaker 4 (17:37):
Up close and more person Oh good.
Speaker 7 (17:39):
I waited a long time to finally get to see
you do it, man. It's all good. Finally get to
see you doing man and joining us. Now we got
an artistright out of Las Vegas, man, we got Whitney
Brian in the building.
Speaker 6 (17:50):
Whitney Brian. Officially, how you doing tonight?
Speaker 3 (17:55):
Very good?
Speaker 6 (17:56):
Very good?
Speaker 7 (17:57):
So tell us real quickly about Whitney Brian. What's going
on with you these days?
Speaker 10 (18:01):
The singer slaves rapper and just doing the best I
can out in this corrupted world.
Speaker 11 (18:09):
Combs it up.
Speaker 7 (18:10):
Okay, all right, So you're a singer and a rapper, right, yes,
I do go Okay, which one do you like.
Speaker 6 (18:15):
More than the other?
Speaker 11 (18:17):
I guess it depends on my mood, honestly, Like, if
I'm in a.
Speaker 10 (18:22):
Bad mood, then hey, I'm probably gonna want to rap
if I'm in a more subductive, chill move than singing,
for sure.
Speaker 6 (18:28):
Okay, Okay, that's what's up.
Speaker 7 (18:30):
So so so definitely so you're living in the Las
Vegas area, so house the independent music scene for you
out there in Las Vegas.
Speaker 10 (18:39):
Definitely good. You have a lot of close knit things
and you kind of just circle around in that. But
since I'm so close to Kelly, I'll also kind.
Speaker 11 (18:45):
Of go back and forth. Yeah, the weather here is crazy.
I'm glad summer is over.
Speaker 6 (18:52):
Oh summer.
Speaker 7 (18:53):
Oh yeah, because summer oh yeah, one hundred and five
hundred and six hundred and ten out there in the desert.
Oh yes, it's really crazy hot out there for sure.
Speaker 6 (19:02):
Definitely.
Speaker 24 (19:02):
So.
Speaker 6 (19:02):
So how long you've been doing your thing?
Speaker 10 (19:06):
I'm into your music seriously for about five years now,
so it's been been quite a while, but Evan off, No,
I'm trying to perfect everything.
Speaker 6 (19:16):
Okay, this is your first project or or you got
other product you've had.
Speaker 11 (19:19):
Before, my first project that I'm really trying to push.
Speaker 3 (19:23):
A state like that.
Speaker 7 (19:24):
Okay, Okay, Now we're gonna We're gonna play a record
by you coming up called a poppy. So we're gonna
play that one coming up from you in a few moments,
and I'll ask you about that song before I'm gonna
letter m D and Britta living next to Humans Chandelier
talk to you. So, uh, Britta leven next to you, Shane,
let go ahead and talk to uh uh Whitney Briand.
Speaker 4 (19:45):
Okay, Whitney Brian. I have two questions for you.
Speaker 9 (19:49):
What was your favorite part about working on the project
and what was your least favorite part about working on
this project.
Speaker 10 (20:00):
Part was just the creativity part. I love getting lost
in the music, so I love finding the beat. I
love finding like just the inspiration of it is all
addicting to me.
Speaker 11 (20:12):
The worst part is.
Speaker 10 (20:14):
After getting done, finding out where I want to push
it to and doing the whole business side of it.
Because I'm more of an artist, I just like being
a studio own right, But now I've got to put
on my business at and promoted, et cetera.
Speaker 11 (20:27):
And I gotta say that's like the most annoying part.
Speaker 6 (20:30):
Is mm hmmm.
Speaker 7 (20:32):
Yeah, that business part could be a little annoying for
artists and all that NBA talk to of Whitney Brian, Well.
Speaker 3 (20:41):
I guess you know, this is my first time really
encountering with you. I'd like to know what are your.
Speaker 8 (20:47):
Future plans of you touring across the country to get
yourself introduced to your fan base, you know, from coast
to coast.
Speaker 3 (20:58):
Do you have any immediate plans or you wait into
the wakeside of that.
Speaker 10 (21:03):
I'm definitely excited about it, but that's more stuff I'm
trying to get figured out with.
Speaker 11 (21:07):
My team and stuff.
Speaker 10 (21:09):
I think we're more interested of just doing the internet
present first before brunching off. But I'm definitely excited for
when it's time for sure.
Speaker 8 (21:19):
Now another thing, have you ever thought about using ABC
out there in Vegas to promote your career?
Speaker 22 (21:27):
No?
Speaker 11 (21:28):
I haven't actually heard of them, to be honest.
Speaker 3 (21:31):
Okay, you know there's a station.
Speaker 8 (21:33):
You know, I have a client he just did an
interview out there in Vegas on ABC for his musical career.
Speaker 3 (21:42):
Thank you to have your people look into that.
Speaker 11 (21:45):
Yeah, definitely, it sounds definitely like something I would be into.
Speaker 3 (21:49):
In fact, have you heard of Big Fever out there
in Vegas?
Speaker 22 (21:54):
Again?
Speaker 6 (21:55):
Big Fever?
Speaker 3 (21:56):
Have you heard of him?
Speaker 21 (21:57):
Mmmm?
Speaker 24 (21:59):
No.
Speaker 11 (22:00):
I kind of stay in my own kind of box.
That's something I'm been working on so I can be
able to collaborate with more people. So that's probably why
I haven't.
Speaker 3 (22:08):
A show like ABC on TV or like what like,
yeah ABC on TV?
Speaker 14 (22:15):
Yeah?
Speaker 11 (22:15):
Okay, well, yeah, I know I know what I was
in sure talking about the like on TV.
Speaker 3 (22:20):
Okay, forgot the radio out there too?
Speaker 7 (22:25):
Yeah, Well, what he's referring to as an artist out
there by be Young Thunder. It's it's a television show
that's on the ABC affiliate out there in Las Vegas,
and they feature independent artists to my understanding out there.
So the fact that we'll be posting that Young Thunder
clip on our social media keyword did radio show coming
up in the day or too soon? As I go
ahead and chop it up for you so you'll get
(22:47):
to see that. So kind of research that out there
for you. Whitney Brianna brand set you out there in
Las Vegas.
Speaker 9 (22:54):
Yeah, from we're info for like you know, okay what
we're talking about, you know?
Speaker 6 (22:58):
Oh yeah, definitely, Yeah, we're gonna make it happen.
Speaker 7 (23:01):
We're gonna make it happen and shout out to Young
Thunder out there in Las Vegas as well. So Whitney Briann,
we're gonna go ahead and play this record a Iye Poppy.
So tell me about this record, Balk before we get
to it.
Speaker 10 (23:12):
As a definitely sensual song, I have been making it
tapping into an element, but I think everybody kind of
relates to at some point in their life.
Speaker 11 (23:20):
So it was just a fun song. It's a fun
club song.
Speaker 6 (23:24):
Okay. So it's a fun song that you made. So
we're gonna get to it right now.
Speaker 7 (23:28):
Let's check out Ie Poppy right here, Whitney, Brian in
the building, y'all the radio show.
Speaker 16 (23:34):
Independent Artists Live here. We got this independent game on
lock chegure it out the radio show.
Speaker 21 (24:02):
I buppy, you want to build on him when he's
going you but your name on it, and maybe you
could build on it.
Speaker 19 (24:17):
But under sad, let's pay about it. Make sure whether
rub is not. I don't want to go up a
couple of times when your home is.
Speaker 5 (24:41):
Kind of like that.
Speaker 27 (24:43):
I had a lumpy, I had nothing, I had nothing love.
I am nothing. I am nothing, nothing about.
Speaker 19 (25:04):
Knock and you see what I'm working with all the.
Speaker 28 (25:12):
Something, just me and my fred day something for no
Fresa like get hurt texting.
Speaker 19 (25:23):
You know you can't cut you got an election. I'm
sure you got the map of something. Because I don't want.
Speaker 5 (25:31):
To mirror maybe marry like about.
Speaker 19 (25:38):
God because maybe oh to me like that, you know,
I mean like that, I like that, like that, like that.
Speaker 27 (25:54):
My cat cat.
Speaker 5 (25:58):
Yet I have not.
Speaker 19 (26:13):
It could be a proud of show and boy, you
know I like that and I want to try to
buy bad that.
Speaker 5 (26:25):
I'm a g how that when I do it like
you and do it like that?
Speaker 11 (26:30):
Nothing I am nothing.
Speaker 27 (26:35):
I'm nothing, boy, nothing, I'm nothing. I'm nothing, Lolly, I'm nothing.
Speaker 19 (26:51):
Puppy.
Speaker 7 (26:53):
I pappy, that's what the girls calling me. I mean,
I mean, I'm sorry, I mean I pappy right there.
Whitney Brian's Whitney Briann. Is that record our coming out?
Or what's that with the record?
Speaker 11 (27:06):
I haven't released it yet, but it's in the way.
Speaker 5 (27:09):
It's in the way.
Speaker 7 (27:10):
Okay, all right, that's coming soon, So coming soon. I mean,
what you think about the record?
Speaker 3 (27:15):
I said it was smooth. I like her, like her tone.
Speaker 8 (27:18):
I like the way she's seeing how smooth she is
she is, she's you know, she had that little sex
appeal with her vocals.
Speaker 6 (27:26):
And that's that's a good day. Because all right, sounds good.
Speaker 7 (27:31):
Whitney, Brian, can you go ahead and give your social
media and all the real quick and tell us what
we can follow you and pick up your music and
keep up with your career.
Speaker 10 (27:39):
Yes, Instagram is my main platform right now, which is
so we need brand music.
Speaker 11 (27:44):
So yeah, I'm gonna be there. I post a lot.
You see what's up with be there for sure?
Speaker 7 (27:48):
Step away, do our thing when we come back. We
got more of the radio show, including who owns who
owns your your track when you go in the studio
or record refoord the song? Who is the real person
that owns the record until you guys straighten it out.
We'll get into that and much more coming up the
(28:08):
radio show coming up in twelve minutes, y'all, we'll talk
about that.
Speaker 6 (28:11):
Don't move. Here's what's going on. Recently on the radio
show we got Raleigh in the building. It definitely a lot.
So as you just spoke about, I just started managing
myself again. I try ikind a manager.
Speaker 29 (28:24):
Probably then if a manager can't take me further than
where you can take yourself, you know what I'm saying,
or doesn't have.
Speaker 6 (28:33):
The relationship that we need to have clean Bill here,
it doesn't make sense to continue to have this relationship
because if.
Speaker 7 (28:40):
Somebody has to come along with it does and you're
tying for somebody that doesn't, it's not good.
Speaker 21 (28:47):
The one My one perfect for me, but it's never perfect.
Speaker 1 (28:54):
I don't know where if I live, serve you don't change.
Speaker 2 (29:00):
Wait for you.
Speaker 7 (29:13):
Johnson's Cabaret California seeing take what are you bringing to
the table.
Speaker 23 (29:16):
I'm bringing everything I helped this season down on my back.
I did this.
Speaker 4 (29:21):
I carried the season.
Speaker 19 (29:23):
I held it down.
Speaker 23 (29:24):
I was there for my girls Blacks Fly, but I
also was there for the movies.
Speaker 1 (29:29):
You seen me hold it down.
Speaker 5 (29:30):
This season, you're gonna see who the real.
Speaker 7 (29:32):
Make sure you make it a point to check out
Johnson's Cabaret California season six.
Speaker 6 (29:38):
This season is gonna be hot.
Speaker 16 (29:40):
Ass.
Speaker 6 (29:40):
The cast moves to the West.
Speaker 7 (29:41):
Coast as the show continues its format in documenting the
interactions and competition between Jocelyn and the cast of Young
Ladies Fine for a spot for her cabaret performance.
Speaker 23 (29:54):
I feel like everything that Jocelyn has taught me in
the last you know, three years, I definitely head off
this season.
Speaker 11 (30:01):
I'm very grateful for her.
Speaker 21 (30:02):
She taught me so much about womanhood and being a woman,
and I'm really excited to show the world what she's
taught me.
Speaker 7 (30:09):
Amazing Josson's Cabaret California Season six, now streaming on the
Zeus Network this week.
Speaker 6 (30:17):
To pick hit j T l R featuring Snoop Dogg
and Mad Scientists.
Speaker 30 (30:22):
That's my box with so much trauma on the I
G kind of hard being jail double Nyt paraphrase, no.
Speaker 6 (30:28):
Distance her each week on the radio ship at.
Speaker 30 (30:31):
This dude, pursuit of the wealthender you go on, girl,
just shake that fruit because I never remember.
Speaker 16 (30:36):
Now back to the radio show Love and Lush Late
lad or Slave and a.
Speaker 5 (30:46):
Crowd show Turn Radio.
Speaker 31 (31:05):
Oh are you the fly listening? Heever, It's like we
belong together. Oh baby, I want to fill your pleasure
I'm trying to dig in your treasure, trying to into
(31:27):
the bird rooms. Every girl into uner take the shot
shot show bad.
Speaker 5 (31:39):
Shot a man into a group of.
Speaker 4 (31:42):
Because are you to g like I can't taste that set.
Speaker 32 (31:48):
Let's turn the ones into taking the hands off you
reread for whatever when.
Speaker 1 (31:56):
You're going through love that kid.
Speaker 5 (31:58):
Shots you.
Speaker 31 (32:02):
Go get and sting. We're gonna get this thing jumping.
I can't birthy you got me it trying to don't
have on the babyy oh god, your body looking.
Speaker 5 (32:20):
Way there, don't make it go crazy.
Speaker 31 (32:24):
It is girl into a bird room.
Speaker 5 (32:30):
Le's she sit bad we until I'm gonna take this shot.
Speaker 31 (32:37):
Shot at your bad shot man into a frou pat
because creak such like you can.
Speaker 5 (32:45):
Taste that tectic co.
Speaker 32 (32:49):
Let's turn the ones into taking the hands off your
bread forever money.
Speaker 5 (32:57):
Thing through kids shot.
Speaker 1 (33:01):
Human lugged and so Dan, we're gonna get to stay click.
Speaker 32 (33:10):
Let's turn them once in the cho Thank you the
days of your fee whatever.
Speaker 31 (33:19):
Got chat camp streams human just human me.
Speaker 5 (33:24):
Lugging and so this day jump in.
Speaker 3 (33:48):
Check this out. This Warren ge and you listening to
the radio show, I can't.
Speaker 5 (33:53):
Tell you now to reasons why child?
Speaker 19 (33:58):
Can you up? I can't reas, so you'll give me
mouth loget.
Speaker 5 (34:08):
I'm only saved by God.
Speaker 2 (34:14):
I just wall o the bum the water with you.
Speaker 1 (34:19):
I just wall not of lip bum, the water with you, with.
Speaker 2 (34:24):
You, with you, because I don't mind drowning and joy.
Speaker 5 (34:32):
You'll smother me with your good energy and I don't
care to come up for head.
Speaker 23 (34:46):
You'll give me from my son's baby and leave you having.
Speaker 1 (34:52):
To be in the baddest.
Speaker 4 (34:53):
I don't care.
Speaker 1 (34:56):
No, it makes me feel old inside.
Speaker 23 (35:03):
And if you're not h your other side out of mind,
I'm justsing that dope for me.
Speaker 1 (35:11):
Excuse me every.
Speaker 3 (35:12):
Time I come running there, every time.
Speaker 5 (35:18):
I can't tell you.
Speaker 4 (35:19):
Now you told breezes why.
Speaker 5 (35:20):
I'm drowning.
Speaker 21 (35:23):
And your lie.
Speaker 19 (35:28):
I can't breeze, so you.
Speaker 29 (35:30):
Give me mouth to mouth get.
Speaker 5 (35:33):
I'm always saved by God.
Speaker 1 (35:39):
I just want to live on the water with you.
Speaker 5 (35:44):
I just want to lift one in.
Speaker 2 (35:46):
The water with you, but you.
Speaker 5 (35:52):
With you, cause I don't mind drowning and your I'm
gonna take it in.
Speaker 1 (36:02):
I need to fix every day.
Speaker 13 (36:06):
For you.
Speaker 23 (36:07):
Always do my way. I think antibody for you. You
had no idea, That's what I was doing with.
Speaker 3 (36:23):
Chasing you and my trees.
Speaker 33 (36:28):
Hasten got to give you read. Hasten got to show
you me hasn't got to grip your my point.
Speaker 5 (36:43):
I can't tell you now, you don't reasons why I'm
drowned and drowning.
Speaker 29 (36:48):
In your word.
Speaker 19 (36:51):
No, no, no, I can't breeze or you'll kill me
now tomorrow getting.
Speaker 5 (36:57):
Out tomorrow, I swam.
Speaker 7 (37:24):
Wanna jump into another trending topic right about now coming
up we do have played a slave and loving loss
as well.
Speaker 6 (37:30):
Coming up just a little bit as well.
Speaker 7 (37:32):
Now, if you go in the studio with Britt with
your brand new uh uh diamond bra they're making them
tracks and all that stuff. You won't believe who I
found out actually owns the track. It's the producer that
makes the track and the person that pays for the
studio studios, the person that owns the music.
Speaker 5 (37:56):
I didn't know that.
Speaker 6 (37:57):
I did not know that.
Speaker 7 (37:59):
You ain't getting it exactly in the case what Brich
just said, you didn't believe. Here's what I heard from
a recent podcast, someone actually bringing up and talking about
that actual point.
Speaker 6 (38:11):
Here's how that go.
Speaker 16 (38:12):
Whoever pays for the studio time owns the master.
Speaker 26 (38:16):
So if you're an artist and someone invites you to
the studio and they're paying for everything and you jump
on the record, they own the master. That is why
when an artist buys a song they have to submit paperwork,
paying a producer whoever points, and publishing, because now they're
taking ownership of the master.
Speaker 5 (38:36):
Yeah.
Speaker 7 (38:36):
See, I didn't know that. I just learned that from
listening to that, so I figured i'd bring that to
the table. But I'm glad you already knew that, brit
So your thoughts real quick.
Speaker 4 (38:50):
So it's a tricky thing.
Speaker 9 (38:52):
It is a tricky thing technically, but I mean it
is what it is because the studio session does cost money,
you know, So it is what it is.
Speaker 4 (39:00):
So I fifty fifty I agree and I don't, but
it is what it is. You know, it's business. It's
not about your feelings, your personal feelings, you know.
Speaker 7 (39:10):
So, MD you agree that the person that produces the
track and pays what the studio time owns the song.
Speaker 9 (39:18):
Well, definitely the person that produces it makes sense. But
the person that pays that could be a random person
right that friends with you or the producer And it's like,
how how you got the track.
Speaker 7 (39:31):
That I agree, And that's what I was thinking when
I heard that. I said, so you mean that I
could come meet I don't know anything about music. I
can come in there and pay and I own the track.
Is that where we're going with it?
Speaker 3 (39:42):
No, I don't think you own the track. You own
the master.
Speaker 6 (39:47):
Okay, that's a that's a that's a difference.
Speaker 8 (39:51):
It's tricky. Like Britt just said, it's tricky if you're
executive producer, that's what you're talking about. That's the man
who pays the bill. He owned the masters unless he's
under contract with the label. And the song is still
owned by the songwriters and the publisher. Yeah, and the
(40:17):
artist doesn't own anything unless they are the writer of
the song and they do own the publishing for his
a hersh song. But yes, the master is owned by
the executive producer until you pay him off for the
session that you did it.
Speaker 7 (40:37):
So, in other words, I could be going around owning
all kinds of masters if I go ahead and.
Speaker 6 (40:41):
Pay for the studio, you don't own the song own
the masters.
Speaker 3 (40:45):
Yeah, yeah, the master back in the old days with
the tape.
Speaker 6 (40:49):
Right now, it's the flash drive or the CD or whatever.
Speaker 8 (40:53):
They record on the file, They own that until you
pay them for the session, until you pay taking the producer,
or he recooks his money and call it like that,
he recooks his money from the artists.
Speaker 3 (41:08):
Yeah, own the master and only the master, not the
song per se on.
Speaker 2 (41:15):
Michael.
Speaker 9 (41:15):
You need the master though, like you need the master
to break down the performance track, like all types of stuff.
Speaker 4 (41:20):
Like you need that master for different reasons. And if
you ain't got the bag, like it can really hinder
your life because people can hold that over you, you know.
Like that's why I had to figure out, how are
you gonna do this and keep going?
Speaker 9 (41:33):
Because you don't have the bag to really go with it,
like the real bag, not the play bag, you know,
you know where you really out here going to different
radio stations, you know, really getting the promo done. Like
I had to really figure that out until I get
the bag, Like, you know, I'm not gonna let that
stop my dream and what I'm doing, you know.
Speaker 4 (41:52):
So I had to start producing and recording and doing doing.
Speaker 9 (41:56):
It all myself because I had so many people snatching
the rug from up under me, like it was crazy,
and I was just like, man, like I can't do
this anymore, like people holding stuff over my head, you know, like, well,
you don't want to sign with with Interscope, you know,
and I paid for this studio session, you know, like
this is what I want you to do.
Speaker 4 (42:13):
So I'm going to match the rug from up under
you like I had that happen.
Speaker 9 (42:16):
I had this man I'm not gonna say who he is,
you know, no disrespect, but I had this man and
his woman contact my parents trying to get me to
take this deal with Interscope when I was younger, and
all the work that they have put into the studio sessions,
you know, like so, and I had to let all
that go because I didn't pay for none of those
(42:38):
studio sessions.
Speaker 3 (42:39):
I didn't with the deal.
Speaker 8 (42:41):
So correct, because you don't have the masters to reproduce anything, right,
and you can't do that until you pay for the
master or you got a contractual deal with the executive
producer to do certain things to get the music out.
Speaker 34 (43:03):
You know.
Speaker 3 (43:03):
It's tricky, you know, it works all kinds of different ways.
Speaker 8 (43:08):
And you just got to know what you you're putting
yourself through before you make any dumb moves said like that.
You just got you just gotta know, you know, and
there's nothing wrong, because sometimes all is that. The ones
that you know of today, they went through all that
(43:28):
in the beginning, but they didn't care because your main
objective is to get your name out to the public.
And once you get your name out of the public
and you and you sacrifice one or two masters, that's
not gonna hurt you, you know, because now your name
is out there and people are waiting for you, waiting
(43:49):
for your next projects, and now you how to control
that and and those other two projects probably won't go
nowhere because as a artists, you won't perform them on stage,
you know, you won't promote it, you won't do nothing
for that song, and it can't make you do anything.
Speaker 6 (44:10):
Okay, Randy, it's tricky.
Speaker 7 (44:12):
It's tricky, Randy says, if you just sing on the song,
didn't write lyrics, the masters isn't yours to even talk about.
Speaker 4 (44:21):
Okay, but what if you wrote the lyrics?
Speaker 6 (44:24):
Yeah, what if you wrote the lyrics? Then what happens then?
Speaker 3 (44:26):
Who said that?
Speaker 6 (44:27):
Randy?
Speaker 4 (44:28):
Randy Man?
Speaker 6 (44:32):
Okay, big shout out to Randy for what chiming in
on it.
Speaker 7 (44:34):
Let's go ahead and move right along to our celebrity
interview of the evening, brought you by Spotlight three sixty Media. Again,
if you're like all the celebrity stuff that I do
on that end, please feel free to check out at
Spotlight three sixty Media on all social media platforms. This time,
I caught up with R and B singer Marcus Houston,
got his starts on the brand new movie that's out Run,
(44:58):
which is in theaters right now. Makes you go ahead
and check that out very quickly. Caught up with Marcus
Houston when we come back. We got love and Lust
coming up. See you in about thirty five seconds. Y'all,
let's make it happen. Celebrity interview.
Speaker 6 (45:10):
Let's go.
Speaker 16 (45:14):
Ribbon and all the red carbiss.
Speaker 33 (45:16):
Here's an exclusive celebrity interview.
Speaker 5 (45:19):
This film right here.
Speaker 16 (45:20):
Run.
Speaker 7 (45:20):
Yeah, it's a different direction that the foot This film
is gone absolutely absolutely well.
Speaker 35 (45:25):
We wanted to do something different, and we want to
do something unique and clever. Chris's brain is always trying
to think of what's new, you know, with you Got
Served and things like that, being innovative and trying to
do things that are going.
Speaker 3 (45:37):
To change the game.
Speaker 35 (45:38):
And I think that this movie because it's a it's
a sci fi movie, but I'm an urban you.
Speaker 3 (45:43):
Know, it's an urban cast.
Speaker 35 (45:44):
It's the urban director, urban writer, urban filmmakers, and it's
going to just it should do really, really well. Hopefully
that everybody goes out and supports it, because this is
a person's kind Martinus Houston.
Speaker 3 (45:54):
Right here, you listening to the radio show.
Speaker 5 (46:00):
Lust. Let's go, let's go, let's go.
Speaker 9 (46:06):
It's your girl, Britty Lovin X the Human Chandelier here
on the radio show, and you're listening to love or lust?
Do you have a problem with your relationship? Do you
want to know if it's love or lust? Let us
all vote and let us all let you know if
you're in love or if it's lust.
Speaker 7 (46:24):
All right, y'all way inside of lovelust right about now,
and this is our love relationship topic of the evening.
Speaker 6 (46:30):
Britta LEVINEX to Human Chandelier. The floor is yours.
Speaker 4 (46:35):
It's your girl, Britty Levin X the Human Chandelier. And
today on love or what the topic is.
Speaker 9 (46:43):
Let's say you've got strong feelings for two different people
and you feel like you love them.
Speaker 4 (46:50):
Vote is that love? Do you really have love for
two people? Or is it lust?
Speaker 2 (46:57):
Oh?
Speaker 7 (46:58):
Okay, So if you got uh feelings for two people,
you know what I can say that will probably can
stand on the fensive either love or love. Really you
don't think so, because I think you can. You can
genuinely love two people.
Speaker 6 (47:17):
I think so.
Speaker 7 (47:17):
I think a woman schedule of doing that, or a
man or even a man, it can genuinely love two people.
What are you thinking?
Speaker 6 (47:25):
Go ahead?
Speaker 3 (47:26):
Okay, now, you can't love to No, you can't love too.
That's less.
Speaker 4 (47:33):
Or is that you love one of them but you're
less than after the other, because like.
Speaker 6 (47:38):
Yeah, I can see too.
Speaker 3 (47:39):
That's like oranges.
Speaker 7 (47:42):
Play a move right there, we're gonna go on to
play at the slig We're gonna knock that out right now, let's.
Speaker 24 (47:46):
Go join the radio show every Monday night, every Monday night.
Speaker 1 (47:54):
For the indie song that you enjoyed the most.
Speaker 6 (47:58):
All right, you'll went inside to play at the slab
right about.
Speaker 5 (48:00):
Now.
Speaker 6 (48:00):
What we do each and every week around this time
is we take a.
Speaker 7 (48:03):
Couple of songs and we ask one fundamental question, and
that should we play them or.
Speaker 6 (48:09):
Should we.
Speaker 7 (48:14):
Sla That's right, y'all, slay the record, give it off
the proverbial hard drive or add it to the now
up and running ever adding on the radio show dot
com as you go and check that out.
Speaker 6 (48:27):
You can go ahead at the radio show dot com
and check out.
Speaker 7 (48:29):
Well, just a couple of songs playing right now, but
that's why we're adding them on each week. All right,
So we got two songs that we are going to
get to right now. The first one, I hope I
pronounced this name right. This is twin twin fix twin
fixed songs called mistake. Twin fix song is called mistake.
(48:52):
Let's check it out, play it the slag.
Speaker 36 (48:54):
Let's go the radio show, radio show, the radio show
play play it or flitch.
Speaker 22 (49:09):
I don't want to die, son sons, I'll find it
out be fall indeed, time and time my mind don't
why maybe?
Speaker 37 (49:23):
Yeah, I mad enough to say so. It's signing to
look away. I just did some fucking space from my
lady's dress a safe before it because the lady, sorry
for I'm on the stage. Yeah, man, mustag, don't take play.
Speaker 29 (49:46):
Like that.
Speaker 22 (49:49):
Let me.
Speaker 5 (49:53):
Don't want to get in and you don't want the mistake.
Speaker 36 (49:56):
The radio show, radio shows, the radio show, place it
or that is the.
Speaker 7 (50:02):
First play the slave record tonight that is twin fixed
songs called mistakes. Twin fix song is called mistakes. Brita
living next to you be sch What do you think
about that one? Player the slave?
Speaker 6 (50:14):
I play it, you'll play it.
Speaker 26 (50:18):
All right?
Speaker 6 (50:23):
All right? Indeed, play the slave? What should we do
with that record?
Speaker 3 (50:27):
That's a slave?
Speaker 6 (50:28):
That's all right? Yeah, that's That's kind of where I
was going with that as well. I'm gonna go ahead
and slave the record myself.
Speaker 8 (50:39):
Yeah, you want to hurt his feeling, But he got
the right he got the right name of the title
of the song, and he got the right name as
an artist.
Speaker 3 (50:51):
They need to fix the twins because.
Speaker 6 (50:56):
Oh man, it's all good. It's all good. Kelly Good?
Is Kelly Good? There yet?
Speaker 16 (51:03):
There you go here?
Speaker 6 (51:05):
Okay, Kelly Good? Did you hear that record?
Speaker 2 (51:07):
Man?
Speaker 6 (51:07):
How you doing tonight? I'm good man, I'm good. Can't complain.
What did you think about that record we just played?
Speaker 2 (51:15):
Yeah, I'm.
Speaker 7 (51:17):
Yeah, that's what I figured. Okay, it's all good, Kelly Good,
slate that record, Low Diggs. How you doing tonight, sir?
Speaker 3 (51:26):
Oh man, I'm great man.
Speaker 6 (51:28):
Thanks for asking. Who's going on with you? Indeed, I'm
gonna have to slay that one myself. Man, I gotta
slay that one. Okay, we're gonna slay that one.
Speaker 3 (51:40):
Hey, kel D, did you figure out what he was
trying to do on that song?
Speaker 2 (51:47):
It sounded like, uh.
Speaker 30 (51:51):
Three six month fia slash, uh resurrect takeoff and I
don't know.
Speaker 6 (52:00):
Yeah, I didn't get it either. Uh Hope.
Speaker 7 (52:03):
I pronounced your name right, ma'am. Uh Toko, So Toko,
So Toko? How you doing tonight? Am I pronouncing that right?
So Toko?
Speaker 12 (52:16):
Are you there?
Speaker 29 (52:18):
S a t o?
Speaker 14 (52:19):
K oh?
Speaker 6 (52:19):
How you doing? Okay? I guess she's not there. She's listening.
It's all ry good. We got some toco. She's here, Well,
we can try her to bring her on a little later.
Speaker 3 (52:30):
What's she at Instagram?
Speaker 6 (52:31):
No, she's sitting right next to you and the N Clubhouse.
Speaker 29 (52:35):
Yeah.
Speaker 7 (52:36):
Yeah, as still sitting here trying to bring him up.
Speaker 6 (52:42):
It's all good.
Speaker 7 (52:43):
Let's go ahead and check out another play of the
Slave record right now. This is Tracy Rizzle songs called
Duodos slide Tracy Riddles Doodo slide.
Speaker 18 (53:04):
Tell me maybe what's.
Speaker 17 (53:06):
Your e t A.
Speaker 19 (53:08):
Pullo right there?
Speaker 5 (53:09):
Fire cause you know the vibe?
Speaker 38 (53:10):
Don't you be a mini late, No, no shreaty like
his mind slight him to the side. Don't hurt back
on as a text, don't.
Speaker 5 (53:18):
You keep him way long?
Speaker 19 (53:20):
Tell me what's your e t A?
Speaker 37 (53:22):
Yeah?
Speaker 38 (53:22):
Yeah, tell me what's your e t A?
Speaker 5 (53:24):
Yeah?
Speaker 19 (53:25):
Yeah? Yeah.
Speaker 38 (53:27):
Shorty on the way says she's going with me droptop
being we gotta sitting pretty, said she on no way
going out of the way. Total that safe, so I can.
Speaker 5 (53:35):
Have my way.
Speaker 16 (53:38):
And I ain't fall asleep.
Speaker 38 (53:39):
Main I'm still fall off and her deep bend and
backstrokes and.
Speaker 16 (53:43):
Then I'm a flock. Let me know you close to
me on tide.
Speaker 5 (53:49):
Got you can't too.
Speaker 38 (53:50):
Fire to change up mind, So shoty, let me know
when you with that dog?
Speaker 19 (53:56):
Maybe what's your e t A? Woo?
Speaker 17 (53:58):
What pullo right there?
Speaker 5 (54:00):
You know the vibe?
Speaker 1 (54:01):
Won't you be a mining like?
Speaker 38 (54:02):
No, no treaty, like his mind's led him to the side.
Don't hurt back on as a text, don't you keep
on waiting long? Tell me what's your e t A?
Speaker 14 (54:12):
Yeah?
Speaker 38 (54:13):
Yeah, tell me what your e t A?
Speaker 5 (54:15):
Well?
Speaker 38 (54:15):
Yah, yeah, I mean waiting on you to com do
slide do and show me all them bla tricks. But
say down like my rolley trying not to be passion.
But then I'll talk controlling gay things in it like
a going balling. Oh, I just want to top one
more time. Go if you can lay you get a
fine baby, Let me you know when you will ride,
(54:35):
when you get outside.
Speaker 5 (54:39):
Got you came to a fire to change your.
Speaker 19 (54:42):
Mind, so shouty.
Speaker 5 (54:44):
Let me know when you with the dog.
Speaker 38 (54:46):
Maybe what's your e t A? Pull up right in fire?
Speaker 5 (54:51):
You know the vibe?
Speaker 1 (54:51):
Won't you be a mining like like?
Speaker 19 (54:53):
No, no treaty like his.
Speaker 38 (54:55):
Minds led him to the side. Don't hurt back on
as a text. Don't keep on waiting long. Tell me
what's your e t A?
Speaker 34 (55:03):
Yeah?
Speaker 16 (55:03):
Yeah, tell me what's your e t a?
Speaker 5 (55:06):
Wait? Yeah, okay, even tell me what you dare?
Speaker 2 (55:40):
Yeah?
Speaker 6 (55:41):
Because I got love for you.
Speaker 3 (55:43):
Love you, love your baby.
Speaker 29 (55:45):
You've been on my mind lately, loomtime, babe, night daily,
it's crazy because I got love you, love you, love
your baby. Catch God up and don't face me that serious.
You're contangment baby.
Speaker 34 (56:02):
Okay, who messed up and fumbled off?
Speaker 9 (56:06):
You?
Speaker 34 (56:07):
I can never though, na. I just want to spend
some time. Tell me it was really in your mom
little things. It's been little small. Shouldn't we even beat
another time? I like that, I like you, cannot get
to know you more.
Speaker 29 (56:23):
Cause I got love you, love you, love your baby,
and you've been on my mind lailing sometime every night dayling.
It's crazy cause I got love you, love you, love
you baby. Got you got up it. Don't face me,
that's serious. You're containment baby. Okay, we've been friendly too long.
(56:48):
On my way, take your phone. I've been weed out tonight.
Some of the met you have been my eyes.
Speaker 5 (56:56):
It's on me. I got it.
Speaker 29 (56:59):
You're gonna reckon ays that I'm at somebody. I e
when I get to on your more lost your love
for you baby, and you've been on my mind lailor sometime.
Speaker 1 (57:14):
Every night days.
Speaker 29 (57:16):
It's crazy cause I got a love field, love field
love for you baby,
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