the headnodder session ep 55 mp3

Episode Transcript

Speaker 1 (00:00):
Get song.

Speaker 2 (00:01):
Just because the radio show is doesn't mean it's over.

Speaker 3 (00:05):
After power.

Speaker 4 (00:08):
Time, after the party, they had not a session.

Speaker 5 (00:11):
Drop it the radio show.

Speaker 4 (00:17):
I never got caught with a kilo.

Speaker 6 (00:19):
And if you ever do, know you never be with
me or making the champagne maybe into El Camino black
Benzo or maybe an El Camino. Well that's my uh
mc breed right. There ain't no feature in front. I
have to work on that one, always paying how much
of the old school artists as we hopefully discover new
school artists right here the head out of session. It

(00:41):
is powered by the radio show. This is the part
where we give that constructed criticism and honest feedback on
songs that are presented to us at this time.

Speaker 4 (00:52):
So you gotta be a little bit.

Speaker 6 (00:53):
More thick of skin right here, be able to handle
constructed criticism. But if you can't, please do not sing
your song to us at the time.

Speaker 4 (01:01):
All right.

Speaker 6 (01:01):
This is for those that can handle that. We give
that constructed, constructive criticism and on his feedback. For those
who you know may be working on a track, you
know a little bit of production work, it is all
for you, ideals, It is all right here for you
as well. All right, so you gotta reconsend to us
right now. Go to our website Www. Dottorradioshow dot com.

(01:24):
That is DS and David A is an Apple radioshow
dot com. All you gotta do is go where it
says click where it says submit your music. Click on
the link, fill out the form, uploads your song and
to make its way right over to me to get
ready for the after party, which is right now. So
that's only if you can handle constructive criticism. But if

(01:45):
you can't, don't send it at this time, all right,
MD give them this disclaimer while I get the first
song put together, please.

Speaker 1 (01:52):
All right.

Speaker 7 (01:53):
Disclaimer is this is a show that only critique production.
It's not about whether it's a good song or fans
or good song it sounds cool and everything.

Speaker 1 (02:09):
We hear the.

Speaker 7 (02:10):
Critique and make sure that your production is basically done correctly,
and the music professionals that normally be here will only
state your mix is wrong, your instrument is too loud,
vocals out of key, and blah blah blah blah. Now,

(02:30):
if you don't like that type of constructive criticism, then
I think you should just go ahead and switch off.
If you set the song to its now, sit back
and relax. Learn a little bit more how to do
music production on.

Speaker 8 (02:44):
The right scale, not off the top of your head.

Speaker 7 (02:47):
If you don't know notes, if you don't know bars,
stay around and learn a little.

Speaker 8 (02:52):
Bit more about notes and bars. So ready to roll
with this. That's what wrote.

Speaker 4 (02:59):
Ready to make it that and right now.

Speaker 6 (03:00):
Now we didn't learn tonight with the element elements of
a song, sister, hook, hook.

Speaker 4 (03:06):
And hook.

Speaker 6 (03:06):
So we're gonna see if these songs got the elements
of a song. All right, let's check out the first one, now, MD,
you sent this one to me earlier. Uh, this is
an artist on their a on their flyer it said
please leave, please see and leave artists feedback. So you
sent this to me earlier, Easy Patterson songs called let's

(03:28):
let's get back together, Easy Patterson, Let's get back together?

Speaker 4 (03:33):
Yeah, for feedback on the record, I just forward. Oh
you just for it? Okay, Well that was on here,
So we're gonna check you out. Here we go.

Speaker 8 (03:49):
Glad to have you back.

Speaker 1 (04:04):
We once had love.

Speaker 8 (04:09):
Just show the world how love should be.

Speaker 9 (04:15):
Now now the whole world is laughing since we abart.

Speaker 3 (04:22):
You send me free.

Speaker 10 (04:26):
I shouldn't thank you bout it to myself.

Speaker 1 (04:30):
If you gay goes.

Speaker 11 (04:32):
By the thought of losing you to someone else, just
bring cheers to my eyes.

Speaker 9 (04:47):
Let's get back together, iby, you know I can't alive bit.

Speaker 3 (04:57):
Left.

Speaker 9 (05:00):
Let's get back together. Stop telling me that we are to.

Speaker 12 (05:08):
War.

Speaker 3 (05:10):
One foolish mistake.

Speaker 8 (05:14):
Is what I made.

Speaker 2 (05:16):
Just one mistake.

Speaker 13 (05:19):
I shouldn't read. That's your heart would raid from one mistake.

Speaker 11 (05:30):
Sit, I'm sorry a thousand times.

Speaker 8 (05:34):
I'll see it again.

Speaker 11 (05:40):
I've got to do whatever it takes.

Speaker 13 (05:45):
For you to let me back in.

Speaker 5 (05:53):
Let's get back together.

Speaker 1 (05:57):
Here.

Speaker 13 (05:57):
You know I can't deal with you. Stop telling me
that we are to.

Speaker 3 (06:14):
Abe.

Speaker 14 (06:19):
Let's side one butta.

Speaker 3 (06:25):
Onie. Oh, we're gonna see you with.

Speaker 15 (06:36):
Another guy and this wall of cry.

Speaker 3 (06:41):
And that's no lie. Baby. Won't you come back to me.

Speaker 12 (06:49):
Let's go love one moutray.

Speaker 9 (06:57):
Let's get back together.

Speaker 2 (07:01):
Better.

Speaker 5 (07:01):
You know I can live with do you.

Speaker 3 (07:11):
Stop telling me that we are through.

Speaker 12 (07:18):
Come on, baby, Let's give love one more try. Sometimes
love can be better, baby.

Speaker 15 (07:32):
The second time around. We can make it if we
really try.

Speaker 9 (07:42):
Let's give love a try one more child. Dourven man
of what's your friend may say, God, of you, of
your girl. Let's get back together. You know I can't

(08:07):
deal with that again. Stop telling me that wheel through.

Speaker 4 (08:20):
Let's get back together?

Speaker 6 (08:23):
Easy Patterson, Easy Patterson, Right there, MD. I'm looking at
the link where it says to give that feedback. What
feedback would you give that reget?

Speaker 7 (08:33):
That is reaching back to the old archive? You know
who he's trying to immolate. Did you catch it?

Speaker 16 (08:42):
Uh?

Speaker 4 (08:44):
No? What was supposed to be?

Speaker 8 (08:45):
He remember this song that stay together?

Speaker 4 (08:49):
Yeah?

Speaker 8 (08:50):
You see how he was singing. He was.

Speaker 7 (08:52):
He was trying to sing a not exactly like al
grad Let's stay together.

Speaker 1 (08:58):
He was.

Speaker 8 (08:59):
He took get his way.

Speaker 7 (09:02):
Those are real musicians in the background. Nothing sample at all.
He don't have a strong voice. But that is a
song that will go big in the South. That is
sutherin flavor.

Speaker 8 (09:22):
Pity.

Speaker 7 (09:23):
He would do big in the South. He's coast west,
coast No, he'll do okay in the Midwest, also the coast.

Speaker 17 (09:34):
No.

Speaker 8 (09:36):
But that was.

Speaker 7 (09:37):
A a a replica, uh, Let's stay together.

Speaker 8 (09:42):
Okay, his own in his own way.

Speaker 7 (09:45):
He threw a little bridge in there, blah blah blah
to keep it not identically, which that was great. They
real musicians, and they brought they used real instruments to
exploit their their talent. And I take my hat off
to him for bringing back the past to the present.

(10:06):
That's what we need more of. The South is doing that.
The South is doing that. That is something that that's
Southern's soul all the way. It just needs to be
mixed a little bit better. See can they tweak his vocals?
Get it a little bit unrashy, you know, But he

(10:29):
was taking our green when he sung it. Okay, okay,
you're definitely thinking our green.

Speaker 4 (10:38):
All right, big sleep, How are you doing it night?

Speaker 1 (10:39):
Man? What's going on? And what's going on?

Speaker 4 (10:46):
Just making it happen as usual right here?

Speaker 1 (10:48):
Man?

Speaker 4 (10:51):
Yeah, what did you think about the record?

Speaker 1 (10:54):
Uh?

Speaker 17 (10:55):
It was okay, it's like doesn't like m D Cent.
It was southern, so that Southern soul music. So I
mean it's got a lane for. It's a lane for.
They just need to be cleaned up a little bit better.
I did enjoy the saxophone though. That was in it though,
but it was it was you.

Speaker 7 (11:16):
Didn't You didn't catch that he was trying to do
less stay together like Al Green, but he took it
a little He took it his direction.

Speaker 4 (11:26):
Yeah I can.

Speaker 1 (11:26):
I could agree with that.

Speaker 7 (11:27):
Yeah, and that's why he called it Let's get back together.

Speaker 6 (11:32):
Ah okay, yeah.

Speaker 7 (11:37):
Yeah, I called that immediately when I when when I
heard him come out in the second verse. He came
out the second verse like Al Green came out and
left stay together, and then he went his way. He
took it another way, you know, like that. Yeah, he
was thinking Al Green all the way. He's an old
school guy. He gotta be. He gotta be in his

(11:59):
late forties and early if he's younger than that. He
really he threw a curve at me. But the Southern
girl will go they'll go head over heels on that one.

Speaker 8 (12:15):
With their big sells.

Speaker 6 (12:19):
All right, all right, man, let's go ahead check out
another one again. This one was also sent uh during
the pre show tonight as well. We played this one
during the pre show. So we're gonna check it out
right now. This is kse Sutton me kk kk sudden me.
All right, let's check it out.

Speaker 4 (12:39):
Here we go. It's the head out of Session Power
by the radio show. I'm on now.

Speaker 18 (12:58):
To sway his half feet and I'm down on my knees.
The world on top of me, and I can't hardly
be brook.

Speaker 19 (13:09):
Can you please sustain me, give me peace, send me freeze.
So I'm tired of trying, are tired of crying. I
just want to be allright. I'm just trying to survive.
I'm tired of this pain in this drive.

Speaker 14 (13:25):
I'm so over it.

Speaker 19 (13:26):
I can't lie, I can't line. I'm just trying to survive.
I'm tired of this pain in this drive.

Speaker 5 (13:36):
I'm so over it.

Speaker 19 (13:38):
I can't lie.

Speaker 20 (13:42):
They say the joy of the Lord is my strength,
but it's hard to have joy when I can't pay
these bills in this rent and my money's off spending.
I can't say where we don't winter. I'm on empty
and not just need replenishment. I over It's this punishment
for all of my sins, and I cannot say y'all
will not do them again. But if I switch it up,
if I give it up, will it change my luck?

Speaker 19 (14:03):
Or should just not give no more fucks?

Speaker 20 (14:05):
Because right now gotta feel stuck and I cannot get
out of this what it is all just too much.
I'm just asking, like, oh, has this pain? I don't
mean to complain, I'm just saying, Lord, sustain.

Speaker 19 (14:17):
I'm just trying to survive. I'm tired of this pain
in this strive.

Speaker 14 (14:22):
I'm so over it.

Speaker 19 (14:23):
I can't lie, I can't line. I'm just trying to survive.
I'm tired of this pain in the stride over it.
I can't lie.

Speaker 6 (14:40):
Sustained, all right, So that was right there. It was
KK sudden me, KK sudden me all right, so what
will we think about that one? And then you go ahead.

Speaker 4 (14:59):
Mee you fall you go first ad.

Speaker 1 (15:06):
Man.

Speaker 17 (15:06):
Okay, So first off, first off, uh, the voice was
not giving it it really like that's crazy because she
literally saying like she just I don't even gonna say
she made I'm a shanty song bad, but she kind
of really did because the shot can't say nigga, but
she man, that was hurting my ears.

Speaker 1 (15:28):
I ain't gonna lie then then I ain't ain't gonna lie.

Speaker 17 (15:31):
Like if she had a better Cadens with her rep
and she wasn't rapping like the MX like what that
d M A K, it could have been okay, And
then it just threw me off with the because I
thought it was I thought it was like a Christian
song at person.

Speaker 1 (15:43):
Then she yeah, I.

Speaker 8 (15:52):
Wondered it was just me. I want to adjust me.

Speaker 7 (15:58):
No, she it was a good idea the beginning of
the song.

Speaker 8 (16:03):
That sample that they use.

Speaker 7 (16:05):
I ain't go with it. I mean they've been better off.
Bring the keyboard player there and try to immolate. That's
those same licks, but their way, their style.

Speaker 1 (16:16):
You know.

Speaker 8 (16:18):
I keep telling a lot of producers and engineers sampling
old school music to put in rap is it ain't easy.

Speaker 7 (16:32):
And you might one out of a thousand songs that
do that will turn out to be great. The other
nine hundred ninety nine is gonna suck, you know, And
this is a good example of one song sucks out
of all those, you know, out of all I mean,
I think.

Speaker 8 (16:52):
She needs a producer that can show how to flow.
You know, she definitely need a lot help.

Speaker 7 (17:01):
She must have did that on her own pay, and
some some gide give ass uh engineer stuck her on
the track that wouldn't buy nothing, probably charged it too.
That's how low they are. Beat makers are. There's some
they's some low they some low motherfuckers.

Speaker 1 (17:22):
Man.

Speaker 8 (17:23):
I keep it real, well, keep it real. They are
they lord, they and they know they'll know, they know when.

Speaker 7 (17:30):
Artists come there to them that the artists don't know
too much about music. They just want to track to
put their vocals on. And when they find somebody like
that come to their studio they were, they will, they
will give them the pipe trade, tell them how good
they sound. I bet when she walked out the studio
that that engineer told them that ship was hot five.

Speaker 8 (17:54):
They told her, they told her that.

Speaker 7 (17:56):
Yeah, they told him that they do they do shady
shady you know ship like that, you know, and and
you know, yeah, like Big Sleep said, you know, I
don't know. She she had a I don't know, burlac
shack over her head, but she was rapping.

Speaker 1 (18:15):
Yeah, I'm sorry, I'm sorry, I'm sorry.

Speaker 17 (18:20):
She yeah, I mean, I guess, I guess I'll give
her a Beefer effort.

Speaker 8 (18:26):
Right.

Speaker 1 (18:28):
Right.

Speaker 7 (18:29):
You know, the effort was definitely there, but her assistance
of people with her, she didn't have the right people.

Speaker 8 (18:39):
Well, they took if if she paid money for that,
they took her.

Speaker 4 (18:45):
They took her money.

Speaker 8 (18:46):
They took They.

Speaker 7 (18:48):
Didn't just take your money. They took her big time. Yeah,
I hope they didn't take her in the back room.

Speaker 6 (18:55):
Let's let's check out this next record right here, man,
this is uh super Gaspy Gassie super Gassy featuring one
K Hollywood, Super Gassy featuring one K Hollywood songs called
eat It Up, super Gassy featuring one K Hollywood. Eat
it Up, but shake it out. Here we go, not

(19:16):
a sexion power rider radio show.

Speaker 4 (19:19):
Let's check it out.

Speaker 1 (19:24):
You in two but the.

Speaker 21 (19:28):
Teaky music back out, the run it up. I'm in
a chap, yeah, getting my rags.

Speaker 8 (19:36):
I don't want to guess up the hood right the yeah.

Speaker 21 (19:38):
Getting the past? Do you saucy?

Speaker 8 (19:41):
I'm put a little driven.

Speaker 21 (19:42):
You can sign me right in the True Ship show,
we stomp.

Speaker 8 (19:45):
On beer and start pass still about this.

Speaker 21 (19:47):
Kid ship high fire, about the grease.

Speaker 1 (19:50):
They gonna eat it up.

Speaker 21 (19:51):
Toush down on those side pigs.

Speaker 1 (19:53):
They gonna eat it up.

Speaker 21 (19:55):
In my head, Jimmy choose she gonna eat me up?
She shouted from in the bottle.

Speaker 3 (20:00):
Man, I ain't got no right for these niggas. It's
paper playing business stories.

Speaker 8 (20:05):
They can put out commission.

Speaker 3 (20:06):
I call the shots in the kitchen, we eating this dinner.

Speaker 8 (20:08):
They play, they get put in the black.

Speaker 3 (20:09):
I wasn't too good at.

Speaker 10 (20:10):
The math at the school, but I ad like a
fool when we're talking them ditches.

Speaker 3 (20:13):
I'm RECOGNI you won't even tell them it's pressures you
you're putting out watching them dishes.

Speaker 10 (20:17):
I'm with Solo while blowing this dough over, yelling now Yolo,
were taking it from Bronna.

Speaker 4 (20:21):
Ho about the spread to the talk?

Speaker 3 (20:22):
You know if you miss I ain't got nothing for him. Sure,
they gonna eat it up, eat it up, eat it up.
I'll go afterwards, I get bored. I get the pack
and they eat it up, eat it up, beat down
the bag and not gonna get some more.

Speaker 8 (20:47):
And jesus, I'm in a shop.

Speaker 10 (20:48):
Yeah, get all right, so I don't want to guess
up the hood right in that shop. Yeah, getting them past,
do you s see?

Speaker 21 (20:55):
I put a little rip you was signing me right
in the truth.

Speaker 1 (20:58):
We stomp on be.

Speaker 10 (21:00):
Gonna pass him about their kids, she ship high about
the grease.

Speaker 21 (21:04):
They gonna hit it up till you down on those
size pigs. They gonna hit it up in my sht Jimmy,
chu hit She gonna hit me up the chart in
front of bottle man and hate the seal shup.

Speaker 10 (21:16):
Listen, Jimmy dreams, that's the sauce Oh, she gonna eat
me like she ain't had no food winds through the
lobby quick recks. Oh, real money, get a real dreads seer.
She would do better if your new gutta face a
couple of woods, make my move better.

Speaker 1 (21:28):
She's gonna mean ching it.

Speaker 10 (21:29):
They should hold already had a you got a shoveld
Dens got her in my new bitch way way gotta
how they did finished well. Maybe the niggas have a
hot flash turkey jump and not a turkey wood, but
they gonna that's idea.

Speaker 3 (21:41):
You keep the little.

Speaker 10 (21:42):
They gonna eat it up, you know, snake, she gonna
watch me up.

Speaker 3 (22:01):
And I'm in a sham. Yeah, give my rags.

Speaker 8 (22:03):
I don't wanna gets up the hood right the tramp.

Speaker 10 (22:06):
You ain't getting them passed gone, keep saucy.

Speaker 21 (22:08):
I'm put a little dripping you was signing me right
in the true ship it share. We stomp on beer
starting past here about the kids see sit high price
her back to grease. They gonna eat it up until
she down on those side piegs. They gonna eat it
up in my seat, Jimmy, chushit.

Speaker 1 (22:25):
She gonna eat me up. Sat the shot in front
of bottle man.

Speaker 2 (22:28):
And hate to see his son.

Speaker 6 (22:39):
All right, that's right, there is super gassy feature in
one K Hollywood, eat it up. When they'll think about
that one, go ahead, big sleep, what you're thinking about
this one?

Speaker 4 (22:48):
Go ahead?

Speaker 1 (22:48):
Kick with you?

Speaker 4 (22:49):
First?

Speaker 1 (22:52):
Uh, they ain't gonna lie.

Speaker 17 (22:54):
First off, they probably cutting the song like four times.

Speaker 1 (22:57):
They could have. They could have cleanked that up. They
could have toted that that's first proemost. It ain't. It's
not a bad song. I just don't know how much
radio play they.

Speaker 17 (23:07):
Was he because what they're really talking about, what the
what the what the what the subject matter is about?

Speaker 1 (23:13):
I mean at first it will go over people head,
but what you know, what they're actually talking about. I
don't know how far. That's how far that.

Speaker 17 (23:20):
Song would go. I don't know, just needs a little tweaking.
I mean, it wasn't no bad song. I could have
dept with the dude that was whisper rapping.

Speaker 1 (23:28):
I ain't have to.

Speaker 17 (23:29):
I could have could have let that off too for people.
But I mean, you know that's that's how the kids
is doing stuff now, so you know, but it wasn't.
It wasn't a bad track. I would say.

Speaker 8 (23:43):
It just an't had no energy.

Speaker 17 (23:46):
Yeah, like the first the first guy had energy, and
then it was like after he rapped, it was like
the song just like kind of it kind of went
on death.

Speaker 1 (23:54):
It just fell on deaf he is man.

Speaker 8 (23:56):
Yeah, and they were almost rapping the same way. They didn't.
They didn't. They didn't have a split personality.

Speaker 7 (24:05):
You would think that the first one we had his
flow and the second one we had his style of flow.
But they tried to do the same identical thing and
that and it didn't work. It was weak and the
hook was real weak.

Speaker 17 (24:24):
I didn't like the hook at all like that. Whoever,
the guy that was whispering, he don't need to, he
don't need to, he don't need to deliver music like that.

Speaker 7 (24:32):
For me, it's all right, it's all right, who up
doing the hook? So a gay guy somebody eating the
girl up and he was really scardy either.

Speaker 17 (24:44):
Yeah, that's just just just a context, just the just
the whole context what they was talking about. I don't know,
I don't know how far that would you know, how
far I don't I know it wouldn't if they knew,
just off the off the back.

Speaker 7 (24:58):
Because Robbie woman every woman group will be on their ass,
like right on Rice.

Speaker 8 (25:05):
And the radio stations get there, would get a lot
of heat on that.

Speaker 1 (25:16):
Eat what.

Speaker 8 (25:19):
Yeah, they just need to.

Speaker 17 (25:22):
Go back, yeah, and put a little energy to it
a little bit, because it wasn't really it wasn't.

Speaker 8 (25:31):
They just sounds. They just sound weak, that's all.

Speaker 4 (25:33):
Okay, they sound We wouldn't.

Speaker 8 (25:39):
Production production was it was so prime.

Speaker 4 (25:45):
Yeah, okay.

Speaker 6 (25:47):
Well, well, first of all, if everybody liked what's going
on so far, if you want to send your music
to us to be a part of the head and
out of session, to get your music critique or you
gotta do is go to the go to our website
w w W dot the radio show that's and David
asan Apple radioshow dot com. Click on where it says
submit music, click on the photo, fill out the form

(26:07):
upload the song. It to make its way over to
me to be played right now during the after party.
Like the few songs we play so far tonight, we
got a few more in store for you as well.
So if we want to be a part of that,
go ahead and sing your music to us. Also, we
are here every Monday night directly after the radio show
doing this. So this is your first time checking us out,
don't jail chip. We hear every week, making it happen

(26:30):
every Monday night and a clap Pacific standard time one
am Eastern, following at the radio show, which is not
a clop Pacific standard time one am Eastern as well,
so you can go ahead and I'm sorry twelve am
Eastern with the radio show now also too, I've forgotten
and I wanted to go ahead and take a moment
and mention that we are now added on to another
station where now the radio show will be now heard

(26:53):
on ninety seven five V ninety seven five V straight
out of Las Vegas on Nova ninety seven five VS.

Speaker 4 (27:01):
Now adding us. Thanks right, y'all, will be airing.

Speaker 6 (27:08):
Every Saturday at twelve noon on ninety seven five V
out of Las Vegas, Nevada. So go ahead and check
us out there. Shout out to Mike and thank you
for carrying us on that. So we're also heard on
ninety seven five LA as well Power ninety seven five LA,
so we're heard on that network also, so we're heard

(27:30):
on both networks.

Speaker 4 (27:31):
Power only seventy five. We're on Saturdays at four.

Speaker 6 (27:35):
Pm Pacific Standard time, seven pm Eastern and were on
V Power ninety seven V out of Las Vegas, Nevada,
twelve pm three pm Eastern every Saturday.

Speaker 1 (27:51):
All right, so.

Speaker 6 (27:53):
Again, special thanks to Mike for carrying us on both
those networks. And yeah, we're gonna keep it happening, making
it do what we do, bringing a hot this independent
music to each and every one of you as well. So, uh,
we're gonna do it on those ends and again brand session.
Uh no, but I'm actually working on that so right now,

(28:14):
baby steps, right now, baby steps, baby steps. Yeah, we'll
catch on, and I'm working on some stuff for the
head and out of session also, and I think this
needs to be carried so we're gonna be get this
carried on somewhere in the near future.

Speaker 4 (28:29):
I can guarantee you that. All right, and we're gonna
go ahead and play another song coming up right now.

Speaker 6 (28:38):
Uh. Anthony Lopez sent this record to us, songs called
Forever Sprung. Anthony Lopez. Shout out to Anthony Lopez, what's up, man,
I hope everything is well with you. Forever Sprung. Let's
check out Forever Sprung man. Let's make it happen trickerly
independent aboutping Army music at its finance, the head out
of sessions, Power about the radio show, check it out.

Speaker 3 (29:03):
Hey, beautiful, it's me again.

Speaker 2 (29:08):
I just can't get you off my mind.

Speaker 5 (29:11):
It's just something much for aver.

Speaker 3 (29:17):
Forever spak for aver sp.

Speaker 16 (29:34):
He loves like a drugs needed to get hurt a
fair after the first try. Away loved me in the
heat of the nut makes everything feel almost so run.

Speaker 3 (29:56):
Let's see away to another place in.

Speaker 16 (30:01):
As far away sweet beer long kind of.

Speaker 3 (30:09):
It's love that we share. And girl, you find.

Speaker 5 (30:15):
Has me tarry there for avice, spine.

Speaker 1 (30:24):
Sort your.

Speaker 3 (30:29):
For avice for a spine, You one.

Speaker 16 (30:39):
Sweet like sugarl you love It makes me a sweat
the cheese from your body.

Speaker 3 (30:48):
Who you're kidding with?

Speaker 16 (30:50):
The more racket the beery bees come here, baby cousen
it three.

Speaker 3 (31:01):
It's still a way to another place in town, also
far away, so we can be a long scopar. He's
on every shame.

Speaker 22 (31:18):
And girl, you were fine as we carry there forever
forever from.

Speaker 5 (31:31):
Your arts, forever your foras by.

Speaker 3 (31:40):
You are one wrong.

Speaker 1 (31:45):
You never know.

Speaker 3 (31:46):
Love can make me feel too far. You love can
make me feel so long.

Speaker 16 (31:51):
But now when I was wrong, Now on your hand,
Oh bab I never know Fanna go so far kind
of the Campillity Blow Melban for now.

Speaker 3 (32:02):
My Phenie Babysit.

Speaker 5 (32:05):
I met you.

Speaker 3 (32:07):
For the Strug my Heart's Forge.

Speaker 16 (32:18):
For averse from I'm Just So, I just gotta have you.
I never knew love can make me feel too far.
I never knew love can make me feel so loud.

Speaker 3 (32:34):
But now one was from now on Your Hell, Oh
bet Baby, I never knew I'd find a girl so
far I kind of girl.

Speaker 7 (32:43):
The Campilly Blow Muban for now.

Speaker 3 (32:46):
My Phenie Babysit, I met you.

Speaker 5 (32:51):
For super Far.

Speaker 3 (32:54):
I's from out your Love.

Speaker 5 (32:58):
From you.

Speaker 1 (33:27):
Just heard this record. Now, let's get some feedback, get
some fack.

Speaker 4 (33:33):
We'll get some feedback on that right now.

Speaker 6 (33:35):
That's Anthony Rays Forever Sprung, Anthony Reyes forever Sprung. We're
inside of the heading out of session power about the
radio show here you're each and every week around this
time ten elaps six Standard time twelve sorry, one a
m Eastern. So let's go ahead and get some feedback
on that record. Inded, go ahead, and the floor shores.

Speaker 23 (33:57):
Luckiley, they made a lot of mistakes on that, tons
of mistakes. Whoever tried to edit it the lead vocals.
They didn't do it right, you know. They had it
crossed over at the tail land on each line. They
had the next track go over.

Speaker 7 (34:22):
Half a note each time, and he couldn't perform that
on stage, not in the way they formated it vocally. Yeah,
and then and a lot of a lot of the
lead vocals. You can tell they did a lot of
cut and pace with the lead vocals because they didn't

(34:42):
know how to match it. They know how to match it.
The engineer didn't know how to match at all. So
it tells me that the engineer don't.

Speaker 8 (34:49):
Have no music education at all how to do that. See,
you got to be a real musician to do what
he tried to do.

Speaker 7 (35:01):
And definitely the engineer, he might know how to work
the equipment, but he don't know nothing about music, you know.
He he needed somebody to direct him how to how
to edit because or where to edit, you know, because
he in fact, he just need to go back in
and sing it again.

Speaker 8 (35:21):
It's time singing straight through.

Speaker 7 (35:23):
Don't don't, don't do no cutting past because he's not
He don't as an artist. He don't know how to
put pieces together for a cutting pace at all.

Speaker 1 (35:36):
Yeah, it was, it was it was just off, you know,
you know, it was just off period.

Speaker 8 (35:42):
You know, I heard it. I heard it in the
first verse, you know, and the second and the third.
I guess they thought they got away with it.

Speaker 7 (35:54):
But when you got some professional ears that's really listening
to it, and then and no music, real music, you can't.

Speaker 8 (36:04):
You can't sneak nothing past me like that.

Speaker 1 (36:08):
Period.

Speaker 8 (36:10):
You couldn't sneak that to no, no, top producer. You couldn't.
That would never go out of studio.

Speaker 7 (36:18):
If it got out the studio, I would have told
the artists, don't play this for nobody.

Speaker 17 (36:22):
I say that producer will get mad. The producer will
be very mad at you for sitting that out and
playing around people.

Speaker 8 (36:29):
Right, that sounded like it sounded like a recording for
him to study, the artist to study and then come back.

Speaker 2 (36:36):
And do it again.

Speaker 1 (36:37):
Yeah, like a demo. That's what That's what the revironment
of a demo.

Speaker 7 (36:40):
For the vocals, you know, telling you, telling him just
where I want you to come in at, this where
I want you to come in at. Because he didn't
do it right when they first did when they recorded it,
so he cut it up to show him where I
need you to come at and and and that's that.
You know that that was it was done unprofessionally. You

(37:02):
know it made him sound sound like an amateur.

Speaker 4 (37:09):
Okay, all right, well.

Speaker 1 (37:13):
Have been agree with that. Many agree with all of that.

Speaker 17 (37:15):
And I feel like you needed h I feel like
the songwriter could have been a little better to the
content of the song.

Speaker 1 (37:22):
Coma. It wasn't It wasn't interesting.

Speaker 8 (37:25):
It wasn't interesting right because the background they had no harmony.

Speaker 7 (37:28):
There was a lot of places they had to they
should have had harmony in that back for the background
line they sung.

Speaker 8 (37:34):
The background unites all they do the song.

Speaker 4 (37:39):
Hmm. Okay, well, don't forget to send your music to us.

Speaker 6 (37:43):
And if you happen to be looking for a spot
to check us out on, if you checking us on
any other platform other than clubhouse, you can go to
the clubhouse room. There as a poll which is in
there right now. Do you think the young Thug calls
which have been leaked were they leaked? Do you think
that be leaked on purpose?

Speaker 4 (38:02):
Yes or no?

Speaker 6 (38:02):
We're taking a poll right there. You go to our
clubous room to public room. A key word DA radio show.
We have to have the clubhouse at app go to.
Do you think the young thug calls which were leaked
were they leaked on purpose?

Speaker 1 (38:17):
Yes?

Speaker 24 (38:18):
Or no?

Speaker 4 (38:19):
Leave your vote right there, we'll check it out.

Speaker 7 (38:23):
That's not even that. You can't even I mean that's
not even a question. If it got out somebody it
was it was did it on purpose?

Speaker 1 (38:34):
That's content? That was all content for the internet. I mean.

Speaker 8 (38:40):
Taking no rocket scigns and figure that one out right?

Speaker 4 (38:43):
Or what what was what was it leaked to?

Speaker 12 (38:45):
Uh?

Speaker 4 (38:46):
I mean it's content, but where was it to set
him up?

Speaker 3 (38:49):
Or or no?

Speaker 8 (38:51):
It was leaked to make him look bad?

Speaker 7 (38:54):
Okay, take away from his take take away his his
his momentum that he has already got going.

Speaker 8 (39:03):
Man it it was done on purpose. You know what
other words you got? Hood niggas would say, ship, Like
the fuck that nigga, I show what I show how
I feel about him. That's leaked this blue ship out
on him.

Speaker 4 (39:14):
Yeah, that's what I was getting at.

Speaker 1 (39:16):
Yeah that's what they did.

Speaker 17 (39:18):
Yeah, don't I just feel like it was just more
of a I feel like it was it was thought
out to be strategic. But what he was saying with
all with all the with all the with all the
stuff that's going on in Atlanta. I don't think that
was a smart move as far as publicity or making
it content.

Speaker 1 (39:38):
Just made him look, it just made him look. It
just made him look really, really really bad.

Speaker 24 (39:42):
I don't know.

Speaker 8 (39:43):
I don't think it was done for strategy.

Speaker 7 (39:45):
I think it was done for just hating period, trying
to try to knock try to knock the nigga down.

Speaker 17 (39:52):
And it could because because I know they you ain't
even got the Bens deal to get your phone call,
your conversations recorded.

Speaker 8 (39:59):
Remember, there's no honor among thieves.

Speaker 1 (40:02):
All right, And that's true.

Speaker 7 (40:05):
And that's the category those the category that young Thug is.

Speaker 8 (40:11):
Then it's a category of Doug yep.

Speaker 1 (40:16):
I mean right, you don't.

Speaker 8 (40:17):
They don't have no honor among each other. Fuck that nigga,
that nigga think he's better than that.

Speaker 1 (40:23):
That's what I feel like. This happen. They just like
they just shot it. They just shot themselves in the foot.
I was like, man, so you you know, and.

Speaker 7 (40:31):
He and Young Thunder, I mean, young Thug can't help
it to be called that's the kind of crowd he
hang with anyway, you know, so you know he should
expect that every day anyway.

Speaker 6 (40:45):
Yeah, all right, So what do you think about that
did was it all set up there on purpose to
frame or or to.

Speaker 4 (40:51):
Get that and and and make young Stuck look look
really bad?

Speaker 6 (40:56):
Or was it a setup for perhaps a new album
is coming up, like like like like a Loto and
a Dojiah Cat. Did you know supposedly they hated each other? Now, Oh,
I'm sorry, that's that's a lot of on ice SPI,
A lot of on ice spice. Yeah, a lot of
on ice s PI supposedly didn't like each other, and
then they got a new project out.

Speaker 17 (41:17):
Yeah, but you know, you know, that's the coachure we
live in now, Like I think his clubhouse has been out,
people have been recording each other phone calls and conversations.
I know since this hap has been out, because uh
and Black one hundred was probably one of the biggest
people to be doing that.

Speaker 1 (41:34):
And then they was posting that they be posting all
that joke over on YouTube. So I mean, I.

Speaker 17 (41:40):
Don't know, I don't know why everybody want to talk
on the phone also freely, I.

Speaker 7 (41:46):
Said, and I can repeat this over and over again.
Technology had growing black music ever since we went from
adlog and went to to to the technology and just
ruin black music because.

Speaker 8 (42:05):
Rock and roll rock and roll artists they don't even.

Speaker 7 (42:07):
Use Spotify, they don't use they don't use electronic technology
stuff to record these music.

Speaker 8 (42:15):
They still record on twenty four track ky rock and
roll bands. They was talking about that.

Speaker 17 (42:25):
Matter of fact, I just see, I just seen who
is that the guy from uh, who's that three six
mafia Juicy j he is He.

Speaker 1 (42:31):
Ain't even recording with no no, he got live musicians
in his in his studio sessions, right, live musicians.

Speaker 8 (42:40):
That's what's That's.

Speaker 7 (42:42):
How you that's I mean Snoop Dogg and Dre when
they did the Super Bowl with a live band on stage,
and that shit sounded so that shit sounded so far.

Speaker 21 (42:54):
You know.

Speaker 7 (42:55):
That supposed to have told all the hip hop artists
right then and there as go back to live music.

Speaker 17 (43:01):
And then and then the music it is just it
just don't do. It's sounds so different. It just sounds different,
sounds real, It sounds like you want to listen to that.

Speaker 8 (43:12):
Yeah, it sounds real.

Speaker 7 (43:13):
When you hear a real trumpet, when you hear real sax,
when you hear a real keyboard.

Speaker 8 (43:19):
It sounds real. It's it's energy to the ear.

Speaker 7 (43:24):
You know, all this electronic crap, and and and and
and White America knew that us black people's was gonna
jump on it, like like we jump on drugs and stuff.
They played the drugs dealer on us. Let us have
the ship free, and we we read to it like
with like flies on ship, you know. And now they

(43:47):
pulled the rug from under them four years later. Now
it's gonna cost you to be on Spotify.

Speaker 6 (43:54):
It's like they're trying to charge you to be on
clubos too. I see, I saw that the other day.

Speaker 7 (44:01):
Yeah, technology is something else. Yeah, you know, it's they
it's like being a drug dealer. You know, give it
to you for free.

Speaker 8 (44:10):
Then after you get it for free for a while
and you hooked on it, and that's the only thing.

Speaker 1 (44:15):
You know.

Speaker 7 (44:15):
Now you forgot how to do it the real way.
And now they tell you what for you to continue,
you gotta pay. Now you gotta pay for it, right,
pay for it.

Speaker 8 (44:27):
So you might will go.

Speaker 7 (44:28):
Ahead and spend fifty dollars to one hundred dollars for
each musician you bring in the studio to lay your
tracks down and you be there from day one to
the last day of laying your music, because the musician's
gonna lay it down according to what you want and
how you want it.

Speaker 8 (44:48):
A beat maker.

Speaker 7 (44:50):
He laid it down for some other bullshit and it
was a track that he couldn't sell sell, So he
just wait for somebody to ask for a track and say, hey,
I got one for you, and he'll give you a
track if you don't have nothing. Nine out of ten,
actually nine and a half out of ten, you're gonna
get it.

Speaker 8 (45:08):
And you don't have nothing.

Speaker 7 (45:11):
You you wear fair, so you'll take it because he'd
tell you I don't even charge you one hundred dollars
for it.

Speaker 1 (45:20):
Yeah, and might it might it might have charged you
in three other people you.

Speaker 7 (45:26):
Know Little John, right, Little John was the first one
that did that ship on the major label.

Speaker 8 (45:35):
He did it.

Speaker 7 (45:36):
He he did a I remember way back in what
was that the nineties and the mid nineties he did
a track for Ersha and I think he did one
for it was another artist, same tracks and they both
went hits.

Speaker 8 (45:53):
Wow, both of them was hit hit songs. Something else. Yeah,
you see him. He was on the newsdayfore yesterday.

Speaker 6 (46:06):
Yeah, he's competing in some capital or something that muscle
Muscle Beach. Yeah, competing and he's wo too.

Speaker 2 (46:14):
Yeah.

Speaker 4 (46:14):
Yeah, he's doing this thing. Man, shout out to Little John.
Little John doing it. And he was on that that.

Speaker 8 (46:22):
He was he on MTV.

Speaker 4 (46:24):
I think he was m TV. It was one of them.
He was competing at Muscle Beach.

Speaker 8 (46:28):
So yeah, yeah, because he's in town.

Speaker 4 (46:31):
Yeah yeah, yeah, shut up the Little John. Yeah yeah.

Speaker 8 (46:36):
D Chappelle did him.

Speaker 4 (46:37):
Good, Yeah, great Little John.

Speaker 2 (46:40):
Yeah.

Speaker 8 (46:41):
In fact, Dave Chappelle made Little John.

Speaker 4 (46:45):
I don't know about that. He's already big before d
Chappelle did him, but.

Speaker 1 (46:49):
No, but he he was.

Speaker 8 (46:51):
He was kind of big as a producer.

Speaker 4 (46:54):
But Chappelletrea heard about him. Yeah, main stream I guess
heard about him a little more.

Speaker 8 (46:59):
Yeah, put them on TV.

Speaker 7 (47:01):
That Chappell Day Chappelle show was man, Yeah, that's what
the show. And he brought those artists on at the
end of the show. They knew his single you know
it worked, So yeah, he was Oh boy, I was
gonna say that he used to be a sky He
used to be a skinny little nigga.

Speaker 6 (47:21):
Yeah, yeah, he's doing this thing now. Man, shout out
a little John shout out to him. Uh, Big Sleep,
you you sent this song to us, Big Sleep?

Speaker 4 (47:30):
Who is this here?

Speaker 17 (47:31):
Uh yeah, that's uh this is the sweets Code, I said,
the US tracked by her last week.

Speaker 1 (47:36):
Okay, this is another song she got called. Uh, I
believe it's I'm Tripping. I'm Tripping. It's a it's a
remake too though, matter right right right now.

Speaker 17 (47:47):
We're just in there. We just we're just in the process.
Like I said, I'm just we're just trying to I'm
just trying to see what works.

Speaker 1 (47:51):
Was sticking. It was not sticky exactly.

Speaker 7 (47:55):
Like I tell the listen, this show, this show is
all about critique in music, unreleased music.

Speaker 8 (48:02):
So don't don't sing your Spotify Sh'S over here.

Speaker 4 (48:05):
Let's check it out.

Speaker 8 (48:06):
Man, We're gonna make you lose out.

Speaker 4 (48:07):
Let's check it out. The head not a session about
the radio show.

Speaker 8 (48:11):
Looking for feedback on the next song.

Speaker 13 (48:14):
Everybody, we're about to play out.

Speaker 5 (48:20):
Indeed, put your track. No no, no, no, no, no
no no no nobody, no bad girl. You need to
get up out can they bullshit out?

Speaker 3 (48:38):
No no, no, get up no no no.

Speaker 24 (48:43):
Nobody sitting here day dreaming about you all everything we
have wish. I could throw any bad I am. If
it ain't n I don't want me. If it ain't you,

(49:05):
then it ain't for me. I can see your face
whenever i'm sleeping. It hurts when I realize I'm dreaming.
If I can't have have you, I'll just be single
for the rest of my life. I've decided that I
can't love nobody else. I go crazy.

Speaker 3 (49:25):
If I can have it all, I sell you.

Speaker 25 (49:28):
If I can't have you, I'll just be single for
the rest.

Speaker 11 (49:33):
Of my life.

Speaker 5 (49:35):
By my life, my mind lid.

Speaker 3 (49:41):
No this bet.

Speaker 24 (49:44):
A few of you who tries to take your place.
I've been on many meday said it just ain't that way.
Just if it ain't you, then I don't want it.
If it you, then it a for okay. I can
see your face whenever i'm saving. It hurts when I

(50:07):
realize i'm training. If I can't have you, I'll just
be single for the rest of my life.

Speaker 14 (50:15):
I've decided that.

Speaker 3 (50:17):
I love your body.

Speaker 24 (50:19):
I gole chrissy.

Speaker 3 (50:20):
If I can't have I come tell you. If I
can't have you, I'll just be single.

Speaker 5 (50:27):
For the rest of my life. My life, my mind.

Speaker 3 (50:32):
Man, what.

Speaker 26 (50:47):
I don't think I can make it a anybody your body.

Speaker 1 (50:57):
That say.

Speaker 26 (51:00):
You came you running out and running and round and
running on running, you cave running running running, So tell
me how you getting here?

Speaker 5 (51:17):
Running?

Speaker 3 (51:18):
No no, no no no no no no no no
no no no no no no no no no no no.

Speaker 5 (51:24):
Nobody's supposed to do.

Speaker 4 (51:28):
Sweets cold right there, sweets cold. I'm tripping. Sweets cold.
I'm tripping. Just get some honest feedback and trusting criticism.

Speaker 6 (51:36):
Of that one right now, so that they had not
a session powered by the radio show done d M
D we in the building Big Sleep is making it
happen as well on the down in the blackground. Before
we go in to get that feedback, it's go to
by way of TikTok.

Speaker 4 (51:50):
Who we got here? On TikTok, I'll just be single.

Speaker 2 (51:54):
How you doing man the artist Jason Caveat, I'd love
to hear the good new music.

Speaker 4 (51:58):
Jason Caveat's going on the night man, not much.

Speaker 1 (52:03):
Sitting up late, having some Mexican food, shoin and listening.

Speaker 6 (52:06):
That's what's up, man show man. Definitely, man, you got
you got some music you can send us? Absolutely yeah,
I do Okay, go to the radio show dot com,
d A d A radio show dot com and uh
go to will says submit music and send your music
to us.

Speaker 4 (52:22):
Man when we love to check you out. I'm gonna
send it right now. I'll be right back.

Speaker 6 (52:26):
Okay, okay, yeah, Go to our website www. Dot DZ
and David as and Apple radio show dot com. Send
your music to us. Go to where says submit music,
click on that photo, upload your song and it'll find us.

Speaker 4 (52:40):
Well over to us. Get ready for right now.

Speaker 6 (52:42):
What we're doing is the heading out a session powered
by the radio show, the afterparty for the radio show.
Right now what we do each and every week right here,
ten o'clock Pacific Standard time one in Eastern make shugge,
tell a friend and have them tell a friends, and
we can go ahead and keep it. Keep it getting
spread like wildfires. Get those numbers up, run those what
was up, and let it do what it do. So Uh,

(53:04):
the world he's in, I don't know. I get a
chance to talk to him, like he stepped out to
send his music to us. Hopefully he'll come back. We'll
go ahead and ask him.

Speaker 4 (53:12):
But he's been I'm in Philly, Philly.

Speaker 8 (53:20):
He's coach.

Speaker 6 (53:21):
But Phil Peel shout out everybody, and yeah, shout out
to everybody in Philly. Man, super Bowl champs. Yeah, super
Bowl champs right there. I don't think so, well, yeah,
I don't. They got to know they got anybody to repeat. Man,
they got the best player in the league. They got

(53:41):
any as good a shot as anybody to repeat this year.
It's it's kind of wide, especially in the NFC.

Speaker 8 (53:47):
So they got Barkley.

Speaker 4 (53:49):
Yeah, they got Barkley. They have had no had.

Speaker 7 (53:52):
No running back like that since o J and all
of them two thousand yards.

Speaker 4 (53:57):
Come on, that's hard to do.

Speaker 1 (53:59):
Now.

Speaker 6 (54:00):
Yeah, well, we'll see if we got if they're still hungry.
We gonna see if they're hungry this year, make it
they can go back to back the next.

Speaker 7 (54:05):
Noise and the only way, the only way I see
Philadelphia not repeating politics.

Speaker 4 (54:11):
Well that and all that hungry. So we'll see.

Speaker 6 (54:14):
Now, we'll see it if they can hold it together
or injury the injury bug might hit him as well.

Speaker 4 (54:20):
Yeah, we'll see.

Speaker 7 (54:23):
I'm not counting injuries. I'm just saying, get the injury free.
They should repeat. I don't see nobody who stopping mark me?

Speaker 8 (54:31):
Okay, all right, he's a conceptual running back, but that point.

Speaker 1 (54:38):
Cracks.

Speaker 8 (54:39):
He goes through cracks that the defense don't even see.
They don't even see it.

Speaker 1 (54:47):
Yeah bad. Yeah.

Speaker 4 (54:49):
Did you like this song I'm tripping? Uh sweets cold
and d Yeah, I.

Speaker 1 (54:55):
Like that one.

Speaker 8 (54:56):
In fact, I got an old song that I wrote
twenty years ago. I think fit in her alley.

Speaker 4 (55:04):
Oh yeah, what's on your mind? Oh yeah, mm hmm.

Speaker 1 (55:10):
I think she.

Speaker 8 (55:11):
I think she'd be able to sing.

Speaker 1 (55:12):
That real good.

Speaker 4 (55:13):
She'd be real she'd be perfect for that song.

Speaker 8 (55:15):
Perfect, m okay, all right, So.

Speaker 6 (55:19):
We're still looking for artists in your music to us
big Sleep. Does she Does she have any other songs
that she got right now? Or that's all she got right.

Speaker 17 (55:26):
Now, right now, right now, I'm not I'm the number
two songs. I'm trying to work because she because we're
thinking of because I think she wanted to try to
release them, and I know she had just got the
she has she had redid the hook for that song
and she just got it. She just got candy number.
Give it a green light so she can drop that one.

(55:47):
She was like, right now, I'm just trying to see
what what people are? You know what I'm saying what
they what's sticking and what's not sick?

Speaker 8 (55:53):
That's all God, Well that's what just showed all the box.
Yeah so yeah, right, So where does she? Where's she
hell at?

Speaker 1 (56:05):
She's She's from the d MB, She's from d C.
I'm originally a go go singer.

Speaker 7 (56:12):
Okay, okay, yeah, gotcha because me and my cousin we
wrote there something. We wrote a song twenty five years
ago and if we had a girl sing it, you know,
but you know, we never released it.

Speaker 8 (56:29):
But you know it's called What's on your Mind?

Speaker 7 (56:31):
You know, and it's just a little it's a kind
of songs that would you have to tweak it a
little bit, you can't, you know, I mean beforemat the
guideline is there for the musicians to come in and

(56:52):
update it or tweak it for her. So we wrote
the song. We wrote it for the girl that was
working with. Yeah, that's how you do That's how you
do music. You find an artist first, then you get
the song writer and producers to build around her.

Speaker 24 (57:13):
See.

Speaker 8 (57:14):
That's that's how you that's.

Speaker 1 (57:15):
How you feel because that's because that's what we're in
our process of doing.

Speaker 3 (57:18):
Now.

Speaker 17 (57:19):
You know, she's got those two songs and they're not released,
but I'm trying to I'm just trying to write right now,
like just trying to see what stick, what people are
listening to from her, you know what I'm saying, and
trying to you know, because she she like she she has,
she networked pretty well with people. So it's just right
now just getting her around the right people to network exactly.

Speaker 7 (57:41):
And that's and that's the game, you know, getting to
write people to surround the artists that that is talented.

Speaker 1 (57:50):
You know.

Speaker 8 (57:51):
And and and beat makers, I mean that worked like
ten years ago, but not working no more.

Speaker 7 (58:02):
Beat Makers is not designing music specifically for the artist
when he got his little studio started making tracks, you know.

Speaker 8 (58:11):
And and that ain't the way you make records. You
make records.

Speaker 7 (58:14):
You find an artist first, then you get the producer second,
then you get your songwriters third, and then you gotta
work as a team to make that artist sound great.

Speaker 1 (58:26):
Yeah, to create a sound, to make the sound.

Speaker 8 (58:28):
Yeah for that artist, for that artist.

Speaker 17 (58:32):
But that's the whole problem now, like the beat makers,
it's so it's a much of a money grab now,
like you know old on YouTube, and it's gonna be
thirty million people making a song.

Speaker 1 (58:44):
There's one beat.

Speaker 4 (58:46):
Yeah, basically, that's it. That's it man. Well, let's let's
check out this We got this artist right here. This
is a listen only record right here.

Speaker 6 (58:53):
This is the guest for next week on here on
the radio show not that of specific standard time twelve
am Eastern.

Speaker 1 (59:01):
Uh.

Speaker 6 (59:02):
He will be our guest Aiden Songs, Aiden Songs and
twenty twenty times too. So's check out the new single
again songs called Spin. Let's check this one out again
listen only album. All right, spin, Let's.

Speaker 4 (59:17):
Get to it.

Speaker 1 (59:27):
What m.

Speaker 27 (59:33):
To A to l A Straight to London? You listen
to me and the DJ spins than then you listen
to the lead and the DJ spins Spend, Spend. You
listen to your meet from the DJ.

Speaker 14 (59:51):
Did you listen to me from the DJ?

Speaker 1 (59:53):
Did you listen to meek.

Speaker 2 (59:54):
From the DJ?

Speaker 27 (59:55):
Spin A to LA straight to London? You listen to
meat and the DJ spins and spend? When you listen
to your meat and a d J? S friends friends, friend?
You listen to your meat from a d J?

Speaker 28 (01:00:06):
You listen to me from a d J? Did you
listen to me from a d J?

Speaker 2 (01:00:09):
Stand?

Speaker 3 (01:00:11):
What you can.

Speaker 16 (01:00:14):
What you can do?

Speaker 5 (01:00:19):
You can.

Speaker 28 (01:00:23):
You listen to me from the jet that.

Speaker 29 (01:00:39):
DA over there, Put that deaver over there, Make you stare,
Put that dav over there, Put that deava over there,
Make you stare. Put that over there, put that deal
over there. Make you stairs, pull that over there, pull
that over there, make you stairs that DA over there.
Put that Dave over there, Make you stare. Put that
da over there, put that make you stare over there,

(01:01:03):
over there, make you still over there over there, make
you still.

Speaker 10 (01:01:10):
What you can not.

Speaker 24 (01:01:13):
What?

Speaker 1 (01:01:14):
What?

Speaker 14 (01:01:14):
What you can not tell?

Speaker 1 (01:01:17):
What?

Speaker 28 (01:01:17):
What?

Speaker 1 (01:01:18):
What?

Speaker 5 (01:01:18):
Can?

Speaker 27 (01:01:22):
You listen to me from the DJ spreen a to
l a strect to London.

Speaker 1 (01:01:25):
You listen to me in a.

Speaker 27 (01:01:26):
DJ spend, Then then you'll listen to me in a
DJ spriends Friends, Friend, You'll listen to your meet from
the gjet. You listen to me from the DJ.

Speaker 28 (01:01:36):
Did you listen to meet from.

Speaker 27 (01:01:37):
The DJ spreen a to l a strect to London?
You listen to me in a DJ spend, Then then
you listen to the meat from the DJ Spriends friends,
When you're listen to your meet from a grejected.

Speaker 28 (01:01:49):
You listen to me from the d J.

Speaker 14 (01:01:51):
Did you listen to meet from the j stand what
what what you can talk?

Speaker 1 (01:01:57):
Do?

Speaker 3 (01:01:58):
What you can tell me?

Speaker 27 (01:02:06):
Did you listen to the meek from the djam.

Speaker 8 (01:02:23):
You're gonna pay me your what?

Speaker 6 (01:02:25):
No, but we're gonna play your record twenty times ten,
right there, twenty times ten. Next week's guests here on
the radio show Man. Next week's guests.

Speaker 1 (01:02:35):
Love that?

Speaker 8 (01:02:37):
Who alphabet people syll love that?

Speaker 6 (01:02:40):
Okay, well yeah she she will h she will be
on her next week and DJA and DJ dj Aiden
dj Aiden all.

Speaker 4 (01:02:49):
Right, so they will be on next week to put sleep.

Speaker 17 (01:02:55):
Oh, that's a club. That's a that's a club, that's
a that's a yeah right, I mean everybody could listen
to it, but you know that's more like camera. That's
that camera rainbow and that might that might really go
good at and uh some some runway bottle and stuff though.

Speaker 8 (01:03:16):
Yeah that fashion show, fashion show.

Speaker 4 (01:03:19):
It's perfect fashion show runway.

Speaker 17 (01:03:21):
Yeah yeah, but yeah I can see what they uh
what the what's that? The lights they little strove like yeah.

Speaker 8 (01:03:32):
After people said little gage boy that may have a
ball with that.

Speaker 1 (01:03:37):
Yeah, all over the day like hey yeah, yeah, I
mean it was a really but it's a really good song.
I wasn't even better. I was stepping to let me,
let me sleep.

Speaker 8 (01:03:52):
I'm gonna saying something to Dundee, what's on your mind?
And I want you to listen to it. Maybe that
girl what's her name?

Speaker 1 (01:03:58):
Sweet yeah Weeks.

Speaker 8 (01:04:00):
Yeah, I think you have to tweet this, but.

Speaker 7 (01:04:05):
I think it's a it'll be a probably a good
good song for her to do something. It's very very commercial.
You know, you have to get some musicians coming and
do it, because that's me and a white boy playing
on the music.

Speaker 1 (01:04:20):
Well, I mean she she I believe she got her
own band.

Speaker 8 (01:04:22):
So yeah, they have to just recreate it her style.

Speaker 17 (01:04:28):
Well, I mean, I'm always I'm always I'm always down
for something man, for some new man trying to collaborate
with something.

Speaker 1 (01:04:36):
Somebody. Man, I'm always there to collaborate, trying to get
the artist to collaborate.

Speaker 6 (01:04:41):
Boss Boss Trace Boss trade Dot says good, good should
be okay, it's all good, thanks Boss trade Dot shout
a guest right there.

Speaker 4 (01:04:54):
Yeah, something just came. Something just came. I'm gonna go
ahead and play this one right here. This one just
came on.

Speaker 6 (01:04:59):
So uh this Jason Savant, I think checking us out
on my way of uh uh TikTok. He sent the
record improve after improv improv Let's check the south and
here we go.

Speaker 3 (01:05:30):
Can't seems it.

Speaker 1 (01:05:31):
To come you?

Speaker 3 (01:05:32):
You say just fine? Right through lines?

Speaker 5 (01:05:35):
Am I just implow to.

Speaker 3 (01:05:38):
If there's no chance at being your man?

Speaker 28 (01:05:41):
So?

Speaker 3 (01:05:43):
Are you real? What's the point? I don't know? All
the joint light lighting up?

Speaker 30 (01:05:51):
Yeah?

Speaker 5 (01:05:51):
If I everywhere?

Speaker 3 (01:05:55):
Are you real?

Speaker 5 (01:05:56):
What's the point?

Speaker 3 (01:05:58):
I don't know? Y did yo? Let it up?

Speaker 2 (01:06:01):
Let it up?

Speaker 3 (01:06:02):
Light it up here?

Speaker 1 (01:06:03):
If fire, we.

Speaker 2 (01:06:06):
Could disappear on me here like when the zero for
many joy? Then the next druggle I.

Speaker 1 (01:06:13):
Don't know about. We're getting you in a fold?

Speaker 2 (01:06:16):
No oh a, you been up there losing.

Speaker 1 (01:06:20):
That's what I'm so.

Speaker 2 (01:06:21):
You're all this under the line and that's what I know.
Words like isn't that guy to go?

Speaker 16 (01:06:27):
Oh oh?

Speaker 3 (01:06:31):
Are you real? What's the boy?

Speaker 16 (01:06:34):
I don't know?

Speaker 3 (01:06:35):
Only joy? Let it up, Let it up, Let it help?

Speaker 5 (01:06:39):
Yeah?

Speaker 3 (01:06:39):
If I every w.

Speaker 1 (01:06:43):
Are you real?

Speaker 28 (01:06:44):
What's the boy?

Speaker 2 (01:06:46):
I don't know?

Speaker 28 (01:06:47):
You the joy?

Speaker 3 (01:06:48):
Lenny up let it up? Light it up here?

Speaker 4 (01:06:51):
If fire?

Speaker 2 (01:06:52):
Well, did you disappear on me like Wonder's hero?

Speaker 6 (01:07:09):
A minute of y'all hot in the next juke. O,
I don't know about bringing you into the.

Speaker 1 (01:07:15):
Fold the show.

Speaker 5 (01:07:19):
Are you real?

Speaker 3 (01:07:20):
What's the point?

Speaker 5 (01:07:22):
I don't know, O the giant, are you real?

Speaker 3 (01:07:32):
What's the point?

Speaker 5 (01:07:34):
I don't know. By the joint.

Speaker 3 (01:07:38):
Light it up?

Speaker 5 (01:07:39):
Yeah, in Fireybady.

Speaker 6 (01:07:42):
That Jack the Savants shut up to Philly holding down
right there, Philadelphia in the building like that.

Speaker 4 (01:07:49):
So it's called improv. What do you think about that one?

Speaker 1 (01:07:53):
I like that? Yeah, that was that was really that
was really really was looking. I'm I was like, kind
of it's shock. I wasted that.

Speaker 8 (01:08:04):
The first person that came across my mind was weakend.

Speaker 4 (01:08:09):
Yeah, he did a good job with that.

Speaker 8 (01:08:11):
Yeah, and that part what had reverb they needed to
take not reverb, auto tune.

Speaker 7 (01:08:18):
They needed to take a tab of that autitude off
that that line that he was performing on and they
put the auto tune in. They needed to take half
of it off. You know, it made it made his
voice sound like it's going.

Speaker 8 (01:08:32):
Out of key.

Speaker 1 (01:08:35):
Yeah. I can hear that. I could hear that, you know.

Speaker 8 (01:08:38):
But he was strong.

Speaker 7 (01:08:39):
I like, I like I like how he he came
up and he came back down, and he went back
up strong and mellowed it down.

Speaker 8 (01:08:50):
Then he took it out strong. That's how you sang.

Speaker 1 (01:08:56):
Yeah, I ain't even I'm like that.

Speaker 17 (01:08:58):
That That was a that's a good that was a
good Yeah, that was the last song. That was a
good note to end though. Yeah that great.

Speaker 4 (01:09:06):
Yeah, right way we we we're right there right there.
In fact, that's a good place to end.

Speaker 8 (01:09:14):
Actually when I said you down, you can play that last.

Speaker 6 (01:09:18):
Okay, well it's actually it's it's gonna be playing. We're
gonna play it right now. This is that would be
the last song.

Speaker 8 (01:09:23):
Okay, I just want to hear that sleep here. You
see what this fit home? Girls? All you got you
got going studio in weekend?

Speaker 14 (01:10:01):
What's come over you? Baby?

Speaker 25 (01:10:03):
What's on your mind? You started to complain all the time.
You say didn't need a change. When you fill a
touch MP, you don't complain.

Speaker 30 (01:10:18):
Jilly and up stay keep my love, but you keep
them on the fall with my mind left off?

Speaker 14 (01:10:34):
Stop wasting, Stop wasting.

Speaker 5 (01:10:37):
My pa?

Speaker 14 (01:10:45):
What's on your mind?

Speaker 3 (01:10:47):
Tell me?

Speaker 5 (01:10:51):
Jilly was soon?

Speaker 2 (01:10:54):
I just not to know.

Speaker 14 (01:11:00):
Other things. I'm willing to compromise.

Speaker 25 (01:11:04):
So I can't keep you sat access side taped. You
say you me the chest, But when you kiss my lips,
up your.

Speaker 28 (01:11:14):
Hands, bo say shot to my.

Speaker 14 (01:11:19):
Say keep my love, but keep on a plan with
my b So let's stop a.

Speaker 30 (01:11:31):
Baby, stop placing, stop wasting my place.

Speaker 5 (01:11:42):
Your mind.

Speaker 30 (01:11:44):
Boooo, tune something out their vision on your I.

Speaker 5 (01:11:52):
Want to know. I want to know what's on your mind?
To me, baby, to me, why on your mind? What's
on your mind? What's on your mind?

Speaker 14 (01:12:12):
I'm going to know.

Speaker 5 (01:12:16):
You say to change, so make you feel you don't complain.

Speaker 30 (01:12:25):
To me, say it any change shown your feelings, you
don't complaint.

Speaker 5 (01:12:38):
So what's on your mind? What's on your mind? What's
on your mind? School?

Speaker 3 (01:12:44):
Baby?

Speaker 5 (01:12:45):
Showing them southing things help me? You're on your mind.
I'm going to know how go's on your mind.

Speaker 6 (01:12:55):
So I kind of showed you. I'll sail about the
regular kind of put me to sneak. So I didn't
really care for that.

Speaker 4 (01:13:02):
One too much, But you have.

Speaker 8 (01:13:05):
I would tell him he got we get.

Speaker 1 (01:13:07):
Yeah, it would be weak. But I can hear.

Speaker 17 (01:13:09):
I can hear her singing that song. I can hear
her singing and performing them lyrics, Uh the way you know,
the way she knew her music.

Speaker 2 (01:13:17):
Right.

Speaker 1 (01:13:18):
Oh, I'm just I'm just telling my people that I
was like, that's crazy. You heard her singing.

Speaker 8 (01:13:24):
She can't she can't sing. She can't sing it the
way we get.

Speaker 17 (01:13:27):
It, you know, we get that twenty five years Yeah, okay,
got that's me and that's me playing half instament.

Speaker 4 (01:13:35):
Oh okay, okay, okay, Yeah, I would.

Speaker 1 (01:13:39):
Definitely, I would definitely, I'll definitely, I'll.

Speaker 6 (01:13:41):
Definitely Okay, all right, well, okay, hopefully you guys be
able to work on that. And you did a good
job with the rugged, but I guess I guess it's
it's my bed.

Speaker 4 (01:13:52):
I'm tired.

Speaker 6 (01:13:54):
Yeah, yeah, yeah, man, it's all good, it's all good.
It's definitely is a heading out the session part of
the radio show, and uh sleep, maybe you and m
D can hook up and get her in there to
redo that rugget.

Speaker 8 (01:14:05):
Yeah, well then you're going to redo it?

Speaker 6 (01:14:08):
Yeah well yeah, yeah, yeah, Well, well, you know it'd
be nice if you be in there too, be nice.

Speaker 4 (01:14:13):
Yeah, okay, yeah, you know, all right.

Speaker 8 (01:14:19):
Hey, you understand studio that's a young man game.

Speaker 4 (01:14:22):
Oh I know, I know you'd be in a.

Speaker 8 (01:14:24):
Studio, boy, you'd be a studio for a whole twenty
four whiles.

Speaker 4 (01:14:27):
Yeah, you've been in there for a while.

Speaker 15 (01:14:29):
Yeah.

Speaker 4 (01:14:29):
Well, yeah, that's an art Yeah, that's an art game.

Speaker 8 (01:14:35):
You can't go on studio for five minutes.

Speaker 4 (01:14:37):
No, I know, joke.

Speaker 8 (01:14:43):
I've been back in the day.

Speaker 1 (01:14:45):
We do it.

Speaker 8 (01:14:46):
We rent our studio and we be there for three days.

Speaker 4 (01:14:49):
Wow, three songs. Three songs. So well shoot on.

Speaker 6 (01:14:56):
That note, Rember, go get up out of here. I
think everybody can check in the out. We're here every
week with the head and out of session directly after
the radio show Independent Hip Hop and RB Music. And
that's our music submission and Kritiki show for tonight. And
if you want to submit your music, go to our
website www. Dotor radioshow dot com, d Is and David

(01:15:17):
asan Apple radioshow dot com. Click on the photo whet
that submit music, fill out the form upload your song
be early for next week, so go ahead and send
it to us right now, and always be early, and
that never wait to be late, but always be early.

Speaker 1 (01:15:32):
Girl.

Speaker 8 (01:15:33):
Hope my girl will be back.

Speaker 4 (01:15:34):
Yeah, well, better be back next week.

Speaker 6 (01:15:36):
And also if you want to check out previous episodes
that head out a session, go to the radio show app.
I'm Sorry the radio show app the iHeart app click
on go type in the radio show and all of
our shows that pop up.

Speaker 4 (01:15:53):
The radio show as well as the head and Out
of Session, all those shows will pop up.

Speaker 6 (01:15:56):
So if you can just binge listen right there, and
if you like the video portion of the show, go
to a Roco on Amazon Fire channel at keyword da
radio show. Type in the radio show and those shows
are there for you. Also the video portions you can
binge watch or binge listen. All right, so go ahead
and make that your way as we leave you for tonight,

(01:16:19):
enjoy your rest of your week. Thank you for your time.
We got another exciting guest.

Speaker 8 (01:16:24):
What this show going to be on for ro Cool?

Speaker 6 (01:16:29):
This was the head out of Session won't be on it,
but the radio show. The radio show will be on. Oh,
I'm trying to work on it, hopefully by the end
of the week.

Speaker 4 (01:16:37):
I don't know.

Speaker 6 (01:16:38):
I got a lot of a lot of stuff coming
up this week, so hopefully I can get it done
by the end of the week. My Friday Saturday, you
put the week before on there yet No, I'm back.

Speaker 4 (01:16:48):
I got to get some back shows in so something
will be up this week. That's all I can tell you.

Speaker 1 (01:16:54):
Well, one day, you can.

Speaker 8 (01:16:57):
Give me the app whatever it is, and I can
loaded since I got real cool now.

Speaker 6 (01:17:02):
Oh yeah, well it's a process, man, I can tell you.
It's a process behind the scenes that I can't tell you.

Speaker 8 (01:17:07):
So once I learned it, yeah.

Speaker 4 (01:17:11):
Yeah, yeah, yeah, it's a lot. It's a lot.

Speaker 8 (01:17:14):
I think it's a lot.

Speaker 2 (01:17:15):
Yeah.

Speaker 4 (01:17:16):
I mean it's not hard. It's just you know, time consumer,
that's all. It's not hard.

Speaker 8 (01:17:21):
So no, it's probably no harder than learn to Do
Premiere Pro.

Speaker 4 (01:17:26):
Oh yeah, yeah, it's not hard. It's not hard. But again, everybody,
thanks for showing us out big sleep. See you next week.

Speaker 6 (01:17:32):
MD, I talked to you tomorrow and uh everybody else
man will see you next week.

Speaker 4 (01:17:39):
Save bagtime to sleep because.

Speaker 6 (01:17:42):
I'm about to go to sleep too. I'm sorry you all.
Take care the Radio show by the Radio Show so

Speaker 13 (01:17:50):
Far, make sure you follow us on all social platforms
at the Radio Show