10-23-25 You Gotta Be Loch'ing Kidding Me!

It's Spooky Season on KLRNRadio, and Disasters In the Making joined in on the crypted fun and review: Beneath Loch Ness 

Episode Transcript

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Speaker 1 (01:45):
So Silver tidle tails week with the shadows high.

Speaker 5 (01:50):
Through the fog, whisper creeps of something stirring in the mode.

Speaker 1 (02:01):
And welcome to Thursday Night KLRN Land. This is your
early inter to the weekend, as we always do here
because this is disasters in the making. What is everyone doing?
I'm Brad Schlager. We're getting ready to continue our k
LRN theme of the month, which is cryptids, which we're
doing for the sake of the holiday Halloween season, and

(02:24):
so we're about to do a deep dive into another
monster feature. But I'm not jumping in by myself because
grabbing his floaties and wetsuit along with me. From ScreenRant
dot com. It is Paul Young. What's going on, Paul?

Speaker 6 (02:38):
How you doing, my good cryptic friend? What kind of
cryptid would you be? If you were a crypted if
you were unknown zoologically?

Speaker 1 (02:47):
I would probably have to be, uh, probably one of
those Roger Corman sharks that he's created. I don't know, like,
what was it octa shark? What did he call.

Speaker 6 (03:00):
Mega mega kroctopus?

Speaker 1 (03:03):
Yeah, he did shark the puss which was a great
white just they had.

Speaker 6 (03:09):
You are saying shark with a K and that sharked
with a T.

Speaker 1 (03:12):
Correct, That is correct. Yes, the aquatic animal, not the
bowel movement.

Speaker 6 (03:19):
Which technically both would be correct in the sentence.

Speaker 1 (03:23):
I think both could qualify as cryptids in this case.

Speaker 6 (03:26):
But I know what that would be. I'd be one
of those giant ants, one of those giant ants from them.

Speaker 1 (03:35):
Okay, that's a uh, that's a curious spirit animal for
you to choose.

Speaker 6 (03:40):
Is that a cryptid? Though? I mean it's an ant.
Everybody knows what an ant is. It's just a a
big ant.

Speaker 1 (03:46):
Yeah, that's that was more of a nuclear mutation back
in the day, because that's that was the thing in
the forties. We were all these giant ants, ginet iguanas,
whatever the heck they had in their cheririum they could
put on screen with forced perspect and it became a monster.
But uh, we are exploring this zoological oddity because yes,

(04:09):
as I said, they're doing cryptids on a number of shows,
and as we did on our last episode as well
for Halloween. So Paul and I put our heads together
to come up with some kind of mythological creature, and
we decided, why don't we, uh, why don't we traverse
our way to northern Europe, the north end of Great
Britain and tackle the Lochness Monster aka NeSSI to see

(04:36):
if we can find a movie that's worth of dam
on this particular creature. We didn't find one that was
worth of dam.

Speaker 6 (04:44):
There's some decent ones, like I think The Waterhorse with
Steven Spielberg from back in the day was goshly it's
like early two thousands, and I called it back in
the day the uh uh. I think the water Horse
is probably the closest Lockness monster movie that you could
come up with. We could have done something locke Ness adjacent,
like any of the Lake Placid sequels, but I know

(05:08):
we had to find something. Back in the early two thousands,
late nineties, early two thousand sci Fi Channel in the Asylum,
we're basically throwing any old schlock at the wall to
see what they could get to stick. It did not
matter the quality, it did not matter the story. Nothing
mattered other than can we put this on TV? Is
somebody willing to start produce and direct this thing? If so,

(05:31):
let's go with it. And that's essentially what this movie is.

Speaker 1 (05:34):
It is.

Speaker 6 (05:36):
Do you remember about five years ago, maybe four and
a half five years ago, we covered a Jurassic Park movie.
Do you remember that it was like a Jurassic Island.
I think this is directed and this is made by
the same production company because the production effects are about
as terrible.

Speaker 1 (05:58):
This was not a high end effort. Biting stretched pretty much.
Was this monster the movie in a while we should do?
And then they did as little as possible.

Speaker 6 (06:11):
But you know what's sad is the guy who directed
this movie, Chuck Komski, and he is known his IMDb page.
This is This is all he has on his IMD page.
He's known for the vision, being on charge of visual
effects for Avatar, Blade and Last Action Hero.

Speaker 1 (06:31):
Yeah, he's he's got special effects experience. Would be nice
to see some of these special effects skill, but we
didn't really didn't really get that. We pretty much have
an assemblage of your usual actors C, D and E list,
you know, TV performers and things of this nature, most

(06:55):
of them Canadian of course, and then give them a functional,
ripped rewrite it a few times. I think this thing
had three different writers for them.

Speaker 6 (07:05):
Being basically you're being very generous with functional.

Speaker 1 (07:09):
Well, it's the Holidays ball, we have to be genteel
and generous with others.

Speaker 6 (07:16):
I don't know, this thing is twenty four years old.
I don't I don't think we owe it anything.

Speaker 1 (07:21):
No, no, we don't really, but it's it's one of
the few examples. So the thing I liked is as
the opening credits come up, they were pretty damn weak.
I think they tried to make the lettering look aquatic,
but really it just kind of rolled up the screen.
And then we get one of the title cards for

(07:42):
the International Film Group, which on screen I think they
tried to sell but you really get the feeling that
it's more like the International House of Pancakes here, You're
not really.

Speaker 6 (07:56):
I would have been okay with that.

Speaker 1 (07:59):
And then they tried to set the tone.

Speaker 6 (08:05):
The Bible Verse. Like I knew that this was going
to come into a play later that you know where
they talk about in Joe, where they talk about the Leviathan.
I knew that that was eventually going to show up,
and they were gonna they were going to reference that
to say he started off with the verse, but like Jonah,
I think it was a quote from Jonah, but it was,
but they referenced job No, no, sorry, yeah, they referenced

(08:27):
Job and Leviathan.

Speaker 1 (08:33):
That's where I was going.

Speaker 6 (08:35):
And this thing was all over the place when it
when it came to just like doing stuff.

Speaker 1 (08:39):
So this is what they give us to open. He
makes the depths churn like a boiling cauldron and stirs
up to see nothing is his equal, A creature without fear?

Speaker 6 (08:55):
I am, well he had. He's without fear. You have fear?

Speaker 1 (09:02):
Okay, I see now they're also a little mistaken here
because they keep referencing it as a he, and what
we see throughout is that this is probably a she
because they keep referencing eggs in the bottom of the lock.
Just a little quibble one of the details here that
kind of struck me. So we it's a little tough

(09:28):
here because I think what they assumed as filmmakers was, hey,
we're giving you a luck in this monster movie, and
that's going to be sufficient for the audience to understand
everything that's going on. As a result, they don't have
to tell us anything, so we get people diving in
the water.

Speaker 6 (09:46):
I had immediately look this up and it was bugging me.
I this is the problem Okay. So I was out
of town last week when we picked this movie, and
I decided to download it and watch it on my tablet.
And I like to like research and verify and talk
about movies while I'm watching them to see what we're

(10:07):
talking we're gonna what we're gonna discuss later, and always
look for errors. And the first thing that happens is
they're talking about there they're in a cage and they're
diving down to the bottom of the lake, and I'm like,
is the lockness deep enough for that you have to
use dive suits in a cage?

Speaker 1 (10:23):
Like?

Speaker 6 (10:24):
What is it that deep? How deep is it? And
I had to buy internet access, Brad, I had to
buy internet access on a Southwest flight thirty thousand feet
in the air to verify the depths of Scotland the
little lock it's seven hundred and forty seven feet deep
or seven You.

Speaker 2 (10:41):
Could have just texted me almost and I did a
nasty show like we could go, so, oh.

Speaker 6 (10:47):
Did you can? I can you do?

Speaker 1 (10:49):
You? What do you do?

Speaker 6 (10:50):
You're an iPhone?

Speaker 2 (10:51):
Yeah?

Speaker 6 (10:52):
Oh yeah, I guess I could have because that's all
you get. That's all you got up there is what's
happened the iPhone apparently that's all. That's the only thing
that it works.

Speaker 2 (11:01):
Yeah, it's around seven hundred ffty ft deep. Because we
did Nessy, we did water cryptids in week three, so
it was too It was not this Saturday, not this
path Saturday, but the one before.

Speaker 6 (11:12):
So yeah, well, I guess technically they would have been
good down into the water at seven hundred and forty
five feet or whatever. They were not that far, but
they were not that far off the shore. I'm sorry,
that's gonna be seven forty five at the center working
your way out. There's no way they were. They look
like they're like, what thirty yards off shore? That must

(11:33):
be just a heck of a drop off.

Speaker 1 (11:35):
Yeah, they don't. They don't. Lot of scientific accurate portrayals
in this let's just say that. But again, if we're
talking about the Lockness Monster, who the hell needs accuracy? Right?
None of that comes into play, not this movie.

Speaker 6 (11:53):
So again, but it always bugs me, bro Bro It's like,
if I can find out information twenty thousand feet in
the air. Granted this was made in twenty two thousand
and one, but AOL existed, so I knew you had
the ability to look this up, like you can look
basic information up as you're writing something you don't have,
just like assume you don't have the ability of time

(12:14):
to put an Encyclopedia Britannica, you know, and at least
write something down that makes sense.

Speaker 1 (12:22):
Well, I yeah, it could also be a case where
they're assuming the audience doesn't know any of this stuff
and therefore they'll just swallow whatever the hell you belchi
on screen.

Speaker 6 (12:34):
I think it's bold with them to assume there was
going to be an audience.

Speaker 1 (12:40):
Well such as it is. But again, three writers for
this that cracked me up.

Speaker 6 (12:51):
I don't understand why.

Speaker 1 (12:53):
Here's why it cracks me up. As the movie unspools
and we'll get into these details, but every so often,
this little touch point will come up and he's like
that rings a bell that seems from I know, I've
seen this. So much of this film touches on Jaws,
just flat out lifted from Jaws.

Speaker 6 (13:16):
Oh, most of it does. It's all supposed to be
based on that, from all right down to the way
the Scottish police captain I'm sorry constable. He likes to
correct people to the word constable at home. Yeah, the
way he responds to something dangerous being in the water,
you know, like right down there.

Speaker 1 (13:35):
To that it's tourist season. We can't close the beaches.

Speaker 6 (13:40):
Is a tourist season in Scotland, Like.

Speaker 1 (13:43):
Well, that's the thing that cracked me up to is
they keep talking about the need for tourists and yet
all they do is complain about the Yanks that are
in town. Get the hell out and go back to
the States. So the one thing that's drawing people is
the locked ness monster. So you got people looking for
it and the locals are all pissed off that these

(14:03):
people are here. You tourists, get out of here. We
need more tourists to come. Huh right, there another pretty
significant plot hole, and this thing is just filled with them.
So get ready. So we've got divers in the water.
Stuff is going on. Take our word for it because

(14:26):
they don't show it.

Speaker 6 (14:28):
No, this, this whole movie is the very very prime
example of not having a budget to do anything. And
you know what, We've discussed this before that when low
budget movies need to show something but don't have the
budget to actually show a room, they back they like
dark light everything behind them. And so it's supposed to

(14:51):
be in this massive, expansive room and they just everything's
dark and you just see light on the people or
the objects that you're supposed to be looking at. And
that's how they get around not having to use a
giant studio soundstage. That's what they have done here for
this movie. But underwater. At no point in time did
I believe they were underwater at any point?

Speaker 1 (15:12):
Well, this is nowhere. This is how cheap the movie was.
The diving scenes, they were not in water. They did
not use a water tank or anything of the sort.
And you notice this because I think there's at least
what four scenes where they're scuba.

Speaker 6 (15:30):
Diving, Yeah, and nothing's floating.

Speaker 1 (15:34):
You never see bubbles. One time, well I'm sorry, excuse me.
There is one time because they say, oh, my valve
is open, I'm losing air, and then they had to
actually digitally insert a string of bubbles over the guy's shoulder.
That was it. The rest of the time, they're in
a dark room and the camera keeps bobbing up and

(15:55):
down to make it look like they're floating in the water,
and they put you know, fog in the room so
it looks murky and cloudy. There you go, there's your budget.

Speaker 6 (16:07):
But there's nothing floating. You don't see anything floating like
like not their hair, like a like a tether, you know,
the rope, a piece of string. Maybe maybe a fish
swimming by. Nothing there.

Speaker 1 (16:19):
I mean. The female researcher has long black hair, shoulder length.
We see her on shore talking all the time, and
then when she's underwater, it's never billowing around her or
floating behind her. Note just hanging straight. Huh, there you go,
thank you. Movie. So we open with them in the
water again. Very dark stuff happens. We only know this

(16:43):
because they say, oh my gosh, did you hear that?
Did you see what? Huh? We have no clue. And
then there's a tremor earthquake and I had to check.
I did, like you do research. There is a fault
line that runs through the lockness, so points for accuracy,

(17:04):
I suppose, but they say that it's not like a
significant fault. It's just slides every now and then. You
might get like a three to two on the Richter scale.
In this movie, it causes an underwater rock slide and
takes down the lead researcher with him, and we see
him descend from the camera into the murky depths and disappears.

Speaker 6 (17:27):
Sad Gus his name was played by Dick Stillwell, probably
one of the best names in all of Hollywood that
to be imporn. He died shortly after this movie was released.

Speaker 1 (17:46):
Yeah, and they feature him prominently as well on the
poster like you know, hey, starring jigs are Yeah, for
all of two and a half minutes.

Speaker 6 (17:54):
Maybe he didn't have a very long career, but he
was very like his character has less screen time than
Steven Sagall does an executive decision, which is hard to beat.

Speaker 1 (18:14):
True, but this happens in these type of movies where
they will get a somewhat named actor, give him somewhat
of a paycheck so that he can shoot for two
or three days on a three week shoot. Feature him
on the poster. We can sell rights overseas, gotcha. So yeah,
Gus is a goner and that's all you need to

(18:35):
know about him. And this is going to affect the crew.
Now we cut, I think to Los Angeles. Never get
a title card. We're just making assumptions here. Rich guy
has glass brick around his shower, so I'm assuming he's
the power broker. He's the guy, and he is this

(19:00):
is Mason, and we come to learn I guess he is.
Is he a network executive, a producer, He's some kind
of han show with a television show.

Speaker 6 (19:10):
I think it's the Nature Channel or it's a Nature
channel of some sort, cause she says the name of
it at some point.

Speaker 1 (19:19):
Yeah, so he is. You know, he's so rich that
when he's walking through a room, an assistant will come
up with a glass for him to drink, and he'll
just wave the person off, like what the hell you're
bothering me for.

Speaker 6 (19:32):
I like when she follows him into the bathroom and
he just starts undressing in front of her to get
in the shower, and she's like, oh my gosh, it
turns around.

Speaker 1 (19:40):
She has to get embarrassed.

Speaker 6 (19:42):
I don't know if you I had to rewind or
watch this seat this part multiple times because the assistant
picks up the guy's dirty clothes and hangs like a
jacket on a hook next to the sink and then
walks back to the spot and the jacket falls off
of the hook and lands back on the ground and
then it just stays there like nobody goes, hey, let's
do this again. We had something following the back fall

(20:02):
the background. They just left it and the dude didn't
even like turn back around to pick it up and
hang it back up again. Like I just I would
laugh at that so hard, Like nobody saw that but me.

Speaker 1 (20:14):
We'll fix it in post or not, it doesn't matter.
So Mason has a I guess a high strung assistant
or a network producer or such, Elizabeth, and she's informing
Mason that Gus has just bought it in Scotland. She's like, ah,

(20:35):
I got some bad news. Our lead researcher died. Mason
is pissed off about this, not because the guy died,
but because he just learned that he's invested money in
chasing a mythical creature in Scotland. What are you talking about,
I'm wasting my money on this. Yeah, and a guy

(20:57):
died there, Mason, just to reiterate it's kind of bad.
You know, we want to I guess.

Speaker 6 (21:02):
I guess he's supposed to be the bad guy because
he's you know, corporate greed and media greed or whatever.
But he's done. This is the end of his character.
That's he didn't do anything other than this.

Speaker 1 (21:14):
Yeah, that's he's just there to be the gruff, cold hearted,
money hungry media exec or something. So he says, all
I'm doing is and I'm investing in this. This is crazy.
This is stupid. And then his assistant tells him, well, uh,
if we can get some footage, we'll get good ratings.
Now Mason is on board like that quick, Oh okay, yes,

(21:38):
we'll do this. Then comes hold on, you were just
it was a stupid story. Why am I investing in this? Oh?
I can get ratings? Okay? So yeah, he he literally
turns on a dime and I guess this kicks off
our show because he then says, all right, if we're

(22:01):
gonna do this, I need Case on the job.

Speaker 6 (22:08):
Like, like, who is Case?

Speaker 1 (22:10):
Yeah? He he says, an Elizabeth is like beside hers.
I was like, no, anybody but Case. He's not right
for Maybe Case is the perfect person for this, I
guess because he's out working in the desert, so naturally
going up to the cold lake in Scotland is the

(22:30):
perfect job for him. Huh, but just go with it.
This is what's happening. Yikes. So we then cut a
guess to the desert.

Speaker 6 (22:46):
Yeah, what was this? Like?

Speaker 1 (22:49):
They formed some rocks into an entry way, so it
looks as if they're passing into some kind of sarcophagus
or something. They're in the Sahara Desert, they're in Afghanistan,
and his phone rings and Elizabeth, Hey, we need you
to go to Scotland. He's like, what, No, Never, I
hate the place, I hate water. I'm not going to Scotland.

Speaker 6 (23:11):
And then it's not that this whole introduction is so
odd because they bring this kid in a in a
jeep just driving up and then hops up and he's like, hey,
like he's apparently in the middle of nowhere for this
kid to have to drive a jeep up, and this
is a literal kid, I bet you he's every bit
of sixteen fifteen years old. He's like, Yeah, this girl's

(23:33):
is on the phone and she needs to talk to you.
He's like, Nah, what I'm gonna say She's it's really important. Nah, Like,
I'm gonna guess that if they drove this far out
to talk to you in the middle of this remote location,
that and he's gonna do it on a satellite photo
some Sorry, you might want to take the call there, buddy.

Speaker 1 (23:51):
Yeah, there's a probably Well, we do find out there's
a little bit of a history there later, so maybe
that was part of it. He dressed, but this the
port I enjoyed he dresses.

Speaker 6 (24:02):
He dressed. His whole character dresses like that dude from
Jurassic Park, the Hunter from Jurassic Park, like the whole movie.

Speaker 1 (24:11):
He tried to but didn't really quite get there. It
was more of like, uh, he's got a panama jack
shirt and a cowboy hat.

Speaker 6 (24:18):
It's about it's always open. He's wearing what looks like
a puka necklace in the in the in the desert.
He's a This dude was a terrible actor. Like there's
terrible actors. This guy all. I don't know if there's
anybody in this movie that's a good actor, at least not.
I mean maybe they are in real life, but for here,

(24:38):
this one's this was sorry.

Speaker 1 (24:39):
I thought he was okay. I didn't think it was bad.
It was just more of like he's supposed to be
this gruff, cocky, self shured guy, and he was more
of like, eh, I got this, you know, not like
really selling it. It's pretty much take my word for it.
I'm important.

Speaker 6 (24:58):
Yeah, I'd say that the performance is here outside of
Gus dying at the beginning is there is not good.
Gus's death was believable.

Speaker 1 (25:06):
Well, this is what I enjoyed the most. Though, the
phone call comes up, I need you to get to Scotland.
The team needs you. He's like, what are you talking about?
This is Gus's team, it's Gus's job, It'scus's research. And
then Elizabeth says, oh, I thought you knew. Yeah, Gus died. Now.

(25:26):
Case is clearly bothered by this. You could tell they
were kind of close. Then he's like, wait, what you're
kidding me? Yeah, so I need you to go to Scotland,
and then she just folds the phone and hangs up.

Speaker 6 (25:40):
Yes, done, and more information? You want more information? Get
to Scotland. How do you get knew?

Speaker 1 (25:47):
But yeah, your best friend just died. Oh Lunch is
ready to see you by just cold damn well. Eventually,
Case then does go out to Scotland and meets the
whole crew out there, who apparently hate him. It's like

(26:12):
they're all talking about, you know, we're gonna pack up.
Everything's done for we can't do it without Gus. Case
shows up. Okay, I'm running the show now, we're doing this.
Shut up. I hate you. I mean clearly there was
some animosity here. I did not want to deal with them.

(26:32):
You're not getting into water, you're not telling us what
to do. You don't know what you're talking about. Why
am I watching this movie?

Speaker 6 (26:39):
There's no setup, there's no explanation, no just hey, I guess,
I guess. You just came back to do what Gus
wanted to do. There's no setup for his character to
be hated in this manner, nor to should we like
as the the audience, say, oh, I understand why he's important.

Speaker 1 (26:58):
Yeah, it just again, this entire movie is based on
take our word for it screenwriting. That's it. Now. Case
shows on the scene and the very first thing he
gets to do is to go to Guss's funeral, which
they hold out on a small peninsula on the lake
with a crowd of people. Who are these people? Because

(27:20):
this is a group of Americans that just showed up
to do researchers but somehow they get two dozen people
for his funeral.

Speaker 6 (27:28):
Well, we can't. We need it really quickly. We need
to hop back a beat because Case, do you remember
in Case arrives on the scene at Scotland and he's
he's in a helicopter do you remember the helicopter? Mm hmm, okay,
did you see how he got off a helicopter?

Speaker 1 (27:44):
Yeah, green screen.

Speaker 6 (27:46):
Green screen. And then he throws his bag out of
the out of the helicopter onto the ground like he's
about the skydive, and then he hops down to the
ground and then picks up his back. Dude, it's a helicopter.
Leave him bag on the platform, step down, turn around,
pick up your bag. But there was another dude standing there.

(28:07):
There was like an assistant standing there waiting to take
his bag, and he just tossed it. Bio, just threw
it right out. And then the girl he meets, the
long had blacker, The long blacker girl we're talking about.
She's leaning against a tree like she's flirting with him.

Speaker 7 (28:23):
Oh, I don't know, man, I just can't. I should
put my in here and put off the vibe. And
it's this case you want to pick me up at
this funeral? Like, did you catch any of that?

Speaker 6 (28:35):
She? Yeah, it was.

Speaker 1 (28:36):
I wondered if there was going to be like a
meet cute. Is there a romantic history? Is there something?
She's just like, hey, Casey, what's going on? And then oh,
that's right. We don't like you.

Speaker 6 (28:48):
There was nothing to talk about. They kept trying to
seem like there was like insinuate that there was gonna
be a love triangle or a love interest somewhere between
him and the long haired black girl. But then we
find out between about him and the blondhaired girl later,
and then it never comes to like there's nothing adversarial,
no animosity, no tension. It's like they just thought, hey,

(29:12):
here's some two cut, cute women and a cute dude.
Maybe we just insinuate that there's something happening, but we're
never actually going to address it in any manner.

Speaker 1 (29:23):
It is. Yeah, again, more of it is just implied.
Run with your own imagination. We don't have time to
include this in the script.

Speaker 6 (29:31):
Now. That's not to say, look, I think this movie
originally was supposed to have probably at least one boob
scene in it. There was supposed to be this was
probably supposed to be direct to video somewhere on the
blockbuster shelves near the back, with like Sleepover, Massacre and
that kind of stuff. Because I think there was supposed
to be nudity in this film and it was cut.

(29:53):
It was most likely filmed, but it was cut because
all three of these actresses have been in movies with nudity,
so I'm assuming that's what they were hired for. Because
there's that scene where the black haired lady comes out
of the water and she's wearing nothing but a white
T shirt and she's heat and he the dude, is
helping her onto the dock, and it's just everything is

(30:14):
as what you would expect it to be in a
sheer white T shirt coming out of the water, and
then it's never addressed again.

Speaker 1 (30:22):
Even so, I think they kind of kind of clip
edited that it was supposed to be look like her
Jackeline Bessett moment.

Speaker 6 (30:30):
Yeah, but it doesn't make sense in the movie, like
it just randomly happens. It's after the memorial and she's
just like swimming. They've just finished talking about how cold
the lock is and that you need a suit to dive,
and here she is just randomly swimming in a just
and just a T shirt.

Speaker 1 (30:46):
Yeah, there's a I think this might have been clipped
down for television.

Speaker 6 (30:53):
I don't know if this aired on television. I couldn't
find an airing anywhere like where they had actually made
it to. I know it was released in a blockbuster
back there where they had like transmorphers and that kind
of stuff back in the day Snake's on a train,
it was all on that kind of stuff, so I
know it was there. I don't know if this ever
made it to made.

Speaker 1 (31:14):
It to TV. Well it felt like it, but ma'am,
I guess not. But it's kind of funny too with
the like the helicopter scene, you don't see him climb
out of the cockpit. You see him come from behind
a blind line, so he tosses his bag. You don't

(31:37):
see him in the cockpit doing this. You just see
the helicopters on the ground with a pilot. And then
he steps out from behind a green wall and he
doesn't step down like you know, the skip is lifted
up now. He just walks sideways right off. Just pathetic.
And later when the producer comes in from America, she's
at the train station. She's clearly on a green screen

(31:59):
set as well. Oh aberious, it almost looked like a
video game. Was like, oh wait what I had to
rewind out again. It was like, yeah, she's super imposed.
So they took a video of a train arriving at
a station, played that in the background against the green
screen for her to walk up and just check her
watch a couple times. Amazing stuff. So we have the funeral.

(32:24):
Of course it was raining. Of course there were bagpipes
went through all of that check check.

Speaker 6 (32:29):
But it was it was only raining in certain parts
of the scene. Did you notice that?

Speaker 1 (32:36):
No?

Speaker 6 (32:36):
I didn't they It's like they couldn't afford to spray
the water hose across everything. So he's dripping wet, like
he's just completely soaked, and she's dry as a bone.
And then the next scene like she I guess she
moved into the rain cloud and she is just soaking
wet and he dry as a bone.

Speaker 1 (32:57):
Yikes. Yeah, this movie, well, you know, we've done a
number of diving things, we've done a number of research
office kind of drama everything else. I check my watch
or at least a time uh timecode on the film.
We're about half an hour into this thing in Scotland.

(33:23):
Still haven't heard a Scottish accent.

Speaker 6 (33:26):
But you may not because there's not many to be
had in this movie.

Speaker 1 (33:30):
Well, we finally do at this point because we they
go to a bar and that's when they meet the
locals who don't like you Riyanks in this spot about
the country. And now the rogue starts to flow, and
there's two girls, two waitresses that are just as bitchy
as can be. We do all want jo Yankees, hell

(33:51):
with our monster, get out of here, and we don't
kneel Jones. You don't want their business. They're here to drink.
What do you maybe get mad after they pay the bill?
I'm just gonna mind. Little business sense is kicking in.
Be friendly first, but no, they're bitch He gets out
of here, and yeah, they come to find out that
they're not very welcome here. No, in the in the

(34:15):
lock area.

Speaker 6 (34:17):
Now why are they not welcome? Nobody knows? No days.
What are you doing diving in my water? Oh no,
you're diving in my water. Stop doing that now?

Speaker 1 (34:25):
Along with this film crew. And I'm gonna use that
term very loosely, because again I told you this is
a film crew for a television show. There's a distinct
lack of cameras that these individuals work with.

Speaker 6 (34:41):
Not true when they eventually find the pleasiatsaurus or washes
up on shore spoiler alert, sorry, guys, When when they
eventually have that happen and they go to do the
autopsy that dude brings in that it clearly fake v
VHS camera with a little light on the front of it,
like they just picked that up. It props our us,

(35:02):
remember that one. He's using that camera the whole time.

Speaker 1 (35:05):
But that's that's the first time this film crew actually
had filmed anything outside of when they were underwater. We
have to believe that the divers have cameras on them
because the guy's up on boat can see some stuff.
So I guess sure, But I'm not getting a documentary
feel from these people. Just gonna say it. But while

(35:25):
they're doing this, there's also a group of people out
on the water that's from a conspiracy website and they
are going to fake NeSSI on the water film it
so that they can get ten thousand clicks on their
website at a dollar a click.

Speaker 6 (35:47):
Now, wait, hold on, before we get to that nonsense.
You remember how she met him. He's over there eating
fries at the table, So he just buried, had a
memorial sary. Can they get anybody in her body? So
they had a memorial service for his best friend or
his mentor or whatever. And what's he do. He's out

(36:07):
at a bar, eating french a basket of fries and
drinking beer like that's that's where he is. And this
girl walks over to him and introduces herself and says,
you know, I run a website for people like you
got a second for me to do an interview with you.

Speaker 1 (36:26):
Well, he's all spitchy with her, like it's like, get
out of her. It's like, dude, okay, I understand you're
going through stuff. She doesn't know this, but her introduction
in the film too was I thought she was the waitress.
I did too.

Speaker 6 (36:43):
I thought she was a waitress. And those were her
her late nineties friends.

Speaker 1 (36:47):
You know, she's she comes up to the table, She's like, hey,
I don't want to bother you guys or anything. And
it's like, don't you have a job to do? Honeyint
you got on the tables this yet? And then she
finally gets around to telling them that this is what
she does. Oh got it? Okay, So there's a and
I'm thinking, too, why is there an American waitress in Scotland?

(37:08):
But okay, now we know, so what is it? A
group of three or four of them?

Speaker 6 (37:14):
There's three of them and she's dating one of them.

Speaker 1 (37:17):
Well, Now there's the fourth guy that was on the
other boat. And remember like he was on the radio
set with them.

Speaker 6 (37:25):
Oh you mean I thought you meant the website group
you're talking about the Yeah, the one is very confusing
here for a little bit because everybody looks, looks and
dresses the exact same. There's nothing to set them apart
other than case.

Speaker 1 (37:38):
Yeah, nobody has a personality, and basically it's a girl
and two guys are trying to control this I know,
like a fifteen foot mock up of the Lockness monster
that they have floating in the water, and the fourth
guy is on a tourist boat, glass bottom boat that

(38:00):
you can see NeSSI from the Dick and I love
his intro.

Speaker 6 (38:04):
I love his introduction to the movie that this dude
that's on the boat the plant, if you will, he
comes riding down the Scottish mountain side like a trail
on a scooter like a moped of some sort, and
then just hops off of it while it's still running
and just lets it roll into the ground like just
like he's riding a BMX bike. You know, when you're
a kid, you ride your BMX, you just hop off

(38:26):
at the friend's house and he just crashes into the ground.
That's what he does to this sake. Then he runs
to go get on the boat. So he buys a
ticket for these nessy tours. I'm trying to find a
T shirt for that. By the way, they had T
shirts for sale. If I find a tea shirt from
this movie, Brad, you're getting it for Christmas. That's how
that's working. So he runs and he jumps onto the boat,
and the boat is filled with and I'm making I,

(38:49):
Brad verify this for me, an old man and his son,
a black woman, a Chinese lady, the Scottish captain of
the boat, which, by the way, the boat is painted
with a shark's face on the front of it. And
then this douchebag that's standing there with his earbuds and
talking into his microphone on his on the wired earphones

(39:11):
the whole time. That is the people on this boat
to see a messy charge. There might have been an
old lady on there too.

Speaker 1 (39:16):
No, there was also the one couple, the guy that
had the bucket hat and big sunglasses in.

Speaker 6 (39:22):
His Oh yeah, yeah. None of them die, by the way,
they all should have, but none of them do.

Speaker 1 (39:28):
So the the ruse is going to be this. The
three people are out there with a little John boat
and the floating NeSSI Lockness monster mock up that's painted
bright green. By the way, it looks like a putting
green in the water. And this guy is on this
secondary boat with his camquarder and he's supposedly going to

(39:50):
film them from a distance, and that's going to be
the footage they'll upload to the website and make a
dollar per click.

Speaker 6 (39:58):
A dollar per clay. We're gonna make ten grand with somebody.
Go to our site and go to the dude who
is getting you even in two thousand and one, who
is paid you a dollar per click? What advertising firm
is screwing that up?

Speaker 1 (40:12):
Okay, but even so, at best they're gonna break even.
Because four of these shlubs had to hump it all
the way out to Scotland to pull this off. That's
some even back then. Tidy airfare, hotel, all the gear,
everything that you had to pull this little thing off.
It probably cause you good ten grand. I'm just gonna
say it, but okay, yeah, in the hole. So they're

(40:40):
starting to troll this thing out in the water. The
guy on the boat and the glass bottom boat actually
sees the lock Nest monster, the real one swim under
their boat. It's a flash, it's a blur, but you
see it now.

Speaker 6 (40:54):
Just so you know, there are no glass bottom boats
in the lock because it's so dark and murky, you
wouldn't be able to This is not a Crystal Springs
glass bottom riverboat that you have, by the way, you
ever done those down here Crystal Florida.

Speaker 1 (41:10):
That's sure. The loch Ness is pretty much like driving
a boat through pasta visual now Here's.

Speaker 6 (41:20):
This is This is my favorite part is everybody that's
on this boat is there for a NeSSI tour. This
is not a Niagara Falls tour. In fact, had these
people been on one of those Niagara Falls tours, they
would have missed the falls because none of them were
looking in the location and where they would see NeSSI,
you know, like in the water. They're just all staring
over the side of the boat, like out in the

(41:41):
middle of nowhere, like they're burn watching or something.

Speaker 1 (41:43):
They're checking out the mountains. But this schlub manages to
video record the actual Luckness Monster through the glass bottom
that nobody else on the boat sees. The kid that's
why they're.

Speaker 6 (41:54):
There, except the kid, and then his dad calls him, sport.
What's it? What is it? Sport? You deserve to be
eating first, Dad, he needs to come up out of
the water and grab you by your bucket hat and
just rip you overboard, leaving your child to holler and
fear for the rest of his life. I know that
seems strong, but dad is strong. Word.

Speaker 1 (42:14):
He's actually distracting his kid from the glass. Like the
kid's like, oh, hey, did you see that? It's like,
knock it off. Come on, check out this stuff over
here on shore. Look it over there, there's a tree.

Speaker 6 (42:23):
Look at the stuff on shore.

Speaker 1 (42:25):
What the hell we're here for the lockedness Mustard. I'm
checking the water out. Pops just saying, so anyway, Captain
Beefheart with the camera men just to capture some of
the footage, and he starts radioing his partners. Hey, that
was awesome, guys, I caught it. Perfect job. The girl
in the john boat now says, what are you talking about?

(42:46):
And there's now pieces of their Lockedness monster floating around.

Speaker 6 (42:52):
We're not even over there. We didn't make it.

Speaker 1 (42:54):
Apparently they got attacked, but we're not going to show
that in the movie.

Speaker 6 (42:59):
Why not showed the attack, Like I want to say that, dude, dragon.
But the thing is, it's a plusia saur, is not
it's not dangerous. It's a plussy saur for vegetarians. So
it doesn't make sense because they don't show anything other
than the plesiosaur for most of this movie until near
the end, after the plessiat war has been eaten. It's
for the alert. Sorry guy that had ma Mee read

(43:20):
it for.

Speaker 1 (43:20):
You, But I yeah, And this is another time I
had to rewind. It's like, Okay, I definitely miss something here.
Someone went down with these people know he radio is over,
And the next thing, one guy's trying to climb in
the boat and they can't find a third one. He's gone,
Oh what happened? And they're calling his name out. So
we have to assume again we have to do all

(43:41):
the work here. The lockness monster attacked their fake lockness monster.
One of their friends died.

Speaker 6 (43:51):
Was there two of them swimming underneath the thing? Is
that what it was? Two of those guys are swimming about.

Speaker 1 (43:56):
Yeah, there's two like inside the hollowed out monster. And
one of them swam back to the boat. The other
one didn't make it. Nessie must have got him, and
I guess we're sad.

Speaker 6 (44:10):
I mean, I'm sad. I don't know about you. And
that's the end of their story.

Speaker 1 (44:18):
Well, no, we get one more scene.

Speaker 6 (44:19):
Oh that's right. They show in the hospital though.

Speaker 1 (44:22):
They so now we go back to the bar and
there's an old codur and a fishing hat that is
the only one in this area of Scotland. Not pissed
off at the Yanks, He's like, I just want to
tell you people, I know what you're doing about that.
I'm on your side.

Speaker 6 (44:38):
Now tell me his name, because I don't think anybody
in this movie understands what his actual name is, because
multiple people say it multiple ways, including the same person
saying it differently twice.

Speaker 1 (44:50):
That's the thing, you know, nobody seems to know, including him.

Speaker 6 (44:54):
His name is Okay. On IMDb, his name is Blake.
They say Blaye several times, but they all say Bly,
and then the case calls him Blay and then Bly,
often in the same scene, sometimes in the same sentence.

Speaker 1 (45:12):
He's uh, he's just that old grizzled guy. That's all
we need to really know. Everybody refers to him. We
kind of know what they're doing, but yeah, and they
would even spell it differently on the subtitles, right l
A Y B l e I g h l e
A Y.

Speaker 6 (45:30):
Yeah, I think his name was I think his name
was supposed to be Blay, but nobody told the people
that end. Well, they kept screwing it up.

Speaker 1 (45:40):
Uhuh, or it's pronounced bly in Scotland but not in
Los Angeles. When you're writing the script, Yeah, the thing. Yeah,
so he's basically telling him, yeah, you know, there's more
to what's going on here, and they start talking about
the guy that got killed in the water from the

(46:03):
conspiracy crew. But the story that's being sold is that
he got hurt or died with a fairy accident because
the propeller hit him. Yes, they are actually doing this.
Was no voting accident.

Speaker 6 (46:20):
Oh yes, he got hit by the blades of a
fairy propeller. So we're now even though there's no fairies
on the lock, we're.

Speaker 1 (46:29):
Just unabashedly lifting from Jaws at this point. No voting accident.
Hunh got it. Got it. And at one point Case
goes to the hospital to talk to them. They don't
want to at first, you know, we don't trust you.
And then the one guy turns to the others and says, hey, guys,

(46:54):
I think maybe we should give him our footage. What
are we gonna do with it?

Speaker 6 (47:00):
I know you get ten thousand clicks, you.

Speaker 1 (47:03):
Are there specifically for Lockness Monster video footage. You were
going to fake it. You have real Lockness Monster footage.
And he says, what are we going to do with it?

Speaker 6 (47:21):
Yeah?

Speaker 1 (47:22):
Eh, the one thing we came for, we got it.
Give it away. So they hand case the video of
the actual monster. Well, we're done with the conspiracy. Theorist crowded,
they're done for the rest of the movie.

Speaker 6 (47:36):
But that's it. They don't they just stay in the
hospital and that we never see them again.

Speaker 1 (47:42):
What are we gonna do with it? So back at
the laboratory that whatever they mocked up, they got all
this like audio visual equipment on shelves from like the
nineteen fifties. It looks like one of those scientific outfits
from the Monster movies back and we're just everything's dials
and switches and who stuff is happening. Look at all

(48:05):
the science we got in here. This is impressive. And
they're coming to a conclusion that you know something there
might actually be a lockedness monster here after all, Like
they were there researching it and it just dawned on
them that it could actually be real.

Speaker 6 (48:25):
I what.

Speaker 1 (48:27):
It feels like. I have to help the people in
this movie go through this movie at this point, and
this is how dense they are. In one scene when
they were underwater filming, they're like, oh my gosh, do
you see what I see? Those are eggs. The very
next thing that Ky says is leave those rocks alone
and go find Gus.

Speaker 6 (48:47):
Yeah, they just keep.

Speaker 1 (48:50):
Every time they come across evidence of what they're looking for,
they don't want it, whether it's conspiracy theorists or scientists evidence. Nah,
got no use for this crap. Who needs data. So
eventually though, they come to a conclusion that they've actually
found the very thing they're looking for, gorsh and they

(49:15):
decide what they have to do is go to the police.
Got to let the cops know what we found out
so he could close the lake. We don't want any
innocent people being killed. You got to close the lake.
The cop basically is now playing the role of the
Mayre from Jaws, wearing the anchor sport coat. Now I

(49:38):
can't close the lake. You sons of bitches, you yanks,
get out of here.

Speaker 6 (49:42):
Now. Let's let's make sure we understand why they want
to close the lake. Okay, uh, why would you close
the lake? Because the only people on the lake are
the druids. There's a set there's a group of druids
on the shore, worshiping nature the lake, humming at it.
That's where she kept when she came out of the water.

(50:03):
In her jackal and beset moment, she says, look at
all those people over there, they're weird. What are they doing?
I don't know, you're swimming at a cold lake or
another bit of t shirt? Why are they weird? They
just were there commune with nature. You're here making fun
of them, but for no reason. Also, why are you
swimming in a lake yet out here? That that's the
that's they're druids, That's what they said they are. This

(50:24):
is their druids. So they need to close the lake
from the druids. Now, these druids never move from the spot, apparently,
because every time we see images of the druids, everybody
is standing in the exact same location.

Speaker 1 (50:34):
And if you're you know, if you're theistically ignorant on
the druids and their history. I can just sum it
up for you this way. They're Scottish hippies.

Speaker 6 (50:45):
They are Scottis hippies.

Speaker 1 (50:46):
They worship nature, you know, They're they're very earth bound.
They're very organic, so much so that they have a
ceremony at night with glow sticks. Yes, yeah, that's the.

Speaker 6 (51:02):
Very pouring toxic chemicals into the lake as a druid.

Speaker 1 (51:05):
Very very organic and uh unrecyclable. But okay, sure. But
the cop now is literally in that role from Jaws,
where he's like, I you'll understand, I cut close the lake,
tourist seasons k mocking up and by the way, get
the f out of my town. Pack up your gear.

(51:26):
You got twenty four. What do you tell him? You
got a day and a half to leave or something.

Speaker 6 (51:30):
Yeah, you've got twenty four, you've got his He says
it twice. He goes, you've gotten until tomorrow or something
to pack up your stuff and get out of town.
He's a big ozer. And then a little bit later
he says it again. He goes, I'm off shift now,
you've got exactly sixteen hours before I come back to work,
and you need to not be here, like, how do

(51:51):
you not tell how do you not slip in how
deep the lake is? But you manage to figure out
exactly how much time this dude's going to be off
between shifts.

Speaker 1 (52:00):
Yeah, he's he's full of arbitrary time codes. Like this
guy operates on deadlines in his own head. You have
a day and a half to clear rut of here.
You better be gone when I'm back in sixteen hours, right, okay, cop,
I mean Constable. I'm just yeah, this movie, you gotta

(52:26):
have fun with it, because it's not going to have
fun at your expense.

Speaker 6 (52:29):
Now, look Vernon, the guy who's playing the Constable, he
is given it his all, Old Vernon Wells. He is
just he's putting everything he can into this location or
this character, and he's not getting anything back from these
these folks. They are just giving nothing to work with.
But I've seen him another stuff. Oh my gosh. He
played Bennett and Calando. That's why I recognized him. He

(52:55):
plays the main bad guy in Commando.

Speaker 1 (53:00):
Wow, okay, and now he's the gruff constable in Lockness.

Speaker 6 (53:08):
Oh my gosh, how far he has fallen?

Speaker 2 (53:10):
Se me money and he's in Scotland. So there's a
good chance he might be going commando in this movie.

Speaker 1 (53:15):
Oh boy, wow, Rick with the pictures, Thank you for that.

Speaker 6 (53:20):
He was also he was also in The Road Warrior.
He just he just had like a big falling off.

Speaker 1 (53:30):
Well, Paul, there's no small roles, only small actors.

Speaker 6 (53:33):
I remember, I knew I recognized him. I couldn't couldn't
remember where it was. That's g's it.

Speaker 1 (53:38):
He was.

Speaker 6 (53:39):
He played Bennett.

Speaker 1 (53:44):
Well, we I have to laugh at this scene too,
because you know he's heard all this before. But these
are quasi scientists that actually have evidence. You're saying, you know,
something killed our friend, something killed the guy with them
harbor over there. We got this evidence. I got video footage.

(54:08):
You got to close the lake. Nah, be gone, you
and your evidence. Who needs proof?

Speaker 6 (54:15):
Yeah, bring me proven. He kept in case, keeps saying
that old jungle man keeps going, we need to get proof.
We need proof. We've got to find proof. Well, here's
an egg. That's not proof. We need proof. I've got this,
I got this video. That's not good enough. We need proof.
We've got to keep searching for proof like they're Scooby
Doo looking for clues. I got it. He just keeps
going I need proof, and every time somebody would give
him proof, he goes, that's not enough proof. We need

(54:37):
more proof. How much what do you need? Like one
hundred and ten proof? There, hennessy, what are you looking for?

Speaker 1 (54:44):
What's gonna do with Phil Hartman? Get the head on
a Saturay Alive where they kept trying to fire room
was like, come on, tell me what's going on board
on the street. What You're gone, You're finished, You're through,
Come on, put Peter on the bush, throw what Ian
like it is? Who? They go back out on the water.
And I feel kind of stupid now because I was

(55:05):
complaining about the lack of Scottish people. A boat full
of Scottish fishermen shows up direct from the cliche casting.

Speaker 6 (55:17):
Dear my gosh, yes, these guys are amazing.

Speaker 1 (55:20):
These guys were basically they should be doing voice work
in cartoons.

Speaker 6 (55:28):
They probably were. I bet if I look them up,
I bet they were.

Speaker 1 (55:32):
Because all you hear from them is boisterous, loud talking.
Everybody's LODs echoed over here, loads, Lummis, losses, LODs.

Speaker 6 (55:42):
Even Gerard Butler was like, hey, guys, can you all
dial back a bit? Just bring them back a second.
It's like, save something for me.

Speaker 1 (55:52):
We're the Scottish rutnecks, that's what we are. I. They
also say I about seven hundred times, and I never
understood what this whole thing was. They pulled up next
to the boat of the researchers tied on there and
just start billyaking at them. Oh you go down, yanks, down,

(56:13):
you gotta get their story LODs.

Speaker 6 (56:17):
And it wasn't just that they were fishing. They were
what they call it boom fishing, so that they called it.
They've thrown out little uh pieces of the eighties, so
now they're trying to fish.

Speaker 1 (56:27):
With the whole time, the researchers were bothered because they
have underwater sensors, but they were being disrupted because these
guys are basically dynamite fishing. They're they're dropping m eights
into the water and scooping up the fish and it's
just throwing off our research. So that's happening. But that

(56:50):
whole scene made no sense. It's like they pulled up
and it's like, can we help you guys? Y'all scroll
all your yanks you piss off LODs. Bye.

Speaker 6 (57:00):
Oh wow, So you know who that dude is.

Speaker 1 (57:04):
No idea.

Speaker 6 (57:05):
Oh my gosh, okay. He just passed away this year
on February twenty fourth. His name is Gary Gibson and
he was a big actor in the eighties. He was
in a bunch of stuff. He played Critch in the
Rockford Files. Do you remember that guy at all?

Speaker 1 (57:25):
Uh No.

Speaker 6 (57:26):
He was a reoccurring role in the Rockford Files and
his name was Critch. He played and he also played
in Murder. She wrote, anytime they needed basically a Scottish
actor to do anything with a Scottish accent, they brought
this fella in through most of the eighties to do stuff.
I mean he has been He's been in a lot
of stuff. Here you go. He was on a TV

(57:48):
show called Tales of the Gold Monkey. His name Arthur Frumby.
Just get a Scottish as give it as Scottish as you.

Speaker 1 (57:55):
Can, McKinnon, McClellan. I just see most of his characters
have to be that Murder.

Speaker 6 (58:03):
She wrote the Celtic Riddle. You know, he was the
riddle because he's Scottish and they're making him Celtic. You know,
That's what it did with it. He was all over
the place. Bro that's that's interesting. I like finding out
of that information about those people. This but this Pat
he was Patrick O'shay and magnum p I of course
he was Tom Schuford and Matt Locke, Father O'Brien into

(58:29):
the Deadly care. Yeah, this dude, doctor Tarico and second serve,
what is that? I don't know what that is. I'm
gonna look it up. Strong stamps the number two.

Speaker 1 (58:40):
Basically, his character name was mixed stereo type.

Speaker 6 (58:44):
Mixed stereotype, yes, exactly. So, yeah, that explains why he
is in this. That's why you think he's being over
that's his actual accent. I don't think he was overplaying it.

Speaker 2 (58:55):
Wouldn't that be Mac stereotype because Mike is more Irish.

Speaker 6 (58:58):
Mac is true a Max Max stereotype.

Speaker 1 (59:03):
Is that being racist?

Speaker 2 (59:05):
Little?

Speaker 1 (59:06):
That's I thought the Irish uninformed?

Speaker 6 (59:10):
You're uninformed?

Speaker 1 (59:11):
Yes, I'm uh, I'm xenophobic that way. I suppose I
always get my island nations mixed up. The now. I'm
already deathly challenged by this movie. I gotta say, but
at this point I wanted to start throwing fish at
the screen. Case calls over to Los Angeles to say

(59:38):
that he needs to speak with Elizabeth, and the assistant
there says, well, she can't come to the phone right now,
but you're gonna speak to her a few moments. And
that's when he turns to the rest of her crew
and says, Okay, guys, it's gonna get interesting. She's now

(59:58):
flown to Scotland green screen at the train station and
she shows up. This is the part that got to me. Oh,
look at that. She walks in and says, how you doing.
I'm Elizabeth Borden and case turns of hers is high Lizzie. Yes,
her name is Lizzie Borden. I mean I'm done. I'm

(01:00:27):
done with this movie. At this point in time, Lizzie,
Lizzie Borden is the blonde, severe producer. Fine, so she's
there to get this production back on track so they
can get enough footage for the show. They show her

(01:00:49):
some of the footage. What does she say, Paul, I
can't use that. That's photoshopped.

Speaker 6 (01:00:55):
Yeah, that's photoshop. That's photoshops. I don't know if she's
aware of this, but that would have been Adobe premiere,
that would have been a premiered. You would have said,
that's been premiered.

Speaker 1 (01:01:04):
This is a movie that had him step off a
helicopter on green screen and had her standing in a
fake train station just ninety seconds earlier. And she's complaining
about photoshop footage.

Speaker 6 (01:01:18):
But they need more proof, Brad, They need more proof nobody.
They've got cameras in the water that they and apparently
all the cameras are so sensitive to the photo to
like the boom fishing, that it throws their sensors off
all the time. Not the murky depths of this water,
but the sensors. It's kind of like, I don't understand.

Speaker 1 (01:01:39):
They're like trail Russ and if dynamite goes off, they
all come off their anchor and now they can't shoot
anything but the ground. I guess I don't.

Speaker 6 (01:01:46):
I don't understand the science behind this movie. And I'm
fairly confident the writers and director did not either.

Speaker 1 (01:01:53):
No, they didn't. But we come to learn now that Lizzy,
that would be Lizzie Borden pretty much has the same
mentality as the cop because she's telling them, all right,
we got to get everything put together. We have to
get a show. We're desperate if we need to get it,
and they're like, come on, we can't. No, we have
to get a show because with the show, then it

(01:02:13):
gets popular, we get money, and then case you can
get paid to go dig in the desert. So basically
her mentality is a dollar a click, same thing. So
she's demanding footage so we can put an episode out
and make a crap ton of money. They show her
all the evidence and then she says, that's it. I'm

(01:02:37):
pulling the plug on this. We're all going home.

Speaker 6 (01:02:40):
Yeah, like like what they show me more proof? Here
you go, here's more proof. Here's something being eaten alive
by a plus no need more proof.

Speaker 1 (01:02:50):
They've got all guy's of crap going on, and they
have half of it on film. You could splice together
two episodes with what they've got. And she's pissed off
and like that's it, cut, no more, We're done. So

(01:03:11):
was at this point where they had the one creature
wash up on shore?

Speaker 6 (01:03:15):
Yeah, and it was the creature gets washed us up
on shore and it's the worst CG you have ever
seen in your entire life. Like earlier in the movie
where they had that big fake green dino looking lock
this monster they're floating around that looked more real than
what they actually chose to.

Speaker 1 (01:03:34):
Do with the CG.

Speaker 6 (01:03:36):
Well it was that was bad CG.

Speaker 7 (01:03:39):
Bro.

Speaker 1 (01:03:39):
The way they do it is, it's a crane shot
probably thirty feet in the sky shooting down. You see
a couple coming over the rocks exploring, and in the
water right on the shore is this big gray pleasor
they kind of find it, like they don't. They barely,
Like the guy looks and it's like, oh, there's a thing.

Speaker 6 (01:04:02):
They're walking their dog or something and come across.

Speaker 1 (01:04:05):
It, but they don't even react. It's just kind of like, oh,
I wasn't expecting that on the shore? Is that good?
Did I act? Good? Am I done? Am I acting done?

Speaker 6 (01:04:18):
So there's and here's the thing. Well, okay, now I
guess that makes sense. Dang it. No I got to
move from metric to metric to standard. Uh oh, it's like,
oh so the pleasiest sore was two meters long six
and a half feet and could grow up to fifteen
meters fifty feet. This thing was definitely not on the

(01:04:39):
smaller side because his head's on the ground and the
rest of his body's floating out in the water right now.

Speaker 1 (01:04:46):
It could have been a baby, could have been juvenile.

Speaker 6 (01:04:48):
Well then they bring it into this meat locker and
it's like, how did you get it down the hallway
and then into the autopsy room.

Speaker 1 (01:04:57):
Well, yeah, the cops have it now. And this is
when the police chief has to call a press conference
because he now has firm evidence of a monster in
the lake, but he doesn't want to close the lake
because it's tourist season, and so his idea is, well,

(01:05:22):
we got proof. Now there's a monster there, but we
caught it, so go ahead, kids, go swimming. What the
hell kind of cop are you? Why is the constable
so concerned with keeping the beaches open? Your job is
to serve and protect, not turn a profit. I don't

(01:05:44):
understand this, Like I understand what the scriptwriter wants is
a member of authority who's craving and wants to keep
the beaches open. That's not a cop. CoP's job is
not I just can't with this film anymore. It's like
I'm putting in three times the work then the three

(01:06:07):
writers did for this.

Speaker 6 (01:06:08):
Thing, and really, if you think about it, that's kind
of on.

Speaker 1 (01:06:13):
You, it is. Yeah, I can't help myself at this point.
I'm just kind of there. So so the cop has
this press conference, and then the assembled media, all eight
of them, including Case and our people. He opens the
meat locker and just lets them kind of lean in

(01:06:34):
and take a couple of pictures real quick.

Speaker 6 (01:06:38):
With that really bad camera from the Sears catalog circa
nineteen eighty three.

Speaker 1 (01:06:43):
So now this is like that that you know at
a carnival, you go to that one tent where they
get the freaks of nature, and you know you're allowed
to walk by. Don't get too close, don't get too close.
But it's a goat boy, it's supposed to be. I
want to see the goat boy that you saw the horn.
That's good enough, move a longps the same way. He's like,
all right, not right, you've seen the monster. You're done.

(01:07:04):
Clear out. Let's clear out. Well are intrepid researchers. That's
not good enough. So what do they do?

Speaker 2 (01:07:13):
Uh?

Speaker 1 (01:07:14):
I guess break into police headquarters.

Speaker 6 (01:07:18):
Now, let let me let me let me stop your
Let me stop you right there, Brad. Let me just
let me just stop you right there.

Speaker 1 (01:07:24):
Okay.

Speaker 6 (01:07:25):
In this original scene, it is a completely solid door
where they like it's solid. There's no windows on this door.
When the door when the police chief lets everybody go
in there and quickly look at the pleasiest ore and
then shuffles them back out. When these three dumb dumbs
break in to go look at this thing, there's a
window has been added to the door so that they

(01:07:47):
can look in and the camera can look at them
looking in from the inside.

Speaker 1 (01:07:51):
So that window wasn't there in the first The window was.

Speaker 6 (01:07:54):
Not there in the first one. But in addition to that,
and I sent you a text of this, and I'm
gonna tweet it out right now because it's the most
ridiculous thing I've ever seen. But case has what has
to be the most comically oversized flashlight I've ever seen
in my life. I mean, clearly, it's real. It's not AI.

(01:08:16):
It's too early before it could have been photoshopped.

Speaker 1 (01:08:19):
Okay, now I want to described this thing though, because
we've all seen maglights, right the cops have.

Speaker 6 (01:08:24):
It's good, that's not what this is like.

Speaker 1 (01:08:26):
You know, maglights are about two and a half feet long, right,
and pump it full of like eight D cell batteries.
This thing is powered by a car battery that length.
The barrel is three times as wider, and the lens
it's about the size of a telephoto on a panaplex.

(01:08:51):
That's what I thought it was.

Speaker 6 (01:08:52):
At first. I thought it was like he was like
took it from a sports camera.

Speaker 1 (01:08:56):
And this thing is shooting a beam. I mean it's
operiginal flashlight, but it looks like you need you could
do like curls with this thing, and.

Speaker 6 (01:09:05):
It looks like it could be Tommy Lee's flashlight, if
you know what I'm saying.

Speaker 1 (01:09:12):
He didn't even need a magl like he needs a
regular flash. This thing is massive compensating. That's all I'm
gonna say.

Speaker 6 (01:09:21):
So.

Speaker 1 (01:09:22):
But yeah, we're we see them. We have no idea
how they got into headquarters. We just yeah, they got
in putt you gonna do. The scene starts, you know,
you're shooting POV from inside the meat locker. So we
see the three heads and they're peeking in there like
there he is, Hey, good thing, I learned how to
pick locks. He says, yeah, that's convenient for the screenwriter.

(01:09:44):
And with no effort whatsoever, they get the door open
and now they're analyzing the monster that's in the meat locker.

Speaker 6 (01:09:53):
This was about monster in the meat locker. That's that's
another name for a movie.

Speaker 1 (01:09:59):
And here. I'm I'll give the prop guys at least
some credit here. This thing looked at probably the best
looking part of any monster in this film.

Speaker 6 (01:10:07):
Whether it's yeah, this is well done, I.

Speaker 1 (01:10:09):
Could think, I mean it prosthetically, it looked realistic enough.
And this thing is like, what twenty thirty five feet
in length. Maybe you've got all kinds of material to
work with here. You've got a massive specimen. She's farting
around with something in the mouth and takes out about

(01:10:31):
a three millimeter piece of the mouth and that's all
they need.

Speaker 6 (01:10:37):
What yep, this confirms that there's a something else living
in the lock something.

Speaker 1 (01:10:48):
You take a samples that's about five ccs, put it
in a test tube and that's all. Like yanka tooth,
pull a flipper. Take some stuff with you that you
can do some re search with. Nah, I'm just gonna
swab his cheek. That's gonna do it for me. I mean,
I'm not a marine biologist, full disclosure, but I take

(01:11:12):
some evidence. Jeez, you broke into police headquarters. But that's
pretty much all they need. But also at the press
conference now was the Scottish guy that's playing the Robert
Shaw character from jaws. You know, he's gruff, he's angry,

(01:11:33):
pisses off everybody in town. Oh you don't want to
get the monster. I'm the guy in at the gate.
And so our science crew is convinced lockness monsters real.
They go out to this guy's trailer who lives on
the lake. Now buckle in. We got to hear his backstory.

(01:11:54):
This is gonna take a good five minutes of screen time.

Speaker 6 (01:11:57):
Oh but did you notice that when they walked to
his trailer, he had a fishing a fishing net used
to keep his door shut, so it was so if
he had been inside, he would have had to reach
out the window to undo it, like he was driving
a nineteen eighties pacer.

Speaker 1 (01:12:21):
But he gives them this story, and then we get
a flashback scene. He's in a boat with a young
boy and they're fishing. I think were they boom fishing.

Speaker 6 (01:12:32):
They were boom fishing, but he was using He gave
his son three sticks of M eighty and put them
together and said, hey, don't drop these, bro It's a
not nitro glycerine.

Speaker 1 (01:12:45):
But I love doing it. Every time somebody says, yeah,
we need to get even deeper so we can get
more fish don't like the fuse, and then they hold
it for like five seconds, so if you want to
go deeper, drop to something. But then while they're doing it,
at some point in time, NeSSI comes up, disrupts the boat,

(01:13:06):
the boy dies, the city, everybody around blames him. He
gets kicked out of the navy. All of this divorce
tragedy befalls this guy's life. And then I love this part.
He looks at them both and says, and that boy,
what was my son?

Speaker 6 (01:13:26):
Like, we figure that out, dude, I didn't think you
were out of the lock with some random kid you
just met.

Speaker 1 (01:13:33):
If you're gonna tell this story, you pretty much lead
with that. Let me tell you how I lost my boy.
So he set this whole story up for them. It's like, okay,
I went fishing. Eight year old kid is with me.
We'll get to that detail later. We were out in
the water, so.

Speaker 6 (01:13:52):
Here I was mine in my own business, killing fish
with dynamite.

Speaker 5 (01:13:59):
Before we jump to conclusions, I'm like, the final let
me just say this spoiler alert, Ah, get on, stop
it whatever. So, yeah, he's now the gruff fisherman who's
got retribution against the monster, just like Robert Shaw and
the shark. I mean, Peter Benchley should sue these people,

(01:14:22):
That's all I'm saying. So, yeah, they're convinced that this
is going on. We go back to the druids for
a while. They're on shore with the glow sticks now party,
and there's like what seven or eight of them in
the water with.

Speaker 6 (01:14:37):
Yeah, they decided to get in the Yeah, they decided
to get in the water with a ring of torches
like there's there's there's fire in this ring if they're
not more than twenty yards off shore.

Speaker 1 (01:14:50):
Okay, they were like shoulder deep water, weren't they. I
mean they were like Robin Okay, so now we're scientists.
They go out in the water to try to warn
the Druids to get away because the monster is gonna
get them. They being Scottish hippies. They're probably hired in
the satellite and ignore them. We're just I'm in the

(01:15:12):
water floating with my fire. Shut up, yankees, leave a saloon.
We're druids. Then the monster shows up that has to
be about eighty damn feet tall. Mouth out of the
water comes down on them. It's everything like five feet
of water and this thing is the size of a

(01:15:35):
Winnebago plus and comes and crashes down on top of
them like they're ninety feet of water. I know, biology
and a movie about a monster in the water. What
am I thinking? What am I doing importing all this
stuff in the film?

Speaker 6 (01:15:51):
Well, they've made this thing look like and we don't
see it much. I mean literally, we do not see
this thing much at all. Well, they've made it like
a like a sea serpent. Yeah, And I guess that's
the whole idea behind it, is that this fissure, the earthquake,
has opened up a fissure. Guss's theory was that the
fissure led to the ocean, and that a sea creature

(01:16:13):
from the ocean had gotten into the lock and gotten
trapped until he could get in, but he couldn't get out,
like a roach motel, and he was just swimming around
eating everything. But that was in addition to the dinosaur
that was there as well. So not only do we
have a sea creature of unknown origin in the actual ocean,
now we have a sea creature that's been there for

(01:16:34):
at least seventeen years in the lock, and it is
not just eating everything around it, It is also eating
the pleasiotaur. So I don't what do we do? I've
confused myself with this movie.

Speaker 1 (01:16:48):
They don't even know either, because at some point they
were talking about this fissure that opened up because of
the earthquake that killed Gus, and salinity is coming into
the lake now, and that must be how this cree
got in. It's like, okay, but the lake is fresh water,
which they even point out, but they don't explain how
it's staying in the fresh water. Is it a bull shark?
What the hell is this?

Speaker 6 (01:17:10):
So he says, I forgot about that part. He says
it multiple times. He's like, hey, what's the sailing levels?
We know what the sailing levels we're talking about?

Speaker 1 (01:17:17):
Yeah, apparently they measure that they're in a freshwater lake,
so they have saline sensors in the water. Why why
why would you? But they do. Hey, they're good. But
they bring all this up and never explain. It's like, okay,
the sailing levels are up, that's how he got from
the ocean to hear, but why is he staying He
should be like beating cheeks and getting back to the ocean,

(01:17:40):
but nope, sticking around and causing all kinds of mayhem
and stuff. So now they decide they're going to have
to do something to kill this thing, and our Scottish
friend Blih is the one that's going to do it.
He insists on it. He tells them, I'm going down,

(01:18:01):
you're putting me in your gear, and I'm gonna go
fight this thing. So they go to pick him up
at his trailer. He comes walking out. I'm still in
William Wallace's face paint.

Speaker 6 (01:18:18):
Yeah, he's holding a spear. He's got, you know, he's
got like a harpoon with a back hook on it,
and he's he's wearing a kilt. I'm making that he's
married a kilt.

Speaker 1 (01:18:32):
And he's got this face paint like mil Gibson did
in Braveheart.

Speaker 6 (01:18:37):
That's what he told me, he said. He goes, all right,
Brave Heart, that's what you want to do. And then
he's and he wears that face paint the rest of
the movie.

Speaker 1 (01:18:45):
Yes, he's in the water in the scuba gear with
this onn like they had. They have full head scuba
apparatus on lights on the side and a microphone in
with them so they can talk to the people up
on shore. We see him the whole time with face
paint inside this get up. It is the dumbest damn
thing and it cracked me up and I love it
for it. And I think he brought his own bomb.

(01:19:08):
Did I understand that correctly?

Speaker 6 (01:19:10):
I think so because they called it like normally you
see four, this guy's using C ninety four or something
or see ninety Is that a thing? We need bomb
disposal disposal professionals in the chat that can tell us
whether C ninety is something.

Speaker 1 (01:19:29):
I'm tex the Yeah, so this is going on, and
I'm they have their own depth charges they want to
use on the creature. But then the police show up
on shore while they're in the water, and the police
are just putting out their depth charges in fifty gallon barrels.

Speaker 6 (01:19:50):
And this is the best is there's just like two
dudes and rain and like uh raincoats loading barrels that
it just has an explode like what a hazardous explosions
sticker on the side of it. They're black barrels and
they're just loaded them on the back of this truck.
They're not strapping them down, they're not handling them gently like.

Speaker 1 (01:20:14):
What well, this is the funny thing throughout the scene.
They're underwater and we keep seeing barrel hit the water,
barrel hit the water, boom, barrel hit the water. But
they had to throw what do you think over a
dozen of these? Correct?

Speaker 6 (01:20:29):
They did not load a dozen on that thing on
that boat.

Speaker 1 (01:20:32):
They're on a boat that can't be more than fifteen
feet long, and the treads some of this thing is
about the size of a king sized bed. They would
have had to have had twenty five fifty gallon barrels
on the back of this thing. It would have sunk
before it left the harbor.

Speaker 6 (01:20:52):
Just saying okay, lockness is twenty two square miles two square.
These guys are just randomly throwing barrels out like you
didn't know where you throwing them. They pick a spot,
are you just randomly? They're just driving randomly around and
the place they randomly decide to throw barrels just happens

(01:21:13):
to be at the exact same location that the guys
are down there diving. But they can't get a hold
of the guy's attention to tell them stop throwing your
barrels over this place because they're diving. Why, Because they
don't have the universal diving flag up the dude's waving
like an orange flotation device, Like, where's your Do you

(01:21:35):
not have a dive stick in the water? Do you
don't have your dive flag up on top of your boat?

Speaker 1 (01:21:43):
Yeah? That's the thing is they're mad. The cops keep
doing it. They keep trying to bring them up on
the radio and telling them to stop, and the cops
are like, sorry, we're blowing wrap up. Can't hear you?
Boom another fifty gallon barrel? So we got to wrap
this thing up because it's it's almost over. And I
still have no idea what they're planning to do. That

(01:22:05):
was never really explained. We're going in the water and
we're going to get this thing. How are you going
to do that? We'll let you know. And so now
it's Case and Bla Blay Blue, the Scottish dude wallet
he's the two of them are in the water doing stuff.

(01:22:29):
I guess BLI went in a lot earlier than Case did,
and by the time they get down there, there's stuff happening.
And then he has to check. For some reason, Case
has to check Bly's gauges underwater. I don't know why
you can't check your own gauges while you're scuba diving.

(01:22:50):
It's kind of part of the game there.

Speaker 6 (01:22:52):
You have to he tells them, I don't think they
were scuba And that's the thing is he acted like
he was using a dive with a helmet that's bringing
in pressurized air from up top. Because he's if it
was just a if it was scoobaing, they'd have to
put tank. I didn't ever see a tank on him.

Speaker 1 (01:23:14):
It's again it's take our word for filmmaking here.

Speaker 6 (01:23:17):
Well, he tells him he's got an hour and a
half of air left.

Speaker 1 (01:23:22):
No bar and a half.

Speaker 6 (01:23:24):
That was a bar and half.

Speaker 1 (01:23:26):
Okay, you'll have one and a half bars? Okay? Is
that good or bad? So there's a net that has
been placed over this entrance to the fissure, yet it's
got a huge hole in it that they discover, and
yet at the same time, it's still going to keep
the creature from going back to the ocean, which I

(01:23:50):
think you would want it to be the other way
to keep it from coming in all right, again, not
a not a marine biologist, full disclosure. And so because
Blive's almost out of air, he has to sacrifice himself
for some reason, because he can't surface.

Speaker 6 (01:24:14):
I'm not coming up without you.

Speaker 1 (01:24:16):
Oh is that it?

Speaker 6 (01:24:18):
I'm not coming up without your man.

Speaker 1 (01:24:20):
Not too.

Speaker 6 (01:24:22):
And so.

Speaker 1 (01:24:24):
He's dedicated to using his explosive and finds the eggs
at the bottom of the lake. So now he's gonna
blow up the eggs. And he blows up the eggs,
but not before.

Speaker 6 (01:24:42):
Not before stabbing the eggs with a harpoon he's been
holding the whole time. He's been into the water holding
a harpoon, because that's it turned into Mobi Dick. Suddenly
they were gonna it's a Moby Dick story.

Speaker 1 (01:24:56):
Yeah, so if you're stabbing the eggs, why do you
have to blow them on? But he does because it's
said so in the script, you.

Speaker 6 (01:25:03):
Killed my child, now I kill yours. That that was
the line that he used.

Speaker 1 (01:25:07):
Yes, revenge is mine. So he blows himself up and
then everybody up on shore is like, oh that's sad.
Oh crap, what about case hmm? Cases are gone or
two now? And now they play some sad bastard Scottish

(01:25:29):
music because you knew that was coming. Got to have
a very mournful Scottish ballad playing. We see our four
remaining researchers, right, on the edge of the shore. The
girls got cases, cowboy hat on. They're all mournful and sado.

Speaker 6 (01:25:47):
This whole time. We talked about this prior to the show.
This whole scene makes it seem as if it's been
a while, like a couple of days are looking for him,
because they show people jumping over the sides of the boat,
diving down and coming back up looking for him and
stuff like searching for him. And then they like lafe safe,
change their clothes. They're hunting. I'm sure they've had some meals.

(01:26:10):
And then we switch over to a scene with a
guy on a motorcycle wearing goggles and he's got a
fishing rod out the back of his coming out of
the back of his motorcycle like a whip antenna for
a CB radio. I've never seen such a thing in
my life. And he's going fishing and jeans, leather boots,
a leather jacket, goggles, that's what he's fishing. That's his

(01:26:32):
fishing gear. And he comes pulling up to the rockiest
place I've ever seen in my life, like there's no
way you're fishing here. Well, he just stops, gets off
his bike, cuts to the side and we're supposed to
notice that Case is laying on the laying on the
shore has washed ashore, But the movie is filmed so

(01:26:53):
dark that it just looks like he's staring at a
lump of rubble and you don't know what he's looking at.
And then the dude walks over to him, stands and
looks over him. Cut scene. That's it. That's the end
of that scene. That's how it ends. Tell her what
happens next, Bratt, Go ahead, tell.

Speaker 1 (01:27:10):
Him, well, they're all on the shore. Weepy hum hmm,
miss Case and I love his cowboy And then Cases like, Hey,
what you assholes doing out here? What's going on?

Speaker 6 (01:27:23):
Why? What you're looking for? We were so gloom and
he's dressed. He's dressed in the same outfit he's been
wearing the whole movie he went from. And how do
they explain it? Yeah, gust was right. The fisser opens
up into the ocean and that's where that's where I
watched the shore.

Speaker 1 (01:27:40):
I have to interject here, so Blive was gonna blow
things up. Case said, no way to escape. I'm just
gonna take this fissure to the ocean that the creature used.
I did my research, lock Ness is located twenty five

(01:28:06):
miles away from the Ocean's ain't no way case got
enough oxygen to swim twenty five damn miles and come
out on a beach somewhere. Shut the hell up, movie.

Speaker 6 (01:28:22):
And that would be if he had enough air to
like on a straight path like the English chunnel. He's
probably going back and forth through tight spaces to even
get where he's going.

Speaker 1 (01:28:34):
But the fact that he is slaying twenty five miles
underwater would take him about four damn days, scuba guy.

Speaker 6 (01:28:41):
But the fact that he is laying unconscious on the
on like a rocky shore, he's been washed up on
the rocks, and a motorcycle guy catches him. And here's
the best part. They make it clear that this had
happened at the same time. Why do I know this
because when he pulls up behind them, he's on the motorcycle.
You hear the motorcycle's engine pull him up to where

(01:29:05):
these friends are standing. So he so this has happened
in the same day. This motorcycle dude has picked him up,
taking him back to the camper, allowed him to change,
not told anybody else about it. And then and then
drove him up behind his friend that he didn't know
where they would be, but just standing there mournfully looking
over the lock and he's like, hey, guys, what's going on?

(01:29:25):
Cut scene? End movie. That's how it ends. We get
nothing else. I think. Then he kissed like his his
ex wife or something like she slaps him and kisses
him or something stupid like that.

Speaker 1 (01:29:34):
She comes up and like shoves him and you be
the son of a bitten.

Speaker 6 (01:29:39):
Love you.

Speaker 1 (01:29:43):
Hey guys, what you're doing out here? Do you see
the monster roots in the water? What's going on?

Speaker 6 (01:29:48):
I honestly think they filmed that scene first, Like that's
the very first scene they filmed, and they're like, well,
we're gonna do the ending now. Yeah, yeah, We're just
gonna work up to it. And then he got to
the end and was like, how's this gonna work out?
Just put them on a motorcycle. We done with it.

Speaker 1 (01:30:05):
What a damn movie this was. And yeah, they tried
to do the Jurassic Park thing too, where in a
movie about the Lockness monster the monster was on screen
for I mean, I'm total if we stop watched it
ninety seconds, maybe.

Speaker 6 (01:30:25):
Oh yeah, easy, that's it. May not have been that much.

Speaker 1 (01:30:29):
You see. That's if we count. That's if we count
the please order that washed up on shore and was
in the meat locker.

Speaker 6 (01:30:38):
Yeah.

Speaker 1 (01:30:38):
Yeah, you see it swirl on screen for like a
second or two I think three times. We saw that
same shot of the eye when it opens and then
it contracts, and that's it. I mean, there's hardly any
damn monster in a lockness monster movie. Whatever.

Speaker 6 (01:30:59):
I'll tell you what. You can't expect much from the
same guy who wrote puppet Master. X Axis Rising came
out twenty twelve, which, by the way, I it's on
two B so I'll be watching that later.

Speaker 1 (01:31:12):
Yeah. So this one was a bit hard to find.
It's only available really to rent on Amazon Prime, or
you can get it for free and a bad copy
on YouTube. That's a little dark. But I feel really
bad that I had to pay to watch it because
the dark. It was too dark. Paul and I needed
details in order to deliver this magical episode. Go to

(01:31:37):
YouTube if you want to, and if you don't want to,
that's this thing was not that good at all. Damn
all right, that's gonna do it for this one. I
need I need something a little stiffer from my popcorn
right now. So I got some bourbon weight after this fiasco.
Tell us, Paul, where can people find some more of

(01:32:00):
your content?

Speaker 6 (01:32:01):
Uh, I'm on zitter at Move to Paul posting pictures
of comically large flashlights.

Speaker 1 (01:32:09):
Go yeah, go to Pole's feet. You gotta he's got
screenshots of this guy's.

Speaker 2 (01:32:13):
Flash lights, he says, yes, he with an a.

Speaker 6 (01:32:17):
Rick with an a.

Speaker 2 (01:32:21):
That's not what the listeners heard with an A.

Speaker 6 (01:32:24):
I have a Floridian accent.

Speaker 1 (01:32:29):
Been that guy case has a huge torch.

Speaker 6 (01:32:33):
Wow A right, good night, folks. Oh we're closing this
show out with some Scottish power metal.

Speaker 1 (01:32:42):
Yes, stick around for that. That anthem that's the best
part of this episode, I promise you. Holy hell answer my.

Speaker 6 (01:32:49):
Glory hammil I gotta, I gotta. I've been listening to
him since twenty sixteen. Glory Hammer.

Speaker 2 (01:32:54):
Uh, you're talking about flashlights and glory Hammer in the
same sentence.

Speaker 6 (01:33:00):
That's right, son, Like I am who I am and
I bring what I bring.

Speaker 1 (01:33:03):
Wow, The single unconjureds are just flying right now.

Speaker 6 (01:33:09):
Look them up.

Speaker 1 (01:33:11):
I for myself, I'm available over at town hall dot com,
where I've got my media column there called Rift from
the headlines and mostly on the front page of Red
State on the regular and I got a twice weekly podcast.
They are called Liable Sources, going even further into the
mayhem of the media of this country. And you can
hear me on this network. Next Thursday, I'm going to

(01:33:31):
be here with Orty Packard. Is He and I get
all of the vital entertainment information for you on the
Culture Shift Tuesday evenings at eight and a half. I'm
here with the Everfroves and Aggie Reekan on the Cocktail
Lounge where we bring all the updates on college football
and cocktails, sports fun, for volity, news wackiness. We try
to have some fun to distract a little from the

(01:33:54):
uh ongoing dysfunction in politics and news. The bigger news
Tomorrow nights right here at KLRN. You got to tune
in because it's one of our regular features here where
the k l RN players themselves gather to put on
a radio production Tomorrow night for Halloween. It is the

(01:34:15):
day the Earth stood still. All of the magic voices
here at Kayla are and will be involved in that.
Tune in. It's always fun, it's always great work as
far as that goes. So it's it's a can't miss,
as we love to say. So Paul and I are

(01:34:36):
going to have to recover from this one, I think,
but we got two weeks to do so, because then
we will be back right here with some more disasters
from Hollywood on Disasters in the Making.

Speaker 6 (01:35:04):
Yeah.

Speaker 1 (01:35:19):
Nothing, f