Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's my radio show.
Speaker 2 (00:08):
Sure we are the greatest. We played the greatest in
the artists on the radio show. We got hot top fins.
We did the popping on the radio show.
Speaker 3 (00:31):
Listen to love and listen video up in your relationship problems,
We'll be with it.
Speaker 2 (00:36):
So make sure you tune in and the radio show.
Speaker 4 (00:41):
At least two hundred thousand people came out in support
today as the Los Angeles Dodgers brought home another championship,
beating the Toronto Blue Jays in seven games and an
epic world series. Man, we bring the championship to you
each and every week here as you being of the
radio show, Dundee and nd making it happen before you've
(01:03):
better living next to human Chandealeervie joining us. At some point,
of course, the radio show strictly independent hip hop and
RMB music had its finance. Shall welcome to it. We
bring it to you each and every week around this time.
Speaker 5 (01:14):
Man.
Speaker 4 (01:14):
So it's going down for another Monday night going into Tuesday, y'all.
So MD, how you doing tonight?
Speaker 6 (01:23):
Hey, I'm celebrating the Dodgers victory.
Speaker 4 (01:27):
Yeah man, yeah, I love it to see the Dodgers
out the heck of a series. I'd like to see
when they win a championship against I see so many
Dodger fans and Dodger jerseys and all that being worn, so, uh,
you know, a big shout out to them.
Speaker 7 (01:41):
Man.
Speaker 8 (01:41):
That was.
Speaker 6 (01:42):
That was the greatest world series, world series. It's been
a long long time. Yeah, yeah, I like how they
they went back and forth of taking lead of the series.
Toronto went one zero, the Dodgers tied it up, passed
them up to one, and they passed Dodge it up
(02:04):
three two, Dodgers took it, took it home three four,
and that was. That was one of the greatest exciting
world series I've seen in a long long time. And
I'm an old.
Speaker 4 (02:20):
Yeah, it was one of the most exciting ones. We
see him one night, It's like, what the heck you're
talking about?
Speaker 9 (02:26):
No, I definitely know what's going on.
Speaker 4 (02:28):
Oh, okay, okay, don't.
Speaker 10 (02:30):
I don't follow baseball regularly, but I'm definitely excited for
l A and the Dodgers. Of course, like it's really exciting.
News was spread everywhere about it, so I couldn't miss it.
Speaker 4 (02:40):
I don't follow baseball, easy, oh you do, I actually
do so that's why you know it was. It was
one of the Gress Gress series areas man best best
baseball series ever Man. Definitely, definitely. We're gonna go ahead
and jump into our trending topic one of them to
Night Trending Top. You about to buy Spotlight three sixty Media.
Like all celebrity stuff that I got on on, feel
(03:00):
free to go over there to Spotlight three sixty Media
and that is the avenue for you. Spotlight three sixty
Media on all social media platforms as well. Make sure
you follow it right there. Now, there is a concert
coming do you brought us to the table and I
was going to talk about this anyway yesterday you texted
me on it and you brought this to the table.
There is going to be a concert featuring New Edition Boys,
(03:24):
The Men, and Tony Braxton. Now what makes this concert
so special is that all of them, not just one
of them, All of them will be on stage at
the same time. All three megastars will be on stage,
the group and all that will be on stage at
the same time, performing each one of their songs, all
(03:44):
in unisons and working together making it one big production.
So I guess since prisons not here, Monette a nice.
That's it right, that's it right.
Speaker 2 (03:58):
It's like on that.
Speaker 4 (04:01):
On the East on.
Speaker 2 (04:04):
The East, Yes, I do.
Speaker 6 (04:14):
You must be in New Orleans.
Speaker 10 (04:17):
I don't think I have family from there, but like
actual like France, so I found out on my twenty
three I'm part Europeans.
Speaker 4 (04:23):
So oh okay, yeah, son on ee. If you had
a chance to uh share the stage, because you know,
I know you do features with people from time to time,
I'm sure, but this is a yeah, this is a
whole performance, a whole show that you will be doing
(04:45):
with other people on stage. You not only doing their
music with them being background and working on your music.
Would you share the stage with somebody like that for
a whole performance?
Speaker 9 (04:58):
I mean, yeah, yeah, you'd be willing.
Speaker 10 (05:01):
It's great because we're like, I'm really big on collaborations.
That's a great opportunity for me to bring my people,
you bring your people, and we do it together and
like have all these you know, amazing fans in the audience,
So why not mm hmm.
Speaker 4 (05:16):
Okay, okay, So what about despite what about being with
other independent artists like you sold, would you be willing
to do something with them?
Speaker 5 (05:24):
Yeah?
Speaker 9 (05:25):
Definitely, And I have I have in the past.
Speaker 4 (05:28):
Oh, you've done whole shows with independent artists on stage
with you at the same time, or you with them.
Speaker 9 (05:33):
Well, wait, I want to say a whole show.
Speaker 4 (05:35):
Yeah, be a whole show.
Speaker 9 (05:37):
No, if it was a whole show, I mean I
have not done that, I would say, so maybe. I
don't know. It's a little bit different than independent artist game.
Speaker 11 (05:46):
You know.
Speaker 10 (05:46):
It's like, you know, if there's bigger artists and they're
they're bringing people and stuff, that's one thing.
Speaker 9 (05:52):
But for everybody to be an independent artist, I don't
know how that would.
Speaker 4 (05:59):
As what's a that's.
Speaker 6 (06:03):
Two or three of them, three independent artists the most,
you know, because because independent artists, it's a whole it's
a whole different twist. You know, they're new, all those
upcoming everybody's hungry. So you got to be able to
show them how to share a stage together and share
(06:27):
their audience together so it can work out perfect. It
takes a unique person. It takes a unique producer to
bring that to the table, somebody like me.
Speaker 4 (06:41):
The table.
Speaker 6 (06:44):
I was in the game and I produced.
Speaker 11 (06:46):
I was in the.
Speaker 6 (06:49):
Billboard magazine. I had an album that made the Billboard magazine.
I had a couple of songs that made the top
two hundred was therefore, uh, you know, I got a nephew.
That's so four hundred thousand units, you know, and I
have a lot of other people that I know. We
(07:09):
both know that did millions. So I kind of understand
the independent market. That's why we started this show, the
radio show, cause we wanted to deal with independent, irving
music artists.
Speaker 4 (07:21):
Yeah, and that's what we're dealing with right now. We've
got Monet or a Now you and now you see
what I'm trying to get on. That's it, right, I'm
going to butcher that man. I'm going to butcher that man.
Obviously I'm no good in French man, no good at all.
Speaker 3 (07:43):
Cool.
Speaker 4 (07:44):
Yeah, let's good.
Speaker 6 (07:46):
Were you born in France?
Speaker 10 (07:48):
I was not, but my family I have, so I
was told that I'm like part French and like British
and Irish.
Speaker 9 (07:55):
So there's like a little bit of a mix.
Speaker 6 (07:57):
There, you descending, Yeah, that's what seat.
Speaker 12 (08:04):
Yes, this cent installment from what we call the experience slip.
Remember what you do alone to re fill your cup,
it's just as important that's what you pull out to others.
You're making this stunt optionally you're well being. It's not shelfish.
It's like that sharp.
Speaker 4 (08:21):
It's like this jod.
Speaker 11 (08:24):
Back in the days, I was scared to rhyme. New
York City was my home borough south Side. We did
we didn't know. Sticking here Fred Trowe.
Speaker 12 (08:31):
To trip kept my line. Bring your shop when the
goat jamakeer app what's the plan? We ain't snowing the shine.
Speaker 11 (08:37):
Tell the steam at us off out of pocket in time,
that's time. Where's my family? Your ability to be half.
Speaker 12 (08:42):
Block parties for the north and that's the need to
have you forty yet to set the water regular pops took.
Speaker 4 (08:47):
The man in bad weather.
Speaker 11 (08:48):
Had to be your side when.
Speaker 12 (08:50):
The war's hut sharp, bring my eyes to tears, prest
with kids. John Adams had my first cold per probably
stopped chapter bottle.
Speaker 11 (08:56):
Christie Chaptain path ten joints shred here sets between cask,
got the first geez.
Speaker 12 (09:01):
Down the block and had no clok pss bade the
mats comics in the stud.
Speaker 1 (09:08):
It just like that, yall.
Speaker 11 (09:09):
It's like this, y'all.
Speaker 7 (09:13):
It's like this, yall.
Speaker 13 (09:14):
Let's like that job job.
Speaker 11 (09:18):
It's like that Shaw's like.
Speaker 1 (09:20):
This jaw Jo.
Speaker 7 (09:23):
It's like this, yall.
Speaker 12 (09:25):
This like jaff me back in the days, and I
was scared to rhyme. Gotta take a little deeper in
his knife for mine. It'll league rayson park taking walk
to the store. Penny candy didn't matter because I still
want more lummy bears.
Speaker 4 (09:37):
Laughing staff he limon his radio.
Speaker 11 (09:39):
Alexander the Great still control with the comic radio.
Speaker 13 (09:42):
She gonna say, some farmer seeds.
Speaker 11 (09:44):
Attack Ice, always leaking the school because I'm going.
Speaker 5 (09:46):
To the slash.
Speaker 11 (09:47):
Let's just work a bill.
Speaker 12 (09:48):
But I had some far fresh shams on the steps
and a whole lot of trunk were gonna find go
on the block. Number games still new, now, don't mine
walked away?
Speaker 11 (09:56):
Then we had it too, you know. I was showing
the court never.
Speaker 12 (09:59):
Can't gimme the rock in the book away before caught
the bucket and it's life for mine for a minute,
walk with me as a pressure rhyme.
Speaker 11 (10:10):
It's like that, y'all.
Speaker 4 (10:12):
It's like this, y'all.
Speaker 11 (10:16):
It's like this, y'all.
Speaker 1 (10:17):
It's like that, y'all.
Speaker 7 (10:19):
That job.
Speaker 11 (10:21):
It's like that, y'all.
Speaker 1 (10:22):
It's like this, y'all.
Speaker 13 (10:26):
It's like this, y'all.
Speaker 5 (10:27):
It's like that y'all that.
Speaker 1 (10:39):
You love and and Lusk late lay or slate can
we go and move a crowd show?
Speaker 11 (10:53):
Turn up your radio, I.
Speaker 7 (11:01):
Buppy, you want to feel on it?
Speaker 14 (11:05):
No, maybe is going but s name on it.
Speaker 7 (11:13):
Maybe you can feel on it, but let's way, but
make sure whether I I don't want to go up
(11:33):
a couple of times so your ham is gonna.
Speaker 15 (11:39):
And I like that.
Speaker 11 (11:41):
I like that.
Speaker 16 (11:41):
I had up.
Speaker 17 (11:44):
I am nothing, I had nothing. I'm nothing, i am nothing,
I'm nothing.
Speaker 7 (12:03):
And you see what I'm looking with all of them?
Speaker 18 (12:10):
Something trust me my fredday something for no resday.
Speaker 7 (12:17):
They get hurt this text suite.
Speaker 15 (12:22):
You know you can't.
Speaker 7 (12:23):
You got an election. I'm sure you get the rap
of something because I don't want to mirror maybe Mary
like about.
Speaker 19 (12:36):
God because maybe oh to me like that, you know,
I mean like that.
Speaker 20 (12:44):
I like that, like that, like that.
Speaker 7 (12:52):
My cat cat cal yorg get my dress dress.
Speaker 15 (13:07):
Well, I have to know it can be a private
show show and you know I like that.
Speaker 2 (13:21):
And I'm want to try to buy bad that.
Speaker 15 (13:23):
I'm a girl. How is that when I do it
like you and do it like that?
Speaker 7 (13:28):
Nothing, i am nothing.
Speaker 21 (13:33):
I'm nothing, Molly nothing I'm nothing.
Speaker 7 (13:44):
I'm not Molly, I'm not.
Speaker 16 (13:49):
Moppy.
Speaker 22 (13:50):
Did use to right here you listening to the radio show,
it's that.
Speaker 23 (14:07):
Time again, your boy going off ten hone, damn near
broke my spine head trying to kill with a chick
this and nine to see Rick Rock using food for
this one.
Speaker 11 (14:17):
But everybody got to get a boom and.
Speaker 23 (14:19):
System even TikTok going forward with this one with this
because Rick Rock was a boom for this one, with
this deep wreck with the bell on, blame on buzz.
The bill known this ain't that, ain't that didn't know
I could go ti fill say to put that on anything.
Speaker 1 (14:33):
This ain't cat So.
Speaker 11 (14:33):
Don't start none. It won't be none.
Speaker 24 (14:36):
Just even make it.
Speaker 23 (14:37):
Never want to refund because when I came to the
forty y'all was by myself. For nine times out of ten,
I leave with someone else.
Speaker 11 (14:43):
Count She and I.
Speaker 4 (14:46):
I just want to get it in, okay, she and I.
Speaker 24 (14:49):
She said, I just wanted to get it in, get
it in, get it in. I just want to get
it in, she said. I just want to get it in.
Speaker 11 (15:07):
All the time.
Speaker 4 (15:07):
She get done, but she don't want.
Speaker 6 (15:09):
I'm gonna knock it up the port like a home run. Hey,
that's my people, that's my folks, that's my day one Like, hey,
that's my being the row front.
Speaker 4 (15:15):
You had the great one left right, right, left and
looks on you. Who you with your best friend?
Speaker 11 (15:19):
Let her come to I'm gonna put it to the side.
Speaker 4 (15:22):
I'm a back dad.
Speaker 11 (15:23):
What are my people?
Speaker 4 (15:23):
Where it's at? Where the back at off backs?
Speaker 16 (15:26):
Who is that?
Speaker 6 (15:26):
Yeah? I'm at you now, I should collected when they're
black with the tattoos. I want to see me when
the visit, when the.
Speaker 11 (15:31):
Fly out, when the ride out, pick it to my.
Speaker 6 (15:34):
Hide out, Level one, double lake plus fright. Fuck if
she you done peace, I'm aa fin by. I'm gonna
put up.
Speaker 11 (15:40):
I'm gonna show up.
Speaker 16 (15:40):
What you're gonna do?
Speaker 6 (15:41):
Let me what She tagged me with the hashtagtoo.
Speaker 16 (15:44):
She and I she again, I just want to get
it in, she and I she agaend.
Speaker 1 (15:51):
I just want to get it in, get.
Speaker 16 (15:53):
It in, get it in.
Speaker 11 (15:55):
And I just want to get it in.
Speaker 16 (15:58):
She and I she atend.
Speaker 11 (16:01):
I just want to get it in. Bo bom.
Speaker 9 (16:09):
Bo.
Speaker 16 (16:12):
You're not.
Speaker 11 (16:15):
I just want to get you not.
Speaker 6 (16:19):
I just want to get this is just justing you
better tune into the radio show.
Speaker 25 (16:27):
But yeah, don't play everybody bring it come. But you're
so shut baby, you already want one to put you
(16:48):
in my favorite position. Maybe take time with did the
summer Everytha? And I know, I know, I know you
never have a man with no matter close.
Speaker 2 (17:00):
I'm feeling like a gall grips you tightly.
Speaker 8 (17:04):
I can pay your temper region. Maybe why you tempt Demisa?
I love it when you're pressed fanning it. I love it, Weda,
I love it, Weda. I can be your temple region.
Maybe why you tempt Themisa, feeling like you want give me.
Speaker 16 (17:20):
Some and I would love Dora.
Speaker 6 (17:22):
My body's on you.
Speaker 22 (17:24):
Your body's on me so close.
Speaker 6 (17:26):
I can feel your prey promic and you love me.
Speaker 16 (17:29):
Man, bless me.
Speaker 1 (17:33):
My body's on you.
Speaker 6 (17:34):
Your body's on me so close.
Speaker 16 (17:36):
I can feel your prey plemn me and you love me?
Then bless me.
Speaker 2 (17:44):
You said hello, no way you do me trn my
body or your buddy.
Speaker 26 (17:47):
Like a two piece. Yeah, we can't beg her to
go moving? And are you getting to me just like that?
I know, I know, I know you turn me off
where you blow my minds up. I'm tempting to touch
t so you tightly.
Speaker 7 (18:04):
I can pay your temper.
Speaker 8 (18:05):
Reacher, letb me why you tempt the misa. I love
it when you're pressed fanning it. I love it when
I love it when I can pay your temple. Richer,
Let me when you tempt to misa. You know how
to survive when me, but you're born on me and
be when my body's on you, your body's on me,
(18:26):
don't I can feel you?
Speaker 7 (18:28):
Bra love man, loss me? No ad.
Speaker 6 (18:33):
My body is on you and your body's on me.
Let men, so don't second feeling.
Speaker 16 (18:39):
You loved me lost me. H.
Speaker 4 (19:28):
Well, we're gonna go ahead, jump in and move the
crowd real quick. Man, let's do this. It's time for
the radio show. Move the crowd, all right, y'all, we
are inside and move the crowd right about now. What
we do each and every week around this time is
we're talking artists off stage, bring them backstage to get
to know them up close and personal and joining us. Now,
(19:50):
we got a guest. She's actually been on here before
with us, and you know she does a lot of
different things. Man, we got her in the building. Man
O Nique, I'm sorry Monee on a cs on aces
I'm gonna butcher that. How you doing. Let her introduce
yourself aheah, go ahead and introduce yourself.
Speaker 10 (20:10):
Go ahead, thanks, yes, money ees. I am California born
and raised. I'm a music artist, writer and upcoming producer too.
Speaker 4 (20:20):
So yeah, okay, all right, definitely in the building tonight.
And now, first of all, welcome back.
Speaker 9 (20:27):
Thank you, thanks for having me again.
Speaker 10 (20:30):
See, I love this platform that you guys give, you know,
this platform for independent artists to come on and you know,
just tell their stories, an opportunity for people to get
to know them.
Speaker 9 (20:42):
I think it's wonderful.
Speaker 4 (20:43):
Yeah, definitely we appreciate that. Now. Now, speaking of stories
and everything, I had a chance to look at your
I G this week and I noticed that and I
saw it and if you don't, if you choose not
to talk about it, you know, you cannot choose not to.
I noticed that you said you suffered with an ADHD.
Speaker 9 (21:03):
With oh yes I do.
Speaker 4 (21:05):
Yeah, So you and you were saying that, how that
and you know, different aspects of your life and how
that affects you and what you go through with that.
So I'm gonna bring it back on the music side,
How does ADHD affect you? On the music end.
Speaker 9 (21:22):
So on the music end, it's helped with my creativity.
Speaker 10 (21:25):
I would say if like literally anytime of the night,
like I'll be trying to go to sleep in all
these ideas or just sparking, sparking, sparking, and it just
doesn't stop.
Speaker 9 (21:36):
It's like it keeps going.
Speaker 10 (21:38):
But kind of the downside is that I just have
the worst trouble trying to concentrate. So when I'm not
on meds, it's just like i will be trying to
have a conversation with somebody and they think that I'm
concentrating and paying attention to what they're saying, and I'm
just like, oh, yeah, that's wild, like okay, because I
(21:58):
didn't quite know what they what they said because I
have so many intrusive thoughts like coming in at once,
so people probably don't quite understand like what that is.
They're like, oh, everybody has ADHD, but it's like, no,
you don't get it. It's like all these thoughts going
going like a train all at once.
Speaker 4 (22:18):
M Okay. As far as like show day, when you
when you're going to perform somewhere, how are you affected
with that?
Speaker 9 (22:27):
Oh it's the worst. Okay.
Speaker 10 (22:29):
So basically it's like I'm I'm trying my best to
stay as calm as possible, but my brain immediately goes
into what we call crisis mode.
Speaker 9 (22:40):
So basically, for an ADHD person, a lot of things
will become a crisis.
Speaker 10 (22:45):
So it's like trying to get somewhere on time, trying
to just handle multiple things. I'm trying to think of
an example, but a good example is trying to get
somewhere on time. It becomes a crisis trying to get
there at you know, I need to be somewhere at
nine o'clock am, and you can't be late.
Speaker 9 (23:05):
So it's kind of the same with show day because
for example, I.
Speaker 10 (23:08):
Had bandmates, I had the dancers coming, then I had
the videographer coming. Plus I'm thinking about my outfit, and
now I've got to work on you making sure I'm
on vocal rest, making sure I get exercise, making sure
I'm like eating extra good that day.
Speaker 9 (23:27):
So there's like a lot of different factors.
Speaker 10 (23:30):
We already have all those different things, but the fact
that my brain goes into this like crisis mode, it
just makes things a little bit more challenging, I would say,
for sure. And I even noticed that just on Friday,
I had a show and I was.
Speaker 9 (23:44):
Just like like all over the place. So you know,
thankfully I am. I do have sources that help me,
and I'm just I'm just working on it. I take
it day by day.
Speaker 4 (23:59):
All right. Up, man, we got money on Nice in
the building the radio show. So in the down done
DN M D making it happen for you. And if
you want to talk to money on Nice, you can
go ahead and hit us up at Keyword a radio
show and on social media platforms. Let us know your thoughts.
If you want to talk to you and say hello,
that avenue is upen for you as well. D go
(24:20):
ahead and talk to Money.
Speaker 6 (24:22):
Well, she did a lot of talking. I learned her
history in a few moments.
Speaker 11 (24:28):
She just she she spoke.
Speaker 6 (24:32):
Only I don't understand you. R and B are your
hip hop?
Speaker 9 (24:36):
Oh you know what I do house R and B.
So it's mostly like dance.
Speaker 6 (24:40):
Music, okay, R and me. Yeah, in fact, yeah, the
fusion of the two. Yeah, I'm gonna get a chance
to hear your song. So I haven't heard it.
Speaker 27 (24:51):
Yet, but I'm get a chance to hear it, and
then I can really concentrate on the direction you go
on uh, are you with a label or you have
your own lab?
Speaker 9 (25:04):
I have my own. I'd call it Bougie Empire Entertainment.
Speaker 4 (25:08):
Bougie Empire Entertainment. That's what's up.
Speaker 9 (25:11):
I like that.
Speaker 16 (25:12):
Yup.
Speaker 9 (25:12):
I got my Bougie Babes.
Speaker 6 (25:15):
People who merchandise on your website.
Speaker 9 (25:20):
Not yet, but it's in the works.
Speaker 10 (25:23):
I actually was wrapping the jackets over the weekend, so
I'm really excited to start getting those out and then
other merch to come too soon.
Speaker 4 (25:29):
That's what's up. Okay.
Speaker 6 (25:31):
I hope you advertise on the radio show so we
can help pump it up.
Speaker 9 (25:36):
Yes, no, thank you so much. Yeah, I definitely will.
Speaker 4 (25:39):
Yeah, we definitely can do that as well. When we're
going to jump into your record real quick that I
want to Be Down, So go ahead and tell us
about this record.
Speaker 9 (25:46):
Yeah yeah.
Speaker 10 (25:47):
So growing up, Brandy was one of my favorite people
and I wanted to do a house version of her
song I Want to Be Down, And that's.
Speaker 9 (25:56):
What you're going to hear.
Speaker 4 (25:58):
All right, man, we're gonna check out the house version
of I Want to Be Down right here, mone Oise,
it's in the building. Y'all should depending hip up and
R and B music at its finance, y'all. It it's
the radio show. Let's go.
Speaker 6 (26:14):
Independent artists live here.
Speaker 15 (26:15):
We got this independent game on lock the figure it
out the radio show.
Speaker 18 (26:28):
I would like to get to know I could be
the kind of girl that you could be down for, because.
Speaker 7 (26:36):
Then I look at you, I feel something. Tell me
then you are the kind of guy out and shut
make more. And if I don't let you know, then
I won't before him.
Speaker 18 (26:49):
I do be wrong by I feel like something could
be going on the mons see here mom, that it
becomes soldier carry no other manias on the want to
be down with what you're going through.
Speaker 7 (27:03):
I want to be dead.
Speaker 18 (27:05):
I don't want to be down with you the time
I think it's true. I want to be dead. The clinging.
Do you us the clinging? But do us going? And
(27:31):
don't anybody's son. I be long live with a the
reason thing I saw someone to care for marybe all
you need to shoulder to cry out. If that's a
fact that I'll be more than you ever could dream of,
it is.
Speaker 7 (27:49):
And I got plent to you until you don't pud.
I don't want to stay by yourself being able.
Speaker 16 (27:57):
To fool you up and your over.
Speaker 18 (28:04):
Do you like something clobinging? Do you like something colobing going?
Do you have something cooking going on?
Speaker 5 (28:15):
You know?
Speaker 16 (28:16):
Pious?
Speaker 7 (28:20):
Okay, let's tell you that I got some to you
up live your product.
Speaker 18 (28:34):
I'll say, right exactly, do you up pressing a passing
from the.
Speaker 7 (28:52):
Climbing going about? You know about the perious pleasing.
Speaker 4 (29:08):
The house music, that's what's up.
Speaker 13 (29:12):
Man.
Speaker 11 (29:12):
I was.
Speaker 4 (29:15):
In the building right there, so mony that was. That's
a good record. Definitely good record. That nice right there again,
she is in the building doing her thing, and we'll
catch it with her down the road. We're gonna step away,
take this quick time out. When we come back, we're
gonna play some music as well as uh m D.
You're not gonna be not gonna believe what Spotify is done.
(29:37):
We're gonna talk about that, which yes, music got as
signed as y'all. Thanks again to Monee Onnise for joining us.
Y'all be back in the moment at the radio show.
Here's what's going on recently on the radio show, putting
out singles and and putting out EPs right there, testing
your testing your music in that aspect, Britt, how many
(29:58):
songs do you put as far as testing concerned, do
you even test or how does that go with you?
Speaker 6 (30:04):
I don't test.
Speaker 20 (30:05):
I just put things out and you see what people
like and what people don't like. But definitely I really,
you know, like some people might not like that I'm
saying this, but I.
Speaker 9 (30:17):
Don't really put music out for.
Speaker 20 (30:21):
My fans like that like I do, but I don't.
It's really like what I like and if you don't
like it, you just don't like it. I do this
for myself and for like my mental health, you know.
Speaker 6 (30:35):
Was talking to music professionals and the majority of them
said that artists put too much out. You don't get
the fan base and the consumer opportunity to marinate on
the sound that they're trying to create as an artist.
And what they need to do is probably put out
(30:56):
a song every three to four weeks, but make sure
you do some promotion behind it.
Speaker 4 (31:07):
Byron Allen here to support ourselves, we stopped about a
lifetime release of the film, taking out a truck stop.
A lot of supporters and celebrities came out to support
this film as a touch is a very serious sebject matter.
I spoke to some of the cast members as well
as guests and got their thoughts on this very important project.
Speaker 3 (31:28):
Or the importance of this film Taken Out a truck Stop.
It's one of the third in the franchise of the
Black Girl Missing. It's really important for us to look
out for one another, to also ring the bell that
when black and brown people go missing, that we need
the same urgency, the same compassion, the same not dismissal,
the validation. And this is why it's important for these messages,
(31:50):
for these movies to be told and for people to
talk about it, so that we are seeing and we
are validated and we are looked after.
Speaker 14 (31:57):
It's such an important deal, the Black Girl Missing deal
is is so much unnecessary social justice to bring more
awareness to black and brown missing women. And what a
better way to do it than to put it in
our entertainment so that we're learning while we're being entertained.
Speaker 4 (32:14):
Cat Stuck at a truck Stop on Lifetime, October twenty fifth,
this week to pick hits j T l R featuring
Snoop Dogg and Mad Scientists. That's my box. With so
much trauma on the it kind of hard being jail
double NYT paraphrase, no distance I heard each week on
the radio.
Speaker 16 (32:32):
Shit yet this.
Speaker 7 (32:33):
Stue pursuit, but the wealthen of you gone.
Speaker 6 (32:35):
Girl, just shake that fruit because I don't even know if.
Speaker 11 (32:37):
This Now back to the radio show.
Speaker 16 (32:58):
Baby beat, it's tired.
Speaker 7 (33:00):
You feel that cuckoo?
Speaker 19 (33:01):
It's tell me, don't start me you, Yeah, let me
peek the scene, let me know. I cover lection nail
two scenes.
Speaker 28 (33:16):
I'm the only one that then in between and if
I've ever made that after, you can watch me leave.
Speaker 19 (33:19):
Now, don't stop jiddy jitty.
Speaker 28 (33:21):
Even if I'm mad or your friend King Judy, I'm
a real real I don't play myself. And if Buddy
Dot he play me, then he played itself. Now, if
you're right, then you can get it.
Speaker 1 (33:29):
I'm like you. Yeah, I'm within it.
Speaker 19 (33:30):
You can treat me good, you can just bore me. Hell,
I'm real good for you boy, real good for your help.
Speaker 16 (33:35):
Yeah, baby beauty, it's tight.
Speaker 5 (33:51):
You feel that cuckoo?
Speaker 16 (33:52):
It tell me? Oh by can it.
Speaker 2 (34:03):
Feeling sweety cholie.
Speaker 18 (34:07):
I don't love them telling you chance on me tho
we have gone toub honey by.
Speaker 5 (34:18):
You you don't know Hobda. You don't know Hobda.
Speaker 19 (34:39):
He loves baby, you do right, time and you feel
like a good tell me old by, don't start to
notice or your old bye.
Speaker 4 (34:51):
We can do it all night, don't forget. This is
also a video shows. If you like the video portion
of what's going on here, you can go ahead and
check it out. This is also a video show. I
gotta do is go to YouTube, which I'm gonna have
to pull up right now because I got to get
out of this mode right here to get down to
(35:12):
it for you so you can see me on the
screen right now. You can go ahead and go to
a YouTube channel a Keyword Da radio show on YouTube
as well as Twitch, you can catch out the video
portion of the show which we're doing right now. We're
filming a TV show which will be airing on our
role Cool as well as Amazon Fire TV channel. You
can go ahead and catch those right there. We got
(35:33):
some episodes that are already up right now. You could
binge watch that if you would like, and also too,
you could always go to Spotify. I'm sorry, go to iHeart.
Go to iHeart, and we're on the iHeart app. At
Keyword Da Radio Show, you can check out all of
our previous episodes. The audio version of the radio show
(35:56):
as well as the show we're about to do in
about twenty five minutes from now. It's spot like three
sixty media. I'm sorry, that is the head not a session.
The head not a session is right there, so you
can go ahead and check that out as well. On
the on the iHeart app at Keyword Da Radio Show
on iHeart All right, so we're hood the hood, block
to block always the radio show done, d n n
(36:17):
D making it out before you're right here on the
Monday night pick shout out to money on on on Ease, Money,
Money on Ease, Money on e boy, easy for me
to save me. I've been struggling her name all night.
Money on e for joining us tonight here on the
radio show Masure again, we can request her record I
want to be Down. I Want to be Down. You
(36:39):
can check that out and request that each and every
week here on the radio show. Go to go to
all of our social media platforms that Keyword Da Radio
Show and you can go from there. So m D
I did state a little earlier that we was gonna
talk about to what Spotify has done again, and yeah,
(37:01):
it seems to be the gift that keeps on giving
with Spotify and what they're got going on over there
with Spotify and what they're doing.
Speaker 1 (37:09):
Now.
Speaker 4 (37:10):
I I did a little research on this and I
was looking it up, and what I found was that, uh,
and this is what I was kind of found here,
is that Spotify and Drake is there, they're at odds again. Drake.
What Spotify, to my understanding, and this is my interpretation
of it, and hope I articulated it correctly, is that
(37:33):
there was a lot of fake streams. Bots were created
to give Drake a lot of fake streams, and which
is why I wish brit was here because I and
in fact I probably would bring it up again next week.
But a lot of artists, a lot a lot of
Drake's streams on Spotify were fake. So which means what
(37:55):
that said the system that they used to measure that
with Spotify didn't really I guess, do more of a
gatekeeper or stop a block on it or anything. So
basically he got paid for those fake spins. In other words,
now this for Tim getting paid for those fake spins, right,
(38:19):
he got paid with these fake spins took away from
the pot, took away from the pot that they had
for independent artists to make money. So, in other words,
the major artists are able to make more money on Spotify.
Why the indy office, because any artist, because they take
the money from the indie artists pot that they have
set up for Spotify and make them suffer to pay
(38:41):
these major artists. And that's ridiculous. How the indie artists
really got to suffer and then lose money themselves to
pay for the major artists even though they are already
only making a half or the half a penny, quarter
a penny or whatever. It is really ridiculous. What do
you think.
Speaker 6 (39:00):
I've been preachings every since Spotify came to existence. I
was smelling the stink in the air all these years
about Spotify, and when Disney bought them, I knew it
was something really gonna brew up. And the indie artist
(39:20):
should even support Spotify, not for money, not for streams.
They should go ahead and spend five hundred to one
thousand dollars for their own website and stream their own music,
sell they downloads of their own music and make their
own money and don't depend on nobody. Spotify is another
(39:42):
form of social service. They let you do things free,
but they charge you double at the end. And you're
not getting nowhere. You know, it's just like a revolving door.
You're going around and around and around, and you know,
find me a billy pressing old song. You got me
going around in circles. I learned that rock and roll
(40:07):
music don't even use Spotify, not to the extent that
black music use it for. You know, they they only
use it just to introduce their song. And I heard
that they put the snifflets on their on their platform,
study the whole song, right, they put the whole song
(40:28):
on their website, and then they they make people go
to their website they hear their songs and and it's
entirely and then they sell the download for ninety nine
cents or sixty nine cents to make their money. And
plus they do shows because it's easy for them to
get shows because they have a diverse audience.
Speaker 4 (40:49):
Oh you know.
Speaker 6 (40:50):
So, yeah, Spotify had been shaky ever since they they
they was right, they was doing right in the beginning,
but then they just got greedy and they took black music.
That's how they made their money through the black music market.
They didn't make their money, no, they didn't make their
money on Western pop, rock and roll they didn't make
(41:15):
their money close. It was black music that kept them
existence until this into the field. Quit being cheap. Do
your own website, tell your own music, stream your own music,
and you'll be sure. All those big ads that you
see on Spotify, they'll be on your website and they'd
(41:38):
be giving you twenty five k the place they add
on your website right now.
Speaker 4 (41:45):
Speak speaking of stuff on websites, if you check out
the website of the Top forty charts, this is the
first time in history, in many years, there has not
been a hip hop song on the top forty charts
at all. They say there's no hip hop songs at all,
(42:06):
and some of the factors and the reason why there's
no hip hop songs. Here's some of the factors which
people spoke upon and what they're saying. Taylor Swift holding
down the top twelve spots on the charts right now.
So that's one particular reason why there's no hip hop
songs on there. The pushing of country music, the rebse
(42:28):
of country music as well, and the renaissance of that,
the pushing of the underground hip hop artists music movement
as well, and they may be able to take center
stage in the near future. Also the talent, the talent pool,
the music itself. The quality of music is not as
good as far as hip hop artists are concerned. Again,
(42:51):
no hip hop artists on the top forty charts. It's
the first time in a long time. We touched on
this a little bit during the pre show MD. But
what do you think about it now?
Speaker 6 (43:01):
Well, we can fault as a community, black community. We
can fault ourselves for that. We we didn't understand the
the what's a nice word to say, we understand the
way to market our music, you know, and we look
(43:22):
for people to do things for us for free. That's
because we get some things done for us for free,
and it's like a it's like a habit. We don't
work hard enough. We're lazy. That's what they say about
black music. We're lazy. They don't want to do anything
for their own music. They want other people to do
it for them, and they sit back and employ the
(43:44):
ride and it's not working.
Speaker 1 (43:46):
No more.
Speaker 6 (43:48):
On social service for urban music is about to come
to it if it hadn't came.
Speaker 4 (43:54):
To the end already, has it come to in it already?
Speaker 1 (43:59):
Man?
Speaker 4 (43:59):
What do you think of about that? Man Keyword da
radio show and on social media platforms. Please let us
know your thoughts on that. Either one, Spotify taking money
from the independent artists to pay the major artists and
also got these bots with fake streams on there as well,
or you.
Speaker 6 (44:16):
Know the fake stream that that go way back when
uh sound scanned was getting ripped off that way and
when record Store used to one the CD.
Speaker 4 (44:28):
Hundred strokes uh with with the uh yeah, with the
one per per build the numbers up and got paid
for it, and they got paid for it as well.
They went platinum and sold only fifteen album exactly, and
so they didn't sell a whole whole whole.
Speaker 6 (44:45):
Box up, but they they got the scams, yeah they got.
And it's the same thing going on now with the
with the technology. Yeah, somebody, somebody learned how to break
the code.
Speaker 4 (45:01):
Yep, somebody learn how to break the cold Man. We
got played a slid We're gonna love the less rest
for the night being a brig of loven next Human
Chandelier is still partying for her birthday and all that stuff,
and I had this any mix to play for as well,
so we'll just table at the next week also, but
we're gonna go ahead and have played a slid. We're
gonna do that as well, and then we're gonna jump
(45:23):
into the after party, which is coming up inside of
well about fourteen minutes from now. All right, what do
y'all think about that? What we were just talking about?
Just now? You can leave your comment below. I did
catch up during a celebrity interview this week, brought you
by Spotlight three sixty Media. I caught up with a
defense attorney, Ariva Martin, at a recent event that she
(45:44):
had for the Special Needs Network. She I had a
chance to ask her about dealing with a child with
special needs and a tip that she had for you. Plus,
she gave her website a case of already wants have
done it to the Special Needs Network like I caught
it with her recently at her event that they had
like to hear Here's how.
Speaker 2 (46:01):
That go, ribbon and all the red carpets.
Speaker 7 (46:06):
Here's an exclusive celebrity interview today.
Speaker 29 (46:10):
I'm really excited happy to have so many people come together,
community partners, sponsors, folks, advocates and leaders in our community
coming out to celebrate children and families with auto s
in n LA. That's the website for specialis at work
you can send.
Speaker 16 (46:24):
To fight with us.
Speaker 4 (46:25):
Last thing for you, someone that have a child that
may be going through with special needs, can you give
them some words of the.
Speaker 29 (46:31):
Yeah, get connected. That's the thing in the isolation. Make
sure you are connecting with those families and resources that
can provide help to your child.
Speaker 24 (46:40):
It's out there and the Special Needs Network is one
of those resources for you.
Speaker 29 (46:44):
With YNLA dot org.
Speaker 23 (46:49):
Join the radio show every Monday night, Every Monday night,
WU for the indie song that you enjoy the most.
Speaker 4 (47:00):
All right, y'all, we are are inside of play the
slag right about now we do each and every week
around this time is we take two songs. We ask
that one fundamental question. Should we play it or should.
Speaker 6 (47:12):
We laid out sil.
Speaker 4 (47:16):
Y'all, slid, throw it off the hard drive, throw it
in the proverbial trash, never to be heard from ever again.
Or we can play it and we can add it
onto the Radio show dot com the return of the
Radio Show dot com. As we're getting ready, as we
continue to build our playlist on there, you can go
ahead and check out check that out right now, We're
(47:36):
gonna go to the Radio Show dot com. And check
out music Music Music right now. As we continue to
build our playlist on there, and a song as it
does well will be added to that playlist. Plus we
may bring the guests on the show as well. All right,
so we got two songs that we are going to
get to right now. Uh, and we asked you we
play up a slam. So the first one we got up,
(47:57):
the bat is an artist the name of pretty Uh porcelain,
pretty porcelain, Pretty porcelain songs called feisty, pretty porcelain songs
called feisty. All right, let us know what we think
of what you think about the record? Should we play
it or should we slaid? Like the head here go, I.
Speaker 2 (48:31):
Say I'm too feisty.
Speaker 30 (48:34):
Search far and white, never find another like me? Begging
me to be here, sweetie, I'm already icty. You're gonna
respect me, y'all, don't care if you.
Speaker 16 (48:41):
Don't like me. I'm feisty.
Speaker 5 (48:43):
He like you.
Speaker 30 (48:44):
I thought that on that back now here, excited, so feisty.
This real gas smelling Washn't they light it? It's feisty.
I'm looking like a snack.
Speaker 1 (48:51):
You one to bite me.
Speaker 30 (48:52):
It's fisty. It's fisty. He said back, you really that boy?
You thought I told you? This ain't no saying know
to me? He know, I'm gonna throw a fit. I'm
about to hit the town. He like, who you're going with?
One thing? I know it's this ain't no ring on it.
I don't want me to sing on it. Better put
some playing on it. I was like a hollow pillo
fill of steam on it. And we ain't got some
(49:14):
bit with these ponies.
Speaker 4 (49:18):
That was uh oh I was supposed to be playing that.
Speaker 8 (49:21):
Uh.
Speaker 4 (49:22):
I sent the wrong version up there. But it's all good.
That was feisty.
Speaker 1 (49:25):
That was.
Speaker 6 (49:27):
You did the right thing.
Speaker 4 (49:28):
Yeah, that was feisty by porcelain, by pretty porcelain. Feisty
by pretty Porcelain. I loaded the wrong version because the
drops and the promo was one't a part of that one.
So that was the wrong version. But it's all good.
MD when you think about it, play the sled? What
should do with it?
Speaker 6 (49:44):
That crap?
Speaker 4 (49:45):
Oh that's a slave. You didn't like it? Yeah, why
you didn't like it?
Speaker 6 (49:53):
It was done. It sounds like a bunch of amateurs
putting that together. There ain't know nothing about music. Okay,
they had no clue about music. Uh huh, they would
even close just what our guest was talking about. You
know why hip hop is going down? There's one reason.
Speaker 4 (50:13):
Right there.
Speaker 6 (50:13):
You heard it on the radio show, the reason why
hip hop is not going good?
Speaker 4 (50:19):
Oh okay, So you didn't like that one at all?
Speaker 6 (50:23):
That that sucked with all capital letters with a bunch
of explanation marks.
Speaker 4 (50:31):
Well, I didn't think it was that bad, but I
didn't particularly care for it. So I'm gonna go ahead
and slaves the record as well.
Speaker 11 (50:39):
That's why.
Speaker 6 (50:40):
That's why it was bad, because you didn't care for it.
And I told you on a production and a producer standpoint. Yeah, yeah,
you said on a production standpoint. You you you you
broke it down saying it was really bad. I just
didn't like the song, that's all it was. That's why
you didn't like the song, because it was done bad.
Speaker 11 (51:01):
It was done good, you would.
Speaker 1 (51:03):
Have liked No.
Speaker 4 (51:03):
I think if it was done production wise and where
you wrote it that where you would have wanted to
do it, I still wouldn't have liked it. I just
didn't like the song, that's all that was.
Speaker 6 (51:10):
I don't think it would have sounded like that. They've
done it professionally.
Speaker 4 (51:13):
Yeah, it didn't. It didn't move me. It didn't move me.
Speaker 6 (51:15):
Yeah, I don't think of the move Brent or Kelly
Good or Alan or low Digg, Yeah.
Speaker 4 (51:24):
Any of them, any of them would have been new
body either. All right, Well let's well, let's check out
this next record right here, man, This one right here
is a TJ songs called twark It. TJ song is
called twark It. Let's go ahead and make it happen.
Play the slave, let's go the.
Speaker 15 (51:40):
Radio show, radio show, the radio show, or slid, bunny.
Speaker 13 (52:01):
Honey Honey, Bunny time, moneynyny honey, money, fine, honey, honey, honey,
honey mine.
Speaker 1 (52:12):
By the time she said, oh.
Speaker 25 (52:14):
B so your nums go, I said, oh gil bad,
So don't yellow for advice for your number being up
to night.
Speaker 4 (52:21):
So my dig drops though you.
Speaker 11 (52:26):
Night. Just your bad can not be a b braight.
That will be the key your dumb.
Speaker 30 (52:33):
Get do your surgery for English pound ron sturning.
Speaker 25 (52:38):
If I'm an gattle, deserve it bing potline, going someone moving.
Speaker 15 (52:42):
Radio shows, the radio show, p or slid All.
Speaker 4 (52:46):
Right, that was TJ songs called twirk It. T J
song is called twirk it all right, MD, play the slave?
What should do with that?
Speaker 5 (52:55):
On?
Speaker 6 (52:57):
I'd like to be I like the way you're flowing,
only probably have with the storyline. I didn't hear nothing
about twarking.
Speaker 4 (53:04):
He didn't.
Speaker 6 (53:05):
No, it didn't. It didn't match up. But it was
a good song. It was good. It just needs to
be reworked and done professionally. So he got something he
just wouldn't put together right. You know, it's on a
little fence the planet of sleigh in it. I would
have to slay it because it wasn't done right.
Speaker 4 (53:28):
Yeah. Usually when we're on the fence with a worker,
that's that's usually a sleigh. So I'm going to go
ahead and well you slaying it first, okay? And then
I said too, I didn't. I didn't really care for
this one either, So I'm going to go ahead and
slay it also.
Speaker 6 (53:45):
Yeah, you go back to going back to the drawing table. Whoever,
if you're listening and tweak it and do it right right,
you know, make your storyline match twark it. But you
say nothing about tworking. I get uh, I had right
here one time. I don't know what the hell you're
(54:06):
talking about.
Speaker 4 (54:08):
Well, you know what I guess it'd be somewhere in
the hook somewhere. If we continue to listen to the
rest of the song, we would have eventually heard the
word torquing in there somehow, I would I'm just assuming,
I don't know.
Speaker 6 (54:22):
Yeah, we all assume, you know, you know, assume spell out.
I don't have to take a note further.
Speaker 4 (54:33):
Yeah, well, hey, I mean, that's that's what it is,
because you know, it's it's it's a lot of songs
out there now that that we called something and then
they won't mention that that that particular word to the
end of the end of the song.
Speaker 6 (54:47):
Put it on your website and stream it yourself so
we can hear it entirely, so you might be able
to sell a lot of singles online, right and do
the video. Mm hmm, you think of that if it's ready.
I mean, it had a good it had a good melody.
(55:07):
You know, it remind me of something. I can't you know,
I can't you know, pinpoint it, right, but it remind
me of something, you know something. But that's cool. A
lot of a lot of new songs that I was
gonna remind you of an old song, right right, right,
I can't get around that no more.
Speaker 4 (55:24):
Now you've hear us talking a lot more about these
songs and a lot more in depth with it. We
just giving you a little sample of what we're going
about to show by what we're about to do next
Caught the head and out of session the after party
here for the radio show that we do each and
every week. That's what we take these songs that are
sent to us, giving the constructive criticism and honest feedback.
So if you're an artist out there you're checking this
(55:45):
out and you're just you're in production of a song,
you don't know what to do with it, hit us up,
send the music our way. We'll check it out, give
you that honest feedback and constructive criticism that will help you,
you know, take that song to the next level. So
we got that show coming up in just the moments,
So if you want to go ahead and check that
out the head not a session that's coming up in
(56:05):
a few moments, you stay on a certain on your
platform of choice that you're checking us out on right now.
Also too, some people wonder, well, how do you guys
get to play the slave of songs? And why you
why you get the songs at the slade. Well, you know,
these are songs that came through the head and out
of session. It made it. They had a good night there.
(56:25):
The people that was checking the show out that that
night actually liked those songs. So the next round is
play the Slave. Now after the song gets to play
the Slave. If it don't make it there, like these
two songs that I didn't, then they get thrown in
a cybertrash, never to be heard from again. So that's
that's where they go. And that's that's where the buck stops.
(56:47):
All right, we don't go with that. See you next week.
You're all the Radio Show.
Speaker 1 (56:52):
Make sure you follow us on all social platforms at
the Radio Show
It's my radio show.
Speaker 2 (00:08):
Sure we are the greatest. We played the greatest in
the artists on the radio show. We got hot top fins.
We did the popping on the radio show.
Speaker 3 (00:31):
Listen to love and listen video up in your relationship problems,
We'll be with it.
Speaker 2 (00:36):
So make sure you tune in and the radio show.
Speaker 4 (00:41):
At least two hundred thousand people came out in support
today as the Los Angeles Dodgers brought home another championship,
beating the Toronto Blue Jays in seven games and an
epic world series. Man, we bring the championship to you
each and every week here as you being of the
radio show, Dundee and nd making it happen before you've
(01:03):
better living next to human Chandealeervie joining us. At some point,
of course, the radio show strictly independent hip hop and
RMB music had its finance. Shall welcome to it. We
bring it to you each and every week around this time.
Speaker 5 (01:14):
Man.
Speaker 4 (01:14):
So it's going down for another Monday night going into Tuesday, y'all.
So MD, how you doing tonight?
Speaker 6 (01:23):
Hey, I'm celebrating the Dodgers victory.
Speaker 4 (01:27):
Yeah man, yeah, I love it to see the Dodgers
out the heck of a series. I'd like to see
when they win a championship against I see so many
Dodger fans and Dodger jerseys and all that being worn, so, uh,
you know, a big shout out to them.
Speaker 7 (01:41):
Man.
Speaker 8 (01:41):
That was.
Speaker 6 (01:42):
That was the greatest world series, world series. It's been
a long long time. Yeah, yeah, I like how they
they went back and forth of taking lead of the series.
Toronto went one zero, the Dodgers tied it up, passed
them up to one, and they passed Dodge it up
(02:04):
three two, Dodgers took it, took it home three four,
and that was. That was one of the greatest exciting
world series I've seen in a long long time. And
I'm an old.
Speaker 4 (02:20):
Yeah, it was one of the most exciting ones. We
see him one night, It's like, what the heck you're
talking about?
Speaker 9 (02:26):
No, I definitely know what's going on.
Speaker 4 (02:28):
Oh, okay, okay, don't.
Speaker 10 (02:30):
I don't follow baseball regularly, but I'm definitely excited for
l A and the Dodgers. Of course, like it's really exciting.
News was spread everywhere about it, so I couldn't miss it.
Speaker 4 (02:40):
I don't follow baseball, easy, oh you do, I actually
do so that's why you know it was. It was
one of the Gress Gress series areas man best best
baseball series ever Man. Definitely, definitely. We're gonna go ahead
and jump into our trending topic one of them to
Night Trending Top. You about to buy Spotlight three sixty Media.
Like all celebrity stuff that I got on on, feel
(03:00):
free to go over there to Spotlight three sixty Media
and that is the avenue for you. Spotlight three sixty
Media on all social media platforms as well. Make sure
you follow it right there. Now, there is a concert
coming do you brought us to the table and I
was going to talk about this anyway yesterday you texted
me on it and you brought this to the table.
There is going to be a concert featuring New Edition Boys,
(03:24):
The Men, and Tony Braxton. Now what makes this concert
so special is that all of them, not just one
of them, All of them will be on stage at
the same time. All three megastars will be on stage,
the group and all that will be on stage at
the same time, performing each one of their songs, all
(03:44):
in unisons and working together making it one big production.
So I guess since prisons not here, Monette a nice.
That's it right, that's it right.
Speaker 2 (03:58):
It's like on that.
Speaker 4 (04:01):
On the East on.
Speaker 2 (04:04):
The East, Yes, I do.
Speaker 6 (04:14):
You must be in New Orleans.
Speaker 10 (04:17):
I don't think I have family from there, but like
actual like France, so I found out on my twenty
three I'm part Europeans.
Speaker 4 (04:23):
So oh okay, yeah, son on ee. If you had
a chance to uh share the stage, because you know,
I know you do features with people from time to time,
I'm sure, but this is a yeah, this is a
whole performance, a whole show that you will be doing
(04:45):
with other people on stage. You not only doing their
music with them being background and working on your music.
Would you share the stage with somebody like that for
a whole performance?
Speaker 9 (04:58):
I mean, yeah, yeah, you'd be willing.
Speaker 10 (05:01):
It's great because we're like, I'm really big on collaborations.
That's a great opportunity for me to bring my people,
you bring your people, and we do it together and
like have all these you know, amazing fans in the audience,
So why not mm hmm.
Speaker 4 (05:16):
Okay, okay, So what about despite what about being with
other independent artists like you sold, would you be willing
to do something with them?
Speaker 5 (05:24):
Yeah?
Speaker 9 (05:25):
Definitely, And I have I have in the past.
Speaker 4 (05:28):
Oh, you've done whole shows with independent artists on stage
with you at the same time, or you with them.
Speaker 9 (05:33):
Well, wait, I want to say a whole show.
Speaker 4 (05:35):
Yeah, be a whole show.
Speaker 9 (05:37):
No, if it was a whole show, I mean I
have not done that, I would say, so maybe. I
don't know. It's a little bit different than independent artist game.
Speaker 11 (05:46):
You know.
Speaker 10 (05:46):
It's like, you know, if there's bigger artists and they're
they're bringing people and stuff, that's one thing.
Speaker 9 (05:52):
But for everybody to be an independent artist, I don't
know how that would.
Speaker 4 (05:59):
As what's a that's.
Speaker 6 (06:03):
Two or three of them, three independent artists the most,
you know, because because independent artists, it's a whole it's
a whole different twist. You know, they're new, all those
upcoming everybody's hungry. So you got to be able to
show them how to share a stage together and share
(06:27):
their audience together so it can work out perfect. It
takes a unique person. It takes a unique producer to
bring that to the table, somebody like me.
Speaker 4 (06:41):
The table.
Speaker 6 (06:44):
I was in the game and I produced.
Speaker 11 (06:46):
I was in the.
Speaker 6 (06:49):
Billboard magazine. I had an album that made the Billboard magazine.
I had a couple of songs that made the top
two hundred was therefore, uh, you know, I got a nephew.
That's so four hundred thousand units, you know, and I
have a lot of other people that I know. We
(07:09):
both know that did millions. So I kind of understand
the independent market. That's why we started this show, the
radio show, cause we wanted to deal with independent, irving
music artists.
Speaker 4 (07:21):
Yeah, and that's what we're dealing with right now. We've
got Monet or a Now you and now you see
what I'm trying to get on. That's it, right, I'm
going to butcher that man. I'm going to butcher that man.
Obviously I'm no good in French man, no good at all.
Speaker 3 (07:43):
Cool.
Speaker 4 (07:44):
Yeah, let's good.
Speaker 6 (07:46):
Were you born in France?
Speaker 10 (07:48):
I was not, but my family I have, so I
was told that I'm like part French and like British
and Irish.
Speaker 9 (07:55):
So there's like a little bit of a mix.
Speaker 6 (07:57):
There, you descending, Yeah, that's what seat.
Speaker 12 (08:04):
Yes, this cent installment from what we call the experience slip.
Remember what you do alone to re fill your cup,
it's just as important that's what you pull out to others.
You're making this stunt optionally you're well being. It's not shelfish.
It's like that sharp.
Speaker 4 (08:21):
It's like this jod.
Speaker 11 (08:24):
Back in the days, I was scared to rhyme. New
York City was my home borough south Side. We did
we didn't know. Sticking here Fred Trowe.
Speaker 12 (08:31):
To trip kept my line. Bring your shop when the
goat jamakeer app what's the plan? We ain't snowing the shine.
Speaker 11 (08:37):
Tell the steam at us off out of pocket in time,
that's time. Where's my family? Your ability to be half.
Speaker 12 (08:42):
Block parties for the north and that's the need to
have you forty yet to set the water regular pops took.
Speaker 4 (08:47):
The man in bad weather.
Speaker 11 (08:48):
Had to be your side when.
Speaker 12 (08:50):
The war's hut sharp, bring my eyes to tears, prest
with kids. John Adams had my first cold per probably
stopped chapter bottle.
Speaker 11 (08:56):
Christie Chaptain path ten joints shred here sets between cask,
got the first geez.
Speaker 12 (09:01):
Down the block and had no clok pss bade the
mats comics in the stud.
Speaker 1 (09:08):
It just like that, yall.
Speaker 11 (09:09):
It's like this, y'all.
Speaker 7 (09:13):
It's like this, yall.
Speaker 13 (09:14):
Let's like that job job.
Speaker 11 (09:18):
It's like that Shaw's like.
Speaker 1 (09:20):
This jaw Jo.
Speaker 7 (09:23):
It's like this, yall.
Speaker 12 (09:25):
This like jaff me back in the days, and I
was scared to rhyme. Gotta take a little deeper in
his knife for mine. It'll league rayson park taking walk
to the store. Penny candy didn't matter because I still
want more lummy bears.
Speaker 4 (09:37):
Laughing staff he limon his radio.
Speaker 11 (09:39):
Alexander the Great still control with the comic radio.
Speaker 13 (09:42):
She gonna say, some farmer seeds.
Speaker 11 (09:44):
Attack Ice, always leaking the school because I'm going.
Speaker 5 (09:46):
To the slash.
Speaker 11 (09:47):
Let's just work a bill.
Speaker 12 (09:48):
But I had some far fresh shams on the steps
and a whole lot of trunk were gonna find go
on the block. Number games still new, now, don't mine
walked away?
Speaker 11 (09:56):
Then we had it too, you know. I was showing
the court never.
Speaker 12 (09:59):
Can't gimme the rock in the book away before caught
the bucket and it's life for mine for a minute,
walk with me as a pressure rhyme.
Speaker 11 (10:10):
It's like that, y'all.
Speaker 4 (10:12):
It's like this, y'all.
Speaker 11 (10:16):
It's like this, y'all.
Speaker 1 (10:17):
It's like that, y'all.
Speaker 7 (10:19):
That job.
Speaker 11 (10:21):
It's like that, y'all.
Speaker 1 (10:22):
It's like this, y'all.
Speaker 13 (10:26):
It's like this, y'all.
Speaker 5 (10:27):
It's like that y'all that.
Speaker 1 (10:39):
You love and and Lusk late lay or slate can
we go and move a crowd show?
Speaker 11 (10:53):
Turn up your radio, I.
Speaker 7 (11:01):
Buppy, you want to feel on it?
Speaker 14 (11:05):
No, maybe is going but s name on it.
Speaker 7 (11:13):
Maybe you can feel on it, but let's way, but
make sure whether I I don't want to go up
(11:33):
a couple of times so your ham is gonna.
Speaker 15 (11:39):
And I like that.
Speaker 11 (11:41):
I like that.
Speaker 16 (11:41):
I had up.
Speaker 17 (11:44):
I am nothing, I had nothing. I'm nothing, i am nothing,
I'm nothing.
Speaker 7 (12:03):
And you see what I'm looking with all of them?
Speaker 18 (12:10):
Something trust me my fredday something for no resday.
Speaker 7 (12:17):
They get hurt this text suite.
Speaker 15 (12:22):
You know you can't.
Speaker 7 (12:23):
You got an election. I'm sure you get the rap
of something because I don't want to mirror maybe Mary
like about.
Speaker 19 (12:36):
God because maybe oh to me like that, you know,
I mean like that.
Speaker 20 (12:44):
I like that, like that, like that.
Speaker 7 (12:52):
My cat cat cal yorg get my dress dress.
Speaker 15 (13:07):
Well, I have to know it can be a private
show show and you know I like that.
Speaker 2 (13:21):
And I'm want to try to buy bad that.
Speaker 15 (13:23):
I'm a girl. How is that when I do it
like you and do it like that?
Speaker 7 (13:28):
Nothing, i am nothing.
Speaker 21 (13:33):
I'm nothing, Molly nothing I'm nothing.
Speaker 7 (13:44):
I'm not Molly, I'm not.
Speaker 16 (13:49):
Moppy.
Speaker 22 (13:50):
Did use to right here you listening to the radio show,
it's that.
Speaker 23 (14:07):
Time again, your boy going off ten hone, damn near
broke my spine head trying to kill with a chick
this and nine to see Rick Rock using food for
this one.
Speaker 11 (14:17):
But everybody got to get a boom and.
Speaker 23 (14:19):
System even TikTok going forward with this one with this
because Rick Rock was a boom for this one, with
this deep wreck with the bell on, blame on buzz.
The bill known this ain't that, ain't that didn't know
I could go ti fill say to put that on anything.
Speaker 1 (14:33):
This ain't cat So.
Speaker 11 (14:33):
Don't start none. It won't be none.
Speaker 24 (14:36):
Just even make it.
Speaker 23 (14:37):
Never want to refund because when I came to the
forty y'all was by myself. For nine times out of ten,
I leave with someone else.
Speaker 11 (14:43):
Count She and I.
Speaker 4 (14:46):
I just want to get it in, okay, she and I.
Speaker 24 (14:49):
She said, I just wanted to get it in, get
it in, get it in. I just want to get
it in, she said. I just want to get it in.
Speaker 11 (15:07):
All the time.
Speaker 4 (15:07):
She get done, but she don't want.
Speaker 6 (15:09):
I'm gonna knock it up the port like a home run. Hey,
that's my people, that's my folks, that's my day one Like, hey,
that's my being the row front.
Speaker 4 (15:15):
You had the great one left right, right, left and
looks on you. Who you with your best friend?
Speaker 11 (15:19):
Let her come to I'm gonna put it to the side.
Speaker 4 (15:22):
I'm a back dad.
Speaker 11 (15:23):
What are my people?
Speaker 4 (15:23):
Where it's at? Where the back at off backs?
Speaker 16 (15:26):
Who is that?
Speaker 6 (15:26):
Yeah? I'm at you now, I should collected when they're
black with the tattoos. I want to see me when
the visit, when the.
Speaker 11 (15:31):
Fly out, when the ride out, pick it to my.
Speaker 6 (15:34):
Hide out, Level one, double lake plus fright. Fuck if
she you done peace, I'm aa fin by. I'm gonna
put up.
Speaker 11 (15:40):
I'm gonna show up.
Speaker 16 (15:40):
What you're gonna do?
Speaker 6 (15:41):
Let me what She tagged me with the hashtagtoo.
Speaker 16 (15:44):
She and I she again, I just want to get
it in, she and I she agaend.
Speaker 1 (15:51):
I just want to get it in, get.
Speaker 16 (15:53):
It in, get it in.
Speaker 11 (15:55):
And I just want to get it in.
Speaker 16 (15:58):
She and I she atend.
Speaker 11 (16:01):
I just want to get it in. Bo bom.
Speaker 9 (16:09):
Bo.
Speaker 16 (16:12):
You're not.
Speaker 11 (16:15):
I just want to get you not.
Speaker 6 (16:19):
I just want to get this is just justing you
better tune into the radio show.
Speaker 25 (16:27):
But yeah, don't play everybody bring it come. But you're
so shut baby, you already want one to put you
(16:48):
in my favorite position. Maybe take time with did the
summer Everytha? And I know, I know, I know you
never have a man with no matter close.
Speaker 2 (17:00):
I'm feeling like a gall grips you tightly.
Speaker 8 (17:04):
I can pay your temper region. Maybe why you tempt Demisa?
I love it when you're pressed fanning it. I love it, Weda,
I love it, Weda. I can be your temple region.
Maybe why you tempt Themisa, feeling like you want give me.
Speaker 16 (17:20):
Some and I would love Dora.
Speaker 6 (17:22):
My body's on you.
Speaker 22 (17:24):
Your body's on me so close.
Speaker 6 (17:26):
I can feel your prey promic and you love me.
Speaker 16 (17:29):
Man, bless me.
Speaker 1 (17:33):
My body's on you.
Speaker 6 (17:34):
Your body's on me so close.
Speaker 16 (17:36):
I can feel your prey plemn me and you love me?
Then bless me.
Speaker 2 (17:44):
You said hello, no way you do me trn my
body or your buddy.
Speaker 26 (17:47):
Like a two piece. Yeah, we can't beg her to
go moving? And are you getting to me just like that?
I know, I know, I know you turn me off
where you blow my minds up. I'm tempting to touch
t so you tightly.
Speaker 7 (18:04):
I can pay your temper.
Speaker 8 (18:05):
Reacher, letb me why you tempt the misa. I love
it when you're pressed fanning it. I love it when
I love it when I can pay your temple. Richer,
Let me when you tempt to misa. You know how
to survive when me, but you're born on me and
be when my body's on you, your body's on me,
(18:26):
don't I can feel you?
Speaker 7 (18:28):
Bra love man, loss me? No ad.
Speaker 6 (18:33):
My body is on you and your body's on me.
Let men, so don't second feeling.
Speaker 16 (18:39):
You loved me lost me. H.
Speaker 4 (19:28):
Well, we're gonna go ahead, jump in and move the
crowd real quick. Man, let's do this. It's time for
the radio show. Move the crowd, all right, y'all, we
are inside and move the crowd right about now. What
we do each and every week around this time is
we're talking artists off stage, bring them backstage to get
to know them up close and personal and joining us. Now,
(19:50):
we got a guest. She's actually been on here before
with us, and you know she does a lot of
different things. Man, we got her in the building. Man
O Nique, I'm sorry Monee on a cs on aces
I'm gonna butcher that. How you doing. Let her introduce
yourself aheah, go ahead and introduce yourself.
Speaker 10 (20:10):
Go ahead, thanks, yes, money ees. I am California born
and raised. I'm a music artist, writer and upcoming producer too.
Speaker 4 (20:20):
So yeah, okay, all right, definitely in the building tonight.
And now, first of all, welcome back.
Speaker 9 (20:27):
Thank you, thanks for having me again.
Speaker 10 (20:30):
See, I love this platform that you guys give, you know,
this platform for independent artists to come on and you know,
just tell their stories, an opportunity for people to get
to know them.
Speaker 9 (20:42):
I think it's wonderful.
Speaker 4 (20:43):
Yeah, definitely we appreciate that. Now. Now, speaking of stories
and everything, I had a chance to look at your
I G this week and I noticed that and I
saw it and if you don't, if you choose not
to talk about it, you know, you cannot choose not to.
I noticed that you said you suffered with an ADHD.
Speaker 9 (21:03):
With oh yes I do.
Speaker 4 (21:05):
Yeah, So you and you were saying that, how that
and you know, different aspects of your life and how
that affects you and what you go through with that.
So I'm gonna bring it back on the music side,
How does ADHD affect you? On the music end.
Speaker 9 (21:22):
So on the music end, it's helped with my creativity.
Speaker 10 (21:25):
I would say if like literally anytime of the night,
like I'll be trying to go to sleep in all
these ideas or just sparking, sparking, sparking, and it just
doesn't stop.
Speaker 9 (21:36):
It's like it keeps going.
Speaker 10 (21:38):
But kind of the downside is that I just have
the worst trouble trying to concentrate. So when I'm not
on meds, it's just like i will be trying to
have a conversation with somebody and they think that I'm
concentrating and paying attention to what they're saying, and I'm
just like, oh, yeah, that's wild, like okay, because I
(21:58):
didn't quite know what they what they said because I
have so many intrusive thoughts like coming in at once,
so people probably don't quite understand like what that is.
They're like, oh, everybody has ADHD, but it's like, no,
you don't get it. It's like all these thoughts going
going like a train all at once.
Speaker 4 (22:18):
M Okay. As far as like show day, when you
when you're going to perform somewhere, how are you affected
with that?
Speaker 9 (22:27):
Oh it's the worst. Okay.
Speaker 10 (22:29):
So basically it's like I'm I'm trying my best to
stay as calm as possible, but my brain immediately goes
into what we call crisis mode.
Speaker 9 (22:40):
So basically, for an ADHD person, a lot of things
will become a crisis.
Speaker 10 (22:45):
So it's like trying to get somewhere on time, trying
to just handle multiple things. I'm trying to think of
an example, but a good example is trying to get
somewhere on time. It becomes a crisis trying to get
there at you know, I need to be somewhere at
nine o'clock am, and you can't be late.
Speaker 9 (23:05):
So it's kind of the same with show day because
for example, I.
Speaker 10 (23:08):
Had bandmates, I had the dancers coming, then I had
the videographer coming. Plus I'm thinking about my outfit, and
now I've got to work on you making sure I'm
on vocal rest, making sure I get exercise, making sure
I'm like eating extra good that day.
Speaker 9 (23:27):
So there's like a lot of different factors.
Speaker 10 (23:30):
We already have all those different things, but the fact
that my brain goes into this like crisis mode, it
just makes things a little bit more challenging, I would say,
for sure. And I even noticed that just on Friday,
I had a show and I was.
Speaker 9 (23:44):
Just like like all over the place. So you know,
thankfully I am. I do have sources that help me,
and I'm just I'm just working on it. I take
it day by day.
Speaker 4 (23:59):
All right. Up, man, we got money on Nice in
the building the radio show. So in the down done
DN M D making it happen for you. And if
you want to talk to money on Nice, you can
go ahead and hit us up at Keyword a radio
show and on social media platforms. Let us know your thoughts.
If you want to talk to you and say hello,
that avenue is upen for you as well. D go
(24:20):
ahead and talk to Money.
Speaker 6 (24:22):
Well, she did a lot of talking. I learned her
history in a few moments.
Speaker 11 (24:28):
She just she she spoke.
Speaker 6 (24:32):
Only I don't understand you. R and B are your
hip hop?
Speaker 9 (24:36):
Oh you know what I do house R and B.
So it's mostly like dance.
Speaker 6 (24:40):
Music, okay, R and me. Yeah, in fact, yeah, the
fusion of the two. Yeah, I'm gonna get a chance
to hear your song. So I haven't heard it.
Speaker 27 (24:51):
Yet, but I'm get a chance to hear it, and
then I can really concentrate on the direction you go
on uh, are you with a label or you have
your own lab?
Speaker 9 (25:04):
I have my own. I'd call it Bougie Empire Entertainment.
Speaker 4 (25:08):
Bougie Empire Entertainment. That's what's up.
Speaker 9 (25:11):
I like that.
Speaker 16 (25:12):
Yup.
Speaker 9 (25:12):
I got my Bougie Babes.
Speaker 6 (25:15):
People who merchandise on your website.
Speaker 9 (25:20):
Not yet, but it's in the works.
Speaker 10 (25:23):
I actually was wrapping the jackets over the weekend, so
I'm really excited to start getting those out and then
other merch to come too soon.
Speaker 4 (25:29):
That's what's up. Okay.
Speaker 6 (25:31):
I hope you advertise on the radio show so we
can help pump it up.
Speaker 9 (25:36):
Yes, no, thank you so much. Yeah, I definitely will.
Speaker 4 (25:39):
Yeah, we definitely can do that as well. When we're
going to jump into your record real quick that I
want to Be Down, So go ahead and tell us
about this record.
Speaker 9 (25:46):
Yeah yeah.
Speaker 10 (25:47):
So growing up, Brandy was one of my favorite people
and I wanted to do a house version of her
song I Want to Be Down, And that's.
Speaker 9 (25:56):
What you're going to hear.
Speaker 4 (25:58):
All right, man, we're gonna check out the house version
of I Want to Be Down right here, mone Oise,
it's in the building. Y'all should depending hip up and
R and B music at its finance, y'all. It it's
the radio show. Let's go.
Speaker 6 (26:14):
Independent artists live here.
Speaker 15 (26:15):
We got this independent game on lock the figure it
out the radio show.
Speaker 18 (26:28):
I would like to get to know I could be
the kind of girl that you could be down for, because.
Speaker 7 (26:36):
Then I look at you, I feel something. Tell me
then you are the kind of guy out and shut
make more. And if I don't let you know, then
I won't before him.
Speaker 18 (26:49):
I do be wrong by I feel like something could
be going on the mons see here mom, that it
becomes soldier carry no other manias on the want to
be down with what you're going through.
Speaker 7 (27:03):
I want to be dead.
Speaker 18 (27:05):
I don't want to be down with you the time
I think it's true. I want to be dead. The clinging.
Do you us the clinging? But do us going? And
(27:31):
don't anybody's son. I be long live with a the
reason thing I saw someone to care for marybe all
you need to shoulder to cry out. If that's a
fact that I'll be more than you ever could dream of,
it is.
Speaker 7 (27:49):
And I got plent to you until you don't pud.
I don't want to stay by yourself being able.
Speaker 16 (27:57):
To fool you up and your over.
Speaker 18 (28:04):
Do you like something clobinging? Do you like something colobing going?
Do you have something cooking going on?
Speaker 5 (28:15):
You know?
Speaker 16 (28:16):
Pious?
Speaker 7 (28:20):
Okay, let's tell you that I got some to you
up live your product.
Speaker 18 (28:34):
I'll say, right exactly, do you up pressing a passing
from the.
Speaker 7 (28:52):
Climbing going about? You know about the perious pleasing.
Speaker 4 (29:08):
The house music, that's what's up.
Speaker 13 (29:12):
Man.
Speaker 11 (29:12):
I was.
Speaker 4 (29:15):
In the building right there, so mony that was. That's
a good record. Definitely good record. That nice right there again,
she is in the building doing her thing, and we'll
catch it with her down the road. We're gonna step away,
take this quick time out. When we come back, we're
gonna play some music as well as uh m D.
You're not gonna be not gonna believe what Spotify is done.
(29:37):
We're gonna talk about that, which yes, music got as
signed as y'all. Thanks again to Monee Onnise for joining us.
Y'all be back in the moment at the radio show.
Here's what's going on recently on the radio show, putting
out singles and and putting out EPs right there, testing
your testing your music in that aspect, Britt, how many
(29:58):
songs do you put as far as testing concerned, do
you even test or how does that go with you?
Speaker 6 (30:04):
I don't test.
Speaker 20 (30:05):
I just put things out and you see what people
like and what people don't like. But definitely I really,
you know, like some people might not like that I'm
saying this, but I.
Speaker 9 (30:17):
Don't really put music out for.
Speaker 20 (30:21):
My fans like that like I do, but I don't.
It's really like what I like and if you don't
like it, you just don't like it. I do this
for myself and for like my mental health, you know.
Speaker 6 (30:35):
Was talking to music professionals and the majority of them
said that artists put too much out. You don't get
the fan base and the consumer opportunity to marinate on
the sound that they're trying to create as an artist.
And what they need to do is probably put out
(30:56):
a song every three to four weeks, but make sure
you do some promotion behind it.
Speaker 4 (31:07):
Byron Allen here to support ourselves, we stopped about a
lifetime release of the film, taking out a truck stop.
A lot of supporters and celebrities came out to support
this film as a touch is a very serious sebject matter.
I spoke to some of the cast members as well
as guests and got their thoughts on this very important project.
Speaker 3 (31:28):
Or the importance of this film Taken Out a truck Stop.
It's one of the third in the franchise of the
Black Girl Missing. It's really important for us to look
out for one another, to also ring the bell that
when black and brown people go missing, that we need
the same urgency, the same compassion, the same not dismissal,
the validation. And this is why it's important for these messages,
(31:50):
for these movies to be told and for people to
talk about it, so that we are seeing and we
are validated and we are looked after.
Speaker 14 (31:57):
It's such an important deal, the Black Girl Missing deal
is is so much unnecessary social justice to bring more
awareness to black and brown missing women. And what a
better way to do it than to put it in
our entertainment so that we're learning while we're being entertained.
Speaker 4 (32:14):
Cat Stuck at a truck Stop on Lifetime, October twenty fifth,
this week to pick hits j T l R featuring
Snoop Dogg and Mad Scientists. That's my box. With so
much trauma on the it kind of hard being jail
double NYT paraphrase, no distance I heard each week on
the radio.
Speaker 16 (32:32):
Shit yet this.
Speaker 7 (32:33):
Stue pursuit, but the wealthen of you gone.
Speaker 6 (32:35):
Girl, just shake that fruit because I don't even know if.
Speaker 11 (32:37):
This Now back to the radio show.
Speaker 16 (32:58):
Baby beat, it's tired.
Speaker 7 (33:00):
You feel that cuckoo?
Speaker 19 (33:01):
It's tell me, don't start me you, Yeah, let me
peek the scene, let me know. I cover lection nail
two scenes.
Speaker 28 (33:16):
I'm the only one that then in between and if
I've ever made that after, you can watch me leave.
Speaker 19 (33:19):
Now, don't stop jiddy jitty.
Speaker 28 (33:21):
Even if I'm mad or your friend King Judy, I'm
a real real I don't play myself. And if Buddy
Dot he play me, then he played itself. Now, if
you're right, then you can get it.
Speaker 1 (33:29):
I'm like you. Yeah, I'm within it.
Speaker 19 (33:30):
You can treat me good, you can just bore me. Hell,
I'm real good for you boy, real good for your help.
Speaker 16 (33:35):
Yeah, baby beauty, it's tight.
Speaker 5 (33:51):
You feel that cuckoo?
Speaker 16 (33:52):
It tell me? Oh by can it.
Speaker 2 (34:03):
Feeling sweety cholie.
Speaker 18 (34:07):
I don't love them telling you chance on me tho
we have gone toub honey by.
Speaker 5 (34:18):
You you don't know Hobda. You don't know Hobda.
Speaker 19 (34:39):
He loves baby, you do right, time and you feel
like a good tell me old by, don't start to
notice or your old bye.
Speaker 4 (34:51):
We can do it all night, don't forget. This is
also a video shows. If you like the video portion
of what's going on here, you can go ahead and
check it out. This is also a video show. I
gotta do is go to YouTube, which I'm gonna have
to pull up right now because I got to get
out of this mode right here to get down to
(35:12):
it for you so you can see me on the
screen right now. You can go ahead and go to
a YouTube channel a Keyword Da radio show on YouTube
as well as Twitch, you can catch out the video
portion of the show which we're doing right now. We're
filming a TV show which will be airing on our
role Cool as well as Amazon Fire TV channel. You
can go ahead and catch those right there. We got
(35:33):
some episodes that are already up right now. You could
binge watch that if you would like, and also too,
you could always go to Spotify. I'm sorry, go to iHeart.
Go to iHeart, and we're on the iHeart app. At
Keyword Da Radio Show, you can check out all of
our previous episodes. The audio version of the radio show
(35:56):
as well as the show we're about to do in
about twenty five minutes from now. It's spot like three
sixty media. I'm sorry, that is the head not a session.
The head not a session is right there, so you
can go ahead and check that out as well. On
the on the iHeart app at Keyword Da Radio Show
on iHeart All right, so we're hood the hood, block
to block always the radio show done, d n n
(36:17):
D making it out before you're right here on the
Monday night pick shout out to money on on on Ease, Money,
Money on Ease, Money on e boy, easy for me
to save me. I've been struggling her name all night.
Money on e for joining us tonight here on the
radio show Masure again, we can request her record I
want to be Down. I Want to be Down. You
(36:39):
can check that out and request that each and every
week here on the radio show. Go to go to
all of our social media platforms that Keyword Da Radio
Show and you can go from there. So m D
I did state a little earlier that we was gonna
talk about to what Spotify has done again, and yeah,
(37:01):
it seems to be the gift that keeps on giving
with Spotify and what they're got going on over there
with Spotify and what they're doing.
Speaker 1 (37:09):
Now.
Speaker 4 (37:10):
I I did a little research on this and I
was looking it up, and what I found was that, uh,
and this is what I was kind of found here,
is that Spotify and Drake is there, they're at odds again. Drake.
What Spotify, to my understanding, and this is my interpretation
of it, and hope I articulated it correctly, is that
(37:33):
there was a lot of fake streams. Bots were created
to give Drake a lot of fake streams, and which
is why I wish brit was here because I and
in fact I probably would bring it up again next week.
But a lot of artists, a lot a lot of
Drake's streams on Spotify were fake. So which means what
(37:55):
that said the system that they used to measure that
with Spotify didn't really I guess, do more of a
gatekeeper or stop a block on it or anything. So
basically he got paid for those fake spins. In other words,
now this for Tim getting paid for those fake spins, right,
(38:19):
he got paid with these fake spins took away from
the pot, took away from the pot that they had
for independent artists to make money. So, in other words,
the major artists are able to make more money on Spotify.
Why the indy office, because any artist, because they take
the money from the indie artists pot that they have
set up for Spotify and make them suffer to pay
(38:41):
these major artists. And that's ridiculous. How the indie artists
really got to suffer and then lose money themselves to
pay for the major artists even though they are already
only making a half or the half a penny, quarter
a penny or whatever. It is really ridiculous. What do
you think.
Speaker 6 (39:00):
I've been preachings every since Spotify came to existence. I
was smelling the stink in the air all these years
about Spotify, and when Disney bought them, I knew it
was something really gonna brew up. And the indie artist
(39:20):
should even support Spotify, not for money, not for streams.
They should go ahead and spend five hundred to one
thousand dollars for their own website and stream their own music,
sell they downloads of their own music and make their
own money and don't depend on nobody. Spotify is another
(39:42):
form of social service. They let you do things free,
but they charge you double at the end. And you're
not getting nowhere. You know, it's just like a revolving door.
You're going around and around and around, and you know,
find me a billy pressing old song. You got me
going around in circles. I learned that rock and roll
(40:07):
music don't even use Spotify, not to the extent that
black music use it for. You know, they they only
use it just to introduce their song. And I heard
that they put the snifflets on their on their platform,
study the whole song, right, they put the whole song
(40:28):
on their website, and then they they make people go
to their website they hear their songs and and it's
entirely and then they sell the download for ninety nine
cents or sixty nine cents to make their money. And
plus they do shows because it's easy for them to
get shows because they have a diverse audience.
Speaker 4 (40:49):
Oh you know.
Speaker 6 (40:50):
So, yeah, Spotify had been shaky ever since they they
they was right, they was doing right in the beginning,
but then they just got greedy and they took black music.
That's how they made their money through the black music market.
They didn't make their money, no, they didn't make their
money on Western pop, rock and roll they didn't make
(41:15):
their money close. It was black music that kept them
existence until this into the field. Quit being cheap. Do
your own website, tell your own music, stream your own music,
and you'll be sure. All those big ads that you
see on Spotify, they'll be on your website and they'd
(41:38):
be giving you twenty five k the place they add
on your website right now.
Speaker 4 (41:45):
Speak speaking of stuff on websites, if you check out
the website of the Top forty charts, this is the
first time in history, in many years, there has not
been a hip hop song on the top forty charts
at all. They say there's no hip hop songs at all,
(42:06):
and some of the factors and the reason why there's
no hip hop songs. Here's some of the factors which
people spoke upon and what they're saying. Taylor Swift holding
down the top twelve spots on the charts right now.
So that's one particular reason why there's no hip hop
songs on there. The pushing of country music, the rebse
(42:28):
of country music as well, and the renaissance of that,
the pushing of the underground hip hop artists music movement
as well, and they may be able to take center
stage in the near future. Also the talent, the talent pool,
the music itself. The quality of music is not as
good as far as hip hop artists are concerned. Again,
(42:51):
no hip hop artists on the top forty charts. It's
the first time in a long time. We touched on
this a little bit during the pre show MD. But
what do you think about it now?
Speaker 6 (43:01):
Well, we can fault as a community, black community. We
can fault ourselves for that. We we didn't understand the
the what's a nice word to say, we understand the
way to market our music, you know, and we look
(43:22):
for people to do things for us for free. That's
because we get some things done for us for free,
and it's like a it's like a habit. We don't
work hard enough. We're lazy. That's what they say about
black music. We're lazy. They don't want to do anything
for their own music. They want other people to do
it for them, and they sit back and employ the
(43:44):
ride and it's not working.
Speaker 1 (43:46):
No more.
Speaker 6 (43:48):
On social service for urban music is about to come
to it if it hadn't came.
Speaker 4 (43:54):
To the end already, has it come to in it already?
Speaker 1 (43:59):
Man?
Speaker 4 (43:59):
What do you think of about that? Man Keyword da
radio show and on social media platforms. Please let us
know your thoughts on that. Either one, Spotify taking money
from the independent artists to pay the major artists and
also got these bots with fake streams on there as well,
or you.
Speaker 6 (44:16):
Know the fake stream that that go way back when
uh sound scanned was getting ripped off that way and
when record Store used to one the CD.
Speaker 4 (44:28):
Hundred strokes uh with with the uh yeah, with the
one per per build the numbers up and got paid
for it, and they got paid for it as well.
They went platinum and sold only fifteen album exactly, and
so they didn't sell a whole whole whole.
Speaker 6 (44:45):
Box up, but they they got the scams, yeah they got.
And it's the same thing going on now with the
with the technology. Yeah, somebody, somebody learned how to break
the code.
Speaker 4 (45:01):
Yep, somebody learn how to break the cold Man. We
got played a slid We're gonna love the less rest
for the night being a brig of loven next Human
Chandelier is still partying for her birthday and all that stuff,
and I had this any mix to play for as well,
so we'll just table at the next week also, but
we're gonna go ahead and have played a slid. We're
gonna do that as well, and then we're gonna jump
(45:23):
into the after party, which is coming up inside of
well about fourteen minutes from now. All right, what do
y'all think about that? What we were just talking about?
Just now? You can leave your comment below. I did
catch up during a celebrity interview this week, brought you
by Spotlight three sixty Media. I caught up with a
defense attorney, Ariva Martin, at a recent event that she
(45:44):
had for the Special Needs Network. She I had a
chance to ask her about dealing with a child with
special needs and a tip that she had for you. Plus,
she gave her website a case of already wants have
done it to the Special Needs Network like I caught
it with her recently at her event that they had
like to hear Here's how.
Speaker 2 (46:01):
That go, ribbon and all the red carpets.
Speaker 7 (46:06):
Here's an exclusive celebrity interview today.
Speaker 29 (46:10):
I'm really excited happy to have so many people come together,
community partners, sponsors, folks, advocates and leaders in our community
coming out to celebrate children and families with auto s
in n LA. That's the website for specialis at work
you can send.
Speaker 16 (46:24):
To fight with us.
Speaker 4 (46:25):
Last thing for you, someone that have a child that
may be going through with special needs, can you give
them some words of the.
Speaker 29 (46:31):
Yeah, get connected. That's the thing in the isolation. Make
sure you are connecting with those families and resources that
can provide help to your child.
Speaker 24 (46:40):
It's out there and the Special Needs Network is one
of those resources for you.
Speaker 29 (46:44):
With YNLA dot org.
Speaker 23 (46:49):
Join the radio show every Monday night, Every Monday night,
WU for the indie song that you enjoy the most.
Speaker 4 (47:00):
All right, y'all, we are are inside of play the
slag right about now we do each and every week
around this time is we take two songs. We ask
that one fundamental question. Should we play it or should.
Speaker 6 (47:12):
We laid out sil.
Speaker 4 (47:16):
Y'all, slid, throw it off the hard drive, throw it
in the proverbial trash, never to be heard from ever again.
Or we can play it and we can add it
onto the Radio show dot com the return of the
Radio Show dot com. As we're getting ready, as we
continue to build our playlist on there, you can go
ahead and check out check that out right now, We're
(47:36):
gonna go to the Radio Show dot com. And check
out music Music Music right now. As we continue to
build our playlist on there, and a song as it
does well will be added to that playlist. Plus we
may bring the guests on the show as well. All right,
so we got two songs that we are going to
get to right now. Uh, and we asked you we
play up a slam. So the first one we got up,
(47:57):
the bat is an artist the name of pretty Uh porcelain,
pretty porcelain, Pretty porcelain songs called feisty, pretty porcelain songs
called feisty. All right, let us know what we think
of what you think about the record? Should we play
it or should we slaid? Like the head here go, I.
Speaker 2 (48:31):
Say I'm too feisty.
Speaker 30 (48:34):
Search far and white, never find another like me? Begging
me to be here, sweetie, I'm already icty. You're gonna
respect me, y'all, don't care if you.
Speaker 16 (48:41):
Don't like me. I'm feisty.
Speaker 5 (48:43):
He like you.
Speaker 30 (48:44):
I thought that on that back now here, excited, so feisty.
This real gas smelling Washn't they light it? It's feisty.
I'm looking like a snack.
Speaker 1 (48:51):
You one to bite me.
Speaker 30 (48:52):
It's fisty. It's fisty. He said back, you really that boy?
You thought I told you? This ain't no saying know
to me? He know, I'm gonna throw a fit. I'm
about to hit the town. He like, who you're going with?
One thing? I know it's this ain't no ring on it.
I don't want me to sing on it. Better put
some playing on it. I was like a hollow pillo
fill of steam on it. And we ain't got some
(49:14):
bit with these ponies.
Speaker 4 (49:18):
That was uh oh I was supposed to be playing that.
Speaker 8 (49:21):
Uh.
Speaker 4 (49:22):
I sent the wrong version up there. But it's all good.
That was feisty.
Speaker 1 (49:25):
That was.
Speaker 6 (49:27):
You did the right thing.
Speaker 4 (49:28):
Yeah, that was feisty by porcelain, by pretty porcelain. Feisty
by pretty Porcelain. I loaded the wrong version because the
drops and the promo was one't a part of that one.
So that was the wrong version. But it's all good.
MD when you think about it, play the sled? What
should do with it?
Speaker 6 (49:44):
That crap?
Speaker 4 (49:45):
Oh that's a slave. You didn't like it? Yeah, why
you didn't like it?
Speaker 6 (49:53):
It was done. It sounds like a bunch of amateurs
putting that together. There ain't know nothing about music. Okay,
they had no clue about music. Uh huh, they would
even close just what our guest was talking about. You
know why hip hop is going down? There's one reason.
Speaker 4 (50:13):
Right there.
Speaker 6 (50:13):
You heard it on the radio show, the reason why
hip hop is not going good?
Speaker 4 (50:19):
Oh okay, So you didn't like that one at all?
Speaker 6 (50:23):
That that sucked with all capital letters with a bunch
of explanation marks.
Speaker 4 (50:31):
Well, I didn't think it was that bad, but I
didn't particularly care for it. So I'm gonna go ahead
and slaves the record as well.
Speaker 11 (50:39):
That's why.
Speaker 6 (50:40):
That's why it was bad, because you didn't care for it.
And I told you on a production and a producer standpoint. Yeah, yeah,
you said on a production standpoint. You you you you
broke it down saying it was really bad. I just
didn't like the song, that's all it was. That's why
you didn't like the song, because it was done bad.
Speaker 11 (51:01):
It was done good, you would.
Speaker 1 (51:03):
Have liked No.
Speaker 4 (51:03):
I think if it was done production wise and where
you wrote it that where you would have wanted to
do it, I still wouldn't have liked it. I just
didn't like the song, that's all that was.
Speaker 6 (51:10):
I don't think it would have sounded like that. They've
done it professionally.
Speaker 4 (51:13):
Yeah, it didn't. It didn't move me. It didn't move me.
Speaker 6 (51:15):
Yeah, I don't think of the move Brent or Kelly
Good or Alan or low Digg, Yeah.
Speaker 4 (51:24):
Any of them, any of them would have been new
body either. All right, Well let's well, let's check out
this next record right here, man, This one right here
is a TJ songs called twark It. TJ song is
called twark It. Let's go ahead and make it happen.
Play the slave, let's go the.
Speaker 15 (51:40):
Radio show, radio show, the radio show, or slid, bunny.
Speaker 13 (52:01):
Honey Honey, Bunny time, moneynyny honey, money, fine, honey, honey, honey,
honey mine.
Speaker 1 (52:12):
By the time she said, oh.
Speaker 25 (52:14):
B so your nums go, I said, oh gil bad,
So don't yellow for advice for your number being up
to night.
Speaker 4 (52:21):
So my dig drops though you.
Speaker 11 (52:26):
Night. Just your bad can not be a b braight.
That will be the key your dumb.
Speaker 30 (52:33):
Get do your surgery for English pound ron sturning.
Speaker 25 (52:38):
If I'm an gattle, deserve it bing potline, going someone moving.
Speaker 15 (52:42):
Radio shows, the radio show, p or slid All.
Speaker 4 (52:46):
Right, that was TJ songs called twirk It. T J
song is called twirk it all right, MD, play the slave?
What should do with that?
Speaker 5 (52:55):
On?
Speaker 6 (52:57):
I'd like to be I like the way you're flowing,
only probably have with the storyline. I didn't hear nothing
about twarking.
Speaker 4 (53:04):
He didn't.
Speaker 6 (53:05):
No, it didn't. It didn't match up. But it was
a good song. It was good. It just needs to
be reworked and done professionally. So he got something he
just wouldn't put together right. You know, it's on a
little fence the planet of sleigh in it. I would
have to slay it because it wasn't done right.
Speaker 4 (53:28):
Yeah. Usually when we're on the fence with a worker,
that's that's usually a sleigh. So I'm going to go
ahead and well you slaying it first, okay? And then
I said too, I didn't. I didn't really care for
this one either, So I'm going to go ahead and
slay it also.
Speaker 6 (53:45):
Yeah, you go back to going back to the drawing table. Whoever,
if you're listening and tweak it and do it right right,
you know, make your storyline match twark it. But you
say nothing about tworking. I get uh, I had right
here one time. I don't know what the hell you're
(54:06):
talking about.
Speaker 4 (54:08):
Well, you know what I guess it'd be somewhere in
the hook somewhere. If we continue to listen to the
rest of the song, we would have eventually heard the
word torquing in there somehow, I would I'm just assuming,
I don't know.
Speaker 6 (54:22):
Yeah, we all assume, you know, you know, assume spell out.
I don't have to take a note further.
Speaker 4 (54:33):
Yeah, well, hey, I mean, that's that's what it is,
because you know, it's it's it's a lot of songs
out there now that that we called something and then
they won't mention that that that particular word to the
end of the end of the song.
Speaker 6 (54:47):
Put it on your website and stream it yourself so
we can hear it entirely, so you might be able
to sell a lot of singles online, right and do
the video. Mm hmm, you think of that if it's ready.
I mean, it had a good it had a good melody.
(55:07):
You know, it remind me of something. I can't you know,
I can't you know, pinpoint it, right, but it remind
me of something, you know something. But that's cool. A
lot of a lot of new songs that I was
gonna remind you of an old song, right right, right,
I can't get around that no more.
Speaker 4 (55:24):
Now you've hear us talking a lot more about these
songs and a lot more in depth with it. We
just giving you a little sample of what we're going
about to show by what we're about to do next
Caught the head and out of session the after party
here for the radio show that we do each and
every week. That's what we take these songs that are
sent to us, giving the constructive criticism and honest feedback.
So if you're an artist out there you're checking this
(55:45):
out and you're just you're in production of a song,
you don't know what to do with it, hit us up,
send the music our way. We'll check it out, give
you that honest feedback and constructive criticism that will help you,
you know, take that song to the next level. So
we got that show coming up in just the moments,
So if you want to go ahead and check that
out the head not a session that's coming up in
(56:05):
a few moments, you stay on a certain on your
platform of choice that you're checking us out on right now.
Also too, some people wonder, well, how do you guys
get to play the slave of songs? And why you
why you get the songs at the slade. Well, you know,
these are songs that came through the head and out
of session. It made it. They had a good night there.
(56:25):
The people that was checking the show out that that
night actually liked those songs. So the next round is
play the Slave. Now after the song gets to play
the Slave. If it don't make it there, like these
two songs that I didn't, then they get thrown in
a cybertrash, never to be heard from again. So that's
that's where they go. And that's that's where the buck stops.
(56:47):
All right, we don't go with that. See you next week.
You're all the Radio Show.
Speaker 1 (56:52):
Make sure you follow us on all social platforms at
the Radio Show
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