HEY THEO!!! Dishin' Days week of Sept 8th-12th, 2025 with Special Guest Tyler Joseph Andrews

Episode Transcript
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Speaker 1 (00:14):
It's time to start Tition Days with your hosts Tony Moore,
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(00:38):
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Speaker 2 (01:25):
Just for you.

Speaker 1 (01:29):
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Members only page where you can exclusively get some fun
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(01:50):
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(02:12):
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Speaker 2 (02:18):
And.

Speaker 1 (02:21):
We are no longer on Google Podcasts because Google Podcasts
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(03:06):
just old. See how I kept it simple this time?

Speaker 3 (03:09):
Oursell it's because our energy is kind of like we
got to keep things moving.

Speaker 1 (03:17):
I'm just waiting to see what which storyline this week
is going to take us forty five minutes to get through?

Speaker 4 (03:23):
Oh god, we'll see, we'll see.

Speaker 1 (03:26):
It's only coming. If you guys are joining us, make
sure you tell us your thoughts in our chat and
if you are watching us later comment below. I promise
you we do look at the comments. We may not reply,
but we'll look at him. You give him a heart
and a thumbs up. All right. So, before we actually
take a deep dive into this week's episodes of Days

(03:47):
of Our Lives, we have a special guest today. Are
you guys excited about him?

Speaker 5 (03:52):
Yeah?

Speaker 4 (03:53):
It's been really good mm hmm.

Speaker 1 (03:56):
He made his debut this week in Salem as THEO
car Her and now he is here to spill the tea.
Y'all make some noise if you can for mister Tyler
Joseph Andrews. Everybody he.

Speaker 4 (04:10):
Having me on.

Speaker 1 (04:12):
Thank you for being on. Sure, I feel like we
should have warned you about our fun zany crazy interesting
show before you.

Speaker 2 (04:25):
Okay, I'm enjoying it and the intro is great too.
I love the intro. It's really cool.

Speaker 6 (04:31):
I was gonna ask you, did anyone warn you about
us about our show?

Speaker 4 (04:36):
I'm curious what you told you?

Speaker 7 (04:38):
When she was like, anyone warned warned you about myself?

Speaker 4 (04:42):
And I'm a little oh.

Speaker 1 (04:45):
Well then welcome, you're gonna it was like, you know,
we were trying to be all southern and hospitable, but
now we can just kick our shoes off and just
dive right into it.

Speaker 4 (04:59):
Yeah, yeah, yeah, absolutely.

Speaker 1 (05:02):
So we were excited that THEO has made his way
back to Salem. How did this journey start for you?
Because we always feel like people have such an interesting
story as to how they got started with days, So
how did this journey start for you?

Speaker 4 (05:19):
Yeah?

Speaker 2 (05:20):
So I came here to Los Angeles about two years ago,
so about a year and a half ago. I had
auditioned for Days of Our Lives, and I, you know,
I might have auditioned for them a couple of years
ago when I first started acting, but really a serious
audition came when I got here to Los Angeles and
I had went in for a screen test, and I believe,

(05:44):
I believe.

Speaker 4 (05:45):
It was for.

Speaker 2 (05:49):
It was for the role of Tate. I thought it was,
but there was no real name on it. I came
in for the audition and I'm.

Speaker 7 (05:56):
Telling you, I thought I blew it out of the water.

Speaker 4 (06:00):
Just came from a movie. I was like doing a
movie at the time.

Speaker 7 (06:03):
I was feeling so like a working actor.

Speaker 2 (06:05):
I showed up this up to do the stream test
with Ashley Puzemas and it went great.

Speaker 7 (06:10):
It went fantastic, Yeah agent, and I was like, Hey,
expect yeah.

Speaker 4 (06:16):
In my life tomorrow. And it didn't come obviously.

Speaker 1 (06:20):
Now wait now, Tyler, you said, if I if I
heard you correctly, you said you auditioned for Tate.

Speaker 2 (06:33):
Listen, there's names. I don't know if you guys, really,
I'm sure you have names, real actors names and characters
names are so intertwined.

Speaker 1 (06:42):
Yeah, it might be tit. I mean yeah, I mean
if we if you, if you screen test with Ashley,
it it makes sense until until it's like, well, maybe

(07:04):
it wasn't for that.

Speaker 2 (07:05):
Maybe it was like an early and it was like
a chemistry test.

Speaker 1 (07:11):
Yeah, you know.

Speaker 4 (07:12):
What it probably was. It probably was.

Speaker 8 (07:13):
Actually yeah, we were we reread. We were like, t no,
now wait a minute, how did how wait? Yeah, when
I tell you we record.

Speaker 1 (07:26):
We build out the we pulled out the family tree,
and we was like, now if he auditioned for Tate,
like they have made that work. I mean, it's so
opera we're supposed to disband this belief.

Speaker 4 (07:37):
But no, maybe it was just around the same time.

Speaker 2 (07:41):
But I had auditioned for it then, Yeah, I thought
I had it, didn't have it. Did a couple of
other things in between, and then got another audition from
Martie and I was like, Okay, let me do this audition.
Did it And I didn't do a stream test this time.
I actually went in and then auditioned. I did a
read with Marissa Race, Uh, did a producer's reading, just

(08:06):
went in in front of some of the producers and
some of the directors, and did a little audition there
and then found out shortly after, probably about a week later,
that I had got the role. And I was actually
just about to move back to Philadelphia, I think, continue
doing a little.

Speaker 4 (08:24):
Training and acting.

Speaker 2 (08:25):
Where I was before, it was just it was really
difficult for me out here in Los Angeles, trying.

Speaker 4 (08:30):
To pay my bills.

Speaker 3 (08:31):
It's hard.

Speaker 1 (08:33):
Yeah, but now you got a job, so now you
gotta stay.

Speaker 4 (08:40):
A lot of times.

Speaker 6 (08:40):
The actors he'll put, they'll have you read read for
a character, even if you're not coming in for that.

Speaker 4 (08:46):
Yeah, you very much.

Speaker 6 (08:47):
I'll have interviews at audition with Tate's dialogue.

Speaker 4 (08:52):
But yeah, for sure. Yeah the name probably said yeah, probably.

Speaker 3 (08:58):
Because that's magic of Marnie that she That's what she does,
is that she's always keeping It's not always necessarily for
a specific role, but it's always just I see this person,
they've got something I need to I need to keep
them on in my expression, my mind.

Speaker 4 (09:14):
Yeah.

Speaker 2 (09:14):
Yeah, I think she has a real teen eye for
that too. And Marty's fantasticy.

Speaker 4 (09:19):
I love Marnie. Auditioning with her was just so funny because.

Speaker 2 (09:22):
She was also reading along with you, yeah, and really
acting those other roles for you during those audition, so
she made it a seamless process for the audition.

Speaker 3 (09:31):
One of the best.

Speaker 6 (09:32):
Yeah, learning, did you have a history with Days as
a viewer or a family who watched Days outside of
your outside of fotitionally auditioning, or.

Speaker 5 (09:43):
I me and my immediate family never watched soap operas
or I don't even think you know, I've heard of
Days Were Lives, but I didn't know which one it was.

Speaker 2 (09:56):
But now that I went live and my family is seen,
I'm I've seen a lot of family members watched it
when I was younger, and now they're rewatching it because
I'm on the show, which is very nice. I'm seeing
all the fans that I had in my family members
and my family members friends and my dad or mom's word,
friends who say, oh, we were watching Days of Our

(10:16):
Lives just earlier last year, and now we're gonna start
watching it again, so we're going to keep up on
the storyline.

Speaker 4 (10:21):
So you're seeing all of that now. But no, not,
not really.

Speaker 2 (10:27):
And you know, no one in my family was ever
in the industry, the entertainment industry, so even like growing up,
I didn't watch movies.

Speaker 6 (10:33):
A lot, really, so this is really your first foray
into soaps with THEO.

Speaker 4 (10:38):
Yeah. Absolutely, yeah.

Speaker 3 (10:39):
Well then let me chip off off of that, Tyler
and say what what got you into acting? What was
the what was what pitch you there?

Speaker 7 (10:47):
Oh it's such a crazy story.

Speaker 1 (10:50):
We're here for it.

Speaker 4 (10:51):
Yeah.

Speaker 2 (10:53):
Yeah, I don't know if they even said this. I mean,
I'm sure people now I've told this story many times.
But I was playing so for all my life. I
wanted to do professional. I had a couple of friends
that went professional out of college, and so I went
to college Bloomsburg University to play.

Speaker 7 (11:08):
Soccer, and I just fell out of love with it
so quickly because.

Speaker 2 (11:12):
I thought I didn't you know, I thought I wasn't
going to be able to go pro or have a
future in it. So I said, I just don't have
to love for it. So I ended up quitting soccer
my first year and just was a bad I was
a bad student.

Speaker 4 (11:26):
I was really bad. I failed out of out of college.

Speaker 2 (11:28):
I had a at a point six four GPA after
my first semester.

Speaker 7 (11:35):
So they kicked me out, you know, they kicked me out.

Speaker 1 (11:37):
Why somebody was being nice giving you a point like
I didn't even know that was possible.

Speaker 4 (11:43):
Oh, it's it's possible. I'll show you. I'll show you
out missed two finals.

Speaker 1 (11:50):
Oh yeah.

Speaker 2 (11:51):
I was just like a really bad student and I
failed out of college. Remember, I went home. My dad
was my dad was in the military, so it was
pretty strict. And he was like, so what are you
gonna do. You don't know about to college it you
don't get a job.

Speaker 4 (12:00):
And I was like, I don't know. We get a
job and then figure it out.

Speaker 2 (12:07):
So I started selling cars, and I was selling cars
for a little bit and I was I was so
unhappy because it was just it was a brutal job.
It's a hard job.

Speaker 4 (12:17):
No one likes you. They say, oh, they're trying to
rip me off, this and that.

Speaker 2 (12:21):
And I'm sitting in the car with my friend Aiden
one day and he goes, Tyler, you'll pull a tail
string a story out of nowhere and make us believe it.
And then say, no, just messing around and we'll all
believe it. He said, just be an actor.

Speaker 7 (12:36):
And I was like, no, nope, not doing that, all right,
I'm not.

Speaker 4 (12:40):
That's sorry, No, it's not me, it's not me.

Speaker 2 (12:44):
And then the next day at work, I just like
typed in acting schools near me. In this school called
Playoffs West Philadelphia popped up and this acting teacher, Tony Savant,
popped up and I saw a photo next to him
and Jeff Boblum, and I was like, oh, this guy's face.
This must let me call him because there was a number.
And he didn't pick you up. And then five minutes

(13:05):
later he called me. He said, hey, what's up. Do
you want to come and look at the school. And
I was like, yeah, yeah, yeah, I guess I want
to be an actor. And he's like, well just come
take a look at a class. Hunt up the phone.
I quit my job right then and there.

Speaker 4 (13:17):
I just called a sudden.

Speaker 2 (13:19):
I was like, I was too scared to quit because
he was my uncle who had gotten me.

Speaker 4 (13:24):
So I was like, hey, I'm really sick. I gotta
go home.

Speaker 2 (13:28):
But little did he know I wasn't even going home.
I was going to Philadelphia. But he knew my dad
really well. So he's like, what's Tyller dealing? Why was
he calling off work? He's here, I just saw him
by Mensado.

Speaker 4 (13:37):
He's fine.

Speaker 7 (13:38):
My dad calls me, He's like, what are you doing?

Speaker 4 (13:40):
You're you're leaving word.

Speaker 7 (13:42):
And I was like, I'm moving to Philadelphia, and he
was like, what are you doing about You're moving to Philadelphia.

Speaker 4 (13:48):
I was going to Philadelphia and I'm going.

Speaker 2 (13:50):
To become an actor, And of course, like any sane parent,
they would.

Speaker 4 (13:55):
Go, you're crazy. What do you He just.

Speaker 2 (13:58):
Got out of college trying to get a job, and
I had a really great girlfriend at the time who
helped me get an apartment.

Speaker 4 (14:05):
And then about four.

Speaker 2 (14:07):
Months later, I got a job in Philadelphia and then
went back to that school and I was like, hey,
I called about four months ago, can I come take
a look at it? And I was sold the first
day on this school because I just saw people expressing
themselves in ways that I have never seen in my
life after and they were like they looked like me,

(14:29):
and I was like, Oh, this is crazy, this is crazy.

Speaker 4 (14:31):
Let me try this out.

Speaker 2 (14:32):
And then from like day one, I was just hooked.
I had a great teacher there named Tony Samant. I
really I gave Tony, you know, so much credit for
me just staying in the acting business, because he was
the one that kept on inspiring me to stay in
and made me believe that I actually had a chance
to become a working actor, and then he just he

(14:52):
pushed me so much like other actors. He does there
to this day. He pushes actors to the limit to
show you the reality and the business. So yeah, yeah.

Speaker 4 (15:03):
He was a great teacher. He's a great teacher.

Speaker 2 (15:05):
He's still my I still consider on my teacher, and
I still talk to him as much as.

Speaker 7 (15:09):
I can on scenes.

Speaker 2 (15:11):
That worked, like Hey, I'm doing the scene but I
lost do you help me? Or like I'll let him
know what's what's going on. And I worked with another
one of his former students. It's it's great to have
that connection with him as well.

Speaker 1 (15:24):
Yeah, what was what was his reaction when when you
booked the Did you know.

Speaker 4 (15:29):
He's a static? He's a static? You know?

Speaker 2 (15:31):
It was it was so cool, it was it was
so cool when I booked the store because he was
out here.

Speaker 4 (15:37):
In Los Angeles.

Speaker 2 (15:38):
About fifteen years ago, he moved to Philadelphia and started
another Playoffs West, but he taught Robert Scott Wilson.

Speaker 3 (15:47):
Oh.

Speaker 2 (15:48):
He was like, hey, my old student might be on
that show. His name is Robert Scott Wilson. I said, yeah,
he's like he's like love him.

Speaker 7 (15:55):
Here to Robert, and I was like, hey, you know
Tony Spot.

Speaker 2 (15:59):
He went what yeah, yeah, tell me was so ecstatic.
He actually just made a post on Facebook the other
day mentioned in me and Robert is. Yeah, he's just
like he's really grateful to be able to see, you know,
his training from to sort of fruition and Robert there too.

Speaker 4 (16:17):
It's like, it's it's it's so cool.

Speaker 2 (16:20):
It's it's a really cool feeling knowing that, hey, we
trained with the same person and we had the same
the similar background.

Speaker 3 (16:30):
It's the highest compliment for a teacher to say that,
you know, you still I get inspiration from them, truly.

Speaker 1 (16:38):
Yeah.

Speaker 2 (16:38):
I mean that's what I was gonna do a year ago.
I was gonna go back and train with him because
I just missed them. I miss training with him. He
is so valuable to actors.

Speaker 4 (16:48):
I think, which is like the.

Speaker 2 (16:50):
Place you have to just work on your draft consistently
for an affordable price.

Speaker 1 (16:56):
Is so emphasize that affordable because here in LA classes
are not affordable. Classes are like rent. You have to
decide am I going to pay rent? Or am I
going to take this six week course?

Speaker 4 (17:11):
Yeah, I was blessed, like the longest time.

Speaker 2 (17:14):
It was like I think it was one hundred and
ninety five bucks for you know, you get four two
classes a week and then you get unlimited rehearsals and
it's every week.

Speaker 7 (17:24):
And it was, it was she could not beat it.

Speaker 4 (17:27):
Still it's like two twenty five.

Speaker 1 (17:30):
Now it's like, oh yeah, yeah, it too expensive. So
how did you with without any like knowledge of like
days or any family members you know who watched the show,
how did you prepare for the role of THEO? Did
you like do a lot of research. Did you look

(17:50):
back at like old episodes? What did what did you
do to to kind of dive into THEO?

Speaker 7 (17:57):
Yeah, all of that, all of that. I started watching
old episodes in me.

Speaker 2 (18:01):
Just to figure out who he was, what he had
gone through, and trying to connect the dots from the
last person that played deal, what he was going through,
where they left off, and what's going to be continued
into the storyline now, so.

Speaker 7 (18:16):
I can connect those dots.

Speaker 2 (18:17):
You know, it's hard because he's been on the show
since he was practically born.

Speaker 1 (18:21):
Yeah, ye, yeah.

Speaker 9 (18:23):
Videos you can't you can't watch everything, right, I think honestly,
I didn't want to watch everything because you would see
other actors' performances and they were kind of have an
influence on you, and you know, the directors have their
version of THEO.

Speaker 2 (18:38):
They want to come back into Salem. So you had
to look into the future as well on who was
I before? But what has the past two years of
my life become the type of man that I might have,
you know, turned into, or some portraits that have might
have enhanced, or a certain things that he has gone
through that has made him maybe a little different in

(19:02):
the way that he responds the things. So I was
looking at all of that and then you know, just
as the actor, you just like you just read.

Speaker 7 (19:08):
The scenes a lot to figure out what's really going
on here and.

Speaker 2 (19:13):
Try to you can't try to figure out where where
this is going.

Speaker 10 (19:18):
Yeah, I just want to ask how much did you
know or did you choose to play into the you know,
the character trait that THEO is actually a character who's
on the spectrum.

Speaker 2 (19:32):
Yeah, So that was the first conversation I had with
the directors and the producers anyone that I so I
was that was the first thing I wanted to gauge.
You know, I think other actors, you know, there's there's
always a little bit of difference in how actors play
certain things or how they look at certain things, and

(19:52):
then how that character.

Speaker 4 (19:53):
Views the world.

Speaker 2 (19:54):
So I immediately just started stepping into the position of
how is he going to view the world and how
does the world view him from this perspective? And again
having that conversation with the directors, is there anything that
I went through in the past two years that might
influence this out of you know, how I react with people,

(20:15):
or how certain situations may, like intense situations or highly
emotional situations, trying to gauge, you know, the sort of
behavior that might be played out in those situations.

Speaker 4 (20:25):
And yeah, it's uh, you know, it's it's difficult. It's
difficult because.

Speaker 2 (20:29):
You know, you're playing the line of respecting the character
but also having to listen to your directors and and
and work with them and try to tell the story
as best as possible.

Speaker 7 (20:43):
Yes, it's been it's it's been quite the adventure.

Speaker 2 (20:46):
And I think you'll you will see, you know, some
things come into fruition and.

Speaker 4 (20:56):
Design.

Speaker 6 (21:00):
Tyler, any questions we can answer about THEO because we've
had a lot of actors come on or either recast
or new to the show, and they're trying to like
put the pieces together, and sometimes we'll be talking with
them and they're just like, Okay, tell me, how am
I related.

Speaker 4 (21:13):
To this person? Or I just had this scene with
that person and I don't get it, or what does
this mean?

Speaker 6 (21:18):
Like we have fun with them in the past, sort
of filling in the blanks a little bit.

Speaker 2 (21:22):
Well, this will be a good question because I have
been obviously the whole time i've been there.

Speaker 4 (21:27):
That's another thing you asked, we related, how we related?

Speaker 2 (21:30):
Yeah, family tree line.

Speaker 7 (21:37):
Oh gosh, So I'm sorry, that's a question again.

Speaker 6 (21:40):
I just say anything we can answer for you, Yeah, yeah, away,
or yeah, what do you I'm just curious on what
you all remember THEO when player's relationship before we went
to South Africa.

Speaker 1 (21:54):
That is a good question because when they brought it
up recently, I was like, oh, yeah, they were to
other huh different iterations.

Speaker 4 (22:04):
Yeah, mostly when they were younger.

Speaker 6 (22:06):
There was one when they were teenagers, and then I
think before they left again, because the one that you're
referencing now happened mostly overseason off camera.

Speaker 1 (22:17):
Yeah, not of that on.

Speaker 6 (22:20):
Yeah, you were together previously before, but when you were younger,
a little younger.

Speaker 3 (22:25):
Yeah, So I would say it was about like twenty seventeen,
twenty eighteen probably were those were those years when we
actually saw the THEO and clear relationship on camera. But
it was it was it was kind of like everybody
all of like the kids in the same age were
living in a loft at the time, and so there

(22:46):
was a lot of like inter relationships going on. You know,
this person had a crush on that person, and this
person was trying to break up with that person, so
it was kind of all mixed in with that. And
then primarily I think that relationship came about where we
kind of forgot about it, mostly because THEO was real

(23:08):
crush at growing up when he was younger was with
Sierra Brady. They were best friends growing up, they were
the same age. She was his confidante, so she he
kind of had like a forever image of her and
his head, his forever love, and then that went sideways
because she fell in love with someone else.

Speaker 1 (23:29):
Do y'all remember that that whole Montague that the not
the Sierra that played Victoria, but the previous one that
was played by Victoria, but the previous one, And there
was this whole thing where he was going back and
forth between THEO and someone else. Because THEO was like
the good guy and like the nice one. Then there
was like there was someone else at the time. I

(23:50):
can't remember, maybe maybe, but they had a bit more
of an edge to them and like a little more
of the like the bad boy kind of a vibe.

Speaker 3 (24:01):
So not remember that, you don't, I do not go back.

Speaker 1 (24:06):
Well, yeah, her name was Vivian, but yeah, she there
was like this whole thing where she was like talking
to herself and being like, you know, THEO is, but
this one is, but I can't remember. Yeah, if I remember,
you have to remember it, because you know, iarely remember anything. Chase,
That's who it was.

Speaker 3 (24:23):
That's that would sideways a whole different way.

Speaker 6 (24:29):
THEO and Clay were probably when they aged up the kids,
they put those two together and it was it was
a decent romance kind of a thing, but it.

Speaker 4 (24:36):
Was very young. It was, you know, late teens kind
of a thing.

Speaker 2 (24:40):
So yeah, and that was the most recent romance that
you all had seen.

Speaker 6 (24:49):
Sierra recently. That's his last before Clayer. That's the last
one we saw on screen. But that also was part
of that was on screen, and part of that was
off because they sort of used the as a vehicle
to take off the canvas. And so that last relationship
with with those two characters was a lot of it
was off screen too, gotcha.

Speaker 4 (25:10):
Yeah, So the.

Speaker 3 (25:12):
Total encompassing is that is THEO has kind of been
very unlucky in love, where you know, at least he
has not yet found his great love yet.

Speaker 4 (25:22):
Yeah, mm hmmm, smile.

Speaker 6 (25:29):
And then, of course, well the reveal when he came
back to town one time was that he was briefly
with Chanel overseas.

Speaker 4 (25:38):
So you know, who knows if they were visit that
in the future.

Speaker 6 (25:42):
But listen, who knows, it's a possibility.

Speaker 3 (25:47):
There's a lot of those romances that we forget, and
we like to forget.

Speaker 6 (25:53):
A lot of a lot of people in his past.

Speaker 1 (25:56):
Not a lot.

Speaker 4 (25:56):
It's about maybe three three women talk.

Speaker 3 (25:59):
Yeah, there's yeah, there's not. He THEO has more family
ties than he has romantic ties.

Speaker 1 (26:05):
This is true. Yeah, But I feel like, I feel
like when THEO came back this week, there were a
lot of ties to or a lot of of reminders
of some of his past storylines, because there was his
interaction with JJ and that storyline of when he when

(26:30):
JJ shot him and that was that whole like police
like thing that happened. And then of course, like you know,
obviously seeing Paulina and Abe and like his his family connections,
and then with the Demeres with Tony. So I feel
like you walking into this role were introduced to a

(26:51):
lot and I can only imagine getting that first grip
being like what does this mean? What does that mean?
This person? Where is she? Is? Paulina? My mom my
mom died? Yeah?

Speaker 2 (27:04):
And the just the ton twisters alone, like all the names,
the Tios, the Demir, I mean for the first three weeks,
I'm saying that the one I'm sorry, Goudy, we can
shorten some of these.

Speaker 4 (27:20):
Names because I'm I'm fumbling. We're gonna see me go.

Speaker 3 (27:32):
You just got it just starts it starts becoming second
fiddle once you start saying yeah.

Speaker 6 (27:38):
I will say people have always loved seeing THEO with
the Demera side of his family, like ever since he
was younger. Was a push and pull, especially with Undo
you red with your mother Lexi on the show, with
her being a Demir not being a Demurror. There's always
that devil and angel kind of thing, and I think
they've over time they've in the past have kind.

Speaker 4 (27:59):
Of tried to recreate that deal a little bit.

Speaker 6 (28:01):
But they've they've come to more of a happier medium
I think with him than with Lexi about like bringing
him into the into the business or having interactions with
different family members.

Speaker 4 (28:13):
He's always been really close.

Speaker 6 (28:14):
To Chad and in EJ and Kate and so Yeah,
hopefully I think people are excited to see more of
you know, THEO on the Demiro side of things, which
is nice.

Speaker 2 (28:25):
Yeah, you know, because you do first see THEO come
back and me Tony mm hmmm.

Speaker 4 (28:34):
I could say that you could expect that sort of
you know, maybe maybe an old familiar.

Speaker 7 (28:41):
Thing that you've seen with it, but definitely a new
twist on it.

Speaker 3 (28:45):
Yeah. Now you having not you, having not grown up
with days, I would hope you didn't have the like
freak out of realizing who exactly the Titans are that
THEO is related to, which we know as you know,

(29:05):
James Reynolds, Jack A, Harry Tail Pangless, like these are
giants on this show. Did you did you go in
blind or did was this? Did somebody bring you up
to speeding You're like, oh my, this is who I'm
related to.

Speaker 2 (29:23):
Well, when I got it, I had looked obviously and
I was like looking online who I'm related to?

Speaker 7 (29:29):
And then I I think the first person I saw
that I was related to was mister Reynolds.

Speaker 2 (29:37):
And then I met Jackie on set and I she
didn't see. I mean, I almost had a nervous breakdown
just and you know, I met other celebrities in my life,
and I'd never been very calm and collected, but I
watched her so much growing up, and the fact that
I was gonna be sharing scene that there maybe a

(29:58):
couple of times, maybe a lot.

Speaker 4 (30:00):
You know, it was a little nerve.

Speaker 2 (30:03):
Wracking up first, but then you talk to Jackie and
she makes you laugh in like five seconds.

Speaker 1 (30:08):
Oh yeah.

Speaker 2 (30:10):
She really made me comfortable where I did not have
to I could just be as calm as I want.
And you know, I think what was it's so fun
working with them is that sometimes we can breaks in
between scenes, you know, take a little pemanent break, and
you need to sit there and ask about those old
stories about working on Everybody Hates Chris or Apartment two

(30:32):
two seven or all these old shows that they've been
a part of, and the actors that they've known.

Speaker 4 (30:37):
So it's so cool because I'm a nerd about it.
I love love like old.

Speaker 2 (30:42):
Hollywood and learn about the old actors and watching those
old movies and that sort of world that they lived in.

Speaker 7 (30:50):
I love being able to talk to people who are actually.

Speaker 2 (30:52):
A part of it, and they were part of my
childhood in some weird way watching them. You know, I
didn't watch a lot of movies, but I did watch
Everybody Driss every morning, every morning.

Speaker 1 (31:03):
That's a great show. I love that show.

Speaker 4 (31:05):
It really is.

Speaker 2 (31:06):
It's hilarious and uh yeah, so it's it's so awesome
to be able to work with them on a daily basis.

Speaker 1 (31:14):
So what what advice you know, because you're working with
so many veterans and you know, not only that's in
the business, but also in the soap world coming into this,
what is a piece of advice or advice that you got,
you know, to to help you kind of smooth your
transition into the soap world.

Speaker 4 (31:35):
Don't block someone's light.

Speaker 1 (31:39):
Number one rules. So as soon as that like its blocked,
you are going to get shifted.

Speaker 4 (31:43):
Yeah.

Speaker 7 (31:44):
Yeah, I had to learn what fifty fifty men, that's
for sure.

Speaker 4 (31:47):
Yeah, you know, Tayo.

Speaker 2 (31:50):
Gave me some really good advice my first couple of
weeks there.

Speaker 4 (31:54):
He said, go watch.

Speaker 2 (31:56):
The Godfather and I was, wait, yeah, Godfather and don't
look at Michael Corey Loan and like his behavior. And
he was just telling me, like, look at the behavior
of those really good actors and how they operate in
these scenes. You know, Demira has that sort of similarity
to like The Godfather. It's this sort of nefarious family

(32:20):
and there these things, and I was like, oh, that's
what you mean. And then I just saw like the
sort of simple, the simplicity, but you know, the subtextual
moments that they would have and the things they would
say without actually being said. And that was it was
the best piece of advice I got because it kind

(32:41):
of helped shape, you know, some things that I was
thinking about for like behavior, just who I was and
the sort of character traits that I had and how
maybe I could express them. So yeah, that was that
was great advice that I got that I still, you know,
still look at it today, just go, yeah you can,
you can really look at those great actors and see
what they're doing, maybe steal a little bit every now.

Speaker 3 (33:04):
Did you get to watch any scenes about with with
the late he was power for that family, but also
in Theo's life. He very much had a presence in
Theo's life.

Speaker 4 (33:17):
Can you say the virginning part cut up?

Speaker 11 (33:20):
Going on?

Speaker 3 (33:20):
I'm sorry? Yeah. Did you get to watch any scenes
or have you watched any scenes of the late Joseph Moscalla,
who played Stefano Damara.

Speaker 4 (33:29):
Yes, here's not that broad voice.

Speaker 7 (33:36):
Yes, I have absolutely. You see his photo everywhere.

Speaker 12 (33:40):
Yeah, I mean yeah, you're just like, there is this guy.

Speaker 2 (33:46):
Oh, he's like the godfather and you know, yeah, po.
I love watching his scenes, you know, I love going
back and watching like old his scenes or like watching
tales old scenes there. So I think they're just like
great acting scenes and I love watching. I love working
with Taylor, I really do.

Speaker 4 (34:07):
He is guy.

Speaker 2 (34:08):
But you know, the work with him too is just
it's amazing. It's like the most fun I have on set.
You just never know what you're going to get out
of him.

Speaker 1 (34:17):
The great thing about Tayo is that like he's like
he's he's there to play, so like as long as
you're like in that scene with him and like he's
gonna give you what you need, as long as you
give it back to him, so like those scenes can
be fun and intense or however they need to be.

(34:38):
But Tayale is tale is Tayoe.

Speaker 4 (34:45):
No, definitely Tyler.

Speaker 6 (34:46):
Who personally have you like bonded with on set or
is this someone who kind of took you by the
reins and showed you round or or who you're connected
with most on set?

Speaker 4 (34:58):
Personal?

Speaker 2 (35:00):
Okay, Yeah, I love Casey Moss.

Speaker 4 (35:03):
We are best budds, you know.

Speaker 7 (35:05):
I'm just see him tomorrow, hopefully.

Speaker 4 (35:09):
There's I don't know if I can say this name. Yeah,
don't Yeah? With him? Well, I love I love hanging
out with Casey.

Speaker 2 (35:23):
He's such a He's such a good guy. You know,
I got married, which is so good for him. And like,
I just every time I see him, it's just like
that's another person. I love coming to work to see
Casey Moss and we're just joking around the whole time.

Speaker 4 (35:35):
He makes it so fun.

Speaker 2 (35:36):
You know, it doesn't feel like work, you know, you know,
you have a bunch of words that you're down, you
know in the say later, but he makes it so fun.
Cherry with Cherry Sherry is so funny. We hang out
all the time when I'm there, doors right next tom
So to.

Speaker 4 (35:57):
Talk to her.

Speaker 2 (35:58):
You know, there's every I love being around everyone there
and might sound cliche, but everyone there is seriously like
you have the best people at day Lives, Like there's
not a bad apple in that group because everyone is
so just They're just very relaxed, they're so welcoming to you,
and everyone makes it a fun experience. I also I
love working with Ddre Hall. She just really bring the

(36:21):
best acting out of you. Yeah, she's so sweet too. Yeah,
I love work as well the Queen.

Speaker 1 (36:29):
Yeah. Yeah, what what have you learned about yourself? Bye
by doing this role and being a part of Days,
Because you know, acting was fairly new. You had done
like a few things, but like but now in this medium,
is there anything that you've learned about yourself playing THEO

(36:50):
so far?

Speaker 2 (36:52):
Yeah, you know, acting wise, you know, I've learned sort
of the it's like doing to play it really is.
You do one rehearsal, film it and everyone kind of
knows that do it once, and then you film it
and then it's bye bye, see you later. So it's
like doing a play. And I've been learning more about that,
letting go, not beating myself up and I feel like

(37:14):
that scene was good. You know, I seemed to do
it two minutes.

Speaker 7 (37:17):
It's two minutes scene out of hundreds of minutes, you.

Speaker 13 (37:22):
Know, so like trying to learning to first of all,
let go of what we just did yesterday because it's
gone and you can't change it, and you have to
know that you.

Speaker 2 (37:33):
Put the best effort you can into it so that
you don't have that guilt after.

Speaker 4 (37:37):
I like, I just didn't, you know, it would have
been better if I did this. I'd rather have the
guilt of I should have done that. But that's fine.

Speaker 2 (37:44):
Maybe maybe I can put that little piece of behavior
and foreshadowing in a different scene, you.

Speaker 4 (37:50):
Know, just in life.

Speaker 2 (37:51):
You know, this this show has changed my life, like immensely, immensely,
like totally three sixty I should say, you know, I
was I was struggling. I had gotten, you know, some
really good projects I've got to work on in the
past year, but I had never been able to pay
my bills.

Speaker 4 (38:09):
You know, I've been.

Speaker 2 (38:10):
Trying to quit a job to go do an acting
job and don't pay nothing, to go find a new job,
and to go back and forth from this.

Speaker 7 (38:18):
So this show, like it changed, it really changed my
life for the first time.

Speaker 4 (38:22):
You know, I feel comfortable. First of all, was paying
my bills, but you know, to have.

Speaker 2 (38:26):
Some sort of contentness on being an actor because you know,
I have so many friends that are you know, they're
still trying to get that opportunity. That opportunity just worked
and the show takes their talent, and you know how difficult.

Speaker 4 (38:38):
It is in the business.

Speaker 2 (38:39):
Oh yeah, Like the opportunity to like just act on
a daily basis is like, it's the biggest blessing I
can have. It's what I've been wanting to do for
the past you know, six seven years.

Speaker 4 (38:52):
Of my life.

Speaker 2 (38:53):
And the chance to do it with these great people
on a daily basis is like to.

Speaker 7 (38:58):
Dream did you have to work on your acting every day?

Speaker 4 (39:01):
And you also get to.

Speaker 2 (39:03):
Say, you know, maybe if like when my time's done,
you I don't have to immediately.

Speaker 4 (39:09):
Go back to the restaurant right away.

Speaker 2 (39:11):
Maybe maybe the way I spend money, I probably will.

Speaker 1 (39:18):
You got to save your money, Tyler, Like, don't you
gotta you gotta save it a little bit.

Speaker 4 (39:23):
Yeah, I saw that.

Speaker 1 (39:28):
I saw that you did an episode of All American
Homecoming which another Day's person lamon Archie. Uh is on
that show too, did you did you guys cross paths
doing that?

Speaker 3 (39:46):
He's on the original, not the.

Speaker 4 (39:50):
No.

Speaker 2 (39:51):
Next time I see him, I often mentioned that, Yeah,
then yeah, I will have to mention that, because you know,
I think even people on the Homecoming cast sort of
know that people from Homecoming there's.

Speaker 3 (40:03):
Something Yeah, yeah there's yeah, there's some crossover there. Yeah
there's some cross over there.

Speaker 4 (40:09):
But no, I did not know that. I did not
know that at all. No, Yeah, that was that was
what brought me.

Speaker 7 (40:13):
Out here to Los Angeles getting casting in.

Speaker 4 (40:15):
That agent called me.

Speaker 2 (40:16):
He was like, we told him you live in Los
Angeles and get out here. I was like yeah, tomorrow morning.
And I just moved back to my parents. I was like, guys,
I don't know what I'm doing. And I drove home
and they were like, what you what's going on? I
was like, I want to drive the Los Angeles tomorrow.

Speaker 4 (40:34):
I have a job. Are you talking about? He lost it?

Speaker 2 (40:39):
He lost it, And I remember my mom was about
to go to sleep too, and I like opened the
door and I was like, hey.

Speaker 4 (40:44):
My mom's like what what Tyler? I was like, I'm
driving the Los Angeles tomorrow morning.

Speaker 14 (40:51):
I had to Yeah, because I just knew that I
had to come out here and like make it work
something like you know, right before I before I left,
I told her, I was like, I'm going to get
a job out there, like a consistent job.

Speaker 4 (41:03):
I know it.

Speaker 2 (41:04):
I know it when when I come back next time
you see me, I'm gonna get some sort of consistent job.
And then I got casted and then I flew home,
like did I fly home right after I saw them
shortly after for Christmas? That's all that for Christmas. And
it was like the best Christmas present for them because
it was just like it was so chaotic like my
whole life has been. But it was like came home

(41:27):
from the gym, had to leave impact and leaving like
eight out words or something like that.

Speaker 1 (41:32):
That's you have to do. Yeah, you definitely have like
a you have a drive and you're definitely a risk taker.
So perfect business for you.

Speaker 4 (41:44):
Then a little nutty than one of the anactor.

Speaker 1 (41:49):
But wait now we we've been noticing the guitars in
the back, so you are also a singer as well.

Speaker 4 (41:57):
No, I do not sing. I do not now nowhere
near like I almost called edition in.

Speaker 1 (42:06):
Days day players.

Speaker 2 (42:10):
Going on said, sometimes walking around or playing the guitar.

Speaker 4 (42:14):
Right now, they know what they're doing.

Speaker 2 (42:17):
I just know how to play a couple of chords
and play like a couple of country songs. And yeah,
well it sounds like you.

Speaker 1 (42:26):
You'll have to get with with Carson or or Leo.
I think they both play guitar and you have like
a little jam session.

Speaker 7 (42:34):
I hear him playing all the time here days are lives.

Speaker 1 (42:39):
Well, you know what we'll do. We'll send you a
cow bell and then you can.

Speaker 4 (42:44):
That works contribute with a cow bell or a.

Speaker 1 (42:48):
Triangle triangle perfect. Oh you need a good snap sometimes.

Speaker 4 (42:59):
And I'm a good whistler.

Speaker 3 (43:01):
Oh there you go.

Speaker 1 (43:04):
See, we see you working your way into the day players. Yeah, well, Tyler,
before we let you go, we of course you know,
we welcome you to two days of our lives. We're
very excited to see how everything plays out. Already, like

(43:26):
day one, we can tell that you're going to be
a great asset to the show and you are super talented.
Because there are some people who come onto the show
and we can tell day one that it's going to
be a time. It's going to be a time for them.
It's gonna be a time. But now you you you

(43:48):
came in full throttle. So so we're we're we're happy
to have you. But uh, if you could, in one
word tell us what we could look forward to with
the return of THEO. What would that one word? We

(44:09):
only give one because we want you to keep this job.
We don't want you to have to move back Scilly
and move in with your mom and your daddy, and
we don't want that. We don't want that. So we're
gonna keep your job and just describe it in one word?
What would you say? It can be? It can be,
it can be anything. I mean, don't get technical now

(44:30):
you you're trying to take us back to school where
we gotta got what it can be a noun, an adjective,
a verb, adverb.

Speaker 7 (44:36):
Give you a definition, confrontational m A good one.

Speaker 4 (44:46):
Yeah, that is a good one that you.

Speaker 2 (44:49):
Can use that Yeah, yeah, that's definitely yeah because in
many ways too, in many ways and shorty different as
facets and assets.

Speaker 1 (44:58):
Yeah, that's a good one because we can again that
that first episode, we can already tell like there's gonna
be some things of bruin.

Speaker 2 (45:09):
So yeah, oh yeah, you know, you know that's the
one thing I learned too, Like Tony, I love him.

Speaker 4 (45:17):
I love Tony always watching behind your back.

Speaker 7 (45:22):
You never know the mirrors and the family.

Speaker 1 (45:26):
Oh yeah, I'm sure during your research even though the
de mirrors are all about family, at some point it's
everybody for themselves. Yeah yeah, yeah, it's like.

Speaker 2 (45:39):
It's almost like how power can disrupt, you know, family connections.
I'll be a theme that'd be a.

Speaker 4 (45:49):
Theme for.

Speaker 1 (45:51):
It's definitely a theme for the show, trust me. Uh well, Tyler,
we appreciate you coming on and chatting with us, and
it was just it's always good just to get to
know people who who are first arriving on the show
and just kind of get a good sense. So that way,
you know, fans can be on your side and and

(46:13):
know you know what you're about as we watch your
journey through Salem.

Speaker 4 (46:17):
So yeah, I appreciate it.

Speaker 2 (46:18):
I really do appreciate you guys having me on, and
I appreciate all the fans too.

Speaker 4 (46:23):
You know, I've been reading the comments.

Speaker 2 (46:24):
I'll check them now and then, and everyone's been so
nice to me and reading the comments and like that's
like that was a big release because I know how
serious ex fans are about the show.

Speaker 1 (46:35):
The fans are very serious. Now listen your shareful.

Speaker 4 (46:38):
Hein't my show. I'm spared, but.

Speaker 1 (46:41):
Listen, though you be careful reading them comments because sometimes
you know you the fans are great, but then they
have no problem telling you how they truly feel.

Speaker 4 (46:54):
About at you all in them.

Speaker 7 (46:57):
And then I'll just all just you know, we don't
need this.

Speaker 1 (47:04):
Listen, I will say at me because sometimes I.

Speaker 3 (47:07):
Have time, I don't have time.

Speaker 1 (47:12):
But yeah, but but so soap fans do do take
their soaps very seriously. So welcome to the soap world.
Be careful in the soap world. But you're you're among friends,
so you'll be taken care of in the soap world.

Speaker 7 (47:26):
It feels that way. I appreciate y'all. Thank you so much.

Speaker 1 (47:29):
Good, good, good, Well hopefully well as we you know,
see more with with THEO, we'll have you back on
to really talk about some stuff and really dish about
some stuff that that you can talk about a little
bit more. We don't know that. First of all, we
don't know nothing, y'all. We know just as much as
as because they'll they'll look at us like, oh, so

(47:51):
you know what's gonna happen? We don't and we don't
want to know, so we're just gonna watch it unfold.
So when it does unfold, you got to come back
on it and spill the tea.

Speaker 4 (48:00):
With us message me anytime. You guys have.

Speaker 1 (48:05):
Always perfect All right, Well, thank you Tyler, you have
a wonderful Sunday, and get ready for your day tomorrow
whatever that may bring. Big day, Well, enjoy. Thank you
for being on today. Yeah bye, oh yay, that was fun.

(48:32):
It was fun.

Speaker 4 (48:33):
Yeah, he is.

Speaker 1 (48:35):
You know, I really think he's going to do a
great job. As this iteration of THEO he does, I
mean he does put me in the mind frame of
Kyler a little bit. Yeah. Yeah, like if like if
they were like we need an older Kyler.

Speaker 4 (48:51):
Yeah yeah, thank too.

Speaker 3 (48:58):
Well, we're gonna stretch for a minute and we're gonna
get into it.

Speaker 1 (49:03):
Yes we are. Before we get into it, though, officially,
what did we think of this week's episodes of Days?

Speaker 4 (49:13):
It was okay, yep, it was okay.

Speaker 1 (49:17):
All right, Well then let's.

Speaker 3 (49:18):
Quickly yeah, let's to watch more to talk about.

Speaker 1 (49:21):
Yeah, well, let's quickly get into it, shall we. It
is now officially time to really start. Oh my god,
what is you know what, I just disappeared. Here we go, here,
we go up up. You know what. One day I'll

(49:42):
figure this out. H. That's good. All right, Let's first
start Sorry that water got to me. Let's first start
off with our top storylines. With the first one, find
the rat. H. Yes, Xander and Philip are fully aware

(50:03):
that they have been bugged. They don't know by who.
They have done a full sweep of titaned Demerit enterprises
and have not yet realized that the person who set
them up walked into that room with a green satin
shirt on.

Speaker 15 (50:25):
Oh would I do like the little loophole that she
used to kind of get out of it, because the
question that they asked her that she was able to
get out of it with was were you the one
who filed the foyer request?

Speaker 3 (50:45):
And she was able And that was the question that
Gabby swore on Arianna's life that she did. Not nice
little loophole there? Of Yeah, I it im just how
it's to do it.

Speaker 1 (51:03):
Yeah.

Speaker 6 (51:04):
Yeah, Although I still think Philip has still I still
think he's not convinced though. I mean, I don't know
if Sander is fully but I feel like Philip still
is questioning it. Not not outwardly. I feel like he's
maybe playing the long game, like he's like he's he's
maybe developing feelings for Gabby.

Speaker 4 (51:23):
I don't know.

Speaker 6 (51:24):
We know they left together, we don't haven't had much
development there, but I think he's still like one eye
open kind of thing with her.

Speaker 1 (51:32):
Mm hmm, yeah, I mean, I just, you know, I
just always wonder like what, like what is it going
to lead to? Like I feel like it's such a
big question mark as to like what's Tony's real plan,

(51:52):
what's Gabby's real plan? What like what like you know,
now that they know that someone knows something, Yeah, well we.

Speaker 3 (52:03):
Know Gabby's we know Gabby's real plan. Tony's the one
that's kind of like you.

Speaker 1 (52:09):
Know that he's going to do something, like he doesn't.
I don't. I don't fully trust that he is going
to do as he said. Yeah.

Speaker 3 (52:25):
Yeah, I'm not sure that he would betray Gabby out right,
but he would find a loophole. And then there's there's
a reason that he's bringing THEO home.

Speaker 1 (52:39):
Yeah, it's all part of his plan. Yeah, yeah, for sure.

Speaker 3 (52:44):
Yeah, And I'm not necessarily opposed to THEO being brought
into the demera fold, just because how do I say
this without being patronizing?

Speaker 1 (53:00):
Just say it.

Speaker 3 (53:01):
I feel like sometimes THEO as a character has been
too sheltered, too coddled, whether that be because of you know,
his romantic history, you know that, you know, losing his
mother so young, being on the spectrum, it's easy to
fall into that, you know, whole of the you know,

(53:26):
the the child who is being constantly looked after, not
coddle necessarily, but always maybe maybe underestimated. Maybe under underestimated
is the word I'll go with. And I could see
a world in which Tony would look at THEO and

(53:46):
think he has not yet reached his full potential.

Speaker 6 (53:52):
Yeah, yeah, I'm interested in Theo's part in this too,
not just for having him back, and I was loving
with them, ye is, but just a in a weird way.
It's an interesting callback because that's what if you remember,
that's what got him shot by JJ.

Speaker 1 (54:10):
Was he working working for the dems when the.

Speaker 6 (54:13):
Demirs were against the curiocusis when they were going back
and forth, and then Kate got involved and they asked
him to feel that micro chip or whatever it was.
So I don't know, maybe from him he may think
of like, this is me coming home either to redeem
myself or this is me you know, this is the
career I would have had if I didn't you know,
being shot didn't push me in a different direction or

(54:35):
you know, who knows. I'm kind of interested where his
head's at from his perspective, but yeah, I'm I'm here
for it. I think this is what we've been asking
for for how many years? Like again, we're we're getting
a little bit of the like new CEO, new CEO
kind of thing, but I think they're grounding it in reality,
and they're grounding it in real business storylines that are interesting,

(54:59):
and I like demir versus curiocus as opposed to incess
it in fighting, which I think we've had enough of.

Speaker 12 (55:06):
Yes, yeah, yeah, Tony has a has a bigger plan,
and I'm just wondering what it is.

Speaker 4 (55:17):
Mm hmm.

Speaker 1 (55:18):
There's definitely a bigger plan. Yeah.

Speaker 3 (55:22):
Yeah. And then there's the you know, on the on
the Kuriokis side of it. It's it's comforting to know
at least that you know, we're getting what we wanted,
what we asked for, which is stop the infighting, make it,
make it, yeah, make a Demera versus Curiocus, And it

(55:43):
really does feel like we're getting there where you know,
they could they could have drawn out the Xander versus
Philip argument longer. I'm glad we're finally getting you know,
some some movement there, some like I'm I'm still working
through my anger. But there's there's honesty between them now.

(56:03):
That's really good there.

Speaker 2 (56:06):
I just.

Speaker 1 (56:08):
I just feel like they I mean they before everything
was exposed, they were working together, yes, brilliantly, you know.
And I and again, I understand, I'm gonna sound like
a broken record. I just I just understand. I understand
like the feel of betrayal. But at the end of
the day, I don't think I've ever said this part.

(56:31):
He's not someone that's not in the family, do you
know what I mean? Like if like if if if
if Chad had had did this and for something that said,
you know, I think I think yes. But but it's
also like he Philip is a karaiyok is he in
some way does have you know, uh a birthright to Titan.

(56:56):
He had. He went about it the wrong way, but
he's still a son and an heir of Victor. So
what he did was shady. Yes, but he's still a karaokus,
so we should have gotten past that sooner.

Speaker 3 (57:13):
I mean, yeah, but I think it's I think that
the way that it's happening, you know, and I've said
this before with regards to you know, people asking why
did they do this to Xander? They ruin Xander. I
don't think they ruined Xander. I think this is a
natural part of Xander growing because it's easy. It's easy
to stuff down your issues when you're happy.

Speaker 1 (57:34):
But it's but I see how they feel like that
because when I think, I think it's still the beating
of Philip that is still probably a thing of like
did you really, like could you just have like punched
a wall? Like did you have to go punch him?

Speaker 3 (57:54):
Yeah? But to that end, it's like, if they continue
on this track of him actually staying in anger management therapy,
then it will I think it will come out on
the other side, and you know, the brotherhood will be stronger,
Xander will have work through a lot of things that
he's maybe just stuffed down for years. Anythink that'll just

(58:15):
make them both better.

Speaker 1 (58:17):
Now the other two people in a secret that I'm
hoping it doesn't get in the way, which I think
they handled very well was Alex and Stephanie. Ye, but
I hope Alex realizes why Stephanie kind of kept that
a secret until she was just like, listen, if I
tell you this, you can't tell them because you know

(58:37):
her father did drop the case. He has nothing to
do with it anymore, nothing basic. And that's because of her.
And I'm glad she was just like, you know what
my name is being and I ain't in this no more,
like I'm not in this. I don't want to be
in this. I helped out to this extent. I'm done.

Speaker 3 (58:53):
This is why I you know, I always encourage people
to stick with the show even when you know, we
get you know, a bunch of bumps in the road
and stuff. Because this, this was something that just took
me completely by surprise this week that I'm like, I
never thought and I said it in our in our

(59:16):
tenth anniversary live show, that I was like, I was
not an Alex and Stephanie fan. There was nothing you
could do to get me on that bandwagon. I didn't
see the chemistry, I didn't see the future. And I'm
here to say, guys, me over, I have turned I have.
I've officially turned the corner.

Speaker 1 (59:36):
All you had, all you had to do was be like, uh,
that's a raven and gazed into the future. You might
think life would be your breeze.

Speaker 3 (59:45):
It has not been a breeze. And that's precisely why
I'm now on board.

Speaker 6 (59:50):
I think Stephanie's been like the unsung hero here now,
like she's putting out fires for them. She's like, what
which Xander doesn't know? But she's he's saving Titan Publishing,
you know.

Speaker 1 (01:00:01):
What I mean.

Speaker 6 (01:00:02):
She's like, I know she probably wants to scream, like Xander,
get off my back. I'm like, I came up with
a solution for you and Philip to make it legitimate.
She's like, I'm the one bringing you actually all this intel.
Other than me, you wouldn't know any of this stuff
I'm saving. Yeah, I'm saving a division of your company.
Like back off here, but yeah I will.

Speaker 3 (01:00:24):
It was dead.

Speaker 1 (01:00:27):
Listen, Stephanie over there is living her life. Maybe she
has a thriving pr company, she has a man, she
is now a best selling author working on her second novel.
Maybe she is living life. Stephanie is living life. I
fe life.

Speaker 3 (01:00:50):
And I'm on bored for it all. And I never
thought i'd say that.

Speaker 1 (01:00:54):
See, I just really wish they would have put out
Stormy Thing because the way that the way that that
book is getting people in the mood, honey, and now
she's writing a mystery novel. See, this is a testament
that idea that you have do it. Don't sit back

(01:01:15):
because you could be sitting on a gold mine. Because
if it weren't for Alex discovering the manuscript, she would
have never become a best selling author. So this is
a testament a you know, whatever idea you have, do it.
I mean, look at Tyler. Yes, he wasn't. He wasn't.

(01:01:37):
He didn't set out to be an actor, but someone
said you should be an actor and he looked into
it and now look he's on days. Do it it works?

Speaker 3 (01:01:47):
Yes, if every ideas it would be Now I feel like, there,
go with the crazy idea. I think that's good advice
for you, Tony. Actually yeah, yeah, but you're an ideas man.

Speaker 1 (01:02:03):
I am. I'm also a tired man as tad uh
been trying to get in the mood with that big
Tony A working Page eighty seven turned me off. Oh
Christian me world Christian me world. What a mess? All right?

(01:02:25):
So that was That's pretty much that storyline, right, all right,
let's move on to the fight for the Okay, let's
go ahead and talk about the reveal that Hobby had
regarding his daughter. Initial reactions to the story from you,

(01:02:52):
Justin and RSELI, what was What was your initial reaction?

Speaker 3 (01:02:57):
Not surprised that al Cans has just taken off?

Speaker 1 (01:03:03):
Well, not about al and the performance, I mean about
the reveal.

Speaker 3 (01:03:06):
Yes, well, yeah, so the second point to the reveal
just heartbreaking all around.

Speaker 6 (01:03:14):
Just yeah, justin, Yeah, heartbreaking. I expected this. I figured
it was something negligent. I'm not glad it wasn't him,
but he feels responsible for it. But it's it very
much colored in his history, which was nice and sort
of one fell swoop. It wasn't just about the daughter.

(01:03:36):
It was about him and his issues with the sexuality
and and his history there and how his life was going.
So I think it filled in a lot and in
a small capsule of a storyline that they that they
gave us, which was really great and not I would
say topical, but I'm when they revealed it, I was like,

(01:03:58):
I like the fact that they hold in on that
specific issue of child's death that we see a lot sometimes,
especially in spring and summertimes, and this is something that
unfortunately happens way too many times to young children. So
part of me you like the fact that they were
highlighting that in this way for any sort of psa

(01:04:20):
that that does for people, or if any sort of
light is shines on people about you know about that
type of situation, whether it's with kids or pets.

Speaker 4 (01:04:29):
That happens a lot with pets too, So I kind
of I liked it. I liked that whole scene.

Speaker 6 (01:04:33):
I thought everything was done incredibly well.

Speaker 1 (01:04:39):
I will admit at first I was like that was
the reveal because I thought it was something completely different,
but it's it is very relatable to like, now you
know what I mean. And the emphasis of it was

(01:05:02):
a hot Texas day and I was like the iteration
of that and just and it also like you were
saying justin it kind of it connects his story. His
story now makes sense about who he is and now
we have a better idea of Hobby as a whole.

(01:05:24):
And Al And to your point, R. Slly, Al's performance
was so was so good and so captivating because you
felt for him because although he hobby wasn't the one
that did the action, he felt that had It's almost
like had I not drank the night before, had I

(01:05:48):
not had a hangover, had I just got up and
did what the normal routine was, she would still be here.
And that's that's that's a that's a pain to live
with because it's that it's it's just that it's always

(01:06:08):
that one thing, right, that one action, that one moment
that if we had did something different, it would it
would do it would have different results.

Speaker 3 (01:06:19):
Yeah, and it's it's a common it's working off of
that that that fear that you know all parents have.
It's it's like it's not that you know my child
is going to get cancer, my child is going to
get run over by a carnisur. It's like it's like
something that's something random will happen that it'll be like
like my child was was it suffered heat stroke, my

(01:06:41):
child fell and hit their head, and my child accidentally drowned,
my child accidentally choked. It's always that like something just
random happened, and if I had done one thing, if
I had not looked away for that one second, it's
working off of that just primal fear.

Speaker 1 (01:07:00):
Yeah, yeah, so and and you know, now you know
it's it's I foresee a battle for tosorrow between Hovey
and Leo. And now that this week that Chanel has

(01:07:23):
brought up wanting a baby again and wanting to adopt,
and now has mentioned about the baby at the fire station,
I'm like, this is going to be an interesting fight
because the first thing that comes to mind is the
gay couple versus the straight couple, the interracial couple versus
the gay couple, the the the person who was on

(01:07:47):
trial for murder versus the gay couple. Like it's Leo.
All we have to say is Leo and and all that,
and and then like.

Speaker 3 (01:07:57):
Before you even tie in the biological parents, right, it
fight all around?

Speaker 1 (01:08:07):
Yeah that there and Sophia.

Speaker 3 (01:08:14):
No, because it ends up being because then it ends
up being the situation that Sophia did not want at all.
That was that was what she was trying to avoid,
was a fight over this kid that would just draw
out in his early infancy. Mm hmmm, whether that be
between like her and her mother, whether that between be

(01:08:36):
between the tate, whether it would be like the struggle
finding his parents, like and and the back and forth
they had when they initially had Johnny and Chanel lined
up as the biological as the adoptive parents. It was
that was. It was just this is what Sophia wanted
to avoid, but.

Speaker 1 (01:08:55):
Take out on my nerves. I'm sorry, take on my
nerves asking Sophia them questions.

Speaker 3 (01:09:02):
This was the week that I actually was appreciative of
the way that Tate was going about hit about it
because at the end there, at the end of Friday's episode,
I felt it that was and I think that's the difference.
I felt like he's he's holding with Sophia's hand, He's
he's trying to talk her through this and say like

(01:09:26):
like please, let's just be honest with each other and
with like no fear, with total like wanting just have
total trust between them. And I appreciated that. I just
wish it would have come months ago.

Speaker 1 (01:09:42):
Sophia wants him to be like Elsa and let it go.

Speaker 3 (01:09:47):
A part of me also doesn't know if she does anymore,
because it's it's it's so hard keeping up this lie
is and and she I don't think she ever wanted
to necessarily lie to Tate. It was not about you know,
wanting to keep him from his child. It was about
wanting what was best for for the child, like not

(01:10:11):
maybe not not going about it, you know, in the
in the right way, in the perfect way. But it
wasn't She didn't set out to intentionally hurt anybody.

Speaker 1 (01:10:19):
But it's really giving Tate why, Yeah, we understand why
you can't trust Sophia. We see the signs of why
you can't trust Sofia, but like, why can't you trust Sophia?
Why can't when when she initially said, hey, I had birth,
like it's like just.

Speaker 3 (01:10:40):
I'm not understanding. Yeah, I'm not understanding your question.

Speaker 1 (01:10:46):
At the end of the day, trust Sophia, and and
and and no, why not just let it go? Why
do you why did you feel like you have to
see the baby and have some sort of closure and
and all this stuff when and in some of our eyes,
the baby, yes was was a was an issue, but
your focus was not on the baby when it should

(01:11:11):
have been.

Speaker 3 (01:11:12):
It's that's the thing. It's it's us seeing that, it's
not him saying so.

Speaker 1 (01:11:18):
That's what That's what sometimes is the hard thing is
that because we know a lot more than he does,
I think we're looking at the situation like, please just
let it go. But there, but I think it's it's
just how it's just how he goes about about it,
like being nice to her and then suddenly being like, well,

(01:11:38):
I don't understand why you just won't tell me who
the about the parents are? How do you not have
a name?

Speaker 3 (01:11:45):
I get the frustration, I I get it. I think
that I think that the constant I think they're the
one constant problem that I think that could have. You know,
we we've been we've been back on this, back and
forth on the storyline for months, and I think that
maybe the one sticking point we can all agree on

(01:12:06):
is that there seems to have never ever ever been
clear communication and trust between Tate and Sophia. These were
not two kids who were madly in love and had
had a beautiful relationship. They fell into bed. They made
a mistake. They had different points of view, they had

(01:12:30):
different people talking in their ears constantly who you know,
some were well meaning, some were not. But they made
the mistake of not tuning out all of that and
just coming together at the onset and saying this is
about you, this is about me, and this is about
the child. We created together and nothing else and no

(01:12:54):
one else should be a part of this. And because
that was the initial mistake, everything else has just been
a mess. Sense M.

Speaker 6 (01:13:05):
Yeah, I mean this is falling apart around them. You
either come clean or be found out. It's gone way
too far now we Brady and Steve are onto.

Speaker 1 (01:13:16):
Her one hundred.

Speaker 6 (01:13:17):
Now Rafe's involved and he's going to do a DNA test.

Speaker 4 (01:13:21):
That I mean it's about to get me.

Speaker 13 (01:13:25):
Yeah.

Speaker 6 (01:13:27):
I actually do think that there may be some Tait me,
if not Sophia and Tate thrown in the ring for
this fight.

Speaker 4 (01:13:35):
I think it might be Tate or Tate in his family.

Speaker 1 (01:13:41):
Girl, don't nobody want to raise nobody else's baby. What
a mess you imagine being like, oh, yeah, I'll be
the step I'm trying to go to college. I'm trying
to I'm trying to throw it back.

Speaker 3 (01:13:53):
No, Yeah, she very much know I'm going to stay
an unpopular opinion. And I can't necessarily give a reason
why I feel this way. I think I just do that.
I am not sure that Johnny and Shanell are ready
to be parents.

Speaker 1 (01:14:12):
No, they just I just don't.

Speaker 3 (01:14:16):
I don't see this ending well for them. It's like
everything everything that Chanelle said this week about why they
were ready, I agreed with on paper, but yeah, but
there's some yeah, because it was just there's something about them.
I'm just like something. I don't think you're ready.

Speaker 1 (01:14:35):
First of all, we're just getting over the remnants of
of how he treated her when he thought she was
having an affair with Alex mm hmm Blue Bunny. Then
then this whole his whole relationship with EJ EJ being shot,

(01:14:57):
him going on trial, him becoming a professor. Life has
not settled yet for you all to bring a baby in.
Life needs to settle, like if like if this trial
was like a year ago and he was like a
year into teaching and working at Titan and Sweet Bits

(01:15:19):
was booming and everything like that. Okay, let's talk baby.
We're not going to talk about no baby right now.
We got we just moved into this apartment. You just
got off a trial, you got two jobs, and I
got a business. We need to reconnect together before we
bring a child into this home.

Speaker 6 (01:15:36):
Well, with that point, to be fair, then none of
them are ready and Sophia are.

Speaker 4 (01:15:41):
Not ready ready.

Speaker 6 (01:15:44):
No, they're not even a legitimized not saying they're not
legitimized couple, but he's married. They're not married, Which I
was like, that's a bigger point than probably.

Speaker 3 (01:15:55):
Your yeah, I would say that, yeah.

Speaker 6 (01:15:58):
Fact that you're not married and you're not on your own,
you're not financially not you know, not financials. I was like,
those things are probably gonna knock you out of the
running more than like, you know, having having a deceeized
child in your past.

Speaker 3 (01:16:13):
Now that's not to say that I think Leo and
Hobby I actually are further I might be further along
than Johnny and Chanelle, just because they have now, they
have had they've had to sorrow for a while, they've
had the experience of raising a child together, so at
least they have the knowledge that they could do it.
You know that Hobby has been a parent before Leo
now knows. You know, Leo has gone through therapy, and

(01:16:35):
you know he's put you know, his demons with his
parents behind him. Like they have. They have slowly been
actively doing the work to get ready for parenthood. I
think in a way that Chanelle and Johnny maybe have
not That's not to say that they're ready for this
child right now, but I think that they're further along
in doing the work, and I think that's why I

(01:16:57):
prefer them. Nobody's ready yet, yeah, yeah, nobody, but nobody's
like all the way No, nobody's all the way ready yet,
and like yeah, I know people are gonna say no,
nobody's ever ready to be a heart. No, but there
there's there's there's you know, unprepared, and then there's like, way,
you got to do so much work, you're gonna mess
this child up.

Speaker 4 (01:17:20):
Mm hmm.

Speaker 1 (01:17:21):
But to Soto is perfect. Don't cry, just just a
baby that wake up, Play nap, googoo, peep repeat, mm hmm. Okay,
So if you if we were on the who gets
to Soto committee board, mm hmm, and we had Leo

(01:17:49):
and Hobby, we had I'll just say Tate because maybe
he'll decide like I want to be a daddy or
Johnny and Chanel? Who are you going with?

Speaker 13 (01:18:01):
Oh, le.

Speaker 2 (01:18:06):
Mm hmm.

Speaker 4 (01:18:09):
That's a hard one. Wow, Well for me, it's a
hard one.

Speaker 6 (01:18:15):
I'm actually gonna to be honest, I'm gonna for different reasons.
To me, Johnny and Chanelle and Tate are tied, and
they're above Leo and Hobby.

Speaker 4 (01:18:29):
Actually who is.

Speaker 6 (01:18:32):
So I'm putting Johnny and Chanelle versus Tate and then
Leo and Hobby.

Speaker 4 (01:18:38):
Okay, I can't decide between them.

Speaker 1 (01:18:39):
Yeah, okay, so let's see. I'm gonna put it as
I'm gonna put it as a pole and if I
don't do it now, I won't do it. Who should?

Speaker 4 (01:18:57):
It's a good one though, Yeah.

Speaker 1 (01:19:00):
Who should be the foster parents? Who should be the
adoptive parents of t E? To baby?

Speaker 3 (01:19:19):
R O T R s O R O T E
s O R Oh?

Speaker 1 (01:19:26):
Okay, who should be the adoptive parents? H You know
what I hate? I hate when I hate when you're
when you're doing a post and then you you go

(01:19:51):
to like click it and someone messages you, and then
and then you gotta do it again. Okay? Who should
be the adoptive parents?

Speaker 3 (01:20:04):
Yeah? Well yeah, well Tony's doing that. Yeah, somebody and
you guys are in the chat saying does Tate still
have legal rights? I believe he does because Sophia was
the one who abandoned the baby, and he you could
make the argument that he signed away his parental rights

(01:20:28):
under under false pretenses.

Speaker 4 (01:20:31):
Yeah, it was sort of a fake adoption, so you can't.

Speaker 3 (01:20:34):
Yeah, so he could make he could make the argument
that he still has he still has legal rights. It's
only Sophia's rights that have been terminated by the baby
sanctuary law.

Speaker 1 (01:20:45):
Yeah. So I'm going to put Leo and Hobby, Johnny
and Chanel and Tate as options mhm. Or I'm going
to say other just in case someone has other, and
then I'm going to Days.

Speaker 6 (01:21:04):
Uh.

Speaker 1 (01:21:05):
Greg, I love that. You gotta love that this is
just live everybody live, live love, and this is a
perfect time to plug that. You guys should head over
to our Instagram edition Days to cast your vote on
the poll and let us know who you think should

(01:21:27):
it should be. Okay, bang out, That is done. If
I had to cast my vote, I think I would
vote for Leo and Hobby and I would just pray
that they didn't like break up.

Speaker 3 (01:21:44):
Yeah. I'm like, yeah, I think we have a all
of issues with everybody and there's nobody. There are no
perfect options right now, and I think that's where we're
all like just poor.

Speaker 4 (01:21:57):
Now.

Speaker 1 (01:21:57):
Somebody said Chat and Cat they barely kissing. They are
barely kissing. H uh uh Okay. I will check back
in on that mm hmm to see how that goes.
All right, so we pretty much covered the fight for Tosoto.

Speaker 4 (01:22:23):
Right, Yeah, that's rich.

Speaker 1 (01:22:26):
All right, let's move on to our last top storyline,
which is partners in crime involving Gwyn and e J.
Did anybody else know that she put in she helped
him with the hospital?

Speaker 4 (01:22:39):
That was the reveal. It was a reveal. That was
a reveal.

Speaker 1 (01:22:43):
Because but but it was said so like almost nonchalantly,
to the point where I was just like, wait, did
we know that all about?

Speaker 4 (01:22:52):
How are you wing?

Speaker 1 (01:22:53):
Okay? But we also all know e J Deamara you
are not making no free claning. Yeah.

Speaker 6 (01:23:02):
I think a lot of us, maybe even all of
us suspected that originally when we knew she was coming back,
And then they sort of played they did. I will
give it they the way they wrote it, They played
it up as if they weren't in Coudes with each
other and her moving now like everything sort of makes sense,
like the fact that he really didn't put up with
too much of a fight with her moving in, and yeah,

(01:23:24):
the conversations they've been having over the last two weeks,
and they made it seem very casual, but now we
know they've been they're pretty calculated since their partners.

Speaker 3 (01:23:34):
Essentially, more people should have picked up on the fact that,
I mean not us, but more people and Sam should
have picked up on the fact that he didn't put
up a fight with her in the house.

Speaker 1 (01:23:46):
Yeah.

Speaker 6 (01:23:46):
I kind of thought that too, but I was like, oh, whatever,
they're just like moving plot along to get her in
the house.

Speaker 4 (01:23:51):
I was like, Okay, whatever, it's not a big deal.
But yeah, but.

Speaker 6 (01:23:55):
Yeah, when she started questioning Kat, I was like, hmm,
getting you're way too involved in this, like what's going
on here?

Speaker 3 (01:24:05):
Yeah? Now do we think that she suspects Kat as
just being a nosey assistant, because it doesn't seem like
anybody would be suspect to her being an actual agent.

Speaker 6 (01:24:19):
Yeah, I just think she thinks she's nosy and doesn't
want her to find out that they're in coudes with
each other kind of a thing.

Speaker 4 (01:24:25):
Yeah, I don't think one has any idea that she's
I say, yeah, two.

Speaker 6 (01:24:31):
Weeks from now, they're revealed she she found out or something.

Speaker 4 (01:24:34):
Who knows.

Speaker 1 (01:24:35):
But I think I feel like, I feel like Gwenn
is kind of looking at her like there's something about you.
I can't put my finger on it, but there is
something about you and I don't know if I can
trust you or if I need to keep you mm hmm.
I feel I feel like it's it's like an unknown.

Speaker 6 (01:24:53):
It also changes their dynamic too, because when, yeah, they
originally bumped into each other, we're like, oh, they're gonna
be friends, and like they have you know, she's after EJ.
But that's not gonna affect when because Gwen doesn't care
about EJ. And you know what I mean, it was like, oh,
these two would be nice friends. Now it has a
different dynamic of her sort of Gwen's keeping an eye
on her because she doesn't want her to find out

(01:25:14):
or mess up her plans or.

Speaker 4 (01:25:16):
Or just be nosy.

Speaker 6 (01:25:17):
So yeah, it takes a different turn, which I'm like,
I don't know, we'll see how it works out. I
kind of like the idea of them being friends, so
we'll see if that actually comes to fruition or if
it's just Gwen playing her or or just keeping you know,
keep your enemy closer kind of a thing.

Speaker 3 (01:25:34):
I think it's really interesting seeing this side to Kat
where she I you know, I think people were shocked
when it was, you know, revealed that they were going
to go in this direction of her being an ISA agent,
but I think she's playing it so well because she
really does play it genuinely in terms of like she's
building genuine relationships with people, you know, Eg's assistant, her

(01:25:57):
relationship with Chad, maybe a budding friend with Grenned and
it all it actually is. The beauty of it is
that it is real. But it's also it's not I'm
pretending to get close to you so that I can
use you. It's that No, I'm actually getting to know
you and get close to you, and I'm an I

(01:26:19):
s A agent.

Speaker 11 (01:26:20):
Yeah, I'll wait, but that's it with I mean, I
need to know the real reason behind these blueprints.

Speaker 2 (01:26:41):
Yeah.

Speaker 1 (01:26:41):
We also sorry those blueprints didn't look like nothing? Was
it just me?

Speaker 3 (01:26:52):
Yeah?

Speaker 1 (01:26:53):
Like when when she like when she was looking at him,
I'm like, it literally just looks like a picture of
the hospital copied over, but it doesn't give like a
layout of something. Yeah, I'm like, you're just looking at
a three D building.

Speaker 4 (01:27:09):
Yeah, I'm curious what this is now.

Speaker 6 (01:27:13):
Because if it it's they're they're using the guys of
It's the free clinic, it's the tom you know, Well
it was supposed to be the Demurra now the Tom Horton.

Speaker 4 (01:27:22):
But is it just money? You know? Is it money laundering?
Is it something?

Speaker 1 (01:27:26):
You know what I mean?

Speaker 4 (01:27:26):
Like, is it just that?

Speaker 6 (01:27:27):
Is it gonna be something more nefarious?

Speaker 4 (01:27:29):
Is it?

Speaker 3 (01:27:30):
If it were something as simple as money laundering, I
think it would have been easy to sniff out.

Speaker 4 (01:27:37):
That's what I'm thinking.

Speaker 6 (01:27:38):
Yeah, I'm curious to what this is and also like
how nefarious is it? Is it something dangerous? Is it
something demyra esque or is it just like a bait
and switch?

Speaker 4 (01:27:49):
Do you know what I mean?

Speaker 6 (01:27:51):
Money uh get rich quick thing or Yeah?

Speaker 1 (01:27:56):
Curious, but I can tell you what it ain't no
free clinic.

Speaker 4 (01:28:00):
Yeah I can pat it.

Speaker 6 (01:28:02):
And it had to be something to entice Gwen too,
for her to come back and for her to put
up her money, like, it had to be something in
it that she would she would also feel appeal. It
would be appealing to her as well.

Speaker 1 (01:28:15):
Because I can tell you this, don't nobody give two
hoots about a Verse of X and the trouble that
they went through to get that. And there ain't nobody
care about no Verse of X. But you got to
hand it to Stephanie who was basically like the demyor
free clinic. Nope, Tom Horton free clinic. I'll get right

(01:28:35):
on that. What do you guys think. I think he
cave too quickly, That's why.

Speaker 4 (01:28:44):
I know.

Speaker 6 (01:28:44):
But like the whole point is to redo your image,
and you.

Speaker 3 (01:28:48):
Know that's not the whole point though, No, I'm.

Speaker 6 (01:28:50):
Saying that's the guys that he's saying it is. So
if you know what I mean, if you're going along
with the plan of what it is, then we know
now that he did it. He he quickly was able
to change it because he's up to something else. But
but if your point is to redefine your image and
your family's image, like I don't know, like you keep.

Speaker 4 (01:29:09):
The De Mirror Family Clinic, not the tom Orton family.

Speaker 1 (01:29:13):
I don't know.

Speaker 3 (01:29:18):
We'll see.

Speaker 1 (01:29:19):
Yeah, something, As my grandmother would say, some may write
in the butter milk, so I may write in the
butter milk. Okay. Well, before we get into tidbits, just
a quick reminder y'all follow us on social media Edition

(01:29:41):
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make sure you hit the subscribe button on our YouTube channel.
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(01:30:02):
can't watch us live on Sundays, and also show some
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you thought. And if you're watching us later, go ahead
and comment below and let us know what you're thinking.

Speaker 4 (01:30:21):
Hm.

Speaker 1 (01:30:24):
Now, let's get into some tidbits, shall we? Welcome home
THEO played by Tyler Joseph Andrews, who you saw earlier
in the show. Maybe we kind of talked about this.
There's definitely like some there's.

Speaker 4 (01:30:37):
Some yeah h there's something definitely just equally intrigued about
the JJ stuff as I am about the Demiro stuff.

Speaker 3 (01:30:54):
Yes, yeah, yeah, And there's even even even even the
clear stuff. I thought it. I thought it, you know,
touching upon the fact that this relationship didn't work out,
having even Belle and Sean have kind of a post
mortem of like, you know, did we do something to
our daughter that she thought this was okay kind of

(01:31:15):
a thing and thinking of and just kind of all
encompaniesing of that. You know that all of this led
THEO to come home. To me, it seemed inevitable that
he that all of it would happen, you know that.
You know, the way it was, all it all played

(01:31:35):
out made sense, you know, THEO and Claire not working
out it. I don't think we ever thought that they
were this destined couple. You know, they were just you know,
good friends who I think had had a good relationship,
had a good rapport, good trust, but maybe it was
never the sweeping love story. So it made you know,
it made sense in that respect. And even even you know,

(01:31:58):
THEO coming home, maybe in the mood that he did,
it seems like all the pieces are perfectly in place
for THEO to really have a shift, maybe not like
a total shift in personality, but like a shift in
his priorities.

Speaker 1 (01:32:16):
Yeah, totally. It's like a new beginning and a new
iteration of THEO. And it's interesting because like during the interview,
you know, Tyler was mentioning like watching but not watching
like all the iterations of THEO. But because this is
a character that was born on the show. I think

(01:32:38):
each time he comes back, it is, you know, it's
it's definitely going to be a different iteration because of life,
you know what I mean, like life experiences and things
you've been through. Life will sort of shift you just
a little bit. There's a foundation, but there's definitely like
a like a shift, you know.

Speaker 3 (01:32:58):
So yeah, yeah, yeah, it's time for it was time
for Theater to come home and maybe maybe discover how
how he can be his own man. And I do
feel like that's a that's a news story that hasn't
been told with THEO in terms of you know, and

(01:33:20):
I said this before, it's like he it's it's like
he has untapped potential, whether it be in you know,
in business, being a Demera, you know, his romantic future,
even I think even being an even being Abe's son, Yeah,
because you know, that's that's Abe's son in terms of
it's the child that he raised from birth. You know,

(01:33:43):
he you know, his child with Lexi. So but you know,
very much THEO and THEO him as a character encompasses
a very very almost sacred space in Abes's life and
in the Demera family, and it can kind of be
constricting to be in that bumble.

Speaker 1 (01:34:04):
Yeah.

Speaker 3 (01:34:05):
Yeah, where it's time for it's time for THEO to
discover what he is made of.

Speaker 4 (01:34:11):
Yeah, it's a lot of potential there.

Speaker 1 (01:34:13):
Mm hmm. Okay, Well, onto the next bit, domineering in laws.
I'm gonna let y'all start.

Speaker 6 (01:34:23):
Yeah, God, Jack and Jennifer have several seats.

Speaker 1 (01:34:28):
Please, Oh my question? Question? Question? Question? Question? Did I
ask this last week? I don't know, No, I'll ask this, Okay,
Are Jack and Jennifer being too much and too harsh
on the Green family?

Speaker 3 (01:34:51):
I think they're being too much and too harsh on Chad.

Speaker 1 (01:34:54):
Yeah.

Speaker 6 (01:34:54):
I was going to say in regard to Chad, Yes, yeah, you.

Speaker 1 (01:34:58):
Have to write the letter, you have to write. What
do you mean that that kept there?

Speaker 2 (01:35:04):
Yeah?

Speaker 3 (01:35:05):
I mean like they look, they they're they're they're raw,
and they lost a child and there's there's there's no
amount of anything that you could say that can necessarily
change their minds about how they're going to react to
this family and their role in hurting them. But the
way that they are speaking to Chad is just something else.

Speaker 1 (01:35:25):
Like But I think the thing that is so frustrating
is that they it wasn't intentional. Do you like, like
it wasn't like the Green family didn't look through the
Yellow Pages and go we're going to destroy them.

Speaker 12 (01:35:41):
Yeah.

Speaker 1 (01:35:41):
They literally had order And we keep talking about this.
They had orders from Clyde. It's like it's it's like
did and Jack and Jennifer and all the shenanigans that
they have been through in Salem. It baffles me that
they cannot understand and give them some grain because were
they supposed to say, oh, you want me to play

(01:36:04):
a dead woman? Yeah, just do whatever to my mama.

Speaker 3 (01:36:10):
Yeah, like what they I mean, I can't.

Speaker 1 (01:36:14):
Like they in in in all honesty, they had no
ties to them. They they didn't even know them. So
if it if it's going to become between cleaning this
dead woman and and my mama, I'm gonna go with
my mama. Yeah, I'm sorry.

Speaker 3 (01:36:32):
There are some battles that you have to pick, and
you know there. I just don't think anybody is going
to be able to argue with Jack and Jennifer and
win on this one because they're just so dug in
and so irrational that they can't They They're just not
gonna be able to see it. I don't ever anticipate
them ever seeing it. But I think the sticking point

(01:36:54):
where we all draw the line is that is the
the way that they're speaking to Chad and the way
that they're harassing him and and and making demands of him.
And it's like you could not have asked for a
more perfect son in law. Let's be real this this
man was was so devoted to your daughter, has been

(01:37:18):
so devoted to his his kids, your grandkids. He moved
his kids out of his family home into your family
home to give them a better life. He you know,
he's basically raised them more as hortants than Demeira's. He
has you know, he's been there. He's been there constant,
He's been you know, you know, he's he's just he's

(01:37:40):
done everything right. He's kept his their their mother's memory alive.
You couldn't have asked for a better son in law.
And the one time he's asking you to back off,
you can't do that. He's not even asking you to
change your minds, your minds, he's asking you to back
off of him and his choices.

Speaker 6 (01:38:00):
There nles the problem though about it's he's too ingrained
in the family. And I've said this before, and like
it's been fine up until now, but he's there's no
separation now now they feel like they can come in
and tell him because the kids are living in the
house and he's raising them and Julie's helping, and and

(01:38:21):
not that Julie shouldn't help or that they shouldn't have
a connection to the Hortons, but this is kind of
what happened when you.

Speaker 4 (01:38:28):
You ingratiate yourself so much.

Speaker 6 (01:38:30):
And we've joked about it before that Chad, for all
intensive purposes the last few years has been written and
has been treated as if he's a Horton, which is fine,
but here's here's why Jack and Jennifer feel like, hey,
you're on our side. You're not an independent thinker. Don't
you think like us?

Speaker 10 (01:38:49):
You know?

Speaker 6 (01:38:49):
It's like, yeah, I honestly don't care so much as
if they hate the Greens. I think that they can
have every right to and that's fine, but they don't
have a right to tell Chad what to think. And
because also think about it, if same Mark did succeed,
what do you say then how many times can you
use excuse Clyde? You know, if he killed Chad? You know,

(01:39:11):
I don't know if we'd have sympathy by saying Clyde
made me do it. I mean, you know, that doesn't
really work in the real world. I be like, you know,
so I'm fine. I also think Jennifer made a decent
point when she said, at least this of like they
desecrated my daughter's memory. And I'm still trying to get
over like. I not that I agree with her, but

(01:39:31):
I felt for her and understood her a little bit
more this week. Even though I disagree with what she's
saying to Chad. That's the only part I disagree. I
think if she wants to hate Chad in the Green
family and Mark, I think she has every right to
just you don't have a right to tell Chad what
to do or to then make it awkward or you
know what I mean.

Speaker 4 (01:39:50):
She's letting it.

Speaker 6 (01:39:52):
Get into the family dynamic now now she wants to
hang around.

Speaker 4 (01:39:56):
So she can watch chat. You know, it's getting weird now.

Speaker 14 (01:40:00):
Yeah.

Speaker 3 (01:40:00):
No, he's he's a grown man, and it's he he
needs to set some boundaries in his life the way
he did with Julie. And I'll give I'll give Julie
credit for realizing that she does need to respect those boundaries.

Speaker 1 (01:40:13):
Yeah, I just I just feel like he shouldn't, like,
he shouldn't be pressured to like write the same letter
that that they are and that he I mean, he
has a right to really think about, you know, how
he wants to approach this. You know, he's not going

(01:40:33):
to feel the same that that that they are and
and I feel like they have to respect that.

Speaker 3 (01:40:42):
Yeah. And let's not to say that he is going
to forgive Mark. He's out right said like like I
don't know what's going to happen if he gets released,
you know, between you know, with with as far as
his relationship with Cacos, he might not be comfortable with
him abround town. And it's fine for him to set
boun and say I don't like you. I'm probably never
gonna like you. But that's his choice to make.

Speaker 1 (01:41:04):
But it's also he just he just wants to he
just wants to move on. Yeah, that's all a lot
of Yeah, like he's he's just like I just it's
like and and holding on to stuff like that can
be tiring. Yeah, It's like, can we just move on?
People like us, Let's move on to the next thing.

(01:41:29):
Our next is his to the lady who lunch.

Speaker 3 (01:41:35):
Well the unfortunately the widows who lunch two yeah, yeah.

Speaker 4 (01:41:42):
Well most widows, Yeah yeah, I.

Speaker 3 (01:41:47):
Mean it touches upon I think what we you know,
kind of what we're talking about with Chad in terms of,
you know, Chad was chat in a very different stage
of his life in terms of his grief, and you know,
and seeing Julie and Marlena and and even and Maggie,

(01:42:11):
you know, discuss you know, they all lost their husbands.
They're all widows, but they're all were in various different
stages and lost them in different ways. And that touches
upon like there's no there's no right way to grieve,
there's no right way to move forward. You know. Some

(01:42:34):
people remarry, some people, you know, decide to never remarry.
Some people you know, are young or old. It's it's
there's no formula.

Speaker 10 (01:42:43):
M hm.

Speaker 4 (01:42:44):
I actually found Julie interesting in this conversation because she
was she was remarking.

Speaker 6 (01:42:49):
On Maggie and after Uncle Mickey died and moving on
to victory. Even even I thought she was kind despite
her feelings for Victor she's been very vocal about but
it was almost as if she and not that they're
trying to set up Julie, not that they're giving Julia
a love interest in the next six months. But I
felt like in her head she was contemplating the idea

(01:43:12):
of possibly finding someone, Like the way she was saying
it to Maggie when she was like, Doug's gonna be
the only love of my life and yeah, that's right
in and then like they lingered on her, and she
was kind of like.

Speaker 4 (01:43:24):
You know what I mean.

Speaker 6 (01:43:25):
There was like a few pauses there where she was like,
and again, I'm not saying she's contemplating dating someone, but
I think she's contemplating having another life outside of Doug.

Speaker 4 (01:43:35):
That I think she's.

Speaker 6 (01:43:38):
Maybe sort of possibly getting into the idea of having
And again I'm not saying it's romantic in nature, but
I think that conversation I felt was really interesting. It
was just about Doug's love of my life and I'm
never gonna date anybody, and nope, no one's ever gonna
come into my life. And then like they sort of
lingered on her, and she was like she seemed doubt

(01:44:00):
of saying that, even though she was she was saying
it as a proclamation.

Speaker 3 (01:44:04):
I think I took it differently. I took it more
as more as a like. You said that she had
contemplated it in hearing the stories, not just Maggie's, but
probably in hearing you know, the different other people and
that grief support group, and you know, contemplating just what
what her life would look like now beyond Doug, and

(01:44:29):
that that she gave herself that opportunity to picture, you know,
different options of what her future, you know, her remaining
years would look like. And you know, you give yourself
that if you give yourself that option of saying, what,
you know, what what would it look like if I
had love? And you're you're allowed to also say I don't.
I don't see that. I don't see myself ever moving

(01:44:51):
on from this love. And that's not to say that
love might not appear. But if if, if that's your choice,
that's cool too. That's if you know that's the love
of her life. You know it's not something that interests her,
that's fine. You know, it was different. It was different
for Maggie. It might be different for Marlena. It's definitely

(01:45:12):
different for Chad, who is who is a young a
younger widower. He has his full life ahead of him.
He has children to raise, he wants a fuller life.
He has so many decades ahead of him that he
needs that opportunity, maybe in a way that these women
don't or don't want, because they've they were lucky enough

(01:45:32):
to have decades with their spouses, they were lucky enough
to have so many wonderful years with their husbands, and
it's it's different for everybody, but.

Speaker 1 (01:45:48):
It's nice to see them explore this, and especially with
these characters who do have this connection of grief, you know,
because grief is real, you know, and it doesn't just
just go away, you know.

Speaker 6 (01:46:01):
So yeah, it's sad to like it. Like, of course,
I know it's been happening, and it's it's been year.
It seems like a year.

Speaker 4 (01:46:08):
After year this has been happening.

Speaker 6 (01:46:10):
But to have in that scene three of those four
women be widows in a relatively short amount of time.

Speaker 4 (01:46:17):
Was like part of it was like real world.

Speaker 6 (01:46:19):
Of course, we know the actors passed away, but also like,
oh interesting the show.

Speaker 4 (01:46:24):
I feel like the show would have never wrote.

Speaker 6 (01:46:26):
That that way if not for real world circumstances. Having
three of its sort of prominent or leading women be
widows on the show. So it's it's weird how you
know life life not imitates art, but in influences art
in this way.

Speaker 3 (01:46:43):
And I mean it's it's it's three. It's three leading
women saying you know, you know, saying that, you know,
goodbye to their their their scene partners of you know,
of decades. You know that they were You know that
that an't you know, just because they were you know,
their fake husband or on scream husband or you know,

(01:47:04):
in Julie's case, in Susan's case, you know that was
her real the real love of her life. You know,
it's still somebody that you see every day, somebody that
you you know, you have a have a you build
a bond. That's different.

Speaker 1 (01:47:19):
Yeah yeah, mm hmm. All right, Well onto the next
tidbit that we have run away.

Speaker 3 (01:47:30):
Rachel Pratty should have seen this coming.

Speaker 1 (01:47:33):
Yeah, what do you do?

Speaker 6 (01:47:37):
What she asked in he says, I don't know what
I'm like, Okay, you should have found that information out beforehand,
so that when you talk to your daughter, who you
know is desperately gonna want to see her mother, you
could say she can't.

Speaker 4 (01:47:51):
Have visitors for the first two weeks, like I thought
that's what he was gonna say that.

Speaker 6 (01:47:54):
He was like, I'll find out as if like this
was a foreign concept or something to him. I'm like, well,
first of all, you've already been through this once. She's
already been in jail at you know, Kristal was already
in jail at the portions of Rachel's childhood already, So yeah,
you should be a little bit more familiar or used
to this.

Speaker 4 (01:48:14):
I guess I'd say.

Speaker 1 (01:48:17):
My thing was, did you have to tell her before school?
You can tell her after over a snack, Like like
I don't like, don't send me to school with bad news.
Mm hmmm, send me to school with a snack and
say I'll see you later. And then when I get
out of school and I tell you about my day,
then you have this thought with me. So then that

(01:48:38):
way I can just be at home and contemplate it,
not at school.

Speaker 6 (01:48:43):
Also, like the night before or why like obviously she
wasn't sentenced that morning five minutes before you told her.

Speaker 4 (01:48:50):
She obviously you know, sentenced a day or two before.

Speaker 6 (01:48:52):
Like that's kind of when you need to tell her, Like,
this is not something you keep from someone like Rachel.

Speaker 4 (01:48:59):
At Rachel's aid, yeah, and.

Speaker 3 (01:49:01):
We already know that Brady is about is gonna eat
a whole bowl of you know what when he finds
out the real reason that Kristen's in prison. But you know,
even even without that, even if Kristen had been the
one to pull the trigger, the fact that he's going
into conversations with Rachel and like trying to be the

(01:49:25):
good parent when you're the one who extended her sentence
like right, like don't please please, don't try to sugarcoat that.

Speaker 1 (01:49:35):
She said in high school.

Speaker 3 (01:49:37):
I said, yeah, yeah, like Kristen, Like Kristen could have Yeah,
it could have been enough for Kristen to take responsibility.
Any amount of time that Kristin and Rachel were separated
was going to be traumatic for Rachel. You know, whether
it was you know, whether it was warranted by the
law or not. You didn't have to go in there
and you know, make it worse.

Speaker 1 (01:50:00):
Hm hmm. Yeah.

Speaker 6 (01:50:04):
I mean part of me feels bad for Brady a little,
just because I feel like they're they're inadvertently setting him up,
do you know what I mean? Like, obviously, if he
had the information, he would in no way it rushed
in there. He shouldn't have done it anyway. But it's like,
I don't know, you're sort of robbing him of having

(01:50:24):
an actual honest reaction to this. And again, I still
don't understand why they're not telling it still doesn't make
sense to me. No one has given a proper explanation
as to why they're keeping it. And it's like he
needs to know in order to help Rachel. Like this
idea that Marlena is the sole person who has to

(01:50:44):
like now look out for Rachel and be responsible for
her mental her mental stability. Now, it's like this.

Speaker 3 (01:50:51):
Is really can't even be responsible for her own mental
stability right now. This is a bad idea.

Speaker 6 (01:51:01):
Not one person said one good reason as to why
Brady shouldn't know no no.

Speaker 3 (01:51:07):
On the right side. Uh. I you know, I did
think the one scene that was cute that actually I
was like, why don't they explore more of this? It
was I think the scene with with Holly and Rachel,
and it reminds me, you know, it's it's a reminder
that they used to live in the same house. It's
also a reminder that I think Holly would do better

(01:51:28):
with the younger crowd. Like I think that's where like
I think that's where she shines in terms of like
being like the older, older sibling, being the confidant. I
think she I saw something there with the Holly character.
I think she just she really shines there.

Speaker 1 (01:51:47):
Yeah, she changed her hair. Yes it's darker. Yes, yeah,
her hair is.

Speaker 4 (01:51:57):
Darker because pulled back. I didn't notice much.

Speaker 1 (01:51:59):
I say. I said, Oh, they're trying. They're trying to
give HOLLI like college years.

Speaker 4 (01:52:04):
Oh yeah, give her a new look for college.

Speaker 1 (01:52:06):
Yeah, she said, she said, do you hear me? Take
I'm a woman now, I'm according to college.

Speaker 4 (01:52:16):
It's an older brother. Parker's older than her.

Speaker 3 (01:52:20):
No, she has well she has you remember, oh Jude, Sorry.

Speaker 4 (01:52:22):
Yeah, sorry, I thought he was referring to Parker.

Speaker 3 (01:52:25):
Yes, but good to remember. Yes, she does typically have
she has an older brother.

Speaker 1 (01:52:33):
Interesting. All right, well, now that we have covered your
favorite top opera days of our lives, it is now
time to dive in deep to our favorite part of
our show, which are our segments. And we're going to
start with mine, which is Tony's Ova Show. Please Snaps Award,

(01:52:57):
Thank you, Here we go. All right, My three Snaps
Award goes to a grown but small woman, Rachel Rachel
is a grown woman, whether we want to believe it
or not. She has her own rules, She does what

(01:53:23):
she wants to do, and she really answers to nobody
across her and she'll shoot you no, mm hmm yeah. So,
oh my gosh, I totally forgot the actress's name. Oh god,
I'm Rachel gets Tony's official huh?

Speaker 4 (01:53:47):
Is it Alice?

Speaker 1 (01:53:48):
Yes? Yeah?

Speaker 4 (01:53:50):
Oh god? Why am I forgetting her name too?

Speaker 1 (01:53:52):
I don't know, but either way, you get Tony's official
three Natural Award Alice. Yeah, for being a grown woman.
She gonna do whatever she wants. And now let's travel
back in time for.

Speaker 6 (01:54:15):
All right, everyone, I'm taking you back to September sixth,
twenty twenty one, when Beyond Salem premiered, because, of course,
was a five episode companion series that we now know
was a quote unquote test run for the future of Days,
and the question was if.

Speaker 4 (01:54:31):
Moved to streaming, would it have an audience?

Speaker 6 (01:54:34):
Little did we know what we were in store for
and go check out my those are the Days extended
Right after this where I break down sort of genesis
of Beyond Salem, What was going on, who came back,
who did it?

Speaker 4 (01:54:48):
What was highlighted what was different.

Speaker 6 (01:54:50):
And how yeah, how it sort of launched days's life
on Peacock moving forward to go check that out. But yeah,
that was September sixth, twenty twenty one when Beyond Salem premiered.

Speaker 1 (01:55:03):
I still think they should have they should have kept
that going. Oh my god, that would have been such
a good like companion thing. But what do we know
now they were back in the present. Oh, and that
was time for It's a Gift.

Speaker 3 (01:55:25):
This week's It's a Gift goes to mister Tailpangliss playing
Tony Demira. And what I'd like to think is the
non answer answer what somebody just somebody? Yeah, that's that's
actually is a general rule when you somebody trips you
up with a tough question that you're not going to answer,

(01:55:47):
just just take a drink.

Speaker 1 (01:55:49):
Was there a question in there somewhere? It's like, so, Tayo,
are we taking over Demira Enterprises today?

Speaker 4 (01:56:08):
Oh?

Speaker 1 (01:56:09):
That was a great one.

Speaker 4 (01:56:10):
And that was It's a game.

Speaker 1 (01:56:14):
And now it's time for.

Speaker 6 (01:56:21):
News and gossip And starting off one of our favorites,
mister James Reynolds gives his take on the Great Love
of Apes life in this new book called Super Soap Scenes,
a Time Capsule of Daytime drama Is Greatest Moments, which
is available now you can pick up. An ideo also
describes how is To also describes this to marriages, his

(01:56:43):
wives and how they are vastly different from one another.
So go check out James's sort of section in that book.
I'm sure filled with other other amazing soap scenes from
various soaps, So go check that out. It's available now again.
It's called Super Soap Scenes, a Time Capsule of Daytime
Drama's Greatest Moments.

Speaker 4 (01:57:03):
You can pick up now.

Speaker 3 (01:57:04):
I love that all right. Next up, Friends to the Show,
Stacy Haiduk and her daughter Sophia Tatum sat down with
our former Audition Days host Tammy Govea for her YouTube
series Voices of Daytime over on JLJ Media. The mother
daughter duo paid a visit to discuss their new horror short,

(01:57:25):
which we have featured on our show as well brand
new Cadillac. The joys and challenges and the ups and
downs of filmmaking are all the things that they discuss,
and you know, Tammy always has a great conversation going,
so go over to Jljmdia on YouTube. And check that out.

Speaker 6 (01:57:45):
And next up we have a couple of new gigs
for the day Players Band. Day Players a couple of
gigs in February of twenty twenty six which shows in Tacoma,
Washington and Sacramento, California. And for the rest of this
year you can catch him of course and see the
Rapids in Des Moines and Omaha, Kansas City, Naperville, Brookfield,

(01:58:06):
and Batavia through October. So all tickets and information you
can go to the day Players band dot.

Speaker 1 (01:58:13):
Com, the who.

Speaker 3 (01:58:17):
The Day place.

Speaker 1 (01:58:20):
That will never get old. But that was news and
gossip and now it's time to see what will happen
next week on Peacock's Days of our Lives.

Speaker 4 (01:58:38):
I am ready to take our relationship to the next level.

Speaker 1 (01:58:42):
What are you doing here?

Speaker 4 (01:58:42):
You don't have a shift. I wanted to make sure
that you were still coming over in my dorm tonight.

Speaker 15 (01:58:47):
So yeah, maybe you shouldn't tell Holly about this, you know,
she gots I know that's Andre's.

Speaker 4 (01:58:52):
The one that attacked you, except he isn't. What the
hell do you think you're doing?

Speaker 3 (01:58:56):
I have filed a lawsuit to contest Titan and just
Streets also take.

Speaker 1 (01:59:01):
Over I'm my father's company back along with yours. Boom
boom boom bum bum. All right, I think we're in
for the plan is now in effect, so we'll see

(01:59:24):
m all right. Well, ladies and gentlemen, that was Dish Days.
We thank you guys so much for tuning in. Please
make sure you follow are Michael Mattis who is out
here doing wonderful things. Check them out on Instagram and
Twitter x mL Mattis and for his photography check out

(01:59:46):
m l M Images LA Justin Lee Harold. Where can
they find You?

Speaker 4 (01:59:51):
Find that Instagram at Justin Lee Harold R.

Speaker 1 (01:59:53):
Sally.

Speaker 3 (01:59:55):
You can find me on Instagram and Twitter at t
I three two three are Sally and you.

Speaker 1 (01:59:58):
Can find me on all social media platforms at Lounge
with Tony and you can find all of us at
Diition Day Show on Facebook, Edition Days, on Instagram, Twitter,
x and threads. We want to thank you guys so
much for hanging out with us on this amazing Sunday.
Shout out to Tyler Joseph Andrews for joining us today.
As he settles into Salem, y'all make sure y'all show

(02:00:19):
him some love and we will be back next Sunday
for another full dish, as we discussed this coming week's
episodes of Peacock's exclusive Number one award winning Hitsapapa Days
of Our Lives. Have a wonderful week, everyone, enjoy yourselves
and make sure you tune in two Days of Our
Lives every Monday through Friday, available on Peacock. Happy Sunday,

(02:00:43):
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