the headnodder session ep 59

Episode Transcript

Speaker 1 (00:00):
Song.

Speaker 2 (00:01):
Just because the radio show is doesn't mean it's over
to laughter Pad.

Speaker 3 (00:08):
It's time after the party.

Speaker 4 (00:10):
They had not a session.

Speaker 3 (00:11):
Drop it down, Drop it down by the radio show.

Speaker 5 (00:20):
Back shaph Okay, why are you sleeping with my wama?
Why are you sleeping with my wama? It comes as
no surprise, my best damn my wife.

Speaker 6 (00:42):
I just can't believe my eyes. That don't dump dump
dun't dumb dumb shit.

Speaker 5 (00:49):
Damn motherfucker, damn motherfucker mother.

Speaker 7 (01:08):
Yeah, yeah, man, I figured that was a lot better
than me trying to sing lady. You know what I'm saying.
It's a lot better than me trying to do ladies.
As we remember the life of di'angelo, man celebrating here

(01:29):
on the head now the session making it happen for
you man. And I was gonna do Lady, but Britt
had a song and it was perfect, and we had
to get that on because me doing Lady, I didn't
want to hurt Big Thieve's ears. Man, so he need them.
So he's a lot better than me. I'm glad you
had that song. Britt. You don't know how you just

(01:49):
saved my life. She saved the show, She saved the
show literally, man.

Speaker 1 (02:00):
Like.

Speaker 4 (02:02):
Deep ready to funk it up.

Speaker 7 (02:03):
Oh yeah, I was gonna tear that. I was gonna
tear lady up.

Speaker 3 (02:06):
Man.

Speaker 7 (02:07):
Oh yeah, I was gonna because I was gonna do a.

Speaker 4 (02:09):
Little lady did that?

Speaker 7 (02:19):
Yeah you did that?

Speaker 4 (02:20):
You did that.

Speaker 6 (02:21):
Look, look check this out. Rest in peace of my dad.
Let me tell you something.

Speaker 4 (02:24):
Go ahead.

Speaker 8 (02:24):
I sit there in my room with my head close
to the speakure with the volume on low because my
dad and my mom wouldn't.

Speaker 6 (02:34):
Let me listen to music. Were cursing in it. Really
like that.

Speaker 8 (02:37):
Yeah, my dad is so funny, like he will find
me and my brother listening and stuff. He threw a
tape out the car. He had this truck and he
ran it over in the alley.

Speaker 4 (02:46):
Oh really listen to this, I'll tell.

Speaker 6 (02:48):
You like that was like ship like oh my god.

Speaker 4 (02:52):
Course ah ye.

Speaker 7 (02:56):
I'm like, oh like.

Speaker 6 (03:01):
My favorite DiAngelo.

Speaker 7 (03:04):
Oh oh man.

Speaker 9 (03:11):
You know, Brett, I can relate because you know, when
I was a kid.

Speaker 10 (03:16):
I was listening to motherfucking do every time I turn
on the goddamn radio.

Speaker 3 (03:22):
It's motherfucking dope.

Speaker 11 (03:24):
Wow.

Speaker 3 (03:26):
Let me tell you one.

Speaker 11 (03:27):
Mother fucking dondee will shut this motherfucker down.

Speaker 7 (03:32):
Oh yeah, I forget that.

Speaker 6 (03:36):
Look me, me and my brother used to be in
the room.

Speaker 8 (03:38):
We was real young, and I know y'all know this
song is old, so y'all know we was young, and
we would have I would have my head to one figure.

Speaker 6 (03:45):
And he'd have his head to one and we have
it real low, and it was like, I want to
sack you up.

Speaker 4 (03:52):
Stop, I want.

Speaker 7 (03:58):
I want to suck yes, and was like, oh yeah, well,
you know what I would say. I would say that
I didn't that I didn't listen to any cussing songs
or anything. But see my mom is listening, so she
I would incriminate myself. You know, I played all kinds
of stuff I want supposed to hear when I was younger,
and I don't want to criminate myself.

Speaker 4 (04:19):
And I know my mama is listening right now.

Speaker 6 (04:26):
Now what you're gonna do?

Speaker 7 (04:29):
Oh yeah, no, she would you know what I'm saying exactly,
and I don't. I don't want to go viral. Yeah, man, exactly, exactly, exactly, Man,
big female, We're gonna go and play your record right now. Man,
have to jump into the head and own the session.
This is where we play homage and discover new artists

(04:52):
right here, giving her the honest feedback and construct the
criticism of anybody that need to get that song, you know,
critique that the second set ears that you don't have. Now,
this is before we take those songs that are sent
to us, get to the constructive criticism on its feedback
and help production so that when you don't put out
anything whack, you can send it to us. Now we

(05:14):
can help you figure it out. And then our panel
is here give you that feedback. You take it, bring
it back and listen to it again. This is where
songs are created and songs are you know, figured out here.
But if you cannot have no constructive criticism, do not
waste in these time. Do not waste better living next

(05:34):
to human Shannon Lyris time. Do not waste Cali Good's time.
Do not waste Big Fiends time by sending us any
songs that you don't want any construct the criticism on.
But if you can't get the fuck out of here
exactly MD getting that disclaimer, why I get big feed
songs set up.

Speaker 12 (05:52):
The disclaimer is this shows is strictly just for critiquing
purpose for production.

Speaker 4 (06:00):
We're not saying we don't like the song or we
like the song.

Speaker 12 (06:04):
Were only merely saying that there's some adjustments in your
production that you need to do.

Speaker 4 (06:11):
And if you follow our instruction and.

Speaker 12 (06:14):
Redo it the way we ask not tell you, but
as then we'll play it again when you send it
back fixed up. But if you don't want about to
criticize your music, like we said in the beginning, don't
send it to us.

Speaker 4 (06:32):
If you don't want to hear it. Let's get the
fuck out of the billy.

Speaker 7 (06:37):
All right, we're big Feed. You gave us a song
he wanted us to hear. This is uh, change your
life pass to Is that what it is?

Speaker 4 (06:45):
That's what it's called.

Speaker 3 (06:46):
Mm hmm, now that's that's the foul name it's but
it's changed.

Speaker 7 (06:52):
Your life, Change your life.

Speaker 3 (06:55):
Speaturing Black Thompson.

Speaker 7 (06:57):
Okay, all right, let's check our big feed the new song.
Let's make it happen. Here we go to heading out
a session part about the radio show. Let's go.

Speaker 4 (07:07):
You just heard this record a wrong one, wrong one.

Speaker 10 (07:13):
Feedback on the next song, anybody we're about to play now.

Speaker 13 (07:21):
Indeed, yeah, yeah, big fellas, when you are represent right now?

Speaker 10 (07:36):
Posy T on the track, Toby young tells me, you
big tea, were.

Speaker 3 (07:44):
Back at it again unlessen.

Speaker 1 (07:47):
Me, tell me, tell me you can give it to you.

Speaker 10 (08:07):
She wrote it with the false man with the fosse,
playing it into this guy lost with the hundred grand
and I'm about to take a knee deep like it's
quick saying, dipping through the city lit on adrenal. Man,
maybe you're a grown man and sping my romance. You
love him? When we stroke that magic, when we go hand,

(08:27):
listen to the sounds of the town of Power eighty eight,
they gonna break it down for a pound and make
a baby.

Speaker 14 (08:33):
We can do freaky in the lobby.

Speaker 10 (08:36):
She's coming nothing close, Tran said, Then nothing for Rockrick.
We're feeling lofty. Dubby keep rubbing on my tummy. She's
trying to win the shot, the chance to win the
hor beat. She want to pick super tom Gang, but
that she never had roses and truckles until I met
the The dream is forever. We're grind hard together. We're
gonna make that hangs fall off because him, forever.

Speaker 1 (08:56):
Him for.

Speaker 10 (09:00):
Me. You will set me.

Speaker 4 (09:06):
Somebody give it to you, ye.

Speaker 3 (09:15):
Me.

Speaker 1 (09:15):
You want to be change and begin Rembert take get
the girl.

Speaker 3 (09:32):
Show in facially Asia.

Speaker 13 (09:37):
I want the full juice, call me.

Speaker 1 (09:47):
Me your own me change put to you a you gonna.

Speaker 4 (10:14):
You already know what it is.

Speaker 3 (10:15):
Baby girl. Yeah, I'm about to change your life.

Speaker 4 (10:18):
It's real that baby. It's me and you against the world.

Speaker 10 (10:22):
Whatever you want to set your feet trips around the world,
baby me and you just don't stop this love.

Speaker 3 (10:29):
Just tell me baby, you know.

Speaker 7 (10:31):
Big shout out to Drew hill Man, big shut off
that Drew here.

Speaker 4 (10:34):
On that record.

Speaker 7 (10:35):
Well for that record right there, Man, that's one of
my favorite Drew hill songs. That tell Me record. That's
a nice flip, a big thieve.

Speaker 4 (10:43):
That's how you tweet. That's how you tweet.

Speaker 12 (10:47):
Old song, That's how you tweet.

Speaker 8 (10:51):
That's how you tweets.

Speaker 4 (10:55):
You know, that's how you.

Speaker 6 (10:58):
Do it right. The singer did kid stay like I
wasn't like, I like this is it?

Speaker 1 (11:05):
This is crazy?

Speaker 6 (11:06):
Big fiend like you did that?

Speaker 4 (11:09):
See big feed that fall was telling you about the
song the song I wrote for you. Also cheated like
a lady. Can you send me the file? I did
to send you the file and be slacking. Yeah, I'll
send it again. I think you a black would have
did that. Man way better than we Okay, I will. Yeah,

(11:34):
you gotta meet the criteria for that time. That was
fire that Yeah, that's great.

Speaker 15 (11:40):
You took a O, you took a holy but goody
and and just tweaked it to a rap mm hmm,
and it was smooth, still smooth like the old original one.

Speaker 3 (11:54):
I can't wait to do a record with Bread.

Speaker 7 (11:56):
I promise you that that needs to happen yesterday. Man,
I know yesterday happen.

Speaker 6 (12:02):
You need to send it on over.

Speaker 4 (12:04):
Yeah man, yeah, black Black, you hook you guys up,
big thing.

Speaker 6 (12:09):
You know where to find me like it ain't even
you got my number, you got my inbod. You feel me.
You know where to find me. If you ain't got
the email, you can get it like you know where
to find me.

Speaker 16 (12:19):
Yeah.

Speaker 7 (12:21):
In fact, Big Fig went down the road do a
remixt of on the remix with this record, right, Hey, yeah,
call type Yeah.

Speaker 17 (12:35):
When you're gonna do the video, tell me when you're
gonna do the video.

Speaker 6 (12:45):
You gonna do the.

Speaker 3 (12:46):
Video real sol.

Speaker 9 (12:48):
You know what's what's amazing is my boy t Max,
who shoot movies. He called me because he you know,
we use his royse Rose Roys and the BHG record,
but unfortunately, you know, he was still working on it,
like paying because we shot we shot parts of the record,
the video in his out of Body shop.

Speaker 4 (13:11):
Oh yeah.

Speaker 3 (13:12):
So but now it's done, his Rose Royce has done
so he called.

Speaker 9 (13:16):
And in fact I talked to him tonight about shooting
the video, you know, with his Rose Royce and stuff
like that, and having Black coming out because you know,
you know, Black could be singing on the work at
the World.

Speaker 3 (13:30):
Serious the Dodgers game. Yeah, so Black. So they sent
him the playlist, so he's cool. Yeah, yeah, the set list.

Speaker 9 (13:37):
So he'll be doing that. So soon as we get
done with that, he's gonna shoot out here, We're gonna
do some stuff with it.

Speaker 7 (13:43):
That's what's up. That's what's up. Kelly Good. What do
you think about the record? He there? He s there,
Brett again, Kelly Good, you're there.

Speaker 4 (14:03):
She try to hook him up? Okay, can you hear him?

Speaker 7 (14:12):
Try it again, Kelly go.

Speaker 4 (14:13):
Ahead, h yeah, no, no, Brady, can hear you?

Speaker 11 (14:25):
Yeah, he.

Speaker 4 (14:28):
Was, he was almost in there.

Speaker 15 (14:31):
It goes.

Speaker 7 (14:35):
Go ahead, Kelly Good. No, I'm not here.

Speaker 4 (14:42):
I think Look, I think Loving Ax is kind of
shaking a little bit now.

Speaker 8 (14:46):
I'm trying to get it to I'm moving the phone
like to make sure, like you can you can hear him.

Speaker 6 (14:53):
Try it again.

Speaker 7 (15:00):
Okay, we got the speaker on, yeah, put he put
him on speaker.

Speaker 4 (15:07):
Speak.

Speaker 7 (15:11):
Yeah, okay there you got to hear you right there.
Oh okay, I got you right now.

Speaker 4 (15:18):
You now, Kelly good to the house in the building.

Speaker 7 (15:24):
Yeah, okay, go ahead. What you tell us to tell
us what you think? We can hear you now?

Speaker 6 (15:34):
Yeah, he said, we can hear you now. Go Yeah.

Speaker 11 (15:39):
I was saying, it sounds great. Man. When when I
was younger, my brother sent me consentation in New York
from this dude Na t J do Wop. So he
gave me those vibes when he first came in with
when he was introducing the songs, you know, like t
J K Slay do Do wopping, and it was it
was cool man, just singing. Gave me vibes and like

(16:00):
pe Pain meets tied down the Sign and you know
the Gramps real smooth, you know, getting some nostalgic fride.
I like it though.

Speaker 4 (16:06):
That's what's up? All right?

Speaker 7 (16:08):
Well he breaks the record down, don't Oh, yeah, that's
what's up.

Speaker 4 (16:12):
Yeah, he can take an old g way and right.

Speaker 3 (16:16):
The ballistics of the record.

Speaker 7 (16:18):
Yeah, yeah, that's what I like.

Speaker 4 (16:19):
That's what I like. Analyst that Yeah.

Speaker 7 (16:23):
Yeah, Well, Kelly Good, since you're there, I want you
to break down this uh.

Speaker 4 (16:29):
Record. You send me here.

Speaker 3 (16:34):
Andrea telephone number will be monitored and recorded.

Speaker 4 (16:38):
Oh lady, we hear you.

Speaker 3 (16:39):
Yeah.

Speaker 11 (16:39):
This song is called Yeah, this song is called Integrity.
It's it's me featuring my son folks CG No Good.
Shout out to folks CG No Good At birthday it
was October sixteenth.

Speaker 3 (16:52):
We here this is.

Speaker 11 (16:53):
This is on our uncovered collaboration project. It's called Integrity
by Kelly Good and folks HD no Good.

Speaker 7 (16:59):
That's what's something. Shout out to him. Happy birthday to
him as well. I was sixteenth Saturday.

Speaker 3 (17:05):
I believe.

Speaker 4 (17:06):
Yeah, the Goods, the County Goods are in the house.

Speaker 7 (17:13):
Yeah man, let's shut it out there we go.

Speaker 1 (17:38):
Think about it.

Speaker 18 (17:38):
If you're going hard, you or not way, Well, mama
need a therapist. Sign I says, well home, you need
too much advice? Sign got paid mask off cook him
in the eye sign not Jay squears. I love that
It's hard to find like a yeatty no squares in
myself for loyalty is in my pedigree. If you hollered
at you really real, then you better be because I
ain't got no tipalize.

Speaker 1 (17:58):
I'm big on the chaperty. We can get that motion, boy,
you better keep it real.

Speaker 19 (18:02):
If your brody bringing the back, protect your brody with
the steal all the damage always done. At the time
I had to heal, they could never walk up here,
gonna shoot my pen the never field. Michael said, I
got a mac move around like I'm to live. Mike
Jackson on the beat, Coach Young is like I'm feeling.
I'm getting all this money, all the motion.

Speaker 1 (18:18):
It's the real. I gotta take it.

Speaker 3 (18:19):
All you gotta do is keep it real.

Speaker 19 (18:21):
Everybody who will but my team and never miss a
mall all my brothers eat.

Speaker 1 (18:25):
We all got motion.

Speaker 19 (18:26):
Can't you tell all these weak rappids flow so oh
a getting steal holy one pounds?

Speaker 9 (18:30):
Then I call it.

Speaker 1 (18:31):
Ship it through the mail, always be one hundred.

Speaker 19 (18:33):
I'll never switch up on the fan when I touched Millies,
all going by my approximate land Until then I'm gonna
go ahead and studies rupper Ben.

Speaker 1 (18:40):
Everybody asking who I am, No good friend the land,
think about it. If you're going hard you or not waiting?

Speaker 18 (18:46):
Well, Mama need a therapist signed, I say, well home,
you need too much? My sign got paid mask off
cook him in the eye sign not take where's the
love at? It's hard to find like daddy nowhere can
my sofa royalty is in my pedigree. If you hollering
at you really real, and you better be because I
ain't got no time falize. I'm being on the chegrity
whereas I love act. I got enough to go around

(19:07):
for me. A shout out to the few to help
me down and help me on my feet. Confident with
my ability is to keep it real with me who
hunting nothing less than the best I was supposed to be,
never lacking, never slacking time waste for no soul, and
not improved time after time. I will not hold many
men fishing death, only like them see Jackson. But I
hate this job is to hate when you two racking
lately everybody with the wharf, and I ain't about action,

(19:29):
cock back and squeeze on you fleas. I am not grappling,
shoot the fade and rerunning back champ. What's having Cali
good I'm really from a hood homie. No catin certin
my reputable I speaking leave of mosstrug, the true ghetto
gospel with exception. Every conduct, round breaking, innovative, set, a
mom follow train, no validation needed period.

Speaker 3 (19:47):
I know.

Speaker 18 (19:48):
I'm really in thinking about it. If you're going hard,
you are not playing well. Mama need a therapist. Sign
I says, well on home, you need to bunch of mice.
Sign got paid basketball cooking me in the eye, sign
not chas.

Speaker 1 (20:00):
I love that.

Speaker 18 (20:00):
It's hard to find like nowhere. Royalty is in if
you hollered at you really good?

Speaker 7 (20:10):
All right, good for CG No good right there, man
something integrity al right, m D. What you think about
the record? I like it?

Speaker 4 (20:22):
Hm, you know, considering the position he's in. That was
fire all right fire mm hm. Him and his son,
they they they fed off each other. You know, I heard,
I heard that, I heard the edit.

Speaker 12 (20:43):
You know, I heard the cuts of your vocal track,
but I understood that. Yeah, so yeah, okay, just get
it mixed, Just get it mixed.

Speaker 4 (20:58):
Put a little, a little up to it.

Speaker 16 (21:02):
You got something mm hmm, okay, big feed what you
think man, man, Britt just sounds so damn good, that's
what's up.

Speaker 3 (21:14):
Was that Britta in the background vocals?

Speaker 6 (21:17):
You know that was written the background vocals?

Speaker 9 (21:19):
You know.

Speaker 12 (21:22):
You feel me.

Speaker 3 (21:22):
I'm just seezus bro.

Speaker 9 (21:25):
You get the God must have just came down and say,
here Britt take his works. But really though, lyrically, uh,
you just know you're dealing with hip hop rap artists.

Speaker 14 (21:38):
How do you want to call it?

Speaker 3 (21:40):
Because the lyrics are consistent, you know, it's like and
then you just get on there and wrap it.

Speaker 13 (21:47):
Like.

Speaker 3 (21:49):
Man, I do this ship all the time. Like I
was like, you you know, he's just rapping, just.

Speaker 9 (21:58):
You know, like he could fix a car and wrap
at the same time. Well, I'm putting a new engine
in and so I'm rapping on his record. And so
I like the way him and his son break up
the monotony in the record. So they both got dope flows,
but they have a different melodic flow and the sound
breaks up. So you know, like MD, I'm with m

(22:21):
D on that I would go in the studio and
like big productions kind of recording session like break out
the bells and the whistles and you know, pop recording
studio or something like you know, because then you got something.
But yeah, a better mix, be a better mix for me.

Speaker 20 (22:42):
But right right, I'm not like a lot, you know,
like the transition between them and brid you know, the
palaces it out.

Speaker 9 (22:55):
He come up with this uncut and uh, yeah, it's
just a good record. Yeah, it takes you place. It's
good job, kind of good, good job, bro.

Speaker 6 (23:10):
Yeah, we're really trying to give it.

Speaker 8 (23:12):
We're really trying to give it to you guys fresh,
you know, while we're working on the project.

Speaker 6 (23:16):
So it's not a full mix. It's just like you
know here that's on the project. How do you guys
feel about it? You know, all a little mixed? Yeah, definitely,
definitely okay, yeah, h we can't hear you, dundee.

Speaker 4 (23:33):
Sorry with that.

Speaker 7 (23:34):
I'm sorry that's me with that. Uh, with that record.

Speaker 4 (23:37):
How you're gonna make some how you're gonna make some
changes with it.

Speaker 8 (23:41):
I am going to pull the vocals out a little more,
you know, like it's just things I need to do
in the mix.

Speaker 6 (23:47):
I just want to see how you guys felt about it,
Like I feel like it's good enough for y'all to
see what's going on and I can continue later.

Speaker 12 (23:55):
If you wanted to, you can experiment putting some warm
streams underneath everything.

Speaker 6 (24:04):
Okay, Yeah, we got a song that we've been working on.

Speaker 8 (24:08):
You guys gave some advice like weeks ago, and I
took the advice and I actually added like some drums
to it to make you, you know, move a little
more where it just wasn't the cruise in the car.

Speaker 6 (24:20):
So you know, like we we're listening to what you
guys are saying. We're trying to tweak and do what
we need to do for the project.

Speaker 7 (24:28):
We were here the help, were here to help and
one thing I loved about it no profanity, right, So that's.

Speaker 6 (24:36):
What we're working on right now. And which for telling.

Speaker 8 (24:41):
Little no good like look, you know, we get that
you're young, and you know you're trying to get your
swag on before. Right now, ate ninety percent of our
project with no person just so we can put the radio.

Speaker 6 (24:56):
So you know, we appreciate you guys for saying that.

Speaker 4 (24:59):
So you appeal to a diverse audience, right, not just
the hood audience.

Speaker 6 (25:04):
Right. It's cool.

Speaker 8 (25:04):
It's cool to you know, perform for the hood. It's
not wrong with that, but we do want to you know,
get to a bigger audience and with like.

Speaker 12 (25:13):
Yeah, you do the hood, you do the hood version
for the clubs, for commercially radio and television videos. You
want that diverse sound so nobody won't complaint all these groups.
You know, you got all kinds of groups against everything,

(25:35):
and it's hard to stay away from all of them
unless you really go all out to stay away from them.

Speaker 4 (25:42):
You know, things you got to you gotta consider now.
You know, people protest, Yeah, he's saying too much nasty
stuff on it.

Speaker 12 (25:51):
I mean, you got all kinds of people, you know,
just like the gay community. People talk about them like
Dave Chappelle's and people start, you know, complaining, So try.

Speaker 4 (26:02):
To you try to find that crack in the wall
to get it get through.

Speaker 12 (26:08):
It's tight, it's tight, but if you're a professional, you'll
learn to get through those tight cracks.

Speaker 7 (26:15):
Right, Let's let's check out this next one right here.

Speaker 6 (26:17):
This is but before we get to the next song,
we're gonna say one more time, Happy birthday.

Speaker 4 (26:23):
It's a little no good, Happy birthday, little no good,
no doubt, happy birthday.

Speaker 6 (26:29):
How is he no good? My bad?

Speaker 4 (26:33):
Oh?

Speaker 2 (26:33):
Is he.

Speaker 6 (26:35):
Kelly good? How old is he? Twenty four?

Speaker 7 (26:39):
Twenty four Okay, all right, man, shout out to him. Man,
happy birthday if he's listening right now, Happy birthday for sure,
for sure, Let's go ahead and check out this next
record right here, man, this is a tiger Lily sounds
called where y'all at? Tiger Lily?

Speaker 4 (26:55):
Where you at?

Speaker 7 (26:55):
Let's check it out.

Speaker 4 (26:57):
But you're gonna find out where he at.

Speaker 1 (27:00):
You know, I wanted to say this in person.

Speaker 21 (27:03):
I know we mean going through whatever it was I
went through, but you know, I know it's one o'clock
in the morning, but I just wanted to let you
know that I was thinking about you and I miss you,
and I didn't meany things that I said, but I

(27:26):
just wanted.

Speaker 22 (27:27):
You to know that I.

Speaker 1 (27:30):
RELI in sit me.

Speaker 2 (27:34):
Uh, I'm trying to hide it, wondering who she's you
let him in. Gotta lady Pool, don't want to hide it.

Speaker 1 (27:43):
Tell me that you I'm.

Speaker 12 (27:44):
Trying to hide in.

Speaker 6 (27:47):
When you go ahead and try me, gott be messed up.
Take hell go on, switshe it on.

Speaker 9 (27:59):
Me.

Speaker 1 (27:59):
No, No, only moments.

Speaker 2 (28:02):
Just want you to hold me because you were supposed
to be you were supposed to be my one.

Speaker 6 (28:11):
And only.

Speaker 4 (28:20):
See in the moment.

Speaker 2 (28:23):
Going crazy and I'm shown that got you trying to
show me it is either I need to know it, okay,
let it go.

Speaker 4 (28:35):
It a battle with you.

Speaker 17 (28:37):
Was saying explosion.

Speaker 6 (28:40):
Because you're got me messed up, go and swisheet.

Speaker 1 (28:46):
On't hold me, no noly moments.

Speaker 2 (28:52):
Just want you to hold me because you were supposed
to be you were supposed to be.

Speaker 6 (28:59):
My one and only.

Speaker 7 (29:17):
Oh okay, all right, okay, none of that bruptly stopped. Okay,
so there's uh that was one issue. Yeah, yeah, that
was good enough. But I'm saying, is that for me
it was horrible because that has at least oh man,
how much dead air? Does this record have seven minutes

(29:37):
of debts? So it's like five minutes of dead air?

Speaker 12 (29:40):
Oh they left the machine on it, I guess so,
and walked away, but they made the folly. They left
the play button record going. Yeah, So that's that's one
thing that was wrong with it. Okay, MD, go ahead,
since you're there, What do you think of it?

Speaker 4 (29:56):
I kind of liked it.

Speaker 12 (29:57):
I think vocally she could do a little bit better.
I couldn't really distinguish the hook from the verse. You
kept it almost in the same kind of gruel, same
kind of melody, you know. I heard the lyrics that
for the hook, but she was singing it the same

(30:18):
way she was singing the verse, and she gotta be
able to distinguish. She got to put a little bit
more up to that hook, you know, and probably a
three part background on it, you know, so you can

(30:39):
hear the difference. But that's what that I caught. Maybe
the rest of them, the rest of the music professionals,
probably heard it a little different than me. Let's go
ahead with Brett.

Speaker 4 (30:55):
What you think? What do you think?

Speaker 6 (30:59):
I thought the song was cool. I thought they had
a cool little.

Speaker 4 (31:04):
Okay, okay, that's what's up.

Speaker 7 (31:07):
Kelly Good?

Speaker 4 (31:07):
What do you think?

Speaker 6 (31:10):
Again? Like, I agree with m D. But I still
feel like I feel like it was a cool little
vibe too.

Speaker 4 (31:15):
Got you got you?

Speaker 7 (31:17):
Kelly Good?

Speaker 4 (31:18):
What do you think?

Speaker 11 (31:21):
Yeah, no question about it. I heard a lot of pains,
you know. I'm like, oh, that's about of pain here,
I guess because I'm home on the phone, I'm not
really getting them more quality. Kind of gave me up,
like they were recording trying to damn room short.

Speaker 6 (31:44):
But I think.

Speaker 11 (31:49):
I'm after that.

Speaker 7 (31:51):
Okay, all right, that's what's up? That's what's up?

Speaker 3 (31:54):
Uh?

Speaker 6 (31:56):
Oh, my bad. I know you're gonna go to big feed.
You said it was space at the.

Speaker 7 (31:59):
End in seven minutes of spect Yeah, you don't have
to record.

Speaker 8 (32:04):
But no, yeah, yeah, either her depending on who recorded it,
or the engineer is new it yee yeah.

Speaker 6 (32:14):
No, it could be hurt.

Speaker 8 (32:15):
She could be recording it in her room like they
just new to it, you know, and they don't know
like you're supposed to cut that dead space or they
don't know how to cut the dead space off.

Speaker 4 (32:25):
Yeah, that's what that means. That's just blaming on the engineer. Yeah,
we won't blame it on the engineer.

Speaker 7 (32:30):
That's that's what we'll do. That's what we're supposed to
know anyway. Right, we're gonna assume. We're gonna assume that
we're gonna go to uh let me let me, let
me step to uh TikTok real quick. We got somebody in.
What's up, my man?

Speaker 4 (32:44):
How you doing.

Speaker 23 (32:47):
Going on?

Speaker 4 (32:48):
What's going on?

Speaker 7 (32:49):
What's name? Who we got is okay, okay, you're an
artist and what you got going on?

Speaker 3 (33:00):
Now? Be reading my bio and saying, oh uh if
you don't, you can't read it. You could you. I
used to do adul film.

Speaker 7 (33:10):
Oh you do adot films?

Speaker 4 (33:13):
Uh yeah, okay, all right, yeah, okay.

Speaker 24 (33:19):
I'm retired now, but I still stay relevant industry.

Speaker 4 (33:23):
You know you re tired.

Speaker 3 (33:27):
I can't have a book that I wrote to so
keep going.

Speaker 7 (33:31):
Okay, so you got to book this out now to
do adult film. That's what's up?

Speaker 4 (33:35):
Okay, all right?

Speaker 7 (33:36):
What's the book called? So people can pick your book?
What's it called.

Speaker 3 (33:41):
My fans named against your points? It's called how I
Became against your points? Basically, just do with my names
triple that s all one word.

Speaker 7 (33:54):
Okay, we definitely man y'all make sure and do that
like going on scoop it.

Speaker 4 (33:59):
Up that up?

Speaker 14 (34:00):
Yeah.

Speaker 4 (34:01):
Do you know Brian Longer? Do you know Brian long?

Speaker 3 (34:04):
Thank you?

Speaker 23 (34:04):
Sip yeah horse don't know aboudy on horse Yeah yeah,
back in my you know Brian long if he's if
he said, you know Brian, that's.

Speaker 3 (34:20):
My errand that's what that's when I'm in the game
to the other lady fail the same night. Yeah yeah, yeah, okay,
you said you.

Speaker 9 (34:32):
And Junior Juthing, I been knowing you, I know, did
you know do you know t N T. If you
know Jubil, you might know t n T because they
used to all play basketball up at Parmer League.

Speaker 24 (34:46):
I don't know d n T basketball, baseball, football ball
bout he from Inglewood, so you know, you know we
worked together, be.

Speaker 4 (35:01):
Okay, when I.

Speaker 25 (35:03):
Got in the games, he got he retired around two
thousand and six, five or something like that, got married,
married Charriott.

Speaker 22 (35:13):
Now he probably move to Atlanta, Yeah with what's his girl?
What's his wife's name? Cherriots like yeah, sure, yeah, even
because he got the truck here.

Speaker 3 (35:26):
Trump driving that one.

Speaker 7 (35:28):
Okay, well, guys that I don't mean to cut that
conversation short right there. But right now we we were
in the mist critique and some songs.

Speaker 4 (35:36):
Man, need the back backroom stage long. Yeah.

Speaker 7 (35:40):
We we're playing some records and critiquing some songs. So itself,
if you would like to stay with us, more than
welcome the particular a few records with us. We got
like two more left what we ended for the night,
So you're welcome to hang out with us.

Speaker 1 (35:51):
Man.

Speaker 4 (35:52):
Yeah, I don't want to.

Speaker 25 (35:53):
I don't want to for nobody put my opinion on
somebody's master piece on craft.

Speaker 4 (35:59):
You know what I mean, okay, a master piece.

Speaker 3 (36:02):
Yeah, I was checked. I was refecting everybody class you.

Speaker 7 (36:05):
Okay, all right, man, Well thanks for coming through, man, Yeah,
stay up man, and down the road.

Speaker 3 (36:10):
Man.

Speaker 7 (36:11):
We'll get you back on talking about your career.

Speaker 4 (36:12):
Okay, just stay on and listen.

Speaker 7 (36:15):
Okay, yeah, all right, man, take care man, all right here,
peace all opens up the phone line for you. That's
my way, you know, he's my way of TikTok, TikTok. Yeah,
TikTok space for you right now, hit that combo button.
We would love to bring y'all up on the air.
I learned how to do and TikTok. I don't know

(36:37):
how to do that yet. Oh oh yeah, it's it's
I'm getting better at it, man, I'm getting better at it.
So I'll have to show you how to how to
put that up.

Speaker 4 (36:44):
I got it on my phone, yeah, and on my computer.
I just don't know how to navigate it, right right right,
I got you.

Speaker 7 (36:52):
Yeah, we have to show you how to do that
big fee next one big fee. You didn't you didn't
tell me what you thought about the way, So go
ahead and tell me what you.

Speaker 9 (37:01):
The record is like really eccentric, and I like Eccentric Records,
So I thought, I'm like Britt, I thought it was cool,
you know, cool little vimes cool.

Speaker 3 (37:09):
But you know, I just think and.

Speaker 9 (37:11):
I'm like MD said to you know, she needs I
think she needed to put something in her hook so
it could stand out from the verse.

Speaker 4 (37:20):
I do think that.

Speaker 3 (37:21):
And then also I think her timing and some.

Speaker 9 (37:25):
Of those vocals were off, you know what I mean.

Speaker 7 (37:28):
You know, some of the ad libs were not.

Speaker 9 (37:32):
In the pocket per se, if that makes sense. But yeah,
but no, no, no, I thought it was cool. You know,
I like.

Speaker 3 (37:38):
Eccentric Records, you know, different stuff. But yeah, yeah it's cool.

Speaker 7 (37:43):
Okay, all right, well go ahead and move on to
the next record right here. This one is roxy B
roxy B. Song is called plan B roxy B plan B.
Let's check it out. We got a plan for us playing.

Speaker 3 (38:02):
You don't know what.

Speaker 6 (38:03):
Playing is.

Speaker 3 (38:06):
Recognized?

Speaker 26 (38:15):
You boy, make it rain and this picture. I love
it when the business canna me, daddy. I love it
when the business con me did smoking good. He's like,
I mean, golly, fucking don't want what my dude for

(38:40):
my family.

Speaker 1 (38:42):
I don't know when I knew what my family and
they said, just say my daddy.

Speaker 26 (38:47):
Let's say it's just like love me. I love it
when the business canna me daddy. I mean I make
up with my badgie my caddy. Might people say you
as just like a.

Speaker 4 (38:58):
Daddy, your die.

Speaker 26 (39:00):
I don't even really know my pathy doing mass that
they can stand me. I always love my kids had
or playing fee. I feel like prison break good up.

Speaker 6 (39:10):
Playing on me.

Speaker 1 (39:14):
I love it when the business call me diddy.

Speaker 26 (39:17):
I love it when that business call me diddy, smoking
good like I'm a guy like fucking.

Speaker 1 (39:24):
Ditty. Don't know what I do for my family. I
don't know what I knew about my family.

Speaker 6 (39:31):
And they said, I just tell my got it.

Speaker 1 (39:34):
It's say I just like my move me. I don't
even bow it, don't go it on.

Speaker 26 (39:40):
Why I ain't need word well, I can't even jokes,
don't know.

Speaker 1 (39:49):
I don't even voward. I don't know why these people forward.
I don't know what else. I can't even joge talk
any juice dark. I love it when that daddy. I
love it when that smoking dude guy don't know I

(40:13):
do my family don't know, and I do my life.

Speaker 9 (40:19):
Just my daddy.

Speaker 1 (40:21):
They say, just like.

Speaker 7 (40:24):
That's roxy b planing b roxy B playing B thoughts
on the record, keyword DA radio, showing on social media
platforms and let us know what you think about that one,
and we're gonna get the honest feedback and construct the criticism.
Right about now, big feed what did you think about
that record?

Speaker 9 (40:42):
Well, you know, I think he got a good voice,
I really do.

Speaker 3 (40:45):
I think you sound good. I think that beat the
track he pick.

Speaker 9 (40:49):
I think he hit it, you know, probably, you know,
I just you know, just two repetitions in terms of
the lyrics. You know, I think it easy would somewhere
the daddy. It's a nice chance. It's very melodic. It's
a great melody. But he had to go somewhere.

Speaker 3 (41:08):
Else with it.

Speaker 9 (41:08):
He just can't do that through the whole song, you know,
as long ass repetitions.

Speaker 1 (41:14):
But other than that, it sound good.

Speaker 3 (41:17):
He sound good, all right, man, you need to write
or something.

Speaker 4 (41:21):
Yeah, yeah, other words, Big Fever telling him he need verses.

Speaker 12 (41:29):
You know, he got the hook, he just ain't got
the verse, you know, either long ass intro or a
long ass hook.

Speaker 4 (41:43):
It wasn't no verse at all.

Speaker 27 (41:46):
And he didn't tell into a like I mean, I
kept it after that after the eight bar came in
the beginning, I said one, two, three, four.

Speaker 4 (41:57):
I was looking for him to say, how about the about.

Speaker 1 (42:02):
It?

Speaker 4 (42:02):
Even I thought he's gonna come out right back, right back,
you know the real language.

Speaker 9 (42:14):
That's that's an alien language. Wow, I don't know what
you said, So be caring for their brother.

Speaker 4 (42:23):
Hey, I'm just doing I'm just doing throwing that throw words.
You know what you said?

Speaker 7 (42:36):
Yeah, Bret Britt, what do you think?

Speaker 3 (42:38):
Yeah? I liked it.

Speaker 6 (42:42):
I thought the song was gonna say. I don't know
if I like okay, like I was feeling it maybe
more than I should have been. I just was like, Okay,
I like this. This is real smooth, like his swag
is like I like this a lot.

Speaker 4 (42:59):
The guys, I guess I ain't got no verse.

Speaker 9 (43:04):
You know, you wouldn't have said if you would, now
look like.

Speaker 6 (43:12):
You don't want to people how I judge myself, So
I just like the er.

Speaker 12 (43:19):
About how on herself. She just doesn't want to hurt
nobody's feelings. I want to hurt nobody feeling and I
feel her on that.

Speaker 4 (43:29):
That's smooth with me.

Speaker 6 (43:30):
I act like I'm like, that's like, what are you doing?

Speaker 3 (43:34):
You know?

Speaker 8 (43:35):
Like, but for somebody else I'm listening to. I really
try to appreciate where they're coming from, you know, like
I try to appreciate the art.

Speaker 4 (43:40):
So you know that it was a smooth It was
a smooth ass hook. It was smooth.

Speaker 12 (43:46):
I mean it was I got into that, you know.
You know I heard what they was talking about playing B.
I know exactly what they was talking about.

Speaker 4 (43:55):
On the hook.

Speaker 12 (43:56):
I wait from to do it, I wait from to
do the verse, the plan be what it was really
all about. You know, it was dripping. I made a mistake, yes, look.

Speaker 6 (44:12):
So much that I didn't even know, Like it was
no real format, Like I was just vibing.

Speaker 8 (44:16):
I was like, I like this, I like this, okay, cool,
Like I didn't even I'm just be honest, Like I
didn't even listen to the format.

Speaker 6 (44:22):
So I hear you saying like I was waiting for
this to happen. Nah, I was cool. Like the whole time,
I was like, Okay.

Speaker 12 (44:29):
Everybody everybody that's sexually in Bobed knows about planing B.

Speaker 4 (44:36):
You know that's that's when that's when the male say,
day zy, oh.

Speaker 9 (44:48):
Man, I'm gonna be honest, I haven't heard you, not
like one song like I don't like that record. I
haven't heard that yet the thirty years you've been on
radio show.

Speaker 6 (45:01):
So let me tell you.

Speaker 3 (45:03):
I just really believe, you.

Speaker 8 (45:05):
Know, and I can see, like even though you can't
see where somebody coming from, I can see where they
coming from, or I can see where they wanted to
come from. And it's just like, you know what, Okay,
I just like music like no matter what, like if
it's commercial, if it's underground, you know, like, no matter what,
like I like it.

Speaker 6 (45:22):
It's it's very abstract. You'll be like, what was that?
And I can hear the whole record like it could
be a hit, Like that's different.

Speaker 8 (45:30):
That was abstract, you know, like okay, like everybody always
doing the same thing, and I could just see some
trend happening.

Speaker 6 (45:37):
Whether they may not make it past that single.

Speaker 4 (45:39):
You know, I'd be like, Okay, brit very nice, she
ordered her feelings. You don't say it's a cool song,
but you're missing a lot of right.

Speaker 7 (45:55):
That's all right because I don't say anything.

Speaker 6 (45:57):
So you have a real story, a real story on
why I'm just not trying to be like I feel.

Speaker 8 (46:07):
Like MD, that's your jobody else's job on here?

Speaker 6 (46:10):
Because let me tell you something.

Speaker 8 (46:12):
I went on an American Idol as a child. I
was on American Idol as a child, and for what
Simon told me, like it really like it like broke me.
Even though he was the only one who said it,
it made me for a whole year. I was like,
I'm not getting on stage, I'm not recording nothing like
I'm good, like if that's what somebody got to say
about me, like I'm not trying to make myself better,

(46:35):
I'm just good. He was the only one who said it,
but we all know, like we respect Simon, and it's like, nah,
like I'm good. So I don't want to be the
reason why somebody say I'm good.

Speaker 4 (46:48):
No, you see what Simon did to you. He made
you sound like a superstar.

Speaker 6 (46:55):
Now now you want to know what he did. He
made me in my heart today believe what he said
was right.

Speaker 4 (47:00):
Mmm, and you changed it so.

Speaker 7 (47:05):
Little as you know you needed to hear that now, I.

Speaker 8 (47:08):
Didn't because it may it make me really on days
when y'all don't know me, like I shouldn't be doing it.

Speaker 9 (47:15):
Yeah, I mean, well, my thing is if I tell
you you sound smooth and you sound good, but you're
just saying like the whole one thing throughout the whole verse.
I gotta tell you, like, man, come on, just put
I want you to be better, you know, I want
you to beat I want you to beat yourself, like
challenge yourself to be better.

Speaker 3 (47:36):
To grow the growth. You know, if you could write
that little bit, you could write some other verses you
can write.

Speaker 9 (47:43):
Come on, man, let's challenge people. Let's tell people what
they really can be, telling the truth without destroying them.

Speaker 3 (47:49):
Signon, destroyed people, that's not what we're here for.

Speaker 14 (47:52):
Me the beauty right, and tell them where they could
be so.

Speaker 9 (47:55):
You can be there, you know, instead of just consistently
saying the same thing throughout the whole record.

Speaker 3 (48:00):
That's what Like when you.

Speaker 9 (48:01):
Walk that little part, you could have wrote something else
just as well as that.

Speaker 3 (48:06):
You know you right, you got the talent. Let's do it.

Speaker 7 (48:08):
That's what this shows about.

Speaker 12 (48:09):
It's critiquing and telling you what the adjustments you need
to make for this particular song. It's a good song,
but we want you to make it that term, right,
I understand that the.

Speaker 9 (48:23):
Truth like melodically you know you there, melody you there,
but just the samely, love Daddy, that's come on, man,
we got let's get you there so you can.

Speaker 3 (48:37):
Really make it impulp in the music and this right because.

Speaker 6 (48:41):
I feel it. I feel it. I feel like everybody
on the show got their job to do. That's what
I feel like. Everybody does their job and it's amazing.

Speaker 8 (48:50):
And we all come from different angles, you know, so
it's like you know, like you know, I'm the one
to tell you you in the right direction, keep going,
But then one of y'all gonna tell you what you're
doing wrong, and we see you could be in that direction.
But this is what you need to do to clean
your work up. You see what I'm saying, Like you
can't have everybody like you know what, like you know what,

(49:10):
that was whack.

Speaker 6 (49:11):
You shouldn't have did that. You shouldn't have said that.
I would never let.

Speaker 8 (49:17):
No, I'm just feeling inneral I'm not talking about heart,
you know, like you know, we we all can't be
like you know, like.

Speaker 6 (49:28):
Really be like look here, like you will never like
make it in this business. I feel, yeah, we need
one person that is supportive.

Speaker 8 (49:37):
I mean, like you've heard me like not just be
one hundred, like don't say you happen like where I'm
just like okay, like you know, I see where you're going.

Speaker 1 (49:46):
I like that.

Speaker 8 (49:47):
You know, I want to hear something else from you,
you know what I'm saying, Like it seems like I
can see like something happening that might not have been
what it should have been should have been happening, but
you know, I want to hear something else from you,
So I do say that, you know, Like what I
I just feel like we all have our roles. We
got somebody who gonna tell you how it is. We
got somebody that's gonna support you. We got somebody that's
gonna look at the at the creative side and what

(50:09):
year win. We got somebody for everything, you know, Like
so yeah, that's.

Speaker 7 (50:13):
That's that's what makes the sure work. We've got a
collective of people right right.

Speaker 8 (50:19):
I'm trying to support these artists out here because I
know as an artist it'd be hard to.

Speaker 6 (50:23):
Make these things. And sometimes it be cool, sometimes it don't.

Speaker 8 (50:25):
Sometimes it be in the middle, you know, and it's
just like we're really sensitive when we make these things,
and it's like ah, like I didn't do at this.

Speaker 6 (50:31):
Time, Like.

Speaker 12 (50:35):
All right, That's why I try to do the disclaimer
the way I do. In the beginning, let everybody knows
it's not no ill feelings, whether.

Speaker 17 (50:45):
You're good or bad.

Speaker 12 (50:47):
It's about production and if you want to make it
big in this business. Because I've been around some of
the top artists over the years in the studio, people
like be the Baker, that Ice Cube, and all of them,
I've been I put I had an.

Speaker 4 (51:03):
Album that I produced was on the Billboard charts, and
I had.

Speaker 12 (51:07):
A write up and I shared headline as a producer
with Babyface when they were doing Excel. So what I'm
trying to do is educate those hip hop and R
and B artists that they haven't learned in school because
the school system when we was coming up, we had

(51:29):
music in our schools. They took it away from us,
and that kind of sidetracked our peoples and making really
meaningful music. You know, because you look back in the
sixties and seventies and eighties when you had a thousand groups,
male groups at the same time, and they was all

(51:50):
going platinum and gold at the same time. So therefore
it was a market for everybody. The sound was different,
but our was the same, you know, harmony, worse, everything,
everything was the same. I mean, Blue Magic were just
as good as the Whispers. They were just as good
as the Temptation, Timidator, as good as.

Speaker 4 (52:11):
The Dramatics, And it went on and on and on.

Speaker 12 (52:15):
You didn't see none of the group say well, we
can't do this because they might be better than us. No,
they went against each other like they wouldn't, like they
didn't exist. They didn't care about the other guy. They
just needed somebody, a producer, to come in that studio
and say this is how we're gonna do it, and

(52:36):
we're gonna tweak it the way we need to tweak
it for you.

Speaker 4 (52:40):
Fuck we everybody else to do it. We're gonna do
it what you did. Let me. Let's let's go ahead.

Speaker 7 (52:44):
Check out this last record right here, man, I want
to see how they do it, all right, last record
for the night. This is Ivan Craig. The song is
called Haunting in CT. Ivan Craig Haunting in CT. Let's
shake it out.

Speaker 23 (53:00):
Here we go.

Speaker 14 (53:08):
Saying here on the head the other session, look, you

(53:36):
know you lost.

Speaker 21 (53:36):
It.

Speaker 28 (53:36):
Wouldn't even losses get celebrated. My whole career and he's
an exclamation, I'm back for the belt. Your career needs
an explanation. You put wrapping the shelf, my son, I'm
gonna be here for the crazy ride. I just fastened
his belt. Half y'all got no passion.

Speaker 14 (53:49):
You're rapping with stealth.

Speaker 28 (53:50):
I'm an then path. You can't rap raps that I
actually felt. The split personality is going back and forth
in my head. It's not like Cassidy on the intro
where you battle himself potential have me next so fast.
I practically would blast myself so much to the naked truth.
That's why I flash my wealth and getting my get
back in these wars. I stopped putting stats on the
board because they can't keep track of the score. Listen
City where your mama mama get connapted for awards. Basically

(54:12):
you get your grand beats up. They mack a little
more at you and act like your boys. God put
their purity in the irony late night textas somewhere you'll
never find honesty. Dancing to the beat of my own drum,
and you niggas still trying to vibe with me.

Speaker 6 (54:24):
They can't go line for line.

Speaker 28 (54:25):
They're not aligned with me. Broke her heart and told her, now,
at least you can cry in my throne. If I
end up clocking one of y'all, that's the timing we
all getting end up be for one of y'all's like
fighting my clone. Not only getting my standing on business,
I might in my own like COVID patients, y'all.

Speaker 14 (54:39):
Music tastes off.

Speaker 28 (54:41):
All these beats I hate doing caused me to be
visibly not in shape at all, but in the desert position,
just to raise the bar your favorite rapper skined body.

Speaker 14 (54:48):
Then try to play it off off. Yeah, try and
play it off.

Speaker 1 (54:53):
But I don't play it off.

Speaker 29 (54:57):
Yeah, it's the big walkie talkie man big in any way,
it's annoyed man, let's good it.

Speaker 30 (55:11):
Once I pulled this cord, your whole community gonna be pissed.

Speaker 4 (55:14):
Poor.

Speaker 30 (55:14):
You can't put what I used in the thrift store. Brother,
put your guns down. You gotta use them fists more.
Gotta kill it from my family like Chris Ben wore
enemies nowhere, Ben warre see rap, I got a thing
for rose pedals on it be what you say me
the stems for gott a type of self esteem to
open up your skin. Poor, you knew I would hold
this paper down like a clipboard. I don't got word player.

(55:34):
I got word pleasure cash man er maid's church sweater.
Still don't playing. First letter comes find a way. I
did it in a research center Connecticut. Rap on Funk
flex I was the first ever. Took a lot of pushing,
like a birth center. We ain't get used to the
code until I got third Winner, mother nature.

Speaker 1 (55:50):
Know that we deserve better.

Speaker 30 (55:52):
Gotta stand firm like I'm called mega dark skin niggas
up light skins turned redd, got them fuming proofers in
a pudding. No, you're not assuming. As I get better,
you are not improving. Couldn't walk them out inside my hands.
I had to socket to him. If they don't want
to listen to me, why buy the talking to him? Yeah,
annoy man, the big walking talking man, stop playing with me.

Speaker 7 (56:31):
Ivan Craig so called haunting in Connecticut. Ivan Craig Haunting
and Connecticut, Kelly Good, what you think about this record?

Speaker 6 (56:44):
Hold up?

Speaker 3 (56:47):
All right? Go again?

Speaker 11 (56:50):
I thought of with dope man. That puts me back
to like two thousand and eight. Man, you know, back
of people's lyrics, coming with that hip hop, come up
with that contact, you know, don't put put time and
effort into the lyrics, you know, or trying to you know,
get me. You heard what you said, shout out to you,
Dusty and put the different towns and music like a

(57:15):
little bit of content. I thought that was cool, but
I didn't want to touch real quick on the all
all brit britg like, uh, she's like Paul af Duel
of American idol man. You know paul as Duel like that,
and really thought nobody that you got it me. You know,
it be like the staff trying to Cow and the

(57:37):
Randy bad you know, sign of Cow might be like
you know, you know that was horrible. You know that
I was terrible and Randy my dog, you straight up suck,
you know, Bruno all damn toil. We started boot to
be kind of did like it just a little more. Know,
we're gonna give me some kids to me. You know,

(57:58):
everybody got the different flavors of how the come on
and dope show. I would say it will be done here, yeah, yeah,
here so they can critique some gray coming more years
and up.

Speaker 7 (58:22):
Right, and you're right, we do need some youngsters out
here and and anybody listening on there if you guys
want to critique some music, you know, let us know
come through saying coming here on the platform, you're checking
us out. Joint jump in the conversation on on on
on a Monday night while we're here, and you can
critique some music as well. Don't be scared to come
on up. We were always looking for for people to

(58:42):
come through a critique and give that feedback on some songs.
Kelly Good, you're one hundred percent correct on that. We
do need a couple of youngsters on here. Mm hmmm,
uh uh.

Speaker 4 (58:53):
Britt, what do you think about the record?

Speaker 6 (58:57):
I thought it was cool, you know, I mean like.

Speaker 21 (59:00):
It was.

Speaker 4 (59:02):
Okay, go ahead, what do you think?

Speaker 6 (59:08):
I can't say outside of the song though, I just
want to say this to all of us.

Speaker 8 (59:13):
I feel like, starting next Monday, this is what we're
gonna do when a song come on out of us three,
we're gonna nod our head and if you can get
all nods, that's good because it's the head nodder session.

Speaker 7 (59:26):
Well you know what that that's that's what it used
to be. That's that's that's what it used to be.
And then I had I used to have when we
first started, we used to have a throwing the towel.
If you don't like the record to throw the towel
with the camera that we used to that's that, that's
how it used to be made. Your head nod and
if you didn't like, you throw the towel with the camera.
That's how we started.

Speaker 6 (59:46):
But uh, we all on here again, you know it?

Speaker 8 (59:50):
You know it gotta be you know, let's let's get
into the excitement of it all. It's like all right,
like you know, you know, okay, BRIT's head is moving
all right in the head gonna move, you know what
I'm saying.

Speaker 4 (01:00:01):
No, I didn't move.

Speaker 8 (01:00:02):
You know, it's Dundee's head gonna move. Okay, you know
Dundee's head moved. MD No, he wasn't moved. All right,
So we're gonna get to critiques. So you're gonna already
know the energy of what the record, what's happening while
it's going on, Like let's not be confused, like you know,
like if all of us going, you know, we gonna
agree if not, And it's not even adding anybody else

(01:00:22):
that's on you know that we can't see.

Speaker 6 (01:00:24):
It's like you never know.

Speaker 8 (01:00:25):
It's us three, but it could be four other people
on here that you didn't see. And they all not
in they head, so you know like well yeah.

Speaker 7 (01:00:32):
You know, yeah, that's that's how it used to be.
But you know my head, you know, you you might
not want to always base it on my head because
my head kind of moves on anything, so so you
might you might not want to base.

Speaker 1 (01:00:43):
It all on my head.

Speaker 7 (01:00:44):
Okay, you're nego with the drums. Yeah, I just go
with the drums. I'm with the drums school, and I'm moving, you.

Speaker 8 (01:00:49):
Know, based on you know you feel me like okay,
all right, so you know I'll be down, but sometimes
I'm down when I hear the last course. So it's
like the whole time, I'm like, oh, this is it.
At the last course, I'm convinced, like you know what,
this is it?

Speaker 3 (01:01:07):
You know.

Speaker 6 (01:01:07):
At first I was like I don't know, I'm just
not knowing. I don't like this, I'm not knowing. But
at the end I'll be like, you know what after
hearing you said the chorus three times?

Speaker 7 (01:01:20):
Yeah, oh yeah, oh yeah, definitely, yeah, you know, we
we can we can bring that back now now that
our heads are all seen now, yeah, we can bring
that some of that head out in session back And
that was what it originally was we made our hands nod,
and if it made our hairds nod, it moved on
a player of the slave. If it didn't make our
hands nod, you're throwing a towel, you know what I'm saying.

Speaker 15 (01:01:39):
So what is like?

Speaker 6 (01:01:40):
It was never me? This was you an MD like
I've always been here, I've been day one.

Speaker 7 (01:01:46):
You know, like oh yeah, oh yeah, oh yeah. But
that's what we used to do.

Speaker 4 (01:01:50):
That's what we do.

Speaker 7 (01:01:51):
Yeah, we can start that, start next week. It's all good,
we'll do that.

Speaker 4 (01:01:54):
We'll do this. We started this that notic session, wasn't
it in that club in Long Beach?

Speaker 8 (01:02:01):
Uh?

Speaker 4 (01:02:02):
Fine, first.

Speaker 7 (01:02:06):
I can't think of it.

Speaker 4 (01:02:07):
I forgot now. But uh yeah, after we started at
it because we had Sweet.

Speaker 7 (01:02:13):
Yeah, yeah she was, she was. She was doing it
there too with us. Shout out to gg Sweet uh
Kelly good?

Speaker 4 (01:02:19):
What were you going to say something there?

Speaker 22 (01:02:21):
Man?

Speaker 7 (01:02:21):
Because she's on the phone to up like you're saying something.

Speaker 11 (01:02:24):
Yeah, yeah, I wanted to give a quick shout out
to Doundo.

Speaker 27 (01:02:27):
Man.

Speaker 11 (01:02:28):
You know, you know you got Terry America talent. Let's
call Andrew a telephone number will be monitored and recredit.

Speaker 1 (01:02:36):
All right, lady, carry crews, carry on the show.

Speaker 11 (01:02:40):
Walk you out there, able to smile on the face,
and he's gonna just let you have it the crown,
whether you do good or not. He's just gonna be
smiling looking at you.

Speaker 7 (01:02:48):
Yeah, that's about it too. I'll be smart and looking
at you. Man. I'll get my little Terry Crews and
my uh, what's my man? What's the man that holds America?
I uh, what's what's.

Speaker 3 (01:03:04):
Yeah?

Speaker 7 (01:03:04):
I get my Brian Seacrest on too, man, I got
got got to get both up. Man, shout out to
Shout out to both of them. Terry Crews, Bryan Seacrest,
Terry Cruise is the best. Yeah, shout out to him, man,
shout out to him. All right, Uh real quick, big feed,
What do you think about the record?

Speaker 3 (01:03:21):
That record was amazing?

Speaker 4 (01:03:22):
Okay, amazing.

Speaker 3 (01:03:25):
I'm not in my head.

Speaker 4 (01:03:26):
You're not in your head.

Speaker 7 (01:03:27):
Okay, head nor head, You're not in your head. That's
what's up record.

Speaker 9 (01:03:32):
It's so dope lyrically that they don't even need a
you know you good rappers like that, right. You know
today I had a meeting with Violet Brown and Kevin
Black today. You know they hadn't talked in a minute,
and so you know Voley was over at Strange Records
with Tech nine in them.

Speaker 3 (01:03:50):
But here's a great thing about it. And so now
I know you guys will.

Speaker 9 (01:03:54):
Be on the radio show and I'll be popping in
because now God has blessed me with this opportunity to
work with Kevin Black and the Interscope.

Speaker 3 (01:04:03):
So next year I'll be involved with that.

Speaker 9 (01:04:05):
And I've just been listening to records after records after
records after records, just looking for that artist because Kevin
Black got me on the mission, and I'll be traveling
the world looking for talent to sign them. So that's
that's in the name of Jesus Christ, I tell y'all confess,
and I haven't told nobody, but I'm telling y'all that's

(01:04:25):
what my mission is going to be and my future.
So I'll be looking for artists. I'll be listening and
I'm on the radio show just to look for artists
that I can possibly get signed.

Speaker 4 (01:04:36):
And that's my mission. And that's right signed with who
signed who?

Speaker 3 (01:04:45):
Yeah, with Kevin Black and in the scro that's what
I'll be doing.

Speaker 4 (01:04:48):
Oh Kevin Black Scope, Now, no.

Speaker 7 (01:04:52):
You got they got a deal, he got a deal
with in the scope.

Speaker 31 (01:04:56):
Oh Kevin, yeah, Kep yeah, Kevin. Yeah, I ain't telling
you about three or four.

Speaker 3 (01:05:08):
I was out there today.

Speaker 9 (01:05:09):
I was out there today with you know, so call me,
call me, call me, let me.

Speaker 4 (01:05:14):
Give him a Let me give him a call tomorrow.

Speaker 7 (01:05:16):
Yeah, we big feet. Maybe you might want to do
a Snoop. Snoop's having a rap battle where he's giving
art the winner of the rap battle ten thousand dollars
ten thousand dollars and also a deal with death Row Record,
So maybe he might want to incorporate something like that.

Speaker 9 (01:05:31):
Well, you know, him and a Snoop I talked several
times about something, but no.

Speaker 7 (01:05:35):
I mean as far as like, you know, getting getting
artists to come in and you signed them coming to you.
Oh yeah, yeah, something like That's an idea.

Speaker 3 (01:05:44):
That's a great idea.

Speaker 4 (01:05:45):
Mm hmmm mm hmm.

Speaker 12 (01:05:48):
Very because I'm working on a I'm working on a
platform that we can have independent artists perform at that
casino and Compton.

Speaker 4 (01:05:56):
I'm working on that now.

Speaker 3 (01:06:00):
Crystal Palace.

Speaker 12 (01:06:01):
Yeah yeah, it holds between three hundred and five hundred people's.

Speaker 7 (01:06:07):
Big big shout out to uh Vara Cohan fan. Okay,
definitely all the way from India checking the south. Shout
out to you Indiana. Good good No, India, Oh India, Yeah, India, India, Asia,
good afternoon to you out there, because I'm sure is
in the daytime now, so yeah, I gotta be yeah, man,

(01:06:28):
well you know what I hate to hate to be
the very bad news you you out there in India,
in India. Whatever, we gotta go because it's late here,
so we gotta go to bed. Yeah, yeah, woke up exactly.
You just woke up and starting your dead We about
to go to sleep. But I want to thank you
off for checking this out for another night here and
make sure you check us out every Monday night going
into Tuesday. Right here, same bad time, same BAT channel.

(01:06:51):
The replay of this show will be on the radio
show at keyworda radio show on an iHeart app. So
this show, this I believe, episode number sixty fifty nine
fifty nine will be on there, and you can binge
listen to all the other fifty eight episodes that you've
missed up the head and out of session, and or

(01:07:12):
you can listen to the radio show.

Speaker 4 (01:07:13):
They're all there, all right.

Speaker 7 (01:07:15):
So and coming soon will be the visual portion of
the head and out of session, which I'm trying to
figure out how to make that entertaining. All right, so
we're gonna get up out of here. I want to
thank everybody for checking this out for another week. We
will see you all, same bat time, same bat channel.
If you had a song that you play here, got
some honest feedback and construct the criticism on the record,

(01:07:37):
fill it out, I mean sorry, fix it up, bring
it back with check it out again next week.

Speaker 4 (01:07:42):
All right, Okay, dondee, what's up? Clubous app open today?

Speaker 7 (01:07:45):
Clubhous App is up and running right now, and I'm
the only one that's in there.

Speaker 4 (01:07:48):
I couldn't find it.

Speaker 7 (01:07:49):
Oh well, maybe that's why nobody else can. No one
else could find it out there. Obviously nobody else found it.
All right, you guys, see you next week. Take care,
he's out, okay, and.

Speaker 4 (01:08:03):
Thieve I'll be in touch with you tomorrow.

Speaker 9 (01:08:06):
Hey, but the radio show so far, make sure you
follow us on all social platforms at the radio Show