the headnodder session ep 62

Episode Transcript

Speaker 1 (00:00):
Song.

Speaker 2 (00:01):
Just because the radio show is doesn't mean it's over.

Speaker 3 (00:05):
After it's time after.

Speaker 4 (00:09):
The party, they had not a session.

Speaker 5 (00:11):
Drop it down the radio show.

Speaker 4 (00:17):
Here's a little story now, so well about three black brothers.
You know so well. It started way back in history
with that rock m c A and my man Mike D.
I had a little fosse named Paul Revere and me
and the point of steer.

Speaker 6 (00:31):
Right across the man kicking them saying.

Speaker 4 (00:34):
Jerry forces out when I'm in demand one lonely beast
I b offer let me stylen forgot that song. Man,
It's all good right there, Paul Revere paying how much
to one of the highest groups of all time in
hip hop? Man, the Beastie Boys. Shout out to them, Man,
shout out to that and that record, even though I
was butchering the song. But it's all good. Always paying

(00:55):
how much of the old school artists as we bring
get the new ones here right here on the head
out of session. This is where we critique those songs.
Give you that honest feedback and constructed criticism on your music,
all right, and again, if you can't handle constructed criticism,
do not send your music to us at this time.
This is where we let you know if you got
to hit or not. Power ninety seven five LA is

(01:18):
in the building, so they will be checking this out
and uh, those songs maybe perhaps to be played on
there one day. You never know, don't ever know. I'm
gonna go ahead, cue the first record up real quick.
But if again, if you can't handle constructor criticism, do
not send your music to us right now. Do not
waste CALLI Good's time, Do not waste bitter living next
to human channelers time, Do not waste Mded's time. You

(01:41):
can't handle constructed criticism, but especially DHI exactly. But if
you can get it to us right now www dot
d S and David A is an Apple radio show
dot com, and sing your music to us right now
and we'll get it played.

Speaker 6 (01:57):
Yeah.

Speaker 7 (01:57):
And just and just a reminder, this here is a show,
our segment that we critique music production. We're not really
saying whether we like it or not. We're trying to
scrutinize your music production creativity. And when we tell you
to make some adjustments, we need you to do that

(02:19):
and re send it back to us so we can
play it again to see those corrections make the song better, awful, worse.

Speaker 4 (02:29):
Man and it is for entertainment purposes only walk you
up the next record. Then they bring up prior ninety
seventy five, La Mike, what's going on to night man?
How you doing.

Speaker 3 (02:40):
LI'STENPI show?

Speaker 8 (02:41):
You know, Oh, great job, keep doing your thing. You know,
the new year is coming, so we definitely looking for
a big year this year of our power along with
the collaboration with the radio show you know of we're.

Speaker 3 (02:57):
Doing a lot of things as you know.

Speaker 8 (02:58):
The award show's coming up up in February, so that's
gonna be big.

Speaker 3 (03:03):
You know, that's February the sixth.

Speaker 8 (03:06):
You know, we have a lot of a lot of
people that tune that tapped in already.

Speaker 3 (03:10):
We got the website it's up.

Speaker 8 (03:12):
It's the IgM Awards, which we got a We got
some big, big people starting this year. We already got
the Doctor Dre tapped in with his kids and ice
Q tapped in. So we're doing a collaboration this year
on our awards show of of the BT I'm not sorry,
the hip hop and the soul trace is BT drop

(03:33):
those we picking them up. So we got a lot
of big artists already tap it in, say hey, let's
keep that culture going.

Speaker 3 (03:40):
So it'll be pretty big.

Speaker 8 (03:42):
So you know, have your have your audience to keep
up with the website, which is the i It's not
the IM Awards anymore. It's the IgM Awards. It's the
Independent I'm sorry, the IGH Global Music Awards.

Speaker 6 (03:55):
That's what we are now, and it was it was
what at first it was.

Speaker 3 (04:00):
The the i AM Awards Independent Artist Music Awards. Now
we are the High Global Music Awards.

Speaker 6 (04:07):
That the award shore we went to.

Speaker 4 (04:09):
Yeah that no, that was the one we went to
at the at the what's your email? What's your email?

Speaker 2 (04:18):
Oh?

Speaker 6 (04:18):
Okay that one.

Speaker 4 (04:19):
Yeah, yeah, it's a lot man.

Speaker 8 (04:22):
But yeah, So we're we're gonna do a tribute to
uh to di'angelo and at and uh and the Stone.
We got two big artists going to do that. We
can't announce it. And yet we've got two huge artists
gonna do that.

Speaker 1 (04:35):
Uh.

Speaker 8 (04:36):
Like I said, Yojo had tapped in, she's gonna be
one of the hosts for this year.

Speaker 3 (04:40):
We could announce her Doctor dre.

Speaker 8 (04:44):
Ice Cube and uh a little easy easy, He's gonna
do a tribute to Soul Training. I mean, sorry to
sort of the hip hop so that we don't let
that that culture die. So we got a lot of
stuff coming up this year.

Speaker 2 (04:58):
You know, uh.

Speaker 4 (05:01):
Might might Where where is it going to be at.

Speaker 3 (05:04):
At the at the Universe of Hilton Universe.

Speaker 4 (05:06):
Of Hilton, Okay University in La.

Speaker 8 (05:09):
Okay, right right, And we're gonna do something very magical.
We won't we won't get into it on the air
right now, but I could just say, we just started
a R Kelly radio station. So think about where we're
getting ready to go with that.

Speaker 4 (05:22):
Okay, that's what's up. R Kelly radio station.

Speaker 8 (05:26):
Yeah, it's gonna his station is gonna go live on a.

Speaker 3 (05:30):
On let us see what I can't. I think it's
gonna live in January.

Speaker 8 (05:34):
The first is already to help on the app and
we're just gonna promote it first.

Speaker 3 (05:38):
We just set out a flyer tonight.

Speaker 8 (05:40):
But we we did a test to see make sure
you have a lot of audience, and we did a.

Speaker 3 (05:44):
Last week we.

Speaker 8 (05:45):
Did three hour R Kelly tribute right at about eight
hundred thousand people tapped in. About sixty thousand tapped in
on the on the on the Instagram, and believe it
or not, seventy two.

Speaker 3 (06:00):
Percent of those was all females.

Speaker 4 (06:02):
Oh okay, well that was That was My next question
was what was the vigue gonna be being at what
Arilly's going through where they're gonna be checking for him?

Speaker 7 (06:09):
And I answered my question because I saw that Clipper said, yeah,
I saw that clip on Facebook with R. Kelly was
singing or something in at the prison. Okay, you know,
and he was venting us vtting out. You know, the
girls miss him, believe it or not. Yeah, people, people's.

Speaker 6 (06:26):
Talk that crap, but he he surely is missed.

Speaker 4 (06:30):
Yeah.

Speaker 3 (06:30):
Yeah.

Speaker 8 (06:31):
Well our goal is we already got a letter into
Trump already.

Speaker 3 (06:34):
We're gonna get about a million to.

Speaker 8 (06:36):
Five million signatures next year they try to have him
get out it. We started a campaign started, we started
the radio station. We'll go start a capaign to see
how people would signed on to get Trump to part them.

Speaker 3 (06:48):
So it's looking pretty good.

Speaker 4 (06:50):
You know the partner Kelly Okay, yeah, Well so.

Speaker 7 (06:53):
We'll send us a pretty second commercial on that on
that on that shelf that you ready come out with it.

Speaker 4 (07:01):
Yeah yeah, and we need a thirty.

Speaker 6 (07:02):
Second commercial for your your radio station.

Speaker 8 (07:05):
Too, okay, yeah, yeah, yeah, but we we're pushing real
heavy this year for R Kelly.

Speaker 3 (07:09):
We're gonna go hard for him.

Speaker 9 (07:11):
Uh.

Speaker 8 (07:11):
But you know what happened is my theory was that
if we can give if we can give awards to
dead people, live people, dancing people, why can't we give
it an award to a guy that's in jail, regardless of
where he's at.

Speaker 3 (07:26):
You know, his talent is his talent, you know.

Speaker 7 (07:28):
Right, he go to jail because of his talent. Yeah,
you know that was a personal issue.

Speaker 8 (07:35):
Yeah, yeah, yeah, but we're definitely going to gonna go
hard for him this year.

Speaker 4 (07:40):
So good good, Okay, Well yeah, Mike, Well definitely we'll
be there in February for sure. I'm sure that's around.
I'm gonna go on the limit. Say, it's gonna be
somewhere around Grammy Week.

Speaker 8 (07:49):
Right, it's definitely Grantary week. So we try to make
it big, you know.

Speaker 6 (07:53):
So you why why everybody's in town?

Speaker 3 (07:57):
Yeah, everybody's in town.

Speaker 8 (07:58):
Yeah, we're gonna go big with it, you know. So
But other than that, you know, great show man. I
listened to you a little bit, you know, and I
think that you're doing a great job. We were still
airing on our station and you know, everything looks good.

Speaker 3 (08:11):
People look for it.

Speaker 8 (08:12):
We just got to get the get the get it
in on time because a lot of times we don't
get the shows that we have to do a rerun,
which is okay, but it's not cool.

Speaker 3 (08:22):
But you know, you know, it's still looked good and
Vegas is doing very good. The station in Vegas, so
you know, everything that's going fine, you know.

Speaker 9 (08:32):
Working.

Speaker 3 (08:33):
Yeah, we got over the Vegas at the studio one day.

Speaker 4 (08:36):
You know, yeah, I definitely want to come out there
and check out the Vegas studio out as well as
the La Studio. I wanted to have them go inside
those right check the question and a go ahead?

Speaker 3 (08:48):
Is this?

Speaker 4 (08:48):
So I'm big for you.

Speaker 10 (08:49):
I'm located what's that big b man?

Speaker 3 (08:54):
Look how you do your noew man ain't man.

Speaker 4 (08:58):
Udio station? Yeah?

Speaker 3 (09:00):
The station is.

Speaker 8 (09:01):
It is located in the Howard Used area South Flaming
and Howard Used right by Lolos.

Speaker 4 (09:08):
Oh, I know exactly, Yeah, so were how he You
know that's right. You are in Vegas, so you definitely
want to connect with with V nighte V in Las Vegas.

Speaker 11 (09:22):
Yeah, who are some of your DJs over there?

Speaker 3 (09:26):
So right now we just have a two DJs.

Speaker 8 (09:30):
We had one DJ DJ Cupp and he's had to
had something else doors so he couldn't do it.

Speaker 3 (09:35):
But you know, we don't, we don't.

Speaker 8 (09:37):
We only have three DJs right now, DJ Billboard, DJ
Unique and DJ and then we have Big Mike.

Speaker 3 (09:45):
He hosts the show every day.

Speaker 10 (09:47):
So so now let me because was there a DJ
get Buck over there as well?

Speaker 8 (09:53):
Yeah, he was there, you know, and I mean know
it didn't work out, but I don't have anything bad
to s but okay.

Speaker 10 (10:01):
Didn't work out, you know, So okay, gotta gotta gotta
got it.

Speaker 4 (10:04):
So so I want to.

Speaker 10 (10:06):
Transition over there, make my presence sell and see what
what I could do in terms of working with the
station and building with the station in our community.

Speaker 3 (10:17):
Yeah.

Speaker 10 (10:17):
Yeah, so because I'm here in Vegas, uh uh you
know so yeah, yeah, yeah, so definitely I need your
your contact number, that's okay.

Speaker 8 (10:32):
Yeah, the best place to tap into on that is
go tap into the Big Mic.

Speaker 3 (10:37):
Just just email d Mike rub at gmail.

Speaker 4 (10:40):
Oh Mike rab Okay, he's.

Speaker 3 (10:44):
The one that's run of that station over there.

Speaker 4 (10:45):
Yeah. Oh and then by the way, we're gonna we're
gonna roll play this first record real quick here, but
we do have.

Speaker 3 (10:52):
We guys, I'm just gonna listen it a little.

Speaker 8 (10:55):
Lover, Okay, just let you push it out a little
more of a shared more with some other people.

Speaker 4 (11:01):
Okay, do that? Do that? Do that? Well, we're on.
We'll appreciate that for sure. We're on Saturdays at four
pm on Power ninety seven to five LA as well
as Power V ninety seven five in Las Vegas four
o'clock Pacific Standard time seven pm Eastern. If you want
to check out the radio show, and we're on each
and every Saturday with the same show. This show will

(11:22):
be on there Saturday, and Mike, I'm a work harder
to get them shows to you much fast.

Speaker 8 (11:25):
Make sure they tap into the app at Iglobal Radio Oka.

Speaker 3 (11:29):
Download the app that's for it.

Speaker 8 (11:30):
That's the best Please to hit us it because we
have about three hundred stations right now, so we're clamping
going really big.

Speaker 4 (11:36):
So okay, all right, so make sure you can download
that app right there for sure, I Global Radio app
and you will be a part of the I Global
Radio family. Man, make sure you check it out for sure,
right yep. We got Power ninety seven five LA in
the building. We do got Birdhouse as well in the
building as well, So we got three platforms that are

(11:59):
on right now. And I just see Discovery my Music
TV is on as well. So uh, shout out to
everybody that's in the buildings of all you independent artists.
We're showing you, gonna putting you out there. There's some
platforms that are checking us out right now. We're not
doing this just by ourselves, all right, So we'll go
ahead and play the first record real quick. Let's go
ahead and make it happen. CALLI Good, let's start with

(12:19):
you tonight. Do the Time by CALLI Good. Kelly Good,
tell us about this record while we go ahead, get
the things started. Talk to us, Kelly, we can disconnect man,
go ahead, Yeah, I got it right now, go ahead,

(12:40):
Kelly Good.

Speaker 12 (12:41):
Okay, that over, okay?

Speaker 9 (12:43):
Yeah, I like yeah. So this song is called Due
to Time by me CALLI Good, And as you know,
I'm currently incars rate during the twenty five year Singings
insermation and creating this song to peel off the mask
to win artists only right and living in the fans slage.
So I just wanted to give a glimpse into the
harsh realities in prison and doing time and the consequences

(13:05):
that come with committing crimes, you know, and they're all
pieces and cream. It's easy again, we're hard to get out.
So with that being said, you know, there goes through
the time by me. CALLI good and shout out to
my homeboy being cool for kicking smism at the end
of it.

Speaker 4 (13:19):
All right, just make that happen, it would go. We're
inside of the head and out of session powered by
the radio show Let's go.

Speaker 13 (13:26):
If you just heard this record, now let's get some feedback.

Speaker 4 (13:30):
I don't want I meant to.

Speaker 14 (13:31):
Do this one great here on the head Nutter session.

Speaker 15 (13:42):
CALLI good, It's good. Escape from CDC Part one. Let's
get real life. I'm gonna keep this thing above no
sugar coat. It's hey living. You might not make it
home from prison and tame to show. It's all funny game.
You go crime. He talking to them, It got your
PD talking bout facing life without throw You do the
crime and do the time. Don't shut a tid, don't

(14:04):
say a word. Don't get scared. Now, you do the
crime and do the time. Don't get this singing like
no word, don't be scared now. True stories dog, I'm
in batted all my life. Ain't no fear here.

Speaker 4 (14:18):
I'm going.

Speaker 15 (14:18):
I'm putting that on Jesus' fike. Throw these hands behind
the walls only no guns. I got a knight, a
hummy cat off that spike, so we had to hit them.
Fights politicking on the yard ain't nothing new, we programmed.
It came a long way from payphones to gtls. Have
I just file up on that Poe Pelican Babe boy,
it was sad. Let's talk about it. Ain't no funny games.
You food if you ain't out real life. I'm gonna

(14:39):
keep this thing a buck, no sugar coat. This ain't living.
You might not make it home from prison of Saint
to Joe. It's saw funny games and to your crime.
You're talking to them folks, You got your pev talking
about your face and life without farrow. You do the
crime and do the time. Don't shut a tid, don't
say a word, don't get scared. Now, you do the
crime and do the time. Don't get this singing like
no bird. Don't be scared now now out in jail

(15:03):
with struggling to a peace. That's my motherfucking dogs, big
bullwink from devil lays and bj out of athletes park bree
the real ones that got caught up doing life behind
this wall. It's easy to get in, but hard as
hell to get from behind. All what you know about
fighting for your freedom make can't get it? What you
know about petitioning the court to name listen, what you
know about spending half their life off finished sis? You

(15:25):
don't know nothing about doing ten years without of this
real life. I'm gonna keep this thing a bug, no
sugar coat. It's ain't living. You might not make it
home from prison of Saint of Joe. It's saw plenty
and gag you to your crime. You're talking to them, folks,
It got your PD talking about your face and life
without throw you do the crime and do the time.
Don't shut a tear, don't tell a word. Don't get

(15:45):
scared now, you do the crime and do the time.
Don't get this singing like no bird. Don't be scared now.
Sad as hell when you can't take care of yourself
and your seed money on your books, and ain't nobody answering.
They feel like the world turn his back from now
you're feeling all the loss deep down inside. You know
that it's a chance you might not make it home.
Nobody advocating for you, out of sight and out of mind.

(16:08):
That's things to take it on your can and hold
your own and do the time. They acting like they
really with it, but they ain't never walking line. Man,
this ain't living as hell behind these walls. Ain't nothing
to glorified real life. I'm gonna keep this thing above,
no sugar coat, This ain't living. You might not make
it home from prison, the Saint of Joe, it's saw
plenty game, your gyo crime.

Speaker 3 (16:25):
You're talking to the folks.

Speaker 15 (16:26):
It got your pet talking about your facing life without parole.
You do the crime and do the time. Don't shuit
a tid, don't say a word, don't get scared. Now,
you do the crime and do the time. Don't get
the singing like no bird.

Speaker 16 (16:40):
Don't be shared now shared now, you young niggas should
have been listening when I was teaching them. Man, I
talked to my dog every day going on forty years.

Speaker 4 (16:52):
Now, we got a nephew up there now.

Speaker 16 (16:54):
He don't want to be a human up there, thinking
somethings gonna happen to him.

Speaker 4 (16:58):
But he got your word about his now.

Speaker 17 (17:01):
I told him, look, Poo got to do his own
time bop until you come home.

Speaker 4 (17:07):
Then we on some other ship.

Speaker 17 (17:09):
This lb A ship put the whole Black community ship
beyond real ship LBA, but life all this other ship
is all poor ship. Y'all better get on code and
all my young niggas from the Devil Triangle. Y'all niggas
stay down till y'all come home. Y'all know what it is.
Shout out to my nigga, No good for putting it

(17:31):
down on this track. Yeah, you already know this is
this You bore Ogi Big Cool.

Speaker 12 (17:42):
You just heard this record.

Speaker 4 (17:45):
Now, let's get some feedback. That's stay Kelli good right there,
due the time. Kelly, who's at the at the end of
the record again, who is that?

Speaker 9 (17:55):
Okay, that's my homeboy.

Speaker 4 (17:58):
Okay, all right, man, shout out to og Big Cool
right there. Let's get some feedback. Hurt the man, he said,
give that feedback on this constructive criticism or this record. Indeed,
what do we need to do with this record? Right now?

Speaker 7 (18:13):
I hear a mix unless that was your system that
distorted the vocals.

Speaker 4 (18:23):
Not much more.

Speaker 7 (18:26):
I heard a girl and if I'm guessing as an
ex producer, that was a put note of the producer,
as a beat maker that did the track, and she
was saying the name of his company on there, and
they forgot to edit that out when they gave you

(18:46):
guys that two.

Speaker 6 (18:47):
Track mix of instrumental. Okay, but other than.

Speaker 7 (18:52):
That, I didn't hear too much of anything else that
was kind of offset in it.

Speaker 4 (19:00):
Just mix it.

Speaker 7 (19:01):
Find out that girl what she's saying, but what you
had her at it sounded like she was trying to
answer your lyrical whine that you were saying.

Speaker 6 (19:14):
But I couldn't make her out, couldn't.

Speaker 7 (19:16):
I couldn't tell whether it was the was a footnote
of the of the beat maker's company. You know how
they do it. So if you don't buy it, you
end up having that on your track. Okay, But other
than that, you know, I like I like the flow.

Speaker 4 (19:36):
Mm hm.

Speaker 6 (19:37):
No, he was spitting.

Speaker 7 (19:39):
He was spitting cool, getting better and better and better
you and yeah, other than that, it's not it's not
it's not. I'm not gonna say it's not radio. I
have to critique it just a little bit more on
the lyrical contents. Find out whether it's good enough or
commercial radio or just online radio.

Speaker 6 (20:03):
Okay, all right, you want both, you want both.

Speaker 4 (20:06):
That's what's up. That's what's up. So Brett, what do
you think you did you do this record?

Speaker 10 (20:11):
No?

Speaker 12 (20:11):
I did not, Okay, I like the record.

Speaker 4 (20:16):
Okay, I just.

Speaker 18 (20:18):
Did little stuff in the background and I'll put it
together for him.

Speaker 4 (20:23):
Got You Got You?

Speaker 6 (20:25):
Was that you? That girl I heard in the background?

Speaker 4 (20:27):
Was that you?

Speaker 12 (20:28):
I was singing in the background.

Speaker 7 (20:30):
No, I wouldn't No, I won't talk about the singing.
It was something that it was something that she said.

Speaker 12 (20:36):
No, that wasn't me.

Speaker 4 (20:37):
Okay, all right, Got You Got You? Low Days. What
do you think about the record? That man?

Speaker 5 (20:43):
That record is is is fucking excuse my French, but
that that record is too real?

Speaker 4 (20:53):
Of course you just heard you just heard his in deduction.

Speaker 5 (20:57):
One of the realist records I've heard to date. Like,
I'm not even gonna lie. I got cousins who who
talk that talk and have walked that walking. That record
is every story I've every horror story I've ever heard.

Speaker 4 (21:11):
Yeah, yep, from from the other side, and.

Speaker 8 (21:14):
This is all the what ready with power? Listen, that's power.

Speaker 4 (21:20):
That hold on, Mike, I'm coming to you. Hold on,
hold on, let me, I'm coming to you right now.
Uh load days, You're done that well.

Speaker 5 (21:30):
I mean as far as the production and the balancing,
I definitely need to think it needs some balancing.

Speaker 4 (21:36):
The pockets were good, you know, the.

Speaker 5 (21:39):
The delivery was so conversational, Like that's what kind of
good is good at. He's good at making you feel
like he's talking to you sitting on the front porch.

Speaker 4 (21:47):
And uh so so the you.

Speaker 5 (21:49):
Know, the bare bones was there, but the production level, uh,
it just wasn't there yet. But the record could be
on the next season of Scared straight Man or any
you know, uh like real raw film or series. You
know what I'm saying, Like it could has a marketability

(22:11):
for real. So yeah, keep keep that record. I just
it just needs to be finalized and mixed. Well, got
you okay? Sounds good? Sounds good, Mike, Yeah, record.

Speaker 3 (22:26):
Young gentlemen. He's right the last one.

Speaker 8 (22:27):
But some songs have a message, and sometimes it's not.

Speaker 3 (22:32):
The lyrics is not the music.

Speaker 8 (22:33):
If you listen to Curtis Mayfield, a lot of his
music was music. It was it was a message. It
was just so that guy. I would put him on
my radio station. I like to have one million people
listen at his story and listen to his record. Set
that up, get with Mike. I want him to call
in and on the radio station.

Speaker 4 (22:54):
All right, you would definitely make that happen for you.

Speaker 8 (22:57):
Because that message is so strong. That message is so strong,
you don't He don't even need to have the music.
He can just tell that story.

Speaker 4 (23:06):
Yes, it's so true. That's right, for sure, for sure.

Speaker 8 (23:09):
So so get his information, get it to Mike. I
want to get him on the radio. He can call in.
We got his lines set up. We'll play his music
and let the world hear what he has to say,
because the message is trong.

Speaker 4 (23:21):
A right as a kid saying say no, Mark, we're
gonna make it happen. Uh uh, we got here, who
we got here? Big see big see big see man bigga.

Speaker 10 (23:36):
Oh yeah, okay, So let's talk about his artistry. So
he has a great delivery. So I like that great delivery,
and he's confident in his delivery. He's he put the
words together really well in terms of description and describing
his situation, and so I think the record is well written.

(24:04):
I think it's well written, of course, you know, in
terms of music. It do need a better production, but
based on his circumstances, you kind of look overlooked that
because the lyrics are so poetic, you know, if that
makes sense. So the lyrics are so poetic, you can
overlook that. In fact, like the young man said, I

(24:26):
don't even.

Speaker 2 (24:27):
Really see.

Speaker 10 (24:29):
It needs the track, you know, because of the lyrics
are so profound. So and it's so true because I
lived that life. I lived that life. I literally lived
that life.

Speaker 4 (24:42):
So I have been to the modules.

Speaker 10 (24:44):
And I've been there, so I know what he's talking
about from experience, not just a listener. I've been there literally.
You know, have you ever seen a man gay for us?

Speaker 4 (24:59):
Brad?

Speaker 11 (25:00):
Have you ever seen a slug rip chunks of the flesh?

Speaker 10 (25:04):
I've been there, so I understand what he coming from
in terms right That Dark Sail is a long.

Speaker 4 (25:13):
Yeah, definitely a record right there.

Speaker 10 (25:14):
Man.

Speaker 4 (25:15):
You know, I'm with the youngsters. The youngsters, you know,
they they you know, unfortunately some of them are trying
to be there. Unfortunately, some of them glorify that life
being in there, and I wish I could play this
record for them, but they can get and it'll persuade
some of them hopefully for not trying to get there
because I'm part of the probation department. That's my daily slave.
So I did with the youngsters before they get over there,

(25:37):
but some of them really glorify that life, man. And
I'm gonna see if, like I will try to play
this record and see if I could get them to
kind of change a little bit and just.

Speaker 12 (25:44):
Say, you know, I'm gonna put a better.

Speaker 18 (25:49):
Coming out where so you know, like we just like
y'all say we're bringing y'all to music while it's being created.
You know, like we really bringing music by Rocks to
you why it's being created exactly.

Speaker 4 (26:02):
And that's what we want on the show here the
head and out of session, which we do every week
directly after the radio show. We take that raw music,
give it start, to give you that destructive criticism and
feedback so you can take it back, work on it,
bring it back even the next week before you put
the record out.

Speaker 6 (26:17):
Yeah, that's the reason why we do not want songs.

Speaker 7 (26:19):
That you guys already got it Spotify or Apple Music,
our apples on.

Speaker 6 (26:24):
We want it raw, straight out of the studio.

Speaker 7 (26:27):
So if there's an adjustment to be done, that's just
the time to do it. Don't put it out there
to the public all screwed up. Bring it to us,
let us unscrew uncork it, and then get it right
so you can go back and do it right. Then
bring it back to that so we can play it
one more time. And if everybody say it's all good,

(26:50):
then you got you a potential hit and it's time
for you to fly for it.

Speaker 4 (26:55):
All right, we're gonna roll onto the nets, and real
quick before I do that, I said just about the
checking with you, man, you read my mind. I was
just about the checking with.

Speaker 9 (27:06):
Ahead.

Speaker 4 (27:07):
Appreciate, I appreciate you. I'm gonna try to keep it
under thirty. Go ahead. I really really like.

Speaker 19 (27:14):
The word on that last piece, and so much so
I think it should be spoken word and let some
of the pieces that he spent maybe space and some
of those out to really let it marinate. It hit
a lot harder because he said a lot in that,

(27:37):
So I would really really love to have that as
a spoken word piece with space in between.

Speaker 11 (27:45):
MM.

Speaker 4 (27:46):
Okay, that's what's up, all right. That's DJ A O
eight Birdhouse. They got their own platform as well. So
if you want to go ahead and get your music
to them. They'll make that happen as well. DJ's are
in the building, man, we make it happen tonight for you.
Not a session power about the radio show. Do this
each and every week directly after the radio show, as
we could give these constructive criticism and honest feedback on

(28:08):
the songs that are being played and perhaps make it
and that only the radio show. But as you can see,
we're more than one around here. All right, go ahead
and play another record, brit This is your record about
to play right now. This is wishless. Tell us about
this real quick before we move on.

Speaker 18 (28:23):
So this is me and Kellie Good's christic song that'll
be coming out soon.

Speaker 12 (28:30):
We got some visuals for it. You know, it's holidays
and we at least had to drop one.

Speaker 18 (28:35):
So this taut wish is by Pretty Living X, the
Human Chandelier and Kathy Good.

Speaker 4 (28:41):
All right, let's check it out. Here we go, they
head not a session power a boy the radio show.

Speaker 15 (29:03):
I want to be on your whistless like well, cause
you know you got me as a given. All you
gotta give me for Christmas is your sell. I'll wrap
you up in a big red privilege today is a
special day, but every day we use a holiday.

Speaker 4 (29:14):
I always treat you.

Speaker 15 (29:15):
In a special way, polluting your card Happy holidays?

Speaker 4 (29:18):
Why are you the finding things meshing a red light?

Speaker 15 (29:20):
Santa coming down and ship me with a red band
Tanna with a fat suit on here?

Speaker 4 (29:23):
You know I got the bad It ain't nothing to
a boss.

Speaker 9 (29:25):
You can have its?

Speaker 15 (29:26):
Can I punk that portion in the driveway they hand
you the keys, take a ride back? Were killing them?
Boost and the crime rate? That's social we do with
the FLYWAYH do with mind way. All you gotta give
me for Christmas is your sell I wrap you up in.

Speaker 2 (29:37):
A big grad privit.

Speaker 15 (29:42):
All you gotta give me for Christmas is your sell
I wrap you up in a big brad pivots.

Speaker 4 (29:52):
Can you put me hoday treat.

Speaker 20 (29:58):
Senna?

Speaker 3 (30:00):
Can you do this one thing for me?

Speaker 18 (30:05):
I'll be a good girl before him all be naughty
said get your gillless more than what said twice?

Speaker 12 (30:18):
I know you knows me now that he was being nice.

Speaker 1 (30:22):
Go to baby John your less came this christ pass.

Speaker 20 (30:32):
You're wiss joy crow.

Speaker 21 (30:38):
Sent can get she.

Speaker 13 (30:44):
Warmy?

Speaker 4 (30:48):
No, don't need no imperial thanks.

Speaker 20 (30:50):
You're trying men. God give yourself.

Speaker 15 (31:02):
All you gotta give me some Christmas show sell, I'll
wrap you up in a big band privity.

Speaker 4 (31:10):
All you gotta give me some Christmas show sale, I wrap.

Speaker 2 (31:12):
You up in a big brand privity.

Speaker 6 (31:22):
Christmas.

Speaker 15 (31:26):
All you gotta give me for Christmas is your seal.
I'll wrap you up in a big band rivit. All
you gotta give me for Christmas show sale, I'll wrap
you up in a big band ribymas.

Speaker 4 (31:42):
Yeah right there. But they love me as you mis
channelaary featuring Tellie Good wish List, All right, wish List,
give that honest feedback and constructed criticism on this record
right now, Lo Diz, what do you think about the record, sir.

Speaker 5 (31:58):
Man, I think it's one of those records where where
girls are gonna be dedicating that too.

Speaker 4 (32:06):
To that guy.

Speaker 5 (32:07):
You know what I'm saying, They're gonna be dedicated now.
It's like it's it's a It's an easy record, man,
How do they records just work? It just always work.

Speaker 4 (32:16):
Of course, holiday records surely always work at this time,
especially this time of year, for sure, Big fig. When
you think about the record, man.

Speaker 10 (32:24):
That record is so dope. That record is extremely dope.
And le'm gonna tell you man, h Brady Levin.

Speaker 4 (32:31):
Man her tonation, Bro, it is beyond measures man. Her
sound it's so.

Speaker 10 (32:37):
Rich, it's so warm, even coming through this device. Her
and then I just like the way they structured the song,
you know, and I like the way they both are
in the hook, but they don't clash like. This record
is adult record. It's so catchy and I wan't gonna

(33:01):
be on your y. I mean, been a red red viviage.
The chat on it is so phenomenally dope.

Speaker 11 (33:10):
This record is a good record, man. I know good records.
I recorded with some great artists, and that's a good record. Bro.

Speaker 4 (33:18):
That's what's up. I know, my ship, that's what's up. Mike.
What do you think, sir, Mike? You there still no
I believe he said he had to get okay probably
now okay, I said something. It's very repetitive. Okay, that's

(33:39):
a paradose, that's what That's what I think. It's what
he said here. He left the comment all right, Uh, indeed,
what you think?

Speaker 7 (33:47):
I'm like big feed, you know, it's it was melodic.
I like how they question and answer them themselves, especially
while with a rap and a singer doing a Q
and A you know, you know, in fact, I hadn't
heard anything like that in decades, right decades, I said that, yeah,

(34:14):
because I never know, too many rappers were like R.

Speaker 6 (34:18):
And B Singior overshadows them, you know.

Speaker 7 (34:22):
But this, you know, this is a this you know,
now I'm gonna say the first time, but you know,
every since I heard Big Fee and and Black, you know,
do they think now I'm seeing good and loving it
doing their things and and and they're actually asked for

(34:46):
and Simpson in a new style.

Speaker 3 (34:49):
And the whole difference like that too, you know, So
you know, they should.

Speaker 6 (34:57):
Have had they should have did this in the summertime.
They had ready by November.

Speaker 7 (35:02):
So the rady is gonna start playing it just just
right after Thanksgiving on Black Friday.

Speaker 4 (35:08):
Yeah, yeah, I get that.

Speaker 10 (35:10):
No, yeah, it should have been out a long time ago.

Speaker 6 (35:13):
Yeah.

Speaker 4 (35:13):
So well, Cyber Monday is not bad. That's what we're
doing tonight. So Soccer Monday not.

Speaker 7 (35:16):
Too shabby, not to but yeah, it's not chevy, but
we're not we're not premiering it where we're critiquing it.
We're supposed to critique it back in the summertime. And
so when Cyber Monday or Black Friday. K it would
have hit the goddamn stage.

Speaker 4 (35:35):
Oh gotcha, gotcha right, got it hit.

Speaker 6 (35:38):
Stage, you know.

Speaker 7 (35:40):
And what's so good about it? This is just not
a one time song you use just for this year.
This this can go on for the next twenty five years.

Speaker 4 (35:50):
Oh, that's right. It's a Christmas record. Yeah, it's a
Christmas record, right, Okay, we ever start that King.

Speaker 6 (35:57):
Song, nineteen cold song will still be playing.

Speaker 4 (36:00):
Yeah, and all that money Mariah making it as well
from her Christmas music. So it's a good idea, idea man. Fact,
I need to get in the studio jingle bells in
their minds exactly what I need to do. I need
that was that was out.

Speaker 6 (36:18):
That was an outstanding That was an outstanding song, you
know for Christmas.

Speaker 11 (36:23):
You know.

Speaker 6 (36:24):
So that's that's just say, we're not going to release
that this year.

Speaker 7 (36:29):
We're going to release it next year at the right time. Okay,
every station in this country will be playing it.

Speaker 3 (36:38):
And let me say this real quick.

Speaker 11 (36:41):
Unfortunately, and historically in Christmas songs, when people do original songs,
they I mean when they do redos, like a remake
of a song, it usually can last and beat a
hot record.

Speaker 10 (37:00):
Seldom do you hear an original song. Got go right,
you know what I'm saying. It's always a remake of it,
so all this kind you know, but original song, Man,
they did that.

Speaker 4 (37:16):
I don't care what they say. Nobody say that record.

Speaker 7 (37:19):
Yeah, last person I know that was a rapper did
a Christmas a Christmas song with what Curtis blow.

Speaker 4 (37:24):
Oh yeah, you're taking it back right there. Man, it's
a long time ago.

Speaker 7 (37:27):
Hey, well that's what I'm talking about. Christmas music only
lasts four to six weeks in the public ear because
it's a season. Oh project, right, we bring it back
next year and a year after next and the year
after next, and then.

Speaker 6 (37:48):
Your kids will hear it, and your kids kids will
hear it. You're like not, Keen Cole.

Speaker 7 (37:54):
Look, look how man in generations and heard that song
and it's still being played exactly.

Speaker 4 (38:00):
And before we move on to the next one, eight
o eight, here to check in quick go.

Speaker 19 (38:05):
Ahead from what I heard, I think is just going
to come out regardless of opinions.

Speaker 2 (38:12):
So I just say good luck on your release.

Speaker 4 (38:16):
Okay, sounds good, sounds good, go ahead and roll on
to the next one. Low Digs is your record, tell
me what's up? What's this it?

Speaker 5 (38:25):
I'm not sure because I sent you Jay's record too.
Yeah demoh okay, So so this is a all right.
So so this is an artist man out of out
of la that I had to preasure of working with.
You know, has a really big buzz on the underground
and commedon watts.

Speaker 4 (38:46):
You know what I'm saying.

Speaker 5 (38:48):
Just he he has that that thing that the streets
just like right now, you know what I'm saying, I
mean socially and uh and the ever rewires interesting artists, man,
just interesting artists. You can go ahead check him out.

Speaker 4 (39:06):
Let's do that.

Speaker 11 (39:07):
Look looking for feedback on the next time anybody we're
about to play now.

Speaker 22 (39:15):
Indeed, hey yo, Pluto, you're going brazy going by your

(39:40):
blessed ever since we started out, getting all your strengths.
Looking at you on your phone and see you eggs.

Speaker 4 (39:47):
I ain't jealous. I just hope you get the mess.

Speaker 14 (39:51):
All of ex and nose. I'm sending them paragraphs I
were fitting you out. I can't even because I'm just
staying for the moment. I wouldn't even bring it up,
but I just hate on it always funny, it hit
different when you thought you was the only one. All
these holds the same. Don't get confused, stay don't know.
You know you can't just real to me. You gotta
show me something. Shit be playing on.

Speaker 4 (40:13):
My music and no whip.

Speaker 14 (40:14):
You know you're mad, man, Grab you by your neck
like where you're mad and only with my center in
the boat for water bag slitting your DM side dash
for yo, man. And you know you're different when you
with me and you're burning O the fifty. I could
take you anywhere because I ain't never in the city.
Love it when I call you my little baby because
you pretty, love it when you're smaller than they hain't

(40:35):
because you're with me. You were pleased ever since we
started argetting all your stress. Looking at you on your
phone and see your eggs. I ain't jealous. I just
hope you get the mess all the Mexican those sending
them paragraphs.

Speaker 3 (40:50):
I was fitting you.

Speaker 14 (40:51):
Oh, I can't even trip because I'm stilling for the moment.
I wouldn't even bring it up. But I just hate
you on on it, understand.

Speaker 4 (41:42):
No Diggs brought the record to us. That's that right there.
Let's talk about this record. Let's make that happen right now.
M d go ahead and kick it off. What do
you think?

Speaker 6 (41:51):
Okay? I like the song. Only thing I have a
problem with.

Speaker 7 (41:56):
I don't think he needs that the top lead track
to being reverb that under lead track, the under lead
track that he was using. You can leave it a reverb,
Let it blend with his natural voice. It'd give a
better flavor. I think it was just a little bit
that was a little bit too much reverb on the

(42:18):
lead with both of them, I think the one and
for the lower one, the one that you had it
just cutting the track, just cutting the track. I think
with his natural voice, I think they would have blended
in much better, much better vocally speaking.

Speaker 3 (42:39):
You know.

Speaker 4 (42:40):
The rest of the track was.

Speaker 6 (42:43):
It was the rest of the production was good, great, excellent.

Speaker 4 (42:50):
All right? Uh living next to you, Michandelier, what do
you think about it?

Speaker 12 (42:55):
I thought it was fire. I like it a lot.
I like the vibe swaggers.

Speaker 4 (43:00):
Uh, okay, that's what's up, Kelly. Good? What you think sir?

Speaker 9 (43:15):
On late night drag somewhere just fiving out man? You
know he was he had a good bonds and he
was swagging on that track.

Speaker 2 (43:23):
I like it.

Speaker 4 (43:25):
Okay, cool, that's what's up, big fieves. What you think?

Speaker 10 (43:30):
Man, I gotta go with I gotta go with everybody
on that because everybody said everything that I would say.
And so I do like the track, and I think
it's a dope records, so very dope record. And I
do understand what m D was just talking.

Speaker 11 (43:45):
Yes, m D is talking about in terms of the
two part harmony where he did across the record.

Speaker 4 (43:52):
Now here's the thing with.

Speaker 10 (43:54):
That, that too part harmony wouldn't be so such a
problem if if the hook would stand out a lot more.

Speaker 11 (44:02):
So it's you know, it's kind of like all the
way through and it's dope all the way through. But
if the hook would have like some three part harmonies
in some of the places are.

Speaker 10 (44:16):
Coroschetto, some notes something like, that's something to make the
hook stand out a little more, because I mean vocally,
and it's a great mix on the record.

Speaker 11 (44:27):
It's a great mix on the record.

Speaker 4 (44:29):
I like the mix.

Speaker 3 (44:30):
I like the vibe of the record.

Speaker 10 (44:32):
He got a great he has a great sound, you know,
so a lot of times and you can identify with
his sound A lot of times you notice when you
got artists that are phenomenally huge. One thing that sets
them apart, in all of them, that sets them all apart,
is they have a different sound.

Speaker 11 (44:52):
They don't sound like no one else. They sound like themselves.

Speaker 4 (44:55):
So I think that's an.

Speaker 10 (44:56):
Extremely great plus on his behalf that he has a sound.
It's important to have a sound, so he has a sound.
But I do think, and like I say, it's an
adult record, you still can't say, ah, turn it off,
you want to hear it again. But I'm talking when
we're talking about levels, the next level, I think you

(45:17):
just focus more a little more on that hook, just
to separate the verses in the hook man.

Speaker 11 (45:25):
Than you would have you know, you know, and we'd
be there. But yeah, great record, man, that's a great record.

Speaker 3 (45:32):
That's a great record.

Speaker 2 (45:33):
Night. That's what it is.

Speaker 7 (45:36):
That's you know, I agree with that what I'm saying.
It was a great It was a great record. The
only thing that bothers me was the lead track where
it had a double reverb and reverb not reverb auto
tune and auto tune is an effect is not to enhance.

Speaker 4 (45:55):
The lead vocal.

Speaker 6 (45:57):
It's a flavoring.

Speaker 7 (46:00):
That's what That's what auto tune's supposed to do is
it's flavoring because you're not gonna sound like that on stage.
You know a lot of people say, well you can
buy the machine. Yeah, but a lot of people don't
body machine. You know, well, especially a new artist, you
don't have that kind of budget. So you got you
gotta when you go in the recording studio, you got

(46:21):
to think about when I get on stage, can I
sound like this record on stage as well?

Speaker 11 (46:28):
M m.

Speaker 6 (46:29):
But that's the most important thing. When you see all
these all of these great.

Speaker 7 (46:33):
Artists that are on the charts, especially back in even
the old days, when they stepped on the stage, it
sounds like the record. It sounds like the actual record
when they perform, and you don't want to sound different.
You don't want you don't want your audience to say,
I like the song, but damn sound a little different
now when he's singing it live. You don't want you

(46:57):
don't want to, you don't want your audience to go
that route with you. You want them to say more, more, more,
because that sets you up for longevity. You know, people
be waiting for your next single to come out. You know,
when you step on that stage, people just expecting to
hear what they they hear in a car, what they

(47:19):
hear on television, here on their on their phone devices,
and they expect to hear the same thing you step
on stage.

Speaker 6 (47:27):
And they not expecting to hear nothing different.

Speaker 7 (47:31):
And auto tunes will make you sound like something different
when you performed it live, because nine point nine times
out of ten, you're not going to have that device
component to make you sound like your record.

Speaker 6 (47:47):
Well, you know, so you don't want to take that chance.

Speaker 7 (47:50):
You know, you know what your budget is, you know,
and don't let and don't let the engineer talk you
into it. You have to start thinking what am gonna
sound like when I'm on stage because that's when you're
promoting yourself and your music when you step on stage. Yeah,
so you want to be you want to be as

(48:11):
close as to that recording from the studio that you
can get when you step on the stage.

Speaker 4 (48:20):
Before we go any further, big shout out to the
R and B Talk show checking us out. What's Up?
Shout out to the R and B up What Up
Talk Show? Also, uh aight, o waite if you can't
send that link that you will send me that wanted
to give my feedback.

Speaker 19 (48:36):
Linked attack is because, uh, it's an ongoing problem with
artists and I know they want to record, but there's
so many producers out here as well that that that
beat was ripped off of YouTube, somebody else already got
a song to it, and it makes it very very
hard to review.

Speaker 2 (48:57):
It's like, now you got to strip the.

Speaker 4 (48:59):
Beat away what you have.

Speaker 19 (49:01):
So I will suggest, you know that the artists get
with a producer so they can actually put this work out.

Speaker 4 (49:09):
Yeah the scrap okay, so an away? What is that
link to? I don't know what, because I.

Speaker 2 (49:16):
Want to person that's on the beat that put the
song out in January.

Speaker 4 (49:20):
Oh, that's the person has to be Okay, okay, well
you know what, let me see if I could, can
you do my favorite this email that link. I'm gonna
put it on the computer. We want to compare it too.
That's what we want to do. That to me real quick.
We're gonna we're gonna hopefully I can open it up.
We can compare it to I'm gonna get my record.

Speaker 10 (49:36):
Damn.

Speaker 4 (49:36):
Sorry, yes, I got your record for your record is
coming if I send it to the right email. Yeah,
we got it. Not now now you know. Unfortunately for
you That record is on rotation at the radio show
dot com right now, but we're gonna play it for
you because because you you sent it to this all right,
so we're gonna play it after this song right here.
Why it always sends me that link real quick, and

(49:58):
we're gonna play this next artist. This one is an
artist by the name of el. Song is called f
F A r F. Far from Reality, Far from Reality.
All right, let's check this out.

Speaker 23 (50:14):
Yeah yeah, I just speak from experience. It's just my
experience on this lowly hellow brick role.

Speaker 13 (50:37):
What did I do to deserve this pain from life?
Lessons be hurt, a third through life, still searching for
purpose every day.

Speaker 4 (50:44):
That's myself.

Speaker 9 (50:45):
Is it worth it?

Speaker 13 (50:47):
Someone went to school with rich and I'm working could
be worse, and the still searching. Bless us to the
mothers with no help from mothers and fathers who beggy.
Mothers just make themselfer, laying to the child like you
don't want to be included. It's like charcoal soaking too
much kerosene, fluid, regrets, trusts your mom when you get
that check, just know you the source for your own death. Yeah,

(51:08):
Chad will tell you some be the teacher's pet. Now,
all of a sudden, pets have been a fense snitching
on each other. Can't come correct a major offense from
minus yeah, slavery still here. It's called prison now never
left Jesse volve and it's pro pole pro Paul made
sure we face Muffy's law. Roundable clause. I know your
full father's proud. I know your four father's proud. I

(51:38):
know your full father's proud. Round of a clause, I
said round the for pause.

Speaker 12 (51:48):
I know you make them proud.

Speaker 4 (51:52):
Let's gonna keep it going. Just just talk a lot
about life. I told you from if I speak of
experience on this.

Speaker 13 (52:08):
They say I'm too old for this genre. I put
my heart in soulines and I say, y'all come. They
critique your work the hardist when your homeboys and know
the lyrics to the ones that never met before. When
chicks think you wrote, they keeping out at you. So
when the get rude, just remain used to be money power.

Speaker 4 (52:26):
Respect. Now women famous.

Speaker 13 (52:28):
Oft light clicks on a pick. Chicks have dressed for
fraen requests in the net Troughs comment to disrespect most
of these keyboard fingers be really racist. That be your
doctors and lawyers that you go visit Supreme Bingers that's
covered in white blankets, the same doctors and lawyers.

Speaker 12 (52:44):
That's so iron.

Speaker 13 (52:45):
It's all mental reality. When you close sing singing life.

Speaker 9 (52:48):
For what it is.

Speaker 4 (52:49):
Can't be stuck with that.

Speaker 10 (52:50):
Nah.

Speaker 13 (52:51):
With my own eyes, I see everything. I see real,
I see fake, I see in between picks. Say a
thousand words even means all men reality on your phone screen.
It's solved mental reality when you close singing, seeing life
of what it is. Can't be stuck with them. Keep

(53:13):
grinding my teekuntil it pays off to make believers out
of people. Can't be y'all talk. I always remember, keep
your secrets to yourself, or they'll use it against you
to benefit themselves.

Speaker 4 (53:23):
This is the real world.

Speaker 13 (53:24):
Homies say no her Linney Street, no respond no one
wasting my breath for all of you. Just keep shooting,
look against you until.

Speaker 4 (53:33):
You see y'ad that like a cheek.

Speaker 13 (53:34):
Grew a privilege where the neighbors around you had private fences.
You ain't staying all night, you.

Speaker 20 (53:40):
Had a curfew.

Speaker 12 (53:41):
I ain't tee out a home and you acting new.

Speaker 4 (53:44):
Yeah, it's hard to believe. I've been to.

Speaker 13 (53:45):
Jail too, but none of your people think they can
visit you. It's solved mental reality when you're close singing,
seeing life of what it is.

Speaker 4 (53:53):
Can't be stuck with d nah.

Speaker 13 (53:55):
With my own eyes, I see everything I see real,
I see fake, I see you between Pick said a
thousand words even means or went to reality.

Speaker 4 (54:04):
On your phone screen.

Speaker 13 (54:08):
It song meant to reality when you close saying seeing
life for whatever it is can be stuck with them
with my own eyes, I see everything I.

Speaker 2 (54:19):
See real, I see fake, I see you in between.

Speaker 13 (54:22):
Pick saying a thousand words even means or mental reality
on your phone screen. It's so meant to reality when
you're close in seeing life with what it is can't
be stuck with Then that's that E LO song.

Speaker 4 (54:40):
It's called F F A R from reality. All right?
I like that record, real quick feedback on that one
on your phone screen right there? All right, Low Digs,
you said here, this is a soundtrack. What do you think,
real quick? Low Digs?

Speaker 5 (55:00):
Yeah, man, it's it's I mean music. The attention span
of the consumers is getting so short that I believe
in I've even had to trim my records from three
thirty to two thirty, you know, three thirty to three,
I mean three thirty to three minutes to two thirty,
And so you know, I get the expression, but we

(55:25):
have to respect the consumer. And it's hard sometimes to
respect the consumer and be brief with our expression. It's difficult,
but we have to. And that's the only thing I've
seen that was it was an issue with the record.

Speaker 3 (55:44):
It was.

Speaker 4 (55:45):
Record consumer, okay. Even though they switched tracks, basically it
was it was still too long, okay, okay, but that
was a problem.

Speaker 7 (55:54):
They switched tracks and made it too long. They had
an uptempo beat going on. Did it faded and you
really was expecting it to come back to fade out
that the way it started, but it never came back,
you know. And and that was that's what I was

(56:17):
feeling when he first when the record first kicked off, it.

Speaker 6 (56:21):
Was like it was jamming.

Speaker 7 (56:23):
You can see the dance floor filled up and everything.
Then all of a sudden, it went, it broke down.
Then you figure about four four balls later, you thought
it would come back again and then start fading out,
you know. But it was like a monologue at the end,

(56:45):
and that the monologue like it was about four minutes.

Speaker 6 (56:50):
Got like it was gonna never end.

Speaker 4 (56:54):
Yeah, okay, So you didn't like that breakdown? Okay? Uh,
I liked them.

Speaker 6 (57:00):
I love the record.

Speaker 11 (57:01):
The record.

Speaker 7 (57:03):
There's nothing about the record that we can say is
no good. It was just a ranged wrong, Oh got you?

Speaker 4 (57:11):
Okay? Okay, Rick, what do you think?

Speaker 11 (57:16):
What song?

Speaker 12 (57:17):
I ain't good?

Speaker 4 (57:18):
Okay, no arrangements. Nothing needs to be changed for you
on your end.

Speaker 12 (57:23):
Now that you say it, I feel like I want
to hear the song again.

Speaker 4 (57:26):
But I was cool, okay, all right, all right, Kelly,
good what you think about the record.

Speaker 9 (57:36):
And recorded? I got two words for this record.

Speaker 4 (57:40):
In interested in gnarly? Okay, okay, interested in gnarly? Right,
I get I got gnarly? Right? Yeah?

Speaker 6 (57:58):
We ready to hear them.

Speaker 12 (58:04):
Say it again?

Speaker 9 (58:07):
Yeah, it was a record. It was a lot going on.

Speaker 4 (58:11):
Okay, okay, all right, all right, that's what's up, big feed.
What do you think? Man?

Speaker 10 (58:18):
I'm gonna go with a lot going on? But I
do respect the fact that he had a great story.
He was you know, and then this educational awareness record,
So you know, when you got records like that, you.

Speaker 11 (58:33):
Know, I don't really look at him as per se
a dance record or a record. You know.

Speaker 3 (58:42):
I just listened to it as you know, a teaching session.

Speaker 11 (58:49):
You know.

Speaker 10 (58:50):
I thought he had great delivery, passionate about his records.
I think lyrically he would pause in between lyrics too
much like and I think that ultimately makes the song
again extensive, very long, you know.

Speaker 11 (59:12):
Could he'll be rapping and then he'll stop with a pause,
a brief pause, go back in and rapping and uh
and then you don't know if that was the hook
for the first But yeah.

Speaker 4 (59:24):
I really liked the record. I like his delivery.

Speaker 11 (59:27):
I like to be.

Speaker 4 (59:30):
Uh, yeah, it's interesting. I'm like Britt.

Speaker 10 (59:32):
I would like to hear it again and really really
sum it up because I think it was good.

Speaker 4 (59:40):
Got You got You, got You Away on this record.

Speaker 10 (59:46):
All right.

Speaker 2 (59:47):
I like it, you know, for the time of the
year that to see it with a time time.

Speaker 19 (59:53):
We used to have this all the time in the industry,
and we had records that just make you sit down
and think listen.

Speaker 2 (01:00:01):
I think it's a great winter time record, and I
enjoyed it for what it was.

Speaker 4 (01:00:07):
Okay, right right, okay, all right, that's what's up, uh
to Carl, How you doing to night, Sir, I just
want to try him o because I know he's been
there for a while. I want to make sure I
didn't want to leave you hanging to Carl might be listener.
Yeah you know he listening, But I just wanted to
make sure that that he didn't want to say nothing. Okay,
let's go on to this one right here, last one

(01:00:28):
for the night, Big Phoebe? Did you send you and this?
Did you do you? And Black Thompson do something different
with this record? I noticed the acapella? Was this on purpose?

Speaker 10 (01:00:37):
No? I maybe I sent you the wrong the wrong version.
Did you know I'm in I'm in battle with this record.
You know, I'm still trying to trying to feel.

Speaker 4 (01:00:49):
Like the release on it. Oh okay, well let's uh,
let's check it out. Women to play the a cappella
that's all I got right now?

Speaker 10 (01:00:58):
Yeah you can, Yeah you can play?

Speaker 4 (01:01:00):
All right, Let's check it out?

Speaker 11 (01:01:03):
All right?

Speaker 10 (01:01:09):
Yeah? Yeah, big fellas, where you are represent right now?

Speaker 11 (01:01:15):
Tell me Poky Tea on the track on the track
they Irvan, tell me.

Speaker 20 (01:01:22):
A girl, you big feet?

Speaker 4 (01:01:24):
We back at it again. Listen, let me save, tell me,
tell me you all alone? Tell me he ain't been
chewing your another two. I can give it to you.

Speaker 1 (01:01:38):
Now.

Speaker 4 (01:01:39):
Tell me you need love, Tell me when the pull.

Speaker 20 (01:01:44):
Tell me when the pull up.

Speaker 23 (01:01:45):
A man want to be my wife so I could
change She.

Speaker 11 (01:01:50):
Roll it with the boss, Man with the boss playing,
hit it to the sky, lost with a hundred grand
and I'm about to take a knee deep like it's
quick saying, dipping through the city lit on adrenaline.

Speaker 4 (01:02:02):
Baby, You'm a grown man. It's power in my romance.
You love him.

Speaker 11 (01:02:05):
When we slow against magic, when we hold hands, listen
to the sounds of the town of power eighty, they
gonna break it down by the pound and make a
chense this baby, we can knock it freaking in the
loppy She coming nothing clothes faster than the for robbery.
We feeling lompy Dubby. Keep rubbing on my tummy. She's
trying to win the shot, the chance to win the hobby.
She won a big fella my tongue gang that she

(01:02:28):
never had roses and chocols until I met the The
dream is forever. We're grind hard together. We're gonna make
the haters fall off because it's forever.

Speaker 10 (01:02:38):
Me me.

Speaker 20 (01:02:43):
You roll me.

Speaker 4 (01:02:46):
So I can give it to you.

Speaker 21 (01:02:48):
Let me tell you.

Speaker 4 (01:02:49):
I gotta get you. I gotta get the track, man,
I'm sorry, I gotta get the track real quick. I'm sorry.

Speaker 6 (01:02:53):
Yeah, I said I heard that before.

Speaker 4 (01:02:56):
I just gotta hear the track version. Let me just
put the song. I try to.

Speaker 6 (01:03:01):
I try to beat Bob one.

Speaker 4 (01:03:02):
Yeah, let me find it. Why is he against that record?
Why is he against that record? This is?

Speaker 5 (01:03:10):
This is I mean, he's got the It's got the
melody of tell Me what You Want, which is a
great rm B record.

Speaker 6 (01:03:17):
Wait, whay you hear the full production.

Speaker 4 (01:03:20):
At real quick?

Speaker 9 (01:03:21):
Man?

Speaker 4 (01:03:21):
I'm sorry, I want to hear the full production.

Speaker 5 (01:03:23):
I mean I could imagine man black Black Thompson is
a monster by himself.

Speaker 20 (01:03:27):
Yeah yeah, yeah yeah.

Speaker 4 (01:03:38):
Big Fellas were represent right now Sposy t on the.

Speaker 11 (01:03:44):
Track, Toby yell me, yeah, big te We back at
it again.

Speaker 4 (01:03:51):
Listen, I can get it to you.

Speaker 11 (01:04:16):
She wrote it with the false man with the fosse
playing hit it to this guy lost with the hundred
grand and I'm about to take a knee deep like
it's quick saying, dipping through the city lit on adrenal.

Speaker 4 (01:04:27):
Man, maybe you're a grown man. It's flowering I Ron
now she love him.

Speaker 11 (01:04:31):
When we slow down magic, when we go hand, listen
to the sounds of the town of Power eighty eight,
they gonna break it down for a pound and make.

Speaker 4 (01:04:39):
It las Baby.

Speaker 11 (01:04:40):
We can freaky in the lobby. She's coming knocking close.
I said, then nothing for Rockrick. We're feeling lovey. Dubby
keep rubbing on my tummy. She's trying to win the shot,
the chance to win the hobby. She won't to pick
my tom dang. But she never had roses and truck
us until I met the The dream is forever. We're
grind hard together. We're gonna make the hangers from off

(01:05:01):
because he'll help you.

Speaker 20 (01:05:03):
Show me, met me.

Speaker 4 (01:05:12):
To give it to you.

Speaker 10 (01:05:19):
Yeah, tell me you.

Speaker 11 (01:05:22):
Want me.

Speaker 20 (01:05:24):
To change and showing him again they don't get you,
don't it to grow, so showing in patient. I want

(01:05:45):
the full of fidue, me, me, your.

Speaker 11 (01:05:57):
Me, do what to you.

Speaker 20 (01:06:18):
Are you gonna do?

Speaker 4 (01:06:20):
Y'all already know what it is, baby girl. Yeah, I'm
about to change your life.

Speaker 11 (01:06:25):
It's real on that baby, it's me and you against
the world. Whatever you want, it's at your feet.

Speaker 4 (01:06:31):
Trips around the world now playing at the radio show
Dot com. You can take you that record and every
day on that right there clink climbing on the charts
on the radio show dot com. By the way, now,
big Fieve, I'm not understanding why you're not feeling this record.

Speaker 11 (01:06:48):
Yeah, man, you know what, So let me tell you
the story behind this way so I can't see this story.

Speaker 4 (01:06:56):
Craig, I'm gonna do it fast quick.

Speaker 11 (01:06:58):
So Craig night ay ready case they had a they
had a movie premiere at the theater. They invited me
out them sweet little Collins Fell people.

Speaker 2 (01:07:08):
So I go out.

Speaker 3 (01:07:10):
I'm out clowning and they're like.

Speaker 4 (01:07:12):
Coun me where you where I go?

Speaker 11 (01:07:16):
What?

Speaker 4 (01:07:17):
Guess what? You trying to make that record?

Speaker 3 (01:07:19):
Rector. I'm thinking me clowns like I'm cloud. So a
week later he say, see man, uh yeah, I'm getting.

Speaker 10 (01:07:27):
Tracked from both the team, right And I'm like, uhh yeah,
I'm getting a track both the team.

Speaker 3 (01:07:32):
We're gonna do that record.

Speaker 4 (01:07:33):
Oh so shot me tracked. I rewrote it.

Speaker 2 (01:07:37):
I'm like, oh man, he's serious.

Speaker 4 (01:07:38):
So we'll go to the studio. Is recorded dirty o it?
Engineer Triple P Records out of the Invaders.

Speaker 2 (01:07:45):
Uh and then oh yeah, so and I'm.

Speaker 4 (01:07:47):
Like, I'm listening to the record. I'm like, man, this record.

Speaker 9 (01:07:54):
I'm like, man, I don't know what I.

Speaker 10 (01:07:56):
Why do R and so Black soun the hook, I said,
black Man, feed the records, high man, it's you gotta
released that so a whole year.

Speaker 11 (01:08:06):
Ago by and I said, man, Nope, and then he called.

Speaker 10 (01:08:09):
It Black Corbie say feed man, release that record. Then
Posey t call me. You know, he had one a
production situation from fifteen hundred or nothing, and he came
out to Cali and he met Black Thompson. So him
and Black Thompson had linked up, but he never really

(01:08:29):
got a chance to really link for Black. So on
this record, it was just you know, you know, it
was like a dream come true for him to you know,
be working on black black you know, blacks music and stuff.

Speaker 11 (01:08:43):
So now it's that whole kind of thing.

Speaker 4 (01:08:45):
I'm just listening to the record.

Speaker 11 (01:08:46):
Really, I'm like, it's been done all over, you know.

Speaker 2 (01:08:51):
But I think my next record is the record.

Speaker 11 (01:08:55):
I'm really I think it's really.

Speaker 2 (01:08:57):
Gonna be huge.

Speaker 6 (01:08:59):
Okay, okay, and not how big we're not the same
big fee.

Speaker 7 (01:09:04):
If you're talking with a fark it talk that song
is hot I don't know what you're talking about that sometime.

Speaker 11 (01:09:10):
I mean, everybody, Hey, I'm just saying.

Speaker 4 (01:09:14):
You know what, but I fe you sound just like
my nephew k D.

Speaker 6 (01:09:17):
He used to criticize himself all the time.

Speaker 11 (01:09:20):
Yeah.

Speaker 4 (01:09:20):
Yeah, he used to criticized hisself.

Speaker 6 (01:09:23):
Uncle. This thing just ain't good enough by the bad
and everybody listening to everybody that shit is hot what
he talking about?

Speaker 11 (01:09:30):
You know?

Speaker 12 (01:09:31):
But that's you know what.

Speaker 4 (01:09:32):
I've worked with.

Speaker 7 (01:09:33):
Artists for decades and I almost say ninety three percent
of them always kind of down on themselves. They think
they can get things better and better. And I tell them,
I tell them all that can be an overkill trying
to get it better and better. When when your audience

(01:09:55):
is telling you it's fire, that means fire, it means money,
and money means money, and you go for why the
money is thrown at you?

Speaker 6 (01:10:06):
You don't die?

Speaker 5 (01:10:10):
Yeah, I mean it's you know, Chase chasing the well,
you know, Chase, like you know, the music industry can
you know, like, especially as an artist, the music industry
can become a mobile dick story and and and it's
like what you want to do?

Speaker 10 (01:10:26):
Is you?

Speaker 5 (01:10:29):
I mean, I've learned to just circulate, man, just circulate
and let the whale come to you. You know, if
it's if it's enough blood in the water, the well
is going to come to you. Like you're not You're
not gonna have to worry about it. But a lot
of times what we want to do is we we
want we want to catch the well with the one harpoon.

Speaker 4 (01:10:46):
We want to really me in.

Speaker 5 (01:10:47):
We want to be the one to catch it. When
instead of letting him come, just drive, just fall, just
running right into the shore.

Speaker 4 (01:10:54):
He'll he'll dry up right on your beach. You know
what I'm saying, so.

Speaker 6 (01:10:59):
Exactly, it'll come right there.

Speaker 4 (01:11:01):
It's a funny thing. He do me a favorite.

Speaker 5 (01:11:03):
Uh dundee, I sent you a demo because I'm actually
gonna put out the.

Speaker 2 (01:11:10):
Project that have to fake love on it.

Speaker 5 (01:11:12):
Okay, I sent them when I sent that ZA record.
It's a it's a record called a Bad day Dreams.
This record has a placement already. They like the demo already,
and I just have to get the record mixed. But
I want to hear you got I have to. I
have to put some I gotta redo the ad libs.
In my opinion, that's all right.

Speaker 4 (01:11:34):
You want to let me see if I can find
it real quickly. Bad it's called bad day dreams. Okay,
bad day dreams. When to get to that right now?

Speaker 7 (01:11:43):
Uh is listening, That's what I'm talking about. Send us
what he sent us, demos and stuff like that so
we can get there. So these professionals, music professionals that's
in the house with us could help you scrutinize your
son to be ready.

Speaker 4 (01:11:59):
For the plum. Yeah, okay, here, So here's what I'm
gonna do. Man, I'm gonna, uh lord, I'm gonna play
a portion of it because I'm about to turn into
a pumpkin in about ten minutes. So I'm gonna go
ahead and make it happen and uh and then we're
gonna go ahead and uh make it do what we
do bad dreams and play a portion and get quick
feedback and then I gotta go to bed. All right, y'all,

(01:12:21):
let's make it happen. Here we go.

Speaker 2 (01:12:31):
Hello, I've been.

Speaker 1 (01:12:39):
Having good time from some about nine time things.

Speaker 21 (01:12:44):
You don't look out.

Speaker 3 (01:12:46):
The lower I'm away from.

Speaker 21 (01:12:48):
Your baby, and my host starts seeking thoughts of you
being our lips, bad dreams, being a love treating underfil
I through the noves, our good cares.

Speaker 1 (01:13:07):
I love it green now I just don't care. Since
I start loving you, I feel so brand new. It's
like word a bing. It's no long virtual. Do the
one off for you the unicorn because you're hearing no booms.

Speaker 5 (01:13:24):
You got me so vulnerable.

Speaker 24 (01:13:27):
Seasons change, reason, change, pay the change, different faces, same games.

Speaker 5 (01:13:38):
That just say cool.

Speaker 1 (01:13:41):
Because I've been half dead time jos about night time things.

Speaker 18 (01:13:46):
You don't love it.

Speaker 3 (01:13:48):
The pram away.

Speaker 1 (01:13:50):
From the baby. My part starts ay thinking of being
made a fool.

Speaker 25 (01:13:57):
And I tried, and I tried, and I tried too.
He's my mind, He's my mind, He's my mind. Ever
every night, every night, every night, I'm having dead goals
up my life.

Speaker 3 (01:14:14):
I'm not gonna lie.

Speaker 21 (01:14:16):
Trusting's always been my fight.

Speaker 1 (01:14:21):
So I drive a line at be in distant for
two longer time because I've been having dead time.

Speaker 21 (01:14:29):
Jeans about night time thanks you do.

Speaker 20 (01:14:33):
Love you have a tonoon the lover, im away from
your baby.

Speaker 1 (01:14:37):
My heart starts taking God's have been made a fool?

Speaker 21 (01:14:42):
Who season's sheep Boy's.

Speaker 18 (01:14:46):
A shame board ches.

Speaker 20 (01:14:51):
Or different fai, different paces.

Speaker 26 (01:14:55):
Same a say cool, pus b just ain't change season,
change reasons, sack, different face, same same days.

Speaker 20 (01:15:13):
No more, no, no more bad dreams.

Speaker 4 (01:15:17):
Now, let's get some feedback, all right, some real quick
feedback right now. Uh, Brita living next to you, michellel
what you think about the record?

Speaker 11 (01:15:26):
I like that.

Speaker 12 (01:15:27):
I thought it was cool. I just seen no problem
with it.

Speaker 4 (01:15:30):
Okay, all right, Kelly, good what you think about the record?

Speaker 10 (01:15:40):
N h.

Speaker 9 (01:15:41):
The first one to meet too was holding its own
without the beating.

Speaker 3 (01:15:45):
You know.

Speaker 9 (01:15:45):
I thought it was dope. Man. It gave me like
a nineties field, but with like a new flavor do it.
So you know, I liked most with that first one,
really called by a kitchen got you?

Speaker 4 (01:15:56):
Okay, all right, big feed What do you think.

Speaker 11 (01:16:02):
I would I would like to hear Aaron Neville saying
that record mm hmm man, you know, uh, it's a
well written.

Speaker 4 (01:16:11):
Record, you know.

Speaker 10 (01:16:12):
And then I can't really critique it fairly because he
already called up stuff that I was critique.

Speaker 4 (01:16:19):
You need to record the vocal over so you know that.

Speaker 10 (01:16:22):
It's like you know what I'm saying, It's like, what
do you say? It's a great It's a written record,
well written record, and I would love to hear Aaron
Neville to sing that record, you know, and this young.

Speaker 11 (01:16:35):
Day it's a dope.

Speaker 3 (01:16:36):
It's a popular ector.

Speaker 7 (01:16:38):
But the young ore about seventy nine years old exactly
can't come true on that. Yeah, I would like to
hear read the Franklin sing something to.

Speaker 9 (01:16:54):
Right.

Speaker 2 (01:16:55):
It is what it is.

Speaker 4 (01:16:58):
In a way, what you think about it real quick.

Speaker 19 (01:17:01):
I like the record man well written, and I think
it's gonna get many more placements. I probably would have
arranged it a little differently with more of an intro.
I feel like it just kind of three in there
and you know, not that that was all the way
a bad thing, but I think the nice build up

(01:17:22):
would have been very very nice for that record, and
again cleaning up some of the rocals as well.

Speaker 2 (01:17:30):
But far as a rough draft for demo record, I
like it.

Speaker 4 (01:17:36):
Fair enough, like there, fair enough, indeed bring us home?

Speaker 2 (01:17:39):
Okay.

Speaker 7 (01:17:40):
Like I said, that was a nice record, was good demo.
That was a well put together demo. Now the only
thing I see on that is like the second person
you came in on that you can add some either
viola or some warm streams to level it off. Yeah,
So other than that you know, strange and mean, it

(01:18:04):
reminds me of baby Face that song women you come
together again that somehow you started it off.

Speaker 6 (01:18:12):
It was you know with the guitar.

Speaker 4 (01:18:14):
You know that was that was smooth.

Speaker 6 (01:18:16):
That was real smooth. That was you know, that demo
was real smooth.

Speaker 7 (01:18:19):
Just add some warm streams into it and certain spots
and stuff, you know.

Speaker 6 (01:18:25):
I mean, it's good to go.

Speaker 4 (01:18:29):
All right, well now dates take taking it, take it
and fix it up and bring it back. Will take
a listen next week definitely. Man, I'm I'm an call
the violinist tomorrow.

Speaker 11 (01:18:38):
Do that.

Speaker 4 (01:18:38):
I'm gonna find me a fiddler, a fiddler, do that. Man.
That's that's why we hear and we hear each and
every week around this time. Make sure you check out
the heading out of session directly after the radio show
every Monday night, ten o'clock specific center time. We in Eastern.
If you heard us tonight, bring your music next week
and then we'll give you an honest feedback and constructed criticism.
You can go back and fix each records.

Speaker 7 (01:19:00):
And remember no release music demo on the table so
we can critique it. We don't want to hear you
on Spotify or Apple Music.

Speaker 4 (01:19:11):
Not on this show, not on this show, but this show,
by the way, will be on the iHeart app at
Keyword DA Radio show. You can check out. This show
will be posted on Thursday. We can go ahead and
binge listen to all the other sixty one episodes that
are up right now, the head Now, the Session and
the radio show if you want to go ahead and
binge binge listen to all the shows as well, and

(01:19:33):
the video portion of the head and Out of Session
will be premiering in January. This will be on our
Roku and Amazon Fire TV channel as well at Keyword
DA Radio Show. But the radio show is up on
Roku right now at Keyword DA Radio Show. And also
the spot Light three sixty Media is also up on
a Roku channel as well, so you can bene watch

(01:19:53):
those shows. But the head Now the Session will be
premiering in January, so we're gonna be able see be
able to sit us next year. We're doing a head
out a session all right. On that note, we're going
to get up out of here. About to get up
out of here for the week, and I can thank
you all for checking this out again. If you want
to send your music to us. Go to our website
www dot ds and David A's and Apple Radio show

(01:20:14):
dot com. Click on where it says submit music, fill
out the info, upload your song, be ready here for
next week.

Speaker 6 (01:20:22):
All right, we got two more shows this year.

Speaker 4 (01:20:25):
We have two more shows.

Speaker 5 (01:20:27):
Man, special shout out to uh to Charlie Pride family.
Oh yeah, definitely he's he's a king of country. People
don't know that. Special shout out to Charlie Pride Country.
I mean to Charlie Pride family that that chorus, that
the chorus.

Speaker 4 (01:20:45):
Is his chorus. Oh got you okay? And uh yeah.

Speaker 5 (01:20:50):
And they they gave me permission to interpolate the chorus
the lyrics I wrote.

Speaker 4 (01:20:56):
But the chorus is his chorus and melody from his family. Man,
the Charlie Pride family.

Speaker 2 (01:21:04):
Let me do that.

Speaker 4 (01:21:05):
That's what's up man. Yeah, definitely a big shout out
to them for letting you do that as well. All right,
Shower to paranainety seven five l A, The R and
B Show, as well as a Discovery Music TV and
The Birdhouse all radio platforms that have all been here tonight.
So hopefully they hear some of these songs. Get them
on these platforms, and you guys can reach out to
them as well and get them on the platform. Britt,

(01:21:28):
go ahead and reach out to UH Big Mike Robb
and UH get Kelly good on UH Power eighty eight
para ninety seven. I'm sorry, par ninety seven five in
Las Vegas.

Speaker 12 (01:21:38):
Sure, I'm definitely gonna contact Mike.

Speaker 4 (01:21:41):
Okay, all right, y'all on that note, were out of here.
Like I thank everybody for checking us out for another week.
We will see each and every one of you next week. Man,
same bat time, same back channel. Man, We gone all y'all. Hey,
three radio.

Speaker 5 (01:21:54):
Show so far, make sure you follow us on all
social platforms at three Radio Show.

Speaker 10 (01:22:00):
H