da radio show

Episode Transcript

Speaker 1 (00:00):
It's time to solve.

Speaker 2 (00:04):
Radio show.

Speaker 3 (00:09):
Sure we are the greatest. We played the greatest indie
artists on the radio show. We got hot topics, we
did they propping on the radio show.

Speaker 4 (00:32):
Listen to love and listen give up being your relationship
problems will be with it.

Speaker 1 (00:36):
So make sure you tune in and the radio show.

Speaker 5 (00:41):
So did you get a chance to check it out
on Saturday? The verses between cash money and no limit records?
Who do you think one? Who you think you have
the biggest hits? Well, we're gonna talk about that and
much more than I ass were bringing the radio show
dundee and bring the liver next to you and chandelier
making it happen for you.

Speaker 6 (00:59):
Mbre joining us at some point.

Speaker 5 (01:01):
We are broadcasting live from our wee by house, the
studio which you gotta house to sell.

Speaker 6 (01:05):
Hit us up.

Speaker 5 (01:06):
Three one oh nine two two eight one one four.
It's three one oh nine two two eight one one four,
any condition, any style. Operators are standing by as we speak. Man,
it's the radio show strictly independent hip hop and R
and B music right now? What's going on? But everything
is well with everybody. But everybody had a wonderful week.

(01:27):
We are here with another edition here of the radio show.
Uh Brita Living next to Human Chandelier. How are you
doing tonight?

Speaker 7 (01:36):
I'm doing good. I'm doing good. You already know. You
already know. It's a GrITT birthday week.

Speaker 5 (01:43):
So it's popping, Yes, indeed that First of all, like
I said, I had a mix for you, but I
didn't like the way to mix sound, so I said
I was gonna play it.

Speaker 6 (01:51):
So I said I was gonna leave it alone.

Speaker 4 (01:54):
I think, fine, Look you still got to the next Monday.

Speaker 7 (01:58):
My birthday is on Saturday.

Speaker 5 (01:59):
Oh okay, well you know what, I'll try it again
for next Monday. I'll try it again for next Monday.
I'll have that Bridge eleven next to Human Channelier exclusive
mix of Bridge song.

Speaker 6 (02:08):
That was my plan. That was my birthday gift to you.

Speaker 7 (02:11):
Okay, okay, run it.

Speaker 6 (02:14):
Yeah, we're gonna try to make it happen on that end.
All right.

Speaker 5 (02:17):
That's what's up. That's what's up. So what are you
doing specially for your birthday?

Speaker 6 (02:20):
Anything? We uh that that you got going on? What
you're gonna do? What you're gonna do?

Speaker 7 (02:25):
So I have something special going on.

Speaker 4 (02:27):
I am going up to Solano and hanging out with
Calli Good for the weekend.

Speaker 6 (02:31):
Okay, all right, that's what's up. That's what's up.

Speaker 5 (02:36):
That's what's up. That's what's up. It's all good right there,
it's all good man. Shout out to Kelly Good as well.
Shout out to you man. Well, we're gonna roll on.
Write this to trending topic. Trending topic brought to you
by Spotlight three sixty Media. If you got a uh,
if you like the celebrity stuff that we do, what
got going on right there, you can always go to
our website Spotlight three sixty media dot com. You can

(03:00):
see all that celebrity stuff that I do right there.

Speaker 6 (03:03):
Now.

Speaker 5 (03:05):
I was talking to some folks over the weekend and
they were talking about hip hop and.

Speaker 6 (03:11):
They they felt that.

Speaker 5 (03:12):
Hip hop is in a good, good place right now,
you know, with everything going on, despite all that's going on,
you know, a little be between Cardi B and Nicki
Minaj and all that stuff. They fail, hip hop is
in a good place. Do you feel hip hop isn't
a good place, Britt? What do you think it's hip
hop in a good place?

Speaker 4 (03:34):
Yeah, I think it's in a good place. You know,
I mean, the beefs are cool and all. I really
like the weekend with cash money, you know what I'm saying,
Like they did they think? Now this is what I
did not like. I did not like that Lil Wayne
wasn't there. But you already know they have a secret
beef that we don't know about. And it doesn't how
much money is on the table, you know. You just

(03:55):
be like, I'm not dealing with them no more. You
know what I'm saying, Like I don't want them to
do with them. I don't care what's going on. I
don't care how much publicity we're gonna get it.

Speaker 7 (04:02):
Like I'm good, you know, right right right? I think
it's I think it's cool. I think it's in a
cool place.

Speaker 5 (04:08):
We're gonna talk about the verses in the second in
another direction, but uh, we're gonna bring in our guests
to talk about what do you think about it? Hip
hop in a good place? Reef hustle man, you think
hip hop is in a good place or what?

Speaker 1 (04:22):
It's a real good question.

Speaker 6 (04:23):
M h.

Speaker 1 (04:26):
It's a real good question.

Speaker 8 (04:27):
I would say, you know, hip hop is in a
good place right now, not more of the popular with
a lot of.

Speaker 1 (04:38):
People watch every day.

Speaker 8 (04:42):
I think that the underground is more more palatable, you know,
got more depth. There's so many other artists that's out
there that the machine is not behind, and they deserve
to be, you know, on top, you know, besides Kenjick's,
the Coles and those guys.

Speaker 1 (05:04):
I think those in the drinks and stuff like that, you.

Speaker 8 (05:07):
Know, But I think overall, I think the underground is
where it's at.

Speaker 6 (05:13):
That's what's up, all right. You're definitely man so hip hop.

Speaker 5 (05:16):
You feel that that needs to get more shown into
the underground, of course, and that's why we have the
radio show. We give to the underground, independent artists and
everybody alike right there.

Speaker 6 (05:25):
Man, So that's what we do.

Speaker 9 (05:40):
She got home like a bottles. She hustled.

Speaker 2 (05:44):
She knows she is certified.

Speaker 9 (05:48):
She would walk.

Speaker 10 (05:49):
By, walk till me. He'll shoot fly.

Speaker 11 (06:08):
Gucci Daddy, Gucci is Luis. It's in Louisa prod person's fashion.
Kill her with up, she says, yes, she know it.
She gave up the short short watch out how she
won't same way she talking. Oh, she detect a hustle
at and go and get it.

Speaker 9 (06:24):
Jimmy too. She cut some fitted her.

Speaker 11 (06:26):
Only mess with mom fils trow riding through the city, missus,
Hello kitty and depended pretty polo horses.

Speaker 9 (06:33):
When she riding with me.

Speaker 11 (06:34):
She loves shopping, DCD, party and mount. She gets it
how she wanted. She's so country brown. She keep that
money coming. She be born very stunning, this superwoman, she
got it.

Speaker 9 (06:47):
You can't tell her now, only like a bottles. She
hustled like.

Speaker 2 (06:52):
She knows.

Speaker 10 (06:52):
She is certified laden. She walked by, walk.

Speaker 12 (07:15):
On my crying on my game.

Speaker 13 (07:17):
Got the stark, never tane, keep it sharp, never plane
rushing high, bring the change, free the browns through the sky,
slight and strikes as a live set the world. Every
move trail blazing and the glue eyes on me can't
help but see stripes of oak.

Speaker 2 (07:31):
Turns up tighter.

Speaker 14 (07:32):
I'm the fire, I'm the ignite, got us with the
golden touch woos the game. Need no clutch, shot the crown,
no bridles in sight. I'm the Moon's little pure menn
in the league of my own, set the base, no challenge,
just in my braces. I'm the common blazing past.

Speaker 9 (07:46):
It's in the sky. Mike is cast brother, the strips
of Mimick. My game but they say like shadows don't.

Speaker 15 (07:52):
Send the flag, and it took them so good heat
the scring turn the.

Speaker 13 (07:55):
Stage into my m alive while I am big, So
you can't what a bring does success. I'm the trans
suck sitting on the crip. Hey, the stay impressive thing
in the sassky. I'm bringing hi and zero stress.

Speaker 6 (08:08):
See the cream shack of horse and finding another way.

Speaker 5 (08:11):
He's sitting on the fifty secrets on the bosom and
now hey he's stunning on them latinos on the feet.

Speaker 6 (08:17):
Got a model watering on them, gain for from wrestle.

Speaker 16 (08:20):
But see the type they can't get hood on everybody
on some gags, the type that you can't let me
pass get damn.

Speaker 5 (08:27):
You the bunch shut it head and checking Hayton because
the standing strings dependent.

Speaker 9 (08:33):
Fast right body right, mine right, ain'tthing for this year.
The nikki even got.

Speaker 10 (08:38):
A little shig again, a no mebe yo nothing little
man shring a pull a little.

Speaker 1 (08:43):
Bit bawling on some bous.

Speaker 17 (08:44):
Sure you know that she ad by got.

Speaker 6 (08:47):
That do yet again when he wants his name?

Speaker 10 (08:51):
What he now? All they place show maybe you ain't
no cozy chick, so missle with their pull shesser.

Speaker 9 (08:56):
That's the chattle talking about it, so you ain't got it.

Speaker 6 (08:59):
Even the slap dropper shout rop a bottle topper.

Speaker 10 (09:03):
Only like a bottle sis. She hustled like a bad six.
She knows she is certified shirt matan damn.

Speaker 9 (09:11):
When she walked by, Yeah bad.

Speaker 10 (09:17):
Look walk him he'll singer mad Jim lips dead singer dancer,
ain't gonna shoot fly, she's singer bad.

Speaker 2 (09:27):
Don't bad, Yeah don't she bagg.

Speaker 9 (09:31):
Broom through boom boom through boom broom through boom.

Speaker 2 (09:41):
Broom through boom, love and lost late late later, we

(10:09):
came and move.

Speaker 18 (10:10):
Brow show.

Speaker 9 (10:17):
Turn to radio. Oh are you the fly?

Speaker 18 (10:31):
You're singer ever It's like we belong together. Baby, I
want to fill your pleasure. I'm trying to dig in
your treasure.

Speaker 6 (10:47):
I can't turn up.

Speaker 19 (10:51):
Into a bird rooms every girl into amber.

Speaker 18 (10:58):
Do take this show shot show bad shot.

Speaker 9 (11:05):
The man into a group of because starting to g
like I can't taste that SFIC.

Speaker 18 (11:13):
Let's turn the ones into taking my hands off. You
reread for whatever.

Speaker 9 (11:20):
When you're going through love that can shoot dose you.

Speaker 18 (11:27):
Get and shouting, we're gonna get this thing jumping I
can't birthy.

Speaker 10 (11:33):
You got me.

Speaker 9 (11:36):
Trying to don't have from the baby.

Speaker 18 (11:42):
Oh god, your body looking away.

Speaker 9 (11:45):
There, don't make it go crazy. It shore into the
bed room.

Speaker 18 (11:54):
Let's shea sit bad girl until I'm gonna take this shot.

Speaker 6 (12:02):
Shot.

Speaker 9 (12:03):
That's your back shot man, it's a full pat because
breaks and gee like you can.

Speaker 2 (12:10):
Taste that tectic.

Speaker 18 (12:14):
Let's turn the ones into taking the hairs off your
bread forever.

Speaker 9 (12:21):
When you come through that cad streets.

Speaker 10 (12:26):
You know me.

Speaker 9 (12:28):
Logging and so then we don't need to take pick.

Speaker 18 (12:35):
Let's turn the one's in the door taking the daze
off your off youever whatever.

Speaker 19 (12:43):
Love that chip street, Camp street. You just hear me
loggy and so the little little listing jump in.

Speaker 5 (13:13):
Check a road right along and go straight to our
guests and talk about what's going on with him inside
of Move the crowd right about now, y'all.

Speaker 2 (13:22):
Can get closer to your feet, taking his time for
the radio show.

Speaker 5 (13:27):
Move the crowd all right, y'all, we're inside and move
the crowd right aboy. Now, Now what we do each
and every week around this time is we take an
artists off stage, bring him backstage.

Speaker 6 (13:37):
You get to know them.

Speaker 7 (13:37):
Britt up close and more personally.

Speaker 5 (13:43):
Yes, indeed, man and joining us now my man, rehustling
the building man, So rehustle officially.

Speaker 6 (13:49):
How you doing, sir?

Speaker 1 (13:50):
Hey y'all, what's up? What's going on? How you doing, guys,
Dundee and Chandelea.

Speaker 6 (13:54):
How are you well on this side?

Speaker 10 (13:57):
What's going on?

Speaker 7 (13:58):
We're good?

Speaker 6 (13:59):
We're good man, We're good.

Speaker 8 (14:00):
Man.

Speaker 1 (14:01):
I love that outfit you have on.

Speaker 7 (14:03):
Thank you, thank you.

Speaker 5 (14:05):
Yeah, indeed, man, I tried to I tried to wear mine,
man with us in the shop and the cleaners. Man,
it's in the cleaners that I might have to try.

Speaker 6 (14:12):
To wear my next week.

Speaker 20 (14:13):
Man.

Speaker 6 (14:13):
You know what I'm saying.

Speaker 5 (14:14):
I'm a little off now. I know we ain't coordinated
a good man, So refus bett tell us about you? Man,
what's going on with you these days?

Speaker 1 (14:22):
I mean, hey, man, what's going on?

Speaker 8 (14:24):
I got a new album out called War two ward
stands for what about Rehustle. You know what I'm saying,
I give you the story of the last five years
that I've been dealing with a lot of trials, tribulations
and a lot of pain that's been going on in
my life. I had a lot of people who passed
away in my life, you know what I'm saying, within
the last five years. And it's been tough because it's

(14:46):
been like like major losses. You know, my mom, you know,
my brother, my me and Fred the God's Son, and
you know other people that that that was in my life. Man,
that had a big impact. I also talk about, you know,
the struggles of families. I talk about a gentleman. Uh
war war is sense for what about refussle? The number

(15:07):
two represents me and another gentleman named George Bell. Freedom
Waives the movement. Long story short, Uh. Mister George Bell
has been h incarcerated.

Speaker 1 (15:17):
For twenty four years, but exonerated. He was totally innocent,
you know what I'm saying.

Speaker 8 (15:22):
So I speak about that as well on the album,
and I just you know, show shit skills relative music,
people that can that can actually get along and and
and and hear it and say, hey, you know that
this is about uh things that I go through as well,
you know what I'm saying.

Speaker 1 (15:38):
So you know, I got a new single out called.

Speaker 8 (15:42):
Uh. I got a new single out called Uh. You
know you didn't have me, you didn't have me best stuff?
He was like, Oh, it's called Which Way to Go.

Speaker 1 (15:50):
You know what I'm saying. It's produced by the.

Speaker 8 (15:52):
Man Dennis Agony Chenkins, you know what I mean. Yeah, yeah,
And and the record is crazy. It's on all major
platforms right now. And hey guys, and you know, thank
you for having me. Man, you know what I'm saying.

Speaker 1 (16:04):
And I just got that album out right now, so
it's gonna be crazy. I mean, it is crazy.

Speaker 5 (16:08):
That's what's up, man, That's what's up. And now you
work in the past with the some of the folks
in hip hop, hip hop legends, man, Diamond, duh, that's
a big pun man.

Speaker 6 (16:17):
What was it like working with those folks? Man?

Speaker 1 (16:19):
Amazing? Man? You know, those guys are wizards. You know
what I'm saying.

Speaker 8 (16:23):
I've been blessed to work with those guys and I
learned a lot from them, you know what I'm saying.
So I'm very blessed to just, you know, work with
legends such as them. Also, I work with the legendary
Buck Wow. He produced WHOA For a lot of people
who don't know, he produced WOA.

Speaker 1 (16:37):
He produced.

Speaker 8 (16:39):
I Love You from from Faith, He didne did a
Z I'm Back, He didn't did a story to tell
from Biggie.

Speaker 1 (16:46):
So you know, I'm just blessed to having those guys
around me.

Speaker 5 (16:49):
That's what's up, man. So you've been doing your thing
with them for a man and man. So so what's
what's what's next on the horizon for you?

Speaker 1 (16:57):
Next? On my rises?

Speaker 8 (16:58):
Right now, we're just working on this album War two.
It's called What About Rehustle? The too represents Rehustle and
mister George Bell, you know what I mean. Also got
to shout out my brother thirty eight Special. He's on
the underground scene. If you ever heard a trust movement,
you know what I'm saying, that's in the realms of
the underground.

Speaker 1 (17:18):
He's an underground king.

Speaker 8 (17:19):
And that's what I'm doing right now, man, just pushing
this album and just you know, wanting to get out
there for people who don't know who I am. You know,
I held from the Bronx, you know what I'm saying.
And I've been doing this for quite some time. And
just like I said, I'm show the skills and relative
music man, to get y'all really really gone. Like I said,
it's relative music, something that you can relate.

Speaker 6 (17:39):
To, that's for sure.

Speaker 10 (17:41):
Man.

Speaker 5 (17:41):
Definitely we got reef Houstle on the building, Man Dundee
and Brita living next to human chandelier to making it happen.

Speaker 6 (17:46):
We're gonna catch it with MD.

Speaker 5 (17:47):
We got to get m D in the building coming
up momentarily, y'all strictly independent h popping the RB music
at as fine as what we do. We got Refussle.
He is in the building right now. The freedom definitely
man chopping Rehustle. We're gonna jump into his music in
a few moment. He definitely man bring the eleven next
to human chandelier. Go ahead and uh talk to Rehustle
right there.

Speaker 7 (18:10):
Okay, Okay, so I have a two questions for you.

Speaker 4 (18:13):
Okay, what was your favorite part about working on this
project and what was your least favorite part about working
on this project.

Speaker 1 (18:24):
My least favorite part was doing the records that really
meant something to me.

Speaker 8 (18:29):
It was my mom passed and I had a record.
I got a record called Mama Love, and I got
a record called My Brother. Those were the hardest records.
The easy records to me was Wavy Nights. I actually
have a video out on YouTube right now. I was
in Miami and it looks like a big motion pictures

(18:49):
It's just so crazy. And a record I got on
there called an Addiction was like a real boom.

Speaker 1 (18:56):
Back hip hop hard produced by the.

Speaker 8 (19:01):
Heat Makers who produced a lot for for Dipset and
guys like that, Jim Jones and.

Speaker 1 (19:07):
All of those guys for the God's Son. So those
was my favorite to.

Speaker 6 (19:12):
That's What's Up? That's What's up? What was the other question? Brett? Okay?

Speaker 1 (19:20):
All right?

Speaker 5 (19:20):
For shell Man definitely man, All right man, we're gonna
jump into this record real quick.

Speaker 1 (19:24):
Here.

Speaker 5 (19:24):
Your record we're about to play right about now is
sent to us, Uh tell us about the new single
you got out now Which Way Go?

Speaker 8 (19:33):
Yeah, new single Which Way to Go? You know, it's
basically explaining, you know, what is the situation that you'll
go through. You know, if you're driving and you know
you have no choice and you're trying to figure out
to stay righteous or get in the street.

Speaker 1 (19:47):
You know which one you're gonna do? Which one to go?
Which way to go?

Speaker 6 (19:51):
All right man?

Speaker 1 (19:52):
Produced by my man Dennis Agony Jinkers.

Speaker 5 (19:55):
All right, man, we're gonna jump to it right now.
Strictly independent hip hop and RB music act Find the
show Man it's the radio show.

Speaker 6 (20:02):
Let's go.

Speaker 2 (20:04):
Independent artists live here. We got this independent game on lock.
I'll figure it out the radio show.

Speaker 10 (20:14):
And you know.

Speaker 9 (20:16):
Way rehustle.

Speaker 1 (20:20):
Agony.

Speaker 21 (20:21):
Sometimes you don't know where to go, don't so you
gotta hit the ground running them.

Speaker 2 (20:28):
Do be careful, though, be care My mind's all over
the place. Sammy re Hustle on.

Speaker 21 (20:35):
Tvm's finest last.

Speaker 9 (20:36):
Year, was thinking about it.

Speaker 2 (20:38):
Rolling into college.

Speaker 9 (20:39):
They doubled on the interest rate, crediting all.

Speaker 2 (20:41):
In the garbage. They dealing with, these paws of.

Speaker 21 (20:43):
Fate, with the awe of great and Tomorrow's Nelly promised
these days I don't be giving them to be honest,
but Mama say, you've gotta pay homage to God regardless.
Simplest plane, you see, my aim is on the trucking range.
That costs a bucking change. Now why take the bus
and train with diamond cluster change? Remember all the days
I had them hunger pains, humble as ever of course,

(21:04):
being paused and infectious disease. I wonder why these young
getting checking.

Speaker 2 (21:08):
This squeeze, screaming like.

Speaker 9 (21:10):
Oh please don't break up the scene.

Speaker 21 (21:12):
They got bloods on the strip like diabetics machines. It
goes one fort of money and two's for the show.
Gotta keep it growing till you find which way to go.
He's not a fun which way to go? Sometime you
just don't know where you better like people.

Speaker 10 (21:32):
You see what I'm talking.

Speaker 22 (21:34):
I'm giving you my beauty, my fut I'm also giving
you my respect for the stream. I'm giving you my respective,
my life.

Speaker 21 (21:42):
Yeah, a rack, change and whips to represent them pain
even more, change and whips and represent the slaves taking
young and change his wits. He set up in his
ways because he's numbing pain, convinced his happiness to say,
get blow them, like in YPD, young fellow, want to
beat me, thought to I. Nine lines, that's when you
hurt the CD he walked the fine line, blind and

(22:03):
stuffy yr with Stevie New Balance nine nine nins the
Sons of your SHEI to a tour with the one
stop of death seventy one's clock. He ain't see that
ees forty five for the show Shine a honey, thinking
not much capitill of cracking the law, but not quite
just a little white like mac Miller, I told my
wife I could get it right in the change out
to Morows.

Speaker 9 (22:23):
She didn't see it.

Speaker 21 (22:23):
I got tired that chasing not d but I didn't
play the black man a straight from the law though.
Flipping the bird makes a lot like a pray to
a law.

Speaker 3 (22:33):
Man.

Speaker 9 (22:36):
I know you got this in your wills.

Speaker 22 (22:39):
You in the gym and banging it, or you might
be on the turnpikes.

Speaker 2 (22:49):
I know you're hanging it to wait to go.

Speaker 5 (22:54):
Oh no, the night we got on the radio show

(23:24):
what if that is refustle Man, So refustle man.

Speaker 6 (23:28):
Good record, man, good good record, good record.

Speaker 1 (23:30):
Thank you man. Appreciate that, brother for sure?

Speaker 6 (23:32):
Yes up, no doubt. That's already out right.

Speaker 8 (23:36):
Yep, it's already out right now. Is on all major platforms.
Also got a video for it. You can look up
on Refussle the number one on YouTube, Refussle on Instagram,
Refussle on TikTok, and refless it on Facebook.

Speaker 1 (23:50):
Man, tap in with me and I tap right back
in with you.

Speaker 6 (23:53):
Sure, sure, man, Brett. What you think about the record?

Speaker 7 (23:57):
Yeah, I like block.

Speaker 1 (24:00):
Thank you appreciate it, Appreciate.

Speaker 5 (24:02):
It for sure for sure, definitely, man. So Refussle may
give me your ig and all that stuff. So people
can follow you and get all that good info and
keep up with you.

Speaker 8 (24:12):
Yes, sir, once again, Refussle, Underscore, Ig Refussle, TikTok, Refussle, Facebook,
Refussle the number one on YouTube, so please check me out.
Freedom Waves the Movement. Shout out to sc Digital, Shout
out to Trust Movement, you know, and were moving TBM.
That's in peace for the gods and big pun you know, Mama,
love my brother wrong benefit, I'm here, Man War two

(24:35):
on all major platforms.

Speaker 5 (24:37):
Refustle show show definitely well Man Refussle, Thanks for joining us. Man,
We appreciate you, man staying up late with us. And Man,
we're gonna catch it with you next single, bring it
through and make it happen again.

Speaker 1 (24:47):
All right, same here, piece of blessings, guys, for.

Speaker 6 (24:51):
Share, for sure, for sure. Man definitely rehustles in the building.

Speaker 5 (24:54):
Man makes you request the record each and every week
here which way to go and you can make that
record number one on the countdown as well. And we
got to make it happen here each week on the
radio show. All right, we're gonna step away, take this
quick time out. When don't we come back, we gonna
find out what's going on with MD all right. Also,
we need to talk about somebody who had a little

(25:15):
a little incident on stage and kept a professional as well.
And we do have some folks that did chime in
on who they would like to see in the verses
that we didn't see. We're gonna mention THO mention those
as well. Our strictly independent hip hop and army music
at US finance. Y'all's the radio show will be back.
Here's what's going on recently on the radio show. Putting

(25:36):
out singles and putting out EPs right there, testing your
testing your music in that aspect, Britt, How many songs
do you put as far as testing is concerned.

Speaker 6 (25:46):
Do you even test or how how does that go
with you?

Speaker 7 (25:50):
I don't test. I just put things out and you
see what people like and what people don't like.

Speaker 4 (25:57):
But definitely I really, you know, like some people might
not like that I'm saying this, but I don't really
put music out for my fans like that like I do,
but I don't. It's really like what I like and
if you don't like it, you just don't like it.
I do this for myself and for like my mental health.

Speaker 23 (26:20):
You know, I was talking to music professionals, and the
majority of them said that artists put too much out.
You don't get the fan base and the consumer opportunity
to marinate on the sound that they're trying to create
as an artist, and what they need to do is

(26:41):
probably put out a song every.

Speaker 24 (26:46):
Three to four weeks, but make sure you do some
promotion behind.

Speaker 6 (26:49):
It, right all. I'm here to support ourselves.

Speaker 5 (26:53):
We stopped by the lifetime release of the film Taking
That a Truck Stole. A lot of supporters and celebrities
came out to support this film as a touch is
a very serious subject matter. I spoke to some of
the cast members as well as guests and got their
thoughts on this very important project or.

Speaker 25 (27:12):
The importance of this film Taken Out a Truck Stop.
It's one of the third in the franchise of the
Black Girl Missing. It's really important for us to look
out for one another, to also ring the bell that
when black and brown people go missing, that we need
the same urgency, the same compassion, the same not dismissal
the validation. And this is why it's important for these messages,

(27:34):
for these movies to be told and for people to
talk about it.

Speaker 9 (27:37):
So that we are seen and we are validated, and
we are looked after.

Speaker 26 (27:41):
It's such an important deal, the black girl missing deal
is is so much a necessary social justice to bring
more awareness to black and brown missing women. And what
are the better way to do it than to put
it in our entertainment so that we're learning while we're
being entertained.

Speaker 5 (27:57):
Cat's stuck at a truck stop on Time October twenty fifth,
this week to pick his j T l R featuring
Snoop Dogg and Mad Scientists. That's my box with so
much trauma on the I G kind of hard being
jail double Nyt paraphrase.

Speaker 6 (28:14):
No distance I heard each week on the radio ship.

Speaker 9 (28:16):
Yet this stupid pursuit of the wealth tender. You go on, girl,
just shake that fruit because I even.

Speaker 2 (28:21):
Know now back to the radio show.

Speaker 9 (28:27):
An.

Speaker 17 (28:40):
Don't know the shoot you out?

Speaker 9 (28:42):
Baby?

Speaker 10 (28:43):
You do right?

Speaker 27 (28:44):
Tack?

Speaker 7 (28:44):
You feel that cool?

Speaker 9 (28:45):
Good?

Speaker 10 (28:45):
Tell me.

Speaker 2 (28:49):
Don't start.

Speaker 12 (28:52):
All yeah, let me people the scenes that I'll know.
I covered likenls who sees I'm the only one.

Speaker 9 (29:00):
That they're in between?

Speaker 12 (29:01):
And if I've ever made an AFT, you could watch
me leave now.

Speaker 9 (29:03):
Don't stop giddy giddy, even.

Speaker 12 (29:05):
If I'm mad or your friend kN Jiddy. I'm a
real real I don't play myself. And if Buddy dot
he played me, then he played itself. Now if you're right,
then you can get it.

Speaker 10 (29:12):
I like you.

Speaker 9 (29:13):
Yeah, I'm way you can.

Speaker 28 (29:14):
Trem me good if it's bore me. Hell, I'm real
good for you, boy, real good for your help. Yeah, baby, beauty,

(29:34):
I tell you you feel that you're good?

Speaker 9 (29:36):
Tell me.

Speaker 29 (29:40):
Starting, Yeah, sweety Chulie, I don't love every time you
can't tell me boy has one too, Honi on one.

Speaker 16 (30:07):
You don't know no better.

Speaker 9 (30:15):
Hona, you don't know Hotlona. Maybe you do right time
you feel like a good tell me oh By, don't
start to my nerdy sor and you all by we

(30:35):
knew it all now.

Speaker 2 (30:41):
Look and lost late late late, begin and move a crown.

Speaker 9 (30:51):
Show, turn up the radio. I'm my ship freeze got
go ahead.

Speaker 16 (31:07):
I saw look at my reels by two hundred years ago,
that China bath.

Speaker 1 (31:15):
The tight read.

Speaker 9 (31:17):
If he's number take ship that so is Look at
my rede where.

Speaker 1 (31:23):
Is bot two hundred years of good?

Speaker 16 (31:26):
That China Braschi red If he's shut time other than
dam it's mister fras on them come make this one.

Speaker 10 (31:36):
Don't take a bind the.

Speaker 9 (31:37):
Red by the something gir the sad off.

Speaker 2 (31:39):
Yeah, look as she rises.

Speaker 9 (31:40):
It gives you come make it lie on, ain't nothing
not getting drug up and not make a hollo magic six.
It gives you nasty nast Bernie.

Speaker 30 (31:48):
Make up eat the pathy they give me, Daddy, Daddy,
or that I'm giving the magic.

Speaker 9 (31:53):
Sixty nasty ess Bernie, make up eat the pathy.

Speaker 1 (31:56):
They gonna be.

Speaker 30 (31:56):
Daddy, know that I'm killing ally what you was big?

Speaker 15 (32:02):
Turn me away.

Speaker 5 (32:04):
You won't forget given the physic I live in at.

Speaker 16 (32:08):
And don't get bag around girl, brilliant damonds dripping the
sub celeb.

Speaker 9 (32:14):
Look at my rig that's.

Speaker 16 (32:16):
A three years ago that China bad to Tibury. If
he's live, i'ma take Yes, that's so rich. Look at
my ralist bats two or three years of going next
train of bread the Tiber. If he's living, i'm'na take

(32:37):
it bout shiget it like dad.

Speaker 30 (32:40):
Maybe you get take it, take it to get away,
go down chinnagent nikked Nigga tined him by so grind
Grandma sweet a bit sweet Gigs, I gave you the
horship squash.

Speaker 2 (32:56):
I don't blue faces, because I.

Speaker 30 (32:58):
Know you're want him shy down the bolt your ship
swey you get real nesting, you're.

Speaker 9 (33:05):
Gonna get out. That's that he's let him really mean.

Speaker 30 (33:10):
Let this sure baby to him and see let the
party do the my way love it?

Speaker 2 (33:17):
How you throwing baby going crusoes? Look him out of.

Speaker 16 (33:24):
Years a going that train a bag the type of
real ib he's really number ticket ship.

Speaker 10 (33:32):
That's all.

Speaker 9 (33:34):
My rise is using going sign a bag tied if
he's set in so much and runner, I'm put my ship.

(33:55):
That's not gonna freeze myster, gotcha.

Speaker 20 (33:58):
Go ahead, alright, look your boy Elijah Banks and you

(34:22):
listening to the radio show that's b A n x
O ks because I'm the one to kill.

Speaker 31 (34:45):
My b You want to building it.

Speaker 9 (34:50):
Is going.

Speaker 15 (34:53):
On building it, but a little let's way, but.

Speaker 9 (35:07):
Make sure whether is not. I don't want to burst
a couple of guys in a Do you have some
kind I like that?

Speaker 2 (35:25):
I like that.

Speaker 9 (35:26):
I had not.

Speaker 27 (35:29):
I had nothing, I had nothing. I'm nothing, i am nothing.
I'm nothing.

Speaker 9 (35:46):
And you see what I'm looking with all the.

Speaker 31 (35:55):
Spens me on my ready day has been fun, not
bredday like get hurt and text suits you know, you
can't tell you know, you got an election, so you
get the murder sometime.

Speaker 9 (36:13):
Because I don't want to murror.

Speaker 15 (36:19):
Maybe Mary like Apo the.

Speaker 9 (36:21):
Dance because maybe oh you want to be like that.
You don't mean like that.

Speaker 4 (36:29):
I like that.

Speaker 31 (36:30):
Oh I did.

Speaker 4 (36:34):
Like that.

Speaker 9 (36:36):
Well, my girl, Calina, you get a dre I has.

Speaker 31 (36:56):
Tackled be a private shows shut and you know I
like that and I want you try to buy that.

Speaker 9 (37:08):
I'm a girl. We wanna do it like doing? Do
it like that?

Speaker 6 (37:33):
You there, don't forget.

Speaker 5 (37:37):
You can always catch the visual portions you're on the
radio show. You can always catch them on YouTube as
well as twitch. Keyword d a radio show, you can
catch it the visual portion. This is also a video show.
Can I always tell you enough? We be making it
happen on that end. Also, you can go to the
radio show dot com you can check out the visual
portion of the show as well. So we're doing a

(37:59):
video show and radio show at the same dang time.
Big shout out to Reef Hustle for coming on and
being a guest earlier. Make sure you request this record
here on the radio show. Which way we Go? Which
Way to Go? Each and every week here on the
radio show. So yeah, do that thing right there. We
finally had a chance to catch up with m D. Man,

(38:19):
m D finally in the building. Man, So MD, what's
going on man?

Speaker 6 (38:24):
Now?

Speaker 5 (38:24):
We just mentioned earlier that the verses did go down
cash money as well as no limit on stage, making
it happen out there in New Orleans. I'm sorry, no,
that I was in Las Vegas. I'm sorry the versus
in Las Vegas. I'm sorry it was out there. It
was out there.

Speaker 6 (38:39):
I thought the verses was cool. I like, I like.
I didn't like the fact, like you said, Britt, that
that Lil Wayne was not there.

Speaker 5 (38:45):
However, I did like the fact that Snoop did come
out there and it did that record, that no limited record.

Speaker 6 (38:50):
I did like that.

Speaker 5 (38:51):
You know, I didn't expect to see him. I thought me,
x you know, did her thing as well. She was
there making it happen. Uh exactly now. Now, I was thinking,
I said, who would you like to see in the
verses that haven't had the verses? I was thinking about
that as I was kind of glancing over at that versus.
So I thought of a couple of people who I

(39:11):
would like to see in the verses. I would like
to see Usher and Chris Brown. I want to see
that happen. Okay, I want to see that happen. Also,
I would like to see you know, it's just because
they're beefing now. I want to see them in one building.
Nicki Minaj and Cardi b I want to see them

(39:32):
on on the verses. I want to see that live
on stage. I want to see how long they can
go containing themselves, you know, before something really cracks sauce.
I wouldn't mind seeing that versus that fireworks to be
off the hook.

Speaker 4 (39:45):
I feel like that's not fair to Cardi because Nicki
got more songs, you know, like she's been in the
game longer. I mean, but I'm sure Party would hold
her on, you know, but yeah, I feel it and
tell them like it would have to be like the
top ten songs or something like that, where you know,
Nikki can't run over her with her catalog.

Speaker 5 (40:04):
Well, I think I would think that that they got
enough hits, you know, to make that a nice you know,
versus I think so. I think so, you know, I
would like to see just just for the firewars. I
bet you that versus to be really they would do
very well ready, so.

Speaker 4 (40:18):
You already know it's gonna crack because everybody's gonna win
to hear the side jokes, like you already know, Nika
say something so off the wall CARDI might throw a shoe,
it might it might get interested.

Speaker 6 (40:28):
You know, exactly exactly.

Speaker 5 (40:31):
Now, who would you like to see in a verses
that I didn't mention that that that you would like
to see?

Speaker 6 (40:35):
Anybody can think of?

Speaker 7 (40:37):
No, not at the moment, No, there is is nobody
I could think about it.

Speaker 4 (40:41):
I got like a person, but not like versus somebody else,
you know, like, so I don't, I don't know, you know,
let's ask our guests.

Speaker 7 (40:52):
Let me think about it.

Speaker 5 (40:53):
For a second, okay, reef ussor who would you like
to see in the verses that that you have not seen?

Speaker 6 (41:04):
I was gonna say Kevin Foxy Okay, okay, that'll work too.

Speaker 1 (41:08):
But I was also gonna say a future.

Speaker 5 (41:12):
Okay, that'll read that'll be that'll work too. I didn't
think about those two. I didn't think about those two.
Not not sc Underscore Digital Underscore Distribution Underscore LLC on
I G says onyx and verse.

Speaker 1 (41:23):
Mop oh, okay, that's tough.

Speaker 6 (41:27):
That's tough out there, okay, okay, Kelly Good? Is that
is that right here? Kelly Good's voice right there?

Speaker 7 (41:33):
Yeah, yeah, he said, fifty versus brick Ross.

Speaker 5 (41:37):
Okay, huh okay, that might be something. That might be
something right there, that might be something.

Speaker 9 (41:45):
Yeah.

Speaker 6 (41:45):
Yeah, Who would y'all like to see in the verses?

Speaker 5 (41:47):
Keyword da radio showing off social media platforms that we
have not seen in the verses yet. Let us know
your thoughts, man, it's all good man, Well, I said,
it can't say that. We did talk about the different verses,
and people did chime in on some people who is
like they would like to see have a versus h
Jay Smooth Valentino chat chying there by saying, the roots
versus the fujis.

Speaker 6 (42:08):
What do you think about that? The roots versus the
fujis in the verses?

Speaker 4 (42:13):
Yeah, that'll be cool. That'll be real cool. Kelly Good said,
Drake versus Kanye.

Speaker 6 (42:23):
Drake and Kanye, Okay, I can't get it.

Speaker 5 (42:27):
Yeah, Draken have enough material on Kanye definitely got enough material,
so yeah that I can see that versus I can
see a Drake and Kanye and man, why not?

Speaker 3 (42:35):
Man?

Speaker 5 (42:36):
Drake and and and and Kendrick Man, let's let's let's
let's let's see how long they can stay on one
stage together.

Speaker 6 (42:43):
Probably knock him.

Speaker 7 (42:45):
All he got is they not like us?

Speaker 4 (42:48):
And probably four other songs that we know that pop
Drake got a whole catalog.

Speaker 7 (42:54):
We're not playing in games?

Speaker 5 (42:55):
Why I can't Kendrick got enough for a catalog too?
Now he got enough, He got enough out there.

Speaker 4 (43:00):
I have won their little tit for tatsuh. But in
a versus battle, Drake is winning hands down.

Speaker 6 (43:08):
You think so? Draken went hands down, hands down?

Speaker 5 (43:11):
Okay, all right, I'm sure some people don't here that
will probably beg to differ, you know, on that one. Also,
he chimed it by saying, Tony Tony Tony Firsus Mad Condition.
When do you think about those two Tony Tony first
man Condition.

Speaker 24 (43:26):
Tony Tony went halfs down?

Speaker 1 (43:29):
Uh huh?

Speaker 24 (43:30):
You think so, man, Tony tell you have to be hitched?
They do make Condition half.

Speaker 6 (43:38):
Two or three hits?

Speaker 5 (43:40):
Yeah, Well, I guess you got to be more of
a fan of Make Condition to really kind of get
some their songs.

Speaker 24 (43:45):
Right if you're talking hits Tony Tony hands down, Yeah.

Speaker 6 (43:50):
Okay, Okay, all right, so those are so far.

Speaker 5 (43:53):
We got some folks chiming in on that, letting us
know who would you all love to see in the
verses that they have not had that yet. All right,
we're gonna get to the celebrity interview as was Love
and Luss coming up in a little bit and play
at a slig of course. Uh first and foremost one
more celebrity topic before uh uh industry topic before we
get to move right along here. So she was live

(44:16):
on stage at a show recently, and though she had
an accident performing as she was trying to slide down. Uh,
she slid incorrectly and Bluton fell on the ground there,
but the show must go on. She hopped up and
stayed professional. Who is that she hopped up on stage?
She hopped up off the slide and stayed professional and

(44:39):
that like nothing went wrong exactly, Yeah, exactly.

Speaker 7 (44:47):
At Preschooler.

Speaker 19 (44:54):
Live.

Speaker 5 (44:55):
Yeah, she's on stagy performing live and and and and
it didn't slide down correctly. Well, I guess this would
be more so geared to with you, Britta, if you
had any accidents like that and you hopped up or
whatever and stayed professional.

Speaker 6 (45:07):
Are you performing?

Speaker 1 (45:08):
Yeah?

Speaker 4 (45:09):
Years ago, not recently, but maybe like almost twenty years ago.

Speaker 7 (45:14):
Yeah, I did. I was in West Hollywood and the.

Speaker 4 (45:20):
Stage had an arch of balloon and the stage was dark,
no lights was on. You can be right in the
front of the stage, so you know, I always got
some type of train type scenario. That's when I first
started wearing that long tool crap I'll be wearing.

Speaker 7 (45:37):
And I slipped on it and fell, but I jumped
back up.

Speaker 4 (45:41):
And you only seen it if you was on the
front road, because you know, I had went towards the
back of the stage trying to turn.

Speaker 7 (45:46):
Around or something like that. It's like oo, like, oh man,
So if you wasn't on that first road, you didn't
see it.

Speaker 5 (45:53):
You know, indeed, Okay, that's what's up, man, that's what's up.
So really hopped up and she did her thing. Man,
she stayed professional now while she's making it happen.

Speaker 4 (46:07):
Because you see Beyonce feil and it like she almost
hit her face on the ground or something like that,
and she dropped.

Speaker 7 (46:12):
She jumped up fast.

Speaker 4 (46:13):
I know when it was over, I was aged like,
oh my god, like but yeah, she she fell hard
and she jumped up like she jumped up on beat too.

Speaker 5 (46:21):
Like, oh man, you know that's that's that's real man.
Actually this do be happening while you on stage performing.
So uh yeah, any artists out there, hit us up
with your stage performance. Mishap right there that you hopped
up and stayed professional. Keyword the radio show. Let us

(46:43):
know your thoughts on that. Let's get to the celebrity interview.

Speaker 20 (46:47):
Uh.

Speaker 5 (46:48):
This week brought you by Spotlight three sixty Media. I
had a chance to recently catch up with the legendary
actress Glenn Thurman. If you know, he played on a
Different World's Man as well as Cooley High. He all
so recently got a star on the Hollywood Walk of Fame.
So I caught it with him recently at a at
a recent event and said, what's up to him? Here's
how that went?

Speaker 2 (47:11):
Ripping and all the red car bass.

Speaker 1 (47:13):
Here's an exclusive celebrity interview.

Speaker 6 (47:15):
When I was watching this, I wanted one of the.

Speaker 4 (47:19):
Of the.

Speaker 5 (47:23):
All good man, all right, man, good man, first walk.
Congratulations on the star on the Hollywood Walker fam.

Speaker 32 (47:30):
Oh thank you man? Yeah, yeah, that was that was
a dream come true kind of thing.

Speaker 6 (47:35):
Definitely on it with City, Sidney Potier and a lot
of people like that. What does that make you feel?

Speaker 15 (47:41):
Man?

Speaker 10 (47:41):
Man?

Speaker 32 (47:41):
I can't explain it really because that was my idol
growing up. You know, his first man I worked with
on stage and was kind of responsible for keep in Mind,
helping me keep my career on track, and many other
advisorary things that he informed me of along the years.
You know, uh, I be putting next to him was

(48:02):
really a special, a special thing.

Speaker 7 (48:11):
Yeah, let's go, let's go.

Speaker 4 (48:13):
Let's go with your girl, Britty lovin x the Human
Chandelier Here on the radio show, and you're listening to
Love or Lust? Do you have a problem with your relationship?
Do you want to know if it's love or lust?
Let us all vote and let us all let you
know if you're in love or if it's lust.

Speaker 5 (48:31):
All right, y'all went inside of love and lust? Roight
about now, and we'll let the birthday girl do her thing.
Britt the living next to Human Chandelier.

Speaker 6 (48:38):
The floor is yours.

Speaker 4 (48:41):
Okay, guys, it's your girl, Pretty loving et the Human
Shandelier And today on Love or Lust.

Speaker 7 (48:51):
And today on love or Love? The topic is is
it love or lust?

Speaker 4 (48:57):
If you've been providing for someone and they are a
custom to a certain lifestyle, but you can no longer
provide this. You are no longer able to provide this lifestyle,
and they tell you if you can't provide the lifestyle,
they are going to leave.

Speaker 7 (49:13):
Is that love or is that lust?

Speaker 5 (49:16):
That's oither one right there, that's that's that's uh. You
know you you financially unable to compete, so you you
you know you're done. Really, that's neither love nor lust.
I don't think you know, they lusted for If anything,
they lusted for the fact that you was able to
financially take care of them. But obviously they prove that
they don't love you because when times got tough, they

(49:37):
got going. So I'm gonna go ahead and say that's
that's either well, I mean, if anything, it to be lust,
But I don't think it's out of one.

Speaker 7 (49:46):
Okay, okay, all right, the total wash out.

Speaker 6 (49:54):
Okay, Yeah, I just can't see the love all the lust. Yeah,
I can't see out of one either either.

Speaker 10 (50:00):
One.

Speaker 7 (50:00):
I hear it being lust. You know, like you thought
you you thought you were in love. I guess you know,
you really liked how you were being treated.

Speaker 4 (50:10):
You thought this person was the one, and they they
knew what type of person you were, you know, they
knew what you were accustomed to when they got with you,
and when stuff got hard, they like, well, look man,
you know, like I can't do this because I've been
with you. I ain't got no job, I got a card, note,
I got all this stuff. What am I supposed to do?

Speaker 10 (50:31):
You know?

Speaker 7 (50:32):
So, I mean I could see it just being lust.

Speaker 4 (50:35):
You know, and not love, okay, because if you love
a person, you'll try to figure it out. You know,
you'll be like, you know, I wouldn't usually, but you
know what, like, let's just go in and see what
we could do, you know, let me see what I
could do.

Speaker 2 (50:51):
M hm.

Speaker 5 (50:53):
So so you're saying it's lust me and indeed saying
it's either love or lust. What's Kelly good to you?
Putt on it to see what he think of that?

Speaker 7 (51:02):
That's saying.

Speaker 17 (51:05):
Okay, fella, okay, Brett, I'm gonna take it out.

Speaker 7 (51:08):
I did.

Speaker 17 (51:09):
It cannot be loved what they think it was loved.
The person who was getting the money thought that he
loved the woman. He thought that he was understood he
earned the money. But it couldn't be loved because the
love was never reciprocated, so he never got a chance
to see how he was getting loved back to know

(51:30):
that if he really had a good ding calling for
it to ever be fully fully understood. Is love?

Speaker 1 (51:37):
Now?

Speaker 17 (51:38):
I would say it is lust because the woman who
was receiving the money, he was receiving the money out
of the lust LUs or the money LUs for the
relations dip, because he knew that he was getting provided
the means. It was an arrangement. It was never loved.
It was lust. The man was lusting after her, and

(52:00):
use lust for love because she was lusting after her
so much that he thought that he loved her. Was
one of the strength every nickel, don and penny without
any love being reciplicate reciprocated because it was an arrangement
from the get go. So I'm gonna have to go
with lust on this one.

Speaker 5 (52:18):
Okay, Okay, Okay, you're going with lust, all right. He's
going with lust on that one. Okay, all right.

Speaker 6 (52:26):
So Brett and Kelly good both for going with lust
on that one. All right.

Speaker 5 (52:29):
Me and MD, we don't think it's out of one.
Give us your thoughts. What do y'all think about a keyword?
DA Radio show on all social media platforms. Let us
know what he's saying, love or lust.

Speaker 6 (52:39):
On that end.

Speaker 5 (52:40):
All right, let's go ahead, jump in the play at
the slave. Let's go ahead and do this right now.

Speaker 4 (52:48):
Join the radio show every Monday night, every Monday night,
play or wait with the indie song.

Speaker 9 (52:56):
That you enjoyed the most?

Speaker 5 (53:01):
Right about now, what we do each and ever wee
week around this time is we ask one fundamental question,
and that's what should we do these particular songs. Should
we play them or should we sl writ y'all, slay
the record, throw it in the cide of trash, never
to be heard from again. Or we can play these

(53:22):
songs over or over again and at them perhaps to
the radioshow dot com.

Speaker 6 (53:27):
All right, so the first record we're going to play
right now.

Speaker 15 (53:31):
Uh.

Speaker 5 (53:31):
The theme of this uh play of the slad, you
guys is big, all right big. So the first record
we're going to play is by an artist by the
name of Big Booten Songs called Constellation, Big Wooten songs
called Constellation.

Speaker 6 (53:48):
All right, let's check it out. Play the slay, Let's
go the.

Speaker 26 (53:52):
Radio show, Radio show, the radio show or sla.

Speaker 9 (54:04):
The madicin no Party yes you are city applause. I
take you as you are.

Speaker 6 (54:11):
You're the constellation.

Speaker 9 (54:13):
Baby you basta, you'll be shining so bright. I be
man from my father. Tell me gotch com Then I'm
gonna make you my queen. I'm gonna get you every day.
You know I want you for me? Oh, I get
you a ring every day?

Speaker 18 (54:36):
Baby?

Speaker 10 (54:36):
You my?

Speaker 32 (54:37):
What do my mother do?

Speaker 3 (54:38):
La?

Speaker 9 (54:40):
My name? Mother? Gotma?

Speaker 32 (54:41):
Not that right?

Speaker 6 (54:43):
Just smiles, amazes.

Speaker 1 (54:44):
Ain't not feeling a way?

Speaker 9 (54:47):
Starting a line with the white.

Speaker 2 (54:51):
Show me how background y'all d shows the radio show
or slip.

Speaker 5 (54:58):
That was our first play to slave record right there.
That is big Wooten songs called Constellation, Big Wooten Constellation.
I thought it was okay, but barely. I'm going to
play it the living next to Human Chandelier, Play at
the slig, What should we do with it?

Speaker 7 (55:18):
Planet?

Speaker 6 (55:19):
I like it? M d play the sled. What should
we do with the record? I'll mute your mic. I'm
gonna have to slay it. You have to slay it, okay,

(55:40):
Kelly good? What do you think about the record player
the sled? Let her set it up. Yeah, I don't
hear it.

Speaker 1 (55:53):
I don't hear.

Speaker 17 (55:58):
It, I'll give it a chair.

Speaker 5 (56:02):
Okay, everybody else, we will see you next week saying
back time, saying back channel with another exciting guest the
Radio Show, see y'all.

Speaker 1 (56:12):
HEYOK the Radio Show so far.

Speaker 2 (56:14):
Make sure you follow us on all social platforms at
the Radio Show