Episode 247 (Piranha 3DD - 2012)

Jay is joined by Lisa Leaheey ( @lisapas on Instagram) for the final instalment of the official Piranha franchise, Piranha 3DD, in which the carnivorous fish enter a whole new environment - an adult-themed water park! On this episode they discuss mystery balls, sharp bunting and bad bloopers!

Episode Transcript

Speaker 1 (00:14):
Hello, and welcome to Deep Blue Sea the Podcast. I'm
your host, Jake Lower. On this show, we've been through
the entire Deep Blue Sea trilogy, scene by scene. We're
doing it again, but not today. Today we're continuing the
Pirana franchise, the Piranha Saga with Pirana three Double D.
I thought it was gonna be the end of the
proa franchise. Actually not. We have at least one more

(00:34):
episode after this another one. No, there's a Pirana Conda
and and a Mega Pirana, and I feel like we
may as well Tiny in Pana franchise. I've already got
a guest lined up for Purana Conda as Mega. I
haven't started yet, but yeah, it exists. But three is
the the fourth. There was a TV version in the nineties,

(00:58):
but I don't we're not counting to version. There's the
fourth in the Prana Saga. It came out in twenty twelve,
directed by John Guligeru, featuring his dad Clue Goog. Yeah.

Speaker 2 (01:10):
Yeah, he puts his dad in everything.

Speaker 1 (01:12):
Yeah. It mainly stars Danielle Panabaker, Matt Bush, Dave Kechner,
Chris Zilka, Kafrina Bowden and the Likes of Carrie Bucy,
chrispher Lloyd, and David Hasselhoff filling out the cast. It's
you know, Prana's at a water park, but it's not
just any water park. It's an adult water park full
of stripper lifeguards and coach cameras on on the ladders,

(01:38):
that kind of thing. Yes, and we're going to talk
about it, but I need someone to help me talk
about that. You've already heard her talking numerous times, which
is absolutely fine, because that means I'm not gonna I
was gonna like recite lyrics from Baywatch to introducaid. We're
not gonna do that. She's already help some people stand
in the darkness whatever. She's a from rabbit Hole podcast.

(01:58):
It's Lisa. He leads to walking out to the sh
It's me, thank you.

Speaker 2 (02:01):
So much for having me back. I'm I'm elated to
be here to talk about Piranha three Double D.

Speaker 1 (02:06):
I think you were. This is one of those films
where just in conversation, you're like, oh, three, before we
even started doing the Prana franchise, You're like, I love
Parana three Double D. Let's talk about that. One day,
I was like add to the spreadsheets.

Speaker 2 (02:20):
And I'm just I'm so excited because Pirana Kanda is
very accessible for me and I'm gonna watch it today.

Speaker 1 (02:26):
Parana three double I have yet to see Prana Knda,
but I think.

Speaker 2 (02:30):
Rachel Michael Madsen Michael, let's go.

Speaker 1 (02:35):
But Pirana three three double D is a film that
in the past I have described as being the worst
film I've ever seen. I have seen it once before.
I gave it one star on Letterboxed. I here's the thing.
Listeners will know it already. I love Prana thready love it.
It's great. Alexandra Ja's delightful, incredible action comedy, fish eating, ving, ranges, legs,

(02:59):
all kinds of things, and it's like, great, They're don't
get another one, and they just it went wrong. Something
went wrong yet and I'm digging into the numerous things
that went wrong. But before we get into that, what's
your history with three or the Piranha franchise if you

(03:20):
have one.

Speaker 2 (03:20):
I actually I have absolutely no idea. I don't remember
when I saw it. I don't remember the context or
any of that. But it's ridiculous and I went, yeah,
I'll watch this. And it's funny to talk about because
my taste in comedy doesn't make sense. Like, for the
most part, I don't care for comedy. I especially don't
care for a film that starts comedy and has horror

(03:42):
in it, as opposed to a horror film that has
comedy in it. You know, I don't like scary movie.
I don't like Sean of the Dead. I know that's sacrilege.
I just don't care for it. This is hilarious to me,
and I can't tell you why. There's no rational explanation
and there's no logic whatsoever. But oh my god, do
I think this movie is hilarious? And so I don't

(04:05):
know I saw it at some I don't think. No,
I can't say that. I can't say I don't think
I saw it in the theater. I very well may
have seen this in the theater because I remember these
three d bits. I don't know, it's really bad, but
I'm aver and we go see things in the theater.

Speaker 1 (04:25):
I definitely didn't see it in the cinema, and I
feel like it would have been a very disappointing, unsatisfying watch.

Speaker 2 (04:34):
Especially for like twenty dollars.

Speaker 1 (04:35):
Yeah, the film ends after seventy minutes, and then there
are twelve minutes of credits and Bluepuss, So even including
a prolonged credits and blueber scene, it's still like eighty
two minutes is now like twenty minutes Shy of a
deep blue sea.

Speaker 2 (04:50):
It's very short, which.

Speaker 1 (04:53):
I don't and like that they were like Piranha, Carnage
doesn't really kick in until like fifty five minutes in it,
so you don't really there's not a lot when it
starts going. It starts going. They kill people Levrt and
Center in all kinds of different ways, gets ghost shipped.

Speaker 2 (05:10):
It's like which I forgot completely about, but.

Speaker 1 (05:15):
Because it's just why would I be in this film?
Why would they be razor shark bunting in this film?
That's not established, that's just it just is driving relatively slowly,
is distracted by boobs, which tracks for his character, and
it just drives into bunting that you see one little
woment of it glistening like like and his head gets

(05:40):
chopped off and has thrown into boobs and then he
gets a decapitated motor boat and then throws toss into
a pool where Kronas smosh his head into the coach
can as a sequence goes, it's glorious as as as
death and these women go excellent. I would I just
want to some line of dialogue to be like we've

(06:04):
run out of bunting, is I just use the cheese wire,
just just just one of just something.

Speaker 2 (06:11):
It's so good this I can't like. I talk about
my love for the Fast and Furious movies and every
time I go Steem and you have the TNA sequence
and I'm like, I am an adult female, I have
multiple advanced degrees, I am an intelligent person and I
love these movies. That is the same way I feel

(06:31):
about this film.

Speaker 1 (06:34):
We should in touch with the everyone should We need
to get you in touch with the two Fast too forever. Guys,
Joe and Joey, they're watching the films again. They're watching
the films on repeat.

Speaker 2 (06:46):
Oh my god.

Speaker 1 (06:47):
They're on like Lap fifteen going through Outstanding. They like
alternate between doing a minute of the film and then
just a whole film minute. And now they're now like
fifteen minutes into Tokyo Drift.

Speaker 2 (06:58):
Oh my godness minutes incredible.

Speaker 1 (07:00):
An actual actual, Yeah, it's a great podcast. We've had
them on the show before. We had one to talk
about Reddy Harden's driven of course uh and an earlier
chapter of this lap We're dive doing ourselves great. I
also love this film less than their menu, but I like.

Speaker 2 (07:22):
This They're just fun.

Speaker 1 (07:24):
Yeah. Yeah, So I enjoyed watching Parana three DA would
be more this time than I did the first time,
because I went into this, I went and is expecting that, well,
this is the worst one I've ever seen. I'm just
just going to plod through this, and instead there were
moments of enjoyment. They were few and far between, but
there were some. They existed, and they mainly existed when

(07:44):
ving Rains was on the screen. Yes, because like when
when they had ving Rams and pullsh it in for
half a day to film their little bits separate from
the rest of the cast. Yes, that's that's the best stuff,
because you've got ving Rams. Everything is he absolute, he does.
He's one of those guys. So just having him with
like PTSD from having his legs chewed off by fish

(08:07):
in the first film and pul shaped like baby steps,
baby talk about baby steps, have my fish fishing down legs,
legs and then but then he's like, you're overcoming it
because he's needed and he waits get my legs like titanium.

Speaker 2 (08:24):
God ever trying to attack him, and it's like clan
clank clank, clank clank clang.

Speaker 1 (08:31):
But I just like how thin the legs are.

Speaker 2 (08:36):
Support this gigantic man.

Speaker 1 (08:37):
Yeah, the proper apartment. We're like, what have we got?
But we've got a knife, a spatula in the kitchen.

Speaker 2 (08:45):
He'll do so he's curtain rod.

Speaker 1 (08:48):
Yeah, exactly, like a golf club. He's a golf club.
Club be fun.

Speaker 2 (08:52):
Perfect.

Speaker 1 (08:53):
And then just him just waiting in one of the
legs has a gun on it because he's seen Planet Terror.

Speaker 2 (09:00):
I'm telling you it has to.

Speaker 1 (09:01):
It has to shooting up the fish in the pool.
He shoots a guy. Nothing is made up. They do
not reference when he's shooting a guy is clearly shot
and falls back. Nobody cares, not acknowledged, No one cares.

Speaker 2 (09:13):
Nope, it's incredible open shooting into a public pool, children everywhere.
Let's break out the shotgun.

Speaker 1 (09:23):
Yeah, absolutely, and you know it's it's great those bits
and Hasshoff Hasselhoff knows what film he's in. Yes, he's
doing a good job. Yes he has. Like there are
three characters in this film called David. Yes, including David
has Off. I don't that's just lazy. Adrian Martinez is
not usually called Big Dave, called him something, called him

(09:44):
Big Steve, anything else. It makes sense for the for Haselhoffs,
we called David and the little boy called David haus
that little moment of connection. But that's interacting with the
kid and being like, I'm not a lifeguard. It's just
a show. But then like coming to action and doing
the slow my run, being winded because he's old. I've

(10:05):
never seen Baywatch.

Speaker 2 (10:06):
I thought he was gonna slip and fall like don't run,
like don't run at the pool. I was waiting from
the slip and fall, and I forgot, but think I
forgot everything was like seeing this for the first time.

Speaker 1 (10:16):
Baywatch not a show I've ever seen. Yeah, it's just
a little before my time, although not much. I don't know.

Speaker 2 (10:23):
I haven't seen much of it either.

Speaker 1 (10:25):
Also, it was just not a film that my household
would have watched, my dad, my parents, that's wouldn't entertain.

Speaker 2 (10:31):
No one of the I think Samsung, because you know
how like certain television manufacturers and streaming services have like
their own twenty four hour TV channels and that sort
of stuff. One of them, Samsung, I think, has a
bay Watch channel. It's just like, yeah, you just throw
this on and watch it all day. A friend of
mine does that, so the only chances of me seeing
the episodes are at her house.

Speaker 1 (10:53):
I was in Norway recently on holiday and there was
a channel there that was just seemed to be the
Baywatch Chat. Amazing, just Baywatching Norwegian. Great, it's fantastic. That's what. Okay.

Speaker 2 (11:05):
David Hassel is like our generation Shatner, Like he will
happily show up in anything being a silly thing and
he just adores it and he'll keep going, you know.
I mean he's listing his his his resume to this child,
you haven't seen this, you haven't seen this, you haven't
seen SpongeBob, and it's like.

Speaker 1 (11:24):
Oh god, and to three that's going on the list,
we'll get something amazing. But he doesn't say he doesn't
say that Dodgebaole Dodgeable.

Speaker 2 (11:35):
I didn't know he was in that.

Speaker 1 (11:37):
He's like briefly coaching the gym.

Speaker 2 (11:39):
It's not a movie. I like, so, Like I said,
I don't do comedies.

Speaker 1 (11:43):
But yeah, don't mean that's well, so click he's in
click Adams.

Speaker 2 (11:49):
A deep cut, Yeah click.

Speaker 1 (11:51):
One of the better Adamson films.

Speaker 2 (11:53):
I think it's not a bad one. Yeah, I didn't
hate that.

Speaker 1 (11:56):
Yeah, so yeah, I loved everything was doing. That's kind
of where my list of things I enjoyed ends. I'm
gonna say, like, Chris Lloyd is fun, but he's just
he's He's Chris. He's always Chris Lloyd. He's not good enough. Yeah,
and everyone else is just irritating.

Speaker 2 (12:10):
Yes, that's accurate.

Speaker 1 (12:13):
Yeah. Like Dave Keckner, I love Dave Kenner and stuff.
He's he's often great. He's in Final of the Nation five.
We love him in that. He's always fun. I enjoyed
his performance as the worst human being alive in this.
And then when we got to the bloopers in the credits,
I just turned off of them completely because he has
so many like aults in some of them. They're all bad.

Speaker 2 (12:37):
They weren't good bloopers.

Speaker 1 (12:38):
I'm like, come on, they're all bad. Daniel Panabaker flubbed
her line a couple of times, and she sneezed at
one point in like, how let's definitely put that in.
I feel like this is my theory for this film.
I haven't fact checked it. There was a time where
films had to be a certain length to be considered

(12:58):
a feature film. In this then that length was over
seventy minutes.

Speaker 2 (13:02):
Oh my god, and when.

Speaker 1 (13:04):
So this film hits seventy minutes and we're not technically
a film. I think these Stays has more than forty
minutes to be not to be not assured. But they're like,
let's just just in case they change the rules at
some point, let's just part it out to eighty two.
And that's why because it because it starts with credits.
Then the credits stop, and then you get bloopers. Some films,

(13:25):
like the Rush Hour films will but Jackie Chan films
will be like they'll have the bloopers next to the
credits and you can just but here it's like credits
will stop bloopers, and then the bloopers stop. A bit
of credits. Credits stop fake music video for David or
intro music for David he's doing, stop credits. And then

(13:45):
at the end the scene.

Speaker 2 (13:49):
I didn't get to the end, Oh my god, I
should have gone down.

Speaker 1 (13:52):
At the very end, there's like one of their lifeguards
blows the whistle because they can see Big Dave floating
naked up on a lilo and she's like it's jumping down,
like no stop, and her whistle gets caught on something
and she's like strengthening herself.

Speaker 2 (14:09):
Well, we did see that. Okay, never mind, I did
see that.

Speaker 1 (14:11):
Yeah, that's they put that in the in the credits
for the I mean put it in the film, put
it in the film.

Speaker 2 (14:17):
I did appreciate hearing again because I was a fan
of it when it was on the radio. The song
that's playing is by a band called the Limousines and
it's the Internet Killed the Video Star and so the
song is a bop. I enjoy the song, and they
have a different song earlier in the movie. And it's
funny because I had a moment where it was like, oh,
like I remember this band. I'm like, this is the Limousines.

(14:39):
I said, it's not the song that I know though,
and then you know it comes up later I'm like, oh, okay,
there it is. So it's a fun song, obviously referencing
the Buggles, but that's the only reason I kept it going.

Speaker 1 (14:52):
Well. I had to work out, like, okay, how deep
are we with these credits? Where are we.

Speaker 2 (14:57):
Credit there's extra extra blue, extra extra blue and extra deep,
and it's some of.

Speaker 1 (15:05):
The parts of the credits are on the water, so
they counted yep, yep, yeah.

Speaker 2 (15:12):
M hmm mm hmmm.

Speaker 1 (15:14):
So what do you enjoy about this film other than
what I've listed The eye.

Speaker 2 (15:17):
Engine shame on me. I'm very entertained by just the
full on commitment to being ridiculous. You know, of course
you have a lake. Of course, you have two people
who are gonna make out, you know, at the lake.
Of course they're gonna go skinny dipping. Well, if there's
piranha in the lake and the girl is skinny dipping,

(15:39):
of course we have to have the piranha go up
where no man has yet gone before. The whole like
what was making her sick and her not being aware
of it, completely ridiculous, but obviously you have the payoff later,
you know, like Chekhov's Piranha here, this.

Speaker 1 (15:57):
Isn't the first time a life piranha has survived in
side of a person in this franchise.

Speaker 2 (16:01):
See, and I don't remember the other film, so I
have to go back and watch them again.

Speaker 1 (16:05):
In James Cameron's Piranha too this morning as it shall
be known. There is a dead body has a live
fish in it, like parana in it, like they're in
the two of the characters going to the morgues look
out what's going on, and the nurse interrupts them. And
once they've gone, a fish like a rops cell of
the person and kills the nurse. My god, and then

(16:28):
flies out the window.

Speaker 2 (16:30):
As you do.

Speaker 1 (16:31):
Because this because in parana To the fish can fly.

Speaker 2 (16:35):
Oh okay, so in this one they walk. This makes sense, right.

Speaker 1 (16:38):
Yeah, said, they're building on the existing property.

Speaker 2 (16:42):
It's completely and again I should hate this movie. I mean,
the movie starts off. You've got Beaucy, and you know
when you see Beaucy, it's not gonna be anything serious.

Speaker 1 (16:52):
And then you've got this shark netto furs Gary Bausey.

Speaker 2 (16:55):
This is what I'm saying. I mean, you go and
I love Sharknado. I mean that there's something about these
particular brand of ridiculous creature features that I think are hilarious.
I don't know why. I can't rationalize it to you.
If you haven't seen Slother.

Speaker 1 (17:12):
House, haven't yet, it's all, Oh.

Speaker 2 (17:15):
My god, it's delightful. My husband was watching it with me.
He says, why am I enjoying this? I said, I
don't know, but it's great. These for some reason, I think,
are a riot. So I think it's because they're so bad,
which you know, just is what it is. But I do,
you know, I have to appreciate to a point. They
do build their scenarios. You know, they set up, you

(17:38):
know where everything is going, you know what's going to happen,
and yet you still enjoy the hell out of it
because what they do still throws some surprises at you.
You know, like you know that sex scene is coming,
you know what the piranh is going to bite onto,
but you don't expect him to take a knife to himself.

Speaker 1 (17:57):
And it's like, oh, I didn't him too. I feel
like the time it took from him to be bitten
to then pick up a knife and chop off his
own penis alarmingly short. I feel like he should have
I know, I feel like because he didn't go to

(18:18):
cut the fish off, I feel like he should have
attacked the fish with the knife rather than himself with
the knife.

Speaker 2 (18:24):
I agree, But you know what, Apparently when you're in
that kind of situation, you make irrational decisions.

Speaker 1 (18:31):
Clearly. Yeah, I had to like pause and think, well,
hang on, what is what? Wait? What has happened?

Speaker 2 (18:42):
No, no, nobody needs to put any thought into this.

Speaker 1 (18:46):
Sure, I mean there's my problem. One of my big
problems is the dialogue of this film. The dialogue is awful.
The dialogue is the pitches for the film. There are
numerous times when like, okay, we're going to pitch has
pitched the film? What's the film going to be? Well, okay,

(19:08):
fire the lifeguards and replace them with strippers. A line
of dialogue from the film like mad Maddie and Jet Daniel,
Panamaca and Ke interest themselves like Maddie, come over here
and give your stepdad a hug, which, you know, awful
dialogue to establish Oh you're the step And then she
replies like, tell me you didn't fire the live guards
and replace them with strippers. And he replies water certified strippers.

Speaker 2 (19:32):
Fun joke.

Speaker 1 (19:32):
Fine, but like you've encapsulated the premise in not black
and white, there's no confusing what's going on here. Yes,
later on he's raise your hand if you owned fifty
percent of the park, Oh you for minority, that's you
over there. The real spelling it out for people who
are it is of their face watching this.

Speaker 2 (19:51):
It is the worst writing ever. You know, they tell
you in writing classes or whatever to show, don't tell.
They tell us every little bit, and it's hilarious because
then you can tell. Like so, for example, when we
see the scene in Act three of him like digging
his own well and pumping his own water, it's like, oh,

(20:13):
we watched this scene. We know, we know they do it,
but nobody's actually listening to anybody talks. We need a
scene showing her discovering the world. I love the line
when she's like, well I saw this when I did inventory,
but it didn't make the connection of what it was for.
Why the hell else would you have it? Sure, it's amazing,
it's amazing. She's a marine biologist and she doesn't know

(20:36):
what this digging machine is gonna Ultimately before with her
idiot stepdad, I'm like, this is outstanding.

Speaker 1 (20:42):
Yelp. And like when they go skinny dipping, one of
the characters is like, let's take off our clothes and
go swimming. You know he could have differently. And my favorite,
the worst, sorry, not my favorite, when Shelby says Josh
Carbat's been thinking about my vagina. That's a fun line.
It's spilling it out in a fun way.

Speaker 2 (21:03):
I like that.

Speaker 1 (21:04):
Fine, But when there's a character of Kyle by Christi
by Shark Knight through.

Speaker 2 (21:12):
Because they couldn't get Sean William Scott right like this.

Speaker 1 (21:15):
Is this is this is.

Speaker 2 (21:17):
What tu stiffler you know.

Speaker 1 (21:19):
Like yeah, absolutely, that's yes, very much. So he's a
dirty cop and we know that because as such he
he stops there the eyes when the drive in, he
takes a bung from jet to look the other way

(21:39):
on the relations and the interaction he has with with
Barry ends up with Barry saying you're a crooked cop.
I wouldn't have got that from him taking the bung
and explained that he would looking the other way.

Speaker 2 (21:53):
Wouldn't have known, real, what.

Speaker 1 (21:56):
Are we doing here this film? This is a a
Friday night get back from the pub, have a few,
chuck something on, not in a sober state of mind.
So people in that state still don understand exactly what's happening, correct,
But I would also argue they're not interested in this
film into the last fifteen minutes. Okay, it's just like

(22:18):
fast forward, fast forward, That's what they're after, No, they
don't need to.

Speaker 2 (22:22):
Wait until the last set to get to that.

Speaker 1 (22:24):
That happens sixteen seconds of logos and then straight into
the boobs and the butts. Yeah, but I.

Speaker 2 (22:31):
Mean, like, this is definitely a movie that, like, you know,
I remember complaining about Pacific rim being like, don't give
me a story. I don't care who they are to
each other. Just show me like robots fighting hiju. I
don't care about any of that. That's what this movie is.
They put in just barely enough explanation for that one
loser at the party who's like, wait a minute, this
doesn't make sense.

Speaker 1 (22:52):
I mean that's me. Hello, I'm that guy. Hi. They
say it rewind the film. I wish the hair old
of the dialogue.

Speaker 2 (23:02):
Oh, it's so great. It's just that's what I'm saying,
Like these ridiculous creature features that just lean into we
know this is awful, and we're gonna use it, like
we know what you want and we know what we
have to do. So here it is, you know, terrible. Cgi.
The fact that they have those ridiculous jump scares where

(23:23):
the fish jump right at you, I mean, it's amazing,
absolutely amazing. It's just there's so many problems with it,
but you let those go because you know, when you
watch Sharknado, you're not calling your meteorologist friend and go on,
wait a minute, could this actually work?

Speaker 1 (23:39):
Who hare? That'sise?

Speaker 2 (23:43):
This is what I'm saying.

Speaker 1 (23:44):
He's playing there.

Speaker 2 (23:45):
It is the role just so horribly bad. You need
this character of Big Dave being this random stoner dude
who like enjoys rubbing up against the water jets.

Speaker 1 (23:57):
I mean this think there's some insertion. I think it's
just rub up. I think he's going in crow.

Speaker 2 (24:02):
If it's a water jet, it's coming out.

Speaker 1 (24:05):
Yeah, he likes the friction.

Speaker 2 (24:07):
That's what I don't know. But you're talking about your
favorite lines. I liked his line where he's like, nobody
munches on Big Dave's ass, bitch audios pescados. I'm like, okay,
goodbye fish. Fine.

Speaker 1 (24:20):
Yeah, that is accompanied by a fish being ripped from
his rectum. Oh my god, it's great.

Speaker 2 (24:26):
It's so terrible. But it's just it's I can't it's
too funny. I actually wrote you a note in my
note Sure, Jay, we're going to have a repeat of
Final Destination for with the Pool Death. As she was
getting set into theo.

Speaker 1 (24:43):
It was already yeah yeah, but no, she somehow, she's
done it for a long time. But she's somehow and
she's fine.

Speaker 2 (24:52):
She can she has the lung capacity of some sea creature.
And then Barry comes with a brick.

Speaker 1 (25:00):
Yeah, well yes, that which you know he can't swim.
I did. I enjoyed that where he's like, someone's gonna
gotta save Maddie and he jumps in the pool and wait,
I can't swim, and but he manages to. It's like
a toy trident that he stabs a fish with.

Speaker 2 (25:18):
Yes, because at one point he throws it. I don't
even remember what he does with it, but it hits
something and I'm like, oh, Checkov's trident. Okay, this is
gonna come back in And of course it does two
different ways.

Speaker 1 (25:28):
Yeah, because budget sure. When it was Scott is like
you get you want to get me, you have to
get a bigger trident, and he doesn't get a bigger trident.

Speaker 2 (25:37):
You need a Jaws joke in this movie.

Speaker 1 (25:38):
Yeah, there's a couple. I think there's as because there
is a Hasselhoff has This was a great bit. Your
zooms three in a row it's gonna do something. Nope, nope, Okay.

Speaker 2 (25:54):
It's so good. I'm like, they just keep doing this. Yeah,
and that's the kind of thing that would annoy me.
Typic like this is. I don't understand why this movie
is so funny to me, but yeah, it doesn't make sense.
It doesn't make sense.

Speaker 1 (26:09):
That's what you got anything.

Speaker 2 (26:11):
Yes, my apologies for that, My apologies for for enjoying this,
but yeah I was. I was tickled at the end
to see directed by John Googliger because this man is
a hot mess who uses feast. He did Feasts, and
well that's it, right. So I remember when Project green

(26:32):
Light was on HBO and it was like the third
season and you know, this is Matt Damon and Ben
Afflet giving money to some independent filmmaker to make the
movie they want to make, and so it was a
horror film. So I'm like, well, I want to watch
this and it's this dude, John Gouliger and Feast, which,
if you've seen it as a complete chaos nightmare on.

Speaker 1 (26:53):
Paradely fun, is that one of the ones that you enjoy.

Speaker 2 (26:56):
Oh it's a crazy it's amazing. But this guy himself,
he's a mess. And yes he puts his dad. The
only reason he can do any of this is because
of his dad. Like he's nepo baby, but he's not good,
so nobody wants to give him any money. He did
like one of the really really late hell Raiser sequels,

(27:16):
and I.

Speaker 1 (27:19):
Runaway.

Speaker 2 (27:19):
I don't know if I saw that children in the Corn,
but I know he did a hell Raiser sequel and
it was so revolting I had to turn it off.
I'm like, this is not hell Raiser. This is just
nasty and gross, and I turned it off, but I
was dying because then it was like, oh my god,
clue Googliger is in here, because of course he is.
But it's like all I could think about was like,
of course John Gouliger directed this film, because it's an

(27:43):
absolute mess, like the man who makes it, and it's
just it's hilarious to me, absolutely ridiculous. This guy not
to mention the ick factor. If I'm gonna do a
one to eighty here of the Weinstein's, Weinstein's sing this
in only twelve and what kind of movie it is?
And ooh it gave me the egg.

Speaker 1 (28:04):
Yeah, same as a lot of not as a lot
of scantily or not claud at all, non speaking roles
in this film.

Speaker 2 (28:13):
And terrible, like not that you go into a movie
like this expecting feminism, but they wouldn't be able to
make this movie as it is now today, like they
would have to have a lot of rewrites. And I
don't mean the gratuitous nudity and stuff, but there were
there were some jokes and lines and representations and I

(28:33):
was like, ooh, yeah.

Speaker 1 (28:35):
I think a lot of.

Speaker 2 (28:36):
It's only been thirteen years.

Speaker 1 (28:39):
A lot of those lines come from David Keagner, Yeah,
I think, and I feel like a lot of them
were improvised.

Speaker 2 (28:46):
Oh my god, they're bad.

Speaker 1 (28:48):
But yeah, but like.

Speaker 2 (28:51):
It's the films, the film characters.

Speaker 1 (28:53):
So yeah, go into this is this is what I'm doing.

Speaker 2 (28:57):
Amazing, amazing.

Speaker 1 (29:01):
So there's not really a lot of plot to go
through in this film because there is you know, Gary
Busey and Clue Fins and cow.

Speaker 2 (29:10):
Yeah, and they've got the flatulence right up front, so
you know what movie you're watching for some reason accidentally
entered this room.

Speaker 1 (29:17):
Like the cow. The cow isn't just fire fars out
fish and then yeah, they Gary Busey like rips, rips,
a fish mill and face bites his heaf and spits
it straight up because it's a three D film and
it's beauty and it's beaucy, and yeah, did he know
they were filming?

Speaker 2 (29:35):
Does an average Tuesday for beau.

Speaker 1 (29:39):
Then it's just you know, water park, I dink. So
like Maddie Daniel Panack has come back from she's going
back college.

Speaker 2 (29:46):
The marine biologist given.

Speaker 1 (29:52):
And you know we've got her cop dirty cop boyfriend
on off again long distancing Kyle. You've got Barry Matt
Bush who's always fancied her but never said anything about it.
Turns out she thought he was Kay of course. Yeah,
that's what friends. Yes, it's like as Shelby and Josh,

(30:13):
and like another couple Travis and Ashley. I think who like,
don't worry, don't remember their names, you.

Speaker 2 (30:20):
Don't need them. Yes, there's nothing necessary.

Speaker 1 (30:22):
There, fodder. They are fodder, one of them. I think
it just looks the same as but as Matt Bush's barrier, Yes,
the same two? Is he playing?

Speaker 2 (30:30):
No?

Speaker 1 (30:31):
I was confused.

Speaker 2 (30:32):
Yes, I agree, I had the same problem.

Speaker 1 (30:35):
It cast some diversity just for the sake of the
not just to have diversity, but to make it differentiate characters.

Speaker 2 (30:41):
White boys of this age, they all look alike the same.
Girls are bad too, sure, white girls like they all
look the same.

Speaker 1 (30:51):
Yeah, you know I recognized Katrina Bowden because I watched
thirty Rock. She's she's an other bunch, and she is
in a shot movie. She's in Great White, but we
hate great White, so we're never gonna talk about.

Speaker 2 (31:05):
Yes, that's fair. Oh, she's in tux and Dale. See,
I like to talk's that. I was just amazingly entertained
by Tucker and Dale because I had avoided it for
so but again, I don't like Sean and the Dead,
so I'm like, this is the not comedy that I
don't like. I actually was very entertained by them.

Speaker 1 (31:24):
Very I feel like Sean the Dead is more of
a parody where a Sunker and Dale is more of
a like Captain in the Woods, Like, look at it
from a different perspective.

Speaker 2 (31:35):
Right, Well, the I mean the two leads, I mean
Tutic and what's his name being? Thank you? I mean
they're hillo. They're so charming, the two of them. So
I'm like, you know what I can do with this?
I mean, I like, dude, where's my car? So I mean,
I guess I would like this kind of thing.

Speaker 1 (31:50):
I love that when I was younger. I haven't seen
it in a long time, but yeah.

Speaker 2 (31:54):
Again, it's like the pinnacle of stupid movies that I love.
And I can't tell you life.

Speaker 1 (32:01):
If it was sharks instead of ostriches, we'd cover on
the show. But it's not, so we weren't. Yeah, Mark
and I have basically agreed, great White, we're never going
to cover it. So, Katrina Burden, I'm sorry. It's just
we both hate your shark film because it's bad. It's very,
very bad.

Speaker 2 (32:16):
It's too bad.

Speaker 1 (32:18):
Yeah, maybe I'll watch it in one day, should see
how deep and blue it is.

Speaker 2 (32:27):
I do have to ask though, and I don't know
this is going to get edited out, but when we're
talking about deep and blue, mm hmm. So my first,
you know, craps joke is how deep as far as
the water or how deep this guy managed to get
before the piranha.

Speaker 1 (32:47):
We can talk about it.

Speaker 2 (32:48):
We can that, And then does it count as blue
if the water is filled with blood?

Speaker 1 (32:55):
Well, I factor that in. I don't. I don't just
say other underwater everything's blue if they're underwater and everything's blue,
then everything's blue. If they're underwater and it does get
full of blood, it's less blue, so it red.

Speaker 2 (33:08):
She bought ahead.

Speaker 1 (33:09):
This is good, it's yeah, I have a spreadsheet. This
is I have so many different times.

Speaker 2 (33:16):
Why I coming back on this show. This is why
I know I torture you with some of the movies
that I come on to talk about.

Speaker 1 (33:24):
Hey, I love it, it's amazing. Have you seen Dangerous Animals?

Speaker 2 (33:29):
No? No, I haven't.

Speaker 1 (33:31):
No spoilers, don't worry. But I saw I saw it
in the similar twice and the second time I saw it,
there were four other people in there, and I was like, great.
So I put up my notebook and I did time
stamps going through of how deep and blue everything was
whilst in the cinema. What what what?

Speaker 2 (33:45):
What difference does it make how many people were in there? Oh?

Speaker 1 (33:48):
Because if because I'm like I had to stop watching
my phone, that would light up.

Speaker 2 (33:52):
Oh, you just sit in the back and nobody's behind.

Speaker 1 (33:55):
But if it's like a full cinema, you can't do that.

Speaker 2 (33:57):
If you're in the back, you can't.

Speaker 1 (33:59):
But then it's people alongside the road and.

Speaker 2 (34:02):
You have to turn it to the side. You said
that I see, I figured all this out. You have
to get on my level.

Speaker 1 (34:06):
Jay, Well, I mean I need to have the If
you're on the aisle with my right so I can
write on a note about attack it like attacking the
person next to me or the ring.

Speaker 2 (34:14):
Then it's fair.

Speaker 1 (34:16):
There's limited seats you can sit, that's fair. No one
sat by, no one sat within like twenty meters of
me in this screen.

Speaker 2 (34:22):
Who's this weird? I'm not saying there.

Speaker 1 (34:25):
Making a spreadsheet watching a shark movie. Amazing?

Speaker 2 (34:28):
Just me, just me, Hey, I can't get the dangerous
animals yet. I'm gonna have to. I'm gonna have to
dig this up.

Speaker 1 (34:38):
It's worth your time.

Speaker 2 (34:39):
Yeah, I'll put it on the list.

Speaker 1 (34:40):
I really liked it, and I think it's it's original
that I'm cast. It's his favorite film of the year
so far.

Speaker 2 (34:46):
Wow.

Speaker 1 (34:47):
Yeah, which it's in my top ten. You know, I've
seem like Sinners is a better film than They just
because that film. Yes, Uh, that's an odd character Like
there's two characters in this They're gonna have sex in
a van and they pray for forgiveness before they have sex.

(35:10):
An odd moment in a Piranha film. I appreciate that
giving it a girl who.

Speaker 2 (35:16):
Clearly is not the virginal one. M I'm like, no,
this is I don't know where that character decision came from,
but it's completely unnecessary. Yeah, we didn't need that at all.

Speaker 1 (35:29):
We didn't. And then like the guy drowning in the
in the van because he's like handcuffed it.

Speaker 2 (35:35):
Well, that was essential you needed to have.

Speaker 1 (35:38):
Yeah, the bit, the bit on the dock, you've got.
I think I think it's Shelby and Maddie. So Shelby, yeah,
as their friend Ashley is just no longer with them, and.

Speaker 2 (35:50):
She the one who wants to pray before she has sex.

Speaker 1 (35:52):
Yeah, she's on who prayed. She's manage to get out
on top of the van and then she doesn't make
it back to that. Shelby's upset. Maddie's companying her, like
Maddie is pana like a Shelby sxatremea boden and they're
sat on a dock. They got their their feet dangling
in the water and then like fish dark like, oh no,

(36:13):
the fish are attacking or like coming near him, and
so Maddie's like, we got to get off this dock.
And so shellby fools in the water.

Speaker 2 (36:21):
This dock is maybe five and a half feet long,
and I remember writing this down in my notes. I'm like, honey,
if you can't get from the water on this five
and a half feet dock, you deserve to get eaten.
Not to mention. When the dock separates and she's afraid
to jump, I'm like, you don't even have to foot,

(36:41):
you can step, And Pana Baker even says that to her.
She goes, it's a foot, you can make it. So
I'm like, that was wholely. I think they're there. I
really think they're leaning into how stupid it is, and
they know, damn well it's very tongue in cheek.

Speaker 1 (36:57):
Yeah, But but what it kind of is. I feel
like that was the intention when the scene was written
or filmed, but in editing somehow they've lost the humor.
Is it now seems to be played so sincerely that
you're just watching. Is this character okay she can't she's

(37:19):
every step she goes, she goes through another panel of
the rock, she's just falls back and falls in the
water again, and she drags Maddie and with her. This
time a scene.

Speaker 2 (37:31):
You're really cheer for her to die so long. At
that point, has she had the sex scene yet? No?

Speaker 1 (37:44):
Yeah, this is the scene where the pirana goes into her.
I believe after that.

Speaker 2 (37:48):
No, she does that when they're in the water with
the boy.

Speaker 1 (37:53):
That's a that's a different the.

Speaker 2 (37:55):
No, nope, nope, nope, it's this girl. So when she
goes skinny dipping with the guy that she later has sex.

Speaker 1 (38:01):
With, Yes, sorry, I had paired the skinny dipping scene
with then being having sex in the van as being
the same couple.

Speaker 2 (38:09):
Oh gotcha, gotcha, different couple, different but I can't remember
when she has sex versus the dock scene.

Speaker 1 (38:18):
Sex is after the dock.

Speaker 2 (38:19):
Okay, so she has to live scanning through it now, Okay,
so she has to live because she hasn't had sex yet,
she's still a virgin.

Speaker 1 (38:26):
Yeah, they have the skinny dipping, then it's the van
sex with the other couple. Then it's the dock because
then she's sad about Ashley not being with her anymore, correct,
and she wants then she wants to have sex with
guy that's not the main guy but looks like his
twin whilst they're all were a Christopher Lloyd's place because
she doesn't want a diversion, right right, Yeah, and I

(38:49):
do like the Chrystal Lloyd is counting how many views
his YouTube, He's like eleven million. I mean talk about it,
seven hundred more views than the Loving Diarrhea Baby.

Speaker 2 (39:00):
Oh my god, thank god.

Speaker 1 (39:03):
I mean Christoph Lloyd will just be in anything when
he which is fine, goblin.

Speaker 2 (39:07):
Great because he was in the first one. Look, I
know that he even bothered to come back and do
this for a horrible thing.

Speaker 1 (39:12):
Sure, I mean they paid him so I would do.

Speaker 2 (39:17):
Then.

Speaker 1 (39:18):
Yeah, so they go and see Christoph Lloyd. He's got
a fish. Nothing really goes on there. Maddy has a
dream but being in a bath and fish attacking and
then yeah, then has off and then there's everything at
the water park with like big rains and pulsher and chaos.
They never really don't spend a lot of time on
the side and like, OK, this is how the fish go.

(39:39):
They're like, oh, there's underwater tunnels. There's tunnels. It's underwater tunnels.
Don't worry about it. When I was looking at how
how deep everything was here, day Kit says like they
have a well as a well, but they've gone like
down deeper than deeper than the the wells. So look
to how deep wells are in Arizona where this is set,
and the average depth to wars from land to the

(40:01):
well is one hundred and eighty seven point five feet apparently,
but the maximum is twenty eight hundred and seventy five feet.
That's the deepest wells in Arizona. So that's the depth
when like we're looking at how deep these fish are
maximum depth. So the little clips there are and are
of how deep That's that's where I went to. So
I had to use something. I use more science than

(40:23):
this film did not.

Speaker 2 (40:27):
To mention, by the way, fun fact there is you
being not of the United States. There is no Murkin County.

Speaker 1 (40:36):
As sure is the renamed it?

Speaker 2 (40:40):
Well yes, I mean just the name alone. Like I
looked at that and I went no, there's no way,
and I googled it. There is no Mrkin County, Thank god.
Can you imagine being from Murkin County? Ely?

Speaker 1 (40:54):
Hell? Yeah? From the bush?

Speaker 2 (40:56):
Oh, well done, well done.

Speaker 1 (41:01):
I do appreciate yea. This is a sequel to Barana
three D, and I do they've done the correct response
to that first film coming out where that first film
was set, is now a barren wasteland. They closed it down.
No one lives there.

Speaker 2 (41:12):
Yep.

Speaker 1 (41:13):
Good too. Many of these films were like, oh, that's
that terrible thing. Happened, same again, next year, let's go.
They didn't do that. Good well done everyone good. But
whether were there any so in the in the final
fifteen to twenty minutes, says Utter carnage in the water park,
were there any like standout moments any like that other
than Dave Kana getting to capitata.

Speaker 2 (41:31):
What you're talking like the kind of fake tension with
the lazy river with the girl on the float, starting
on the left side of the screen and going under
the bridge, and based on all of these other films,
you expect that she's not going to come out, that
it's just going to be like blood that comes out,

(41:52):
that she's going to come out, and she's going to
be screaming something, right, you expect something. She comes out
the other side of the bridge and she's fine, and
you're like, oh, all right, good tea, and then the
blood starts trickling out. So it's this interesting way of
taking that moment, which has been done a million times
in eight different ways. But they still found a way

(42:12):
to make it kind of new. I was like, okay,
I can respect you guys for that, because that was
kind of neat, like you think you know what's going
to happen, and then they still get you.

Speaker 1 (42:21):
I looked at that and thought, well, they don't happen.
They've done this scene wrong.

Speaker 2 (42:28):
See I gave them credit and you were like you idiots.

Speaker 1 (42:31):
I thought yours is the correct response. You should look
at this film and be like, this film was exactly
what they meant to do. This film is exactly everything
in here is the intention of the director in the filmmakers.
But I looked at and thinking like, well, they've missed
timed this. They think they think the bridge is longer
than it is, like because she she goes under, she
goes out, and then the blood is like, well not that.

(42:51):
It should have been either the ring comes out and
she's not on it right, or the ring comes out
when half of her is on it exactly, the ring
just blood comes out or deflated all these different options.
It could have been, oh, she's fine.

Speaker 2 (43:03):
They give you a completely and I loved that. See
I thought that was clever, But that's going to be
googager like he's that odd duck, hot mess. He's the
monkeys in a room with typewriters that eventually pound out Hamlet.
The guy being a hot mess, has to get something
right every now and then.

Speaker 1 (43:22):
Sure I do.

Speaker 2 (43:25):
I just he's that odd duck with the weird sense
of humor. And I absolutely credit that scene to him.

Speaker 1 (43:31):
Yeah, I when I watched this, I hadn't clocked it
was the guy who directed Feast, which has similar taking
the genre and playing with her little bit. Yes, and
so yeah, I will go back and rethink that and
credit him for actually, yes, that was intentional. He was
playing with how that scene would otherwise be done.

Speaker 2 (43:51):
Yep.

Speaker 1 (43:52):
I enjoyed Hasselhof calling the kid a little ginger morn.

Speaker 2 (43:54):
Oh my god, and then the whole screw up of that.

Speaker 1 (43:56):
His bloopers in the bloopers but yeah, like you know, ginger,
little moron. Yeah, it's wrong and it's not as good,
but do we need to see him get it wrong
three times?

Speaker 2 (44:07):
Then it's like, all right, you're also a moron. But yeah, sure,
I can imagine like the two of them, the banter
back and forth, like that little kid was having some fun.

Speaker 1 (44:16):
Yeah he's did he go on to do anything else.
Let's have a look at the little ginger more good question,
a little more on. He is credited as Freckled Boy
despite having a name. Yes, he's called David Amazing and
it's it's Matt Lintz, who is now twenty four. He
was in Halloween two. He's in the Crazies.

Speaker 2 (44:39):
Oh was he in the Halloween too? He must have been.

Speaker 1 (44:42):
Yeah, the rob Zombie one.

Speaker 2 (44:45):
Yeah, that's the one. Yeah.

Speaker 1 (44:47):
I have seen precious few Halloween. I've seen the first Halloween,
and I've seen the other one that was a good Halloween.
That's all the Halloween films have seen.

Speaker 2 (44:54):
I cannot deal with rob zombies filmmaking. He is not good.
I don't like him.

Speaker 1 (45:02):
This guy.

Speaker 2 (45:03):
Was he in Halloween two?

Speaker 1 (45:05):
It was Mark?

Speaker 2 (45:06):
Who the hell is Mark? All right?

Speaker 1 (45:08):
Anyway, he was a kid. I think it was also
in Pixels.

Speaker 2 (45:13):
He's probably one of the kids who like picked on
Michael Myers and made him a killer and all that
other crap.

Speaker 1 (45:20):
But he was also have you do you watch many
of the Marvel shows.

Speaker 2 (45:24):
I don't watch any of the Marvel shows.

Speaker 1 (45:26):
Okay, well, he is one of the main characters in
Miss Marvel. He played her best friend Bruno Correlli. I
watched that whole show. Don't remember him.

Speaker 2 (45:40):
Sorry, He's in The Alienist, which is based on a
park I mean to read, so that might be interesting
to check out.

Speaker 1 (45:48):
His second build on Wikipedia for that franchise. Just nothing. Yeah, Oh,
he was Henry and The Walking Dead.

Speaker 2 (45:57):
Okay, did you watch The Walkan for a very very
very short time? This is season nine? Absolutely not. I
had given up that.

Speaker 1 (46:07):
He was a pretty pivotal character for Carol because he's
the one who she like adopts him. Okay, and then
it's not a spoil everyone does. He dies, He's killed,
and it's there's like, yeah, I wouldn't say any more

(46:31):
than that because there are people out there who are
watching this.

Speaker 2 (46:33):
I'm sure there other people who care.

Speaker 1 (46:34):
I don't. But I didn't recognize him because he'd aged
like eight years between between that and that. But that's
that's I hated him. It's a very irritating character. That's good.

Speaker 2 (46:46):
Well he got he got his learning from uh he
learned about it from crazy Uh.

Speaker 1 (46:59):
So like Chet had offered Kyle the Crooked Cup. If
you remembers thirty five percent of the profits for Looking
Another Way, thirty five percent is huge.

Speaker 2 (47:08):
I don't know how the hell he got so much,
like as because chets are more. Yes, that's true, and
that's that's for one.

Speaker 1 (47:17):
One guy looking the other way, other people looking the
other way.

Speaker 2 (47:20):
He's greedy. Why on earth would he gives this guy
so much. It's not like he's stupid, he's just I
don't know.

Speaker 1 (47:25):
He promised. He promised that to Kyle and never planned
on paying up.

Speaker 2 (47:31):
Maybe, oh that could be.

Speaker 1 (47:32):
That could be he didn't think the park would last
three long as the problems and run away.

Speaker 2 (47:36):
That's fair too. I don't know.

Speaker 1 (47:41):
It's not a good plan. Yeah, but they all died.
And when when Kyle he has like a turn because
he doesn't want to save he can't save Maddie, panics
and runs away. And then when he's like, I got
a he has a crisis of confidence. I've got to
save a life, try and save anyone and everyone. Everyone
he gets to is just like half a person, an
arm and testing.

Speaker 2 (48:01):
Apparently this girl like Maddie weighs very little because he
thought that was Maddie. I'm like, okay, sure.

Speaker 1 (48:07):
Yeah, I mean he's panicking and he's stressed out. He's
running on adrenaline and then he gets when pictave blows
everything up with god is I'm pretty sure that he's
using like taurine, which isn't flammable.

Speaker 2 (48:25):
There were there were more chemicals than just chlorine. I
don't care what else there was. There was a second chemical.
I don't remember what the hell it was, but I
was like, okay, giant, you know the iron barrels of
this stuff.

Speaker 1 (48:39):
I'll allow it. Then fine, the trident comes down and
then gets kind of the face.

Speaker 2 (48:45):
Perfect. Perfect. I was totally down for that.

Speaker 1 (48:48):
Yeah, I just I just feel like this, as much
as I didn't like the film, it is way too short.
It needs.

Speaker 2 (48:57):
You know what. I feel like it's perfect because if
it were more, would be like, why is this so long?

Speaker 1 (49:02):
I don't say, make it a lot like ten minutes.
It's just just as I didn't need extra ten minutes.

Speaker 2 (49:08):
Didn't you get that you needed from this movie? Jay?

Speaker 1 (49:13):
Okay? They could have taken ten more minutes writing some
of the lines.

Speaker 2 (49:19):
What in this storyline wasn't attended to enough?

Speaker 1 (49:25):
With more Christopher Lloyd, he's only in the ones more
of a cameo.

Speaker 2 (49:29):
Is it? That's fair? Fair? That's fair? Did you want
more of the walking piranhas.

Speaker 1 (49:35):
Yes. Oh wait, In the first Parana in Joe Dante's Pirana,
there's a scene where they're like they're exploring the lab
where they made these these abominations or that the initial
plan was they wanted to get to breed Pirana that
could survive in Vietnam, send them into war and help
help win the war conflict going to call it. But

(49:57):
then so there's like fresh water seawater surviving on. And
then in Pirana too is like and what if they
could fly? What if they can fly? Which this is
the three D and three double D didn't really dwell on.
They just like we awakened them from from beneath. They
evolved on their own different different.

Speaker 2 (50:16):
Because then we don't have to explain it.

Speaker 1 (50:18):
Yeah, so now like oh the fish. So in the
first one, when they're looking in the lab and they
there's like this stop motion creature in the background that's
like a parana with legs, and there's another one that's
like it's like an eel, but it's it's like attached
to the ground, so it's like an eel seaweed kind
of thing, which is mean with little got little arms
and these things are in like one little scene and

(50:39):
they never used again because they were they were supposed
to be the actual main bad guy and then they
developed cheaper effects, but they just threw them in there anyway,
And I would I wanted more of them, Like, oh, great,
we've seen they stop motion creatures in there, and oh
that's we never see them again.

Speaker 2 (50:54):
That's so yeah, more, that is fair.

Speaker 1 (50:59):
Yeah, we're like, would Parana three Triple D have been
walking Parana.

Speaker 2 (51:05):
The triple Yeah, you start getting into two strange letters
that you can't get at targets. So I don't know.

Speaker 1 (51:13):
Parana tailored Uh yeah fitted yeah, Parana sports Yeah, I can't.
I can't say. You raise a good point. It's a
short film, but there isn't much missing they do. They

(51:33):
wrap everything up. There's maybe a little bit more time
establishing some of these characters.

Speaker 2 (51:39):
Here though, No, I know, I know, you don't you
need more.

Speaker 1 (51:42):
I'd like just have another couple who are killed a
different way. There's only so many things you can do
with fish. I get it.

Speaker 2 (51:50):
You respect that. It's not it's not a film where
a lot of animals die like they save the frog.
There is no like gratuitous animal death. It's only people
to death. I think that might be why I enjoy
it so much.

Speaker 1 (52:07):
That's that's fair. And one of my problems with the
earlier films in the franchise is there's only so much
you can do with Prana, Like everyone dies by, like
they just Purana's kind of nip at them and they
thrash about a little bit, and then the person's not
around anymore. Right, So setting it in a water park,

(52:28):
whether it's an adult water park or not, it broadens
the spectrum of what you can do. You can have
Karana chasing people on a water slide, you can have
the lazy river kind of.

Speaker 2 (52:39):
Thing, you have them spouting out the water showers exactly.

Speaker 1 (52:43):
There's variety there, and then still having like raining down
after a big explosion at.

Speaker 2 (52:48):
The end, speaking of which there were like balls like
balls raining. Was there a ball pit in this water park?

Speaker 1 (52:57):
I mean that sounds far too family friendly for this.

Speaker 2 (52:59):
Is this I'm like watching like little colorful balls. I
think it's after the explosion and talking about a movie
like this, you talk about balls falling in from the
sky and you expect something different, but no actual like
ball pit, plastic colored balls, And I'm like, where did
those even come from? Like, there's nowhere that I noticed

(53:20):
a ball pit or anything like that. Why would they
even have them? That's a question I wanted.

Speaker 1 (53:26):
Yeah, I'm trying to see I haven't found any yet.

Speaker 2 (53:30):
Let me see it's near the end.

Speaker 1 (53:32):
Yeah, I'm looking at like I can find it.

Speaker 2 (53:36):
I see fish, I see where is it in my notes?

Speaker 1 (53:41):
Yeah? Uh? Pass And I didn't see them prior to that.

Speaker 2 (53:49):
Yep, is there a water ball pit somewhere? I wrote?
And I'm like, what is this?

Speaker 1 (53:53):
I mean, maybe they didn't make a lot of time
establishing it. Otherwise we would have scrolling, scrolling, scrolling scrolling thing, raims,
no legs going back in the bath. Uh uh. There

(54:15):
was a slow motion vomit shop.

Speaker 2 (54:17):
Which is I could have done without that.

Speaker 1 (54:19):
Yep, and sex and the fan doesn't go well, I
don't think they established the bulls.

Speaker 2 (54:30):
No random balls, Yeah, random bulls, very sad, just.

Speaker 1 (54:39):
A lot of nudity. Okay, I'm going to stop scrolling
through there and on Garge.

Speaker 2 (54:44):
I think I think we've gone deep enough.

Speaker 1 (54:47):
I think we have to speaking of which like that. Yes,
thank you so listeners, this is your first time listen
to the show. Welcome, Please enjoy.

Speaker 2 (54:58):
The other long through the this episode we've covered.

Speaker 1 (55:03):
When I when we cover new films or any any
any film. Really, As I'm going through, I try and
work out how deep the action taking place within the
film is, how blue everything on screen is. And I
think it's his new since you asked on how much
the film takes place at sea, because there's a whole
third word in the title of Deeply C that we've
just been ignoring.

Speaker 2 (55:21):
You have been ignoring it. I am shamed for you.

Speaker 1 (55:24):
Sure, But now I'm slowly going back and reevaluating all
the films we cover so far to we'll get how
much there is.

Speaker 2 (55:29):
Your wife must be so proud.

Speaker 1 (55:32):
I mean no, in absolutely no way at all. She
has never listened to the show and never will. Finding
the maybe her favorite film was like we could cover that,
and she's like, no, I don't want to do that,
and I don't blame her. So Deeplys is, of course,
on average, approximately fourteen and a half meters forty seven
and a half feet deep, about thirty one percent blue,

(55:53):
and eighty nine percent of Deeply C is set at
c Lisa, do you think Kiranha three Double D is deeper, bluer,
and more at sea than Deeply.

Speaker 2 (56:01):
See No and all counts.

Speaker 1 (56:03):
No, One all counts, Okay, although it.

Speaker 2 (56:05):
Might come close with blue because of the coloring of
the pools. So there's a lot more blue at a
water park to make the water seem cleaner and refreshing.
So I'm gonna say yes to blue, but no to
Deep and See.

Speaker 1 (56:21):
Okay, Well, you are correct in terms of sea, because
this film takes place barely at sea because it's it's
water but in land. So there's there's some of the
bits like there's like flashback to the previous film and
some of the earlier bits with the fish. There's like
seven point three percent of this film takes place at sea,
which puts it nineteenth on our list of as only

(56:42):
thirty two on there at the moment, and a third
of them a zero percent. So it is more at
sea than Sharknado five globals swarming, less at sea than Sharknado.
Shot films all very low down because the sharks come
to you and how the sharks. In terms of blueness,
this is actually less blue than really this is twenty
four point four percent blue, so it's bluer than dangerous Waters,

(57:04):
less blue than Pirates of the Caribbean dead Man's Chest.
Interesting it's fifty ninth on the ranking because there is
quite blue when when it is blue, but there's also
a lot of like when they go and look in
the water, it's not long before there's blood in there.

Speaker 2 (57:18):
That's detracts.

Speaker 1 (57:19):
You're absolutely right, and a lot of the there's like
some night scenes where it's just dark. And in terms
of depth, it is actually deeper than deep sea because
I meant I mentioned the really really deep bits with
the little shots of Prana. There's not many of them.
But the problem with deep we s is there's a
there's a scene in deep sea with a plane and

(57:41):
helicopter stuff that counteracts whereas Purana three D is like
ground level or down are down. Also, it works out
on average sixteen point four or fifty three point seven
feet deep, which means it's it's just next to deep
sea on the ranking. Deep C is twenty eighth. This
is twenty seventh. Wow, it's so it's it's slightly deeper
than deep see it's slightly less deep than forty seven

(58:03):
meters down ungauged.

Speaker 2 (58:04):
I am always impressed with the science behind this podcast.

Speaker 1 (58:09):
Sure, okay, the science it's like ten percent blue. That scene, Okay, Hey,
I love it. I love it.

Speaker 2 (58:18):
It's great.

Speaker 1 (58:19):
I need to I need to develop an app that
just doesn't you do Oh my god, I know how
to do that, so I guess so I think that
that will do it. For our coverage of Parana three
double D, Lisa, what would you like to plug work
and the listeners find you.

Speaker 2 (58:34):
I am in a weird hiatus right now, so you
can catch me in like sporadic places. So the rabbit
Hole podcast network has a whole bunch of different shows
that you know, whatever it is you're looking for, perhaps
didn't know that you needed in your life, you can
find there at rabbit Hole podcast dot com. I am
on a show with Jason Sodo called Fit for a
King where we are going through a number of different

(58:56):
films that Stephen King has publicly lauded in one way
or another. And so this week we're actually taking a
look at The Killer Shrews. So I'm going from one
hideous feature feature to another, which is delightful for me.
We have a book club at rabbit Hole Podcast, like
I said, which is currently in a hiatus, but We

(59:17):
have lots of back episodes. You can check out pictures
and conversations a rabbit Hole podcast, book Club, and that
I just.

Speaker 1 (59:25):
Listened to I just finished reading, and listen to your
episode on tomorrow and tomorrow and tomorrow. Oh I love
that book, A book I really enjoyed. Yeah, and an
episode I enjoyed as well when Lackey was like, I
hated this book. Oh no, this is gonna be a
quite a down episode. But he, for his credit, he
was a measured conversation, yes, saying why he didn't like
it wasn't for him. And then you talked about it

(59:46):
maturely and didn't like, well your opinions.

Speaker 2 (59:49):
Yeah, we don't do that, at least not in the recordings.
But yeah, So, I mean you can catch me in
a number of different places. I show up on a
LAMB cast quite a bit, and I keep showing up
on Blue See the podcast, So you know I might
show up there again.

Speaker 1 (01:00:03):
You absolutely will. You're always welcome back. Someday we'll talk
about Slot slaughter House. I'll put it on the spread
on that.

Speaker 2 (01:00:09):
I don't know if it should be though, but we'll see.

Speaker 1 (01:00:11):
Well, it's a great we're kind of expanding it to
just creature features. I think it's close enough. Awesome, great, Uh, well,
we're recording it a little in advance, so I think
our next episode is going to be Deep Star six.
Don't quote me on that. This whole year of scheduling
keeps on getting disrupted by new films coming out and

(01:00:31):
just pushing everything bad. So this will probably come out
in September. We'll see so listeners next week, maybe Deep
Star six, if not something else, maybe Deep a chapter
on that perhaps, But as you can find everything I
write over at Life as this Film dot com. At
time of recording, I have just finished my coverage episode
episode of season two of twin Peaks Nice, which went

(01:00:56):
places wasn't expecting it to go to those places. I'm
going to take a little break before covering the return
in that I need to watch fire Walk with Me
and the deleted scenes first. But by the time this
comes out, maybe I'll have started up again. Who knows.
Check over Life versus Film dot com and find out
find everything Mark does at Movies filmsan Flicks dot com
and you can follow this podcast all over social media

(01:01:17):
at Deep Blue c Pod. I forgot the last week
at Deep Blue seapod dot email US deep spot at
gmail dot com. Thank you. That's up to it for
Parana three leubl d. Thank you once again. It's my
wonderful guest, Lisa Lehy.

Speaker 2 (01:01:29):
Thank you for having me. It's always a joy chatting
with you.

Speaker 1 (01:01:33):
And you too. I have been Jakler and I'll deep
blue see you next week.