the headnodder session ep 60

Episode Transcript

Speaker 1 (00:00):
Get song.

Speaker 2 (00:01):
Just because the radio show is doesn't mean it's over.
After it's time for after the party.

Speaker 3 (00:10):
They had, not a session, drop it down down the
radio show.

Speaker 4 (00:17):
Yeah yeah.

Speaker 5 (00:19):
Rickey Y Rocky was my favorite cartoon after marriage, The
honey Moon. I go down gat Me with the spoon.
That was a little bit of a group, uh back
in the early nineties.

Speaker 1 (00:33):
I believe who was it.

Speaker 4 (00:36):
Group is called Nice and Smooth.

Speaker 1 (00:38):
Oh, nice and smooth.

Speaker 5 (00:39):
Yeah, Nice and smooth, Yeah, Nice and smooth. Man song
is called uh fucky funky Dance Party. I believe what
the record is called. Yeah, I think it's called Funky
Dance Party. I gotta look that up anyway. Always paying
how much to the old school artists right here as
we bring you the head, not a session. This is

(01:00):
our music critiquing ad submission portion of the show where
you submit those songs to us and we give you
that constructive criticism and honest feedback on the record that
you send to us. This is where if you happen
actually working on a track, you need some production work
on it, send it to us right now. We'll give
you that tip. Go ahead and go and use that

(01:21):
advice and bring it back to us, and we'll let
you know if you did it right or did it
wrong with our panel of professionals we got on tonight.
But if you cannot can handle constructive criticism, do not
waste him these times and send us a song because
you can't handle no constructive criticism, all right, MD, let
him know this disclaimer before why go ahead, get the

(01:42):
first song ready to roll.

Speaker 6 (01:44):
Okay, we don't want no cry babies on this show.
We're here to kind of get you right on your production.
We critique in production, and we're not really staying whether
we like the song or we dislike your song. We're
just gonna bring up the fact that you produce the.

Speaker 1 (02:05):
Song or mixed the song incorrectly, or you did it great.
So it's all about the production. That's it.

Speaker 6 (02:15):
You know, you know whether we like it or not
when we put it on player to slay it, then you.

Speaker 1 (02:20):
Know when we like it.

Speaker 6 (02:22):
But we right now just want to critique your production.
And we don't want anything that you have on social
media platforms. We want this raw material straight out of
the studio so we can critique it before you or

(02:44):
play it to your audience. We want to have you
write before you step out all right, So.

Speaker 1 (02:51):
Don't take it personal, take a constructive critic. Just know
that we got love for you.

Speaker 5 (03:00):
All right, Well, we're gonna check out the first record tonight.
This is a song that we played during the This
was since today, it was played during the pre show.
All right. This is Blink songs called leave this club.
Blink songs called leave this club. All right, just check
it out.

Speaker 7 (03:17):
There we go, be up.

Speaker 8 (03:35):
Now. I don't really know what it is, but none.
I think more amazing kids. I just got done showing.

Speaker 4 (03:45):
Some Hey, hey, well let me downloaded. Then this is
gonna do all that to me. Racial Here we.

Speaker 7 (04:02):
Go blank be up. I am now.

Speaker 8 (04:18):
I don't really know where it is, but it's line.
I think I have amazing cats. I just got done
showing some love.

Speaker 7 (04:30):
It needs.

Speaker 8 (04:30):
Women won't let me leave egg club. Yes, I just
got done showing love.

Speaker 9 (04:39):
Got He's fine.

Speaker 8 (04:40):
Women won't let me let us clove.

Speaker 9 (04:42):
They like the way I keep the eyes shining no way.
They like the way up and walk with them miss.
They see me sitting in the club up be or
been the wishing it. They can get upon blankers they like,
And a whole lot of women.

Speaker 8 (05:04):
In this club want a running like a Jeskie.

Speaker 10 (05:07):
I don't really know where it is, but mine, I
think I'm having amazing cats.

Speaker 8 (05:14):
I just got done showing some love it needs.

Speaker 2 (05:19):
Women won't let me lead egg club.

Speaker 10 (05:23):
I don't really know where it is, but man, I
think I'm having amazing cats.

Speaker 8 (05:31):
I just got done showing some love it needs. Women
won't lemon lead egg clubs.

Speaker 9 (05:40):
Now, I can't leads club. Find out the show when
the fine women up. I think big gonna get a kid.

Speaker 7 (05:50):
In by me.

Speaker 9 (05:52):
Bottle eddy grunting, and it's working on me. Ladies gets
sitting and pulling the mother side. I gain't any time
miss any women.

Speaker 11 (06:05):
I sure.

Speaker 9 (06:09):
A lot, don't feel loving them to love.

Speaker 10 (06:12):
I don't really know what it's nice.

Speaker 8 (06:17):
I think I'm having some case. I just had to
nune showing some.

Speaker 2 (06:24):
Need women will e egg clubs.

Speaker 10 (06:29):
I don't really know what it is what's nice.

Speaker 8 (06:33):
I think I'm having made some case.

Speaker 9 (06:36):
I just got to done and showing some and heed's
women won't.

Speaker 8 (06:41):
Let me lead eglas.

Speaker 5 (06:46):
Like you said, I don't know what it is, but
I think I'm having me some kids, all right?

Speaker 12 (06:54):
Ah?

Speaker 4 (06:54):
Interesting?

Speaker 13 (06:57):
Interesting, yeah, oh my gosh, I have so so many
different things to say.

Speaker 4 (07:07):
You kick it off, go on and say it now.

Speaker 3 (07:10):
The song was a really great song. I mean, like
a really great song.

Speaker 13 (07:14):
I would also like to hear somebody else sing it too,
like the person was a really great songwriter.

Speaker 3 (07:19):
I mean like that the song was lit, you know now, like.

Speaker 13 (07:23):
I do have to give the person the credit who
sang the song. I don't know how old they were,
sounded like they had an old soul. If they're not
that old, you know, they had that vibe like I
don't know what year to say it was, but the
song and the music was updated, but they had an
old soul or whatever. But besides that, yeah, like I

(07:45):
was feeling it like I wanted to deny it, like slightly,
but I mean like the more he got into it,
the mom I'm like, okay, it's like, all right, I
believe this club a.

Speaker 5 (08:00):
Yeah man, I'm trying to see if he got it.
It's okay, here's his face. You can go to his facebook.
Let me see you know what now that you mentioned
I guess he would be kind of older because well
try he gonna sound at all. Yeah, you can go

(08:21):
to his facebook. Is well, I'm I'm tripping because usually
they don't have their Instagram, but he don't have an
Instagram on here.

Speaker 3 (08:28):
He got Facebook.

Speaker 4 (08:29):
He got a Facebook at what what's the Facebook at?

Speaker 5 (08:32):
Blink slash Facebook dot com slash people slash blink slash
six one five five.

Speaker 3 (08:42):
Okay, you got an email blink slash people.

Speaker 1 (08:46):
Yeah, you got an email.

Speaker 4 (08:48):
I know the email came from somebody else. Okay, yeah, forward.

Speaker 5 (08:53):
That email to me so I can give that blank
people what no Facebook dot com slash as people slash
blanks oh people blank, yeah people blank slash six one
five five, Yeah for.

Speaker 6 (09:11):
Me, for me that email and let me reply to
the person who sent it so they can send us back.
Because yeah, he had he sounds like he's like late thirties.

Speaker 4 (09:25):
The summary do you do you see his face anywhere?

Speaker 3 (09:31):
It's not it's not popping up. I'm trying to picture.

Speaker 1 (09:34):
Okay, Yeah, he's sound like he sounded like thirties.

Speaker 3 (09:39):
How old does he look?

Speaker 4 (09:40):
Well, I'll tell you what. Let me go and I'm
gonna go ahead and DEMI I'm gonna uh text you
the picture. I'll text you. You can take a look.

Speaker 3 (09:47):
You know what I hear?

Speaker 6 (09:48):
Background I hit two girls with him doing that hook
you know, in a harmony and a not too much
harmony with a good blend.

Speaker 1 (10:03):
You know, one girl.

Speaker 6 (10:05):
Should have a ah, not a soprano that she should
be tenor other girls should be close to a soprano.
They should distinguish the high and low vocal on there,
and he are. He can throw a third person in

(10:25):
the background with him, a guy that has a lower tone,
so it can bring the bottom of that background up.

Speaker 1 (10:33):
And he need to use hate. It's gonna shock you guys.
But I think on that answer.

Speaker 6 (10:42):
When he was doing the verse and I hear that
vocal that he used for his height vocals, I can
hear the auto tune, not lots of it, just a
slight bit up contrasts like y'all gonna be surprised, you know,
the contrast of that auto tune on his on his

(11:05):
second vocals.

Speaker 1 (11:07):
The answer the answer vocal. No, But that was a
damn good song. Yeah, I was feeling it right, okay.

Speaker 6 (11:19):
And the music the music wouldn't it don't sound like
they did a beat maker project. Sound like they went
in there and did it some scratch with him.

Speaker 4 (11:37):
Okay, all right? True?

Speaker 1 (11:38):
That true?

Speaker 4 (11:38):
That true, dad, Okay, And that was southern and soul.
That a Southern soul record as well.

Speaker 1 (11:43):
Yeah, that was Southern soul.

Speaker 4 (11:47):
That's what's up.

Speaker 5 (11:47):
Okay, give me a second here here you are, all right, rich,
I'm sending you the pictures.

Speaker 4 (11:55):
I got from his email.

Speaker 3 (11:58):
Okay, there you go, and then you you can eval
you wait and let me.

Speaker 5 (12:01):
Know when you guesstimate his age is, Oh, you should
have many.

Speaker 11 (12:09):
Yeah.

Speaker 13 (12:09):
I feel like I feel like we're the same age.
And if not, he's about five years older than me.
But yeah, I feel like we're in the same So
I could I could see him, like I said, having
a a older soul, you know how, I'm right on
the edge of my age where you know, I give

(12:30):
you that whole like Anita Baker type sound, you know,
like the runs were from that error, you know.

Speaker 6 (12:41):
Like I said, he sounds like he's in his thirties.
I don't know what the late thirties are their early thirties.

Speaker 4 (12:48):
Okay, MD, I just emailed them to you. So you
got the pictures. Oh, okay, all right, you can look
at him if you can put them up on your
computer while we're sitting there also, okay, all right, so that.

Speaker 5 (13:01):
Was our first artist. So while I pull up the
next artist. I forgot to tell everybody which I could
do now tomorrow. I'm off from the slave ship, so
I will be here tomorrow. I got not one, not two,
not three, but four, no five people that I have
to interview tomorrow, five people. So we'll be on from

(13:25):
twelve to four point thirty tomorrow interviewing five people. In
the midst of that, we're gonna play some songs, you know,
do some things. So if you're not doing nothing tomorrow,
come through.

Speaker 4 (13:35):
That's it. Check us out. And what time to start
from twelve to approximately four thirty five o'clock.

Speaker 1 (13:42):
Tomorrow, okay, noontime to four.

Speaker 5 (13:46):
Yeah, Pacific standard time. So anybody's checking us out, you
want to jump.

Speaker 4 (13:49):
On specialty thing tomorrow only because I'm off from the
slave ship, so it's not a bad thing.

Speaker 5 (13:57):
But I'm off tomorrow, so I will be here tomorrow
working all right, and not two, but five people tomorrow
that's going to be interviewed.

Speaker 1 (14:07):
So if you're on the East coast, it started at
three o'clock.

Speaker 4 (14:11):
Yeah, yeah, three o'clock, three o'clock.

Speaker 6 (14:14):
Yeah, two Central time exactly exactly.

Speaker 3 (14:19):
The car in to the shop to see what's wrong
with it, like early in the morning.

Speaker 13 (14:24):
So I mean, if I get back in enough time,
I'm sure I'll be able to walk for definitely called
it radio show pop.

Speaker 4 (14:33):
Up exactly exactly. Mike. How you doing tonight, man, I'm
good brother.

Speaker 14 (14:36):
How you doing?

Speaker 4 (14:37):
I'm good man. What's going on to night?

Speaker 14 (14:39):
Just working, man, working, you know, working on on uh
working on the radio. You know, we just lunched our
holiday the Power one oh one point one Holiday Radio,
So we just launched that tonight. So it'll be running
Christmas holiday music from now.

Speaker 4 (14:56):
All the way up the next year.

Speaker 14 (14:57):
So you tapped in and that it'll be up on
the as actions already up on the app.

Speaker 4 (15:03):
Oh yeah, we're just keeping it moving it man. That's it,
you know, that's what's up.

Speaker 8 (15:07):
Man.

Speaker 4 (15:07):
First of all, did you get did the email from me?

Speaker 11 (15:10):
Yeah?

Speaker 4 (15:10):
I played it.

Speaker 14 (15:11):
We played it this weekend.

Speaker 4 (15:12):
Okay cool. Secondly, did you get the video from me
from last week that when you came on here?

Speaker 14 (15:19):
No, how did you get that video?

Speaker 4 (15:20):
You get that video? Okay? I will I will email
that to you. Okay. But yeah, we're moving right along, man.

Speaker 14 (15:29):
Be shid all the support and you know you you're
showing and I see that you're doing good. So that's
the main thing. So the Vega's just popping, man and
getting ready to do it at the app one and
it's crazy out here right now.

Speaker 1 (15:44):
Oh yeah, what's the radio station again?

Speaker 14 (15:48):
So the station so the app is I Global.

Speaker 1 (15:51):
Radio, okay, I Global Yeah, and then the app.

Speaker 11 (15:54):
Is I Global Radio App.

Speaker 14 (15:56):
And that's where all our station is at, you know.
And and uh, the station here in Vegas is is
uh Power Nice Point Fire Vegas Radio. So yeah, we're
just man, it's a very busy week this week, you know,
because a lot of things is happening. So we had

(16:16):
a lot of people in the studio. I don't know
if you watch it, Mike, Mike, but if you want to,
you may want to start following H Power V ninety
se point five l V on the app because we
got a new app for that, just for that station,
for the station, you know, Okay, yeah, yeah, yeah, And
I know, I know some people come through in the
studio up there.

Speaker 4 (16:35):
I mean he's been super.

Speaker 14 (16:37):
Yeah, he's been super busy with that. You know, he's
got a lot of people's lined up to come to
uh he's he actually relocating here for a minute. To
kind of push this station. So he took a lot
of work into to making it work.

Speaker 4 (16:51):
So you know, that's what's up.

Speaker 1 (16:53):
So you guys, you guys in Vegas.

Speaker 14 (16:56):
Yeah, wait, in Vegas. I moved the headquarters in Vegas,
even though we still have it this studio there eighteen
hundred Vine Street, but most of everything here is in
Vegas now, you.

Speaker 1 (17:05):
Know, eighteen hundred Vine here in Hollywood.

Speaker 4 (17:09):
In Hollywood, Yeah, okay, so that's the Vine location.

Speaker 5 (17:13):
That's where Power ninety seven five LA is right right right,
and then in Vegas one it's Power ninety seven five Vegas.
Power ninety seven five Vegas Radio in Las Vegas.

Speaker 14 (17:25):
Yeah uh yeah, yeah, so yeah, this is where but
we've rent both of them out of here too. You know,
some of the DJs like Mass Scientists here getting ready
to locate the Vegas we'll be doing this show out
of here, you know, right, and but yeah, we're just
moving right along, man, just trying to make it work,

(17:46):
you know.

Speaker 4 (17:46):
Definitely for sure, man.

Speaker 5 (17:48):
And then the radio show we're on Saturdays from at
four o'clock right, quarter five, yeah, quarter to five on
both Power ninety seven five LA and Power V ninety
five Vegas.

Speaker 1 (18:01):
We have the app paste on our on our website are.

Speaker 5 (18:05):
Uh uh no, I got to add the link up
there so that we made to get to it. So
you you had to go to the god Eye Global
Radio app and download all that download that app and
then you listen to all the stations right there.

Speaker 4 (18:17):
Mm hm.

Speaker 1 (18:18):
And they have what three stations?

Speaker 4 (18:21):
No, Mike, how many stations on our Global Radio app?

Speaker 14 (18:24):
Power station? I have seven power stations and I have
two hundred stations total, you know, but seven power stations
we got Laddin.

Speaker 4 (18:33):
Uh we got a.

Speaker 14 (18:34):
Zombie African station. Well, so we had seven power stations.

Speaker 1 (18:40):
Okay, but they run the same pro he run the
same identical program No, no, no, no.

Speaker 14 (18:46):
They're all different. You know.

Speaker 4 (18:47):
We actually actually a lot of stuff right now.

Speaker 14 (18:49):
But no, they differently, all the different DJs. Yeah, and
we have a we have a power of ninety eight
point eight, which is kind of an underground radio that
we play, yeah, not exclude you know, but a lot
of uncut music you know there.

Speaker 4 (19:04):
So yeah, we actually in the studio the.

Speaker 14 (19:08):
Night pre pre programming a lot of the stuff in
those stations right now. But my thing was to get
my to get my get my holiday radio station up
and then you know, I think this is his time.
So we got that lunch tonight.

Speaker 4 (19:24):
So so it's on the app, you know, mm hmm.

Speaker 1 (19:29):
Yeah, you're a busy lad.

Speaker 4 (19:31):
Yeah, he's doing this thing. Man, definitely stay busy. You
stay busy, got too, man, you know.

Speaker 6 (19:37):
Yeah, you got you exactly why Donald Trump is showing
his attention to Latinos and white people.

Speaker 1 (19:45):
He paying attention to us. So we need to speaking
through the back door.

Speaker 4 (19:49):
I said it was there.

Speaker 14 (19:49):
Was it five years ago when I met you? Don't.

Speaker 4 (19:52):
Yeah, it's been a while, man, it's been a while.
It's been a while.

Speaker 1 (19:58):
Yeah.

Speaker 4 (19:59):
Well, Mike, we got to go.

Speaker 5 (20:00):
We gotta go, man, we gotta go and play some
music and get some songs in and then don't forget
to check out the radio show I Global Radio on
the app Power ninety seven five l A Power ninety
seven v Las Vegas every Saturday, four pm Pacific Standard time,
seven pm Eastern.

Speaker 4 (20:18):
Right there.

Speaker 5 (20:18):
You make sure you check it out and go ahead
and download the I Global Radio app.

Speaker 6 (20:23):
Yeah, and if you know any music producers, we'd like
to use some of those producers to come in and
critique music on our head noted session.

Speaker 1 (20:36):
Like you there, maybe young.

Speaker 4 (20:40):
Up maybe maybe young Okay, oh oh, he's spinning right now.
He's in the matrix, so to speak, as they sing
in clubhouse.

Speaker 5 (20:46):
Okay, yeah, well, we're gonna go ahead and play another song,
hoping he Michael be able to come back on and
we're gonna use him.

Speaker 4 (20:52):
The critique of songs is he here, go ahead and
get to this one right here.

Speaker 5 (20:56):
This is a Myron Gasper songs called under the Street Lamp,
Myron Gasper under the street Lamp. Again, these songs have
not been heard. I don't know what they sound like,
so we are checking them out right now here we go.

Speaker 1 (21:09):
Yeah, that's where you're supposed to be.

Speaker 15 (21:25):
Standing out out until they chose the homies can go
nowhere because they're broding. But we don't gave the little
mazy bad.

Speaker 16 (21:39):
It's dusty and up pad under the screen und screen,
just training.

Speaker 2 (21:55):
On the days that dying head up is the one
thing that feels our head.

Speaker 15 (22:04):
The homeywall should be a heavyweighted till, but his trus
have got to go up.

Speaker 2 (22:11):
The under the steed there under the stream up.

Speaker 17 (22:38):
Yeah, just a bunch of gathers from the outside of town.
And down the street Los his fan and a neighborhood
would ever.

Speaker 18 (22:55):
Be fun down only got to make it go aside,
Well these.

Speaker 2 (23:07):
Days I fell a line you would leave. He made
it bad in the male.

Speaker 17 (23:16):
Big Ball in the game, I madly Jim, he's go
it will do just.

Speaker 12 (23:23):
Not in the das scream, I'm gone, said the dusty rast.

Speaker 5 (23:49):
I'm gonna have to just really take that record. And
that's really blow the dust off that one man. That's
that's that sounded like a dusty, Dad, I wouldn't even
know older. That's an older sounding record right there.

Speaker 4 (24:00):
That's a dusty.

Speaker 1 (24:01):
I think they were trying to do a remake.

Speaker 6 (24:03):
Yeah, yeah, I think it was, which which you know,
I'm good with that, but yeah, they gotta put a
little bit more creation, create creativity into the song.

Speaker 1 (24:18):
It was too close. They were too close to the
old school way.

Speaker 3 (24:22):
Very dusty.

Speaker 4 (24:25):
Yeah, it was a dusty. Was a dusty right there?

Speaker 1 (24:28):
Yeah, it was old on the street.

Speaker 6 (24:32):
I think they were saying, I think the song was
really under the sheet street lamp right a radio song
street lights. Yeah, no, I've recognized this when I heard.

Speaker 5 (24:45):
It, Okay, you know, under the street, like, yeah, make
sure let me make sure I didn't say the record wrong.

Speaker 1 (24:56):
No, they said street lamp.

Speaker 4 (24:57):
It was street lamb right, yeah, it was street l lamp.

Speaker 1 (25:01):
But they got it from under the street lights.

Speaker 5 (25:03):
Yeah, under the street lamp. That's what it is, under
the street lamp, Myron Gasper.

Speaker 6 (25:08):
Yeah, they tried to He tried to change the lyrical
contents a little bit. It's all right to change the
lyrical contents, but you got to sing it better than what.

Speaker 4 (25:20):
They did, Okay, So he tried to bambooze us, right.

Speaker 1 (25:25):
He stayed too close to the old school way.

Speaker 11 (25:29):
You know.

Speaker 1 (25:30):
He should have got I bet that was the older
guy that put the music together.

Speaker 11 (25:35):
He should have got.

Speaker 1 (25:36):
He should have got an eighteen year old and twenty
one year old.

Speaker 6 (25:39):
To do the music, you know, like Randy did. That's
their name that they grew chill like he did guide music.

Speaker 4 (25:50):
Okay, did bread the death song for Kelly goot to sleep?

Speaker 1 (25:54):
He still look, he's still here, Okay. I thought I
heard him snowing.

Speaker 4 (26:03):
I thought I thought I did too. It's all good.
What'd you think about that one, Kelly good.

Speaker 11 (26:11):
Man?

Speaker 19 (26:11):
I thought that I was in I thought that I
was watching a movie where they were where somebody was
singing and the appearance of the first founders of the
Black Panthers were where, you know, we're raising the children
that were gonna be Black Panthers. That was the old
one right there.

Speaker 11 (26:27):
Man.

Speaker 19 (26:29):
It was real old, But I think we could have
vocal rage wasn't really hitting, you know, I mean, you
don't care a little better with vocals. But you know,
it was a nice shot, but it didn't have me
my head nodding for the head out of session.

Speaker 4 (26:47):
Way way, yeah, exactly, too far back there, too far,
too far.

Speaker 6 (26:53):
He amuses, He amused me, you know, And I give
him an A for effort, but for art form, I
give him a oh, a D plus to a C minus.
He didn't he didn't take it to the next level,

(27:15):
you know, Heed, he picked a good song, but he
kept it, he kept it in the sixties.

Speaker 4 (27:22):
Mm hmm, Britt, what do you think about the record?

Speaker 13 (27:27):
You know, if Grandma was sitting right here with me,
I'm pleased with the record, and I'm sure Grandma would
have liked the record. It's sound It sounds like it
was recorded back then. It don't sound like it was
recorded now. It sounds like he played us a song
that he submitted to a label or he had come
out around that time. Like it completely sound like it

(27:51):
came from that time. It was not an updated version
of music that came at that time. It sounds like
something he had been holding on when he it's like, look,
music makes the circle and we're about to we're about
to play.

Speaker 3 (28:04):
This is good music.

Speaker 13 (28:05):
So you know, shout out to him, uh for that.
I think it was a great song. But if we
wanted it updated, like MG said that, we wanted a
young dude to put an eight oh wait in the
background of some trap you know, like yeah, right, Like
I don't know, but you know.

Speaker 1 (28:24):
You know, And it was just that was a solo
singer Dundee Yeah, his name Gasper.

Speaker 3 (28:31):
Yeah, but what it was. I was good with it though,
you know, for what it h Yeah.

Speaker 4 (28:36):
I guess if I was Grandma, i'd be feeling the
record because that that'll take you back to when.

Speaker 6 (28:41):
I was Yeah, your course, yeah, right on the soundtrack
to know you mean great grandma grandma?

Speaker 1 (28:48):
Yeah, yeah, yeah, cause I'm grandpa.

Speaker 3 (28:54):
My grandma is still alive and she's up there. She's
in her uh, she's in her eighties.

Speaker 13 (28:59):
Okay, it could be for a movie soundtrack, though, say, uh,
this is an example of this, but you get the point,
like say the Michael Jackson biography or something like that,
you know, and it's on the soundtrack that it's playing
in the background where they had the ice cream chopper
or something like that, you know, and uh, and Mike
is meeting brown Eyes or something like that, you know.

Speaker 19 (29:22):
Right, right, that's when Joe Jackson was a kid.

Speaker 4 (29:28):
Exactly, exactly, exactly exactly, Joe Jackson was the kid.

Speaker 1 (29:33):
He picked the right song, but he did it wrong.
He picked the right song, but he did it wrong.
He got to do it like Luci van Draws.

Speaker 6 (29:42):
You said, do you take the song to another level
like when he did When Lucy van Draws did the
Temptation song Since I Lost My Baby. It wasn't nowhere
close to how the Temptation did it, but you can
hear it. And he slowed it down, you know, he
slowed down and it was a hit.

Speaker 1 (30:05):
It was a hit. In fact, half of Luser's albums
had nothing but remix on it.

Speaker 4 (30:12):
But he did it his way.

Speaker 1 (30:14):
Yeah, you know, you can't do it the original way.

Speaker 7 (30:17):
You gotta do it your way.

Speaker 1 (30:20):
Find find your sound and stick with it, you know,
be proud of your sound.

Speaker 6 (30:28):
Don't switch over to somebody else's sound just because you
feel that you're not good.

Speaker 1 (30:32):
If you feel that way, then get out the business period.

Speaker 5 (30:36):
All right, well, let's let's let's let's uh, let's let's
wake us. Let's wake us up here man, Kelly Good,
this is just your record about to play. Now, tell
me about this Ghetto Angel.

Speaker 13 (30:47):
Okay, so he'd be here in ten seconds, so I'll
start talking. Ghetto Angel is off of the album with
him and his son. So it's Kelli Good featuring for
cg oh Good. I am on the chorus and here
he go he can and tell you about it. Tell
them about Ghetto Angel.

Speaker 19 (31:09):
Okay, yeah, this is called Ghetto Angel. This is me
pretty living, extra human chandelier and my son for no Good.

Speaker 4 (31:20):
Okay, about to check it out right now, let's make
it happen. Here we go. Brett, how are you getting
that phone and stick up there like that?

Speaker 3 (31:26):
That was the first time I did that, Like that
was interesting. I was I was like, oh, it's just
sitting up there.

Speaker 1 (31:31):
So okay, hey, Brett, tell m's and error and area.

Speaker 3 (31:39):
Yeah, yeah, that was the first time. And I was like, oh,
it's just sitting up there, and I was like, okay.

Speaker 5 (31:44):
Let's see, okay, I'm just I was just curious, all right,
all right, just curious trial air over here too.

Speaker 1 (31:51):
You know what the fuck she was doing? She just
did it. I'm tired holding this mother.

Speaker 7 (32:02):
Get him after you.

Speaker 20 (32:09):
Saw running up his face like a money Hervey Steamen
ghetto wandel still go to war with the demons, shut
down the store and spend a hundred off the meat,
and I've gotta go the wall with you, so I
leave him screaming money talk. I talked to the money
like this bad folks gem looking like you hit a bank.

Speaker 4 (32:29):
Everything custom looking like my ship.

Speaker 1 (32:31):
Don't stand hey thing, question it?

Speaker 4 (32:32):
Maybe yeah, might pull up in the tank.

Speaker 7 (32:34):
I might pull up with your.

Speaker 20 (32:35):
Bitch and a sist just because I'm a bob star.
Rest least my nigga red run out the bitch man,
my nigga paste going down out the top.

Speaker 4 (32:42):
On the floor and just look up at the side.

Speaker 21 (32:45):
I'm a Gettel get ghetto angela ghetto angel.

Speaker 7 (32:52):
I'm gandle ha. Have you seen a.

Speaker 21 (33:00):
Song?

Speaker 13 (33:01):
Have you seen the ghetto?

Speaker 8 (33:02):
Have you seen the gattle?

Speaker 22 (33:03):
You Mahama I'm the Ghetto Ainsian nigga looking at me
like a demon.

Speaker 11 (33:08):
I'm feeling that got.

Speaker 22 (33:08):
Caught with some shit you never seen the folks niggas
already hating nnay man, cause I'm getting those running up
at ten that in nothing.

Speaker 9 (33:14):
Now.

Speaker 22 (33:14):
I need some mokes talking shit up on the neck
been and I dropped that lot. All I gotta do
is say word my niggas trained the gulfs. Feeling like
I'm Chief Keey, soaking my necker, gonna glow all these
fucking rat niggas weak. My shit gonna blow. Only fuck
with black women, and I don't folk with snows. All
that talking shit up on the neig gonna get your
ash spoiled. And I my niggas finished initially goat her
swinging doors. I ain't finishing tail up on myself in

(33:35):
a dirty poles.

Speaker 21 (33:36):
The Ghetto Angel, Mama, Ghetto angelm the Ghetto Angel, Mama,
the Ghetto Rangel, the Ghetto Angel, Mama, Mama, girtto Oangel.

Speaker 3 (33:43):
Cow, the ghetto hang Yo.

Speaker 19 (33:45):
I'm the ghetto wage.

Speaker 3 (33:47):
Have you seen the cats? I'm Manada wage.

Speaker 11 (33:49):
Have you.

Speaker 13 (33:52):
Have you seen the ghetto wael?

Speaker 3 (33:53):
Have you seen the gettle Bada.

Speaker 8 (33:56):
I'm the ghetto Angel.

Speaker 3 (33:57):
Mamma, I'm a getto angel.

Speaker 21 (33:58):
I'm a dado angel, Mamma, Gado Angel.

Speaker 8 (34:07):
Have you seen it?

Speaker 7 (34:09):
Have you seen? Have you seen?

Speaker 4 (34:16):
Okay, that's what's up.

Speaker 5 (34:17):
Kelly Good, ghetto Angel, Kelly Good, Ghetto Angel featuring eleven
next to you mis Chandelier.

Speaker 4 (34:24):
All right, that's what's up. I like that regged I
like that record right there, but that wouldn't Kelly Good.

Speaker 1 (34:34):
That was done.

Speaker 4 (34:35):
That's Kelly Good and and his son.

Speaker 1 (34:38):
How are you here, Kelly Good?

Speaker 4 (34:40):
Yeah, he was first, he was first for I pronounce
the songs the name four C four CG no good?

Speaker 3 (34:48):
Good?

Speaker 5 (34:48):
Yeah, four CG no good. Okay, shout out to four
CG no good. How how are you? How are you
getting his vocals? Is he sending them to you the
same way? Or how are you getting your vote his
vocals to you?

Speaker 3 (35:00):
He sent it over, He sent them over.

Speaker 5 (35:03):
Yeah, okay, So you give him the track and then
he's just he uh times it or what how does
that work with Good?

Speaker 13 (35:12):
And he just he just hops on, he just hops on, okay,
right right. The younger generation got a different vibe, you
know how They.

Speaker 4 (35:19):
Right to be right, right, right, okay, I'll just checking.

Speaker 6 (35:23):
He needed he needed to slow slow up just to
tab his delivery. No good, he needed to slow it
up just a little bit. He's kind of going in
front of.

Speaker 1 (35:39):
The the kick.

Speaker 4 (35:42):
Yeah, but then I hate to be the bearer of
bad news. But that's what they do now, man, That's
what kids do. That's what they do.

Speaker 3 (35:50):
That's what they do.

Speaker 19 (35:51):
Man.

Speaker 1 (35:52):
No, I'm talking about musically in clin I'm.

Speaker 5 (35:54):
Not talking about no no, no, no, no no. I'm
just saying, musically in kline, that's that's that's what they do.

Speaker 21 (36:00):
Now.

Speaker 5 (36:01):
I'm forced to listen to that all day long at
the slave ship, man. And trust me, as I listen
to all their music, they're always off.

Speaker 1 (36:09):
Beat I'm talking about.

Speaker 6 (36:10):
I'm talking about getting appealed to, not just to the hood, yeah,
but to a diverse audience.

Speaker 1 (36:17):
Yeah. You gotta get we gotta get out of that
the hood because the hood don't have no money.

Speaker 4 (36:22):
Yeah, I know.

Speaker 5 (36:23):
I'm just saying they all, I'm gonna hit the stage
of all of them, I'm gonna hit the stage.

Speaker 1 (36:28):
I want to hit the stage. Four people saying to
three hundred dollars a ticket for to see me.

Speaker 6 (36:34):
Yeah, you know. And so if I can't get no
hood niggas come see you for two three hundred dollars,
then I don't want to make no music for them.

Speaker 5 (36:41):
For them, Yeah, but they be hear these songs. I'm
hearing all day. They be heard in my ears. They
always off beat, all of them, all of them, Yeah,
all of them. All of them too.

Speaker 3 (36:55):
And you got.

Speaker 4 (36:59):
Yeah, oh man, that's that's the style.

Speaker 1 (37:02):
I just look at. I just look out the way
you can make money. I ain't talking about it. I ain't.
I ain't talking about keeping it real.

Speaker 5 (37:10):
They keeping it real, you know, like Dave Chappelle said,
when you keep sometimes when keeping it real goes wrong,
you got to you got to weak the repercussions, you know.

Speaker 6 (37:23):
So I'm not talking about just because you're from the hood,
you got to keep it hood. I'm talking about Kendrick
Lamar from the hood. But he ain't keeping it like that.

Speaker 3 (37:34):
Look.

Speaker 13 (37:34):
Look, I'm sure you daddy out of that ship. When
you was in high school, you was like this is
it your dad? Like, Nah, that ain't it the music
that I listened to back in my day?

Speaker 3 (37:46):
Now that was the music.

Speaker 6 (37:48):
Yeah, yeah, he did it on something some music but
when you listen to Motown, that was a whole different vibe.

Speaker 1 (37:59):
That was a totally didn't vibe.

Speaker 6 (38:02):
You know, Barry Gordon, he innovated a new sound for
black music, nobody when reach the Franklin was doing it before,
before Motown's surface. Reatha Franklin was using horns and ship
for her background instruments. Barry came in the picture that
nigga change that from the horns to the fucking streams

(38:22):
and guitars and ship and.

Speaker 19 (38:27):
Like, yeah, you got it going from cold n W
wade flue and heat it up. And they weren't keeping
it hood.

Speaker 1 (38:40):
Well no, not cool mode. He didn't keep it the
hood hood.

Speaker 6 (38:44):
He knew like the wild Wall West, that was a
diverse thing that wouldn't totally well that that wouldn't hood.

Speaker 5 (38:52):
No, you know what, you know what m D he
did kind of, I mean in his way. I mean,
he wasn't gonna be cussing all over the record, but
you know what I'm saying, But if if if you
heard like some of those tracks from CuMo D dis
l LL, he was actually a lot harder.

Speaker 4 (39:08):
He was actually a lot harder than that.

Speaker 5 (39:10):
Didn't make no moneys that didn't make no money for him.
That was that was a personal vendet, a personal thing, right.
They weren't thinking about making no money on that. They
was talking about just making each other made.

Speaker 4 (39:26):
What I'm saying. But he had a little little little
ledge to him, that's all.

Speaker 1 (39:30):
Well yeah, but yet look at it, he didn't make
no money off.

Speaker 4 (39:36):
Yeah.

Speaker 1 (39:37):
That was political.

Speaker 2 (39:40):
Yeah yeah, n w A.

Speaker 1 (39:42):
That was political.

Speaker 6 (39:43):
They was in a whole different It was in a
whole different world. They were making white people angry. They
weren't talking about their peoples. They were talking about white people's.
Everything they said was about white folks. They said nothing
about the hood. They they wouldn't trying to reach the hood.

Speaker 11 (39:59):
Like that different.

Speaker 19 (40:01):
I can quote it a whole bunch of their lyrics.

Speaker 11 (40:04):
Because the police they were definitely hood.

Speaker 1 (40:07):
Yeah it was good police putting the hood. It sounded hood,
but that was based. That was based towards white folks.

Speaker 19 (40:18):
Now, the boys in the hood are always hard because
talking at trash will pull your car and know in life.
But to be legits, don't quote the boy design ship.

Speaker 11 (40:29):
Yeah.

Speaker 7 (40:29):
Political, yeah, yeah, it was.

Speaker 1 (40:34):
N w A was political.

Speaker 6 (40:37):
That's the reason why they got kicked out of stadium
and ship white folks was mad at him.

Speaker 1 (40:41):
They wouldn't. They wanted them to.

Speaker 6 (40:44):
They wanted them to. They wanted them to talk about
other black people's but they didn't do that. I excused,
And they didn't talk about the black people. They talked
about white people's. Fuck the police, those white people wouldn't
know niggas, you know, fuck to the governor.

Speaker 1 (41:00):
President.

Speaker 19 (41:01):
I know a whole bunch of times where they were
talking about black and wholest all that other stuff.

Speaker 5 (41:08):
Oh yeah, all day with this one of the stuff. Okay,
well let's check out another song. Okay, Britt, this is
your record about to play now. This is uh coke Vibes.

Speaker 3 (41:19):
Yes, this is Coke Vibes on Sunday. And I don't
know if you've seen my interview on Shannava Radio TV,
I don't do coke. Where I get this from is
I was at a.

Speaker 13 (41:30):
Party and they were doing it, and this was the
music that was playing in the background. So I feel
like this sounds like what was playing in the background.

Speaker 3 (41:40):
And I felt like a lot of a lot of people.

Speaker 13 (41:43):
Would talk behind this title and look at the album
and actually go listen to it to see if I
was telling the truth, you know.

Speaker 3 (41:52):
So this is called Coke vibes on Sunday.

Speaker 13 (41:54):
This is from my new album called eleven X, my
DJ producer albums. No singing on there, it's just you know,
beats like techno, electro, E ed M.

Speaker 3 (42:07):
You're not singing on it. Nope. A new album like
thirty trying to be David Ghetta. I'm trying to be
dead Mouse. I don't know if you heard of the
Dead Mouse.

Speaker 1 (42:23):
And oh you're not.

Speaker 4 (42:25):
You're not gonna put no big big head thing on
your head too, are you?

Speaker 2 (42:29):
Yes?

Speaker 3 (42:30):
No, this is my album. Yeah, this is my producer
and DJ album.

Speaker 13 (42:39):
So you will see me in the clubs with the
stroke lights on and I got my my silver box
on my head or whatever.

Speaker 3 (42:46):
And it's not marsh Meadow.

Speaker 4 (42:47):
Yes, yeah, no not Marshmallow.

Speaker 1 (42:49):
Head Man's program.

Speaker 3 (42:54):
Ready come to the club and party with eleven X.

Speaker 4 (42:58):
All right, well let's see.

Speaker 5 (42:59):
Let's see we can party with eleven NEX starting with
now with this track here, Coke vides on what.

Speaker 4 (43:05):
On Sundays, Let's make it happen. Here we go. Look
at the feedback on the song.

Speaker 2 (43:12):
After the song's over, give your feedback.

Speaker 8 (44:02):
Don't go where don't don't.

Speaker 23 (44:13):
Bung bunglew.

Speaker 24 (44:29):
Carp will be bungle.

Speaker 23 (44:51):
Bungle bungle bung, don't, don't get, don't, don't, don't, don't, don't.

Speaker 7 (45:52):
Don't.

Speaker 11 (45:56):
Do.

Speaker 5 (46:25):
Man, you said, I have no business smoking smoking nothing. Man,
Even fake coke got me up.

Speaker 4 (46:30):
Here choking the car and I can't even I can't
even do fake horrible God.

Speaker 1 (46:38):
All right, And you didn't want to sing on that
eleven X Yeah, no, no, not at all, not at all.
It was just about you should have you should have
jumped on that track.

Speaker 8 (46:47):
Yeah.

Speaker 3 (46:48):
I got a couple of them, my dude, but you
know you should that that Fribby music.

Speaker 13 (46:53):
I even have an intro to this, it's an intro
to Coke Vibes on Sunday and.

Speaker 1 (46:58):
This is but that's not you. Are you playing the instruments? Yeah,
that's me, that's you playing all that. Yes, I ain't
know you played keyboards. Oh my gosh, I didn't. Okay,
Stevie Wonder, Stevie Wonder did it.

Speaker 11 (47:16):
Yeah.

Speaker 13 (47:16):
So, like I said, I'm trying to this is a
different side of me, you know, Like I'm trying to
be the DJ and the producer and I want to
be in the nightclubs with the off Yeah the musician like.

Speaker 1 (47:32):
Yeah, no, that was that was a smoking track for
house music, thank you.

Speaker 11 (47:39):
Yeah.

Speaker 1 (47:39):
But I would have.

Speaker 6 (47:40):
If I was, if I was a producer, I made
your ass get on that track.

Speaker 1 (47:46):
You wouldn't have to say a latch, but I would
add you jump on that track, right.

Speaker 3 (47:53):
I don feel it, I feel it.

Speaker 13 (47:54):
I just felt, like, like I said, I do on
some of the songs, I have more songs that sound
like that, and I just to a chorus and maybe
a verse and a chorus and that's it and I
let it go. But I really wanted it to be
about the music and about the party, and you know,
like I wanted to give this to the people of
that party, like I said.

Speaker 6 (48:11):
You know, like hold up, you're saying you want about
to be about the music. You don't think your vocals
is music? Yes, yes, yes, okay, then throw that ship
in there with.

Speaker 11 (48:22):
That you talking about that was giving me Michael Jack
with the beat right up.

Speaker 1 (48:40):
Definitely you should have fled that ship up with your vocals.

Speaker 5 (48:45):
Yeah, maybe you have to do like a remix or
something with with this, like you know, with this a
regular song with that remix to do something you.

Speaker 1 (48:55):
Ain't got no remix. Just jump on the goddamn tracks.

Speaker 4 (49:00):
You know what I'm saying. You jump on it.

Speaker 5 (49:01):
But you know this is the vocal and the non instrumental,
non vocal version. That's all right, Yeah, you know that's
all Look.

Speaker 3 (49:08):
Look, look, I'm sure they won't mind that the party.
Keep the party going.

Speaker 4 (49:12):
Like I said, party's still gonna go.

Speaker 1 (49:14):
If you sing on your party still be going.

Speaker 4 (49:17):
Yeah, they still gonna be smoking and smoking a line
of code.

Speaker 1 (49:19):
You talk like I'm talking like. If you sung on it,
you're gonna bring it. You're gonna bring it down another level.
You're gonna lose momentum.

Speaker 6 (49:30):
Your vocal will take it to the next level. Ahead
and treat the world right artists, recording artists. You're not
a ain't know, you're not a reserve sitting on the
sideline watching everything.

Speaker 3 (49:50):
Right, Well, I'm not.

Speaker 13 (49:51):
I'm the I'm the DJ. It's supposed to be a
DJ set, you know, I'm I'm behind the DJ.

Speaker 3 (49:57):
I'm in the DJ board doing both.

Speaker 1 (50:00):
You throw you and throw your scratches in while you
while you add it to right right?

Speaker 13 (50:06):
Yea box the album cover you see, it's a it's
a it's a box head. So when I do these sets,
I will Oh you've seen it before. I remember when
I did and I came but what was that like
two years ago and we did the recording at that studio,
the video recording. Oh yeah, so this album was supposed

(50:28):
to come out then, but then I have technical difficulty.

Speaker 3 (50:31):
So I've been hold onto this album since then.

Speaker 20 (50:33):
Yeah.

Speaker 3 (50:34):
It's that box.

Speaker 13 (50:35):
Oh okay, at the in the DJ booth with that
box and I just just throw the hands, you know, done,
done done, you know, mess with the music, like little scratches.

Speaker 3 (50:46):
In there, like get on them, like all right, crowd,
make some noise and.

Speaker 1 (50:52):
Just man, you put a story to that. Yeah, you
can call it. You can call it do head if
you wanted to.

Speaker 2 (51:00):
Head head, I know tame you do head? You know that, don't.

Speaker 1 (51:13):
Everything was good, you were just missing the vocals on air.

Speaker 3 (51:18):
I'll do a remix.

Speaker 6 (51:19):
I'll do a remix, Manu remix Man, jump on that
motherfucker and ride into the sunset.

Speaker 1 (51:30):
Yourself short.

Speaker 4 (51:33):
All right, let's check out the last song of the night.
This is uh.

Speaker 5 (51:38):
Corey songs called Why Corey Songs called Why. Let's check
it out. Yeah, we're gonna We're gonna find out why.

Speaker 4 (51:46):
Man, Let's make it out of them.

Speaker 25 (51:51):
This session. M I can't believe Low. I can't believe Molly.

(52:16):
The download stilling, lolling up.

Speaker 8 (52:23):
The time is ah, I want this old track across.

Speaker 26 (52:27):
We want the say scratch because I still believe the
lot of love. We canopy on the bay. I'm attached,
The father says, I'm so.

Speaker 27 (52:44):
Thinking listening, true, Why why you don't we still a lot?
Whoa why against? I'm feel blank, can sick.

Speaker 26 (53:14):
My therapy, can't bet replying back a single thing I'm crossing.

Speaker 8 (53:21):
Then if you still let me too.

Speaker 26 (53:27):
And turns a blank the nugets there the diote, then
I'm your I'm listen that selling went through, but canopy
on this day. I'm attached the fire safe.

Speaker 8 (53:46):
I'm trying to be a mistake.

Speaker 2 (53:53):
Who why not?

Speaker 8 (54:09):
Why inside?

Speaker 4 (54:23):
All right? That was uh Corey songs called why Corey
song is called why? What do you think about that one?

Speaker 11 (54:31):
I like it?

Speaker 1 (54:32):
I like it, but it needs more production. Yes, it
was too raw, too raw. It was good for the first.

Speaker 6 (54:45):
Maybe four or eight bars when she's when she was
coming in for to come in and starts talking about
the story. You know, strings should start coming in. The
drama should have been in, you know, the bass should
have came in. It should have been a fool because

(55:07):
she had to strain her voice to keep the song right.

Speaker 1 (55:13):
And she don't need to be straining with a voice
like that. She needed to be smooth, you know. But
it was a good song.

Speaker 4 (55:22):
It was a good song.

Speaker 1 (55:24):
I was I was feeling it.

Speaker 6 (55:26):
I was just waiting for I was just waiting for
some more instruments come in. Sounds like I heard a
string was trying to come in for a moment, but
then it disappeared.

Speaker 4 (55:38):
Mmm, okay, all right, all right, Brick, what do you think?

Speaker 3 (55:43):
Yeah? I liked it.

Speaker 13 (55:43):
I thought it was cool, Like like you said, it
was raw. It gave me that I'm plugged VI. You know,
I really liked it a lot. I do feel like
I'd like to hear another version where she goes back
to the studio and it.

Speaker 3 (55:59):
Sounds a little cleaner.

Speaker 13 (56:00):
But if not, I'm still cool with going for she
wanted to give it that unplugged Lauren Hill type vive
you know, so, but it's good.

Speaker 6 (56:11):
It's good for if she was doing an album. That's
good for a filler it's not a single. It was
not developed to be a single for radio.

Speaker 4 (56:21):
Okay, Kelly, good what you think?

Speaker 11 (56:24):
Andeid So they're they managed and recorded.

Speaker 19 (56:28):
Yeah, I think that she had me at hellow this
was it's because beautiful boy And even though it's a
head out of session, I wasn't in my head. I
was like, man, she got a beautiful voice. She's doing
us stuff. I like her voice. So I didn't pay
attention to know more of the song by the time

(56:48):
I snapped out, but it was towards the ended the song,
and it was like I was already lost for the
first ten seconds. So she like kind of had that
halo effect, and you know the halo effect between you.
Somebody was beautiful and he astride of the personality trades.
Oh they're a good.

Speaker 11 (57:05):
Leader, Oh they're they're polite all their time, but.

Speaker 19 (57:08):
You don't even know. You just look at it like
it's so beautiful. So she got me with the beautiful
boye and I just I left. I jumped ship right
after that. I think it was good.

Speaker 4 (57:19):
Okay, all right.

Speaker 1 (57:21):
So we all we all had the same feeling about it.

Speaker 7 (57:24):
Right right.

Speaker 4 (57:25):
It was good, just needed more work, that's all right.

Speaker 6 (57:28):
Well, not more work. She needed to add more insplentation
with the song. At some point, you know, she it
was like she was just writing the song mm hm.

Speaker 13 (57:41):
You know she likes something here, go to like an
open mic or a coffee shop, exactly like it would
sound really good.

Speaker 25 (57:50):
You know.

Speaker 3 (57:51):
That's why I said, you know, unplugged, you know.

Speaker 1 (57:55):
Right, you know, But if she was going to do
a concert and uh, the forum or somewhere.

Speaker 13 (58:03):
N and it's in the middle of a set, it's
not what brings you there. It's just something extra that
she's doing where you get to know the art.

Speaker 1 (58:13):
Yeah, I call it. I call that version of songwriting.

Speaker 11 (58:16):
Version.

Speaker 1 (58:18):
Yeah, you're just you're just vibing what you feel.

Speaker 6 (58:22):
You haven't thought about too much of your production yet,
you know, you're just trying to lay it down.

Speaker 1 (58:29):
Now since you laid it down, you listen to it again.
Now you say, I need streams, I need a bass,
I need the drums, you.

Speaker 6 (58:36):
Know, and you put them in the right places to
fulfill to fill out the song now, you know, and
you probably ended with the guitar. You remember how we
did feel like making love, how we started with just
the drums and then at the end of the song.
It was just a guitar taking it out, but everything

(59:00):
came in in the middle of it. Everything came in
a little bit at a time, right, you know.

Speaker 1 (59:05):
That's what she did.

Speaker 6 (59:06):
That's the kind of song she had. She started to write,
but she didn't. It was like having a jelly donut
without the jelly.

Speaker 3 (59:19):
Thanky.

Speaker 5 (59:20):
Okay, all right, cool means cool means what. That wraps
it up for tonight, y'all. That's that's our last song
for the night.

Speaker 4 (59:28):
Nothing else left.

Speaker 13 (59:29):
And look, i'd like to say again, guys, thank you
for making my birthday complete.

Speaker 5 (59:35):
Oh, no problem, no problem, do that anyway because you
are a girl by you know what I'm saying.

Speaker 2 (59:43):
Hold On, hodd Hodda?

Speaker 3 (59:44):
Where's that? Where's that? I say? I got my balloon here?

Speaker 4 (59:46):
Bam, balloon there. That's what's up. That's what's up.

Speaker 6 (59:53):
You should have you should have opened you should have
opened up with a what a couple of bars of everything?

Speaker 11 (01:00:00):
Too long?

Speaker 13 (01:00:00):
Guys, make sure you keep up with me because I'm
gonna be posting some stuff. I had some birthday shenanigans
going on, and it's gonna be going down, So.

Speaker 3 (01:00:11):
Keep up with the chandelier Radio TV a night.

Speaker 5 (01:00:16):
All right, yeah check it out. Okay, make sure you
check it out. Now, you got this thing? I saw
you talking to yourself. That's that's I did see something
of that.

Speaker 4 (01:00:26):
Yeah.

Speaker 13 (01:00:28):
So I have the regular Brittany with no jewels on, nothing,
just fresh face, pretty much the Brittany that people would
love to see, and then the chandelier and I have
regular Brittany interview the chandelier. I don't talk much always
just post music, and I feel like it's time for
people to get to know me a little bit.

Speaker 3 (01:00:48):
And also it's promotion for the new album. So most
of it is promotion for the new album.

Speaker 13 (01:00:53):
Where I'm talking about the album, I'm talking about why
I did it, why we're at the bot Head. I
also talk about why the chandelier, where's this crown on
her face? I talk about Coke viz on Sunday, why
It's name that. I have another song called forty dollars
scaley you know how men Just for example, we were
talking about Boomerang, Eddie Murphy puts the money on the dresser,

(01:01:15):
you know, you know?

Speaker 3 (01:01:18):
So yeah, we.

Speaker 19 (01:01:23):
Think we think of what inspired you to put those
two people there and those angles that you shot it
from where did you get this trump?

Speaker 3 (01:01:33):
Okay? So yeah, so what did talk about.

Speaker 19 (01:01:37):
And recorded?

Speaker 13 (01:01:37):
What inspired me to do the interview with Brittany and
the human chandelier was Drake and.

Speaker 3 (01:01:45):
Bobby what's Bobby's last name?

Speaker 11 (01:01:48):
At law?

Speaker 2 (01:01:49):
At law?

Speaker 3 (01:01:50):
So yeah, no, no, So it's it's this young.

Speaker 13 (01:01:53):
Lady who who does an interview with Drake and they're
lying in the bed.

Speaker 3 (01:01:57):
I don't know if you've seen it, dundee.

Speaker 13 (01:01:58):
It came out like maybe a month ago or so, okay, yeah,
and they talk about a bunch of different things. But
it inspired me to do it, and I just felt
like people need to know who I am, but also
let me show them. I'm not scared to show my face.
There's nothing wrong with my face, you know, like here
it is. But I do like to dress up and
be like Michael Jackson, you know, like I feel like

(01:02:20):
we got to be out here entertaining while we got
our jeans and T shirt on.

Speaker 3 (01:02:23):
You know, you guys pay money to be entertained, so
let's be entertained. Life is short, you know.

Speaker 4 (01:02:27):
Let's okay, Okay.

Speaker 19 (01:02:31):
I'm trying like you got your acting all right, like
you were playing drink and Bobby.

Speaker 3 (01:02:36):
At Bobby at the same time.

Speaker 1 (01:02:40):
Yes, okay, hey brit you ever thought about starting your
own label?

Speaker 13 (01:02:46):
But I do have my own label Kelly good as
the only artist on thereat. Why we're we're perfecting the
label together before we add other people.

Speaker 1 (01:03:00):
What's the name of the label.

Speaker 3 (01:03:01):
It's called Yard Records.

Speaker 11 (01:03:03):
You are royal?

Speaker 5 (01:03:04):
Okay, okay, okay, that's what's up? And did we did
we do the did I do the what is it
the girls about the music? Did I show that to
you right there?

Speaker 11 (01:03:17):
Yes?

Speaker 4 (01:03:18):
Yes, definitely, okay, all right to make sure okay, no, no, no,
the one with the.

Speaker 2 (01:03:26):
Fail you fail?

Speaker 7 (01:03:27):
All right?

Speaker 4 (01:03:28):
I showed you that one, right, okay, all right?

Speaker 11 (01:03:30):
Cool? Cool?

Speaker 1 (01:03:32):
I didn't see it?

Speaker 5 (01:03:33):
Yeah you said we did that last week? Yeah, ye
did last week? Okay, yeah, yeah, yeah, all right. We're
about to get up out of here, like to think
y'all for checking this out. Don't forget the heading out.
The session is on every week the news every Monday night,
directly after the radio show. This show will be on
the I Heart app at keyword d a radio show

(01:03:54):
on the I Heeart app probably be on there like
Wednesday or Thursday, So being a lookout for that but
you can binge listen to all the previous episodes of
this right there on the Head out of Session and
the radio show all right there on the iHeart app
right now, you can go there listen to all the
previous episodes. We're episode fifty nine. So next week could
be episode sixty of the Head out of Session. Wow,

(01:04:16):
sixty yeah, man, sixty episodes. This thing is moving.

Speaker 1 (01:04:20):
And I found an old flyer of the head Nottic
Session move was at Cuban Pete.

Speaker 4 (01:04:25):
Oh yeah, okay, yeah, all right, that's what's up.

Speaker 7 (01:04:28):
Man.

Speaker 4 (01:04:28):
Yeah, this thing is moving. Run along, man. Sixty episodes.
That's crazy. Sixty episodes.

Speaker 1 (01:04:34):
Yeah, next time we do an interesting connect, I'm gonna
put that on the menu.

Speaker 4 (01:04:38):
Yeah, all right, we'll do that.

Speaker 14 (01:04:39):
Do that.

Speaker 5 (01:04:40):
Be about to get out of here right now, like
to think everybody can checking this out for another week.
We will all be back here next week, same bad time,
same bad channel. And by the way, if you happen
to be chilling tomorrow, I'll be on interviewing five people
from twelve to five tomorrow Pacific Center time tomorrow Tuesday.
Come through check us out, man, and be all people

(01:05:02):
from from a hair stylist, to two artists, to a
mental health person. All that tomorrow, all right, So come through,
be a part of it, make it happen, all right,
all right, you guys, smile, see you take care.

Speaker 4 (01:05:18):
All right. We gonna.

Speaker 3 (01:05:20):
The radio show so far.

Speaker 7 (01:05:22):
Make sure you follow us on all social platforms at
the Radio Show