Episode Transcript
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Speaker 1 (00:00):
It's time to.
Speaker 2 (00:03):
Radio show.
Speaker 3 (00:07):
Free shot Dum.
Speaker 4 (00:11):
Shoot d.
Speaker 2 (00:17):
D. We are the greatest, We played the greatest in
the artists on the radio show.
Speaker 1 (00:26):
We got had to have faced.
Speaker 5 (00:28):
We did it popping on the radio show.
Speaker 2 (00:31):
Listen to love, but listen give it up in your relationship.
Speaker 1 (00:34):
Problems will be with it. So make sure you tune
in and the radio show.
Speaker 6 (00:41):
Okay, So some people, some people thought that the fight
between Mike Tyson.
Speaker 3 (00:46):
And Jake Paul was fixed. Okay.
Speaker 6 (00:49):
Some people thought Mike Tyson threw his part. Some people
thought Jake Paul held him up and went without trying
to knock.
Speaker 3 (00:58):
Out Mike Tyson. Give me your thoughts on that.
Speaker 6 (01:00):
We're gonna talk about that tonight and much more after
bringing the radio show Dundee riding solo tonight. Nd and
Brita Levex h Machine. Lehoe to be joining me at
some point.
Speaker 3 (01:11):
This is the radio show. What's going on, y'all?
Speaker 6 (01:13):
Hope all as well for you, Hope everybody had a
wonderful week and a fantastic start to a new week
right here here on the radio show tonight, y'all. So
we got our guest tonight. We're gonna be bringing her
in in just a few moments. But I want to
go ahead and put this out there and get her
thoughts on this. While we still have for here Camille Bright.
(01:33):
We're gonna bring her home momentarily. But as I started
the show off a few moments ago, Mike Tyson Jake
Paul had a fight. Of course, you know we all
watched on Netflix. Did your Netflix crash or not?
Speaker 3 (01:46):
Mind?
Speaker 6 (01:46):
Did it on the glitch one time? But I want
to know from you all, what do you think about
What did you think about that fight? Was it fixed?
Speaker 3 (01:54):
Was it not?
Speaker 6 (01:55):
Giving your thoughts on that, but I want to go
ahead and take it a step further. For in the
the dollars. As you know, we are an independent artist's show,
so Mike Tyson got a big payday from that. Jake
Paul got even a bigger payday from that. If you
were just going to get into the ring for the
money only, all right? If I can take Mike Mike
(02:16):
Tyson out and I put you in as an independent artist,
would you face Jake Paul?
Speaker 3 (02:23):
All right?
Speaker 6 (02:24):
Would you want to face Jake Paul for twenty million dollars?
Is that enough for you to get in the ring
to face Jake Paul, all right, Or if you want
to go ahead and face your favorite rapper or singer
of all time, you can do that as well. Would
you jump in the ring with your favorite rapper, singer
at all time, your idol and face them in the
ring for twenty million dollars?
Speaker 3 (02:46):
Yes or no?
Speaker 6 (02:47):
Give me your thoughts now, if it was me, you
know what I'm saying I was facing Jake Paul. I mean,
you don't even have to just you know, you could
just blow on me and I'll fall on the ground.
You know what I'm saying, I'll take a phantom punch. Okay,
you don't have to worry about trying to knock me out.
So what do you think about that?
Speaker 3 (03:06):
Camille? Right, what do you think? What would you do?
Would you fight Mike Jake Paul for twenty million dollars? Yes?
Or no?
Speaker 7 (03:16):
Man, I'm a eddy bitty. I know I'm not gonna win.
I can't even say.
Speaker 8 (03:20):
Like that would be fair at all. I am like
five three, one hundred and twenty pounds.
Speaker 7 (03:25):
He would, I mean, it'd be out. But if I
got to take one clean knockout for twenty million.
Speaker 3 (03:34):
I'm like, dude, I'm it you might do it. Well,
what about the girls?
Speaker 4 (03:38):
They eat like?
Speaker 7 (03:39):
This can't be contingency on my wing.
Speaker 8 (03:42):
But if I know, I'm gonna get it, huh, I
just have to recover for two weeks and I'm gonna
take my money and go to like Jamaica to recover.
Speaker 3 (03:50):
That's what. So what about what about one of the females.
Speaker 6 (03:52):
They had a female fight too, Would you fight one
of them for twenty million dollars?
Speaker 7 (03:57):
Listen, I'd probably fight about anybody if about twenty mins ain't.
At least I'm gonna try because I'm one of those people.
Even how I.
Speaker 8 (04:04):
Feel about Mike, it's all for me, always about a try, Like,
I just want to see people try. So whatever you decide,
as long as I saw that you put your efforts for,
you can go.
Speaker 7 (04:13):
Home with your money. Yes, cool, there's nothing else to
prove you tried.
Speaker 6 (04:16):
Yeah, yeah, you know what, I think I'll figure out
a way how to recover if you give me twenty
million dollars.
Speaker 9 (04:20):
That's what I'm saying.
Speaker 2 (04:21):
We're gonna go.
Speaker 7 (04:22):
We're gonna be right. Twenty million, We're gonna.
Speaker 5 (04:25):
Be just fine.
Speaker 3 (04:27):
Exactly. We'll figure out something with that.
Speaker 10 (04:40):
Leskin waytys skint you know you.
Speaker 2 (04:47):
So coming sat.
Speaker 10 (04:50):
Come the plan, came to swim minute, came to deal.
Maybes you live in the moment.
Speaker 2 (05:01):
I feel like you wan'tly you got permission getting me
miss be on your own that way ever so little.
Speaker 11 (05:09):
To me like you you know what.
Speaker 2 (05:14):
Can you come through? Come tell me that even.
Speaker 12 (05:22):
Ever so emotion know ex spiritual.
Speaker 5 (05:42):
You come to steal my soul.
Speaker 1 (05:44):
You come to take control, you.
Speaker 2 (05:47):
Come to stay. Didn't can give me commands? You're making plains.
Speaker 1 (05:54):
I'm in the trains.
Speaker 2 (05:55):
When you're in it.
Speaker 9 (05:56):
You got me down on my knees.
Speaker 5 (05:58):
You give me a jail on me.
Speaker 1 (06:01):
You got me feeling's free.
Speaker 2 (06:03):
You got the sad me.
Speaker 11 (06:05):
I am not waiting for someone to touch me like
you you know, and to baby come to and take
me to heam came.
Speaker 2 (06:24):
I've been waiting for someone to touch me like you
you know, and to.
Speaker 11 (06:31):
Baby come too and take me to hem.
Speaker 6 (06:41):
Hand.
Speaker 11 (06:49):
You don't come and say.
Speaker 5 (06:54):
I'm John b everybody and you're listening to the.
Speaker 1 (06:56):
Radio one.
Speaker 5 (07:22):
When you Machinky gone Babby road just like them touring
and yeah, she says he you bought the squad or
she oh I do drink about this money heavy. You
know I like it when you don't trips excited or
you said she went open minded, coming find it shorty pail.
(07:51):
She said she saw this great hobby in the water
like a mission were or do you want to burg
in the h bby Yeah, be calling me daddy, But
the Norman day, I'm calling them mommy. Guess I more
the same fucking non exotic brand new Roland's playing Jay.
Why you think she choosing push? No, he ain't the same.
(08:15):
Take hold the trip better root.
Speaker 2 (08:17):
To be me in the room, let him.
Speaker 5 (08:20):
Here, shurey Hello, bab Yes, I'm trying to Yeah, I'm
trying to petty machinky going Babby road, just.
Speaker 1 (08:30):
Like him doing you.
Speaker 5 (08:32):
Yes, she says she's loy butt.
Speaker 1 (08:34):
The squad on.
Speaker 5 (08:34):
She all I do is think about this money heavy,
and you know I like it when you do the
tripschet excited? Oh you said she minded coming find they
If you're for the streets and baby, let me know.
Let me plays about your credit scope A man of
(08:58):
phantom looking has some ship gonna want me more?
Speaker 3 (09:01):
Yeah?
Speaker 5 (09:01):
Yeah, wait, if she's playing.
Speaker 2 (09:03):
My mother, let her go Yeah yeah, I mean you a.
Speaker 5 (09:05):
Jack it ain't renny.
Speaker 13 (09:06):
She gonna give me here because it's big saying no
penis making hikentucky.
Speaker 5 (09:10):
But the chicken she understand, Baby, tell me give you worthy.
I'm gonna leave here for to night. I ain't gonna
having no cluffe take a hold a.
Speaker 2 (09:19):
Trip by room to me, leave me in the room.
Let him be hey, shut in hell of bed.
Speaker 1 (09:26):
Yes, she think, Yeah, I'm trying to. Yeah, I'm trying to.
Speaker 5 (09:30):
When it was Shinky going no road just like him
to her and yes she said she loyo. But the
squad on she ll not do was think about this money. Wait,
you know I like it when you're.
Speaker 1 (09:47):
Doing the tricks.
Speaker 5 (09:47):
I get excited. Oh you said she minded Julia, show
her come and find it.
Speaker 3 (10:16):
Yeah, let's get us out to move the crowd. We'll
bring you in officially.
Speaker 9 (10:20):
Yeah, gets time for the radio show.
Speaker 3 (10:25):
Move the crowd. All right, y'all we are inside to
move the crowd.
Speaker 6 (10:29):
Right about now what we do each and every week
around this time as we take an artists off stage,
bring them backstage to get to know them up close
and personally joining us. Now we have an artist that's
doing her thing. Man, we got Camille Bright in the building.
So Camille officially, welcome to the radio show to night.
(10:50):
Oh good, good to have you here tonight. Now, now,
first of all, I've read that you are actually an
actress as well.
Speaker 3 (10:58):
So what roles have you been in anything that we
know of?
Speaker 8 (11:03):
Yes, sir, well, I have been on a show called
A House Divided, which is on All Black Network. I
play a series regular named Triva. She starts up a little.
Speaker 7 (11:11):
Drama in the family business. There.
Speaker 8 (11:13):
You can catch that on All Black Network. I've been
on Tales, which is on b Lead. Thank goodness, everything
is streaming these days, so you can actually still go
and catch all these things. Now, Tales, I actually did
the Hot in Here episode that is actually a series
that or Gotti came up with where he is doing
a I guess re enactment as you would say on
(11:34):
a lot of cool hip hop songs.
Speaker 7 (11:35):
So the song that I did was Hot in Here.
Speaker 8 (11:37):
And most recently I was on a show on Hulu
called The Other Black Girl. And all these are still
available to streams, so check your girl out. It's really
a blessing able to do both.
Speaker 3 (11:48):
So yeah, okay, now you're after streaming and all these
different TV shows and films. So that's good, that's wonderful.
Speaker 4 (11:55):
Yeah.
Speaker 6 (11:56):
Yeah, So which which do you like doing most? You
like doing acting more like singing and rapping? Which one
you like more?
Speaker 7 (12:02):
You know, it's so hard.
Speaker 8 (12:03):
People ask me that all the time, and I think
it's really dependent on where I am in my life.
I think that sometimes in terms of certain roles that
I take on, I'm like, oh, this is so perfect.
I can release you know, how I was feeling about
this breakup or you know, I can sing about this
versus that.
Speaker 7 (12:20):
So I really believe it's what season I am.
Speaker 8 (12:22):
In my life was how much I enjoy it, Because
when I can really use what I'm going through to uh,
depict the art that I'm doing, which if it is
acting or if it's music, I think that's where it
becomes my favorite in a certain season. So right now,
I say it's the super season of singing and dancing
and all that, and the acting is happening, but not
as much as it has been where I've been in
(12:43):
the studio and stuff. So I feel like where I
am is where I'm fulfilling the most of where you know,
what I'm enjoying at that moment.
Speaker 3 (12:51):
And then what's the so you say in your season
now is in music and everything. So so where in
your season are you? Are you you know, joyful, happy,
or where are you in the season of music? Oh?
Speaker 7 (13:04):
I am hype, Like, I am so excited.
Speaker 8 (13:07):
I have new music coming out at the top of
the year, and because I haven't technically released music in
a long time, it's a super exciting feeling just to
know that you've had this kind of baby that you've
been nurturing and working on and no one met them yet,
you know, and now you're introducing your baby to the world.
So something about that is super special and that is
an exciting feeling.
Speaker 7 (13:26):
So that's what I'm running with right now.
Speaker 8 (13:28):
I'm just like hype because it's coming so soon, and
I'm just like so excited because not everyone's had a
chance to kind of take in that part of what's
happening with me right now, and so it's kind of
like this little secret of been holding on to and
I'm slowly letting everyone in and soon at the top
of the year, when I release it, it's like we out,
we hear what's up?
Speaker 6 (13:47):
Definitely, man, we got Camille Bright, She's here right now.
Keyword dear radio show on all social media platforms, if
you want to go ahead and talk to her. Now,
do you like, I mean, since this is your season
of music, do you like being an independent artist? Do
you like this whole grind of being an independent artist
and starting from the ground up? Or would you at
(14:09):
this point prefer to be signed to a major record
company and all that.
Speaker 3 (14:13):
Where do you stand on that?
Speaker 8 (14:15):
You know, that's a really great question because it is
a question that is a revolving thought for me. I
do think that you know, mind you, I'm not in
a position that I'm going to be turning down RCA
Records or Columbia'll be like, Yo, Camille, I would definitely
take the meeting.
Speaker 7 (14:29):
Let's take that much.
Speaker 8 (14:30):
But I do think that my mindset is operating without them.
If they never came, then what are you going to do?
I'm still going to do the work because I love it,
and that's just kind of how I feel about it.
And I think that the work, if you're not seeking
necessarily the accolades or the money, I think a lot
of things will come to you naturally just by living
in your truth and doing what you love. And I
think that things line up the way they're supposed to.
Speaker 7 (14:51):
So you know, y'all can call me. I'm gladly takes
the meeting, But in the meantime.
Speaker 8 (14:56):
I'm not going to stop anything in the hopes of
or are they seeing me? It doesn't matter because I'm
doing what I love and if you see me, great,
and if you'd like to sign me, we'll check out
your contract. But I can't even say it be a
yes right away because I think a lot of times
people sign away a lot of the freedom that I
have been enjoying as the independent artist. So I think
that that's the thing that kind of puts me in
a place of wondering would I because it really really
(15:19):
would depend on the freedom I have to create what
I want, be able to put it out when I want.
And I enjoy that part of being an independent artist because.
Speaker 7 (15:25):
I'm to say so, if I like it, you go.
Speaker 8 (15:28):
If you know, next thing, you know, you sign and
you got to go past twenty thirty people, and that's
a different scenario.
Speaker 7 (15:34):
So for now I'm gonna enjoy it once again. This
season I'm in and being independent is a good feeling.
Speaker 3 (15:38):
So I like that answer right there.
Speaker 6 (15:43):
I like that, Well, sure, definitely. Now tell me about
the single play too Much. Tell me about this reggor here.
Speaker 7 (15:54):
Yeah, so play too Much. I actually wrote this now.
Speaker 8 (15:57):
This is a little bit of a throwback candy jam,
and I love it because I really was able to
rap and show a lot of my personality and fire
and flavor on the track. But mind you Play too
Much is pretty much depicting a situation and a relationship
where it was like, hey, we could be all of
these things. I'm a great woman, but you just play
too much. And I think that that is a scenario
that a lot of ladies can resonate with, where it's
(16:19):
like you want so badly for this to be your one,
your guy, but it's like, man, let's be playing too much.
Speaker 7 (16:24):
And once you start playing me, I mean, hey, you
gotta go dog. So that's kind of what this song was.
It was just like, man, this could be us, but
you played too much.
Speaker 8 (16:34):
You know, so all the cool cute vacations, all the
things you dream about and fantasize as a lady.
Speaker 7 (16:40):
It was like, I want that so bad with you,
but you play too much.
Speaker 3 (16:44):
So that sounds like a winner anthem right there, the
lady play you too much?
Speaker 7 (16:51):
So just stop playing with us.
Speaker 6 (16:52):
All right, We're gonna check it out right now. Let's
go and get to it right now. Play too much?
Right here, Camille Bright is in the build it. We're
gonna talk to her after the song. Let's make it happen.
The radio show.
Speaker 2 (17:05):
Independent Artists Live Here. We got this independent game on
lock figure out the radio show. Yeah, I just want
to tell you about it. But you ain't never home.
But you man when he's in a phone, But I
(17:26):
ain't in the wrong. You don't give me what I need.
You know that I'm loaning. Will you with me? You'll
be claiming your moaning you wish if they try and
upron it.
Speaker 11 (17:35):
I can't I be.
Speaker 2 (17:36):
Caught up in a moment like Amy Rosie. Yeah. I
want to dip there and to help you, so the
veryville get me in my pennistel. Yeah, yeah, you won't
you waiting, my won't he daddy? I can't get you.
But you pay too much? Just give me us, but
you playing, Just give me us. But you play too much?
(17:57):
Just give me, yes, but you playing? You know you
play too much? Boy, You know you play too much? Yeah,
you know you play too much. She's gonna be es.
But you playing talking about I only want to let
me nobody else, but you believe. Let me check the
nap you know he was runday map, run day map.
(18:18):
I want to have one time time the room and
I'm coming because you never know. And I get it.
I get it every time you see me. Yeah, I'm winning. Body,
you know I'm winning. You better be went in to
(18:39):
come of me. I'm a hope. It is so mas
get my hope. Some of the plane keep crash. That's
the problem, boys.
Speaker 14 (18:45):
Ranching face you it ain't play take great boys, man,
he's oh you man did?
Speaker 2 (18:54):
But were your hands? We don't play you better?
Speaker 14 (18:58):
But you play too Just give me yes, but you
playing this could be us, but your pay too much?
Speaker 2 (19:05):
Just gi me yes, but you playing? You know you
pay too much. You know you play too much. Yeah,
you know you play too much. Just could be yes,
but you playing blood? Your hands on your whip side,
by my averdi? Why why lay hands on your niece?
Speaker 1 (19:23):
Fine?
Speaker 2 (19:25):
Fine, my INVERTI fine? But your hands on your whip side? Why? Why?
Why why hands on your nag?
Speaker 5 (19:35):
Fine? My fine?
Speaker 2 (19:38):
But you pay too much?
Speaker 1 (19:40):
Just goil be yees.
Speaker 14 (19:41):
But you playing this could be us, but your pay
too much? Just gonna be yes, but you playing.
Speaker 6 (19:48):
You know you pay too much, too much, too much.
It's go, y'all love saying that play too much? Hey,
that's what it is, right. I could be an athem
for the winner.
Speaker 8 (20:03):
Right there now, season right now, but the ladies can
let him know, like we could do that, but don't
be playing with me.
Speaker 3 (20:15):
Yeah, definitely, definitely. Is that out? Is that out or
coming out? Or what's up with that record?
Speaker 7 (20:19):
It's out?
Speaker 5 (20:20):
It is out.
Speaker 8 (20:20):
It's on all streaming platforms, so iTunes, Spotify, Title, Amazon,
all the things. Wherever you find your music, you can
find it. So type in Candy Bright way too much.
Speaker 3 (20:33):
That's what's up. That's what's up. M D, M D.
What's going on?
Speaker 2 (20:36):
Man?
Speaker 3 (20:36):
Talk to Cammy Bright? Oh what's up?
Speaker 15 (20:41):
I don't think you'd be able to hear me. I'm
not I'm not on my computer. I'm on my phone
this time. Okay, couldn't get in for some reason.
Speaker 4 (20:55):
He played too much? Lady girl, you're doing Yeah, you
played too much, too much?
Speaker 3 (21:06):
Thank you?
Speaker 8 (21:07):
Yeah, vibe Yes, And it was really you were asking
me earlier about my acting and stuff. So I actually
had an opportunity. When I was on the show A
House Divided, they actually played my song during a scene
I was in and I was able to dance to
it and everything. So that was a really cool moment
for me. And I'm or of those moments where I
can be in the show and have my music on
(21:27):
this show. That would be awesome.
Speaker 3 (21:29):
Oh, that's cool that.
Speaker 8 (21:33):
Yes, some Grammy owned nominated producers actually called the hit
List and they're based out of California.
Speaker 4 (21:39):
You're from Cali.
Speaker 8 (21:41):
No, I'm actually originally from South Carolina, but I did
live in California for a while. I'm kind of by
coastal at this point because I'm there so much, but
I'm primarily in Atlanta these days.
Speaker 7 (21:50):
So yeah, but just doesn't catch me sometimes.
Speaker 3 (21:59):
Or hold up, my man, I'm gonna get you on
a second, hold on real quick. Yeah, and me finish
your thoughts real quick.
Speaker 4 (22:06):
I lost it coming out of Halloween.
Speaker 3 (22:11):
Okay, it's all well, my man, not not not no
North Side. What's going on? Man? Okay, that's what's up.
Speaker 7 (22:23):
Man.
Speaker 3 (22:23):
When you think about the Camelle Bright song we just.
Speaker 16 (22:25):
Played there, Hey, I ain't gonna let that ship dope.
No Cu cu cush it's dope. Okay, okay, it's most
deffinitely got a lot of energy in it. It's show
for sure.
Speaker 3 (22:38):
Okay, all right, man, that's what's up. Another artist checking
in with you, Camial like the record right there, for sure.
Speaker 4 (22:43):
I appreciate that that.
Speaker 6 (22:46):
Love right there for sure. Get them your Instagram and
all your info so they can reach out to you.
Speaker 3 (22:51):
Camille.
Speaker 8 (22:52):
Yes, I'm at officially Cammi and that c A M
M I and you can find me there on Instagram.
I'm also on tick talk.
Speaker 7 (23:00):
I tell you more on Instagram.
Speaker 8 (23:01):
I'm working on my TikTok uh, but I'm definitely quite
active on Instagram, so follow me.
Speaker 7 (23:07):
I will definitely go back and forth to me a message,
let me know what's up, and I'll.
Speaker 4 (23:11):
Say, hey, i'd like to commit website.
Speaker 7 (23:18):
Yes, well, I let me see here.
Speaker 8 (23:21):
Put Cammie bright dot com. We're changing officially to camillo
Brite dot com.
Speaker 7 (23:25):
But Cammy for.
Speaker 3 (23:27):
Now, okay, all right.
Speaker 17 (23:29):
Well, Productions, it's me myself and I prist productions is
what I am.
Speaker 7 (23:42):
I guess signed under, you know, in terms of myself independently.
Speaker 3 (23:47):
Okay, okay, well, well, cam Camil, thanks for joining us
tonight Okay.
Speaker 7 (23:52):
It's been a pleasure. Thanks so much for having me.
Speaker 3 (23:54):
No problem.
Speaker 6 (23:55):
And when the next single comes, you come through. And
then also tell your fans to request uh play too
Much making number one here?
Speaker 3 (24:01):
Okay.
Speaker 7 (24:02):
Oh absolutely, I didn't even know that was an option.
I'm definitely gonna tell them to make sure to request it.
That's great, Thanks so much for that.
Speaker 3 (24:09):
Definitely. If you can't send me a clean version, okay,
I wanna they send me a clean version.
Speaker 7 (24:13):
Okay, absolutely.
Speaker 8 (24:14):
And how about this top of the year when Picture
Perfect comes out. It is a super clean, cute song,
so we're gonna come.
Speaker 3 (24:19):
Back with that, okay. And we got a video. Bring
that video to us too, Okay, yes, I got you.
Speaker 4 (24:24):
All right, take care, let us know when the next
time when you come to perform.
Speaker 7 (24:30):
Listen, hit me up, hit me up.
Speaker 4 (24:32):
I am down.
Speaker 7 (24:33):
I love to perform. That is my thing, so you
let me know. I'll be there.
Speaker 6 (24:37):
Okay, all right, take care, Thanks for joining us. Okay,
bye bye. Now that's Camille Bright right there joining us.
Make sure you make a play too Much number one
here in these parts, and don't forget to also too.
If you're a camel and Bright fan, you want to
get in and chop it up with us. She left,
(24:57):
but you can still come in and comment on a
keyword here radio show. On social media platforms, you can
comment on the interview that we just.
Speaker 3 (25:03):
Had with her. All right, we'll be back with more
strictly independent hip hop a RB music.
Speaker 1 (25:07):
Y'all.
Speaker 3 (25:08):
It's the radio show, and don't forget.
Speaker 6 (25:10):
If you want to check out the live version of
this right now, you can go to the radio show
dot com Daz and David as an Apple radioshow dot
com and you could click on that look look, listen,
look live button.
Speaker 3 (25:22):
You can check me out right now. I'm on the
screen right now.
Speaker 6 (25:27):
So Lizzo, I want to bring them to Lizzle just
joined a company by the call the company called fan Base.
Speaker 3 (25:34):
Fan Base, Lizo just joined that. It's a black owned platform.
Speaker 6 (25:37):
It's sort of like TikTok, sort of like a clubhouse
as well as a little bit of a accented as
well in my opinion, and actually where I've been broadcasting
live on Facebook for a little bit.
Speaker 3 (25:51):
It's a black owned company.
Speaker 6 (25:53):
So independent artist, how you feel about joining fan Base,
support the black owned business and also taking it to
the next Let enjoying fan base.
Speaker 3 (26:02):
Uh my guy, what's up? My man?
Speaker 2 (26:03):
On?
Speaker 3 (26:04):
I G what's up?
Speaker 4 (26:06):
What's going on with your man?
Speaker 3 (26:07):
How y'all doing? Oh? We're good man. What's going on there?
We got there?
Speaker 13 (26:11):
It's my west shann Down.
Speaker 18 (26:12):
Man.
Speaker 6 (26:12):
I'm just trying to keep you propping mane support man
before you get too big on me. Oh man, I
can't get too big man. You know you always gonna
be taller than me. So you know, I'm just trying
to stay out with you. Man, What's what's up with you?
Speaker 19 (26:25):
Ah?
Speaker 2 (26:26):
Man?
Speaker 3 (26:26):
I sent you a song man, I I want to do.
Speaker 4 (26:28):
I wanted to see if you was gonna spend it.
Speaker 3 (26:30):
Man, my single? Okay, what's the record called? Called the
tell My west shan Down?
Speaker 1 (26:37):
It should be in Yo Yo Yo, go to about.
Speaker 3 (26:40):
You sent today? Yeah, okay, Well we're gonna get to
it in about thirty two minutes. All right. When we
do that after party, we're gonna play it then.
Speaker 4 (26:50):
All right, look up, man, I want to tell us.
Speaker 13 (26:53):
I wanted to if Camille still watching, and I know
she's still watching, and I want to tell her that song?
Speaker 4 (26:57):
What's kind of dope?
Speaker 3 (26:59):
He like like that? Can?
Speaker 20 (27:00):
So?
Speaker 3 (27:02):
Yeah, okay, okay, that's what's up. I'm sure she should
check it in.
Speaker 13 (27:08):
Oh, definitely watching she ain't went too far, but that
song is double lady, I like it.
Speaker 6 (27:13):
Okay, man, we're good looking on that man, I'm checking
in for sure. I'm sure your record's gonna be just
as dope. Coming up in a little bit and about
thirty two minutes we're gonna play it then. Okay, all right,
my guy right there, that's right man chapping in real quick.
We're gonna go ahead and play some music and uh,
we ain't checked in with here him. Also, we're gonna
check it out in a little bit thirty thirty minutes
from now. And if right now, if you want to
go and sing your music, please feel free to go
(27:35):
to www dot the Radio show dot com. Click on
that music submit button. It'll findest way over to me.
Speaker 5 (27:42):
I think I'm finna get.
Speaker 2 (27:43):
My knicks back.
Speaker 20 (27:44):
I being in the back trying to hold off. I
think I'm finally on. All right, trag, you can turn
me down. I'm about to go off. I took time
to be a line with myself and just hearing mine now,
I'm bly sitting empathize.
Speaker 2 (27:59):
Wouldn't other side guys, I said one shot?
Speaker 5 (28:02):
Who shot?
Speaker 7 (28:02):
Who shot?
Speaker 2 (28:03):
Stand in my ground?
Speaker 20 (28:04):
So it's me open. You been trying to settle things down,
but I'm too have to cool. What the reality? Because
nowaday it's fixing the street one plus one.
Speaker 2 (28:12):
A few went stupid.
Speaker 20 (28:13):
It's too how you trying to sacrifice but they ain't
got not in the loose. How you trying to make
a point but it ain't gotta in the You just
really need and the dude, I get it now Wait,
I only go where I said, look in the mirror.
It's a trip right now.
Speaker 2 (28:27):
They only dmon I fix. I'm feeling like right now
in my bag and I can't miss right now. I
know this fellain won't change and it's all goods.
Speaker 5 (28:38):
I didn't mind with. It's all goods.
Speaker 2 (28:40):
I didn't mind with. I'll tell you ready after mind
your mind? You really want to know?
Speaker 3 (28:45):
You know?
Speaker 18 (28:45):
The human mind is from of my.
Speaker 5 (28:47):
Tap potential that we may never shoot on the show.
Speaker 9 (28:51):
In order to try, he had shower.
Speaker 2 (28:55):
Sometimes you have to hit the battle. They say this
for the magic.
Speaker 20 (29:01):
The bigger the dog, the bigger the bone, the hord
to coll the bigger.
Speaker 2 (29:05):
The throne, and more than a fun, more than a
girl I know who I am. I'm putting me on
the bigger the dog, the bigger the barn.
Speaker 5 (29:14):
How to call the bigger the.
Speaker 2 (29:15):
Throne, more than the phone, more that the girl. I
know who I am.
Speaker 9 (29:20):
I'm putting me young, look and lost, late late slate,
(29:49):
we go and move a crown.
Speaker 1 (29:54):
Show, turn up your radio.
Speaker 21 (30:04):
And that's in London edge leaving none borrow time. My
heart's a thinking bone.
Speaker 2 (30:16):
Oh my, then that I must climb. I'm drawn through
the fire even I know I'll get bone.
Speaker 21 (30:29):
Obsessed with phoning it off as below, I.
Speaker 2 (30:38):
Say it an't just side, but I can look cold
in this dress. I'm losting to this side. The mons
(30:59):
my kind.
Speaker 22 (31:04):
Also back. I hate Dionynoy, so back diany.
Speaker 23 (31:30):
Ve sall day. I shouldn't been about okay, but you
love me just the same.
Speaker 2 (31:42):
The clinging number.
Speaker 11 (31:46):
Life, Can we get around?
Speaker 24 (31:49):
Can we get a ride? Or cleaning number life?
Speaker 2 (31:54):
Clinging number life?
Speaker 1 (31:56):
Can we get a ride?
Speaker 2 (31:58):
Can we get it right?
Speaker 24 (32:02):
Being look at so so.
Speaker 11 (32:15):
Lock times.
Speaker 18 (32:30):
So lock.
Speaker 3 (32:38):
O O.
Speaker 2 (32:57):
Said of the mental Oh Joe John Joe.
Speaker 18 (33:13):
Sozo so welcome you gonna.
Speaker 2 (33:34):
Bull Alonzo So.
Speaker 17 (33:39):
So it's your grandma Sek Khalisha and you're listening to
the radio show.
Speaker 18 (34:00):
M hmm.
Speaker 2 (34:00):
A lot of doesn't running through my mind. You're very
patient all this time.
Speaker 25 (34:07):
Him about the drum, no night, no eye, hide this
time you h.
Speaker 24 (34:16):
You in my world, I see, have no reservation with
you in my world.
Speaker 25 (34:22):
You bring down my basid, down my joys.
Speaker 24 (34:25):
You put me to sleep and I thought it.
Speaker 5 (34:28):
Was a dream.
Speaker 25 (34:29):
You can't believe then, but your bad yo, bad, all
of my body.
Speaker 24 (34:37):
Bad, b W your god. I'm so glad you came.
Not only hide moved. Would you say, I gotta ring
it every time I hear Monday you said the moon. Yeah,
your energy. You just wait, do what you do that day.
Speaker 2 (34:57):
I can complain.
Speaker 24 (35:00):
Hi a pressure.
Speaker 25 (35:00):
Please don't change your place. I wouldn't have enough of
the word of how you work my back. Baby, don't
play like a drug.
Speaker 24 (35:10):
So attach. I came my last name. You've got my body.
I'm on another plane.
Speaker 2 (35:18):
Gave me so is that it go me?
Speaker 1 (35:20):
Jane?
Speaker 25 (35:22):
Denial Let us see makes it so hard for me
to keep my hands on the sail.
Speaker 5 (35:33):
On top of my body.
Speaker 24 (35:34):
So give me what you got home on the hell baby,
you read on the spot.
Speaker 2 (35:41):
By no man.
Speaker 24 (35:45):
But your bad yo.
Speaker 1 (35:48):
Bye.
Speaker 24 (35:49):
All of my body by and.
Speaker 2 (35:56):
I'm so glad you care, not only how you more
than what you say.
Speaker 24 (36:01):
So I don't really never telling him.
Speaker 2 (36:04):
Name energy, I sage just way you do what you
do bad.
Speaker 24 (36:11):
I got no complaint.
Speaker 5 (36:15):
Change. I would have enough other way or how you
work my back.
Speaker 24 (36:21):
Baby, don't play like a drug. So it had my
team my last name. You got my body, dude, dude.
Speaker 6 (36:44):
It's going on recently on the radio show You Wanted
Nothing Now, Man, I got my man right here, Aaron Brown.
Speaker 4 (36:50):
What is your favorite part about your whole project?
Speaker 1 (36:54):
Oh, watching everything come to coruition.
Speaker 3 (36:58):
It's crazy. It doesn't mean even me and me.
Speaker 6 (37:00):
We're gonna talk about this single real quipment. Tell me
about the new thing you got here man, see see
you tonight. Tell me about this regular you tonight. It's
about basically a date, you know. It's I'm telling the
girl that I'm best on Earth. Of course, Uh, there's
nobody better than me.
Speaker 26 (37:19):
Sounds a crazy egotistical, but now, like I was trying
to get her and I was trying to hang out
and she was listening like in the video, it's just
like a chase and now.
Speaker 3 (37:30):
The show telling me.
Speaker 11 (37:40):
Yeah, and maybe best leave.
Speaker 1 (37:45):
I got enough, please you and.
Speaker 4 (37:49):
See you no.
Speaker 6 (37:57):
Long Direct from the Battie b West premiere here in
Los Angeles, ZEUS Network did it again. They got another
one in the can, the Baddie's Midwest. Of course, a
lot of these ladies.
Speaker 3 (38:09):
Winning the building here for the premiere, and we got
their thoughts of being part.
Speaker 6 (38:13):
Of the cast of Batty's Midwest. That what's the worst
thing you got for these new girls us now on
the show?
Speaker 2 (38:19):
I got nothing but love for them and advice, and
I hope that they win in life.
Speaker 3 (38:23):
They all are phenomenal.
Speaker 2 (38:24):
They did they big on the season, and I hope
to see them again. I hope they they made bigger
just like mine. I'm bad Dolly.
Speaker 6 (38:32):
Everybody waiting to watch Batty's Midwest, you need to.
Speaker 8 (38:35):
Watch Badamis West because it's not It's not like no
other season and it done gives me is how we're
getting too we Baddis Midwest is the one.
Speaker 3 (38:42):
You tell me your name. I'm pretty big, pretty big, okay,
and you want.
Speaker 6 (38:45):
Batty's Midwest, Baddy's Midwest, Okay, tell me about.
Speaker 3 (38:48):
Your yo, tell me about you on there? Why you
the baddest one on there?
Speaker 2 (38:52):
Because I've been in bady you weren't baddie. You know
I'm on here, you know, look in being real pretty well?
Speaker 18 (38:57):
Get it?
Speaker 3 (38:58):
Why checking out the show? You the badest one on it.
Speaker 2 (39:04):
I don't even got to stand out, you know, you know.
Speaker 6 (39:09):
Make sure you watch The Baddies Midwest. You can see
a line of direct on the Zeus Network. Make sure
you go ahead, get that description, grind to the Zeus
network and check it out your earliest.
Speaker 3 (39:19):
Convenient check out the head and out of Session every
Monday night.
Speaker 20 (39:23):
I'm starting to realize, like some of the artists, they
do need production, but they doesn't.
Speaker 3 (39:30):
But we shouldn't take away from the fact that they
are tality. Absolutely absolutely.
Speaker 6 (39:35):
This is a show where we get constructive criticism and
honest feedback on independent artists music.
Speaker 3 (39:41):
And that's actually the very same genre music that we
just heard. Wow bad Now.
Speaker 27 (39:48):
I don't know if you call that bad music because
it's a style and it maybe a die out, but
right now, it's a style and it's like people put
this on a playlist so they can work in the office,
so I consider it like office music.
Speaker 6 (40:00):
If you want your music play go to www dot
The Radio show dot com and submit your music to us.
Speaker 3 (40:08):
It happens opportunity to be played.
Speaker 6 (40:10):
If you can't head or construct the criticism, do not
send your music for this show. That's the head and
out of session every Monday night, directly after the radio
show Cenical specific status time one Am East's off this
week's pick hit j T l R featuring Snoop Dogg
and Mad Scientists.
Speaker 28 (40:28):
That's my box put so much I'm on the it
kind of hardbing chail double nyt paraphrase, no distance.
Speaker 3 (40:34):
Heard each week on the radio show.
Speaker 28 (40:36):
Just this dude pursuit with the wealth tenner. Go on, girl,
just shake that fruit because I never met a pun.
Speaker 6 (40:42):
Now back to the radio show and we inside of
twenty minutes before we start the after party, which is
coming up in about twenty minutes from now. Where you
can go ahead and this is you can submit your
music right now. All you gotta do is go to
www dotthradioshow dot com.
Speaker 3 (40:58):
Go ahead and go to our website.
Speaker 6 (40:59):
You can go here and and uh see the picture
of where it says upload your music and follow all
the steps and the finest way to me get ready
for the after party. So far, we got a few
songs at the end right now, so we're always got
room for.
Speaker 3 (41:13):
A few more. Again, the time is short to go
ahead and make that move right now now speaking of
of a move that was made.
Speaker 6 (41:20):
You know, we're not gonna go the whole night, and
I guess since BRIT's night here tonight and we won't
be doing love and Luss.
Speaker 3 (41:27):
We got to talk about the Mike Tyson and Jake
Paul fight.
Speaker 1 (41:31):
MD.
Speaker 6 (41:31):
We I purposely did not call you this week to
get your response on it because I wanted to make
sure we waited to come here and talk about this.
So MD, what was your thoughts on this Jake Paul
and Mike Tyson fight. But before I get those comments
from you real quick here, I had a chance to
(41:52):
catch up with my man Bird. You know Bird, you
may know him. He was the security guard that was
on Judge. Anyway, I'm gonna go ahead talk about the
Mike Tyson Jake Paul fight on My opinion is that
it was two things happening there now. First of all,
Mike Tyson got in there, in my opinion, for the
big payday. Okay, he got his pay day, He got
his money, and that's cool. I think two things happened.
(42:17):
In my opinion, I think that during later rounds, after
round three, Jake Paul was basically just holding Mike up.
He could have knocked him out at any time. But
I think of them early the rounds, Mike was kind
of holding back. I think some of them, some of
them shots there, Mike had opened it. He could have
hit Jake Paul a couple of times. So I think
it was really a stage thing, just so they could
dance around, so Mike could make some money and Jake
(42:41):
Paul could make some money and they move on, you know,
And I think it was I think they both was
kind of working as far as making it a stage fight.
Speaker 3 (42:51):
MD, what did you think about it?
Speaker 4 (42:55):
I already didn't see it.
Speaker 3 (42:57):
You didn't see it.
Speaker 4 (43:01):
Look, I already knew it was like at position. Uh,
it was real. It was entertaining. The problem. The problem is,
I don't blame Mike.
Speaker 15 (43:14):
If they're gonna pay me some big money getting the ring,
it don't count for my record or count.
Speaker 4 (43:20):
Towards my career. And they gonna pay me twenty million
dollars getting the ring acting food. You ain't said that.
I'm there all day long. I ain't gonna let the
fool and I'm not gonna let the fool hit me.
Speaker 3 (43:36):
Oh you just you just take a phantom punch.
Speaker 4 (43:37):
It just fall huh, phantom punch.
Speaker 15 (43:40):
No, I ain't gonna le him get a chance to
do that that that food gonna have to He's gonna
have to chase me down.
Speaker 4 (43:49):
We gonna be going around and ring and circle. They
gonna be playing. They're gonna be playing the song. Here
we go, ringing around the circle. Here we go, ringing
around the circle. Hey, it was entertainment. It wasn't real.
Speaker 15 (44:04):
It was entertainment in the sports industry that boxing is boring.
Now boxing is boring. There's nobody stands out no more
in the boxing world.
Speaker 4 (44:18):
And white America they understand money, so an opportunity they knew.
They knew America was bored.
Speaker 15 (44:31):
Was it nothing on sports, especially in the boxing world,
that was entertaining. So they had to do And I'm
looking for holy Field, our mad wasn't come out do
the same thing.
Speaker 3 (44:45):
Well, I'm looking for them to do the same thing.
But we're gonna bring it allen real quick. Alan. I
know you may have not seen the fire or you
may see the.
Speaker 6 (44:51):
Fight, but this the fact fifty eight year old man
getting in the ring with a twenty seven year old
Would you do that for twenty million dollars?
Speaker 3 (44:58):
Yes or no?
Speaker 13 (45:00):
Hm, well, I mean I think depending on my finances,
the answer probably would be yes.
Speaker 4 (45:07):
To come up with that kind of a deal, I
had to.
Speaker 13 (45:10):
Get fortunate of being with Shane Mosley last night and
we talked about you know, the I call it the
construct of being relevant and making some money. And after
reviewing the fight, and it's a structure, what I understand
was that Mike was getting paid for long the longer
(45:32):
he stayed in. If he had knocked him down, you know,
in the first round or whatever you like he would
normally do to be the winner, then he wouldn't have
really want any money. So it was the objective was
really to carry it out I think at least the
eight rounds.
Speaker 1 (45:46):
And I didn't see it.
Speaker 13 (45:48):
I just read about it and what the analysis of
what his exhibition was all about, and that was the
conclusion I came up with. And like I said, I
shared it with so uh, you know, with Ms Moseley
last night, and he was like, you know, if opportunity comes,
(46:08):
you got to wait it out. So I think it
was just all about the money and just get in
and get out. Hey, people probably won't even remember this
and and and uh five or you know, five months
from now, ten months from now, just say he did.
Speaker 3 (46:21):
What he did.
Speaker 13 (46:22):
And you know, it may have been because Donald Trump
spurred a lot because he was at the May fight,
uh he night before or something like that, so they
could have kind of constructed it all around you know,
that event and gave him something really nice because if
he loses what should mean he lost, then that's gonna
(46:42):
kind of set in motion maybe with Donald Trump to
shying to you.
Speaker 3 (46:46):
Know, set up for for people of color to get ready.
Speaker 6 (46:49):
For you know, yeah, well okay, I mean if you
want to, yeah, go in that duration with it. Okay,
well woa whoa, well, you know what I mean.
Speaker 13 (46:56):
You know, all these all these these these dosas are
said that for a purpose.
Speaker 3 (47:00):
Just I can he said, you know, boxing is.
Speaker 19 (47:03):
Not the the the glamour that it was, you know
with sugar ratte Leonard and and she mostly when he
was in even you know, uh years ago, uh certainly
came in the game.
Speaker 3 (47:19):
He was probably at at.
Speaker 13 (47:21):
About the bending point before he started declining. But he
you know he had a chance to really elevate the
game and he did. Uh, but it started to decline
significant after that. Now I probably wouldn't even watch a
heavyweight fighter or anything like that because it's been so
(47:41):
deluded by you know what they've done with the sports.
Speaker 3 (47:46):
Ran right right, right right? I agree, okay, okay.
Speaker 15 (47:49):
World, the boxing world just it was dead May wasn't
Shane mostly all of the time.
Speaker 3 (47:56):
That was it? Yeah, that's that's it.
Speaker 6 (47:58):
On the professional were go ahead and roll on the man.
We want to knock it out real quick. Play at
the sligh.
Speaker 16 (48:03):
Let's go join the radio show every Monday night, every
Monday night, or wait for the indie song that you
enjoyed the most.
Speaker 3 (48:14):
All right, y'all, play the slave.
Speaker 6 (48:15):
What we do around this time each and every Monday
night is we take a couple of songs and we
ask one fundamental question.
Speaker 3 (48:23):
Now, should we play it or should we slay that sucker?
Speaker 6 (48:28):
Get it off the playlist, throw it in the hard drive,
throw it in the proverbial cyber trash, never to be
heard from again. If it's a bad song, or if
it's a good song, add it in rotation on the
radio show. Dot com All right. So we got two
songs we're gonna get to real quick. We're playing a
sled and uh. The first one we're going to get
to right now. When you love the record, you hate
(48:50):
the record, let us know keyword da radio show on
all social media platforms. The first song we're gonna get
to right now is a big sleep. I neeath for
you to donna mute your mic, sir. I'm here all right, man.
We first first song is your artist.
Speaker 2 (49:08):
Uh.
Speaker 3 (49:09):
A song is called something to lit, something like.
Speaker 6 (49:12):
Live, something like love, so like oh, something like love,
I'm sorry, something like love.
Speaker 3 (49:17):
Pronounce that name for me, please, sir.
Speaker 6 (49:19):
My name is Nanny lay Ela. Nanny lay Ela. I'm
sure glad you was here to do that. Nanny lay Ela,
something like love. Let's make it out of play it
as slay.
Speaker 3 (49:28):
Let's go the.
Speaker 8 (49:29):
Radio show show, radio show, the radio show, play it
or slid.
Speaker 2 (49:42):
Here's understanding.
Speaker 1 (49:45):
You gotta know that there's a whole nine. Straighten up
and find your place in there wherever you always see.
Speaker 20 (49:49):
It's all right, a bloody bludy for no recommend Let
hips you slip door and go well out and on
freak noise.
Speaker 1 (49:58):
That's where we are and then ghost you.
Speaker 2 (50:00):
Hey, don't you do that, because I know I ain't
got no time for that.
Speaker 11 (50:12):
Down lose your.
Speaker 5 (50:24):
Songs like.
Speaker 2 (50:28):
Hold on the radio show, Radio show, the radio show,
or Slid.
Speaker 3 (50:34):
That is the first player the Slid record, right there,
Sleep one more time? Who is that? Her name is
Nanny lay Ela.
Speaker 6 (50:43):
Nanny lay Ela, Nanny lay Ela. All right, so we
know how you feel about the record, so that'd be
a play for you when I thought it was good,
that's a play for me. M D play the slid?
(51:06):
What should we do with this record?
Speaker 3 (51:10):
All right? That's a play by.
Speaker 4 (51:18):
Again.
Speaker 3 (51:20):
La song is called something like love, something like yes,
something like love? Alan play the Slid? What should we
do with the record? I'm gonna go with the crew,
will play it all right?
Speaker 6 (51:38):
All right, we're gonna go to the second player of
the Slid record tonight. This one is an artist by
the name of Stephanie. Songs called She'll Never Be Mine. Stephanie,
She'll Never be Mine. Let's shuck it out, play the
sled the second one.
Speaker 2 (51:54):
Come on, let's go the radio show, Radio show, the
Radio show.
Speaker 29 (52:00):
Lady, Lady Baby, something with you?
Speaker 2 (52:28):
Just they been going around because your behavior.
Speaker 1 (52:36):
S only been changing.
Speaker 5 (52:38):
I become.
Speaker 2 (52:41):
You buck around and the lad everything's just bad.
Speaker 5 (52:47):
But you're really getting disgust.
Speaker 2 (52:51):
I'm refused to lose my brick because you this sad.
It's a radio radio shows, a radio show Lately or Slaves.
Speaker 6 (53:01):
That is the second player of the slave record for
the evening right there that it's Stephanie. Song is called
She'll Never be Mine? Stephanie, She'll never be mine?
Speaker 3 (53:11):
All right? Alan, play the SLEDG what should be doing it?
Speaker 4 (53:17):
I don't know.
Speaker 13 (53:17):
She lost me the first ten seconds with the note
she was hidden, so I don't have to say I'm
not to slay it, you know, just because she can't
lose the audience in that first ten seconds.
Speaker 3 (53:32):
So that sounds like a slave. And you know I'm
gonna go ahead and barely play it. I mean barely
play it. Yeah. I wasn't terribly happy with the record myself, MD.
What you think about it? Player the sled? What should
we do with it?
Speaker 4 (53:59):
Her name is Stephanie.
Speaker 6 (54:00):
What Stephanie sounds called shall never be mine? Stephanie, Sh'll
never be mine?
Speaker 15 (54:05):
It was it was nice, you know, I couldn't really
hear it real well on this phone, but well I
heard over the phone. I will give it a play.
Speaker 3 (54:19):
Okay, all right, Big Sleep. We played this at your
symp No we haven't. Actually we did play it last
week on the after party.
Speaker 1 (54:34):
We did.
Speaker 6 (54:35):
Yep, both songs we played last week during the after party,
Big Sleep, what you think about it?
Speaker 3 (54:41):
Played the slip? I'm gonna say, play it. You're gonna
play it? Okay?
Speaker 2 (54:54):
Uh.
Speaker 6 (54:54):
The view video live button right there and you can
see the live version of it, and you can see
the after party, or if you want to go and
check it out listen audio only. Go to any social
media platform A keyword da radio show. We're up and
running on all of them right now. Again, I want
to thank you all for checking this out. We're going
to the after party that comes right now. Bye y'all.
Speaker 3 (55:16):
Hey the radio show so far.
Speaker 5 (55:18):
Make sure you follow us on all social platforms at
the radio Show
It's time to.
Speaker 2 (00:03):
Radio show.
Speaker 3 (00:07):
Free shot Dum.
Speaker 4 (00:11):
Shoot d.
Speaker 2 (00:17):
D. We are the greatest, We played the greatest in
the artists on the radio show.
Speaker 1 (00:26):
We got had to have faced.
Speaker 5 (00:28):
We did it popping on the radio show.
Speaker 2 (00:31):
Listen to love, but listen give it up in your relationship.
Speaker 1 (00:34):
Problems will be with it. So make sure you tune
in and the radio show.
Speaker 6 (00:41):
Okay, So some people, some people thought that the fight
between Mike Tyson.
Speaker 3 (00:46):
And Jake Paul was fixed. Okay.
Speaker 6 (00:49):
Some people thought Mike Tyson threw his part. Some people
thought Jake Paul held him up and went without trying
to knock.
Speaker 3 (00:58):
Out Mike Tyson. Give me your thoughts on that.
Speaker 6 (01:00):
We're gonna talk about that tonight and much more after
bringing the radio show Dundee riding solo tonight. Nd and
Brita Levex h Machine. Lehoe to be joining me at
some point.
Speaker 3 (01:11):
This is the radio show. What's going on, y'all?
Speaker 6 (01:13):
Hope all as well for you, Hope everybody had a
wonderful week and a fantastic start to a new week
right here here on the radio show tonight, y'all. So
we got our guest tonight. We're gonna be bringing her
in in just a few moments. But I want to
go ahead and put this out there and get her
thoughts on this. While we still have for here Camille Bright.
(01:33):
We're gonna bring her home momentarily. But as I started
the show off a few moments ago, Mike Tyson Jake
Paul had a fight. Of course, you know we all
watched on Netflix. Did your Netflix crash or not?
Speaker 3 (01:46):
Mind?
Speaker 6 (01:46):
Did it on the glitch one time? But I want
to know from you all, what do you think about
What did you think about that fight? Was it fixed?
Speaker 3 (01:54):
Was it not?
Speaker 6 (01:55):
Giving your thoughts on that, but I want to go
ahead and take it a step further. For in the
the dollars. As you know, we are an independent artist's show,
so Mike Tyson got a big payday from that. Jake
Paul got even a bigger payday from that. If you
were just going to get into the ring for the
money only, all right? If I can take Mike Mike
(02:16):
Tyson out and I put you in as an independent artist,
would you face Jake Paul?
Speaker 3 (02:23):
All right?
Speaker 6 (02:24):
Would you want to face Jake Paul for twenty million dollars?
Is that enough for you to get in the ring
to face Jake Paul, all right, Or if you want
to go ahead and face your favorite rapper or singer
of all time, you can do that as well. Would
you jump in the ring with your favorite rapper, singer
at all time, your idol and face them in the
ring for twenty million dollars?
Speaker 3 (02:46):
Yes or no?
Speaker 6 (02:47):
Give me your thoughts now, if it was me, you
know what I'm saying I was facing Jake Paul. I mean,
you don't even have to just you know, you could
just blow on me and I'll fall on the ground.
You know what I'm saying, I'll take a phantom punch. Okay,
you don't have to worry about trying to knock me out.
So what do you think about that?
Speaker 3 (03:06):
Camille? Right, what do you think? What would you do?
Would you fight Mike Jake Paul for twenty million dollars? Yes?
Or no?
Speaker 7 (03:16):
Man, I'm a eddy bitty. I know I'm not gonna win.
I can't even say.
Speaker 8 (03:20):
Like that would be fair at all. I am like
five three, one hundred and twenty pounds.
Speaker 7 (03:25):
He would, I mean, it'd be out. But if I
got to take one clean knockout for twenty million.
Speaker 3 (03:34):
I'm like, dude, I'm it you might do it. Well,
what about the girls?
Speaker 4 (03:38):
They eat like?
Speaker 7 (03:39):
This can't be contingency on my wing.
Speaker 8 (03:42):
But if I know, I'm gonna get it, huh, I
just have to recover for two weeks and I'm gonna
take my money and go to like Jamaica to recover.
Speaker 3 (03:50):
That's what. So what about what about one of the females.
Speaker 6 (03:52):
They had a female fight too, Would you fight one
of them for twenty million dollars?
Speaker 7 (03:57):
Listen, I'd probably fight about anybody if about twenty mins ain't.
At least I'm gonna try because I'm one of those people.
Even how I.
Speaker 8 (04:04):
Feel about Mike, it's all for me, always about a try, Like,
I just want to see people try. So whatever you decide,
as long as I saw that you put your efforts for,
you can go.
Speaker 7 (04:13):
Home with your money. Yes, cool, there's nothing else to
prove you tried.
Speaker 6 (04:16):
Yeah, yeah, you know what, I think I'll figure out
a way how to recover if you give me twenty
million dollars.
Speaker 9 (04:20):
That's what I'm saying.
Speaker 2 (04:21):
We're gonna go.
Speaker 7 (04:22):
We're gonna be right. Twenty million, We're gonna.
Speaker 5 (04:25):
Be just fine.
Speaker 3 (04:27):
Exactly. We'll figure out something with that.
Speaker 10 (04:40):
Leskin waytys skint you know you.
Speaker 2 (04:47):
So coming sat.
Speaker 10 (04:50):
Come the plan, came to swim minute, came to deal.
Maybes you live in the moment.
Speaker 2 (05:01):
I feel like you wan'tly you got permission getting me
miss be on your own that way ever so little.
Speaker 11 (05:09):
To me like you you know what.
Speaker 2 (05:14):
Can you come through? Come tell me that even.
Speaker 12 (05:22):
Ever so emotion know ex spiritual.
Speaker 5 (05:42):
You come to steal my soul.
Speaker 1 (05:44):
You come to take control, you.
Speaker 2 (05:47):
Come to stay. Didn't can give me commands? You're making plains.
Speaker 1 (05:54):
I'm in the trains.
Speaker 2 (05:55):
When you're in it.
Speaker 9 (05:56):
You got me down on my knees.
Speaker 5 (05:58):
You give me a jail on me.
Speaker 1 (06:01):
You got me feeling's free.
Speaker 2 (06:03):
You got the sad me.
Speaker 11 (06:05):
I am not waiting for someone to touch me like
you you know, and to baby come to and take
me to heam came.
Speaker 2 (06:24):
I've been waiting for someone to touch me like you
you know, and to.
Speaker 11 (06:31):
Baby come too and take me to hem.
Speaker 6 (06:41):
Hand.
Speaker 11 (06:49):
You don't come and say.
Speaker 5 (06:54):
I'm John b everybody and you're listening to the.
Speaker 1 (06:56):
Radio one.
Speaker 5 (07:22):
When you Machinky gone Babby road just like them touring
and yeah, she says he you bought the squad or
she oh I do drink about this money heavy. You
know I like it when you don't trips excited or
you said she went open minded, coming find it shorty pail.
(07:51):
She said she saw this great hobby in the water
like a mission were or do you want to burg
in the h bby Yeah, be calling me daddy, But
the Norman day, I'm calling them mommy. Guess I more
the same fucking non exotic brand new Roland's playing Jay.
Why you think she choosing push? No, he ain't the same.
(08:15):
Take hold the trip better root.
Speaker 2 (08:17):
To be me in the room, let him.
Speaker 5 (08:20):
Here, shurey Hello, bab Yes, I'm trying to Yeah, I'm
trying to petty machinky going Babby road, just.
Speaker 1 (08:30):
Like him doing you.
Speaker 5 (08:32):
Yes, she says she's loy butt.
Speaker 1 (08:34):
The squad on.
Speaker 5 (08:34):
She all I do is think about this money heavy,
and you know I like it when you do the
tripschet excited? Oh you said she minded coming find they
If you're for the streets and baby, let me know.
Let me plays about your credit scope A man of
(08:58):
phantom looking has some ship gonna want me more?
Speaker 3 (09:01):
Yeah?
Speaker 5 (09:01):
Yeah, wait, if she's playing.
Speaker 2 (09:03):
My mother, let her go Yeah yeah, I mean you a.
Speaker 5 (09:05):
Jack it ain't renny.
Speaker 13 (09:06):
She gonna give me here because it's big saying no
penis making hikentucky.
Speaker 5 (09:10):
But the chicken she understand, Baby, tell me give you worthy.
I'm gonna leave here for to night. I ain't gonna
having no cluffe take a hold a.
Speaker 2 (09:19):
Trip by room to me, leave me in the room.
Let him be hey, shut in hell of bed.
Speaker 1 (09:26):
Yes, she think, Yeah, I'm trying to. Yeah, I'm trying to.
Speaker 5 (09:30):
When it was Shinky going no road just like him
to her and yes she said she loyo. But the
squad on she ll not do was think about this money. Wait,
you know I like it when you're.
Speaker 1 (09:47):
Doing the tricks.
Speaker 5 (09:47):
I get excited. Oh you said she minded Julia, show
her come and find it.
Speaker 3 (10:16):
Yeah, let's get us out to move the crowd. We'll
bring you in officially.
Speaker 9 (10:20):
Yeah, gets time for the radio show.
Speaker 3 (10:25):
Move the crowd. All right, y'all we are inside to
move the crowd.
Speaker 6 (10:29):
Right about now what we do each and every week
around this time as we take an artists off stage,
bring them backstage to get to know them up close
and personally joining us. Now we have an artist that's
doing her thing. Man, we got Camille Bright in the building.
So Camille officially, welcome to the radio show to night.
(10:50):
Oh good, good to have you here tonight. Now, now,
first of all, I've read that you are actually an
actress as well.
Speaker 3 (10:58):
So what roles have you been in anything that we
know of?
Speaker 8 (11:03):
Yes, sir, well, I have been on a show called
A House Divided, which is on All Black Network. I
play a series regular named Triva. She starts up a little.
Speaker 7 (11:11):
Drama in the family business. There.
Speaker 8 (11:13):
You can catch that on All Black Network. I've been
on Tales, which is on b Lead. Thank goodness, everything
is streaming these days, so you can actually still go
and catch all these things. Now, Tales, I actually did
the Hot in Here episode that is actually a series
that or Gotti came up with where he is doing
a I guess re enactment as you would say on
(11:34):
a lot of cool hip hop songs.
Speaker 7 (11:35):
So the song that I did was Hot in Here.
Speaker 8 (11:37):
And most recently I was on a show on Hulu
called The Other Black Girl. And all these are still
available to streams, so check your girl out. It's really
a blessing able to do both.
Speaker 3 (11:48):
So yeah, okay, now you're after streaming and all these
different TV shows and films. So that's good, that's wonderful.
Speaker 4 (11:55):
Yeah.
Speaker 6 (11:56):
Yeah, So which which do you like doing most? You
like doing acting more like singing and rapping? Which one
you like more?
Speaker 7 (12:02):
You know, it's so hard.
Speaker 8 (12:03):
People ask me that all the time, and I think
it's really dependent on where I am in my life.
I think that sometimes in terms of certain roles that
I take on, I'm like, oh, this is so perfect.
I can release you know, how I was feeling about
this breakup or you know, I can sing about this
versus that.
Speaker 7 (12:20):
So I really believe it's what season I am.
Speaker 8 (12:22):
In my life was how much I enjoy it, Because
when I can really use what I'm going through to uh,
depict the art that I'm doing, which if it is
acting or if it's music, I think that's where it
becomes my favorite in a certain season. So right now,
I say it's the super season of singing and dancing
and all that, and the acting is happening, but not
as much as it has been where I've been in
(12:43):
the studio and stuff. So I feel like where I
am is where I'm fulfilling the most of where you know,
what I'm enjoying at that moment.
Speaker 3 (12:51):
And then what's the so you say in your season
now is in music and everything. So so where in
your season are you? Are you you know, joyful, happy,
or where are you in the season of music? Oh?
Speaker 7 (13:04):
I am hype, Like, I am so excited.
Speaker 8 (13:07):
I have new music coming out at the top of
the year, and because I haven't technically released music in
a long time, it's a super exciting feeling just to
know that you've had this kind of baby that you've
been nurturing and working on and no one met them yet,
you know, and now you're introducing your baby to the world.
So something about that is super special and that is
an exciting feeling.
Speaker 7 (13:26):
So that's what I'm running with right now.
Speaker 8 (13:28):
I'm just like hype because it's coming so soon, and
I'm just like so excited because not everyone's had a
chance to kind of take in that part of what's
happening with me right now, and so it's kind of
like this little secret of been holding on to and
I'm slowly letting everyone in and soon at the top
of the year, when I release it, it's like we out,
we hear what's up?
Speaker 6 (13:47):
Definitely, man, we got Camille Bright, She's here right now.
Keyword dear radio show on all social media platforms, if
you want to go ahead and talk to her. Now,
do you like, I mean, since this is your season
of music, do you like being an independent artist? Do
you like this whole grind of being an independent artist
and starting from the ground up? Or would you at
(14:09):
this point prefer to be signed to a major record
company and all that.
Speaker 3 (14:13):
Where do you stand on that?
Speaker 8 (14:15):
You know, that's a really great question because it is
a question that is a revolving thought for me. I
do think that you know, mind you, I'm not in
a position that I'm going to be turning down RCA
Records or Columbia'll be like, Yo, Camille, I would definitely
take the meeting.
Speaker 7 (14:29):
Let's take that much.
Speaker 8 (14:30):
But I do think that my mindset is operating without them.
If they never came, then what are you going to do?
I'm still going to do the work because I love it,
and that's just kind of how I feel about it.
And I think that the work, if you're not seeking
necessarily the accolades or the money, I think a lot
of things will come to you naturally just by living
in your truth and doing what you love. And I
think that things line up the way they're supposed to.
Speaker 7 (14:51):
So you know, y'all can call me. I'm gladly takes
the meeting, But in the meantime.
Speaker 8 (14:56):
I'm not going to stop anything in the hopes of
or are they seeing me? It doesn't matter because I'm
doing what I love and if you see me, great,
and if you'd like to sign me, we'll check out
your contract. But I can't even say it be a
yes right away because I think a lot of times
people sign away a lot of the freedom that I
have been enjoying as the independent artist. So I think
that that's the thing that kind of puts me in
a place of wondering would I because it really really
(15:19):
would depend on the freedom I have to create what
I want, be able to put it out when I want.
And I enjoy that part of being an independent artist because.
Speaker 7 (15:25):
I'm to say so, if I like it, you go.
Speaker 8 (15:28):
If you know, next thing, you know, you sign and
you got to go past twenty thirty people, and that's
a different scenario.
Speaker 7 (15:34):
So for now I'm gonna enjoy it once again. This
season I'm in and being independent is a good feeling.
Speaker 3 (15:38):
So I like that answer right there.
Speaker 6 (15:43):
I like that, Well, sure, definitely. Now tell me about
the single play too Much. Tell me about this reggor here.
Speaker 7 (15:54):
Yeah, so play too Much. I actually wrote this now.
Speaker 8 (15:57):
This is a little bit of a throwback candy jam,
and I love it because I really was able to
rap and show a lot of my personality and fire
and flavor on the track. But mind you Play too
Much is pretty much depicting a situation and a relationship
where it was like, hey, we could be all of
these things. I'm a great woman, but you just play
too much. And I think that that is a scenario
that a lot of ladies can resonate with, where it's
(16:19):
like you want so badly for this to be your one,
your guy, but it's like, man, let's be playing too much.
Speaker 7 (16:24):
And once you start playing me, I mean, hey, you
gotta go dog. So that's kind of what this song was.
It was just like, man, this could be us, but
you played too much.
Speaker 8 (16:34):
You know, so all the cool cute vacations, all the
things you dream about and fantasize as a lady.
Speaker 7 (16:40):
It was like, I want that so bad with you,
but you play too much.
Speaker 3 (16:44):
So that sounds like a winner anthem right there, the
lady play you too much?
Speaker 7 (16:51):
So just stop playing with us.
Speaker 6 (16:52):
All right, We're gonna check it out right now. Let's
go and get to it right now. Play too much?
Right here, Camille Bright is in the build it. We're
gonna talk to her after the song. Let's make it happen.
The radio show.
Speaker 2 (17:05):
Independent Artists Live Here. We got this independent game on
lock figure out the radio show. Yeah, I just want
to tell you about it. But you ain't never home.
But you man when he's in a phone, But I
(17:26):
ain't in the wrong. You don't give me what I need.
You know that I'm loaning. Will you with me? You'll
be claiming your moaning you wish if they try and
upron it.
Speaker 11 (17:35):
I can't I be.
Speaker 2 (17:36):
Caught up in a moment like Amy Rosie. Yeah. I
want to dip there and to help you, so the
veryville get me in my pennistel. Yeah, yeah, you won't
you waiting, my won't he daddy? I can't get you.
But you pay too much? Just give me us, but
you playing, Just give me us. But you play too much?
(17:57):
Just give me, yes, but you playing? You know you
play too much? Boy, You know you play too much? Yeah,
you know you play too much. She's gonna be es.
But you playing talking about I only want to let
me nobody else, but you believe. Let me check the
nap you know he was runday map, run day map.
(18:18):
I want to have one time time the room and
I'm coming because you never know. And I get it.
I get it every time you see me. Yeah, I'm winning. Body,
you know I'm winning. You better be went in to
(18:39):
come of me. I'm a hope. It is so mas
get my hope. Some of the plane keep crash. That's
the problem, boys.
Speaker 14 (18:45):
Ranching face you it ain't play take great boys, man,
he's oh you man did?
Speaker 2 (18:54):
But were your hands? We don't play you better?
Speaker 14 (18:58):
But you play too Just give me yes, but you
playing this could be us, but your pay too much?
Speaker 2 (19:05):
Just gi me yes, but you playing? You know you
pay too much. You know you play too much. Yeah,
you know you play too much. Just could be yes,
but you playing blood? Your hands on your whip side,
by my averdi? Why why lay hands on your niece?
Speaker 1 (19:23):
Fine?
Speaker 2 (19:25):
Fine, my INVERTI fine? But your hands on your whip side? Why? Why?
Why why hands on your nag?
Speaker 5 (19:35):
Fine? My fine?
Speaker 2 (19:38):
But you pay too much?
Speaker 1 (19:40):
Just goil be yees.
Speaker 14 (19:41):
But you playing this could be us, but your pay
too much? Just gonna be yes, but you playing.
Speaker 6 (19:48):
You know you pay too much, too much, too much.
It's go, y'all love saying that play too much? Hey,
that's what it is, right. I could be an athem
for the winner.
Speaker 8 (20:03):
Right there now, season right now, but the ladies can
let him know, like we could do that, but don't
be playing with me.
Speaker 3 (20:15):
Yeah, definitely, definitely. Is that out? Is that out or
coming out? Or what's up with that record?
Speaker 7 (20:19):
It's out?
Speaker 5 (20:20):
It is out.
Speaker 8 (20:20):
It's on all streaming platforms, so iTunes, Spotify, Title, Amazon,
all the things. Wherever you find your music, you can
find it. So type in Candy Bright way too much.
Speaker 3 (20:33):
That's what's up. That's what's up. M D, M D.
What's going on?
Speaker 2 (20:36):
Man?
Speaker 3 (20:36):
Talk to Cammy Bright? Oh what's up?
Speaker 15 (20:41):
I don't think you'd be able to hear me. I'm
not I'm not on my computer. I'm on my phone
this time. Okay, couldn't get in for some reason.
Speaker 4 (20:55):
He played too much? Lady girl, you're doing Yeah, you
played too much, too much?
Speaker 3 (21:06):
Thank you?
Speaker 8 (21:07):
Yeah, vibe Yes, And it was really you were asking
me earlier about my acting and stuff. So I actually
had an opportunity. When I was on the show A
House Divided, they actually played my song during a scene
I was in and I was able to dance to
it and everything. So that was a really cool moment
for me. And I'm or of those moments where I
can be in the show and have my music on
(21:27):
this show. That would be awesome.
Speaker 3 (21:29):
Oh, that's cool that.
Speaker 8 (21:33):
Yes, some Grammy owned nominated producers actually called the hit
List and they're based out of California.
Speaker 4 (21:39):
You're from Cali.
Speaker 8 (21:41):
No, I'm actually originally from South Carolina, but I did
live in California for a while. I'm kind of by
coastal at this point because I'm there so much, but
I'm primarily in Atlanta these days.
Speaker 7 (21:50):
So yeah, but just doesn't catch me sometimes.
Speaker 3 (21:59):
Or hold up, my man, I'm gonna get you on
a second, hold on real quick. Yeah, and me finish
your thoughts real quick.
Speaker 4 (22:06):
I lost it coming out of Halloween.
Speaker 3 (22:11):
Okay, it's all well, my man, not not not no
North Side. What's going on? Man? Okay, that's what's up.
Speaker 7 (22:23):
Man.
Speaker 3 (22:23):
When you think about the Camelle Bright song we just.
Speaker 16 (22:25):
Played there, Hey, I ain't gonna let that ship dope.
No Cu cu cush it's dope. Okay, okay, it's most
deffinitely got a lot of energy in it. It's show
for sure.
Speaker 3 (22:38):
Okay, all right, man, that's what's up. Another artist checking
in with you, Camial like the record right there, for sure.
Speaker 4 (22:43):
I appreciate that that.
Speaker 6 (22:46):
Love right there for sure. Get them your Instagram and
all your info so they can reach out to you.
Speaker 3 (22:51):
Camille.
Speaker 8 (22:52):
Yes, I'm at officially Cammi and that c A M
M I and you can find me there on Instagram.
I'm also on tick talk.
Speaker 7 (23:00):
I tell you more on Instagram.
Speaker 8 (23:01):
I'm working on my TikTok uh, but I'm definitely quite
active on Instagram, so follow me.
Speaker 7 (23:07):
I will definitely go back and forth to me a message,
let me know what's up, and I'll.
Speaker 4 (23:11):
Say, hey, i'd like to commit website.
Speaker 7 (23:18):
Yes, well, I let me see here.
Speaker 8 (23:21):
Put Cammie bright dot com. We're changing officially to camillo
Brite dot com.
Speaker 7 (23:25):
But Cammy for.
Speaker 3 (23:27):
Now, okay, all right.
Speaker 17 (23:29):
Well, Productions, it's me myself and I prist productions is
what I am.
Speaker 7 (23:42):
I guess signed under, you know, in terms of myself independently.
Speaker 3 (23:47):
Okay, okay, well, well, cam Camil, thanks for joining us
tonight Okay.
Speaker 7 (23:52):
It's been a pleasure. Thanks so much for having me.
Speaker 3 (23:54):
No problem.
Speaker 6 (23:55):
And when the next single comes, you come through. And
then also tell your fans to request uh play too
Much making number one here?
Speaker 3 (24:01):
Okay.
Speaker 7 (24:02):
Oh absolutely, I didn't even know that was an option.
I'm definitely gonna tell them to make sure to request it.
That's great, Thanks so much for that.
Speaker 3 (24:09):
Definitely. If you can't send me a clean version, okay,
I wanna they send me a clean version.
Speaker 7 (24:13):
Okay, absolutely.
Speaker 8 (24:14):
And how about this top of the year when Picture
Perfect comes out. It is a super clean, cute song,
so we're gonna come.
Speaker 3 (24:19):
Back with that, okay. And we got a video. Bring
that video to us too, Okay, yes, I got you.
Speaker 4 (24:24):
All right, take care, let us know when the next
time when you come to perform.
Speaker 7 (24:30):
Listen, hit me up, hit me up.
Speaker 4 (24:32):
I am down.
Speaker 7 (24:33):
I love to perform. That is my thing, so you
let me know. I'll be there.
Speaker 6 (24:37):
Okay, all right, take care, Thanks for joining us. Okay,
bye bye. Now that's Camille Bright right there joining us.
Make sure you make a play too Much number one
here in these parts, and don't forget to also too.
If you're a camel and Bright fan, you want to
get in and chop it up with us. She left,
(24:57):
but you can still come in and comment on a
keyword here radio show. On social media platforms, you can
comment on the interview that we just.
Speaker 3 (25:03):
Had with her. All right, we'll be back with more
strictly independent hip hop a RB music.
Speaker 1 (25:07):
Y'all.
Speaker 3 (25:08):
It's the radio show, and don't forget.
Speaker 6 (25:10):
If you want to check out the live version of
this right now, you can go to the radio show
dot com Daz and David as an Apple radioshow dot
com and you could click on that look look, listen,
look live button.
Speaker 3 (25:22):
You can check me out right now. I'm on the
screen right now.
Speaker 6 (25:27):
So Lizzo, I want to bring them to Lizzle just
joined a company by the call the company called fan Base.
Speaker 3 (25:34):
Fan Base, Lizo just joined that. It's a black owned platform.
Speaker 6 (25:37):
It's sort of like TikTok, sort of like a clubhouse
as well as a little bit of a accented as
well in my opinion, and actually where I've been broadcasting
live on Facebook for a little bit.
Speaker 3 (25:51):
It's a black owned company.
Speaker 6 (25:53):
So independent artist, how you feel about joining fan Base,
support the black owned business and also taking it to
the next Let enjoying fan base.
Speaker 3 (26:02):
Uh my guy, what's up? My man?
Speaker 2 (26:03):
On?
Speaker 3 (26:04):
I G what's up?
Speaker 4 (26:06):
What's going on with your man?
Speaker 3 (26:07):
How y'all doing? Oh? We're good man. What's going on there?
We got there?
Speaker 13 (26:11):
It's my west shann Down.
Speaker 18 (26:12):
Man.
Speaker 6 (26:12):
I'm just trying to keep you propping mane support man
before you get too big on me. Oh man, I
can't get too big man. You know you always gonna
be taller than me. So you know, I'm just trying
to stay out with you. Man, What's what's up with you?
Speaker 19 (26:25):
Ah?
Speaker 2 (26:26):
Man?
Speaker 3 (26:26):
I sent you a song man, I I want to do.
Speaker 4 (26:28):
I wanted to see if you was gonna spend it.
Speaker 3 (26:30):
Man, my single? Okay, what's the record called? Called the
tell My west shan Down?
Speaker 1 (26:37):
It should be in Yo Yo Yo, go to about.
Speaker 3 (26:40):
You sent today? Yeah, okay, Well we're gonna get to
it in about thirty two minutes. All right. When we
do that after party, we're gonna play it then.
Speaker 4 (26:50):
All right, look up, man, I want to tell us.
Speaker 13 (26:53):
I wanted to if Camille still watching, and I know
she's still watching, and I want to tell her that song?
Speaker 4 (26:57):
What's kind of dope?
Speaker 3 (26:59):
He like like that? Can?
Speaker 20 (27:00):
So?
Speaker 3 (27:02):
Yeah, okay, okay, that's what's up. I'm sure she should
check it in.
Speaker 13 (27:08):
Oh, definitely watching she ain't went too far, but that
song is double lady, I like it.
Speaker 6 (27:13):
Okay, man, we're good looking on that man, I'm checking
in for sure. I'm sure your record's gonna be just
as dope. Coming up in a little bit and about
thirty two minutes we're gonna play it then. Okay, all right,
my guy right there, that's right man chapping in real quick.
We're gonna go ahead and play some music and uh,
we ain't checked in with here him. Also, we're gonna
check it out in a little bit thirty thirty minutes
from now. And if right now, if you want to
go and sing your music, please feel free to go
(27:35):
to www dot the Radio show dot com. Click on
that music submit button. It'll findest way over to me.
Speaker 5 (27:42):
I think I'm finna get.
Speaker 2 (27:43):
My knicks back.
Speaker 20 (27:44):
I being in the back trying to hold off. I
think I'm finally on. All right, trag, you can turn
me down. I'm about to go off. I took time
to be a line with myself and just hearing mine now,
I'm bly sitting empathize.
Speaker 2 (27:59):
Wouldn't other side guys, I said one shot?
Speaker 5 (28:02):
Who shot?
Speaker 7 (28:02):
Who shot?
Speaker 2 (28:03):
Stand in my ground?
Speaker 20 (28:04):
So it's me open. You been trying to settle things down,
but I'm too have to cool. What the reality? Because
nowaday it's fixing the street one plus one.
Speaker 2 (28:12):
A few went stupid.
Speaker 20 (28:13):
It's too how you trying to sacrifice but they ain't
got not in the loose. How you trying to make
a point but it ain't gotta in the You just
really need and the dude, I get it now Wait,
I only go where I said, look in the mirror.
It's a trip right now.
Speaker 2 (28:27):
They only dmon I fix. I'm feeling like right now
in my bag and I can't miss right now. I
know this fellain won't change and it's all goods.
Speaker 5 (28:38):
I didn't mind with. It's all goods.
Speaker 2 (28:40):
I didn't mind with. I'll tell you ready after mind
your mind? You really want to know?
Speaker 3 (28:45):
You know?
Speaker 18 (28:45):
The human mind is from of my.
Speaker 5 (28:47):
Tap potential that we may never shoot on the show.
Speaker 9 (28:51):
In order to try, he had shower.
Speaker 2 (28:55):
Sometimes you have to hit the battle. They say this
for the magic.
Speaker 20 (29:01):
The bigger the dog, the bigger the bone, the hord
to coll the bigger.
Speaker 2 (29:05):
The throne, and more than a fun, more than a
girl I know who I am. I'm putting me on
the bigger the dog, the bigger the barn.
Speaker 5 (29:14):
How to call the bigger the.
Speaker 2 (29:15):
Throne, more than the phone, more that the girl. I
know who I am.
Speaker 9 (29:20):
I'm putting me young, look and lost, late late slate,
(29:49):
we go and move a crown.
Speaker 1 (29:54):
Show, turn up your radio.
Speaker 21 (30:04):
And that's in London edge leaving none borrow time. My
heart's a thinking bone.
Speaker 2 (30:16):
Oh my, then that I must climb. I'm drawn through
the fire even I know I'll get bone.
Speaker 21 (30:29):
Obsessed with phoning it off as below, I.
Speaker 2 (30:38):
Say it an't just side, but I can look cold
in this dress. I'm losting to this side. The mons
(30:59):
my kind.
Speaker 22 (31:04):
Also back. I hate Dionynoy, so back diany.
Speaker 23 (31:30):
Ve sall day. I shouldn't been about okay, but you
love me just the same.
Speaker 2 (31:42):
The clinging number.
Speaker 11 (31:46):
Life, Can we get around?
Speaker 24 (31:49):
Can we get a ride? Or cleaning number life?
Speaker 2 (31:54):
Clinging number life?
Speaker 1 (31:56):
Can we get a ride?
Speaker 2 (31:58):
Can we get it right?
Speaker 24 (32:02):
Being look at so so.
Speaker 11 (32:15):
Lock times.
Speaker 18 (32:30):
So lock.
Speaker 3 (32:38):
O O.
Speaker 2 (32:57):
Said of the mental Oh Joe John Joe.
Speaker 18 (33:13):
Sozo so welcome you gonna.
Speaker 2 (33:34):
Bull Alonzo So.
Speaker 17 (33:39):
So it's your grandma Sek Khalisha and you're listening to
the radio show.
Speaker 18 (34:00):
M hmm.
Speaker 2 (34:00):
A lot of doesn't running through my mind. You're very
patient all this time.
Speaker 25 (34:07):
Him about the drum, no night, no eye, hide this
time you h.
Speaker 24 (34:16):
You in my world, I see, have no reservation with
you in my world.
Speaker 25 (34:22):
You bring down my basid, down my joys.
Speaker 24 (34:25):
You put me to sleep and I thought it.
Speaker 5 (34:28):
Was a dream.
Speaker 25 (34:29):
You can't believe then, but your bad yo, bad, all
of my body.
Speaker 24 (34:37):
Bad, b W your god. I'm so glad you came.
Not only hide moved. Would you say, I gotta ring
it every time I hear Monday you said the moon. Yeah,
your energy. You just wait, do what you do that day.
Speaker 2 (34:57):
I can complain.
Speaker 24 (35:00):
Hi a pressure.
Speaker 25 (35:00):
Please don't change your place. I wouldn't have enough of
the word of how you work my back. Baby, don't
play like a drug.
Speaker 24 (35:10):
So attach. I came my last name. You've got my body.
I'm on another plane.
Speaker 2 (35:18):
Gave me so is that it go me?
Speaker 1 (35:20):
Jane?
Speaker 25 (35:22):
Denial Let us see makes it so hard for me
to keep my hands on the sail.
Speaker 5 (35:33):
On top of my body.
Speaker 24 (35:34):
So give me what you got home on the hell baby,
you read on the spot.
Speaker 2 (35:41):
By no man.
Speaker 24 (35:45):
But your bad yo.
Speaker 1 (35:48):
Bye.
Speaker 24 (35:49):
All of my body by and.
Speaker 2 (35:56):
I'm so glad you care, not only how you more
than what you say.
Speaker 24 (36:01):
So I don't really never telling him.
Speaker 2 (36:04):
Name energy, I sage just way you do what you
do bad.
Speaker 24 (36:11):
I got no complaint.
Speaker 5 (36:15):
Change. I would have enough other way or how you
work my back.
Speaker 24 (36:21):
Baby, don't play like a drug. So it had my
team my last name. You got my body, dude, dude.
Speaker 6 (36:44):
It's going on recently on the radio show You Wanted
Nothing Now, Man, I got my man right here, Aaron Brown.
Speaker 4 (36:50):
What is your favorite part about your whole project?
Speaker 1 (36:54):
Oh, watching everything come to coruition.
Speaker 3 (36:58):
It's crazy. It doesn't mean even me and me.
Speaker 6 (37:00):
We're gonna talk about this single real quipment. Tell me
about the new thing you got here man, see see
you tonight. Tell me about this regular you tonight. It's
about basically a date, you know. It's I'm telling the
girl that I'm best on Earth. Of course, Uh, there's
nobody better than me.
Speaker 26 (37:19):
Sounds a crazy egotistical, but now, like I was trying
to get her and I was trying to hang out
and she was listening like in the video, it's just
like a chase and now.
Speaker 3 (37:30):
The show telling me.
Speaker 11 (37:40):
Yeah, and maybe best leave.
Speaker 1 (37:45):
I got enough, please you and.
Speaker 4 (37:49):
See you no.
Speaker 6 (37:57):
Long Direct from the Battie b West premiere here in
Los Angeles, ZEUS Network did it again. They got another
one in the can, the Baddie's Midwest. Of course, a
lot of these ladies.
Speaker 3 (38:09):
Winning the building here for the premiere, and we got
their thoughts of being part.
Speaker 6 (38:13):
Of the cast of Batty's Midwest. That what's the worst
thing you got for these new girls us now on
the show?
Speaker 2 (38:19):
I got nothing but love for them and advice, and
I hope that they win in life.
Speaker 3 (38:23):
They all are phenomenal.
Speaker 2 (38:24):
They did they big on the season, and I hope
to see them again. I hope they they made bigger
just like mine. I'm bad Dolly.
Speaker 6 (38:32):
Everybody waiting to watch Batty's Midwest, you need to.
Speaker 8 (38:35):
Watch Badamis West because it's not It's not like no
other season and it done gives me is how we're
getting too we Baddis Midwest is the one.
Speaker 3 (38:42):
You tell me your name. I'm pretty big, pretty big, okay,
and you want.
Speaker 6 (38:45):
Batty's Midwest, Baddy's Midwest, Okay, tell me about.
Speaker 3 (38:48):
Your yo, tell me about you on there? Why you
the baddest one on there?
Speaker 2 (38:52):
Because I've been in bady you weren't baddie. You know
I'm on here, you know, look in being real pretty well?
Speaker 18 (38:57):
Get it?
Speaker 3 (38:58):
Why checking out the show? You the badest one on it.
Speaker 2 (39:04):
I don't even got to stand out, you know, you know.
Speaker 6 (39:09):
Make sure you watch The Baddies Midwest. You can see
a line of direct on the Zeus Network. Make sure
you go ahead, get that description, grind to the Zeus
network and check it out your earliest.
Speaker 3 (39:19):
Convenient check out the head and out of Session every
Monday night.
Speaker 20 (39:23):
I'm starting to realize, like some of the artists, they
do need production, but they doesn't.
Speaker 3 (39:30):
But we shouldn't take away from the fact that they
are tality. Absolutely absolutely.
Speaker 6 (39:35):
This is a show where we get constructive criticism and
honest feedback on independent artists music.
Speaker 3 (39:41):
And that's actually the very same genre music that we
just heard. Wow bad Now.
Speaker 27 (39:48):
I don't know if you call that bad music because
it's a style and it maybe a die out, but
right now, it's a style and it's like people put
this on a playlist so they can work in the office,
so I consider it like office music.
Speaker 6 (40:00):
If you want your music play go to www dot
The Radio show dot com and submit your music to us.
Speaker 3 (40:08):
It happens opportunity to be played.
Speaker 6 (40:10):
If you can't head or construct the criticism, do not
send your music for this show. That's the head and
out of session every Monday night, directly after the radio
show Cenical specific status time one Am East's off this
week's pick hit j T l R featuring Snoop Dogg
and Mad Scientists.
Speaker 28 (40:28):
That's my box put so much I'm on the it
kind of hardbing chail double nyt paraphrase, no distance.
Speaker 3 (40:34):
Heard each week on the radio show.
Speaker 28 (40:36):
Just this dude pursuit with the wealth tenner. Go on, girl,
just shake that fruit because I never met a pun.
Speaker 6 (40:42):
Now back to the radio show and we inside of
twenty minutes before we start the after party, which is
coming up in about twenty minutes from now. Where you
can go ahead and this is you can submit your
music right now. All you gotta do is go to
www dotthradioshow dot com.
Speaker 3 (40:58):
Go ahead and go to our website.
Speaker 6 (40:59):
You can go here and and uh see the picture
of where it says upload your music and follow all
the steps and the finest way to me get ready
for the after party. So far, we got a few
songs at the end right now, so we're always got
room for.
Speaker 3 (41:13):
A few more. Again, the time is short to go
ahead and make that move right now now speaking of
of a move that was made.
Speaker 6 (41:20):
You know, we're not gonna go the whole night, and
I guess since BRIT's night here tonight and we won't
be doing love and Luss.
Speaker 3 (41:27):
We got to talk about the Mike Tyson and Jake
Paul fight.
Speaker 1 (41:31):
MD.
Speaker 6 (41:31):
We I purposely did not call you this week to
get your response on it because I wanted to make
sure we waited to come here and talk about this.
So MD, what was your thoughts on this Jake Paul
and Mike Tyson fight. But before I get those comments
from you real quick here, I had a chance to
(41:52):
catch up with my man Bird. You know Bird, you
may know him. He was the security guard that was
on Judge. Anyway, I'm gonna go ahead talk about the
Mike Tyson Jake Paul fight on My opinion is that
it was two things happening there now. First of all,
Mike Tyson got in there, in my opinion, for the
big payday. Okay, he got his pay day, He got
his money, and that's cool. I think two things happened.
(42:17):
In my opinion, I think that during later rounds, after
round three, Jake Paul was basically just holding Mike up.
He could have knocked him out at any time. But
I think of them early the rounds, Mike was kind
of holding back. I think some of them, some of
them shots there, Mike had opened it. He could have
hit Jake Paul a couple of times. So I think
it was really a stage thing, just so they could
dance around, so Mike could make some money and Jake
(42:41):
Paul could make some money and they move on, you know,
And I think it was I think they both was
kind of working as far as making it a stage fight.
Speaker 3 (42:51):
MD, what did you think about it?
Speaker 4 (42:55):
I already didn't see it.
Speaker 3 (42:57):
You didn't see it.
Speaker 4 (43:01):
Look, I already knew it was like at position. Uh,
it was real. It was entertaining. The problem. The problem is,
I don't blame Mike.
Speaker 15 (43:14):
If they're gonna pay me some big money getting the ring,
it don't count for my record or count.
Speaker 4 (43:20):
Towards my career. And they gonna pay me twenty million
dollars getting the ring acting food. You ain't said that.
I'm there all day long. I ain't gonna let the
fool and I'm not gonna let the fool hit me.
Speaker 3 (43:36):
Oh you just you just take a phantom punch.
Speaker 4 (43:37):
It just fall huh, phantom punch.
Speaker 15 (43:40):
No, I ain't gonna le him get a chance to
do that that that food gonna have to He's gonna
have to chase me down.
Speaker 4 (43:49):
We gonna be going around and ring and circle. They
gonna be playing. They're gonna be playing the song. Here
we go, ringing around the circle. Here we go, ringing
around the circle. Hey, it was entertainment. It wasn't real.
Speaker 15 (44:04):
It was entertainment in the sports industry that boxing is boring.
Now boxing is boring. There's nobody stands out no more
in the boxing world.
Speaker 4 (44:18):
And white America they understand money, so an opportunity they knew.
They knew America was bored.
Speaker 15 (44:31):
Was it nothing on sports, especially in the boxing world,
that was entertaining. So they had to do And I'm
looking for holy Field, our mad wasn't come out do
the same thing.
Speaker 3 (44:45):
Well, I'm looking for them to do the same thing.
But we're gonna bring it allen real quick. Alan. I
know you may have not seen the fire or you
may see the.
Speaker 6 (44:51):
Fight, but this the fact fifty eight year old man
getting in the ring with a twenty seven year old
Would you do that for twenty million dollars?
Speaker 3 (44:58):
Yes or no?
Speaker 13 (45:00):
Hm, well, I mean I think depending on my finances,
the answer probably would be yes.
Speaker 4 (45:07):
To come up with that kind of a deal, I
had to.
Speaker 13 (45:10):
Get fortunate of being with Shane Mosley last night and
we talked about you know, the I call it the
construct of being relevant and making some money. And after
reviewing the fight, and it's a structure, what I understand
was that Mike was getting paid for long the longer
(45:32):
he stayed in. If he had knocked him down, you know,
in the first round or whatever you like he would
normally do to be the winner, then he wouldn't have
really want any money. So it was the objective was
really to carry it out I think at least the
eight rounds.
Speaker 1 (45:46):
And I didn't see it.
Speaker 13 (45:48):
I just read about it and what the analysis of
what his exhibition was all about, and that was the
conclusion I came up with. And like I said, I
shared it with so uh, you know, with Ms Moseley
last night, and he was like, you know, if opportunity comes,
(46:08):
you got to wait it out. So I think it
was just all about the money and just get in
and get out. Hey, people probably won't even remember this
and and and uh five or you know, five months
from now, ten months from now, just say he did.
Speaker 3 (46:21):
What he did.
Speaker 13 (46:22):
And you know, it may have been because Donald Trump
spurred a lot because he was at the May fight,
uh he night before or something like that, so they
could have kind of constructed it all around you know,
that event and gave him something really nice because if
he loses what should mean he lost, then that's gonna
(46:42):
kind of set in motion maybe with Donald Trump to
shying to you.
Speaker 3 (46:46):
Know, set up for for people of color to get ready.
Speaker 6 (46:49):
For you know, yeah, well okay, I mean if you
want to, yeah, go in that duration with it. Okay,
well woa whoa, well, you know what I mean.
Speaker 13 (46:56):
You know, all these all these these these dosas are
said that for a purpose.
Speaker 3 (47:00):
Just I can he said, you know, boxing is.
Speaker 19 (47:03):
Not the the the glamour that it was, you know
with sugar ratte Leonard and and she mostly when he
was in even you know, uh years ago, uh certainly
came in the game.
Speaker 3 (47:19):
He was probably at at.
Speaker 13 (47:21):
About the bending point before he started declining. But he
you know he had a chance to really elevate the
game and he did. Uh, but it started to decline
significant after that. Now I probably wouldn't even watch a
heavyweight fighter or anything like that because it's been so
(47:41):
deluded by you know what they've done with the sports.
Speaker 3 (47:46):
Ran right right, right right? I agree, okay, okay.
Speaker 15 (47:49):
World, the boxing world just it was dead May wasn't
Shane mostly all of the time.
Speaker 3 (47:56):
That was it? Yeah, that's that's it.
Speaker 6 (47:58):
On the professional were go ahead and roll on the man.
We want to knock it out real quick. Play at
the sligh.
Speaker 16 (48:03):
Let's go join the radio show every Monday night, every
Monday night, or wait for the indie song that you
enjoyed the most.
Speaker 3 (48:14):
All right, y'all, play the slave.
Speaker 6 (48:15):
What we do around this time each and every Monday
night is we take a couple of songs and we
ask one fundamental question.
Speaker 3 (48:23):
Now, should we play it or should we slay that sucker?
Speaker 6 (48:28):
Get it off the playlist, throw it in the hard drive,
throw it in the proverbial cyber trash, never to be
heard from again. If it's a bad song, or if
it's a good song, add it in rotation on the
radio show. Dot com All right. So we got two
songs we're gonna get to real quick. We're playing a
sled and uh. The first one we're going to get
to right now. When you love the record, you hate
(48:50):
the record, let us know keyword da radio show on
all social media platforms. The first song we're gonna get
to right now is a big sleep. I neeath for
you to donna mute your mic, sir. I'm here all right, man.
We first first song is your artist.
Speaker 2 (49:08):
Uh.
Speaker 3 (49:09):
A song is called something to lit, something like.
Speaker 6 (49:12):
Live, something like love, so like oh, something like love,
I'm sorry, something like love.
Speaker 3 (49:17):
Pronounce that name for me, please, sir.
Speaker 6 (49:19):
My name is Nanny lay Ela. Nanny lay Ela. I'm
sure glad you was here to do that. Nanny lay Ela,
something like love. Let's make it out of play it
as slay.
Speaker 3 (49:28):
Let's go the.
Speaker 8 (49:29):
Radio show show, radio show, the radio show, play it
or slid.
Speaker 2 (49:42):
Here's understanding.
Speaker 1 (49:45):
You gotta know that there's a whole nine. Straighten up
and find your place in there wherever you always see.
Speaker 20 (49:49):
It's all right, a bloody bludy for no recommend Let
hips you slip door and go well out and on
freak noise.
Speaker 1 (49:58):
That's where we are and then ghost you.
Speaker 2 (50:00):
Hey, don't you do that, because I know I ain't
got no time for that.
Speaker 11 (50:12):
Down lose your.
Speaker 5 (50:24):
Songs like.
Speaker 2 (50:28):
Hold on the radio show, Radio show, the radio show,
or Slid.
Speaker 3 (50:34):
That is the first player the Slid record, right there,
Sleep one more time? Who is that? Her name is
Nanny lay Ela.
Speaker 6 (50:43):
Nanny lay Ela, Nanny lay Ela. All right, so we
know how you feel about the record, so that'd be
a play for you when I thought it was good,
that's a play for me. M D play the slid?
(51:06):
What should we do with this record?
Speaker 3 (51:10):
All right? That's a play by.
Speaker 4 (51:18):
Again.
Speaker 3 (51:20):
La song is called something like love, something like yes,
something like love? Alan play the Slid? What should we
do with the record? I'm gonna go with the crew,
will play it all right?
Speaker 6 (51:38):
All right, we're gonna go to the second player of
the Slid record tonight. This one is an artist by
the name of Stephanie. Songs called She'll Never Be Mine. Stephanie,
She'll Never be Mine. Let's shuck it out, play the
sled the second one.
Speaker 2 (51:54):
Come on, let's go the radio show, Radio show, the
Radio show.
Speaker 29 (52:00):
Lady, Lady Baby, something with you?
Speaker 2 (52:28):
Just they been going around because your behavior.
Speaker 1 (52:36):
S only been changing.
Speaker 5 (52:38):
I become.
Speaker 2 (52:41):
You buck around and the lad everything's just bad.
Speaker 5 (52:47):
But you're really getting disgust.
Speaker 2 (52:51):
I'm refused to lose my brick because you this sad.
It's a radio radio shows, a radio show Lately or Slaves.
Speaker 6 (53:01):
That is the second player of the slave record for
the evening right there that it's Stephanie. Song is called
She'll Never be Mine? Stephanie, She'll never be mine?
Speaker 3 (53:11):
All right? Alan, play the SLEDG what should be doing it?
Speaker 4 (53:17):
I don't know.
Speaker 13 (53:17):
She lost me the first ten seconds with the note
she was hidden, so I don't have to say I'm
not to slay it, you know, just because she can't
lose the audience in that first ten seconds.
Speaker 3 (53:32):
So that sounds like a slave. And you know I'm
gonna go ahead and barely play it. I mean barely
play it. Yeah. I wasn't terribly happy with the record myself, MD.
What you think about it? Player the sled? What should
we do with it?
Speaker 4 (53:59):
Her name is Stephanie.
Speaker 6 (54:00):
What Stephanie sounds called shall never be mine? Stephanie, Sh'll
never be mine?
Speaker 15 (54:05):
It was it was nice, you know, I couldn't really
hear it real well on this phone, but well I
heard over the phone. I will give it a play.
Speaker 3 (54:19):
Okay, all right, Big Sleep. We played this at your
symp No we haven't. Actually we did play it last
week on the after party.
Speaker 1 (54:34):
We did.
Speaker 6 (54:35):
Yep, both songs we played last week during the after party,
Big Sleep, what you think about it?
Speaker 3 (54:41):
Played the slip? I'm gonna say, play it. You're gonna
play it? Okay?
Speaker 2 (54:54):
Uh.
Speaker 6 (54:54):
The view video live button right there and you can
see the live version of it, and you can see
the after party, or if you want to go and
check it out listen audio only. Go to any social
media platform A keyword da radio show. We're up and
running on all of them right now. Again, I want
to thank you all for checking this out. We're going
to the after party that comes right now. Bye y'all.
Speaker 3 (55:16):
Hey the radio show so far.
Speaker 5 (55:18):
Make sure you follow us on all social platforms at
the radio Show
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