the headnodder session ep 53

Episode Transcript

Speaker 1 (00:00):
All right, y'all getting ready to start the head and
out of session that starts right now. Go time to
discuss some industry.

Speaker 2 (00:11):
Drop it down, drop down, show.

Speaker 1 (00:18):
Mirror, mirror on the wall, Tell me mirror, what is wrong?
Can it be my daylight closer? It's just my dayla song. People,
I forget it. It's me myself and I dayla soul.

Speaker 3 (00:32):
All.

Speaker 1 (00:32):
I had to get a little old school for you
as we pay how much, I always say, the old
school artists, we bring you the new ones each and
every week right here on the head and out of
Session Power by the Radio Show. This is where we
take those songs that are sent to us and take
that honest feedback and stretch the criticism, and we give
that to you right here. All right. So if you

(00:52):
got a record that you need some constructive criticism and
feedback on you goad and send that to us right now.
All you just go to our website ww you dot
the radio show dot com. Go the way says submit music,
upload the song it it find its way over to
us for the head now of session, which is right now. However,
if you cannot handle constructive criticism, you don't want nobody

(01:15):
talking about your music. You know you you you feel
that you you on another level. Don't send it right now. Okay.
That's for people that can handle it. People that need
help with their music. That's why we have this show.
People that may be producing something that maybe need a
help help, you know, picking something now, adding the track,
adding a beat or whatever. This show is for you.

(01:37):
All right. So we got a few songs that have
been sent to us and we're gonna go ahead to
get those queued up right now. Uh MD, go ahead
to give the disclaimer. Please, if you.

Speaker 4 (01:47):
Talk about your music and you're lucky because I'm not
gonna probably be here. Yeah, gonna pick up my baby
and you're lucky this week. But at eight o eight
you in the house, ayto he's still there.

Speaker 1 (02:08):
Uh yeah, I guess he's he's got to smike me.
But it's all good. But uh yeah, go ahead, since
the disclaimer and.

Speaker 2 (02:15):
Who's it the.

Speaker 4 (02:16):
Same as if we if we talk about your song
bad Up. I hope you don't have it on Spotify
or Apple Music because you should have sent it to
us unreleased yet so we can scrutinize it, tweak it
for you so you can go back there and redo
your song and get mixed right, produced right, and then
it'd be ready for the public. But if you send

(02:38):
anything that you already got on Spotify and when we
talk about it like it ain't about nothing, it's your fault.
You shouldn't have released it, Okay, don't send it to
us if.

Speaker 5 (02:50):
It's released, if it's unreleased.

Speaker 4 (02:53):
We're here to help you straighten up your your situation
with the song so you can go back and studio
and do your final man, you know, your final production.
You know you already got it out there, got them
in the record store. Us up, we get ready. We're already, man,
we get ready. Were ready to chop it up. But
you got lucky because I probably won't be here for

(03:13):
the whole entire show, but I'm gonna try to get
back as fast as i can.

Speaker 1 (03:18):
All right, Well, we got a couple of songs to
get to right now. Let's go ahead jump to the
first one. This is Summer Summer vis by Nate, Summer
Vised by Nate. I think we've heard this one before,
but let's check it out. Just came to night man.

Speaker 6 (03:33):
Man, Oh, it's definitely some summertime ship and ship Summer

(03:56):
Nights Ny day.

Speaker 7 (04:01):
Huh.

Speaker 6 (04:02):
Yeah, I'm feeling all right. I got the byes, bad
bitch y'allways on my ride. You getting money, Yeah, we're
feeling all right. What you need, what you want with
you like? How about the bag? I don't care about
the price.

Speaker 5 (04:15):
Yes you yo me?

Speaker 6 (04:16):
Yes you living this pie? I give a good dick
or night. Get her from the back. Yes she caught
all the time.

Speaker 2 (04:23):
Touch your motherfucking soul with his pole.

Speaker 6 (04:26):
How I know, see your skins start the cloth squad
business yard had a letter.

Speaker 8 (04:30):
Know squad business.

Speaker 9 (04:32):
Yard had a letter.

Speaker 10 (04:33):
Know it turned up?

Speaker 8 (04:34):
Never ever turned down.

Speaker 6 (04:36):
Go chain's got the line with the crown pull, so
I gotta lock down.

Speaker 1 (04:41):
We're taking bouts to the end on another round.

Speaker 8 (04:44):
Yeah, I'm feeling all right. I got the fires.

Speaker 5 (04:47):
I'm talking on.

Speaker 11 (04:48):
Glove ring, good pies.

Speaker 8 (04:50):
Now I ride down.

Speaker 11 (04:51):
They say, Hi, smoking anils on the shore line, lay back,
and I'm trying to lay back and I'm trying to time.
Ride down, sit high, smoking als on the shore line
in the.

Speaker 6 (05:05):
Back about the brow one up? Got the rounds a
business bitch, so I can blow it straight up. See baby,
this lifestyle what I work for, Damn Rod, I want
to see you being getting the flood catching out like
we are to be Damn ride.

Speaker 1 (05:18):
I need you like my next heart be Damn girl.

Speaker 6 (05:21):
You know your summer time fine, while you're wasting time
when you need to be mons working hard, start saving
niggasig summertime. I reflex, nigga, nigga, you can't do it
like a fucking do he besmore. I'm a fucking giddy
kitty boss man, got my gatty name.

Speaker 9 (05:39):
See the blood running through my base.

Speaker 6 (05:42):
This niggas ain't really fucking faith getting money stacks the
fucking save.

Speaker 8 (05:47):
Yeah, I'm feeling all right.

Speaker 11 (05:48):
I got the fires glove, bring glup, hie, now ride
down DC Hi, smoking als on the shore line, lay
back and I'm trying out say back all right, smoking
heils on, smoking hells on the shore line, like man, Yeah,

(06:10):
you know a nigga trying to know.

Speaker 12 (06:13):
Mad bitch.

Speaker 11 (06:14):
Yes, she got my mom a little wait and shade
moving at that side to side. Maybe girl, she oh
got a nigga trying to stay in NYE.

Speaker 9 (06:23):
Is she even rolling up? She like maybe you buckle
it up?

Speaker 11 (06:26):
We up, I suld go shine high. Yeah, the whole
summer night.

Speaker 1 (06:31):
The profanity is not needed. I'm not a fan of
the N word. That's a comment by damn Franklin. They
shut up. It's spam Franklin by way of a club
house room right now checking this out. You gotta comment,
You go ahead and put it on your social media
platform of choice. Where weta that's we're rolling along here
on the show. He left his what do y'all think

(06:53):
he word did?

Speaker 10 (06:53):
Wady?

Speaker 1 (06:54):
She'll please let us know. Let's go ahead and work
away around the room and get some constructive criticism and
feet act on this record. Indeed, go ahead to kick
it off. D go ahead and not kick it off.

(07:16):
MDS going huh, okay, it's all good. We'll come back.
We'll come back to n D in a little bit. Uh, Jackie,
are you there?

Speaker 9 (07:25):
Yeah?

Speaker 10 (07:26):
I'm with BAM on that.

Speaker 1 (07:28):
You with Bam? Yeah, okay, yeah, the profanity didn't move you. Okay,
it's all good. Eric, What do you think.

Speaker 13 (07:39):
The song was cool? I think it could have been better.
I like the guy on the hook more, but it
could have It could have been better. And the song
was so the musicality was so cool. He didn't even
have to really cut.

Speaker 5 (07:51):
He could have left that.

Speaker 1 (07:54):
So so you were a fan of the cussing either, No, okay.
Could there have been an element of trunch trying to
keep it real that whole deal there?

Speaker 10 (08:06):
No, I mean you don't really have to.

Speaker 13 (08:08):
I mean you can still give a point across without
having myself.

Speaker 10 (08:12):
It's a few rappers have done it.

Speaker 1 (08:14):
H Okay, that's what's up. That's what's up.

Speaker 9 (08:20):
MD.

Speaker 1 (08:20):
Did you make it back yet? Okay, so he probably
probably get the dog, that's right. DJ oh eight, are
you there.

Speaker 10 (08:35):
Probably somewhere?

Speaker 1 (08:36):
Yeah, he probably DJing somewhere too. Okay, it's all. What
do you think about the record?

Speaker 9 (08:42):
I like the song love.

Speaker 5 (08:43):
I liked this the last time I heard it. I
feel like the singer really makes it better. But I
like it.

Speaker 14 (08:51):
I feel like it survived. I mean, I don't mind
the cursion. I think the cursion is cool. I'm if
he's not trying to play mainstream, you know some cool
listen to in the car. It could be on a
movie where it got a lot of action going on.
You know, they in the hood doing this and that
they don't have a problem with it.

Speaker 1 (09:12):
I like it. Okay, all right, that's what's up. That's
what's up. Kelly make it back yet.

Speaker 5 (09:18):
No, okay, all right, I think they having problems with
the service up there right now.

Speaker 1 (09:23):
Okay, let me know when he come back. Okay, Okay,
Randy says, I keep the music and garage disposal, the
lyrics and singing. Okay, all right, that's what's up. All right,
We're gonna roll on to the next song right now. So, Britt,
this is when you sent This is Kelly Good.

Speaker 5 (09:45):
Yeah, him and his.

Speaker 14 (09:46):
Son got an album coming out, so you know, this
is a song off their project that they are still
working on. Like they don't have a name for it
or nothing like that. So this is actual, like really
the making of the project. You know, they're deep in
trying to figure out what they're trying to.

Speaker 9 (10:06):
Do with it.

Speaker 1 (10:07):
Okay, So we don't have a name of this song. Okay,
we'll check it out.

Speaker 14 (10:11):
The song is the name, it's Between the Sheets. But
they don't have a name for their project.

Speaker 1 (10:15):
Oh got you? Okay, So this song is called between
the Sheets.

Speaker 5 (10:18):
Right Kelly Good and for CG.

Speaker 9 (10:21):
No Good his son.

Speaker 1 (10:23):
All right, well, let's check up between the Sheets. That's
make it happen.

Speaker 15 (10:25):
Here we go, you a queen. But he don't know that,

(10:47):
so I had to come and scope you. He had
you at McDonald's. I'm gonna take you out to Noble's
body like a goddess. But I'm naming for your mind.
Loyalty is all you need, and true lover is hard
to find. Came through just like a thief and the
knightsto you started off as true friends. We get there
right from the start. Nourishment and our relationships essential for
the growth. Always mindful, because I know that sucking puts
you through the most. Romance me like every day is Valentine.

(11:09):
Get you newrongerree a company by candle Lights, the opposite
of fiction. I'm gonna give you something real. I'm so intentional.
Relax and let me sell the deal. Kiss you on
your faux head and take you by the hand. I'll
take you down the right path. You're dealing with a man.
Kiss you on your faue head and take you by
the hand. I'll take you down the right path. You're
dealing with a man. I know that healthy relationships take patients.

(11:29):
Get out what you put into it. Loving needs maintenance,
big energy and good vibes is what I'm giving. Ducked
off in our own bubbles, how.

Speaker 9 (11:36):
We live it.

Speaker 15 (11:37):
We ain't worried about the thing. We put our trust
in God. Long as we keep it one pending, he
gonna do his job. Rose pedals everywhere. That's setting so complete.
I know you yearning for this love and in between
the sheets romance me like Avery Day is Valentine. Get
you Newrongree a company by candle lights, the opposite of fiction.
I'm gonna give you something real. I'm so intentional. Relax
and let me sell a deal. Kiss you on your

(11:58):
faux head and take you by the hand. I'll take
you down the right path. You're dealing with a man.
Kiss you on your forehead and take you by the hand.
I'll take you down the right path. You're dealing with
a man they ain't really really is me dealing with
a bus. I don't care what price it is, no
matter of course, you ain't trying feling with them. With me,
You're gonna flush. Realize when you know me, then it's
a loss when grass.

Speaker 9 (12:18):
Ain't getting on the other side.

Speaker 16 (12:19):
I feel you, baby, when you and me get whatever
you want, it ain't know maybe.

Speaker 17 (12:23):
How teach you realbody?

Speaker 9 (12:24):
You're looking for a baby.

Speaker 8 (12:25):
Ain't nobody teaching how to teach you ann saving.

Speaker 1 (12:28):
Romance like ay day is Valentine?

Speaker 15 (12:30):
Get you new lingerie a company by candle lights, y'allpuna,
set a picture and I'm gonna give you something real.

Speaker 1 (12:35):
I'm so intentional.

Speaker 9 (12:37):
Relaxing, let me.

Speaker 15 (12:37):
Sail it there, cass, you want your faue head and
take you by the hand. I'll take you down the
right path. You're dealing with a man, Kiss you on
your forehead and take you by the hand. I'll take
you down the right path.

Speaker 9 (12:47):
And dealing with a man.

Speaker 15 (13:09):
Romans like every day is Valentine? Get you new ronie
accompanied by candle lights, the opposite a picture. I'm gonna
give you something real. I'm so intentionalor relax and let
me sell a deal. Case you want your fauehead and
take you by the hand. I'll take you down the
right path. You dealing with a man? Case you want
your fauehead and take you by the hand. I'll take
you down the right path. And dealing with a man.

Speaker 18 (13:32):
You just hurt this record.

Speaker 1 (13:35):
Now, let's get some feedback. You hurt the man right there,
We just hurt the record. Let's get some feedback on
it real quick.

Speaker 10 (13:41):
Here.

Speaker 1 (13:43):
Oh he's back now, he's back now, Okay, okay, that's
what's up. But we know how he feels about the record.
It's all good. Uh, roll ahead, Jackie. What do you
think about the record?

Speaker 10 (13:53):
It was it was cool.

Speaker 19 (13:55):
I would have liked his cadus to be a little
bit more flowing. It just seems like his caleus was
on the eat the whole time. But his the lyrics
are definitely cool, you know, just like the opposite of
the the last track. You know, he was you know,
uh it was hip and everything. You know, he's basically
you know, talking about how he could, you know, how
he would deal with a woman, you know, as coming

(14:16):
as a real man. But it just seemed like the
Katers could have been a little bit more, a little
bit more relaxed. It just seemed like everything was just
on the beat, right on top of the beat, you know.
But the lyrics lyrically in the groove and all of
that was. Yeah, it was cool.

Speaker 1 (14:29):
Okay, And since I'm on with you, I need for
you to send that record to the email that's at
the bottom there. I can't find it.

Speaker 10 (14:36):
Okay, Oh okay, okay, I.

Speaker 1 (14:38):
Listen to the real quick. Eric, what do you think
about the Rugget.

Speaker 13 (14:44):
I feel the same way Jackie does. I think that
the beat, the Bananda's love to beat everything was fired.
I think that he needed to ride to beat more,
he needed to bounce with the beat. He was more
just wrapping. He wasn't He really wasn't in tune with
the beat. Like if he would have swagged out on
that beat way more, it would sound better, honestly.

Speaker 14 (15:06):
So let me remind you he's recording this in prison,
off the phone in the day room with a bunch
of people around him.

Speaker 10 (15:16):
Oh no, that's cool.

Speaker 9 (15:17):
He sound good.

Speaker 10 (15:17):
But I'm still saying that.

Speaker 13 (15:19):
Don't take him away from getting swag on the track though,
you know what I'm saying. If you, if you, if
you wrap it to it, you can still get swagged.
It's not gonna take away.

Speaker 10 (15:27):
From it, you know what I mean? Unless see Letts
and Let's and if he's not doing that, then he's
probably like an older person.

Speaker 19 (15:35):
Yeah, but it'll it'll make that, it'll make those lyrics
pop even more because the lyrics are don't you know
what he's saying is definitely yeah, what we need to
be hearing women, because he's.

Speaker 10 (15:45):
Here instead of the game playing all the time. Yeah,
because he's doing he's doing everything right.

Speaker 13 (15:50):
He just needs to come with the swag.

Speaker 10 (15:52):
On on on the beat more like the lyrics straight
everything good. He needs to swag out.

Speaker 1 (15:57):
So compare that to the last song we played prior
to that after where he was cussing. It's much better.

Speaker 10 (16:03):
I'm knocking that song out all yeah, definitely, yeah, just
off the lyrical content alone.

Speaker 19 (16:10):
Yeah, yeah, because what he's saying is is, you know,
don't get me wrong, He's not not really knocking the
other song, but the other song.

Speaker 10 (16:16):
Could have been just as good without the excessive cursing.

Speaker 3 (16:21):
You know.

Speaker 19 (16:21):
I don't mind cursing, you know, but when it's excessive,
you know, sometimes you can say other things without you know,
you can say the same thing without you know, making
it profane, you know.

Speaker 10 (16:31):
But but yeah, but it was.

Speaker 19 (16:33):
It was definitely cool. I definitely dug this song though.
But if he if he could, and I get I
get what I get what you're saying with him with
the surroundings and every day, Okay, it's some kind of
way he can block it out, you know, if it's
some kind of way he can block out his surroundings,
you know, Easier said than done.

Speaker 10 (16:51):
But if he could do that, yeah, it'll be a winner.

Speaker 1 (16:54):
Okay, all right, that's what's up. That's what's up. We're
gonna roll on to the next record after I give
feedback my man, big feed big fevers in the building
by way of TikTok, big Fiever, How you doing tonight, man,
Blessings and prosperity to you, my good sir. Indeed, blessings
as well to you.

Speaker 20 (17:14):
Man.

Speaker 5 (17:14):
You good.

Speaker 10 (17:17):
Yeah, I'm good man.

Speaker 1 (17:18):
I'm hanging in the thing. Life is beautiful. Okay, what
do you think about that record? We just play?

Speaker 10 (17:24):
See I missed it?

Speaker 1 (17:25):
Okay, all right, don't trip you here. You just in
time for the next one. All right, about to get
you right now, man. Queen salt Sultana. Queen Saltana songs
called topic. Queen Saltana song is called topic. Let's check
it out here we go.

Speaker 21 (17:44):
Get them girls, Get them girls on, no fa, let's stay.

Speaker 7 (18:26):
In my lady on my granda, in my bag. Don't
waste my time. I'm bout my bag, I'm bout my goals.
All I want to do is take a break again.
Low count this money bag, bo don't bow on my
swag and said not just on my cake. Que ain't
war about the next samele I want to do with
in my party.

Speaker 22 (18:44):
Get loose for a party.

Speaker 23 (18:45):
Stop jesus the summer time we're gonna turn.

Speaker 22 (18:48):
Look at next bring make me six days to do bros.

Speaker 9 (18:50):
Game if you hate.

Speaker 21 (18:51):
Things, brother with me.

Speaker 8 (18:52):
But if you got annical to do your thing.

Speaker 24 (18:54):
They didn't explain making work play.

Speaker 20 (18:57):
Body like a walking now.

Speaker 8 (19:02):
Yeah, come on everywhere we like you, we like you.

Speaker 17 (19:14):
No sign.

Speaker 21 (19:19):
So buddy, everywhere we like bopp, we like bopp Bron,
Hold up bron, hold up.

Speaker 25 (19:29):
Sta stays say to a playing a key.

Speaker 22 (19:34):
I stay on sweet, I stay on fat.

Speaker 9 (19:36):
That's for me, my hot a queen on a mat.

Speaker 26 (19:38):
Waiting for dondo.

Speaker 22 (19:39):
No those hopping, they're being no stopping, keeping.

Speaker 21 (19:42):
Forty buckets, wording up a blocket.

Speaker 26 (19:44):
Iddy take tocky.

Speaker 21 (19:45):
I got the boys, pocky, give respect everywhere.

Speaker 9 (19:47):
I vote.

Speaker 10 (19:48):
Anybody got a potom.

Speaker 7 (19:49):
I don't you row he's in the dunn't nobody's way, Queena.

Speaker 3 (19:52):
California, No one, nay.

Speaker 9 (19:54):
I keep it on.

Speaker 20 (19:54):
Text me see then I lets hap you you.

Speaker 9 (19:56):
Know how to have on a spot bait, don't get dirty.

Speaker 1 (19:59):
Go about with kid, all right, that's Queen Saltana songs

(20:38):
called was actually it's called uh we loved, We Like
the Party, okay, and that project that this arm is
called Topics, So I misread that right there. Okay, it's
all good, my basket. What do you think about the record?
Britt eleven next to Human Chandelier will start with you.
What do you think about it?

Speaker 9 (20:55):
Yeah?

Speaker 5 (20:55):
I thought it was cool?

Speaker 1 (20:56):
Okay, all right, all right, definitely for sure, that's good.
Uh kind of good? What you think?

Speaker 14 (21:03):
Oh man, No, yeah, okay, okay, yeah, yeah, I don't
I don't think like he's oh you're back, okay, you
know what, Just go go to the next person.

Speaker 1 (21:23):
Okay, it's all good. Uh Jackie, what you say?

Speaker 20 (21:30):
Oh?

Speaker 19 (21:31):
Yeah, it was cool and it's the same thing as
the last one. Not heard the hooks, she was like,
like Eric was saying, she was swagging on the hooks.
But then on the verses she went back to the
on the beat thing, like the party all out here,
you know. She was kind of laying back on the
beat and being real, you know, just loose and calm
with it. But the verses were kind of just on

(21:52):
the beat.

Speaker 10 (21:53):
You know.

Speaker 1 (21:53):
I like this.

Speaker 10 (21:54):
I like the lyrics to kind of flow and.

Speaker 19 (21:57):
Push and pulled a little bit, you know, as opposed
to everything being you know, dead on the beat.

Speaker 10 (22:03):
But it definitely got a you know, it's definitely a
dance tube, you know.

Speaker 19 (22:07):
But yeah, it was it felt cool, you know, But
I just would like the versus to have the same
swag as the hook.

Speaker 1 (22:13):
You know, right right, I got you, I got you?

Speaker 10 (22:16):
Eric?

Speaker 27 (22:17):
What do you think, m I think it was cool.
It was cool, right, you know, it was cool. You
know it'll be better, but you know, I can play
I can play it a few times.

Speaker 1 (22:30):
Okay, that's what's up. That's what's up. Looking for comments again,
If you don't want to come up and speak, it's
all good. Leave your comment on that platform or choice.
I'm looking to read those as we are doing the
show right now. Don't forget we're each and every Monday
night at this time making it happen for the Head
and Out of Session, which is powered by the radio show.
This is where we coultique artists music give the constructive feedback,

(22:51):
criticism and feedback. So if you got the song that
you're working on, you need some production work on it,
or it's thinking about changing something, but you can't put
your finger on it. Bring it over here, man, We've
got a panelist of folks that would love to give
you that information. Big feed What you think about the record?

Speaker 20 (23:08):
I think I think the beat was absolutely monstrosity. I
think the beat was super dope. I like the high
energy on the record. That's good, but I think she
should break up the monotony let the record breathe, because
she's just yelling through the whole record, which is dope.

(23:28):
And I understand the high energy, but sometimes you gotta
let that breathe, you know, to break up the monotony
in the record, and it makes the next the verse
and the hook a lot more impactful when you break up.

Speaker 1 (23:45):
It's kind of like having a snare and base.

Speaker 20 (23:48):
If you just have base base base base, base base
and no snare, it gets annoying.

Speaker 1 (23:56):
Got you Okay? Yeah, all right, that's what's up out record? Okay,
Well show for sure? All right again, if you got
a record you want to send, you say, well, my
record is just as good as that, and I want
some feedback on that. Go to our website www. Dot
The Radio Show dot com. Go to where it says
submit music, click the photo fill out the information uploads

(24:17):
your song and then to find its way over to
me to get ready to be played right here tonight.
A big shout out to uh, oh Jen, how you doing?

Speaker 5 (24:26):
Jen?

Speaker 1 (24:26):
How you doing? Shout out to you by checking us
out by way of IG what's up, Jen? How you
doing tonight? Let's go ahead and check out the next
record that was sent to us. Jackie, you sent this
one to us, Give me, give me the night You
and Donald Hayes.

Speaker 19 (24:42):
Yeah, that's that's my best friend from college. He's a
stacks player. He's currently touring with Marcus Miller. And uh,
this is actually released. It just released maybe like a
a few weeks ago, and I'm playing bass and keys
on it. That it's pretty cool and it's and it's
a George Benson coveries out Drink, Adam Holly on guitar

(25:03):
and Tony Scrubs on vocal.

Speaker 10 (25:05):
Yes he's killing.

Speaker 1 (25:06):
Okay, that's what's up. Matt to better nd is not here.
He needed to hear this. It's all good. Let's check
this one out there.

Speaker 2 (25:12):
We got.

Speaker 23 (26:06):
The bad people.

Speaker 9 (26:26):
Think about.

Speaker 18 (26:30):
The same.

Speaker 9 (27:06):
Anything but.

Speaker 23 (27:15):
Didn't any The sat was a standing.

Speaker 28 (29:49):
Here wait every everything back.

Speaker 18 (30:02):
This is the vibe.

Speaker 1 (30:06):
You've heard the man right there, ninety four point seven
away and that before you moves already smooth shit, it's
right here was Jackie Daniel Hayes give me the knight
right there. Phone calls open, dedications all open, right now,

(30:26):
your request right now? Keyword ying radio show. What do
you all think about that record? Give me your thoughts
on that Jackie, and you feel eric you like the record? Yeah,
that was a vibe man, all the way through. I
wasn't gonna say nothing tonight. I'm just gonna keep back
and listen. But yeah, that was a vibe. But I

(30:48):
don't speak anything less from jack Oh yeah, yeah. Jackie
always bring it. Jackie always bring it pretty pretty much
nothing that one.

Speaker 2 (31:00):
Uh.

Speaker 1 (31:01):
Char Royce. Charroyce likes the record as well. Okay, that's
what's up. That's what's up, big, feel you good with it?
So here's the thing.

Speaker 20 (31:14):
I was signed to a jazz label with Dale Atkins,
who's the bassist, and Chuck Atkins, who was a sound engineer,
played with Herman Jackson and so many different duge Chandler
Field up, Chirt and I played the trumpet. So I
enjoyed the record. You can't go wrong with George Benson.

(31:36):
I like the sacks, the lead sacks. I think he
did his thing. I just the drums, the actual it
sounded like he had drums, any programmed drums. I just
wanted to quantizing was a little tighter, you know. I
did like the way they incorporate the vocals, the background vocals,

(32:00):
the scatting. That was extremely dope. But overall, I'll get
a record of nine in nine and a half.

Speaker 1 (32:10):
Yeah, Okay, that's what's up. I'm with that. I'm with
that for sure, for sure, Britt. Anything you need to
say on the record.

Speaker 5 (32:22):
All I gotta say is.

Speaker 10 (32:25):
Second exactly.

Speaker 9 (32:33):
All.

Speaker 1 (32:34):
That's what's up. Heavy rotation, that's what it is. That's
what it is, y'all. We're gonna roll on to the
next one right here. Shout out to everybody's checking us
out on IG. I see y'all out there, man. Shout
out to everybody on there, as well as everybody on
TikTok and also on Bingo Bingo, where y'all at, Man,
y'all need to be on here saying some stuff I

(32:54):
need to Bingo's pretty quiet, all one hundred and somebody
y'all on there right now. It's all good minutes. Go
jump into this one. This one right here is Hollywood turk.

Speaker 29 (33:05):
Uh.

Speaker 1 (33:06):
That sounds called paradise. Hollywood turk sounds called paradise. It's
check it out.

Speaker 9 (33:25):
That's been a champagne.

Speaker 30 (33:27):
It's a day party on the beach, glue full of
drinks and we're rolling up the stink. I got sent
up in my fiend, grew up in the country house,
playing in the creek. Now mine, Kelly never thought this swear.
I bean be with the team every day. Light swear
used to be a dream. Now y'alls with some pretty
things southern California where it never rains. If I been

(33:48):
so cool, I came out and do that on the
islands included.

Speaker 9 (33:51):
In alb Paradise. I'm in Paradise. I don't let him know.

Speaker 31 (34:02):
Ke Paradise. I don't let him know I'm in parodi. Yeah, yeah,
every day it be sunshine. I'm so, why don't reach out.
I ain't got no wi fi. So I don't hear
my life, heard you said, GM, I with my life
like a paradise.

Speaker 9 (34:20):
You ain't said?

Speaker 8 (34:20):
Then the buck of the I sucking the menions they
given advice. I'm over. I don't like a defending the night.
I mean av location.

Speaker 9 (34:27):
I run to the mon.

Speaker 8 (34:27):
He ain't waiting. I ain't got no patience with him.

Speaker 31 (34:30):
Nice, I would set up been crying out my live
every day, my life like vacation paradise.

Speaker 9 (34:38):
Key, I'm in paradise, paradise.

Speaker 8 (34:47):
Let them know.

Speaker 9 (34:48):
I'm in parodies. Let him know.

Speaker 3 (35:01):
Hmm.

Speaker 1 (35:13):
I was quick. Oh I got me food. Okay, that
was quick right there? All right, that's Hollywood Turk Paradise.
Hollywood Turk Paradise. What do you think about that one?

Speaker 22 (35:24):
Uh?

Speaker 1 (35:25):
Eric, what do you think? Anybody there? Okay, all right, Britta,
are you there?

Speaker 5 (35:38):
Yup? I'm there. I thought that the song was cool.
I liked it. It was a nice brew too, it was.
It was short and sweet.

Speaker 1 (35:45):
Yeah, it was really short. They had me, I was
I was sitting there asleep and they got me slipping.

Speaker 28 (35:52):
He was in paradise.

Speaker 1 (35:54):
Maybe that's what it was. I was just in paradise there.
I didn't didn't see it either way.

Speaker 11 (35:58):
You like it?

Speaker 3 (36:00):
Me?

Speaker 11 (36:01):
Man?

Speaker 32 (36:01):
Honestly, the whole song to me need to be done over.
There's no good person in it all to me. Okay,
all right, that's what's up. That's what's up, Jackie.

Speaker 10 (36:15):
What you think, man, my phone died. I just I
just looked back in. I had to put my phone
on charge. But I was like cramp. I didn't realize
it was it was that logo.

Speaker 33 (36:27):
It.

Speaker 10 (36:27):
I didn't hear any of the song. Okay, oh man,
that's that was messed up.

Speaker 1 (36:33):
It's all good, Uh, Sir Royce said, wasn't a bad record.
I understand what he intended to deal with it. I
agree with eight o eight Okay, it's all good.

Speaker 10 (36:46):
Who's who's the artist?

Speaker 1 (36:47):
So I can uh uh that's Hollywood Turk Hollywood Turk t.

Speaker 11 (36:54):
U r K.

Speaker 1 (36:56):
So you can take you can take a look.

Speaker 10 (36:58):
Yeah, that's crazy. Because I was looking at my phone
it just went black. I was like, what's going on.
I was like, man, I got it. I got it
on the charge right now.

Speaker 1 (37:08):
It's all good, man, I know what happens. It surely happens.
Big feed what you think.

Speaker 28 (37:14):
I really like the record.

Speaker 1 (37:18):
Because let me break it down. So his intro was
on point right in.

Speaker 20 (37:25):
The song was extremely melodic, so him keeping it sharp
was smart, you know, because.

Speaker 1 (37:34):
Too much melodic just get monotic.

Speaker 28 (37:37):
Just you find me.

Speaker 20 (37:46):
Yeah, So I think the record is a good record.
I think he could have did a little more in
the hook in terms of harmonies, like some different notes
just to break up the the hook. But for the
most part I like the song. But tomato tomato, Yeah, okay,

(38:06):
all right, tomato tomato, It's all good, all right.

Speaker 9 (38:11):
But not it?

Speaker 1 (38:15):
Yes, all right, We're gonna go ahead. Check out another
one right here. This is a Legacy X Legacy X
song called songs called Ain't About This. Legacy X songs
called Ain't about This. Let's check it out. Here we go.

Speaker 18 (38:38):
You just heard this record.

Speaker 14 (38:40):
Let's just a clicking for feed back on the next song.

Speaker 1 (38:43):
Anybody, We're about to play now.

Speaker 9 (38:55):
Rest of.

Speaker 5 (38:57):
PJ Hustle, Hard may Man, want to be Your King?

Speaker 34 (39:02):
Never saw one peasant check is the sixth gun that makes.

Speaker 9 (39:04):
Me the seventh thud one storm?

Speaker 34 (39:06):
Bet you know what made it to the top for
the charge, Come.

Speaker 35 (39:09):
On, bro bettt combing for the storm while I'm touching
on the ground, same minute G nine, never running out.
Say you started from the bottom going you keep that
my way up both the mouth and thenneath.

Speaker 9 (39:20):
That challenges the buffet competition.

Speaker 5 (39:22):
Entree Group is doing.

Speaker 34 (39:24):
Appetize now I need a side phrase, right above hell.

Speaker 36 (39:26):
At the top for the corn need I say more,
follow harder.

Speaker 34 (39:29):
When I prayed the man my ankle, devil spitting me,
his best script still came.

Speaker 5 (39:34):
Hold me back, never make me quick.

Speaker 35 (39:35):
Quick has got my hand with his best script.

Speaker 36 (39:38):
Dedication to the most tied there Sudden they put my.

Speaker 9 (39:42):
Last day on the run with inshall on my life
on the strip that going one.

Speaker 35 (39:45):
Way, that round, just because they ain't about this dedication
to the most time.

Speaker 36 (39:49):
I mean the dedications living post time, I mean he
got me let me dedications living post time, I.

Speaker 9 (39:57):
Mean hey, I mean letting the feeling untouchable back up
on my dean.

Speaker 8 (40:03):
When nigging through the city running power.

Speaker 9 (40:04):
Plays no team.

Speaker 34 (40:05):
No, I'm gonna play stain fool, running like.

Speaker 9 (40:07):
Them, starving, never done, affecting.

Speaker 34 (40:09):
My craft forever, shopping uncle for success task they said
on the runway on a straight path going one way,
Sudden that sinis same has a count running all the
same El Torometo of the summertime.

Speaker 10 (40:20):
Streets of space used to be.

Speaker 35 (40:21):
The scilla follow for anything sit standing for something greater.

Speaker 34 (40:24):
In my life they've been the same percent life ships
got a little deeper over.

Speaker 9 (40:28):
I'm the fast lane racing from the ring, sat.

Speaker 30 (40:31):
Alone with the postal child.

Speaker 9 (40:32):
Misspit never been a follower for me.

Speaker 35 (40:34):
That is saying that bruble outlaw with the rest I
never fit fit stuts. Get them street cmost like I'm
lit he got mean it lit so the most I
got mean it, bruble outlaw with the rest, I never
fit stuts, Give them street clmost like me lit.

Speaker 9 (40:52):
Wow.

Speaker 34 (40:53):
Sitting there just sending they put my left day on
the running way, inshill on my life on the straight.

Speaker 9 (40:57):
They're going one way.

Speaker 34 (40:58):
Get that on the ground, just because they ain't about
this dedication to the most time.

Speaker 9 (41:02):
I mean dedication to the most time. I mean.

Speaker 5 (41:06):
Yeah, got me?

Speaker 36 (41:07):
The dedication to the most time? I mean yeah, yeah
got me. Its got me.

Speaker 1 (41:24):
That's our legacy. Ain't about this legacy, ain't about this?
What are you all about on this record? Let me know,
give you some feedback on this joint right here? Eric,
What do you think about it?

Speaker 13 (41:38):
M I don't know, man, It's like it's cool, but
like none of the rappers are like, they don't have
no swag.

Speaker 10 (41:45):
They just rapping.

Speaker 28 (41:48):
I felt the same way.

Speaker 1 (41:50):
But what do you what do you mean just rapping?

Speaker 10 (41:52):
What do you rapp? They just rapping.

Speaker 13 (41:54):
It ain't no feeling behind the feeling, there's no confidence.
It is the way the art letting the word. They're
not coming with with with pronunciation any kind of way
or nothing.

Speaker 5 (42:04):
They just rapping.

Speaker 1 (42:06):
Are they just do you think they're reading or they
just free styling.

Speaker 13 (42:10):
Or be reading, but they don't show no presence on
the track. It's no characterization, nothing, no no color is
they're just rapping.

Speaker 1 (42:22):
So what do you what do you learn that skill from?
Where do you go in kind?

Speaker 13 (42:26):
They have to just keep brushing, they have to keep
brushing up on it.

Speaker 1 (42:30):
Okay, okay, okay, that's what the student, you and every
talking at the same time. Go ahead, go ahead, up.

Speaker 13 (42:44):
It's a it's just a problem. Too many people are
having people that's engineering without producing their vocals. They just
letting them rap. And dude, they're not telling them. They're
not helping them orchestrate the presence of what they do
on these songs.

Speaker 1 (43:00):
Okay, all right, what were you saying?

Speaker 32 (43:03):
I was just basically saying the same thing that Eric
was saying. That definitely a vocal producer in there to
bring the best out of them as far as their delivery.

Speaker 28 (43:14):
Like if you don't have the delivery, then people tune out. Damn.
You know, at the end of the track, purchase attract today.
Come on, man, we gotta be seriously about what we're doing, right.

Speaker 1 (43:26):
Okay, Okay, Jackie, what do you think?

Speaker 10 (43:33):
The same? Yeah, the same.

Speaker 19 (43:35):
It's like especially with the beats, you know, with the
beats being nice like that, man, they could definitely match
the energy of the beat a lot better, you know.

Speaker 1 (43:44):
Okay, that's what's up, all right? The lyrical Christian rap
it's not it's not cringe, but just needs a little
more work. I dig the energy of the second verse.
He should have started out with the level in the
first verse. Okay, it's it was more than one rapper

(44:06):
on that joint. Okay, that's what Charroy said. It's all good,
big feed.

Speaker 10 (44:12):
What do you think?

Speaker 20 (44:14):
Well, you know, always tell artists, just like you could
sing out a key, you can rap out of key.
See they don't understand that's the part. So they don't
understand the dynamics of rapping. You know, there's there's some
words that you can put emphasis on, and then there's

(44:35):
some words that you shouldn't.

Speaker 28 (44:37):
It's like playing the piano, you know, there's some keys.
You hit soft, then there's something you hit.

Speaker 1 (44:42):
Hard, you know what I mean. So a lot of tone.

Speaker 20 (44:48):
Rappers missed that, you know, so lyrically he's there, you
know what I mean. Positive, it's a positive, strong record.
That's a nice beat. I think the beat is a
little sound like a little outdated, but but I like outdated.

(45:14):
But yeah, that's for the most part. That's how tell
people always tell people. It's like you can sing out
of kid. You could also wrap out of the kid.
You gotta know what what to double and what not
the double, you know. So it's it's really an art
to this stuff.

Speaker 1 (45:33):
Okay, So all right, all right, that's what's up brother,
Living next to human chandelier? What do you think?

Speaker 5 (45:41):
I thought it was cool. I didn't have no problem with.

Speaker 1 (45:43):
It, nothing at all. The track on how you rapped
or anything. You'd have no problem with it, you know.
I thought it was cool. Okay, fair enough, fair enough,
all right, all right, all right, Kelly, good what you think?

Speaker 18 (45:59):
Yeah, I definitely feel that there was absolutely there was energy.
I heard energy. You know, he was talking about some
positive stuff. You know, he's talking about the lord A
dedicated to the most time. It was decent you know,
I feel it could have been a little better with something,
you know, you know, I don't know exactly what it was,

(46:23):
but I don't think it was an energy that was awesome. Yeah,
I agree with what he was saying when he said,
up certain keys could have been maybe a little more
commer or you know, maybe a little different type of sway.

Speaker 10 (46:36):
But I thought I was all right, okay, all.

Speaker 1 (46:40):
Right, that's what's up. That's what's up giving that feedback
and honest criticism of these records as well right now.
So if you got a record you want to get
through real quick, if you want to go ahead and
do that, we're coming too the last couple of songs
before we get up out of here for the evening.
But if you want to slide your record in real quick,
go ahead and go to our website www. Dot the
Radio Show. Click on where it says submit music, click

(47:02):
on that photo, put fill out the information, upload your song.
It'll get right over to us right here while we're
here for the next couple of minutes here while we
go down and play the last couple of songs for
the evening, Unless you can slide your record in here
here real quick, and by the way, speaking of the evening,
we're here every Monday night at this time tenn a
Cloppecific standard time, one am Eastern, doing that head and

(47:24):
out of session powered by the radio show. As we
give that on this feedback and constructive criticism prior to that,
we do the radio show every Monday night, right there
not a clop Pacific Standard time, twelve am Eastern, independent
hip hop and R and B music hosted by myself
MD and put the Living next to Human Chandelire. Please
check that out as well, right here on these very platforms.

(47:46):
All right, just go ahead and check out the next record.
This is Inside by Black Mollie. Inside by Black Mollie,
who said that I don't know this came and they
will saying, well, you know what.

Speaker 5 (48:00):
That's my cousin. She just passed away.

Speaker 1 (48:02):
Oh I'm sorry. You want me to play the woman
to play this and not play this or what?

Speaker 9 (48:05):
No?

Speaker 10 (48:05):
No play it.

Speaker 5 (48:06):
I just was like where it comes from?

Speaker 1 (48:08):
Oh well, I mean I don't know if you recognize
this email. Uh, okay, true respect. I'll just listen. Okay, yeah,
we we just well listen, all right, We'll just listen
to it. Okay, we're gonna check it out. Rest rest
in peace.

Speaker 26 (48:29):
Oh oh, I heard they want that do hip hop back.

Speaker 5 (48:34):
Yeah, I heard they want that do hip hop back.

Speaker 26 (48:37):
He look Black Miley spicing up the broad kitchen this
June Bodies. I'm my whole fucking move with it, Black Miley,
spidy crustal broom on my picking. Chose Tinny the cool
worry boom.

Speaker 9 (48:49):
With it now.

Speaker 26 (48:50):
Niggas love them up for what cool minute? Creo God
with a britishit nothing loot with it. Gave me my
chance to mend, and then they flew win it. Told
me get him to go down? How much nip More
Bells still winning inside I'm his wife for the night,
but one night house side saying less inside, I ain't
no five nine, five ten, one fifty, no week, don't fight,

(49:10):
We dont shits. That hot risers layer, bad bitch turned
to God thinking pops in. My mom's ready to plant
so for sons, all giddy baby.

Speaker 5 (49:18):
Then I prep to the crust, lead the tips.

Speaker 26 (49:20):
For the bum freget happy to the slum, soiling the baby. Yeah,
I got that whole out going on, but I'm all
like a motherfucker inside. I got a hue out going
on outside. I'm all like a motherfucker show me gun,
last stone, none turned last bridge, m burn one on million,

(49:40):
First show me that last inch. I burned every inch,
got crubs, every flip by her so so so sino itches.
I'm the mother fucking problem. The only want to get it.
Don't want to hit the god. So from breaking bottles
from the gate, got the bottoms that take it door
from something like the corner.

Speaker 9 (49:57):
Got a model.

Speaker 26 (49:58):
Guess guess I'm testing. This is not me flexing morelet's
my get up? That's so much just this steady going,
rocking up my shoulder.

Speaker 9 (50:06):
Got a couple of things.

Speaker 26 (50:07):
Pay you bet the motherfucking no nigga back of the
very walking living relics. When when I pull up dressed
with my best friends already poet get up because my
mom telling them put their money.

Speaker 9 (50:18):
You got the.

Speaker 1 (50:19):
Bestest with it to the police.

Speaker 8 (50:21):
Okay, I got that.

Speaker 26 (50:22):
Whole lot going on, but I'm are like a motherfucker inside.
I got a whole out going on downside. I'm all
like a motherfucker show me gun, last stone, none turned
last bridge, m burn one on me oa in first
show me that last inch, I burned every inch, got girls.

Speaker 22 (50:42):
Everything, firework inside.

Speaker 1 (50:46):
But when I'm outside, no, we don't fide. Okay, we're
gonna celebrate the life right there, like my Rest in Peace.
I feel that record right there. It's a good record,
very good record. All right, y'all.

Speaker 10 (51:10):
Hey, that's the swag we're talking about.

Speaker 1 (51:14):
Were talking about all that we were looking for, right.

Speaker 10 (51:16):
You see how she changed her cadence up in certain
sections and stuff. That's what we're talking about.

Speaker 1 (51:22):
That's what we've been looking for all.

Speaker 19 (51:23):
It ain't It ain't rocket science, I mean, and that's
not to knock anybody, because that's listening to that track
can be a lesson to how to approach I mean,
every song, every song is different, but you gotta you
gotta sway, you know. It's like a push pull swaying
back and forth effect. And she she got swag all

(51:44):
over that, you know.

Speaker 10 (51:46):
And it's like confidence, like Eric said, confidence is like
she knows that she's killing it. You know. She she
approached it like she knew she was killing it.

Speaker 1 (51:54):
Yeah, that's what's up. Okay, all right, all right, that's
that's what we done life right there of Black Molly
for sure? Right there?

Speaker 10 (52:05):
Get that out.

Speaker 1 (52:07):
I don't know. I don't know. I couldn't tell you.

Speaker 19 (52:09):
I'm gonna have to go look for that if it's
If it's out, I'll definitely go look for that.

Speaker 1 (52:13):
Okay. Now she spelled that that black was spelled up
b l a k H b l a q K
molly m O l l Y.

Speaker 10 (52:24):
Yeah, I'm gonna I'm gonna look her up.

Speaker 1 (52:25):
Okay, all right, Rest in peace, queen, Rest in peace,
Rest in peace. But you gotta did you ever do
a lot of songs with her?

Speaker 5 (52:37):
No, we didn't do a lot of songs together. I
just did one last night.

Speaker 18 (52:42):
Though.

Speaker 5 (52:42):
We didn't do a lot of songs together.

Speaker 1 (52:44):
Okay, okay, so it's all good right there. All right,
we're gonna go ahead and move on to the next
record real quick. Here uh again, we got about two
more records to go and go raptors pupping here for
the night again. If you want, if you want the
record played, please go ahead and send that to us
right now.

Speaker 7 (53:04):
Uh.

Speaker 14 (53:07):
But I'd like to say, I don't know where it
came from, but that was really nice song that you played.

Speaker 10 (53:13):
The song.

Speaker 1 (53:14):
Yeah, well you know what, God, God made us do
that tonight. And I don't know where it came from either,
Like I said, I play and when to get him
and it was sent to me. So yeah, that was
that was my coincidence right there, big time. Yeah, that
was super coincidence. Man, I didn't and I'm you know,
I'm happy that we've had a chance to listen to her.

Speaker 10 (53:34):
Yeah. I just tried to her YouTube base. Got some
videos on YouTube pace.

Speaker 13 (53:39):
Okay, yeah, definitely rest in peace from La Native too.

Speaker 10 (53:43):
So I know who she is.

Speaker 1 (53:44):
Okay, I've never met her. I never had a chance
to meet her. Let's go ahead and roll on to
the next one. This is Brandon Marquise songs called geeked Up.
Brandon Marquise songs called geeked up. Let's check it out
here we go?

Speaker 9 (54:04):
And what the jeans?

Speaker 10 (54:04):
Because those a marriage a Mary?

Speaker 9 (54:09):
Is it a mirror or a.

Speaker 22 (54:10):
Mark bi of Scottie.

Speaker 8 (54:14):
I'm a light for the.

Speaker 9 (54:15):
Party, arn't flight?

Speaker 25 (54:16):
Throw it back like Ed Hardy Marty forty on a
CARDI geeked up, shorty ate a couple of shrooms now
might crop it called my tot him let me ride
his face. He said, all you gotta do is name
a time and place. Folks shall say that don got
me feeling spice, seeing the way he could fight with
his pum so nicely, come on, daddy, fly to me
like you were letting. I'm want that magic carpet right
like Princess chest. And this ain't no Disney movie. See

(54:40):
I am a home room a glad schet that means
some classic and ratchet. But I'm MAXI yes, I will
maxis out. Did she keep capping? He let eastie with it?
What's happened? Niggas blitz get it cracking like.

Speaker 37 (54:53):
Geek up, gett get up from gig up like, get
up and get up, get up them, gig up like,
get up them, get up, geek up from geek like.

Speaker 22 (55:11):
I'm not skating to anything with references to lady humps.

Speaker 10 (55:14):
I don't know what that means.

Speaker 1 (55:15):
No one knows what it means, but it's provocatives.

Speaker 16 (55:19):
Get people going, going, balling off c C telling DJ
running back from my record on repeat, CEP, Yeah, everybody's
seen me. Now they want to repost that.

Speaker 8 (55:29):
Then like that with me.

Speaker 5 (55:31):
You ain't going back then not on.

Speaker 16 (55:33):
Everybody won't end since you want to bone So I
told her to bring a friend and made them pop
two and now I'm only down to ten. I'm gonna
have to re up. I took them a poundtown down
the city. Boys, three of cab.

Speaker 8 (55:45):
That give too.

Speaker 9 (55:46):
You're gonna because the girt ready to go up.

Speaker 16 (55:49):
Make that ass clap, make that ass clap, go that
ass back, go that ass back. Yeah, I just pointed
another one shore. They want hers crushed up to me.

Speaker 37 (55:58):
Boyd, done up, Get up, get up, get get up,
Get up, Get up from geek up like, get up,
get up, get up, get up like, get up, get up,
geek up from geek like you.

Speaker 38 (56:19):
Know, I stay high in the gas price, gotta move fast.
I don't ask twice still geeks from this I had
last night that probably.

Speaker 5 (56:26):
Was a hippy in my past life.

Speaker 38 (56:28):
Y'all be stinging you with the plug while y'all holding
out get your client. Then it's probably because I'm rolling
loud getting pounds out of town.

Speaker 2 (56:34):
I can show them how wasn't on me back then.

Speaker 5 (56:36):
But they know me now.

Speaker 38 (56:38):
Pop up and set up shot like I'm big five,
popping all this hot grease like a fish fry, always outside,
gotta keep them lit five.

Speaker 9 (56:45):
Really getting into it.

Speaker 2 (56:46):
You'all just trying to get by cooking.

Speaker 38 (56:48):
Quickly even saltee whole team eating.

Speaker 5 (56:51):
Yeah, we y'all paid.

Speaker 1 (56:52):
She just wanted to show some skin like a ball face.

Speaker 2 (56:54):
Put that meat up in the mouth, called me salt pay.

Speaker 37 (56:57):
Get up, get up up, get out life, Get up,
gig ub geet up from geekd up like get up,
get up, get up, get up like, get up, get up,
get up.

Speaker 24 (57:16):
You ain't never at it your feet up, please, rolling
up the dope and Burnard beat up five bad trying
to get geeked up, and Brandon tell the DJ's finish
turn it beat up.

Speaker 22 (57:25):
She always got ated to what that beat up?

Speaker 24 (57:28):
I told her she'll be back and don't get beat up,
popping vittles like the back trying to get geekedum, I
grabbed the bottom. Ain't no probably let's get I think
I really got an issue because I want them all.

Speaker 5 (57:37):
We're gonna get your.

Speaker 9 (57:38):
Friend and let's get freaking have a ball. My heart
is on stand by.

Speaker 24 (57:41):
Only make one call. I tell my favorate lesson shopping,
finish bottom off. Baby knows stead he grinding. I get
loaded off a pill. Now I'm finish diving.

Speaker 9 (57:48):
It ain't nothing to a boss.

Speaker 24 (57:50):
I'll be on that timing every time I see it
on that fly on my Mama.

Speaker 5 (57:55):
Get up, geek up, get up, get.

Speaker 37 (58:00):
Up, geek up, geek up like geakub up, gee up, geek.

Speaker 5 (58:11):
Geek I can't hear you dundee.

Speaker 1 (58:28):
Okay, I'm glad. Can you hear me now?

Speaker 10 (58:31):
Yeah?

Speaker 1 (58:31):
Okay. That was geeked up by remakes by Brandon Marquise.
Geeked up by Brandon Marquise. What do you think about
that one? Big feed? What you think about that one?

Speaker 7 (58:42):
Sir?

Speaker 20 (58:44):
It's funny because these are the records that blow up
and every kid from nine years old to nineteen years
old we playing it around the world. It seems like
it's one because it's really gimmicky. It's gimmicky any lyrical
at the same time, and it's high enerjetty. So it
was funny, like you know, you we quote, oh yeah,

(59:04):
well this record needs that mean back. And these are
the type of records that just blow up out of nowhere.
And it's young, it's really young, you know. Geet up,
get up, that's all catchy, geeked up. It's like an
anthem beat up, geeked up. So when they performed the
song in front of their middle school, in their high school,

(59:25):
in the community park with a whole bunch of youngsters.

Speaker 10 (59:29):
You could start.

Speaker 28 (59:32):
A trend with this record.

Speaker 20 (59:34):
So I really got this record as a young, innovating
record that could possibly blow up depending on how much
work they put into the promotions.

Speaker 1 (59:44):
Okay, got you, got you Eric, If you.

Speaker 13 (59:47):
Think I feel the same way. It's one of those songs.

Speaker 10 (59:53):
It's like a pool song for.

Speaker 13 (59:54):
Us, but like for the younger generation, I definitely think
they would jump on it. The only downside I think
it's a little too long. But other than that, I mean,
the energy was there, the presence was there. You know,
they sound like they was having fun as well, you
know on the song itself too, just doing what they do.

Speaker 1 (01:00:12):
Okay, that's what's up DJ, the way you feel the
same way.

Speaker 28 (01:00:17):
I definitely agree what's going on.

Speaker 1 (01:00:20):
And I add to.

Speaker 28 (01:00:23):
The production to go with those vocals, I don't think
it was the right production to go with those vocals
just perfectly. But other than that, I definitely love the
energy of the record, the vocals of the record. So yeah,
that's my opinion of it.

Speaker 13 (01:00:40):
Okay, I definitely have to give it shir Royce. I
think the presence of the ladies been better than the
men tonight. Even though the guys on the second song
was cool, but the ladies had the better presence.

Speaker 1 (01:00:52):
Yes, that's what I was just reading right, I was
about to read it right now, Sharoy said. The females
is putting that. Well, the nigga's the shame on these tracks.
All right, it's all good. It's all one of them nights.
Uh elivates to Human Chandelier. What do you think about it?

Speaker 5 (01:01:08):
I thought it was cool, and I thought I liked
her part better on this song. I thought it was cool.

Speaker 1 (01:01:14):
Okay, got you, got you, got you Kelly good.

Speaker 10 (01:01:17):
What do you think?

Speaker 18 (01:01:20):
Yeah, I thought it was the school had good energy
for the club. I heard three different hints of three
different generations and that I like how old girl came
in with her first first song. I felt like that
was one of the strongest verses the second person. You know,
I could have really did without, but he gave me
a hint of so like a new school two lives through.

(01:01:40):
I want to rock, I want to rock, I want
to rock, I want to run. So I heard that.
I heard like a little bit of Tiger, A little
bit of Tiger, I mean and I also heard like
some like a ten of D four l like shape
that laughing taffy.

Speaker 28 (01:01:53):
Oh wow, gave me.

Speaker 18 (01:01:55):
Some nostalgia, a nostalgic field, but also with a new
school field. So you know, all all ages can blind
you that. But I thought it was like the guy
picking back up towards the last third and the fourth verse,
so I liked it overall.

Speaker 1 (01:02:11):
Over got you? Okay? All right, all right, we're gonna
go ahead and roll onto the last song of the night.

Speaker 10 (01:02:17):
Right here.

Speaker 1 (01:02:18):
This is a regular literally just came by five minutes ago,
so we all hearing it for the first time. This
is gen songs called bas Salt, Gen Bath Salt. All right,
let's check out this gin. There we go.

Speaker 22 (01:02:43):
I've been through so many situations, but this one it's
just too hard to mention. Our mintial homie told me.

Speaker 9 (01:02:49):
But I wouldn't listened. I made a choice.

Speaker 22 (01:02:52):
I guess I gotta live with it.

Speaker 39 (01:02:54):
Six s three tall doc and handsome help horp royalt.

Speaker 40 (01:02:57):
Yes, so tender, I guess you would pretender. And about you,
my hearts defender. Remember when he said to me that
you want to meet my family.

Speaker 22 (01:03:10):
I guess it's all about you, huh.

Speaker 8 (01:03:13):
A'm feel the lost the actor.

Speaker 22 (01:03:15):
Keep my chain up when it gets rough.

Speaker 9 (01:03:18):
Now our dreams are.

Speaker 22 (01:03:19):
Up in the dust. I guess it's just me.

Speaker 9 (01:03:26):
You put me through the worst in fidelity.

Speaker 22 (01:03:29):
You put me through a separation based on false premises.
How sweet did it be? How sweet it it be
that you're loving me?

Speaker 9 (01:03:42):
How sweek it it be?

Speaker 22 (01:03:44):
How sweet it it be that you're loving me?

Speaker 8 (01:03:48):
Why can't you see?

Speaker 22 (01:03:49):
Why can't you see?

Speaker 8 (01:03:51):
We were meant to be. We were meant to be.

Speaker 22 (01:03:59):
That's all, that's all sipping through my paws. But the
pain is just too strong.

Speaker 39 (01:04:05):
Trying to figure out where it went wrong, but sometimes
got to let go, trying to keep it going. Time
feels slow, But I got a rise above it all
and let my true color show, And let my true
color show.

Speaker 8 (01:04:22):
No longer have a burden on my chest. I'm gonna
let go handle the rest.

Speaker 22 (01:04:31):
How sweet did it be? How sweet could it be
that you loving me? How sweet could it be? How
sweet could it be that you're loving me?

Speaker 9 (01:04:42):
Why can't you see?

Speaker 5 (01:04:44):
Why can't you see?

Speaker 8 (01:04:46):
We were meant to be, We were meant to be?

Speaker 22 (01:04:53):
How sweet cold it be? How sweet could it be
that you loving me? How sweet can it be? I
see you couldn't be that you're loving me? Why can't
you see? Why can't you see?

Speaker 8 (01:05:08):
We were meant to be?

Speaker 9 (01:05:10):
We were meant to be.

Speaker 18 (01:05:20):
You just heard this record.

Speaker 10 (01:05:23):
Now, let's get some feedback.

Speaker 1 (01:05:26):
Let's get some feedback on the record. Right there. That
is bass sought by Gin bass sought by Jin. All right, Eric,
what do you think about the record?

Speaker 10 (01:05:37):
I didn't like this one too much? And then you
need to go back and work on that.

Speaker 1 (01:05:44):
Okay, all right, all right it away you feel the
same way.

Speaker 32 (01:05:49):
Yeah, definitely a whole redo on that one. So yeah,
there was nothing to save on that one. So yeah
for me, a whole reading.

Speaker 1 (01:06:01):
Gotcha, got you, got you? And shout out to uh
D Butch what's up?

Speaker 9 (01:06:08):
What's good?

Speaker 1 (01:06:09):
Uh ch Roy said? Is this her first song? Though
it's not her first song, it's actually her second or
third that came its way. Tider was strong though, okay
by D Butch D Butch uh big fee what you think?

Speaker 2 (01:06:27):
Uh?

Speaker 9 (01:06:27):
You know?

Speaker 10 (01:06:27):
I always say, you know, you gotta know.

Speaker 20 (01:06:33):
Where your talent lies in the music industry in terms
of being strong, you know, And I think for her
she's probably a writer. You know what I mean, and
of course we all know she probably needs to work
on that as well. But I think she got a

(01:06:54):
advantage in terms of writing. She got a nice voice,
you know, but the timing, hit in the pocket and
all those things or something she had for learning. It's
looked like she's wrapping from an experience and we all
are in certain casable. Maybe she just needed to get
off it was therapeutic for her. Sometimes people do music

(01:07:15):
from a therapeutic standpoint, you know, so, and yeah, she.

Speaker 1 (01:07:21):
Need to go back, got you okay, livnex to you
mis Chandelier. What do you think?

Speaker 14 (01:07:28):
Yeah, I feel like, like he said, some people do
do music from a therapeutic standpoint. What I feel like,
I feel like she needs a singer on the song.
I also feel like.

Speaker 5 (01:07:38):
It gives underground wrapped by the underground and mainstream of
two totally different things. I feel like if she was
in some type of.

Speaker 14 (01:07:46):
You know, lounge or something like that in this underground
hip hop, that might slide, you know. But besides that,
if she was going mainstream, yeah, she didn't need to
go back to the studio and you know, be more
relaxed and hit it again. But I just really feel
like she needed a singer, and I felt like the
song had potential.

Speaker 5 (01:08:05):
And I felt like it would really pop out more.

Speaker 14 (01:08:07):
If she had some singer in the background, like really vibing,
because it was really chill. You know, sometimes like people
make mellow songs, you know, where it ain't just a
bunch of bunch of stuff going on. They just chilling,
you know, somebody is sitting and get high of that.
You know, like it just depends on who you are.
So you know, I just feel like she need a singer.
And if she's trying to do a mainstream she need

(01:08:30):
to go back to the studio and redo it. But
if she do underground hip hop, I mean, like that's
the sound that you kind of hear when you go
to those events.

Speaker 1 (01:08:39):
Okay, so you said she needs a singer on the background,
So he said, she needs you on the.

Speaker 5 (01:08:43):
Background, right, yep, yep, she need that. That's what she needs,
all right.

Speaker 1 (01:08:48):
And a budget and a budget exactly and a budget.

Speaker 5 (01:08:53):
Well no, no, sometimes we rolle with the Make a
Wish Foundation over here, you know. Okay, that picked me up,
you know.

Speaker 1 (01:09:04):
Like that's been my problem in making too many wishes
come true. But that's another.

Speaker 10 (01:09:11):
Another one.

Speaker 1 (01:09:11):
In itself. Man, it's no wishful thinker, exactly exactly. That's
all good, Kelly. Good what you think about the record?

Speaker 8 (01:09:22):
Mm hm.

Speaker 18 (01:09:25):
Also find to be like a Warran G type field,
but it was a little different from Warren G. So
the beat was real smooth. It sounds like she was
almost reading. It's like she took a bland peel. Maybe
too many playing pills. It was real playing. Okay, watch
what you see when you loving me? I'm like, oh man, no,

(01:09:47):
like I think she needs like I didn't saying she
needed a redo. Man. But her voice is decent. But
when she came with to that track, work really decent.

Speaker 1 (01:09:59):
No, okay, all right, that's what's up. Now we got
one more to split in. Uh the bush. Now this
is the construct the criticism show. You want us to do?
Play the record or not this comment? Bush, I'm just
telling you.

Speaker 5 (01:10:14):
Now, yeah, absolutely, okay.

Speaker 1 (01:10:17):
We're gonna play the record. They get that, all right,
man with you now though they get that feedback, it's
all good, fair game. It's the record right called.

Speaker 5 (01:10:26):
Richie Evans featuring Bottle and Davies.

Speaker 10 (01:10:28):
Crownholders.

Speaker 1 (01:10:29):
Okay, Crownholders, let's check it out. There we go last
one of the night.

Speaker 25 (01:10:34):
You are now listening to highly favor.

Speaker 12 (01:10:53):
Down Go Back again, Rank, I'm sliding down in the
schooling up chucking the deuce.

Speaker 28 (01:11:04):
Ain't that black on black.

Speaker 9 (01:11:05):
Thing bumping track number two?

Speaker 12 (01:11:07):
You know that did come an album with the essential
snoop with the production from the docks, So you know
what's the truth.

Speaker 1 (01:11:13):
I'm from the West Side. They do not let them
text fly.

Speaker 28 (01:11:16):
I got a song from.

Speaker 12 (01:11:17):
Tremford Brown Up the best by Yeah. There's nothing that
they can do with me. In fact, around here, I'm mistakable.

Speaker 9 (01:11:24):
In by your community.

Speaker 12 (01:11:25):
Sit you sucking niggas, can't moving gem moving me. I've
been getting paper since you wicky Yeah, and none of
you fucker's coolest nake hopping, running shit Sister Junion Leagues, Nigga.

Speaker 33 (01:11:37):
Nigga Lord Ring, middle Finger to the motherfuckers begging for fagers.

Speaker 9 (01:11:41):
They hate us.

Speaker 33 (01:11:41):
They just under covering tho to hear them pillow talking
when they under covers here, Ain't nothing knew what coming through.
They just another sucker from Ain't no worries. I led
till lom Burvery and grass about thirty in the stash.
I'm like Kurby Kirby in cash, so the workers to
hurry them back a number big pikes, Murphy, they assa
cases in progress.

Speaker 1 (01:12:02):
You don't place it in the clossets.

Speaker 33 (01:12:04):
Keep your jews at the jeweler, Moulin safety, get positive,
y'all waiting the project, y'all saying now wait, ain't your
process just like bitches be itch, They just wait in
the gossip. When you were bassister, of course coast you
take you in the frock. I know because when the
law sister, lord, you will tell you in the fox.
I know by making in the solid. It's where the
king get your kisses on. Both chicks fil to.

Speaker 1 (01:12:23):
The ring, nigga the mavo Jesus with criminals.

Speaker 17 (01:12:26):
Gotta see Vanessa shot to the chests, got them breathing
special HESU specials.

Speaker 10 (01:12:30):
And keep a professional meal for my niece.

Speaker 17 (01:12:33):
And Netflix come running the stall like man a woman,
pick even rest pistol right under my boxes and then
speaking that you shot him on his yacht. They rocked
the boat like a league of crashes boat.

Speaker 10 (01:12:42):
He must not, but he smoked.

Speaker 1 (01:12:44):
They had me had a fiend to Nassa.

Speaker 17 (01:12:45):
I feel like MEPhI belly the mom and he bean
the brass con the ghost I know ain't from me.
I ain't never speak to Casa Sin, don't panted to
fight the blah that had you breathing past time. She
ain't master Jake track suit of Dita's matching me. Hope,
I be you Nate with the game to day recas
that my T shirt. But like niggas, ash's niggas rapping
Nick and rest family. It's really trag, just really savage.

(01:13:07):
Frey Chastis, let it off in trash. Go let me
dash it at the body. Niggas never had a hand.

Speaker 1 (01:13:12):
Promise the butch to me a flavor and send send
me the clean version of that. Send that clean all right?

Speaker 28 (01:13:26):
Yeah, and that gon write what I was going to say, record,
h They're not for you.

Speaker 32 (01:13:36):
You know, it's just undeniable, and you know, get to
a budget behind it home into the right man base
and you know promoted. So you know, for me, I'm
not even giving a review because you don't need one.
It just need a promotion, new budget to get it
out there more.

Speaker 1 (01:13:56):
But all right, yes, yeah, that man definitely sent sent
me to clean. You know, we we we'll, we'll, we'll
do something with it around here. Uh, the Eric thought
the records. Cool rights night.

Speaker 10 (01:14:18):
In that one for a little bit.

Speaker 28 (01:14:20):
So can't with him.

Speaker 1 (01:14:24):
Okay, I'm sorry. I didn't hear who say that? Say
that again? Whoever was sitting in the background with you?

Speaker 13 (01:14:28):
Now, I said the song was cool, I said, especially
got Gay on there, like he's like been that one lately,
so having him on there helps it out too.

Speaker 1 (01:14:39):
Okay, all right, that's what's up, Jackie. You just came
back in so I know you missed it. Uh Sha
Royce okay, Saroye Thatt. The record was fire crazy record. Okay,
just got back. Okay, he came back on the phone.
Jackie's back, all right, So all good, big Feeve you
happy with it?

Speaker 18 (01:15:00):
Man?

Speaker 20 (01:15:01):
So let me say this because I don't know if
anybody gonna say it, but I'm gonna say so, that
was a dope record. Phenomenal lyricist of the delivery, the track,
the beat, It was well put together. I don't know
if I heard a hook, but that don't even matter.

(01:15:22):
But I just thought the last rapper, the transition when
he came in on the beat, I thought it was
kind of off, like the way he fell in. I
don't know if I would have to listen to the
record again. It's one of those records you say, oh,
play it again, So I didn't. When I listened to
the third I don't know. If I was in the studio,

(01:15:44):
I was like, I was like, man, let me hear
that third verse again. Let me see how he came in,
even though he came in like a true lyricist, like
I heard everybody in the hip hop on that every
big rapper I.

Speaker 10 (01:15:58):
Heard, I heard spirited in that record.

Speaker 20 (01:16:01):
But that's the only thing I have problem with is
the transition on the mass rap when he came in.

Speaker 1 (01:16:07):
But did he come in on the right pocket or
did he.

Speaker 10 (01:16:12):
Come on the two?

Speaker 33 (01:16:13):
You know?

Speaker 20 (01:16:13):
Yeah, that's the I would say, let me play it.
If I was in the studio, I would say, let
me hit out again. Let me see if that if
that click right, you know what I mean. But other
than that, I said, dope record.

Speaker 1 (01:16:27):
That's what's up? Okay? All right? Uh Britther living next
to human chandelier? What do you think?

Speaker 20 (01:16:33):
Yeah?

Speaker 5 (01:16:34):
I thought the record was dope too.

Speaker 14 (01:16:35):
When he said something about the chorus, I was like, dang, Like,
I don't remember the chorus either, but I thought I
thought it was phenomenal. I also felt like it needed
a Rick Ross feature.

Speaker 29 (01:16:44):
I was like, where is Rick rosst Like, I was like,
this is popping, like all of the rossing get on there,
you know, make that music like okay, okay, run it.

Speaker 14 (01:16:57):
I was fired though, like, man, it was the bye
was there? Like I would play it over and over again.

Speaker 1 (01:17:04):
That's what's up. So yeah, Rick Ross. That was brick
Ross track, wasn't it?

Speaker 5 (01:17:08):
Yeah for sure? Okay, all right, what you think monitored
and recruited.

Speaker 9 (01:17:15):
And so what you think?

Speaker 18 (01:17:18):
Yeah, definitely West Coast five within some East coasts in
there as well. I heard that the West Coast lyricism. Mom,
you know, I thought it was dope. I didn't hear
it beating on my hook as well, so which would
have made it like an album filler.

Speaker 28 (01:17:34):
And I'm like, man, I don't remember nothing.

Speaker 41 (01:17:36):
That stood out that that made me say where you know,
where's the hook? So it wouldn't I wasn't able to
remember it. I wouldn't be able to remember the song.
But I do think that the lyrics were strong. They
were coming with it. Denial flows on like I don't

(01:17:58):
know if you'll you a buck shot from.

Speaker 18 (01:18:01):
Back in the day, and like I'm getting like a
nostalgic album the Clinic. But you know it was still
up here still you know, a little more up to dated,
but you could count that there was a little older.
But again the beat was dope, and I you.

Speaker 1 (01:18:12):
Know, I thought it was you're talking about buck Shot
from black Moon. All right, you tell my Buckshot from
black Moon? Okay, I guess yes he left. Okay, it's
all good. But yeah, but good looking Kelly good yeah, okay,

(01:18:36):
all right, cool yeah yeah yeah, luck down like yeah,
all that right there, Okay, that's what's up, all right, y'all.

Speaker 18 (01:18:42):
From black Hole? Yeah, absolutely.

Speaker 10 (01:18:46):
Yeah, yeah, got you.

Speaker 1 (01:18:47):
Got you, got you. One of those is going to
be paying homage to in a coming weeks. Kind of
funny you brought him up. It's all good, all right, y'all,
we go ahead and get up out of here. And
yeah boot camp clip, Yes, indeed, Sharot Charoyce Yeah, boot
camp click. It's all good. We're going to get up
out of here again. Thank you all for checking this out.

(01:19:07):
If you got a record you want to send to us,
go to it right now www. Dot The Radioshow dot com.
As DZ and David as an Apple radioshow dot com.
Click on where it says submit music, click on the photo,
upload your song, fill out the info. It'll be over
here for next week, all right, So go ahead and
do that. Speaking of next week, we're here every week

(01:19:28):
at the same time, same channel, doing the same thing
right here, from ten o'clock Pacific Stentard time, one am
Eastern for the hour we're doing it. And if you
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On iHeart you can catch this episode and all fifty
one other episodes that we've done of this show called

(01:19:51):
the Head and Out of Session, as well as the
radio show all thousands of those right there as well.
All right, So on that note, we're gonna get up
out of here. Like to thank you y'all for coming
through for another week, and definitely make sure let me
tell a friend we're here next week. All right, everybody,
thanks for checking in. App a good week. We'll see

(01:20:11):
you next week, y'all. Take care.

Speaker 16 (01:20:13):
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