Episode Transcript
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Speaker 1 (00:00):
It's time to start.
Speaker 2 (00:03):
Radio show.
Speaker 3 (00:21):
We are the greatest. We played the greatest in the
artists on the radio show.
Speaker 2 (00:26):
We got hot top things.
Speaker 4 (00:27):
We did a proper on the radio show.
Speaker 5 (00:31):
Listen to love and listen video up in your relationship.
Speaker 6 (00:34):
Problems will be with it, so make sure you tune
in and the radio show.
Speaker 1 (00:41):
So they said the snap benefits were cut off, and
then they would cut back on, and then a partial
bit was cut off, and then a little bit was
cut off, and then they cut it off again. I
am just confused. We need to monitor that, monitor that
whole situation.
Speaker 2 (00:55):
Man.
Speaker 1 (00:56):
I just hope they come to some type of resolution.
We can up with something. We saw something tonight that
is we're going to bring you the radio show Doug
on Arm's the radio show shooting independence about in the
R and B. Of course, as I just said it
a few moments ago, this is the place where hear
some of the hotness independent music from all over the country,
and every week we bring this to you. You and
(01:20):
you y'all definitely go ahead check in with the crew
real quick as we go ahead, get the show started.
Britain living extra human, Chandelier partying with a bang, right there.
How was the party week here for you?
Speaker 7 (01:36):
It was amazing. It was really fun. Me and Kelly
Good had a good time. Three day weekend. It was
really nice. The birthday was extra special. I got a
lot of new Chandelier radio TV segments coming, you know.
Speaker 8 (01:53):
So, yeah, I'm excited.
Speaker 1 (01:55):
That's what's up. That's what's up. And I got this
any mix that I had, we only try to slide
that in here tonight too as well. Yeah, yeah, I
got it. I got it done best in my abilities.
But it's all good. We're gonna make it happen anyway.
Speaker 9 (02:10):
It and also radio E and Urban influencer. It's gonna
give us the upcoming news on independent artists and record
labels so we can announce.
Speaker 1 (02:24):
Oh okay, all right, that's what's up. Man's yeah, that's
that's that's what you've been working on. MD.
Speaker 4 (02:29):
Yeah.
Speaker 1 (02:30):
All shall we go go ahead up to the trending topics.
Trending topics this week brought to you by Spotlight three
sixty Media. If you enjoy the celebrity stuff that I do,
go ahead right there, check it out, follow us keyword
Spotlight three sixty Media. Now I had a chance to
catch up this week had a chance to work a
industry party the if some of you may or may
(02:53):
not knowing, the the Rock and Roll Hall of Fame
happened over the weekend and a lot of some of
the inductees was outcasts, and Salt and Pepper among many
that were inducted to the Rock and Roll Hall of Fame.
At a chance. Yeah, yeah, that kind of rock and
roll Hall of Fame.
Speaker 2 (03:11):
Man.
Speaker 1 (03:12):
Well, I had a chance over the weekend to catch
up with Salt of the legendary group Salt and Pepper,
who was inducted to the Rock and Roll Hall of Fame,
and I asked her that one question, and that was
independent artists out there, why should they learn about the
music industry and learn more about the business side of
(03:33):
the music industry. And as you know, Salt and Pepper's
going through their whole deal as far as trying to
get their masters right now, and they going through a
whole legal battle with their record company. So here's what
Salt had to say when I asked her about learning
why independent artists should learn about the music industry, particularly
(03:54):
the business side, is what she had to say, I
should know about the music industry.
Speaker 10 (04:00):
Fight for your rights, and don't stop fighting, read your contracts.
Speaker 8 (04:04):
Do your due diligence.
Speaker 10 (04:06):
Because you love the music and you love what you do,
but the industry is not gonna love you.
Speaker 8 (04:13):
You gotta be strong, not the people.
Speaker 10 (04:15):
The people will love you, but the music business is
gonna try and take advantage of you. So make sure
that you take care of yourself.
Speaker 1 (04:23):
So key takeaway from that brief conversation I had with
Salt was you know the industry is trying to spit
you out and they're gonna be using you, and that
you need to know how to read your contracts and
everything and fight for your music and everything like that.
I want to get your thoughts on that. And what
she has to say is she spot on with that.
(04:45):
MD will start with you, what do you think, MD?
Speaker 9 (04:49):
You know I've been around all those artists, you all
the said Snoop, all of them, and the story is
the same year after the year after year after year.
Speaker 4 (05:03):
You know, the majors they just don't care about you.
Speaker 9 (05:07):
Well, after fifty years of hip hop, we should have
figured that out twenty five thirty years ago, that they
didn't care. We've probably been in a better situation where
we're we've probably been in a better situation we're in
now then back in those days. Because back in those
(05:27):
days we had a lot of hip hop artists making millions,
you know, it was.
Speaker 4 (05:32):
On the charts.
Speaker 9 (05:33):
Now since we couldn't pass nothing down to the newer
hip hop artists, they end up getting bitten in the
butt and it's just not working right. And you can't
learn how to read the contract. That is complicated. That's
why you have to have a good attorney that you
(05:54):
can really trust to disciple what this PaperWorks is saying
about your career.
Speaker 4 (06:02):
So she's saying.
Speaker 9 (06:03):
Right there, your fans can always love you, but the
big boy that run the game, they ain't gonna.
Speaker 4 (06:11):
Love you like that.
Speaker 1 (06:15):
Yeah, yeah, yeah, brit delivin next to human chandelier, being
the artist that you are, What do you think about
what Salt had to say?
Speaker 7 (06:22):
I agree, Technically the music business is about ten to
fifteen percent, maybe twenty percent talent and the rest of
it is business.
Speaker 8 (06:34):
You know.
Speaker 7 (06:34):
So if you're getting caught up in your art, you know,
and you're not reading the fine print and having a
lawyer read the fine print, you might run into some
trouble eventually in your career.
Speaker 11 (06:45):
Mm hm.
Speaker 1 (06:46):
True, that true, d King Tahoe being what you just
heard from from what us saw that to say, what
do you think about that?
Speaker 8 (06:54):
Yeah?
Speaker 12 (06:54):
Man, honestly just piggybacking off what was already previously said it.
Speaker 8 (07:00):
Then there's business.
Speaker 12 (07:01):
So you have to use the resources available in the
knowledge that people have already attained and put all that
together to be able to do all that you really
want to do, because if you're not aware of what's
going on, people will take advantage and you'll lose your
spot and your shot really quick.
Speaker 1 (07:19):
Keyworddal radio show and on social media platforms. Let me know
your thoughts on that. Any any independent artists out there?
What Salt just said, knowing your contracts, knowing the business,
the business side of the business, the record, the companies
will use you and spitch it out. What do you
think about that? Keyworda radio show on all social media platforms.
(07:40):
Just go ahead and get it out of there. What's up?
Speaker 4 (07:43):
It's salt located here and.
Speaker 1 (07:45):
No salt there in New York. They're out here.
Speaker 4 (07:47):
Okay, she's still back there.
Speaker 1 (07:49):
Yeah, they're in New York.
Speaker 8 (07:50):
You got that, you got that, you got that, you
got that, you got that six.
Speaker 4 (08:00):
You got that thick Boddy.
Speaker 13 (08:02):
You go, you got that thig buddy Buddy Buddy Buddy,
Ship Buddy Buddy Bunny body.
Speaker 8 (08:08):
Thing got that sick by.
Speaker 14 (08:19):
Southern girl, pretty face like she came from the island.
From the island. I see the front, but I can
wait just to see it from behind. He gavest me
legs cial Sell come to my team because you're batting
(08:40):
like a thousand.
Speaker 13 (08:41):
You got that big buddy Buddy cat Buddy Buddy, ship
Buddy Buddy Bunny body think you think Buddy Buddy, think
Buddy Buddy, sick Boddy, Buddy thick Buddy.
Speaker 15 (08:53):
Let's take a little bit, buddy.
Speaker 13 (08:56):
Buddy, Buddy Buddy set Buddy Babyboddy.
Speaker 14 (09:01):
Singboddy, Buddy Boddy received.
Speaker 1 (09:07):
See everybody.
Speaker 14 (09:11):
You got that bounced like hydraulics on in the old school,
Share with the chop, help in the drum.
Speaker 5 (09:17):
What I wouldn't do.
Speaker 14 (09:18):
For you to drubb it on't be like it's heavy.
Speaker 4 (09:23):
Water.
Speaker 14 (09:24):
Is fucking fit quitted and kid quitted.
Speaker 15 (09:29):
It seems like you're ready a red.
Speaker 13 (09:34):
Think Buddy Buddy Buddy, s Buddy Boddy, think Boddy got it,
Think Buddy Bybyboddy, Run on everybody Boddyboddyyboddy, Buddy Buddy Saddy
got Buddy, Oh you got that big Buddy Buddy Buddy
(10:28):
Buddy Buddy Buddy Boddy gotta think Bunny boy By everybody body, thinkbody.
Speaker 2 (10:38):
You want the.
Speaker 13 (10:39):
Thinkyboddyboddy Moddy Buddy body Eyboddy godybody By.
Speaker 1 (10:50):
Got that sick Boddy?
Speaker 3 (10:54):
What did everybody? And your gotny thing?
Speaker 14 (10:56):
Yeo.
Speaker 3 (10:56):
And make sure you are tuned in.
Speaker 16 (10:58):
To the radio show at all time, and make sure
you request how bad I want to on the radio
show as well.
Speaker 5 (11:05):
Bryan God.
Speaker 13 (11:19):
Better, baby Beauty, you feel that cook good?
Speaker 2 (11:24):
You tell me you.
Speaker 3 (11:27):
Don't stop.
Speaker 17 (11:30):
Me?
Speaker 5 (11:30):
You old?
Speaker 18 (11:35):
Yeah, let me pet me the scene. Bet'll know I
covered election seats. I'm the only one that then in
between and if I've ever made that after you could watch.
Speaker 2 (11:41):
Me leave now.
Speaker 5 (11:42):
Don't stop Jiddy Jitty.
Speaker 18 (11:43):
Even if I'm mad or your friend Ken Judy. I'm
a real real but I don't play myself. And if
Buddy dot he played me, then he played it self. Now,
if you're right, then you can get it.
Speaker 2 (11:51):
I like you. Yeah, I'm win it. You can treat
me good if it's bore me. Hell, I'm real good.
Speaker 3 (11:55):
For you boy, real good for your help.
Speaker 6 (11:57):
Yeah, who don't know obta Honna.
Speaker 13 (12:06):
And you don't know holbada you maybe you do time.
Speaker 3 (12:13):
You feel I could good?
Speaker 19 (12:15):
You tell me you alb I'll sing some so me
and you old boy, you know.
Speaker 3 (12:26):
Bling you sweety to me.
Speaker 18 (12:29):
I don't know if telling you can't tell me though
we have wrong toubny.
Speaker 6 (12:40):
Your own.
Speaker 3 (12:42):
Own who don't know.
Speaker 2 (12:53):
Alberta Honna.
Speaker 15 (12:57):
And you don't know?
Speaker 8 (13:01):
Man?
Speaker 2 (13:03):
Baby you do right? You feel like a good telling me?
Speaker 3 (13:09):
Don't stop so short, but we can do it all night.
Speaker 20 (13:18):
Come on, yeah, come on, come off, said semis guys
outdide out summery no rides, catch eye figures it and
my underside whole black.
Speaker 3 (13:38):
Shopping basboom and music clupping soaking up that son ship.
Speaker 19 (13:43):
I'm just sadday school for n to sad so others
Southern brill.
Speaker 17 (13:52):
Mad Santos dantles clack fans go grab drinking, go grab man.
Think we're doing but wait, there's more hostay due the flo.
Speaker 19 (14:02):
Don house where the good sounds who him it's South cuzzie.
Oh this suits come on, people away, It's a whole place.
Come along, baby, do the suit down up, come off,
come off, do the soup.
Speaker 3 (14:28):
Come off?
Speaker 20 (14:30):
Shot rapping shown the plate, cormorat on the side.
Speaker 3 (14:37):
Cousins plays bad.
Speaker 2 (14:39):
Start the trash with pride.
Speaker 20 (14:41):
I got that shout of the jar DJ shrumping heat
by the bar.
Speaker 17 (14:45):
Girls on the floor and m here seem my boot started,
but they cost the grip.
Speaker 21 (14:49):
Come on, laughter, s.
Speaker 19 (15:03):
Cat, so my job downs house? Where are the good sounds?
Whoa him is? South swimzie this come my people, wady,
it's a whole dass. Come along, lady, do the sup off,
(15:24):
running off, come off, do the spen.
Speaker 13 (15:37):
My cue is better than yours.
Speaker 5 (15:39):
Ain't no people.
Speaker 13 (15:40):
We could take it to the flour.
Speaker 8 (15:41):
All I need is a jam at a good time.
Speaker 20 (15:43):
I'm trying to go muddy, no windy done beans, mac
and cheese and greens on a plate and she together
the snigger butter already ate mm.
Speaker 17 (15:50):
Southern boys make you lose your mind true religion in
the summer time.
Speaker 13 (15:54):
You ain't gotta go home.
Speaker 3 (15:56):
Put your best beat out of hair.
Speaker 22 (15:58):
Not too long.
Speaker 2 (16:00):
You know where you've got time.
Speaker 3 (16:01):
Spare a list, package, ride into my crab.
Speaker 10 (16:06):
No sleep too down.
Speaker 3 (16:07):
But that's just the way.
Speaker 19 (16:18):
People weak. It's a whole place. Come on, Wendy, do shud.
Speaker 2 (16:36):
Run that's up.
Speaker 17 (16:44):
Sound that's up. You gotta missed the ride and brought
it the city girl to the trail ride.
Speaker 8 (16:55):
Call sure.
Speaker 2 (17:13):
And lush late layer or slave and move.
Speaker 5 (17:18):
A crowd, you boy.
Speaker 1 (17:22):
Show turned on your radio.
Speaker 23 (17:26):
Rick Rock use a food for this one. But everybody
got to get a boom and system even TikTok going
fool with this one, with this because Rick Rock was
a boom for this one, for this one, the wreck
with the ballon Blair on b buss the bill, No,
this ain't that Saint didn't know I can go ki
the say I put that on anything.
Speaker 2 (17:43):
This ain't cat so don't start none. It won't be none.
Speaker 13 (17:47):
This even make it.
Speaker 23 (17:47):
Never want to refund because when I came to the
forty y'all was by myself. But nine times out of
ten I leave with someone else.
Speaker 6 (17:54):
She not.
Speaker 4 (17:57):
I just wanted to get it in, Okay, she not?
Speaker 3 (18:00):
She agaend.
Speaker 2 (18:02):
I just want to get it in, get it in,
get it in.
Speaker 15 (18:06):
I just want to get it in.
Speaker 3 (18:08):
She and I she agend.
Speaker 2 (18:11):
I just want to get it in.
Speaker 1 (18:17):
All the time. She get done, but she don't want.
Speaker 24 (18:20):
I'm gonna knock it up the park like the home Runday.
That's my people, that's my folks, that's my day one,
like that's my beat.
Speaker 2 (18:25):
The Roight Front.
Speaker 24 (18:26):
You had the great one left right, right, left, Yet
that's on you don't who you with your best friend?
Let her come to I'm gonna put it to the side.
I'm a back dad.
Speaker 2 (18:33):
What are my people?
Speaker 1 (18:34):
Where it sat?
Speaker 4 (18:35):
Where the back at off?
Speaker 2 (18:36):
Bas Who is that?
Speaker 25 (18:37):
Yeah?
Speaker 1 (18:37):
I'm at you, I said collected. When they're black with
the tattoos.
Speaker 24 (18:40):
I want to see me when the visit, when the
bry out, when the ride out, take it to my hideout,
Level one, double late plus bright.
Speaker 1 (18:48):
If she got done peaks, I'm a fight.
Speaker 4 (18:50):
I'm gonna pull up. I'mnna show up.
Speaker 2 (18:51):
What you gonna do?
Speaker 13 (18:52):
Let me what?
Speaker 4 (18:53):
She tagged me with the hashtag.
Speaker 2 (18:54):
Too yes she and I she again.
Speaker 26 (18:58):
I just want to get it in, she not. I
just want to get it in, get it in. I
just want to get it in for you not. I
just want to get it in.
Speaker 2 (19:15):
Bom boom boom.
Speaker 5 (19:20):
Boom.
Speaker 3 (19:23):
You're not.
Speaker 1 (19:26):
I just want to get it in, you not. I
just want to get it in. All right, let's go ahead,
jump in the side to move the crowd with our guests.
King top Hole in the building. Man, let's make it
happen the radio show.
Speaker 15 (19:38):
Yeah, get closer to your fee ta case.
Speaker 1 (19:41):
Time for the radio show. Move the crowd way inside
and move the crowd right about now. As we're taking
artists off stage, bring them backstage to get the nose.
Speaker 8 (19:52):
Of my brits up close and personally.
Speaker 1 (19:56):
That's right showing us now is an artist I had
a chance to catch up with at a recent event.
He is in the building right now. Man, we got
King Tahoe in the building. Man So, King Tahoe, how
you doing to nice sir? Officially, Well that's the hottest burst.
Thank you guys. Thing much for out of me for sure,
man so definitely, man So, King Tahoe. Man, I had
a chance, like I just mentioned a few seconds ago,
(20:16):
to catch up with you at a recent event. And uh,
if you not knowing and not remembering how that went,
here's how that interview wins. King Tahoe is in the building,
man So, King Tahoe, Man, so, what's up?
Speaker 8 (20:27):
Not much?
Speaker 12 (20:28):
Man, I'm out here at the AFRO ors man just
grateful to be here. Shout out to Los Angeles shout
out to all my Africans.
Speaker 1 (20:34):
That's what's up.
Speaker 2 (20:35):
Man.
Speaker 1 (20:35):
Tell a new single, the.
Speaker 8 (20:36):
New singles called Vulnerable. It's out now on all platforms.
Speaker 1 (20:39):
All right, man, make sure you get that new single,
Vulnerable by King Tahoe. We're gonna bring him on the
radio show. We're gonna play the record. We're gonna talk
to him in a few weeks. We'll let you know
what's up.
Speaker 8 (20:47):
Thank you, Yeah, we outside.
Speaker 1 (20:48):
Yeah. Grateful definitely giving give him that ig and not
a real quick gain everywhere.
Speaker 8 (20:52):
K I n G t A h o E King Tahoe.
Speaker 1 (20:54):
Definitely King tahol. Make sure you get that single all
shoat me platform. He will be on the guests on
the radio show Look Coming a Future.
Speaker 8 (21:01):
My name is Kaing Taha and you listening to the
radio show.
Speaker 1 (21:03):
I appreciate it. No, definitely bringing in into fuition right now.
Speaker 23 (21:07):
Man.
Speaker 1 (21:07):
So key to when I did that interview with you
probably about a month ago. Man, what what was you
thinking at that time?
Speaker 8 (21:14):
I was nervous.
Speaker 12 (21:15):
That was my first time doing any type of event
that had like a red carpet or anything going along.
But I was also grateful just to be able to
get some reps in and be able to get some
attention to shine on what I'm doing. I'm grateful for
every moment of this man, and I could be I
(21:35):
could be at home with nobody caring.
Speaker 8 (21:38):
So for the moment that that you guys are shared
with me. Gratitude, That's how I felt.
Speaker 1 (21:43):
That's what's up, man. So can you tell what kind
of style do you do? What type of type of
music do you do?
Speaker 8 (21:49):
So? I do R and B, I do pop. I'm
basically known as as the yearner from the hood.
Speaker 12 (21:56):
Like you know, I'm from me Stokling, But I grew
up on love songs, so that's what I like to
sing about. There's a lot of stuff that I see
in reality and I can let reality weigh me down.
Are the focus on the positives and the hope. So
I find a lot of hope within love. So that's
what I decided to sing about.
Speaker 1 (22:14):
Man, we got King Tahoe in the building done the
MD and Britta living next to human chandelier? Where a
hole to get down? Here on the radio show inside
of Move the Crowd, We're living next to human schandelier.
Go ahead and uh ask King Tahoe a question.
Speaker 7 (22:28):
What was your favorite part about your project and what
was what was her least favorite part about the project?
Speaker 12 (22:39):
So, like working on that last single, it was it
was fun, but it was it was something different because
the song is called vulnerable, like I'm being very transparent
about what I'm dealing with as far as my dating
life and just how I'm moving forward as an accountable individual.
Speaker 8 (22:57):
So being real and being honest with myself.
Speaker 12 (23:01):
It was like looking in the mirror and sometimes like,
of course, a lot of times you're gonna enjoy what
you see, but every once in a while.
Speaker 8 (23:07):
You're like, when did I get there? Like, oh, that's
a that's a blimoit.
Speaker 12 (23:11):
So like looking in the mirror sometimes could be something
that it's tougher than than expected, but be able to
get that out and express myself. And and the song
is kind of closer like to disco than pop or
R and B. So I really liked doing something down
with Bendy awesome.
Speaker 1 (23:29):
Mm hmm definitely for sure. Indeed, talk to uh, talk
to King Tahoe.
Speaker 9 (23:36):
All right, So King Tahoe, how do you feel tripping
all the way up here to the note to sow
cal from No Cow to go to a meaningful event
when you when you when you travel, How did that feel?
Speaker 8 (23:54):
Like I said it was?
Speaker 5 (23:55):
It was.
Speaker 12 (23:56):
It was humbling, It was it was like it was
over on me to an extent because everybody looked amazing.
Everybody was there on the court of celebrating that great occasion.
And I was just blessed man, like I always say,
I felt blessed to highly.
Speaker 8 (24:14):
Favored, and I was. I was grateful man.
Speaker 12 (24:17):
Driving driving up, I'm tired of driving. I'm trying to
get to Southwest. I got to get some flyer miles
or something. But that's how I felt.
Speaker 9 (24:25):
I felt tired, Yeah, driving from No Cow because that
was like a what a seven hour.
Speaker 12 (24:31):
Drive right on a good today, you know, if you're
playing it right, it's like five and a half.
Speaker 4 (24:36):
Yeah, I was closed.
Speaker 1 (24:37):
Yeah, yeah, it's quite a bit.
Speaker 4 (24:40):
One more question. Do you have your own record label
and are you happy with your marketing team.
Speaker 8 (24:47):
I'm happy with my marketing team. I'll answer that first.
Speaker 12 (24:50):
I do not have my own record label, but the
people that I'm working with right now are are great
and we're making things happen, and you know, when that
time comes, h hopefully I'll use all the resources in
my knowledge to the best of my advantage, you know.
Speaker 4 (25:06):
So do you do you say starting your own label
is hard or would you think it's easy.
Speaker 12 (25:14):
I don't think anything worth it is easy, to be honest,
and I know that the music industry, just being an
artist alone is really difficult. So anybody that takes on
the challenge to start their own label, kudos to them
and much respect because I know just waking up every
day and continuing to be in the music industry is
(25:36):
a challenge.
Speaker 8 (25:37):
So respect to anybody taking those extra steps.
Speaker 4 (25:41):
But we do appreciate you taking this time out to
hang out with us.
Speaker 8 (25:47):
Oh no, I'm grateful for this. Thank you for having me,
grateful also having you.
Speaker 1 (25:52):
Yeah, man, it's all good.
Speaker 6 (25:54):
Man.
Speaker 1 (25:54):
Let's check out this single vulnerable man. Man, tell us
about your single year.
Speaker 4 (25:57):
Yeah.
Speaker 12 (25:59):
Like I said, man, it's just it's just a moment
of transparency when you look in the mirror and you like,
why this, why that?
Speaker 8 (26:06):
You have nobody to blame but yourself.
Speaker 12 (26:08):
So this is just me putting myself on a putting
myself on an instrumental for in on display for the
world to see.
Speaker 8 (26:16):
So when you ask why this, why that, King Tahoe, let.
Speaker 12 (26:20):
The song tell you That's why I can't be vulnerable
is because of what I say on these next three.
Speaker 1 (26:27):
All right, man, we're gonna let it. We're gonna make
it happen right now. Man, we're gonna check him out.
Let's go King Tahoe Vulnerable, Let's make it happen. The
radio show.
Speaker 5 (26:37):
Independent Artists Live Here.
Speaker 1 (26:39):
We got this independent game on lock our day.
Speaker 11 (26:41):
Check it out.
Speaker 2 (26:42):
The radio show All the Best Guys.
Speaker 15 (27:05):
That's not well a body and I'm I tried.
Speaker 3 (27:11):
Oh I tried, but trying to jump gout it nice
and night just seem to.
Speaker 23 (27:18):
Like to put it in my bad Oh, says ball
and my extra followed me.
Speaker 15 (27:24):
Julie us like book in Nat because I ain't good time.
Speaker 4 (27:31):
I don't miss you.
Speaker 8 (27:33):
If an Ally gets the right out.
Speaker 6 (27:38):
Ship my.
Speaker 15 (27:40):
Big but you tell me the pieces until his dad
decide that to my SI, that's why I.
Speaker 6 (28:01):
Pieces.
Speaker 27 (28:05):
My God.
Speaker 2 (28:11):
Be goodies, Julius.
Speaker 13 (28:13):
Those sayings RUI stringa creamings body as above me.
Speaker 2 (28:19):
I was borniful in then I was born for you.
Speaker 15 (28:23):
The God even knows rules. Maybe I'm just not jus you.
Speaker 1 (28:29):
Got it none of my garden Like Tramon.
Speaker 2 (28:32):
I'm kind of looking hard to say that some because
the baby I can't move on, he says.
Speaker 15 (28:37):
The leadership party is design.
Speaker 2 (28:40):
Probably was vanishing my feet, but you won't believe me.
Speaker 15 (28:45):
Be Vonnable ship, but you tear it in pieces. It's
dando sad. I got to you.
Speaker 1 (28:58):
See that right there, King Tahoe, King Tahoe, vulnerable man,
(29:38):
King Taro. Man, it's a rocket man.
Speaker 8 (29:41):
Yeah, yeah, for sure.
Speaker 4 (29:43):
I like that a lot, right, I took us back. Yeah,
I'm fair. I know where you got it from. Yeah,
that's how you do it. Put your own twits to it.
Speaker 1 (30:00):
Yeah, man, well, King tell how man. I want to
thank you for joining us today. Man, give me your
Instagram and all that so they could get get a
hold of you, get more information on you.
Speaker 12 (30:08):
Appreciate you guys so much for having me once again.
I go by the name of King Taho. My Instagram
is k I n G t A h sh o
E King Tahoe on every platform.
Speaker 1 (30:20):
Yeah, okay, Hey, you got a website, Yeah, you got
a website anything.
Speaker 12 (30:26):
I don't have a website just yet, but google King
Tahoe you can find me. You'll find me on everything
under King Tahoe. So those are all my websites because
you can find me on everything.
Speaker 4 (30:36):
Hell, go ahead and start your label, call it k
T Records.
Speaker 8 (30:41):
I got, I got a brand. We we got were
working on turning that into something.
Speaker 1 (30:45):
But my brand is yeah many do.
Speaker 8 (30:49):
It technical line already. I ain't going so I got
that already.
Speaker 1 (30:52):
Okay, Yeah, tear the page out of his book A
billion Yeah man, well, King Tay old Man, thanks for
joining us. Man, we appreciate you, man. And then down
the road, next single come through. We'll do it again.
All right, thank you again. You have a go on
YouTube YouTube man, King Joy, I'll take care man. Uh
(31:15):
you know what, Britt, I think I'm gonna go ahead,
get to that anymix right quick when we come back
from this break. Yeah, we're gonna go ahead and do that. Okay, yeah, man,
stick and stay, don't go away. More to come strictly independent,
bumping the R and B music at as fine ash
off the radio show don't Move. Here's what's going on
recently on the radio show, putting out singles and and
putting out EPs right there, testing your testing your music
(31:38):
in that aspect, Britt, how many songs do you put
as far as testing is concerned, do you even test
or how does that go with you?
Speaker 8 (31:47):
I don't test.
Speaker 7 (31:48):
I just put things out and you see what people
like and what people don't like. But definitely, I really,
you know, like some people might not like that I'm
saying this, but I don't really put music out for
my fans like that like I do, But I don't.
It's really like what I like and if you don't
(32:10):
like it, you just don't like it. I do this
for myself and for like my mental health, you know.
Speaker 9 (32:17):
Was talking to music professionals and the majority of them
said that artists put too much out. You don't get
the fan base and the consumer opportunity to marinate on
the sound that they're trying to create as an artist,
and what they need to do is probably put out
(32:38):
a song every three to four weeks, but make sure
you do some promotion behind it.
Speaker 8 (32:50):
Right all. I'm here to support ourselves.
Speaker 1 (32:52):
We stopped by the lifetime release of the film, taking
that a truck start. A lot of supporters and celebrities
came out to support this film as a touch is
a very serious subject matter. I spoke to some of
the cast members as well as guests and got their
thoughts on this very important project.
Speaker 21 (33:10):
Or the importance of this film Taken Out a truck Stop.
It's one of the third in the franchise of The
Black Girl Missing. It's really important for us to look
out for one another, to also ring the bell that
when black and brown people go missing, that we need
the same urgency, the same compassion, the same not dismissal,
the validation. And this is why it's important for these messages,
(33:33):
for these movies to be told and for people to
talk about it, so that we are seen and we
are validated and we are looked after.
Speaker 28 (33:40):
It's such an important deal. The Black Girl Missing ill
is is so much unnecessary social justice to bring more
awareness to black and brown missing women, and what other
better way to do it than to put it in
our entertainment so that we're learning while we're being entertained.
Speaker 1 (33:56):
Cats Stuck at a truck Stop on Lifetime October two
this week to pick hit j T l R featuring
Snoop Dogg and Mad Scientists. That's my box with so
much trauma on the it g kind of hard being
jailed Double Nyt paraphrase I heard each week on the
radio show.
Speaker 9 (34:15):
At this stude pursuit of the wealth Tender, you go
on girl, just shake that fruit because I know.
Speaker 1 (34:21):
Now back to the radio show, and don't forget this
is also with video shows. If you like the what's
going on right now, you like the video portion of us, well,
I'm probably able to say tonight. You can see all
three of us on the screen right now. Go to
our YouTube channel Keyword DA Radio Show, or you can
go to our Twitch as well as Facebook. You can
(34:42):
see all three of us right there on the screen
right now, Keyword DA Radio Show on all social media platforms.
Coming up next week, are going to talk about as well,
something I think we talked about last week and d
but since British gotta get your thoughts on that, why
we ain't got no hip hop records in the top forty.
So we're gonna talk about that coming up in a
(35:03):
little bit and just as soon as we get this
mix in. So, Britt, I got this indie mix for you.
So we're gonna play this right now, all right, okay, okay,
all right, So I did the best I can. I
am not no mix DJ, but.
Speaker 8 (35:19):
Alright it's perfect.
Speaker 1 (35:21):
All right, Well, we gonna make it happen. Here we go,
the indie Mix, The return of the indie mix, the
only one we've done this year for twenty twenty five.
Let's make it happen all but eleven X music right here.
This is supposed to have been for her birthday, but
we're doing it a week late, so we're gonna make
it happen anyway. So let's make it happen. Here we go.
Speaker 3 (35:41):
I'm not going up like I used to.
Speaker 6 (35:44):
I don't let the streets like I used to before
I changed field.
Speaker 3 (35:52):
I'm not looking for no drama. I'm not trying to
fight your baby mama. I just want to bring.
Speaker 25 (36:01):
I try to tell you what it is, but you
still doubt. I tell you patience is a virtue, but
you still power. They in my dms, but you got
the cold and reroute them. You know it's only you
for playing with me. Acting childish in security is a weakness.
Min taught you better. Just to show you got us real.
I wrote you love letters. I got your name's hat
it on me, put it on my shoulder. Ain't got
no time for no gags. You're only getting older. We've
(36:23):
been solid from the jump. It's been a while now.
No switching up. You acting up? I tell you, calm down.
I see them clowns on your wall, thirsty running game.
But I ain't stutting on them such just because they
Hell Alane, I told you tome after time again, it's
only us. But then you get to nickpick and trying
to fight us. If your mom right, Shotty, we don't
need the drama that was my past.
Speaker 4 (36:42):
I ain't thinking about my baby, Mama.
Speaker 3 (36:44):
I'm not going not like I used to. I don't
in the streets like I used to before I changed you.
I'm not looking for no trauma. I'm not trying to
fight your baby mama. I just want to bring peace you.
(37:05):
I'm not going up like I used to. I don't
leave the streets like I used to before I chase.
Speaker 5 (37:16):
I'm not looking for no drama.
Speaker 3 (37:18):
I'm not trying to fight your baby mama.
Speaker 2 (37:22):
I just want to bring peasy.
Speaker 1 (37:27):
Yeah, I knew you were not left check this off.
Speaker 15 (37:32):
I just want to bring peace.
Speaker 5 (37:36):
Here, Oh mama, Mama, Mama, I.
Speaker 2 (37:57):
Every day I pray for you.
Speaker 15 (38:02):
Every day.
Speaker 3 (38:02):
I want want to lave with you every second of
the day. I want you in the West Way.
Speaker 29 (38:09):
Yeah, I put you in my face and iver.
Speaker 5 (38:12):
Tacular the way.
Speaker 2 (38:19):
My mind.
Speaker 5 (38:23):
I don't mind.
Speaker 2 (38:26):
My mind, look at you everything.
Speaker 30 (38:36):
I can't tell you no two reasons why I'm triling.
I can't reason you give me mouth tie.
Speaker 3 (38:51):
Im say god, I just want to live.
Speaker 5 (38:59):
On no water, do you?
Speaker 2 (39:03):
I just walk out and live from the water with you.
Speaker 5 (39:08):
But you But because I don't.
Speaker 6 (39:13):
Mind drowning and joy, she'll smother me with a good
er sheep, and I don't.
Speaker 3 (39:25):
Care to come my bird.
Speaker 2 (39:30):
She'll give me.
Speaker 27 (39:31):
Foma's own baby and leave you having to be as baddest.
Speaker 2 (39:37):
I don't care.
Speaker 3 (39:42):
It makes me feel whole inside. And if you're not
him your side, right, I'm using that dope for me.
Excuse me every time I'm going running, the every time
I get taken.
Speaker 5 (40:03):
How you.
Speaker 3 (40:11):
Can get the mission of confect what you say.
Speaker 1 (40:14):
You'll get me enough to love.
Speaker 5 (40:17):
You. I'm on said b.
Speaker 3 (40:22):
I cannot be troll him.
Speaker 5 (40:24):
No, the way you don't think about I can.
Speaker 15 (40:29):
Have control my lie.
Speaker 27 (40:31):
I think about you are the time I cannot control
on my other I cannot control my mind. I cannot
control my mind.
Speaker 5 (40:45):
And controling my money.
Speaker 23 (40:47):
I control my mind.
Speaker 3 (40:49):
I think about you all the time.
Speaker 5 (40:52):
Only you are my side. Only you know what I'm lie.
Speaker 3 (40:58):
You don't care about Okay, you don't care for brick.
Speaker 5 (41:03):
Jay, I know you are.
Speaker 3 (41:07):
I know you love brit Phil.
Speaker 5 (41:11):
I can not.
Speaker 1 (41:12):
Control mom, but that's all I got for you, Brett,
So turn turn up Mike. I can't you turn the
mike hitting me? But let meet that. That's all we
got for I got you now, that's all we got
(41:34):
for you.
Speaker 7 (41:38):
Yeah.
Speaker 8 (41:38):
I love it.
Speaker 4 (41:45):
I love it.
Speaker 1 (41:46):
That's what's up about.
Speaker 8 (41:49):
That means a lot. I appreciate that. Best birthday gift ever.
Speaker 1 (41:53):
Yeah, no problem, no problem, You're welcome for sure. Happy
belated birthday to you.
Speaker 8 (41:59):
I love it.
Speaker 1 (42:02):
So let's get to it right now. Celebrity Interview brought
to you by Spotlight three sixty Media. Like what's going on?
Make sure you just follow the celebrity portion of the
show right there. Go to Spotlight three sixty Media on
all platforms. This week, I caught up with actress Carucci
Trand she has a new movie coming on on Lifetime.
It just started actually November the eighth. You can catch
(42:23):
that throughout the months as they have their love months
on Lifetime record. The song is called I'm Sorry. The
movie is called Preach, Pray and Love. So catch Karucci
Tran right there on that quick interview with her. Then
we got Loving Us coming up after that. There we go.
Speaker 2 (42:39):
Show ripping and all the red carpets.
Speaker 3 (42:43):
Here's an exclusive celebrity.
Speaker 4 (42:44):
Interview Roger Weshs on this project here, thank you very good.
What we were like playing this role in this project here, lamb, it.
Speaker 3 (42:52):
Was a lot of fun.
Speaker 10 (42:53):
I was I play a rapper, so that was like
new for me and challenging.
Speaker 3 (42:58):
What a good challenge.
Speaker 22 (43:00):
And it's such a you know, a beautiful love story.
Speaker 17 (43:03):
So to be a part of.
Speaker 4 (43:07):
Being a part of now part of this Lifetime Cranchi.
Speaker 3 (43:10):
Well, this is my.
Speaker 29 (43:10):
Second Lifetime movie, So I am just blessed to be
a part of a Lifetime family and hopefully there's more come.
Lifetime is like iconic to me, you know what I mean,
Like Lifetime has been has been a part of our
household growing up.
Speaker 4 (43:26):
So to be here with Lifetime is such a beautiful blessing.
Speaker 16 (43:39):
Let's go, Let's go, Let's go with your girl Bretty
lovin X the Human Chandelier here on the radio show,
and you're listening to Love or Lust? Do you have
a problem with your relationship? Do you want to know
if it's love or lust. Let us all vote and
let us all let you know if you're in love
or if it's lust.
Speaker 1 (43:58):
Chewen saw love and lust right about now, Pretty Living
Extra human Chandelier, The floor is yours.
Speaker 31 (44:08):
It's your girl, Pretty Loving X the human Chandelier, And
today on love or lust? The topic is is it
love or lust if you are no longer with someone
and you guys have children and you live in the
same house, but you won't move out to be with
the person you're with because of the children.
Speaker 8 (44:31):
For example like Remy My and pat Pooss Okay.
Speaker 1 (44:35):
So they won't move out.
Speaker 7 (44:36):
They just living together to Yeah, they live in the
same house people, probably because of the child to make
it a whole family.
Speaker 8 (44:44):
That's what it is.
Speaker 4 (44:45):
That's what it is.
Speaker 1 (44:47):
Ah well, I guess it would be love for the child,
I guess, but for him.
Speaker 8 (44:53):
And Clarissa Shields like, yeah.
Speaker 4 (44:57):
That's spelling the borderline.
Speaker 1 (44:59):
Yeah uh, I think it's still feelings for the X though,
if you're in that house, because you know, if you
if you're not with the if you don't want to
be with the X at all, you you you you
want to be homeless. Then to be living in the
same house with the bail out. You're bailing out of there,
So I think it's still I think it's still Australia
in the fence, a little of both actually love for
(45:19):
the kid, uh maybe a little love still for the X.
Speaker 4 (45:23):
You know, I will go more love on this one.
Speaker 8 (45:27):
Yeah, but it's less towards Clarissa, is what you're saying.
Speaker 4 (45:32):
No, it ain't no less at all.
Speaker 1 (45:34):
Well, I don't know their relationship, but I mean, I
guess it'd be if I had to pick a side,
they would be less. But you know, I don't know that.
I don't know their relationship to really speak on that,
to be honest with you, but I can say from what.
Speaker 7 (45:47):
You at, Clarissa want him to move out and move
in with her, but he still lives at Remy's house
with the family.
Speaker 9 (45:57):
But that ain't what you said. So I'm going bouy
with how you said it. And they don't want to
leave because sake of the kids.
Speaker 4 (46:04):
I will still say that's love, you know, because it
was just lust.
Speaker 1 (46:09):
He would have bell Yeah, he'd left.
Speaker 7 (46:13):
Part it is love, But on Clarissa Shield's part, it's lust.
Speaker 4 (46:18):
Yeah.
Speaker 9 (46:19):
But I'm saying on the question that you've provided us
it's more love than lust.
Speaker 4 (46:26):
I have to go with love.
Speaker 1 (46:28):
Okay, what do you think Brita is the love or lust.
Speaker 4 (46:34):
One a the other? And you know what, gotta pick one.
Speaker 8 (46:41):
Yeah, I don't know. I'm in I'm in the middle.
Like it just depends on like like you said, we
don't know that relationship.
Speaker 4 (46:46):
Honestly, that ain't when it works on the like I know.
Speaker 7 (46:52):
But if he was looking at it on Remy's part, then,
like you say, I would say, since he's still over
there even though they claim they don't want to be
with each other, that's love or with it.
Speaker 9 (47:05):
But I'm saying, I'm saying, forget them, let's go buy
what you the question, you get.
Speaker 7 (47:11):
The story came from, and then it came from it's
stemming from Remy, Ma, Patpoos and Clarissa.
Speaker 9 (47:21):
I get that it's coming from You got that question
from that situation. But the question was if they if
the couples together and they doing it for the sake
of the kids, you know, forget about who you're really
talking about.
Speaker 1 (47:36):
Just it's general.
Speaker 4 (47:38):
It's just in general, all right.
Speaker 7 (47:40):
So if we were to take them out, the right
take them out. If we take them out, the equation.
Then yes, I would say that it was it was
love that he's staying in the house.
Speaker 8 (47:51):
It it just depends on the relationship that we're talking about.
Speaker 7 (47:55):
Then yeah, I was love and to the person that
he again it's won't leave or whoever won't leave. Yeah,
they could love that person too though, So I mean, yeah,
like I was, I would say it's love, you know,
like they don't want they claim that they don't want
them to do with the other person, you know, So
I mean I was, I would say it's love.
Speaker 9 (48:16):
Yeah, Okay, generally speaking, it's love their situation.
Speaker 8 (48:22):
But if there was no child, it's lost.
Speaker 4 (48:24):
If there oh yeah, we're no challenge.
Speaker 1 (48:26):
Yeah, it's then I will agree it to be lost. Yeah,
it's Kelly good Dren Kelly good him expand on this real.
Speaker 32 (48:37):
Quick, washing Mary, I got you here now, yeah.
Speaker 11 (48:49):
Okay, Okay, let's say I'm in a relationship with Brittany,
but I live with my baby mama. Talking about I
want to be I want to say at the house,
you know, with my with my tarn. Okay, me and
Brittany are supposed to be getting married. Okay, now my
baby Mama's constiing. Okay, I need to break away from
(49:09):
that consciousness. You know this woman, We're not getting into
it just because we want to do something good for
the kid. That that don't mean that that it's healthy
in the house. That the house can be unhealthy because
we are both unhealthy parents around each other. So now
we're bringing a toxic environment around our kids. Now me
saying me using my baby mama as an excuse, I mean,
(49:31):
my kid is an excuse to live with my baby mama.
It's like, when am I going to leave? You know,
I've been I'm in this relationship with Brittany for five
years and I still haven't left talk about the child
even two years. It's like I need to get out
that toxic that sixty seconds. But yo, yo, yo, hey,
(49:52):
I'm going to say. I'm going to say that it is.
It's loved because I'm still in love with you know,
with with my comfortability, I love the child and I
still kind of love my baby mama. If I'm not
willing to break in all time, I'm not willing to
just coch here and I want to stay there. You
know what I'm saying, I'm not giving Britney what you want.
(50:13):
I'm not giving her this, this marriage and this home together.
I'm still living with my baby mama. So that's love
for my baby mama, love for my baby and really
loves for Britney because I really don't love her enough
to leave.
Speaker 1 (50:25):
Right exactly. That that's that's kind of what we all
kind of saying there, man, we all kind of actually
kind of said the same thing tonight, right, yeah, yeah.
Speaker 9 (50:34):
Even if you don't put that second subject in the picture,
just leave them in together, him and her and he
staying because of the baby. Well, I will go with
the love. I have to go with love because it's
not the baby could be excuse for him to still
(50:54):
be the girl he loved.
Speaker 7 (50:57):
Well, do you feel like, you know, sometimes a child
is young and they don't know what's going on, so
they just see the family unit and they see the
parents in the house.
Speaker 8 (51:06):
Regardless of what the relationship is.
Speaker 7 (51:08):
You know, like, could that be possible where it's really
just trying to show the kid it's a family.
Speaker 1 (51:15):
Uh yeah, well yeah yeah, And as you know, as
the kid gets older, they're they'll he'll see that, he'll
see to this out just function of the family. Notice
that this ain't things, it's Mammy is supposed to be
a daddy like this. They'll figure it out as they
get older.
Speaker 7 (51:32):
Man for a kid don't know it for kid gonna
wonder like, well, why don't you stay here?
Speaker 1 (51:38):
You know, like at fourteen? Then it's a different stuff
like for sure.
Speaker 4 (51:45):
Years old.
Speaker 1 (51:46):
Figure then it's a different world then literally literally, y'all.
Let's get the play of the Slave real quick, y'all,
let's make it happen. Here we go.
Speaker 4 (51:56):
Join the radio show every Monday night, every Monday.
Speaker 15 (52:03):
For the indie song that you enjoyed the most.
Speaker 1 (52:07):
That was a good love of loves right there. Man
had us all out there in the grants. Play the
Slayer time. Let's get to it right now. As we
take a couple of songs, and we asked one finin
no metal question, and that should we play it? Or
should we that's writ y'all, slay the record, throw it
in the cyber trash never to be heard from again,
(52:29):
or we should put it in play so it could
be eventually a home and find its way home? Should
I say to the radio show dot com? So we
got two songs we're gonna play right now. The first
song is an artist by the name of j Dot
to j dot to songs called save Me, Ja Dotto,
save Me. Let's make it happen, y'all strictly independing hip
(52:53):
hop and RB music. Get as fine as y'all.
Speaker 22 (52:55):
Play the Slayer, Let's go the radio show, Radio show,
the radio show, play it or sliding.
Speaker 15 (53:05):
She's fined the gold.
Speaker 2 (53:08):
Someone side, some.
Speaker 6 (53:13):
Dancing on the smoke, casettos on nice skin fileenh someone side.
Speaker 33 (53:26):
I need some help, I mean do hell lots of
my mind and I need to tell how being broken,
I mean alone, I've been both down and not before,
watching my life shout of that glass and telling myself
that I don't have the last stay positives.
Speaker 1 (53:36):
I'll break it, praying it don't hurt.
Speaker 33 (53:38):
Stuck in the routine, I need to leave, trying to
see your way to proceed, but I can.
Speaker 2 (53:42):
It's the only pain.
Speaker 33 (53:43):
Trying to advance, But I only state this black cloud.
It keeps on raining, and she starts to keep replaying.
It begins to slow.
Speaker 1 (53:49):
Can't make sure if it begins to show my word started.
Speaker 8 (53:51):
When I start, the sweat reaches to the other thoughts
I get.
Speaker 2 (53:53):
I'll wake up and I want to sleep.
Speaker 8 (53:55):
You gotta do work.
Speaker 22 (53:56):
The radio radio shows the radio show play lay It
or slid.
Speaker 1 (54:00):
That was our first player the slid record for tonight.
That was Jake Dato songs called save Me, Jake Dato,
Save Me bred elvenex to you, Michele. Are we saving
this song or we slaying the song? What are we
doing with it?
Speaker 8 (54:15):
We playing it? We saving it?
Speaker 2 (54:17):
I like it?
Speaker 1 (54:23):
Okay. I think I'm gonna go ahead and save the
record as well, barely though, but because I didn't really
care for it. But I'll save it. Indeed, playing the
slid what should be doing with it?
Speaker 4 (54:37):
I'll give it a play. I'm like, you know, I
had that R and B pomp, you know, Phil Okay?
Speaker 1 (54:51):
Put Kelly Good up, Kelly Good. What do you think
about the record? Play the slip?
Speaker 11 (54:58):
I play barely. It's sounded like you should have It
was coming too quick. You should have let it climbax
you a little floor. When I'm gonna play in the street,
Howard Howard is.
Speaker 1 (55:17):
All right, it sounds good, sounds good.
Speaker 8 (55:19):
All right.
Speaker 1 (55:20):
Let's check out the second record tonight, play to say
It Slad. This is the second record is Nicholas Ray.
Sounds called Morning Nicholas Ray moaning all right, let's check
it out. Play the slay. Let's go the.
Speaker 22 (55:34):
Radio show show, radio show, the radio show, play or slid.
Speaker 2 (55:40):
Hm m hm.
Speaker 15 (55:44):
Hm hm. You know I ain't through one.
Speaker 8 (56:05):
She really on some love and must still stay here
to the morning. She say it's just enough that she
ain't trying to cut and be tripping on that.
Speaker 15 (56:15):
Then we'll still stay here to the morning.
Speaker 8 (56:18):
Here to the morning, go in and grown on to.
Speaker 15 (56:22):
My phone, and then that you want that, you don't
really want that, give me my phone back, Give me
my phone back, and still stay here.
Speaker 22 (56:32):
The radio show, radio show, the radio show, play, play
or slid.
Speaker 1 (56:37):
That is our second play the slave record for the night.
That is Nicholas Ray songs called moaning. Nicholas Ray song
is called moaning. All right? Uh Britain levin next to
you means chandelier play at a slave? What should we
do with this record?
Speaker 6 (56:50):
Here?
Speaker 4 (56:51):
I'm playing it like.
Speaker 1 (57:00):
I'm gonna go ahead and play the record as well myself.
I liked it, MD play the slag? What should we
do with the record. I'll go with the play too, Kelly,
(57:20):
good play the slag? What should we do with it?
Speaker 6 (57:27):
Like the beat?
Speaker 11 (57:28):
I like to flow?
Speaker 2 (57:32):
Uh?
Speaker 1 (57:37):
We kind of agree with all the songs that s Yeah,
we sure did. Actually, that's that's definitely uh true. We
did agree with both songs today. That's all good. Yeah
yeah yeah, definitely. We'll see you next week. Saint Bad
Time sat Back Channel by y'all.
Speaker 2 (57:56):
Make sure you follow us on own social platforms.
Speaker 15 (57:59):
Three Radio show No
It's time to start.
Speaker 2 (00:03):
Radio show.
Speaker 3 (00:21):
We are the greatest. We played the greatest in the
artists on the radio show.
Speaker 2 (00:26):
We got hot top things.
Speaker 4 (00:27):
We did a proper on the radio show.
Speaker 5 (00:31):
Listen to love and listen video up in your relationship.
Speaker 6 (00:34):
Problems will be with it, so make sure you tune
in and the radio show.
Speaker 1 (00:41):
So they said the snap benefits were cut off, and
then they would cut back on, and then a partial
bit was cut off, and then a little bit was
cut off, and then they cut it off again. I
am just confused. We need to monitor that, monitor that
whole situation.
Speaker 2 (00:55):
Man.
Speaker 1 (00:56):
I just hope they come to some type of resolution.
We can up with something. We saw something tonight that
is we're going to bring you the radio show Doug
on Arm's the radio show shooting independence about in the
R and B. Of course, as I just said it
a few moments ago, this is the place where hear
some of the hotness independent music from all over the country,
and every week we bring this to you. You and
(01:20):
you y'all definitely go ahead check in with the crew
real quick as we go ahead, get the show started.
Britain living extra human, Chandelier partying with a bang, right there.
How was the party week here for you?
Speaker 7 (01:36):
It was amazing. It was really fun. Me and Kelly
Good had a good time. Three day weekend. It was
really nice. The birthday was extra special. I got a
lot of new Chandelier radio TV segments coming, you know.
Speaker 8 (01:53):
So, yeah, I'm excited.
Speaker 1 (01:55):
That's what's up. That's what's up. And I got this
any mix that I had, we only try to slide
that in here tonight too as well. Yeah, yeah, I
got it. I got it done best in my abilities.
But it's all good. We're gonna make it happen anyway.
Speaker 9 (02:10):
It and also radio E and Urban influencer. It's gonna
give us the upcoming news on independent artists and record
labels so we can announce.
Speaker 1 (02:24):
Oh okay, all right, that's what's up. Man's yeah, that's
that's that's what you've been working on. MD.
Speaker 4 (02:29):
Yeah.
Speaker 1 (02:30):
All shall we go go ahead up to the trending topics.
Trending topics this week brought to you by Spotlight three
sixty Media. If you enjoy the celebrity stuff that I do,
go ahead right there, check it out, follow us keyword
Spotlight three sixty Media. Now I had a chance to
catch up this week had a chance to work a
industry party the if some of you may or may
(02:53):
not knowing, the the Rock and Roll Hall of Fame
happened over the weekend and a lot of some of
the inductees was outcasts, and Salt and Pepper among many
that were inducted to the Rock and Roll Hall of Fame.
At a chance. Yeah, yeah, that kind of rock and
roll Hall of Fame.
Speaker 2 (03:11):
Man.
Speaker 1 (03:12):
Well, I had a chance over the weekend to catch
up with Salt of the legendary group Salt and Pepper,
who was inducted to the Rock and Roll Hall of Fame,
and I asked her that one question, and that was
independent artists out there, why should they learn about the
music industry and learn more about the business side of
(03:33):
the music industry. And as you know, Salt and Pepper's
going through their whole deal as far as trying to
get their masters right now, and they going through a
whole legal battle with their record company. So here's what
Salt had to say when I asked her about learning
why independent artists should learn about the music industry, particularly
(03:54):
the business side, is what she had to say, I
should know about the music industry.
Speaker 10 (04:00):
Fight for your rights, and don't stop fighting, read your contracts.
Speaker 8 (04:04):
Do your due diligence.
Speaker 10 (04:06):
Because you love the music and you love what you do,
but the industry is not gonna love you.
Speaker 8 (04:13):
You gotta be strong, not the people.
Speaker 10 (04:15):
The people will love you, but the music business is
gonna try and take advantage of you. So make sure
that you take care of yourself.
Speaker 1 (04:23):
So key takeaway from that brief conversation I had with
Salt was you know the industry is trying to spit
you out and they're gonna be using you, and that
you need to know how to read your contracts and
everything and fight for your music and everything like that.
I want to get your thoughts on that. And what
she has to say is she spot on with that.
(04:45):
MD will start with you, what do you think, MD?
Speaker 9 (04:49):
You know I've been around all those artists, you all
the said Snoop, all of them, and the story is
the same year after the year after year after year.
Speaker 4 (05:03):
You know, the majors they just don't care about you.
Speaker 9 (05:07):
Well, after fifty years of hip hop, we should have
figured that out twenty five thirty years ago, that they
didn't care. We've probably been in a better situation where
we're we've probably been in a better situation we're in
now then back in those days. Because back in those
(05:27):
days we had a lot of hip hop artists making millions,
you know, it was.
Speaker 4 (05:32):
On the charts.
Speaker 9 (05:33):
Now since we couldn't pass nothing down to the newer
hip hop artists, they end up getting bitten in the
butt and it's just not working right. And you can't
learn how to read the contract. That is complicated. That's
why you have to have a good attorney that you
(05:54):
can really trust to disciple what this PaperWorks is saying
about your career.
Speaker 4 (06:02):
So she's saying.
Speaker 9 (06:03):
Right there, your fans can always love you, but the
big boy that run the game, they ain't gonna.
Speaker 4 (06:11):
Love you like that.
Speaker 1 (06:15):
Yeah, yeah, yeah, brit delivin next to human chandelier, being
the artist that you are, What do you think about
what Salt had to say?
Speaker 7 (06:22):
I agree, Technically the music business is about ten to
fifteen percent, maybe twenty percent talent and the rest of
it is business.
Speaker 8 (06:34):
You know.
Speaker 7 (06:34):
So if you're getting caught up in your art, you know,
and you're not reading the fine print and having a
lawyer read the fine print, you might run into some
trouble eventually in your career.
Speaker 11 (06:45):
Mm hm.
Speaker 1 (06:46):
True, that true, d King Tahoe being what you just
heard from from what us saw that to say, what
do you think about that?
Speaker 8 (06:54):
Yeah?
Speaker 12 (06:54):
Man, honestly just piggybacking off what was already previously said it.
Speaker 8 (07:00):
Then there's business.
Speaker 12 (07:01):
So you have to use the resources available in the
knowledge that people have already attained and put all that
together to be able to do all that you really
want to do, because if you're not aware of what's
going on, people will take advantage and you'll lose your
spot and your shot really quick.
Speaker 1 (07:19):
Keyworddal radio show and on social media platforms. Let me know
your thoughts on that. Any any independent artists out there?
What Salt just said, knowing your contracts, knowing the business,
the business side of the business, the record, the companies
will use you and spitch it out. What do you
think about that? Keyworda radio show on all social media platforms.
(07:40):
Just go ahead and get it out of there. What's up?
Speaker 4 (07:43):
It's salt located here and.
Speaker 1 (07:45):
No salt there in New York. They're out here.
Speaker 4 (07:47):
Okay, she's still back there.
Speaker 1 (07:49):
Yeah, they're in New York.
Speaker 8 (07:50):
You got that, you got that, you got that, you
got that, you got that six.
Speaker 4 (08:00):
You got that thick Boddy.
Speaker 13 (08:02):
You go, you got that thig buddy Buddy Buddy Buddy,
Ship Buddy Buddy Bunny body.
Speaker 8 (08:08):
Thing got that sick by.
Speaker 14 (08:19):
Southern girl, pretty face like she came from the island.
From the island. I see the front, but I can
wait just to see it from behind. He gavest me
legs cial Sell come to my team because you're batting
(08:40):
like a thousand.
Speaker 13 (08:41):
You got that big buddy Buddy cat Buddy Buddy, ship
Buddy Buddy Bunny body think you think Buddy Buddy, think
Buddy Buddy, sick Boddy, Buddy thick Buddy.
Speaker 15 (08:53):
Let's take a little bit, buddy.
Speaker 13 (08:56):
Buddy, Buddy Buddy set Buddy Babyboddy.
Speaker 14 (09:01):
Singboddy, Buddy Boddy received.
Speaker 1 (09:07):
See everybody.
Speaker 14 (09:11):
You got that bounced like hydraulics on in the old school,
Share with the chop, help in the drum.
Speaker 5 (09:17):
What I wouldn't do.
Speaker 14 (09:18):
For you to drubb it on't be like it's heavy.
Speaker 4 (09:23):
Water.
Speaker 14 (09:24):
Is fucking fit quitted and kid quitted.
Speaker 15 (09:29):
It seems like you're ready a red.
Speaker 13 (09:34):
Think Buddy Buddy Buddy, s Buddy Boddy, think Boddy got it,
Think Buddy Bybyboddy, Run on everybody Boddyboddyyboddy, Buddy Buddy Saddy
got Buddy, Oh you got that big Buddy Buddy Buddy
(10:28):
Buddy Buddy Buddy Boddy gotta think Bunny boy By everybody body, thinkbody.
Speaker 2 (10:38):
You want the.
Speaker 13 (10:39):
Thinkyboddyboddy Moddy Buddy body Eyboddy godybody By.
Speaker 1 (10:50):
Got that sick Boddy?
Speaker 3 (10:54):
What did everybody? And your gotny thing?
Speaker 14 (10:56):
Yeo.
Speaker 3 (10:56):
And make sure you are tuned in.
Speaker 16 (10:58):
To the radio show at all time, and make sure
you request how bad I want to on the radio
show as well.
Speaker 5 (11:05):
Bryan God.
Speaker 13 (11:19):
Better, baby Beauty, you feel that cook good?
Speaker 2 (11:24):
You tell me you.
Speaker 3 (11:27):
Don't stop.
Speaker 17 (11:30):
Me?
Speaker 5 (11:30):
You old?
Speaker 18 (11:35):
Yeah, let me pet me the scene. Bet'll know I
covered election seats. I'm the only one that then in
between and if I've ever made that after you could watch.
Speaker 2 (11:41):
Me leave now.
Speaker 5 (11:42):
Don't stop Jiddy Jitty.
Speaker 18 (11:43):
Even if I'm mad or your friend Ken Judy. I'm
a real real but I don't play myself. And if
Buddy dot he played me, then he played it self. Now,
if you're right, then you can get it.
Speaker 2 (11:51):
I like you. Yeah, I'm win it. You can treat
me good if it's bore me. Hell, I'm real good.
Speaker 3 (11:55):
For you boy, real good for your help.
Speaker 6 (11:57):
Yeah, who don't know obta Honna.
Speaker 13 (12:06):
And you don't know holbada you maybe you do time.
Speaker 3 (12:13):
You feel I could good?
Speaker 19 (12:15):
You tell me you alb I'll sing some so me
and you old boy, you know.
Speaker 3 (12:26):
Bling you sweety to me.
Speaker 18 (12:29):
I don't know if telling you can't tell me though
we have wrong toubny.
Speaker 6 (12:40):
Your own.
Speaker 3 (12:42):
Own who don't know.
Speaker 2 (12:53):
Alberta Honna.
Speaker 15 (12:57):
And you don't know?
Speaker 8 (13:01):
Man?
Speaker 2 (13:03):
Baby you do right? You feel like a good telling me?
Speaker 3 (13:09):
Don't stop so short, but we can do it all night.
Speaker 20 (13:18):
Come on, yeah, come on, come off, said semis guys
outdide out summery no rides, catch eye figures it and
my underside whole black.
Speaker 3 (13:38):
Shopping basboom and music clupping soaking up that son ship.
Speaker 19 (13:43):
I'm just sadday school for n to sad so others
Southern brill.
Speaker 17 (13:52):
Mad Santos dantles clack fans go grab drinking, go grab man.
Think we're doing but wait, there's more hostay due the flo.
Speaker 19 (14:02):
Don house where the good sounds who him it's South cuzzie.
Oh this suits come on, people away, It's a whole place.
Come along, baby, do the suit down up, come off,
come off, do the soup.
Speaker 3 (14:28):
Come off?
Speaker 20 (14:30):
Shot rapping shown the plate, cormorat on the side.
Speaker 3 (14:37):
Cousins plays bad.
Speaker 2 (14:39):
Start the trash with pride.
Speaker 20 (14:41):
I got that shout of the jar DJ shrumping heat
by the bar.
Speaker 17 (14:45):
Girls on the floor and m here seem my boot started,
but they cost the grip.
Speaker 21 (14:49):
Come on, laughter, s.
Speaker 19 (15:03):
Cat, so my job downs house? Where are the good sounds?
Whoa him is? South swimzie this come my people, wady,
it's a whole dass. Come along, lady, do the sup off,
(15:24):
running off, come off, do the spen.
Speaker 13 (15:37):
My cue is better than yours.
Speaker 5 (15:39):
Ain't no people.
Speaker 13 (15:40):
We could take it to the flour.
Speaker 8 (15:41):
All I need is a jam at a good time.
Speaker 20 (15:43):
I'm trying to go muddy, no windy done beans, mac
and cheese and greens on a plate and she together
the snigger butter already ate mm.
Speaker 17 (15:50):
Southern boys make you lose your mind true religion in
the summer time.
Speaker 13 (15:54):
You ain't gotta go home.
Speaker 3 (15:56):
Put your best beat out of hair.
Speaker 22 (15:58):
Not too long.
Speaker 2 (16:00):
You know where you've got time.
Speaker 3 (16:01):
Spare a list, package, ride into my crab.
Speaker 10 (16:06):
No sleep too down.
Speaker 3 (16:07):
But that's just the way.
Speaker 19 (16:18):
People weak. It's a whole place. Come on, Wendy, do shud.
Speaker 2 (16:36):
Run that's up.
Speaker 17 (16:44):
Sound that's up. You gotta missed the ride and brought
it the city girl to the trail ride.
Speaker 8 (16:55):
Call sure.
Speaker 2 (17:13):
And lush late layer or slave and move.
Speaker 5 (17:18):
A crowd, you boy.
Speaker 1 (17:22):
Show turned on your radio.
Speaker 23 (17:26):
Rick Rock use a food for this one. But everybody
got to get a boom and system even TikTok going
fool with this one, with this because Rick Rock was
a boom for this one, for this one, the wreck
with the ballon Blair on b buss the bill, No,
this ain't that Saint didn't know I can go ki
the say I put that on anything.
Speaker 2 (17:43):
This ain't cat so don't start none. It won't be none.
Speaker 13 (17:47):
This even make it.
Speaker 23 (17:47):
Never want to refund because when I came to the
forty y'all was by myself. But nine times out of
ten I leave with someone else.
Speaker 6 (17:54):
She not.
Speaker 4 (17:57):
I just wanted to get it in, Okay, she not?
Speaker 3 (18:00):
She agaend.
Speaker 2 (18:02):
I just want to get it in, get it in,
get it in.
Speaker 15 (18:06):
I just want to get it in.
Speaker 3 (18:08):
She and I she agend.
Speaker 2 (18:11):
I just want to get it in.
Speaker 1 (18:17):
All the time. She get done, but she don't want.
Speaker 24 (18:20):
I'm gonna knock it up the park like the home Runday.
That's my people, that's my folks, that's my day one,
like that's my beat.
Speaker 2 (18:25):
The Roight Front.
Speaker 24 (18:26):
You had the great one left right, right, left, Yet
that's on you don't who you with your best friend?
Let her come to I'm gonna put it to the side.
I'm a back dad.
Speaker 2 (18:33):
What are my people?
Speaker 1 (18:34):
Where it sat?
Speaker 4 (18:35):
Where the back at off?
Speaker 2 (18:36):
Bas Who is that?
Speaker 25 (18:37):
Yeah?
Speaker 1 (18:37):
I'm at you, I said collected. When they're black with
the tattoos.
Speaker 24 (18:40):
I want to see me when the visit, when the
bry out, when the ride out, take it to my hideout,
Level one, double late plus bright.
Speaker 1 (18:48):
If she got done peaks, I'm a fight.
Speaker 4 (18:50):
I'm gonna pull up. I'mnna show up.
Speaker 2 (18:51):
What you gonna do?
Speaker 13 (18:52):
Let me what?
Speaker 4 (18:53):
She tagged me with the hashtag.
Speaker 2 (18:54):
Too yes she and I she again.
Speaker 26 (18:58):
I just want to get it in, she not. I
just want to get it in, get it in. I
just want to get it in for you not. I
just want to get it in.
Speaker 2 (19:15):
Bom boom boom.
Speaker 5 (19:20):
Boom.
Speaker 3 (19:23):
You're not.
Speaker 1 (19:26):
I just want to get it in, you not. I
just want to get it in. All right, let's go ahead,
jump in the side to move the crowd with our guests.
King top Hole in the building. Man, let's make it
happen the radio show.
Speaker 15 (19:38):
Yeah, get closer to your fee ta case.
Speaker 1 (19:41):
Time for the radio show. Move the crowd way inside
and move the crowd right about now. As we're taking
artists off stage, bring them backstage to get the nose.
Speaker 8 (19:52):
Of my brits up close and personally.
Speaker 1 (19:56):
That's right showing us now is an artist I had
a chance to catch up with at a recent event.
He is in the building right now. Man, we got
King Tahoe in the building. Man So, King Tahoe, how
you doing to nice sir? Officially, Well that's the hottest burst.
Thank you guys. Thing much for out of me for sure,
man so definitely, man So, King Tahoe. Man, I had
a chance, like I just mentioned a few seconds ago,
(20:16):
to catch up with you at a recent event. And uh,
if you not knowing and not remembering how that went,
here's how that interview wins. King Tahoe is in the building,
man So, King Tahoe, Man, so, what's up?
Speaker 8 (20:27):
Not much?
Speaker 12 (20:28):
Man, I'm out here at the AFRO ors man just
grateful to be here. Shout out to Los Angeles shout
out to all my Africans.
Speaker 1 (20:34):
That's what's up.
Speaker 2 (20:35):
Man.
Speaker 1 (20:35):
Tell a new single, the.
Speaker 8 (20:36):
New singles called Vulnerable. It's out now on all platforms.
Speaker 1 (20:39):
All right, man, make sure you get that new single,
Vulnerable by King Tahoe. We're gonna bring him on the
radio show. We're gonna play the record. We're gonna talk
to him in a few weeks. We'll let you know
what's up.
Speaker 8 (20:47):
Thank you, Yeah, we outside.
Speaker 1 (20:48):
Yeah. Grateful definitely giving give him that ig and not
a real quick gain everywhere.
Speaker 8 (20:52):
K I n G t A h o E King Tahoe.
Speaker 1 (20:54):
Definitely King tahol. Make sure you get that single all
shoat me platform. He will be on the guests on
the radio show Look Coming a Future.
Speaker 8 (21:01):
My name is Kaing Taha and you listening to the
radio show.
Speaker 1 (21:03):
I appreciate it. No, definitely bringing in into fuition right now.
Speaker 23 (21:07):
Man.
Speaker 1 (21:07):
So key to when I did that interview with you
probably about a month ago. Man, what what was you
thinking at that time?
Speaker 8 (21:14):
I was nervous.
Speaker 12 (21:15):
That was my first time doing any type of event
that had like a red carpet or anything going along.
But I was also grateful just to be able to
get some reps in and be able to get some
attention to shine on what I'm doing. I'm grateful for
every moment of this man, and I could be I
(21:35):
could be at home with nobody caring.
Speaker 8 (21:38):
So for the moment that that you guys are shared
with me. Gratitude, That's how I felt.
Speaker 1 (21:43):
That's what's up, man. So can you tell what kind
of style do you do? What type of type of
music do you do?
Speaker 8 (21:49):
So? I do R and B, I do pop. I'm
basically known as as the yearner from the hood.
Speaker 12 (21:56):
Like you know, I'm from me Stokling, But I grew
up on love songs, so that's what I like to
sing about. There's a lot of stuff that I see
in reality and I can let reality weigh me down.
Are the focus on the positives and the hope. So
I find a lot of hope within love. So that's
what I decided to sing about.
Speaker 1 (22:14):
Man, we got King Tahoe in the building done the
MD and Britta living next to human chandelier? Where a
hole to get down? Here on the radio show inside
of Move the Crowd, We're living next to human schandelier.
Go ahead and uh ask King Tahoe a question.
Speaker 7 (22:28):
What was your favorite part about your project and what
was what was her least favorite part about the project?
Speaker 12 (22:39):
So, like working on that last single, it was it
was fun, but it was it was something different because
the song is called vulnerable, like I'm being very transparent
about what I'm dealing with as far as my dating
life and just how I'm moving forward as an accountable individual.
Speaker 8 (22:57):
So being real and being honest with myself.
Speaker 12 (23:01):
It was like looking in the mirror and sometimes like,
of course, a lot of times you're gonna enjoy what
you see, but every once in a while.
Speaker 8 (23:07):
You're like, when did I get there? Like, oh, that's
a that's a blimoit.
Speaker 12 (23:11):
So like looking in the mirror sometimes could be something
that it's tougher than than expected, but be able to
get that out and express myself. And and the song
is kind of closer like to disco than pop or
R and B. So I really liked doing something down
with Bendy awesome.
Speaker 1 (23:29):
Mm hmm definitely for sure. Indeed, talk to uh, talk
to King Tahoe.
Speaker 9 (23:36):
All right, So King Tahoe, how do you feel tripping
all the way up here to the note to sow
cal from No Cow to go to a meaningful event
when you when you when you travel, How did that feel?
Speaker 8 (23:54):
Like I said it was?
Speaker 5 (23:55):
It was.
Speaker 12 (23:56):
It was humbling, It was it was like it was
over on me to an extent because everybody looked amazing.
Everybody was there on the court of celebrating that great occasion.
And I was just blessed man, like I always say,
I felt blessed to highly.
Speaker 8 (24:14):
Favored, and I was. I was grateful man.
Speaker 12 (24:17):
Driving driving up, I'm tired of driving. I'm trying to
get to Southwest. I got to get some flyer miles
or something. But that's how I felt.
Speaker 9 (24:25):
I felt tired, Yeah, driving from No Cow because that
was like a what a seven hour.
Speaker 12 (24:31):
Drive right on a good today, you know, if you're
playing it right, it's like five and a half.
Speaker 4 (24:36):
Yeah, I was closed.
Speaker 1 (24:37):
Yeah, yeah, it's quite a bit.
Speaker 4 (24:40):
One more question. Do you have your own record label
and are you happy with your marketing team.
Speaker 8 (24:47):
I'm happy with my marketing team. I'll answer that first.
Speaker 12 (24:50):
I do not have my own record label, but the
people that I'm working with right now are are great
and we're making things happen, and you know, when that
time comes, h hopefully I'll use all the resources in
my knowledge to the best of my advantage, you know.
Speaker 4 (25:06):
So do you do you say starting your own label
is hard or would you think it's easy.
Speaker 12 (25:14):
I don't think anything worth it is easy, to be honest,
and I know that the music industry, just being an
artist alone is really difficult. So anybody that takes on
the challenge to start their own label, kudos to them
and much respect because I know just waking up every
day and continuing to be in the music industry is
(25:36):
a challenge.
Speaker 8 (25:37):
So respect to anybody taking those extra steps.
Speaker 4 (25:41):
But we do appreciate you taking this time out to
hang out with us.
Speaker 8 (25:47):
Oh no, I'm grateful for this. Thank you for having me,
grateful also having you.
Speaker 1 (25:52):
Yeah, man, it's all good.
Speaker 6 (25:54):
Man.
Speaker 1 (25:54):
Let's check out this single vulnerable man. Man, tell us
about your single year.
Speaker 4 (25:57):
Yeah.
Speaker 12 (25:59):
Like I said, man, it's just it's just a moment
of transparency when you look in the mirror and you like,
why this, why that?
Speaker 8 (26:06):
You have nobody to blame but yourself.
Speaker 12 (26:08):
So this is just me putting myself on a putting
myself on an instrumental for in on display for the
world to see.
Speaker 8 (26:16):
So when you ask why this, why that, King Tahoe, let.
Speaker 12 (26:20):
The song tell you That's why I can't be vulnerable
is because of what I say on these next three.
Speaker 1 (26:27):
All right, man, we're gonna let it. We're gonna make
it happen right now. Man, we're gonna check him out.
Let's go King Tahoe Vulnerable, Let's make it happen. The
radio show.
Speaker 5 (26:37):
Independent Artists Live Here.
Speaker 1 (26:39):
We got this independent game on lock our day.
Speaker 11 (26:41):
Check it out.
Speaker 2 (26:42):
The radio show All the Best Guys.
Speaker 15 (27:05):
That's not well a body and I'm I tried.
Speaker 3 (27:11):
Oh I tried, but trying to jump gout it nice
and night just seem to.
Speaker 23 (27:18):
Like to put it in my bad Oh, says ball
and my extra followed me.
Speaker 15 (27:24):
Julie us like book in Nat because I ain't good time.
Speaker 4 (27:31):
I don't miss you.
Speaker 8 (27:33):
If an Ally gets the right out.
Speaker 6 (27:38):
Ship my.
Speaker 15 (27:40):
Big but you tell me the pieces until his dad
decide that to my SI, that's why I.
Speaker 6 (28:01):
Pieces.
Speaker 27 (28:05):
My God.
Speaker 2 (28:11):
Be goodies, Julius.
Speaker 13 (28:13):
Those sayings RUI stringa creamings body as above me.
Speaker 2 (28:19):
I was borniful in then I was born for you.
Speaker 15 (28:23):
The God even knows rules. Maybe I'm just not jus you.
Speaker 1 (28:29):
Got it none of my garden Like Tramon.
Speaker 2 (28:32):
I'm kind of looking hard to say that some because
the baby I can't move on, he says.
Speaker 15 (28:37):
The leadership party is design.
Speaker 2 (28:40):
Probably was vanishing my feet, but you won't believe me.
Speaker 15 (28:45):
Be Vonnable ship, but you tear it in pieces. It's
dando sad. I got to you.
Speaker 1 (28:58):
See that right there, King Tahoe, King Tahoe, vulnerable man,
(29:38):
King Taro. Man, it's a rocket man.
Speaker 8 (29:41):
Yeah, yeah, for sure.
Speaker 4 (29:43):
I like that a lot, right, I took us back. Yeah,
I'm fair. I know where you got it from. Yeah,
that's how you do it. Put your own twits to it.
Speaker 1 (30:00):
Yeah, man, well, King tell how man. I want to
thank you for joining us today. Man, give me your
Instagram and all that so they could get get a
hold of you, get more information on you.
Speaker 12 (30:08):
Appreciate you guys so much for having me once again.
I go by the name of King Taho. My Instagram
is k I n G t A h sh o
E King Tahoe on every platform.
Speaker 1 (30:20):
Yeah, okay, Hey, you got a website, Yeah, you got
a website anything.
Speaker 12 (30:26):
I don't have a website just yet, but google King
Tahoe you can find me. You'll find me on everything
under King Tahoe. So those are all my websites because
you can find me on everything.
Speaker 4 (30:36):
Hell, go ahead and start your label, call it k
T Records.
Speaker 8 (30:41):
I got, I got a brand. We we got were
working on turning that into something.
Speaker 1 (30:45):
But my brand is yeah many do.
Speaker 8 (30:49):
It technical line already. I ain't going so I got
that already.
Speaker 1 (30:52):
Okay, Yeah, tear the page out of his book A
billion Yeah man, well, King Tay old Man, thanks for
joining us. Man, we appreciate you, man. And then down
the road, next single come through. We'll do it again.
All right, thank you again. You have a go on
YouTube YouTube man, King Joy, I'll take care man. Uh
(31:15):
you know what, Britt, I think I'm gonna go ahead,
get to that anymix right quick when we come back
from this break. Yeah, we're gonna go ahead and do that. Okay, yeah, man,
stick and stay, don't go away. More to come strictly independent,
bumping the R and B music at as fine ash
off the radio show don't Move. Here's what's going on
recently on the radio show, putting out singles and and
putting out EPs right there, testing your testing your music
(31:38):
in that aspect, Britt, how many songs do you put
as far as testing is concerned, do you even test
or how does that go with you?
Speaker 8 (31:47):
I don't test.
Speaker 7 (31:48):
I just put things out and you see what people
like and what people don't like. But definitely, I really,
you know, like some people might not like that I'm
saying this, but I don't really put music out for
my fans like that like I do, But I don't.
It's really like what I like and if you don't
(32:10):
like it, you just don't like it. I do this
for myself and for like my mental health, you know.
Speaker 9 (32:17):
Was talking to music professionals and the majority of them
said that artists put too much out. You don't get
the fan base and the consumer opportunity to marinate on
the sound that they're trying to create as an artist,
and what they need to do is probably put out
(32:38):
a song every three to four weeks, but make sure
you do some promotion behind it.
Speaker 8 (32:50):
Right all. I'm here to support ourselves.
Speaker 1 (32:52):
We stopped by the lifetime release of the film, taking
that a truck start. A lot of supporters and celebrities
came out to support this film as a touch is
a very serious subject matter. I spoke to some of
the cast members as well as guests and got their
thoughts on this very important project.
Speaker 21 (33:10):
Or the importance of this film Taken Out a truck Stop.
It's one of the third in the franchise of The
Black Girl Missing. It's really important for us to look
out for one another, to also ring the bell that
when black and brown people go missing, that we need
the same urgency, the same compassion, the same not dismissal,
the validation. And this is why it's important for these messages,
(33:33):
for these movies to be told and for people to
talk about it, so that we are seen and we
are validated and we are looked after.
Speaker 28 (33:40):
It's such an important deal. The Black Girl Missing ill
is is so much unnecessary social justice to bring more
awareness to black and brown missing women, and what other
better way to do it than to put it in
our entertainment so that we're learning while we're being entertained.
Speaker 1 (33:56):
Cats Stuck at a truck Stop on Lifetime October two
this week to pick hit j T l R featuring
Snoop Dogg and Mad Scientists. That's my box with so
much trauma on the it g kind of hard being
jailed Double Nyt paraphrase I heard each week on the
radio show.
Speaker 9 (34:15):
At this stude pursuit of the wealth Tender, you go
on girl, just shake that fruit because I know.
Speaker 1 (34:21):
Now back to the radio show, and don't forget this
is also with video shows. If you like the what's
going on right now, you like the video portion of us, well,
I'm probably able to say tonight. You can see all
three of us on the screen right now. Go to
our YouTube channel Keyword DA Radio Show, or you can
go to our Twitch as well as Facebook. You can
(34:42):
see all three of us right there on the screen
right now, Keyword DA Radio Show on all social media platforms.
Coming up next week, are going to talk about as well,
something I think we talked about last week and d
but since British gotta get your thoughts on that, why
we ain't got no hip hop records in the top forty.
So we're gonna talk about that coming up in a
(35:03):
little bit and just as soon as we get this
mix in. So, Britt, I got this indie mix for you.
So we're gonna play this right now, all right, okay, okay,
all right, So I did the best I can. I
am not no mix DJ, but.
Speaker 8 (35:19):
Alright it's perfect.
Speaker 1 (35:21):
All right, Well, we gonna make it happen. Here we go,
the indie Mix, The return of the indie mix, the
only one we've done this year for twenty twenty five.
Let's make it happen all but eleven X music right here.
This is supposed to have been for her birthday, but
we're doing it a week late, so we're gonna make
it happen anyway. So let's make it happen. Here we go.
Speaker 3 (35:41):
I'm not going up like I used to.
Speaker 6 (35:44):
I don't let the streets like I used to before
I changed field.
Speaker 3 (35:52):
I'm not looking for no drama. I'm not trying to
fight your baby mama. I just want to bring.
Speaker 25 (36:01):
I try to tell you what it is, but you
still doubt. I tell you patience is a virtue, but
you still power. They in my dms, but you got
the cold and reroute them. You know it's only you
for playing with me. Acting childish in security is a weakness.
Min taught you better. Just to show you got us real.
I wrote you love letters. I got your name's hat
it on me, put it on my shoulder. Ain't got
no time for no gags. You're only getting older. We've
(36:23):
been solid from the jump. It's been a while now.
No switching up. You acting up? I tell you, calm down.
I see them clowns on your wall, thirsty running game.
But I ain't stutting on them such just because they
Hell Alane, I told you tome after time again, it's
only us. But then you get to nickpick and trying
to fight us. If your mom right, Shotty, we don't
need the drama that was my past.
Speaker 4 (36:42):
I ain't thinking about my baby, Mama.
Speaker 3 (36:44):
I'm not going not like I used to. I don't
in the streets like I used to before I changed you.
I'm not looking for no trauma. I'm not trying to
fight your baby mama. I just want to bring peace you.
(37:05):
I'm not going up like I used to. I don't
leave the streets like I used to before I chase.
Speaker 5 (37:16):
I'm not looking for no drama.
Speaker 3 (37:18):
I'm not trying to fight your baby mama.
Speaker 2 (37:22):
I just want to bring peasy.
Speaker 1 (37:27):
Yeah, I knew you were not left check this off.
Speaker 15 (37:32):
I just want to bring peace.
Speaker 5 (37:36):
Here, Oh mama, Mama, Mama, I.
Speaker 2 (37:57):
Every day I pray for you.
Speaker 15 (38:02):
Every day.
Speaker 3 (38:02):
I want want to lave with you every second of
the day. I want you in the West Way.
Speaker 29 (38:09):
Yeah, I put you in my face and iver.
Speaker 5 (38:12):
Tacular the way.
Speaker 2 (38:19):
My mind.
Speaker 5 (38:23):
I don't mind.
Speaker 2 (38:26):
My mind, look at you everything.
Speaker 30 (38:36):
I can't tell you no two reasons why I'm triling.
I can't reason you give me mouth tie.
Speaker 3 (38:51):
Im say god, I just want to live.
Speaker 5 (38:59):
On no water, do you?
Speaker 2 (39:03):
I just walk out and live from the water with you.
Speaker 5 (39:08):
But you But because I don't.
Speaker 6 (39:13):
Mind drowning and joy, she'll smother me with a good
er sheep, and I don't.
Speaker 3 (39:25):
Care to come my bird.
Speaker 2 (39:30):
She'll give me.
Speaker 27 (39:31):
Foma's own baby and leave you having to be as baddest.
Speaker 2 (39:37):
I don't care.
Speaker 3 (39:42):
It makes me feel whole inside. And if you're not
him your side, right, I'm using that dope for me.
Excuse me every time I'm going running, the every time
I get taken.
Speaker 5 (40:03):
How you.
Speaker 3 (40:11):
Can get the mission of confect what you say.
Speaker 1 (40:14):
You'll get me enough to love.
Speaker 5 (40:17):
You. I'm on said b.
Speaker 3 (40:22):
I cannot be troll him.
Speaker 5 (40:24):
No, the way you don't think about I can.
Speaker 15 (40:29):
Have control my lie.
Speaker 27 (40:31):
I think about you are the time I cannot control
on my other I cannot control my mind. I cannot
control my mind.
Speaker 5 (40:45):
And controling my money.
Speaker 23 (40:47):
I control my mind.
Speaker 3 (40:49):
I think about you all the time.
Speaker 5 (40:52):
Only you are my side. Only you know what I'm lie.
Speaker 3 (40:58):
You don't care about Okay, you don't care for brick.
Speaker 5 (41:03):
Jay, I know you are.
Speaker 3 (41:07):
I know you love brit Phil.
Speaker 5 (41:11):
I can not.
Speaker 1 (41:12):
Control mom, but that's all I got for you, Brett,
So turn turn up Mike. I can't you turn the
mike hitting me? But let meet that. That's all we
got for I got you now, that's all we got
(41:34):
for you.
Speaker 7 (41:38):
Yeah.
Speaker 8 (41:38):
I love it.
Speaker 4 (41:45):
I love it.
Speaker 1 (41:46):
That's what's up about.
Speaker 8 (41:49):
That means a lot. I appreciate that. Best birthday gift ever.
Speaker 1 (41:53):
Yeah, no problem, no problem, You're welcome for sure. Happy
belated birthday to you.
Speaker 8 (41:59):
I love it.
Speaker 1 (42:02):
So let's get to it right now. Celebrity Interview brought
to you by Spotlight three sixty Media. Like what's going on?
Make sure you just follow the celebrity portion of the
show right there. Go to Spotlight three sixty Media on
all platforms. This week, I caught up with actress Carucci
Trand she has a new movie coming on on Lifetime.
It just started actually November the eighth. You can catch
(42:23):
that throughout the months as they have their love months
on Lifetime record. The song is called I'm Sorry. The
movie is called Preach, Pray and Love. So catch Karucci
Tran right there on that quick interview with her. Then
we got Loving Us coming up after that. There we go.
Speaker 2 (42:39):
Show ripping and all the red carpets.
Speaker 3 (42:43):
Here's an exclusive celebrity.
Speaker 4 (42:44):
Interview Roger Weshs on this project here, thank you very good.
What we were like playing this role in this project here, lamb, it.
Speaker 3 (42:52):
Was a lot of fun.
Speaker 10 (42:53):
I was I play a rapper, so that was like
new for me and challenging.
Speaker 3 (42:58):
What a good challenge.
Speaker 22 (43:00):
And it's such a you know, a beautiful love story.
Speaker 17 (43:03):
So to be a part of.
Speaker 4 (43:07):
Being a part of now part of this Lifetime Cranchi.
Speaker 3 (43:10):
Well, this is my.
Speaker 29 (43:10):
Second Lifetime movie, So I am just blessed to be
a part of a Lifetime family and hopefully there's more come.
Lifetime is like iconic to me, you know what I mean,
Like Lifetime has been has been a part of our
household growing up.
Speaker 4 (43:26):
So to be here with Lifetime is such a beautiful blessing.
Speaker 16 (43:39):
Let's go, Let's go, Let's go with your girl Bretty
lovin X the Human Chandelier here on the radio show,
and you're listening to Love or Lust? Do you have
a problem with your relationship? Do you want to know
if it's love or lust. Let us all vote and
let us all let you know if you're in love
or if it's lust.
Speaker 1 (43:58):
Chewen saw love and lust right about now, Pretty Living
Extra human Chandelier, The floor is yours.
Speaker 31 (44:08):
It's your girl, Pretty Loving X the human Chandelier, And
today on love or lust? The topic is is it
love or lust if you are no longer with someone
and you guys have children and you live in the
same house, but you won't move out to be with
the person you're with because of the children.
Speaker 8 (44:31):
For example like Remy My and pat Pooss Okay.
Speaker 1 (44:35):
So they won't move out.
Speaker 7 (44:36):
They just living together to Yeah, they live in the
same house people, probably because of the child to make
it a whole family.
Speaker 8 (44:44):
That's what it is.
Speaker 4 (44:45):
That's what it is.
Speaker 1 (44:47):
Ah well, I guess it would be love for the child,
I guess, but for him.
Speaker 8 (44:53):
And Clarissa Shields like, yeah.
Speaker 4 (44:57):
That's spelling the borderline.
Speaker 1 (44:59):
Yeah uh, I think it's still feelings for the X though,
if you're in that house, because you know, if you
if you're not with the if you don't want to
be with the X at all, you you you you
want to be homeless. Then to be living in the
same house with the bail out. You're bailing out of there,
So I think it's still I think it's still Australia
in the fence, a little of both actually love for
(45:19):
the kid, uh maybe a little love still for the X.
Speaker 4 (45:23):
You know, I will go more love on this one.
Speaker 8 (45:27):
Yeah, but it's less towards Clarissa, is what you're saying.
Speaker 4 (45:32):
No, it ain't no less at all.
Speaker 1 (45:34):
Well, I don't know their relationship, but I mean, I
guess it'd be if I had to pick a side,
they would be less. But you know, I don't know that.
I don't know their relationship to really speak on that,
to be honest with you, but I can say from what.
Speaker 7 (45:47):
You at, Clarissa want him to move out and move
in with her, but he still lives at Remy's house
with the family.
Speaker 9 (45:57):
But that ain't what you said. So I'm going bouy
with how you said it. And they don't want to
leave because sake of the kids.
Speaker 4 (46:04):
I will still say that's love, you know, because it
was just lust.
Speaker 1 (46:09):
He would have bell Yeah, he'd left.
Speaker 7 (46:13):
Part it is love, But on Clarissa Shield's part, it's lust.
Speaker 4 (46:18):
Yeah.
Speaker 9 (46:19):
But I'm saying on the question that you've provided us
it's more love than lust.
Speaker 4 (46:26):
I have to go with love.
Speaker 1 (46:28):
Okay, what do you think Brita is the love or lust.
Speaker 4 (46:34):
One a the other? And you know what, gotta pick one.
Speaker 8 (46:41):
Yeah, I don't know. I'm in I'm in the middle.
Like it just depends on like like you said, we
don't know that relationship.
Speaker 4 (46:46):
Honestly, that ain't when it works on the like I know.
Speaker 7 (46:52):
But if he was looking at it on Remy's part, then,
like you say, I would say, since he's still over
there even though they claim they don't want to be
with each other, that's love or with it.
Speaker 9 (47:05):
But I'm saying, I'm saying, forget them, let's go buy
what you the question, you get.
Speaker 7 (47:11):
The story came from, and then it came from it's
stemming from Remy, Ma, Patpoos and Clarissa.
Speaker 9 (47:21):
I get that it's coming from You got that question
from that situation. But the question was if they if
the couples together and they doing it for the sake
of the kids, you know, forget about who you're really
talking about.
Speaker 1 (47:36):
Just it's general.
Speaker 4 (47:38):
It's just in general, all right.
Speaker 7 (47:40):
So if we were to take them out, the right
take them out. If we take them out, the equation.
Then yes, I would say that it was it was
love that he's staying in the house.
Speaker 8 (47:51):
It it just depends on the relationship that we're talking about.
Speaker 7 (47:55):
Then yeah, I was love and to the person that
he again it's won't leave or whoever won't leave. Yeah,
they could love that person too though, So I mean, yeah,
like I was, I would say it's love, you know,
like they don't want they claim that they don't want
them to do with the other person, you know, So
I mean I was, I would say it's love.
Speaker 9 (48:16):
Yeah, Okay, generally speaking, it's love their situation.
Speaker 8 (48:22):
But if there was no child, it's lost.
Speaker 4 (48:24):
If there oh yeah, we're no challenge.
Speaker 1 (48:26):
Yeah, it's then I will agree it to be lost. Yeah,
it's Kelly good Dren Kelly good him expand on this real.
Speaker 32 (48:37):
Quick, washing Mary, I got you here now, yeah.
Speaker 11 (48:49):
Okay, Okay, let's say I'm in a relationship with Brittany,
but I live with my baby mama. Talking about I
want to be I want to say at the house,
you know, with my with my tarn. Okay, me and
Brittany are supposed to be getting married. Okay, now my
baby Mama's constiing. Okay, I need to break away from
(49:09):
that consciousness. You know this woman, We're not getting into
it just because we want to do something good for
the kid. That that don't mean that that it's healthy
in the house. That the house can be unhealthy because
we are both unhealthy parents around each other. So now
we're bringing a toxic environment around our kids. Now me
saying me using my baby mama as an excuse, I mean,
(49:31):
my kid is an excuse to live with my baby mama.
It's like, when am I going to leave? You know,
I've been I'm in this relationship with Brittany for five
years and I still haven't left talk about the child
even two years. It's like I need to get out
that toxic that sixty seconds. But yo, yo, yo, hey,
(49:52):
I'm going to say. I'm going to say that it is.
It's loved because I'm still in love with you know,
with with my comfortability, I love the child and I
still kind of love my baby mama. If I'm not
willing to break in all time, I'm not willing to
just coch here and I want to stay there. You
know what I'm saying, I'm not giving Britney what you want.
(50:13):
I'm not giving her this, this marriage and this home together.
I'm still living with my baby mama. So that's love
for my baby mama, love for my baby and really
loves for Britney because I really don't love her enough
to leave.
Speaker 1 (50:25):
Right exactly. That that's that's kind of what we all
kind of saying there, man, we all kind of actually
kind of said the same thing tonight, right, yeah, yeah.
Speaker 9 (50:34):
Even if you don't put that second subject in the picture,
just leave them in together, him and her and he
staying because of the baby. Well, I will go with
the love. I have to go with love because it's
not the baby could be excuse for him to still
(50:54):
be the girl he loved.
Speaker 7 (50:57):
Well, do you feel like, you know, sometimes a child
is young and they don't know what's going on, so
they just see the family unit and they see the
parents in the house.
Speaker 8 (51:06):
Regardless of what the relationship is.
Speaker 7 (51:08):
You know, like, could that be possible where it's really
just trying to show the kid it's a family.
Speaker 1 (51:15):
Uh yeah, well yeah yeah, And as you know, as
the kid gets older, they're they'll he'll see that, he'll
see to this out just function of the family. Notice
that this ain't things, it's Mammy is supposed to be
a daddy like this. They'll figure it out as they
get older.
Speaker 7 (51:32):
Man for a kid don't know it for kid gonna
wonder like, well, why don't you stay here?
Speaker 1 (51:38):
You know, like at fourteen? Then it's a different stuff
like for sure.
Speaker 4 (51:45):
Years old.
Speaker 1 (51:46):
Figure then it's a different world then literally literally, y'all.
Let's get the play of the Slave real quick, y'all,
let's make it happen. Here we go.
Speaker 4 (51:56):
Join the radio show every Monday night, every Monday.
Speaker 15 (52:03):
For the indie song that you enjoyed the most.
Speaker 1 (52:07):
That was a good love of loves right there. Man
had us all out there in the grants. Play the
Slayer time. Let's get to it right now. As we
take a couple of songs, and we asked one finin
no metal question, and that should we play it? Or
should we that's writ y'all, slay the record, throw it
in the cyber trash never to be heard from again,
(52:29):
or we should put it in play so it could
be eventually a home and find its way home? Should
I say to the radio show dot com? So we
got two songs we're gonna play right now. The first
song is an artist by the name of j Dot
to j dot to songs called save Me, Ja Dotto,
save Me. Let's make it happen, y'all strictly independing hip
(52:53):
hop and RB music. Get as fine as y'all.
Speaker 22 (52:55):
Play the Slayer, Let's go the radio show, Radio show,
the radio show, play it or sliding.
Speaker 15 (53:05):
She's fined the gold.
Speaker 2 (53:08):
Someone side, some.
Speaker 6 (53:13):
Dancing on the smoke, casettos on nice skin fileenh someone side.
Speaker 33 (53:26):
I need some help, I mean do hell lots of
my mind and I need to tell how being broken,
I mean alone, I've been both down and not before,
watching my life shout of that glass and telling myself
that I don't have the last stay positives.
Speaker 1 (53:36):
I'll break it, praying it don't hurt.
Speaker 33 (53:38):
Stuck in the routine, I need to leave, trying to
see your way to proceed, but I can.
Speaker 2 (53:42):
It's the only pain.
Speaker 33 (53:43):
Trying to advance, But I only state this black cloud.
It keeps on raining, and she starts to keep replaying.
It begins to slow.
Speaker 1 (53:49):
Can't make sure if it begins to show my word started.
Speaker 8 (53:51):
When I start, the sweat reaches to the other thoughts
I get.
Speaker 2 (53:53):
I'll wake up and I want to sleep.
Speaker 8 (53:55):
You gotta do work.
Speaker 22 (53:56):
The radio radio shows the radio show play lay It
or slid.
Speaker 1 (54:00):
That was our first player the slid record for tonight.
That was Jake Dato songs called save Me, Jake Dato,
Save Me bred elvenex to you, Michele. Are we saving
this song or we slaying the song? What are we
doing with it?
Speaker 8 (54:15):
We playing it? We saving it?
Speaker 2 (54:17):
I like it?
Speaker 1 (54:23):
Okay. I think I'm gonna go ahead and save the
record as well, barely though, but because I didn't really
care for it. But I'll save it. Indeed, playing the
slid what should be doing with it?
Speaker 4 (54:37):
I'll give it a play. I'm like, you know, I
had that R and B pomp, you know, Phil Okay?
Speaker 1 (54:51):
Put Kelly Good up, Kelly Good. What do you think
about the record? Play the slip?
Speaker 11 (54:58):
I play barely. It's sounded like you should have It
was coming too quick. You should have let it climbax
you a little floor. When I'm gonna play in the street,
Howard Howard is.
Speaker 1 (55:17):
All right, it sounds good, sounds good.
Speaker 8 (55:19):
All right.
Speaker 1 (55:20):
Let's check out the second record tonight, play to say
It Slad. This is the second record is Nicholas Ray.
Sounds called Morning Nicholas Ray moaning all right, let's check
it out. Play the slay. Let's go the.
Speaker 22 (55:34):
Radio show show, radio show, the radio show, play or slid.
Speaker 2 (55:40):
Hm m hm.
Speaker 15 (55:44):
Hm hm. You know I ain't through one.
Speaker 8 (56:05):
She really on some love and must still stay here
to the morning. She say it's just enough that she
ain't trying to cut and be tripping on that.
Speaker 15 (56:15):
Then we'll still stay here to the morning.
Speaker 8 (56:18):
Here to the morning, go in and grown on to.
Speaker 15 (56:22):
My phone, and then that you want that, you don't
really want that, give me my phone back, Give me
my phone back, and still stay here.
Speaker 22 (56:32):
The radio show, radio show, the radio show, play, play
or slid.
Speaker 1 (56:37):
That is our second play the slave record for the night.
That is Nicholas Ray songs called moaning. Nicholas Ray song
is called moaning. All right? Uh Britain levin next to
you means chandelier play at a slave? What should we
do with this record?
Speaker 6 (56:50):
Here?
Speaker 4 (56:51):
I'm playing it like.
Speaker 1 (57:00):
I'm gonna go ahead and play the record as well myself.
I liked it, MD play the slag? What should we
do with the record. I'll go with the play too, Kelly,
(57:20):
good play the slag? What should we do with it?
Speaker 6 (57:27):
Like the beat?
Speaker 11 (57:28):
I like to flow?
Speaker 2 (57:32):
Uh?
Speaker 1 (57:37):
We kind of agree with all the songs that s Yeah,
we sure did. Actually, that's that's definitely uh true. We
did agree with both songs today. That's all good. Yeah
yeah yeah, definitely. We'll see you next week. Saint Bad
Time sat Back Channel by y'all.
Speaker 2 (57:56):
Make sure you follow us on own social platforms.
Speaker 15 (57:59):
Three Radio show No
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