the headnodder session ep 56 mp3

Episode Transcript

Speaker 1 (00:00):
They had not a session.

Speaker 2 (00:01):
Drop it down, Drop it down by the radio show.

Speaker 3 (00:08):
I used to live downtown one twenty ninth Street Convent.
Everything's upbeat, parties out in the park, nothing but girls
say after dark we chill. Nobody gets ill in the
place we call the hell. And if you try him,
that's when they will get loud because they don't wild
if they killed at the Wild Wild West, Oh my god,

(00:30):
can you remember that Kumo D right there?

Speaker 4 (00:32):
Shout out the Kumo D Wild Wild.

Speaker 3 (00:35):
West CuMo D always paying oh uned a record right
there wild?

Speaker 5 (00:41):
Yeah, yeah, that was that was the bomb.

Speaker 6 (00:48):
Oh yeah.

Speaker 3 (00:49):
When they came out, man, shout out the Kumo D
Wild Wild West Man.

Speaker 6 (00:52):
And they shot the video on the East coast.

Speaker 4 (00:55):
Yeah, oh well, you know what's.

Speaker 3 (00:59):
Hey, hey, hey, Back in the day, they.

Speaker 5 (01:03):
Didn't have the budget to fly, you know, people from
one end of the country to the other end just
to make a.

Speaker 4 (01:10):
Video exactly exactly.

Speaker 6 (01:14):
You get it with the Arizona and did that one.

Speaker 3 (01:16):
Well, now they can just go go to the studio
and do it all, you know, green screen and all that,
so they don't have to leave New York or wherever
they're from.

Speaker 4 (01:23):
They can shoot at the house.

Speaker 6 (01:24):
Now, yeah, they do AI too.

Speaker 3 (01:27):
Exactly, Hey, exactly, I don't even have to be in
the video. You have a computer the whole thing. You
don't even have to be there.

Speaker 5 (01:32):
You want to be authentic, then you take the trip, right,
then you take the trip.

Speaker 6 (01:40):
A lot of them would take the trip.

Speaker 5 (01:41):
I don't think a lot of them will go with
the back with the green screen or the AI. I
think they would like to go to the location themselves
so they can really get the.

Speaker 3 (01:50):
Experience right right right right, that's right there, kicking off
their head and out the session. The lions then ask
him be like the calle is where we take those songs.

Speaker 4 (01:59):
That's send to us.

Speaker 3 (02:00):
Give that honest feedback and constructive criticism on songs I
have sent to us right now. So if you're working
on a project, you got something that you're trying to
get off the ground, something new that you need some
production help with, our folks is here to help you
with that. If you're looking for a little constructive criticism
and feedback on your music, and you don't mind.

Speaker 4 (02:20):
We can get that for you right here.

Speaker 3 (02:22):
But if you cannot have no constructive constructive criticism, easy
for me to say, please do not send your music
to us right now. Okay, don't send it to us
because this is the only part of the show that
we're doing that right now.

Speaker 4 (02:37):
Hold up, he just.

Speaker 6 (02:38):
Remember also before we go into the first.

Speaker 5 (02:41):
Song, just remember we only want unreleased songs anyway, so
we can put you on the right track and production,
you know, because you might be missing some things that
you didn't know you needed or whatever, and we can
hand you that advice so you can go back in
the studio and make those Jeff, so you can be
ready for the public. That's what the Head and O

(03:04):
of session is really all about. We're critiquing unreleased music
to get you on.

Speaker 6 (03:09):
The right track.

Speaker 5 (03:10):
We tell you your singers out of key, or your
keyboard is too loud, or you know your your drum
set is whack, or that mean too much auto tune.
Then you need to go back and make those adjustments
and and rescind it. Remember, I know quite a few
people asked me if we critique it and critique it

(03:33):
kind of bad and we go make the adjustment, can
we re sent it back to the head and out
of Sessions so we can get the right direction and
the question the answer is yes, we want you to rescind.

Speaker 6 (03:46):
It, yes, when you could, when you.

Speaker 5 (03:48):
Make those adjustments that we told you to make, you know,
we want you to do that. That's what this is
all about. So therefore, we're gonna get it on with
the first victim.

Speaker 4 (03:58):
Right doesn't Yeah, we're about to get them on.

Speaker 3 (04:01):
Get it on with the first victim in just a
few moments here where I figured this thing here out,
give me a second as we uh oh, here we go.
That's what I wanted. I wanted this right here, all right, y'all.
The first victim, we got to know. We guess a
couple of songs that have been sent to so we're
gonna go ahead and check these out right up by now.
The first one is one actually we played during the
pre show, which again, the pre show comes on at

(04:23):
approximately eight pm Pacific Standard time.

Speaker 4 (04:27):
Eleven pm Eastern.

Speaker 3 (04:30):
There is a record that I was sent to us then,
and we're gonna jump.

Speaker 4 (04:34):
To it right now.

Speaker 3 (04:35):
This is an artist by the nyme of n SG.
Where's an NHG record at Bostapatis ready already n SG?

Speaker 4 (04:49):
N FG, Yeah, n SG. What's an NHG record at.

Speaker 6 (04:55):
Nigga's still going?

Speaker 4 (04:56):
No, No, that's not what a NSG stand for. That's
not what a stand for.

Speaker 3 (05:02):
Uh okay, here it is all right. I'm sorry. The
artist's name is Midnight song is called n s G.
Midnight song is called n G. I know it was
the NG somewhere. We played this earlier. Let's check it
out here we go, h.

Speaker 7 (05:42):
Never gonna stop yep one from the tops, Yeah, always
on a pop ya like gop ye on the cop JP,
always on the almost pop yeap into the top.

Speaker 8 (05:51):
Gap put it to a stop.

Speaker 1 (05:55):
Never gonna fuck you.

Speaker 7 (05:58):
Pop?

Speaker 1 (05:58):
Are you're gonna top?

Speaker 9 (06:00):
Just do it or knocked up?

Speaker 10 (06:01):
That's has to make a change. That's sense to take
a green assorting not to be the same assault on
your mind and pain and fuck growing too, change to
self living to gain. Yeah, this is my world. I'm
gonna live it. If that's my world, I'm gonna make

(06:23):
a difference. Minus you, then I ain't take it. Fucking
timid and the twitch and I couldn't even go myself.
Why you like I love you or love like WI
just pain? The only thing I can say is fuck you.
She gets you Benishan resting like gannish it. You know
you're always bounding it, testing the growndish it stressed me
out of shit, pressing me down and ship messing around
a bitch or get your buried down a shit.

Speaker 7 (06:48):
Yeah, never gonna stop, y'all. Wonder from the cops. Y'all
always on the pop. Yeah, it's like yop, y'all looking
on the cock y'all always in the dark.

Speaker 11 (06:56):
I'm almost pop, y'all. Run into the top yard the dots.

Speaker 8 (07:00):
Why is work crop?

Speaker 12 (07:01):
But this to a stop?

Speaker 10 (07:02):
Never gonna fuck you and run it on my spot.

Speaker 12 (07:04):
Welcome on your words?

Speaker 7 (07:05):
Pop?

Speaker 8 (07:05):
So are you're gonna pop?

Speaker 2 (07:07):
Y'all?

Speaker 13 (07:07):
Just do it or not?

Speaker 5 (07:08):
Yeah?

Speaker 10 (07:08):
I told you want someone to tell you again. I
like you when you with your friends exactly like every
day is a win.

Speaker 11 (07:15):
We're acting like a blondes the end.

Speaker 12 (07:17):
Find something like your big when you.

Speaker 10 (07:19):
Not acting like something?

Speaker 11 (07:20):
I guess for a gut, Well.

Speaker 7 (07:22):
My bets are starting.

Speaker 9 (07:23):
All all I do is cause the rocket. So you
make it a way to make a hunted find me
the refriend cutting set steen actually be bumping off, talking
like you bunched it on, acting them like you wanna
focus it on.

Speaker 11 (07:32):
She seemed like that you want a.

Speaker 9 (07:33):
Humping Yeah, but say says, yes, I show what obsess. Yeah,
you know what aggresses the fucking blowing best friends out
on the wind y'all couldn't relate, Yo, I don't got
nine No fucking Burrey Hill. I know I ain't the one.
Find you something better. Someone that never argus complains to
talk about the finis come into this guer. Let us
say the Dylans. Let's say for whatever, while you're a kieling,
there's a phot of weather win no healing, get a

(07:54):
due Nate card on markets, someone a job who don't
start shitting. Maybe you'll love me because you said the king.
Maybe you'll touch your from the dot and met bgain
one because I want to know boy of me and
then you listen to me like you shot at me. Yeah,
never gonna stop the cops.

Speaker 6 (08:08):
Yeah, always on the pop.

Speaker 7 (08:09):
Yeah, this is like yap yaking on the copy, Always
on the dot. Pop ye into the top, put it
to a stop. Never gonna fuck. Are your words pods?
Are you're gonna talk?

Speaker 2 (08:23):
Yeah? Just do it or not?

Speaker 14 (08:25):
Yeah?

Speaker 4 (08:25):
Yeah, man, that's that's uh. Artist's song. Artist is called
once again.

Speaker 3 (08:32):
Midnight songs called n GS midnight in gs before we
start giving a little feedback on that record. Big shout
out to a good good energy the movement. Shout out
the good energy the movement checking us out on I G.
Shout out to you all again. Oh, new album is
cold written by me. Okay, well we need the record

(08:56):
the Perlos per Parial Parial. His new album's co written
by me. Okay, well we need to get that record
from you. A good energy, sat Go to the link
in the bio on I G and send me the single.
All right, go to the lincoln the bio and send that.
Send me the single right now. We could play it
during the after party, which is right now, if you
don't mind a little bit. They construct the criticism and

(09:17):
feedback on that record. All right, let's get into that
right now. Indeed, go ahead and kick that off. What
did you think about that midnight in Gyes.

Speaker 6 (09:27):
Yeah, it was a good concept. I liked where he
was taking it. What he's doing.

Speaker 5 (09:33):
He's gonna have to go back studio and rewrap it
and do it without reading the lyrical sheet, because that's.

Speaker 6 (09:41):
What he was doing. He was reading the lyrical sheet.
You think he was reading, Oh yeah, I know you're reading.

Speaker 5 (09:46):
Because he had too many big blanks in there like
he lost, he dies lost and lost the line when
he was reading it. You know, Hey, Yeah he was
reading it, no question, because he did a lot of
uh pauls and stuff that he couldn't figure out what
he was gonna say next. I read through all that. Yeah,

(10:07):
first write it, write it with write it and and
and in a good form. Then learn it by heart.
He didn't go in the studio and rap it with
with energy and with artistically you know, you know, you
know it's a good concept. This is kind of this
is this is the kind of song and tracks we
want here, things that you're experimenting with so we can

(10:32):
show you and guide you in the right direction so
you can make those corrections and get it right.

Speaker 13 (10:39):
You know.

Speaker 5 (10:40):
But yes, he would reading no lyrical she and he's
listening right now, he said, damn that nigga knows.

Speaker 4 (10:48):
Well, I don't. I don't think he was Uh, yeah, he.

Speaker 6 (10:51):
Was reading it.

Speaker 5 (10:52):
I've been around rappers long enough, you know that he
was reading it. Yeah, And you'd be in the studio
like I have with rappers. You know, when you you
know when a rapper, an artist is reading on his
reading his lyrical sheet in the studio because he wouldn't
have got hung up.

Speaker 3 (11:10):
He got hung up at least five times. Well, I
thought those was punchins. No, no, no, And you know
naive in this, you know, I don't know, but you
got naive.

Speaker 5 (11:21):
You just experience in the studio, recording studio with with
hip hop artists. That's not being naive, you know.

Speaker 6 (11:30):
But yeah, he was.

Speaker 5 (11:32):
He was reading, He got lost reading it. His eyeball
was jumping all over the goddamn lyrical sheet. You know,
he was like he got cross eided or he was
high and the line and the line got away from him.

(11:55):
But he's in the right direction. I like how he
checked up with the track. I like the way he
stayed with the temple. You know, he just got confused
in by four or five different places what he was
gonna say next, and when he's gonna come in and
see it.

Speaker 6 (12:09):
That's all. You gotta go back and practice a little
bit better, that's all. You gotta make. No change in
the in the lyrics.

Speaker 5 (12:16):
Take them the two customs, two or three cussing words
he got in there, take them out and replace it,
you know, replace them with.

Speaker 6 (12:23):
Clean with clean lyrical content. So he gain commercial radio
but he's kind of was on the right track.

Speaker 4 (12:33):
Okay, all right, Brick, what do you think about the record?

Speaker 12 (12:41):
I actually liked the song. I feel like our generation nah,
but like the newest generation.

Speaker 15 (12:50):
Yeah, Like even though I feel like he was freestyling
though I don't think like he was reading off the paper.

Speaker 12 (12:54):
Yes, he felt like he was free styling. He like
bounced off subject Uh.

Speaker 4 (13:01):
He's what.

Speaker 15 (13:02):
He bounced off subjects a couple of times or whatever.
Like I mean, he was everywhere. He was everywhere in
the book, anything that like he could talk about with
that subject like he was talking about it. I just
felt like, again, for our generation, no, it's a complete no.

(13:22):
But for the newer generation, I could see certain little
things he was doing. And you know, I listen to
other younger people and sometimes I'd be like why, Like,
but you know when you see something that's repetitive. And
then also I feel like you could see him like
in an underground hip hop event like a club or

(13:44):
something like that. You know, like certain music is to
certain things. And I liked his chorus a whole lot.
Like I like the chorus a bunch. I felt like
it was it was great. I like the energy of
the verse, but he was everywhere, you know. But again,
for this newer generation, I give him.

Speaker 6 (14:04):
Okay, all right, you didn't give him no benefit of
doubt at all.

Speaker 5 (14:07):
I'll try to give him a little bit of that,
a little benefit of the doubt that he was missing
his lines on the lyrical sheet. But as you say,
what you said freestyle, Yeah, it did really sound like
the freestyle because he was like he was like I.

Speaker 6 (14:24):
Was walking down the street. Next thing he knows, you're
in the ocean, swimming.

Speaker 8 (14:30):
Whatever, Kelly, go what you say, man, Definitely he wasn't reading.

Speaker 16 (14:44):
But that's what we call him punch in. Like Britt
was saying, the younger generation may be punching in. Now,
what's a lot of punching in? Yeah, definitely, no for
our generation, but definitely maybe for time the ground scene
from Underground hip Hop, you know, you know, something like that. Also,

(15:07):
I liked the energy that he had discurit you until
he had confidence. He wasn't sky he wasn't backing away,
says hook is what captivated me. It was some stuff
on the hook. The the hook had me going and
I'm like, what's going on in the first and like
it seemed like some of the first started to turn
into political vomit. And what I mean by that, like

(15:30):
he just vomited and it was just all over the place.
It was just everywhere. But I think you need to
go back for the verses, and I do by indeed
tells me walking, But he really need just slowing down
a little bit, slowing down a little bit on the
burst and know, you know, take it. You know, I'll

(15:51):
be all over the place, you know, trying to stick
to something and just rhyme with it and just keep
that confidence and went out of the vomit.

Speaker 13 (16:00):
O'm care.

Speaker 3 (16:00):
We're hoping he won't be vomiting on on the mic anymore.
I hope he's listening. Go ahead and redo it and
send it back to us.

Speaker 5 (16:08):
Well, actually it was really to what we called back
in the days. That was a demo session. That was
a scratch session just to kind of, you know, start
building a foundation now, like Kelly and I is saying,
he got to go in now and really smooth it
out to side. Yeah, learn your lines, learn your lines

(16:31):
in the top of your head, and now you know
what you're going to say and how you're going to
say it, and go back and.

Speaker 4 (16:36):
Just redo it.

Speaker 5 (16:37):
I mean what he did was cool because he was
trying to find a direction. Now we set up on
that direction. Now now he can go in and do that,
you know, then come back. Send it back to us
when he does that, and let us hear it one
more time. If we tell you you close, we're gonna
tell you if it's not all the way right Cally

(16:58):
and I and Brett and who are else, it's gonna
be in the house. It's gonna tell you make a
few more adjustment, like tweak it. Take it to us
one more time, because if you have to send it
to us three times, I think three times will be
the charm. But you got some talented artists could do
it one or two times, you know. You know, it's

(17:19):
just we used to call a person could do it
one time. We call that a one taker and they
and they're rare. Those kind of artists are rare. Just
walk in the studio record mistake free. It half happened,
you know, but it's rare. It's real rare.

Speaker 3 (17:42):
Well, when you're speaking of let's see what you got it,
you sent this one to me, m D. This is
a boot walk by Cashmere. Yes, that sound from lamar, okay, yeah,
all right, well let's check this one out. Boot kashmere
boot walk.

Speaker 4 (18:01):
Be to sleep that be coming so hard and so nasty.

Speaker 2 (18:04):
These boots on, holy daisy boots, let's.

Speaker 17 (18:18):
Go.

Speaker 13 (18:19):
And that's Jostys.

Speaker 5 (18:30):
And that crap came.

Speaker 4 (18:36):
Some chip pots cheap.

Speaker 13 (18:46):
Cheap pot, cheap jo.

Speaker 6 (18:50):
Man walk.

Speaker 13 (18:51):
I'm about to.

Speaker 4 (18:52):
Have a close walk in game. Fout the money.

Speaker 13 (18:55):
What you what?

Speaker 4 (18:56):
Your dog puts your tous that she wanted, so I
let her put in on by.

Speaker 18 (18:59):
The round to no bunny cats better one in my
money alone, but you know my money alone and take
a lot of meat that if that don't go your
man trip and tell him I'll let you letter.

Speaker 13 (19:11):
I'm gonna put you.

Speaker 4 (19:11):
On my thin keep it walking.

Speaker 19 (19:13):
All that hell they gave.

Speaker 13 (19:16):
Just go and that's just.

Speaker 20 (19:26):
That chick pop put your chick fout the door calling
put man that chick pot put the cheek water door walk.

Speaker 17 (19:36):
While you ain't water WoT with the dirty dirty pack
about the jack but the diddle burt of mine everything
that everybody number nothing plays the round.

Speaker 13 (19:48):
You can't walk a mind and my shoes not better
your beef.

Speaker 6 (19:52):
Wek you dance through the death that show that chick.

Speaker 4 (19:55):
Don't show it out showing.

Speaker 14 (19:57):
It got the boot thomb.

Speaker 4 (19:58):
Don't let a walk little.

Speaker 13 (20:03):
Just walk on bed.

Speaker 11 (20:24):
Cheek part, put.

Speaker 20 (20:25):
The cheek, pomp do can man be cheek, put the cheek,
don't balk.

Speaker 6 (20:34):
Talk like a talk, play like a thing.

Speaker 4 (20:38):
Wanna finish out in the bed.

Speaker 13 (20:41):
I'm gonna put it on me.

Speaker 4 (20:42):
By up and give me me.

Speaker 13 (20:44):
P'ma WoT my bag by the other tree. I'm a
pay noma.

Speaker 6 (20:47):
I'm a waking up in my pajamas.

Speaker 18 (20:49):
Call the fifth too nanimal women and I can now
up on the toe.

Speaker 4 (20:53):
But they calling me the bout player.

Speaker 13 (20:54):
I watch this squaty making be the boat player.

Speaker 11 (21:15):
Party. Don't don't.

Speaker 10 (21:21):
The cheap what put the cheep?

Speaker 20 (21:24):
What don't boot man called cheap pot?

Speaker 13 (21:29):
The check was j bo can't.

Speaker 20 (21:32):
Care white this your tilepho plenty bad.

Speaker 11 (21:42):
About you have.

Speaker 17 (21:45):
All the pie, you play about, all the appeals.

Speaker 8 (21:54):
Pay baby, you want to put it in.

Speaker 13 (21:59):
The Raymond the first.

Speaker 3 (22:06):
We don't get nobody here right now, Fizzle.

Speaker 13 (22:14):
Boots and your dukes bootses.

Speaker 12 (22:27):
We can't hear you, dundee, we can't hear you, okay,
all right, can hear me now?

Speaker 6 (22:32):
Yeah?

Speaker 3 (22:33):
Okay, I like that record. Only thing though, is that
it's produced by major producer. That's Jassey Faye there. I
recognize him all day long right there. So that wasn't
really an independent song.

Speaker 6 (22:44):
It could be independent song just because of major artists
on it.

Speaker 4 (22:47):
Okay, well who the who?

Speaker 13 (22:50):
Who?

Speaker 6 (22:50):
They said the artist artist is?

Speaker 4 (22:53):
The artist's name is Cashmere.

Speaker 5 (22:56):
Okay, it's independent you just like me. I've been independent artist.
And I asked Snoop Dogg did do something on my
song with me?

Speaker 4 (23:04):
Oh okay, well let me uh, I about to look
him up, But what did you think about the record?

Speaker 6 (23:10):
Southern?

Speaker 5 (23:11):
And so it's definitely like a line dance. I can
see downside. I can see them really they can make
down south. They gonna make some money. I think the
West Coast people should like it too.

Speaker 4 (23:22):
Okay.

Speaker 5 (23:23):
What I like about what they did studidom take the
sample of the song Boots Walk.

Speaker 6 (23:29):
Over You and put it in there the original version.

Speaker 5 (23:34):
They did it themselves. He took it her way, the
girl did. He took it her way. That's how you
make music.

Speaker 21 (23:44):
I like it.

Speaker 13 (23:45):
I like it.

Speaker 5 (23:47):
I can I've been out in the country, so I
can see them in that in that barn yard club.

Speaker 6 (23:53):
I can see them having a ball for it. Wow,
they have a ball. Yeah, that's I mean the hook
the first two hooks were too long.

Speaker 5 (24:07):
She only had to say that the maid don't walk
in and when she said walk right over you, and
then the guy, she just came back with the next verse.
He didn't have to double up that hook. Do it
one time, then go back to the second verse. Then
you doubled up in the last verse, and then take
it out with walk all over you, walk all over you.

(24:30):
But that was that.

Speaker 6 (24:31):
That was Southern style.

Speaker 13 (24:33):
It was done good.

Speaker 4 (24:35):
That's what's up?

Speaker 16 (24:36):
Uh my?

Speaker 4 (24:37):
Surear? Don are you there?

Speaker 16 (24:42):
Yeah?

Speaker 1 (24:42):
Yes, sir, yes, sir.

Speaker 4 (24:45):
Hit hit that camera real quick. Let me let me
see if you're there.

Speaker 3 (24:49):
Yeah, hit that camera on your phone right, bring them
on there you are, okay, okay, there you go.

Speaker 4 (25:00):
Mu should have done. You've been with us for the
past hours. Have change? What do you think about you
being here and so far?

Speaker 1 (25:07):
I couldn't hear you, sir.

Speaker 3 (25:08):
I said, I said, you've been with us for the
last hour and and a half. Now what do you
think about what we're doing so far?

Speaker 13 (25:15):
Oh?

Speaker 1 (25:15):
Man, I love it. I love the platform. Again.

Speaker 22 (25:18):
Thank you so much for having me. I appreciate the invite.
Thank you for allowing me to stay on with you guys.
I'm definitely listening to these artists. I'm intrigued.

Speaker 4 (25:29):
I like a few, Okay.

Speaker 22 (25:31):
I definitely can appreciate though, the years of game or
comment that's being given, Like I don't take that lightly,
Like mister I don't see your name m D. When
he was saying when he was saying like that, he
can tell you know that one of the artists was

(25:53):
reading from a piece of paper. A younger artists would
take that defensive, but a more seasons artist that's.

Speaker 1 (26:02):
Been around for a while.

Speaker 22 (26:03):
But understand that he's just saying that to make sure
that the artist takes his craft more serious.

Speaker 6 (26:10):
Yeah.

Speaker 1 (26:13):
Yeah, it has to flow right. If it doesn't flow right, you're.

Speaker 4 (26:16):
Gonna be mad. As somebody has been doing this for
twenty years and you've been doing it for a year,
right exactly.

Speaker 11 (26:22):
You know.

Speaker 6 (26:23):
So I like that analysis you just did.

Speaker 21 (26:26):
I like that.

Speaker 3 (26:27):
Yeah, so what so what did you think about the
song we just played there? What do you think about
that song?

Speaker 8 (26:33):
I think it was cool.

Speaker 22 (26:34):
The one that just played it. I think that was true.
Man shout out to jazz paye legend. He's been around
for a long time.

Speaker 1 (26:41):
Shout out to the artists. Great choice. I don't know
if they selected this beat. I don't know if they
selected or Jazy Faye just was like, yo, here this
is for you.

Speaker 22 (26:52):
But man, like I thought, I thought the beat was tough.
I think that they could have came a little harder,
Like you got Jazzy Fay on the record.

Speaker 4 (26:59):
You know what I'm saying, You go a little harder.

Speaker 1 (27:03):
You might be on on a commercial, you might be
on on somebody else.

Speaker 22 (27:07):
Snoop might repost you like, hey, dude, this dude got
on Jazz's face record and snap, let's check him out.

Speaker 1 (27:14):
You know, you gotta put your talent on display every time.
It can't be like, well, maybe I'm gonna show up. Now.
You're in the entertainment business.

Speaker 4 (27:22):
You're right, so be.

Speaker 3 (27:24):
Entertaining exactly twenty four seven right there, exactly, exactly likely exactly.

Speaker 6 (27:33):
You might end up being a millionaire doing this exactly.

Speaker 4 (27:37):
That's that's that's how we do. That's how we do.

Speaker 3 (27:39):
We're gonna step to uh my way of TikTok real quick,
Andre Ryder, what's up man?

Speaker 4 (27:45):
Are you doing? What my boy, what's up?

Speaker 13 (27:48):
Man?

Speaker 4 (27:49):
What's up?

Speaker 3 (27:49):
What's up to mdal living next to you? Mi Chandelier,
Mishael to Don and Kelly Good say, what's up to
all of us?

Speaker 11 (27:57):
Whatever?

Speaker 23 (27:57):
Whatever?

Speaker 13 (27:57):
What?

Speaker 23 (27:58):
Check?

Speaker 8 (27:58):
What's the bull? But just working?

Speaker 10 (28:05):
Yeah?

Speaker 4 (28:05):
What what's up with Andre Rider these days?

Speaker 13 (28:08):
Man?

Speaker 4 (28:08):
What's up with you?

Speaker 8 (28:10):
I mean, you know, Dave Mattison going crazy?

Speaker 21 (28:12):
We gotta headline on her first show this Friday at
a hotel. Ziggy just had a placement on Love Army
Games yesterday, episode six mm hmm okay, yes.

Speaker 3 (28:27):
Sir, that's what's up many Why I've been seeing all
of these records? I ain't seen no Andre Rider record.
I ain't seen the Young Lady records? What's up?

Speaker 13 (28:35):
This is what you mean?

Speaker 3 (28:37):
I'm I'm working my place all this.

Speaker 4 (28:40):
Okay, Well, you know you gotta get the music to me.

Speaker 3 (28:42):
You already know for sure, Say less, okay, I'm a
d M you to email and send it to me
straight up. All right, Okay, I appreciate that, and then
we'll get you all on the show we talk about it. Okay,
say less?

Speaker 4 (28:54):
All right? Make good looking family checking in appreciate it, Yes, sir,
all right?

Speaker 3 (28:58):
Man steps Andre Ryder right there he got on the platform.

Speaker 23 (29:03):
Yeah.

Speaker 3 (29:03):
He had a record that he had on here about
three years ago called My Slide called Slide. These songs
called Slide. We played the record by him about three
four three four years ago. Slide my Slide, I think,
is what it's called. Shout out to him breaking up.

Speaker 6 (29:17):
I couldn't hear him. Yeah, sound like it sounded like
l D.

Speaker 4 (29:21):
No, it's Andre Ryder, that's his name.

Speaker 6 (29:24):
Yeah, sound like sounds like LD to me.

Speaker 4 (29:28):
It's all good, brit What did you think about the
cash Mere record we played?

Speaker 12 (29:34):
I thought it was great. I thought it was kind
of long, but I thought it was great.

Speaker 4 (29:39):
Right got you got you got you Kelly?

Speaker 13 (29:42):
Good?

Speaker 4 (29:42):
What you think?

Speaker 6 (29:48):
Holland?

Speaker 16 (29:49):
Great? Point out that you got you gotta go a
you like like that might be you know, that might
be your whole turning point right there.

Speaker 24 (29:58):
But I thought it was cool.

Speaker 14 (30:00):
Man.

Speaker 16 (30:00):
It was a little long. He had a style that
was giving me like, uh, I would say, what's the
boy name?

Speaker 25 (30:08):
Shoot?

Speaker 16 (30:08):
And now shook boozy and newly all in the one
you know you need to tell you from downside. I
can see a video, you know with the boots you
know and somewhere in the barn or something with the
cowboy hat, and you know they going crazy up in there.
You know, everybody turned up. But yeah, man, he did
a good job.

Speaker 4 (30:29):
All right, that's what's up. That's what's up. Okay, Yeah,
they need to.

Speaker 5 (30:33):
Go back in and redo it him rewrapping the lock
in the transitions from the hook to the chorus and
and and make the hook shorter. Now, don't let it
go eight bars. Just let it go four bars and
go back to the next verse. You know, you don't
need a long setup, need a short setup.

Speaker 13 (30:55):
Now.

Speaker 3 (30:55):
That's the radio single right there that he's put out. Actually,
that's that's the single.

Speaker 6 (31:00):
I don't care what it is. What do you need
to make that adjustment? So that hook? The hook was
too long. It was just too long.

Speaker 4 (31:10):
Yeah, okay, all right, well hopefully wrong with the so
long as the song.

Speaker 1 (31:14):
Actually, what's the number on the song?

Speaker 25 (31:17):
Me?

Speaker 4 (31:18):
And let me go back here and look that up
real quick for y'all.

Speaker 12 (31:21):
It was done.

Speaker 3 (31:22):
That record is what we are here, old on we
pull it up Cashmere came after do this here because
I don't know if.

Speaker 6 (31:33):
Hen I'm like like four thirty.

Speaker 10 (31:39):
Thirty.

Speaker 4 (31:39):
Wow, Actually you you're correct for twenty four. That's what
it was.

Speaker 12 (31:43):
I felt it was for thirty two.

Speaker 5 (31:45):
Yeah, and see he by taking off half that hook
after the after the first verse, going to the second verse,
he can he can shave another these seconds off. You know,
it was just too long. I mean, you're waiting for
him to come in with the second verse. And she repeated,

(32:09):
Now the blues are made from walking, not saying she
suck it wrong.

Speaker 6 (32:12):
She suck it right. It's just it lingered a little
bit for that. It lingered a little bit too long.

Speaker 5 (32:18):
She don't need it ain't need for her to linger
that long after the first and uh and uh after
the first verse. You know that should have came when
the second verse, after second verse, because I don't think
they had only but two verses.

Speaker 12 (32:33):
Yeah, the fact was already go ahead my stroke.

Speaker 22 (32:39):
Yeah, I was saying the artists, the artists should have
gave a lot more color in those open spaces, just
so that it wouldn't just be on everybody else. You
know what I'm saying, If it's your record, got to
add some flaring it to be like oh snap, like
that's him.

Speaker 8 (32:54):
That's her, you know, right right?

Speaker 3 (32:57):
Okay, Well, Let's check out this next artist right here
in d you said this one also to me too,
What's well?

Speaker 1 (33:02):
This is uh?

Speaker 3 (33:03):
Janelle? Janelle song is called the best You've never had?
All right, let's check this out Janelle, the best you
never had.

Speaker 4 (33:13):
Let's get to it. The head and out of session,
popped by the radio show. Let's go, Hey, look at
the feedback.

Speaker 11 (33:21):
On the song for the song's over.

Speaker 6 (33:23):
Give your feedback.

Speaker 21 (33:28):
Ya yay.

Speaker 24 (33:40):
I let you go and take you back around the
fuck having problems having this shoes, just trying to trust
you for that talking.

Speaker 2 (33:50):
No, I really loved Jack.

Speaker 5 (33:54):
No the fun up.

Speaker 24 (33:56):
I'll let you go and take your play the name
you never had. I don't know my feelings in the month,
in my bad like you want my honey never knows
it's my bad shoting my bed.

Speaker 14 (34:11):
The fat gave me only bad.

Speaker 24 (34:14):
Only let me from my bed, gitting and thinking about
all the towns, every head, everyone out on the busting.
You even had them snaking, never had the head. I
can't even trying to let them bed.

Speaker 26 (34:34):
You sell a piece of trash shet okay, let them
double bed. If you don't getting all shade, we gonna.
I don't even shoulder.

Speaker 13 (34:48):
It's my mother gat on my head.

Speaker 14 (34:51):
Educate about what you're doing them. Miss you never had the.

Speaker 24 (35:00):
Person, never had the best, never.

Speaker 14 (35:12):
Never sneaky, never heard.

Speaker 3 (35:34):
All right, that was Janelle Best, the best best You
never had Janelle Best, you never had nd go ahead
and kick it off.

Speaker 4 (35:42):
What do you think about that one?

Speaker 6 (35:44):
The first time I heard a song without no drum set.

Speaker 4 (35:48):
That was that was?

Speaker 6 (35:50):
That was different, No heard lead vocals.

Speaker 5 (35:55):
A didn't have to put all that auto tunes on it.
They could left the auto tunes on the the other
vocal tracks, you know, for the flavor. Salid sound like
a beautiful song. It's a beautiful song, you know. And
and I can tell she can really say you really

(36:17):
need that much auto tune for her?

Speaker 8 (36:19):
But I can.

Speaker 5 (36:20):
I can hear right through those auto tunes, you know.
You know, I could have been an engineer. Uh could
have been his call what he wanted to do after
she finished recording. You know, engineers do that crap, you know,
they they go ahead and suck up with artist quick.

Speaker 4 (36:44):
Well, Masha Man should have done. What do you think
about the record?

Speaker 5 (36:47):
Uh, sir, I.

Speaker 22 (36:49):
At the beginning, when it first came on, I thought
it was about to go somewhere completely different, Like the
introduction was everything. I think that the engineers should have
used more, probably Melodine, just because her voice is already beautiful,
so auto tune would just take it somewhere else. She's
already singing a note, you know what I mean. M

(37:12):
So it could have it could have definitely been adjusted
in that way. But I think the record is cool.
It's a cool It's a lot of yeahs in there. Yeah, yeah,
like that's cool. What else though, you know what I'm
saying right.

Speaker 4 (37:29):
Variety in the record.

Speaker 6 (37:30):
Yeah, what's your story all about?

Speaker 13 (37:34):
Yeah? Yeah, yeah, yeah, I just woke up today.

Speaker 5 (37:38):
Yeah, hit you in your eye, across your face.

Speaker 6 (37:47):
Reading everything. Well, you you're a freaky one.

Speaker 4 (37:52):
I was reading from the paper.

Speaker 13 (37:53):
Yeah.

Speaker 8 (37:55):
You would.

Speaker 6 (38:00):
Turn around, slap it up and smack it around.

Speaker 3 (38:03):
A little variety and a little variety. It's all good, Britt,
What do you think about it?

Speaker 5 (38:10):
I think that was the engineer called to do the
AutoTunes on the Bee vocals and just took.

Speaker 6 (38:16):
Away from her.

Speaker 5 (38:17):
Because engineers, they used their their platform as a toy.
They buy them a new unit component and they just
got to use it. They gotta use it. That's why
all these guys to stay in the studio when that
food started mixing, you got to be a studio with him.

Speaker 6 (38:34):
And yet, nigga, don't put that on there now, you
got no you gotta do that. You don't say nothing
to the engineer.

Speaker 4 (38:47):
That's what I give him.

Speaker 6 (38:48):
A blunt and a drink. Ship old your on your
ship man?

Speaker 1 (38:53):
Three games.

Speaker 4 (38:56):
Called it yeah yeah yeah, Okay, Britt, what do you
think about the record?

Speaker 1 (39:02):
I thought the song was cool.

Speaker 12 (39:03):
I thought it was a mellow I like the yeah yeahs.

Speaker 4 (39:06):
You know it wasn't too many yeah yeahs for you?
Or you are right with that?

Speaker 27 (39:11):
You know?

Speaker 1 (39:11):
I was alright with it.

Speaker 5 (39:14):
Yeah, moved to her and it's moved to a lot
of guys too, because you know, guys just have some sex.

Speaker 6 (39:23):
And you said, yeah yeah.

Speaker 4 (39:24):
Yeah yeah, that's smooth.

Speaker 8 (39:27):
That's that's all you need, that's all you need.

Speaker 6 (39:33):
Yeah yeah yeah.

Speaker 4 (39:35):
Well Kelly good, was it too many yeah yeah for you?
Or where are you staying on it?

Speaker 21 (39:41):
No?

Speaker 23 (39:41):
I like it.

Speaker 16 (39:42):
I like the yeah yeahs. Beautiful boys not song. You know,
she's got a good spirit.

Speaker 8 (39:48):
Shout out that, you nail man.

Speaker 16 (39:50):
The only thing was the three sets. The three set
just made it sound like it was almost like nafl vobal.
But I can hear her the engineer with that circle.
I like the song.

Speaker 6 (40:07):
Okay, never let the engineer, Never let the engineer take president.

Speaker 4 (40:15):
Never forget.

Speaker 6 (40:17):
When I hear engineers start doing something with it, all
they hold up, nigga, you engineer, you produce it.

Speaker 4 (40:26):
Well, don't forget.

Speaker 3 (40:27):
Each week we're here every week making this happen here
for the head now of session prior by the radio show.
It follows directly after the radio show a technical specific
standard time one am Easter. And so if you got
a record, you can go ahead and send that to
us right now. All you gotta do is go to
our website www. Dot the radio show dot com at
DS and David as an Apple Radio show dot com,

(40:48):
click on where it says cement music, fill out the
form submitris upload the song, and it make its way
over to us to get ready for what we're doing
right now, the head and out of session, the after
party for the radio show that we do each to
be we directly after the radio show.

Speaker 4 (41:02):
And did you get that? Uh yeah, I'm getting to
it right now.

Speaker 3 (41:07):
In a little bit of moshallter don but Kelly Good,
we're about to play your record right now, you goys.

Speaker 4 (41:12):
Shit another one to us, Britt with us this one here,
uh right.

Speaker 12 (41:17):
This song is by Kelly Good, BBH Doco and for CG.

Speaker 6 (41:26):
Little No Good.

Speaker 12 (41:27):
Kelly Good.

Speaker 16 (41:30):
Called Revam. Me and my sn for CG No Good
are coming out with the album together we're doing and
we're doing a joint collaboration. It'll be coming out. So
it's as y'all know, I am in prison doing music
from prison. My planner who just got his life sentence commuted,
BBH do Go was on this. She'll be going on
pretty song. So it's me Bbah do Goo and my

(41:53):
son for CG.

Speaker 8 (41:54):
No Good.

Speaker 16 (41:54):
The song is called Revamp.

Speaker 4 (41:57):
Okay from prison, that's what's up. Yeah, you're doing it
from prison?

Speaker 5 (42:01):
What Yeah?

Speaker 4 (42:03):
Technology is great these days.

Speaker 1 (42:05):
My man, My man in prison right now talking to us.

Speaker 6 (42:08):
Ye yes, yes man.

Speaker 4 (42:09):
So we get down. Man, we're all over the place
here on the radio show Man Thought You Love.

Speaker 6 (42:13):
He's been he's been with us about five six, seven,
eight months.

Speaker 4 (42:18):
Yeah, that's how it is.

Speaker 1 (42:20):
Shout out to you man, keeping that alive, man, Yeah.

Speaker 25 (42:24):
Shug it out about winning. I'm trying to stack this
money up forget to spend in low Mama. She had dined.
So I'm manure dripping liquid with the five boy logo
on a fit egg on the top of gun discussion
switching lags like Torri Elephanta to the top. But the
charge true story miseducated, out dated to revive a little
rails him a dating But I never deviated, not a
level my refamned the game and.

Speaker 4 (42:45):
Switch my style up.

Speaker 25 (42:46):
Increasing revenue and watch that money fill up. You're talking money,
but you know I'm seeing more bucks, you burning riches.
I'm just trying to open doors up. I'm asering a
problem in la I keep a chopping order, faded stop
manifest that I want success, aiming for the top spot
in that last I just beat life.

Speaker 11 (43:04):
I just can't home and doing that.

Speaker 4 (43:06):
But I ain't just beat it ain't gonna caf.

Speaker 11 (43:08):
I just another And then all I really know is
my I learned that I just stepped my game up.
When I want to git in, my life is home.
So it's just true.

Speaker 13 (43:16):
I want to kill somebody.

Speaker 11 (43:17):
Man, I got a man that's up. But I just
learned I ain't have to do.

Speaker 13 (43:20):
All of that.

Speaker 1 (43:21):
I got a real by my side.

Speaker 11 (43:22):
The shoe always like my back.

Speaker 6 (43:23):
It's still my reef the game and switch my style up.

Speaker 4 (43:26):
Increasing revenue and watch.

Speaker 25 (43:28):
That money file up. You're talking money, but you know
I'm seeing more bucks. You burning bridges. I'm just trying
to open doors out. I'm gonna ask her in a
problem in La, I keep a chopping corner faga. The
want stop manifest destiny. I want success, aiming for the
top spot in that.

Speaker 28 (43:43):
Last All my dogs they come and say they need
a bad man. They say they want to smoke. That's
a bed we're gonna rob. We're gonna strip intil ain't
n let better lio go line. We're gonna leave it
with my dogs down in the hood.

Speaker 11 (43:55):
Do it for the set. You know it's supposed to
be the game.

Speaker 28 (43:58):
You know me the bet all I know is some money,
you know when stress and we're not going to drop
that bag even later.

Speaker 10 (44:03):
Rest.

Speaker 4 (44:05):
Okay, that's what's up. That's uh revamp, right, Kelly good revamp?

Speaker 16 (44:13):
Yeah, revamp.

Speaker 3 (44:14):
Okay, that's what's up. All right, definitely, So indeed, go ahead,
what you think.

Speaker 27 (44:20):
I like it.

Speaker 5 (44:21):
You just need a little bit more uh music voices
on there, like I heard I heard streams and I
heard a picture Katta could you could have put in
there in different little spots, and I like how smoothe was.

(44:41):
I wait for I was really wait for Brittain to
come in and do a.

Speaker 6 (44:45):
Do a sweet.

Speaker 4 (44:49):
What you produced that?

Speaker 25 (44:51):
Right?

Speaker 4 (44:51):
Did you produce that?

Speaker 13 (44:53):
No?

Speaker 15 (44:53):
I didn't produce that. That's they project. I didn't produce that.
I'm just recording it and putting it.

Speaker 4 (45:00):
Okay, got you. I heard the R and B.

Speaker 5 (45:02):
I heard the R and B singer could do a
hook on that. You know, whether it's male to female,
it don't matter.

Speaker 6 (45:12):
Yeah.

Speaker 1 (45:13):
Instrumental, fire good instrumental. Mm hmmm, very smooth. That was
his sun wrapper.

Speaker 13 (45:21):
Yeah.

Speaker 12 (45:21):
His son did the third verse a.

Speaker 1 (45:24):
Yeah, yeah, you could hear it. You can hear it
in young got a lot to say, man, Yeah, use
that as few Man.

Speaker 22 (45:34):
Your daddy's sitting down right now, trying to bring this
to life for you so that you can still on
his shoulders and make it happen.

Speaker 1 (45:40):
That's what I'm talking about, respect, man.

Speaker 4 (45:45):
That's what's up. Okay, it's all good. It's all good. Definitely.

Speaker 3 (45:49):
We're gonna roll on to the next song right here now. Michell,
you sent this one to us, like, okay, you sent
to the Apple Music. I don't have an Apple Music account,
so I don't know what's gonna play. So you got
the MP three, Do you can send it to me
right quick? Maestro on Sack, Yeah, send it. Send me
the NP three because I don't have an Apple Music

(46:10):
account and it's not gonna it's not gonna.

Speaker 1 (46:12):
Play a number or email.

Speaker 3 (46:15):
Uh, send it to the same email that you sent
the last song too, and then we're gonna roll onto
the next song. While you do that right now, somebody
said they just sent something to me, So we're gonna
go ahead and let me go ahead and Ford get
that ready to roll.

Speaker 4 (46:34):
Send it Siver.

Speaker 3 (46:35):
Listen, we're gonna hear pre Blaze, pre Blaze send something
just now. I'm gonna go ahead and forward this over
and get this queued up while I get this queued
up and forget. Also, if you want to go ahead
and send your music to us right now, all you
gotta do is go to our website, uh www dot
the radio show dot com as DZ and David as

(46:55):
an Apple Radio Show dot com. Go to where it
says submit music. When you go to where it says
submit music at you. At that point you fill out
the form upload your music, and then uh hit the
sind button and it makes its way over to me
like this pre Blaze just did. And then we're gonna
go ahead and get that queued up and ready to go.

(47:17):
The song we about to play by pre Blaze, it's
called Big Pre Big Pre.

Speaker 4 (47:26):
All right, let's check this out.

Speaker 8 (47:27):
Here we go.

Speaker 4 (47:29):
It's the head and out of session Power a boy
the radio show. Let's go.

Speaker 13 (47:52):
One, two or three a month go.

Speaker 11 (47:54):
When I pulled up, d you like to jumpin?

Speaker 14 (47:56):
Get set up?

Speaker 13 (47:57):
Would you?

Speaker 11 (47:58):
I'm a leader bitch which shut up cracking heads some attached.

Speaker 13 (48:02):
Made me here the fucking line on my house and
clean I.

Speaker 11 (48:04):
Mother Macaeleena Lean, I doss it. They just get the
line it up.

Speaker 13 (48:07):
I run.

Speaker 11 (48:07):
I play to shave my mom house. That's a rock.
I'm about to get the help. I about to get
the help. I need that.

Speaker 29 (48:15):
Come and run the help. Big Preve, fuck a little hole.
I'm about to get the help. I'm about to get
the help.

Speaker 11 (48:23):
I need that. Come and run the help.

Speaker 29 (48:26):
Big Pray, fuck a little he put up in them
do missing the rock with the stars. I got bits
reaching up but they missing the bar. I put them
uble game. They keep dropping the bar.

Speaker 11 (48:36):
It's not moth bire way. If you're alve and don't
hate me.

Speaker 13 (48:39):
Because you ain't parted off.

Speaker 29 (48:40):
Because across the board, if you don't run up a plot,
if you really get a problem, you could do what
you want.

Speaker 11 (48:45):
I'm about to get the help. I about to get
the help. I need that.

Speaker 29 (48:50):
Come and run the help, big pray, fuck a little hole.
I'm about to get the help. I'm about to get
the help I need that.

Speaker 11 (48:59):
Come and run the help.

Speaker 13 (49:00):
Thanks.

Speaker 4 (49:04):
You just heard this record. Now let's get some feedback,
all right.

Speaker 3 (49:10):
That's pre blade songs called big pre pre blaze songs
called big pre a ex Check that out, brit You
seem to like it.

Speaker 4 (49:19):
Tell me your thoughts on it?

Speaker 12 (49:20):
Please at the homegirl, I like it, she always does.
I played her on the Heat a bunch of time.

Speaker 4 (49:26):
Are uh okay that she got a clean version? Did
you have to clean yourself?

Speaker 12 (49:33):
She in a chat.

Speaker 3 (49:33):
I don't know if she got a yeah, did she
have to? When you played it on the Heat? Did
you did you have a clean version?

Speaker 12 (49:39):
Then I didn't play that.

Speaker 15 (49:40):
I've played a bunch of songs of hers like, Okay,
I'm a fan.

Speaker 3 (49:46):
Okay, that's what's up. So you know her, it's all good.
Which pre blade you need to send send some clean
versions of your music to me. Please go ahead and
do that, Kelly Good. What do you think about the
song got You Got You Got You MD?

Speaker 6 (50:04):
What you think us she was five?

Speaker 8 (50:09):
Uh yeah?

Speaker 5 (50:09):
Other than the explicit lyrical content, I think if she
sung a clean version, you know, without happened to mute her,
I think she'd be dope.

Speaker 6 (50:21):
Yeah, she'd be instant, instant commercial radio.

Speaker 5 (50:26):
You know, it's just torned down because she got the
attitude here, the attitude she she's low she's low key here.
And when when it's time put the height her to
get hyped, she know exactly what to come in to
get high is it's like.

Speaker 6 (50:40):
Bet that next thing. You know, she's better about that.
She's just man, you know what she's doing.

Speaker 8 (50:49):
You know what you're doing.

Speaker 6 (50:49):
But it's just her lyrical content. It's gonna keep her
behind the iron curtain.

Speaker 3 (50:55):
Okay, that's what's up. Okay, Well let's go ahead and
check out another one. This is uh lovell got a
few more songs left ver we wrapped this up for
the night. Lavelle song is called love It. Lavell songs
called love It. Let's check it out here we go.

(51:20):
It's a YouTube video.

Speaker 30 (51:37):
Oh I love it, kindle lighthead on your skin, You
bite your lip and then you're pulling me in trace
evy curve with the soft red.

Speaker 13 (51:55):
Listen close to what your body says. Next a hello,
but the titchin is high. Got your tremmling with just
one slide. Ain't no need to.

Speaker 30 (52:08):
Talk when your body's speech say, you ain't everything.

Speaker 13 (52:11):
When I'm underneath that side.

Speaker 11 (52:16):
All right, loving meetings, control all of.

Speaker 26 (52:21):
It when you're calm monnay when you're up, and.

Speaker 14 (52:26):
I gotta heaven.

Speaker 13 (52:30):
Commonly in this spear. But there won't be no resting.

Speaker 19 (52:35):
It's not at all on how much you can take
before I got your confess streaming with passion got me locked.

Speaker 13 (52:44):
In your essence girls, just.

Speaker 14 (52:52):
Fun shaming now.

Speaker 19 (52:54):
I ain't don't need to talk when your body's speech
you ain't everything.

Speaker 22 (52:58):
When I'm doney, I got so hot and therizons con true.

Speaker 14 (53:08):
Loman, when you're.

Speaker 31 (53:09):
Called my name when for me and sheesh, yeah, I
want to make your love come break, your love come
down to me, so to.

Speaker 2 (53:23):
Love.

Speaker 13 (53:24):
When you're called my name.

Speaker 27 (53:27):
She's okay, Yeah, so ride this way no shame.

Speaker 14 (53:35):
And if you break the bed girl of Hell, take.

Speaker 27 (53:39):
Looking to you, be shoppy ooh yeah, okay, and I
gotta hello, no shame.

Speaker 13 (53:50):
Yeah, break the bed girl girl, I take the blame.
Be shoppy, came Oh, I love it, love song, controlling,
I love it.

Speaker 11 (54:11):
We called my name when we're up in me.

Speaker 13 (54:14):
She gotta love. I want to thinking love coming back.

Speaker 9 (54:22):
To the.

Speaker 14 (54:26):
I calling my name when we're up in the she
got God love It.

Speaker 3 (54:47):
That's the lave songs called love It. Lavell's songs called
love It n B. I seen you nine your hair too.
I take it that you loved it.

Speaker 6 (54:58):
That's a single that's ready for commercial radio.

Speaker 5 (55:04):
He might have to mix it and master it, you know,
tweak it, but vocally, that motherfucker know how to do
a goddamn Q and A.

Speaker 6 (55:16):
He know what he's doing.

Speaker 5 (55:18):
He's ready for the big stage. If he can come up,
if he can keep that same producer to do what
they did with him on that that production was done, great.
He might have been the kind of artist told the engineer,
kick your motherfucking hands off the goddamn painters and knobs
and shit.

Speaker 6 (55:41):
That's what he did. But that was that was John
perfect for commercial radio. He he can give October London
run for his money. Period.

Speaker 4 (55:56):
Okay, okay, okay, Kelly, good. What you think about the record?

Speaker 16 (56:02):
I thought, at a good way to camping off at
the end, man, no good love making me right?

Speaker 6 (56:12):
That's what's put that on our playlist now?

Speaker 3 (56:16):
Okay, well you know what, I'm gonna wait till he
comes here because he might be a guest on the
on the radio show coming up in a little bit,
so I might wait till you get.

Speaker 4 (56:22):
Here and do that.

Speaker 6 (56:24):
Who that that's the one?

Speaker 3 (56:26):
I said, Uh no, they actually sent there to me direct.
He was voe for a chance to come on here,
so I had to hear and see where he's coming from.
So since we seem to like it, Britt, what do
you think about the record?

Speaker 1 (56:38):
Man?

Speaker 6 (56:39):
I like the lot.

Speaker 12 (56:40):
Towards the end, I started hearing Joe come out of
his voice.

Speaker 1 (56:42):
I was like, this is great.

Speaker 4 (56:44):
This is no girl, No, okay, girl, all right? The
don What do you think about it?

Speaker 22 (56:54):
Very great tone, very great tone. M h you can
tell he's been singing for a while. I love what
the engineer. Did they work very very well together. I
think I think you don't change the team there. You
keep the original team, right, because you don't want the
ear to change, because if it changes, it's just just

(57:15):
a rap. So keep that team and go go back
in there and just kind of fine tune the vocals
to make those runs pop more because those runs are killer, right,
But if the cue was was turned a tad, it
would just be like damn, Like that's that's I feel

(57:35):
like he's singing right next to.

Speaker 1 (57:36):
Me, you know what I mean, right right?

Speaker 6 (57:39):
I can't wait to see the video.

Speaker 4 (57:40):
Well, that's kind of funny you mentioned that, n because
I was just looking at that what the songs?

Speaker 3 (57:44):
It's actually a video for it. It's actually a video
I'm just looking at. Yeah, it's all good.

Speaker 4 (57:51):
So we all seem to be in liking to hear.

Speaker 3 (57:53):
So I'll definitely reach out to his people tell you
can come on to be a guest on in the
next couple of weeks, So I'll do that.

Speaker 5 (58:00):
You know, it's rare you can find an artist to
do what he just did. You know, out of out
I'm gonna say, out of one hundred artists that you listened,
to a hundred different songs. You might come out listening
to two or three on the.

Speaker 6 (58:16):
Level of Don and him. Okay, you know, you know
it's a rare that's you know that they're they're they're
ready to try to be the next.

Speaker 4 (58:31):
Superstars, you know, speak speaking of Don Manstrow. I got
your record Body, So we're gonna check this record out
right now.

Speaker 1 (58:39):
I sent you to, I sent you to I sent
you Patient, the clean one, and I sent you Body.

Speaker 4 (58:44):
Okay, which one? Which one you want us to play?
Patient or Body?

Speaker 13 (58:48):
You might want both?

Speaker 6 (58:50):
Okay, well, you know what, I'm.

Speaker 3 (58:52):
Gonna see which one I can download. I can't download. Uh,
let's say I can't download Patience, so we gotta go
with Body. Okay, all right, we'll go with Body. We'll
roll with Body tonight.

Speaker 6 (59:03):
Let's run maeshro next time you're seeing your music to
for radio. Oh yeah, the MP three don't go through Apple.

Speaker 5 (59:13):
All the DJ's and engineers that do radio they don't
like Apple for some reason.

Speaker 6 (59:19):
Yes, sir, nobody, just go with the MP three, right,
the MP three.

Speaker 5 (59:24):
You're gonna have no problem because a lot of players
don't play that Apple because Apple fixed it up.

Speaker 6 (59:29):
They want you to use their player.

Speaker 1 (59:31):
I knew better. I knew better, sir.

Speaker 4 (59:33):
All right, let's check it out. Let me go body.

Speaker 13 (59:53):
And like get body in different paces.

Speaker 24 (59:57):
Tell you ron little way.

Speaker 13 (59:58):
Let's go to this riding over my.

Speaker 19 (01:00:02):
Face baby nice and so catchy. Ain't me drunk cos
it's all I know, tousing and turning. Your body's calling
me her nigs around aways, pushing me in her, kissing
on your body and gone here unexcited girls as getting nasty.

Speaker 13 (01:00:24):
Be careful on you into that you men perceived a
coaching cuts.

Speaker 5 (01:00:30):
I got that powd.

Speaker 13 (01:00:32):
Fuck you to your legs or shame. I feel that
I bread.

Speaker 19 (01:00:37):
Don't have really sad, you'll never have a.

Speaker 13 (01:00:41):
Fact nothing this.

Speaker 19 (01:00:48):
Scream up and then me take oh man.

Speaker 14 (01:00:55):
I might a member behind you.

Speaker 13 (01:00:56):
Man sank some goodness me? You mean what I mean?

Speaker 23 (01:01:01):
That your holy only one of my body's yearning for
uh that pussy got some power into it. Ain't no
questions ask just know that way and I seen you
do that freaky shit and for a heal nigga and
make me.

Speaker 13 (01:01:19):
Shoot the club up. And you can't ye taste so
good till you go for sakins. Be carefully you touching
perceive what's coach.

Speaker 14 (01:01:32):
And cousin got the power?

Speaker 19 (01:01:35):
Fuck you tell you they's same man? Then they break No,
I really said nada the fuck nahdadin us.

Speaker 26 (01:01:48):
What screen nothing?

Speaker 13 (01:01:51):
Then they take.

Speaker 6 (01:02:20):
Never that was what that was?

Speaker 13 (01:02:22):
Body?

Speaker 4 (01:02:22):
That was body by my shut down.

Speaker 10 (01:02:25):
I like that.

Speaker 5 (01:02:27):
Oh you know what I'm gonna say. You don't need
no auto tunes period. You don't need none Auto twos
take takes away from you. You got two octors that
you used in that. You did the you did the low.
You didn't need did the high. You do it the
high first, and you did a low. You multiple talent.

Speaker 6 (01:02:49):
You don't need. No, you don't need it.

Speaker 5 (01:02:52):
You know when you said fucking tike you do something
you said study using the word fucking say smash it imagine.

Speaker 6 (01:03:01):
Yeah, you're right, Yeah, you know cleaning clean your words.

Speaker 13 (01:03:05):
Up like that.

Speaker 4 (01:03:06):
Yeah.

Speaker 1 (01:03:07):
The clean version is is it's just cut out completely.

Speaker 6 (01:03:10):
No, see that kind of song. You don't want to
you can't mute nothing. M hmm, you don't want to
mute nothing.

Speaker 5 (01:03:16):
That the way you singing that, and you would take
it away make it sound like the record would jump
into something.

Speaker 6 (01:03:23):
Yeah, And you don't need no auto tunes. You naturally talented.

Speaker 1 (01:03:30):
Thank you.

Speaker 6 (01:03:31):
Just go for it, you know, do what Nike say,
Just do it, sir. See it's artists like you and
the one previous of you that we played see us.
You the kind of artist.

Speaker 5 (01:03:48):
And you know, Dundee, if I get that casino ballroom
and I had the R and B night him that
other artists and Brett they can be.

Speaker 6 (01:04:01):
They can be the show. They can be the show
at the casino. They can be the show in the showroom.

Speaker 14 (01:04:11):
You know.

Speaker 4 (01:04:11):
Mh.

Speaker 5 (01:04:13):
They talented, natural talented people, you know, and they'll have
a diverse audience. It wouldn't be just hood niggas coming
to see him, maybe having white Asian Latinos, a few hoods,
very few hoods because they won't be able to afford

(01:04:33):
to get in anyway.

Speaker 1 (01:04:34):
Talk about it, sir. I received that we don't we live?
I received that. Y'all heard that ye.

Speaker 11 (01:04:43):
Live?

Speaker 13 (01:04:44):
Uh.

Speaker 12 (01:04:49):
I thought it was amazing. I thought it was great.
He has a great voice.

Speaker 15 (01:04:53):
I know, MD I don't like the auto tune, but
I mean it is the new uh era that we're in,
and that's why a lot of us use it, even
though we are great singers.

Speaker 12 (01:05:06):
But I thought it was great. It's set the mood,
it's set the tone. Great job.

Speaker 1 (01:05:12):
Thank you appreciate that. I hope I hope to follow
everyone on here. I hope we all connect past this.

Speaker 4 (01:05:19):
Definitely.

Speaker 3 (01:05:19):
You follow the keyword da radio show on on social
media platforms for us, Britt, go ahead and give him
your ig.

Speaker 15 (01:05:27):
Okay, so if you put in Britt eleven x b
r r T T one one X, my whole name
will come up. My name is Britt eleven X the
Human Chandelier. But if you just put in b r
r t T one one X, it'll pop up. So
Britt eleven x the Human Chandelier. But all you gotta

(01:05:50):
do again is put in b all r t T.
Gotcha for one one X? Gotcha follow me back Britt
for sure? Oh yeah, hold up, I needed I need
a custom drop.

Speaker 4 (01:06:04):
I need to drop.

Speaker 1 (01:06:05):
Okay, crazy, that's hard.

Speaker 6 (01:06:10):
Like I would like to hook I like to hook
you tube up and do it. Just do a song,
a duet.

Speaker 1 (01:06:15):
Oh she got the vocals for sure. I was jealous. Eh,
she was going crazy. I was like, hold upper.

Speaker 4 (01:06:23):
She was like thing this song, Bren sing this song. Yeah,
like I slip that in there.

Speaker 5 (01:06:32):
Okay, that's how you that's how you make that's how
you make records. You find the best talented individuals and
throw it together. Collaborate. That's what a lot of black
black artist if we don't do no more, we don't collaborate.
We we want the whole ball of wax. You know,

(01:06:52):
you know, you don't need to hold.

Speaker 6 (01:06:53):
Ball of wax. You know, share that ball of wax.
It's enough. It's enough money for everybody.

Speaker 4 (01:07:01):
Uh, Kelly, good, real quick. What you think about the record?

Speaker 16 (01:07:06):
Yeah, man, I thought it was great.

Speaker 8 (01:07:08):
Man, my boy got vocals.

Speaker 16 (01:07:09):
I can see a video over that's for the show.
And you know with that auto tool, man, you know,
some people they they want to hear it, man. You
know in New York days and they come up with
the auto tool, Atlanta, come on with the auto tour
at Lane coming with the auto tool. You know, the youngsters,
the people my age under us want to hear it.
It's just a certain age group after you know, curtain age.

(01:07:31):
We was over here. But I man, I liked the
auto too, and a lot of different stuff. You know,
I liked it and good stuff.

Speaker 1 (01:07:38):
Okay, appreciate that.

Speaker 3 (01:07:40):
That's what's up. That's what's up man, We're about to
get up out of here again. We hear every Monday
night from ten o'clock Pacific Center time one am easton
to eleven the clock Pacific Center time approximately two o'clock Eastern.
Right there with the Head and Out of Session. It's
preceding the radio shows here every week. So if an artist,
you want to get your music played next week, go

(01:08:02):
ahead and send it to us. Go to www dot
the radioshow dot com. Diaz and David As at Apple
radioshow dot com. Click on where it says submit music,
click on that photo, fill out all the form upload
your song and it'll find its way over here for
next week. All right, we got the radio show which
is preceding this show nine o'clock specific extenter time twelve

(01:08:23):
a m. Eastern. Check out the radio show, then after
that the head and Out of Session. We got another
exciting guest coming up next week. At this point we're done,
make sure you take take the linkin you're checking us
out on check out the video portion of the show
as well on ROCU in Amazon fireTV at keywordda Radio Show.
Also you can check out this show the heading out

(01:08:45):
of Session and the radio show on the iheartapp at
the radio show.

Speaker 4 (01:08:50):
All those episodes are up there as well.

Speaker 3 (01:08:52):
If you want to hear an audio version of the
Heading out of Session and also the radio show.

Speaker 4 (01:08:58):
You want to catch the video.

Speaker 3 (01:09:00):
Show of the head and Out of Session and the
radio show again, go to Roco on Amazon fireTV and
also YouTube will have the Head down the Session. So
go ahead and check out at keywordda radio show as well.
I don't give you a lot, but we're gonna have
that written now for you so you can catch that
on a fly or something coming out real soon. And

(01:09:21):
also don't forget if you want to check out some
music that we do play the return of the radio
show dot Com. It's now up and running, so we're
just adding songs right now. So you want to get
your song, perhaps get it in the mix, get in
the Head and Out of Session now, that's the first place.

Speaker 4 (01:09:35):
Where it all begins right here.

Speaker 3 (01:09:38):
Then it goes to play at the Slate, then it
goes to perhaps the radio show dot com with you
coming on air with an on air interview as well.
All right, so again we're gonna get up out of here,
like thank everybody for checking us out for another week
and we will see you all next week. Masha to Don,
make sure you request that record. Megan Dollar right here
each week on the radio show as well, and my

(01:10:00):
Michael Don, thank you, thank you. It's well for coming
on to being a guest tonight.

Speaker 1 (01:10:04):
Thank you for having me.

Speaker 4 (01:10:05):
Fellows, thank you, thanke problem.

Speaker 3 (01:10:06):
We're here every week, so come through next week and
do this again with us doing the heading out of
session now.

Speaker 1 (01:10:11):
Okay, absolutely, hey, thank you guys, thank you so much.
Follow me, follow me, y'all.

Speaker 12 (01:10:18):
Great night.

Speaker 4 (01:10:19):
Give me that I G give me I G my
shro I G real quick, yes.

Speaker 22 (01:10:22):
Sir, my stro underscore da underscore done, my shure to Don,
the world is ours go baby, big leagues, all.

Speaker 3 (01:10:30):
Man, make sure you follow him right there as well.
We're out here, y'all. See you next week, same bad time,
same bad channel.

Speaker 4 (01:10:35):
Bye, y'all radio show so far.

Speaker 13 (01:10:38):
Make sure you follow us on all social platforms at
the radio show