Episode Transcript
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Speaker 1 (00:00):
They're not a session.
Speaker 2 (00:01):
Drop it down the radio show.
Speaker 3 (00:09):
Bump City, the bumpster, they bump up.
Speaker 4 (00:10):
I got the up up up pump and the fee
five to four feed the fun Philly fumps the feed
pipe up. I'm hyping the Pinocchio's nose because I'm a
super catult I get the oopsie daisy, Now you got
the crazy.
Speaker 3 (00:22):
Well, let me stop right there.
Speaker 4 (00:23):
That right there was a group which I've heard nobody
use their style in a long time, and that's uh.
The song is called they want affects the group. That's effects.
I heard nobody do diss effects style.
Speaker 5 (00:36):
Man.
Speaker 4 (00:36):
Uh. Always paying how much to the old school artists.
I may skip the word or two, but it's all
all good. I heard the song in twenty years, but
it just came to my head. But always paying how
much to the old school artists as we discover new artists.
Here on the head, not a session, the after party.
Power about the radio show. This is where we take
(00:57):
songs that are submitted to us, give them that honest
feed back, that critiquing of the song, and let you
know if you need some production work or not. So
if you cannot handle constructive criticism, please do not send
your music to us right now, but if you can,
you need help production help wise, we're here to help
give you that ear, give you that an artist feedback
(01:18):
that some people may not be able to give to you.
So right now, we're a little light on songs tonight,
which is kind of surprising. You're gonna go ahead and
send your music to us right now at keyword DA
Radio Show. The link should be in your on the
platform I'm sor right on. The link should be in
your bio, and it should be in the chat as well,
depending on what platform you're checking us out on, or
(01:41):
you can go to www dot the radio show. That's
DS and David asanappleradioshow dot com. Go to where it
says submit music on the photo, click on that, upload
the record and it'll find its way to us. All right, MD,
let them know what's up real quick.
Speaker 6 (01:59):
What's that You don't get it right? We're dish. Don't
give us your best, so we can take you to direct.
Speaker 4 (02:09):
And it is for entertainment purposes only, all right. So
we got a few records we're gonna get to right now.
Let's go ahead and jump into the first one, which
is I Lost it. Let me find it real quick.
I'm sorry, sorry, I lost it on my computer. Uh, Sanders,
(02:36):
I'm sorry. The Artist nine. The Artist nine song is
called Sanders. The Artist nine songs called Sanders. Let's check
it out.
Speaker 7 (02:45):
Here we go, y'all, hold your head, how you do it?
(03:07):
It's just the start of the ride. They don't measure
their heart when they scouting the Pride office. Sweat all
the nights you was grinding the lawn. Ain't no draft
spot to finding what you built on.
Speaker 8 (03:17):
Y'all. Remember the field, Remember the drills.
Speaker 7 (03:20):
In the rain, Remember the doubt and how you out
played all the pain. You ain't working for the critics.
You ain't grinding for the fame. You working for the legacy.
Speaker 9 (03:28):
You playing for the name.
Speaker 7 (03:29):
They gonna sleep let them now. You just lace up
and run every throat, every snap. You don't already won
first round, last round, or no round at all.
Speaker 3 (03:38):
Hung the real one's.
Speaker 1 (03:38):
Gonna rise in the bake.
Speaker 10 (03:39):
What's gonna fall?
Speaker 7 (03:40):
You gotta stay locked in, stay focused. You then already
man history, the leg get your stage, the journey, the victory.
Speaker 1 (03:48):
The league is the stage, the journey, the victory.
Speaker 8 (03:51):
You remember that they hate.
Speaker 7 (03:52):
To see a young king, polish the well, raise Mama
taught them better cops the wine and showed them how
to praise, smile, clean game, clean mind shopping some blades.
Speaker 10 (04:00):
Ain't no skeletons to pull it.
Speaker 7 (04:02):
Ain't no like they can say, how you plag baller,
brother that go play by the book.
Speaker 8 (04:06):
Ain't no scandal, ain't no gimmicks.
Speaker 7 (04:08):
Just the really just look feminine like some braids character
out the roof game called soul cold plus see you
walk in this truth.
Speaker 4 (04:16):
All right, that's the artist nine. I just abruptly just stopped. Okay,
all right, so that was the whole song. Okay, that
wouldn't me having technical problems or anything, but that was
the whole song. So let's get some feedback on the record.
Let's just let's get some instructive criticism, all right. So
Jay Adams will kick it off with you, man, what
you think about the record there?
Speaker 2 (04:39):
Man?
Speaker 11 (04:39):
First first and first I heard a.
Speaker 12 (04:42):
Single man, and then in my software, man another artist
came up.
Speaker 13 (04:48):
Man.
Speaker 14 (04:49):
So you know, when I hear when I hear those.
Speaker 12 (04:55):
When I hear those samples, man, it's kind of hard
for me to get past that. Man, But I like
the flow though. Just questionable on the beat. I think
the flow is decent, but I always say, man, song
song construction. For me, it always starts with the production man.
So yeah, man, I would want them to work on that.
(05:18):
Let me see some clearances on that song. That's a
famous song, right.
Speaker 3 (05:23):
Okay, all right? Indeed, what you think about it?
Speaker 6 (05:27):
I'm trying to feel the same thing way J feel. However,
it was too much sacks. He could have came in
with that fact every other bar. He took it from
float on. I don't think they need to see it
too much because they're not staying float on. They're saying
soul wrong. So that's different. You can't suit nobody on
(05:52):
a melody. You can see them on lyrical contents. That
is exact the way the original act the rich No
Song was done. Well, they can try to get away
with that. So wrong, so wrong. I like it. It
was too much facts while he was rapping that should
have been out. Should have been out, you know. He
(06:12):
should have came in like every other four, every other bar,
so he had enough time to breathe. So yeah, they
gotta go back to the production clean it up.
Speaker 4 (06:22):
He might have something, Okay, Kelly, good, what do you
think about the record, Yeah, man.
Speaker 13 (06:31):
Well or beat? I like to beat. The people's real smooth. Uh,
you know, like y'all saying he might have took that
from somebody, but uh for entertainment purposes, you know, I
like it. H He had a good sound. That beatles,
cool slows DC. Let's call Andrew tell uphone number we
don't and recorded.
Speaker 6 (06:50):
Yeah, yeah, lady, yeah about that on that recording.
Speaker 13 (06:55):
As y'all know. I mean, I'm in the California state figure. Man,
we're doing this live for here whatever. Yeah, but I
liked it for for for the most part. Man, it
was small.
Speaker 4 (07:04):
That's what's up?
Speaker 3 (07:05):
Okay?
Speaker 4 (07:05):
All right?
Speaker 3 (07:06):
Brittal e an next to human chandelier? What did you
think about it?
Speaker 15 (07:10):
Songs sound very familiar, so I couldn't help but like it.
Speaker 16 (07:13):
You know, I thought it was cool. But like he said,
I don't know how you're gonna get that sample?
Speaker 15 (07:18):
Clear?
Speaker 3 (07:20):
Got you? Got cha?
Speaker 6 (07:21):
No, that wasn't a sample. I have to give him
that credit. It wasn't sample because they didn't say float on.
Speaker 3 (07:28):
They said, well the beat, the beat was what's the
float on beat too?
Speaker 6 (07:32):
It don't matter at the bat. That don't mean nothing.
That don't mean nothing. You got to be exact identically.
That's sampling when you take somebody' original song, saple it
and put it in yours. They didn't do it till
somebody Okay, yeah, they took somebody idea, but they they
(07:53):
put a twist to it, which everybody do.
Speaker 1 (07:57):
Now.
Speaker 6 (07:58):
We can't help it. Music been out too long for
you to try to break something totally different.
Speaker 4 (08:05):
Hmm okay, okay, I'm gonna have to research that one.
Speaker 8 (08:08):
MD.
Speaker 14 (08:09):
Yeah, slippery slip, research that one.
Speaker 4 (08:11):
Yeah, Yeah, we're gonna we have to research that one.
We're gonna be ready for the next week for that one.
Let's check out to the next record right here. This
is Halo, uh doing bad, Halo doing bad.
Speaker 3 (08:23):
Let's check it out that.
Speaker 17 (08:25):
My motherfucking all o my Bucky did was win out there,
worked there by fucking d they got some money. Look,
you woke up broke this morning and your answer, no,
what's the reason I gotta be more.
Speaker 8 (08:38):
Mad at me?
Speaker 4 (08:39):
Yeah?
Speaker 17 (08:39):
They man, they had like they can't stand to see
me winning.
Speaker 8 (08:42):
Well, too bad. I get had the money that she
feel real good to me.
Speaker 17 (08:45):
Okay, I just taking all this bad and then they
never go nowhere. Boy, I might have been just spending
money on the whole like and don't kill. I stay
up in sex and spending stick on everything that I well.
I'm the wiggling in my city. Body treat me like
I'm the man. People a lot of better with me.
I'm living like I'm a player.
Speaker 8 (09:02):
Are they mad at.
Speaker 17 (09:03):
Me when I always keep it a stack and I
always play on people's emotions?
Speaker 8 (09:06):
Now, I never doing my gas.
Speaker 17 (09:08):
I was raised bottle mud, so I only wrung my
peg that fat I get money. My mama's up in
that trains count getting money in. He hate take this
ship to battle. Then were they ever stump in making money?
Speaker 2 (09:20):
Bore?
Speaker 17 (09:20):
I died and you wouldn't believe all my money I
may carry it. I always say this, the stamn shame.
My money can't be in my wire. I go out
this pitch and face the doctors. What you think about it?
I go out and chase that money for real. I
don't just dream about it. I took that money and
throwing that funny. I stayed the same.
Speaker 14 (09:36):
I never change.
Speaker 8 (09:37):
I'm getting that money and that's on everything. I got
him mad and it's a game.
Speaker 17 (09:42):
I want to bologize because they gonna always hate to
see and chase.
Speaker 8 (09:45):
Them down to size. I'm never stroking, always pay these
niggas throwing.
Speaker 17 (09:49):
Shame you mad cause you know how much I'm made today.
Speaker 8 (09:53):
Man, they mad, they man, they mad, they man. Ain't
doing bad. They mad. Man they man, they man, they mad,
they man. They made they doing that. I ain't had
the money, ain't got him mad. Yeah, they mad. I
gave up that. Jesus always thusing me. Damn, I'm bad.
Speaker 17 (10:11):
I'll be praying for this, but somebody always falls in
my life.
Speaker 8 (10:14):
I feel like my life is a movie. Sometimes you
ask person like that got.
Speaker 17 (10:18):
My old place of fat bitch y'all get to my
money one bigger. Never hear me say just can't you
let me or something. Ain't never in the position to
live a nigga or nothing. Ain't he mad at me
cause they see me getting some money. I'm not living
how they mad at me for being who I am. Damn,
I can't get I ain't goot little money for myself,
went out and got it in the money. It's the
(10:38):
places in the trenches trying to find a way that
makes little paper. There ain't nobody it'll be either put
my trust in Jesus niggas. Now he mad that I'm
mad if bout me taxed. It ain't nobody stopping that.
I brother, whatever I want, ain't that shot.
Speaker 8 (10:51):
Me car to wipe the car. You can't get mad
in the nigga just because your life is hard. Dann
seem like you mad at me for nothing.
Speaker 17 (10:57):
They always madaged you man getting money, and I want
to let you get nothing from me.
Speaker 8 (11:02):
I'm probably getting this money.
Speaker 17 (11:04):
I'm problemised to spend it on me, changing money, trying
to stack a me a million.
Speaker 8 (11:08):
Honey man, they mad, they mad, they go bad. They
mad they're going bad. They mad they going bad. They
they going back.
Speaker 2 (11:16):
They mad, they want bad.
Speaker 17 (11:18):
They mad they going bad, and they mad they want
bat they going back.
Speaker 8 (11:22):
They may doing bad. They man, the bad man.
Speaker 17 (11:30):
Shout to MA going on this money y'all. Honey, the
world cracked up. I want all my real husbands all
money man turn up.
Speaker 8 (11:44):
Let go. You just hurt this record of mind. Man,
let's just be bad.
Speaker 4 (11:53):
You just hurt that record right there. That's that Halo
songs called doing bad. Key wordy are ready on our
social media platforms. You want to go ahead and leave
a comment on the record. That avenue is open for you.
You do that right now as we speak. But we're
giving that construct the criticism and feedback right now inside
of the heading out of session. Power about the radio show.
(12:15):
It is the after party, it is the Lions. Then,
so let's go ahead and get some feedback on this
one right here, MD, what do you think about this one?
Speaker 6 (12:25):
All right? I like his tone, the way he rapped.
He reminds me of Myxical, But he's wrapped in two
two safe. He's not rolling his tongue. He's not doing
nothing different with his rap. He's doing the same thing,
you know, blah blah blah blah blah blah blah blah.
(12:47):
He's not adding nothing a little different in every other
spot or every three spots like that, to change up.
He's not doing no change up on his wrap. His
tone is nice like the style of his, but he
don't have no art artistic, artistic meaning to what he's saying.
He just he rapped like he's a beginner. He's not
(13:10):
rapping like he's experienced or he reading the lyrical sheet.
That's what he sounds like. But he got good talk.
Speaker 4 (13:20):
Okay, all right, all right, Jay Adams what do you
think about the record?
Speaker 12 (13:26):
Hey, man, Hey, I like that record. Man, you need
to tell him to get at us. Man, we can
push that record. It's it's what I hear on radio
a lot today. So I'm just looking for you know,
I'm just thinking as a program director right now.
Speaker 14 (13:41):
Man, I like it.
Speaker 12 (13:42):
The only thing I'm always say, Man, I mean, you
ain't you ain't cr you ain't jay Z artist. Man,
y'all got to start doing service packs unless y'all just
don't give a damn about radio. You know, y'all gotta
start doing service pass man. Ain't no, ain't no, ain't no,
ain't no program director, it's gonna be having no engineers,
all this, all them in words and all them cuss
words out. Your intro start out with cuss words. So
(14:06):
I know artists want to put they feel like, Man,
this is my song, is what I'm doing.
Speaker 14 (14:10):
But y'all got to take that street shit out. Man,
it's business. I'm just telling y'all, man, from this is
what I do every day all day.
Speaker 12 (14:17):
You know, you gotta do radio edits. Man, if you're
trying to break into radio. I like the song, but
that's what would hurting.
Speaker 14 (14:23):
You know, but I love a song man. I like
the flow.
Speaker 13 (14:27):
Man.
Speaker 4 (14:27):
I like to beat too, got You got You, uh
Brita Livnex to Human Chandelier.
Speaker 3 (14:32):
What did you think about the record?
Speaker 2 (14:35):
Man?
Speaker 15 (14:35):
The energy was extra high man.
Speaker 16 (14:37):
When it came on, I was like, oh, Man, like
I couldn't deny his energy. I was like, Man, he
made me win a party like it kind of like
perked me.
Speaker 1 (14:44):
Up a little bit.
Speaker 16 (14:45):
I'm like, okay, okay, you're real hyphe right now, Like
this is interesting.
Speaker 15 (14:51):
So I mean, you know, I thought it was cool.
Speaker 4 (14:53):
Okay, that's what's up. One five on the beat says facts. Okay,
Kelly Good, would you think about the record?
Speaker 13 (15:04):
Yeah, he shouted out. He was giving me like Cali
swag slash Young Gulph Dge. I heard him say, Memphis Man,
shout out to Memphis. Out rock with with Memphis and
and the artist man by the partners out there. It
was decent to me. First. You know, everything ain't meant
for the radio, you know, so you know so certain
(15:25):
something it's just just just just meant to be a bop,
you know, for you to bob to and enjoy it.
But that could get radio play in my opinion because
of what he was talking about. He talking about you man,
you know you man and me had he had a
storyline down back, and I like the way he was
ryan and beat. I like to swag on it. You
know it was decent to me. Man. I ain't got
(15:45):
no complaints. I think it was pretty dope.
Speaker 12 (15:47):
Man.
Speaker 4 (15:48):
That's what's up. That's what's up. All right, We're gonna
roll on to the next one. It's another artist who
came on the show. Uh probably he came on maybe
late late last year. Fifty to Caesar either songs called
Smooth with It, fifty to season, smooth with It, to
shake it out there we go.
Speaker 10 (16:11):
Oh riff laugh dropped another one.
Speaker 8 (16:14):
Yeah, you look so smooth.
Speaker 10 (16:21):
You look so smooth.
Speaker 18 (16:24):
Man.
Speaker 19 (16:24):
It's the weekend and it's been a low big and
this is Friday. Is Friday, so you know I'm don
she that's try and when the night off, you know
I'm gonna eat because it's what kind of facture that
say it's me got a Dose's because you know that
that boy is a tough bitch. She's key soft and
flows key showing me that hops upposed up being the
one all my friend as they all know that I
(16:47):
was postall Mike goo gun to anybody you try to
try my family.
Speaker 1 (16:51):
Or head of my name was to everybody.
Speaker 20 (16:54):
It's all hell Caesar, because y'all know my n be gun.
Speaker 1 (16:59):
What's up where you row curl so smooth?
Speaker 19 (17:02):
I love Yola because look how I love Yo.
Speaker 1 (17:08):
A little with your fool I love Yola ocause let's
look how your.
Speaker 2 (17:16):
Man.
Speaker 19 (17:16):
It's the weekend and it's been a lone way and
it's this Friday, so you know I'm gonna ship.
Speaker 1 (17:25):
And when the knife, I was like you know, I'm yeah,
it's this. I just write your listen, let's being out.
Say you're right now. I'm in the ball. Guess that
they all because the spike.
Speaker 19 (17:33):
You know, I'm a show all the m spell from
the bed with my clothes, A got your body rocking
with your horse cross. If he talks about I love
your nose off, have you opportunity knocked your doors off?
Because you know my Raybi I said, you're right now
and it's all hell.
Speaker 1 (17:47):
See is a roll with me? If you want to
have some fun, look yours up where your brow curves
so smooth. I love Yolo because look how.
Speaker 5 (17:59):
I love Yo.
Speaker 1 (18:00):
On Leo's up where your blue even so sweet?
Speaker 8 (18:03):
Love?
Speaker 1 (18:04):
Yo love? O. Let's bout how your mother agger game?
You looked so smooth with it?
Speaker 13 (18:15):
Do you know what you do?
Speaker 8 (18:16):
Ladies?
Speaker 21 (18:19):
You look so smooth with it?
Speaker 11 (18:20):
So small?
Speaker 8 (18:23):
Do you know what to do?
Speaker 1 (18:25):
Where your move? Where your glue?
Speaker 22 (18:28):
You look so smooth?
Speaker 1 (18:30):
Love yo love?
Speaker 2 (18:31):
How you yo look?
Speaker 1 (18:35):
Where your blue even so sweet? Of yo love? You
come a little bit how your mother agger?
Speaker 22 (18:41):
Dame?
Speaker 4 (18:43):
Alright? I was fifty the season right there, fifty the
season song called smooth with It? Fifty the seasons song
it's called smooth with It? So what do we think
about that one? Let us know your thoughts again? Keyword
did radio shoulder? On social media platforms? The world is yours.
Let us know what's up?
Speaker 3 (18:59):
H Kelly good? Which you think about this record?
Speaker 16 (19:04):
Come back to him? Give him like fifteen seconds? You
know the phone does its thing.
Speaker 3 (19:09):
Oh okay, right now, okay, so good? But in the meantime,
what do you think about it?
Speaker 15 (19:14):
Brit I thought it was cool, you know, it was.
Speaker 10 (19:18):
It was smooth it.
Speaker 16 (19:19):
It seemed like something you could play at the cookout,
you know, towards the evening time. But were y'all still
having a good time.
Speaker 3 (19:27):
Okay, it's all good. Let me know when Kelly Goold
come back.
Speaker 15 (19:30):
Yeah, he's back right now.
Speaker 4 (19:32):
Okay, okay, Kelly good What do you think about the record?
Speaker 13 (19:41):
He you can't like you know, it remind me like
something for you like my maha, my lady check it out.
Speaker 4 (19:52):
I forgot about that one.
Speaker 13 (19:54):
Yeah, yeah it was uh you know, really really wasn't
by time. I don't have a year for it, but
I see what he's trying to do. I think he
put a little more effort into it, and uh yeah,
I'd like to hear something something else summing, you know,
another round.
Speaker 4 (20:12):
Okay, that's what's up? Uh, Jay Adams, what do you
think about the reget.
Speaker 10 (20:19):
Good Man?
Speaker 12 (20:21):
One thing about Fiddy Man is you know I used
to work with him man, and Fitty Man has his
own style, you know what I'm saying, in his own
fan base man. And like we always say, but I
always tell artists, is man find your niche. Fiddy has
found a niche. So that's like a that's a that's
an adult ADPTE contemporary song.
Speaker 14 (20:46):
And it has its audience, you know what I mean.
Speaker 12 (20:49):
So so it's like you can't really hear it, like
like you can hear it where you at, but if
you listen to it, though it's it's it's greatly produced,
you know what I'm saying. And one thing about Fiddy
is I give him his props on his lyrical content.
So I'm all about finding your fans, man, you know
what I'm saying.
Speaker 14 (21:09):
Fiddy has done that. And if you listen to the beat.
Speaker 12 (21:11):
I'm always listening to tracks, man, because that's to don't
catch you or not catch you. But you can't really
hear it here. But I've heard that song and that
beat is pretty catchy that.
Speaker 6 (21:22):
I like the song.
Speaker 3 (21:22):
Yeah, okay, r A MD what you think about.
Speaker 6 (21:27):
I thought it was cool, you know. I still say
that he could have did better a bitter performance than
what he did. I think he could take it up
to another level. And you have you have, he have something.
You know, everybody's feeling it. It's contemporary, clean, so don't
(21:50):
even even kids would like it. I think he I
think he tapped on two markets. I didn't think he
needed to upgrade his performance. Make it sound a sound authentic,
make it sound what he's saying. If it's fun, make
it sound attle bit more fun. You know, just don't
drag just you know, make it fun. There's an emphasis
(22:14):
to it, you know, you know, but yeah, he got something.
I like it. He got he had his own he
had his own Niche like j say his niche.
Speaker 4 (22:26):
Is okay, got you got you? All right, It's gone
on to the next one. All right, this one right here.
JB songs called easy no JB easy songs called so clean.
JB easy song is called so clean. All right, man,
(22:48):
let's check this out here we go.
Speaker 1 (22:51):
Are Yo fuck your swag? All them skinny jeans? Are
they bullshit?
Speaker 3 (22:57):
Just the real shit?
Speaker 1 (22:58):
Are yo keys?
Speaker 8 (23:00):
All them?
Speaker 10 (23:11):
I'm so clean.
Speaker 1 (23:14):
SAgs?
Speaker 15 (23:16):
Do you know what I mean?
Speaker 10 (23:19):
Hius bis, I'm so clean?
Speaker 1 (23:24):
Say do you know.
Speaker 22 (23:27):
What I mean?
Speaker 10 (23:29):
Hih us By.
Speaker 23 (23:33):
Got the swag on a better rig catch me late night?
So when now black David better man his whole south side.
Speaker 8 (23:39):
Of the club. So you know they screaming hit me again.
Speaker 23 (23:41):
Let's drank Kibrey Brown for a straight into the line
water dawn drinks.
Speaker 1 (23:44):
That's a waste of my time. We be your peace status.
Speaker 24 (23:47):
So they switched the line, run the feet and depend.
Speaker 23 (23:50):
On other stuck just waiting to be signed. Some damn
it wain't shitting more money is mine? Hummus clean, that's
gonna shall be with the seats with Kling, don't go
wehead and far rough that pond. Give a damn what
they play nowadays, hope rather they hear what the hoods.
Speaker 1 (24:03):
Got to say most music.
Speaker 23 (24:06):
The ship is some soul, stay hold on them fully
is and fuck with you. Her Casey is the town
fore city, but it's two states, so it's counting for
me to switch plates when I switched states.
Speaker 8 (24:16):
Dude, you know what that mean?
Speaker 1 (24:17):
I slow from the drink.
Speaker 5 (24:19):
I'm so.
Speaker 1 (24:22):
I'm slags.
Speaker 6 (24:25):
Do you know what I mean?
Speaker 18 (24:27):
Hi?
Speaker 10 (24:28):
Us by us I'm so clean.
Speaker 1 (24:33):
SAgs.
Speaker 15 (24:35):
Do you know what I mean?
Speaker 1 (24:38):
Hius bye. I've always been against a greenwich.
Speaker 24 (24:43):
You catch me popping tats like I'm pushed in not
that oh ship that shot it kind of problem the motherfucker.
Speaker 8 (24:50):
It's just that's that you'll keep me cool.
Speaker 1 (24:51):
I see, Y'a'm a chill.
Speaker 24 (24:52):
Type of dude, So don't make me have to take it.
Then him if you want to try to test my nothing,
you're just pressing your luck for.
Speaker 23 (24:58):
Con tennis step because it's Nate pom put that fire
here that you can't put up. Call it, Nate palm
this rap shit, don't turn to a sitcom wama following
my old lee chicken heads want to swallow my seeds.
My team is keen all so clean being broke. Don't
know what that means to my own thing without a
spot of routine. You better check the resume. This is
(25:19):
poor man shit.
Speaker 1 (25:20):
Hey, notting else left the sake there? I'm so clean, slags.
Speaker 8 (25:28):
Do you know what I mean? Yeah, y'all?
Speaker 14 (25:30):
What use by us?
Speaker 22 (25:34):
Clean?
Speaker 1 (25:35):
Okay, sacks?
Speaker 2 (25:38):
Do you know what I mean?
Speaker 1 (25:40):
I'm really hius.
Speaker 25 (25:42):
By stay swaging, buck yaps fly on my mind so
clean you can't tell. Let nigga been on the grind
flop sit, watch away your step when you're across me.
Thick gross on the bitch what it costs me so
best believe I stay cheesy smoking on a jade yelling bitch,
be easy stacking, bring got.
Speaker 10 (26:01):
Me, Chris, be like a Panini, talks.
Speaker 14 (26:03):
Like for a Chenie, keeping foggy winn I pop up
smoking like a Genie.
Speaker 25 (26:06):
From the thirties through the forties, Short of Coast forty
Vickie sent Clean's feel us and post jeans Now rocker
minding got Cook coaching my skin to them my religion.
Speaker 8 (26:16):
Did you know what I mean?
Speaker 25 (26:17):
Where your blue Fittish state rocking my team superply.
Speaker 15 (26:20):
Case the state champs strings.
Speaker 1 (26:23):
I'm slacks.
Speaker 8 (26:26):
Do you know what I mean?
Speaker 10 (26:29):
Hi us by Us I'm so so clean.
Speaker 15 (26:34):
Slacks me.
Speaker 6 (26:36):
Do you know what I mean?
Speaker 10 (26:39):
Hius By.
Speaker 4 (26:44):
It's JB easy so clean, Jay be easy so clean.
That's how they're doing it like thre in Kansas City.
Sound like a West Coast record to me, Let's get
some feedback on this record. Give us, We'll give us.
We'll give you our thoughts on this record right now,
Jay Adams, what do you think about it?
Speaker 5 (27:03):
Hey?
Speaker 12 (27:04):
Outside of what I'm always gonna say about radio, man,
get you a get you a clean version of that.
Speaker 14 (27:09):
But yeah, man, he need to get at you.
Speaker 2 (27:11):
Man.
Speaker 14 (27:11):
That's a hit, man. He needs to let me reproduce that.
Speaker 3 (27:14):
That's a hit.
Speaker 4 (27:14):
I love that song.
Speaker 14 (27:16):
I could do something with that, you know, Case.
Speaker 12 (27:20):
Man, you know I got a lot of players out there, man,
You know they players. They get along well with us
out here on the West Coast.
Speaker 14 (27:26):
Shout out to KC.
Speaker 12 (27:28):
That's a player song right there, man, It's a player song.
West Coast influence man, he got in one right there.
He needs to let me reproduce that. He got a
hit right there. I had a baseline to it. We
had that sucker blazing on the radio show. I like
that song, man, I like the lyrics and everything. Just
fix that that lyrical content, man, and get it on radio.
(27:48):
You got to get a clean version.
Speaker 3 (27:50):
That's all now A out of curiosity.
Speaker 4 (27:52):
If he went a hit and did everything you told
him to do, and he wanted to go ahead and
break that recorded radio, what is the cost for that?
Speaker 3 (27:59):
What's that price tag?
Speaker 14 (28:02):
My price tag? My wholesale price tag.
Speaker 3 (28:04):
I'm talking about I could break no, go ahead, I'm
in retail.
Speaker 8 (28:08):
Wow.
Speaker 4 (28:08):
Well, okay, let's let's let's let's let's let's go with
Let's go with Joe price tag. Let's go with Joe
price tag.
Speaker 14 (28:15):
I can get that radio.
Speaker 8 (28:16):
I can get that.
Speaker 14 (28:17):
I can't tell you my price tag, but I can't
get that record. Broke. That record could get broke man for.
Speaker 12 (28:22):
About a good fifteen five hundred man, I got about
I got about three markets right now, two for show.
Speaker 14 (28:31):
Got to play that record?
Speaker 3 (28:32):
That okay, all right, about.
Speaker 14 (28:35):
Two markets right now.
Speaker 3 (28:36):
I tell you.
Speaker 12 (28:37):
One of the dudes man, let me big Feeven Black
Thompson get a hold of that record.
Speaker 4 (28:43):
Okay, shout out to everybody in the in the in
the seven o two, Shout out to them.
Speaker 10 (28:49):
Man, you know what I'm saying.
Speaker 14 (28:50):
Get that on Frank, You and Frank Wade need to
do a collaboration too.
Speaker 8 (28:54):
Man.
Speaker 14 (28:54):
I can see y'all interviewing about that song right there.
Speaker 3 (28:57):
Bro, let's do that.
Speaker 4 (28:59):
Definitely out out. Shout out to Power ninety eight out
there in Vegas too.
Speaker 14 (29:03):
He got a good record right there, Bro, that's a
good record.
Speaker 3 (29:07):
Okay, MD, what you think.
Speaker 6 (29:12):
It's like? Like Jay said, you know, if it's catchy
or something, you know, it has to be refined. But
he do got an idea. That was a good demo.
That was a good demo. That's by supports. I can
take it a good demo. But he's not ready for
the big for the big market.
Speaker 3 (29:33):
Yeah, okay, that's what's up Leven? Next to you, mis
Chandela or what you think about it?
Speaker 15 (29:40):
I thought it was cool.
Speaker 16 (29:40):
I thought it was very catchy, Like I was over
here singing the chorus like the chorus had me. Yeah, definitely,
I like what West Coast hip hop.
Speaker 15 (29:50):
I like raps.
Speaker 3 (29:51):
You know, so I was with it, Okay, I.
Speaker 6 (29:54):
Remember it, Remember Britt. They was from the Midwest.
Speaker 16 (29:59):
Well, sound like they was from the West coast to me,
like they was about to start crip walking, you feel me?
Speaker 12 (30:11):
I thought I was the only one, so I didn't
say that. Hey, I feel right to start sea walking?
Speaker 8 (30:18):
Yeah?
Speaker 6 (30:21):
Who was that? Who was the number one crip walker?
Speaker 11 (30:25):
Oh?
Speaker 14 (30:25):
Man? I thought about Pop Locker what's his name? I
thought about him.
Speaker 3 (30:29):
I heard the song.
Speaker 15 (30:34):
Even talking about I'm like.
Speaker 6 (30:37):
Yeah, yeah.
Speaker 3 (30:40):
Boy, cool boy, Yeah yeah, I thought about cool boy.
Speaker 8 (30:45):
Man.
Speaker 3 (30:45):
Shout out the cool boy.
Speaker 4 (30:46):
Shout out to c as well you're talking about yeah,
well him too, definitely him. Uh Kelly, good what you
thinking about the record?
Speaker 13 (31:00):
And you know I'm a real rap kind of sewer man,
I've been up following raps sincin baby Man. I heard this,
you know my pie hated hated that's that mato right
there and uh you know that the sound off top man.
I'm like, oh, this is this is on West coast
right here? You know he gave me like above the
long slash like long beach dog count is tight flow
(31:24):
like the younger cast that was from the dog Town
type flow. Man, he was. He was kicked off on
the float of the hook. I think the hook in
the hands and you really make the song pop like
somebody else blowing on it, like you know with one
of their voices. That just catching because the float, the
flow was tight, man, and you know he was around
(31:46):
cool of me. Man, I ain't got no good place. Man,
it was decent. Shout out to Casey too.
Speaker 4 (31:51):
Man, that's what's up. That's what's up.
Speaker 6 (31:54):
But you know what they do the same thing that
Drey did with him now then with Midweest, but he
gets West Coast music with him. Maybe it's trying to
do the same.
Speaker 4 (32:06):
K maybe man, maybe man ch a big shout out
to them, Man did a good record. Uh, DJ aight,
O wait, how you doing tonight, sir?
Speaker 6 (32:17):
Oh?
Speaker 3 (32:19):
DJ o A oh you're there? Okay.
Speaker 4 (32:25):
I guess he can't. I guess he's away from the
phone right now. Shout out to DJ. He's in the building.
Speaker 14 (32:31):
What's up, man, Third House and out.
Speaker 3 (32:33):
Man Birdhouse, definitely in the house.
Speaker 23 (32:36):
Uh.
Speaker 4 (32:36):
We'll go ahead, jump into the next record. I'll check
back with him in a little bit.
Speaker 3 (32:40):
Again.
Speaker 4 (32:40):
If you want to go ahead and send your music
to it, you can go to www dot the radio
show dot com. It's DZ and David as in Apple
Radio show dot com. You go ahead and send that
into us a keyword, or you can go to our
social media platforms a keyword DA Radio Show.
Speaker 3 (32:56):
I put the email in the chat.
Speaker 4 (32:58):
You can go ahead and ended to us. Right now
you're checking us out on ig live. The email is
right there on the screen. You can go ahead and
send your music to us at that email that's provided
that has penned right there on the screen. All right,
We're gonna go ahead and check out another record right now.
Speaker 22 (33:14):
This is MO.
Speaker 4 (33:15):
Song is called weekends. MO song is called Weekends. Let's
check out MO.
Speaker 8 (33:21):
Here we go.
Speaker 20 (33:40):
Shorty nowadays bed and booze Shorty nowadays called light tube
go light you ad it? Dude, Fuck with you seven
shoes see steady chucking enough to dudes, the dudes shorty
Now it's badding booze Shorty nowadays full like to call,
(34:06):
like to bat it, dude, all fuck with youes shoes
see steady chucking up the until.
Speaker 26 (34:15):
Your shorty that got you acting so different? If you
need me, God, then I'm down to talk. You know,
I'm down to having conversation, she said, I need to
be around. Come on, girl, let's just face what kind
of pills that you take? You don't tell me God's
medication case. I see you dan't change a bit. All
you worried about it is turning out party. Ain't getting
(34:37):
it all you talk about it. That gud, that situation,
that bitch. I guess it is what it is.
Speaker 20 (34:45):
You're taking drugs for trips, hey, taking drugs for trips.
You're doing your thing. But I gott allow you from
a dish. You wrote it down your goals, I mean
having God. You consistent. I heard your mama Ben say you,
I think you should go home for Christ. Sure you
know your built, deff you know? So you know your built?
Speaker 22 (35:07):
You know?
Speaker 20 (35:09):
Shorty nowadays bad and booze sh Shorty nowadays about like
to for like to added dude on fuck with.
Speaker 10 (35:20):
You seven shoes?
Speaker 20 (35:23):
See steady chucking enough The Dudes and the Dudes. Shorty
nowadays bad and booze bo Shorty nowadays bout like too.
Speaker 1 (35:34):
For like to added dude on fuck with You seven shoes?
Speaker 20 (35:40):
See steady chucking enup the dudes and the news.
Speaker 1 (35:49):
See steady chucking enough the Dudes.
Speaker 6 (36:09):
I don't blame you, dundee. Can you hear me the
am D now I can?
Speaker 4 (36:16):
Okay?
Speaker 3 (36:16):
Well that was more right? There more songs called weekend.
Speaker 4 (36:20):
He's by way of London if I'm not mistaken, so uh,
let him know what you think about that when go
and kick it off, right, he.
Speaker 6 (36:28):
Can keep it ass in London too. I mean that
was mad. That was terrible. I mean I couldn't even
get into a flow. I ain't. I didn't even know
what he was trying to do. Take you too if
he was dragging all the way through the whole song,
I don't know. Man, Maybe before they do it in England,
(36:49):
but they don't do it like that in America, you know.
I mean if everybody else like it, kodle to you.
But I ain't see no value in that at all.
I just say, if you look for somebody say that
was fire, He's right, it was fired. Only if it's
(37:10):
in the dumpster on the fire he burn that up. Yeah,
I need to burn it up and leave it alone.
Speaker 4 (37:20):
Wa okay, all right, Timmy, how you really feel about
the record? No, don't hold back, hold nothing back in
d wow.
Speaker 3 (37:33):
Okay, if the.
Speaker 6 (37:34):
Rest of you guys saved good. And I know how
many producers I got in the house.
Speaker 4 (37:39):
Well you know I'm not one, so you know it's
all right. Uh Andre Ryder, if you if you on
there and I need you to recind the record. Man,
I don't see it, so please re sing your record.
I don't see it here at all. Shout out to
Andre Ryder. I inter if you didn't recently at a
Red Carver event, Uh Britain livnex to you who mis chandelier.
Speaker 3 (37:58):
What do you think about the record?
Speaker 6 (38:01):
Mm hmm.
Speaker 15 (38:05):
I felt his energy was really low, but I was
cool with it.
Speaker 4 (38:11):
Okay, all right, all right, Kelly Good. What do you
think about the record?
Speaker 13 (38:22):
Breaking up like a young like a young nudie man?
You know he steady chunking the dude. You know, I'm
always chunking up to do something. You know, Man, I'd
like to hear something else on to you know, she
got his own, his own thing. But it was cool.
I'm not I'm not gonna go in hard on you man.
(38:43):
You know he's one of that that you can hear
it's a little something different going on. So you know,
give I'll give you a seat for effort.
Speaker 10 (38:50):
Man.
Speaker 15 (38:50):
He said like he popped us any.
Speaker 4 (38:54):
Okay, all right, that's myself. See for effort is always good.
That's a passing grade. Definitely a passing grade. Uh b,
I'm okay, we'll see my stage. That's still a passing grade. Man,
still as grade, you know what I'm saying. That's that's
a two point oh whatever two point oh Jay Adams,
(39:15):
what do you think about the record?
Speaker 27 (39:17):
Man?
Speaker 12 (39:18):
I know they do it differently over there in London.
Shout out to London. I got big fans over there,
shout out to London.
Speaker 4 (39:23):
Man.
Speaker 12 (39:25):
But yeah, man, it sounded like he was sleep. I
wasn't really feeling it, my man. One fire said, sound
like he's trying to rap like Jake Cole. He was
rapping too slow to sound like Jack Cole.
Speaker 8 (39:37):
But I mean.
Speaker 12 (39:40):
Man like like Kelly said, Man, I would love to
hear something else from the young man.
Speaker 14 (39:45):
I hear potential. And I had to go on mute
man because my boy in de trasted.
Speaker 12 (39:50):
All the way if they used to oooh god, hey,
that was funny in dirt boy had to go mute
up never hey. But yeah, man, I would say positive, man, I.
Speaker 14 (40:01):
Want to hear something else from me man. But that
right there wasn't working for me.
Speaker 4 (40:04):
Man, Okay, all right, well you didn't. You didn't trash it,
but you said it didn't work for you. It's all
good work for me. Man.
Speaker 14 (40:11):
I ain't gonna trash you though.
Speaker 4 (40:14):
All right, it's all good man.
Speaker 3 (40:17):
It's all good another way.
Speaker 8 (40:19):
In other words, you you want.
Speaker 6 (40:21):
The brother to go, You want the brother to go,
says fire back.
Speaker 8 (40:28):
I say that.
Speaker 6 (40:32):
I don't do that. I don't let down people. Back.
I say, in your faith, either your fire or you're
not farre.
Speaker 4 (40:40):
He all right, I guess he's not fire.
Speaker 8 (40:46):
He's not fire. Wow?
Speaker 3 (40:49):
Uh, DJ White Man, what's going on?
Speaker 2 (40:51):
Man?
Speaker 3 (40:51):
How you doing?
Speaker 5 (40:52):
What was going on with you?
Speaker 9 (40:53):
I was in the Instagram chat, so I am moving
around a little bit. But I appreciate being a part
of that. Again, it's all good man. We appreciate having you, man,
So go ahead, let's have ad it. What you think
about it.
Speaker 5 (41:06):
I am not gonna do it. MD.
Speaker 21 (41:08):
He definitely chopping heads off tonight. Put him on the
guild team.
Speaker 11 (41:11):
Man.
Speaker 21 (41:12):
It's crazy, but.
Speaker 5 (41:15):
You asked the.
Speaker 21 (41:20):
But I immediately tuned out that in the first fifteen seconds.
Speaker 9 (41:25):
I immediately tuned out and I knew what I was
going to hear, and you know, I figured as much.
But yeah, that one wasn't for me, not at all.
The energy just wasn't there. It wasn't believable at all.
So yeah, if he was trying to tell that song,
it definitely didn't tell me. It made me definitely turn
away from it and tune it all the way out.
Speaker 4 (41:48):
Okay, all right, so that's DJ Away gave his input
on the record. We go ahead and move on to
the next one. Now, Kelly Good, this is one from you.
Richie sent this one. Tell me about this record here.
Speaker 15 (42:02):
This is on my no go ahead, go ahead, No,
I'm just gonna say, I'm gonna let.
Speaker 5 (42:07):
You do it.
Speaker 13 (42:09):
Yeah, this is on my upcoming album Testimony. You should
be getting dropped tonight, If not tonight, for sure tomorrow.
It's called No Drama basically no baby Mama Drama. And
you know it's just uh, you know, it's featured in
the Lovely Britty Living actually Human Chandelier and I'm just
pleading my cakes, like you know, I ain't got no
(42:32):
baby Mama drama.
Speaker 4 (42:34):
All right, Well, let's shake the record out again. We
listen listening to this one. This is already coming out,
so We're gonna listen to this one. No more, no
more drama. Let's see no drama. No drama, right, no drama.
That's that what it's called.
Speaker 6 (42:48):
No baby mama drama, no.
Speaker 3 (42:51):
Baby Bama drama. Okay, let's shake it out here we go.
Speaker 10 (42:55):
I'm not going up like I used to.
Speaker 22 (42:58):
I don't I got used to before I changed feel
I'm not looking.
Speaker 2 (43:07):
For no drama. I'm not trying to fight your baby mama.
Speaker 10 (43:12):
I just want to bring peas crude.
Speaker 28 (43:17):
I try to tell you what it is, but you
still doubt. I tell you patience is a virtue, but
you still pout then and my dms, but you got
the cold and re rout them. You know it's only
you for playing with me. Acting child and in security
is a weakness. Min taught you better, just to show
you that us real. I wrote you love letters, I
got your names, had it on me, put it on
my shoulder. Ain't got no time for no games. We
(43:37):
only getting older. We've been solid from the jump. It's
been a while now, though, switching up.
Speaker 3 (43:42):
You acting up?
Speaker 5 (43:42):
I tell you calm down.
Speaker 28 (43:43):
I see them clowns on your wall, thirsty running game,
but I ain't stunting on them subjects because they hall Lane.
I told you time after time again, it's only us.
But then you get to nickpick and trying to fight
you for us. If your mom right, Shotty, we don't
need the drama that was my past. I ain't thinking
about my baby mama.
Speaker 2 (44:00):
I'm not going not like I used to.
Speaker 22 (44:02):
I don't need the streets like I used to before
I change for you.
Speaker 18 (44:10):
I'm not looking for no drama. I'm not trying to
fight your baby mama.
Speaker 2 (44:16):
I just want to bring peacey you.
Speaker 10 (44:21):
I'm not going not like I used to.
Speaker 2 (44:23):
I don't need the streets like I used.
Speaker 22 (44:26):
To before I change feel I'm.
Speaker 2 (44:32):
Not looking for no drama. I'm not trying to fight
your baby mama.
Speaker 15 (44:37):
I just won't to bring peasy you. Yeah, I hear
you and all that.
Speaker 5 (44:45):
We check this out for eight eight.
Speaker 10 (44:48):
I just wanna bring peasy.
Speaker 28 (44:53):
I'm just trying to bring peace to you, baby. I
didn't enter in this relationship with no drama, no baggage,
no luggage. Everything that I knew was pure intentional and
I'm coming from the heart.
Speaker 5 (45:03):
No.
Speaker 28 (45:03):
Getting two wrongs don't make it right, So I ain't
making none. You worry about the wrong thing. I'm focused
on my son. You helped me down when I was down,
Plus you came correct. To show you my appreciation, I
gave you respect. Never call you out your name, that's diabolical.
Only refer to you with babe biological knowing. You got
the best intentions and I got them too to give them.
Jerries you my apple, I got ask for you.
Speaker 10 (45:25):
I'm not going. We're not like I used to.
Speaker 2 (45:27):
I don't miss the streets like I used to before.
Speaker 10 (45:32):
I changed feel.
Speaker 2 (45:35):
I'm not looking for no trauma.
Speaker 18 (45:38):
I'm not trying to fight your baby mama. I just
want to bring peaces you.
Speaker 10 (45:46):
I'm not going.
Speaker 8 (45:47):
We not like I used to.
Speaker 22 (45:49):
I don't miss the streets like I used to before
I chase feel.
Speaker 18 (45:57):
I'm not looking for no trauma. I'm trying to baby mama.
Speaker 10 (46:03):
I just won't bring.
Speaker 4 (46:07):
All right, Okay, okay, okay, I'm with that, with that,
baby mama. And that's why no drama, No drama by
Kelly Good, No drama, Kelly Good. Right there, all right,
Kelly Good, I'm with that.
Speaker 20 (46:23):
Drop it down the radio show.
Speaker 3 (46:28):
Barbelated that to play the intro again.
Speaker 4 (46:29):
It's all good man, we're here to not make it
happen for you right here heading out a session parted
by the radio show Don't Forget. You can always uh
send your music to us right now, go to your
platform a choice right now.
Speaker 3 (46:43):
You can go ahead and send it to us. You
could email the record to us.
Speaker 4 (46:47):
Uh, we're still got a little time less and want
to go ahead and slide your record in real quick here.
If you got it available for us again, go to www.
Doctor radio Show dot com and send it to us.
Or you can go ahead on your social media platform
that you check us on. The email should be in
the chat. If not, please let me know and I'll
repost it and put it right there for you. All right,
(47:07):
anybody want to give some feedback on that record right there?
Speaker 1 (47:11):
Yeah?
Speaker 14 (47:11):
I like that record, man.
Speaker 12 (47:13):
I like that little twist I did with that Johen
Keisha Coole Man. That's one of my favorite songs. So
when I came on, I was like, I'm feeling this. Yeah, man,
I like that record though. Man, you know my producer
partner one five man, you know, putting his producer in on.
Speaker 29 (47:29):
Man.
Speaker 14 (47:29):
You know what I'm saying, said break a scene, man,
she really can't. Yeah, that was good man, you know
what I'm saying.
Speaker 10 (47:33):
The flow was good.
Speaker 14 (47:35):
I know a lot of fudders can relate to that.
Speaker 12 (47:37):
You know what I'm saying, Start thinking about the issues
with you know what I'm saying.
Speaker 14 (47:41):
Baby Mama's Man. So hey Man, I like that song. Man,
big up to you on that man. I like that
record for.
Speaker 4 (47:46):
Sure, Man, definitely I like it. Kelly good Man, big up.
See you on that record. Man, good record, Brett, good record,
good record.
Speaker 14 (47:53):
You too, Thanks, excellent job.
Speaker 4 (47:56):
Yeah for sure?
Speaker 3 (47:58):
Uh MD, what you think.
Speaker 6 (48:01):
On the producer standpoint? It was great. The only thing
I didn't like on it. She didn't have to double
up that first hook. She could have did it just
once and then the second verse followed that. Then she
could have doubled the second hook made That would have
made it more a little bit more interesting. But the
(48:24):
stungb title, the hook to wrap, everything was on point.
Were just arrangement. She didn't have to Kelly.
Speaker 15 (48:33):
Kelly thought the double hook was weird too.
Speaker 6 (48:37):
It was too long. It was it was too long.
You you would have did it once to set him
up for the second verse better. You threw him off
when you doubled it. You know, he kind of niche
his way in the second bird. You would did it.
You would have did it just one time. He would
(48:59):
have came in much smooth than he did when he
did it.
Speaker 15 (49:03):
I feel it. I feel it.
Speaker 16 (49:04):
I didn't produce the track this time, so like I
just ran with the track. But I could have cut
it out though, I could have cut the extra hook out,
So I feel it.
Speaker 6 (49:12):
Yeah, yeah, well you're not just cutting the hook out
when you do it again. He gonna have to go
in to follow you because you you make the difference
from him to come in. Do you feel me?
Speaker 4 (49:29):
Uh?
Speaker 15 (49:30):
What you mean follow him? I mean, what do you mean?
Speaker 5 (49:33):
Follow me?
Speaker 20 (49:34):
Yeah?
Speaker 6 (49:34):
He following you when you come out that hook, he's
coming behind you on the second verse, right, So he'll
have a better feel when you come out quicker. He'll
come in much smoother. You know, he was second guessing
himself because you did it twice. You know it's like
should I come in now? Should I not? Should I
come in now? Should I not? You know, he came in,
(49:58):
but he came in weak, you know, right, you threw
him off.
Speaker 15 (50:04):
I did throw him off. That is what he told me.
Speaker 6 (50:10):
I'm a producer, I hear. I don't I don't trash
people's songs best because I don't like it. I trash
song because it's not done right.
Speaker 15 (50:21):
But then at the end of the.
Speaker 16 (50:22):
Day, like I didn't, I didn't produce the song or
so I just went with the arrangement that was there.
Speaker 2 (50:26):
You know.
Speaker 16 (50:26):
I was like, all right, well, it seemed like they
threw another hook in here. All right whatever, Like I
guess I'm throwing another hook in there.
Speaker 6 (50:33):
No, no as a as an artist, That's why we
call you recording artists. You're supposed to be able feel
the tracks have nothing to do the way you take it,
Then I you donna have nothing to do with him
the way he takes it. That the tracks is nothing
but a tool. You guys, is the principle of the substance.
(50:54):
You make it, you two make it sound great, not
the instrumental you you too. So it's the way you
guys performed. We're not going to pay attention to the
instruments at all. Everybody's concentrating on YouTube. You guys are
in the spotlight, not the keyboard player, not the drummer,
(51:14):
not the bass player, whoever is playing the music, they're not.
They're not the spotlight. You too, are the spotlight.
Speaker 4 (51:22):
R and we gotta roll man, we gotta we got
quite a few songs to get to in very little time.
We go ahead and move on to the next. It's
all good, Richie sent.
Speaker 21 (51:30):
Fans, I got you, I got you, I got you, uh.
Speaker 3 (51:34):
Texting by by the by the texting.
Speaker 15 (51:39):
You know, I call myself the human Chandelier too.
Speaker 16 (51:41):
You know, sometime the name be too long, so you know,
I cut it like you know it, just put the
human chandelier instead of the whole thing, you know.
Speaker 4 (51:48):
Okay, Well that's why I don't give you Instagram. That's
that's too long for me.
Speaker 16 (51:52):
I can't do it right right underscore the underscore here underscorel.
Speaker 3 (51:58):
Yeah, I'll let you work that one out.
Speaker 6 (52:00):
Remember when I first met you, I told you that.
Speaker 16 (52:04):
All right, right, But then the thing is, like, you know,
like my last name, which was simple, got taken by
three other people over the over the last twenty years,
I've been doing it. So I had to figure out
how to do something where I knew somebody wasn't gonna
take it, you know, like, because I'll be doing too.
Speaker 6 (52:21):
Much no matter what you do.
Speaker 3 (52:31):
Let's let me let's check this wrack it up by you, Britt.
What's this one called?
Speaker 15 (52:34):
It's called texting?
Speaker 18 (52:36):
Now.
Speaker 15 (52:36):
I got probably like maybe two curse words, and it
just all y'all know straight out.
Speaker 2 (52:41):
But when I.
Speaker 16 (52:45):
If I was to do something else with it, I
would take the curse words out, you know. But it's
not really one of the singles, but you know it
is on the album.
Speaker 3 (52:54):
Okay, well, let's check it out real, quck, let's make
it out.
Speaker 6 (52:57):
That's all good.
Speaker 3 (53:00):
Check it out here we go, m.
Speaker 6 (53:11):
H.
Speaker 30 (53:12):
The same cluchon the same What the same clutu the same?
Speaker 10 (53:16):
What the same clu? The same? What the same qua?
Speaker 29 (53:20):
The same?
Speaker 30 (53:21):
The same clo the same, the same potuto the same?
What the same c ju the same?
Speaker 10 (53:28):
But the same prote the same purture.
Speaker 6 (53:31):
It in your time?
Speaker 8 (53:32):
And you know what got the nigga?
Speaker 10 (53:33):
You know we're doing come it's in the goods coming picture.
Speaker 2 (53:36):
Why they're chilling in the picture. Your money, don't phrase
me your money, don't phrase.
Speaker 15 (53:41):
Me your thigg feelings with soul in your mind.
Speaker 22 (53:43):
You got your girls were gone paget and they would
never never mind.
Speaker 2 (53:48):
I'm not your way.
Speaker 30 (53:49):
But it takes me the same clu, the same what
the same clu the same.
Speaker 10 (53:55):
What the same cluit the same?
Speaker 30 (53:58):
What the sau this same, the same ju the same
book the same clatu the same? What the saintli the same?
What the saint the sainture text.
Speaker 10 (54:12):
Me at the time, at the time. It texts me
out in time, but it's not the road time. It's
never the at time. What's the man you're dropping off?
(54:32):
Face bruels, don't drinking? Gone the same with June, so
that merry blue? Listen time for chos boil.
Speaker 30 (54:50):
The saint cloture this same, the saintlu the same? What
the Saint clue the same? What the saint the same?
Speaker 2 (54:59):
This same? What you the same?
Speaker 10 (55:01):
What the same? What the same? What the same? What
you think the same? What the same? What you the same?
What you teach me all the time? All the time?
It text me are in time, but it's not the
rat time. It's never the time tears me all the time,
(55:32):
all the.
Speaker 2 (55:32):
Time, it text me are in time, but it's not
the rat time.
Speaker 10 (55:45):
It's never the time listening time his never, it's never
time and never fil.
Speaker 5 (56:09):
Hit me on my email.
Speaker 3 (56:10):
I ain't with the text.
Speaker 18 (56:11):
You know.
Speaker 28 (56:11):
My girls screamed my messages. Why you keep sexty. You
ain't talking about fitness. You ain't talking about nothing, always
saying something crazy. What you think you Joe Budd, you
just got blocked or hit me from a bus sapp
and I'm trying to keep a course of which you
got me hoted in the summer. You the troller, the
trollers to know more to know you be on punk Club, Mama,
stop texting my.
Speaker 31 (56:28):
Phone, all right?
Speaker 4 (56:30):
That was texting by Brita living next to you mes chandelier,
all right, And that one is out right, britt Uh huh, Okay,
that one is out right now. That's that's on a
new project that just came out today.
Speaker 6 (56:41):
So I'll go ahead and scoop that go out just
pulled out.
Speaker 15 (56:47):
It's on the album. It's not a single, and that's
kind of good at the end.
Speaker 16 (56:50):
Technically that song I use the instrumental and the chorus
that texted me on my chandelier radio.
Speaker 15 (56:58):
So like anytime, like I.
Speaker 16 (57:01):
Anytime something come out whereas text messages, you know, like
like did he with these messages with Cassie, the messages with.
Speaker 15 (57:10):
Shannon Sharp?
Speaker 16 (57:11):
You know, anytime these celebrities have something where they text
in or something. I put this in the background and
I read you the text messages of like the drama
and whatever they got going on.
Speaker 15 (57:22):
So it's what I use in my segment on Chandelier Radio.
Speaker 3 (57:26):
You know got you.
Speaker 6 (57:27):
Got for the arrangements, for the arrangements on that song.
It's a good feeler. What you need to do is
reverse you guys the order you should close the song.
The rappers should come in before Cally, should come in
before you do that end.
Speaker 16 (57:44):
So look, look he actually did, but I moved him
around because on the album I had to cut a
song and I had him on.
Speaker 15 (57:52):
The remix and he was way sooner, and I was like,
you know what, Like I don't need.
Speaker 16 (57:56):
Two versions of this song on the album, so I'm
gonna just move him to the end because I'm not
cutting him.
Speaker 15 (58:01):
You know, I'm not cutting him.
Speaker 6 (58:05):
I know you have cut him. You don't have to
to cut him. If he would have rapped up before
you ended it, that'll have been perfect because at the
end of that he could have went out with that
keyboy and if you wanted to, you could hit the gong.
Speaker 15 (58:21):
So that's what it was.
Speaker 16 (58:22):
That's what it originally did. It goes out when I
say it never will be. But he came in way
before like and I was just like, man, like, I
don't have room for another song. It's too many songs
on this album already, like, so figure it out. So
what you're saying is true.
Speaker 6 (58:42):
And when you when you ended it with your with
that vocals, the thing you could have used to shut
it off as a as a filler. You could have
used the gong as the very last note on that song, right,
I feel.
Speaker 4 (58:59):
It You've been on point tonight, man, I must say,
with a whole lot of production tonight, Man, it's all good. Uh,
Jay Adams, what do you think about the record?
Speaker 5 (59:09):
Hey?
Speaker 13 (59:10):
Man?
Speaker 3 (59:10):
I like the record?
Speaker 14 (59:10):
Man, I thought it was a good record.
Speaker 4 (59:13):
Like it okay, sounds good? Sounds good? DJ A a
O age when you fill in the record or what's up?
Speaker 15 (59:19):
I'm not gonna lie to you.
Speaker 21 (59:20):
I love miss Human Cinder Liz vocals. I really really do.
Speaker 9 (59:28):
I think the only thing that's really missing is a
producer that's dedicated to her to build a beat or
production around her vocals and take everything to the next level,
you know that coming with you know.
Speaker 21 (59:44):
Engineer, a master engineer too, to take everything to the
next level. But just talent. She definitely has the talent,
and I'm sure she's been hearing this a lot. Your vocals,
you're singing, it just brings people in.
Speaker 4 (01:00:02):
That's what's up. That's what's up.
Speaker 3 (01:00:06):
Eric d Olavera. How you doing tonight? I'm good man.
Speaker 32 (01:00:11):
How you doing.
Speaker 3 (01:00:12):
I'm good at that? I pronounce that right?
Speaker 5 (01:00:15):
Yeah? You know only one whoever said it right?
Speaker 4 (01:00:17):
Okay, that's what's up. Man, It's all good. I don't
have a habit of that, but it's all good man.
How you doing tonight?
Speaker 6 (01:00:23):
I'm good, I'm good.
Speaker 13 (01:00:24):
I'm good man.
Speaker 3 (01:00:25):
What do you think about the record we just played?
Speaker 32 (01:00:27):
I agree with the way basically she got. She got
good presence and everything, but she needs somebody to actually
vocally produce her and you know, have music to compliment
her more.
Speaker 3 (01:00:42):
Okay, got you got? You's all good?
Speaker 6 (01:00:46):
A black con.
Speaker 3 (01:00:48):
That's what's up.
Speaker 21 (01:00:51):
I said something to tonight all.
Speaker 4 (01:00:52):
I'm trying to get to it, man, I'm trying to
get you as many songs as we can. I just
want to check in with al fora male for male.
How you doing tonight, sir, I'm doing well. We're good man.
What you think about the record?
Speaker 5 (01:01:05):
I love it. I want to collabor with her.
Speaker 4 (01:01:07):
Okay, that's what's up. Uh, giving me your Instagram and
auto real quick?
Speaker 33 (01:01:17):
Go ahead, Britt, I don't all right, I can't get
everything right now. Just play a song for her and
I can get in touch with her. That's what I
want to do.
Speaker 4 (01:01:28):
Okay, all right, man, all right, Well we'll be playing
records by her. Uh, we're gonna roll onto the next one.
Speaking of record again, I'm gonna try to get in
as many as we can. You got sent them quite
a few tonight. If we don't get your record on tonight,
we'll get it on next week. I apologize for it,
but we're about to be running out of time. And
just a little bit here. Uh, Andre Ryder sent this
(01:01:48):
to us. I'm sorry, I'm sorry. This is I'm sorry
someone else?
Speaker 11 (01:01:55):
This is uh.
Speaker 4 (01:01:57):
That Uh Dana Maddis Dana Madison sounds called do you
don't want to don't want to miss you? Dana Madison?
Sound called don't want to miss you? All right, all right,
let's shake it out here we go.
Speaker 6 (01:02:17):
What I'm saying.
Speaker 8 (01:02:20):
Weird notication?
Speaker 4 (01:02:29):
Oh sorry, don't know.
Speaker 10 (01:02:53):
Sure, Let's focus on stalking the.
Speaker 34 (01:02:58):
Talking my j I'm in I po taking into the face.
Speaker 10 (01:03:05):
You really get to me. I just want to get
some sleep.
Speaker 27 (01:03:11):
What you have to say, I'm running gage came on
a sway.
Speaker 10 (01:03:18):
To get your mother. Can't carry the way.
Speaker 5 (01:03:23):
You know.
Speaker 10 (01:03:24):
I'm not that strong, but I took my fall. I
don't hold of issue.
Speaker 8 (01:03:32):
Look at, don't water don't.
Speaker 27 (01:03:40):
I don't hold of issue, look at, don't wada, don't.
I don't wanta issue. Look at it turns reach your
foe into his face. I've had his fine and takes
(01:04:05):
his one mistake of going just to come away.
Speaker 34 (01:04:09):
It's better red bas phone. Don't you have saved all?
Run again? I came on this way to ed your mother.
I can't carry the way. I'm not that strong, but
I'll take that fall. I don't issue.
Speaker 10 (01:04:33):
Lookin wa.
Speaker 34 (01:04:42):
I don't love is you?
Speaker 10 (01:04:44):
Look at?
Speaker 34 (01:04:52):
I don't love is you look a.
Speaker 4 (01:05:16):
She is a polished She is polished as a singer.
The beat was a nice choice to showcase her. Okay,
that's what's something, man, that's what uh one five on
the beat said comment by way of I g.
Speaker 3 (01:05:31):
Uh very nice. I love her vocals very very uh.
Speaker 4 (01:05:36):
Captured by the song Cali California Breeze he liked the
record as well by way of Clubhouse. So this few
comments one by Clubhouse won by I g gave comments
to that record right there. Don't want to miss you
by dayah.
Speaker 22 (01:05:53):
Uh.
Speaker 3 (01:05:54):
They h make sure I.
Speaker 4 (01:05:56):
Got the name Madison, deya Madison? All right, j Alams,
what do you think about that record right there?
Speaker 12 (01:06:02):
I had to go listen to it because it's out,
so I had to go listen to it because it
was a little fuzzy on my end.
Speaker 14 (01:06:09):
But listening to it, man, like when I.
Speaker 12 (01:06:10):
Listen to records, right, especially from artists I've never heard
of it before.
Speaker 14 (01:06:15):
I always listen as the producers above me, right, So.
Speaker 12 (01:06:20):
I listen to that record, man, it's like one five
man get out my brain. Had very good vocals, man,
and that that that track and not only complimented her,
it didn't it didn't overshadow.
Speaker 14 (01:06:36):
It was like a good a good blend.
Speaker 6 (01:06:39):
You know.
Speaker 12 (01:06:41):
I really even appreciated how to engineer, you know, mixed
her vocals. So you know, I think it was a
pretty good solid song.
Speaker 2 (01:06:52):
Man.
Speaker 12 (01:06:52):
It's one of them records, you know, Like I'm always
listening like is this a record I take to the label,
you know, so you know, never heard her before.
Speaker 14 (01:07:01):
Man, that was a good record though.
Speaker 4 (01:07:03):
That's what's up all right? DJ the way, what do
you think about the record? I like the record.
Speaker 21 (01:07:12):
It was almost perfect to me, actually, if I'm.
Speaker 9 (01:07:18):
Right picking at it, I wish would her specond verse
that mostly she did some different things it would have
made the the song perfect.
Speaker 21 (01:07:30):
But even with that, the song was still very very good.
Speaker 4 (01:07:34):
That's what's up. That's what's up.
Speaker 18 (01:07:36):
Eric.
Speaker 3 (01:07:36):
What do you think about the record?
Speaker 32 (01:07:39):
I love to think everything was great. Her vocals was
well produced. The engineer mixed her very well. Like the
other brother said, everything was cohesive well like where there
was a perfect balance between the music and her vocals.
That that it was open enough to let her vocals shine.
Speaker 2 (01:07:59):
More, you know.
Speaker 5 (01:08:00):
And yeah, overall that was a great track. I could
listen to that again.
Speaker 3 (01:08:06):
That's what's up for Mail. What you think?
Speaker 33 (01:08:11):
Very dominant, very clear. Everything was meant to be. She's
got a talent that is no other. She's great.
Speaker 4 (01:08:21):
That's what's up. That's what's up.
Speaker 3 (01:08:22):
MD.
Speaker 4 (01:08:23):
What you think?
Speaker 5 (01:08:25):
Yeah, well too, go ahead?
Speaker 18 (01:08:29):
MD.
Speaker 4 (01:08:33):
Oh you liked it?
Speaker 3 (01:08:34):
Okay?
Speaker 6 (01:08:36):
Can you hear me?
Speaker 3 (01:08:37):
I got you? Go ahead?
Speaker 6 (01:08:39):
Okay? I agree with everybody she had great vocals there,
and she need a little bit more productions on you.
He needs keyboards, she needed keyboard, she needs some strings.
It would have bring it would have brought the song
out a little better because she was better than she
was better than that. Uh that good tar. You know,
(01:09:00):
I think a guitar player would have been a better
guitar player. Would it really spooked it up a little
bit better? He played it too, He played it too.
He played it two weeks and say it like that
played a week. As a producer, I wouldn't have went
with those. I wouldn't went with those for showcase with her.
That was perfect. But if I'm going to do a
(01:09:22):
record with her with that song, oh, I took it
to another level with keyboards, strings. When a little ad lives,
second ad lives from her second and third as lives
with her, I would have took it to the next level,
you know, mm hmm. I mean it would have been
(01:09:42):
something that you know, everybody would have said, all right,
it was a hit record. She was, she would dynamite.
Speaker 5 (01:09:48):
She definitely have no other take to go to the
next level.
Speaker 6 (01:09:52):
Yeah, if I was still produced, I would have did
with like my My, My, My, my friend would what
it had been done with her, take her to the
next level. You know, period. Uh, you can hear it.
You can hear it from her. You know, she was
way better than the guitar player. I was thinking that
she was. That was her playing the guitar herself.
Speaker 4 (01:10:15):
Well we don't, we don't know. Well what the producers
on I j Well, we'll ask him. Yeah, well, well
the producers on there, so we'll have to ask him
here in I g let us know in a few moments.
Speaker 6 (01:10:27):
I'm talking about. I'm talking about the way it's sound.
I ain't going about what actually happened. He was playing it,
Oh got you?
Speaker 3 (01:10:37):
Okay, it wasn't It.
Speaker 6 (01:10:39):
Wasn't her, and he had a guitar players there. I
would have I wouldn't found I would have found men
other guitar player another level high.
Speaker 3 (01:10:48):
Okay.
Speaker 18 (01:10:49):
Uh.
Speaker 5 (01:10:50):
Her words told me don't go nowhere, nigga.
Speaker 4 (01:10:56):
That's what said right there, Brita living next to you, chandelier.
What you think about the record?
Speaker 2 (01:11:02):
Man?
Speaker 15 (01:11:02):
I loved it.
Speaker 16 (01:11:03):
I thought she was flawless, like I mean, like she
grabbed me in like right at the beginning, Like I
didn't want to go nowhere, like I thought it was
amazing her her voice. It was flawless, and I really
liked the song it was it was laid back, it
was relaxed, it didn't have, uh too much going on.
I liked the laid back guitar like.
Speaker 8 (01:11:24):
I loved it.
Speaker 16 (01:11:26):
I actually felt like I wouldn't want to change a
thing like I feel like she really did her thing.
Speaker 15 (01:11:30):
And you know, I would love to hear other songs
from her.
Speaker 4 (01:11:34):
That's what's up?
Speaker 3 (01:11:35):
Okay, Kelly good, what do you think about the record?
Speaker 13 (01:11:41):
Fantastic man got a beautiful voice. It was real, real,
real new Bobby. I agree with him the she is
better than not the guitar player, but the guitar sound
that was all that particular track. But didn't that's a
compliment because she was great.
Speaker 4 (01:12:02):
Okay, that's what's up. That's what's up for and f
y I Andre Ryder chapped in, and uh, the guitar
player is a person by the name of Taylor Williams
so and they built the record from.
Speaker 3 (01:12:14):
Scratch, So.
Speaker 5 (01:12:18):
Let me go nowhere. That's what she said, right, mm hmm.
Speaker 3 (01:12:23):
Yeah, okay, those words hit.
Speaker 4 (01:12:26):
That's what's up.
Speaker 6 (01:12:27):
Sure, Okay, she she outsung the guitar player and that
and that's that's good. That's what you want. You don't
never want your as a as an artist. You never
want the music to be better than you. You want
to be better than the music, the instruments. So everybody
like when Reesa Franklin was singing, she sung better than
(01:12:48):
the musician she made. She made the musicians sound great,
and that's what she did.
Speaker 5 (01:12:55):
You're right about that.
Speaker 6 (01:12:56):
Yeah, that's what she was doing with the guitar player.
But unfortunately she made the guitar player look bad.
Speaker 4 (01:13:05):
Uh yeah, okay, e O way, what's what's what's your record?
What's the name on the other record?
Speaker 21 (01:13:13):
So it's on the way.
Speaker 9 (01:13:15):
Uh, it's a DJ service pack, So it's your choice
where you want to play the clean of the dirty?
Speaker 3 (01:13:21):
Was it a nutty nutty p is at it?
Speaker 1 (01:13:23):
Yeah?
Speaker 3 (01:13:24):
Yeah, okay, nutty pee that's it.
Speaker 5 (01:13:26):
I heard that.
Speaker 6 (01:13:26):
I heard that before I heard that name.
Speaker 4 (01:13:28):
I want to see if I can download this DJ
service peck here real quick. Here. While I'm downloading this
DJ service, pet, you can always check out the heading
out of session. This show is happening every week right
here on the radio show. Right after the radio show,
should I say a ten OClO specific standard time one
a m Eastern. You never know who's gonna come through
and be on the panel as far as critiquing all
(01:13:48):
these songs, and I think everybody that's been on here
on here tonight, and you can check out this show
on the radio show app at Keyword DA Radio Show
on I'm sorry, on the iHeart app at the Keyword
DA Radio Show. You can check this show out right there.
It's called the Head Nod of Session, so it'll be
on the app and you can check out all some
previous episodes of the radio show as well. And by
(01:14:10):
the way, I forgot to mention that, speaking of the
Head and Out of Session, this is our fiftiest episode,
fiftiest episode, but don't know, I went the whole not
and not mentioned it. This is the fiftiest episode of
the Head and Out of Session, So make sure you
check this out.
Speaker 5 (01:14:26):
Man.
Speaker 4 (01:14:26):
It's a little mobstone we here tonight. So it's all good.
So let's check out this this record right here, Nutty p.
Speaker 21 (01:14:34):
They called me dog in Reese.
Speaker 3 (01:14:37):
On the way they called me dog in Reese.
Speaker 4 (01:14:40):
Oh okay, okay, okay, they got they called me dog
all written together. That's why it's confusing me. All right, man,
let's check this out here.
Speaker 31 (01:14:50):
By the time, new thing aboud it girl the morn
away outside you can bring your friends.
Speaker 8 (01:15:00):
Kay has a broad up.
Speaker 10 (01:15:03):
Take a shout that dr he we lie so.
Speaker 29 (01:15:07):
Straight the girdles if it's something you do, get pretty
in them from every time with me? You know you
want doing gettle everybody do say that you fa dressing
(01:15:27):
t comm with me.
Speaker 10 (01:15:29):
You'll be honest.
Speaker 31 (01:15:31):
I like you and I need a wife to let
me cull you every day and double one a night.
Speaker 10 (01:15:35):
To all you're gonna do is tell me everything you
want to do.
Speaker 8 (01:15:38):
I promise I could try to make it happen.
Speaker 10 (01:15:41):
Take them by the mode away, how inside can bring
your friends? How do you kay cancel?
Speaker 8 (01:15:50):
Lie? Take a shot that train and you lie so.
Speaker 22 (01:15:57):
Some stray.
Speaker 1 (01:15:59):
Today was a good.
Speaker 10 (01:16:00):
Day to hit the gang up.
Speaker 1 (01:16:01):
What's the moves though?
Speaker 8 (01:16:02):
Money coming in?
Speaker 10 (01:16:03):
Any worry?
Speaker 22 (01:16:03):
By the thing too?
Speaker 31 (01:16:04):
B only can tell for a nice white guy forever
with you, trying to get you out at this party
to watt and get it jumping with you. Maybe y'all
want which time I've been holding up the ball like
I'm standing in the line. I'm a slick you the
battest front around and we got that she's gone.
Speaker 8 (01:16:18):
Can we wipe each other down?
Speaker 35 (01:16:19):
All?
Speaker 31 (01:16:20):
I like you and I need a wife to let
me call you every day in double one a night too.
All you gotta do is to me everything you want
to do, A promise you to try to make it happen.
Speaker 8 (01:16:29):
Time thank the body girl the mud Away?
Speaker 1 (01:16:33):
How inside you can bring your friends?
Speaker 10 (01:16:36):
How be a wady okay?
Speaker 8 (01:16:38):
And toly up take the shine.
Speaker 10 (01:16:42):
I got the drink and we lie so.
Speaker 8 (01:16:45):
It's party strength. Time you think a body girl the
mud Away?
Speaker 10 (01:16:53):
How inside you can bring your friends?
Speaker 6 (01:16:56):
How be a wady kay?
Speaker 4 (01:16:58):
And that's Nutty Pee featuring they called me Dog and
Reese sound called on the way. Think about the record
(01:17:19):
right there, looking for the feedback construct the criticism that
is uping for you. Listen, listen, judge aby, they have
a DJ pack. I mean, this one is already out,
so let me open it up for you this way.
If anybody want to give some feedback on the record,
go ahead and do that. But that one's already out obviously,
So uh, what do you think about that? Anybody want
to give some feedback, go ahead and chime me in
real quick. Yeah, yeah, go ahead, fa mail.
Speaker 5 (01:17:43):
Go ahead, all right, Yeah, that sounds like it's out.
Speaker 33 (01:17:46):
It sounds like something I could vibe to every night,
like out in the club, stuff like that.
Speaker 3 (01:17:51):
Okay, that's what's up. That's what's up. I heard Britt
go ahead.
Speaker 16 (01:17:54):
Britt Friday was giving me music soul vibes. Could I
could hear him singing that, like.
Speaker 4 (01:18:01):
Okay, that's a good look right there, that's a good look.
Anybody else wants to coming on that one.
Speaker 11 (01:18:08):
I thought that was a real good record, man, real
good vibe man, real put together production wise, real party
vibe man, the vocals, all of that stuff.
Speaker 7 (01:18:18):
Man.
Speaker 12 (01:18:19):
Salute to whoever's pushing that man. Good luck to y'all
with the radio and everything. And that's a good record.
Speaker 5 (01:18:26):
I like that record.
Speaker 4 (01:18:28):
All right, that's what's up. We're gonna go into the
next one real quick.
Speaker 2 (01:18:31):
Here.
Speaker 4 (01:18:31):
This is a artist name is Bad News. Song is
called We Winning bad News.
Speaker 3 (01:18:39):
We win it.
Speaker 4 (01:18:40):
Let's check it out the head and out of session
piled by the radio show.
Speaker 3 (01:18:43):
Let's do it.
Speaker 8 (01:18:45):
Hey, look at the feedback on the song after the
songs that.
Speaker 5 (01:19:00):
I saw.
Speaker 35 (01:19:01):
Yeah, yeah, we winning Niggas over here, Yeah yeah, yeah.
Speaker 8 (01:19:05):
Got them grinny in and in. Yeah you o me.
Speaker 35 (01:19:09):
I'm a ball sauce see saw see he's most tall.
Yeah yeah yeah, Winning niggas over here. Yeah yeah yeah
grinny yah yucker fullow that bous well here I am
BMC is where I was taught. That's like a hundred
fans broke flipped behind the crips.
Speaker 6 (01:19:28):
I don't pay to.
Speaker 35 (01:19:28):
Get new fence. I just show them my im numb man.
Sorry money clicks, that's my plan. You are about to
take a loss. Well god damn, we got don't damp.
I got missus that your man.
Speaker 8 (01:19:38):
I put your bitch in her friends.
Speaker 35 (01:19:40):
I'm really trying to put a dance. I can't be
stopped like Hemping dur Ran hot peoples luck like jump Ran.
I smoke on the best friends. Got your bitch all
in the trance for so which she wanted to dance.
I don't even need an advance.
Speaker 6 (01:19:52):
You lost me.
Speaker 35 (01:19:54):
Oh so see I got housemc moste yeah yeah yeah.
The niggas over here, yeah yeah yeah, got your granny in.
Speaker 8 (01:20:04):
Yeah you loos me files. I see I got sauce
bm C.
Speaker 35 (01:20:09):
I was tall, Yeah yeah.
Speaker 8 (01:20:12):
We winning niggas over here.
Speaker 35 (01:20:13):
Yeah, yeah, yeah, got him Greenny said, yeah souse, I'll
be shining. I got three change up the diamonds man
the fresh Hound big.
Speaker 8 (01:20:22):
Time on the charge I keep coming.
Speaker 35 (01:20:24):
I thought dark air, dumb, mindless, my focus. It's so
time that's make them lame. Kniggs, rewindings, start money where
I was taut. That's my label on my rap. Can't
be it's no favor. Roman raised ahead at the table.
I keep a bad bitch, like say, but I got
a lot of holes in my stable.
Speaker 8 (01:20:39):
Yeah, my whole click and stable more like ca' not
angle You lous me?
Speaker 35 (01:20:44):
Ohs see I got sauce BMC most yeah yeah, winning
niggas over here? Yeah yeah, yeah, got your grannie and
yeah you lous me files see I got sauce BMC.
Speaker 8 (01:21:03):
Winning niggas over here, Yeah yeah, yeah yeah.
Speaker 4 (01:21:11):
Tell that's a big wrestling fan guy right there. Man,
A lot of wrestling references in that record right there.
Shut out to him. We win in bye I should
I get this right here? We winning bye bad bad news.
We win in by bad news.
Speaker 3 (01:21:28):
Hey the wait? Did you happen to do any research
on that record? Real quick?
Speaker 8 (01:21:31):
Here?
Speaker 3 (01:21:32):
Does anything? ELP can pop up? Eight away.
Speaker 21 (01:21:35):
I didn't do any research tonight, man, I've been kind
of kicking back to night.
Speaker 3 (01:21:39):
Okay, go ahead.
Speaker 9 (01:21:40):
I will say that I like the energy of the brother,
so you know, I definitely would like to be in
tuned to his journey. But that one, per se still
needed some work. But he definitely has that type of
energy to where I think he can make a very
very dope song And would like to say, man, I
(01:22:01):
think we won the night a little bit donee we
we made you move with that last song too, So.
Speaker 3 (01:22:07):
Yeah, that's that's a win. That's well, yeah, it's a win.
Speaker 2 (01:22:11):
Man.
Speaker 4 (01:22:11):
Anytime you made me move, you know it's a win.
It's definitely a win, dude, because you know it's hard
to make me move.
Speaker 3 (01:22:16):
All the songs. I'll be hearing a song for sure. Man, definitely, Eric,
what you think about it?
Speaker 1 (01:22:24):
It was cool.
Speaker 3 (01:22:25):
I like that everything, but uh, hold on, hold on
fever again, Eric.
Speaker 32 (01:22:32):
No, I said, I like his energy and everything, but
it seemed like the musicality is a little dated. It's
a little dating. I would like to see how you
would sound on something more up to date music. Yea,
So it sounded like a sounded like a lot like
almost like on a P P D poblo type.
Speaker 4 (01:22:50):
Of ar Yeah, I did. Yeah, well it was kind
of pet popular issue. What don't you think? Okay, that's
that's what's up.
Speaker 12 (01:22:58):
I'm with you.
Speaker 4 (01:22:58):
I agree with you. Is where I did sound like
a little PD populoish Alpha mail.
Speaker 3 (01:23:02):
What you think.
Speaker 5 (01:23:04):
That man got bos? I heard it?
Speaker 3 (01:23:07):
Mm hmm okay, Okay, he know how to entertain the crowd.
Speaker 4 (01:23:13):
That's what's up. You've seen it before before.
Speaker 7 (01:23:16):
No, I don't know.
Speaker 5 (01:23:17):
I just heard what he does. I'm I'm I'm I'm
an artist too, so I know when it comes to artistry.
Speaker 4 (01:23:24):
Oh okay, that's what's up. That's what's up. All right,
all right, Jay Adams, what you think about the record?
Speaker 14 (01:23:31):
I can't really hear it over here.
Speaker 2 (01:23:33):
Man.
Speaker 12 (01:23:34):
I work with him, so I know one five told
me it's not it's not mixed yet. What I can't
say is everybody you know bad News got good energy.
Man's a great artist. I really can't hear the song
on this end, man, to really judge it. To be
honest with you, I just from what I could hear,
Like you said, done the wrestling references.
Speaker 14 (01:23:55):
I like his energy, man, but I couldn't really hear
the music and the rap. Good enough man to be honest.
Speaker 4 (01:23:59):
With you, Okay, definitely, Well one file before he put
it out there and mix it. Ind let him know
what he needs to do to fix it.
Speaker 6 (01:24:06):
No, he just needed really to mix it. Like it
hates sick. You need to mix it. He got the energy.
You know, he's in his own lane. You know, you
gotta mix it. You gotta get with some You gotta
get with some people that could take him to the
next level in the studio. Now he can't. He can't
(01:24:27):
go in that social service mentality and getting things for
free and don't want to pay no money. They think
he's gonna make a lot of money. Now he's gonna
have to find the right people to take that same
song and take it to another level. Nothing wrong with
the song. I love his energy. I like how he emphasized.
(01:24:49):
He emphasized, well, you know, but the production wasn't there,
the mix wasn't there, but the idea was there. It
was a great demo.
Speaker 3 (01:25:01):
Great All right, Britt, what do you think about the record?
Speaker 15 (01:25:07):
I thought the energy was there. I really liked the energy.
He got some good energy.
Speaker 3 (01:25:12):
Okay, all right, Kelly, good, what do you think about
the Reggord.
Speaker 13 (01:25:17):
I like the energy, it is real. My favorite part was,
uh it's real. Yeah, yeah, yeah, yeah, okay for sure
for show. I feel it. Oh that's one of my
old school type flows right there. I used to come with,
you know, over the h It's like the Cadence. He
came with a D. Remind me like a pet Pablo Love.
Everything was coold, just something. It was just that one
(01:25:39):
part that was kind of throwing me up, and it
was reminding me like, hey see.
Speaker 22 (01:25:47):
Enough.
Speaker 4 (01:25:49):
Other than that, man, I like it, okay, and that's what's.
Speaker 6 (01:25:53):
Up, you know, another day I feel. I feel. What
a lot of people say about the music is stated.
Music is never dated. It's about your your engineer, your musicians,
the people that you you put on your project to
make a break here.
Speaker 5 (01:26:12):
You know.
Speaker 6 (01:26:12):
It's not about being dated or outdated. Music is never outdated.
Music is music period. Yeah, though even though it sounded
like it was nineteen twenty one. Skill music, yeah, and
it could be taken to another level of today's music
when you get the right musicians, the right producer, the
(01:26:36):
right writers to make it come to life. That's all
you need.
Speaker 5 (01:26:41):
So can I ask you a question go ahead.
Speaker 33 (01:26:45):
If you are a writer and things don't go well
with the companies, how do you become that person?
Speaker 6 (01:26:55):
Well, that keynote word you use in the beginning of
your statement is the reason that very first word you said.
Do you know what you just said?
Speaker 5 (01:27:08):
Yeah, yeah, I know that first word.
Speaker 6 (01:27:11):
What would that first word you say if you're right?
Speaker 8 (01:27:15):
If?
Speaker 5 (01:27:17):
Hey, that's what I wanted to know.
Speaker 33 (01:27:19):
That's why I sent something in the comments, like if
people saying you're too old or too young, how do.
Speaker 5 (01:27:25):
You do that?
Speaker 6 (01:27:26):
Well? When the people use the word if at the
beginning of their statement, they really don't know themselves. Most
likely nine percent of people that use the word if,
when they're down in somebody else artists, I'll be art.
They hate you know, you're not trying to help you hate.
(01:27:52):
I never used people.
Speaker 33 (01:27:55):
There's people who've done this long time and they don't
know how to go about it no more.
Speaker 4 (01:28:02):
Now you know what, I'll udd up you guys. I
gotta cut you guys off because I gotta go. I
gotta get up. It's too late now for me to
be on here and I gotta get in about four hours,
so I gotta go to sleep. But I want to
thank everybody for joining us. We'll have to continue this
conversation next week.
Speaker 3 (01:28:16):
All right. We're here every.
Speaker 4 (01:28:17):
Monday night at this time, so make sure you come
through and at ten o'clock Pacific Center time, one m
Eastern for the head and out of session. Before that,
I've got the radio show, not a clop Pacific Center time,
twelve em Eastern for the radio show.
Speaker 22 (01:28:30):
Man.
Speaker 3 (01:28:30):
I want to thank.
Speaker 4 (01:28:30):
Everybody for coming through and being a guest here tonight
and being a part of this again. I appreciate the conversation.
I love it dearly, but I gotta go, but I
wanna thank y'all again. Come through next week. We're gonna
make it happen. If y'a didn't play your record tonight,
I apologize and try to make it happen next week.
All right, So we'll see you all next week and
de enjoy your rest of your vacation out there. Kelly
(01:28:51):
good Bride, liven next to you, Me Chandelier, stay up.
Make sure you support the music.
Speaker 3 (01:28:55):
It is out now.
Speaker 4 (01:28:56):
Go to social media platforms. Make sure you pick it up.
Joe Wade eight O waight, Eric Jay Adams, Man, see
y'all next week. Man, Save bat time save bat, everybody,
take care of.
Speaker 8 (01:29:10):
Hey.
Speaker 35 (01:29:11):
The radio show so far, make sure you follow us
on all social platforms at the Radio Show
They're not a session.
Speaker 2 (00:01):
Drop it down the radio show.
Speaker 3 (00:09):
Bump City, the bumpster, they bump up.
Speaker 4 (00:10):
I got the up up up pump and the fee
five to four feed the fun Philly fumps the feed
pipe up. I'm hyping the Pinocchio's nose because I'm a
super catult I get the oopsie daisy, Now you got
the crazy.
Speaker 3 (00:22):
Well, let me stop right there.
Speaker 4 (00:23):
That right there was a group which I've heard nobody
use their style in a long time, and that's uh.
The song is called they want affects the group. That's effects.
I heard nobody do diss effects style.
Speaker 5 (00:36):
Man.
Speaker 4 (00:36):
Uh. Always paying how much to the old school artists.
I may skip the word or two, but it's all
all good. I heard the song in twenty years, but
it just came to my head. But always paying how
much to the old school artists as we discover new artists.
Here on the head, not a session, the after party.
Power about the radio show. This is where we take
(00:57):
songs that are submitted to us, give them that honest
feed back, that critiquing of the song, and let you
know if you need some production work or not. So
if you cannot handle constructive criticism, please do not send
your music to us right now, but if you can,
you need help production help wise, we're here to help
give you that ear, give you that an artist feedback
(01:18):
that some people may not be able to give to you.
So right now, we're a little light on songs tonight,
which is kind of surprising. You're gonna go ahead and
send your music to us right now at keyword DA
Radio Show. The link should be in your on the
platform I'm sor right on. The link should be in
your bio, and it should be in the chat as well,
depending on what platform you're checking us out on, or
(01:41):
you can go to www dot the radio show. That's
DS and David asanappleradioshow dot com. Go to where it
says submit music on the photo, click on that, upload
the record and it'll find its way to us. All right, MD,
let them know what's up real quick.
Speaker 6 (01:59):
What's that You don't get it right? We're dish. Don't
give us your best, so we can take you to direct.
Speaker 4 (02:09):
And it is for entertainment purposes only, all right. So
we got a few records we're gonna get to right now.
Let's go ahead and jump into the first one, which
is I Lost it. Let me find it real quick.
I'm sorry, sorry, I lost it on my computer. Uh, Sanders,
(02:36):
I'm sorry. The Artist nine. The Artist nine song is
called Sanders. The Artist nine songs called Sanders. Let's check
it out.
Speaker 7 (02:45):
Here we go, y'all, hold your head, how you do it?
(03:07):
It's just the start of the ride. They don't measure
their heart when they scouting the Pride office. Sweat all
the nights you was grinding the lawn. Ain't no draft
spot to finding what you built on.
Speaker 8 (03:17):
Y'all. Remember the field, Remember the drills.
Speaker 7 (03:20):
In the rain, Remember the doubt and how you out
played all the pain. You ain't working for the critics.
You ain't grinding for the fame. You working for the legacy.
Speaker 9 (03:28):
You playing for the name.
Speaker 7 (03:29):
They gonna sleep let them now. You just lace up
and run every throat, every snap. You don't already won
first round, last round, or no round at all.
Speaker 3 (03:38):
Hung the real one's.
Speaker 1 (03:38):
Gonna rise in the bake.
Speaker 10 (03:39):
What's gonna fall?
Speaker 7 (03:40):
You gotta stay locked in, stay focused. You then already
man history, the leg get your stage, the journey, the victory.
Speaker 1 (03:48):
The league is the stage, the journey, the victory.
Speaker 8 (03:51):
You remember that they hate.
Speaker 7 (03:52):
To see a young king, polish the well, raise Mama
taught them better cops the wine and showed them how
to praise, smile, clean game, clean mind shopping some blades.
Speaker 10 (04:00):
Ain't no skeletons to pull it.
Speaker 7 (04:02):
Ain't no like they can say, how you plag baller,
brother that go play by the book.
Speaker 8 (04:06):
Ain't no scandal, ain't no gimmicks.
Speaker 7 (04:08):
Just the really just look feminine like some braids character
out the roof game called soul cold plus see you
walk in this truth.
Speaker 4 (04:16):
All right, that's the artist nine. I just abruptly just stopped. Okay,
all right, so that was the whole song. Okay, that
wouldn't me having technical problems or anything, but that was
the whole song. So let's get some feedback on the record.
Let's just let's get some instructive criticism, all right. So
Jay Adams will kick it off with you, man, what
you think about the record there?
Speaker 2 (04:39):
Man?
Speaker 11 (04:39):
First first and first I heard a.
Speaker 12 (04:42):
Single man, and then in my software, man another artist
came up.
Speaker 13 (04:48):
Man.
Speaker 14 (04:49):
So you know, when I hear when I hear those.
Speaker 12 (04:55):
When I hear those samples, man, it's kind of hard
for me to get past that. Man, But I like
the flow though. Just questionable on the beat. I think
the flow is decent, but I always say, man, song
song construction. For me, it always starts with the production man.
So yeah, man, I would want them to work on that.
(05:18):
Let me see some clearances on that song. That's a
famous song, right.
Speaker 3 (05:23):
Okay, all right? Indeed, what you think about it?
Speaker 6 (05:27):
I'm trying to feel the same thing way J feel. However,
it was too much sacks. He could have came in
with that fact every other bar. He took it from
float on. I don't think they need to see it
too much because they're not staying float on. They're saying
soul wrong. So that's different. You can't suit nobody on
(05:52):
a melody. You can see them on lyrical contents. That
is exact the way the original act the rich No
Song was done. Well, they can try to get away
with that. So wrong, so wrong. I like it. It
was too much facts while he was rapping that should
have been out. Should have been out, you know. He
(06:12):
should have came in like every other four, every other bar,
so he had enough time to breathe. So yeah, they
gotta go back to the production clean it up.
Speaker 4 (06:22):
He might have something, Okay, Kelly, good, what do you
think about the record, Yeah, man.
Speaker 13 (06:31):
Well or beat? I like to beat. The people's real smooth. Uh,
you know, like y'all saying he might have took that
from somebody, but uh for entertainment purposes, you know, I
like it. H He had a good sound. That beatles,
cool slows DC. Let's call Andrew tell uphone number we
don't and recorded.
Speaker 6 (06:50):
Yeah, yeah, lady, yeah about that on that recording.
Speaker 13 (06:55):
As y'all know. I mean, I'm in the California state figure. Man,
we're doing this live for here whatever. Yeah, but I
liked it for for for the most part. Man, it
was small.
Speaker 4 (07:04):
That's what's up?
Speaker 3 (07:05):
Okay?
Speaker 4 (07:05):
All right?
Speaker 3 (07:06):
Brittal e an next to human chandelier? What did you
think about it?
Speaker 15 (07:10):
Songs sound very familiar, so I couldn't help but like it.
Speaker 16 (07:13):
You know, I thought it was cool. But like he said,
I don't know how you're gonna get that sample?
Speaker 15 (07:18):
Clear?
Speaker 3 (07:20):
Got you? Got cha?
Speaker 6 (07:21):
No, that wasn't a sample. I have to give him
that credit. It wasn't sample because they didn't say float on.
Speaker 3 (07:28):
They said, well the beat, the beat was what's the
float on beat too?
Speaker 6 (07:32):
It don't matter at the bat. That don't mean nothing.
That don't mean nothing. You got to be exact identically.
That's sampling when you take somebody' original song, saple it
and put it in yours. They didn't do it till
somebody Okay, yeah, they took somebody idea, but they they
(07:53):
put a twist to it, which everybody do.
Speaker 1 (07:57):
Now.
Speaker 6 (07:58):
We can't help it. Music been out too long for
you to try to break something totally different.
Speaker 4 (08:05):
Hmm okay, okay, I'm gonna have to research that one.
Speaker 8 (08:08):
MD.
Speaker 14 (08:09):
Yeah, slippery slip, research that one.
Speaker 4 (08:11):
Yeah, Yeah, we're gonna we have to research that one.
We're gonna be ready for the next week for that one.
Let's check out to the next record right here. This
is Halo, uh doing bad, Halo doing bad.
Speaker 3 (08:23):
Let's check it out that.
Speaker 17 (08:25):
My motherfucking all o my Bucky did was win out there,
worked there by fucking d they got some money. Look,
you woke up broke this morning and your answer, no,
what's the reason I gotta be more.
Speaker 8 (08:38):
Mad at me?
Speaker 4 (08:39):
Yeah?
Speaker 17 (08:39):
They man, they had like they can't stand to see
me winning.
Speaker 8 (08:42):
Well, too bad. I get had the money that she
feel real good to me.
Speaker 17 (08:45):
Okay, I just taking all this bad and then they
never go nowhere. Boy, I might have been just spending
money on the whole like and don't kill. I stay
up in sex and spending stick on everything that I well.
I'm the wiggling in my city. Body treat me like
I'm the man. People a lot of better with me.
I'm living like I'm a player.
Speaker 8 (09:02):
Are they mad at.
Speaker 17 (09:03):
Me when I always keep it a stack and I
always play on people's emotions?
Speaker 8 (09:06):
Now, I never doing my gas.
Speaker 17 (09:08):
I was raised bottle mud, so I only wrung my
peg that fat I get money. My mama's up in
that trains count getting money in. He hate take this
ship to battle. Then were they ever stump in making money?
Speaker 2 (09:20):
Bore?
Speaker 17 (09:20):
I died and you wouldn't believe all my money I
may carry it. I always say this, the stamn shame.
My money can't be in my wire. I go out
this pitch and face the doctors. What you think about it?
I go out and chase that money for real. I
don't just dream about it. I took that money and
throwing that funny. I stayed the same.
Speaker 14 (09:36):
I never change.
Speaker 8 (09:37):
I'm getting that money and that's on everything. I got
him mad and it's a game.
Speaker 17 (09:42):
I want to bologize because they gonna always hate to
see and chase.
Speaker 8 (09:45):
Them down to size. I'm never stroking, always pay these
niggas throwing.
Speaker 17 (09:49):
Shame you mad cause you know how much I'm made today.
Speaker 8 (09:53):
Man, they mad, they man, they mad, they man. Ain't
doing bad. They mad. Man they man, they man, they mad,
they man. They made they doing that. I ain't had
the money, ain't got him mad. Yeah, they mad. I
gave up that. Jesus always thusing me. Damn, I'm bad.
Speaker 17 (10:11):
I'll be praying for this, but somebody always falls in
my life.
Speaker 8 (10:14):
I feel like my life is a movie. Sometimes you
ask person like that got.
Speaker 17 (10:18):
My old place of fat bitch y'all get to my
money one bigger. Never hear me say just can't you
let me or something. Ain't never in the position to
live a nigga or nothing. Ain't he mad at me
cause they see me getting some money. I'm not living
how they mad at me for being who I am. Damn,
I can't get I ain't goot little money for myself,
went out and got it in the money. It's the
(10:38):
places in the trenches trying to find a way that
makes little paper. There ain't nobody it'll be either put
my trust in Jesus niggas. Now he mad that I'm
mad if bout me taxed. It ain't nobody stopping that.
I brother, whatever I want, ain't that shot.
Speaker 8 (10:51):
Me car to wipe the car. You can't get mad
in the nigga just because your life is hard. Dann
seem like you mad at me for nothing.
Speaker 17 (10:57):
They always madaged you man getting money, and I want
to let you get nothing from me.
Speaker 8 (11:02):
I'm probably getting this money.
Speaker 17 (11:04):
I'm problemised to spend it on me, changing money, trying
to stack a me a million.
Speaker 8 (11:08):
Honey man, they mad, they mad, they go bad. They
mad they're going bad. They mad they going bad. They
they going back.
Speaker 2 (11:16):
They mad, they want bad.
Speaker 17 (11:18):
They mad they going bad, and they mad they want
bat they going back.
Speaker 8 (11:22):
They may doing bad. They man, the bad man.
Speaker 17 (11:30):
Shout to MA going on this money y'all. Honey, the
world cracked up. I want all my real husbands all
money man turn up.
Speaker 8 (11:44):
Let go. You just hurt this record of mind. Man,
let's just be bad.
Speaker 4 (11:53):
You just hurt that record right there. That's that Halo
songs called doing bad. Key wordy are ready on our
social media platforms. You want to go ahead and leave
a comment on the record. That avenue is open for you.
You do that right now as we speak. But we're
giving that construct the criticism and feedback right now inside
of the heading out of session. Power about the radio show.
(12:15):
It is the after party, it is the Lions. Then,
so let's go ahead and get some feedback on this
one right here, MD, what do you think about this one?
Speaker 6 (12:25):
All right? I like his tone, the way he rapped.
He reminds me of Myxical, But he's wrapped in two
two safe. He's not rolling his tongue. He's not doing
nothing different with his rap. He's doing the same thing,
you know, blah blah blah blah blah blah blah blah.
(12:47):
He's not adding nothing a little different in every other
spot or every three spots like that, to change up.
He's not doing no change up on his wrap. His
tone is nice like the style of his, but he
don't have no art artistic, artistic meaning to what he's saying.
He just he rapped like he's a beginner. He's not
(13:10):
rapping like he's experienced or he reading the lyrical sheet.
That's what he sounds like. But he got good talk.
Speaker 4 (13:20):
Okay, all right, all right, Jay Adams what do you
think about the record?
Speaker 12 (13:26):
Hey, man, Hey, I like that record. Man, you need
to tell him to get at us. Man, we can
push that record. It's it's what I hear on radio
a lot today. So I'm just looking for you know,
I'm just thinking as a program director right now.
Speaker 14 (13:41):
Man, I like it.
Speaker 12 (13:42):
The only thing I'm always say, Man, I mean, you
ain't you ain't cr you ain't jay Z artist. Man,
y'all got to start doing service packs unless y'all just
don't give a damn about radio. You know, y'all gotta
start doing service pass man. Ain't no, ain't no, ain't no,
ain't no program director, it's gonna be having no engineers,
all this, all them in words and all them cuss
words out. Your intro start out with cuss words. So
(14:06):
I know artists want to put they feel like, Man,
this is my song, is what I'm doing.
Speaker 14 (14:10):
But y'all got to take that street shit out. Man,
it's business. I'm just telling y'all, man, from this is
what I do every day all day.
Speaker 12 (14:17):
You know, you gotta do radio edits. Man, if you're
trying to break into radio. I like the song, but
that's what would hurting.
Speaker 14 (14:23):
You know, but I love a song man. I like
the flow.
Speaker 13 (14:27):
Man.
Speaker 4 (14:27):
I like to beat too, got You got You, uh
Brita Livnex to Human Chandelier.
Speaker 3 (14:32):
What did you think about the record?
Speaker 2 (14:35):
Man?
Speaker 15 (14:35):
The energy was extra high man.
Speaker 16 (14:37):
When it came on, I was like, oh, Man, like
I couldn't deny his energy. I was like, Man, he
made me win a party like it kind of like
perked me.
Speaker 1 (14:44):
Up a little bit.
Speaker 16 (14:45):
I'm like, okay, okay, you're real hyphe right now, Like
this is interesting.
Speaker 15 (14:51):
So I mean, you know, I thought it was cool.
Speaker 4 (14:53):
Okay, that's what's up. One five on the beat says facts. Okay,
Kelly Good, would you think about the record?
Speaker 13 (15:04):
Yeah, he shouted out. He was giving me like Cali
swag slash Young Gulph Dge. I heard him say, Memphis Man,
shout out to Memphis. Out rock with with Memphis and
and the artist man by the partners out there. It
was decent to me. First. You know, everything ain't meant
for the radio, you know, so you know so certain
(15:25):
something it's just just just just meant to be a bop,
you know, for you to bob to and enjoy it.
But that could get radio play in my opinion because
of what he was talking about. He talking about you man,
you know you man and me had he had a
storyline down back, and I like the way he was
ryan and beat. I like to swag on it. You
know it was decent to me. Man. I ain't got
(15:45):
no complaints. I think it was pretty dope.
Speaker 12 (15:47):
Man.
Speaker 4 (15:48):
That's what's up. That's what's up. All right, We're gonna
roll on to the next one. It's another artist who
came on the show. Uh probably he came on maybe
late late last year. Fifty to Caesar either songs called
Smooth with It, fifty to season, smooth with It, to
shake it out there we go.
Speaker 10 (16:11):
Oh riff laugh dropped another one.
Speaker 8 (16:14):
Yeah, you look so smooth.
Speaker 10 (16:21):
You look so smooth.
Speaker 18 (16:24):
Man.
Speaker 19 (16:24):
It's the weekend and it's been a low big and
this is Friday. Is Friday, so you know I'm don
she that's try and when the night off, you know
I'm gonna eat because it's what kind of facture that
say it's me got a Dose's because you know that
that boy is a tough bitch. She's key soft and
flows key showing me that hops upposed up being the
one all my friend as they all know that I
(16:47):
was postall Mike goo gun to anybody you try to
try my family.
Speaker 1 (16:51):
Or head of my name was to everybody.
Speaker 20 (16:54):
It's all hell Caesar, because y'all know my n be gun.
Speaker 1 (16:59):
What's up where you row curl so smooth?
Speaker 19 (17:02):
I love Yola because look how I love Yo.
Speaker 1 (17:08):
A little with your fool I love Yola ocause let's
look how your.
Speaker 2 (17:16):
Man.
Speaker 19 (17:16):
It's the weekend and it's been a lone way and
it's this Friday, so you know I'm gonna ship.
Speaker 1 (17:25):
And when the knife, I was like you know, I'm yeah,
it's this. I just write your listen, let's being out.
Say you're right now. I'm in the ball. Guess that
they all because the spike.
Speaker 19 (17:33):
You know, I'm a show all the m spell from
the bed with my clothes, A got your body rocking
with your horse cross. If he talks about I love
your nose off, have you opportunity knocked your doors off?
Because you know my Raybi I said, you're right now
and it's all hell.
Speaker 1 (17:47):
See is a roll with me? If you want to
have some fun, look yours up where your brow curves
so smooth. I love Yolo because look how.
Speaker 5 (17:59):
I love Yo.
Speaker 1 (18:00):
On Leo's up where your blue even so sweet?
Speaker 8 (18:03):
Love?
Speaker 1 (18:04):
Yo love? O. Let's bout how your mother agger game?
You looked so smooth with it?
Speaker 13 (18:15):
Do you know what you do?
Speaker 8 (18:16):
Ladies?
Speaker 21 (18:19):
You look so smooth with it?
Speaker 11 (18:20):
So small?
Speaker 8 (18:23):
Do you know what to do?
Speaker 1 (18:25):
Where your move? Where your glue?
Speaker 22 (18:28):
You look so smooth?
Speaker 1 (18:30):
Love yo love?
Speaker 2 (18:31):
How you yo look?
Speaker 1 (18:35):
Where your blue even so sweet? Of yo love? You
come a little bit how your mother agger?
Speaker 22 (18:41):
Dame?
Speaker 4 (18:43):
Alright? I was fifty the season right there, fifty the
season song called smooth with It? Fifty the seasons song
it's called smooth with It? So what do we think
about that one? Let us know your thoughts again? Keyword
did radio shoulder? On social media platforms? The world is yours.
Let us know what's up?
Speaker 3 (18:59):
H Kelly good? Which you think about this record?
Speaker 16 (19:04):
Come back to him? Give him like fifteen seconds? You
know the phone does its thing.
Speaker 3 (19:09):
Oh okay, right now, okay, so good? But in the meantime,
what do you think about it?
Speaker 15 (19:14):
Brit I thought it was cool, you know, it was.
Speaker 10 (19:18):
It was smooth it.
Speaker 16 (19:19):
It seemed like something you could play at the cookout,
you know, towards the evening time. But were y'all still
having a good time.
Speaker 3 (19:27):
Okay, it's all good. Let me know when Kelly Goold
come back.
Speaker 15 (19:30):
Yeah, he's back right now.
Speaker 4 (19:32):
Okay, okay, Kelly good What do you think about the record?
Speaker 13 (19:41):
He you can't like you know, it remind me like
something for you like my maha, my lady check it out.
Speaker 4 (19:52):
I forgot about that one.
Speaker 13 (19:54):
Yeah, yeah it was uh you know, really really wasn't
by time. I don't have a year for it, but
I see what he's trying to do. I think he
put a little more effort into it, and uh yeah,
I'd like to hear something something else summing, you know,
another round.
Speaker 4 (20:12):
Okay, that's what's up? Uh, Jay Adams, what do you
think about the reget.
Speaker 10 (20:19):
Good Man?
Speaker 12 (20:21):
One thing about Fiddy Man is you know I used
to work with him man, and Fitty Man has his
own style, you know what I'm saying, in his own
fan base man. And like we always say, but I
always tell artists, is man find your niche. Fiddy has
found a niche. So that's like a that's a that's
an adult ADPTE contemporary song.
Speaker 14 (20:46):
And it has its audience, you know what I mean.
Speaker 12 (20:49):
So so it's like you can't really hear it, like
like you can hear it where you at, but if
you listen to it, though it's it's it's greatly produced,
you know what I'm saying. And one thing about Fiddy
is I give him his props on his lyrical content.
So I'm all about finding your fans, man, you know
what I'm saying.
Speaker 14 (21:09):
Fiddy has done that. And if you listen to the beat.
Speaker 12 (21:11):
I'm always listening to tracks, man, because that's to don't
catch you or not catch you. But you can't really
hear it here. But I've heard that song and that
beat is pretty catchy that.
Speaker 6 (21:22):
I like the song.
Speaker 3 (21:22):
Yeah, okay, r A MD what you think about.
Speaker 6 (21:27):
I thought it was cool, you know. I still say
that he could have did better a bitter performance than
what he did. I think he could take it up
to another level. And you have you have, he have something.
You know, everybody's feeling it. It's contemporary, clean, so don't
(21:50):
even even kids would like it. I think he I
think he tapped on two markets. I didn't think he
needed to upgrade his performance. Make it sound a sound authentic,
make it sound what he's saying. If it's fun, make
it sound attle bit more fun. You know, just don't
drag just you know, make it fun. There's an emphasis
(22:14):
to it, you know, you know, but yeah, he got something.
I like it. He got he had his own he
had his own Niche like j say his niche.
Speaker 4 (22:26):
Is okay, got you got you? All right, It's gone
on to the next one. All right, this one right here.
JB songs called easy no JB easy songs called so clean.
JB easy song is called so clean. All right, man,
(22:48):
let's check this out here we go.
Speaker 1 (22:51):
Are Yo fuck your swag? All them skinny jeans? Are
they bullshit?
Speaker 3 (22:57):
Just the real shit?
Speaker 1 (22:58):
Are yo keys?
Speaker 8 (23:00):
All them?
Speaker 10 (23:11):
I'm so clean.
Speaker 1 (23:14):
SAgs?
Speaker 15 (23:16):
Do you know what I mean?
Speaker 10 (23:19):
Hius bis, I'm so clean?
Speaker 1 (23:24):
Say do you know.
Speaker 22 (23:27):
What I mean?
Speaker 10 (23:29):
Hih us By.
Speaker 23 (23:33):
Got the swag on a better rig catch me late night?
So when now black David better man his whole south side.
Speaker 8 (23:39):
Of the club. So you know they screaming hit me again.
Speaker 23 (23:41):
Let's drank Kibrey Brown for a straight into the line
water dawn drinks.
Speaker 1 (23:44):
That's a waste of my time. We be your peace status.
Speaker 24 (23:47):
So they switched the line, run the feet and depend.
Speaker 23 (23:50):
On other stuck just waiting to be signed. Some damn
it wain't shitting more money is mine? Hummus clean, that's
gonna shall be with the seats with Kling, don't go
wehead and far rough that pond. Give a damn what
they play nowadays, hope rather they hear what the hoods.
Speaker 1 (24:03):
Got to say most music.
Speaker 23 (24:06):
The ship is some soul, stay hold on them fully
is and fuck with you. Her Casey is the town
fore city, but it's two states, so it's counting for
me to switch plates when I switched states.
Speaker 8 (24:16):
Dude, you know what that mean?
Speaker 1 (24:17):
I slow from the drink.
Speaker 5 (24:19):
I'm so.
Speaker 1 (24:22):
I'm slags.
Speaker 6 (24:25):
Do you know what I mean?
Speaker 18 (24:27):
Hi?
Speaker 10 (24:28):
Us by us I'm so clean.
Speaker 1 (24:33):
SAgs.
Speaker 15 (24:35):
Do you know what I mean?
Speaker 1 (24:38):
Hius bye. I've always been against a greenwich.
Speaker 24 (24:43):
You catch me popping tats like I'm pushed in not
that oh ship that shot it kind of problem the motherfucker.
Speaker 8 (24:50):
It's just that's that you'll keep me cool.
Speaker 1 (24:51):
I see, Y'a'm a chill.
Speaker 24 (24:52):
Type of dude, So don't make me have to take it.
Then him if you want to try to test my nothing,
you're just pressing your luck for.
Speaker 23 (24:58):
Con tennis step because it's Nate pom put that fire
here that you can't put up. Call it, Nate palm
this rap shit, don't turn to a sitcom wama following
my old lee chicken heads want to swallow my seeds.
My team is keen all so clean being broke. Don't
know what that means to my own thing without a
spot of routine. You better check the resume. This is
(25:19):
poor man shit.
Speaker 1 (25:20):
Hey, notting else left the sake there? I'm so clean, slags.
Speaker 8 (25:28):
Do you know what I mean? Yeah, y'all?
Speaker 14 (25:30):
What use by us?
Speaker 22 (25:34):
Clean?
Speaker 1 (25:35):
Okay, sacks?
Speaker 2 (25:38):
Do you know what I mean?
Speaker 1 (25:40):
I'm really hius.
Speaker 25 (25:42):
By stay swaging, buck yaps fly on my mind so
clean you can't tell. Let nigga been on the grind
flop sit, watch away your step when you're across me.
Thick gross on the bitch what it costs me so
best believe I stay cheesy smoking on a jade yelling bitch,
be easy stacking, bring got.
Speaker 10 (26:01):
Me, Chris, be like a Panini, talks.
Speaker 14 (26:03):
Like for a Chenie, keeping foggy winn I pop up
smoking like a Genie.
Speaker 25 (26:06):
From the thirties through the forties, Short of Coast forty
Vickie sent Clean's feel us and post jeans Now rocker
minding got Cook coaching my skin to them my religion.
Speaker 8 (26:16):
Did you know what I mean?
Speaker 25 (26:17):
Where your blue Fittish state rocking my team superply.
Speaker 15 (26:20):
Case the state champs strings.
Speaker 1 (26:23):
I'm slacks.
Speaker 8 (26:26):
Do you know what I mean?
Speaker 10 (26:29):
Hi us by Us I'm so so clean.
Speaker 15 (26:34):
Slacks me.
Speaker 6 (26:36):
Do you know what I mean?
Speaker 10 (26:39):
Hius By.
Speaker 4 (26:44):
It's JB easy so clean, Jay be easy so clean.
That's how they're doing it like thre in Kansas City.
Sound like a West Coast record to me, Let's get
some feedback on this record. Give us, We'll give us.
We'll give you our thoughts on this record right now,
Jay Adams, what do you think about it?
Speaker 5 (27:03):
Hey?
Speaker 12 (27:04):
Outside of what I'm always gonna say about radio, man,
get you a get you a clean version of that.
Speaker 14 (27:09):
But yeah, man, he need to get at you.
Speaker 2 (27:11):
Man.
Speaker 14 (27:11):
That's a hit, man. He needs to let me reproduce that.
Speaker 3 (27:14):
That's a hit.
Speaker 4 (27:14):
I love that song.
Speaker 14 (27:16):
I could do something with that, you know, Case.
Speaker 12 (27:20):
Man, you know I got a lot of players out there, man,
You know they players. They get along well with us
out here on the West Coast.
Speaker 14 (27:26):
Shout out to KC.
Speaker 12 (27:28):
That's a player song right there, man, It's a player song.
West Coast influence man, he got in one right there.
He needs to let me reproduce that. He got a
hit right there. I had a baseline to it. We
had that sucker blazing on the radio show. I like
that song, man, I like the lyrics and everything. Just
fix that that lyrical content, man, and get it on radio.
(27:48):
You got to get a clean version.
Speaker 3 (27:50):
That's all now A out of curiosity.
Speaker 4 (27:52):
If he went a hit and did everything you told
him to do, and he wanted to go ahead and
break that recorded radio, what is the cost for that?
Speaker 3 (27:59):
What's that price tag?
Speaker 14 (28:02):
My price tag? My wholesale price tag.
Speaker 3 (28:04):
I'm talking about I could break no, go ahead, I'm
in retail.
Speaker 8 (28:08):
Wow.
Speaker 4 (28:08):
Well, okay, let's let's let's let's let's let's go with
Let's go with Joe price tag. Let's go with Joe
price tag.
Speaker 14 (28:15):
I can get that radio.
Speaker 8 (28:16):
I can get that.
Speaker 14 (28:17):
I can't tell you my price tag, but I can't
get that record. Broke. That record could get broke man for.
Speaker 12 (28:22):
About a good fifteen five hundred man, I got about
I got about three markets right now, two for show.
Speaker 14 (28:31):
Got to play that record?
Speaker 3 (28:32):
That okay, all right, about.
Speaker 14 (28:35):
Two markets right now.
Speaker 3 (28:36):
I tell you.
Speaker 12 (28:37):
One of the dudes man, let me big Feeven Black
Thompson get a hold of that record.
Speaker 4 (28:43):
Okay, shout out to everybody in the in the in
the seven o two, Shout out to them.
Speaker 10 (28:49):
Man, you know what I'm saying.
Speaker 14 (28:50):
Get that on Frank, You and Frank Wade need to
do a collaboration too.
Speaker 8 (28:54):
Man.
Speaker 14 (28:54):
I can see y'all interviewing about that song right there.
Speaker 3 (28:57):
Bro, let's do that.
Speaker 4 (28:59):
Definitely out out. Shout out to Power ninety eight out
there in Vegas too.
Speaker 14 (29:03):
He got a good record right there, Bro, that's a
good record.
Speaker 3 (29:07):
Okay, MD, what you think.
Speaker 6 (29:12):
It's like? Like Jay said, you know, if it's catchy
or something, you know, it has to be refined. But
he do got an idea. That was a good demo.
That was a good demo. That's by supports. I can
take it a good demo. But he's not ready for
the big for the big market.
Speaker 3 (29:33):
Yeah, okay, that's what's up Leven? Next to you, mis
Chandela or what you think about it?
Speaker 15 (29:40):
I thought it was cool.
Speaker 16 (29:40):
I thought it was very catchy, Like I was over
here singing the chorus like the chorus had me. Yeah, definitely,
I like what West Coast hip hop.
Speaker 15 (29:50):
I like raps.
Speaker 3 (29:51):
You know, so I was with it, Okay, I.
Speaker 6 (29:54):
Remember it, Remember Britt. They was from the Midwest.
Speaker 16 (29:59):
Well, sound like they was from the West coast to me,
like they was about to start crip walking, you feel me?
Speaker 12 (30:11):
I thought I was the only one, so I didn't
say that. Hey, I feel right to start sea walking?
Speaker 8 (30:18):
Yeah?
Speaker 6 (30:21):
Who was that? Who was the number one crip walker?
Speaker 11 (30:25):
Oh?
Speaker 14 (30:25):
Man? I thought about Pop Locker what's his name? I
thought about him.
Speaker 3 (30:29):
I heard the song.
Speaker 15 (30:34):
Even talking about I'm like.
Speaker 6 (30:37):
Yeah, yeah.
Speaker 3 (30:40):
Boy, cool boy, Yeah yeah, I thought about cool boy.
Speaker 8 (30:45):
Man.
Speaker 3 (30:45):
Shout out the cool boy.
Speaker 4 (30:46):
Shout out to c as well you're talking about yeah,
well him too, definitely him. Uh Kelly, good what you
thinking about the record?
Speaker 13 (31:00):
And you know I'm a real rap kind of sewer man,
I've been up following raps sincin baby Man. I heard this,
you know my pie hated hated that's that mato right
there and uh you know that the sound off top man.
I'm like, oh, this is this is on West coast
right here? You know he gave me like above the
long slash like long beach dog count is tight flow
(31:24):
like the younger cast that was from the dog Town
type flow. Man, he was. He was kicked off on
the float of the hook. I think the hook in
the hands and you really make the song pop like
somebody else blowing on it, like you know with one
of their voices. That just catching because the float, the
flow was tight, man, and you know he was around
(31:46):
cool of me. Man, I ain't got no good place. Man,
it was decent. Shout out to Casey too.
Speaker 4 (31:51):
Man, that's what's up. That's what's up.
Speaker 6 (31:54):
But you know what they do the same thing that
Drey did with him now then with Midweest, but he
gets West Coast music with him. Maybe it's trying to
do the same.
Speaker 4 (32:06):
K maybe man, maybe man ch a big shout out
to them, Man did a good record. Uh, DJ aight,
O wait, how you doing tonight, sir?
Speaker 6 (32:17):
Oh?
Speaker 3 (32:19):
DJ o A oh you're there? Okay.
Speaker 4 (32:25):
I guess he can't. I guess he's away from the
phone right now. Shout out to DJ. He's in the building.
Speaker 14 (32:31):
What's up, man, Third House and out.
Speaker 3 (32:33):
Man Birdhouse, definitely in the house.
Speaker 23 (32:36):
Uh.
Speaker 4 (32:36):
We'll go ahead, jump into the next record. I'll check
back with him in a little bit.
Speaker 3 (32:40):
Again.
Speaker 4 (32:40):
If you want to go ahead and send your music
to it, you can go to www dot the radio
show dot com. It's DZ and David as in Apple
Radio show dot com. You go ahead and send that
into us a keyword, or you can go to our
social media platforms a keyword DA Radio Show.
Speaker 3 (32:56):
I put the email in the chat.
Speaker 4 (32:58):
You can go ahead and ended to us. Right now
you're checking us out on ig live. The email is
right there on the screen. You can go ahead and
send your music to us at that email that's provided
that has penned right there on the screen. All right,
We're gonna go ahead and check out another record right now.
Speaker 22 (33:14):
This is MO.
Speaker 4 (33:15):
Song is called weekends. MO song is called Weekends. Let's
check out MO.
Speaker 8 (33:21):
Here we go.
Speaker 20 (33:40):
Shorty nowadays bed and booze Shorty nowadays called light tube
go light you ad it? Dude, Fuck with you seven
shoes see steady chucking enough to dudes, the dudes shorty
Now it's badding booze Shorty nowadays full like to call,
(34:06):
like to bat it, dude, all fuck with youes shoes
see steady chucking up the until.
Speaker 26 (34:15):
Your shorty that got you acting so different? If you
need me, God, then I'm down to talk. You know,
I'm down to having conversation, she said, I need to
be around. Come on, girl, let's just face what kind
of pills that you take? You don't tell me God's
medication case. I see you dan't change a bit. All
you worried about it is turning out party. Ain't getting
(34:37):
it all you talk about it. That gud, that situation,
that bitch. I guess it is what it is.
Speaker 20 (34:45):
You're taking drugs for trips, hey, taking drugs for trips.
You're doing your thing. But I gott allow you from
a dish. You wrote it down your goals, I mean
having God. You consistent. I heard your mama Ben say you,
I think you should go home for Christ. Sure you
know your built, deff you know? So you know your built?
Speaker 22 (35:07):
You know?
Speaker 20 (35:09):
Shorty nowadays bad and booze sh Shorty nowadays about like
to for like to added dude on fuck with.
Speaker 10 (35:20):
You seven shoes?
Speaker 20 (35:23):
See steady chucking enough The Dudes and the Dudes. Shorty
nowadays bad and booze bo Shorty nowadays bout like too.
Speaker 1 (35:34):
For like to added dude on fuck with You seven shoes?
Speaker 20 (35:40):
See steady chucking enup the dudes and the news.
Speaker 1 (35:49):
See steady chucking enough the Dudes.
Speaker 6 (36:09):
I don't blame you, dundee. Can you hear me the
am D now I can?
Speaker 4 (36:16):
Okay?
Speaker 3 (36:16):
Well that was more right? There more songs called weekend.
Speaker 4 (36:20):
He's by way of London if I'm not mistaken, so uh,
let him know what you think about that when go
and kick it off, right, he.
Speaker 6 (36:28):
Can keep it ass in London too. I mean that
was mad. That was terrible. I mean I couldn't even
get into a flow. I ain't. I didn't even know
what he was trying to do. Take you too if
he was dragging all the way through the whole song,
I don't know. Man, Maybe before they do it in England,
(36:49):
but they don't do it like that in America, you know.
I mean if everybody else like it, kodle to you.
But I ain't see no value in that at all.
I just say, if you look for somebody say that
was fire, He's right, it was fired. Only if it's
(37:10):
in the dumpster on the fire he burn that up. Yeah,
I need to burn it up and leave it alone.
Speaker 4 (37:20):
Wa okay, all right, Timmy, how you really feel about
the record? No, don't hold back, hold nothing back in
d wow.
Speaker 3 (37:33):
Okay, if the.
Speaker 6 (37:34):
Rest of you guys saved good. And I know how
many producers I got in the house.
Speaker 4 (37:39):
Well you know I'm not one, so you know it's
all right. Uh Andre Ryder, if you if you on
there and I need you to recind the record. Man,
I don't see it, so please re sing your record.
I don't see it here at all. Shout out to
Andre Ryder. I inter if you didn't recently at a
Red Carver event, Uh Britain livnex to you who mis chandelier.
Speaker 3 (37:58):
What do you think about the record?
Speaker 6 (38:01):
Mm hmm.
Speaker 15 (38:05):
I felt his energy was really low, but I was
cool with it.
Speaker 4 (38:11):
Okay, all right, all right, Kelly Good. What do you
think about the record?
Speaker 13 (38:22):
Breaking up like a young like a young nudie man?
You know he steady chunking the dude. You know, I'm
always chunking up to do something. You know, Man, I'd
like to hear something else on to you know, she
got his own, his own thing. But it was cool.
I'm not I'm not gonna go in hard on you man.
(38:43):
You know he's one of that that you can hear
it's a little something different going on. So you know,
give I'll give you a seat for effort.
Speaker 10 (38:50):
Man.
Speaker 15 (38:50):
He said like he popped us any.
Speaker 4 (38:54):
Okay, all right, that's myself. See for effort is always good.
That's a passing grade. Definitely a passing grade. Uh b,
I'm okay, we'll see my stage. That's still a passing grade. Man,
still as grade, you know what I'm saying. That's that's
a two point oh whatever two point oh Jay Adams,
(39:15):
what do you think about the record?
Speaker 27 (39:17):
Man?
Speaker 12 (39:18):
I know they do it differently over there in London.
Shout out to London. I got big fans over there,
shout out to London.
Speaker 4 (39:23):
Man.
Speaker 12 (39:25):
But yeah, man, it sounded like he was sleep. I
wasn't really feeling it, my man. One fire said, sound
like he's trying to rap like Jake Cole. He was
rapping too slow to sound like Jack Cole.
Speaker 8 (39:37):
But I mean.
Speaker 12 (39:40):
Man like like Kelly said, Man, I would love to
hear something else from the young man.
Speaker 14 (39:45):
I hear potential. And I had to go on mute
man because my boy in de trasted.
Speaker 12 (39:50):
All the way if they used to oooh god, hey,
that was funny in dirt boy had to go mute
up never hey. But yeah, man, I would say positive, man, I.
Speaker 14 (40:01):
Want to hear something else from me man. But that
right there wasn't working for me.
Speaker 4 (40:04):
Man, Okay, all right, well you didn't. You didn't trash it,
but you said it didn't work for you. It's all
good work for me. Man.
Speaker 14 (40:11):
I ain't gonna trash you though.
Speaker 4 (40:14):
All right, it's all good man.
Speaker 3 (40:17):
It's all good another way.
Speaker 8 (40:19):
In other words, you you want.
Speaker 6 (40:21):
The brother to go, You want the brother to go,
says fire back.
Speaker 8 (40:28):
I say that.
Speaker 6 (40:32):
I don't do that. I don't let down people. Back.
I say, in your faith, either your fire or you're
not farre.
Speaker 4 (40:40):
He all right, I guess he's not fire.
Speaker 8 (40:46):
He's not fire. Wow?
Speaker 3 (40:49):
Uh, DJ White Man, what's going on?
Speaker 2 (40:51):
Man?
Speaker 3 (40:51):
How you doing?
Speaker 5 (40:52):
What was going on with you?
Speaker 9 (40:53):
I was in the Instagram chat, so I am moving
around a little bit. But I appreciate being a part
of that. Again, it's all good man. We appreciate having you, man,
So go ahead, let's have ad it. What you think
about it.
Speaker 5 (41:06):
I am not gonna do it. MD.
Speaker 21 (41:08):
He definitely chopping heads off tonight. Put him on the
guild team.
Speaker 11 (41:11):
Man.
Speaker 21 (41:12):
It's crazy, but.
Speaker 5 (41:15):
You asked the.
Speaker 21 (41:20):
But I immediately tuned out that in the first fifteen seconds.
Speaker 9 (41:25):
I immediately tuned out and I knew what I was
going to hear, and you know, I figured as much.
But yeah, that one wasn't for me, not at all.
The energy just wasn't there. It wasn't believable at all.
So yeah, if he was trying to tell that song,
it definitely didn't tell me. It made me definitely turn
away from it and tune it all the way out.
Speaker 4 (41:48):
Okay, all right, so that's DJ Away gave his input
on the record. We go ahead and move on to
the next one. Now, Kelly Good, this is one from you.
Richie sent this one. Tell me about this record here.
Speaker 15 (42:02):
This is on my no go ahead, go ahead, No,
I'm just gonna say, I'm gonna let.
Speaker 5 (42:07):
You do it.
Speaker 13 (42:09):
Yeah, this is on my upcoming album Testimony. You should
be getting dropped tonight, If not tonight, for sure tomorrow.
It's called No Drama basically no baby Mama Drama. And
you know it's just uh, you know, it's featured in
the Lovely Britty Living actually Human Chandelier and I'm just
pleading my cakes, like you know, I ain't got no
(42:32):
baby Mama drama.
Speaker 4 (42:34):
All right, Well, let's shake the record out again. We
listen listening to this one. This is already coming out,
so We're gonna listen to this one. No more, no
more drama. Let's see no drama. No drama, right, no drama.
That's that what it's called.
Speaker 6 (42:48):
No baby mama drama, no.
Speaker 3 (42:51):
Baby Bama drama. Okay, let's shake it out here we go.
Speaker 10 (42:55):
I'm not going up like I used to.
Speaker 22 (42:58):
I don't I got used to before I changed feel
I'm not looking.
Speaker 2 (43:07):
For no drama. I'm not trying to fight your baby mama.
Speaker 10 (43:12):
I just want to bring peas crude.
Speaker 28 (43:17):
I try to tell you what it is, but you
still doubt. I tell you patience is a virtue, but
you still pout then and my dms, but you got
the cold and re rout them. You know it's only
you for playing with me. Acting child and in security
is a weakness. Min taught you better, just to show
you that us real. I wrote you love letters, I
got your names, had it on me, put it on
my shoulder. Ain't got no time for no games. We
(43:37):
only getting older. We've been solid from the jump. It's
been a while now, though, switching up.
Speaker 3 (43:42):
You acting up?
Speaker 5 (43:42):
I tell you calm down.
Speaker 28 (43:43):
I see them clowns on your wall, thirsty running game,
but I ain't stunting on them subjects because they hall Lane.
I told you time after time again, it's only us.
But then you get to nickpick and trying to fight
you for us. If your mom right, Shotty, we don't
need the drama that was my past. I ain't thinking
about my baby mama.
Speaker 2 (44:00):
I'm not going not like I used to.
Speaker 22 (44:02):
I don't need the streets like I used to before
I change for you.
Speaker 18 (44:10):
I'm not looking for no drama. I'm not trying to
fight your baby mama.
Speaker 2 (44:16):
I just want to bring peacey you.
Speaker 10 (44:21):
I'm not going not like I used to.
Speaker 2 (44:23):
I don't need the streets like I used.
Speaker 22 (44:26):
To before I change feel I'm.
Speaker 2 (44:32):
Not looking for no drama. I'm not trying to fight
your baby mama.
Speaker 15 (44:37):
I just won't to bring peasy you. Yeah, I hear
you and all that.
Speaker 5 (44:45):
We check this out for eight eight.
Speaker 10 (44:48):
I just wanna bring peasy.
Speaker 28 (44:53):
I'm just trying to bring peace to you, baby. I
didn't enter in this relationship with no drama, no baggage,
no luggage. Everything that I knew was pure intentional and
I'm coming from the heart.
Speaker 5 (45:03):
No.
Speaker 28 (45:03):
Getting two wrongs don't make it right, So I ain't
making none. You worry about the wrong thing. I'm focused
on my son. You helped me down when I was down,
Plus you came correct. To show you my appreciation, I
gave you respect. Never call you out your name, that's diabolical.
Only refer to you with babe biological knowing. You got
the best intentions and I got them too to give them.
Jerries you my apple, I got ask for you.
Speaker 10 (45:25):
I'm not going. We're not like I used to.
Speaker 2 (45:27):
I don't miss the streets like I used to before.
Speaker 10 (45:32):
I changed feel.
Speaker 2 (45:35):
I'm not looking for no trauma.
Speaker 18 (45:38):
I'm not trying to fight your baby mama. I just
want to bring peaces you.
Speaker 10 (45:46):
I'm not going.
Speaker 8 (45:47):
We not like I used to.
Speaker 22 (45:49):
I don't miss the streets like I used to before
I chase feel.
Speaker 18 (45:57):
I'm not looking for no trauma. I'm trying to baby mama.
Speaker 10 (46:03):
I just won't bring.
Speaker 4 (46:07):
All right, Okay, okay, okay, I'm with that, with that,
baby mama. And that's why no drama, No drama by
Kelly Good, No drama, Kelly Good. Right there, all right,
Kelly Good, I'm with that.
Speaker 20 (46:23):
Drop it down the radio show.
Speaker 3 (46:28):
Barbelated that to play the intro again.
Speaker 4 (46:29):
It's all good man, we're here to not make it
happen for you right here heading out a session parted
by the radio show Don't Forget. You can always uh
send your music to us right now, go to your
platform a choice right now.
Speaker 3 (46:43):
You can go ahead and send it to us. You
could email the record to us.
Speaker 4 (46:47):
Uh, we're still got a little time less and want
to go ahead and slide your record in real quick here.
If you got it available for us again, go to www.
Doctor radio Show dot com and send it to us.
Or you can go ahead on your social media platform
that you check us on. The email should be in
the chat. If not, please let me know and I'll
repost it and put it right there for you. All right,
(47:07):
anybody want to give some feedback on that record right there?
Speaker 1 (47:11):
Yeah?
Speaker 14 (47:11):
I like that record, man.
Speaker 12 (47:13):
I like that little twist I did with that Johen
Keisha Coole Man. That's one of my favorite songs. So
when I came on, I was like, I'm feeling this. Yeah, man,
I like that record though. Man, you know my producer
partner one five man, you know, putting his producer in on.
Speaker 29 (47:29):
Man.
Speaker 14 (47:29):
You know what I'm saying, said break a scene, man,
she really can't. Yeah, that was good man, you know
what I'm saying.
Speaker 10 (47:33):
The flow was good.
Speaker 14 (47:35):
I know a lot of fudders can relate to that.
Speaker 12 (47:37):
You know what I'm saying, Start thinking about the issues
with you know what I'm saying.
Speaker 14 (47:41):
Baby Mama's Man. So hey Man, I like that song. Man,
big up to you on that man. I like that
record for.
Speaker 4 (47:46):
Sure, Man, definitely I like it. Kelly good Man, big up.
See you on that record. Man, good record, Brett, good record,
good record.
Speaker 14 (47:53):
You too, Thanks, excellent job.
Speaker 4 (47:56):
Yeah for sure?
Speaker 3 (47:58):
Uh MD, what you think.
Speaker 6 (48:01):
On the producer standpoint? It was great. The only thing
I didn't like on it. She didn't have to double
up that first hook. She could have did it just
once and then the second verse followed that. Then she
could have doubled the second hook made That would have
made it more a little bit more interesting. But the
(48:24):
stungb title, the hook to wrap, everything was on point.
Were just arrangement. She didn't have to Kelly.
Speaker 15 (48:33):
Kelly thought the double hook was weird too.
Speaker 6 (48:37):
It was too long. It was it was too long.
You you would have did it once to set him
up for the second verse better. You threw him off
when you doubled it. You know, he kind of niche
his way in the second bird. You would did it.
You would have did it just one time. He would
(48:59):
have came in much smooth than he did when he
did it.
Speaker 15 (49:03):
I feel it. I feel it.
Speaker 16 (49:04):
I didn't produce the track this time, so like I
just ran with the track. But I could have cut
it out though, I could have cut the extra hook out,
So I feel it.
Speaker 6 (49:12):
Yeah, yeah, well you're not just cutting the hook out
when you do it again. He gonna have to go
in to follow you because you you make the difference
from him to come in. Do you feel me?
Speaker 4 (49:29):
Uh?
Speaker 15 (49:30):
What you mean follow him? I mean, what do you mean?
Speaker 5 (49:33):
Follow me?
Speaker 20 (49:34):
Yeah?
Speaker 6 (49:34):
He following you when you come out that hook, he's
coming behind you on the second verse, right, So he'll
have a better feel when you come out quicker. He'll
come in much smoother. You know, he was second guessing
himself because you did it twice. You know it's like
should I come in now? Should I not? Should I
come in now? Should I not? You know, he came in,
(49:58):
but he came in weak, you know, right, you threw
him off.
Speaker 15 (50:04):
I did throw him off. That is what he told me.
Speaker 6 (50:10):
I'm a producer, I hear. I don't I don't trash
people's songs best because I don't like it. I trash
song because it's not done right.
Speaker 15 (50:21):
But then at the end of the.
Speaker 16 (50:22):
Day, like I didn't, I didn't produce the song or
so I just went with the arrangement that was there.
Speaker 2 (50:26):
You know.
Speaker 16 (50:26):
I was like, all right, well, it seemed like they
threw another hook in here. All right whatever, Like I
guess I'm throwing another hook in there.
Speaker 6 (50:33):
No, no as a as an artist, That's why we
call you recording artists. You're supposed to be able feel
the tracks have nothing to do the way you take it,
Then I you donna have nothing to do with him
the way he takes it. That the tracks is nothing
but a tool. You guys, is the principle of the substance.
(50:54):
You make it, you two make it sound great, not
the instrumental you you too. So it's the way you
guys performed. We're not going to pay attention to the
instruments at all. Everybody's concentrating on YouTube. You guys are
in the spotlight, not the keyboard player, not the drummer,
(51:14):
not the bass player, whoever is playing the music, they're not.
They're not the spotlight. You too, are the spotlight.
Speaker 4 (51:22):
R and we gotta roll man, we gotta we got
quite a few songs to get to in very little time.
We go ahead and move on to the next. It's
all good, Richie sent.
Speaker 21 (51:30):
Fans, I got you, I got you, I got you, uh.
Speaker 3 (51:34):
Texting by by the by the texting.
Speaker 15 (51:39):
You know, I call myself the human Chandelier too.
Speaker 16 (51:41):
You know, sometime the name be too long, so you know,
I cut it like you know it, just put the
human chandelier instead of the whole thing, you know.
Speaker 4 (51:48):
Okay, Well that's why I don't give you Instagram. That's
that's too long for me.
Speaker 16 (51:52):
I can't do it right right underscore the underscore here underscorel.
Speaker 3 (51:58):
Yeah, I'll let you work that one out.
Speaker 6 (52:00):
Remember when I first met you, I told you that.
Speaker 16 (52:04):
All right, right, But then the thing is, like, you know,
like my last name, which was simple, got taken by
three other people over the over the last twenty years,
I've been doing it. So I had to figure out
how to do something where I knew somebody wasn't gonna
take it, you know, like, because I'll be doing too.
Speaker 6 (52:21):
Much no matter what you do.
Speaker 3 (52:31):
Let's let me let's check this wrack it up by you, Britt.
What's this one called?
Speaker 15 (52:34):
It's called texting?
Speaker 18 (52:36):
Now.
Speaker 15 (52:36):
I got probably like maybe two curse words, and it
just all y'all know straight out.
Speaker 2 (52:41):
But when I.
Speaker 16 (52:45):
If I was to do something else with it, I
would take the curse words out, you know. But it's
not really one of the singles, but you know it
is on the album.
Speaker 3 (52:54):
Okay, well, let's check it out real, quck, let's make
it out.
Speaker 6 (52:57):
That's all good.
Speaker 3 (53:00):
Check it out here we go, m.
Speaker 6 (53:11):
H.
Speaker 30 (53:12):
The same cluchon the same What the same clutu the same?
Speaker 10 (53:16):
What the same clu? The same? What the same qua?
Speaker 29 (53:20):
The same?
Speaker 30 (53:21):
The same clo the same, the same potuto the same?
What the same c ju the same?
Speaker 10 (53:28):
But the same prote the same purture.
Speaker 6 (53:31):
It in your time?
Speaker 8 (53:32):
And you know what got the nigga?
Speaker 10 (53:33):
You know we're doing come it's in the goods coming picture.
Speaker 2 (53:36):
Why they're chilling in the picture. Your money, don't phrase
me your money, don't phrase.
Speaker 15 (53:41):
Me your thigg feelings with soul in your mind.
Speaker 22 (53:43):
You got your girls were gone paget and they would
never never mind.
Speaker 2 (53:48):
I'm not your way.
Speaker 30 (53:49):
But it takes me the same clu, the same what
the same clu the same.
Speaker 10 (53:55):
What the same cluit the same?
Speaker 30 (53:58):
What the sau this same, the same ju the same
book the same clatu the same? What the saintli the same?
What the saint the sainture text.
Speaker 10 (54:12):
Me at the time, at the time. It texts me
out in time, but it's not the road time. It's
never the at time. What's the man you're dropping off?
(54:32):
Face bruels, don't drinking? Gone the same with June, so
that merry blue? Listen time for chos boil.
Speaker 30 (54:50):
The saint cloture this same, the saintlu the same? What
the Saint clue the same? What the saint the same?
Speaker 2 (54:59):
This same? What you the same?
Speaker 10 (55:01):
What the same? What the same? What the same? What
you think the same? What the same? What you the same?
What you teach me all the time? All the time?
It text me are in time, but it's not the
rat time. It's never the time tears me all the time,
(55:32):
all the.
Speaker 2 (55:32):
Time, it text me are in time, but it's not
the rat time.
Speaker 10 (55:45):
It's never the time listening time his never, it's never
time and never fil.
Speaker 5 (56:09):
Hit me on my email.
Speaker 3 (56:10):
I ain't with the text.
Speaker 18 (56:11):
You know.
Speaker 28 (56:11):
My girls screamed my messages. Why you keep sexty. You
ain't talking about fitness. You ain't talking about nothing, always
saying something crazy. What you think you Joe Budd, you
just got blocked or hit me from a bus sapp
and I'm trying to keep a course of which you
got me hoted in the summer. You the troller, the
trollers to know more to know you be on punk Club, Mama,
stop texting my.
Speaker 31 (56:28):
Phone, all right?
Speaker 4 (56:30):
That was texting by Brita living next to you mes chandelier,
all right, And that one is out right, britt Uh huh, Okay,
that one is out right now. That's that's on a
new project that just came out today.
Speaker 6 (56:41):
So I'll go ahead and scoop that go out just
pulled out.
Speaker 15 (56:47):
It's on the album. It's not a single, and that's
kind of good at the end.
Speaker 16 (56:50):
Technically that song I use the instrumental and the chorus
that texted me on my chandelier radio.
Speaker 15 (56:58):
So like anytime, like I.
Speaker 16 (57:01):
Anytime something come out whereas text messages, you know, like
like did he with these messages with Cassie, the messages with.
Speaker 15 (57:10):
Shannon Sharp?
Speaker 16 (57:11):
You know, anytime these celebrities have something where they text
in or something. I put this in the background and
I read you the text messages of like the drama
and whatever they got going on.
Speaker 15 (57:22):
So it's what I use in my segment on Chandelier Radio.
Speaker 3 (57:26):
You know got you.
Speaker 6 (57:27):
Got for the arrangements, for the arrangements on that song.
It's a good feeler. What you need to do is
reverse you guys the order you should close the song.
The rappers should come in before Cally, should come in
before you do that end.
Speaker 16 (57:44):
So look, look he actually did, but I moved him
around because on the album I had to cut a
song and I had him on.
Speaker 15 (57:52):
The remix and he was way sooner, and I was like,
you know what, Like I don't need.
Speaker 16 (57:56):
Two versions of this song on the album, so I'm
gonna just move him to the end because I'm not
cutting him.
Speaker 15 (58:01):
You know, I'm not cutting him.
Speaker 6 (58:05):
I know you have cut him. You don't have to
to cut him. If he would have rapped up before
you ended it, that'll have been perfect because at the
end of that he could have went out with that
keyboy and if you wanted to, you could hit the gong.
Speaker 15 (58:21):
So that's what it was.
Speaker 16 (58:22):
That's what it originally did. It goes out when I
say it never will be. But he came in way
before like and I was just like, man, like, I
don't have room for another song. It's too many songs
on this album already, like, so figure it out. So
what you're saying is true.
Speaker 6 (58:42):
And when you when you ended it with your with
that vocals, the thing you could have used to shut
it off as a as a filler. You could have
used the gong as the very last note on that song, right,
I feel.
Speaker 4 (58:59):
It You've been on point tonight, man, I must say,
with a whole lot of production tonight, Man, it's all good. Uh,
Jay Adams, what do you think about the record?
Speaker 5 (59:09):
Hey?
Speaker 13 (59:10):
Man?
Speaker 3 (59:10):
I like the record?
Speaker 14 (59:10):
Man, I thought it was a good record.
Speaker 4 (59:13):
Like it okay, sounds good? Sounds good? DJ A a
O age when you fill in the record or what's up?
Speaker 15 (59:19):
I'm not gonna lie to you.
Speaker 21 (59:20):
I love miss Human Cinder Liz vocals. I really really do.
Speaker 9 (59:28):
I think the only thing that's really missing is a
producer that's dedicated to her to build a beat or
production around her vocals and take everything to the next level,
you know that coming with you know.
Speaker 21 (59:44):
Engineer, a master engineer too, to take everything to the
next level. But just talent. She definitely has the talent,
and I'm sure she's been hearing this a lot. Your vocals,
you're singing, it just brings people in.
Speaker 4 (01:00:02):
That's what's up. That's what's up.
Speaker 3 (01:00:06):
Eric d Olavera. How you doing tonight? I'm good man.
Speaker 32 (01:00:11):
How you doing.
Speaker 3 (01:00:12):
I'm good at that? I pronounce that right?
Speaker 5 (01:00:15):
Yeah? You know only one whoever said it right?
Speaker 4 (01:00:17):
Okay, that's what's up. Man, It's all good. I don't
have a habit of that, but it's all good man.
How you doing tonight?
Speaker 6 (01:00:23):
I'm good, I'm good.
Speaker 13 (01:00:24):
I'm good man.
Speaker 3 (01:00:25):
What do you think about the record we just played?
Speaker 32 (01:00:27):
I agree with the way basically she got. She got
good presence and everything, but she needs somebody to actually
vocally produce her and you know, have music to compliment
her more.
Speaker 3 (01:00:42):
Okay, got you got? You's all good?
Speaker 6 (01:00:46):
A black con.
Speaker 3 (01:00:48):
That's what's up.
Speaker 21 (01:00:51):
I said something to tonight all.
Speaker 4 (01:00:52):
I'm trying to get to it, man, I'm trying to
get you as many songs as we can. I just
want to check in with al fora male for male.
How you doing tonight, sir, I'm doing well. We're good man.
What you think about the record?
Speaker 5 (01:01:05):
I love it. I want to collabor with her.
Speaker 4 (01:01:07):
Okay, that's what's up. Uh, giving me your Instagram and
auto real quick?
Speaker 33 (01:01:17):
Go ahead, Britt, I don't all right, I can't get
everything right now. Just play a song for her and
I can get in touch with her. That's what I
want to do.
Speaker 4 (01:01:28):
Okay, all right, man, all right, Well we'll be playing
records by her. Uh, we're gonna roll onto the next one.
Speaking of record again, I'm gonna try to get in
as many as we can. You got sent them quite
a few tonight. If we don't get your record on tonight,
we'll get it on next week. I apologize for it,
but we're about to be running out of time. And
just a little bit here. Uh, Andre Ryder sent this
(01:01:48):
to us. I'm sorry, I'm sorry. This is I'm sorry
someone else?
Speaker 11 (01:01:55):
This is uh.
Speaker 4 (01:01:57):
That Uh Dana Maddis Dana Madison sounds called do you
don't want to don't want to miss you? Dana Madison?
Sound called don't want to miss you? All right, all right,
let's shake it out here we go.
Speaker 6 (01:02:17):
What I'm saying.
Speaker 8 (01:02:20):
Weird notication?
Speaker 4 (01:02:29):
Oh sorry, don't know.
Speaker 10 (01:02:53):
Sure, Let's focus on stalking the.
Speaker 34 (01:02:58):
Talking my j I'm in I po taking into the face.
Speaker 10 (01:03:05):
You really get to me. I just want to get
some sleep.
Speaker 27 (01:03:11):
What you have to say, I'm running gage came on
a sway.
Speaker 10 (01:03:18):
To get your mother. Can't carry the way.
Speaker 5 (01:03:23):
You know.
Speaker 10 (01:03:24):
I'm not that strong, but I took my fall. I
don't hold of issue.
Speaker 8 (01:03:32):
Look at, don't water don't.
Speaker 27 (01:03:40):
I don't hold of issue, look at, don't wada, don't.
I don't wanta issue. Look at it turns reach your
foe into his face. I've had his fine and takes
(01:04:05):
his one mistake of going just to come away.
Speaker 34 (01:04:09):
It's better red bas phone. Don't you have saved all?
Run again? I came on this way to ed your mother.
I can't carry the way. I'm not that strong, but
I'll take that fall. I don't issue.
Speaker 10 (01:04:33):
Lookin wa.
Speaker 34 (01:04:42):
I don't love is you?
Speaker 10 (01:04:44):
Look at?
Speaker 34 (01:04:52):
I don't love is you look a.
Speaker 4 (01:05:16):
She is a polished She is polished as a singer.
The beat was a nice choice to showcase her. Okay,
that's what's something, man, that's what uh one five on
the beat said comment by way of I g.
Speaker 3 (01:05:31):
Uh very nice. I love her vocals very very uh.
Speaker 4 (01:05:36):
Captured by the song Cali California Breeze he liked the
record as well by way of Clubhouse. So this few
comments one by Clubhouse won by I g gave comments
to that record right there. Don't want to miss you
by dayah.
Speaker 22 (01:05:53):
Uh.
Speaker 3 (01:05:54):
They h make sure I.
Speaker 4 (01:05:56):
Got the name Madison, deya Madison? All right, j Alams,
what do you think about that record right there?
Speaker 12 (01:06:02):
I had to go listen to it because it's out,
so I had to go listen to it because it
was a little fuzzy on my end.
Speaker 14 (01:06:09):
But listening to it, man, like when I.
Speaker 12 (01:06:10):
Listen to records, right, especially from artists I've never heard
of it before.
Speaker 14 (01:06:15):
I always listen as the producers above me, right, So.
Speaker 12 (01:06:20):
I listen to that record, man, it's like one five
man get out my brain. Had very good vocals, man,
and that that that track and not only complimented her,
it didn't it didn't overshadow.
Speaker 14 (01:06:36):
It was like a good a good blend.
Speaker 6 (01:06:39):
You know.
Speaker 12 (01:06:41):
I really even appreciated how to engineer, you know, mixed
her vocals. So you know, I think it was a
pretty good solid song.
Speaker 2 (01:06:52):
Man.
Speaker 12 (01:06:52):
It's one of them records, you know, Like I'm always
listening like is this a record I take to the label,
you know, so you know, never heard her before.
Speaker 14 (01:07:01):
Man, that was a good record though.
Speaker 4 (01:07:03):
That's what's up all right? DJ the way, what do
you think about the record? I like the record.
Speaker 21 (01:07:12):
It was almost perfect to me, actually, if I'm.
Speaker 9 (01:07:18):
Right picking at it, I wish would her specond verse
that mostly she did some different things it would have
made the the song perfect.
Speaker 21 (01:07:30):
But even with that, the song was still very very good.
Speaker 4 (01:07:34):
That's what's up. That's what's up.
Speaker 18 (01:07:36):
Eric.
Speaker 3 (01:07:36):
What do you think about the record?
Speaker 32 (01:07:39):
I love to think everything was great. Her vocals was
well produced. The engineer mixed her very well. Like the
other brother said, everything was cohesive well like where there
was a perfect balance between the music and her vocals.
That that it was open enough to let her vocals shine.
Speaker 2 (01:07:59):
More, you know.
Speaker 5 (01:08:00):
And yeah, overall that was a great track. I could
listen to that again.
Speaker 3 (01:08:06):
That's what's up for Mail. What you think?
Speaker 33 (01:08:11):
Very dominant, very clear. Everything was meant to be. She's
got a talent that is no other. She's great.
Speaker 4 (01:08:21):
That's what's up. That's what's up.
Speaker 3 (01:08:22):
MD.
Speaker 4 (01:08:23):
What you think?
Speaker 5 (01:08:25):
Yeah, well too, go ahead?
Speaker 18 (01:08:29):
MD.
Speaker 4 (01:08:33):
Oh you liked it?
Speaker 3 (01:08:34):
Okay?
Speaker 6 (01:08:36):
Can you hear me?
Speaker 3 (01:08:37):
I got you? Go ahead?
Speaker 6 (01:08:39):
Okay? I agree with everybody she had great vocals there,
and she need a little bit more productions on you.
He needs keyboards, she needed keyboard, she needs some strings.
It would have bring it would have brought the song
out a little better because she was better than she
was better than that. Uh that good tar. You know,
(01:09:00):
I think a guitar player would have been a better
guitar player. Would it really spooked it up a little
bit better? He played it too, He played it too.
He played it two weeks and say it like that
played a week. As a producer, I wouldn't have went
with those. I wouldn't went with those for showcase with her.
That was perfect. But if I'm going to do a
(01:09:22):
record with her with that song, oh, I took it
to another level with keyboards, strings. When a little ad lives,
second ad lives from her second and third as lives
with her, I would have took it to the next level,
you know, mm hmm. I mean it would have been
(01:09:42):
something that you know, everybody would have said, all right,
it was a hit record. She was, she would dynamite.
Speaker 5 (01:09:48):
She definitely have no other take to go to the
next level.
Speaker 6 (01:09:52):
Yeah, if I was still produced, I would have did
with like my My, My, My, my friend would what
it had been done with her, take her to the
next level. You know, period. Uh, you can hear it.
You can hear it from her. You know, she was
way better than the guitar player. I was thinking that
she was. That was her playing the guitar herself.
Speaker 4 (01:10:15):
Well we don't, we don't know. Well what the producers
on I j Well, we'll ask him. Yeah, well, well
the producers on there, so we'll have to ask him
here in I g let us know in a few moments.
Speaker 6 (01:10:27):
I'm talking about. I'm talking about the way it's sound.
I ain't going about what actually happened. He was playing it,
Oh got you?
Speaker 3 (01:10:37):
Okay, it wasn't It.
Speaker 6 (01:10:39):
Wasn't her, and he had a guitar players there. I
would have I wouldn't found I would have found men
other guitar player another level high.
Speaker 3 (01:10:48):
Okay.
Speaker 18 (01:10:49):
Uh.
Speaker 5 (01:10:50):
Her words told me don't go nowhere, nigga.
Speaker 4 (01:10:56):
That's what said right there, Brita living next to you, chandelier.
What you think about the record?
Speaker 2 (01:11:02):
Man?
Speaker 15 (01:11:02):
I loved it.
Speaker 16 (01:11:03):
I thought she was flawless, like I mean, like she
grabbed me in like right at the beginning, Like I
didn't want to go nowhere, like I thought it was
amazing her her voice. It was flawless, and I really
liked the song it was it was laid back, it
was relaxed, it didn't have, uh too much going on.
I liked the laid back guitar like.
Speaker 8 (01:11:24):
I loved it.
Speaker 16 (01:11:26):
I actually felt like I wouldn't want to change a
thing like I feel like she really did her thing.
Speaker 15 (01:11:30):
And you know, I would love to hear other songs
from her.
Speaker 4 (01:11:34):
That's what's up?
Speaker 3 (01:11:35):
Okay, Kelly good, what do you think about the record?
Speaker 13 (01:11:41):
Fantastic man got a beautiful voice. It was real, real,
real new Bobby. I agree with him the she is
better than not the guitar player, but the guitar sound
that was all that particular track. But didn't that's a
compliment because she was great.
Speaker 4 (01:12:02):
Okay, that's what's up. That's what's up for and f
y I Andre Ryder chapped in, and uh, the guitar
player is a person by the name of Taylor Williams
so and they built the record from.
Speaker 3 (01:12:14):
Scratch, So.
Speaker 5 (01:12:18):
Let me go nowhere. That's what she said, right, mm hmm.
Speaker 3 (01:12:23):
Yeah, okay, those words hit.
Speaker 4 (01:12:26):
That's what's up.
Speaker 6 (01:12:27):
Sure, Okay, she she outsung the guitar player and that
and that's that's good. That's what you want. You don't
never want your as a as an artist. You never
want the music to be better than you. You want
to be better than the music, the instruments. So everybody
like when Reesa Franklin was singing, she sung better than
(01:12:48):
the musician she made. She made the musicians sound great,
and that's what she did.
Speaker 5 (01:12:55):
You're right about that.
Speaker 6 (01:12:56):
Yeah, that's what she was doing with the guitar player.
But unfortunately she made the guitar player look bad.
Speaker 4 (01:13:05):
Uh yeah, okay, e O way, what's what's what's your record?
What's the name on the other record?
Speaker 21 (01:13:13):
So it's on the way.
Speaker 9 (01:13:15):
Uh, it's a DJ service pack, So it's your choice
where you want to play the clean of the dirty?
Speaker 3 (01:13:21):
Was it a nutty nutty p is at it?
Speaker 1 (01:13:23):
Yeah?
Speaker 3 (01:13:24):
Yeah, okay, nutty pee that's it.
Speaker 5 (01:13:26):
I heard that.
Speaker 6 (01:13:26):
I heard that before I heard that name.
Speaker 4 (01:13:28):
I want to see if I can download this DJ
service peck here real quick. Here. While I'm downloading this
DJ service, pet, you can always check out the heading
out of session. This show is happening every week right
here on the radio show. Right after the radio show,
should I say a ten OClO specific standard time one
a m Eastern. You never know who's gonna come through
and be on the panel as far as critiquing all
(01:13:48):
these songs, and I think everybody that's been on here
on here tonight, and you can check out this show
on the radio show app at Keyword DA Radio Show
on I'm sorry, on the iHeart app at the Keyword
DA Radio Show. You can check this show out right there.
It's called the Head Nod of Session, so it'll be
on the app and you can check out all some
previous episodes of the radio show as well. And by
(01:14:10):
the way, I forgot to mention that, speaking of the
Head and Out of Session, this is our fiftiest episode,
fiftiest episode, but don't know, I went the whole not
and not mentioned it. This is the fiftiest episode of
the Head and Out of Session, So make sure you
check this out.
Speaker 5 (01:14:26):
Man.
Speaker 4 (01:14:26):
It's a little mobstone we here tonight. So it's all good.
So let's check out this this record right here, Nutty p.
Speaker 21 (01:14:34):
They called me dog in Reese.
Speaker 3 (01:14:37):
On the way they called me dog in Reese.
Speaker 4 (01:14:40):
Oh okay, okay, okay, they got they called me dog
all written together. That's why it's confusing me. All right, man,
let's check this out here.
Speaker 31 (01:14:50):
By the time, new thing aboud it girl the morn
away outside you can bring your friends.
Speaker 8 (01:15:00):
Kay has a broad up.
Speaker 10 (01:15:03):
Take a shout that dr he we lie so.
Speaker 29 (01:15:07):
Straight the girdles if it's something you do, get pretty
in them from every time with me? You know you
want doing gettle everybody do say that you fa dressing
(01:15:27):
t comm with me.
Speaker 10 (01:15:29):
You'll be honest.
Speaker 31 (01:15:31):
I like you and I need a wife to let
me cull you every day and double one a night.
Speaker 10 (01:15:35):
To all you're gonna do is tell me everything you
want to do.
Speaker 8 (01:15:38):
I promise I could try to make it happen.
Speaker 10 (01:15:41):
Take them by the mode away, how inside can bring
your friends? How do you kay cancel?
Speaker 8 (01:15:50):
Lie? Take a shot that train and you lie so.
Speaker 22 (01:15:57):
Some stray.
Speaker 1 (01:15:59):
Today was a good.
Speaker 10 (01:16:00):
Day to hit the gang up.
Speaker 1 (01:16:01):
What's the moves though?
Speaker 8 (01:16:02):
Money coming in?
Speaker 10 (01:16:03):
Any worry?
Speaker 22 (01:16:03):
By the thing too?
Speaker 31 (01:16:04):
B only can tell for a nice white guy forever
with you, trying to get you out at this party
to watt and get it jumping with you. Maybe y'all
want which time I've been holding up the ball like
I'm standing in the line. I'm a slick you the
battest front around and we got that she's gone.
Speaker 8 (01:16:18):
Can we wipe each other down?
Speaker 35 (01:16:19):
All?
Speaker 31 (01:16:20):
I like you and I need a wife to let
me call you every day in double one a night too.
All you gotta do is to me everything you want
to do, A promise you to try to make it happen.
Speaker 8 (01:16:29):
Time thank the body girl the mud Away?
Speaker 1 (01:16:33):
How inside you can bring your friends?
Speaker 10 (01:16:36):
How be a wady okay?
Speaker 8 (01:16:38):
And toly up take the shine.
Speaker 10 (01:16:42):
I got the drink and we lie so.
Speaker 8 (01:16:45):
It's party strength. Time you think a body girl the
mud Away?
Speaker 10 (01:16:53):
How inside you can bring your friends?
Speaker 6 (01:16:56):
How be a wady kay?
Speaker 4 (01:16:58):
And that's Nutty Pee featuring they called me Dog and
Reese sound called on the way. Think about the record
(01:17:19):
right there, looking for the feedback construct the criticism that
is uping for you. Listen, listen, judge aby, they have
a DJ pack. I mean, this one is already out,
so let me open it up for you this way.
If anybody want to give some feedback on the record,
go ahead and do that. But that one's already out obviously,
So uh, what do you think about that? Anybody want
to give some feedback, go ahead and chime me in
real quick. Yeah, yeah, go ahead, fa mail.
Speaker 5 (01:17:43):
Go ahead, all right, Yeah, that sounds like it's out.
Speaker 33 (01:17:46):
It sounds like something I could vibe to every night,
like out in the club, stuff like that.
Speaker 3 (01:17:51):
Okay, that's what's up. That's what's up. I heard Britt
go ahead.
Speaker 16 (01:17:54):
Britt Friday was giving me music soul vibes. Could I
could hear him singing that, like.
Speaker 4 (01:18:01):
Okay, that's a good look right there, that's a good look.
Anybody else wants to coming on that one.
Speaker 11 (01:18:08):
I thought that was a real good record, man, real
good vibe man, real put together production wise, real party
vibe man, the vocals, all of that stuff.
Speaker 7 (01:18:18):
Man.
Speaker 12 (01:18:19):
Salute to whoever's pushing that man. Good luck to y'all
with the radio and everything. And that's a good record.
Speaker 5 (01:18:26):
I like that record.
Speaker 4 (01:18:28):
All right, that's what's up. We're gonna go into the
next one real quick.
Speaker 2 (01:18:31):
Here.
Speaker 4 (01:18:31):
This is a artist name is Bad News. Song is
called We Winning bad News.
Speaker 3 (01:18:39):
We win it.
Speaker 4 (01:18:40):
Let's check it out the head and out of session
piled by the radio show.
Speaker 3 (01:18:43):
Let's do it.
Speaker 8 (01:18:45):
Hey, look at the feedback on the song after the
songs that.
Speaker 5 (01:19:00):
I saw.
Speaker 35 (01:19:01):
Yeah, yeah, we winning Niggas over here, Yeah yeah, yeah.
Speaker 8 (01:19:05):
Got them grinny in and in. Yeah you o me.
Speaker 35 (01:19:09):
I'm a ball sauce see saw see he's most tall.
Yeah yeah yeah, Winning niggas over here. Yeah yeah yeah
grinny yah yucker fullow that bous well here I am
BMC is where I was taught. That's like a hundred
fans broke flipped behind the crips.
Speaker 6 (01:19:28):
I don't pay to.
Speaker 35 (01:19:28):
Get new fence. I just show them my im numb man.
Sorry money clicks, that's my plan. You are about to
take a loss. Well god damn, we got don't damp.
I got missus that your man.
Speaker 8 (01:19:38):
I put your bitch in her friends.
Speaker 35 (01:19:40):
I'm really trying to put a dance. I can't be
stopped like Hemping dur Ran hot peoples luck like jump Ran.
I smoke on the best friends. Got your bitch all
in the trance for so which she wanted to dance.
I don't even need an advance.
Speaker 6 (01:19:52):
You lost me.
Speaker 35 (01:19:54):
Oh so see I got housemc moste yeah yeah yeah.
The niggas over here, yeah yeah yeah, got your granny in.
Speaker 8 (01:20:04):
Yeah you loos me files. I see I got sauce
bm C.
Speaker 35 (01:20:09):
I was tall, Yeah yeah.
Speaker 8 (01:20:12):
We winning niggas over here.
Speaker 35 (01:20:13):
Yeah, yeah, yeah, got him Greenny said, yeah souse, I'll
be shining. I got three change up the diamonds man
the fresh Hound big.
Speaker 8 (01:20:22):
Time on the charge I keep coming.
Speaker 35 (01:20:24):
I thought dark air, dumb, mindless, my focus. It's so
time that's make them lame. Kniggs, rewindings, start money where
I was taut. That's my label on my rap. Can't
be it's no favor. Roman raised ahead at the table.
I keep a bad bitch, like say, but I got
a lot of holes in my stable.
Speaker 8 (01:20:39):
Yeah, my whole click and stable more like ca' not
angle You lous me?
Speaker 35 (01:20:44):
Ohs see I got sauce BMC most yeah yeah, winning
niggas over here? Yeah yeah, yeah, got your grannie and
yeah you lous me files see I got sauce BMC.
Speaker 8 (01:21:03):
Winning niggas over here, Yeah yeah, yeah yeah.
Speaker 4 (01:21:11):
Tell that's a big wrestling fan guy right there. Man,
A lot of wrestling references in that record right there.
Shut out to him. We win in bye I should
I get this right here? We winning bye bad bad news.
We win in by bad news.
Speaker 3 (01:21:28):
Hey the wait? Did you happen to do any research
on that record? Real quick?
Speaker 8 (01:21:31):
Here?
Speaker 3 (01:21:32):
Does anything? ELP can pop up? Eight away.
Speaker 21 (01:21:35):
I didn't do any research tonight, man, I've been kind
of kicking back to night.
Speaker 3 (01:21:39):
Okay, go ahead.
Speaker 9 (01:21:40):
I will say that I like the energy of the brother,
so you know, I definitely would like to be in
tuned to his journey. But that one, per se still
needed some work. But he definitely has that type of
energy to where I think he can make a very
very dope song And would like to say, man, I
(01:22:01):
think we won the night a little bit donee we
we made you move with that last song too, So.
Speaker 3 (01:22:07):
Yeah, that's that's a win. That's well, yeah, it's a win.
Speaker 2 (01:22:11):
Man.
Speaker 4 (01:22:11):
Anytime you made me move, you know it's a win.
It's definitely a win, dude, because you know it's hard
to make me move.
Speaker 3 (01:22:16):
All the songs. I'll be hearing a song for sure. Man, definitely, Eric,
what you think about it?
Speaker 1 (01:22:24):
It was cool.
Speaker 3 (01:22:25):
I like that everything, but uh, hold on, hold on
fever again, Eric.
Speaker 32 (01:22:32):
No, I said, I like his energy and everything, but
it seemed like the musicality is a little dated. It's
a little dating. I would like to see how you
would sound on something more up to date music. Yea,
So it sounded like a sounded like a lot like
almost like on a P P D poblo type.
Speaker 4 (01:22:50):
Of ar Yeah, I did. Yeah, well it was kind
of pet popular issue. What don't you think? Okay, that's
that's what's up.
Speaker 12 (01:22:58):
I'm with you.
Speaker 4 (01:22:58):
I agree with you. Is where I did sound like
a little PD populoish Alpha mail.
Speaker 3 (01:23:02):
What you think.
Speaker 5 (01:23:04):
That man got bos? I heard it?
Speaker 3 (01:23:07):
Mm hmm okay, Okay, he know how to entertain the crowd.
Speaker 4 (01:23:13):
That's what's up. You've seen it before before.
Speaker 7 (01:23:16):
No, I don't know.
Speaker 5 (01:23:17):
I just heard what he does. I'm I'm I'm I'm
an artist too, so I know when it comes to artistry.
Speaker 4 (01:23:24):
Oh okay, that's what's up. That's what's up. All right,
all right, Jay Adams, what you think about the record?
Speaker 14 (01:23:31):
I can't really hear it over here.
Speaker 2 (01:23:33):
Man.
Speaker 12 (01:23:34):
I work with him, so I know one five told
me it's not it's not mixed yet. What I can't
say is everybody you know bad News got good energy.
Man's a great artist. I really can't hear the song
on this end, man, to really judge it. To be
honest with you, I just from what I could hear,
Like you said, done the wrestling references.
Speaker 14 (01:23:55):
I like his energy, man, but I couldn't really hear
the music and the rap. Good enough man to be honest.
Speaker 4 (01:23:59):
With you, Okay, definitely, Well one file before he put
it out there and mix it. Ind let him know
what he needs to do to fix it.
Speaker 6 (01:24:06):
No, he just needed really to mix it. Like it
hates sick. You need to mix it. He got the energy.
You know, he's in his own lane. You know, you
gotta mix it. You gotta get with some You gotta
get with some people that could take him to the
next level in the studio. Now he can't. He can't
(01:24:27):
go in that social service mentality and getting things for
free and don't want to pay no money. They think
he's gonna make a lot of money. Now he's gonna
have to find the right people to take that same
song and take it to another level. Nothing wrong with
the song. I love his energy. I like how he emphasized.
(01:24:49):
He emphasized, well, you know, but the production wasn't there,
the mix wasn't there, but the idea was there. It
was a great demo.
Speaker 3 (01:25:01):
Great All right, Britt, what do you think about the record?
Speaker 15 (01:25:07):
I thought the energy was there. I really liked the energy.
He got some good energy.
Speaker 3 (01:25:12):
Okay, all right, Kelly, good, what do you think about
the Reggord.
Speaker 13 (01:25:17):
I like the energy, it is real. My favorite part was,
uh it's real. Yeah, yeah, yeah, yeah, okay for sure
for show. I feel it. Oh that's one of my
old school type flows right there. I used to come with,
you know, over the h It's like the Cadence. He
came with a D. Remind me like a pet Pablo Love.
Everything was coold, just something. It was just that one
(01:25:39):
part that was kind of throwing me up, and it
was reminding me like, hey see.
Speaker 22 (01:25:47):
Enough.
Speaker 4 (01:25:49):
Other than that, man, I like it, okay, and that's what's.
Speaker 6 (01:25:53):
Up, you know, another day I feel. I feel. What
a lot of people say about the music is stated.
Music is never dated. It's about your your engineer, your musicians,
the people that you you put on your project to
make a break here.
Speaker 5 (01:26:12):
You know.
Speaker 6 (01:26:12):
It's not about being dated or outdated. Music is never outdated.
Music is music period. Yeah, though even though it sounded
like it was nineteen twenty one. Skill music, yeah, and
it could be taken to another level of today's music
when you get the right musicians, the right producer, the
(01:26:36):
right writers to make it come to life. That's all
you need.
Speaker 5 (01:26:41):
So can I ask you a question go ahead.
Speaker 33 (01:26:45):
If you are a writer and things don't go well
with the companies, how do you become that person?
Speaker 6 (01:26:55):
Well, that keynote word you use in the beginning of
your statement is the reason that very first word you said.
Do you know what you just said?
Speaker 5 (01:27:08):
Yeah, yeah, I know that first word.
Speaker 6 (01:27:11):
What would that first word you say if you're right?
Speaker 8 (01:27:15):
If?
Speaker 5 (01:27:17):
Hey, that's what I wanted to know.
Speaker 33 (01:27:19):
That's why I sent something in the comments, like if
people saying you're too old or too young, how do.
Speaker 5 (01:27:25):
You do that?
Speaker 6 (01:27:26):
Well? When the people use the word if at the
beginning of their statement, they really don't know themselves. Most
likely nine percent of people that use the word if,
when they're down in somebody else artists, I'll be art.
They hate you know, you're not trying to help you hate.
(01:27:52):
I never used people.
Speaker 33 (01:27:55):
There's people who've done this long time and they don't
know how to go about it no more.
Speaker 4 (01:28:02):
Now you know what, I'll udd up you guys. I
gotta cut you guys off because I gotta go. I
gotta get up. It's too late now for me to
be on here and I gotta get in about four hours,
so I gotta go to sleep. But I want to
thank everybody for joining us. We'll have to continue this
conversation next week.
Speaker 3 (01:28:16):
All right. We're here every.
Speaker 4 (01:28:17):
Monday night at this time, so make sure you come
through and at ten o'clock Pacific Center time, one m
Eastern for the head and out of session. Before that,
I've got the radio show, not a clop Pacific Center time,
twelve em Eastern for the radio show.
Speaker 22 (01:28:30):
Man.
Speaker 3 (01:28:30):
I want to thank.
Speaker 4 (01:28:30):
Everybody for coming through and being a guest here tonight
and being a part of this again. I appreciate the conversation.
I love it dearly, but I gotta go, but I
wanna thank y'all again. Come through next week. We're gonna
make it happen. If y'a didn't play your record tonight,
I apologize and try to make it happen next week.
All right, So we'll see you all next week and
de enjoy your rest of your vacation out there. Kelly
(01:28:51):
good Bride, liven next to you, Me Chandelier, stay up.
Make sure you support the music.
Speaker 3 (01:28:55):
It is out now.
Speaker 4 (01:28:56):
Go to social media platforms. Make sure you pick it up.
Joe Wade eight O waight, Eric Jay Adams, Man, see
y'all next week. Man, Save bat time save bat, everybody,
take care of.
Speaker 8 (01:29:10):
Hey.
Speaker 35 (01:29:11):
The radio show so far, make sure you follow us
on all social platforms at the Radio Show
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