Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's time.
Speaker 2 (00:03):
Radio.
Speaker 3 (00:22):
We are the greatest.
Speaker 4 (00:23):
We played the greatst and the artists on the radio.
Speaker 3 (00:26):
Show we got had top things.
Speaker 4 (00:28):
We did the popping on the.
Speaker 5 (00:30):
Radio show, Listen to love and listen.
Speaker 4 (00:32):
Give you all up in your relationship problems.
Speaker 6 (00:35):
We'll be with it.
Speaker 4 (00:36):
So make sure you tune in and the radio show.
Speaker 7 (00:41):
You know, after the beef going on between Nicki Minaj
and Cardi B I'm really surprised we haven't heard any
disc records yet. I've been sitting there patiently waiting for
one of them, if not both of them, to get
in the studio to come up with this disc record.
If anything happens, we'll continue the mind of the situation
as we bring in the radio show Dundee mb and
(01:01):
Britta living next to you mean chandelier holding it for
your live and what's going on everybody. Hope everybody had
a wonderful week. We're back with another one hot independent
music from all over the countries and make this happen
here for you each week here on the radio show.
Let's go ahead and bring in the crew because you
know I can't do this thing by myself. Britta living
next to the human chandelier, how are you doing tonight? There,
(01:26):
I'll meet you, Mike.
Speaker 4 (01:26):
Lease and awesome.
Speaker 7 (01:30):
I'm doing awesome, wonderful, wonderful, looking very festive there.
Speaker 6 (01:34):
What's what's going on with you tonight?
Speaker 4 (01:36):
Yes?
Speaker 8 (01:36):
Yes, some I did a fashion show. AB's first fashion week.
I did that and yeah, so it was a good weekend.
The d D was pretty interesting, but you know, like
we kind of got it together.
Speaker 4 (01:49):
But it was a good weekend.
Speaker 8 (01:50):
You know, I'm always working on some new stuff, you know,
me and Kelly good always got something going on. So
you know, later on the head Noders said, you know, guys,
stick around because you know, we got something that we're
gonna play that we're hoping that you're gonna like you.
Speaker 6 (02:07):
Okay, that's what's up. That's what's up.
Speaker 3 (02:09):
Now.
Speaker 7 (02:09):
You said that you did the AVY fashion show.
Speaker 6 (02:12):
Now, how was that the fashion show? Said? When you
were modeling or how did that go for you?
Speaker 8 (02:19):
I was I was modeling and singing at the same time.
You know, I have my new broad jewelry line that
I'm bringing out, so I let people get a first
look up at it, you know, up close and personal.
Speaker 4 (02:31):
You know, so, oh, okay, it was it was cool.
Speaker 6 (02:35):
That's what's up. That's what's up.
Speaker 7 (02:36):
So that's where you got the Broad Jewelry line. So
tell everybody about that real quick in case they want
to go ahead, and ladies want to go ahead and
get one of those, right.
Speaker 8 (02:44):
Right, Well, if you're interested in the Broad Jewelry line,
you could see it on my Instagram, my YouTube, my TikTok.
You know, just look up the human Chandelier or Britty
LEVINEX and it'll pop up and you know, just send
me a message so you can get more details about it.
Speaker 7 (03:00):
Mm hm and and and ladies, remember this this this
is real jury here, so so you know, so don't don't.
Speaker 6 (03:06):
Play all right, be walking in there and it's is cheap.
This is real jury to.
Speaker 7 (03:10):
Use it, right, Yeah, it's all good, it's all good.
Speaker 9 (03:14):
It be.
Speaker 7 (03:14):
What's going on, man, m D? I meet your mike?
What's going on? Oh you want to come this way?
Speaker 10 (03:23):
M D?
Speaker 7 (03:24):
Okay, Well let me see if I get you on
on this end. We're gonna try to get m D
set up situated. I said, he wants to come in
on the on the zoom and so I'm gonna go
ahead to get m D situated. Here's we're gonna do.
We go ahead and play some music. When we come back,
we're gonna chop it up with a topic as well.
Got something gotta got. We're gonna have to talk about
another artist that just recently got signed.
Speaker 6 (03:44):
We're gonna get into that right now.
Speaker 7 (03:46):
Strictly independent hip hop and R and B music at
its fine as y'all.
Speaker 6 (03:50):
It's the radio show. You got, you got, you got,
You got that boy, you got, you.
Speaker 2 (04:02):
Got that thick Boddy, you go, you got that thig
Buddy Buddy Buddy Buddy, Ship Buddy Boddy, Buddy botty thing,
got that sick party Southern girl, pretty face like she
(04:23):
came from the island.
Speaker 11 (04:25):
From the island.
Speaker 12 (04:27):
I see the front, but I can wait just to
see it from behind.
Speaker 1 (04:34):
Big gast me legs.
Speaker 13 (04:35):
Like clim sall.
Speaker 14 (04:40):
Come to my team because.
Speaker 13 (04:41):
You're batting like a thousand.
Speaker 2 (04:43):
You got that big Buddy Buddy Buddy Buddy, Ship Buddy
Buddy Bunny. Body think Buddy Buddy, Buddy Buddy, sick buddy
Buddy Buddy.
Speaker 1 (04:55):
Let's take.
Speaker 2 (04:57):
Baddy Buddy Buddy Buddy, see Buddy Buddy Baddybody.
Speaker 3 (05:03):
Thinkboddy Buddy Boddy received.
Speaker 6 (05:09):
See everybody.
Speaker 13 (05:12):
You got that bouncing like hydraulics on in old school
share with the.
Speaker 15 (05:17):
Top tail fuck in the drum.
Speaker 13 (05:19):
What I wouldn't do for you to drum it on
me like it's heavy.
Speaker 1 (05:25):
Water.
Speaker 13 (05:25):
A fucking fit quitted and kid quitted. It seems like
you're ready, So Red.
Speaker 1 (05:35):
Got the thinky.
Speaker 2 (05:37):
Buddy, Buddy, Buddy, Buddy, Buddy, Thinkboddy got it? Take buddy
anybody body Bunny on everybody Buddy, everybody.
Speaker 16 (05:49):
Buddyboddy, Buddy Buddy, Saddy.
Speaker 1 (05:53):
Buddy got.
Speaker 2 (05:58):
Buddy, you got that big buddy Buddy Buddy Buddy buddy,
(06:31):
body body got and take bunny body by everybody body
body it's you want to think Dyboddyboddy Moddyboddy body Eyboddy
got any there?
Speaker 6 (06:47):
Abody got that sick Boddy?
Speaker 13 (06:56):
What did everybody?
Speaker 4 (06:57):
And your domny thing?
Speaker 2 (06:58):
Yeo.
Speaker 17 (06:58):
And make sure you are took the radio show at
all time, and make sure you.
Speaker 13 (07:02):
Request how bad I want to on the radio.
Speaker 4 (07:05):
Show as well.
Speaker 5 (07:07):
Bring baby beauty, you feel I cook good?
Speaker 13 (07:26):
You tell me.
Speaker 14 (07:29):
Who stop.
Speaker 15 (07:32):
Old?
Speaker 2 (07:36):
Yeah?
Speaker 5 (07:37):
Let me pet me the scene.
Speaker 3 (07:38):
Bet'll know I cover election mal two scenes. I'm the
only one that.
Speaker 6 (07:41):
The in between.
Speaker 18 (07:41):
And if I've ever made that after you could watch
me leave now, don't stop jiddy jitty, even if I'm
mad or your friend ken Jiddy.
Speaker 13 (07:47):
I'm a real real but I don't play myself.
Speaker 3 (07:49):
And if Buddy dot he played me, then he played
it self.
Speaker 13 (07:51):
Now, if you're right, then you can get it.
Speaker 10 (07:53):
I like you.
Speaker 5 (07:54):
Yeah, I'm win it.
Speaker 3 (07:54):
You can treat me good if it's bore me.
Speaker 5 (07:56):
Hell, I'm real good for you boy, real good for
your help.
Speaker 19 (07:59):
Yeah, who don't know?
Speaker 5 (08:04):
Obta honna.
Speaker 18 (08:08):
And you don't know, mana, Maybe you do it time
you feel I could go tell me you allot.
Speaker 1 (08:23):
Me?
Speaker 8 (08:23):
And you old boy?
Speaker 5 (08:25):
You feeling you sweety Julie.
Speaker 18 (08:31):
I don't know if telling you can't tell me though
we have wrong toubni.
Speaker 1 (08:39):
By on your own.
Speaker 20 (08:44):
Own own?
Speaker 5 (08:54):
Who don't know? Holbta honna anything?
Speaker 21 (08:59):
And you don't know?
Speaker 1 (09:03):
Man baby?
Speaker 22 (09:05):
You do right?
Speaker 5 (09:06):
You feel like a good telling me? Oh, don't start
so sure, but we can do it all.
Speaker 9 (09:20):
Come on, come on, come on, he said, tell me
hes guys outside out summery don't rides catch eye.
Speaker 22 (09:37):
I figures it, my son. You're side whole black shopping
based doom and music lumping soaking.
Speaker 4 (09:43):
Up that some ship.
Speaker 9 (09:45):
I'm beld just take schooling night told sad Southern Love,
Southern bri.
Speaker 22 (09:54):
Mad saying those tantos clack fans go grab drinking, go
grab man.
Speaker 5 (09:59):
Think we're done.
Speaker 21 (10:00):
Oh wait, there's more on the day of Bustard flo
John's house, where the good sounds?
Speaker 16 (10:07):
Who him it's out, Swizzie, Oh this suits come on
people away, it's a whole place. And come along, baby,
do the sup.
Speaker 21 (10:21):
Down up, off.
Speaker 1 (10:25):
Off, do the suit.
Speaker 21 (10:31):
Off?
Speaker 22 (10:32):
Sh trapping shown the plate cormorate on the side. Cousins
plays bad, start the trash with pride. Oh got that
shine of the jar DJ shrumping heat by the bar.
Girls on the floor and m here see emma boots started,
but they cost the grip.
Speaker 8 (10:51):
Come on.
Speaker 15 (10:55):
Laughter, Sady w.
Speaker 21 (11:05):
Cat semmer job down south? Where is the good times?
Whoa him is off?
Speaker 16 (11:12):
Whizzie, come my people, Weady, it has a whole days.
Comes home, lady, do.
Speaker 15 (11:22):
The SUPs off, running off, comes off?
Speaker 21 (11:29):
Do the si came off?
Speaker 13 (11:38):
Well be My cue is better than yours.
Speaker 4 (11:41):
Ain't no people.
Speaker 22 (11:41):
We could take it to the flour. All I need
is a jam at a good time. I'm trying to
go muddy. Nobody done, beans mac and cheese and greens
on a plate and she together a snigger butter already
ate Mmm, Southern boys make you lose your mind, true
religion in the summer time.
Speaker 5 (11:55):
He ain't gotta go home.
Speaker 4 (11:57):
Put your best beat out of here.
Speaker 5 (12:00):
I'm not too long.
Speaker 4 (12:01):
You know where You've got time spare. So that's package.
Speaker 20 (12:04):
Ride into my crab took down and that's just the way.
Speaker 15 (12:20):
People weak. It's a whole place. Come on, we do sue.
Speaker 21 (12:46):
That's up.
Speaker 23 (12:46):
Sound that's Susie. You gotta missed a ride and brought
us the city girl to the trail. Ride culture.
Speaker 15 (13:05):
Man, the summertime is hitting it.
Speaker 7 (13:08):
This is also a video show too, so you can
go ahead and go to our YouTube channel and check
it out on YouTube as well as twitch at keyword
da Radio Show, and also you can go to the
radio show dot com and you can watch the show
as we make it happen here for you live and
direct for you man. We make it happen here each
week the radio show done DMD and briat the living
(13:29):
next to human chandelier and I'll be dog gone look
at that right there. Finally got everybody live and then
it shot man beautiful thing right there. Tada you can
see us all for the first time in a long time.
You can actually see us all on the screen at
the same time. Look at that right there at the
(13:49):
same time time, Look at that right there.
Speaker 6 (13:53):
It's all good. MD.
Speaker 7 (13:54):
Go over to your right a little bit. You're the
right there you go. Now you're the right you're the
right right, all right, yeah, yeah, go to your left
right there, there you go.
Speaker 6 (14:06):
There you go.
Speaker 1 (14:06):
Yeah.
Speaker 7 (14:06):
MD is now well, MD is gonna work it out.
We'll let MD work it out right now, camera wise,
right over.
Speaker 4 (14:18):
There, looking like the Blair Witch Project.
Speaker 7 (14:20):
Yeah, man, D go over to go over, move it
over a little bit, to your to your to your
left there. Yeah, this is this is, this is editing.
Speaker 4 (14:28):
I'm the fly right the studio right now.
Speaker 7 (14:31):
Yeah, man, yeah, you're still off. It's all to move
your chair over, m D. Will your chair over? Will
your chair over?
Speaker 6 (14:40):
Yeah? There you go, all right there there you are
right there now, I'm mute you might there you go.
Speaker 7 (14:47):
Yeah, we make it happen for you here at the
radio show. Done D, M D and better living next
to human shade to live doing it for you right here,
all right, me see up here, let me get this
real can't hold up and let me do this my
part here.
Speaker 13 (15:02):
I just heard.
Speaker 7 (15:02):
I just found out something was up, MD. While you
fix that camera, let me fix this audio.
Speaker 2 (15:08):
Here.
Speaker 6 (15:10):
There we go.
Speaker 7 (15:12):
Alright, they go over here before you real quick. Uh
they pace this up in here and pace there you go.
You should be able to hear us. Now, all right,
there you go. All right, MD, You're probably gonna have
to move over on your chair. That's what you're gonna
have to do because obviously you can't move the what'd
(15:33):
you call it anyway, So we're gonna.
Speaker 6 (15:36):
Go ahead and do this real quick.
Speaker 7 (15:37):
Here go on to our hot topic of one of
the hot topics of the week, Hot hopic topics about you,
Spotlight to.
Speaker 6 (15:42):
Be sixty Media.
Speaker 7 (15:43):
If you like the celebrity stuff that I got going on,
you can go ahead and uh do that thing right
there and follow on all social media platforms at Spotlight
three sixty Media and the handles all the celebrity stuff.
Speaker 6 (15:56):
If you happen to be.
Speaker 7 (15:57):
Sleeping under rock, you know by now, Bad Bunny will
be performing at the Super Bowl this coming up February
in San Francisco. Bad Bunny one of the biggest artists
in the world. Real big as far as all his
statistics go, a lot of support. People love Bad Bunny
(16:19):
around the world. But however, due to current events what's
going on here in the United States, it's a lot
going on. A lot of people are not happy with
it due to the fact that Bad Bunny is a
Latino artist and very little English happens during his set.
So we didn't get a chance to really speak on
this last week, and a lot of people are mixed
(16:40):
about Bad Bunny performing at the Super Bowl this year.
What do y'all think about that? KEYRDA radio show on
social media platforms. Should Bad Bunny be even performing at
the Super Bowl?
Speaker 6 (16:51):
Yes?
Speaker 8 (16:52):
Or no?
Speaker 6 (16:52):
What do you think? MD? What do you think? Man?
Speaker 7 (16:56):
I'll meet your mike. I'll meet your mike, m d Yeah,
and then hear me. Now got you?
Speaker 24 (17:12):
Okay, I have two mics.
Speaker 6 (17:14):
I don't know which one to go with.
Speaker 7 (17:15):
Okay, we're about to Oh yeah, we want to figure
that out. Okay, go ahead. Now I'm I'm mute the
the zoom mic.
Speaker 6 (17:30):
Okay, go ahead, how about that? Go ahead.
Speaker 24 (17:35):
I think it's I think I think it's cool as
long as he do it in English. Okay, you know
it's it's I mean, you're in the United States, and
and and the the language is English. So I mean,
if he was in if Super Bowl was in Mexico,
didn't he can go Spanish. But he's in the United States,
(17:56):
so he should be ready to do it in English,
you know. And don't worry about the ice because he's
a celebrity.
Speaker 7 (18:05):
I don't know that that he may have to be
made an example of according to what's going on these days,
Man Brett, what do you think should a bad Bunney
perform at the Super Bowl?
Speaker 6 (18:15):
Yes?
Speaker 1 (18:15):
Or no?
Speaker 8 (18:17):
I'm a bad Bundy fan, but I'm sure some people,
you know, might be slightly upset with it.
Speaker 4 (18:22):
Online.
Speaker 8 (18:23):
I've seen somebody say they rather see bugs Bunny. You know,
I'm a bad Bunny fan, you know. I think that
some people will really be upset about it, and some
people won't.
Speaker 10 (18:36):
You know.
Speaker 4 (18:36):
It might be a fifty to fifty thing. Everybody can't
always be happy.
Speaker 7 (18:40):
Yeah, I'm looking forward to seeing Bad Money getting on
stage to perform. I'm a bad Bunny fan as well,
so I'm looking forward to seeing what he's going to
offer at the super Bowl. And I'm sure it's gonna
be a fantastic set and I'm sure he's gonna be,
you know, off the hook, so you know where.
Speaker 6 (18:55):
Y'all staying on that bad bunny. Should he perform at
the super Bowl? Yes or no?
Speaker 7 (18:58):
Keyword da radio show on all social media platforms. Let
me know what you're thinking at the moment, y'all. We're
gonna step away, take this quick time out. When we
come back, we got more of the radio show done.
D md Bridge delivering next to human Chandelier. Y'all back
with more of the radio show, don't move.
Speaker 6 (19:14):
Here's what's going on recently on the radio ship. We
got Raleigh in the building. It definitely a lot.
Speaker 25 (19:19):
So as we just spoke about, I just started managing
myself again. I kin ikind a manager. Probably then if
a manager can't take me further than where you can
take yourself, you know what I'm saying. Or the relationship
that you need to have clean bant here, it doesn't
make sense to continue to have this relationship because if
(19:42):
somebody happen to come along with it does and you're
teking for somebody that does.
Speaker 3 (19:47):
It's not the one, my one perfect for me, but
it's never perfect.
Speaker 6 (19:56):
I don't know where if I live.
Speaker 15 (20:00):
Change my way.
Speaker 1 (20:09):
Woman for you. There's nothing there that would.
Speaker 7 (20:15):
Johnson's Cabaret California Season takes.
Speaker 17 (20:17):
What are you bringing to the table, I'm bringing everything
I helped this season down on my back.
Speaker 4 (20:22):
I did this, I carried the season. I held it down.
Speaker 17 (20:26):
I was there for my girls, Black Squa, but I
also was there for the movies. Though you don't see
me hold it down this season, You're gonna see who
the real feeling is.
Speaker 7 (20:34):
Make sure you make it a point to check out
Johnson's Cabaret California Season six.
Speaker 3 (20:40):
This season is gonna be hot ass.
Speaker 6 (20:42):
The cast moves to the West.
Speaker 7 (20:43):
Coast as the show continues its format and documenting the
interactions and competition between Jocelyn and the cast of young
ladies flying for a spot for her cabaret performance.
Speaker 17 (20:56):
You feel like everything that Jocelyn has taught me in
the lives you know, three years, I definitely hate off
this season.
Speaker 21 (21:03):
I'm very grateful for her.
Speaker 26 (21:04):
She taught me so much about womanhood and being a woman,
and I'm really excited to show.
Speaker 21 (21:09):
The world what she's taught me.
Speaker 7 (21:11):
A Joss's Cabaret California Season six, now streaming on the
Zeus Network this week to pick.
Speaker 6 (21:19):
His j T l R featuring Snoop Dogg and Mad Scientists.
That's my box.
Speaker 7 (21:25):
With so much trauma on the it kind of hard
being jail double Nyt paraphrase, no distance.
Speaker 6 (21:30):
Her each week on the radio.
Speaker 1 (21:32):
Shit yet this.
Speaker 7 (21:33):
Dude, pursuit of the wealthender you go on, girl, just
shake that fruit because I never know.
Speaker 13 (21:37):
If it's now back to the radio show.
Speaker 10 (21:42):
Yes, this is an installment from what we call the experience.
Remember what you do alone, when you feel your cup,
it's just as important. It's what you pull out to others.
You're making this stunt optional. You're well being.
Speaker 1 (21:56):
It's not selfish. It's like that, y'all. It's like this shop.
Back in the days, I was scared to rhyme. New
York City's my home boroughver south Side? Wait did me
didn't know? Sticking here?
Speaker 10 (22:09):
Fred Rowe du trip kept my line raise the shop.
When the coach smaker app what's the plan?
Speaker 1 (22:13):
We ain't snowing the shine got to see a matter
sat out of pocket in time. That's a time. Where's
my family? Your ability be at.
Speaker 10 (22:20):
Block parties for the north and that's only a half
forty yet seven before the regular fives took the fan
and bad brother had to be your side when the
winds jut sharp bring my eyes to tears prism. Gid
John Adams had my first cold beer. Probably stop chapter bottle.
Christian captains fast then join Shred. Here says Tweed with
has got the first teeze down the block and had
(22:40):
no clue.
Speaker 1 (22:41):
Pss pade the match cont of.
Speaker 15 (22:42):
Top in the student.
Speaker 1 (22:46):
It's like that, yall.
Speaker 6 (22:47):
It's like this yaw, like this Jo.
Speaker 13 (22:51):
It's like this, yall.
Speaker 4 (22:52):
Let's like that job job.
Speaker 14 (22:56):
It's like that shall.
Speaker 1 (22:58):
Let's like this job job. It's like this, y'all. It's
like that y'd get me back in the days, I
was scared to rhyme.
Speaker 10 (23:07):
Gotta take a little deeper in this knife for mine.
You'll league Jayson Park taking walks the store. Penny candy
didn't matter because I still want more. Kill me Bear's
laughing shaff he Lim and his was real.
Speaker 1 (23:17):
Alexander the Great was stu Control with the comic frigal.
She gonna see some farmer seeds and sack ice always
lake for school because I'm going to the sleigh. Let's
just work a bill. But I had some fun, fresh
shams on the steps and a whole lot of trouble.
We have a five on the block. Number. Game's still
new now, don't min walked away. Then we haded to
hoo you. I'm a showing the court.
Speaker 10 (23:37):
Never can't give me the rock been the bucket way
before I caught the buck Yet Bob there in his
life for mine for a minute, walk with me as
a presscal round.
Speaker 6 (23:48):
It's like that, y'all. It's like this, y'all.
Speaker 2 (23:52):
Y'all.
Speaker 1 (23:54):
It's like this y'all. It's like that, y'all.
Speaker 14 (23:57):
That job, it's like shall.
Speaker 1 (24:00):
It's like this shop. It's like this Shall. It's like that,
like that love and lust late late, what's late? We
(24:24):
come and move a crowd.
Speaker 13 (24:29):
Show, turn up your radio.
Speaker 21 (24:38):
I uppy, I'm doing to building.
Speaker 22 (24:43):
The video is going with.
Speaker 2 (24:45):
You name on.
Speaker 1 (24:49):
MH.
Speaker 21 (24:51):
I'm b let's way, but make sure where the rub
is not. I don't want to go a couple of
(25:12):
times with your ham And I like that.
Speaker 2 (25:19):
I like that.
Speaker 15 (25:20):
I had not, I had not.
Speaker 27 (25:25):
I had nothing. I am nothing. I am nothing. I
am nothing, love not and oh you see what I'm
looking with all the.
Speaker 21 (25:49):
Somethings. Me and my fred day happen for no.
Speaker 28 (25:53):
Fresh like get hot and text twitching.
Speaker 21 (26:00):
You know you can't. You got an election, So you
get the map of something.
Speaker 6 (26:06):
Because I don't want to mirror.
Speaker 21 (26:13):
Maybe Mary like about.
Speaker 28 (26:14):
God, because maybe oh to be like that, you know,
I mean like that, I like that, like that, like that,
well my cat cat cal you get a dre.
Speaker 27 (26:47):
Has not it called be a private shov shot.
Speaker 19 (26:56):
And you know I like that, and I would that be.
Speaker 21 (27:02):
I'm gonna gonna do it like you and do it
like nothing.
Speaker 1 (27:12):
Not mart Is Houston.
Speaker 4 (27:29):
Right here, you're listening to the radio show.
Speaker 29 (27:44):
It's their timing your boy going off te and Honey
Damn near broke my Spanie with a chick.
Speaker 13 (27:52):
This and Honey Rock using food.
Speaker 2 (27:55):
For this one.
Speaker 29 (27:55):
Everybody got to get a booming system, even TikTok going
forward this one with this because Rick Rock was a
pooper this one for this deep wreck with the bell
on Blair.
Speaker 13 (28:04):
On buzz the bill, knowing this ain't that sain't.
Speaker 1 (28:07):
I didn't know I could go titti day and put
that on anything. This ain't cat.
Speaker 13 (28:11):
So don't start non it won't be none, just even
make it.
Speaker 1 (28:15):
Never want to refund because when I came to the party.
Speaker 29 (28:17):
I'll was by myself for nine times out of ten,
I leave with someone else.
Speaker 13 (28:21):
Count She and I she ad, I just want to
get it in, Okay, she and I she agad. I
just wanted to get it in, get it in, get
it in. I just want to get it in. She
and I shed. I just want to get it in.
Speaker 1 (28:45):
All the time.
Speaker 3 (28:45):
She get done, but she don't want.
Speaker 13 (28:47):
I'm gonna knock it up the park.
Speaker 30 (28:48):
But the home run day, that's my people, that's my folks,
that's my day one like that's my being Moroe front.
Speaker 3 (28:53):
You had the great one left right, right left, that's
on you on who you with.
Speaker 30 (28:57):
Your best friend? Let her come to I'm gonna put
it to this. I'm a marck dad.
Speaker 3 (29:01):
What are my people? Where it's at? Where the back
at off?
Speaker 8 (29:04):
Bas?
Speaker 10 (29:04):
Who is that?
Speaker 12 (29:04):
Yeah?
Speaker 30 (29:05):
I'm at you now, I sud collected. When they're black
with the tattoos. I want to see me when the visit,
when the fly out, when the ride out, pick it
to my hid out number one, double lake plus.
Speaker 3 (29:14):
Fright she your god peace, I'm a fine. I'm gonna
put up. I'm gonna show up. What you're gonna do
let me what. She tagged me with the hashtagtoo she
and not she attend.
Speaker 13 (29:25):
I just want to get it in, she and I.
She again, I just want to get it in, get
it in, get it in. I just want to get
it in.
Speaker 2 (29:36):
She and I.
Speaker 13 (29:37):
She again, I just.
Speaker 1 (29:39):
Want to get it in bo she and not she attend.
Speaker 3 (29:53):
I just wanted to get it in.
Speaker 13 (29:55):
She and I, she atend. I just want to get
it in. It's is just interesting.
Speaker 4 (30:01):
You better tune in to down right in your show.
Speaker 12 (30:05):
But donay, yeah, don't play everybody bring it come. Why
you're so shay baby? You already want one to put
(30:26):
you in my favorite position? Maybe take time. We did
the summerytha and I know, I know, I know you
never have a man with no matter. Oh close, I'm
feeling like a garlic got so you.
Speaker 11 (30:41):
Tightly I can bear your temper reader. Maybe why you
tempt the misa. I love it when you're pressed fanning it.
I love it when I love it when I can
be your temple reader. Maybe when you tempt the misa,
feeling like you want to give me someone I want Norah.
Speaker 3 (31:01):
My body's on you, your body's on me so close
I can feel.
Speaker 13 (31:05):
Your prey proleming and you love it.
Speaker 1 (31:07):
Man, bless me.
Speaker 13 (31:11):
My body's on you.
Speaker 3 (31:12):
Your body's on me so close I.
Speaker 13 (31:14):
Can feel your prey prolemn me and you love me.
Speaker 1 (31:17):
Then, bless me.
Speaker 4 (31:22):
You said hello, no way you do me turn my
body or your buddy.
Speaker 6 (31:25):
Like a two piece. Yeah, we can't beg her to
go moving?
Speaker 3 (31:29):
And are you getting to me just like that?
Speaker 31 (31:31):
I know, I know, I know you turn me off
where you blow my minda I'm tempting to tim.
Speaker 13 (31:41):
So you tightly.
Speaker 11 (31:42):
I can pay your temper reacher, matbe why you tempt
the misa. I love it when you're pressed fanning it.
I love it when I love it when I can
pay your temper. Richer, betb me when you tempt misa.
You know how to survive with me, but you be
with my bodies on you.
Speaker 6 (32:02):
Your body's on me, don't forget.
Speaker 7 (32:33):
If you want to get your opportunity to get your
music player on the radio show, you can always go
to our website www. Dot the Radio show dot com.
Go to where it says submit music, fill.
Speaker 6 (32:44):
Out the form.
Speaker 7 (32:45):
Fill out all that information and your song will be
able to come over here to us and perhaps being
played on the radio show on at least on the
future episode. But it all starts with the heading out
of session that we got coming up a little later
on tonight. It all starts right there. You can send
your music for that for that coming up and we
play your music there. That is the beginning point. And
(33:07):
when you get past in the head and out of session,
once it makes it past that part of the show,
it makes it right tone over to the play at
a slash portion of the show, which we got coming
up in about ten minutes from now, and if it's
good enough from there it goes into rotation. Maybe perhaps
we bring you on on the interview here on the
(33:29):
radio show and hey, you never know, get your added
to the radio show dot com. We're a hood to
block to block always the radio show done d ND
and Britain Living X to Human Chandelier making it happen
for your live and direct right here on Monday night
going in to Tuesday. So one thing which I saw
(33:52):
happen over the weekend, you guys, there was an artist
that got signed to a record label, a major record label.
Now you're asking, you're saying, okay, it's just an artist whatever, Dundee, Well,
This artist is a AI artist, an AI artist, she
(34:15):
got signed to a major record label. The artist's name
is Zena Money. I don't know if you ever heard
of you guys, ever heard of Xena Monee.
Speaker 6 (34:23):
And you ever heard her?
Speaker 13 (34:24):
Yeah?
Speaker 4 (34:25):
Yeah, I heard of her.
Speaker 7 (34:26):
Okay, yeah, she got signed to a major record company.
And I was listening to a podcast and they was
talking about her. Let me make sure I get this
podcast right. Djj eric a j Erica, djj Erica. She
was talking about this artist getting signed to this AI
(34:50):
artist getting signed and why record labels went ahead and
choose to sign this artist. It's what djj Erica had
to say about on her podcast.
Speaker 26 (35:02):
I've just seen Kalani video talking about this AI artist
that got signed to a record label for like three
million dollars and her name is like Jenny Mnette. They
just doing what they've been doing in the music industry,
you know, finding a minority to pimp out to make
money from. But the only difference is this time, the
(35:24):
executives and the producers that choke call help with the
artists don't have to deal with the artists complaining or
lawsuits and stuff.
Speaker 2 (35:32):
You know.
Speaker 26 (35:32):
I think that's the biggest factor in which they're benefiting
from is knowing that they can literally pimp out a
black woman and use her vocals and everything else and
not have to deal with the lawsuits and the media
complaints and all these things in the long run.
Speaker 7 (35:50):
Now, not Britt, you said you've heard of her, right right? Okay,
I have never heard of her. So in case for
those of you who are like me and never heard
of for here's a little bit of her music and
now she.
Speaker 3 (36:02):
Sounds right now, if you get a number one, I
gave you all of me.
Speaker 19 (36:10):
Even the parts of shul to say stayed when the
new better would love have me? Look at the other way.
You haven't got it myself. Shrinking just made you feel time.
Speaker 5 (36:30):
But I had to lose that version of me.
Speaker 26 (36:33):
To remember who I was at.
Speaker 2 (36:40):
Now.
Speaker 7 (36:40):
Okay, So that's seeing a monet right there. She's an
AI artist. Now you see that that AI company is
getting three million dollars for her signing with the major
record company brou as an artist. How does that make
you feel? Knowing that's an AI artist is basically taking
your job?
Speaker 20 (36:58):
Right?
Speaker 4 (36:58):
Well, I feel like it's unfair, I mean, but what
can we do about it?
Speaker 1 (37:01):
You know.
Speaker 4 (37:03):
Because it's like that. It's the truth.
Speaker 8 (37:05):
I don't have to deal with your attitude. I don't
have to deal with any like lawsuits. That's out of
my control technically. I mean, it's always gonna be something,
but you know it's gonna be nothing self inflicted, you know.
And they can take all the money. They're not worried
about you being mad at the money cut. You know,
like they get to split for the money, so why not?
Speaker 6 (37:27):
Yeah, yeah, true that m Mike.
Speaker 7 (37:30):
I'm meet your mic and as an executive point of
view right there, you know, one of the joys you've
always had is working was an artist, helping produce the
music and all that stuff, working on the craft, working
on the artist's voice. Well you won't have that now
with an AI artist. Your thoughts on that, well, can
you hear me?
Speaker 6 (37:50):
I got you go there.
Speaker 9 (37:52):
I think.
Speaker 24 (37:55):
All the artists need to get together and tell their
fan base not to support no music by ar.
Speaker 9 (38:03):
I.
Speaker 24 (38:03):
A AI artists don't support it, you know, if you're
getting done by Spotify.
Speaker 4 (38:11):
Did you well check this out.
Speaker 8 (38:13):
A lot of people didn't even know she was AI
until they until they started announcing it. They put her
on us to see how we felt about it, and
you know, they had a song that was rotating and
people was really feeling it. I even had somebody I
knew like share it with me, you know, as it's
a song like they felt like I would want to hear.
And then they started to come out and say she
(38:34):
was a AI artist, and that's when Kaylani you know,
started to give her opinion on it. You know, so
like technically just listening right off, you don't know, and
people overseas and different stuff that really don't know when
it's on like Spotify iTunes, on a playlist, it's not
gonna say AI artists. You're just gonna be listening and
be like, oh I like that song. So it's really
(38:55):
hard to fight the machine, you know.
Speaker 7 (38:59):
Right, Okay, all right, let me see when me bring
in low digs, low digs, how you do?
Speaker 6 (39:04):
How you doing tonight?
Speaker 2 (39:05):
Man?
Speaker 32 (39:07):
I actually seen this coming and this is like, this
is actually the destruction of the of the artist like this, this,
this is actually like the destruction of the artist.
Speaker 6 (39:19):
The I seen it coming.
Speaker 32 (39:22):
When when when more auto tunes and different frequencies were
starting to be more and more acceptable and normalized, you know,
when we started to integrate auto tunes into.
Speaker 6 (39:42):
Like into singers records.
Speaker 32 (39:45):
When we started to integrate auto tunes into hip hop artists,
like as a regular thing, not just as a one
off artist, but every artist started to make like they
literally gave auto tunes a voice to where like it
became a popular sound amongst every amongst most artists, Like
(40:06):
that was the go to, Hey, why don't you just
throw the bike on it? Well, we called the bike
in the studio, Why don't you just throw auto tunes
on me?
Speaker 6 (40:14):
Or whatever?
Speaker 32 (40:14):
Like, the more integrated auto tunes became, I knew AI
was next because if you can do auto tunes, and
then now.
Speaker 31 (40:23):
Look at social media and you see people putting.
Speaker 6 (40:25):
On more filters.
Speaker 32 (40:27):
It was a matter of time before you just combine
the two and say, hey, you know what, I'm gonna
fake my voice and fake my image. Well why not
put a program out here that could fake both?
Speaker 6 (40:39):
And if I do write.
Speaker 32 (40:41):
Lyrics, which is not so common anymore, but if I
do write the lyrics, if I just put a concept
in it, because they got it now where you could
put a concept in there, tell it what genre I'm
being a genre, and then and then compare it to
the artists. You say, make a combination of these two artists,
and then then you can adjust.
Speaker 31 (41:02):
Which pitch or how off or on you want that
pitch to be, and it will just give it to you.
I was just in the studio day before yesterday and
I seen it happen, and I said, this is really
a shame.
Speaker 2 (41:13):
Like I was.
Speaker 32 (41:14):
I had to I had to go through a whole
thing where I was explained espressively to my brother that
music doesn't sell, that culture and products sell. We are
literally going back in time to where we're now using
music as jingles all over again. So the value of
music has went down.
Speaker 6 (41:36):
M right, correct.
Speaker 4 (41:38):
Yeah. I've watched my uncle rifle Man.
Speaker 8 (41:40):
I've watched him make a whole song like a year
ago because he was tired of me like coming over
and record, and he was like, check this out, look
what I did. And he writes really well, you know,
and it sounded great, like the girls sounded like perfection.
Speaker 4 (41:55):
It was crazy. I'm like, man like, like you said,
all you got to do is be like like that
girl died you.
Speaker 8 (42:00):
She sound a mixture of Brandy Jasmine Sullivan and like
Beyonce put together.
Speaker 7 (42:07):
Wow, so so so It's just like that you said
rifleman was tired away you come to come and record,
and he just heard some voices, probably use a little
to you, and that is just like that made you
recording and bam there it is.
Speaker 1 (42:22):
Huh No.
Speaker 8 (42:24):
No, she didn't sound like me, but she sounded good though,
Like she sounds real good. Like when he told everybody
at the party was Ai. People were like what, and
I'm it sounds good. She was hitting rhymes like everything.
Speaker 4 (42:38):
I was like, whoa wow. I was like, do you
you know if you want to do that, you know,
go ahead.
Speaker 7 (42:45):
So so so let me ask you this, and even
low Diggs as well. So would you be would you
do a song an AI song? Well, do a song
with an AI artist?
Speaker 18 (42:55):
No?
Speaker 6 (42:56):
No, no, no, Why wouldn't you know what the AI artist.
Speaker 4 (43:00):
Britt Because it's going against what I do.
Speaker 26 (43:04):
You know?
Speaker 4 (43:04):
Why am I gonna help feed the machine?
Speaker 1 (43:06):
You know?
Speaker 2 (43:07):
Like not?
Speaker 6 (43:08):
So We're gonna go ahead and roll right along.
Speaker 7 (43:10):
We got player a Slaid, we got Loving Lust coming
up momentarily as well. But first and foremost, we must
do the celebrity interview of the week. The celebrity interview
this week, Bronch you by Spotlight three sixty Media. Again,
like all the celebrity stuff I do, make sure you
were right on over the Spotlight three sixty Media follow
that and on social media platforms as well as Spotlight
(43:30):
three sixty media dot com. This week, I caught up
with I can't remember, I'm sorry. We caught up with
I'm sorry, I gotta get my name? Yeah, exactly, we
call it what I caught it with. Eric Bellinger talked
about the new record which he put out last Friday.
Make sure you screw up the new Eric Bellinger record
as well. I caught it with him recently.
Speaker 20 (43:52):
Here's what he has to say, show ribbon and all
the red carbs.
Speaker 21 (43:59):
Here's name exclusive celebrity interview.
Speaker 7 (44:02):
Man as an artist, Man, you're going as an artist? Also, Man,
tell about this new album?
Speaker 6 (44:05):
Man, So yeah, new album.
Speaker 33 (44:06):
It all makes sense and so now it's available everywhere,
and I'm just excited for the people to hear the
growth and the experimentation, you know what I mean.
Speaker 4 (44:16):
I tried out something different with this half pro sound,
and I.
Speaker 33 (44:19):
Really got more comfortable and I'm having a lot of
fun with it. So I'm excited to have another project out.
Speaker 7 (44:23):
That's what up man, that's all Red Dude, that's my joint.
I love Red Dude, that's my joint.
Speaker 1 (44:30):
Right the right Yo, after boy and Eric.
Speaker 13 (44:32):
Bellinger and Leamyah Good bellanjer Right now.
Speaker 33 (44:34):
You're listening to the radio, keep it lots easy.
Speaker 8 (44:47):
Let's go, let's go, let's go with your girl Bretty
Loving X the Human Chandelier here on the radio show.
And you're listening to Love or Lust? Do you have
a problem with your relationship? Do you want to know
if it's love or lust? Let us all vote and
let us all let you know if you're in love
or if it's lust.
Speaker 6 (45:06):
Before we get in Love and Lust.
Speaker 7 (45:07):
Ghetto Ghetto is ghetto Island music and merch collab is
coming soon though, And just like he said about auto tunes,
collab with auto tunes will do the same. So I
guess he's gonna use auto tunes and do a collab
record with it.
Speaker 6 (45:23):
So it's all good. But on to Love and Lust
Britain Levin X to Human Chandelier is the floor.
Speaker 4 (45:29):
Is yours, It's your girl, Britty Lovin X the Human Chandelier.
And today on Love or Lust, the topic is is
it love or lust?
Speaker 8 (45:41):
If you broke it off with someone due to their
toxic ways, but they keep trying to get back with
you even though you know they haven't changed.
Speaker 6 (45:54):
I think there's love.
Speaker 7 (46:03):
I think it'd be a little of both, To be
honest with you, even though they're toxic, you get back
with them. One person is experiencing love definitely because they
love you know, being with you. It could be a
self esteem issue as well. I'm gonna go with either
love or I'm gonna go with both. I'm gonna go
with both on that one. I'm gonna go with both
because they could be getting back with you because they
(46:24):
missed the sex. I'm gonna go with both. I'm gonna
go with both. Uh MD, what you think love or less?
Speaker 6 (46:33):
I really couldn't hear she through my system.
Speaker 24 (46:36):
She sound like she's in a matrix.
Speaker 7 (46:39):
Oh you're the matrics, Okay, well she's She just basically
said that if you know, uh, you break up with somebody,
you get back with somebody.
Speaker 4 (46:48):
They want to get back with you them. They want
to get back with you.
Speaker 8 (46:53):
So it's this person like they you don't want to
be with them because they toxic, but they still keep
trying to get with you even though they're not trying
to change their toxic behavior. They're aware of their toxic behavior,
but they're not trying to change the toxic behavior.
Speaker 6 (47:07):
Okay, did you hear that in me?
Speaker 24 (47:10):
No, she's in the matrix.
Speaker 6 (47:11):
Okay.
Speaker 7 (47:12):
Basically she's saying that that dating somebody toxic. You guys
broke up, but the person, the toxic person wants to
get back with you is that lover lust?
Speaker 24 (47:23):
That can be Wow, that's on the that's on the
fine line. Because it's toxic. It can be it could
be luss. They he could be loved.
Speaker 1 (47:35):
You know.
Speaker 24 (47:35):
It depends how the toxic individual is exacting.
Speaker 6 (47:40):
Right right, I got you, I got you? Uh birds,
Kelly Good over there, over there?
Speaker 4 (47:45):
Yeah, he's over here, all.
Speaker 6 (47:47):
Right, Kelly Good. What's going on?
Speaker 14 (47:48):
Many you doing tonight?
Speaker 6 (47:52):
We're good, man, We're good. We're good. So love and lust?
What you think? You always give good answers. I like
your answers on this, Thank you, Sarah.
Speaker 14 (48:03):
I would say that it is LUs. It's LUs because
for one, it's a toxic love and talking love cannot
be conducive to any relationship. When somebody loves you, they're
not going to be toxic with you. On a continuous basis.
They're going to someone point out the behavior, and when
(48:24):
it's pointed it out, they're going to make the correct adjustice.
When they try at least give some effort to make
correct adjustice. That shows that it's love. When they're not
even trying by trying to get back with you, and
you've already told them that they need to make the
corrected justice, but they're not even willing to even try,
(48:45):
that shows that they don't truly love you. That it
shows that they're lusting after the thought of you and
to being with you. So I'm going to have to
go with that blud. Maybe it's a little bit of love,
but it's the type of love that you don't want
and you don't.
Speaker 6 (48:59):
Be got you.
Speaker 7 (49:01):
Okay, all right, all right, that's what's up. That's what's up, Kelly,
good get it answer you want to give you answer?
Keyword DA radio shows on social media platforms that is
open for you and open line for you.
Speaker 6 (49:12):
You can step right on up and step right on in.
Let's go right on over.
Speaker 7 (49:16):
Speaking of stepping right on in to play at a slave,
we jump into that right now.
Speaker 29 (49:22):
Join the radio show every Monday night, every Monday night
play wait for the indie song that you enjoyed the most.
Speaker 6 (49:32):
We're inside the player of the slave right a buy.
Speaker 7 (49:34):
Now, what we do each and every week around this
time is we take two songs that have been sent
to us and we ask one fundamental question.
Speaker 6 (49:42):
Should we play it or should we play it.
Speaker 7 (49:47):
Slid That's right, y'all, slaves the record, throw it in
the cyber trash, never to be heard from. Or should
we play it over and over again and put it
on the radio show dot com. So we got two
songs that we are going to get to right about now,
and we're gonna get these songs on the air without
any further ado. The first one, uh fifty the Caesar,
(50:11):
I know you were familiar with him. He sent us
another record. The record is called smooth with It. All right,
so y'all ready to check that out. Let's let's do it.
Here we go fifty fifty to Caesar, smooth with It,
play it the Slayer, Let's.
Speaker 21 (50:28):
Go the radio show, Radio shows the radio show play
or slid.
Speaker 6 (50:40):
Riff Laf dropped another one.
Speaker 12 (50:43):
Yeah, you.
Speaker 1 (50:50):
Look so smooth man.
Speaker 7 (50:52):
It's the weekend and it's been a long time, and
this is Friday Friday, So you know I'm gonna share.
Speaker 4 (51:00):
That's try and when the knife ball, you know I'm
gonna because it's sad.
Speaker 13 (51:05):
It's me got a dose because you know that ball.
Speaker 1 (51:09):
And flows showing up the one.
Speaker 6 (51:13):
All my friends as they.
Speaker 32 (51:14):
All know that I was posted off like those gun
to anybody, you'll try to try.
Speaker 6 (51:19):
My family, my.
Speaker 1 (51:21):
Name to everybody.
Speaker 3 (51:23):
It's all hell seas because y'all know my gun.
Speaker 6 (51:27):
You grow so radio Okay, didn't mean to do that there,
My bad, My bad.
Speaker 7 (51:39):
Let's jump in and play the slid right now and
get our thoughts on that fifty the season smooth with
uh real living next to you and chandelier.
Speaker 6 (51:46):
Play at the slid?
Speaker 4 (51:47):
What do you think I'll play?
Speaker 6 (51:50):
You will play that record there? All right?
Speaker 7 (51:59):
M d a slid? What should we do with the record?
I'm glad I'll play it, okay, Kelly, good play it
a slay? What should we do with that record?
Speaker 6 (52:15):
Sir?
Speaker 14 (52:20):
I would have played it, but right now, I'm.
Speaker 6 (52:25):
What you do right there? All right? Blow digs play
a slig What should we do with that record?
Speaker 9 (52:31):
Sir?
Speaker 4 (52:33):
If it was re recorded, I would definitely play it.
Speaker 32 (52:37):
Play it after re record and some key changes because
the concept is good, but the record is wrong.
Speaker 6 (52:45):
All right. It sounds like a slave to me. If
I didn't know of one. Uh, Nick, what's up everybody? Hey,
dum z yo, I didn't remember it, So I'm gonna
say slave.
Speaker 7 (52:59):
That's right there from Nick as well. Sl and uh,
that's not my favorite fifty Deseasars song. He had better records.
I'm gonna go ahead and slay it. Also, song that's
smooth with It by fifty de Seasar. I liked a
(53:19):
couple of other songs that he had sent before. I
didn't like that one myself either.
Speaker 6 (53:23):
So again smooth with it, Smooth with it? Yeah, okay.
Speaker 7 (53:29):
That artist's name was what fifty the Caesar, fifty season yep,
fifty deseas It. Let's go ahead and check out another
record right now. Uh that was sent to us.
Speaker 6 (53:43):
This is m O three.
Speaker 7 (53:44):
He came with another record as well, another artist, another
returning artist. That's all good. I like that, Another returning artist,
m O three. He got another record that we're gonna
jump to right now. This is called came up. M
O three came up. Let's check it out here we
go play it a slick.
Speaker 1 (54:00):
Let's go.
Speaker 21 (54:03):
The radio show show, Radio shows, the radio show or sledge?
Speaker 10 (54:11):
Oh h.
Speaker 2 (54:19):
H h.
Speaker 3 (54:22):
They asked me how it came on?
Speaker 1 (54:24):
Why not because I stay down?
Speaker 8 (54:26):
Yeah?
Speaker 3 (54:26):
Why would I change up?
Speaker 2 (54:28):
Them?
Speaker 6 (54:28):
People know my name?
Speaker 18 (54:29):
Now?
Speaker 3 (54:30):
It's crazy?
Speaker 5 (54:30):
How I got the value?
Speaker 6 (54:32):
My life is so danger? I'm I always.
Speaker 3 (54:35):
Stay the same same when they change it up?
Speaker 4 (54:37):
They asked me how it came on?
Speaker 1 (54:39):
Why I can't stand down? Yeah?
Speaker 13 (54:42):
Why would I change up?
Speaker 6 (54:43):
The people know my name?
Speaker 8 (54:45):
Now?
Speaker 4 (54:45):
It's crazy?
Speaker 13 (54:46):
How I got the family fad like?
Speaker 14 (54:48):
So danger?
Speaker 3 (54:50):
I always stay the same.
Speaker 4 (54:52):
Same and they change it up?
Speaker 8 (54:53):
Why I'm doing?
Speaker 3 (54:55):
How again? I I didn't know whatever?
Speaker 6 (54:57):
Reaching for the balletic.
Speaker 30 (54:58):
I was stugging in the trees, trying to make it
out of this gang.
Speaker 20 (55:03):
To the end?
Speaker 21 (55:05):
Radio show, the radio show, play it or slid?
Speaker 7 (55:09):
That is our second player. The slave record for tonight.
That is m O three songs called came up. M
O three songs called came up? M D play the slave?
What do you think about that one?
Speaker 6 (55:20):
MH, Well, give it a little, I'll give it, play
all right. Living next to you meansandler? Play the slid?
What should we do with it?
Speaker 4 (55:38):
Play?
Speaker 14 (55:39):
I like it?
Speaker 4 (55:39):
I'm playing.
Speaker 6 (55:46):
Kelly Good, play the Slave, What should.
Speaker 1 (55:48):
We do with it?
Speaker 4 (55:52):
Kelly Good, Yeah, yeah, play that.
Speaker 7 (56:00):
All right, gonna play that as well? All right, low digs,
play the Slave, What should we do with It?
Speaker 6 (56:12):
It was melodic, it had structure. Let's play that, Nick
play the slag? What do you think?
Speaker 7 (56:25):
Kelly Good took the words by my mouth?
Speaker 6 (56:27):
Play all right? All right?
Speaker 7 (56:35):
That was a unanimous play, So unanimous player around here,
which means we're going to be adding that record to
the radio show dot com. Another exciting show, another exciting
guest saying back time, same back channel.
Speaker 6 (56:50):
We'll see you next week. The Radio Show by y'all the.
Speaker 3 (56:53):
Radio show so far.
Speaker 13 (56:55):
Make sure you follow us on all social platforms at
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