August 27, 2025 • 58 mins
Jay is joined by Jessica Manzo-Kyte (@jessmanzo on Instagram) for the nightmarish spring break extravaganza that is Piranha 3D! On this episode they discussed fleshy skeletons, the effects being underwater has on the human body, and the perils of drinking whilst fishing!
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Transcript
Episode Transcript
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Speaker 1 (00:15):
Hello, and welcome to Deep Blue Sea the Podcast.
Speaker 2 (00:17):
I am J.
Speaker 1 (00:18):
Klewer. On this show, we have been through the entire
Deep Blue Sea tururgy seen by scene yet again, but
not today. Today we're talking about a Deeply Sea adjacent film,
which is a film out the director by Reddy Harlan
featuring sharks, a recording action. And we've been doing the
Piranha franchise. We talked about Joe Dante's Pirana, We'll talked
about James Cameron's Prana through this morning, and now we're
(00:38):
talking about alexandre Ajas Parana three D, a film that
technically we have already.
Speaker 2 (00:44):
Covered on this podcast before.
Speaker 1 (00:45):
Also technically we haven't because Mark and I Marcus not
present today.
Speaker 2 (00:50):
That's fine.
Speaker 1 (00:51):
Mark and I talked about it on Movies, Films and
Flicks as part of our Soggy saga that preceded us
doing Deeply See the podcast. We did re release that
episode on People See the Podcast during a time when
we were busy doing Connad and Mark having a child.
But now we're gonna talkbout again because we've been through
the prior franchise and I wanted to watch it again.
(01:11):
I feel like that's okay, and I need an excuse
to watch films and podcasting? Is that excuse? But Marks
and ib I do have another guest who I actually
don't know. I can't remember if she's seen it on that,
but she's a regular to this show. This is I
need to find out. I think it's like her eighth
time on the show. Let me just confirm, find my spreadsheet.
It is her seventh time on the show. Who's been
(01:32):
on for forty seven meters down? Forty seven meters down,
ungaged sphere, the lighthouse, shark, exclamation mark, and of course
a chapter of DeepC It's Jessica Manzi. Jess welcome back
to the show.
Speaker 3 (01:44):
Thank you for having me. As Jerry O'Connell says, gratitude
is the right attitude. So yeah, I'm very happy to
be back for my seventh appearance.
Speaker 1 (01:55):
Jerry Connor's characters some words to live by by a
character we should all emulate through our lives. The character
of Derek Jones in this film.
Speaker 2 (02:05):
The true hero of Pirana three d.
Speaker 3 (02:09):
Ah. He is a star for sure.
Speaker 1 (02:13):
So before we dig into three spring break, a very
American pastime event, I'm not something I'm very familiar with
what's your experiences with spring break? It looks like hell,
it looks like a true nightmare.
Speaker 3 (02:32):
It is nothing I have participated in, And I think
it's one of those things that's more present on media
than people actually do in real life. Like I know
there are some people that will go to Florida for
spring break during college and have some type of experience
like this, but it's not something that like everybody does
(02:54):
by any means. I did watch a lot of spring
break programming on m TV when I was in you know,
my late elementary to middle school years, when I was
watching MTV when my parents weren't paying attention because I'm
one of four children, So I watched a lot of that.
(03:17):
But I feel like I watched it more than I
ever actually heard a single person in my life say
that they were doing a big, rowdy spring break trip
like this. And then of course there's the movie spring Breakers.
There is, yes, but yes, I think it's it's more
in media than people like actually go out and do.
Speaker 2 (03:41):
Sure, Okay, that's reassuring.
Speaker 1 (03:43):
That's good, good to know, because yeah, it's in a
lot of films, TV shows, whatever, And every time it's
like this looks I can't imagine a place I want
to be less than even before the Piranha started attacking.
It just looks like like an so that you know,
we have university college here, you'll have like a spring,
(04:07):
like a week or two off in spring when you
go home and homework and like you know, we're out partying.
I don't know if other people on my course may
have done this.
Speaker 2 (04:18):
Kind of thing.
Speaker 1 (04:19):
I don't know if they didn't invite me, and I
don't blame them, but it's just my experience is like, no,
this is time you should be studying and working. Yeah,
I'm cool and fun to be around the listeners. So
where do you Where does the Piranha franchise sit with you?
(04:39):
Have you seen other films within it prior to this?
Speaker 3 (04:43):
No, this is the only one that I have seen.
So this is the second time that I have seen
the movie. And just to paint a picture, I was
once part of a prolific podcast called French Show Sunday,
which is the reason Jay and I are our friends.
I think nothing else.
Speaker 2 (05:04):
No other reason. That's what we have.
Speaker 3 (05:07):
Well, it definitely brought us a wedding and back in
the early days, I think this period of time slightly
proceeded actually doing the podcast, but it bled into it.
The people, you know, the friend group that all did
the podcast together. We started going to movie premieres at
(05:30):
midnight on Thursdays, and we Prana three D was one
of the movies that we went and saw in the
year of twenty ten.
Speaker 2 (05:39):
A perfect showing.
Speaker 3 (05:41):
Yes. And not only that, but I'm pretty sure as
young twenty year olds, we pregamed going to see the
movie with some probably very cheap liquor. So the first
time I saw it was in a pretty crowded movie theater,
a little tipsy, and I remember it being so much fun.
(06:05):
So this experience as a thirty five year old was
very different. I was sitting on a Sunday afternoon watching it,
completely sober, and I decided to eat dinner right before
a very horrible part in the movie. To be eating dinner.
Speaker 1 (06:25):
Is that the tequila sequences, That's the moment sequence.
Speaker 3 (06:34):
That would be bad? But there is a you know face.
Speaker 2 (06:39):
We could talk about it, sure, yeah.
Speaker 3 (06:41):
The part with the.
Speaker 2 (06:43):
Massacre, Oh sure yeah yeah.
Speaker 3 (06:47):
Endless amounts of gnarly gruesome death scenes, blood everywhere, and
I'm just like, this might have not been a good
time to eat dinner, Joe.
Speaker 1 (06:59):
Yeah, okay, fair enough, so I would The recording schedule
for these is a little out to kill to us.
This is actually the last in the Pan franchise were
recording apart from you know, those films that they're called
Mega Parana and Parana Conduat were probably gonna cover with
guests who are willing to watch those films at some point,
But for the four key films of the franchise, this
(07:20):
is the last one we're recording. This will be released
prior to Pirana three Double D. This is, in my opinion,
the best of the franchise, the first. The first one
is pretty good, the second one is fun, the fourth
one is awful. It is a really really bad film.
But this is my favorite, and it's that that massacre
(07:41):
sequence is why.
Speaker 2 (07:42):
Because the first film it's great.
Speaker 1 (07:45):
It's a really good film. It's one of those like
it came out a year or two after they came
out a year like three years after Jaws, So it's
one of those like Jaws is popular, what can we
do smaller version? Lots of them go and there's not
many deaths in it. There's a sequence with like the
Pirana are alway heading towards a camp, like a summer camp.
(08:08):
So loads are like kids playing in the water, and
I'm thinking, like, it's going to eat all these kids,
and they don't. All the kids survive. Ah yeah, like
one of the campers gets attacked, but all the kids survive,
and like what is this?
Speaker 2 (08:19):
This is nonsense.
Speaker 1 (08:22):
And all of the death right and all of the
deaths are kind of samey and like there's people in
the water, the fish can nibble at them. They thrash
around a bit, people die. That's how all of the
deaths haven't that one Pirana Too, directed by James Cameron
before he became James Cameron.
Speaker 2 (08:40):
They can fly. The fish can fly like that.
Speaker 1 (08:44):
The first the first film, the law of it is
the government were creating fish, the creating prana that could
survive in all kinds of climates so they could go
up river into Vietnam and win the Vietnam conflicts.
Speaker 3 (08:59):
Right, that's heavy sure.
Speaker 1 (09:02):
The second one is as a government ship crashes off
off off the coast of some resort in which had
prototypes of some kind of genetic modified purana from the
first film, but they can also fly now, so there's
some more variety in terms of the death to get
a parana hides inside of a dead body and attacks
(09:23):
someone like a nurse who's just like attending to it
in a morgue, and all the fish that come up
on land at the end and start flying at people,
and as a guy who gets attacked by like five
around his neck at the same time. So there's some
more variety, but it's mainly people standing on.
Speaker 2 (09:36):
A boat looking around, what'skernel, what's going.
Speaker 1 (09:38):
To fish comes out of nowhere, which is very entertaining,
very stupid. Barana three D has so many deaths, and
there's so much variety of death, and that's what I'm
looking for in these films. There are so much I
counted eighteen different well sorry, nineteen different like deaths that
(09:59):
were or like featured characters or a featured death like
as as a carnage sequence where a lot of people
get taken out.
Speaker 2 (10:08):
Fine, but there's.
Speaker 1 (10:09):
Nineteen deaths, or like we know who this character is,
or this character has like the power the power glider
power that counts as one like specific we focus on
this person for a while and then we watched and
get killed. That's huge. That's a huge amount of deaths.
And you remember, like I jumps off a clip, like
people get ghost shipped, like a cable comes out and
cuts people in half. They're focused on them to remember them.
(10:33):
It happens in this so and that is what all
of these films should be doing. Every film we cover
at least nineteen specific focused on deaths of main or
minor characters. More of that, please, And that's why I
love this Three has some of that. But it's terrible,
which is a very bad film.
Speaker 2 (10:53):
Listeners, listen to our episode.
Speaker 1 (10:55):
Lisa and I had a good time with it, and
I liked it more than in the first round. It
is still is the bottom of the part with.
Speaker 3 (11:01):
Oh yeah, sometimes the worst movies are the most fun
ones to record about.
Speaker 1 (11:06):
So yes, absolutely, And you know David is having fun
playing himself as a guy, as a lifeguard who doesn't
know how to be a lifeguard. But like it's he's
like in a film the whole way, but he's not anyway,
He's he's fun and David, David Keckner is the worst
human being alive in that film, the worst ever created.
(11:28):
As you might, it's a typical David Keckner character in
this kind of film, h great. So do you enjoyed
this film? Did you enjoy?
Speaker 2 (11:37):
Really leading question leaving the witness I did it.
Speaker 3 (11:40):
I did. I thought it was so fun. It was
like it breezes through the whole thing, like I never
felt like it was lagging. I liked all the different
like storylines that shoot off because you have all these
little groupings of people and you know they intersect at
different points in time, and there's just really good campiness
(12:02):
to it. The three D part of it. I like
that it's like using it for comedic element, like comedic
like comedic choices in the film. Because so many movies
this was like the height I feel like of the
movies that were like doing three D just to do it.
(12:22):
And I just rewatched all the Final Destination movies before
Bloodlines came out, and the fourth and fifth one have
very similar things as this does, where when you're not
watching it in three D, you can like tell all
the parts that were meant to be like three D gags,
(12:43):
But this one, I can tell that the gags were
intended to like elicit humor. It's not just doing it
to do it. So I didn't mind that aspect of it,
and I didn't have to wear three D glass.
Speaker 1 (13:01):
Yes, this came out at twenty tens.
Speaker 2 (13:04):
It was a year after Avatar, which was one of
the big.
Speaker 1 (13:07):
Hey three d's back see, but this wasn't. When they
filmed this, they had the intention of it being three D,
but it wasn't shot with three D cameras because they
filmed this on the water and underwater, which would have
just been a real headache to try and get the
massive three D cameras. So they filmed it with the
intention of post converting it, which is rare. Normally like
(13:30):
three D films that post converted like quick, just make
it three D, and I would do that, but this.
Speaker 2 (13:36):
One they planned ahead apparently, and I think that helps.
Speaker 1 (13:41):
So like when you've got ving rams up with the
big the outward motor directly at the camera, they planned
ahead that it worked out, that's what they're gonna do. Yeah,
and yeah, I'm with you. I haven't seen this in
three D. I don't watch films in three D anymore
because I don't see the point. But I appreciate when
people do this kind of thing and it's fun good.
I love the cast of this film. There's so many
(14:04):
incredible fun characters like you know, I love Thing Grahams.
Their whole podcast in Connair. You might remember it, and
he's great in that. But you've got you know, Elizabeth Shoe, great,
Adam Scott, fantastic Kelly Brook. Longtime fan of Kelly Brook
for various reasons. H Richard Drafus, Chris Lloyd doing three
(14:26):
days on set between them but having fun in Like
Richard Drefus, you kind of got to have him there.
I guess he's basically playing Matt Hooper again at the start.
But Chris Lloyd a perfect Chris Lloyd cameo, we need
a crazy guy, we need a crazy guy. He's an
expert on something. He's just woken up. It's mid of
the Baby. He's just woken up and he's just got
He's got an aquarium and a fish fossil go and
(14:49):
he nails it.
Speaker 3 (14:50):
Knows everybody not enough of.
Speaker 2 (14:54):
Him, I guess.
Speaker 1 (14:55):
But then he's the only had him for a day,
and he does come back for three double day somehow
he's he's back and Ving Raams and Pulscheer are back
in three Double D, which is surprising because they both
die in this film. Yeah's death. He like falls off
the boat at the end and he don't see anything.
He was supposed to be killed. He is supposed to
(15:16):
have his nose bit en off. Apparently that footage is
apparently out there. I tried to find it, couldn't find it.
And ving Raams like makes a noble sacrifice to save
everyone by wading in with the apple motor and getting
in by the fish. But he goes back in the
second one with metho X and Pulscheer is like his
attendant who's like pushing him around in a wheelchair and
he's overcome some PTSD to go back. It's the best
(15:38):
scenes in three double d are ving Rams and pulsche
this double act who do not share the screen in
the first film.
Speaker 2 (15:45):
In the second film they are together.
Speaker 3 (15:48):
That's so funny. Yeah, that makes me happy about ving
Raams because that was one of the deaths that I
was like, no, don't die.
Speaker 1 (15:57):
And even one of his deputies is on another boat like.
Speaker 3 (16:06):
Sometimes he was so fun though, in that scene where
he's attacking the Piranhas with the boat propeller is so fun.
Speaker 1 (16:15):
Yeah, I do feel like this shouldn't work like in
real life. In the film, but in real life, why
the fish was coming from from the direction that like
they're all like swimming at him from the boat, like
towards the boat propeller and go around right, stupid fish.
Speaker 2 (16:34):
But there we are. Yeah, So.
Speaker 1 (16:40):
Did you have a favorite story arc or a favorite
group of characters that we followed.
Speaker 3 (16:46):
I was very okay. So from the beginning, I really
like the whole idea of this like rift opening up
under the lake with this like secret extra underneath. So
that was very cool. So that made me very interested
in Adam Scott's storyline with bringing the divers out and
(17:11):
seeing them dive down into the lake like the lower
level lake was very fun and it reminded me a
little bit of forty seven meters down on caves. You
have the wonderful claustrophobic swimming through caves and just seeing
(17:32):
all the prana eggs and everything was very cool. Yeah,
and then I like how he follows, like Elizabeth Chew
through the film to get to the kids at.
Speaker 1 (17:45):
The end, so you feel like they're setting up a romance,
but it never really culminates, like she heads off to
go she gets the cool so like go and save
our kids, and he is nowhere nearby.
Speaker 2 (17:56):
He just like.
Speaker 1 (17:58):
Dives doors or his jet ski and hops on I'm
coming with you. It was like, what where do you
think she's going?
Speaker 2 (18:03):
Right now? What is your why?
Speaker 3 (18:06):
I thought the same thing, Like I imagine him being like,
I don't know where you're going, but I'm going with you.
Speaker 1 (18:14):
Yeah. I like them as well, Like you know, Dina
Mayer and Carlos from Desperate Housewives, they're not around for long,
but they're they're there and they get a couple of
a couple of good deaths. When Adam Scott pulls up
her what's left of her body?
Speaker 3 (18:30):
That was so gruesome.
Speaker 1 (18:31):
Yeah, I appreciate all the everything's practical. Well, you know,
the fish are mostly digital, but as much as they
can is practical in here, So like bringing up a
real fleshy skeleton, I guess at that point is great.
And then you know, when Jerry O'Connell is on the
on the deck with just it's just not a lot
of legs left, shall we say? It looks really good,
(18:55):
but we'll get to him.
Speaker 4 (18:56):
Yeah.
Speaker 2 (18:57):
I think they're great. Another of a shoe is also excellent.
Speaker 1 (19:00):
This she uh, you know, it's it's these days hard
to root for a cop in a film. Sometimes but
she's she seems like one of the good ones, you know,
when choosed to her being sexually harassed by someone. She
gives them every hour that they can. She says, like,
I can spend alcohol in your breath, so take the
(19:20):
warning and get out of here. And he tries to
hit on her and grabs her and so yeah, she
tastes him and hand gives him, and as well she should.
I did like that she tastes a fish go out
of the water.
Speaker 2 (19:34):
I'm going to taste the water. That's not good.
Speaker 1 (19:36):
Yes, but she did make sure everyone in the vicinity
was out of the water before she executed the single.
Speaker 2 (19:44):
Fish, So I liked her.
Speaker 1 (19:48):
I don't really care for her. Son, Jake, played by
the grandson of Steph McQueen, Stephen Stephen ar McQueen, him
and his whole storyline with like Kelly the girl he fancies,
but who's with a real dick of a boyfriend, Todd,
who like when she's asked like, you know, why are
(20:08):
dating this guy and her response is what you're dating?
Speaker 2 (20:11):
Him?
Speaker 1 (20:11):
Is like, oh who are you dating? So you know
it's like, oh, he's better than better than nothing? I guess,
is he really? And he's a pretty good DJ, great
catch one. See, I didn't I didn't much care for
these two who are underage. They spelled as being underage,
(20:33):
and yet it seems are being brought into a porn
film in which they are drinking on screen, and like,
this seems like I shouldn't be rooting for any aspect
of this.
Speaker 3 (20:44):
No. I also I doubt this was like super intentional
because they probably were just like in the pool of
younger actors to cast in a horror movie at the time.
But both him and Jessica Zor in very prominent c
W shows.
Speaker 4 (21:03):
At the time.
Speaker 3 (21:03):
Okay, sure, she was in Gossip Girl, okay, and he
was in The Vampire Diaries.
Speaker 1 (21:10):
Two shows I've never seen a single second of.
Speaker 3 (21:16):
But I just thought that was funny because it felt
very like of the twenty tens that they have two
people from. They weren't even like I would say, the
like a tier cast of those shows. They were like
B tier supporting cast members of those shows, but very
twenty ten.
Speaker 2 (21:36):
Sure makes a lot of sense.
Speaker 1 (21:37):
Yeah, Okay, I mean they're both They're fine. I just didn't,
you know, I didn't care about their storyline at all.
Speaker 3 (21:44):
No, they were there to like move things in a
certain direction.
Speaker 2 (21:48):
Yeah, they're the very they're boring characters, yea.
Speaker 1 (21:51):
And they needed to be fine because we need to
have them so we can get Derek Jones and not
a Dick, which Jerry O'Connell excellent, are playing horrible people.
Speaker 2 (22:05):
In real life.
Speaker 1 (22:06):
I hear he's a real nice guy, but on screen,
great bed of Dick And yeah, Derek is just an
atrocious human being who just sous you meet him, was like,
this guy is going to die and it's going to
be good, and it is. It is like before he dies,
he pushes one of his models in front of him
(22:27):
to be killed instead. That's that's Riley Steel. That's Crystal.
I believe she's an adult actress, which you know fits
the role, I guess. And Kelly brook Is is his
other star. As I said, big fan of Kelly Brook.
I don't this is going to sound had big Kenny
Keny Brook. I don't like the underwater scene and this
(22:49):
when when they're on the boat, you know they're they're
wild World girls, which is a parody of was it
a parody of something else?
Speaker 3 (22:58):
Girl's Gone Wild?
Speaker 1 (23:00):
That's the one, thank you, And so they go out
on the boat and and Jake Steph McQueen is like
there Ah eat, et cetera. They bring Kelly along with them,
and as they've got a boat with a glass hull.
And so there's a shot where Crystal and Danny Righty
Still and Kenny brook go under water, take their bikinis
(23:20):
off and just kind of dance and swim around each
other and kiss underwater.
Speaker 2 (23:25):
And it's being shot from.
Speaker 1 (23:27):
A very It's been shot like within the film, from
very weird angles through this glass bottom thing. Like Paul
shares the camera and he's shooting it. He's not next
to the glass, he's like a good meter four feet
away from it, shooting like at the weird crossbars of
the windows. He's getting terrible footage. They need a camera
(23:49):
like outside the boat or something. I just don't two
very attractive women. I don't think being underwater and something
like that does the many favor was in terms of
what's going on. I don't know the water does. The
movement of the water does strange things to their bodies,
and I don't think I don't find it very attractive
(24:09):
and sexy, yeah, very much. I think Kenny Brooks is
she looks much better like on screen on land in
a bikini. You know, perfection naked underwater swimming doesn't do
with me. Other people great, happy for you, what did
What did you think of that sequence?
Speaker 3 (24:29):
I do agree that the footage is probably horrible. It
was funny. The thing that the thing I liked about
the scene was that, even though it was a little
early in retrospect, I kept waiting for like the pranas
to show up, So that was like kind of like
a funny like like alluding to tension that really wasn't there.
(24:57):
But it went on for very long.
Speaker 2 (24:59):
Yes, comfortably long.
Speaker 1 (25:00):
I find I only ever watched this film on my own,
and that scene always just makes me feel dirty. I
adny CITs in cinema. This isn't a film my wife
would enjoy, so I've already ever seen it, just like
just on my own, like, well, this feels wrong, this
feels bad.
Speaker 2 (25:18):
I know where this scene's here.
Speaker 3 (25:20):
When I was watching it with the context of coming
on here, I literally thought to myself, I can't imagine
Asia watching this with Jay or her like walking into
the room at that part in the movie and just
being like, what is happening here?
Speaker 2 (25:35):
Sure? Yeah, yeah, it hasn't happened, will never happen.
Speaker 3 (25:40):
But I actually did like Kelly Brook in the movie
a lot. Yes, I liked her character. That was the
other character whose death I was sad about.
Speaker 1 (25:51):
Yeah, her hair is too long, her beautiful, beautiful hair
is just too long.
Speaker 3 (25:55):
When I saw hanging, I was like, this is such
a danger. This is why at work, I work in
a place that has a lot of machines in a
print shop, and you're supposed to have your hair pulled
back so it doesn't get pulled into any machines. And
so I had workers safety violations on mind when I
(26:16):
saw her hair falling.
Speaker 1 (26:18):
Yeah, they did not have health and safety for World
Wilde girls. They didn't have anyone anyone.
Speaker 2 (26:23):
In that position.
Speaker 3 (26:26):
She's hanging off this rope with her hair just dangling
right on the water.
Speaker 2 (26:31):
Yeah.
Speaker 1 (26:31):
Yeah, I really. I think she's a great character where
she's like, you know, she's this sexy model, but she's
also acting as like a like a maternal thing almost
like for even before the two little kids arrived, for
like for she's trying to set Jake and Kelly up
a bit more. Yeah, but knowing that.
Speaker 2 (26:52):
Jake is underage.
Speaker 1 (26:53):
The scene where she's he's like up by pool share
on the tiller and she's like next to him. She's positioned,
she's like leaning with her like froch against his hand
and his arm between her breasts, and I like, this
feels wrong again.
Speaker 3 (27:12):
This is a child, yeah, even though it's like, oh,
what's her name? Kelly?
Speaker 2 (27:22):
Yeah?
Speaker 3 (27:22):
Wait, the character's name is Kelly.
Speaker 2 (27:25):
The character just character is Kelly. Kelly Brooks character is Danny.
Speaker 3 (27:29):
Yes, so Kelly the character is like looking on the
other model and I'm like, I know, I guess it's like, oh,
girl on girls a little shady or not shady gray area.
I mean, I'm like, no, that's weird. Yeah, it's like
(27:50):
your seventeen year old or whatever. She's supposed to be
looking on this like adult woman's.
Speaker 1 (27:57):
But like they're filming an underage girl drinking for one thing, hey, drinking,
and then there's like multiple crimes being committed on screen.
They can't use this footage. Yeah, Like like he literally
says at one point, we're filming a polo and on
a drama like this, you can't, you can't do this.
This is these are bad people. When they should die
(28:17):
and they do.
Speaker 2 (28:17):
They did, so.
Speaker 3 (28:20):
They could. They could have easily made it the storyline
that Kelly and Oh my gosh, I cannot remember these
boring kids names Kelly and Nick Jake. This just shows
you how bad these characters are that I cannot remember
their name Kelly and Jake. They could have said it
(28:43):
was like a thing that they were both coming home
from college.
Speaker 1 (28:47):
Yeah, they just turned twenty one spring break, Yeah, literally,
just make them of age been the reason for them
not to be you know, Jake. Jake is a character
who like he never gets to enjoyed spring break because
his mum's got to work because she's the sheriff, and
so he has to look after the kids. Fine, he
can do that at twenty one. That could still be
the case. Yeah, it doesn't change anything anyway. So yeah,
(29:13):
so that's that's that's them. And yeah, we do have
Jake's young brother and sister who are played by it's
called Sage. I think, then why are they not on
the Wikipedia page? There we go, Yeah, Zaane and Laura
are Sage.
Speaker 2 (29:29):
Ryan and Brooklyn. Oh god rule he r o U
l X.
Speaker 1 (29:34):
That's the hell of us, I know, And you know,
for kids in a Cruiser feature, I don't know him.
I thought they were okay, I know, we can't stand
kids in these films. I thought they were fine.
Speaker 3 (29:45):
You know, I agree, they weren't that bad.
Speaker 1 (29:48):
They like hustled Jakes for some more money so that
he could go off gallivanting. And and then yeah, I
get annoyed because like he just paid your sixty quid,
Well are you then going to go and go out
fish and stay in he patriot to stay inside.
Speaker 2 (30:02):
But the kids, I get it, it's fine.
Speaker 1 (30:05):
Uh yeah, So yeah, it's annoying because like, yeah, they
go to an island and they don't tell the boat
drifts away. Stupid, but their kids. So this is why
you shouldn't leave kids alone. There are morals in this film.
You for babysit and babysit and like don't don't drink
and fish like Riche Dreyfus because you'll open a rift
and prehistoric purana will come out and they'll kill everyone.
(30:25):
Don't do these things. Learn from the films.
Speaker 3 (30:28):
There's a lot to learn here.
Speaker 2 (30:30):
Did you like the Dreyfus scene at the start?
Speaker 3 (30:34):
Yeah, I thought it was really fun.
Speaker 4 (30:37):
It was.
Speaker 3 (30:39):
Like it was like a fun cameo. And then the
way it actually impacted the storyline of the movie was like, oh, okay,
well that's like a fun cameo where you actually like
are involved with the story.
Speaker 1 (30:52):
Yeah, and Dreyfus had to be like really convinced to
do the film. He's we talked about before. He's a
notoriously not a pleasant world experience. Apparently he's like quite
an irascible guy in real life. But he was eventually
Convincedingly paid him more money. But he did donate all
of that money to charity. So swings in roundabouts, isn't
(31:15):
I often.
Speaker 3 (31:17):
I like the scene when Elizabeth Shoe and Ving Raims
are going out to investigate his boat being out by
a dock, and I love the framing of the shot
where Elizabeth's shoes like turned around on the edge of
the dock and it just collapses into the water. I
thought that was so good.
Speaker 1 (31:38):
Yeah, I did too great. Well, that's kind of the
main character that we have the massacre sequence that you mentioned,
which is, you know, the highlight of the film. It's
when everyone dies and one character who's amongst the worst
characters who is in that is of course a wet
T shirt host played by the great Ei Wrath, who
(32:02):
is awful. It's the operator of the wet t shirt cannon.
I mean he's doing his job. He's good, doing his job. Well,
it's hard to like him. It's hard not to cheer
when he gets his head smushed between two boats. Yeah,
which another another different kind of death. He's not eaten
by fish. He falls in the water, there's chaos, smush,
(32:24):
he dies.
Speaker 3 (32:26):
He might have gotten it out easy compared to some
of these other people.
Speaker 1 (32:30):
This is true. Yes, the lady who gets her hair
trapped in Todd's rotor, she has her face skinned. I
don't know how that happened, unless her feet was stuck
on something that was preventing her being called further towards
the boat. The physics of this don't make sense because
her head is a distance away from them. When when
the skin is ripped off, there's there's a gap between
(32:53):
her head and the motor.
Speaker 2 (32:54):
She's usually being pulled closer. Anyway that would happen to venturely.
Speaker 3 (32:57):
This is why I need you, Jay, because I didn't
even think about that. I'm over here just taking it
at face value.
Speaker 1 (33:06):
You're doing it correctly. This is I'm just saying like
spoted like well, no, she needs.
Speaker 3 (33:13):
To be near sort of perspective I need to properly
take in this movie.
Speaker 1 (33:20):
And this is the sole reason why my wife will
not watch these songs with me, because I ruined them.
Speaker 2 (33:25):
Has nothing to do with the content. It's just going out.
Speaker 1 (33:27):
Actually I wouldn't know that.
Speaker 2 (33:31):
Yeah, that's a bad one.
Speaker 1 (33:33):
The parasiting lady who gets eaten, getting it people to
like faster fast. They get to the lady who sat
in the big doughnut, big rubber ring when the fish
start coming. That's that's they just make similar in three
double D to a worse effect in my opinion. But yeah,
she's just like in it and then the fish kind
(33:55):
of like start attacking her and she's just paby panics.
It's it's very well done. M uh you know, there's
there's so much condish like this when they're carrying people
back onto the land and these two guys accuently put
a lady in half.
Speaker 2 (34:10):
Incredible.
Speaker 1 (34:14):
I think they used real uh you know, people missing
deputies and people missing limbs and things for because it's
it's as much it's it's done practically as possible. They
had so many people on these sets, that's so much
going on. It's it's incredible. It's such a such a gorefest.
I agree.
Speaker 3 (34:32):
Yeah, yeah, the like the way that they made the
effects work around how the pranas clean off to the
bone is so graphic and effective. It it might have
just been because I was eating my dinner at the time,
(34:55):
it really was effective for making my stomach turn a
little bit.
Speaker 2 (34:59):
Sure, Yes, yeah, when.
Speaker 1 (35:02):
Derek and Crystal fall in and Derek uses Crystal as
like ye take her and he gets even when they
bring him up and.
Speaker 2 (35:09):
He's just got legs left.
Speaker 1 (35:11):
Yeah, he's barely got legs left even it looks gnarally
and then he's dead, but he's not dead because Jake
comes later. It Jake excuse him as bait and comes
up to him and he's still alive. And his last
words a wet T shirt, which you know, great, how
worse to live by again.
Speaker 2 (35:28):
It's it's so.
Speaker 3 (35:31):
I didn't even think about this till you mentioned it earlier,
but I guess in all the madness going on, Paul
Sheer just falls overboard and we never actually see what
happens to him.
Speaker 2 (35:43):
That's it. Yeah.
Speaker 1 (35:45):
I said that they were supposed to film it, or
they did film it, and then they didn't use it
and his character's just gone.
Speaker 3 (35:51):
Yeah, I didn't even think about that there was time there.
Speaker 2 (35:55):
It's a short film.
Speaker 1 (35:56):
It's like eighty eight minutes including credits, which is still
minutes longer. Been pron of three double a bad film,
but yeah, I don't. I don't know why. But then
Pulschie have profited from it because he meant he got
to be another film and got paid again.
Speaker 2 (36:13):
So good.
Speaker 1 (36:16):
We like Puscha on the show. He recently shared an
article Mark wrote for about water World. So Mark did
a data dive on water World because that's one of
the few films that's one of the few films that
has all three film elements that make a film great
in Mark's opinion, which is sea, creatures, catapults, and jet skis.
(36:36):
There's very few films that have all three of them.
Water World is the first one that we found.
Speaker 3 (36:43):
So I am also a fan of Paul Sheer. I
of course like listening to how did this get made?
But I just find him to be a very delightful person,
So anytime he pops up, I'm very happy to see it.
And when this first came out, I definitely was not
(37:03):
that familiar with him. I knew who Adam Scott was
because at this point I watched Party Down and step
Brothers was out and stuff like that, but I'd forgotten
that he was in this, And when he popped up
in the credits, I was like, oh, fad this was
like a pretty early thing for him. I mean, he'd
been around, but I feel like this is like when
(37:25):
he was first really getting more popular or well known.
Speaker 2 (37:30):
Sure.
Speaker 1 (37:30):
Yeah, and this was pretty on in Poolsche's career as well.
I can't remember when did how did this get made stopped?
I think it must have been aroundless time it celebrated
like fourteen years recently started in twenty ten. Yeah, so
a few months after this came out he started his podcast.
That would have been when everyone started hearing about Poolshe.
(37:52):
I guess, yeah, and yeah, this has god to I
think this is this is rare in Adam Scott's smography,
and that he's like the action hero. It's like Captain
jet Ski in the film, which you know there's behind
the scenes stuff.
Speaker 2 (38:08):
He's doing a lot.
Speaker 1 (38:09):
He's doing all about himself. He's doing his own stunts
on the jet Ski. Yeah, the bit where he like
jumps up, swings on some like overhead bars and lands
on the jet ski. That's Adam Scott doing that.
Speaker 3 (38:20):
Exciting.
Speaker 1 (38:21):
There's a bit where the jetski like flips underwater, that's
Adam Scott doing.
Speaker 3 (38:26):
It.
Speaker 1 (38:26):
Was hard to get him off the thing. He just loved.
He's having such a good.
Speaker 2 (38:30):
Time with it.
Speaker 1 (38:31):
Was you know, Windy Parks and Rec Star same year
as this, he was in twenty ten Parks and Record.
Speaker 3 (38:40):
Big here for Adam Scott.
Speaker 1 (38:42):
Yeah, you know, he obviously done an episode of Er
and a small role in a Star Trek film prior
to this. But he's in Star Trek First Contact as
defined communicy guy connections of But sure that's not that's
not what we know him from from this. Yeah, big
fan of Adam Scott. Uh yeah, So any any other
(39:06):
like standout deaths we I think we covered all of
them Fringe, but any any other stand up sequences of it?
Speaker 3 (39:11):
I think so. I did enjoy the part at the
end where not Nick, not Rick.
Speaker 2 (39:25):
It's got a K in it.
Speaker 1 (39:27):
It's got a K in it. It is okay, the
K is a third letter.
Speaker 3 (39:35):
His idea at the end to have like to hold
onto the rope and have them just like pull them
away as fast as possible. It seemed a little improbable
that it would work as well as it did, but
I thought it was a very fun way to get
out of the situation. They also could really hold their
(39:55):
breath very well.
Speaker 2 (39:57):
Sure, yeah, they've done it for a while.
Speaker 1 (39:59):
That is an element taken from the first film. Actually,
the first film ends with a main character ends ends
really quickly. The main character like goes into a building
and plants a bomb, and it's like where the fish
have been. It's like underwood where the fish like live
or wasn't it. Actually I think it's how the second
film ends as well, because if they all like they
(40:20):
in the second film, the fish will go back to
this boat at night or during the day.
Speaker 2 (40:24):
I think they all go back and sleep there. Apparently.
Is it's a silly film. It's a lot of fun.
Speaker 1 (40:29):
And they both end with like we're gonna blow this
thing up and get out of here. But in the
first film it is literally I'm gonna plant a bomb
and then in ten seconds you drive you make this
boat go as que as you can and pull me out.
So that is that happens in that And there's another
films recently where it happens as well. I can't remember
which one is. It's probably pronator, Yes it is. It
(40:53):
is yeap that happens in This is the first time
I'm putting together those. The first three films will end
the same way.
Speaker 2 (40:59):
Good. This franchise has been spaced out a lot for me,
like a month or two a part between films.
Speaker 1 (41:06):
Yeah, it's all coming together good, But it felt.
Speaker 3 (41:11):
Fresh to me. But I guess it is also a
callback then for the real fans out there of the
Prana franchise.
Speaker 1 (41:19):
Like you, I mean, I would say this is the
This one has the most corners, and it like when
he goes down with the rope, he like goes down
under the boat and round and in.
Speaker 2 (41:29):
And through our rooms in the boat.
Speaker 1 (41:32):
And I feel like if they've started pulling him out sooner,
they're just they're just going to die. They're just going
to be caught on something to kill though, but they're
going to be ripped in half by the rope, whereas
all the other ones are like I'm going through here
and then coming back out through there. Okay, So yeah,
this one could have gone very badly wrong. They should
be grateful that it takes a while to start the
boat I don't kind of hate when like, oh, we
(41:54):
can't start. The boat needs to go now, I can't.
It's just not starting for no reason. Yeah sure, okay, fine.
Speaker 2 (42:02):
I guess.
Speaker 1 (42:06):
How did you feel about Adam Scott's character Novak being
taken out by the parents by the big fish.
Speaker 2 (42:12):
At the end.
Speaker 3 (42:14):
It was really funny. That was fun. I feel bad
for him, I guess, but I mean for it being
the end of the movie. That was a pretty fun
way for it to end. Because I was thinking that
he was going to say, like, all the babies are
(42:36):
about to hatch, so that's what I.
Speaker 2 (42:38):
Thought he was Yeah, yeah.
Speaker 3 (42:41):
Yeah, the eggs would hatch. So I was like, oh,
they think they might have gotten rid of most of them,
but now there's like thousands more that are about to
be born. So the fact that that wasn't the reveal
also took me by surprise. But that that was pretty
fun to see just this ginormous piranha fly out of
the water.
Speaker 1 (43:00):
Which you know, the big parana not in the sequel,
not in three back to small Ones again it's just
small ones, but they go into a water park.
Speaker 3 (43:10):
I wanted to see one of those big old piranhas
coming down the water slide.
Speaker 1 (43:15):
No, there's just just little ones.
Speaker 2 (43:16):
And then at the end of it they can walk.
Speaker 1 (43:20):
But silly, silly, silly, silly, silly silly film by film.
Speaker 3 (43:31):
Yeah, the way my jaw drops. I was genuously shocked
by that, which you.
Speaker 1 (43:38):
Know there is there is a sequence in the first
one where when they they're like investigating the government facility
where they bread these things, and there is like a
tank that has a piranha with legs in it, and
another one that's like rooted to the ground. It's like
a like seeee prano, like like an eel, like a
Moray eel, but stuck, and like there's you know, there's
(44:01):
a little brief stop motorcy wash. That's cool, and then
you never see them again because they were like the
original designs for the creatures and they just wanted to
put them in somewhere as they put them in that
one seat.
Speaker 2 (44:11):
Yeah, and then it's like.
Speaker 1 (44:13):
Fish, real proper fish. Okay, great, but like puppets and
pieces of paper that will wave with the camera. Great,
let's go. Yeah, it's a very cheap film. It's excellently done.
Speaker 3 (44:25):
So what purana concept do you like more? The genetically
modified or the prehistoric.
Speaker 1 (44:34):
I think I prefer the genetically modified, because the prehistoric
or the prehistoric. I get back into logistics again, because
they say, like, these fish have survived through cannibalism in
an underground lake, underwater underwater lake. And this is something
that Mark and I talked about the first time around.
How there has to have been some like other external source.
Speaker 2 (44:58):
Of nutrition to them.
Speaker 1 (45:00):
You cannot have a purely cannibalistic society continuing for the
millions of years. Say you start off with one hundred fish,
fifty of them get eaten by fifty of them, so
there's fifty fish left. Even if they procreate and create
like another fifty fish, those eggs are gonna need to
grow up and eat all of their parents. There's no
(45:21):
way that this population can sustain this much is big
of a number without something else going on.
Speaker 2 (45:28):
And they just said, oh, they're cannibals. They ate each other.
Speaker 1 (45:30):
That's like no, no, no, no needs something they need to
be like, okay, the walls of the lake were made
of candy. Did something actually made of bread, like something
that they can eat just moretures than that. But they
just say, oh no, the other cannibals that's how they
got going.
Speaker 2 (45:49):
And well, no I need.
Speaker 3 (45:53):
Because they have been hibernating all that time. Could that
have been to you?
Speaker 2 (45:58):
I mean, sure, yeah, I wouldn't have to be planned.
Speaker 1 (46:02):
They could say prior to laberination, they can eat a lot,
but that's it's a very very long hibernation. I don't
know if any species of hibernates for millions of years.
They might exist. We don't know about them because we wouldn't.
They're asleep. They're gonna wake up at some point and
terrify as an eat and take over the world.
Speaker 2 (46:18):
It's war of the world. It's basically they're buried in
the ground.
Speaker 1 (46:21):
They rise up and take over, but we just don't
know about it, and they'll die from the common gold good.
Speaker 2 (46:28):
Which do you prefer?
Speaker 1 (46:29):
Do you have a preference between the between the two?
Speaker 3 (46:33):
I well, now that you've brought up the you know,
scientific issues with the prehistoric.
Speaker 2 (46:40):
I'm not a scientist. I don't know.
Speaker 3 (46:42):
I questioning slightly, but as a concept, I like the
idea of the prehistoric because that seems just more fun
to me. But I thought prehistoric versus genetically modified is
really bringing two of your interests together.
Speaker 1 (47:00):
Two ahead yeah, yeah, well, I mean the dinosaurs in
Dressy Park, I generally want to fight as well technically
because they're part frog to make the DNA, the dynam DNA.
Speaker 2 (47:13):
Yeah yeah, And you know, I just like.
Speaker 1 (47:16):
The initial concept, like we made these fish that they
could survive in in uh in fresh water to win
the Vietnam War. It's such a banal, such bug nuts,
like what wait a minute, this is a film what
and it's such a small part of it. They just
mentioned it kind of carry on going like we'll no
(47:38):
hanging back out for a second. Who sanctioned this? I
need to see the meetings if people sat around like, oh,
how do we We're really struggling in Vietnam. We can't
seem to have anyone thought about fish. And it was
just like I just need that meeting and to see
like how many times were they pitched before signs just
(48:01):
make the freshwater Fishlet's see what?
Speaker 2 (48:05):
Just do it?
Speaker 5 (48:06):
I guess y, Yeah, great, wonderful.
Speaker 2 (48:20):
Okay, that's that's uh my my notes for three D.
I'm very glad. I was like, do we need to
cover this again? God? It once. I'm so happy that
I did just.
Speaker 3 (48:31):
Reason oh yeah, always I was happy to have an
excuse to rewatch the movie, but I'm always excited to
come on and talk about deep, bluesy adjacent films with you.
Speaker 1 (48:47):
You're the people like I consider one of my closest
friends that I talked to exclusively on podcasts Likewise Likewise, Yeah,
of course we message back now and then other things, email, whatever.
But this is one of the reasons why I keep
a podcast going, because it gives me an excuse to
talk to people that I like.
Speaker 3 (49:11):
Connect to these random Americans that you've befriended.
Speaker 1 (49:15):
Sure, so many of our of our most regular guests
are like, I just like talking to these people, and
I'll make them watch a bad film now and then, sure.
Speaker 2 (49:24):
Just so we could talk.
Speaker 1 (49:25):
Helps the reason podcasts exists sometimes and the fact that
people listen to this great You're welcome, awesome. Well, So
on one final thing we do. I have in the
past revealed how deep and how blue this film is,
but you don't know what I'm gonna make you guess
as well. So listeners, if this is your first time
(49:47):
listening to the show, welcome, hello, join us. Every time
we cover a new film or a film we've covered
already before, as i'm watching it, I work out how
deep the action is taking place out within the fictional
world of the film, how blue everything on screen is.
And this is a new addition since you were lasked
on how much the film takes place at sea. Oh,
because it's part of the name deep u c we
(50:09):
were missing a whole third of the name. So, as
I'm sure you know, Jess, deep Blue Sea is of course,
approximately fourteen and a half meters or forty seven and
a half feet deep, about thirty one percent blue, and
eighty nine percent of it takes place at sea. Do
you think Pirana three D is deeper, bluer, and more
at sea than Deeply.
Speaker 4 (50:28):
Se Ooh, I'm trying to remember how far they said
that the mouth of the cave was down, because I
do think they say, And I thought to myself, I
should remember this.
Speaker 3 (50:41):
Detail, and then I said, Jay will remember it. I
was going to be whizzed. I'm going to say it
is bluer and more at sea, but not as deep.
Speaker 2 (50:59):
Okay, but it is. It is not as deep.
Speaker 1 (51:01):
This is mostly surface set, with a few little bits
here and now underwater, not a lot.
Speaker 2 (51:06):
So it works out as being.
Speaker 1 (51:08):
Four point three meters or fourteen point two feet deep,
which means it is deeper than Poseidon, but less deep
than the Poseidon Adventure, where it sits on the ranking
thirty ninth place on the table. Blueness. It is bluer
than deep Seepe thirty one percent. This is thirty seven
(51:28):
point nine percent blue.
Speaker 2 (51:30):
Quite a blue.
Speaker 1 (51:31):
You know, it's all daylight.
Speaker 2 (51:32):
It's great when these creatures attack in.
Speaker 1 (51:34):
Daylight, are outside. It's the beautiful weather. It wasn't for
all these people around. We have a wonderful time. Then,
So it's bluer than Moana, less blue than the last
time you were on for Shark, less blue than Shark.
Oh yeah, thirty fifth on the ranking. And it is
less at sea than deep sea because they are never
at sea.
Speaker 2 (51:55):
This is a lake. It's always a laking.
Speaker 1 (51:58):
But even if even if it wasn't lake and it
was actually an ocean, it would still be less because
they are. They are on water for seventy eight percent
of the film, whereas DEPC is at sea for eighty
nine percent.
Speaker 2 (52:08):
Of the film.
Speaker 1 (52:09):
This is actually the film that takes place most at
water without being at sea at all, So which makes sense.
Isn't like that we've covered so far. I haven't slowly
working my way back through all of the ones we've
covered it haven't. We didn't do the sea rankings of
so I've still got like one hundred. But you know,
it's it's it's a lot of it as at water.
(52:30):
It is more at water. If if we counted the
water as being at sea, this will be sixth on
the list. But because it's not at sea, doesn't.
Speaker 3 (52:37):
Can see I was taking the word sea loosely. As
we've already foundering this podcast. You are the more scientifically
minded one out of the two of us, so I
was not being as literal when I said it was
at seamore.
Speaker 1 (52:56):
Sure, yeah, I mean it's it's it's you know, we've
called it was like nights Swim, which is all in
a swimming pool, and that's a.
Speaker 3 (53:02):
Zero, and that's trickier.
Speaker 1 (53:04):
Yeah, three out of six of the Sharknado films are
zero because they're never at sea at all, because they're
just like, yeah, they go to the moon, but they're
not at sea. I'm not counting the Sea of Tranquility
doesn't count. But this is as much to see as
Renny Harlin's Devil's pass a film that takes place in
the mountains, so nowhere near never at water. So yeah,
(53:27):
it's down there with a bunch of other films at
zero percent. I'm afraid, but yeah, but hey, you were
so other than that, you were right the other ones.
Speaker 2 (53:35):
So good. Hurry what done?
Speaker 1 (53:38):
So that will do it for Pirana three? Did you
have any think you want to plug es, anything you
want to promote?
Speaker 3 (53:44):
Oh no, I don't think so.
Speaker 2 (53:46):
I think you're.
Speaker 1 (53:46):
Enjoyed at the moment. He films have been recently that
you like, you want to recommend?
Speaker 3 (53:51):
Well, the last of it I saw in theaters was
Final the Station Bloodlines, and I loved it me too.
I thought it was so much fun, and going back
and rewatching all of the movies was also really fun.
I highly recommend it.
Speaker 1 (54:09):
Yeah, And once you do that listeners you can then
listen to Mark, Lisa Leahy, and I talking about the
aquatic scenes from the Fundation Final Nation franchise on this show,
mainly focusing on the fourth one because that's the one
where was the swimming pool car wash sequence, light another
awful character being killed underwater, our stocking trader, And then
(54:33):
Lisa and I were both on the Lamb Cast talk
about the whole franchise, and then Lisa and I were
back on the Lamp Cast again to talk about the
new one in which a show I guest hosted because
Richard was away. All fun times. You just listen to
all of those episodes because they're all a lot of fun.
And we talked back about Richard a bunch because he
wasn't on the show, and that's what we do when
(54:53):
he's not there, and if it's took it out because
he's a coward, just like we're.
Speaker 3 (55:03):
Dead scene somewhere on the cutting room floor.
Speaker 2 (55:06):
He'll be back with a sequel.
Speaker 1 (55:08):
It's fine, great well, listeners, you're going to follow this
podcast at Deep Blue seapod and or social media. Email
us deep Seapod at gmail dot com.
Speaker 2 (55:18):
And next week.
Speaker 1 (55:20):
I don't even know when this is coming out? Hang on,
where's my's my schedule? Listeners? I'm tired, listeners, try and
work out what order we're recording at the moment. I'd
love to know which episode you think I'm recording straight
after this one, because it didn't come out straight after
this This is coming out Oh, actually maybe you did.
Speaker 2 (55:37):
Who knows this is coming out late? August.
Speaker 1 (55:39):
So the next week is another chapter of Deep c.
Janis might be dying next week. That's a real fun
sequence with a great guest for that one to come
back that one for this one, and then after that
I'll be Parana three double D and listeners. We've got
an episode coming out on a film called a Hot
Spring Shark Attack. Check out that film and as a
(56:00):
fun film. It's I barely.
Speaker 2 (56:02):
Heard of it. Mark got a screener for it.
Speaker 1 (56:04):
It hasn't got UK release yet, but that's a wild
episode coming out soon. I'm talking about that. It's it's
a Japanese film. It's about a hot spring with sharks
in it, but it's so much more, so, so much more.
Speaker 2 (56:18):
It's like seventy minutes long.
Speaker 1 (56:21):
It's my new favorite film. I mean it's it's incredible.
A hot Spring Shark Attack or Onsen Shark in Japanese.
Oh so it's it's short, it's nuts, it's great.
Speaker 2 (56:37):
Don't go in.
Speaker 1 (56:37):
Don't go in expecting incredible effects. But we have films
like Ghost Shark and Shark in Venice are some films
that Mark and I recommend as being great cheap films.
This is being added to that list. Yeah, so that'll
(56:58):
be soon. I'm just plugging about a film as much
as I can, so I come back next week for
more deeply the action. But for Pirana three D, I'd
like to thank my guest Jess manzer Kite.
Speaker 3 (57:09):
Thank you so much for having me. I always have
so much fun coming on here. Maybe next time we'll
finally talk about the movie Rogue. If you didn't know
that was someone else.
Speaker 1 (57:22):
We've done precious through precious few reptile films, so that
will be the next time you will be Rogue, I'll
promise you.
Speaker 3 (57:28):
I have been bringing up doing that for a couple
of years now, and I'm worried now that I'm when
I watch it, I'm going to be very underwhelmed with
my memories of it because I remember enjoying it.
Speaker 1 (57:41):
That's, of course, that's the Alligator film, not the Lion
film with Megan Fox.
Speaker 3 (57:46):
I have also seen the Alligator film.
Speaker 2 (57:48):
Yes, okay, we'll talk about that soon. Great looking forward
to it.
Speaker 1 (57:52):
But for three D Y I'm Jake Lutz and I'll
deep blue see you next week.
Speaker 3 (58:02):
Anyday. As the
Hello, and welcome to Deep Blue Sea the Podcast.
Speaker 2 (00:17):
I am J.
Speaker 1 (00:18):
Klewer. On this show, we have been through the entire
Deep Blue Sea tururgy seen by scene yet again, but
not today. Today we're talking about a Deeply Sea adjacent film,
which is a film out the director by Reddy Harlan
featuring sharks, a recording action. And we've been doing the
Piranha franchise. We talked about Joe Dante's Pirana, We'll talked
about James Cameron's Prana through this morning, and now we're
(00:38):
talking about alexandre Ajas Parana three D, a film that
technically we have already.
Speaker 2 (00:44):
Covered on this podcast before.
Speaker 1 (00:45):
Also technically we haven't because Mark and I Marcus not
present today.
Speaker 2 (00:50):
That's fine.
Speaker 1 (00:51):
Mark and I talked about it on Movies, Films and
Flicks as part of our Soggy saga that preceded us
doing Deeply See the podcast. We did re release that
episode on People See the Podcast during a time when
we were busy doing Connad and Mark having a child.
But now we're gonna talkbout again because we've been through
the prior franchise and I wanted to watch it again.
(01:11):
I feel like that's okay, and I need an excuse
to watch films and podcasting? Is that excuse? But Marks
and ib I do have another guest who I actually
don't know. I can't remember if she's seen it on that,
but she's a regular to this show. This is I
need to find out. I think it's like her eighth
time on the show. Let me just confirm, find my spreadsheet.
It is her seventh time on the show. Who's been
(01:32):
on for forty seven meters down? Forty seven meters down,
ungaged sphere, the lighthouse, shark, exclamation mark, and of course
a chapter of DeepC It's Jessica Manzi. Jess welcome back
to the show.
Speaker 3 (01:44):
Thank you for having me. As Jerry O'Connell says, gratitude
is the right attitude. So yeah, I'm very happy to
be back for my seventh appearance.
Speaker 1 (01:55):
Jerry Connor's characters some words to live by by a
character we should all emulate through our lives. The character
of Derek Jones in this film.
Speaker 2 (02:05):
The true hero of Pirana three d.
Speaker 3 (02:09):
Ah. He is a star for sure.
Speaker 1 (02:13):
So before we dig into three spring break, a very
American pastime event, I'm not something I'm very familiar with
what's your experiences with spring break? It looks like hell,
it looks like a true nightmare.
Speaker 3 (02:32):
It is nothing I have participated in, And I think
it's one of those things that's more present on media
than people actually do in real life. Like I know
there are some people that will go to Florida for
spring break during college and have some type of experience
like this, but it's not something that like everybody does
(02:54):
by any means. I did watch a lot of spring
break programming on m TV when I was in you know,
my late elementary to middle school years, when I was
watching MTV when my parents weren't paying attention because I'm
one of four children, So I watched a lot of that.
(03:17):
But I feel like I watched it more than I
ever actually heard a single person in my life say
that they were doing a big, rowdy spring break trip
like this. And then of course there's the movie spring Breakers.
There is, yes, but yes, I think it's it's more
in media than people like actually go out and do.
Speaker 2 (03:41):
Sure, Okay, that's reassuring.
Speaker 1 (03:43):
That's good, good to know, because yeah, it's in a
lot of films, TV shows, whatever, And every time it's
like this looks I can't imagine a place I want
to be less than even before the Piranha started attacking.
It just looks like like an so that you know,
we have university college here, you'll have like a spring,
(04:07):
like a week or two off in spring when you
go home and homework and like you know, we're out partying.
I don't know if other people on my course may
have done this.
Speaker 2 (04:18):
Kind of thing.
Speaker 1 (04:19):
I don't know if they didn't invite me, and I
don't blame them, but it's just my experience is like, no,
this is time you should be studying and working. Yeah,
I'm cool and fun to be around the listeners. So
where do you Where does the Piranha franchise sit with you?
(04:39):
Have you seen other films within it prior to this?
Speaker 3 (04:43):
No, this is the only one that I have seen.
So this is the second time that I have seen
the movie. And just to paint a picture, I was
once part of a prolific podcast called French Show Sunday,
which is the reason Jay and I are our friends.
I think nothing else.
Speaker 2 (05:04):
No other reason. That's what we have.
Speaker 3 (05:07):
Well, it definitely brought us a wedding and back in
the early days, I think this period of time slightly
proceeded actually doing the podcast, but it bled into it.
The people, you know, the friend group that all did
the podcast together. We started going to movie premieres at
(05:30):
midnight on Thursdays, and we Prana three D was one
of the movies that we went and saw in the
year of twenty ten.
Speaker 2 (05:39):
A perfect showing.
Speaker 3 (05:41):
Yes. And not only that, but I'm pretty sure as
young twenty year olds, we pregamed going to see the
movie with some probably very cheap liquor. So the first
time I saw it was in a pretty crowded movie theater,
a little tipsy, and I remember it being so much fun.
(06:05):
So this experience as a thirty five year old was
very different. I was sitting on a Sunday afternoon watching it,
completely sober, and I decided to eat dinner right before
a very horrible part in the movie. To be eating dinner.
Speaker 1 (06:25):
Is that the tequila sequences, That's the moment sequence.
Speaker 3 (06:34):
That would be bad? But there is a you know face.
Speaker 2 (06:39):
We could talk about it, sure, yeah.
Speaker 3 (06:41):
The part with the.
Speaker 2 (06:43):
Massacre, Oh sure yeah yeah.
Speaker 3 (06:47):
Endless amounts of gnarly gruesome death scenes, blood everywhere, and
I'm just like, this might have not been a good
time to eat dinner, Joe.
Speaker 1 (06:59):
Yeah, okay, fair enough, so I would The recording schedule
for these is a little out to kill to us.
This is actually the last in the Pan franchise were
recording apart from you know, those films that they're called
Mega Parana and Parana Conduat were probably gonna cover with
guests who are willing to watch those films at some point,
But for the four key films of the franchise, this
(07:20):
is the last one we're recording. This will be released
prior to Pirana three Double D. This is, in my opinion,
the best of the franchise, the first. The first one
is pretty good, the second one is fun, the fourth
one is awful. It is a really really bad film.
But this is my favorite, and it's that that massacre
(07:41):
sequence is why.
Speaker 2 (07:42):
Because the first film it's great.
Speaker 1 (07:45):
It's a really good film. It's one of those like
it came out a year or two after they came
out a year like three years after Jaws, So it's
one of those like Jaws is popular, what can we
do smaller version? Lots of them go and there's not
many deaths in it. There's a sequence with like the
Pirana are alway heading towards a camp, like a summer camp.
(08:08):
So loads are like kids playing in the water, and
I'm thinking, like, it's going to eat all these kids,
and they don't. All the kids survive. Ah yeah, like
one of the campers gets attacked, but all the kids survive,
and like what is this?
Speaker 2 (08:19):
This is nonsense.
Speaker 1 (08:22):
And all of the death right and all of the
deaths are kind of samey and like there's people in
the water, the fish can nibble at them. They thrash
around a bit, people die. That's how all of the
deaths haven't that one Pirana Too, directed by James Cameron
before he became James Cameron.
Speaker 2 (08:40):
They can fly. The fish can fly like that.
Speaker 1 (08:44):
The first the first film, the law of it is
the government were creating fish, the creating prana that could
survive in all kinds of climates so they could go
up river into Vietnam and win the Vietnam conflicts.
Speaker 3 (08:59):
Right, that's heavy sure.
Speaker 1 (09:02):
The second one is as a government ship crashes off
off off the coast of some resort in which had
prototypes of some kind of genetic modified purana from the
first film, but they can also fly now, so there's
some more variety in terms of the death to get
a parana hides inside of a dead body and attacks
(09:23):
someone like a nurse who's just like attending to it
in a morgue, and all the fish that come up
on land at the end and start flying at people,
and as a guy who gets attacked by like five
around his neck at the same time. So there's some
more variety, but it's mainly people standing on.
Speaker 2 (09:36):
A boat looking around, what'skernel, what's going.
Speaker 1 (09:38):
To fish comes out of nowhere, which is very entertaining,
very stupid. Barana three D has so many deaths, and
there's so much variety of death, and that's what I'm
looking for in these films. There are so much I
counted eighteen different well sorry, nineteen different like deaths that
(09:59):
were or like featured characters or a featured death like
as as a carnage sequence where a lot of people
get taken out.
Speaker 2 (10:08):
Fine, but there's.
Speaker 1 (10:09):
Nineteen deaths, or like we know who this character is,
or this character has like the power the power glider
power that counts as one like specific we focus on
this person for a while and then we watched and
get killed. That's huge. That's a huge amount of deaths.
And you remember, like I jumps off a clip, like
people get ghost shipped, like a cable comes out and
cuts people in half. They're focused on them to remember them.
(10:33):
It happens in this so and that is what all
of these films should be doing. Every film we cover
at least nineteen specific focused on deaths of main or
minor characters. More of that, please, And that's why I
love this Three has some of that. But it's terrible,
which is a very bad film.
Speaker 2 (10:53):
Listeners, listen to our episode.
Speaker 1 (10:55):
Lisa and I had a good time with it, and
I liked it more than in the first round. It
is still is the bottom of the part with.
Speaker 3 (11:01):
Oh yeah, sometimes the worst movies are the most fun
ones to record about.
Speaker 1 (11:06):
So yes, absolutely, And you know David is having fun
playing himself as a guy, as a lifeguard who doesn't
know how to be a lifeguard. But like it's he's
like in a film the whole way, but he's not anyway,
He's he's fun and David, David Keckner is the worst
human being alive in that film, the worst ever created.
(11:28):
As you might, it's a typical David Keckner character in
this kind of film, h great. So do you enjoyed
this film? Did you enjoy?
Speaker 2 (11:37):
Really leading question leaving the witness I did it.
Speaker 3 (11:40):
I did. I thought it was so fun. It was
like it breezes through the whole thing, like I never
felt like it was lagging. I liked all the different
like storylines that shoot off because you have all these
little groupings of people and you know they intersect at
different points in time, and there's just really good campiness
(12:02):
to it. The three D part of it. I like
that it's like using it for comedic element, like comedic
like comedic choices in the film. Because so many movies
this was like the height I feel like of the
movies that were like doing three D just to do it.
(12:22):
And I just rewatched all the Final Destination movies before
Bloodlines came out, and the fourth and fifth one have
very similar things as this does, where when you're not
watching it in three D, you can like tell all
the parts that were meant to be like three D gags,
(12:43):
But this one, I can tell that the gags were
intended to like elicit humor. It's not just doing it
to do it. So I didn't mind that aspect of it,
and I didn't have to wear three D glass.
Speaker 1 (13:01):
Yes, this came out at twenty tens.
Speaker 2 (13:04):
It was a year after Avatar, which was one of
the big.
Speaker 1 (13:07):
Hey three d's back see, but this wasn't. When they
filmed this, they had the intention of it being three D,
but it wasn't shot with three D cameras because they
filmed this on the water and underwater, which would have
just been a real headache to try and get the
massive three D cameras. So they filmed it with the
intention of post converting it, which is rare. Normally like
(13:30):
three D films that post converted like quick, just make
it three D, and I would do that, but this.
Speaker 2 (13:36):
One they planned ahead apparently, and I think that helps.
Speaker 1 (13:41):
So like when you've got ving rams up with the
big the outward motor directly at the camera, they planned
ahead that it worked out, that's what they're gonna do. Yeah,
and yeah, I'm with you. I haven't seen this in
three D. I don't watch films in three D anymore
because I don't see the point. But I appreciate when
people do this kind of thing and it's fun good.
I love the cast of this film. There's so many
(14:04):
incredible fun characters like you know, I love Thing Grahams.
Their whole podcast in Connair. You might remember it, and
he's great in that. But you've got you know, Elizabeth Shoe, great,
Adam Scott, fantastic Kelly Brook. Longtime fan of Kelly Brook
for various reasons. H Richard Drafus, Chris Lloyd doing three
(14:26):
days on set between them but having fun in Like
Richard Drefus, you kind of got to have him there.
I guess he's basically playing Matt Hooper again at the start.
But Chris Lloyd a perfect Chris Lloyd cameo, we need
a crazy guy, we need a crazy guy. He's an
expert on something. He's just woken up. It's mid of
the Baby. He's just woken up and he's just got
He's got an aquarium and a fish fossil go and
(14:49):
he nails it.
Speaker 3 (14:50):
Knows everybody not enough of.
Speaker 2 (14:54):
Him, I guess.
Speaker 1 (14:55):
But then he's the only had him for a day,
and he does come back for three double day somehow
he's he's back and Ving Raams and Pulscheer are back
in three Double D, which is surprising because they both
die in this film. Yeah's death. He like falls off
the boat at the end and he don't see anything.
He was supposed to be killed. He is supposed to
(15:16):
have his nose bit en off. Apparently that footage is
apparently out there. I tried to find it, couldn't find it.
And ving Raams like makes a noble sacrifice to save
everyone by wading in with the apple motor and getting
in by the fish. But he goes back in the
second one with metho X and Pulscheer is like his
attendant who's like pushing him around in a wheelchair and
he's overcome some PTSD to go back. It's the best
(15:38):
scenes in three double d are ving Rams and pulsche
this double act who do not share the screen in
the first film.
Speaker 2 (15:45):
In the second film they are together.
Speaker 3 (15:48):
That's so funny. Yeah, that makes me happy about ving
Raams because that was one of the deaths that I
was like, no, don't die.
Speaker 1 (15:57):
And even one of his deputies is on another boat like.
Speaker 3 (16:06):
Sometimes he was so fun though, in that scene where
he's attacking the Piranhas with the boat propeller is so fun.
Speaker 1 (16:15):
Yeah, I do feel like this shouldn't work like in
real life. In the film, but in real life, why
the fish was coming from from the direction that like
they're all like swimming at him from the boat, like
towards the boat propeller and go around right, stupid fish.
Speaker 2 (16:34):
But there we are. Yeah, So.
Speaker 1 (16:40):
Did you have a favorite story arc or a favorite
group of characters that we followed.
Speaker 3 (16:46):
I was very okay. So from the beginning, I really
like the whole idea of this like rift opening up
under the lake with this like secret extra underneath. So
that was very cool. So that made me very interested
in Adam Scott's storyline with bringing the divers out and
(17:11):
seeing them dive down into the lake like the lower
level lake was very fun and it reminded me a
little bit of forty seven meters down on caves. You
have the wonderful claustrophobic swimming through caves and just seeing
(17:32):
all the prana eggs and everything was very cool. Yeah,
and then I like how he follows, like Elizabeth Chew
through the film to get to the kids at.
Speaker 1 (17:45):
The end, so you feel like they're setting up a romance,
but it never really culminates, like she heads off to
go she gets the cool so like go and save
our kids, and he is nowhere nearby.
Speaker 2 (17:56):
He just like.
Speaker 1 (17:58):
Dives doors or his jet ski and hops on I'm
coming with you. It was like, what where do you
think she's going?
Speaker 2 (18:03):
Right now? What is your why?
Speaker 3 (18:06):
I thought the same thing, Like I imagine him being like,
I don't know where you're going, but I'm going with you.
Speaker 1 (18:14):
Yeah. I like them as well, Like you know, Dina
Mayer and Carlos from Desperate Housewives, they're not around for long,
but they're they're there and they get a couple of
a couple of good deaths. When Adam Scott pulls up
her what's left of her body?
Speaker 3 (18:30):
That was so gruesome.
Speaker 1 (18:31):
Yeah, I appreciate all the everything's practical. Well, you know,
the fish are mostly digital, but as much as they
can is practical in here, So like bringing up a
real fleshy skeleton, I guess at that point is great.
And then you know, when Jerry O'Connell is on the
on the deck with just it's just not a lot
of legs left, shall we say? It looks really good,
(18:55):
but we'll get to him.
Speaker 4 (18:56):
Yeah.
Speaker 2 (18:57):
I think they're great. Another of a shoe is also excellent.
Speaker 1 (19:00):
This she uh, you know, it's it's these days hard
to root for a cop in a film. Sometimes but
she's she seems like one of the good ones, you know,
when choosed to her being sexually harassed by someone. She
gives them every hour that they can. She says, like,
I can spend alcohol in your breath, so take the
(19:20):
warning and get out of here. And he tries to
hit on her and grabs her and so yeah, she
tastes him and hand gives him, and as well she should.
I did like that she tastes a fish go out
of the water.
Speaker 2 (19:34):
I'm going to taste the water. That's not good.
Speaker 1 (19:36):
Yes, but she did make sure everyone in the vicinity
was out of the water before she executed the single.
Speaker 2 (19:44):
Fish, So I liked her.
Speaker 1 (19:48):
I don't really care for her. Son, Jake, played by
the grandson of Steph McQueen, Stephen Stephen ar McQueen, him
and his whole storyline with like Kelly the girl he fancies,
but who's with a real dick of a boyfriend, Todd,
who like when she's asked like, you know, why are
(20:08):
dating this guy and her response is what you're dating?
Speaker 2 (20:11):
Him?
Speaker 1 (20:11):
Is like, oh who are you dating? So you know
it's like, oh, he's better than better than nothing? I guess,
is he really? And he's a pretty good DJ, great
catch one. See, I didn't I didn't much care for
these two who are underage. They spelled as being underage,
(20:33):
and yet it seems are being brought into a porn
film in which they are drinking on screen, and like,
this seems like I shouldn't be rooting for any aspect
of this.
Speaker 3 (20:44):
No. I also I doubt this was like super intentional
because they probably were just like in the pool of
younger actors to cast in a horror movie at the time.
But both him and Jessica Zor in very prominent c
W shows.
Speaker 4 (21:03):
At the time.
Speaker 3 (21:03):
Okay, sure, she was in Gossip Girl, okay, and he
was in The Vampire Diaries.
Speaker 1 (21:10):
Two shows I've never seen a single second of.
Speaker 3 (21:16):
But I just thought that was funny because it felt
very like of the twenty tens that they have two
people from. They weren't even like I would say, the
like a tier cast of those shows. They were like
B tier supporting cast members of those shows, but very
twenty ten.
Speaker 2 (21:36):
Sure makes a lot of sense.
Speaker 1 (21:37):
Yeah, Okay, I mean they're both They're fine. I just didn't,
you know, I didn't care about their storyline at all.
Speaker 3 (21:44):
No, they were there to like move things in a
certain direction.
Speaker 2 (21:48):
Yeah, they're the very they're boring characters, yea.
Speaker 1 (21:51):
And they needed to be fine because we need to
have them so we can get Derek Jones and not
a Dick, which Jerry O'Connell excellent, are playing horrible people.
Speaker 2 (22:05):
In real life.
Speaker 1 (22:06):
I hear he's a real nice guy, but on screen,
great bed of Dick And yeah, Derek is just an
atrocious human being who just sous you meet him, was like,
this guy is going to die and it's going to
be good, and it is. It is like before he dies,
he pushes one of his models in front of him
(22:27):
to be killed instead. That's that's Riley Steel. That's Crystal.
I believe she's an adult actress, which you know fits
the role, I guess. And Kelly brook Is is his
other star. As I said, big fan of Kelly Brook.
I don't this is going to sound had big Kenny
Keny Brook. I don't like the underwater scene and this
(22:49):
when when they're on the boat, you know they're they're
wild World girls, which is a parody of was it
a parody of something else?
Speaker 3 (22:58):
Girl's Gone Wild?
Speaker 1 (23:00):
That's the one, thank you, And so they go out
on the boat and and Jake Steph McQueen is like
there Ah eat, et cetera. They bring Kelly along with them,
and as they've got a boat with a glass hull.
And so there's a shot where Crystal and Danny Righty
Still and Kenny brook go under water, take their bikinis
(23:20):
off and just kind of dance and swim around each
other and kiss underwater.
Speaker 2 (23:25):
And it's being shot from.
Speaker 1 (23:27):
A very It's been shot like within the film, from
very weird angles through this glass bottom thing. Like Paul
shares the camera and he's shooting it. He's not next
to the glass, he's like a good meter four feet
away from it, shooting like at the weird crossbars of
the windows. He's getting terrible footage. They need a camera
(23:49):
like outside the boat or something. I just don't two
very attractive women. I don't think being underwater and something
like that does the many favor was in terms of
what's going on. I don't know the water does. The
movement of the water does strange things to their bodies,
and I don't think I don't find it very attractive
(24:09):
and sexy, yeah, very much. I think Kenny Brooks is
she looks much better like on screen on land in
a bikini. You know, perfection naked underwater swimming doesn't do
with me. Other people great, happy for you, what did
What did you think of that sequence?
Speaker 3 (24:29):
I do agree that the footage is probably horrible. It
was funny. The thing that the thing I liked about
the scene was that, even though it was a little
early in retrospect, I kept waiting for like the pranas
to show up, So that was like kind of like
a funny like like alluding to tension that really wasn't there.
(24:57):
But it went on for very long.
Speaker 2 (24:59):
Yes, comfortably long.
Speaker 1 (25:00):
I find I only ever watched this film on my own,
and that scene always just makes me feel dirty. I
adny CITs in cinema. This isn't a film my wife
would enjoy, so I've already ever seen it, just like
just on my own, like, well, this feels wrong, this
feels bad.
Speaker 2 (25:18):
I know where this scene's here.
Speaker 3 (25:20):
When I was watching it with the context of coming
on here, I literally thought to myself, I can't imagine
Asia watching this with Jay or her like walking into
the room at that part in the movie and just
being like, what is happening here?
Speaker 2 (25:35):
Sure? Yeah, yeah, it hasn't happened, will never happen.
Speaker 3 (25:40):
But I actually did like Kelly Brook in the movie
a lot. Yes, I liked her character. That was the
other character whose death I was sad about.
Speaker 1 (25:51):
Yeah, her hair is too long, her beautiful, beautiful hair
is just too long.
Speaker 3 (25:55):
When I saw hanging, I was like, this is such
a danger. This is why at work, I work in
a place that has a lot of machines in a
print shop, and you're supposed to have your hair pulled
back so it doesn't get pulled into any machines. And
so I had workers safety violations on mind when I
(26:16):
saw her hair falling.
Speaker 1 (26:18):
Yeah, they did not have health and safety for World
Wilde girls. They didn't have anyone anyone.
Speaker 2 (26:23):
In that position.
Speaker 3 (26:26):
She's hanging off this rope with her hair just dangling
right on the water.
Speaker 2 (26:31):
Yeah.
Speaker 1 (26:31):
Yeah, I really. I think she's a great character where
she's like, you know, she's this sexy model, but she's
also acting as like a like a maternal thing almost
like for even before the two little kids arrived, for
like for she's trying to set Jake and Kelly up
a bit more. Yeah, but knowing that.
Speaker 2 (26:52):
Jake is underage.
Speaker 1 (26:53):
The scene where she's he's like up by pool share
on the tiller and she's like next to him. She's positioned,
she's like leaning with her like froch against his hand
and his arm between her breasts, and I like, this
feels wrong again.
Speaker 3 (27:12):
This is a child, yeah, even though it's like, oh,
what's her name? Kelly?
Speaker 2 (27:22):
Yeah?
Speaker 3 (27:22):
Wait, the character's name is Kelly.
Speaker 2 (27:25):
The character just character is Kelly. Kelly Brooks character is Danny.
Speaker 3 (27:29):
Yes, so Kelly the character is like looking on the
other model and I'm like, I know, I guess it's like, oh,
girl on girls a little shady or not shady gray area.
I mean, I'm like, no, that's weird. Yeah, it's like
(27:50):
your seventeen year old or whatever. She's supposed to be
looking on this like adult woman's.
Speaker 1 (27:57):
But like they're filming an underage girl drinking for one thing, hey, drinking,
and then there's like multiple crimes being committed on screen.
They can't use this footage. Yeah, Like like he literally
says at one point, we're filming a polo and on
a drama like this, you can't, you can't do this.
This is these are bad people. When they should die
(28:17):
and they do.
Speaker 2 (28:17):
They did, so.
Speaker 3 (28:20):
They could. They could have easily made it the storyline
that Kelly and Oh my gosh, I cannot remember these
boring kids names Kelly and Nick Jake. This just shows
you how bad these characters are that I cannot remember
their name Kelly and Jake. They could have said it
(28:43):
was like a thing that they were both coming home
from college.
Speaker 1 (28:47):
Yeah, they just turned twenty one spring break, Yeah, literally,
just make them of age been the reason for them
not to be you know, Jake. Jake is a character
who like he never gets to enjoyed spring break because
his mum's got to work because she's the sheriff, and
so he has to look after the kids. Fine, he
can do that at twenty one. That could still be
the case. Yeah, it doesn't change anything anyway. So yeah,
(29:13):
so that's that's that's them. And yeah, we do have
Jake's young brother and sister who are played by it's
called Sage. I think, then why are they not on
the Wikipedia page? There we go, Yeah, Zaane and Laura
are Sage.
Speaker 2 (29:29):
Ryan and Brooklyn. Oh god rule he r o U
l X.
Speaker 1 (29:34):
That's the hell of us, I know, And you know,
for kids in a Cruiser feature, I don't know him.
I thought they were okay, I know, we can't stand
kids in these films. I thought they were fine.
Speaker 3 (29:45):
You know, I agree, they weren't that bad.
Speaker 1 (29:48):
They like hustled Jakes for some more money so that
he could go off gallivanting. And and then yeah, I
get annoyed because like he just paid your sixty quid,
Well are you then going to go and go out
fish and stay in he patriot to stay inside.
Speaker 2 (30:02):
But the kids, I get it, it's fine.
Speaker 1 (30:05):
Uh yeah, So yeah, it's annoying because like, yeah, they
go to an island and they don't tell the boat
drifts away. Stupid, but their kids. So this is why
you shouldn't leave kids alone. There are morals in this film.
You for babysit and babysit and like don't don't drink
and fish like Riche Dreyfus because you'll open a rift
and prehistoric purana will come out and they'll kill everyone.
(30:25):
Don't do these things. Learn from the films.
Speaker 3 (30:28):
There's a lot to learn here.
Speaker 2 (30:30):
Did you like the Dreyfus scene at the start?
Speaker 3 (30:34):
Yeah, I thought it was really fun.
Speaker 4 (30:37):
It was.
Speaker 3 (30:39):
Like it was like a fun cameo. And then the
way it actually impacted the storyline of the movie was like, oh, okay,
well that's like a fun cameo where you actually like
are involved with the story.
Speaker 1 (30:52):
Yeah, and Dreyfus had to be like really convinced to
do the film. He's we talked about before. He's a
notoriously not a pleasant world experience. Apparently he's like quite
an irascible guy in real life. But he was eventually
Convincedingly paid him more money. But he did donate all
of that money to charity. So swings in roundabouts, isn't
(31:15):
I often.
Speaker 3 (31:17):
I like the scene when Elizabeth Shoe and Ving Raims
are going out to investigate his boat being out by
a dock, and I love the framing of the shot
where Elizabeth's shoes like turned around on the edge of
the dock and it just collapses into the water. I
thought that was so good.
Speaker 1 (31:38):
Yeah, I did too great. Well, that's kind of the
main character that we have the massacre sequence that you mentioned,
which is, you know, the highlight of the film. It's
when everyone dies and one character who's amongst the worst
characters who is in that is of course a wet
T shirt host played by the great Ei Wrath, who
(32:02):
is awful. It's the operator of the wet t shirt cannon.
I mean he's doing his job. He's good, doing his job. Well,
it's hard to like him. It's hard not to cheer
when he gets his head smushed between two boats. Yeah,
which another another different kind of death. He's not eaten
by fish. He falls in the water, there's chaos, smush,
(32:24):
he dies.
Speaker 3 (32:26):
He might have gotten it out easy compared to some
of these other people.
Speaker 1 (32:30):
This is true. Yes, the lady who gets her hair
trapped in Todd's rotor, she has her face skinned. I
don't know how that happened, unless her feet was stuck
on something that was preventing her being called further towards
the boat. The physics of this don't make sense because
her head is a distance away from them. When when
the skin is ripped off, there's there's a gap between
(32:53):
her head and the motor.
Speaker 2 (32:54):
She's usually being pulled closer. Anyway that would happen to venturely.
Speaker 3 (32:57):
This is why I need you, Jay, because I didn't
even think about that. I'm over here just taking it
at face value.
Speaker 1 (33:06):
You're doing it correctly. This is I'm just saying like
spoted like well, no, she needs.
Speaker 3 (33:13):
To be near sort of perspective I need to properly
take in this movie.
Speaker 1 (33:20):
And this is the sole reason why my wife will
not watch these songs with me, because I ruined them.
Speaker 2 (33:25):
Has nothing to do with the content. It's just going out.
Speaker 1 (33:27):
Actually I wouldn't know that.
Speaker 2 (33:31):
Yeah, that's a bad one.
Speaker 1 (33:33):
The parasiting lady who gets eaten, getting it people to
like faster fast. They get to the lady who sat
in the big doughnut, big rubber ring when the fish
start coming. That's that's they just make similar in three
double D to a worse effect in my opinion. But yeah,
she's just like in it and then the fish kind
(33:55):
of like start attacking her and she's just paby panics.
It's it's very well done. M uh you know, there's
there's so much condish like this when they're carrying people
back onto the land and these two guys accuently put
a lady in half.
Speaker 2 (34:10):
Incredible.
Speaker 1 (34:14):
I think they used real uh you know, people missing
deputies and people missing limbs and things for because it's
it's as much it's it's done practically as possible. They
had so many people on these sets, that's so much
going on. It's it's incredible. It's such a such a gorefest.
I agree.
Speaker 3 (34:32):
Yeah, yeah, the like the way that they made the
effects work around how the pranas clean off to the
bone is so graphic and effective. It it might have
just been because I was eating my dinner at the time,
(34:55):
it really was effective for making my stomach turn a
little bit.
Speaker 2 (34:59):
Sure, Yes, yeah, when.
Speaker 1 (35:02):
Derek and Crystal fall in and Derek uses Crystal as
like ye take her and he gets even when they
bring him up and.
Speaker 2 (35:09):
He's just got legs left.
Speaker 1 (35:11):
Yeah, he's barely got legs left even it looks gnarally
and then he's dead, but he's not dead because Jake
comes later. It Jake excuse him as bait and comes
up to him and he's still alive. And his last
words a wet T shirt, which you know, great, how
worse to live by again.
Speaker 2 (35:28):
It's it's so.
Speaker 3 (35:31):
I didn't even think about this till you mentioned it earlier,
but I guess in all the madness going on, Paul
Sheer just falls overboard and we never actually see what
happens to him.
Speaker 2 (35:43):
That's it. Yeah.
Speaker 1 (35:45):
I said that they were supposed to film it, or
they did film it, and then they didn't use it
and his character's just gone.
Speaker 3 (35:51):
Yeah, I didn't even think about that there was time there.
Speaker 2 (35:55):
It's a short film.
Speaker 1 (35:56):
It's like eighty eight minutes including credits, which is still
minutes longer. Been pron of three double a bad film,
but yeah, I don't. I don't know why. But then
Pulschie have profited from it because he meant he got
to be another film and got paid again.
Speaker 2 (36:13):
So good.
Speaker 1 (36:16):
We like Puscha on the show. He recently shared an
article Mark wrote for about water World. So Mark did
a data dive on water World because that's one of
the few films that's one of the few films that
has all three film elements that make a film great
in Mark's opinion, which is sea, creatures, catapults, and jet skis.
(36:36):
There's very few films that have all three of them.
Water World is the first one that we found.
Speaker 3 (36:43):
So I am also a fan of Paul Sheer. I
of course like listening to how did this get made?
But I just find him to be a very delightful person,
So anytime he pops up, I'm very happy to see it.
And when this first came out, I definitely was not
(37:03):
that familiar with him. I knew who Adam Scott was
because at this point I watched Party Down and step
Brothers was out and stuff like that, but I'd forgotten
that he was in this, And when he popped up
in the credits, I was like, oh, fad this was
like a pretty early thing for him. I mean, he'd
been around, but I feel like this is like when
(37:25):
he was first really getting more popular or well known.
Speaker 2 (37:30):
Sure.
Speaker 1 (37:30):
Yeah, and this was pretty on in Poolsche's career as well.
I can't remember when did how did this get made stopped?
I think it must have been aroundless time it celebrated
like fourteen years recently started in twenty ten. Yeah, so
a few months after this came out he started his podcast.
That would have been when everyone started hearing about Poolshe.
(37:52):
I guess, yeah, and yeah, this has god to I
think this is this is rare in Adam Scott's smography,
and that he's like the action hero. It's like Captain
jet Ski in the film, which you know there's behind
the scenes stuff.
Speaker 2 (38:08):
He's doing a lot.
Speaker 1 (38:09):
He's doing all about himself. He's doing his own stunts
on the jet Ski. Yeah, the bit where he like
jumps up, swings on some like overhead bars and lands
on the jet ski. That's Adam Scott doing that.
Speaker 3 (38:20):
Exciting.
Speaker 1 (38:21):
There's a bit where the jetski like flips underwater, that's
Adam Scott doing.
Speaker 3 (38:26):
It.
Speaker 1 (38:26):
Was hard to get him off the thing. He just loved.
He's having such a good.
Speaker 2 (38:30):
Time with it.
Speaker 1 (38:31):
Was you know, Windy Parks and Rec Star same year
as this, he was in twenty ten Parks and Record.
Speaker 3 (38:40):
Big here for Adam Scott.
Speaker 1 (38:42):
Yeah, you know, he obviously done an episode of Er
and a small role in a Star Trek film prior
to this. But he's in Star Trek First Contact as
defined communicy guy connections of But sure that's not that's
not what we know him from from this. Yeah, big
fan of Adam Scott. Uh yeah, So any any other
(39:06):
like standout deaths we I think we covered all of
them Fringe, but any any other stand up sequences of it?
Speaker 3 (39:11):
I think so. I did enjoy the part at the
end where not Nick, not Rick.
Speaker 2 (39:25):
It's got a K in it.
Speaker 1 (39:27):
It's got a K in it. It is okay, the
K is a third letter.
Speaker 3 (39:35):
His idea at the end to have like to hold
onto the rope and have them just like pull them
away as fast as possible. It seemed a little improbable
that it would work as well as it did, but
I thought it was a very fun way to get
out of the situation. They also could really hold their
(39:55):
breath very well.
Speaker 2 (39:57):
Sure, yeah, they've done it for a while.
Speaker 1 (39:59):
That is an element taken from the first film. Actually,
the first film ends with a main character ends ends
really quickly. The main character like goes into a building
and plants a bomb, and it's like where the fish
have been. It's like underwood where the fish like live
or wasn't it. Actually I think it's how the second
film ends as well, because if they all like they
(40:20):
in the second film, the fish will go back to
this boat at night or during the day.
Speaker 2 (40:24):
I think they all go back and sleep there. Apparently.
Is it's a silly film. It's a lot of fun.
Speaker 1 (40:29):
And they both end with like we're gonna blow this
thing up and get out of here. But in the
first film it is literally I'm gonna plant a bomb
and then in ten seconds you drive you make this
boat go as que as you can and pull me out.
So that is that happens in that And there's another
films recently where it happens as well. I can't remember
which one is. It's probably pronator, Yes it is. It
(40:53):
is yeap that happens in This is the first time
I'm putting together those. The first three films will end
the same way.
Speaker 2 (40:59):
Good. This franchise has been spaced out a lot for me,
like a month or two a part between films.
Speaker 1 (41:06):
Yeah, it's all coming together good, But it felt.
Speaker 3 (41:11):
Fresh to me. But I guess it is also a
callback then for the real fans out there of the
Prana franchise.
Speaker 1 (41:19):
Like you, I mean, I would say this is the
This one has the most corners, and it like when
he goes down with the rope, he like goes down
under the boat and round and in.
Speaker 2 (41:29):
And through our rooms in the boat.
Speaker 1 (41:32):
And I feel like if they've started pulling him out sooner,
they're just they're just going to die. They're just going
to be caught on something to kill though, but they're
going to be ripped in half by the rope, whereas
all the other ones are like I'm going through here
and then coming back out through there. Okay, So yeah,
this one could have gone very badly wrong. They should
be grateful that it takes a while to start the
boat I don't kind of hate when like, oh, we
(41:54):
can't start. The boat needs to go now, I can't.
It's just not starting for no reason. Yeah sure, okay, fine.
Speaker 2 (42:02):
I guess.
Speaker 1 (42:06):
How did you feel about Adam Scott's character Novak being
taken out by the parents by the big fish.
Speaker 2 (42:12):
At the end.
Speaker 3 (42:14):
It was really funny. That was fun. I feel bad
for him, I guess, but I mean for it being
the end of the movie. That was a pretty fun
way for it to end. Because I was thinking that
he was going to say, like, all the babies are
(42:36):
about to hatch, so that's what I.
Speaker 2 (42:38):
Thought he was Yeah, yeah.
Speaker 3 (42:41):
Yeah, the eggs would hatch. So I was like, oh,
they think they might have gotten rid of most of them,
but now there's like thousands more that are about to
be born. So the fact that that wasn't the reveal
also took me by surprise. But that that was pretty
fun to see just this ginormous piranha fly out of
the water.
Speaker 1 (43:00):
Which you know, the big parana not in the sequel,
not in three back to small Ones again it's just
small ones, but they go into a water park.
Speaker 3 (43:10):
I wanted to see one of those big old piranhas
coming down the water slide.
Speaker 1 (43:15):
No, there's just just little ones.
Speaker 2 (43:16):
And then at the end of it they can walk.
Speaker 1 (43:20):
But silly, silly, silly, silly, silly silly film by film.
Speaker 3 (43:31):
Yeah, the way my jaw drops. I was genuously shocked
by that, which you.
Speaker 1 (43:38):
Know there is there is a sequence in the first
one where when they they're like investigating the government facility
where they bread these things, and there is like a
tank that has a piranha with legs in it, and
another one that's like rooted to the ground. It's like
a like seeee prano, like like an eel, like a
Moray eel, but stuck, and like there's you know, there's
(44:01):
a little brief stop motorcy wash. That's cool, and then
you never see them again because they were like the
original designs for the creatures and they just wanted to
put them in somewhere as they put them in that
one seat.
Speaker 2 (44:11):
Yeah, and then it's like.
Speaker 1 (44:13):
Fish, real proper fish. Okay, great, but like puppets and
pieces of paper that will wave with the camera. Great,
let's go. Yeah, it's a very cheap film. It's excellently done.
Speaker 3 (44:25):
So what purana concept do you like more? The genetically
modified or the prehistoric.
Speaker 1 (44:34):
I think I prefer the genetically modified, because the prehistoric
or the prehistoric. I get back into logistics again, because
they say, like, these fish have survived through cannibalism in
an underground lake, underwater underwater lake. And this is something
that Mark and I talked about the first time around.
How there has to have been some like other external source.
Speaker 2 (44:58):
Of nutrition to them.
Speaker 1 (45:00):
You cannot have a purely cannibalistic society continuing for the
millions of years. Say you start off with one hundred fish,
fifty of them get eaten by fifty of them, so
there's fifty fish left. Even if they procreate and create
like another fifty fish, those eggs are gonna need to
grow up and eat all of their parents. There's no
(45:21):
way that this population can sustain this much is big
of a number without something else going on.
Speaker 2 (45:28):
And they just said, oh, they're cannibals. They ate each other.
Speaker 1 (45:30):
That's like no, no, no, no needs something they need to
be like, okay, the walls of the lake were made
of candy. Did something actually made of bread, like something
that they can eat just moretures than that. But they
just say, oh no, the other cannibals that's how they
got going.
Speaker 2 (45:49):
And well, no I need.
Speaker 3 (45:53):
Because they have been hibernating all that time. Could that
have been to you?
Speaker 2 (45:58):
I mean, sure, yeah, I wouldn't have to be planned.
Speaker 1 (46:02):
They could say prior to laberination, they can eat a lot,
but that's it's a very very long hibernation. I don't
know if any species of hibernates for millions of years.
They might exist. We don't know about them because we wouldn't.
They're asleep. They're gonna wake up at some point and
terrify as an eat and take over the world.
Speaker 2 (46:18):
It's war of the world. It's basically they're buried in
the ground.
Speaker 1 (46:21):
They rise up and take over, but we just don't
know about it, and they'll die from the common gold good.
Speaker 2 (46:28):
Which do you prefer?
Speaker 1 (46:29):
Do you have a preference between the between the two?
Speaker 3 (46:33):
I well, now that you've brought up the you know,
scientific issues with the prehistoric.
Speaker 2 (46:40):
I'm not a scientist. I don't know.
Speaker 3 (46:42):
I questioning slightly, but as a concept, I like the
idea of the prehistoric because that seems just more fun
to me. But I thought prehistoric versus genetically modified is
really bringing two of your interests together.
Speaker 1 (47:00):
Two ahead yeah, yeah, well, I mean the dinosaurs in
Dressy Park, I generally want to fight as well technically
because they're part frog to make the DNA, the dynam DNA.
Speaker 2 (47:13):
Yeah yeah, And you know, I just like.
Speaker 1 (47:16):
The initial concept, like we made these fish that they
could survive in in uh in fresh water to win
the Vietnam War. It's such a banal, such bug nuts,
like what wait a minute, this is a film what
and it's such a small part of it. They just
mentioned it kind of carry on going like we'll no
(47:38):
hanging back out for a second. Who sanctioned this? I
need to see the meetings if people sat around like, oh,
how do we We're really struggling in Vietnam. We can't
seem to have anyone thought about fish. And it was
just like I just need that meeting and to see
like how many times were they pitched before signs just
(48:01):
make the freshwater Fishlet's see what?
Speaker 2 (48:05):
Just do it?
Speaker 5 (48:06):
I guess y, Yeah, great, wonderful.
Speaker 2 (48:20):
Okay, that's that's uh my my notes for three D.
I'm very glad. I was like, do we need to
cover this again? God? It once. I'm so happy that
I did just.
Speaker 3 (48:31):
Reason oh yeah, always I was happy to have an
excuse to rewatch the movie, but I'm always excited to
come on and talk about deep, bluesy adjacent films with you.
Speaker 1 (48:47):
You're the people like I consider one of my closest
friends that I talked to exclusively on podcasts Likewise Likewise, Yeah,
of course we message back now and then other things, email, whatever.
But this is one of the reasons why I keep
a podcast going, because it gives me an excuse to
talk to people that I like.
Speaker 3 (49:11):
Connect to these random Americans that you've befriended.
Speaker 1 (49:15):
Sure, so many of our of our most regular guests
are like, I just like talking to these people, and
I'll make them watch a bad film now and then, sure.
Speaker 2 (49:24):
Just so we could talk.
Speaker 1 (49:25):
Helps the reason podcasts exists sometimes and the fact that
people listen to this great You're welcome, awesome. Well, So
on one final thing we do. I have in the
past revealed how deep and how blue this film is,
but you don't know what I'm gonna make you guess
as well. So listeners, if this is your first time
(49:47):
listening to the show, welcome, hello, join us. Every time
we cover a new film or a film we've covered
already before, as i'm watching it, I work out how
deep the action is taking place out within the fictional
world of the film, how blue everything on screen is.
And this is a new addition since you were lasked
on how much the film takes place at sea. Oh,
because it's part of the name deep u c we
(50:09):
were missing a whole third of the name. So, as
I'm sure you know, Jess, deep Blue Sea is of course,
approximately fourteen and a half meters or forty seven and
a half feet deep, about thirty one percent blue, and
eighty nine percent of it takes place at sea. Do
you think Pirana three D is deeper, bluer, and more
at sea than Deeply.
Speaker 4 (50:28):
Se Ooh, I'm trying to remember how far they said
that the mouth of the cave was down, because I
do think they say, And I thought to myself, I
should remember this.
Speaker 3 (50:41):
Detail, and then I said, Jay will remember it. I
was going to be whizzed. I'm going to say it
is bluer and more at sea, but not as deep.
Speaker 2 (50:59):
Okay, but it is. It is not as deep.
Speaker 1 (51:01):
This is mostly surface set, with a few little bits
here and now underwater, not a lot.
Speaker 2 (51:06):
So it works out as being.
Speaker 1 (51:08):
Four point three meters or fourteen point two feet deep,
which means it is deeper than Poseidon, but less deep
than the Poseidon Adventure, where it sits on the ranking
thirty ninth place on the table. Blueness. It is bluer
than deep Seepe thirty one percent. This is thirty seven
(51:28):
point nine percent blue.
Speaker 2 (51:30):
Quite a blue.
Speaker 1 (51:31):
You know, it's all daylight.
Speaker 2 (51:32):
It's great when these creatures attack in.
Speaker 1 (51:34):
Daylight, are outside. It's the beautiful weather. It wasn't for
all these people around. We have a wonderful time. Then,
So it's bluer than Moana, less blue than the last
time you were on for Shark, less blue than Shark.
Oh yeah, thirty fifth on the ranking. And it is
less at sea than deep sea because they are never
at sea.
Speaker 2 (51:55):
This is a lake. It's always a laking.
Speaker 1 (51:58):
But even if even if it wasn't lake and it
was actually an ocean, it would still be less because
they are. They are on water for seventy eight percent
of the film, whereas DEPC is at sea for eighty
nine percent.
Speaker 2 (52:08):
Of the film.
Speaker 1 (52:09):
This is actually the film that takes place most at
water without being at sea at all, So which makes sense.
Isn't like that we've covered so far. I haven't slowly
working my way back through all of the ones we've
covered it haven't. We didn't do the sea rankings of
so I've still got like one hundred. But you know,
it's it's it's a lot of it as at water.
(52:30):
It is more at water. If if we counted the
water as being at sea, this will be sixth on
the list. But because it's not at sea, doesn't.
Speaker 3 (52:37):
Can see I was taking the word sea loosely. As
we've already foundering this podcast. You are the more scientifically
minded one out of the two of us, so I
was not being as literal when I said it was
at seamore.
Speaker 1 (52:56):
Sure, yeah, I mean it's it's it's you know, we've
called it was like nights Swim, which is all in
a swimming pool, and that's a.
Speaker 3 (53:02):
Zero, and that's trickier.
Speaker 1 (53:04):
Yeah, three out of six of the Sharknado films are
zero because they're never at sea at all, because they're
just like, yeah, they go to the moon, but they're
not at sea. I'm not counting the Sea of Tranquility
doesn't count. But this is as much to see as
Renny Harlin's Devil's pass a film that takes place in
the mountains, so nowhere near never at water. So yeah,
(53:27):
it's down there with a bunch of other films at
zero percent. I'm afraid, but yeah, but hey, you were
so other than that, you were right the other ones.
Speaker 2 (53:35):
So good. Hurry what done?
Speaker 1 (53:38):
So that will do it for Pirana three? Did you
have any think you want to plug es, anything you
want to promote?
Speaker 3 (53:44):
Oh no, I don't think so.
Speaker 2 (53:46):
I think you're.
Speaker 1 (53:46):
Enjoyed at the moment. He films have been recently that
you like, you want to recommend?
Speaker 3 (53:51):
Well, the last of it I saw in theaters was
Final the Station Bloodlines, and I loved it me too.
I thought it was so much fun, and going back
and rewatching all of the movies was also really fun.
I highly recommend it.
Speaker 1 (54:09):
Yeah, And once you do that listeners you can then
listen to Mark, Lisa Leahy, and I talking about the
aquatic scenes from the Fundation Final Nation franchise on this show,
mainly focusing on the fourth one because that's the one
where was the swimming pool car wash sequence, light another
awful character being killed underwater, our stocking trader, And then
(54:33):
Lisa and I were both on the Lamb Cast talk
about the whole franchise, and then Lisa and I were
back on the Lamp Cast again to talk about the
new one in which a show I guest hosted because
Richard was away. All fun times. You just listen to
all of those episodes because they're all a lot of fun.
And we talked back about Richard a bunch because he
wasn't on the show, and that's what we do when
(54:53):
he's not there, and if it's took it out because
he's a coward, just like we're.
Speaker 3 (55:03):
Dead scene somewhere on the cutting room floor.
Speaker 2 (55:06):
He'll be back with a sequel.
Speaker 1 (55:08):
It's fine, great well, listeners, you're going to follow this
podcast at Deep Blue seapod and or social media. Email
us deep Seapod at gmail dot com.
Speaker 2 (55:18):
And next week.
Speaker 1 (55:20):
I don't even know when this is coming out? Hang on,
where's my's my schedule? Listeners? I'm tired, listeners, try and
work out what order we're recording at the moment. I'd
love to know which episode you think I'm recording straight
after this one, because it didn't come out straight after
this This is coming out Oh, actually maybe you did.
Speaker 2 (55:37):
Who knows this is coming out late? August.
Speaker 1 (55:39):
So the next week is another chapter of Deep c.
Janis might be dying next week. That's a real fun
sequence with a great guest for that one to come
back that one for this one, and then after that
I'll be Parana three double D and listeners. We've got
an episode coming out on a film called a Hot
Spring Shark Attack. Check out that film and as a
(56:00):
fun film. It's I barely.
Speaker 2 (56:02):
Heard of it. Mark got a screener for it.
Speaker 1 (56:04):
It hasn't got UK release yet, but that's a wild
episode coming out soon. I'm talking about that. It's it's
a Japanese film. It's about a hot spring with sharks
in it, but it's so much more, so, so much more.
Speaker 2 (56:18):
It's like seventy minutes long.
Speaker 1 (56:21):
It's my new favorite film. I mean it's it's incredible.
A hot Spring Shark Attack or Onsen Shark in Japanese.
Oh so it's it's short, it's nuts, it's great.
Speaker 2 (56:37):
Don't go in.
Speaker 1 (56:37):
Don't go in expecting incredible effects. But we have films
like Ghost Shark and Shark in Venice are some films
that Mark and I recommend as being great cheap films.
This is being added to that list. Yeah, so that'll
(56:58):
be soon. I'm just plugging about a film as much
as I can, so I come back next week for
more deeply the action. But for Pirana three D, I'd
like to thank my guest Jess manzer Kite.
Speaker 3 (57:09):
Thank you so much for having me. I always have
so much fun coming on here. Maybe next time we'll
finally talk about the movie Rogue. If you didn't know
that was someone else.
Speaker 1 (57:22):
We've done precious through precious few reptile films, so that
will be the next time you will be Rogue, I'll
promise you.
Speaker 3 (57:28):
I have been bringing up doing that for a couple
of years now, and I'm worried now that I'm when
I watch it, I'm going to be very underwhelmed with
my memories of it because I remember enjoying it.
Speaker 1 (57:41):
That's, of course, that's the Alligator film, not the Lion
film with Megan Fox.
Speaker 3 (57:46):
I have also seen the Alligator film.
Speaker 2 (57:48):
Yes, okay, we'll talk about that soon. Great looking forward
to it.
Speaker 1 (57:52):
But for three D Y I'm Jake Lutz and I'll
deep blue see you next week.
Speaker 3 (58:02):
Anyday. As the
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