Disasters In the Making 10-09-25 “Chupacabra Macabre”

In their first Spooky Season offering of Cryptid Goodness, Paul and Brad Review Chupacabre Vs. The Alamo on this episode of Disasters in the Making, so grab your popcorn and a healthy side of cheese,

Episode Transcript

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Speaker 6 (02:20):
The following program contains course language and adult themes.

Speaker 5 (02:25):
Listener and discretion is advised.

Speaker 1 (02:29):
Accordable to please.

Speaker 6 (02:33):
So the band's fan tell the new steers.

Speaker 2 (02:39):
And all the deep toon just what you do.

Speaker 7 (02:43):
Here's the flock its pinata, roll over your hits lacking
Asalada shaky app don't mean lot of that's how you
do the cue Calico.

Speaker 2 (02:59):
And how is everybody doing a k lrn land. This
is Thursday Night, which means it's your early introduction to
the weekend. This disasters in the making. I'm Brad Schlager
getting ready to start throwing tomatoes at the movie screen
is We've got our first gem of October. But I'm

(03:19):
not doing this alone because got his own passel of vegetables.
Next to him is my partner in crime and is
from screen rant Paul Young. What's going on?

Speaker 6 (03:28):
Paul? Hey? You doing, Bradley? I like to throw cabbages
if I ever get the chance. All the cabbages. This
movie deserves all the cabbages. By the way, that opening
song is a song called two for Cobra and is
by the Randy Rogers Band, and I didn't notice it
until we're just now listening to it, where every word
that rhymes with two for cobber also rhymes with Erica Strada.

Speaker 2 (03:51):
Look at that everything's coming full circle.

Speaker 6 (03:54):
Hit the floor like a pinata, like you've been hit
in the face by Erica Strada. And that's the words
the words make themselves, the lyrics right themselves.

Speaker 2 (04:05):
They just flow off the tongue, do they not, Well,
yes we are. We are getting ready into this monster
venture because, as I said, this is October, and what
we're doing here at Kayla Ren across a variety of
our shows is paying honor to the Halloween month with
there's like a cryptid theme going across a number of

(04:26):
our programs, and so Paul and I had to come
up with one, at least for this week. We've got
another coming up in a couple of weeks. So, uh,
we put our heads together, we knocked things around a
little bit, and we had our finger on a good one,
and then we couldn't find it anywhere nowhere my mind
on that one.

Speaker 6 (04:46):
That's how bad that one is. And so now I'm
determined to find it. It's Tom Sizemore, which automatically makes
it a classic piece of garbage. And what was it called?
It was Dark Hall was the name it went under.
But they were like the filming name was like Monsters.

Speaker 2 (05:06):
I think it was the other way around. I think
Dark Hall was the shooting type Dill And then by
the time it came out on DVD, this is your
truck because nobody knew what the hell it was about,
and they were already losing their butt as far as
money goes. But a good one. I'll tell you why
I wanted that one, Paul, because they were going to
be transporting the New Jersey Devil, and with the NHL

(05:29):
season beginning this week, it just seemed like perfect synergy.
So of course we couldn't find it. Somehow. This is
broadcast film streaming. It's on DVD, and yet you can't
find it on any platform today. It doesn't exists.

Speaker 6 (05:46):
Are chat GVT says it's not streaming anywhere in the US? Well,
game on chat GBT, game on We're.

Speaker 2 (05:55):
Gonna have to Uh yeah, you would think that with
all the streaming services, like the fast services that are
out there, whether it's to Be or Pluto or fowsome
even you know that they were just so desperate for
content that just things out. I wonder if maybe there's
music involved, like if there's a soundtrack or something and
they had.

Speaker 6 (06:14):
I wonder if they pulled it because of size.

Speaker 2 (06:16):
War, Why would they do that? Why would that matter?
I don't know.

Speaker 6 (06:20):
Did he have a whole lot of falling out with
the law at some pointcused.

Speaker 2 (06:25):
That never has an effect on Hollywood.

Speaker 6 (06:27):
Maybe they've got just a little bit of Kuth now
decided that this is where the line they were going
to draw size more a line too.

Speaker 2 (06:34):
Far, Paul, this is Hollywood we're talking about. It's I
don't think they're gonna be too squeamish about a guy
that had a drug problem for a while. It's like, fine,
can he make it on set by eight in the morning. Okay,
we're good. Pretty much all that they.

Speaker 6 (06:50):
Require any So, yeah, I don't know why. Yeah, there's
nothing that says anything about them not having other I
was very interested when I was trying to we were
trying to find out the horror movies that discuss this
week or this actually and You're like, well, we're doing
something cryptid, and I'm like okay. And he's like, well,
there's a cryptive theme running across krol In And I'm like, uh,
what how is that a theme that? Okay, what you

(07:13):
got going on? And you're like, let's do the Jersey Devil.
I'm like, okay. There's a bunch of thirteenth Child Jersey
Devil movies out there, and none of them looked like
they were any good to like, like, I I'm okay
with us discussing a really bad film, but some of them.

Speaker 2 (07:28):
Are like stupid.

Speaker 6 (07:30):
Yeah, and those look like the horror, especially the horror genre,
where they'd give anybody a budget to do anything and
they just can release it to streaming. But the fact
that you can't find Dark Hall slash Monster Truck anywhere
on the streaming platform and cooling Crackle and Tubi and
Pluto tells me that I need to watch that movie.

Speaker 2 (07:50):
Yeah, that's we might have to go to eBay and
get somebody's used DVD copy that they got from red
Box or something like that. It's just uh, you know,
three bucks drop in the mail. We'll even pay shipping
and get it here for bucks or less. Well, we'll
be on the case. But yeah, we were knocking around ideas.
So finally a desperation, I threw like three titles at Paul.

(08:11):
He starts researching him, and then he does a little
bit of a turn and comes back with one that
my other co host, Aggie actually had recommended at one point.
Oh well, it's because she also hails from in Antonio,
so this kind of has a little place in her heart,

(08:31):
so to speak. So what we come up with is
chuop of Cabra versus the Alamo. M H.

Speaker 6 (08:38):
You sent me a Chooper Cabra link, and you're like, here,
pick from one of these three, and it's I'm looking
them up and I'm like, Chuoper Cobra. And at the
bottom the Chuper Cobra you sent me didn't look interested
at all. But at the bottom I see Eric Ostrada's
glorious face on a poster and it says Choper Cabra
versus the Alamo. I didn't click any further. That was
as far as I went, and and this is a

(09:00):
true story. At like one thirty or two o'clock in
the morning, I texted you back and went found the
movie and that was that was it, Like here, this
is what we're going to be watching. This is this
is the one. And then if you go to TOUB
this is available on twob if you go on two
B and type in Chuper Cabra. There are a lot
of Trooper Cabra movies of this nature. One of them

(09:20):
has the Choper Cobbas versus an entire seal team. I'd
be curious to go back and look because I think
Navy Seals have have been versus every horror trope known
to man. I know they've been versus zombies. I've watched
the Navy Zeeals versus zombies. I've seen that one suber
Cobras out there. I think there's one versus vampires. I

(09:46):
wonder if there's one versus Gilman the Guilt, if there
was like a like a bunch of Berman Gilman. That
feels like it's very on brand for Navy Seal fight.

Speaker 2 (09:57):
I didn't. Yeah, that's that's another you mentioned. That's like
a subgenre. It didn't even occur to me, But yeah,
the Seals always seemed to be in battle with some
kind of nefarious force, and they got a pretty good
winning record too. I gotta say, so.

Speaker 6 (10:10):
There's unless it starts Charlie Sheen and Michael Bean fine,
and then there's a problem.

Speaker 2 (10:16):
Well, we've got something similar, because technically we can say
this is chips versus a chup of Cabra.

Speaker 6 (10:25):
He is looking kind of paunch in this movie, but
he is also in his sixties.

Speaker 2 (10:29):
I gotta get the guy credit. He's looking pretty hail
for his aid. He's still pulling it off, and in
at least half of the scenes he's actually driving a motorcycle.

Speaker 6 (10:39):
Well, he's on a motorcycle. That one scene that I did.
You see the scene I was telling you about, So wait,
you see him on a motorcycle.

Speaker 2 (10:47):
Oh, there were a few, Like there was one where
he's sitting on a Harley in front of a green screen.
It's as blatant as it gains. They had a long
shot of a bridge and there he Isationary on a
motorcycle and then they just do the slow enlargement to
make it look like he's driving towards the camera.

Speaker 6 (11:08):
In this movie had a two million dollar budget.

Speaker 2 (11:12):
But what I didn't understand was the like, the first
twenty minutes is this kind of nonsensical green screen garbage.
It's like, did he have an accident he could no
longer ride a motorcycle, But then all of a sudden,
he's actually driving the motorcycle. So I can only assume
that these were all like pickup shots that they had
to do after shooting because and I even thought too,

(11:36):
maybe they only had him for a couple of days
and he couldn't get to San Antonio. But he did.
He was in He was on location for much of
this shoot. So that's My guess is that they said,
you know what we have to we have to add
some stuff. Can you go to the studio. We'll just
have you sit on a bike and put in front
of green screen. We'll do the rest and fix it
and post that kind of crap. But it's not good.

(11:59):
The dude can ride a motorcycle, them do it, but.

Speaker 6 (12:04):
Nope, he did it for years and he can sing.
You just didn't put him in front of a microphone
this time, I said, I said, Brad, a video of
old Paunch singing the celebration song from like nineteen eighty
three or four.

Speaker 2 (12:20):
I gotta say, there is a limit to how much
horror you can endure at one time. So let's, you know,
back off that throttle a little, Paul, can we? But well, yes,
we are going to be delving into the Mexican mythological
murderous canine that is the chupacabra. I I remember back

(12:45):
in the day when I was first hearing about it
and did some research, I wasn't aware that it was
strictly a dog. It was more of like a more
of an amorphous creature of various types that supposedly goes
out and sucks the blood out of goats. That's kind
of where the legend I think launched from. But in
this movie they're basically dogs.

Speaker 6 (13:05):
Yeah, they're like coyotes or something, but.

Speaker 2 (13:11):
That intimidating. I mean, the way that they're shown throughout
this feature cgi garbage as they are. They don't look
to be more than like ten or twelve pounds each,
and yet yeah they're supposed to be. There's demonically murderous
creature that it's almost like velociraptors that they just attack

(13:35):
in a group, and that's what makes them scary. I
guess the whole thing is kind of take our word
for it, this is bad stuff. One thing they didn't
cheat on, though, was the blood. They were very, very
big on the blood in this one.

Speaker 6 (13:51):
It's well, it's funny to me that they're doing that
because you look at the description of the film, it
says that after the bodies of some drug cartels tire
up and are mangled and drained of blood. Well, they're
not drained of any blood because they're funny.

Speaker 2 (14:08):
Yeah, they're pretty much covered in blood. In fact, it's uh,
there's only a few times we actually even get to
see something like entrails or carved up bodies. For the
most part, they just get dragged off. They're on the
ground and when people come upon them, blood out all
over them. They're just coated.

Speaker 6 (14:24):
I will say they did do a pretty good job
of saying that. The first thing those guys, those things
do is go for your throat, So they're not going
for the angle like a regular dog or coyotes, going
for the ankles or the legs because that's where they're at.
They're not jumping, but these things jump right for the
throat and wring it down. So I guess that would
be scary if I got a chew for copper jumping
at my throat.

Speaker 2 (14:46):
Well, yeah, it's uh. And they managed to dispatch people
pretty quickly too. That's the thing. I would think there
could be a little bit more fighting going on. You know.
It's like they're kind of small. You can fend them. Nah,
there's three. If you get three of them on you,
you're a garner. So that's it. You're you're done for. Well,
we get our introduction to this via the Mexican cartel.

(15:10):
The opening scene is a guys in a truck pull
into a very wide tunnel. The one guy in charge
is yelling at the others, get over there, go do that,
take it over there. So it's basically getting bags. A
lot of satchels in this movie, a lot of satchel
work in this one. Whoever, whoever had the Duffle bag

(15:30):
account for this film, they made out pretty well.

Speaker 6 (15:33):
That's probably just somebody who was going to go shop
at all day. Later off the crew need to bring
all their bags.

Speaker 2 (15:38):
Of them, spray paint them, make them look more.

Speaker 6 (15:42):
Or costco any place that requires you to bring your
own bag.

Speaker 2 (15:46):
The cops have them, the rescuing force at the end
have all kinds of them, and the cartel has them
at the beginning. So they're offloading from a truck into
the tunnel that has ostensibly a rail line in it.
We're not even three minutes into this film and I
got two major problems, all right, well one major one miner.

(16:09):
Here's the minor one. The the lowly guy that has
to carry the bag over. He he's scared to go
in the dark. They give him a flashlight and he's like,
I don't know, it's so dark. And he finally makes
it to the rail trolley that they put the drugs
on to send it or the money, maybe send it
back to Mexico. It's long and drawn out, and he's scared.

(16:32):
Your here growling and oh, I'm gonna die moreto But
then when he gets to the trolley and starts pushing it,
there's lights all over the tunnel. It's like, wait, what
the hell just happened.

Speaker 6 (16:46):
Somebody's using it. It's a really weird It's a really
weird setup because they're not going to hide their drugs
in the middle of a mountain, and they're certainly not
going to do it where you can just drive your
truck into it accessible. There's many moments in this film
where Peter Sullivan, who wrote this film, I don't think

(17:08):
he took any kind of research effort to do anything
like I'm much like like, it's twenty thirteen. This movie
on twenty thirteen. I know Google existed in twenty thirteen,
so it was possible to just do a little bit
of research. Even Fast five had had better drug smuggling
tunnels than in this movie.

Speaker 2 (17:30):
Well, here's the other problem. This is the major one
that I just referred to, and this is a major
plot point. This is a cartel tunnel, So this is
how they moved drugs and money from Mexico to the
United States in San Antonio. This place is not near

(17:51):
the border.

Speaker 6 (17:53):
It's way off well, so Sullivan had an idea. He
wants to include the Alamo. That's the only reason this thing.
He came up with the title Trooper Cobbs Versus the Alamo,
then wrote his entire script. That's all he's done. He's
done here, by the way. You know what came out

(18:14):
in twenty thirteen, No, not off hand, bro It is
a sci fi epic. It spawned six sequels. You and
I own signed scripts and bowls.

Speaker 2 (18:31):
Wait, Shark Nato came out in three.

Speaker 6 (18:33):
Twenty thirteen was the year of Shark Nato. This came
out at the same time as Tuper Cobb Versus the
Alamo and Raging Cad Raging Cajun Redneck Gators, which I
might have to watch at some point.

Speaker 2 (18:49):
I think now we understand how this thing got overshadowed
under the magnificence that is Shark Nado. So okay, And.

Speaker 6 (18:57):
If you look at the affection, yeah, if you if
you look at the effects in this thing, it makes
sense that this all came out around the same time.
Because let's see one two through four, five, six, seven, eight, nine, ten, eleven,
they put out eleven movies. That's one a month. So
they put out a they were putting out eleven movies
in the in the year of twenty thirteen.

Speaker 2 (19:17):
And yeah, it was it was a regular Saturday thing
for them at the time because we had a few
parties over it, Like I did you know we had
Sharknado parties all the time too, But we would have
also like on Saturday afternoon, we would just have a
few people over and watch whatever comes on. Ooh, it's Edi.
We got to get that one by an order a pizza. Yeah,
So you know they were you know, they were cranking
these out sci.

Speaker 6 (19:38):
Fi slashed the asylum. Knew what they were doing with
this thing that they they threw very small amounts of
money at it, and they just reaped all sorts of
ad benefits from it. And so this is just a
series of that where they just had people doing stuff
then call it a movie. Sure, and they've got but.

Speaker 2 (19:52):
I am going to take a little exception here, Paul.
They did not know what they were doing.

Speaker 6 (19:56):
This is true. They actually mean a.

Speaker 2 (19:58):
Turtle from San Antonio, Mexico. Sorry, I would say.

Speaker 6 (20:03):
If we were ranking the people who wrote these movies,
Thunder Levin old friend of the show, Thunder, He's up
there because at least he when he put nonsensic Gloff
in The Sharknado, he understood what he was doing. And
why I don't think Peter Sullivan understood what he was
doing well.

Speaker 2 (20:23):
And this is the funny thing. This is a guy
that's got like one hundred and forty screen credits. Oh yeah,
Like this guy churns out the TV scripts. He does
Christmas movies for Hallmark and a host of other things.
I mean, this guy's prolific, so he does know how
to make a script. I don't think he knows how
to research. And it might be because of time. I

(20:46):
gotta finish this Cube of Cobra movie up because I
got a Hallmark thing that's doing a month. So this
is my guess. It's like San Antonio Sure Tunnel or
straight to Mexico.

Speaker 6 (20:55):
I'm just curious as how they got permit it because
there's a lot of on scene, like on site filming.
I'm wondering how they got permission to film at San
Antonio at the Alamo. Is that just something they let
people do, because there's actual explosives going off around a
lot of it's CG but there's some actual like pyrotechnics
happening at some point. How did they pull that out?

Speaker 2 (21:18):
But my guess, I don't think that's the actual Alamo.
That's probably like they probably found some adobe huts or
something like that in New Mexico and mocked them up
a little bit, because I'm pretty sure they won't allow
that kind of thing to go on around a historical landmark.
So it's not that's my guess, especially if it's sci fi.

(21:42):
You know, we'll give you the afternoon because we got
to we're changing some plumbing anyway, so you got four hours. Shoot,
don't blow.

Speaker 6 (21:49):
Up anything, I guess, and there you go.

Speaker 2 (21:53):
But the uh, yeah, the guy goes into tunnel now,
so he's pushing the uh pushing to Charlie of drugs
for and then the guys at the front hear something.
He starts screaming and then they creep in start firing
their guns and then they get picked off, fall on
the ground, dragged away. Big problems. What's going on? I'm scared?

Speaker 6 (22:15):
And they've all got the pistols.

Speaker 2 (22:21):
Pistolas, Yes, got to well. This The part I actually
like though, is when the henchman I get the leader
gets out of his truck and he's looking. He's like,
what's the matter, and then a head gets thrown at
him and bounces off the windshield before he gets dragged off.

(22:43):
It's like, damn, okay, you got my attention. Movie.

Speaker 6 (22:47):
Yeah, they whoever did the special effects for it. We're
really into the the horror bloody aspect. The best part
is that this was a made for TV movie that aired.
This aired on SI FI.

Speaker 2 (23:00):
Oh yeah, so they know they went from broke at
least as far as the blood goes. Gore not so much.
But hey, we get buckets at the craps. I mean
as well use it. Well that disaster took place. Now
we do the bedroom of Eric Astraut at four o'clock
in the morning. You're welcome, ladies.

Speaker 6 (23:20):
It's wearing a T shirt and short there.

Speaker 2 (23:22):
He is stretched out and he hears a noise and
he sees shadows and he gets out of bed and
he grabs his gun to go see who's breaking into
his house. Oh it's his teenage daughter that he came
within an inch of ventilating, And I'm sorry in real
life he probably would have. But she comes creeping in
the door with her best friend at four o'clock a m.

(23:44):
I was just out with the guys partying. Dad, what's
the big deal? You're such a buzzkill? What ebbs? This
is the domestic DRUMA.

Speaker 6 (23:56):
Well, yeah, And she doesn't even really truly react. He's
got a gun in her face. So he's standing there
with a gun pointed at the door, and she comes
walking in. She's like, oh, geez, Dad, put the gun down, Like,
I don't think that's that. Knowing several teenage girls throughout
my life, the drama was would have been super high.

(24:18):
That would have been a super high dramatic moment where
everybody was screaming and she's throwing things and one crowding
into the ground. That's there's crying involved. It's it would
have been a whole thing.

Speaker 2 (24:27):
Well, he's uh, yeah, he's very displeased with her because
she's snuck out, and you know, I'm very bothered my
daughter was out at all hours of the night. And
then he gets a phone call, you know, he.

Speaker 6 (24:38):
Says that she's she's way past hours past her curfew.
Like Sullivan couldn't even be bothered to list a curfew.
It's three in the morning, your curfew. Your curfew ended
at eleven, Like, it's just hours past your curfew. And
then we're just supposed to think it's just sometime in
the middle of the night. But then but then he
goes on later to like say other things about why

(25:01):
she's home, and then they she's like, well, you weren't
even gonna be awake anyway, or I was off with
a guy, or you were gonna be mad if I
told you, And he's like, my bed, I'll have a conversation.
Like the whole interaction between him and his daughter were like,
was super awkward.

Speaker 2 (25:18):
Yeah, and there's yeah, there's not a lot of chemistry
between them. She's not that talented of an actress, just
more of like whatever dad like, she's very cynical and
jaded to the extent that he gets called into work
she goes storming up the stairs. He's like, I gotta

(25:39):
do this. I'm a cop, and she's like, please, you're
de a whatever. Still a cop. I'm pretty sure. Life's
like check.

Speaker 6 (25:49):
Yeah, that's You're not a real cup You're a malker.
You're like Carlo Segwin mall cop, that's who you are.

Speaker 2 (25:56):
Stop it, dad, You're just a Canadian mountee.

Speaker 6 (25:58):
It doesn't even come Canadian mounie.

Speaker 2 (26:04):
I'm sorry, honey, he's de e a. This is you know,
he's a fan. It's pretty cool stuff.

Speaker 6 (26:08):
I'm sorry. But anyway, he get rides around with a
shotgun on the rear of his of his motorcycle all
the time. I don't think he owns an actual car.

Speaker 2 (26:17):
But hey, he's in Texas, so nobody bats an eye.
So he gets called out to the tunnel and there's
a bunch of other crews there, and this is when
he meets his new partner, and so movie trope that
it is, he has to treat her like a complete ass.

Speaker 6 (26:35):
Well we remember, okay, so this this is important part
of the setup. It's Cinco de Mayo. So it's it's Friday,
it's sinc what's not Friday, it's uh, the fifth, it's
just the fifth of me. So it's it's Sinco de Mayo.
And it's the two year anniversary of his wife dying.

(26:57):
Does she get in a car wreck? Did they ever
explain how she died?

Speaker 2 (27:01):
I didn't really hear that, but I also didn't care.

Speaker 6 (27:05):
Yeah, I didn't catch it, but it's it was off.
So they can go to the funeral or go to
the grave site. But he decides he goes into work.

Speaker 2 (27:17):
So he was supposed to have the off. This the
the idea was he he should have the day off
so he could take his kids there, his kids both
for he's a living hell out of them. However, there's
also his son involved, which we'll get into you soon enough.
That George fargas the uh that's or hey, thank you.

Speaker 6 (27:39):
Uh I'm going with George. I'm white.

Speaker 2 (27:42):
So he gets called to the tunnel. He meets his
new partner and the first thing he says to her is, yeah, whatever, Hodey,
get me some water and make it cold.

Speaker 6 (27:52):
Okay, So look here look the weirdest that we need
to discuss. So Sullivan has has established that this is
Sinko de Meyer. It is the fifth of May. I
went back. Eric Astrata wears a leather jacket the whole movie.
Everyone has some sort of jacket on and it's mostly leather.
His chief, the chief of police or whatever, he's wearing

(28:15):
just some sort of ratty Walmart T shirt with a
leather jacket. And I guess I'm supposed to completely ensemble
and pull it all together. It's the fifth of May.
The average temperature, and I want I know because I
google this the weather for twenty thirteen Sinco de Mayo
ninety seven percent humidity, Brad It was a high of

(28:38):
ninety seven degrees with ninety seven percent humidity. There, you
know why he wants water. Take off your jacket, Eric
walking around in a tunnel with a leather jacket on,
ride a motorcycle on the heat.

Speaker 2 (28:52):
I will say this, the best way to fight off
those conditions is by looking cool.

Speaker 6 (29:00):
He did it pretty cool. Yeah. Well, he's running around
with a pistol grip shotgun right on the back of
his back of his motorcycle and a little leather pouch
like he was like it was a a rifle holder
on the side of a horse.

Speaker 2 (29:17):
That's right, he's got a steel horse that he rides.

Speaker 6 (29:21):
But it still bothered me the whole movie. I'm like, bro,
it's not cold. You've got to absolutely be He's sweating.
You can see him physically sweating throughout the whole film. Like,
take off the jacket, come up with a better outfit.
I mean, what's what is the problem?

Speaker 2 (29:37):
Yeah, Eric was looking dewey for many of the scenes here,
so I'm hoping for his snake. Maybe they were shooting
in February or something like that, so it was a
little a little more brisk on set. Well, he's you know,
he's surly, he's bitchy, he's dismissive of the girl. Even
though she's a PhD. She's got ten years in the field. Basically,
she's like, off the charts fantastic. So of course she's

(30:00):
now working DEA in San Antonio. You should be in
a secret service or something with that resume. But maybe
she pissed somebody off somewhere along the line. I didn't
get a look at her CV. I gotta be honest,
but I'm just going by what she was bragging about.

Speaker 6 (30:16):
Well, I do you remember me texting you about that
I'm watching this thing and she says, let's see her.
I wrote it down. She says, I've had I got
a PhD in psychology. Now, first off, to get your psd,
you must first have your bachelor So she've been been
in college for at least four years, and then a
PhD in psychology takes anywhere from five to eight Let's

(30:37):
give her the minimum. Say, she's smart and she got
it in five she's got her master's in criminal justice.
Well that takes two years, so now we're up to
eleven years. But then she follows it up with I've
got ten years of field experience. All right, that's a
total of nineteen years. Oh, this actress is thirty four
years old in real life. That means she started when
she was fifteen. She would have had to start her
whole day again. Peter Sullivan, do a little research. You

(31:00):
just said I'm out blah blah blah, I'm not new.
You added in an extra ten years of field experience.
That made it. You could have just said nine years.
Could have gotten away with that ten years.

Speaker 2 (31:08):
I got the answer right here. Oh the doogie houser
of the Dea.

Speaker 6 (31:17):
Somebody should have thrown that line and I would have
been okay with it.

Speaker 2 (31:21):
She started her schooling when she was thirteen. She breezed
through her masters and there you.

Speaker 6 (31:28):
Go, like, seriously, there's the Sullivan could easily have done that.
She says that to Estrada, He goes, what'd you start
when you were fifteen? And the guy next year could
have gone, Yeah, she's kind of the dude known as
the Doogie Howser of criminal justice, and he could have
gone on like, oh, I still want that water bro
That's a great interaction and it's actually comical, and it

(31:50):
would have allowed a little bit of the tension to
drop there and you could have moved on with a thing.
That would have been an awesome interaction. And we're talking
something about something completely different right now.

Speaker 2 (32:01):
Yeah, but I did appreciate, you know, a little bit
later in the scene, he's standing up and all of
a sudden, you see a water bottle just fly into
the frame and hit him in the chest and he
catches it, and then she walks up and she's like,
that'll be the last one. It's like, all right, honey,
I'm on side now, gotcha here. So they're looking things over,

(32:22):
and of course she's got a PhD. So she's the
one that has to go creeping deeper into the tunnel
and make the discovery of Chupa Coppers and give.

Speaker 6 (32:34):
I guess give give Sullivan in this movie a little
bit of credit because they don't make us wait very
long to determine what's the main villain is. I mean,
they show the Chuoper Coppers right off the bat and
she discovers one and kills one right off the bat.
I mean we're only what not even fifteen minutes into
this movie where she when she killed one and they

(32:54):
discovered and they probably could have made it a little
more mysterious when everything happens off site and we don't
know what's going down and what's happening. Could have done that,
but they chose not to, and they just jump right
into it.

Speaker 2 (33:07):
Yeah. A lot of the times, you know, they want
to let your imagination run wild and build up in
your head to make their special effects look better. Here, Nope,
we spent money on the computers. We're using them, by golly.
So yeah, we see these rather pathetic looking they're almost
emaciated for all they eat and they do in this movie.

(33:29):
These things are skinny. Now I gotta ask here because
I kind of missed this part. Is this when she
affixes one of the demon dogs with the GPS locator?

Speaker 6 (33:42):
No, that happens way later in the movie. It's after
she meets her ex boyfriend, the sloppy surgeon that does
all the anatomy things, the medical examiner. I guess he's
in mail because he's examining a dead dog. I think
he might be a medical examiner for a veterinarian.

Speaker 2 (34:03):
He's like a vet version of Quincy. How many of
those ages actually? Okay? But yeah, I just remember like
in the second half of the movie, they keep talking about, oh,
you put a GPS on one. It's like, when the
hell would that happen?

Speaker 6 (34:16):
Did I miss? She's tracking one? She and she steals,
like we can talk about her in a minute because
I watched all that go down.

Speaker 2 (34:23):
Okay, okay, good because I must have turned away or something.
But yeah, so she shoots one and they do bring
it to this guy. He cracked me up. This guy
was like, he's only on screen for five minutes, but
damn it, he's gonna make the most of him five minutes.

Speaker 6 (34:40):
Oh yeah, he was chewing it up.

Speaker 2 (34:43):
Oh he's uh, he's got it on the screen. The
guy's full of blood, by the way, he's got the
operating smock just bloody as hell. Half a dog on
the table in front of him, and he's like, come here,
I want to show you something. And he goes and
walks into his office, which is basically immaculate to use
the computer. It's like, dude, you were dripping on every

(35:04):
damn thing in your office right now. You're like a
butcher with a chainsaw.

Speaker 6 (35:07):
He looks and he's got two giant handprints of blood
on his white smock. Because I guess that's the way medical.
He's wearing gloves. He has gloves. Odds it like take
the gloves off and put on a new pair of gloves.
I think that's the reason why they have the gloves.
But he just like has hands, like he's at a
barbecue and he's just got barbecue sauce stains on his

(35:28):
on his shirt and he's just pushed them across and
they're they're like they're perfect handprints. You know, even though
you're seen. I don't know if you did this because
you got children, but you know, you'd go and you'd
kind of keep their handprint. You'd preserve it for posterity,
and you'd take the little hand you'd stick it in cement.
It to be a perfect little hand thing because they
wouldn't smear it. That's what this looks like. Looks like

(35:48):
a toddler put his hands in blood or fingerpaint and
then just stuck them on his jacket.

Speaker 2 (35:56):
Nana's gonna get that under the tree at Christmas.

Speaker 6 (35:58):
That's gonna be hard to come out. You gonna have
a tie pin?

Speaker 2 (36:01):
Did you make that for me? He was so sweet.
But the part that cracked me up with him though, is,
you know he's career. Let me show you. You see
all this and the and the way that these inner
vesicles are coordinating on the cellular level. And Paunch looks
at him, He's like, hey, how about in English? He's like, Oh,
they got rabies.

Speaker 6 (36:21):
Like that rabies, it's a cheaper.

Speaker 2 (36:26):
He's like trying to impress these people that probably haven't
been to a doctor themselves in fifteen years. And he's
talking the vasculars is now revealing to me all of
this what brabies And then he says, uh, he makes
the determination that these are caned in nature, they're dogs,
and therefore the entire pack probably has rabies. Oh great,

(36:48):
so chup of Cobra's not bad enough. They're also rabid.

Speaker 6 (36:52):
Had to have a cheaper of Cabra was my wrestler
name in college.

Speaker 2 (36:58):
And then we get to his other partner, one of
the other DEA agents, is out in the woods with
his dog and he happens to encounter three of these
tube of cobbers. Now, I was always under the impression
of these things attack at night when they're rabbid, all
bets could be it. Yeah, probably throws up their GPS

(37:22):
the because that's always part of their mystique. This, you know,
you wake up in the morning and you find your
you know, desiccated goat with all his bloodsuck out of them.
Happened overnight makes it more mysterious and horrific. But no, now,
of these things, you're just wandering the parts during the day.
So he gets one on camera, you know, it takes
the time to shoot one with his camera, doesn't take

(37:44):
the time to shoot it with his gun.

Speaker 6 (37:46):
However, Yeah, he's and did you notice the camera she
went to go take a shot and if it did
a flip up flash, like it didn't even have the
flash attached to it like a professional camera flash. It
just it flipped up.

Speaker 2 (38:02):
I don't even think that was needed at two o'clock
in the afternoon, But okay, go with it. Probably filled
in a few of the facial shadows on the canehids and.

Speaker 6 (38:12):
He's like, oh man, look at this. They're not gonna
believe what I found. Yeah, because you're about to die.
Why would you not?

Speaker 2 (38:17):
But he's he's kind of focused on the one, but
he didn't check his six because one comes up behind him.
Then one comes over from nine o'clock and he's like,
this isn't gonna end well. And it didn't end well.
He and his dog are both taken down and uh
later they come on scene and that's when they find
the photograph that he took and they try to collaborate

(38:41):
with the the veterinary Examiner. I'm still cracking up with that.
He's Animal Quincy.

Speaker 6 (38:49):
Yep, these are dogs, all right, Animal Quincy. That's another
show I would watch. I would watch Animal Animal Medical Examiner.
That sounds like actually some like a show that you
would watch on Lifetime or A and E like oh no,
wait one.

Speaker 2 (39:07):
On Adult Swim QQ Quadruped Quincy.

Speaker 6 (39:12):
Oh my gosh, i'd watch that show. You're right, but
I said earlier in the chat I'd watched I'd watch
de E a Doogie, a Little a Little das end
of the age of fifteen, running around telling people what
to do, but still has to be driven to work
by his mom.

Speaker 2 (39:27):
First episode on QQ, this was no voting accident.

Speaker 6 (39:32):
He has to fight the cartel and acne.

Speaker 2 (39:36):
And I like the I like the medical examiner too,
where they said, now can you tell us how he died?
Did he have brabies? And he's like, let me ask
you something, mister copp when you are investigating and all
of your clues, does it take you one day? Thank
you folks acting, Thank you.

Speaker 6 (39:57):
This whole movie takes place in one day. By the way,
it's less than twenty four hours.

Speaker 2 (40:03):
Yes, all on one day on May the Sinko. Maybe
this is a uh, but yeah, everybody gave us. Also
hats off to the medical examiner who we never see again,
but left the lasting impression. That's all that matters, Thank you, sir. So.
The uh determination at this point now is that they

(40:25):
have a chupa Cobra problem because they are using the
Mexican cartel tunnel to get to the United States.

Speaker 6 (40:34):
The long long tunnel from the border to San Antonio.

Speaker 2 (40:39):
Now, when they said this, I'm thinking in my head,
wait a second, I think we got a win win
here because chup of Cobbra is going to take care
of the cartel, and since they're occupied with the cartel,
they're not going to be attacking Americans because they're all
fed on drug lords and they're probably up on goofballs

(41:01):
or whatever they're smuggling. So in real life, I don't
think this is going to be a problem.

Speaker 6 (41:06):
It's one hundred and fifty seven miles from the border
to San Antonio and nobody's reported a trooper copper problem
prior to that. So the trooper cobos must be coming
from Mexico into San Antonio. They're they're there just there
for a Spurs game.

Speaker 2 (41:23):
I just want to watch the Spurs cartel can't figure
it out. It's like we just keep recruiting new guys
and send them into tunnel and they get what's going on.

Speaker 6 (41:31):
Send some more, maybe for a trooper cabra San Antonio
is it's Tijuana. We got people from San Diego just
go to Tijuana all the time just to blow off
some steam. Maybe that's all they're doing. They're just they're
just trying to blow some steam off at their Tijuana.
That's what it is. They're misunderstood.

Speaker 2 (41:50):
Yeah, but they're also they're bypassing the border. They're not
checking in, they're not they're not here legally. So now
we have I have been get them illegal alienop of copras.
This is getting worse and worse as this movie.

Speaker 6 (42:04):
Unfolds, alien Schoper cobbras would have made.

Speaker 2 (42:08):
More sense, I don't think so.

Speaker 6 (42:13):
Or like just one big choper cobbra, just like a
giant you know that, like that that meme. Would you
rather fight one hundred horse sized duck or one horse
sized duck or one hundred duck sized horses? I think
I'd rather see one horse sized schooper cabra that they're
you know, they're running around trying to beat up like
a werewolf size super cobbra. Give me, give me one

(42:35):
of them bad boys. Then Eric Astrada could have gone
to fisticuffs and and ag you probably would have enjoyed
that portion of it. A bare chested Eric Astrada going
fisticuffs with a werewolf two sized chooper Cabra.

Speaker 2 (42:50):
We'll say the guy's teeth are still magnificent.

Speaker 6 (42:54):
Absolutely, that dude is. And I hope I look like
that when I'm sixty two. He was sixty two. I
think this movie he was.

Speaker 2 (43:01):
He flashed the shoppers pretty nice. I gotta say, the
guys looking looking good for the age. I'm gonna go
with you on that. So because he was his daughter,
who's supposedly been grounded because she was like, oh my god,
you're so lame. But she's gonna may you. You can't
ground me. Well, he's off working, so she's like, screw it,
I'm going out. And there was a massive field party

(43:25):
at the school.

Speaker 6 (43:27):
Yeah, hey, let's go be Rebels and Hellians, but we're
gonna do it in the parking lot of the high school.

Speaker 2 (43:36):
There's fifty kids and they're drinking and there's mats on
the ground and they're making out and everything else on campus. Sorry.

Speaker 6 (43:46):
Well, truthfully, the cops probably had no idea in San
Antonio that that was going on, because you know, it
was just a state But we never really see the
San Antonio police as just the state police the whole time.
And see is the state police cars.

Speaker 2 (44:02):
But her, uh, his daughter's good friend is named Brooke,
and she's sitting I laughed at this. They're they're making
out on a blanket, late afternoon. Then the camera pans
down it's nighttime. They're still making out like they haven't
made any progress at all. Guy's still stuck on first base.

Speaker 6 (44:23):
Clearly you weren't a teenager.

Speaker 2 (44:26):
He and we get going. We get a close up
shot of them kissing, embracing, very romantic. It's a very
touch and it's like, man, these two were really into
each other. And then he lifts his head and says,
I got a whiz in her face. So he's like
an inch away from her. Okay, I get it, you're

(44:50):
in high school. But even so, go whiz and he
proceeds to do so, approximately six seven feet away from.

Speaker 6 (45:03):
Her, as one tends to do.

Speaker 2 (45:07):
It was a flag poll. This will work.

Speaker 6 (45:10):
Oh, funny story. Okay, this is related. So Blake and I,
my son and I we went to the Jaguars versus
the Chiefs games here Monday lass, last Monday night. Fantastic game,
fantastic ending. Chiefs can suck it. I hate my homes
and he's so good. I hate him. And so we
go to park and we're parking away from the stadium obviously,

(45:32):
because it's too extensitive to park close to the stadium.
So we're parking down like an alley way next to
a church. Church.

Speaker 2 (45:40):
I've been to your arena before.

Speaker 6 (45:42):
Yeah, So we park over there and you got to
walk a little ways. Well, it's at an end of
a cult of sack. It's just basically a dead end street.
It's big enough to hold like five or six cars.
So we pull down there and I'm going to do
her a UI and come back so that can face
in the right direction. And as I turned to my
wheel to the left, this guy is standing in the corner.
He's got trousers down and he's just he's just whizzing

(46:04):
to the world, just right there face. He's facing oncoming traffic.
He's just he said, his girlfriend is like ten feet
away on her phone, standing there chat talking to somebody
on her phone, and he's just standing there. He's got
a red solo cup in his mouth just like it
has just hold it with his teeth and he's got
both hands on it. Bro, and he's just going to town.

(46:26):
There's lights from the traffic coming forward, blasting to the face.
I light him up like a like the fourth of July.
From behind. My son said, you should just sit here
with your lights on facing him the whole time.

Speaker 2 (46:39):
Tell me he was wearing red and yellow.

Speaker 6 (46:42):
But apparently maybe girls don't care. Maybe the girls don't
care if you're wizing right next to him, because that's
exactly what she was doing. She just stand out there
while he.

Speaker 2 (46:48):
Was just Now we're gonna go in the stadium soon.
Dave is whizzing, will be in there soon.

Speaker 6 (46:56):
He getting hold it. He's had seventeen beers. We've been
making out since this afternoon. He's gotta go.

Speaker 2 (47:03):
So herle Thario is standing in her by the flagpole.
Doesn't quite drop trial, but he's letting it fly. And
then all of a sudden, you hear a growl and
you hear a crunch. Yes, a chupacabra has just taken
his junk in its mouth, and he then.

Speaker 6 (47:25):
Crossed a cabra.

Speaker 2 (47:25):
If you will, Oh, see what you did there? This
kid reacts like he just dropped his phone in the toilet,
not that something just clumped onto his manhood. He's just
like oh, and then he stumbles back to the blanket
and falls down next to Brook. My wiz didn't go good.

(47:48):
I mean, this kid did not react at all. I'm sorry.
I need wailing, screaming and something, you know, give me
something here, like where was the director in this scene?
It's like, okay, just to see now he's he's gonna
chomp off your manhood and you're gonna be bleeding from
the crutch. Give me something that wasn't cool? You took

(48:09):
my junk. Literally, this is his reaction. It's like, Brook,
you can do better, honey, I'm sorry. So he falls
on the blanket, and then she also almost reacts. She's
just like, ah, I got like blood in my hand
from him.

Speaker 6 (48:27):
That's it.

Speaker 2 (48:30):
What the their acting careers. I'm just gonna say it,
hit a cul de sac. There you go. They are
not doing anything after this. If this is the best
reaction you have to losing.

Speaker 6 (48:42):
Your wedding. Tackles the girl that played the girl that
plays the Daughters. She's got an award.

Speaker 2 (48:51):
She at least delivered something. I mean, she did that
kind of teenage sullen okay, but like Brooke, forget about it.
This girl she was a void. Oh my boyfriend just
had his genitalia consumed by a monster.

Speaker 6 (49:05):
But then later she to go to town with a
She goes to town fighting a uh, suber cobber with
a microwave.

Speaker 2 (49:15):
Yeah, but then like get into the house and then
she spends about ten minutes of a scene like in shock.
She just stands there catatonic for a while, and then
she ends up dying. Spoiler alert, Well she was.

Speaker 6 (49:29):
She was in twenty five episodes A Big Sky and
thirty episodes of louder Milk. I guess she's got a
couple of things after.

Speaker 2 (49:38):
This really brooked it.

Speaker 6 (49:41):
That's what she says here.

Speaker 2 (49:42):
Yeah, color me surprised. I'm just gonna say it because huh,
she gave me nothing. I'm just gonna go with that.
So that was early.

Speaker 6 (49:52):
This is later in her career. This was early in
her career. So I mean, you figure she's what she
was born and oh, she's just born in a remember
twenty seventh, no year given. You know, they don't want
to don't put a year on IMDb now. They don't
want be able to sing her out for age it is.

Speaker 2 (50:09):
It's kind of rude to ask a woman her age anyway,
So that makes sense.

Speaker 6 (50:13):
You gotta figure Nicole Munez is nineteen, so you get
a fais she's probably around that.

Speaker 2 (50:19):
I did appreciate this though, because, like I said, these
chupacabras can't weigh more than ten pounds or so. But
at the party at the football field, one grabs a
kid who then proceeds to sail through the goalpost. I
have questions of physics here. Okay, this is no that's

(50:43):
not going to happen not in this I understand. They're
supposedly demonic and very aggressive and murderous, but at the
same time, these things got a musculature that is not
going to heft one hundred pound kid over a goal post.
He's not gonna go cartwheeling for three points. Sorry, not

(51:03):
buying it. You're starting to lose me. Chewpacabra movie.

Speaker 6 (51:09):
Now you're starting. Now they're starting to lose you. They
hadn't lost you up to this point.

Speaker 2 (51:14):
But now Brooke goes to Estrada's daughter and lets her know, Okay,
there's like a problem because my boyfriend's chunk is gone
and there's like these dogs and stuff, so we should
probably go.

Speaker 6 (51:29):
Let's get your going.

Speaker 2 (51:31):
So they they run into the school and they tried to.

Speaker 6 (51:38):
Which is completely unlocked. By the way, m h just
completely open. They didn't have to bus windows or nothing.
They just went in. Every school is just completely open constantly.
They don't lock any doors.

Speaker 2 (51:48):
But you could tell that her father is not a
cop but a Dea agent because she knows exactly what
to do. When you're hiding from chewpa Cabras, you go
cower in the home nech room.

Speaker 6 (51:59):
I'm or a what this like their Jurassic Park scene,
that's what they were going for. They jumps up on
the so they're the table.

Speaker 2 (52:09):
Yeah, the two of them are cowered under a hot plate.
And now I'm also gonna question some of the biology
here because there's a chup of cobras right on top
of them looking around for them.

Speaker 6 (52:21):
Can't smell them.

Speaker 2 (52:23):
Dogs have a sense of smell that's off the charts.

Speaker 6 (52:27):
I don't know if you heard my dog bark just
a few minutes ago, but that's because a door opened
somewhere in the house. They got an appeccable hearing, So
I'm fairly confident they hear these girls and smell them
right below. And they're not idiots, they're dogs, just like Gus.

Speaker 2 (52:41):
They're cowering their shadesay, they're whining, and this dog is
right on top, literally on top of like a desk.
He's on top there underneath, and he's like, where did
they go? This cutter stumps me. My entire sensory apparatus
is inoperable.

Speaker 6 (52:59):
And then and then the only time in this entire
film that it drools like this big white glocky goop
right on to the ground in front of the girls
like it was borderline OnlyFans, that's what it looked like.

Speaker 2 (53:11):
And then Brooke is like almost laughing at this. What
was that about? Oh no, because the shot starts on
the two girls and then you see this long tendril
of white fluid pool on them, and she like starts
giggling almost.

Speaker 6 (53:26):
I feel like Sullivan told everybody said, look, you guys,
I need ninety minutes of film. The last twenty of
going to be us blowing up the Alamo. I don't
care what you do to get us there. Here's whe
we're going to start, and you all figure out the
rest of between, and I'll just write it down as
it happens.

Speaker 2 (53:42):
I'm thinking maybe here he said, holy cow, that actually
was a reaction. Leave it in. We've finally got something
out of her. It's completely inappropriate, but it's progress. We're
going to keep it. So she at some point had
sent a message to her dad that there's like a
ton of dogs here and we're hiding it to school.

(54:02):
So he is writing up with his new partner their
friends now probably because she got him water, and they
stop it like a couple of blocks from the school
so she can get off where are you going?

Speaker 6 (54:21):
What?

Speaker 2 (54:21):
And he's like, Okay, I have to go to the school.
He's like, you're right, it's right over there, that's where
the thing is. She just hops off, she's like two
blocks away and has to hoof it the rest of
the way. He drives up to a door with his gun.
I think he shot it, like he lifts it up
and points it at the lock. I just don't recall
seeing actual fire from the end of it. But now
he can get into the school.

Speaker 6 (54:42):
Well yeah, but how did they get into the school.
They didn't shoot the lock exactly, Like, he didn't even
try to open the door first, just winning in blam blam.
And I never see, by the way, this Shaka has
unlimited rounds. I have not seen it him reloaded this
entire movie, and he fires it a lot.

Speaker 2 (54:59):
Never can everybody else, especially in the climax.

Speaker 6 (55:03):
I mean, it's just a oh, don't get me started
on the climax and the muskets Oh.

Speaker 2 (55:08):
Not yet, not yet, Well, my god, let's get to that.
So he gets into the school, he picks one of
the chup of coppers off in the hallway, and then
I think that chupicappra and homech finally found them, and
just as he did, Pink missed. He's vaporized.

Speaker 6 (55:26):
Nice shot, Eric, How are you that tactical with a shotgun? Like?
How surgical? How are you that surgical with a shotgun?

Speaker 2 (55:35):
Because he's not a cop, he's dea that's true.

Speaker 6 (55:39):
That's true.

Speaker 2 (55:40):
This guy's a crack with any weapon. You take care
of it. So that takes place. He rescues her and
they have to call it in now because thirty people
have lost their lives supposedly at this party. I guess
everybody got wiped out. The girls go back to their
house now he doesn't. He still has to work because

(56:01):
it's Sinko to Mayo and he's not allowed to stay
home on his day off.

Speaker 6 (56:06):
Apparently, by the way, it's Cinco de Mayo in San Antonio.
There's not a single decoration up in this entire movie. No,
there's no decorations, nothing.

Speaker 2 (56:16):
There's hardly any residents in this city.

Speaker 6 (56:20):
He doesn't. They're not even like you would think there'd
be like a taco truck somewhere, there'd be some fear.
They don't even play festive Mexican music. Nothing. There's nothing
in this movie that says it's Cinco de Mayo other
than the people saying that it's Cinco de Mayo.

Speaker 2 (56:37):
And then I think and Naggie could probably back me
up and doesn't want to see San Antonio is like
number five or six in the country for population.

Speaker 6 (56:44):
Yeah, it's huge.

Speaker 2 (56:46):
Not in this movie like the Chief.

Speaker 6 (56:48):
The Chief could have been walked in with a T
shirt on. This says Cinco de Mayo and he's holding
the taco talking. Trump's AI video of Jeffreys is more
sinco to my I that this movie is. By the way,
that's I would be okay. If if Trump had showed
up in this movie, just somewhere behind Eric Strada, no

(57:09):
no no, no no no no no no no, I would
have been amazing. That would have been fantastic, Like if
just in a Trooper cobra and a in a sombrero
eating tacos make some guacamole dips.

Speaker 2 (57:20):
Or if one of the troop of coppras just came
up and said, Yoki taco bed. But I feel I
I do have to correct you on one thing. I
need to let you know the video of Hakeem Jeffreys
into sombrero that was AI. What nah no ABC News
has confirmed it. Yes, what that was? That was an artificially.

Speaker 6 (57:41):
I AM got them out there to prove the bad
things that are are made up.

Speaker 2 (57:47):
I was as surprised as you are.

Speaker 6 (57:49):
I mean, honestly, I thought that was real.

Speaker 1 (57:51):
I would also like to submit my own point of order.
Nothing says Cinco to my O like rabbit choop cobras.

Speaker 2 (58:01):
Rabs rabbit, illegal alien coppras and just keeps expanding. So
I mean, at one point, Eric Strat is riding his
motorcycle around doing stuff and his daughter calls back, they're here, Dad,

(58:23):
who's here? They are the chup of cobras. Yeah, and Brook.
She leaves Brooke that she just stays upstairs. Brook's downstairs
in the kitchen trying to fight off a chuper cobbra.
She's She's going through the drawers of her kitchen. Looking first,
that's his daughter. That was his daughter with the No,
Brook was the one upstairs that bought it. His daughter's

(58:44):
fended off with the with the electric knife in the kitchen.

Speaker 6 (58:50):
And then I think you got to confuse because the
daughter falls over the daughters the one to gets your
throat ripped out.

Speaker 2 (58:56):
I thought, no, no, they they go upstairs, like she
kills one in the kitchen with the electric knife, thank you,
black and decker cordless. And then she goes to meet
her up there, and then a chewpacabra hits the daughter
and sends her over the railing right when dad's getting there.

Speaker 6 (59:12):
Okay, I got him confused.

Speaker 2 (59:14):
And then Brooke is cowered in the hallway upstairs, and
that's when the chupacabra gets her by the neck. He
can't say and again the blood she's she like falls
over and estrata comes over the restuer and it's just
the pool is expanding under her, like like someone left
the faucet on. It's like, holy hell, nice work, guys.

(59:34):
She's a goner by the way.

Speaker 6 (59:36):
It killed Brooke.

Speaker 2 (59:37):
Yeah, got but you don't get something on that wound.
In five seconds, she's gonna bleed out here.

Speaker 6 (59:44):
She's looking for a weapon in a kitchen. Behind her
on the counter is a series as a as a
knife holder filled with knives. There's a rolling pin back there.
She's digging through drawers of tupperware and potato mashers and
pulls out fully put together turkey carbon knife with no cord.

(01:00:05):
But it just powers right on like, I've never seen
a cordless electric knife that I'm aware of, and she
just pulls that out and stat it looked it was
a scene from Sharknader. You know that scene where he
takes where Ian takes the or find, he takes the
chainsaw and just holds it in the air and the
shark falls on the chainsaw. That is reminiscent of this

(01:00:25):
scene where the Chuoper Cobra comes and just sits on
the knife.

Speaker 2 (01:00:29):
And just then the same year, then did did this
movie steal it from Thunder? Or did Thunder steal it
from this movie? Oh?

Speaker 6 (01:00:37):
I don't know. I'd have to see what year when
they actually released, because Sharknado was a summer release. Uhchoper Cabra,
I'd like to say it was a Sinko to Meyer release. Well,
my guess is it was sometime in October, based on
the sink of to Meyer in this film. Uh. And
then she catches one mid air like a little tiny
cuber car, like a potato sized chopercabra, and catches it

(01:00:58):
and throws it, throws it in a microwave and turns
it on, and the microwave proceeds to kill the chuper Cover.
I mean almost immediately. I can't get a bag of
popcorn to fully cook. In three and a half minutes,
she kills a Chuper Cobbra potato dog and under thirty seconds.

Speaker 2 (01:01:15):
Now we start to wonder if there's a chup of
cabra puppy mill somewhere.

Speaker 6 (01:01:19):
They sell them at the at the flea market, you'll
see them. It's always best to get your cheaper cobras
from a whole, from an actual vendor breeder person where
you can track their their heritage.

Speaker 2 (01:01:30):
Does he have papers?

Speaker 6 (01:01:31):
You know?

Speaker 2 (01:01:31):
Can I see his lineage is as legit.

Speaker 6 (01:01:34):
You're not allowed to ask. You're not allowed to ask
for papers. That's why they're undocumented chuper covers.

Speaker 2 (01:01:38):
Yes, right, they're illegal aliens, so you can't put them
in the dog show.

Speaker 1 (01:01:45):
Well then, I mean they have papers, but they're rolling papers.

Speaker 6 (01:01:48):
Wow wow, Wow, all right, guys, that's the show. We'll
see you guys next week.

Speaker 2 (01:01:55):
They did use the cartel tunnel, so it makes perfect sense. Well,
we we didn't provide a little bit of backstory at
the beginning here, but there's also his son, Eric Estrada
and Tommy, but they're strange. Tommy works with a bunch
of his Mexican friends in a garage and every single

(01:02:17):
one of them hates his father to death. Early scene
in there was like, hey, what's up here? I say,
what's up Porko. I was like, hey, I'm not a pig.
They have a history. And we later find out Tommy
did some bad stuff and instead of helping his son

(01:02:38):
avoid it, he's like, nah, tough love gonna scare him straight.
He's going to prison.

Speaker 6 (01:02:43):
I'm gonna send I'm gonna send him to prison as
a teenager. For what did he do? He like, he
still he stole money, or he's he robbed a convenience
store or something. He fell into the wrong crew.

Speaker 2 (01:02:55):
I forgot what it was, but he was like, yeah,
it could have helped him out, but nah, oh uh
Jorge here.

Speaker 6 (01:03:04):
Uh. He is a stunt double for the Blue Power
Ranger and Power Rangers Ninja Storms.

Speaker 2 (01:03:14):
And I'm looking at him and he was like wispy
as hell. It was like, dude, have a burrito.

Speaker 6 (01:03:20):
So well, he's got to be a stunt performer for
a Japanese actor. I guess so they're not known for
their girth.

Speaker 2 (01:03:28):
But yeah, the whole time he was on screen. I
was like, come on, you know, have some rice and beans,
do something. You have to put something on here kid,
But they're yeah, they amazingly enough, sending his kid to
prison has strained their relationship. How about that. But they've
at this point figured out the city is overrun with
chupa cobbers and they need all the help they can get,

(01:03:49):
including the local Ruffians, Tommy's friends, the local drug cartel themselves.
And the was kind of an overrut negotiation scene. He's like,
why do you think I would help you dad, I'm
never doing it, And then all the other guys in
the shop come around. It's like, hey, Sday, we're not
gonna help you.

Speaker 6 (01:04:08):
We hate you.

Speaker 2 (01:04:09):
Go to hell, hey, and then he's plans that thirty
people died, your sister's in the hospital. And then he
turns around and basically tells the exact same story to
all the guys, who's like, I'm not doing it for
my dad. There's thirty people that died, including my sister.
She's in the hospital. So they basically they all have

(01:04:31):
a swelling heart moment here. It's like, Okay, we're gonna
do it for the community. That's what we're doing screw you, pig.
I'm doing it because I'm a good guy. And then
they just opened the tool drawers and it's just gun
gun It's like and it's like oozi ak forty seven

(01:04:52):
right there in the toolbox. Of course it is geez hope,
don't confuse it with a pneumatic gun.

Speaker 6 (01:05:04):
They've got. And there's a grenade launcher in there too.
He's like, I got papers for all of these. It's
not the same papers that Rick's talking about earlier. These
are these are different papers.

Speaker 2 (01:05:15):
Just rude. Don't pull a trigger in the shop unless
it as a hose. And it's like, who the hell
put a hole in the terceell.

Speaker 6 (01:05:24):
They keep their keep and they're keeping him inside of
a harbor freight harbor freight toolbox. They're in this scene.
I don't know if you noticed this, but as there,
every time the camera would cut to Estrada and and
Doogie that you would see the extras in the background
just walking back and forth upside the shop. And it
was the same extras. And you can I know this

(01:05:45):
because you see them turn around in the in the
the street and come back the other direction from where
they were walking. They've got them on this like path
like n PC's and GTA, and they're turning around and
they're just walking up and down the same ad. I'm like,
you guys couldn't just say hey, go just like ten
feet further path out of frame.

Speaker 2 (01:06:09):
I mean, I've noticed them in the background. It's like,
is this a mechanic shop, like right next to the
restaurant district and.

Speaker 6 (01:06:18):
These mechanics, these these these what are they are they?
What are they called? What's what's the name? They got
a name whatever? These guys that are working on this truck,
they're supposed to be mechanics. And he's wiping down a
battery like when they see him, he's they're under the hood.
He's like, he passed me, That passed me that rag
and he hangs a rag and he just wiping the

(01:06:38):
battery down. Like, what are you working on, dude? The
rest of the engine looks like garbage. You're wiping the
battery down.

Speaker 2 (01:06:46):
Yeah, that's that's something. Look busy work right there. It's
like these terminals are spotless. I'm just gonna tell you
right now, this is.

Speaker 6 (01:06:53):
A good opportunity though, for one of the mechanics to
start to time. This is the time to start hitting
on uh, the pretty DEA agent like it hid it
on her heart. I'm like, tub of cobbers are attacking
your whole city, buddy, you may not be able to
get into her pants. At this time, I'm thinking maybe.

Speaker 2 (01:07:11):
He's like, so, who's gonna protect you? Like, I'm fine,
who's gonna protect you? And they're like, oh, she bound
you as they gets your ass over here with us.
But this is the plan, I think. Apparently the Juba
Cobras have occupied a warehouse that, by the looks of
things on the interior, is ten stories tall. I mean,

(01:07:39):
I didn't understand any of this scene at all. So
there's like, at this point, what twelve of them? Maybe
because at some point Eric Strauta's buddies from the Dea
also showed up on the scene. You're like, hey, it's us.
What's up man, Yeah, that's right, we're here to help you.
Did you call him? How did I miss this? They

(01:08:01):
just popped on sceen. You're like, here we are, okay.
So they go into this warehouse because they know they've
tracked them there because of the GPS that she put
on one of them. But when they were inside, on
the floor and they look up. Literally, there was like

(01:08:21):
seven eight floors to this place. It's all wood.

Speaker 6 (01:08:25):
I couldn't tell. I thought it was a parking garage
at first, but then when we went inside, it is
a completely different type.

Speaker 2 (01:08:31):
Of everything is it's wood inside the place, it's timbers.
It almost looks like and.

Speaker 6 (01:08:38):
There's tunnels all over the place like there's I wonder
if it was like a lumber mill or no, because
it wouldn't have been made out of concrete. I wonder
if it was like a smelting plant. Maybe they San
Antonio a big smelting district.

Speaker 2 (01:08:51):
Yeah, you don't want to have smelting with all that
literally was a wooden interior. This entire that place would
have been up in smoking a day. It almost looked
to me like a bourbon storehouse. It was built in
Louisville in the eighteen hundreds. I mean it was just
but all the chupa cobbras are on the fourth floor
or higher.

Speaker 1 (01:09:13):
Why I'm sorry, I'm sorry, I have to interject this.
Did someone say up in smoke.

Speaker 6 (01:09:20):
That's chasing chong baby m right paper and it comes
full sucker. Oh Rick has been justified, validated, vindicated, even.

Speaker 2 (01:09:33):
There we go. So this is a long, arduous scene
of people hunting of cobbers. They're picking some of them off,
but they lose at least half of their crew.

Speaker 6 (01:09:46):
They they might have lost, they lost the whole tactical team.
So the SWAT team didn't make it through, but the
most of the Mexican mechanics did, except for the one
girl who gets drugged by her ankles into a tunnel
and his son tries to go save him, and literally
he could have just reached the tunnel and grabbed her
and pulled her out, and Estrada stops and goes, she's gone, oh, good,

(01:10:10):
good job. The EA agent.

Speaker 2 (01:10:12):
Well, there was a lot of that in this movie,
Like as soon as somebody who's down, it's like, well
they're Gunner's okay, can't do it. You know. It happened
in the climax too, and they were like, oh well
no not logo, okay, locked the door, what cold? Wow?
But yeah, they lose the girl, the entire DEA squad,

(01:10:33):
a couple other people. Now nothing was accomplished. They all
end up retreating. We got to get out of here,
and then they come up with a plan. We're gonna
walk to the Alamo.

Speaker 6 (01:10:49):
Walking to the Alamo, this whole Alamo scene, this this
little blonde haired dude that they added. They add a
new character in the last is this act three? I
think this is actually this movie to fine his Act.

Speaker 2 (01:11:06):
Three pretty much the entire final act is that.

Speaker 6 (01:11:09):
They add an entirely new character to this movie that
has not been hinted at or introduced or nothing. He
literally is just a new character that comes in and
they give him so much to do. He is he
is carrying the rest of this movie. The movie. The
rest of the movie doesn't happen without this character. So

(01:11:31):
I feel like maybe they should introduced him center.

Speaker 2 (01:11:36):
Well, just the very fact that he gets introduced while
wearing a giant coonskin cap, so he's he is the
tour guide inside the Alamo. Is what's going on here?
So literally, our crew is walking to the Alamo. By
the way, they have to be carrying roughly eighty pounds

(01:11:58):
of plastic explosive.

Speaker 6 (01:12:00):
Yeah, can we discuss that just for a quick second.
And they go to to pull out all the guns
out of the snap on and they're putting them into
the bag, and there's a grenade launcher down there. We
don't see them pick up anything but handheld oozies. And
later George's Jorge whatever, he's running around throwing grenades. He's
just like he's got like a pack a bag full

(01:12:21):
of grenades, like he's walking around the video game Doom
or Duke Nukam and just picking him up as he
sees them. And then later he just like it takes
plastic explosives. He's carrying all this in the same bag
and he's just sticking him. Now, plastic explosives don't need
they need a big radius. They blow up a big spot.
He is sticking them about twelve feet apart. How much

(01:12:43):
is he carrying?

Speaker 2 (01:12:46):
Well, it's the two of them too. Tommy and Estrada
are both shoving Sea four all over the place.

Speaker 6 (01:12:52):
Oh, it's like sticking gum on the bottom of a seat.
It's literally made to do this. And Estrada goes, where'd
you learn how to do all this? But do all what?

Speaker 2 (01:13:01):
Stick?

Speaker 6 (01:13:02):
Stick something to the wall?

Speaker 2 (01:13:04):
Yeah? I don't know, but every one of all this
stuff had to have been prepared like months ahead of time.
Because each pack of C four has a tear strip
on the back they rip off. And programmable keypad and
it adheres to the wall. Where did all this come from?

(01:13:24):
But we gotta we gotta first get to do the
introduction of the Alamo because they're walking up to the place.
And this is how the schup of coppers go to
the Alamo. They just follow them.

Speaker 6 (01:13:36):
They just follow them there. And there's there's hundreds. Now
there's hundreds, and I guess, like, how are they going
to gather them all into the Alamo and keep them there?
That was what I didn't understand.

Speaker 2 (01:13:45):
Well, that wasn't even the plan. They were just going
to the Alamo to hide, weren't they. It wasn't like,
let's go because they'll follow us. It's like, we got
to get the hell out of here. We're gonna die.

Speaker 6 (01:13:56):
Like close the doors, Well they don't lock? What there's
he says, block the doors. There is a literal metal
like one of those seven to eleven in the hood
pool cages that comes across the glass doors. Did you
see it? It's sitting right there by the door. Pull
that shut. Like, I don't know if a Chooper copper
can bite through metal, I mean apparently he can bite

(01:14:18):
through wood. There's multiple scenes where a Chooper copper is
eating wood like a beaver. But they also open doors
with zero problem. Well, they've got apposable choper copper thumbs.

Speaker 2 (01:14:27):
I've seen them open a door I think five times
in this movie, mostly at the album, but one time
with the chase and the teenage daughter into the home necroom.
He's just like, oh, it's a round knob. Let me
just gnaw on this for a little bit. Oh, there
you go. You pick the lock. Well done.

Speaker 6 (01:14:42):
Well, I know why because earlier in the movie they
established that Trooper cobbers are good with tools.

Speaker 2 (01:14:48):
Ah, okay, they're evolving right before.

Speaker 6 (01:14:53):
They're good with tools in their mouth.

Speaker 2 (01:14:57):
Got it? Now, I get it?

Speaker 6 (01:14:59):
Okay, bred I had to explain it.

Speaker 2 (01:15:02):
I know I was. I was looking ahead, not backed.
That's my problem.

Speaker 6 (01:15:07):
Sorry.

Speaker 2 (01:15:09):
Well, we first see the tour guide as he's bringing
in some tourists everything else. The guys come in there
and they're like, hey, choop of cobbers are coming. You
got to board us up now. Woman behind the it's
not snack bar, but she's like the information desk or something.
She comes out and starts lecturing no, no, not inside

(01:15:30):
my alimo, you're not getting Nobody gets in without my permission.
Blamo chupa cobber through the glass on top of her.
She's dead, is there?

Speaker 6 (01:15:42):
I don't know. I've never been to a national park
of that nature where there was a supervisor that came out.

Speaker 2 (01:15:50):
Like she was calling the play dead like an NFL referee.
Hold on, no, no, no, no, this is not happening,
not in my historical landmark. This is crash dead. And
frankly I was happy about this. It's like, oh, thank god,
she shut up. And then the tourists get dispatched rather

(01:16:13):
easily as well, except for our tour guide who now
teams up with everybody. And we proceed to now go
through long scenes of them shutting doors. This is just
what happens. Barrigaded door, put the bar down, put this

(01:16:33):
log in the frame, and then shut it. Okay, we
got another one here. And at one point they're on
the roof picking these things off on the roof of
the Alamo, shooting down.

Speaker 6 (01:16:46):
With muskets, with round barreled muskets they got. They're using
round shots. They never load them, by the way, and
the first scene to never have the first the first
scene where they pull the muskets out of the cabinet
there's a big bowie knife down there. We'll get to
that in a second. They pull the muskets out. They're
just in the basement of the Alamo. These are these

(01:17:07):
muskets just loaded. Because he turns around at one point
and accidentally fires what it like goes by the dea
Doogie's ear, and she's like really, He's like, yeah, I
could do something with this. What are you gonna do
with that? Dude? You better off swinging it like a
club that you are trying to kill a tube or
copper from a distance with it. You are not Davy Crockett.

Speaker 2 (01:17:26):
Plus, you just fired it. So now it's gonna take
you five minutes to reload.

Speaker 6 (01:17:30):
You're gonna have to watch a YouTube video to figure
out how to reload it again with There's no way
you knew how to throw in a wad, and you
ain't got loose gun powder. Ain't nobody carrying a powder
horn or rather waist. But you know what, maybe maybe
Jorges got a powder horn inside of his black bag.

Speaker 2 (01:17:48):
Could be could be got I mean, why not, He's
got everything else in that damn thing. So they're teaming
up and one of the guys on the Roof, of course,
has to say while they're shooting. Babs said, you know,
last time this happened and our people were on the
other side of the wall. Wow, thank you for the

(01:18:12):
it's just listen.

Speaker 6 (01:18:14):
And they're trying to find a way out right, and
he says that somebody had a hidden to it, just
like there's a myth that there's a hidden tunnel somewhere.
And you're but, what was the name of the guy
that they're talking about with a hidden tunnel?

Speaker 2 (01:18:28):
Well, he was the tour guide.

Speaker 6 (01:18:30):
No, he was saying there was some hidden tunnel, like
it's it's some dude's name. He's saying to dude's name.

Speaker 2 (01:18:36):
Oh, well, I think it was Eric Astrana that brought
up the tunnel. And the tour guy said, I've been
working here for five years. Everybody says this tunnel exists.
I'm telling you it doesn't exist.

Speaker 6 (01:18:47):
Then he goes downstairs and finds it within fifteen seconds.

Speaker 2 (01:18:50):
Pretty much guaranteed that it is going to exist.

Speaker 6 (01:18:54):
Like the like he's in the basement, he says, you guys,
stay here, I'm going to go into the further I'm
gonna go I'm gonna go into the sub basement and
he walks down to some stairs.

Speaker 2 (01:19:05):
Well he saw some pictures like, no, see, there's all
these rooms here and there's nothing here. It's like, wait
a second, what are all these beams? That room doesn't
have beams? Hmmm. And so then he proceeds to go
walk through hallways, opening random doors, and then he finds
a steamroom closet and one wall is just boarded.

Speaker 6 (01:19:28):
Up and it looks like it's boarded up like a
mine shaft, like they did they have put sheet rock
and formed it. And there's, uh, there's base boards and
you know, extra doors, and he's got a master key
to every door in that location. By the way, that's
what tour guides do. They get master keys to every
place on side of a national park. So he's just like, oh,

(01:19:50):
there's no way, and he just pulls a board down
and goes there's the tunnel, like who was putting the
sheet rock up in this place? And went, you know what,
the boards back here, they give a care aesthetic. We're
just leaving the way it is.

Speaker 2 (01:20:02):
But as soon as the boards he knows, he's like,
it does exist. And then he starts peeling the boards
off and sure enough there's a wait, I know it
was Pee Wee Herman. There's a basement in the Aluma.
No basement in an Aluma. How did they miss that? Geez,

(01:20:25):
they didn't reference pee Wee Herman in this mode. Well
they're probably busy, demon dogs and all that.

Speaker 6 (01:20:30):
But still it looks like the tunnel comes out on
like it's a known tunnel. This is what doesn't make sense.
They get inside this tunnel and they start coming out
and there's subway doors like the ones you see in
New York City where they've got the big metal great
doors on top of it. It's a known tunnel on
the other side. It's not like they've gotten come over
here and they break through some sort of boarded up

(01:20:51):
wall instead of another room or building or or they
just get to like the end and it's just a
big pile of dirt because it's been sealed up. No,
it's got a ladder and like they can come up it.
Like somebody knows that tunnel exists. It's in the parking
lot right in front of the Alamo.

Speaker 2 (01:21:09):
Peter Sullivan, Well, that's the thing, was like they never
knew this, and yet later when they take the tunnel
and exit, there's you know one of those big basement
doors that are in the ground that you know, the
double doors that open up and then you climb out
of them. It's on the property. How did you miss that?

Speaker 6 (01:21:25):
It's right, it's in front of the front doors. You
can see the Alamo.

Speaker 2 (01:21:31):
The fort's right there. How did nobody check this? It's
like there's just metal doors, no need.

Speaker 6 (01:21:36):
Like it'd be one thing if they came through the
tunnel and then they bust it through like a different
set of doors or a different wall and like kind
of to go into the main service tunnel that they're
that they actually exit from. That's not bad. Maybe that
was even in the script. They didn't have the but
they didn't have it in the budget to show, you know,
maybe that's what it was.

Speaker 2 (01:21:56):
Just we're discussing a lot about this tunnel, because really
there's all nothing else going on here besides them occasionally
shooting cubacabras and walking around and placing Sea four literally everywhere.

Speaker 6 (01:22:12):
Blowing up the whole, the whole.

Speaker 2 (01:22:15):
Everybody like paired off and went different ways, and Eric
Ostrada and his kid, now they must have placed between
them two dozen charges of Sea four, all of them,
but he just kept reaching the bag and getting more,
like is this a Harry Potter weapons bag of yours?
It's like, I got some more sea for you need
some here? Take mine? I got plenty here. How do

(01:22:38):
you have this much explosive with timers and adhesives on it?
This again months in the making for something that you
had no idea was going on yesterday. So for some reason,
this machine shop just had eighty pounds of sea four
with timers on them for no reason. I want to
go investigate that machine shop. Okay, this mechanic shop is

(01:23:01):
up front for something really bad. This is like a
terror cell going on. More weapons than an arsenal and
C four that can fill up a train car. What
the hell? But anyway, I can't complain too much because
this is how we win. So they're shooting a lot
of dogs. I didn't understand this. One. One of the

(01:23:24):
guys is out in the yard and chub of cobbs
are slowly walking up to him, and he's swinging and
hitting them without a club or something. He's like, I
got him boo booh, yeah, got that one to it.
And they finally get to him and he falls. Dude's got
a gun. What do you do? It's like half of

(01:23:50):
them have weapons that they don't use. The one guy
Loco opened the door, is like, hey, there's Chewpa cobbras
out there, and one grabs him and hauls them away
without shooting it. And that's when they were like, no,
that's my friend. Oh well locked the door. That was
the extent of their heartbreak and watching his best friend

(01:24:10):
get eaten by chup of coppers. But this is the
whole third act, is them interacting with these things and
never shooting them. But then comes the big finale for
somehow they figured out a way, and only by saying, so,
we're just gonna get them all in the center. Okay,

(01:24:34):
you've got Is there more to this plan or it's
just going to happen? Are they like cats when you
put down an empty box they can't help themselves or something?
What are you talking about. Well, we'll just get them
all in the center and then we'll blow the place up.
Oh okay, sure, And I'm here to tell you that it.

Speaker 6 (01:24:59):
Worked as as Peter Sullivan wrote it. It worked as
well as Peter Sullivan wrote it.

Speaker 2 (01:25:08):
So now we're down to about eight people left. They're
all in different parts of the Alamo, and yet somehow
they all knew to leave at the exact same time
that the charges were gonna go off without communicating with
each other. I don't think half of them even knew
they were doing this with C four. But we got

(01:25:28):
to get out of here. We got like thirty seconds. Really,
what are you based on that?

Speaker 6 (01:25:32):
On?

Speaker 2 (01:25:33):
What tipped you off on that? I'm just gonna do it.
Let's just go. Trust me. It's gonna blow. And it does,
and it starts going off. We see this extended explosion
seen in various parts, and you're like wow, And his
new partner even says, I hope they made it.

Speaker 6 (01:25:53):
I hope they made it.

Speaker 2 (01:25:54):
Yeah, it'd be really cool if they got out of
there in time. Fifty seconds later, Tommy and Eric Destrada
show up, Hey, yeah, we made it in time. The
lack of emotion in this film cracked me up more
than anything.

Speaker 6 (01:26:12):
Oh there's yeah, they all knew that. They all knew
they were making a sci fi film.

Speaker 2 (01:26:19):
Yeah, but even so, it's like, that's when you have fun,
that's when you enjoy. Like he said, hey, we made it,
and he turned around and they were like, hey, look
at that he made it. That's the extent of the reaction.
No high fives, nothing, It's just like, oh, we were
just talking about you. We wondered if you made it.
Look at it here you are. Oh, that's that's so cool.

Speaker 6 (01:26:39):
The probably, I think the problem here is the movie
was built as a horror action, and it really needed
to be written as a horror comedy because then you
can really enjoy You could treat the Choper Cobras like grimlins, right,
and you let them do weird, grimly things that would
be kind of kind of fun. He put a trooper
cabra and inside of a taco truck, you know, and

(01:26:59):
you they walk up on him and there he is.
But the problem was that they didn't use it's that
two million dollar budget, and they didn't do anything with
practical effects. So everything is like that weird cut scene
kind of animation that you would see like two early
two thousand video games, and it's just they don't interact
well with the environment. But you could have made the

(01:27:20):
movie like way more enjoyable and funnier had you not
taken it quite so serious. This movie takes itself super
serious the whole time.

Speaker 2 (01:27:30):
Yeah, everybody plays it straight here, and it's like there's
no room for fun or levity or anything else.

Speaker 6 (01:27:35):
It's just like she could have, like dea Dooge could
have hit a chuber cobber in the face with a
bottle of water that was on top of Eric Estrata
and be like, I got your water, you know what
I mean. Like, there's there's all sorts of things you
could have done here that could have made it fun.
And this movie, this movie now is no longer a
bad movie because it's bad. It is a bad movie

(01:27:57):
because it's cringe and it's that's what makes it fun,
you know, holding him like my heart, like like Lorenzo
Lamas has been in a lot of these movies Mega
Shark Versus Krockopocatposts or whatever, and and it doesn't with
Debbie Reynolds, and you know, there's just they're fun. He
knows he's having a good time and it shows. And

(01:28:18):
that does not come across in this movie at all.

Speaker 2 (01:28:22):
Ye, So, not to make an abrupt end on the show,
but this movie had an abrupt end.

Speaker 6 (01:28:31):
Yeah, here's the way the movie ends. Hey, Tommy's coming
back to work for me. He's building cars now, And
you would love him dead wife. Sorry, I'm late. I'm
gonna go get in the car with this hot hot
de ea doogie. We're gonna drive off, and it's gonna
be assuming that we're going to go.

Speaker 2 (01:28:47):
They go to the They finally go to the cemetery
and have their moment and roll credits.

Speaker 6 (01:28:53):
He's about to go. He's taken her back to the
the parking lot of the high school and going to
go full strip of Cobra Honor.

Speaker 2 (01:28:58):
So, just to wrap everything up here in Chupa Cobra
versus the Alamo, neither wins. No Cheopa Cobbras die and
the Alamo was destroyed. So it's a push.

Speaker 6 (01:29:12):
It's a push, and there's still I think at the
end of the movie that if you go to the
end of the credits, there's a.

Speaker 2 (01:29:19):
And Dade. All right, Paul, So where can people?

Speaker 6 (01:29:26):
Oh yeah, you can still find me bumping around on
zitr making fun of Chiefs fans for losing to the Jags,
and uh sometimes occasionally on TikTok.

Speaker 2 (01:29:39):
All right. As for myself, you can catch me daily
over at town hall dot com with my media column.
I'm also on the front page of Red State Daily
and I got a twice weekly media podcast there called
Liable Sources, also right here at Kayla Orn. Next Thursday,
I'll be here with Orty Packard. We give you all
the important and vital entertainment information on the culture shift

(01:30:01):
and Tuesday nights here with the ever for investing. Aggie
reek In on the cocktail lounge, having fun with sports
and cocktails, leisure news, you name it, we bring it
to have some fun. And if you need more of
me than that, let's face what you do if you
go to jitter. I'm Matt Martini Jark. All right, Paul,
we're gonna have to put our heads together. Cryptid feature

(01:30:23):
that we have to deliver in two weeks from now.

Speaker 6 (01:30:26):
Oh yeah, I'm hoping it's something.

Speaker 2 (01:30:28):
When to go right here, we'll see what we come
up with. It'll be it'll be ghastly. I can promise
you that much, and we'll do it right here. On
Disasters in the Making,