Episode Transcript
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Speaker 1 (00:00):
It's time to solve.
Speaker 2 (00:03):
Radio show.
Speaker 3 (00:09):
Sure we are the greatest. We played the greatest indie
artists on the radio show.
Speaker 4 (00:27):
We got hot topics, we did they propping on the
radio show.
Speaker 5 (00:31):
Listen to love and listen give up being your relationship
problems will be with it.
Speaker 6 (00:36):
So make sure you tune in and the radio show.
Speaker 7 (00:41):
So did you get a chance to check it out
on Saturday? The verses between cash money and no limit records?
Who do you think one? Who you think you have
the biggest hits? Well, we're gonna talk about that and
much more than I ass were bringing the radio show
dundee and bring the liver next to you and chandelier
making it happen for you. MB will be you this
at some point we are broadcasting live from our wee
(01:03):
by house, the studio which you gotta house to sell.
Speaker 8 (01:05):
Hit this up.
Speaker 7 (01:06):
Three one oh nine two two eight one one four.
It's three one oh nine two two eight one one
four any condition, any style. Operators are standing by as
we speak. Man, it's the radio show strictly independent hip
hop and RB music right now?
Speaker 8 (01:22):
What's going on?
Speaker 7 (01:23):
But everything is well with everybody, But everybody had a
wonderful week we are here with another edition here of
the radio show. Uh Brita Living next to Human Chandelier.
How are you doing tonight?
Speaker 1 (01:36):
I'm doing good. I'm doing good. You already know. You
already know. It's a great birthday week.
Speaker 7 (01:43):
So it's popping, Yes, indeed that first of all, like
I said, I had a mix for you, but I
didn't like the way to mix sound, so I said
I was gonna play it.
Speaker 8 (01:51):
So I said I was gonna leave it alone.
Speaker 9 (01:54):
I think, fine, Look you still got to the next Monday.
Speaker 1 (01:57):
My birthday is on Saturday.
Speaker 7 (01:59):
Oh okay, you know what, I'll try it again for
next Monday. I'll try it again for next Monday. I'll
have that Bridge eleven next to Human Chandelier exclusive mix
of Bridge song.
Speaker 8 (02:08):
That was my plan. That was my birthday gift to you.
Speaker 1 (02:11):
Okay, okay, run it.
Speaker 8 (02:14):
Yeah, we're gonna try to make it happen on that end.
All right.
Speaker 7 (02:17):
That's what's up. That's what's up. So what are you
doing specially for your birthday?
Speaker 8 (02:20):
Anything? We uh that you got going on? What you're
gonna do, what you're gonna do.
Speaker 1 (02:25):
So I have something special going on.
Speaker 9 (02:27):
I am going up to Solano and hanging out with
Calli Good for the weekend.
Speaker 8 (02:31):
Okay, all right, that's what's up. That's what's up. That's
what's up. That's what's up. It's all good right there,
it's all good. Man.
Speaker 7 (02:40):
Shout out to Kelly Good as well. Shout out to
you man. Well, we're gonna roll on. Write this to
Trending topic. Trending topic brought to you by Spotlight three
sixty Media. If you got a uh, if you like
the celebrity stuff that we do, what got going on
right there, you can always go to our website Spotlight
three sixty media dot com. We can see all that
(03:00):
celebrity stuff that I do right there.
Speaker 8 (03:03):
Now.
Speaker 7 (03:05):
I was talking to some folks over the weekend and
they were talking about hip hop and.
Speaker 8 (03:11):
They felt that hip hop is in a good, good.
Speaker 7 (03:14):
Place right now, you know, with everything going on, despite
all that's going on, you know, a little bet between
Cardi B and Nicki Minaj and all that stuff, they fail,
hip hop is in a good place.
Speaker 8 (03:28):
Do you feel hip hop isn't a good place, Britt?
What do you think? It's hip hop in a good place?
Speaker 9 (03:34):
Yeah, I think it's in a good place, you know.
I mean the beefs are cool and all. I really
like the weekend with cash money, you know what I'm saying,
Like they did they think? Now this is what I
did not like. I did not like that Lil Wayne
wasn't there. But you already know they have a secret
beef that we don't know about. And it doesn't how
much money is on the table.
Speaker 1 (03:54):
You know. You just be like, I'm not dealing with
them no more.
Speaker 9 (03:56):
You know what I'm saying, Like I don't want them
to do with them. I don't care what's going on.
I don't care how much publicity we're gonna get it
Like I'm.
Speaker 1 (04:02):
Good, you know, right right right? I think it's I
think it's cool. I think it's in a cool place.
Speaker 7 (04:08):
We're gonna talk about the verses in the second in
another direction, but uh, we're gonna bring in our guests
to talk about what do you think about it? Hip
hop in a good place? Reef hustle man, you think
hip hop is in a good place or what?
Speaker 6 (04:21):
It's a real good question.
Speaker 8 (04:23):
M h.
Speaker 6 (04:26):
It's a real good question.
Speaker 10 (04:27):
I would say, you know, hip hop is in a
good place right now, not more of the popular with
a lot of.
Speaker 6 (04:38):
People watch every day.
Speaker 10 (04:42):
I think that the underground is more more palatable, you know,
got more depth. There's so many other artists that's out
there that the machine is not behind, and they deserves
to be, you know, on top, you know, besides the Injix,
the Coles and those guys.
Speaker 6 (05:03):
I think those in the drinks and stuff like that, you.
Speaker 10 (05:06):
Know, But I think overall, I think the underground is
where it's at.
Speaker 8 (05:13):
That's what's up, all right. You're definitely man so hip hop.
Speaker 7 (05:16):
You feel that that needs to get more shown into
the underground, of course, and that's why we have the
radio show. We give to the underground independent artists and
everybody alike right there, man, So that's what we do.
Speaker 2 (05:39):
She got home like a bottles.
Speaker 11 (05:41):
She hustled. She knows she is certified.
Speaker 1 (05:48):
She would walk.
Speaker 11 (05:49):
By, walk till me, He'll shoot fly.
Speaker 12 (06:02):
She Gucci, Daddy, Gucci is Louis.
Speaker 13 (06:10):
It's in Louis that prod person's fashion killer with up,
she says, yes, she know it. She gave up the
short short watch out how she won't same way she talking.
Speaker 2 (06:21):
Oh, she detected hustle.
Speaker 11 (06:23):
Horty, go and get it.
Speaker 14 (06:24):
Jimmy too.
Speaker 13 (06:25):
She cut some fitty he only mess with mom fils
trow riding through the city, missus, Hello kitty and depending
pretty polo horses.
Speaker 1 (06:33):
When she riding with me.
Speaker 13 (06:34):
She loves shopping, DC, DC, party and mount. She gets
it how she wanted. She's so country Brandma. She keep
that money coming. She be born very stunning, this superwoman.
Speaker 3 (06:46):
She got it.
Speaker 14 (06:46):
You can't tell her now only.
Speaker 6 (06:48):
Like a bottle sis.
Speaker 11 (06:49):
She hustled like the sc She knows she is certified laden.
She walked by, walk.
Speaker 4 (07:15):
On my crying on my game.
Speaker 2 (07:17):
Got the stark, never tane, keep it sharp, never plane
brushing high.
Speaker 4 (07:21):
Break the change from the browns through the sky slight
and strikes as a live set.
Speaker 14 (07:25):
The world, every move trail.
Speaker 4 (07:27):
Blazing, and the glue eyes on me can't help but
see stripes of turns up tighter.
Speaker 6 (07:32):
I'm the fire, I'm the night, got.
Speaker 14 (07:34):
Us with the golden touch woos the game. Need no clutch,
shot the crown, no bridles in sight.
Speaker 4 (07:38):
I'm the Moon's little pure menn in the league of
my own, set the base, no challenge, just in my brain.
Speaker 2 (07:45):
I'm the common blazing past.
Speaker 14 (07:46):
It's in the sky. Mike is cast brother, strips.
Speaker 15 (07:49):
Of mimic my game, but they say like shadows don't
send the flag, and it took so good heat the
scring turn the stage into my m.
Speaker 6 (07:57):
Alive while I am big and you can't.
Speaker 14 (07:59):
What are ain't no success? I'm the trans suck sitting
on the crip.
Speaker 16 (08:03):
Hey the stay impressive being in the seamless k I'm
bringing hi in zero stress.
Speaker 14 (08:07):
See the cream.
Speaker 12 (08:09):
Shack of horse and findy.
Speaker 17 (08:10):
You know the way he's sitting on them, fifty secrets
on the.
Speaker 8 (08:13):
Bosom and now he he's stunning on them.
Speaker 17 (08:16):
Latinos on the feet, got a model watering on them,
gain for from wrestle. But see the type they can't
get hood on everybody on some backs, the type.
Speaker 14 (08:24):
That you can't let you.
Speaker 17 (08:25):
Pass you damn you the bunch shut it head and
chicken hayton because the standing strings dependent fast right body
right mine right, it ain't thing for this year. The
nikki even got a little shig again, a no mebe
yo nothing little man shring a pull a little bit bawl.
Speaker 18 (08:43):
And know some pous sure you know that she a bird.
Speaker 8 (08:46):
By got that do yet again when he wants his name?
Speaker 19 (08:51):
What he now?
Speaker 17 (08:51):
All they place show Maybe you ain't no cozy chick,
so missle with their pull shesser, that's the chattle talking
about it, so you ain't got it even ask out
dropping shout shop a bottle topper.
Speaker 11 (09:03):
Only like a bottle sad. She hustled like a bad six.
She knows she is certified shirt matan damn. When she
walked by, Yeah bad look walk him, he'll singer man
than him, lips dead singer dancer, ain't gonna shoot fly,
(09:25):
she's singer.
Speaker 18 (09:26):
Bad, don't bad, Yeah don't she bagg broom through boom
boom through boom boom through boom broom through boom.
Speaker 2 (10:00):
M hm, love and lost late late later, we came and.
Speaker 20 (10:10):
Move brow.
Speaker 1 (10:14):
Show, turn to radio.
Speaker 14 (10:29):
Oh are you the fly?
Speaker 21 (10:31):
You're singer ever It's like we belong together. Baby, I
want to fill your pleasure. I'm trying to dig in
your treasure.
Speaker 14 (10:47):
I can't turn up.
Speaker 21 (10:51):
Into a bird rooms every girl into amber.
Speaker 1 (10:59):
Take the shot shot show bad.
Speaker 21 (11:03):
Shot n the man into a group of because starting
to like I can't taste that SFIC. Let's turn the
ones into taking my hands off.
Speaker 12 (11:17):
You reread for whatever. When you're going through love that
can shoot go cose you GoGet and shouting we're gonna
get this thing jumping. I can't birthy.
Speaker 18 (11:33):
You got me.
Speaker 8 (11:36):
Trying to don't have from the baby.
Speaker 21 (11:42):
Oh god, your body looking way there, don't make it
go crazy.
Speaker 12 (11:48):
It shore into the bed room.
Speaker 21 (11:54):
Let's shea sit back girl until I'm gonna take this shot.
Speaker 1 (12:02):
Shot.
Speaker 14 (12:02):
That's your back shot.
Speaker 12 (12:06):
Man, it's a full pat because breaks and gee like
you can taste that tectic cold.
Speaker 21 (12:14):
Let's turn the ones into taking the hairs off your
bread forever.
Speaker 12 (12:21):
When you come through that cap streets, you know me
logging and so then we don't get this tap pick.
Speaker 21 (12:34):
Let's turn the one's in the job taking the days
off your off youever whatever, love that chip street camp street.
Speaker 12 (12:46):
You just hearing me loggy and so the little lesty
jump in.
Speaker 7 (13:13):
Check a road right along and go straight to our
guests and talk about what's going on with him inside.
Speaker 8 (13:19):
Of Move the crowd right about now, y'all.
Speaker 2 (13:22):
Can get closer to your feet, taking his time for
the radio show.
Speaker 7 (13:26):
Move the crowd all right, y'all, we're inside and move
the crowd right about now. Now, what we do each
and every week around this time is we take an
artists off stage, bring them backstage.
Speaker 8 (13:37):
You get to know them, britt.
Speaker 3 (13:39):
Up close and more personal.
Speaker 7 (13:42):
Yes, indeed, man, and joining us now, my man, rehustling
the building man, So rehustle officially.
Speaker 8 (13:48):
How you doing, sir?
Speaker 6 (13:50):
Hey y'all, what's up? What's going on? How you doing, guys,
Dundee and Chandelea. How are you well on this side?
Speaker 3 (13:57):
What's going on?
Speaker 1 (13:58):
We're good?
Speaker 8 (13:59):
We're good man, We're good.
Speaker 10 (14:00):
Man.
Speaker 6 (14:01):
I love that outfit you have on.
Speaker 1 (14:03):
Thank you, thank you.
Speaker 7 (14:05):
Yeah, indeed, man, I tried to I tried to wear mine,
man with us in the shop and the cleaners.
Speaker 8 (14:10):
Man, it's in the cleaners that I might have to
try to wear my next week.
Speaker 12 (14:12):
Man.
Speaker 8 (14:13):
You know what I'm saying. I'm a little off now.
Speaker 7 (14:15):
I know we ain't coordinated a good man, So rest
tell us about you, man, what's going on with you
these days?
Speaker 6 (14:22):
I mean, hey, man, what's going on?
Speaker 10 (14:23):
I got a new album out called War two ward
stands for what about Rehustle? You know what I'm saying,
I give you the story of the last five years
that I've been dealing with a lot of trials, tribulations and.
Speaker 6 (14:36):
A lot of pain that's been going on in my life.
Speaker 10 (14:39):
I had a lot of people who passed away in
my life, you know what I'm saying, within the last
five years.
Speaker 6 (14:44):
And it's been tough because it's been like like major losses.
Speaker 10 (14:47):
You know, my mom, you know my brother, my me
and Fred the God's Son, and you know other people
that that that was in my life. Man, that had
a big impact. I also talk about, you know, the
struggles of fing families. I talk about a gentleman. Uh
war war is sense for what about refussing? The number
two represents me and another gentleman named George Bell. Freedom
(15:11):
Wave is the movement. Long story short, UH. Mister George
Bell has been uh incarcerated.
Speaker 6 (15:17):
For twenty four years, but exonerated. He was totally innocent,
you know what I'm saying.
Speaker 10 (15:21):
So I speak about that as well on the album,
and I just you know, show shit skills relative music,
people that can that can actually get along and and
and and hear it and say, hey, you know that
this is about uh things that I go through as well,
you know what I'm saying.
Speaker 6 (15:38):
So you know, I got a new single out called.
Speaker 22 (15:41):
UH.
Speaker 6 (15:42):
I got a new single out called uh. You know
you didn't have me, You didn't have me? Best stuff?
He was like, Oh, it's called Which Way to Go?
You know what I'm saying. It's produced by the man,
Dennis Agony Chenkins.
Speaker 3 (15:54):
You know what I mean.
Speaker 10 (15:55):
Yeah, yeah, And and the record is crazy. It's on
all major platforms right now. And hey guys, and you know,
thank you for having me. Man, you know what I'm saying.
And I just got that album out right now, so
it's gonna be crazy. I mean, it is crazy.
Speaker 8 (16:08):
That's what's up, man, that's what's up.
Speaker 7 (16:09):
And now you work in the past with the some
of the folks in hip hop, hip hop legends, man,
Diamond d Uh, that's a big pun man.
Speaker 8 (16:16):
What was it like working with those folks? Man?
Speaker 6 (16:19):
Amazing? Man, you know, those guys are wizards. You know
what I'm saying.
Speaker 10 (16:22):
I've been blessed to work with those guys, and I
learned a lot from them, you know what I'm saying.
So I'm I'm very blessed to just, you know, work
with legends such as them. Also, I work with the
legendary Buck Wow. He produced WHOA. For a lot of
people who don't know, he produced WOA.
Speaker 6 (16:37):
He produced.
Speaker 10 (16:39):
I Love You from from Faith. He didn't did a
Z I'm back he didn't did a story to tell
from Biggie. So you know, I'm just blessed to having
those guys around me.
Speaker 7 (16:49):
That's what's up, man. So you've been doing your thing
with them for a man and man. So so what's
what's what's next on the horizon for you?
Speaker 3 (16:57):
Next?
Speaker 17 (16:57):
On my rises?
Speaker 10 (16:58):
Right now, we're just working on this album World two.
It's called What About Rehustle? The too represents Rehustle and
mister George Bell, you know what I mean. Also got
to shout out my brother thirty eight Special. He's on
the underground scene. If you ever heard a trust movement,
you know what I'm saying, that's in the realms of
the underground. He's an underground king. And that's what I'm
(17:20):
doing right now, man, just pushing this album and just
you know, wanting to get out there for people who
don't know who I am. You know, I held from
the Bronx, you know what I'm saying, And I've been
doing this for quite some time. And just like I said,
I'm show the skills and relative music man to get
y'all really really gone. Like I said, it's relative music,
something that you can relate to that's for sure.
Speaker 7 (17:40):
Man definitely, we got Reef Houstle on the building, Man
Dundee and Brita living next human chandelier to making it happen.
Speaker 8 (17:46):
We're gonna catch it with MD.
Speaker 7 (17:47):
We got to get m D in the building coming
up momentarially, y'all strictly independent popping the RB music at
as fine as what we do. We got Refussle. He
is in the building right now. The freedom definitely man
chopping Doble re h. So we're gonna jump into his
music in a few moment. He definitely Man bring the
eleven next to human chandelier. Go ahead and uh talk
to Rehustle right there.
Speaker 1 (18:10):
Okay, Okay, so I have a two questions for you.
Speaker 9 (18:13):
Okay, what was your favorite part about working on this
project and what was your least favorite part about working
on this project.
Speaker 10 (18:23):
My least favorite part was doing the records that really
meant something to me. It was my mom passed and
I had a record. I got a record called Mama Love,
and I got a record called My Brother. Those were
the hardest records. The easy records to me was Wavy Nights.
I actually have a video out on YouTube right now.
(18:46):
I was in Miami and it looks like a big
motion pictures. It's just so crazy. And a record I
got on there called an Addiction was like a real
boom back hip hop.
Speaker 6 (18:59):
Hard produced by.
Speaker 10 (19:01):
The heat Makers who produced a lot for for Dipset
and guys like that, Jim.
Speaker 6 (19:06):
Jones and all of those guys for the God's Son.
So those was my favorite to.
Speaker 8 (19:12):
That's What's Up? That's What's Up? What was the other question?
Speaker 6 (19:15):
Brett?
Speaker 8 (19:19):
Okay?
Speaker 7 (19:19):
All right for shell Man definitely man, all right man,
we're gonna jump into this record real quick.
Speaker 11 (19:24):
Here.
Speaker 7 (19:24):
Your record we're about to play right about now is
just sent to us. H tell us about the new
single you got out now, Which Way Go?
Speaker 10 (19:32):
Yeah, new single Which Way to Go? You know, it's
basically explaining, you know, what is the situation.
Speaker 6 (19:39):
That you'll go through.
Speaker 10 (19:40):
You know you're driving and you know you have no
choice and you're trying to figure out to stay righteous
or get in the street.
Speaker 6 (19:47):
You know which one you're gonna do? Which one to go?
Which way to go?
Speaker 8 (19:51):
All right man?
Speaker 6 (19:52):
Produced by my man Dennis Agony Jinkers.
Speaker 7 (19:54):
All right, man, we're gonna jump to it right now.
Strictly independent hip hop and RB Music Act. It's fun
in the show Man, it's the radio show.
Speaker 8 (20:02):
Let's go.
Speaker 2 (20:04):
Independent artists live here.
Speaker 13 (20:05):
We got this independent game on lock'll figure it out
the radio show.
Speaker 3 (20:13):
And you know.
Speaker 18 (20:16):
Ways agony.
Speaker 10 (20:20):
Sometimes you don't know where to go, don't so you
gotta hit the ground running s Be careful, though.
Speaker 6 (20:29):
Be care My mind's all over the place.
Speaker 19 (20:31):
Sammy Rehustle on.
Speaker 10 (20:34):
Tvm's finest last year, was thinking about it rolling into college.
They doubled on the interest rate, crediting all in the garbage.
They dealing with, these paws of fate, with the awe
of great and Tomorrow's Nelly promised these days I don't
be giving them to be honest, but Mama say, you've
gotta pay homage to God regardless. Simplest plane, you see,
my aim is on the trucking range. That costs a
(20:56):
bucking change. Now why take the bus and train with
diamond cluster change? Remember all the days I had them
hunger pains, humble as ever of course, being paused and
infectious disease.
Speaker 6 (21:06):
I wonder why he's young, getting checking this.
Speaker 10 (21:08):
Squeeze, screaming like oh please, don't break up the scene.
They got bloods on the strip like diabetics machines. It
goes one for the money and two's for the show.
Gotta keep it growing till you find.
Speaker 2 (21:19):
Which way to go.
Speaker 18 (21:24):
He's not a fun which way to go?
Speaker 6 (21:28):
Sometime you just don't know where you better like.
Speaker 11 (21:31):
People, You see what I'm talking.
Speaker 10 (21:34):
I'm giving you my beauty, my fut I'm also giving
you my respect for the stream.
Speaker 23 (21:39):
I'm giving you my respective, my life.
Speaker 10 (21:42):
Yeah, a rack, change and whips to represent them paid
even more, change and whips and represent the slaves, taking
young and change his wits.
Speaker 6 (21:51):
He set up in his ways because he's numbing.
Speaker 10 (21:53):
Pain, convinced his happiness to say, get bloom Like in YPD,
young fellow, want to beat me thoughts to anst lines.
That's when you hurt the CD. You walked the fine
line blind and stepping your with Stevie New Balance nine
nine nins.
Speaker 2 (22:06):
The sons of your Tchini to a tour with the
one stop of death seventy one's clock.
Speaker 10 (22:11):
He ain't see that eyes forty five for the show
shine a honey thinking not much capitill of cracking the law,
but not quite just a little white like mac miller,
I told my wife I could.
Speaker 6 (22:20):
Get it right in the change out to Morows.
Speaker 1 (22:22):
She didn't see it.
Speaker 10 (22:23):
I got tired that chasing not d but I didn't
play the black man a straight from the law, though.
Flipping that bird makes a lot like a prey to
a law.
Speaker 18 (22:33):
Man.
Speaker 6 (22:36):
I know you got this in your will.
Speaker 2 (22:39):
You in the gym, the banging it, or you might be.
Speaker 6 (22:46):
On the turnpick.
Speaker 2 (22:49):
I know you're hanging it to wait to go.
Speaker 11 (22:53):
Oh no.
Speaker 7 (23:23):
The night we got on the radio show what if
that is Refustle Man, So refustle man. Good record, man,
good good record, good record.
Speaker 8 (23:30):
Thank you man.
Speaker 6 (23:30):
Appreciate that, brother for sure?
Speaker 8 (23:32):
Yes up, no doubt. That's already out right.
Speaker 6 (23:35):
Yep, it's already out right now. Is on all major platforms.
Speaker 10 (23:38):
Also got a video for it you look up on
Refussle the number one on YouTube, Refussle on Instagram, Refussle
on TikTok, and Reflessle on Facebook.
Speaker 6 (23:50):
Man tap in with me and I tap right back
in with you.
Speaker 8 (23:53):
Sure, sure, man, Brett. What you think about the record?
Speaker 1 (23:57):
Yeah, I like block.
Speaker 6 (24:00):
Thank you appreciate it, Appreciate.
Speaker 7 (24:02):
It for sure for sure, definitely, man, So Refussle may
give me your ig and all that stuff. So people
can follow you and get all that good info and
keep up with you.
Speaker 10 (24:11):
Yes, sir, once again, Refussle, Underscore, Ig Refussle, TikTok, Refustle, Facebook,
Refussle the number one on YouTube, so please check me out.
Freedom Waves the Movement. Shout out to sc Digital, Shout
out to trust movement, you know, and we moving TBM.
That's peace for the God. Sound big pun you know, Mama,
love my brother wrong benefit, I'm here, Man War two
(24:35):
on all major platforms.
Speaker 7 (24:37):
Refustle Show show, definitely well Man Refussle, Thanks for joining us. Man,
We appreciate you, man staying up late with us. And Man,
we're gonna catch it with you next single, bring it
through and make it happen again.
Speaker 6 (24:47):
All right, same here, piece of blessings, guys, for sure.
Speaker 8 (24:51):
For sure, for sure. Man definitely rehustles in the building.
Speaker 7 (24:54):
Man makes you request the record each and every week
here which way to go and you can make that
record number one on the countdown as well. And we
got to make it happen here each week on the
radio show. All right, we're gonna step away, take this
quick time out. When don't we come back, We're gonna
find out what's going on with MD all right? Also,
we need to talk about somebody who had a little
(25:15):
a little incident on stage and kept a professional as well.
And we do have some folks that did chime in
on who they would like to see in the verses
that we didn't see. We're gonna mention THO mention those
as well. Our strictly independent hip hop and army music,
Get us finance, y'all's the radio show will be back.
Here's what's going on recently on the radio show. Putting
(25:36):
out singles and putting out EPs right there, testing your
testing your music in that aspect, Britt, how many songs
do you put as far as testing is concerned, Do
you even test or how how does that go with you?
Speaker 1 (25:50):
I don't test. I just put things out and you
see what people like and what people don't like. But definitely.
Speaker 9 (26:00):
Really you know, like some people might not like that
I'm saying this, but I don't really put music out
for my fans like that, like I do, but I don't.
It's really like what I like and if you don't
like it, you just don't like it. I do this
for myself and for like my mental health, you know.
Speaker 24 (26:20):
I was talking to music professionals and the majority of
them said that artists put too much out. You don't
get the fan base and the consumer opportunity to marinate
on the sound that they're trying to create as an artist,
and what they need to do is probably put out
(26:41):
a song every three to four weeks, but make sure
you do some promotion behind it.
Speaker 8 (26:51):
Right now, I'm here to support ourselves.
Speaker 7 (26:53):
We stopped by the lifetime release of the film Taking
That a Truck Stop. A lot of supporters and celebrities
came out to support this film as a touch is
a very serious subject matter. I spoke to some of
the cast members as well as guests and got their
thoughts on this very important project or.
Speaker 25 (27:11):
The importance of this film Taken Out a Truck Stop.
It's one of the third in the franchise of the
Black Girl Missing. It's really important for us to look
out for one another, to also ring the bell that
when black and brown people go missing, that we need
the same urgency, the same compassion, the same not dismissal
the validation. And this is why it's important for these messages,
(27:33):
for these movies to be told and for people to
talk about it. So that we are seen and we
are validated and we are looked after.
Speaker 14 (27:41):
It's such an important deal.
Speaker 5 (27:42):
The black girl missing gill Is is so much a
necessary social justice to bring more awareness of black and
brown missing women.
Speaker 6 (27:51):
And what are the better way to do.
Speaker 14 (27:52):
It than to put it in our entertainment so that
we're learning while we're being entertained.
Speaker 7 (27:57):
Cat's stuck at a truck stop on Life Time, October
twenty fifth, this.
Speaker 8 (28:03):
Week to pick his j T l R featuring Snoop
Dogg and Mad Scientists.
Speaker 16 (28:07):
That's my box with so much trauma on the I
G kind of hard bing jail double nyt paraphrase.
Speaker 8 (28:14):
No distance I heard each week on the radio ship.
Speaker 16 (28:16):
Yet this stupid pursuit of the wealth tender you go on, girl,
just shake that fruit because I never know.
Speaker 2 (28:21):
If now back to the radio show, I.
Speaker 14 (28:32):
Don't know, you don't know.
Speaker 15 (28:41):
Shoot you out, baby, you do right, tack you feel
that cook good?
Speaker 3 (28:45):
Tell me, don't start.
Speaker 4 (28:52):
All yeah, let me pet the scene that I'll know.
I covered likenls who scenes. I'm only one that thing
in between and if I've ever made an AFT, you
could watch me leave now. Don't stop giddy, giddy, even
if I'm mad or your friend ken giddy. I'm a
real real but I don't play myself. And if Buddy
thought he played me, then he played itself. Now if
you're right, then you can get it.
Speaker 3 (29:12):
I like you.
Speaker 12 (29:13):
Yeah, I'm way you can.
Speaker 15 (29:14):
Trem me good if it's bore me. Hell, I'm real
good for you boy, real good for your help. Yeah, baby, beauty,
(29:34):
I tell you feel.
Speaker 14 (29:35):
Like you're good.
Speaker 3 (29:36):
Tell me.
Speaker 14 (29:39):
Don't startling.
Speaker 26 (29:48):
Yeah, sweety, Julie, I don't love every time you can't
tell me boy has one too Honi on.
Speaker 14 (30:02):
Your honey.
Speaker 12 (30:14):
You don't know a mana and.
Speaker 14 (30:21):
You don't know Alona.
Speaker 15 (30:24):
Baby, you do right time you feel like a good tell.
Speaker 14 (30:28):
Me, oh by, don't start to my nerdy sor and
you all by thinking.
Speaker 6 (30:35):
Knew it all now.
Speaker 2 (30:41):
Love and lost late late.
Speaker 3 (30:45):
Late, begin and move a crowd.
Speaker 2 (30:51):
Show, turn up the radio.
Speaker 3 (31:00):
My ship.
Speaker 12 (31:03):
Freeze, mister got go ahead.
Speaker 20 (31:07):
I saw look at myrie mas bout two hundred years
ago that China bath the tight read.
Speaker 12 (31:17):
If he's slep number take ship.
Speaker 2 (31:20):
That so is look at my ride where.
Speaker 6 (31:23):
Is got two hundred years of good?
Speaker 20 (31:26):
That China Braschi.
Speaker 12 (31:30):
If he shut tied other.
Speaker 3 (31:33):
Than dam it's mister fras on them.
Speaker 20 (31:35):
Come make this one, don't you could bind the red
by the other that the side all yeah, Look that
she rides.
Speaker 14 (31:40):
It gives you.
Speaker 12 (31:41):
Come make it l on Ain't.
Speaker 23 (31:43):
Nothing not getting drug up and not make a Hollo
magic six. It gives the nasty nast Bernie. Make up,
eat the pathy they give me, Daddy, Daddy, or that
I'm giving the match sixty nasty ess Bernie, make up,
eat the pathy they's gonna be Daddy, know that.
Speaker 2 (31:57):
I'm killing all Okay, what you was big?
Speaker 20 (32:02):
Turn me away?
Speaker 2 (32:04):
You won't forget given no physic.
Speaker 14 (32:07):
I live in at and one.
Speaker 20 (32:08):
Get bag around girl, brilliant damonds dripping the sub celeb.
Speaker 18 (32:14):
Look at my Rit's three.
Speaker 3 (32:17):
Years ago China bad to Tibury.
Speaker 6 (32:22):
If he's live, i'ma take yes, that's so rich.
Speaker 20 (32:26):
Look at my rauist by two or three years of
going next train of bread the Tiber. If he's living,
i'm'na take it bout shiget it like dad. Maybe you
get take it, take it to get away, go down.
Speaker 23 (32:43):
Trynagent nikked Nigga joined him by so grind grind.
Speaker 3 (32:50):
I'm trying to sweet a bit sweet thighs.
Speaker 1 (32:54):
I gave you the orship squash.
Speaker 2 (32:56):
I don't blue faces because I.
Speaker 20 (32:58):
Know you're goanna morning I down a bolt.
Speaker 2 (33:01):
Of ship swanny cheap.
Speaker 20 (33:03):
You can't real nesting. You're gonna get out that said.
He's letting him really mean, Let this sure babby him.
Le me see, let the party do the my way
love it? How you throwing baby going crusoes.
Speaker 3 (33:21):
Look him out of years a going that train a
brag the type.
Speaker 6 (33:29):
It's really not my ticket ship.
Speaker 3 (33:32):
That's all.
Speaker 20 (33:34):
My rissing going sign a bag tied.
Speaker 3 (33:42):
If he's.
Speaker 18 (33:48):
Swam get so much and runner.
Speaker 3 (33:51):
I'm put my shoes.
Speaker 1 (33:54):
That's not gonna freeze.
Speaker 3 (33:57):
Myster, gotcha?
Speaker 27 (33:58):
Go ahead, alright, look your boy Elijah Banks and you
(34:22):
listening to the radio show that's b A n X
no ks because I'm the one to.
Speaker 14 (34:26):
Kill my b you want to build on it.
Speaker 12 (34:50):
Is going.
Speaker 3 (34:52):
On felding it.
Speaker 14 (35:00):
But let's way but make sure whether ab is not.
I don't want to a couple of guys. So you
(35:20):
have some and I like that.
Speaker 19 (35:25):
I like that.
Speaker 14 (35:26):
I had not. I had nothing.
Speaker 2 (35:31):
I had not.
Speaker 14 (35:36):
I'm nothing. I am nothing. I'm nothing. And you see
what I'm looking with all the happens me on my
(35:57):
reverdy day has been fun, nothing like get hurt and texts.
You know you can't. You got an election, so you
get the murder sometime because I don't want to murmer.
(36:19):
Maybe Mary like a good dance because maybe oh you
want to be like that. You don't mean like that.
I like that, Oh like.
Speaker 11 (36:33):
Like that.
Speaker 14 (36:35):
Well, my girl Calina get a dre has t called
(36:56):
be a private show and you know I like that
and I want you try to buy that. I'm a girl.
We wanna do it like you and do it like that.
Speaker 8 (37:34):
There, don't forget.
Speaker 7 (37:37):
You can always catch the visual portions you're on the
radio show. You can always catch them on YouTube as
well as twitch. Keyword d a radio show, you can
catch it the visual portion. This is also a video show.
Can I always tell you enough? We be making it
happen on that end. Also, you can go to the
radio show dot com you can check out the visual
portion of the show as well. So we're doing a
(37:59):
video show and radio show at the same dang time.
Big shout out to Reef Hustle for coming on and
being a guest earlier. Make sure you request this record
here on the radio show. Which way we go which
way to go each and every week here on the
radio show. So yeah, do that thing right there. We
finally had a chance to catch up with m D.
(38:19):
Man MD, finally in the building. Man, So MD, what's
going on?
Speaker 8 (38:23):
Man? Now?
Speaker 7 (38:24):
We just mentioned earlier that the verses did go down
cash money as well as no limit on stage, making
it happen out there in New Orleans. I'm sorry, no
that I was in Las Vegas. I'm sorry the versus
in Las Vegas. I'm sorry it was out there. It
was out there.
Speaker 8 (38:38):
I thought the verses was cool. I like, I like.
I didn't like the fact, like you said, Britt, that
that Lil Wayne was not there.
Speaker 7 (38:45):
However, I did like the fact that Snoop did come
out there and it did that record, that No Limited record.
Speaker 8 (38:50):
I did like that.
Speaker 7 (38:51):
You know, I didn't expect to see him. I thought me,
x you know, did her thing as well. She was
there making it happen. Uh exactly now. Now, I was thinking,
I said, who would you like to see in the
verses that haven't had the verses? I was thinking about
that as I was kind of glancing over at that versus,
So I thought of a couple of people who I
(39:11):
would like to see in the verses. I would like
to see Usher and Chris Brown. I want to see
that happen. Okay, I want to see that happen. Also,
I would like to see you know, it's just because
they're beefing now. I want to see them in one building.
Nicki Minaj and Cardi b I want to see them
(39:32):
on on verses. I want to see that live on stage.
I want to see how long they can go containing themselves,
you know, before something really cracks sauce. I wouldn't mind
seeing that versus that fireworks to be off the hook.
Speaker 9 (39:45):
I feel like that's not fair to Cardi because Nicki
got more songs, you know, like she's been in the
game longer. I mean, but I'm sure Party would hold
her on, you know, but yeah, I feel it and
tell them like it would have to be like the
Top ten so or something like that, where you know,
Nikki can't run over her with her catalog.
Speaker 7 (40:04):
Well, I think I would think that that they got
enough hits, you know, to make that a nice you know,
versus I think so I think so, you know, I
would like to see just just for the firewards. I
bet you that versus to be really they would do
very well.
Speaker 9 (40:17):
Ready, so you already know it's gonna crack because everybody's
gonna win to hear the side jokes, like you already know.
Nika say something so off the wall CARDI might throw
a shoe, it might it might get interested.
Speaker 7 (40:28):
You exactly exactly, now, who would you like to see
in a verses that I didn't mention that that that
you would like to see?
Speaker 8 (40:35):
Anybody can think of?
Speaker 9 (40:37):
No, not at the moment, No, there is is nobody
I could think about it. I got like a person,
but not like versus somebody else, you know, like, so
I don't, I don't know, you know, let's ask our guests.
Speaker 1 (40:51):
Let me think about it.
Speaker 8 (40:53):
For a second, okay, reef ussor who would you like
to see in the verses that that you have not seen?
Speaker 6 (41:04):
I was gonna say Kevin Foxy Okay, okay, that'll work too.
But I was also gonna say a future.
Speaker 7 (41:11):
Okay, that'll read that'll be that'll work too. I didn't
think about those two. I didn't think about those two
not not s C Underscore digit Underscore Distribution Underscore LLC
on I G says onyx and verse.
Speaker 6 (41:23):
Mop oh Okay, that's tough.
Speaker 7 (41:27):
That's tough out there. Okay, okay, Kelly Good, is that
is that right here? Kelly Good's voice right there?
Speaker 1 (41:33):
Yeah, yeah, he said fifty versus brick Ross.
Speaker 8 (41:36):
Okay, huh okay, that might be something. That might be
something right there, that might be something.
Speaker 1 (41:44):
Yeah.
Speaker 8 (41:45):
Yeah, who would y'all like to see in the verses?
Speaker 7 (41:47):
Keyword da radio showing off social media platforms that we
have not seen in the verses yet. Let us know
your thoughts, man, it's all good man, Well, I said,
it can't say that. We did talk about the different verses,
and people did chime in on some people who they
would like to see Haber versus uh Jay Smooth Valentino
chat chying there by saying, the roots versus the fujis.
Speaker 8 (42:07):
What do you think about that? The roots versus the
fujis in the verses?
Speaker 9 (42:12):
Yeah, that that'll be cool. That'll be real cool. Kelly
Good said, Drake versus Kanye.
Speaker 7 (42:23):
Drake and Kanye, Okay, I can't get it. Yeah, Draken
have enough material on Kanye definitely got enough material. So
yeah that I can see that versus I can see
a Drake and Kanye, and man, why not man, Drake
and and and and Kendrick Man, let's let's let's let's
let's see how long they.
Speaker 8 (42:40):
Can stay on one stage together. Probably knock him.
Speaker 1 (42:45):
All he got is they not like us?
Speaker 9 (42:48):
And probably four other songs that we know that pop
Drake got a whole catalog.
Speaker 1 (42:53):
We're not playing in games?
Speaker 7 (42:55):
Why I can't Kendrick got enough for a catalog too?
Now he got enough, He got enough out there might
have won.
Speaker 9 (43:01):
Their little tit for tat, uh huh. But in a
versus battle, Drake is winning hands down.
Speaker 8 (43:08):
You think so? Draken went hands down?
Speaker 1 (43:10):
Hands down?
Speaker 7 (43:11):
Okay, all right, I'm sure some people don't here that
will probably beg to differ, you know, on that one. Also,
he chimed it by saying, Tony Tony Tony Firsus Mad Condition.
When do you think about those two Tony Tony Tony
first man Condition.
Speaker 8 (43:26):
Tony Tony went halfs down?
Speaker 14 (43:29):
Uh huh?
Speaker 8 (43:30):
You think so, man, Tony tell you have to be hitched?
Speaker 1 (43:34):
They do make Condition half.
Speaker 8 (43:38):
Two or three hits?
Speaker 7 (43:39):
Yeah, Well, I guess you got to be more of
a fan of make Condition to really kind of get
some their songs right.
Speaker 24 (43:45):
If you're talking hits Tony Tony hands down.
Speaker 8 (43:49):
Yeah, okay, okay, all right, so those are so far.
Speaker 7 (43:53):
We got some folks chiming in on that, letting us
know who would you all love to see in the
verses that they have not had yet. All right, we're
gonna get to the celebrity interview. Its was love and
Luss coming up in a little bit and play at
a slig of course. Uh, first and foremost one more
celebrity topic before uh uh industry topic before we get
to move right along here. So she was live on
(44:16):
stage at a show recently, and though she had an
accident performing as she was trying to slide down. Uh,
she slid incorrectly and Bluton fell on the ground there,
but the show must go on. She hopped up and
stayed professional. Who is that she hopped up on stage?
She hopped up off the slide and stayed professional and
(44:39):
that like nothing went wrong.
Speaker 1 (44:42):
Exactly, yeah, exactly at Preschooler.
Speaker 20 (44:54):
Live.
Speaker 7 (44:55):
Yeah, she's on stagy performing live and and and and
it didn't slide down correctly. Well, I guess this would
be more so geared to with you, Britta, if you
had any accidents like that and you hopped up or whatever.
And stayed professional.
Speaker 9 (45:06):
Are you performing yeah years ago, not recently, but maybe
like almost twenty years ago.
Speaker 1 (45:14):
Yeah, I did. I was in West Hollywood and the.
Speaker 9 (45:19):
Stage had an arch of balloon and the stage was dark,
no lights was on. You can be right in the
front of the stage. So you know, I always got
some type of train type scenario. That's when I first
started wearing that long tool crap I'll be wearing.
Speaker 1 (45:37):
And I slipped on it and fell, but I jumped
back up.
Speaker 9 (45:40):
And you only seen it if you was on the
front road, because you know, I had went towards the
back of the stage trying to turn.
Speaker 1 (45:46):
Around or something like that.
Speaker 9 (45:47):
It's like oop, like oh man, So if you wasn't
on that first road, you didn't see it.
Speaker 7 (45:53):
You know, indeed, Okay, that's what's up, man, that's what's up.
So so really hopped up and she did her thing. Man,
she stayed professional while she's making it happen.
Speaker 9 (46:07):
Because you see Beyonce peil and it like she almost
hit her face on the ground or something like that,
and she dropped.
Speaker 1 (46:12):
She jumped up fast.
Speaker 9 (46:13):
I know when it was over, I was sage like,
oh my god, like but yeah, she she fell hard.
And she jumped up like she jumped up on beat too.
Speaker 7 (46:21):
Like, oh man, you know that's that's that's real man. Actually,
this do be happening while you on stage performing. So
uh yeah, any artists out there, hit us up with
your stage performance. Mishap right there that you hopped up
and stayed professional keyword their radio show.
Speaker 8 (46:42):
Let us know your thoughts on that.
Speaker 7 (46:45):
Let's get to the celebrity interview this week brought you
by Spotlight three sixty Media. I had a chance to
recently catch up with the legendary actress Glenn Thurman. If
you know, he played on a Different World's Man as
well as Cooley High. He also resently got a star
on the Hollywood Walk of Fame. So I caught it
with him recently at a at a recent event and said,
(47:06):
what's up to him? Here's how that went, show.
Speaker 2 (47:10):
Ripping and all the red car bass.
Speaker 6 (47:13):
Here's an exclusive celebrity interview.
Speaker 8 (47:15):
When I was watching this, I wanted one of the.
Speaker 21 (47:19):
One of the man.
Speaker 1 (47:23):
All good man, All right, man, good.
Speaker 8 (47:27):
Man, first walking, congratulations on the star on the Hollywood
Walker fam. Oh thank you man.
Speaker 22 (47:31):
Yeah, yeah, that was that was a dream come true
kind of thing.
Speaker 8 (47:35):
Definitely on it with City Sidney Potier and a lot
of people like that. What does that make you feel?
Speaker 27 (47:41):
Man?
Speaker 13 (47:41):
Man?
Speaker 22 (47:41):
I can't explain it really, because that was my idol
growing up. You know, his first man I worked with
on stage and was kind of responsible for keep in Mind,
helping me keep my career on track, and many other
advisorary things that he informed me of along the years.
You know, so I be putting next to him was
(48:02):
really a special, a special thing.
Speaker 3 (48:11):
Yeah, let's go, let's go.
Speaker 5 (48:13):
Let's go with your girl, Britty lovin x the Human
Chandelier Here on the radio show, and you're listening to
Love or Lust? Do you have a problem with your relationship?
Do you want to know if it's love or lust?
Let us all vote and let us all let you
know if you're in love or if it's lust.
Speaker 7 (48:30):
All right, y'all w inside of love and lust? Roight
about now, and we'll let the birthday girl do her thing.
Britt the living next to human chandelier.
Speaker 8 (48:38):
The floor is yours.
Speaker 9 (48:41):
Okay, guys, it's your girl, pretty loving et the Human
Schandelier And today on Love or Lust?
Speaker 1 (48:51):
And today on Love or Love? The topic is is
it love or lust?
Speaker 9 (48:56):
If you've been providing for someone and they are a
custom to a certain lifestyle, but you can no longer
provide this. You are no longer able to provide this lifestyle,
and they tell you if you can't provide the lifestyle,
they are going to leave.
Speaker 1 (49:13):
Is that love or is that lust?
Speaker 7 (49:16):
That's either one right there, that's that's that's uh, you
know you you financially unable to compete, so you you
you know you're done.
Speaker 8 (49:25):
Really, that's neither love nor lust.
Speaker 7 (49:27):
I don't think you know, they lusted for if anything,
they lusted for the fact that you was able to
financially take care of them. But obviously they prove that
they don't love you because when times got tough, they
got going. So I'm gonna go ahead and say that's
that's either well, I mean, if anything, it to be lust,
But I don't think it's out of one.
Speaker 1 (49:46):
Okay, okay, all right, the.
Speaker 8 (49:49):
Total wash out. Okay, Yeah, I just can't see the
love all the lust. Yeah, I can't see out of
one either either.
Speaker 22 (50:00):
One.
Speaker 1 (50:00):
I hear it being lust. You know, like you thought
you you thought you were in love.
Speaker 9 (50:06):
I guess you know, you really liked how you were
being treated you thought this person was the one, and
they they knew what type of person you were, you know,
they knew what you were accustomed to when they got
with you, and when stuff got hard, they like, well,
look man, you know, like I can't do this because
I've been with you. I ain't got no job, I
(50:28):
got a card, note, I got all this stuff. What
am I supposed to do?
Speaker 3 (50:31):
You know?
Speaker 1 (50:31):
So, I mean I could see it just being lust.
Speaker 9 (50:35):
You know, and not love, okay, because if you love
a person, you'll try to figure it out. You know,
you'll be like, you know, I wouldn't usually, but you
know what, like let's just go in and see what
we could do, you know, let me see what I
could do.
Speaker 1 (50:51):
M hm.
Speaker 7 (50:53):
So, so you're saying it's lust me and indeed saying
it's either love or lust. What's Kelly good to you?
Put him on to see what he think of that.
Speaker 1 (51:02):
That's saying.
Speaker 19 (51:05):
Okay, fella, okay, Brett, I'm gonna take it out. I
did it cannot be loved. What they think it was love.
The person who was getting the money thought that he
loved the woman. He thought that he understood he earned
the money. But it couldn't be loved because the love
was never reciprocated, so he never got a chance to
(51:27):
see how he was getting loved back to know that
if he really had a good day calling for it
to ever be fully fully understood his love. Now, I
would say it is lust because the woman who was
receiving the money, he was receiving the money out of
the lust LUs or the money LUs for the relations
(51:49):
did because he knew that he was getting provided the means.
It was an arrangement. It was never loved. It was lust.
The man was lusting after her, and use lust for
love because she was lusting after her so much that
he thought that he loved her. Was one of the
strength every nickel, don and penny without any love being reciplicate, reciprocated,
(52:12):
because it was an arrangement from the get go. So
I'm gonna have to go with lust on this one.
Speaker 7 (52:18):
Okay, Okay, Okay, you're going with lust, all right. He's
going with lust on that one. Okay, all right. So
Brett and Kelly good both for going with lust on
that one.
Speaker 8 (52:28):
All right. Me and MD, we don't think it's out
of one. Give us your thoughts.
Speaker 7 (52:32):
What do y'all think about a keyword da radio show
on all social media platforms.
Speaker 8 (52:37):
Let us know what he's saying, love or lust on
that end.
Speaker 7 (52:40):
All right, let's go ahead jump in the play at
the slave. Let's go ahead and do this right now.
Speaker 9 (52:48):
Join the radio show every Monday night, every Monday night,
play Waiteth with the indie song that you enjoyed the most.
Speaker 7 (53:01):
Right about now, what we do each and ever wee
week around this time is we ask one fundamental question,
and that's what should we do these particular songs. Should
we play them or should we sl writ y'all, slay
the record, throw it in the cide of trash, never
to be heard from again. Or we can play these
(53:21):
songs over or over again and at them perhaps to
the radioshow dot com.
Speaker 8 (53:27):
All right, so the first record we're going to play
right now.
Speaker 22 (53:30):
Uh.
Speaker 7 (53:31):
The theme of this uh play of the slad you
guys is big, all right big. So the first record
we're going to play is by an artist by the
name of Big Booten Songs called Constellation, Big Wooten songs
called Constellation.
Speaker 8 (53:48):
All right, let's check it out. Play the slay, Let's go.
Speaker 14 (53:51):
The radio show, Radio show, the radio show, or slay.
Speaker 3 (54:03):
You the padicing no party. Yes you are.
Speaker 18 (54:08):
City applause.
Speaker 1 (54:08):
I take you as you are.
Speaker 8 (54:11):
You're the constellation.
Speaker 12 (54:13):
Babb you bysta You'll be shining so bright.
Speaker 3 (54:17):
I be mad from my father. Tell me that you
for me?
Speaker 2 (54:23):
Then I'm gonna make you my queen ohna cat you
every day.
Speaker 14 (54:29):
You know I want you for me. I get you
a ring.
Speaker 8 (54:34):
Everything, baby, you my What do my mother do?
Speaker 14 (54:38):
La name mother? Gotma?
Speaker 3 (54:41):
Not that right?
Speaker 8 (54:42):
Just smile mass amazes.
Speaker 1 (54:44):
Ain't not feeling away?
Speaker 12 (54:47):
Starting a line with the white.
Speaker 8 (54:51):
Show me how background y'all.
Speaker 14 (54:54):
Show the radio show or slid.
Speaker 7 (54:58):
That was our first play to slid could write there,
that's big wooten songs called constellation, Big wooten Constellation.
Speaker 8 (55:05):
I thought it was okay, but barely. I'm going to
play it the living next to Human Chandelier, Play at
the slig, What should we do with it?
Speaker 1 (55:18):
Planet?
Speaker 8 (55:19):
I like it, m d play the sled. What should
we do with the record? I'll mute your mic. I'm
gonna have to slay it. You have to slay it, okay,
(55:40):
Kelly good? What do you think about the record player
the sled? Let her set it up. Yeah, I don't
hear it.
Speaker 3 (55:53):
I don't hear.
Speaker 19 (55:58):
Ye, I'll give it a chair.
Speaker 7 (56:02):
Okay, everybody else, we will see you next week saying
back time, saying back channel with another exciting guest The
Radio Show, see y'all.
Speaker 6 (56:12):
Hey, the Radio Show so far.
Speaker 2 (56:14):
Make sure you follow us on all social platforms at
the Radio Show
It's time to solve.
Speaker 2 (00:03):
Radio show.
Speaker 3 (00:09):
Sure we are the greatest. We played the greatest indie
artists on the radio show.
Speaker 4 (00:27):
We got hot topics, we did they propping on the
radio show.
Speaker 5 (00:31):
Listen to love and listen give up being your relationship
problems will be with it.
Speaker 6 (00:36):
So make sure you tune in and the radio show.
Speaker 7 (00:41):
So did you get a chance to check it out
on Saturday? The verses between cash money and no limit records?
Who do you think one? Who you think you have
the biggest hits? Well, we're gonna talk about that and
much more than I ass were bringing the radio show
dundee and bring the liver next to you and chandelier
making it happen for you. MB will be you this
at some point we are broadcasting live from our wee
(01:03):
by house, the studio which you gotta house to sell.
Speaker 8 (01:05):
Hit this up.
Speaker 7 (01:06):
Three one oh nine two two eight one one four.
It's three one oh nine two two eight one one
four any condition, any style. Operators are standing by as
we speak. Man, it's the radio show strictly independent hip
hop and RB music right now?
Speaker 8 (01:22):
What's going on?
Speaker 7 (01:23):
But everything is well with everybody, But everybody had a
wonderful week we are here with another edition here of
the radio show. Uh Brita Living next to Human Chandelier.
How are you doing tonight?
Speaker 1 (01:36):
I'm doing good. I'm doing good. You already know. You
already know. It's a great birthday week.
Speaker 7 (01:43):
So it's popping, Yes, indeed that first of all, like
I said, I had a mix for you, but I
didn't like the way to mix sound, so I said
I was gonna play it.
Speaker 8 (01:51):
So I said I was gonna leave it alone.
Speaker 9 (01:54):
I think, fine, Look you still got to the next Monday.
Speaker 1 (01:57):
My birthday is on Saturday.
Speaker 7 (01:59):
Oh okay, you know what, I'll try it again for
next Monday. I'll try it again for next Monday. I'll
have that Bridge eleven next to Human Chandelier exclusive mix
of Bridge song.
Speaker 8 (02:08):
That was my plan. That was my birthday gift to you.
Speaker 1 (02:11):
Okay, okay, run it.
Speaker 8 (02:14):
Yeah, we're gonna try to make it happen on that end.
All right.
Speaker 7 (02:17):
That's what's up. That's what's up. So what are you
doing specially for your birthday?
Speaker 8 (02:20):
Anything? We uh that you got going on? What you're
gonna do, what you're gonna do.
Speaker 1 (02:25):
So I have something special going on.
Speaker 9 (02:27):
I am going up to Solano and hanging out with
Calli Good for the weekend.
Speaker 8 (02:31):
Okay, all right, that's what's up. That's what's up. That's
what's up. That's what's up. It's all good right there,
it's all good. Man.
Speaker 7 (02:40):
Shout out to Kelly Good as well. Shout out to
you man. Well, we're gonna roll on. Write this to
Trending topic. Trending topic brought to you by Spotlight three
sixty Media. If you got a uh, if you like
the celebrity stuff that we do, what got going on
right there, you can always go to our website Spotlight
three sixty media dot com. We can see all that
(03:00):
celebrity stuff that I do right there.
Speaker 8 (03:03):
Now.
Speaker 7 (03:05):
I was talking to some folks over the weekend and
they were talking about hip hop and.
Speaker 8 (03:11):
They felt that hip hop is in a good, good.
Speaker 7 (03:14):
Place right now, you know, with everything going on, despite
all that's going on, you know, a little bet between
Cardi B and Nicki Minaj and all that stuff, they fail,
hip hop is in a good place.
Speaker 8 (03:28):
Do you feel hip hop isn't a good place, Britt?
What do you think? It's hip hop in a good place?
Speaker 9 (03:34):
Yeah, I think it's in a good place, you know.
I mean the beefs are cool and all. I really
like the weekend with cash money, you know what I'm saying,
Like they did they think? Now this is what I
did not like. I did not like that Lil Wayne
wasn't there. But you already know they have a secret
beef that we don't know about. And it doesn't how
much money is on the table.
Speaker 1 (03:54):
You know. You just be like, I'm not dealing with
them no more.
Speaker 9 (03:56):
You know what I'm saying, Like I don't want them
to do with them. I don't care what's going on.
I don't care how much publicity we're gonna get it
Like I'm.
Speaker 1 (04:02):
Good, you know, right right right? I think it's I
think it's cool. I think it's in a cool place.
Speaker 7 (04:08):
We're gonna talk about the verses in the second in
another direction, but uh, we're gonna bring in our guests
to talk about what do you think about it? Hip
hop in a good place? Reef hustle man, you think
hip hop is in a good place or what?
Speaker 6 (04:21):
It's a real good question.
Speaker 8 (04:23):
M h.
Speaker 6 (04:26):
It's a real good question.
Speaker 10 (04:27):
I would say, you know, hip hop is in a
good place right now, not more of the popular with
a lot of.
Speaker 6 (04:38):
People watch every day.
Speaker 10 (04:42):
I think that the underground is more more palatable, you know,
got more depth. There's so many other artists that's out
there that the machine is not behind, and they deserves
to be, you know, on top, you know, besides the Injix,
the Coles and those guys.
Speaker 6 (05:03):
I think those in the drinks and stuff like that, you.
Speaker 10 (05:06):
Know, But I think overall, I think the underground is
where it's at.
Speaker 8 (05:13):
That's what's up, all right. You're definitely man so hip hop.
Speaker 7 (05:16):
You feel that that needs to get more shown into
the underground, of course, and that's why we have the
radio show. We give to the underground independent artists and
everybody alike right there, man, So that's what we do.
Speaker 2 (05:39):
She got home like a bottles.
Speaker 11 (05:41):
She hustled. She knows she is certified.
Speaker 1 (05:48):
She would walk.
Speaker 11 (05:49):
By, walk till me, He'll shoot fly.
Speaker 12 (06:02):
She Gucci, Daddy, Gucci is Louis.
Speaker 13 (06:10):
It's in Louis that prod person's fashion killer with up,
she says, yes, she know it. She gave up the
short short watch out how she won't same way she talking.
Speaker 2 (06:21):
Oh, she detected hustle.
Speaker 11 (06:23):
Horty, go and get it.
Speaker 14 (06:24):
Jimmy too.
Speaker 13 (06:25):
She cut some fitty he only mess with mom fils
trow riding through the city, missus, Hello kitty and depending
pretty polo horses.
Speaker 1 (06:33):
When she riding with me.
Speaker 13 (06:34):
She loves shopping, DC, DC, party and mount. She gets
it how she wanted. She's so country Brandma. She keep
that money coming. She be born very stunning, this superwoman.
Speaker 3 (06:46):
She got it.
Speaker 14 (06:46):
You can't tell her now only.
Speaker 6 (06:48):
Like a bottle sis.
Speaker 11 (06:49):
She hustled like the sc She knows she is certified laden.
She walked by, walk.
Speaker 4 (07:15):
On my crying on my game.
Speaker 2 (07:17):
Got the stark, never tane, keep it sharp, never plane
brushing high.
Speaker 4 (07:21):
Break the change from the browns through the sky slight
and strikes as a live set.
Speaker 14 (07:25):
The world, every move trail.
Speaker 4 (07:27):
Blazing, and the glue eyes on me can't help but
see stripes of turns up tighter.
Speaker 6 (07:32):
I'm the fire, I'm the night, got.
Speaker 14 (07:34):
Us with the golden touch woos the game. Need no clutch,
shot the crown, no bridles in sight.
Speaker 4 (07:38):
I'm the Moon's little pure menn in the league of
my own, set the base, no challenge, just in my brain.
Speaker 2 (07:45):
I'm the common blazing past.
Speaker 14 (07:46):
It's in the sky. Mike is cast brother, strips.
Speaker 15 (07:49):
Of mimic my game, but they say like shadows don't
send the flag, and it took so good heat the
scring turn the stage into my m.
Speaker 6 (07:57):
Alive while I am big and you can't.
Speaker 14 (07:59):
What are ain't no success? I'm the trans suck sitting
on the crip.
Speaker 16 (08:03):
Hey the stay impressive being in the seamless k I'm
bringing hi in zero stress.
Speaker 14 (08:07):
See the cream.
Speaker 12 (08:09):
Shack of horse and findy.
Speaker 17 (08:10):
You know the way he's sitting on them, fifty secrets
on the.
Speaker 8 (08:13):
Bosom and now he he's stunning on them.
Speaker 17 (08:16):
Latinos on the feet, got a model watering on them,
gain for from wrestle. But see the type they can't
get hood on everybody on some backs, the type.
Speaker 14 (08:24):
That you can't let you.
Speaker 17 (08:25):
Pass you damn you the bunch shut it head and
chicken hayton because the standing strings dependent fast right body
right mine right, it ain't thing for this year. The
nikki even got a little shig again, a no mebe
yo nothing little man shring a pull a little bit bawl.
Speaker 18 (08:43):
And know some pous sure you know that she a bird.
Speaker 8 (08:46):
By got that do yet again when he wants his name?
Speaker 19 (08:51):
What he now?
Speaker 17 (08:51):
All they place show Maybe you ain't no cozy chick,
so missle with their pull shesser, that's the chattle talking
about it, so you ain't got it even ask out
dropping shout shop a bottle topper.
Speaker 11 (09:03):
Only like a bottle sad. She hustled like a bad six.
She knows she is certified shirt matan damn. When she
walked by, Yeah bad look walk him, he'll singer man
than him, lips dead singer dancer, ain't gonna shoot fly,
(09:25):
she's singer.
Speaker 18 (09:26):
Bad, don't bad, Yeah don't she bagg broom through boom
boom through boom boom through boom broom through boom.
Speaker 2 (10:00):
M hm, love and lost late late later, we came and.
Speaker 20 (10:10):
Move brow.
Speaker 1 (10:14):
Show, turn to radio.
Speaker 14 (10:29):
Oh are you the fly?
Speaker 21 (10:31):
You're singer ever It's like we belong together. Baby, I
want to fill your pleasure. I'm trying to dig in
your treasure.
Speaker 14 (10:47):
I can't turn up.
Speaker 21 (10:51):
Into a bird rooms every girl into amber.
Speaker 1 (10:59):
Take the shot shot show bad.
Speaker 21 (11:03):
Shot n the man into a group of because starting
to like I can't taste that SFIC. Let's turn the
ones into taking my hands off.
Speaker 12 (11:17):
You reread for whatever. When you're going through love that
can shoot go cose you GoGet and shouting we're gonna
get this thing jumping. I can't birthy.
Speaker 18 (11:33):
You got me.
Speaker 8 (11:36):
Trying to don't have from the baby.
Speaker 21 (11:42):
Oh god, your body looking way there, don't make it
go crazy.
Speaker 12 (11:48):
It shore into the bed room.
Speaker 21 (11:54):
Let's shea sit back girl until I'm gonna take this shot.
Speaker 1 (12:02):
Shot.
Speaker 14 (12:02):
That's your back shot.
Speaker 12 (12:06):
Man, it's a full pat because breaks and gee like
you can taste that tectic cold.
Speaker 21 (12:14):
Let's turn the ones into taking the hairs off your
bread forever.
Speaker 12 (12:21):
When you come through that cap streets, you know me
logging and so then we don't get this tap pick.
Speaker 21 (12:34):
Let's turn the one's in the job taking the days
off your off youever whatever, love that chip street camp street.
Speaker 12 (12:46):
You just hearing me loggy and so the little lesty
jump in.
Speaker 7 (13:13):
Check a road right along and go straight to our
guests and talk about what's going on with him inside.
Speaker 8 (13:19):
Of Move the crowd right about now, y'all.
Speaker 2 (13:22):
Can get closer to your feet, taking his time for
the radio show.
Speaker 7 (13:26):
Move the crowd all right, y'all, we're inside and move
the crowd right about now. Now, what we do each
and every week around this time is we take an
artists off stage, bring them backstage.
Speaker 8 (13:37):
You get to know them, britt.
Speaker 3 (13:39):
Up close and more personal.
Speaker 7 (13:42):
Yes, indeed, man, and joining us now, my man, rehustling
the building man, So rehustle officially.
Speaker 8 (13:48):
How you doing, sir?
Speaker 6 (13:50):
Hey y'all, what's up? What's going on? How you doing, guys,
Dundee and Chandelea. How are you well on this side?
Speaker 3 (13:57):
What's going on?
Speaker 1 (13:58):
We're good?
Speaker 8 (13:59):
We're good man, We're good.
Speaker 10 (14:00):
Man.
Speaker 6 (14:01):
I love that outfit you have on.
Speaker 1 (14:03):
Thank you, thank you.
Speaker 7 (14:05):
Yeah, indeed, man, I tried to I tried to wear mine,
man with us in the shop and the cleaners.
Speaker 8 (14:10):
Man, it's in the cleaners that I might have to
try to wear my next week.
Speaker 12 (14:12):
Man.
Speaker 8 (14:13):
You know what I'm saying. I'm a little off now.
Speaker 7 (14:15):
I know we ain't coordinated a good man, So rest
tell us about you, man, what's going on with you
these days?
Speaker 6 (14:22):
I mean, hey, man, what's going on?
Speaker 10 (14:23):
I got a new album out called War two ward
stands for what about Rehustle? You know what I'm saying,
I give you the story of the last five years
that I've been dealing with a lot of trials, tribulations and.
Speaker 6 (14:36):
A lot of pain that's been going on in my life.
Speaker 10 (14:39):
I had a lot of people who passed away in
my life, you know what I'm saying, within the last
five years.
Speaker 6 (14:44):
And it's been tough because it's been like like major losses.
Speaker 10 (14:47):
You know, my mom, you know my brother, my me
and Fred the God's Son, and you know other people
that that that was in my life. Man, that had
a big impact. I also talk about, you know, the
struggles of fing families. I talk about a gentleman. Uh
war war is sense for what about refussing? The number
two represents me and another gentleman named George Bell. Freedom
(15:11):
Wave is the movement. Long story short, UH. Mister George
Bell has been uh incarcerated.
Speaker 6 (15:17):
For twenty four years, but exonerated. He was totally innocent,
you know what I'm saying.
Speaker 10 (15:21):
So I speak about that as well on the album,
and I just you know, show shit skills relative music,
people that can that can actually get along and and
and and hear it and say, hey, you know that
this is about uh things that I go through as well,
you know what I'm saying.
Speaker 6 (15:38):
So you know, I got a new single out called.
Speaker 22 (15:41):
UH.
Speaker 6 (15:42):
I got a new single out called uh. You know
you didn't have me, You didn't have me? Best stuff?
He was like, Oh, it's called Which Way to Go?
You know what I'm saying. It's produced by the man,
Dennis Agony Chenkins.
Speaker 3 (15:54):
You know what I mean.
Speaker 10 (15:55):
Yeah, yeah, And and the record is crazy. It's on
all major platforms right now. And hey guys, and you know,
thank you for having me. Man, you know what I'm saying.
And I just got that album out right now, so
it's gonna be crazy. I mean, it is crazy.
Speaker 8 (16:08):
That's what's up, man, that's what's up.
Speaker 7 (16:09):
And now you work in the past with the some
of the folks in hip hop, hip hop legends, man,
Diamond d Uh, that's a big pun man.
Speaker 8 (16:16):
What was it like working with those folks? Man?
Speaker 6 (16:19):
Amazing? Man, you know, those guys are wizards. You know
what I'm saying.
Speaker 10 (16:22):
I've been blessed to work with those guys, and I
learned a lot from them, you know what I'm saying.
So I'm I'm very blessed to just, you know, work
with legends such as them. Also, I work with the
legendary Buck Wow. He produced WHOA. For a lot of
people who don't know, he produced WOA.
Speaker 6 (16:37):
He produced.
Speaker 10 (16:39):
I Love You from from Faith. He didn't did a
Z I'm back he didn't did a story to tell
from Biggie. So you know, I'm just blessed to having
those guys around me.
Speaker 7 (16:49):
That's what's up, man. So you've been doing your thing
with them for a man and man. So so what's
what's what's next on the horizon for you?
Speaker 3 (16:57):
Next?
Speaker 17 (16:57):
On my rises?
Speaker 10 (16:58):
Right now, we're just working on this album World two.
It's called What About Rehustle? The too represents Rehustle and
mister George Bell, you know what I mean. Also got
to shout out my brother thirty eight Special. He's on
the underground scene. If you ever heard a trust movement,
you know what I'm saying, that's in the realms of
the underground. He's an underground king. And that's what I'm
(17:20):
doing right now, man, just pushing this album and just
you know, wanting to get out there for people who
don't know who I am. You know, I held from
the Bronx, you know what I'm saying, And I've been
doing this for quite some time. And just like I said,
I'm show the skills and relative music man to get
y'all really really gone. Like I said, it's relative music,
something that you can relate to that's for sure.
Speaker 7 (17:40):
Man definitely, we got Reef Houstle on the building, Man
Dundee and Brita living next human chandelier to making it happen.
Speaker 8 (17:46):
We're gonna catch it with MD.
Speaker 7 (17:47):
We got to get m D in the building coming
up momentarially, y'all strictly independent popping the RB music at
as fine as what we do. We got Refussle. He
is in the building right now. The freedom definitely man
chopping Doble re h. So we're gonna jump into his
music in a few moment. He definitely Man bring the
eleven next to human chandelier. Go ahead and uh talk
to Rehustle right there.
Speaker 1 (18:10):
Okay, Okay, so I have a two questions for you.
Speaker 9 (18:13):
Okay, what was your favorite part about working on this
project and what was your least favorite part about working
on this project.
Speaker 10 (18:23):
My least favorite part was doing the records that really
meant something to me. It was my mom passed and
I had a record. I got a record called Mama Love,
and I got a record called My Brother. Those were
the hardest records. The easy records to me was Wavy Nights.
I actually have a video out on YouTube right now.
(18:46):
I was in Miami and it looks like a big
motion pictures. It's just so crazy. And a record I
got on there called an Addiction was like a real
boom back hip hop.
Speaker 6 (18:59):
Hard produced by.
Speaker 10 (19:01):
The heat Makers who produced a lot for for Dipset
and guys like that, Jim.
Speaker 6 (19:06):
Jones and all of those guys for the God's Son.
So those was my favorite to.
Speaker 8 (19:12):
That's What's Up? That's What's Up? What was the other question?
Speaker 6 (19:15):
Brett?
Speaker 8 (19:19):
Okay?
Speaker 7 (19:19):
All right for shell Man definitely man, all right man,
we're gonna jump into this record real quick.
Speaker 11 (19:24):
Here.
Speaker 7 (19:24):
Your record we're about to play right about now is
just sent to us. H tell us about the new
single you got out now, Which Way Go?
Speaker 10 (19:32):
Yeah, new single Which Way to Go? You know, it's
basically explaining, you know, what is the situation.
Speaker 6 (19:39):
That you'll go through.
Speaker 10 (19:40):
You know you're driving and you know you have no
choice and you're trying to figure out to stay righteous
or get in the street.
Speaker 6 (19:47):
You know which one you're gonna do? Which one to go?
Which way to go?
Speaker 8 (19:51):
All right man?
Speaker 6 (19:52):
Produced by my man Dennis Agony Jinkers.
Speaker 7 (19:54):
All right, man, we're gonna jump to it right now.
Strictly independent hip hop and RB Music Act. It's fun
in the show Man, it's the radio show.
Speaker 8 (20:02):
Let's go.
Speaker 2 (20:04):
Independent artists live here.
Speaker 13 (20:05):
We got this independent game on lock'll figure it out
the radio show.
Speaker 3 (20:13):
And you know.
Speaker 18 (20:16):
Ways agony.
Speaker 10 (20:20):
Sometimes you don't know where to go, don't so you
gotta hit the ground running s Be careful, though.
Speaker 6 (20:29):
Be care My mind's all over the place.
Speaker 19 (20:31):
Sammy Rehustle on.
Speaker 10 (20:34):
Tvm's finest last year, was thinking about it rolling into college.
They doubled on the interest rate, crediting all in the garbage.
They dealing with, these paws of fate, with the awe
of great and Tomorrow's Nelly promised these days I don't
be giving them to be honest, but Mama say, you've
gotta pay homage to God regardless. Simplest plane, you see,
my aim is on the trucking range. That costs a
(20:56):
bucking change. Now why take the bus and train with
diamond cluster change? Remember all the days I had them
hunger pains, humble as ever of course, being paused and
infectious disease.
Speaker 6 (21:06):
I wonder why he's young, getting checking this.
Speaker 10 (21:08):
Squeeze, screaming like oh please, don't break up the scene.
They got bloods on the strip like diabetics machines. It
goes one for the money and two's for the show.
Gotta keep it growing till you find.
Speaker 2 (21:19):
Which way to go.
Speaker 18 (21:24):
He's not a fun which way to go?
Speaker 6 (21:28):
Sometime you just don't know where you better like.
Speaker 11 (21:31):
People, You see what I'm talking.
Speaker 10 (21:34):
I'm giving you my beauty, my fut I'm also giving
you my respect for the stream.
Speaker 23 (21:39):
I'm giving you my respective, my life.
Speaker 10 (21:42):
Yeah, a rack, change and whips to represent them paid
even more, change and whips and represent the slaves, taking
young and change his wits.
Speaker 6 (21:51):
He set up in his ways because he's numbing.
Speaker 10 (21:53):
Pain, convinced his happiness to say, get bloom Like in YPD,
young fellow, want to beat me thoughts to anst lines.
That's when you hurt the CD. You walked the fine
line blind and stepping your with Stevie New Balance nine
nine nins.
Speaker 2 (22:06):
The sons of your Tchini to a tour with the
one stop of death seventy one's clock.
Speaker 10 (22:11):
He ain't see that eyes forty five for the show
shine a honey thinking not much capitill of cracking the law,
but not quite just a little white like mac miller,
I told my wife I could.
Speaker 6 (22:20):
Get it right in the change out to Morows.
Speaker 1 (22:22):
She didn't see it.
Speaker 10 (22:23):
I got tired that chasing not d but I didn't
play the black man a straight from the law, though.
Flipping that bird makes a lot like a prey to
a law.
Speaker 18 (22:33):
Man.
Speaker 6 (22:36):
I know you got this in your will.
Speaker 2 (22:39):
You in the gym, the banging it, or you might be.
Speaker 6 (22:46):
On the turnpick.
Speaker 2 (22:49):
I know you're hanging it to wait to go.
Speaker 11 (22:53):
Oh no.
Speaker 7 (23:23):
The night we got on the radio show what if
that is Refustle Man, So refustle man. Good record, man,
good good record, good record.
Speaker 8 (23:30):
Thank you man.
Speaker 6 (23:30):
Appreciate that, brother for sure?
Speaker 8 (23:32):
Yes up, no doubt. That's already out right.
Speaker 6 (23:35):
Yep, it's already out right now. Is on all major platforms.
Speaker 10 (23:38):
Also got a video for it you look up on
Refussle the number one on YouTube, Refussle on Instagram, Refussle
on TikTok, and Reflessle on Facebook.
Speaker 6 (23:50):
Man tap in with me and I tap right back
in with you.
Speaker 8 (23:53):
Sure, sure, man, Brett. What you think about the record?
Speaker 1 (23:57):
Yeah, I like block.
Speaker 6 (24:00):
Thank you appreciate it, Appreciate.
Speaker 7 (24:02):
It for sure for sure, definitely, man, So Refussle may
give me your ig and all that stuff. So people
can follow you and get all that good info and
keep up with you.
Speaker 10 (24:11):
Yes, sir, once again, Refussle, Underscore, Ig Refussle, TikTok, Refustle, Facebook,
Refussle the number one on YouTube, so please check me out.
Freedom Waves the Movement. Shout out to sc Digital, Shout
out to trust movement, you know, and we moving TBM.
That's peace for the God. Sound big pun you know, Mama,
love my brother wrong benefit, I'm here, Man War two
(24:35):
on all major platforms.
Speaker 7 (24:37):
Refustle Show show, definitely well Man Refussle, Thanks for joining us. Man,
We appreciate you, man staying up late with us. And Man,
we're gonna catch it with you next single, bring it
through and make it happen again.
Speaker 6 (24:47):
All right, same here, piece of blessings, guys, for sure.
Speaker 8 (24:51):
For sure, for sure. Man definitely rehustles in the building.
Speaker 7 (24:54):
Man makes you request the record each and every week
here which way to go and you can make that
record number one on the countdown as well. And we
got to make it happen here each week on the
radio show. All right, we're gonna step away, take this
quick time out. When don't we come back, We're gonna
find out what's going on with MD all right? Also,
we need to talk about somebody who had a little
(25:15):
a little incident on stage and kept a professional as well.
And we do have some folks that did chime in
on who they would like to see in the verses
that we didn't see. We're gonna mention THO mention those
as well. Our strictly independent hip hop and army music,
Get us finance, y'all's the radio show will be back.
Here's what's going on recently on the radio show. Putting
(25:36):
out singles and putting out EPs right there, testing your
testing your music in that aspect, Britt, how many songs
do you put as far as testing is concerned, Do
you even test or how how does that go with you?
Speaker 1 (25:50):
I don't test. I just put things out and you
see what people like and what people don't like. But definitely.
Speaker 9 (26:00):
Really you know, like some people might not like that
I'm saying this, but I don't really put music out
for my fans like that, like I do, but I don't.
It's really like what I like and if you don't
like it, you just don't like it. I do this
for myself and for like my mental health, you know.
Speaker 24 (26:20):
I was talking to music professionals and the majority of
them said that artists put too much out. You don't
get the fan base and the consumer opportunity to marinate
on the sound that they're trying to create as an artist,
and what they need to do is probably put out
(26:41):
a song every three to four weeks, but make sure
you do some promotion behind it.
Speaker 8 (26:51):
Right now, I'm here to support ourselves.
Speaker 7 (26:53):
We stopped by the lifetime release of the film Taking
That a Truck Stop. A lot of supporters and celebrities
came out to support this film as a touch is
a very serious subject matter. I spoke to some of
the cast members as well as guests and got their
thoughts on this very important project or.
Speaker 25 (27:11):
The importance of this film Taken Out a Truck Stop.
It's one of the third in the franchise of the
Black Girl Missing. It's really important for us to look
out for one another, to also ring the bell that
when black and brown people go missing, that we need
the same urgency, the same compassion, the same not dismissal
the validation. And this is why it's important for these messages,
(27:33):
for these movies to be told and for people to
talk about it. So that we are seen and we
are validated and we are looked after.
Speaker 14 (27:41):
It's such an important deal.
Speaker 5 (27:42):
The black girl missing gill Is is so much a
necessary social justice to bring more awareness of black and
brown missing women.
Speaker 6 (27:51):
And what are the better way to do.
Speaker 14 (27:52):
It than to put it in our entertainment so that
we're learning while we're being entertained.
Speaker 7 (27:57):
Cat's stuck at a truck stop on Life Time, October
twenty fifth, this.
Speaker 8 (28:03):
Week to pick his j T l R featuring Snoop
Dogg and Mad Scientists.
Speaker 16 (28:07):
That's my box with so much trauma on the I
G kind of hard bing jail double nyt paraphrase.
Speaker 8 (28:14):
No distance I heard each week on the radio ship.
Speaker 16 (28:16):
Yet this stupid pursuit of the wealth tender you go on, girl,
just shake that fruit because I never know.
Speaker 2 (28:21):
If now back to the radio show, I.
Speaker 14 (28:32):
Don't know, you don't know.
Speaker 15 (28:41):
Shoot you out, baby, you do right, tack you feel
that cook good?
Speaker 3 (28:45):
Tell me, don't start.
Speaker 4 (28:52):
All yeah, let me pet the scene that I'll know.
I covered likenls who scenes. I'm only one that thing
in between and if I've ever made an AFT, you
could watch me leave now. Don't stop giddy, giddy, even
if I'm mad or your friend ken giddy. I'm a
real real but I don't play myself. And if Buddy
thought he played me, then he played itself. Now if
you're right, then you can get it.
Speaker 3 (29:12):
I like you.
Speaker 12 (29:13):
Yeah, I'm way you can.
Speaker 15 (29:14):
Trem me good if it's bore me. Hell, I'm real
good for you boy, real good for your help. Yeah, baby, beauty,
(29:34):
I tell you feel.
Speaker 14 (29:35):
Like you're good.
Speaker 3 (29:36):
Tell me.
Speaker 14 (29:39):
Don't startling.
Speaker 26 (29:48):
Yeah, sweety, Julie, I don't love every time you can't
tell me boy has one too Honi on.
Speaker 14 (30:02):
Your honey.
Speaker 12 (30:14):
You don't know a mana and.
Speaker 14 (30:21):
You don't know Alona.
Speaker 15 (30:24):
Baby, you do right time you feel like a good tell.
Speaker 14 (30:28):
Me, oh by, don't start to my nerdy sor and
you all by thinking.
Speaker 6 (30:35):
Knew it all now.
Speaker 2 (30:41):
Love and lost late late.
Speaker 3 (30:45):
Late, begin and move a crowd.
Speaker 2 (30:51):
Show, turn up the radio.
Speaker 3 (31:00):
My ship.
Speaker 12 (31:03):
Freeze, mister got go ahead.
Speaker 20 (31:07):
I saw look at myrie mas bout two hundred years
ago that China bath the tight read.
Speaker 12 (31:17):
If he's slep number take ship.
Speaker 2 (31:20):
That so is look at my ride where.
Speaker 6 (31:23):
Is got two hundred years of good?
Speaker 20 (31:26):
That China Braschi.
Speaker 12 (31:30):
If he shut tied other.
Speaker 3 (31:33):
Than dam it's mister fras on them.
Speaker 20 (31:35):
Come make this one, don't you could bind the red
by the other that the side all yeah, Look that
she rides.
Speaker 14 (31:40):
It gives you.
Speaker 12 (31:41):
Come make it l on Ain't.
Speaker 23 (31:43):
Nothing not getting drug up and not make a Hollo
magic six. It gives the nasty nast Bernie. Make up,
eat the pathy they give me, Daddy, Daddy, or that
I'm giving the match sixty nasty ess Bernie, make up,
eat the pathy they's gonna be Daddy, know that.
Speaker 2 (31:57):
I'm killing all Okay, what you was big?
Speaker 20 (32:02):
Turn me away?
Speaker 2 (32:04):
You won't forget given no physic.
Speaker 14 (32:07):
I live in at and one.
Speaker 20 (32:08):
Get bag around girl, brilliant damonds dripping the sub celeb.
Speaker 18 (32:14):
Look at my Rit's three.
Speaker 3 (32:17):
Years ago China bad to Tibury.
Speaker 6 (32:22):
If he's live, i'ma take yes, that's so rich.
Speaker 20 (32:26):
Look at my rauist by two or three years of
going next train of bread the Tiber. If he's living,
i'm'na take it bout shiget it like dad. Maybe you
get take it, take it to get away, go down.
Speaker 23 (32:43):
Trynagent nikked Nigga joined him by so grind grind.
Speaker 3 (32:50):
I'm trying to sweet a bit sweet thighs.
Speaker 1 (32:54):
I gave you the orship squash.
Speaker 2 (32:56):
I don't blue faces because I.
Speaker 20 (32:58):
Know you're goanna morning I down a bolt.
Speaker 2 (33:01):
Of ship swanny cheap.
Speaker 20 (33:03):
You can't real nesting. You're gonna get out that said.
He's letting him really mean, Let this sure babby him.
Le me see, let the party do the my way
love it? How you throwing baby going crusoes.
Speaker 3 (33:21):
Look him out of years a going that train a
brag the type.
Speaker 6 (33:29):
It's really not my ticket ship.
Speaker 3 (33:32):
That's all.
Speaker 20 (33:34):
My rissing going sign a bag tied.
Speaker 3 (33:42):
If he's.
Speaker 18 (33:48):
Swam get so much and runner.
Speaker 3 (33:51):
I'm put my shoes.
Speaker 1 (33:54):
That's not gonna freeze.
Speaker 3 (33:57):
Myster, gotcha?
Speaker 27 (33:58):
Go ahead, alright, look your boy Elijah Banks and you
(34:22):
listening to the radio show that's b A n X
no ks because I'm the one to.
Speaker 14 (34:26):
Kill my b you want to build on it.
Speaker 12 (34:50):
Is going.
Speaker 3 (34:52):
On felding it.
Speaker 14 (35:00):
But let's way but make sure whether ab is not.
I don't want to a couple of guys. So you
(35:20):
have some and I like that.
Speaker 19 (35:25):
I like that.
Speaker 14 (35:26):
I had not. I had nothing.
Speaker 2 (35:31):
I had not.
Speaker 14 (35:36):
I'm nothing. I am nothing. I'm nothing. And you see
what I'm looking with all the happens me on my
(35:57):
reverdy day has been fun, nothing like get hurt and texts.
You know you can't. You got an election, so you
get the murder sometime because I don't want to murmer.
(36:19):
Maybe Mary like a good dance because maybe oh you
want to be like that. You don't mean like that.
I like that, Oh like.
Speaker 11 (36:33):
Like that.
Speaker 14 (36:35):
Well, my girl Calina get a dre has t called
(36:56):
be a private show and you know I like that
and I want you try to buy that. I'm a girl.
We wanna do it like you and do it like that.
Speaker 8 (37:34):
There, don't forget.
Speaker 7 (37:37):
You can always catch the visual portions you're on the
radio show. You can always catch them on YouTube as
well as twitch. Keyword d a radio show, you can
catch it the visual portion. This is also a video show.
Can I always tell you enough? We be making it
happen on that end. Also, you can go to the
radio show dot com you can check out the visual
portion of the show as well. So we're doing a
(37:59):
video show and radio show at the same dang time.
Big shout out to Reef Hustle for coming on and
being a guest earlier. Make sure you request this record
here on the radio show. Which way we go which
way to go each and every week here on the
radio show. So yeah, do that thing right there. We
finally had a chance to catch up with m D.
(38:19):
Man MD, finally in the building. Man, So MD, what's
going on?
Speaker 8 (38:23):
Man? Now?
Speaker 7 (38:24):
We just mentioned earlier that the verses did go down
cash money as well as no limit on stage, making
it happen out there in New Orleans. I'm sorry, no
that I was in Las Vegas. I'm sorry the versus
in Las Vegas. I'm sorry it was out there. It
was out there.
Speaker 8 (38:38):
I thought the verses was cool. I like, I like.
I didn't like the fact, like you said, Britt, that
that Lil Wayne was not there.
Speaker 7 (38:45):
However, I did like the fact that Snoop did come
out there and it did that record, that No Limited record.
Speaker 8 (38:50):
I did like that.
Speaker 7 (38:51):
You know, I didn't expect to see him. I thought me,
x you know, did her thing as well. She was
there making it happen. Uh exactly now. Now, I was thinking,
I said, who would you like to see in the
verses that haven't had the verses? I was thinking about
that as I was kind of glancing over at that versus,
So I thought of a couple of people who I
(39:11):
would like to see in the verses. I would like
to see Usher and Chris Brown. I want to see
that happen. Okay, I want to see that happen. Also,
I would like to see you know, it's just because
they're beefing now. I want to see them in one building.
Nicki Minaj and Cardi b I want to see them
(39:32):
on on verses. I want to see that live on stage.
I want to see how long they can go containing themselves,
you know, before something really cracks sauce. I wouldn't mind
seeing that versus that fireworks to be off the hook.
Speaker 9 (39:45):
I feel like that's not fair to Cardi because Nicki
got more songs, you know, like she's been in the
game longer. I mean, but I'm sure Party would hold
her on, you know, but yeah, I feel it and
tell them like it would have to be like the
Top ten so or something like that, where you know,
Nikki can't run over her with her catalog.
Speaker 7 (40:04):
Well, I think I would think that that they got
enough hits, you know, to make that a nice you know,
versus I think so I think so, you know, I
would like to see just just for the firewards. I
bet you that versus to be really they would do
very well.
Speaker 9 (40:17):
Ready, so you already know it's gonna crack because everybody's
gonna win to hear the side jokes, like you already know.
Nika say something so off the wall CARDI might throw
a shoe, it might it might get interested.
Speaker 7 (40:28):
You exactly exactly, now, who would you like to see
in a verses that I didn't mention that that that
you would like to see?
Speaker 8 (40:35):
Anybody can think of?
Speaker 9 (40:37):
No, not at the moment, No, there is is nobody
I could think about it. I got like a person,
but not like versus somebody else, you know, like, so
I don't, I don't know, you know, let's ask our guests.
Speaker 1 (40:51):
Let me think about it.
Speaker 8 (40:53):
For a second, okay, reef ussor who would you like
to see in the verses that that you have not seen?
Speaker 6 (41:04):
I was gonna say Kevin Foxy Okay, okay, that'll work too.
But I was also gonna say a future.
Speaker 7 (41:11):
Okay, that'll read that'll be that'll work too. I didn't
think about those two. I didn't think about those two
not not s C Underscore digit Underscore Distribution Underscore LLC
on I G says onyx and verse.
Speaker 6 (41:23):
Mop oh Okay, that's tough.
Speaker 7 (41:27):
That's tough out there. Okay, okay, Kelly Good, is that
is that right here? Kelly Good's voice right there?
Speaker 1 (41:33):
Yeah, yeah, he said fifty versus brick Ross.
Speaker 8 (41:36):
Okay, huh okay, that might be something. That might be
something right there, that might be something.
Speaker 1 (41:44):
Yeah.
Speaker 8 (41:45):
Yeah, who would y'all like to see in the verses?
Speaker 7 (41:47):
Keyword da radio showing off social media platforms that we
have not seen in the verses yet. Let us know
your thoughts, man, it's all good man, Well, I said,
it can't say that. We did talk about the different verses,
and people did chime in on some people who they
would like to see Haber versus uh Jay Smooth Valentino
chat chying there by saying, the roots versus the fujis.
Speaker 8 (42:07):
What do you think about that? The roots versus the
fujis in the verses?
Speaker 9 (42:12):
Yeah, that that'll be cool. That'll be real cool. Kelly
Good said, Drake versus Kanye.
Speaker 7 (42:23):
Drake and Kanye, Okay, I can't get it. Yeah, Draken
have enough material on Kanye definitely got enough material. So
yeah that I can see that versus I can see
a Drake and Kanye, and man, why not man, Drake
and and and and Kendrick Man, let's let's let's let's
let's see how long they.
Speaker 8 (42:40):
Can stay on one stage together. Probably knock him.
Speaker 1 (42:45):
All he got is they not like us?
Speaker 9 (42:48):
And probably four other songs that we know that pop
Drake got a whole catalog.
Speaker 1 (42:53):
We're not playing in games?
Speaker 7 (42:55):
Why I can't Kendrick got enough for a catalog too?
Now he got enough, He got enough out there might
have won.
Speaker 9 (43:01):
Their little tit for tat, uh huh. But in a
versus battle, Drake is winning hands down.
Speaker 8 (43:08):
You think so? Draken went hands down?
Speaker 1 (43:10):
Hands down?
Speaker 7 (43:11):
Okay, all right, I'm sure some people don't here that
will probably beg to differ, you know, on that one. Also,
he chimed it by saying, Tony Tony Tony Firsus Mad Condition.
When do you think about those two Tony Tony Tony
first man Condition.
Speaker 8 (43:26):
Tony Tony went halfs down?
Speaker 14 (43:29):
Uh huh?
Speaker 8 (43:30):
You think so, man, Tony tell you have to be hitched?
Speaker 1 (43:34):
They do make Condition half.
Speaker 8 (43:38):
Two or three hits?
Speaker 7 (43:39):
Yeah, Well, I guess you got to be more of
a fan of make Condition to really kind of get
some their songs right.
Speaker 24 (43:45):
If you're talking hits Tony Tony hands down.
Speaker 8 (43:49):
Yeah, okay, okay, all right, so those are so far.
Speaker 7 (43:53):
We got some folks chiming in on that, letting us
know who would you all love to see in the
verses that they have not had yet. All right, we're
gonna get to the celebrity interview. Its was love and
Luss coming up in a little bit and play at
a slig of course. Uh, first and foremost one more
celebrity topic before uh uh industry topic before we get
to move right along here. So she was live on
(44:16):
stage at a show recently, and though she had an
accident performing as she was trying to slide down. Uh,
she slid incorrectly and Bluton fell on the ground there,
but the show must go on. She hopped up and
stayed professional. Who is that she hopped up on stage?
She hopped up off the slide and stayed professional and
(44:39):
that like nothing went wrong.
Speaker 1 (44:42):
Exactly, yeah, exactly at Preschooler.
Speaker 20 (44:54):
Live.
Speaker 7 (44:55):
Yeah, she's on stagy performing live and and and and
it didn't slide down correctly. Well, I guess this would
be more so geared to with you, Britta, if you
had any accidents like that and you hopped up or whatever.
And stayed professional.
Speaker 9 (45:06):
Are you performing yeah years ago, not recently, but maybe
like almost twenty years ago.
Speaker 1 (45:14):
Yeah, I did. I was in West Hollywood and the.
Speaker 9 (45:19):
Stage had an arch of balloon and the stage was dark,
no lights was on. You can be right in the
front of the stage. So you know, I always got
some type of train type scenario. That's when I first
started wearing that long tool crap I'll be wearing.
Speaker 1 (45:37):
And I slipped on it and fell, but I jumped
back up.
Speaker 9 (45:40):
And you only seen it if you was on the
front road, because you know, I had went towards the
back of the stage trying to turn.
Speaker 1 (45:46):
Around or something like that.
Speaker 9 (45:47):
It's like oop, like oh man, So if you wasn't
on that first road, you didn't see it.
Speaker 7 (45:53):
You know, indeed, Okay, that's what's up, man, that's what's up.
So so really hopped up and she did her thing. Man,
she stayed professional while she's making it happen.
Speaker 9 (46:07):
Because you see Beyonce peil and it like she almost
hit her face on the ground or something like that,
and she dropped.
Speaker 1 (46:12):
She jumped up fast.
Speaker 9 (46:13):
I know when it was over, I was sage like,
oh my god, like but yeah, she she fell hard.
And she jumped up like she jumped up on beat too.
Speaker 7 (46:21):
Like, oh man, you know that's that's that's real man. Actually,
this do be happening while you on stage performing. So
uh yeah, any artists out there, hit us up with
your stage performance. Mishap right there that you hopped up
and stayed professional keyword their radio show.
Speaker 8 (46:42):
Let us know your thoughts on that.
Speaker 7 (46:45):
Let's get to the celebrity interview this week brought you
by Spotlight three sixty Media. I had a chance to
recently catch up with the legendary actress Glenn Thurman. If
you know, he played on a Different World's Man as
well as Cooley High. He also resently got a star
on the Hollywood Walk of Fame. So I caught it
with him recently at a at a recent event and said,
(47:06):
what's up to him? Here's how that went, show.
Speaker 2 (47:10):
Ripping and all the red car bass.
Speaker 6 (47:13):
Here's an exclusive celebrity interview.
Speaker 8 (47:15):
When I was watching this, I wanted one of the.
Speaker 21 (47:19):
One of the man.
Speaker 1 (47:23):
All good man, All right, man, good.
Speaker 8 (47:27):
Man, first walking, congratulations on the star on the Hollywood
Walker fam. Oh thank you man.
Speaker 22 (47:31):
Yeah, yeah, that was that was a dream come true
kind of thing.
Speaker 8 (47:35):
Definitely on it with City Sidney Potier and a lot
of people like that. What does that make you feel?
Speaker 27 (47:41):
Man?
Speaker 13 (47:41):
Man?
Speaker 22 (47:41):
I can't explain it really, because that was my idol
growing up. You know, his first man I worked with
on stage and was kind of responsible for keep in Mind,
helping me keep my career on track, and many other
advisorary things that he informed me of along the years.
You know, so I be putting next to him was
(48:02):
really a special, a special thing.
Speaker 3 (48:11):
Yeah, let's go, let's go.
Speaker 5 (48:13):
Let's go with your girl, Britty lovin x the Human
Chandelier Here on the radio show, and you're listening to
Love or Lust? Do you have a problem with your relationship?
Do you want to know if it's love or lust?
Let us all vote and let us all let you
know if you're in love or if it's lust.
Speaker 7 (48:30):
All right, y'all w inside of love and lust? Roight
about now, and we'll let the birthday girl do her thing.
Britt the living next to human chandelier.
Speaker 8 (48:38):
The floor is yours.
Speaker 9 (48:41):
Okay, guys, it's your girl, pretty loving et the Human
Schandelier And today on Love or Lust?
Speaker 1 (48:51):
And today on Love or Love? The topic is is
it love or lust?
Speaker 9 (48:56):
If you've been providing for someone and they are a
custom to a certain lifestyle, but you can no longer
provide this. You are no longer able to provide this lifestyle,
and they tell you if you can't provide the lifestyle,
they are going to leave.
Speaker 1 (49:13):
Is that love or is that lust?
Speaker 7 (49:16):
That's either one right there, that's that's that's uh, you
know you you financially unable to compete, so you you
you know you're done.
Speaker 8 (49:25):
Really, that's neither love nor lust.
Speaker 7 (49:27):
I don't think you know, they lusted for if anything,
they lusted for the fact that you was able to
financially take care of them. But obviously they prove that
they don't love you because when times got tough, they
got going. So I'm gonna go ahead and say that's
that's either well, I mean, if anything, it to be lust,
But I don't think it's out of one.
Speaker 1 (49:46):
Okay, okay, all right, the.
Speaker 8 (49:49):
Total wash out. Okay, Yeah, I just can't see the
love all the lust. Yeah, I can't see out of
one either either.
Speaker 22 (50:00):
One.
Speaker 1 (50:00):
I hear it being lust. You know, like you thought
you you thought you were in love.
Speaker 9 (50:06):
I guess you know, you really liked how you were
being treated you thought this person was the one, and
they they knew what type of person you were, you know,
they knew what you were accustomed to when they got
with you, and when stuff got hard, they like, well,
look man, you know, like I can't do this because
I've been with you. I ain't got no job, I
(50:28):
got a card, note, I got all this stuff. What
am I supposed to do?
Speaker 3 (50:31):
You know?
Speaker 1 (50:31):
So, I mean I could see it just being lust.
Speaker 9 (50:35):
You know, and not love, okay, because if you love
a person, you'll try to figure it out. You know,
you'll be like, you know, I wouldn't usually, but you
know what, like let's just go in and see what
we could do, you know, let me see what I
could do.
Speaker 1 (50:51):
M hm.
Speaker 7 (50:53):
So, so you're saying it's lust me and indeed saying
it's either love or lust. What's Kelly good to you?
Put him on to see what he think of that.
Speaker 1 (51:02):
That's saying.
Speaker 19 (51:05):
Okay, fella, okay, Brett, I'm gonna take it out. I
did it cannot be loved. What they think it was love.
The person who was getting the money thought that he
loved the woman. He thought that he understood he earned
the money. But it couldn't be loved because the love
was never reciprocated, so he never got a chance to
(51:27):
see how he was getting loved back to know that
if he really had a good day calling for it
to ever be fully fully understood his love. Now, I
would say it is lust because the woman who was
receiving the money, he was receiving the money out of
the lust LUs or the money LUs for the relations
(51:49):
did because he knew that he was getting provided the means.
It was an arrangement. It was never loved. It was lust.
The man was lusting after her, and use lust for
love because she was lusting after her so much that
he thought that he loved her. Was one of the
strength every nickel, don and penny without any love being reciplicate, reciprocated,
(52:12):
because it was an arrangement from the get go. So
I'm gonna have to go with lust on this one.
Speaker 7 (52:18):
Okay, Okay, Okay, you're going with lust, all right. He's
going with lust on that one. Okay, all right. So
Brett and Kelly good both for going with lust on
that one.
Speaker 8 (52:28):
All right. Me and MD, we don't think it's out
of one. Give us your thoughts.
Speaker 7 (52:32):
What do y'all think about a keyword da radio show
on all social media platforms.
Speaker 8 (52:37):
Let us know what he's saying, love or lust on
that end.
Speaker 7 (52:40):
All right, let's go ahead jump in the play at
the slave. Let's go ahead and do this right now.
Speaker 9 (52:48):
Join the radio show every Monday night, every Monday night,
play Waiteth with the indie song that you enjoyed the most.
Speaker 7 (53:01):
Right about now, what we do each and ever wee
week around this time is we ask one fundamental question,
and that's what should we do these particular songs. Should
we play them or should we sl writ y'all, slay
the record, throw it in the cide of trash, never
to be heard from again. Or we can play these
(53:21):
songs over or over again and at them perhaps to
the radioshow dot com.
Speaker 8 (53:27):
All right, so the first record we're going to play
right now.
Speaker 22 (53:30):
Uh.
Speaker 7 (53:31):
The theme of this uh play of the slad you
guys is big, all right big. So the first record
we're going to play is by an artist by the
name of Big Booten Songs called Constellation, Big Wooten songs
called Constellation.
Speaker 8 (53:48):
All right, let's check it out. Play the slay, Let's go.
Speaker 14 (53:51):
The radio show, Radio show, the radio show, or slay.
Speaker 3 (54:03):
You the padicing no party. Yes you are.
Speaker 18 (54:08):
City applause.
Speaker 1 (54:08):
I take you as you are.
Speaker 8 (54:11):
You're the constellation.
Speaker 12 (54:13):
Babb you bysta You'll be shining so bright.
Speaker 3 (54:17):
I be mad from my father. Tell me that you
for me?
Speaker 2 (54:23):
Then I'm gonna make you my queen ohna cat you
every day.
Speaker 14 (54:29):
You know I want you for me. I get you
a ring.
Speaker 8 (54:34):
Everything, baby, you my What do my mother do?
Speaker 14 (54:38):
La name mother? Gotma?
Speaker 3 (54:41):
Not that right?
Speaker 8 (54:42):
Just smile mass amazes.
Speaker 1 (54:44):
Ain't not feeling away?
Speaker 12 (54:47):
Starting a line with the white.
Speaker 8 (54:51):
Show me how background y'all.
Speaker 14 (54:54):
Show the radio show or slid.
Speaker 7 (54:58):
That was our first play to slid could write there,
that's big wooten songs called constellation, Big wooten Constellation.
Speaker 8 (55:05):
I thought it was okay, but barely. I'm going to
play it the living next to Human Chandelier, Play at
the slig, What should we do with it?
Speaker 1 (55:18):
Planet?
Speaker 8 (55:19):
I like it, m d play the sled. What should
we do with the record? I'll mute your mic. I'm
gonna have to slay it. You have to slay it, okay,
(55:40):
Kelly good? What do you think about the record player
the sled? Let her set it up. Yeah, I don't
hear it.
Speaker 3 (55:53):
I don't hear.
Speaker 19 (55:58):
Ye, I'll give it a chair.
Speaker 7 (56:02):
Okay, everybody else, we will see you next week saying
back time, saying back channel with another exciting guest The
Radio Show, see y'all.
Speaker 6 (56:12):
Hey, the Radio Show so far.
Speaker 2 (56:14):
Make sure you follow us on all social platforms at
the Radio Show
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