Episode 230 (Portrait of a Shark on Fire)

Jay and Mark are joined by Emily Slade (@whythisfilmpod on X) for Deep Blue Sea chapter 15 to ask all the big questions. Questions like: Did dinosaurs invent algebra? Who isn't Jason Statham? and Is there a difference between sasquatches, bigfoots, yetis, possums and raccoons? They also discuss Susan's villain arc, breathy music and how Deep Blue Sea could be the trolley problem."

Episode Transcript

Speaker 1 (00:15):
Hello, and welcome to Deep Blue Sea the podcast. I
am Mark Unanswered Riddle Hoffmeyer.

Speaker 2 (00:21):
And I am Jay B. B cluis welcome you here
board Deeply See the podcast. On this show, we've been
to the entire DeepC torgy scene by scene, and we're
doing it again because we love it so much. This
week is is deep.

Speaker 1 (00:34):
We see one very angry saying that Jay.

Speaker 2 (00:39):
It was as sincere. I'm I'm full of adrenaline for
talking about deeply Sea. Today it is to day talk
about deep We see one chapter fifteen, which we'll get there.
This was the first chapter of this run through. It
was selected by our guest today we'll get what happens
in It was one chapter fifteen. Let's have a listen.
On the surface, A lone shark into the fiery hole

(01:01):
in AQUATICA preacher is wading through chest deep water where
the lights flicker on and off. Come on, burg, Where
are you?

Speaker 3 (01:16):
Burk?

Speaker 2 (01:18):
Dripping water hits ahead wound preacher received from being washed
down the stairs.

Speaker 4 (01:24):
You know you did it?

Speaker 2 (01:27):
Where burr.

Speaker 3 (01:37):
Burr?

Speaker 2 (01:39):
Anybody here? The others are in a steamy back room,
say cowboy, let me ask you a question.

Speaker 4 (01:45):
No, we should keep moving.

Speaker 1 (01:46):
I'm talking to him. Is that a goddamn shark rode
through that door?

Speaker 2 (01:55):
I expect, so you expect? So? Huh?

Speaker 5 (01:59):
Well, well, well, am I the only asshole down here
who thinks that a tad bit odd it can do
that bust through a steel door.

Speaker 6 (02:10):
I ain't the expert, but I'd say given Gen two
size and some.

Speaker 2 (02:15):
Room to move, she could put a.

Speaker 6 (02:17):
Couple of tons maybe more into a hit. So yet,
in my opinion, if she wants through, she's coming.

Speaker 5 (02:25):
And these sharks they aren't just breaking down doors with
the sheer joy of it, are they?

Speaker 1 (02:31):
They're after us.

Speaker 6 (02:35):
Pretty damn obvious.

Speaker 2 (02:36):
We don't know what they're doing yet.

Speaker 5 (02:39):
Russell confirmed Susan, just what the hell did you do
to these sharks?

Speaker 3 (02:48):
Their brains weren't large enough to harvest sufficient amounts of
the protein complex, so we violated the Harvard compact. Jim
and I use gene therapies to increase their brain mass.
Larger brain means more protein. As a side effect, the
sharks got smarter, You stupid bitch.

Speaker 2 (03:17):
Scoggins puts his head in his hands. Janice begins to cry.

Speaker 3 (03:23):
I didn't want this to happen, but with this research,
we could practically wipe out degenitory brain disease. Think of
the generations that would be saved.

Speaker 6 (03:34):
Exactly how many sticks of dynamite would you have to
set off in your ears before your head cleared.

Speaker 4 (03:41):
You wouldn't understand.

Speaker 6 (03:44):
I wouldn't huh, dumb old Carter wouldn't understand that you
used us, that you used me. Someone on the water
who wouldn't make waves, someone who wouldn't ask too many
questions because he had something to lose.

Speaker 3 (04:04):
You don't see what we've done here.

Speaker 6 (04:06):
Now, what you've done is taking God's oldest killing machine
and given it will and desire. What you've done is
knock us all the way to the bottom of the
goddamn food chain.

Speaker 2 (04:15):
It's not a great leap forward.

Speaker 4 (04:16):
In my book, people will save Jim brenda.

Speaker 5 (04:25):
Us all right, people, these sharks are thinking hard and clear.

Speaker 2 (04:35):
Here's the riddle.

Speaker 5 (04:38):
What does an eight pound mako shark with a brain
the size of a flat had vight engine and no
natural predators think about?

Speaker 1 (04:46):
I'm by waiting around here to find out. Now you
see how that works. She screwed the sharks, and now
the sharks they're screwing with us.

Speaker 2 (04:55):
Tato walks off Philip Scoggins, Janis then Russell. That was
Deep with See one, chapter fifteen, and you've just heard
a voice in that chapter and the only time this season.
You only have a voice again now because all of
our guests that we had for that we've already had before.
But this is a friend I guess, the friend of
the show we'd made during or since that first run through,

(05:16):
I can't remember either way. She is the incredible Susan
McAllister in our Deep Blue Sy players each week. So
joining us for the fifth sixth time, I don't know.
Emily Slade, Emily, welcome back to the show.

Speaker 3 (05:30):
Ill it's so wondable to be here. Thank you so
much for in buying me on again. I just want
to take a moment to commend your commitment to the
bit of we're here again. You did Deeply See one,
you did Deep Blue Cy two, you did Deep Blue
Sy three, you did a bunch of Deep bluecy related things.

Speaker 4 (05:48):
And now you're back doing Deeply Sy one again because
why not?

Speaker 2 (05:51):
It was like the first time, yeah we did, we
did Connair and we got into Connair and we're like, nah,
I just want to talk about Deep Blue c again,
I guess, And so we in this nowhere near enough
sharks too high, it's too high, it's not deep, it's
not blue.

Speaker 1 (06:10):
Like one character kind of gets put in like a
fish tank in a fire truck like.

Speaker 2 (06:14):
That, and they're they're in an empty swimming pool somewhere
there should be water and it took.

Speaker 1 (06:20):
It out.

Speaker 2 (06:23):
Bad.

Speaker 4 (06:23):
We're back, We're back where we should be.

Speaker 2 (06:26):
We are And so when I obviously I want to
everyone this season because you haven't been on before and
you're one of our favorite guests, and so I gave
you the full choice of the whole film. You could
pick any scene, and you're like, I want the scene
where Janis calls Susan a stupid bitch. Why did you want?

Speaker 4 (06:44):
Those were my specific works?

Speaker 3 (06:46):
Scroll back through our chat and I said, oh, I
want the reveal where she breaks the Harvard thingy and
calls her a stupid fitch.

Speaker 4 (06:54):
I wanted this scene because at.

Speaker 3 (06:56):
The time, we just come off the back of the
read and I had the pleasure to help carry this
production through the eyes of her, and she's wonderful and
this is her villain arc. She becomes the antagonist in
this moment. I actually now having seen the chapter and

(07:19):
how it works out. It is there, I say, the
perfect summary of the movie. It has absolutely everything that
you sit down and watch this movie for. In this
one scene, I think it's a turning point that Sammy
Jay is still here, did not expect to see him,

(07:40):
had forgotten, yes boilers in case you have in case
you're listening to their second run through of Deep one
and you still don't know what happens in Deep Lucy.
It's got jokes, it's got well, it's not jokes, but
it's got lightness.

Speaker 4 (07:54):
It's got darkness, it's got like ah twists.

Speaker 3 (07:58):
And turns, it's got scary looking, it's got an explosion,
it's got it's got everything.

Speaker 4 (08:04):
It's got everything. It's the perfect scene. That's why I
chose it.

Speaker 2 (08:08):
I figured it's because because you you are of our
Deep two players, you're the one who is an actress
to an extent, and this is a very acting scene.
It's a very.

Speaker 3 (08:19):
It's a very acting Everybody gets like a monologue, everybody
gets like a fun little speech, and everybody remembers this
movie for that one big speech. But this scene has
loads of fun little speeches, and I've like listed them
all out because I was so excited. Every time anyone
opened their mouth, it was like, oh yeah, like lots
of character development, lots of like understanding where people are

(08:42):
coming from, like it's so meaty, it's great stuff.

Speaker 1 (08:47):
And there's a lot of questions, a lot of questions,
and so, okay, I have a question for y'all out
of okay. I looked up the transcripts of let's see
eight movies, okay, Shark Movies theatrical released, and I counted
how many questions were setting each of them. So I
have Jaws Deep Blue Sea, Jaws to Jaws three, Jaws four,

(09:09):
Jaws of Revenge, The Meg, the Meg two, and The Shallows?
Which one do you think has the most questions asked?
And I didn't do per minute or running time, I
just overall total. So all those eight, those eight films,
which one do you think has the most questions asked?
I think you know which one has the least amount.

Speaker 2 (09:27):
I'm gonna guess the Shallows has the least because there's
only Blake globally and Stephen, what are you doing here?

Speaker 4 (09:38):
So many questions? After the Shallows? Is Blake glovely on
a on a boy?

Speaker 2 (09:41):
Right? Rock you have one questions bring this up every time.

Speaker 4 (09:48):
They make it out like it's going to be a
whole thing.

Speaker 3 (09:50):
Ice right, if you go back anytime I talk to
these guys, I'm like, hey, while we're here, the Shallows,
why why?

Speaker 4 (09:55):
Why tease me like that? So that's my question for
the Shallows.

Speaker 3 (09:58):
I'm going to say the meg has the most, And
in my head, I think Jaws has the least because
in my head, it's a succinct script that doesn't require people.
You know that Reese Witherspoon speech where she talks about
how women often turn to men in movies and go.

Speaker 4 (10:14):
What do we do now?

Speaker 3 (10:16):
And I feel like Jaws doesn't have that. But equally,
I feel like Jaws might because a lot of it
is like why haven't you closed the beach yet?

Speaker 2 (10:24):
I feel like Jaws four should have the most in there.
It's like, what do you mean the shark followed us?
What do you mean the sharks after my family?

Speaker 1 (10:35):
What do you mean kill my son? Why with a shark?

Speaker 2 (10:41):
Constant questions like michaelkay, and where is your hair? Like that?
It should be like constant questions. I love.

Speaker 4 (10:49):
Questions.

Speaker 2 (10:51):
Okay, so give us give us a stats mark what's alright?

Speaker 1 (10:54):
So the winner is Jaws two and eighty eight. Okay, questions,
that's a lot. You have, all the kids, you have
all the kids, you have a lot of people like,
what happened? Where is it? Why are we doing this again?
A lot of questions. Deep Blue Seat, oddly enough, only
has one hundred and fifty four.

Speaker 2 (11:14):
I disagree with your accounts. I got one hundred and
sixty two boomings.

Speaker 1 (11:19):
I went on the same transcript So Forever Dreaming transcript, okay,
And I just pulled all those from there, and I
got I.

Speaker 2 (11:26):
Went from the one that I wrote for those script reading.

Speaker 1 (11:28):
Oh got it about one hundred and fifty four, okay, Okay,
I just and I used only the ones I could
find for the what Forever Dreaming transcripts because they're pretty good. Okay,
So I just want to keep it there. But but
you know, twenty, like twenty or eighteen of them are
in this section.

Speaker 2 (11:45):
Yeah, so he's deep with se second in the ranking.

Speaker 1 (11:49):
No, so it's okay. So here's the ranking. Jaws two,
Jaws three, Show Jaws, Meg twos four, the meg Deep
Blue c Shallows.

Speaker 2 (12:06):
How many? How many did the shallows have? Got it?
It's like thirty four fifty four. Okay, that's that's still
more than the speech.

Speaker 4 (12:14):
Yeah, that's way more consideration to nothing.

Speaker 2 (12:18):
Yeah. You sent me a point about there being so
many questions in this chapter, and I was like, you're right,
I've not noticed this before, So I'm glad that you
did that ranking. But I can't had a look at
questions in the film overall. So you said one hundred
and fifty four hundred six similar prior to this scene,
eighty five questions so far in the film. Who do

(12:41):
you think had asked the most.

Speaker 4 (12:43):
Of the characters Samuel Jackson.

Speaker 3 (12:45):
Yeah, because he's like Luke Skywalker, right, he like arrives.

Speaker 4 (12:50):
On debt to be like what's going on on the
place of the audience makes sense.

Speaker 2 (12:54):
He's asked a lot. His second place, he's asked fourteen
at this Carter has asked nineteen. Carthur someone who were
told who have been told normally just kind of nods,
doesn't really talk. A lot has asked. He's asked a
quarter of the questions I was so far in the film.
He didn't. He was the tenth person to ask a

(13:16):
question in this film. He didn't ask any until Scoggins
threw five questions out of him, like who are you
gonna trust? You're gonna trust me, I'm truing Like Scoggins
has his whole question speech, and then Carda like kind
of tests the water with a question. After that questions,
Scoggin's like how hire defenses? And then he can't stop
asking questions after that questions, And so then we get

(13:37):
to this scene, twenty two questions in this scene. Who
asked the most questions in this scene?

Speaker 1 (13:47):
Oh yeah, wait no Carter?

Speaker 2 (13:52):
Yeah. So Preacher gets in six, Bridge gets in six
off the bat in his own little side mission of
like bird Bird, Bud anyone here Bird six questions for
great from Prettier. He's playing his own game. Russell then
comes in with seven questions in a row. He's a
survival guy. He wants to know what's up. He wants
to solve the problem. Carter then retaliates with seven more questions,

(14:14):
so it's equal footing, and Russell sees that Carl has
got he knows his game, he's got he did to play,
So Russell just slides in with one more question and
wins the round eight to seven, and at the end,
at the end, of the round, Scogins is like, wait,
we're playing a game here, and he throws a question in,
but no one's playing anymore. Scotlan like the football game
is finished, and Scotlan's just kind of runs in and

(14:35):
kicks a ball into the up and goals. I scored.
I'm playing too, I scored, but no, no one cares
about going.

Speaker 1 (14:39):
Now you see how that works.

Speaker 2 (14:41):
Yeah, you see how that works. So overall in the film,
one hundred and six to two questions. At the point
when Russell dies, he has he's asked twenty eight questions.
So no, he's asked twenty twenty four questions. No, we're
twenty five. Sorry, I went from an Excel document to
a notepad files. So number of Russell Rauss twenty fivequestions overrule.
Carter finishes with forty three forty three questions. That's again,

(15:05):
that's that's over a quarter of the questions come from Carter, who,
I should say, in this very scene, he describes himself
as someone who won't ask too many questions.

Speaker 3 (15:17):
Yeah, double Carta doesn't ask too many questions.

Speaker 4 (15:21):
Checks on you Carta.

Speaker 2 (15:23):
Nothing question.

Speaker 1 (15:27):
Y'all want to hear something insane that I worked on
always Mark always okay. So the movies, So Christopher Nolan
films a lot of questions. I watched Inception. I learned
that fifty nine percent of the run like the dialogue
has spent explaining section inception or dream logic, which is
not sense. So I went, I counted all the questions
in his movies, and then I figured out the running time.

(15:48):
And he has five films where over three questions are
asked every minute, and what's crazy is following is one
of them, and that got his foot in the door,
and the Memento was the next one that got him
his first Oscar nomination. Then his next film was Insomnia
and that was his first film to make over one
hundred million dollars. Then he had a nice lull, then

(16:09):
he hit Inception that has over three questions per minute,
and that was his first film nominated for Best Picture.
That was like his first film that was Best Picture nominated.
His next film was Oppenheimer and that one Best Picture
that won him his first Oscar. So it's kind of
interesting that his films with three plus questions asked per minute,

(16:30):
Like it was his first three that got his foot
in the door, and then the movie that his first
film that got nominated for Best Picture, and then his
first film that won Best Picture, Like good things happened?
When three plus questions are asked per minute?

Speaker 2 (16:41):
Yeah, and a normal.

Speaker 3 (16:42):
Clearly, it's like because he's dealing with like a concept
that requires like when we say a question, we really mean.

Speaker 4 (16:49):
Exposition, don't wait.

Speaker 3 (16:50):
Yeah, yeah, because like I've invented a thing and I'm
going to explain it to you.

Speaker 4 (16:55):
Three questions what is it? And it one's so wow
that like that must be Best Picture.

Speaker 1 (17:05):
Oppenheimer makes sense because he's on trial a lot, so
he's just getting asked a lot of questions. But inception,
you're Jesus Louise, what is it? What if we do this?
What is that? You bring in Paige Elliott Page and
he's asking all the questions just what does that? Does

(17:25):
that hurt?

Speaker 4 (17:25):
Does this?

Speaker 1 (17:26):
Does this hurt?

Speaker 2 (17:27):
Yeah?

Speaker 1 (17:27):
The whole thing is just explaining he's mental, he can't
remember anything. Insomnia is a detective case. So there's a
lot of questions. I just went full, but you know,
there's a lot of questions and then following question a
lot of a lot of questions and following so it's

(17:49):
it's interesting.

Speaker 2 (17:49):
Why are you following me? Can you still following me?

Speaker 3 (17:53):
Yeah?

Speaker 1 (17:54):
And I think I think there's a there's also so
in in following there's a lady gets killed Memento. He
has a dead wife, classic Nolan.

Speaker 4 (18:04):
It's Nolan. They all have dead wife Samnia.

Speaker 1 (18:07):
There's a girl who gets killed Inception, dead wife Oppenheimer,
Florence Pugh commits suicide.

Speaker 2 (18:11):
So Night, a lot of Rachel gets killed.

Speaker 1 (18:14):
Yeah, and then also Dark Knight has the most questions asked,
but it doesn't it's not over. It's two point seventy five.
So the most the most successful Batman film that he
made critically speaking, is the most like has the most
questions as well, like why so serious? So I totally
stole this from I want to know how I got this.

(18:35):
But I just wanted to bring this up because I
thought it.

Speaker 4 (18:37):
Was that's really interesting.

Speaker 3 (18:38):
I just wanted to say that, ha ha, Nolan, you
can't do your favorite because spoilers for the Odyssey.

Speaker 4 (18:46):
Enelope doesn't die.

Speaker 2 (18:49):
I mean he could take some liberties where her he
could still kill it just a catapult.

Speaker 4 (18:56):
I think she doesn't died.

Speaker 2 (18:58):
She gets fine.

Speaker 4 (18:59):
It doesn't like wait what I gonna lie?

Speaker 3 (19:06):
I'm so excited for his odyssey, Like I really am.
I blood you love the Odyssey, and I think he'll
do a good job. I think it's a good cast.
Even if it did look like it was cast by Tumblr,
I'm excited just it.

Speaker 2 (19:16):
Looks like it was cast.

Speaker 1 (19:19):
Y's on a terrible journey, an interstellar bad journey. You know,
he's just on a bad trip because you always got
to save Damon. He'll probably he'll probably invent a character
to kill, so he'll probably bring in Florence Pew or someone.

Speaker 4 (19:35):
Well, sir is.

Speaker 3 (19:36):
A woman, yeahs Athena, so she can't die. Oh and actually,
you guys do I'm going to do it anyway. I'm sorry,
I know whom to talking about deep, but like, I'm
just so excited to be here. See if you guys
get this, I write this out zendaias Athena and.

Speaker 7 (19:53):
Thomas Telema kiss and the way is Panellope, Oh, Damon's
as here, and then there's a Sena Jollie, then say
and then Janet the Sina Did you.

Speaker 4 (20:12):
Get that reference?

Speaker 2 (20:14):
I haven't seen small Foot, but I feel like.

Speaker 4 (20:18):
No one.

Speaker 2 (20:21):
I don't know how many people have seen it just
because of that just because because because the box.

Speaker 4 (20:26):
Reviews are mainly like this guy's sent me here. Oh, Mark,
you're looking very baffled.

Speaker 1 (20:32):
I was just I was like, is this what? I
was like, where does this reference come from?

Speaker 2 (20:39):
That?

Speaker 3 (20:41):
Ye?

Speaker 2 (20:41):
Yeah, they will play because there's there's that guy comedian.
I can't remember his name. He was on a podcast wants,
which isn't gonna help anyone because as yes, sure it
was Jason Man walking past a bunch of billboards for
small Foot, and they all had like the actor and
the character name and like Zendia's meat and he sings
a song as Andres and the rest of the cast

(21:03):
and their character names that I can't remember because.

Speaker 3 (21:05):
It's just the lebron James is Gwangie of course, yes,
dandyto is something.

Speaker 4 (21:13):
It's great.

Speaker 3 (21:13):
So I just say a Banana's cast, truly, And again
nobody saw it that everybody saw that thing.

Speaker 1 (21:22):
My daughter loves. I need to show her that movie.

Speaker 3 (21:27):
There were a couple of Yetti movies that came out
in the at the same time.

Speaker 2 (21:33):
Yeah, that's the one with Channing Tatum, but that's Summer,
the same one.

Speaker 1 (21:43):
Sasquatch on Bigfoot, but Sasquatch Sunset was a good.

Speaker 4 (21:47):
Squatch was Bigfoot, I guess from real.

Speaker 1 (21:53):
Have you all watched Sasquatch Sunset with.

Speaker 4 (21:56):
Yes sasquatches in it?

Speaker 2 (21:59):
Yeah?

Speaker 3 (22:00):
I think when I was younger, I think I thought
big Boat was like the luck lesson monster where it
was like a made up thing. But I thought a
sasquatch was a real creature in America, like they have
possums and we don't. They have sasquatches and we don't.

Speaker 2 (22:14):
It's based on a raccoon.

Speaker 1 (22:15):
Yeah, I love possums. I I throw my apple cores
out every night in.

Speaker 4 (22:23):
I love that you guys have raccoons as well. I
love raccoons with the limp hands.

Speaker 1 (22:26):
Yeah, it's cute in backyard. I don't like to feed
them too much because they get dependent. But an apple
course fine, So I just throw a course every night.
I watched my little possum chomp on it. It's really cute,
and I peep on it for my security cameras or
whatever ring cameras.

Speaker 2 (22:45):
We saw raccoons in Vancouver honeymoon, and my wife just
wanted to go make friends with them, and they do that.
They came up close to her and she was like
touching them. And then we went to we had some
friends of America, Like we saw these raccoons. You're like,
you have to disinfect everything you own. You are the
filthiest things in the world.

Speaker 4 (23:07):
Cute your little hair ses. They hang out with pocahontas.

Speaker 1 (23:11):
I'd totally hang out with a raccoon. I want to
pass them as a pet. I know they don't have really.

Speaker 4 (23:15):
Good at braiding hair. Possums, no raccoons. The raccoon braids
pocahunts his hair, and it's so good. It's such a
good braid, so efficient, so like, well done. I need
to assume all raccoons have that skill.

Speaker 2 (23:30):
Yeah, and all trees can talk. Yeah, that's how it
goes great.

Speaker 1 (23:37):
I just bring my hair wax down every night and
a little raccoon gets them on its hands and uh
does my hair. That'd be amazing. Have you seen the
one The guy lives in Canada and he just gives
raccoons hot dogs. Have you seen that video. He's just
completely surrounded by raccoons and he's the nicest guy. He's like, oh, hi, Jerry,
Oh there's Debbie. He's surrounded by about thirty raccoons and

(24:01):
he's just giving.

Speaker 2 (24:01):
Them hot Dogs.

Speaker 8 (24:02):
I'm going to find that it's really, it's really I'm just.

Speaker 1 (24:05):
Gonna I hear that playing in the background, and I
gotta tell you this this Jay. For years, we've been
talking about this film, and I don't know why, but
I've always wondered about Jim and his role with Susan
in this, this whole ordeal of genetically modifying and breaking

(24:26):
the harbor of the Harvard Thingy sure harbor right.

Speaker 4 (24:29):
The Harvard Genetics Compact And is that real?

Speaker 3 (24:33):
Because I tried to google it and it was like
it just kept taking me to Deep Blue Sea and
I was like, no, the real version, please, and the
Internet was like, you don't there is, there is.

Speaker 2 (24:43):
There is no such compact.

Speaker 1 (24:45):
Harvard just gave up though. They were like, listen, too
many people are out here genetically modifying. We quit this.

Speaker 4 (24:50):
This is also, Yeah, what is.

Speaker 3 (24:51):
The specifics of the small print that they violated?

Speaker 4 (24:55):
Do not enlarge shark brain.

Speaker 2 (24:56):
I think that's is it. Do not make something that
is smarter than people, I think.

Speaker 1 (25:01):
But it's such a big oops though, because it's I
love whoop scenes and movies like I'm gonna do this
and then you're like, oh no, like I love I
love giant whoopsie scenes.

Speaker 3 (25:15):
And this is so wonderful about this scene because she's
not like, oh no, she doubles down. She's like, actually,
we're gonna save everyone's live.

Speaker 4 (25:25):
Shut up. Nobody questioned me. Shut up. This was a
great idea.

Speaker 8 (25:29):
Shut up And I love it.

Speaker 1 (25:31):
And poor Janice, she's okay Jay. So presumably during the film,
she's playing this role like she is pregnant.

Speaker 2 (25:37):
Correct, ye, the scenes she's pregnant.

Speaker 1 (25:39):
Yeah, so she's fallen apart and her her husband or
boyfriend is dead and Susan McAllister, the dude's dead and
she's like, yeah, but think all the lies will say.

Speaker 2 (25:55):
The video for this, Emily's shocked, faces frozen.

Speaker 4 (26:00):
You not know that that such a deck to this scene?

Speaker 1 (26:04):
Yeah, right?

Speaker 3 (26:06):
Is this is why we need physical media.

Speaker 2 (26:12):
Speaking of physical medialy, if you, I can't think of
anything that would make you more furious than watching The
Deep Blue Sea. The new the new four K edition
that's come out recently, which has a bunch of special features,
one of which is a visual essay on why Susan
is the true villain of the film, goes into Janice

(26:32):
is a failure as a woman because she wasn't acting
as a wife and mother.

Speaker 4 (26:38):
In charge of this Who what the.

Speaker 1 (26:43):
Call us aero video? We'll come up with something better.

Speaker 3 (26:47):
Blue Sage Special features misogyny.

Speaker 2 (26:55):
I just that just came to me because I watched that,
and I was on a train watching that. I burst
out laughing at the ridiculousness of what it's like. Aquatica
is based on ovaries. The design of Aquatica is ovaries, apparently,
And I know you're out.

Speaker 3 (27:09):
Here, Oh my god, you're welcome to use my face
to like elaborate these points.

Speaker 1 (27:16):
What it doesn't Knowing that though, it does change the
scene because it's not just you stupid, like she's like
you stupid bitch, Like she's her.

Speaker 3 (27:25):
I mean yeah, she's like you ruined everything and killed
us all yeah, and you're not even resemble about it.

Speaker 4 (27:31):
And this is the thing, like my bay is not
the true villain of the peace, but.

Speaker 3 (27:34):
Like she's Darth Vader, she's the villain you love and
then gets her redemption art at the end.

Speaker 2 (27:43):
Mm hmmm, So we don't have debated is she a
villain at all? Because we don't necessarily think so.

Speaker 3 (27:50):
And this is the thing, like if this was the
trolley problem. She would just be killing the five tied
to the track, just save everyone in the trolley.

Speaker 2 (28:01):
She'd pull the lever to kill the one to save
the five on the Yeah, people, the people of the
trolley are fine either way, they're just involved the.

Speaker 4 (28:13):
Trolley problem.

Speaker 3 (28:14):
I was like, she's killing five, but the trolley problem
only has she killed, so you know, yeah, she'd kill
the one to save the trolley. So which you know
is that that?

Speaker 4 (28:29):
Is that a wrong thing to do?

Speaker 2 (28:31):
I guess it's Susan in this scenario, is somebody who
accidentally started the trolley moving. I think I feel like, yes,
so she so she has instigated the problem. Was like,
oh no, what do I do? Now? That's true because
and I guess the trolley. Yeah, the sharks getting out
is the five people being killed?

Speaker 4 (28:52):
Yea.

Speaker 3 (28:53):
And no, it's like the trolley is going and there's
already people the track that we've run over, Like that's
what's happening in Deep BLUEC. So trolley is the stark
and there's already people on the track that have been squished,
and now we have to pull a lever as to
how many more gets squished? And seeing as we don't

(29:14):
just come away with a final girl. In this, we
come away with two final guys. I think that's a win.
I think that's the we're in the plus there with property.

Speaker 2 (29:24):
Do you know the original ending? Tell me Susan survived. Yes,
you're going to love it. So Susan survived. They did
a test screening. Well, Susan spived. She kisses Carter, she
has the preacher role of shooting the SHARKU and Burne
up at the end. Preachers kind of attacked and maybe
survived or not. I don't know. Susan's on the platform

(29:45):
at the end with the other two guys. Interesting they did.
They did a test test screening. The main response they
had was the phrase kill the bitch. I just had
to believe that.

Speaker 9 (29:58):
I don't know we've had that was a response though,
that was a response I a guest on who was there,
and so they but they didn't tell saff from Borrows
theyd it and she wasn't brought in for reshoots they killed.
I think she found out at the premiere, just sitting

(30:25):
there and being.

Speaker 4 (30:25):
Like turning to the director who's.

Speaker 3 (30:29):
Like, yeah, ready, was probably fine, I what the hell?

Speaker 4 (30:37):
Okay?

Speaker 3 (30:38):
So, on the one hand, like I said, dar Vader
has to die because he's done too many bad things,
but he's kind of redeemed and she I understand the
screenwriting need to kill her, like I understand that, especially
in a sacrifice like it should be a sacrifice.

Speaker 4 (30:57):
Really that would be perfect.

Speaker 3 (30:59):
I love after we get two guys at the end,
Like I do think that that's a really fun It
really makes this movie stand out beyond it also being
one of the best movies ever made. Anyway, this adds
to the like fun because it's a bit subversive. I
don't think we need to go so far as to
like call her a bitch and that she needs to

(31:21):
be killed purely because she did a whoopsie.

Speaker 4 (31:24):
Daisy was some shark brain.

Speaker 1 (31:26):
She was too successful, like she, I don't think there's
no plant where if the plan had.

Speaker 4 (31:32):
Worked, then it's all been in Nobel Prize Winners Views view.

Speaker 2 (31:39):
I just I just feel like they had the step
where the brain to quote Susan, their brains weren't large
enough to harve a sufficient amounts of material, so we
violated the compact. Gemini use gene therapies to increase their
brain mesh brain mass. Larger brains needs more protein. Pause, pause, pause.
As a side effect, the shots got smarter. I feel

(32:00):
like she maybe could have seen that coming. Making the
brain bigger might make it smarter.

Speaker 4 (32:07):
Yeah, but the hoopris comes in because she's like, yes,
but we can control them, because we're getting dumb old
Carter in who can wrangle a.

Speaker 2 (32:15):
Good shout too many questions, and we'll.

Speaker 3 (32:17):
Keep them in this little compact thing in the middle
of the wherever we are, and it'll be.

Speaker 4 (32:23):
A doozy it. We'll be in and out with our
injection needles.

Speaker 3 (32:27):
Job done before, and then we worry about the ecosystem
of the ocean when we re release them, or we
always intended to kill them?

Speaker 8 (32:34):
What what?

Speaker 3 (32:35):
I think? The only forgive me if this actually has
happened and I'm misremembering. The only thing the scriptwriters could
have done here to maybe relieve the kill the bitch
cries at the end of the movie is for her
to knowingly pre plan for this and have injected little

(32:56):
battle royale collars that blow up when the sharks get
out of hand, and then the sharks managed to dismantle them,
so she had a fail safe, but the fail safe failed.
Then she's like outright villain.

Speaker 2 (33:11):
There is no mention of any kind of shark kill switch.

Speaker 3 (33:16):
In the script, so because you know, that would have
to be another scene that you would explain that these
things exist and that like because.

Speaker 4 (33:24):
So then it's a fun little mystery at the beginning,
like well, why do they need a fail safe kill switch?

Speaker 3 (33:29):
Like that's a bit strange, And then it becomes like, oh,
in case they do this, and then they dug out
hungry games, dug out their own things.

Speaker 2 (33:36):
Anyway, the Indominous Rex taking out its tracker in Jurassic World, that.

Speaker 3 (33:41):
Kind of oh, yeah, they did do that, which is fun,
you know, it's fun.

Speaker 1 (33:47):
And just once again, she never expected them to understand
cameras or to know her locker rooms.

Speaker 10 (33:53):
The three of them, the three of them come up
with a plan where one of them's waiting in her
office waiting for her to get her stuff up of
her locker and then attacker so it can destroy the research.

Speaker 1 (34:04):
Like these aren't I'm gonna make them smarter like a dolphin,
you know, or I don't know, a grouper. I don't
know how smart groupers are. But they never thought I'm
gonna make this thing like they're gonna come up with
plans and they're gonna understand what we're saying, and they're
gonna know what research is. Like, never in a million
years did Jim and her think this thing's gonna be

(34:26):
like mega mind like calculating. Yeah, they just they probably thought, yeah,
we'll make it smarter, but it's still a shark.

Speaker 4 (34:34):
We're not animal.

Speaker 1 (34:36):
Yeah, we're not making this thing genius levels of I think.

Speaker 2 (34:42):
So they've set before that the brain got five percent
or five times bigger, and I think maybe they just
they just screwed up and thought, okay, so that's five
times like in one direction, it's a three D thing.
It's five times five times five times, so it's one
hundred and twenty five times bigger, not five times.

Speaker 4 (35:01):
Yeah, maybe does that mean that like the meg?

Speaker 3 (35:06):
So does the meg have a bigger brain because it's
a bigger fish.

Speaker 2 (35:10):
I don't. It's like relative because like the that Bracyosaurus
had two brains and you don't see them like doing algebra.

Speaker 1 (35:23):
I mean, we don't have proof of that.

Speaker 2 (35:25):
They might have been this is true, maybe they invented it,
but I think an elephant brain humans, but maybe elephants
are really smart and they don't like.

Speaker 4 (35:37):
Yeah, they don't have AI.

Speaker 3 (35:40):
They're not ruining the world with subscription epidemics. The he doumbre,
Carter says a line that I was like, oh, it's
a great line, but it could have been made better.
After she reveals that she is the antagonist of this movie,
he goes, what you've done now is knocked us down
to the bottom of the goddamn food chain. What he

(36:02):
should have said is knocked us down to the bottom
of the goddamn deep Lucy. And then we can roll
credits day, Sure, it's over.

Speaker 1 (36:10):
Oh the opening the credits then pop, Oh my gosh,
Oh no. I love a late credit drop. There's a
there's a movie I saw the other.

Speaker 8 (36:21):
Day, very late drop.

Speaker 1 (36:23):
Yeah, cars drops.

Speaker 2 (36:27):
Yeah, see towards the end of the film, like that,
that's the answer to the riddle, what does it make?
I want? Deeps like it's like Chapter thirty again.

Speaker 3 (36:37):
Forgotten if they'd like said it or not, But I
was like, they could have said it that. Actually, food
chain makes sense because it's it's small thing. Yeah.

Speaker 4 (36:44):
I do think this is the best part.

Speaker 3 (36:46):
Of the movie, and this is possibly one of the
best movies ever made.

Speaker 1 (36:56):
Carter is very dramatic, during this scene is he not?

Speaker 3 (37:02):
And just I love again it comes back to the acting.
I love the like switches that they all do. Because
Carter begins this scene very much like, yeah, you're absolutely
right that was that tried to kill us this then
you want to know why?

Speaker 4 (37:16):
Yeah, I mean me, me too?

Speaker 3 (37:18):
And then and then he lets himself get angry, but
he's still so calm about it, and she's just like
doubling down and being like, you know what, We're going
to save so many lives, and he's like, dumb old
Carter just going along with it.

Speaker 4 (37:35):
What about Jimmy? What about FRIENDA? She's like, what about
Parklinson's or whatever we're trying to feel here?

Speaker 3 (37:49):
Mula Jackson gives her the most disappointed headshake right at
the end, So the head.

Speaker 2 (37:54):
Of a pharmaceutical company disappointed but also personally that you used.

Speaker 4 (38:03):
Me. And then and then he's like, what about us?

Speaker 3 (38:09):
And when I first watched that through this time round,
I thought he meant romantically. He went from the death
of jim and Brenda is it Brenda Debbie? To like
to what about us? And now I realize he's saying
what about us? Is in like, we're all also going
to get eaten and die. But initially I was like,

(38:31):
but he very much plays it as like, what about
our relationship that you've now like ruined because you've been a.

Speaker 4 (38:39):
I can't date you anymore. That because he made the
shark smarter, and I just I didn't agree with them orally.

Speaker 1 (38:45):
They must have had some deleted scenes because at the
party he's all emotional with her and then and then
she's like, nah, get out of your carter. And at
this scene she's not listening to him, and he gets
all emotional again. That used me, Jim Brenda us like
he's emotional all there again and she's like, nah.

Speaker 2 (39:04):
Too.

Speaker 4 (39:06):
Between the subversion, you know, what is this the nineties?
Is this the nineties?

Speaker 3 (39:12):
We're not really seeing this subversion of like, well, we're
just starting to see it. We're having the like Action
Princess in the Disney Renaissance in the latter half, we're
starting to see this like Girl Barcelean in politics of
like we're not actually seeing women in power because they
still get called an evil bitch and asked to die

(39:33):
at the.

Speaker 4 (39:33):
End of the movie.

Speaker 3 (39:34):
But we're starting to see women in male roles very
very obviously, very explicitly in that they're still written by
men in that I think that you can make a
cold hearted scientist emotionally cold. But this is very like
much written as though it was a man doing this,
and then they just switched, they just flipped the genders.

(39:56):
Does that make sense, Like how Riley Riley quickly was
as a man and then just cost as Sigourney. You
can kind of tell a lot other times, and it's
the same here where it feels like, oh, yeah, she's
the like cold calculating because if she was a man,
I meant just to look back there. If she was
a male character, do we think that the test audiences

(40:18):
would have cried out as they did? Did they care
about the thematic you know, redemption or did they just
want to see a woman perish because it's a shark
and she's in a bikini technically her underwear or even
a bikini.

Speaker 1 (40:35):
That's a good question. So I'm trying to think, like
there's been so many bad like creators like that that.

Speaker 4 (40:43):
Richard Hammond didn't die paying himself in the book.

Speaker 2 (40:52):
He does in the book, not in the film.

Speaker 3 (40:54):
Well, everyone's bloody dies in the book, but the book's
also very severely, like we're doing this because this is
how we make money. Could have given us to science,
but you were making Disneyland with dinosaurs instead, because that's
how we.

Speaker 4 (41:04):
Make the dollar dollar.

Speaker 3 (41:05):
But here they passed actual Chris Kringle, so they couldn't
do that, and said had him be really.

Speaker 4 (41:10):
Sad about an Auntcercus or whatever.

Speaker 3 (41:12):
I was Slee Farm, I know, eating ice cream being sad,
not dying, even though he did the exact same thing
that she did here.

Speaker 1 (41:20):
But with Dinost's see it was Xeno Morris. I'm trying
to think of the Alien franchise. Carter Burke is the villain,
but he's not the scientist.

Speaker 2 (41:28):
But he dies. I'm just imagineing the test screening for
Jurassic Park and someone right can like kill the bastard
and then Ce and John Hammond being ripped apart by compies,
I mean Rich at the premiere. Just watch Wiping a
tear away. These die on screen.

Speaker 1 (41:48):
Well does he get a break because of NERI like
Nedrie steals all the stuff?

Speaker 2 (41:52):
Yeah, Jurassic Park has a human villain you can you
can root against.

Speaker 4 (41:57):
You can kill, you can kill awfully.

Speaker 2 (42:00):
Yeah, if if like the first draft of people see
had Jim as a more prominent kind of nedriesque figure,
I think, and and Susan was just like his assistant.
Who's there? Uh, And they kind of merged and separated
the characters and just kind of killed Jim off and
kept Susan as the main bad guy.

Speaker 4 (42:18):
I do like that. And like again, she's you can
argue she's not. She's not the fact.

Speaker 3 (42:23):
And that's what's wonderful about this movie. It's so neutral
and morally like word, I don't know, like who said,
are you one? Like no one's it's not good or bad,
there's no like Nedri is pantomime.

Speaker 4 (42:35):
He is cartoonish, like literally cartoonish.

Speaker 2 (42:38):
Sure.

Speaker 3 (42:39):
Yeah, So it's kind of lovely that this this like
you know, I say this with all the love in
my heart. Stupid Shark movie has this this like moral
neutrality and this like interesting sort of quarrel of like
ethics and morals and things, which is why it's the

(43:02):
best shark movie.

Speaker 4 (43:05):
Even Jaws has that mayor.

Speaker 1 (43:07):
So Yeah, and the two guys with kind of rough
upbringings and who went to prison and went through other
things lived like that's an interesting redemptive art.

Speaker 2 (43:16):
For that for those two still, but was just assuming
Preacher went to prison.

Speaker 1 (43:22):
No no, I didn't, no, no, no, no, I said
Carter did. Okay, Carter did. Preacher just had a rough life.
He's like, I enjoyed the bottle. I wasn't a good.

Speaker 2 (43:29):
Dad together kind of yeah, but.

Speaker 1 (43:32):
He said he lived a rough life and like embraced
the bottle and all that stuff. So like the two
guys who kind of had it rough survive. That's kind
of like the blue collar that'd be like if what
the guys w Parker and the other guy from Alien
and Brett Brett live, right, but the two survivors in Alien, Yeah, that.

Speaker 2 (43:56):
Would be unusual. Uh yeah, you.

Speaker 1 (44:02):
Just complain asking about bonuses the whole time.

Speaker 3 (44:04):
Yeah, And they don't do that in the new I
mean I've not seen most Alien movies, but I saw
the most recent one, and again it's like the woman
survives because that's.

Speaker 4 (44:13):
Clearly what they've they've doubled down on that.

Speaker 3 (44:14):
They're like, let's just make all the protagonists in Alien
movies women.

Speaker 4 (44:19):
I don't know if that's true. I just know Alien
one and that one.

Speaker 2 (44:23):
That's yeah, that's that's it.

Speaker 8 (44:26):
A v P.

Speaker 3 (44:27):
They fight because God forbid, we try something new, like
God Forbid. It's like how Star Wars is like, oh, yeah,
we'll get a woman, but she's got to be a small, tiny,
pale brunette otherwise, otherwise it's not happening.

Speaker 2 (44:41):
Yeah, a VP is anyone that doesn't kind of fit
that mold. It's still a small woman.

Speaker 1 (44:46):
But wait, maybe a v p R. It's mostly dudes.
That's the one.

Speaker 2 (44:54):
That's barely a film. We can't count that mark. That's
not that's not a real film. You can't see what's
on screen at any point in the film. It's just
in tiny black.

Speaker 1 (45:03):
That movie's really bad.

Speaker 2 (45:04):
It such a bad film.

Speaker 1 (45:07):
Sorry, I just got sidetracked thinking about the Alien Friends
a lot of time with that Yeah knew me, knew
me is, and then Catherine Watterson is.

Speaker 2 (45:15):
Yeah, and when Mulus.

Speaker 4 (45:18):
Is rain, yeah, woman who I assume survives.

Speaker 2 (45:23):
Yeah, they know what those films I mean.

Speaker 1 (45:26):
But that's how you make the money though, I think
inc I think like with with Romulus and Force Awakens
and all these movies, they just rebookle the heck out
of it and then audience is like, oh, okay, I'm familiar
with this, and then it makes a billion dollars, so
like Hollywood, like whenever they try something new, it kind
of blows up in their face. So I think they're
just happy doing exactly like you said, get the small

(45:48):
brunette gets so.

Speaker 4 (45:50):
Sad, and I wish it wasn't the case. I wish
that things like the.

Speaker 3 (45:54):
Menu and Barbarian came out and we thought the the
movie was back, and like every now and then it is,
but like and Marvel announces like a twenty minute long
pan of past members and it's everyone that's ever been
in a movie since two thousand and one, And you're like.

Speaker 4 (46:11):
I don't all in Deadpool?

Speaker 3 (46:14):
It up.

Speaker 4 (46:16):
And enticed me back.

Speaker 1 (46:19):
Deadpool's not even really a dead Pool. Wolverine's not really
a movie. It's just fan service.

Speaker 2 (46:24):
Yeah, I mean, I had fun with it, but you
know what I mean.

Speaker 4 (46:27):
It's a lovely time in the cinema.

Speaker 3 (46:30):
I was very checked up with the little X Men thing,
but yeah, I'm not going to be like, oh my goodness,
have you seen deadub Wolverine?

Speaker 2 (46:37):
Like I have watched it again, so good.

Speaker 3 (46:40):
Ever watched it again, And also imagine watching it in
fifty years time, It'd be like, the hell are.

Speaker 4 (46:46):
You talking about? What?

Speaker 8 (46:48):
Are you talking?

Speaker 4 (46:49):
Who's just in BULLDONI but deeply see would hold up. Yeah,
in fifty years time.

Speaker 1 (46:55):
I agree, I mean worked what twenty five years, twenty
six years? Yeah, we'll still be doing this as.

Speaker 8 (47:06):
We'll be doing.

Speaker 1 (47:07):
Something on AI, won't we just.

Speaker 3 (47:11):
Five years?

Speaker 1 (47:12):
I wonder what that will be.

Speaker 2 (47:12):
Could maybe cover the ending of AI, which is underwater.

Speaker 4 (47:18):
Getting he's crossed?

Speaker 2 (47:22):
All right?

Speaker 1 (47:23):
So I think I think I have my five favorite
questions from this scene. I was gonna rank them all,
but I think I'm I'm gonna I'm gonna share my
top five. See what y'all think. So, like, I think
I think my number five is the riddle, like, so

(47:43):
here's the riddle? What's And mainly because Sam Jackson's just
laughed like he's like, no one answers it. During the commentary,
he's like Carter has no answer, cars like I'm not
gonna see all that works out.

Speaker 2 (47:52):
And his leave and then he has no idea. That's
the point they find out at the end. It's to
get the heck out of it. The deeper the riddle, which.

Speaker 3 (48:03):
They could have if they'd have figured that out early on,
I think a lot of life would have been saved,
just opened up the doors.

Speaker 2 (48:10):
You know, they didn't want the charts.

Speaker 3 (48:12):
Let them.

Speaker 8 (48:14):
Happens. Don't want girls, aren't they curly?

Speaker 2 (48:22):
It's parents in an offspring. It's it's three, it's two
two females, one male. Yeah, you're fine. It's not dwelled
upon them. It's because it's the gent is the generation
one in the gen two, So we just kind of
assumed that the two is from the generals, but the
big one is the big female.

Speaker 1 (48:37):
Carter drops a bomb on or too. How much dynamite
do you have to set off in your ears before
your head clears? It's a question, Yeah, that's an odd one.
Would it take? How many sticks of diamond?

Speaker 2 (48:49):
Exactly?

Speaker 4 (48:50):
What?

Speaker 3 (48:50):
Like what a what a weirdly like someone thought that
they were being really clever with like a specific to
his character kind of question, But it doesn't make a
lick of sense, Like nobody says that, like the clean
ears out with dynamite like.

Speaker 2 (49:04):
What I could for years and not fine anything. It's
it's like for your head cleared? Is her head? Is
it like foggy at the moment?

Speaker 3 (49:17):
Is like yeah, you know, we're in a stressful situation.

Speaker 4 (49:22):
Shouts of battering at the door. Samuel Jackson's yelling at you.

Speaker 3 (49:25):
I get it.

Speaker 4 (49:25):
It's like a lot of pressure.

Speaker 3 (49:27):
You probably just couldn't come up with a witty comeback,
and somebody needed to say something to her because she
was doubling down.

Speaker 2 (49:33):
There's a few Preacher has a moment later in the
film was like, I hate to interrupt this moment of
burgeoning intimacy, which it's just one of those overwritten and works.

Speaker 4 (49:44):
He gets away with it. I think also, you can
do if it.

Speaker 1 (49:50):
Was like a pulp fiction type movie, that line would hurt. Yeah,
the fact that ll dropped it, Yeah, I think it's
got to be man. I think, am I the only
a hole down here? I think that that's a tad
that I love that hits the tad? Yeah, I love
that he's right, like he's like my second favorite is like,

(50:14):
was that was that a goddamn shark broke through that door?
Like I he's asking he's going full Hudson from Aliens,
where he's just asking the good questions and I, I mean,
that's a good question, Like am I?

Speaker 3 (50:26):
That's what's so good about this scene. It's so realistic.
If you were there with them, you also would be
reacting like that, calling her a stupid bitch, asking those
questions like reacting in that way, and yeah, everyone still
manages to be like Hithy in Hollywood about it. It's
such a good movie, you guys. I don't know if
you're if, you don't know if you're a wat. It's
such a good movie.

Speaker 2 (50:47):
I like it. Yeah, we like it a little bit.

Speaker 1 (50:50):
And then I think the best one is what the
hell did you? What the hell did you do to
those sharks? Like I wish I could write that in
every screen screenplay. I wrote, this is the.

Speaker 4 (51:01):
Movie is going to be cool?

Speaker 2 (51:03):
Did you do those?

Speaker 6 (51:05):
Like?

Speaker 1 (51:05):
That's that's that's a once in a lifetimeline right there.

Speaker 4 (51:10):
And it's about that.

Speaker 3 (51:12):
Because all you want from a shark movie is for
your shtark to go eight. Is for you're stark to
defy the laws of sharkdom. Is for you're shark top
trump its way and know what you're going to do.

Speaker 4 (51:23):
So, yeah, make strains bigger. Don't just truck people in
the ocean and hope for the best.

Speaker 3 (51:30):
Actually genetically engineer these creatures so they can come after
your cast one by one and systematically eat them off.

Speaker 4 (51:39):
Like wait, that's that which you know what I mean?

Speaker 2 (51:42):
I feel like you could be some sort of an
art project. Then here will you. You get like twenty
different directors of writers and say, okay, write me a
film where thirty five minutes in one character says to
the other, just what the hell did you do those sharks?
That's the only that's the only reef. And get twenty
different people working on their own.

Speaker 4 (52:06):
It'd be like, well, that shark will have killed my wife.

Speaker 1 (52:12):
And his mistress. You know, they're like, geez, shark.

Speaker 2 (52:15):
Just see what directions people take that in.

Speaker 3 (52:17):
Yeah, I want to see Tarantino do that.

Speaker 4 (52:20):
I want to see Nolan do that. I want to
see Sophia Coppola do that.

Speaker 1 (52:24):
Julia Corale Farzo, imagine that the substance.

Speaker 2 (52:30):
But the sharks, the substance plit sharks.

Speaker 4 (52:33):
Oh my god. Yes, I want to see Wes Anderson
do that.

Speaker 1 (52:37):
Jordan.

Speaker 2 (52:39):
We've seen and do that. We've seen the live.

Speaker 1 (52:47):
Jaguars.

Speaker 2 (52:48):
Bill Murray is looking for a jaguar shark. That's that's
the whole boy.

Speaker 3 (52:51):
I didn't know that that was I thought it was
just Bill Murray and like Angelica houstdon't hang out in
a submarine.

Speaker 4 (52:56):
I thought that was.

Speaker 1 (52:56):
The I mean, that was the working title.

Speaker 2 (52:59):
Jeff Goblins in there.

Speaker 4 (53:01):
Of course he is great. Sound you want to say.

Speaker 1 (53:06):
Ernest Dickerson, I like him a lot.

Speaker 2 (53:08):
I don't see, don't you? John John Sure? What would
do with this one?

Speaker 3 (53:18):
Car Y?

Speaker 2 (53:20):
Yeah, get the Wachowskis in there.

Speaker 8 (53:22):
Wait, imagine that one, Emerald, Now I want to see.

Speaker 1 (53:27):
Oh yeah, get Barry Kyogan in there, just drinking waters McDonald.

Speaker 3 (53:40):
Nice.

Speaker 1 (53:42):
I mean, I put it on an Irish island and
I'm drunk.

Speaker 2 (53:47):
That's what we did. We got the sharks drunk, and.

Speaker 4 (53:49):
Then that sharks are voiced by Barry absolutely.

Speaker 3 (53:54):
And then like like an animated an animation company to
do it like.

Speaker 1 (53:59):
Oh like like.

Speaker 3 (54:02):
Like yeah, I really want to see these now.

Speaker 1 (54:07):
Chloe is au direct one and it's just like an
independent film, Yeah, super Francis McDormand traveling around the world
and it's randomly.

Speaker 4 (54:16):
The shark is like a person in a cardboard box.

Speaker 2 (54:19):
Like what did you uys? But I defecated into a
bucket and threw it into the water. That's what did
the sharks. I'm not a fan of no matter. I
didn't like that, didn't like it.

Speaker 4 (54:31):
I didn't care for.

Speaker 1 (54:32):
What about Selene? I'm doing a lot of French people
from Portrait of Lady on Fire and petit my man?
That would that would be a gorgeous looking shark film.

Speaker 4 (54:43):
That's the thing. I want to see, a really beautiful
shark movie.

Speaker 1 (54:47):
Oh someone paints sharks portrait of a shark on fire?

Speaker 2 (54:51):
Sure we haven't, we haven't, like, we haven't hit any like.
Horror directors want that, indeed, drama.

Speaker 3 (55:01):
That's the thing I wanted you to feel, Copper, is,
what the hell did you do to those sharks?

Speaker 4 (55:05):
I don't want to I don't want to see like.

Speaker 3 (55:08):
I can't even think of a horror director John Carpenter's
what do you do to those sharks? Because you know
what it's gonna look like. It's gonna look like a
good horror maybe. No, no, we need to subvert this.

Speaker 1 (55:17):
Yeah, who's the guy who directed Hard Truth? Mike Lee?

Speaker 2 (55:23):
Oh yeah, Michley literally the actors.

Speaker 1 (55:34):
Yeah, I want that one.

Speaker 3 (55:35):
Oh my god, Oh my god. Mel the Staunton's there
for some reason.

Speaker 1 (55:42):
She would definitely mess with sharks.

Speaker 4 (55:45):
She'd be married to the shark and she'ld be like this.

Speaker 1 (55:49):
I would be like John benefits. Yeah, I like that.

Speaker 4 (55:55):
Timothy Michle is genius. This will has to be there otherwise.

Speaker 2 (56:00):
David List is a sulci old sea captain.

Speaker 4 (56:04):
I love him so much. Yeah, he's got like one leg.

Speaker 1 (56:08):
Wait, I want Robert Rodriguez too, because it would just
took place in Texas somehow green screen. Yes, Shark City
since city three Shark City.

Speaker 3 (56:18):
Oh my god. Sure yeah, but the whole city is
underwater and that's so it's like the city and shark tail.

Speaker 1 (56:31):
Riding on around. He did love a girl and shark boy, right.

Speaker 2 (56:35):
So indeed it's on the list. We'll get there, one
bay go.

Speaker 4 (56:39):
Do you know what I want to move?

Speaker 3 (56:40):
I want Avengers Doomsday, but all the sharks we've ever
met in movies, So I want the sharks in the
shallows on that shark that jumps up that plane and
Mega Shark, and I want will Smith Shark. I want
Robert Fish sorry.

Speaker 1 (57:00):
Robertson shot from Harry Potter with the shark Head.

Speaker 11 (57:04):
Three shots struct from finding Nemo, all three of them
jewels who Ventura.

Speaker 1 (57:16):
Do not go, do not go in there. He survives
a great white shark attack and he also beats up
a crocodile. Quite adventures there.

Speaker 4 (57:28):
It doesn't sound like a very good vet.

Speaker 1 (57:30):
And he says a dolphin. He says a dolphin. He's
a friend of aquatic animals, but not a friend of
trans people and maybe immortal.

Speaker 4 (57:39):
Yeah, that's all I know about that. Maybe I've never
seen it. I just had that. It's anti trans very.

Speaker 2 (57:43):
Much, so.

Speaker 1 (57:45):
Very hyper nineties sixty thousands.

Speaker 2 (57:48):
Ye, room full of people throwing up because they may
have kissed a lady whoused to be.

Speaker 3 (57:52):
Anyway, Oh my goodness, the most original joke ever made.

Speaker 1 (57:58):
Yeah, well maybe today is.

Speaker 4 (58:03):
Yeah, I'm so sorry for whoever.

Speaker 2 (58:08):
Fine, don't you worry?

Speaker 3 (58:10):
Yay?

Speaker 1 (58:11):
I mean I also took twenty minutes to talk about Nolan,
so it's fine.

Speaker 4 (58:16):
Mind a good Nolan chat.

Speaker 2 (58:18):
My top five questions from this chapter Bird Bird, Bird Bird.
But we don't get much Preacher in this scene, but
he's always great.

Speaker 4 (58:30):
What we do get is wonderful.

Speaker 3 (58:32):
It's so wonderful because it starts with that like ominous
shark disappearing into the complex heading down. Then we see him, yeah,
and then we see him and he's in such a
wonderfully shot long corridor where the lights keep going on
and off, and the water keeps rushing behind him and
the perv keeps changing, and I was like, this is frightening.

(58:53):
And also, and this is why it's the perfect Even
just scene can sum up how good deep this is
because it's so trying because he's you know, that there's
a shark, and he knows that there's a shark, or
like he's aware that he's probably not safe when the
water is filling up and he's chasing this bird, but
it's so frivolous that it's so funny, and the bird
is obviously like pursing at him, and he's so funny,

(59:15):
just like existing, like everything he does is filled with
such light twinkle in his eye, and that juxtaposition of like,
h find the bird is so enjoyable and so popcorn
that it just sums up this whole movie.

Speaker 4 (59:32):
It's perfect.

Speaker 1 (59:32):
And he has one of the best side quests ever
in a creature feature or a horror.

Speaker 2 (59:37):
Film, find the bird to get vengemance for bird.

Speaker 1 (59:40):
Yeah, fighting things in kitchens, it's great. Yeah, can't kill LLL.
He's three for three in horror films.

Speaker 4 (59:49):
Does he always spoke Oh.

Speaker 1 (59:50):
Yeah, yeah, mine mine hunters. He lives hollowing h two,
oh h two, Oh he lives. Yeah in this and
Minehunters has a water bit, does it not because as.

Speaker 2 (01:00:00):
A couple there's a boat that explodes. Oh yeah, he
has to climb the wall because there's an electric in
a flooded hallway. And then the lady from one of
Emily's favorite film, Lady from the Mummy, has a poisoned
cigarette and then falls in a swimming pool. Well, Rachel
Vice like the Mummy, the Mummy, Mummy, the one who's
the one whose name I can't remember.

Speaker 3 (01:00:21):
I know she's Job's girlfriend in like the first few
episodes of Arrested Development. Because I've only ever seen the
first episodes of Arrested Development, and then every time I
sit down to rewatch it, I just.

Speaker 2 (01:00:33):
Go from the Mummy that googling the Mummy brings up
the twenty seventeen one first.

Speaker 4 (01:00:42):
Cow. How on ever, hearing this Brenda Brendan Fraser Renaissance.

Speaker 2 (01:00:48):
Patricia Velaskis is her name.

Speaker 4 (01:00:50):
That's the one. She's so cool.

Speaker 1 (01:00:54):
What a great scene. I know it's very gratuitous, but
that was such a great shot in the Mummy ninety nine.
That's like, that's a uh she has a small role
in that film, but if you're doing like a sixty
seconds or less character, she has a pretty big impact.

Speaker 2 (01:01:06):
Brought it back for the second one.

Speaker 1 (01:01:08):
Yeah that's true.

Speaker 3 (01:01:08):
Yeah, she's a whole role in the second one. Yeah,
so good and so like memorable. Yeah, she's just looking
great in like body full on body Pain. And then
they're like so clever of just like accidentally brushing her
paint across her.

Speaker 4 (01:01:26):
It's probably way I did it. And then she's in
you think that had been smart?

Speaker 2 (01:01:30):
She's in Malignant alongside Jaqueline Mackenzie. Yeah, that's from Deep
to Zee. Everything's connected. Hey, yeah, she plays great minds.
I haven't seen it. No, I need to see it.

Speaker 4 (01:01:42):
Which one of you Malignant?

Speaker 2 (01:01:45):
You've seen Barbarian?

Speaker 1 (01:01:47):
Malignant is hilarious and fun and I.

Speaker 4 (01:01:55):
Have said Malignant. There was another one that I think Titane. Oh.

Speaker 1 (01:01:59):
I love that they both came at.

Speaker 4 (01:02:01):
The same time and they have similar Wait, have I on?
Let me just google the plot of maig.

Speaker 1 (01:02:06):
I Love Corner is the best raw you could have
James Ones, Just what do you.

Speaker 2 (01:02:14):
Use these shows?

Speaker 3 (01:02:15):
Yes, Similt, Oh my gosh, it's so good.

Speaker 4 (01:02:20):
Yeah, crazy like it goes there and just.

Speaker 1 (01:02:26):
Thing music and the hockey dialogue. You just got to
get on the same page with it.

Speaker 4 (01:02:31):
It's so fun. It's such fun.

Speaker 1 (01:02:33):
I love malignants so much.

Speaker 3 (01:02:36):
Bring more malignants, please, malignant too, malignant too, and.

Speaker 4 (01:02:41):
We just films that are just like a vibe.

Speaker 12 (01:02:45):
Tumor nice niceysant, just split up do what mean girls,
like with the prom Crown but to the Avengers doomsday
budget and just hand it out up and coming directors.

Speaker 3 (01:03:02):
That's what I would do if I ran Hollywood. Get
fired immediately, but I would make a good.

Speaker 1 (01:03:08):
Impaction and then I would make so many flops and
then you know what, it'd be worth it.

Speaker 4 (01:03:15):
Yeah, only because people are dumb.

Speaker 3 (01:03:17):
That's the only Like most flops then become cult classics
because people are like, this is wonderful. Why were you
also stupid?

Speaker 2 (01:03:25):
You wait, like twenty five years they all come back around.

Speaker 1 (01:03:29):
You know what. It's always a bummer with movies when
twenty five years later people go, wait, that movie's good.
I'm like, yeah, it's been good for twenty five years,
Like why yeah, why, hell that's a weird People are like,
oh wait, you know what movie. A couple of years ago,
everything was bad it's good.

Speaker 3 (01:03:44):
Yeah. Well the go around when people are like I
saw this movie and it was bad, I was like, yeah,
did you see the poster.

Speaker 4 (01:03:52):
Poster told you it was going to be bad? Stupid?

Speaker 2 (01:03:55):
You know.

Speaker 1 (01:03:55):
Rom com posters can tell you if the movie is
going to be bad or not.

Speaker 2 (01:03:59):
Which way.

Speaker 4 (01:04:00):
It's a tricky one.

Speaker 1 (01:04:01):
I analyze hundreds of them. Yeah, for Rotten Tomatoes. I
learned that, like the back to back ones are the
one where someone standing in front of somebody, they they're
more than like, on average, they're not great. The ones
actually the highest average rom coms are the ones with
just one person's face on it, Amily and Hitch.

Speaker 4 (01:04:20):
And all these Yeah, legally blonde.

Speaker 1 (01:04:24):
And also was it Like? Movies where they're looking at
each other are pretty good too, nice like that anyone
but you they're just sitting there looking at each other
on the poster.

Speaker 2 (01:04:37):
Emily, we need your top four Shark movies.

Speaker 3 (01:04:39):
I'm gonna start with in no particular order. Deep please
see Sure Ghost Shark. Of course the Meg. Actually really
love the Meg. I think it's really good. I've not
seen them.

Speaker 1 (01:04:56):
Meg too to the Trench, good jet ski work that's.

Speaker 4 (01:05:01):
Fun, feels so basic to Pictureaws. So I'm not.

Speaker 2 (01:05:07):
I mean, I'm shocked you haven't picked the first film
you're on here to talk about.

Speaker 4 (01:05:12):
Yeah, it's it's getting that. I'm just seeing if there's
a better one. But no Shark in Venice.

Speaker 1 (01:05:16):
Yes, look at those things.

Speaker 2 (01:05:19):
Look at those things.

Speaker 1 (01:05:22):
I'm bleeding.

Speaker 4 (01:05:24):
Haven't I ever got left?

Speaker 2 (01:05:25):
That's it, that's that's full.

Speaker 4 (01:05:27):
Oh you asked me before I thought I got five?
Did Jaws count?

Speaker 2 (01:05:31):
No? But you can can someone who's out for Jaws
if you want. No. Great, I love it because is
still winning Joe, that's fourteen obviously.

Speaker 4 (01:05:44):
Yeah. I feel it's like it's like choosing The Lion
King is your favorite Disney movie? Like, yeah, the Lion
King's good?

Speaker 3 (01:05:50):
Like, actually, pick a movie that like isn't really obvious.

Speaker 1 (01:05:54):
You know, Entangled me, you know, so you're.

Speaker 4 (01:05:58):
I love Tangle.

Speaker 1 (01:06:00):
That mom is horrifying, Jay uh, stepmom.

Speaker 8 (01:06:04):
She's really like she in credible, like the goth The
way that.

Speaker 1 (01:06:10):
She manipulates Rapunzel and then Rapunzel acts out and feels
bad about it, Like that hits pretty close to home.

Speaker 3 (01:06:17):
It's so mature. The themes are great, the songs are incredible.
The character is a memorable. The design is gorgeous.

Speaker 2 (01:06:24):
I'm saying in my head right now, that's what I'm
saying about, Like everybody that's.

Speaker 1 (01:06:29):
A dream, Oh, who's a little lizard? Pascal's great.

Speaker 4 (01:06:38):
Everybody's cast properly.

Speaker 3 (01:06:40):
Everybody has a proper voice sector and a singer to
accompany them.

Speaker 4 (01:06:43):
So that's why Mother Gothel.

Speaker 3 (01:06:44):
Sounds amazing because she's literally a Broadway legend, like.

Speaker 8 (01:06:50):
Twist Villain, Great Water, working.

Speaker 4 (01:06:55):
Very last with the pure villains.

Speaker 1 (01:06:58):
Just eat but close to home, though, does the way
that she manipulates.

Speaker 4 (01:07:03):
I love you most. She's stroking her hair.

Speaker 2 (01:07:09):
You're the fourth person to pick the mag and you're
also you're the third person ghost Shark, but the first
person to pick Shark in Venice.

Speaker 4 (01:07:17):
It needs all love. It's the best. Why would you
not want to watch a movie where the tiny.

Speaker 3 (01:07:22):
Canals in Venice are invested with Shark.

Speaker 2 (01:07:26):
I've tried to get so many people to watch it.

Speaker 1 (01:07:29):
Why don't?

Speaker 3 (01:07:30):
Then?

Speaker 4 (01:07:30):
What's their excuse?

Speaker 1 (01:07:34):
And I'll come back. Yeah, I love that movie.

Speaker 2 (01:07:37):
It's fantastic. Any any other I'm sorry.

Speaker 3 (01:07:43):
I was gonna ask what you guys think of the
meg because I feel like when I came out everybody
was like, this just stupid, and I was like, Okay, firstly,
you want your shark movies to be stupid, so shut up.

Speaker 4 (01:07:52):
Secondly, this one actually isn't stupid, so shut up.

Speaker 2 (01:07:56):
We have covered it, and I think our consensus was, uh, well,
my my opinion is it's fine. I just wanted more blood.
It's two twelve A.

Speaker 4 (01:08:09):
Yeah, it's very much.

Speaker 2 (01:08:13):
Of which I get. I get it they're trying to
attract kids, but you know, there's there's a giant shark
swimming through an ocean full of people on rubber rings
and lilos and none of them die.

Speaker 3 (01:08:27):
Yeah, you want like twelve Jaws is like that one
scene from Jaws, but like with like eighty people like I.

Speaker 2 (01:08:35):
Think I described it as it should be like like
a pool skimmer just going through and just picking up
debris from the top of leaves. But a shark people, Yeah,
that's that's my problem. But it bursts a guy in
a big hamster ball thing, but no one dies anyway,

(01:08:56):
and Meg to the drench. We preferred because it has
more jet skis in it.

Speaker 1 (01:09:00):
Anything with jetski ashen scenes I'm all about.

Speaker 2 (01:09:03):
And it's going to be an octopus which you know.

Speaker 4 (01:09:05):
It's not PRIs. That's nice. I have an octopus. I
don't like your crocodile. They fly. It's it's it's actually
Jason Stife And isn't it not.

Speaker 2 (01:09:13):
Not just STI who's not stuff?

Speaker 1 (01:09:17):
I saw a video So I grew up in Florida.
I saw a video the other day of an alligator
and a crocodile fighting in the Keys. That made me
very what. Yeah, so the.

Speaker 13 (01:09:26):
Keys they have crocodile there, and they also have alligators,
and there's a video of an alligator fighting a crocodile,
not like a fight, more of like a yeah, get
away from it.

Speaker 1 (01:09:38):
Yeah, it's just I.

Speaker 3 (01:09:39):
Need them to fight to the death, and they need
to both lose because that should have been extinct years ago.

Speaker 4 (01:09:47):
We've got enough problems.

Speaker 2 (01:09:49):
So an alligator and a croc both eating there's tail.

Speaker 4 (01:09:52):
Yeah, I want that, like.

Speaker 3 (01:09:56):
The dinosaurs that are still here, likes apparently older than
like trees.

Speaker 4 (01:10:03):
I like that.

Speaker 3 (01:10:04):
Step aside, we've got AI now, we don't need sharks.

Speaker 2 (01:10:09):
Okay, we're cutting that. I can't stand for that. The podcast.

Speaker 4 (01:10:15):
Is not PI.

Speaker 3 (01:10:16):
That's me saying like, as a species, unfortunately, we've reached
the point where AI dominates everything.

Speaker 4 (01:10:22):
So I think it's time for the sharks to go
bye bye. They've had their time on Earth.

Speaker 2 (01:10:26):
But what if the sharks can rise up.

Speaker 3 (01:10:27):
And take out Then train them immediately, make it happen
tomorrow like.

Speaker 1 (01:10:32):
The dolphin from Gina.

Speaker 2 (01:10:34):
Just need to make them five times smarter.

Speaker 4 (01:10:37):
I know a way to do that.

Speaker 3 (01:10:39):
As a result, we just against the heart to happen compact.

Speaker 1 (01:10:47):
Whoops. I want a whoops experience. I wish I was
a scientist. Who woops.

Speaker 3 (01:10:52):
I think it's not just that whoops, get get fired.
But we just train the sharks with the like clockwork
orange technique of like hate AI hate Ai. They watched
I Robot over and over again, and then we set
them through.

Speaker 2 (01:11:04):
Okay, just want like converse And I don't remember anything
else from me from Robot Shail above great, So only
any other notes about this chapter or film.

Speaker 3 (01:11:19):
Let me just run through my notes. My notes say
explosion because we open on seeing the compound having exploded.
Shark Shark music, Shark. I love the like It's not
like Jaws music.

Speaker 4 (01:11:29):
It's better than that. It's almost like breathing the music.

Speaker 3 (01:11:32):
It's very like breathy and frightening that bird watch big fan, scary,
invested funny sums up the whole movie. Sammy's still here,
there's a big good zoom in on him where where
he goes it can do that? And then Carter to
the rescue constantly accurately gendering the shark, where he's like, yes,
she can, thank you, she can, and he keeps going

(01:11:56):
it it it, and.

Speaker 4 (01:11:57):
He's like, yes, she is myshing it.

Speaker 3 (01:12:00):
Thank you for it being the door, which we're not
a fan of, but you know, glass ceiling.

Speaker 8 (01:12:05):
Yeah.

Speaker 4 (01:12:06):
My final note, is this the best movie ever?

Speaker 2 (01:12:08):
Great? Yes it is?

Speaker 1 (01:12:10):
Uh, Jarles is the best film, Deep Blue sees the
best movie, and Shark and Sharks and Venice.

Speaker 2 (01:12:17):
Is the best. It's changed you speaks of orange.

Speaker 3 (01:12:20):
Yeah, I change yay.

Speaker 1 (01:12:27):
For today?

Speaker 2 (01:12:28):
Yeah? Great? Uh well, where can what we'd like to plug? Emily?
What would do you have anything? Where can the listeners
find you? You finished your run through Labyrinth finally.

Speaker 3 (01:12:39):
That took much whole life. Yeah, I sped run that. Yeah,
you can get listen to me go through the whole
Labyrinth with Edward over on too Dangers. I'm told you
can go and listen to me talk about movies from
your childhood on why.

Speaker 4 (01:12:52):
This film I have not updated it in a while
because I'm now a full time podcaster with like holiday
pay and sick pain everything.

Speaker 3 (01:12:59):
So you can go listen to that if you want.
I would like it because it would make me look
like I'm really good at my job. But possibly, you know,
if you're on the Deep Busy podcast, maybe you don't
have career advice.

Speaker 4 (01:13:07):
But if you do, head over to Feature.

Speaker 3 (01:13:09):
You and if you want climate change, go over to
ten minute Climate and then inner Barbie World is still chugging.

Speaker 4 (01:13:16):
Along while we do every single Barbie movie with Stephen.

Speaker 2 (01:13:20):
If you'd like to hear a friend of the show,
Elwa Jones complain about Barbie very very briefly and then
just be slammed down with the force of a thousand
plastic goals within seconds by Emily. Then listen to the
last episode of Three Dangers. I'm told it's delightful. I
just listen to that and I just starts to like
slightly complain about it, and I just like, Oh, here

(01:13:41):
we go, are you.

Speaker 4 (01:13:44):
Going to get me? Took a big deep breath it.

Speaker 3 (01:13:48):
Yeah, it's not a valid argument for you to have
disliked Barbie.

Speaker 4 (01:13:53):
There is no opinion or nuance here. I'm not biased.

Speaker 2 (01:13:57):
She says, in have Barbie in your pink room.

Speaker 3 (01:14:00):
And however, you're wrong, so rewatch it if you disliked it.

Speaker 2 (01:14:09):
There we go, great mark any blocks, So listen to
movies from the flicks.

Speaker 1 (01:14:14):
I'm ranking every single running scene in Tom Cruise's filmography.
I'm up to one hundred and seventy five. Now, well,
that'll be out soon.

Speaker 2 (01:14:23):
How many? How many running scenes does he have per film?

Speaker 1 (01:14:26):
I gotta figure that out.

Speaker 4 (01:14:28):
Is he contracted to have a certain amount?

Speaker 1 (01:14:31):
I don't know, so that's a good question. I don't
know about contracting. But this is the third time I've
gone through his filmography, doing Running twenty seven, twenty eighteen,
I Different Tomatoes twenty twenty three. I did it for fandom.
Now I'm just I want to rank all his running scenes.
But it's fun. I'm gonna do his top ten.

Speaker 3 (01:14:49):
You know, include the Olympics opening or the Olympics closing ceremony.
That's the latest Tom Cruise movie that I saw that
I really enjoyed.

Speaker 1 (01:14:55):
I'll just do the movie. I'm just gonna do his movies,
and then I include history. So yeah, watch that. I
spent a lot of time with Tom Cruise.

Speaker 2 (01:15:08):
Great am. I sited lifeless film dot com some random
reviews over there. Still going through twin peaks. Deep Blue
Sypod is where you can find us all over social
media or email us Deep Blue Sypod at gmail dot com.
Next week. Going back to the seventies sixties, I forget
talk about Juggernaut, a classic British disaster movie with Richard

(01:15:30):
Harris and Omarsha Reef and a young Ian Holme and
a young Anthony Hopkins. I say young the middle aged,
but that's the youngest you'd ever see him. And that's
with Howard Kasner. Join me for that one. That's a
fun time. But as for Deep we see chapter fifteen
dive to thank you once again to our guest Emily State.

Speaker 4 (01:15:52):
Thank you.

Speaker 2 (01:15:53):
I have been ja Clerk.

Speaker 1 (01:15:55):
I'm Mark Arthmeyer and we'll deep Blue see you next week.

Speaker 2 (01:16:02):
Any day.

Speaker 7 (01:16:06):
The